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I'm stood above a station that sits on top of the Alps. | 0:00:02 | 0:00:05 | |
But I'm not in France or even Switzerland. So where am I? | 0:00:05 | 0:00:08 | |
Find out in just a moment. | 0:00:08 | 0:00:09 | |
Today, we're helping a family of born and bred Londoners | 0:00:26 | 0:00:29 | |
become village people. | 0:00:29 | 0:00:31 | |
-Really pretty. -Quaint. -It's pretty in almost a fairytale way. | 0:00:31 | 0:00:36 | |
But catering to multiple generations means getting creative. | 0:00:37 | 0:00:40 | |
-We haven't found anywhere for Cheryl yet. -Oh, yeah. | 0:00:40 | 0:00:43 | |
Well, I'm going to show you something for Cheryl. | 0:00:43 | 0:00:46 | |
-There's a garage outside. No, don't laugh. -Sorry! | 0:00:46 | 0:00:49 | |
Today, I'm in Hampshire and this is the Medstead and Four Marks station | 0:00:54 | 0:00:57 | |
on historic Mid-Hants Railway. | 0:00:57 | 0:01:00 | |
The highest station in the south east of England, | 0:01:00 | 0:01:02 | |
this section of the line was known as the Alps | 0:01:02 | 0:01:05 | |
due to the steep gradient to the line running up to the station. | 0:01:05 | 0:01:08 | |
With inclines as steep as one in 60, | 0:01:08 | 0:01:11 | |
huge engines like this were needed to transport not only passengers | 0:01:11 | 0:01:14 | |
but also the local crop of watercress up to London. | 0:01:14 | 0:01:18 | |
In fact, soon after it opened in 1865, | 0:01:18 | 0:01:21 | |
the while route was affectionately known as the Watercress Line. | 0:01:21 | 0:01:24 | |
Later on in the show, I'll be finding out more about this historic | 0:01:24 | 0:01:27 | |
railway but also, hopefully, try my hand at driving one | 0:01:27 | 0:01:31 | |
of these impressive locomotives. | 0:01:31 | 0:01:33 | |
With the English Channel lying to the south, | 0:01:35 | 0:01:37 | |
Hampshire shares land borders with five other counties, | 0:01:37 | 0:01:40 | |
including Wiltshire to the west and Surrey to the east. | 0:01:40 | 0:01:44 | |
It's a county filled with vistas of pastoral beauty | 0:01:45 | 0:01:48 | |
where hedge-lined hills sit atop chalk bedrock | 0:01:48 | 0:01:51 | |
laid down over 60 million years ago in the Cretaceous period. | 0:01:51 | 0:01:55 | |
Charles Kingsley is said to have been inspired to write his novel, | 0:01:56 | 0:01:59 | |
The Water Babies, while staying near the trout filled River Itchen | 0:01:59 | 0:02:02 | |
in a 19th-century coaching inn | 0:02:02 | 0:02:04 | |
located in the pretty village of Itchen Abbas. | 0:02:04 | 0:02:07 | |
The first Doomsday Book entry for Hampshire is found at the | 0:02:09 | 0:02:12 | |
market town of Odiham, which now sits alongside the Basingstoke Canal. | 0:02:12 | 0:02:16 | |
The varied historic buildings here include | 0:02:16 | 0:02:19 | |
the remains of a castle, once the home of King John, | 0:02:19 | 0:02:22 | |
which he reportedly departed on June 10th 1215 | 0:02:22 | 0:02:25 | |
in order to seal Magna Carta at Runnymede. | 0:02:25 | 0:02:28 | |
So, whether you're seeking rural idylls, | 0:02:30 | 0:02:32 | |
an artistic muse or a rich and fascinating history, | 0:02:32 | 0:02:36 | |
Hampshire is a great choice for a country escape. | 0:02:36 | 0:02:39 | |
Now, there is one caveat when it comes to setting up home | 0:02:42 | 0:02:44 | |
in this beautiful Hampshire countryside and that's the price. | 0:02:44 | 0:02:48 | |
The average cost of a detached house in this county | 0:02:48 | 0:02:50 | |
comes in at nearly £400,000. | 0:02:50 | 0:02:53 | |
That's an incredible 40% above the national figure. | 0:02:53 | 0:02:57 | |
And that price increases further towards the Surrey border, | 0:02:57 | 0:03:00 | |
especially around towns like Fleet, | 0:03:00 | 0:03:03 | |
which has excellent rail links back into the capital. | 0:03:03 | 0:03:06 | |
So, if you want your money to stretch further, | 0:03:06 | 0:03:08 | |
then you're better off heading west around towns like Andover | 0:03:08 | 0:03:11 | |
or towards the Wiltshire border. | 0:03:11 | 0:03:13 | |
So, what's attracting today's buyers to this county? | 0:03:13 | 0:03:16 | |
Let's meet them and find out. | 0:03:16 | 0:03:17 | |
Today's house hunters, mother and son, Nicola, a head teacher, | 0:03:17 | 0:03:21 | |
and Michael, a digital publisher, live in flats just a few doors apart | 0:03:21 | 0:03:25 | |
in Parson's Green, south west London. | 0:03:25 | 0:03:28 | |
They want to join forces in order to flee the city for the space | 0:03:28 | 0:03:31 | |
a country escape would afford. | 0:03:31 | 0:03:34 | |
-In Parson's Green, it's like, a standard house... -Yes, a three bed. | 0:03:34 | 0:03:37 | |
..that you buy for a million quid. It's crazy. It's absolutely crazy. | 0:03:37 | 0:03:40 | |
So, if you want to make the money work at its best, | 0:03:40 | 0:03:43 | |
then you need to move out of London. | 0:03:43 | 0:03:45 | |
You need to move out to the country. | 0:03:45 | 0:03:47 | |
We're thinking, if we combine the money we had and we moved out a bit, | 0:03:47 | 0:03:51 | |
we could get somewhere where we could all live, essentially. | 0:03:51 | 0:03:54 | |
One of the other reasons is, obviously, | 0:03:54 | 0:03:56 | |
we want to move for space, because, wherever you go in London, | 0:03:56 | 0:03:59 | |
you're never going to have a huge amount of space. | 0:03:59 | 0:04:02 | |
They certainly need space, because Michael's wife, Holly, | 0:04:03 | 0:04:06 | |
and his mother-in-law, Cheryl, | 0:04:06 | 0:04:07 | |
will also form part of the new blended household. | 0:04:07 | 0:04:10 | |
I really like the idea of the multi-generational living. | 0:04:10 | 0:04:14 | |
The notion that you are close to the people that really matter | 0:04:14 | 0:04:17 | |
in terms of family, so that you can see them frequently. | 0:04:17 | 0:04:21 | |
That appeals to me a lot. | 0:04:21 | 0:04:23 | |
You very often need family. | 0:04:23 | 0:04:26 | |
Plus there are several canine members of the family to consider. | 0:04:26 | 0:04:30 | |
My little guy, Einstein, has this fear of other dogs, | 0:04:30 | 0:04:35 | |
so it makes walking them very difficult. | 0:04:35 | 0:04:38 | |
Just to be able to let him run in a reasonable-sized garden | 0:04:38 | 0:04:42 | |
would be lovely. | 0:04:42 | 0:04:43 | |
She loves forests. | 0:04:43 | 0:04:46 | |
Around here, most of the time, it's the parks. | 0:04:46 | 0:04:49 | |
There's something really nice about watching dogs run. That's really weird! | 0:04:49 | 0:04:52 | |
-But there is something really nice about watching a dog run. -It's the sense of freedom, isn't it? | 0:04:52 | 0:04:56 | |
The hope is that life away from the bright lights | 0:04:58 | 0:05:01 | |
and bustle of the big smoke will give them all a fresh outlook. | 0:05:01 | 0:05:04 | |
To be able to look at the stars without all the overspill | 0:05:06 | 0:05:09 | |
of city lights, I would actually invest in a proper telescope. Yes. | 0:05:09 | 0:05:14 | |
I actually quite like the sound of the country. | 0:05:14 | 0:05:17 | |
-I like the sound of nature. I quite enjoy that. -Actually, that's true. | 0:05:17 | 0:05:20 | |
I find that quite relaxing. | 0:05:20 | 0:05:21 | |
At night, you don't have the traffic noise, | 0:05:21 | 0:05:23 | |
but you have animal noises and bird noises. | 0:05:23 | 0:05:26 | |
And there is one particular county they have in mind for the move. | 0:05:26 | 0:05:29 | |
We're looking to move into Hampshire. | 0:05:29 | 0:05:31 | |
Michael went to school there, so I was travelling up and down | 0:05:31 | 0:05:34 | |
in it for years. It's kind of got everything. | 0:05:34 | 0:05:37 | |
It's got history, it's got the open spaces, | 0:05:37 | 0:05:39 | |
it's got its really quaint villages. | 0:05:39 | 0:05:42 | |
It's pretty too, actually, Hampshire's very pretty. | 0:05:42 | 0:05:45 | |
Most important of all, they hope that joining forces will mean | 0:05:45 | 0:05:48 | |
they're all on hand for one another. | 0:05:48 | 0:05:51 | |
Mum's getting older and Holly's mum is also getting older. | 0:05:51 | 0:05:54 | |
-You are! It's true. -I know. | 0:05:54 | 0:05:56 | |
I'm extremely lucky to have a son that I'm really good friends with, | 0:05:56 | 0:05:59 | |
and we get on and we enjoy a lot of the same things. | 0:05:59 | 0:06:02 | |
He is actually the most amazing son to have in the world. | 0:06:02 | 0:06:06 | |
-I'm inordinately proud of him and love him to pieces. -I do too. | 0:06:06 | 0:06:10 | |
Michael and Nicola are open to living anywhere in the county | 0:06:16 | 0:06:19 | |
of Hampshire that's within easy reach to London rail links. | 0:06:19 | 0:06:23 | |
But there are a lot of people to consider in this property search, | 0:06:23 | 0:06:26 | |
so I'm meeting up with mother and son in the county to get | 0:06:26 | 0:06:29 | |
a better grip on everything they want from their move. | 0:06:29 | 0:06:33 | |
We've got quite a different kind of house search, haven't we? | 0:06:33 | 0:06:36 | |
I'm looking for multi-generations. | 0:06:36 | 0:06:39 | |
Absolutely. | 0:06:39 | 0:06:40 | |
So tell me about it, Nicola. | 0:06:40 | 0:06:42 | |
Michael and Holly would have the main house, because, obviously, | 0:06:42 | 0:06:46 | |
they're going to have a family... | 0:06:46 | 0:06:47 | |
-No pressure. -Absolutely! No pressure there. | 0:06:47 | 0:06:51 | |
-And then Cheryl would have a one-bedroom... -Right. | 0:06:51 | 0:06:54 | |
..and I would have, ideally, a two bedroom. | 0:06:54 | 0:06:57 | |
-So this house, well, it's a bit like the Waltons, isn't it? -No, no, no. | 0:06:57 | 0:07:00 | |
-We want our own front doors. -Separate front doors. | 0:07:00 | 0:07:03 | |
-You want your own front doors? -Definitely. | 0:07:03 | 0:07:05 | |
By the sounds of it, we're looking for three separate properties | 0:07:05 | 0:07:08 | |
-on one plot of land. -That would work, yes. | 0:07:08 | 0:07:11 | |
-I hope you all get on. Tell me you get on. -Yes, we do. -We all get on. | 0:07:11 | 0:07:15 | |
-And all our dogs get on. -Hold on, you've got dogs as well? -Yes. | 0:07:15 | 0:07:18 | |
Oh, yeah. | 0:07:18 | 0:07:20 | |
There's people watching this around Hampshire thinking, | 0:07:20 | 0:07:23 | |
"God, I hope that's not next to me." | 0:07:23 | 0:07:25 | |
THEY LAUGH | 0:07:25 | 0:07:27 | |
OK, so, the house is big and it's versatile, | 0:07:27 | 0:07:31 | |
maybe to split up into separate dwellings with annexes. | 0:07:31 | 0:07:34 | |
What about outside space? | 0:07:34 | 0:07:37 | |
-Be nice to have some outside space. -Yeah. | 0:07:37 | 0:07:38 | |
I mean, at the moment, with our dog, we've got a flat | 0:07:38 | 0:07:41 | |
and there's no outside space at all, which means, | 0:07:41 | 0:07:44 | |
at one or two in the morning, it's always me going out for the walk. | 0:07:44 | 0:07:47 | |
It would be quite nice to open a door. | 0:07:47 | 0:07:49 | |
Whereabouts in Hampshire are you particularly keen on looking? | 0:07:49 | 0:07:52 | |
For Holly particularly, it needs to be close to a train station, | 0:07:52 | 0:07:56 | |
so we can get into London within an hour. | 0:07:56 | 0:07:58 | |
-Right, cos that's where a lot of her work is and stuff. -Exactly. | 0:07:58 | 0:08:01 | |
So, I think that's the primary thing for me. | 0:08:01 | 0:08:04 | |
OK, you want an awful lot. How much are you looking to spend? | 0:08:04 | 0:08:08 | |
-It would be a maximum of £1.2 million. -OK. | 0:08:08 | 0:08:11 | |
We've got three cracking properties lined up. Let's get going. | 0:08:11 | 0:08:14 | |
By pooling their resources, Nicola and Michael have £1.2 million | 0:08:18 | 0:08:22 | |
to effectively purchase three homes in one. | 0:08:22 | 0:08:26 | |
They'd like a one to two bedroom apartment for Nicola. | 0:08:26 | 0:08:29 | |
A main house with at least three bedrooms | 0:08:29 | 0:08:32 | |
for Michael and his wife, Holly. | 0:08:32 | 0:08:34 | |
And another one bedroom annexe for Holly's mum, Cheryl. | 0:08:34 | 0:08:37 | |
Plus they want a garden for the dogs and to be near rail links. | 0:08:37 | 0:08:41 | |
We've lined up three very different options to tempt them with. | 0:08:41 | 0:08:44 | |
And at each one, I'll be asking them | 0:08:44 | 0:08:47 | |
to guess the price before I reveal it. | 0:08:47 | 0:08:49 | |
The final property is the Mystery House which, this time, | 0:08:49 | 0:08:52 | |
could really take our buyers out of their comfort zone. | 0:08:52 | 0:08:56 | |
You get on really well with your mum, sat here next to me. | 0:08:59 | 0:09:02 | |
Well done, Nicola. | 0:09:02 | 0:09:05 | |
You're moving your mother-in-law in with you. | 0:09:05 | 0:09:07 | |
Yeah. I actually get on really well with her as well. | 0:09:07 | 0:09:09 | |
-And then, you obviously get on very well with Holly. -Yes. | 0:09:09 | 0:09:13 | |
-So, it's all happy families, isn't it? -Yeah. | 0:09:13 | 0:09:15 | |
I think it's also nice as well, | 0:09:15 | 0:09:17 | |
-because both our mums are on their own. -Yes. | 0:09:17 | 0:09:20 | |
So, actually, it's quite nice to have, you know, | 0:09:20 | 0:09:22 | |
other people around and company and things. | 0:09:22 | 0:09:26 | |
Never have I witnessed such a thinly-veiled attempt | 0:09:26 | 0:09:31 | |
to get some ready made baby-sitters. | 0:09:31 | 0:09:33 | |
THEY ALL LAUGH | 0:09:33 | 0:09:35 | |
The first property has London rail links three miles away | 0:09:38 | 0:09:41 | |
in the village of Grately and four miles away in the town of Andover. | 0:09:41 | 0:09:45 | |
It's located in the village of Thruxton. | 0:09:45 | 0:09:48 | |
The village has two pubs, including a former coaching inn. | 0:09:48 | 0:09:52 | |
One particularly quirky feature in the village is a classic | 0:09:52 | 0:09:56 | |
red phone box that's now being used as a book exchange. | 0:09:56 | 0:09:59 | |
The proposition I want to show Michael and Nicola | 0:09:59 | 0:10:02 | |
is located right in the middle of the village. | 0:10:02 | 0:10:04 | |
This is house number one. What do we think? | 0:10:06 | 0:10:09 | |
It's lovely. Really nice. | 0:10:09 | 0:10:11 | |
-I like the double fronted. -Yeah. -Bays, they're really nice. | 0:10:11 | 0:10:14 | |
-It's attractive. -Very attractive, yeah. -It's very well proportioned. | 0:10:14 | 0:10:17 | |
-Now that, just remember that. -Right. | 0:10:17 | 0:10:20 | |
Inside is one of the most impressive rooms | 0:10:20 | 0:10:24 | |
you're likely to see in your budget. | 0:10:24 | 0:10:26 | |
-Really? -Yeah. -OK. -Let's go inside. -OK. -Great. | 0:10:26 | 0:10:29 | |
'The barn-like addition was completed by the current owners in 2012, | 0:10:31 | 0:10:35 | |
'but the original house was built in 1870. | 0:10:35 | 0:10:37 | |
'We're entering through what could be Nicola's front door | 0:10:39 | 0:10:42 | |
'into the section I think is best suited to become her accommodation.' | 0:10:42 | 0:10:46 | |
-This is your living room. -Wow. | 0:10:46 | 0:10:49 | |
-Amazing. And a real fire. -Yeah. | 0:10:49 | 0:10:50 | |
-It's lovely, isn't it? Really good. -It's fabulous. | 0:10:50 | 0:10:53 | |
I could move in tomorrow. | 0:10:53 | 0:10:55 | |
There are a few reception rooms this end of the property | 0:10:55 | 0:10:58 | |
that I think could be merged together, if you like, | 0:10:58 | 0:11:02 | |
to give you a nice little ground floor flat. | 0:11:02 | 0:11:05 | |
'By turning, what is now, a family sitting room into Nicola's bedroom, | 0:11:07 | 0:11:11 | |
'rearranging the study as a kitchen | 0:11:11 | 0:11:15 | |
'and expanding the downstairs loo into the hall to make a bathroom, | 0:11:15 | 0:11:19 | |
'Nicola could have all the accommodation she requires. | 0:11:19 | 0:11:22 | |
'Closing off the door to the garden | 0:11:23 | 0:11:25 | |
'and blocking off and turning the stairs would allow Nicola | 0:11:25 | 0:11:28 | |
'private access to her share of the ground floor. | 0:11:28 | 0:11:31 | |
'This would leave the remainder of the house for Michael | 0:11:31 | 0:11:34 | |
'and his wife, Holly.' | 0:11:34 | 0:11:36 | |
You'd have a completely self-contained one-bedroom flat | 0:11:36 | 0:11:39 | |
and that garden there could be your very own garden. | 0:11:39 | 0:11:42 | |
-Not bad, is it? -That's not bad. That's not bad. | 0:11:42 | 0:11:45 | |
-Let's look into the living area here. -OK. -For you, Michael. | 0:11:45 | 0:11:48 | |
Now, as regards kitchen diners, | 0:11:50 | 0:11:52 | |
I think this should be adequate for anyone. | 0:11:52 | 0:11:56 | |
-Wow. -Phwoo. | 0:11:56 | 0:11:58 | |
Wow! That is amazing! | 0:11:58 | 0:12:00 | |
-Look at this glass. -Yeah. | 0:12:00 | 0:12:02 | |
It's phenomenal. | 0:12:02 | 0:12:04 | |
-But what a space. -It's amazing. -What a space. -It's absolutely amazing. | 0:12:04 | 0:12:08 | |
Do you remember from the garden, I said, look at that black barn? | 0:12:08 | 0:12:11 | |
-Yes, I remember that. -Look at it. -This is it. -This is it. | 0:12:11 | 0:12:14 | |
It's the materials they've used that gives it that feel, | 0:12:14 | 0:12:17 | |
the atmosphere, the range. | 0:12:17 | 0:12:20 | |
The rooms off here, you're going to love this, you've got a dog room... | 0:12:20 | 0:12:23 | |
-A dog room? -Yes. -Are you serious? | 0:12:23 | 0:12:25 | |
It's got a little sink in there. | 0:12:25 | 0:12:26 | |
Then you've got a utility there and then, obviously, | 0:12:26 | 0:12:29 | |
your main entrance to this, you and your wife, Holly, | 0:12:29 | 0:12:33 | |
-would be there through the boot room. -OK. | 0:12:33 | 0:12:35 | |
Again, putting a bit of pressure on you, | 0:12:35 | 0:12:37 | |
if you were to hear the pitter-patter of tiny feet, | 0:12:37 | 0:12:40 | |
-this is where you'd like to see them running round. -Oh, yeah. | 0:12:40 | 0:12:43 | |
They've got all the space. It's fabulous. | 0:12:43 | 0:12:46 | |
All right, now let's take a look upstairs at the bedrooms on offer. | 0:12:46 | 0:12:49 | |
OK. | 0:12:49 | 0:12:50 | |
'On the first floor, Michael and Holly would have a smart family bathroom. | 0:12:51 | 0:12:56 | |
'It serves two double bedrooms to the front of the house, | 0:12:56 | 0:12:58 | |
'both with built-in wardrobes and also a good-sized single | 0:12:58 | 0:13:02 | |
'to the rear with doors to a balcony overlooking the garden. | 0:13:02 | 0:13:06 | |
'Lastly up here, again with views of the back, we find the master suite.' | 0:13:06 | 0:13:11 | |
I do like the six wardrobes. That would be good for Holly. | 0:13:12 | 0:13:15 | |
-Lots of stuff to store? -A lot of stuff. | 0:13:15 | 0:13:17 | |
Lots of clothes, lots of clothes. | 0:13:17 | 0:13:19 | |
This is an amazing en suite, actually. | 0:13:19 | 0:13:21 | |
Could you see yourselves en masse living in this house? | 0:13:21 | 0:13:25 | |
-Yeah. -Yes, actually, I could. I really could. | 0:13:25 | 0:13:28 | |
-Except we haven't found anywhere for Cheryl yet. -Oh, yeah. | 0:13:29 | 0:13:32 | |
Well, I'm going to show you somewhere for Cheryl. | 0:13:32 | 0:13:34 | |
There's a garage outside... NICOLA LAUGHS | 0:13:34 | 0:13:36 | |
-No, don't laugh. -Sorry! | 0:13:36 | 0:13:38 | |
Shall we go out and have a look and then discuss the land | 0:13:38 | 0:13:41 | |
-and start thinking about guessing the price? -Yeah. | 0:13:41 | 0:13:43 | |
'With a third of an acre plot, including a gravel driveway, | 0:13:46 | 0:13:49 | |
'the rear garden is mostly laid to lawn with low-maintenance borders. | 0:13:49 | 0:13:54 | |
'The real bonus here is the outbuilding. | 0:13:54 | 0:13:57 | |
'On the ground floor, there are garages and a workshop. | 0:13:57 | 0:13:59 | |
'But upstairs, there's a ready-made studio apartment complete | 0:13:59 | 0:14:02 | |
'with kitchen facilities and a shower room, | 0:14:02 | 0:14:05 | |
'which could make an ideal annexe.' | 0:14:05 | 0:14:07 | |
That could be a fantastic dwelling. | 0:14:07 | 0:14:10 | |
If you did something with the ground floor of it, | 0:14:10 | 0:14:12 | |
-you may have second thoughts about being in the main house. -Absolutely. | 0:14:12 | 0:14:17 | |
Of course, all this does cost money. | 0:14:17 | 0:14:20 | |
So, how much do you think this house is on the market for? | 0:14:20 | 0:14:23 | |
-Gosh. -It's got to be near the top of our budget I'd say. | 0:14:23 | 0:14:26 | |
I'd say 1.15 or 1.2 million. | 0:14:26 | 0:14:28 | |
I'd say... | 0:14:28 | 0:14:29 | |
..1.75. | 0:14:31 | 0:14:33 | |
Maybe 1.1. | 0:14:33 | 0:14:35 | |
-1.1 million? -Yeah. | 0:14:35 | 0:14:37 | |
Well, this house is on the market... | 0:14:37 | 0:14:40 | |
..for offers around £975,000. | 0:14:41 | 0:14:43 | |
Right, we'll make an offer. | 0:14:43 | 0:14:45 | |
-That's it, sold! -Wow. -That's perfect. | 0:14:46 | 0:14:49 | |
So, why don't you go and refresh your memory? | 0:14:49 | 0:14:52 | |
-Discuss who gets what. -OK. | 0:14:52 | 0:14:54 | |
-See you in a moment. -Thank you very much. | 0:14:54 | 0:14:56 | |
A great start. | 0:14:57 | 0:14:59 | |
I think it's not just the house's flexibility that's made it go | 0:14:59 | 0:15:02 | |
down so well, it's the fact that the conversion, the remodelling | 0:15:02 | 0:15:05 | |
of this house has been done to the best possible standard. | 0:15:05 | 0:15:08 | |
And if they don't buy it...I might. | 0:15:08 | 0:15:11 | |
£225,000 under budget, this detached Victorian property has enough room | 0:15:15 | 0:15:20 | |
in the four-bedroom house for Michael and wife, Holly. | 0:15:20 | 0:15:24 | |
As well as enough reception space | 0:15:24 | 0:15:26 | |
to create a one-bedroom flat for Nicola. | 0:15:26 | 0:15:28 | |
There's a versatile outbuilding that could provide | 0:15:28 | 0:15:31 | |
detached accommodation for Holly's mum. | 0:15:31 | 0:15:33 | |
Plus, the garden is ideal for the dogs, | 0:15:33 | 0:15:35 | |
and London rail links are also nearby. | 0:15:35 | 0:15:39 | |
Much better than I was expecting. It's absolutely beautiful. | 0:15:39 | 0:15:43 | |
I like the fact that it's easy to split up. | 0:15:43 | 0:15:46 | |
Actually, it's really easy to split up. | 0:15:46 | 0:15:48 | |
And we've got all this space that's at the moment empty downstairs. | 0:15:48 | 0:15:52 | |
Yeah. Yeah, yeah, yeah. | 0:15:52 | 0:15:54 | |
So, actually, I could put the kitchen downstairs. | 0:15:54 | 0:15:56 | |
That wouldn't be an issue. | 0:15:56 | 0:15:58 | |
-I can't imagine they can top this. -I think it's definitely a possible. | 0:16:00 | 0:16:04 | |
I'm just amazed that the guys found this. It's brilliant. | 0:16:04 | 0:16:07 | |
-Liked it? -Loved it. -Loved it. -Good. | 0:16:10 | 0:16:12 | |
-So, let's go to the next one, shall we? -Perfect. -Have we got to? | 0:16:12 | 0:16:14 | |
We have to, yes. Won't take long. I'm not going to do | 0:16:14 | 0:16:17 | |
-all that research and show you one house, am I? Come on. -OK. | 0:16:17 | 0:16:19 | |
Although Hampshire's links to the capital make it a popular location | 0:16:24 | 0:16:28 | |
for commuters, 85% of the county is classed as rural. | 0:16:28 | 0:16:32 | |
So, to give Londoners and keen animal lovers, Michael and Nicola, | 0:16:33 | 0:16:37 | |
a taste of traditional country life, | 0:16:37 | 0:16:39 | |
we're sending them to meet fifth-generation tenant farmer, | 0:16:39 | 0:16:42 | |
Robert Sampson, whose farm is one of the few in the country | 0:16:42 | 0:16:45 | |
still using working horses come rain or shine. | 0:16:45 | 0:16:48 | |
-You've got Shire horses here? -These are not Shires, they're Percherons. | 0:16:50 | 0:16:54 | |
They're actually British Percherons. | 0:16:54 | 0:16:56 | |
What's the difference between them and Shires? | 0:16:56 | 0:16:59 | |
The Shires have got the hair around the feet. | 0:16:59 | 0:17:01 | |
You march them through six inches of mud and you can imagine | 0:17:01 | 0:17:04 | |
-what they look like. -Not so great. | 0:17:04 | 0:17:06 | |
It was always a major problem in the stables, was actually controlling | 0:17:06 | 0:17:09 | |
the disease called grease, which came about through | 0:17:09 | 0:17:12 | |
using them in muddy conditions. | 0:17:12 | 0:17:14 | |
Originally bred as war horses, | 0:17:14 | 0:17:17 | |
the breed's efficient use of feed to output soon made Percherons | 0:17:17 | 0:17:20 | |
popular work horses for both transport and agriculture. | 0:17:20 | 0:17:24 | |
Robert breeds as well as trains both horse and human in equine farm work. | 0:17:25 | 0:17:29 | |
Bring them over. So, walk him over here. | 0:17:30 | 0:17:33 | |
Today, Linus and Axel are joining him to show Michael | 0:17:33 | 0:17:35 | |
and Nicola how to take the reigns. | 0:17:35 | 0:17:38 | |
That's it. | 0:17:38 | 0:17:40 | |
-Bring his head round. Lovely job. -That's a good boy. -That's it. | 0:17:40 | 0:17:44 | |
Right. OK, then, off we go. Axel. | 0:17:48 | 0:17:50 | |
Percherons are well muscled and well known for their intelligence | 0:17:52 | 0:17:55 | |
and cooperation. | 0:17:55 | 0:17:57 | |
Robert favours them over mechanised options for most of his farm work. | 0:17:57 | 0:18:01 | |
The jobs may take a little longer, but as all the horse feed is grown | 0:18:01 | 0:18:05 | |
on his 223 acres, there's a good saving on fuel costs. | 0:18:05 | 0:18:10 | |
Whoa! Whoa! | 0:18:10 | 0:18:12 | |
One more step. | 0:18:13 | 0:18:15 | |
Good boy. | 0:18:15 | 0:18:17 | |
Right, Axel. Linus. | 0:18:20 | 0:18:23 | |
Good boy. | 0:18:23 | 0:18:25 | |
Come on, hands forward. There you are. | 0:18:26 | 0:18:30 | |
Keep enough control so you can feel them, they can feel you. | 0:18:30 | 0:18:33 | |
Today, the horses are pulling an attachment that is hauled | 0:18:35 | 0:18:38 | |
across the ground to promote grass growth. | 0:18:38 | 0:18:40 | |
It's called harrowing and, in this weather, I think Nicola | 0:18:40 | 0:18:43 | |
and Michael can see why. | 0:18:43 | 0:18:45 | |
So, in this kind of weather, how long...? | 0:18:47 | 0:18:49 | |
Would you be out for the whole day? | 0:18:49 | 0:18:51 | |
There are times when you've just got to get on with it. | 0:18:51 | 0:18:54 | |
I mean, in the winter when we're feeding stock, | 0:18:54 | 0:18:56 | |
that's got to be done seven days a week, whatever it's doing. | 0:18:56 | 0:19:00 | |
Yeah. | 0:19:00 | 0:19:01 | |
With the harrowing completed, they're pleased the next horse-drawn | 0:19:01 | 0:19:05 | |
activity they're learning about involves going under cover. | 0:19:05 | 0:19:08 | |
-Can you drive it on the road? -You can drive these on the road. | 0:19:10 | 0:19:13 | |
-Oh, you can? -Oh, yeah. -Has it got a licence plate on the back? | 0:19:13 | 0:19:16 | |
-No, nothing whatsoever. You don't need anything. -You don't need it? | 0:19:16 | 0:19:19 | |
Come on, Linus, no hedge trimming. | 0:19:19 | 0:19:22 | |
Come on, Linus, get your head out of there! Come on. Naughty boy. | 0:19:22 | 0:19:25 | |
So, if you just wanted to keep one Percheron horse, | 0:19:27 | 0:19:31 | |
how much acreage would you need? | 0:19:31 | 0:19:35 | |
You're looking at, sort of, three to four acres. | 0:19:35 | 0:19:38 | |
So, we want a property with three to four acres! | 0:19:38 | 0:19:40 | |
-I can supply you with a horse. -Brilliant! | 0:19:40 | 0:19:43 | |
Please, no more requirements for this already-demanding house hunt. | 0:19:43 | 0:19:48 | |
House number two is in the east of the county | 0:19:54 | 0:19:56 | |
close to the Surrey border and just a ten-minute drive from Liphook train station | 0:19:56 | 0:20:00 | |
in the village of Headley. | 0:20:00 | 0:20:02 | |
As well as frequent rail links to London, Liphook provides | 0:20:02 | 0:20:06 | |
a broad selection of shops and services. | 0:20:06 | 0:20:08 | |
Four miles away back in Headley, | 0:20:08 | 0:20:10 | |
the centre of the village features a 19th-century pub | 0:20:10 | 0:20:13 | |
and a church with details dating back to the 13th century. | 0:20:13 | 0:20:16 | |
The rock band, Led Zeppelin, | 0:20:18 | 0:20:19 | |
recorded the track Stairway To Heaven in a studio nearby. | 0:20:19 | 0:20:23 | |
And the next house we've lined up for our buyers can be found | 0:20:23 | 0:20:26 | |
on the outskirts of the village. | 0:20:26 | 0:20:28 | |
-First impressions? -Pretty. -Yeah. | 0:20:33 | 0:20:35 | |
-Really pretty. -Quaint. | 0:20:35 | 0:20:37 | |
It's pretty in almost a fairytale way. | 0:20:37 | 0:20:40 | |
It looks smaller than the last one from the front. | 0:20:40 | 0:20:43 | |
This option gives you three distinct living areas. | 0:20:43 | 0:20:48 | |
You don't have to use your imagination as much with this house. | 0:20:48 | 0:20:51 | |
-This place, I think, you'll get to enjoy straight away. -OK. -Oh, right. | 0:20:51 | 0:20:55 | |
-Shall we? -Yes, let's. -Absolutely. | 0:20:55 | 0:20:57 | |
'This was originally a small cottage built around a century ago, | 0:20:58 | 0:21:02 | |
'but has been greatly extended over the years. | 0:21:02 | 0:21:05 | |
'The main house here would be son Michael and his wife Holly's domain. | 0:21:05 | 0:21:08 | |
'A spacious entrance hall leads us | 0:21:08 | 0:21:11 | |
'straight in to an enormous reception room.' | 0:21:11 | 0:21:13 | |
Our first room. You probably weren't expecting something | 0:21:15 | 0:21:18 | |
-quite this contemporary, were you? -No, not from the outside. | 0:21:18 | 0:21:21 | |
-It's a lovely room in the day, isn't it? -What a view. | 0:21:21 | 0:21:24 | |
-Actually, what an outlook rather than a view. -Yeah. -It's a pond? | 0:21:24 | 0:21:27 | |
Yes, it is a pond. | 0:21:27 | 0:21:28 | |
Those bi-fold doors, folded all the way back with the sun streaming in. | 0:21:28 | 0:21:32 | |
Beautiful. It's very nicely proportioned as well. | 0:21:32 | 0:21:35 | |
-Yeah, I think so. -It feels kind of right. | 0:21:35 | 0:21:38 | |
-Feels warm. -There's a certain atmosphere in this house... -Yes. | 0:21:38 | 0:21:41 | |
..and that continues through here. Follow me. | 0:21:41 | 0:21:44 | |
'Also on this floor is a study. | 0:21:45 | 0:21:48 | |
'A WC. | 0:21:48 | 0:21:49 | |
'A separate utility space. | 0:21:49 | 0:21:51 | |
'And a dining room.' | 0:21:51 | 0:21:53 | |
Now, the kitchen is not massively important to anyone in your family, | 0:21:54 | 0:21:57 | |
-but it'll do for you? -Yeah, absolutely. | 0:21:57 | 0:21:59 | |
It's fine. It's fine. I love the oil-fired range. It's amazing. | 0:21:59 | 0:22:04 | |
-If you like that... -If you like that! | 0:22:04 | 0:22:06 | |
-Come and look at this. -Right. | 0:22:06 | 0:22:08 | |
Now then, look at that. | 0:22:10 | 0:22:12 | |
-Wow. -Yeah. | 0:22:12 | 0:22:14 | |
That really is the gingerbread house. It's amazing. | 0:22:14 | 0:22:17 | |
-But it's something else, isn't it? -It really is something else. | 0:22:17 | 0:22:21 | |
Michael, you've got two reception rooms to choose from now. | 0:22:21 | 0:22:24 | |
Look at you, lord of the manor. | 0:22:24 | 0:22:27 | |
-This is very much a living... -Yeah. A snug, if you like. -It is a snug. | 0:22:27 | 0:22:30 | |
Yes, it is very much like that, yes. | 0:22:30 | 0:22:32 | |
But, yet again, French windows opening out. | 0:22:32 | 0:22:36 | |
The southerly aspect. You like? | 0:22:36 | 0:22:40 | |
-Very much. Very much. -Let's keep looking through. Come on. | 0:22:40 | 0:22:43 | |
'A seal of approval for the ground floor of the main house. | 0:22:44 | 0:22:48 | |
'Upstairs, a family bathroom serves two of the three bedrooms. | 0:22:48 | 0:22:51 | |
'First - a double room with built-in wardrobes. | 0:22:51 | 0:22:55 | |
'Then, across the landing, a single bedroom. | 0:22:55 | 0:22:58 | |
'That leaves the lion's share of this floor for the master suite | 0:22:58 | 0:23:03 | |
'with its own dressing room and a bathroom.' | 0:23:03 | 0:23:06 | |
Now, bizarrely, you walk through the bathroom to get to the bedroom, | 0:23:09 | 0:23:12 | |
-which is just above the new extension. -It's a really nice room. | 0:23:12 | 0:23:16 | |
-This is nice as well. -It is a really nice room. | 0:23:16 | 0:23:18 | |
-This whole house is just for you. -Yeah. -So... | 0:23:18 | 0:23:22 | |
-Amazing. -What are your thoughts, mate? Could you live here? | 0:23:22 | 0:23:25 | |
Yeah, absolutely could. It's lovely. | 0:23:25 | 0:23:27 | |
What do you think your wife would think about this house? | 0:23:27 | 0:23:30 | |
I actually think she'd really like it. | 0:23:30 | 0:23:32 | |
-I think she'd like the fact it's a bit quirky, a bit warmer. -Yeah. | 0:23:32 | 0:23:36 | |
-A bit friendlier. -Slightly higgledy-piggledy, sort of nookery. | 0:23:36 | 0:23:39 | |
-Yeah. -At the moment, you're walking around this building... | 0:23:39 | 0:23:42 | |
-Thinking, yes, that's great. -But what about me? | 0:23:42 | 0:23:45 | |
-What about Cheryl? Yes. -You and Cheryl... | 0:23:45 | 0:23:47 | |
What about the rest of us? | 0:23:47 | 0:23:49 | |
You and Cheryl could possibly get your own accommodation separate. | 0:23:49 | 0:23:53 | |
-Shall we have a look? -Yeah. -Let's, yes. | 0:23:53 | 0:23:56 | |
'Set in just under an acre of land, | 0:23:59 | 0:24:02 | |
'this property is more a self-contained hamlet than a house. | 0:24:02 | 0:24:05 | |
'A private pool sits in front of a three-roomed pool house, | 0:24:05 | 0:24:09 | |
'converted to look like a cricket pavilion with enough space | 0:24:09 | 0:24:12 | |
'and flexibility to provide mother-in-law Cheryl | 0:24:12 | 0:24:15 | |
'with a bedroom, a shower room and a living space.' | 0:24:15 | 0:24:18 | |
'And finally, across the gravel drive, is another annexe | 0:24:21 | 0:24:24 | |
'that could be ideal for Nicola.' | 0:24:24 | 0:24:26 | |
Now then, Nicola... | 0:24:30 | 0:24:31 | |
Wow. | 0:24:33 | 0:24:34 | |
Yeah, good. | 0:24:35 | 0:24:36 | |
-I love that. Straight out onto the garden. -Perfect, isn't it? | 0:24:36 | 0:24:40 | |
But also, you'll love upstairs. | 0:24:40 | 0:24:42 | |
The bedroom upstairs has a balcony completely south facing as well. | 0:24:42 | 0:24:47 | |
-Wow. -It's pretty special. -Yeah. That is, that is. | 0:24:47 | 0:24:51 | |
You've got a ground floor bathroom or shower room | 0:24:51 | 0:24:54 | |
just through that doorway there. No kitchen as yet. | 0:24:54 | 0:24:57 | |
-I won't need a kitchen! -There's a lovely pub just down the road. | 0:24:57 | 0:25:00 | |
That's fine, job done. | 0:25:00 | 0:25:02 | |
There's space to extend to if you wanted to put the kitchen in there. | 0:25:02 | 0:25:05 | |
But also you've got a garage that way... | 0:25:05 | 0:25:08 | |
-So you can go both ways. -Is this enough space for you, then? | 0:25:08 | 0:25:11 | |
There's enough space for me, yes. | 0:25:11 | 0:25:13 | |
-It's probably bigger than my entire flat at the moment. -Perfect. | 0:25:13 | 0:25:17 | |
-Look at this setting. -Look at it. | 0:25:22 | 0:25:24 | |
-It's incredible. -Oh, it is. | 0:25:24 | 0:25:27 | |
So, how much do you think this house is on the market for, then? | 0:25:27 | 0:25:31 | |
-Don't know. I'll go for the round million. -OK. | 0:25:31 | 0:25:34 | |
I was going to go for something similar. Maybe £1.05 million. | 0:25:34 | 0:25:38 | |
OK. Well, it's... You're closer. | 0:25:38 | 0:25:41 | |
The asking price for this house is £1.1 million. | 0:25:41 | 0:25:45 | |
OK. | 0:25:45 | 0:25:47 | |
The sun's come out. It's a beautiful afternoon and I think you should | 0:25:47 | 0:25:50 | |
look around all of these houses with a view to who gets what. | 0:25:50 | 0:25:53 | |
-Enjoy it, OK. -Thank you. -Where are you going to start? -Here. | 0:25:53 | 0:25:57 | |
-Go on, then. -Thanks. -See you in a bit. -Thank you. | 0:25:57 | 0:25:59 | |
Despite being £100,000 below budget, this detached cottage offers | 0:26:02 | 0:26:07 | |
a three-bedroom home for Michael and Holly, | 0:26:07 | 0:26:10 | |
a one-bedroom poolside pavilion and a one-bedroomed annexe. | 0:26:10 | 0:26:14 | |
The dogs would have almost an acre of land to play in. | 0:26:14 | 0:26:17 | |
Plus, there's a private pool and nearby rail links to London. | 0:26:17 | 0:26:22 | |
-I like the high ceilings. -It's quite big. -It is big. | 0:26:22 | 0:26:25 | |
It's really big. I like it. | 0:26:26 | 0:26:28 | |
It's amazing. | 0:26:28 | 0:26:30 | |
I mean, it's in all this ground. | 0:26:30 | 0:26:33 | |
It's three separate accommodations. | 0:26:33 | 0:26:36 | |
It's... I'm gobsmacked, to be honest, there was anything | 0:26:36 | 0:26:40 | |
out there that actually ticked all those boxes. | 0:26:40 | 0:26:44 | |
And a swimming pool! What can I say? | 0:26:44 | 0:26:47 | |
It's got everything. | 0:26:47 | 0:26:48 | |
I love the fact that it's three totally separate properties, | 0:26:48 | 0:26:53 | |
basically, on one plot of land. | 0:26:53 | 0:26:55 | |
It's like driving into a little village, like a mini village. | 0:26:55 | 0:27:00 | |
You all come in and you park | 0:27:00 | 0:27:01 | |
and then you walk your separate directions to your own properties. | 0:27:01 | 0:27:05 | |
I think that separation will make a big difference over the years. | 0:27:05 | 0:27:10 | |
And also means, if anyone is having arguments, then, er, | 0:27:10 | 0:27:15 | |
nobody can hear it. | 0:27:15 | 0:27:17 | |
-Now, have you seen enough? -Yeah. -Are you sure? | 0:27:20 | 0:27:22 | |
I'm happy staying here for as long as you like. | 0:27:22 | 0:27:25 | |
THEY LAUGH | 0:27:25 | 0:27:26 | |
-It's glorious, isn't it? -It's glorious. -Absolutely amazing. | 0:27:26 | 0:27:29 | |
-Yes, it's fabulous. Fabulous. -Well, something to discuss over dinner. | 0:27:29 | 0:27:33 | |
And all this hanging around the swimming pool, | 0:27:33 | 0:27:35 | |
we'll have a cocktail first, eh? | 0:27:35 | 0:27:37 | |
-That sounds like a really good idea. -Nice. | 0:27:37 | 0:27:39 | |
Nother and son, Nicola and Michael from Parson's Green, | 0:27:47 | 0:27:50 | |
south west London, have £1.2 million to find a Hampshire property | 0:27:50 | 0:27:55 | |
for themselves and Michael's wife, and mother-in-law. | 0:27:55 | 0:27:58 | |
We've shown them two great options to give them | 0:27:58 | 0:28:01 | |
the three separate dwellings they're after. | 0:28:01 | 0:28:04 | |
Plus there's still the Mystery House which could leave them | 0:28:04 | 0:28:06 | |
spoilt for choice. | 0:28:06 | 0:28:08 | |
-I can see myself here, definitely. -Yeah. | 0:28:08 | 0:28:11 | |
You're not going to be living in this big part of the house. | 0:28:11 | 0:28:13 | |
-That's true. -Yeah. SHE LAUGHS | 0:28:13 | 0:28:16 | |
And I'm letting off steam in the beautiful Hampshire countryside. | 0:28:16 | 0:28:20 | |
WHISTLE BLOWS | 0:28:20 | 0:28:23 | |
Ha-ha! Love it! | 0:28:23 | 0:28:25 | |
Like a pro. Like a pro. | 0:28:25 | 0:28:27 | |
When you consider what Michael and Nicola are actually after, | 0:28:31 | 0:28:33 | |
they're really looking for something that doesn't really | 0:28:33 | 0:28:36 | |
come on the property market very often. | 0:28:36 | 0:28:39 | |
In many ways, they're actually after a Mystery House. | 0:28:39 | 0:28:42 | |
I think, with two really strong contenders in the bag already, | 0:28:42 | 0:28:45 | |
we can afford to show them something a bit different. | 0:28:45 | 0:28:48 | |
Today, we're going to turn the search on its head | 0:28:48 | 0:28:50 | |
and show them something far more conventional. | 0:28:50 | 0:28:53 | |
Let's see how we go. | 0:28:53 | 0:28:56 | |
For the Mystery House, we're heading over the border | 0:28:56 | 0:28:58 | |
into the eastern fringes of Wiltshire, | 0:28:58 | 0:29:00 | |
four miles west of the Berkshire town and train station of Hungerford | 0:29:00 | 0:29:04 | |
to the village of Shalbourne. | 0:29:04 | 0:29:06 | |
Facilities in Shalbourne include a 17th-century pub and restaurant | 0:29:06 | 0:29:10 | |
and a post office and stores where the village's 600-odd residents | 0:29:10 | 0:29:14 | |
can enjoy a freshly ground coffee. | 0:29:14 | 0:29:17 | |
Just a short walk away, at the end of a quiet lane, | 0:29:17 | 0:29:20 | |
we find today's Mystery House. | 0:29:20 | 0:29:22 | |
-You're probably expecting something crazy like a windmill. -Yes. | 0:29:24 | 0:29:27 | |
We've gone fairly conventional. So here we are. | 0:29:27 | 0:29:30 | |
I like the fact that it's modern. It's got these clean lines. | 0:29:30 | 0:29:34 | |
-It's really appealing. -It looks nice. | 0:29:34 | 0:29:36 | |
It does look nice, I agree, absolutely. It does. | 0:29:36 | 0:29:40 | |
-Like what you see? -So far. -Like what I see. -Absolutely. -Let's go inside. | 0:29:40 | 0:29:43 | |
'Since this is Wiltshire, they're getting more build for their buck. | 0:29:45 | 0:29:48 | |
'This is the biggest principle residence I've shown them so far. | 0:29:48 | 0:29:52 | |
'Built in the 1970s with 21st-century extensions, | 0:29:52 | 0:29:56 | |
'we're entering through the front porch into an L-shaped hall. | 0:29:56 | 0:29:59 | |
'And we're headed for, what I think, would be Michael | 0:29:59 | 0:30:01 | |
'and wife Holly's main living space.' | 0:30:01 | 0:30:04 | |
I was hoping you'd rather like it, | 0:30:05 | 0:30:06 | |
cos I know you like open-plan spaces. | 0:30:06 | 0:30:08 | |
-Wow! Yes. -Really nice. -It is really nice. | 0:30:08 | 0:30:12 | |
You don't even realise you're in the kitchen. | 0:30:12 | 0:30:14 | |
I know you're not big cooks at the moment. | 0:30:14 | 0:30:17 | |
I mean, things obviously change. | 0:30:17 | 0:30:19 | |
-Not for me. -But... SHE LAUGHS | 0:30:19 | 0:30:22 | |
..how much do you think you'd stay or use a room like this, | 0:30:22 | 0:30:25 | |
because, yes, it's a kitchen, but it feels much more | 0:30:25 | 0:30:28 | |
-than a kitchen, doesn't it? -I think you'd use it a lot. | 0:30:28 | 0:30:30 | |
-Yeah. -I think it'd be your primary room during the day. | 0:30:30 | 0:30:33 | |
-It becomes like the centre, doesn't it? The hub. -Yeah. -Yeah. | 0:30:33 | 0:30:35 | |
-Would Holly like this? -I think she'd love it. -Good. All right. | 0:30:35 | 0:30:39 | |
Let's keep looking around. | 0:30:39 | 0:30:41 | |
'On this level, Michael and his wife, Holly, | 0:30:41 | 0:30:43 | |
'would also get a downstairs toilet, | 0:30:43 | 0:30:46 | |
'two studies, or office areas... | 0:30:46 | 0:30:48 | |
'..two utility rooms | 0:30:50 | 0:30:54 | |
'and a dog or a boot room.' | 0:30:54 | 0:30:57 | |
This larger wing of the ground floor could then be | 0:30:57 | 0:30:59 | |
blocked off from the current sitting room and garages, | 0:30:59 | 0:31:02 | |
which I think could be turned into self-contained | 0:31:02 | 0:31:04 | |
living accommodation for either Nicola, or Holly's mum, Cheryl. | 0:31:04 | 0:31:08 | |
Shut the door away from them. | 0:31:14 | 0:31:16 | |
-LAUGHTER This is yours, OK? -OK. | 0:31:16 | 0:31:19 | |
Now, if you pushed through that wall there, knocked through that wall, | 0:31:19 | 0:31:23 | |
you've got the adjoining double garage with power, and everything. | 0:31:23 | 0:31:27 | |
-Uh-huh? -That's the remainder of your apartment. -Right. | 0:31:27 | 0:31:32 | |
-So, you like what you hear so far? -I do. -Yeah. -Good. All right. | 0:31:33 | 0:31:37 | |
-Let's keep looking through. -OK. | 0:31:37 | 0:31:39 | |
'Stairs from the hall lead up to what could be Michael and his wife | 0:31:42 | 0:31:45 | |
'Holly's five-bedroomed accommodation.' | 0:31:45 | 0:31:47 | |
Two bedrooms to the front, both with views over the countryside. | 0:31:48 | 0:31:52 | |
A bedroom to the rear with its own washbasin and the smallest | 0:31:54 | 0:31:58 | |
of the bedrooms here, right at the back of the house. | 0:31:58 | 0:32:02 | |
There are also two family bathrooms, one with a shower. | 0:32:02 | 0:32:05 | |
Four bedrooms, plus this master bedroom. | 0:32:07 | 0:32:11 | |
That is a fantastic ensuite. Have a quick peek, actually. | 0:32:12 | 0:32:15 | |
-It's worth a quick look. -OK. | 0:32:15 | 0:32:17 | |
-Separate bath and shower. -Amazing. -Wow. -Amazing. | 0:32:17 | 0:32:21 | |
Look at that for a walk-in wardrobe. | 0:32:21 | 0:32:23 | |
Wow! That's incredible. | 0:32:23 | 0:32:25 | |
-Isn't it? Amazing. SHE LAUGHS: -And the view! | 0:32:25 | 0:32:29 | |
Fantastic views over that beautiful sort of common land, if you like. | 0:32:29 | 0:32:33 | |
-And a balcony, as well. -Is this a door, here? -Out to a balcony. | 0:32:33 | 0:32:36 | |
So far so good, then. Loads of space. | 0:32:36 | 0:32:38 | |
The idea of living with this amount of space is really nice. | 0:32:38 | 0:32:40 | |
-I can see myself here, definitely. -You're not going to be living | 0:32:40 | 0:32:43 | |
-in this big part of the house. -Well, that's true. -Yeah. | 0:32:43 | 0:32:46 | |
SHE LAUGHS | 0:32:46 | 0:32:48 | |
-We could do a swapsies every so often. -No. | 0:32:48 | 0:32:50 | |
Well, there is some other accommodation | 0:32:50 | 0:32:52 | |
-that I think you could really taper to what you're after. -OK. | 0:32:52 | 0:32:56 | |
-Let's go and take a look at that. -OK. -Great. | 0:32:56 | 0:32:59 | |
'Outside, there's around two thirds of an acre of garden, | 0:33:00 | 0:33:03 | |
'mainly laid to lawn, including some sheds and a greenhouse. | 0:33:03 | 0:33:07 | |
'But situated across a gravel drive from the main house, | 0:33:10 | 0:33:13 | |
'it's the annexe, currently divided into three rooms, | 0:33:13 | 0:33:16 | |
'plus a toilet, that I think could offer | 0:33:16 | 0:33:18 | |
'the third self-contained one-bedroom home here.' | 0:33:18 | 0:33:21 | |
-Wow -It's nice. -It's very nice. Again, it's nicely proportioned. | 0:33:24 | 0:33:28 | |
I've scratched my head on this one to how best configure it. | 0:33:28 | 0:33:32 | |
But you've got the space to do it. | 0:33:32 | 0:33:34 | |
-You've got the shell here. It's up to you how you configure it. -Yes. | 0:33:34 | 0:33:37 | |
-I think it looks nice. I think it could work well. -Yeah, me too. | 0:33:37 | 0:33:40 | |
'With an overview of all that's on offer here, | 0:33:42 | 0:33:44 | |
'it's time to think about price.' | 0:33:44 | 0:33:47 | |
Well, after this fairly successful tour, | 0:33:47 | 0:33:50 | |
how much do you think this house is on the market for, then? | 0:33:50 | 0:33:53 | |
-I'm going to pitch it somewhere near the first one, £975,000. -OK. | 0:33:53 | 0:33:57 | |
I'm going to take a leap of faith and pitch at £900,000. | 0:33:57 | 0:34:01 | |
-This place is on the market for offers around £1.1 million. -OK. | 0:34:01 | 0:34:06 | |
-That's more than I would've thought. -Go back in the house. | 0:34:06 | 0:34:08 | |
This is your opportunity to really compare it to the other properties | 0:34:08 | 0:34:11 | |
-you've seen. Catch you when you're done. -Thank you. | 0:34:11 | 0:34:13 | |
Again, £100,000 below budget, | 0:34:15 | 0:34:18 | |
this modern detached house is the largest so far, | 0:34:18 | 0:34:21 | |
giving Michael and wife Holly a five-bedroomed home. | 0:34:21 | 0:34:24 | |
Spacious garages are ripe for conversion | 0:34:24 | 0:34:26 | |
into an apartment adjoining the main house, | 0:34:26 | 0:34:29 | |
whilst an annexe provides potential for accommodation number three, | 0:34:29 | 0:34:33 | |
plus the large, fenced garden is low-maintenance and dog-friendly. | 0:34:33 | 0:34:38 | |
There's quite a lot of work to do, I think, | 0:34:38 | 0:34:40 | |
to get the three different living spaces. | 0:34:40 | 0:34:44 | |
I like the fact that it's modern. I like the clean lines. | 0:34:44 | 0:34:47 | |
I like the space. There's a huge amount of space here. | 0:34:47 | 0:34:50 | |
Probably not my favourite, but very nice, nonetheless. | 0:34:50 | 0:34:52 | |
Well, thankfully, it's a bit of a journey to where we're going | 0:34:52 | 0:34:55 | |
to sit down and have a bit of a conflab. | 0:34:55 | 0:34:57 | |
-OK. -Oh, good. We've time to think! -Chat amongst yourselves. Come on. | 0:34:57 | 0:35:01 | |
Hampshire's fertile soil and climate | 0:35:07 | 0:35:09 | |
make it the perfect place for crop-growing. | 0:35:09 | 0:35:12 | |
But it was only in Victorian times, with the arrival of the railways, | 0:35:12 | 0:35:16 | |
that farmers found a quick and easy way to get fresh produce | 0:35:16 | 0:35:19 | |
to the lucrative markets of London. | 0:35:19 | 0:35:22 | |
One such train route, opened in 1865, took so many | 0:35:22 | 0:35:26 | |
tonnes of Hampshire-grown watercress to Covent Garden, | 0:35:26 | 0:35:29 | |
it became known as the Watercress Line. | 0:35:29 | 0:35:32 | |
Closed to regular travel in the 1970s, | 0:35:34 | 0:35:37 | |
the 10-mile stretch was bought | 0:35:37 | 0:35:39 | |
and renovated by the Mid-Hants Railway Preservation Society. | 0:35:39 | 0:35:43 | |
I'm catching up with member Derek Simmons, at Ropley station, | 0:35:43 | 0:35:47 | |
who knows all about the historic significance of trains in Hampshire. | 0:35:47 | 0:35:51 | |
So, 1865, the landscape of this area changed, | 0:35:54 | 0:35:57 | |
with these trains coming in and out. | 0:35:57 | 0:35:59 | |
It was more than the landscape. The way of life changed. | 0:35:59 | 0:36:02 | |
-Yeah. -People would've lived their lives | 0:36:02 | 0:36:04 | |
and died within the sound of the local church bell. | 0:36:04 | 0:36:06 | |
-That would've been their world. -Yeah. | 0:36:06 | 0:36:08 | |
The railways opened everything up. | 0:36:08 | 0:36:10 | |
'Commercial steam trains last ran on this line in 1967. | 0:36:10 | 0:36:15 | |
'Giving them a new lease of life has proved to be a demanding business. | 0:36:15 | 0:36:19 | |
'The engine boilers alone had to be stripped | 0:36:19 | 0:36:21 | |
'and rebuilt every ten years. | 0:36:21 | 0:36:24 | |
'But 21st-century boilersmiths are very hard to come by.' | 0:36:24 | 0:36:28 | |
One of the challenges we have is that the skills we used | 0:36:28 | 0:36:31 | |
back in the '50s and '60s, by British Railways, | 0:36:31 | 0:36:34 | |
don't exist any more. Some of our guys have got those skills, | 0:36:34 | 0:36:37 | |
but they're older guys, 50, 60, 70, some of them. | 0:36:37 | 0:36:40 | |
So, that's why we're looking at our apprenticeship scheme. | 0:36:40 | 0:36:44 | |
You have to get this information passed on before it's too late. | 0:36:44 | 0:36:47 | |
That's what it's about. The scheme's called Mind The Gap | 0:36:47 | 0:36:49 | |
and that's what we're trying to do - mind the skills gap. | 0:36:49 | 0:36:52 | |
Well, I've heard a couple of peeps of a whistle, so I'm off to try | 0:36:52 | 0:36:55 | |
-and catch a train. I'll catch you later. -Nice to meet you. | 0:36:55 | 0:36:57 | |
It's no surprise these engines need regular overhauling. | 0:37:01 | 0:37:04 | |
They're seriously hard workers. | 0:37:04 | 0:37:06 | |
Today, driver Richard Bentley is taking this 140-tonne | 0:37:10 | 0:37:13 | |
locomotive on three return trips, | 0:37:13 | 0:37:16 | |
each including the very steep climb to Medstead, nicknamed the Alps. | 0:37:16 | 0:37:21 | |
-Over seven days... -It's a decent working day, isn't it? | 0:37:21 | 0:37:25 | |
-There's not much of a retirement for it. -No, I know. Poor old bird. | 0:37:25 | 0:37:29 | |
So, how many people are involved | 0:37:29 | 0:37:31 | |
in getting this locomotive on the rails each day? | 0:37:31 | 0:37:35 | |
Every day, there'll be a crew of three. | 0:37:35 | 0:37:37 | |
There'll be a driver, a fireman and a cleaner. | 0:37:37 | 0:37:39 | |
You learn, as a cleaner, how the engine works. | 0:37:39 | 0:37:42 | |
You then start learning the fireman's job, | 0:37:42 | 0:37:45 | |
how to make steam from burning coal, | 0:37:45 | 0:37:47 | |
-and then you gradually start learning the driver's job. -Right. | 0:37:47 | 0:37:50 | |
So, by the time you're sat in this seat, | 0:37:50 | 0:37:51 | |
you can do all the jobs together. I'm not paid for what I do. | 0:37:51 | 0:37:54 | |
-I'm paid for what I know. -THEY LAUGH | 0:37:54 | 0:37:56 | |
'Well, sadly, I don't have time here to complete | 0:37:58 | 0:38:00 | |
'a four-year apprenticeship, but as we head uphill towards the Alps | 0:38:00 | 0:38:04 | |
'at Medstead, I get a taster of life as Richard's fireman.' | 0:38:04 | 0:38:08 | |
We're going to need a bit more steam in a minute, Jonnie. | 0:38:08 | 0:38:11 | |
-Can you get some coal on the fire for us? -Yeah, yeah. | 0:38:11 | 0:38:14 | |
-So, where do you throw it? Right in? -That's it, yeah, in the middle. | 0:38:14 | 0:38:17 | |
And a little bit either side of it, if you can, left and right. | 0:38:19 | 0:38:22 | |
-You are adding fuel to the fire... -Absolutely. -..for more effort. | 0:38:24 | 0:38:27 | |
Keep boiling the water to make the steam that we're using. | 0:38:27 | 0:38:30 | |
-I chose the wrong line to help out on! -I think you did. | 0:38:30 | 0:38:32 | |
Why did I have to choose the Alps? RICHARD LAUGHS | 0:38:32 | 0:38:34 | |
When we get to Medstead at the top, we then go over the top | 0:38:34 | 0:38:37 | |
then we drop down 300 feet the other way, | 0:38:37 | 0:38:39 | |
so we've got to make sure we've got a full head of steam, | 0:38:39 | 0:38:42 | |
and a full boiler for the water. | 0:38:42 | 0:38:43 | |
Cos, as we go over the top, that water level's going to drop away. | 0:38:43 | 0:38:46 | |
It's very good to hear where some of these phrases | 0:38:46 | 0:38:49 | |
come from, isn't it? Getting up a full head of steam, for example. | 0:38:49 | 0:38:52 | |
Absolutely. Yeah. Absolutely. | 0:38:52 | 0:38:54 | |
-Right. We'd better start getting some more of that in there. -Right! | 0:38:54 | 0:38:58 | |
You get some in. | 0:38:58 | 0:38:59 | |
Come on, then, Jonnie. Put your back into it. | 0:39:07 | 0:39:10 | |
We're coming up to crossing now, | 0:39:10 | 0:39:11 | |
-so give us a good, long blow on the whistle. -Oh, yes. | 0:39:11 | 0:39:14 | |
Push it down, good and hard. | 0:39:14 | 0:39:16 | |
TRAIN WHISTLES | 0:39:16 | 0:39:18 | |
Ha-ha-ha! Love it! | 0:39:18 | 0:39:20 | |
Like a pro. Like a pro. | 0:39:20 | 0:39:22 | |
'And I'm on a fast track from whistle-blower to driver, | 0:39:22 | 0:39:25 | |
'as Richard lets me bring us to a halt.' | 0:39:25 | 0:39:29 | |
-Right. Aah! There's loads of things. -That's it. We go for | 0:39:29 | 0:39:31 | |
the vacuum brake, the brake that puts the brakes on the whole train. | 0:39:31 | 0:39:34 | |
Then we bring it down to about 14 on the gauge. | 0:39:34 | 0:39:37 | |
We can quell this huge beast by this most delicate touch. | 0:39:38 | 0:39:42 | |
BRAKES HISS | 0:39:42 | 0:39:44 | |
Slowly... | 0:39:44 | 0:39:46 | |
and... | 0:39:46 | 0:39:50 | |
stop. | 0:39:50 | 0:39:52 | |
-How's that? -Beautiful. Never even broke the egg. -Ha-ha! | 0:39:52 | 0:39:55 | |
'My spell in this driving seat may have reached the end of the line, | 0:39:57 | 0:40:00 | |
'as it's time to find out if any of today's properties | 0:40:00 | 0:40:03 | |
'are on the right track.' | 0:40:03 | 0:40:04 | |
Well, it's not often we're in a position | 0:40:10 | 0:40:12 | |
where we've got three really strong contenders. | 0:40:12 | 0:40:15 | |
Trouble is, the last time I saw Nicola and Michael, | 0:40:15 | 0:40:17 | |
they looked genuinely confused. So, after a bit of thinking time, | 0:40:17 | 0:40:21 | |
hopefully, they're a bit closer to making a decision. | 0:40:21 | 0:40:24 | |
Well, normally at this stage, I've got a good idea | 0:40:30 | 0:40:33 | |
of what your favourite might be. | 0:40:33 | 0:40:35 | |
But I haven't. So, you tell me. What's going through your mind? | 0:40:35 | 0:40:39 | |
I think, for me, I like all of them. | 0:40:39 | 0:40:42 | |
-What about you? Where are you? -I'm pretty similar. | 0:40:42 | 0:40:46 | |
I think what the difficult part of this process has been is | 0:40:46 | 0:40:49 | |
the fact that you are buying three homes, | 0:40:49 | 0:40:52 | |
and you have to look at the entire package, and it's difficult, | 0:40:52 | 0:40:56 | |
because you'll get blown away by a feature, | 0:40:56 | 0:40:58 | |
by a finish, by a swimming pool. | 0:40:58 | 0:41:01 | |
You have to look at you and your wife, Holly, | 0:41:01 | 0:41:04 | |
your requirements, and your mother-in-law's requirements. | 0:41:04 | 0:41:07 | |
-Three houses. How does this work for you? -Yeah. | 0:41:07 | 0:41:10 | |
How do you make this decision? | 0:41:10 | 0:41:12 | |
The more I think about house two, the space. | 0:41:12 | 0:41:15 | |
-You have that distance between the properties. -Mm-hm. | 0:41:15 | 0:41:18 | |
It's on the edge of a village. | 0:41:18 | 0:41:20 | |
-Yeah. -You could walk to the pub, walk to the shop. | 0:41:20 | 0:41:22 | |
It's on the best train line as well. | 0:41:22 | 0:41:24 | |
-Best train line, yes. -The fastest train line. | 0:41:24 | 0:41:26 | |
Well, it sounds like house two is slightly ahead. | 0:41:26 | 0:41:30 | |
-I think more than slightly ahead. -Yeah. | 0:41:30 | 0:41:32 | |
If you all came down, the four of you, your mother-in-law, | 0:41:32 | 0:41:36 | |
your wife, yourself included, as well, you're one unit, you should | 0:41:36 | 0:41:39 | |
all look at a property at the same time, and air everything, | 0:41:39 | 0:41:42 | |
-all your hopes and all your fears... -Yeah. -..at the same time, | 0:41:42 | 0:41:45 | |
-and then it'll help you make the decision. -That's true, actually. | 0:41:45 | 0:41:48 | |
When do you think you might be coming back down here for | 0:41:48 | 0:41:50 | |
-the second viewings? -Maybe next week? -Yeah, I would think so. -Good. | 0:41:50 | 0:41:53 | |
Hopefully soon enough to get in there before anybody else does. | 0:41:53 | 0:41:56 | |
-Whatever you decide, please let us know, won't you? -Yes, we will. | 0:41:56 | 0:42:00 | |
-Definitely. -Thank you so much. -Pleasure. | 0:42:00 | 0:42:02 | |
With a fairly unique property criteria, it's great to see | 0:42:06 | 0:42:09 | |
that Michael and Nicola's expectations have been exceeded, | 0:42:09 | 0:42:12 | |
and that they're coming around to the benefits of house number two. | 0:42:12 | 0:42:17 | |
Let's face it, it's only them that have seen it. | 0:42:17 | 0:42:20 | |
There are four adults in this decision-making process, | 0:42:20 | 0:42:23 | |
and they all need to get together and look at it at the same time. | 0:42:23 | 0:42:26 | |
But that's what this second viewing is all about, isn't it? | 0:42:26 | 0:42:29 | |
I'm looking forward to hearing how they get on and, hopefully, | 0:42:29 | 0:42:31 | |
they can all get on the same page and move to this beautiful county. | 0:42:31 | 0:42:35 | |
See you next time. | 0:42:35 | 0:42:37 | |
'Michael and Nicola returned to view house two | 0:42:37 | 0:42:40 | |
'with Holly and Cheryl, who also loved the property, | 0:42:40 | 0:42:43 | |
'but they're still deciding whether to put in an offer.' | 0:42:43 | 0:42:46 | |
If you'd like to escape to the country | 0:42:46 | 0:42:49 | |
in Wales, Scotland, Northern Ireland or England | 0:42:49 | 0:42:51 | |
and need our help, please apply online at... | 0:42:51 | 0:42:55 |