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Welcome to Escape To The Country. Now, by way of a tease | 0:00:02 | 0:00:04 | |
as to where we are for today's show, what do you think of this? | 0:00:04 | 0:00:07 | |
This rather fetching hat. | 0:00:07 | 0:00:09 | |
It's thought to be one of the earliest examples of | 0:00:09 | 0:00:11 | |
army issue uniform, but for whom was it made and where was it invented? | 0:00:11 | 0:00:15 | |
Well, join me in just a moment and I'll tell you. | 0:00:15 | 0:00:17 | |
Today, a pair of globetrotting expats are travelling | 0:00:35 | 0:00:38 | |
over 4,500 miles in search of a very British country retreat. | 0:00:38 | 0:00:42 | |
Oh, wow. | 0:00:42 | 0:00:44 | |
It's a shed with a difference. | 0:00:44 | 0:00:46 | |
-It's a posh shed, isn't it? -It's a really posh shed. | 0:00:46 | 0:00:49 | |
'And they've brought the good weather with them.' | 0:00:49 | 0:00:52 | |
Look, even the sun's coming out! It's all meant to be. | 0:00:52 | 0:00:54 | |
-You can't say any better than that. -It's all meant to be. -You can't. | 0:00:54 | 0:00:57 | |
Well, today, we are in the Welsh county of Monmouthshire, | 0:00:59 | 0:01:02 | |
and this is otherwise known as the Monmouth cap. It's believed | 0:01:02 | 0:01:05 | |
these were worn in large numbers by legendary Welsh longbowmen, | 0:01:05 | 0:01:08 | |
to protect them from the elements whilst out on campaign. | 0:01:08 | 0:01:11 | |
Now, if you remember anything at all about your medieval history, | 0:01:11 | 0:01:14 | |
you may recall that Henry V was born in Monmouth. | 0:01:14 | 0:01:17 | |
He, of course, scored a spectacular victory against the French, | 0:01:17 | 0:01:20 | |
at Agincourt, back in 1415, a victory helped in no small part | 0:01:20 | 0:01:24 | |
by a strong contingent of Welsh archers. | 0:01:24 | 0:01:27 | |
Now, the story of the Welsh longbow is a long and illustrious on. | 0:01:27 | 0:01:30 | |
Later on in the programme, | 0:01:30 | 0:01:32 | |
I'll be finding out a little more of the history of this | 0:01:32 | 0:01:35 | |
extraordinary, yet simple weapon, and trying my hand at some archery. | 0:01:35 | 0:01:39 | |
The County of Monmouthshire is located in south-east Wales | 0:01:42 | 0:01:45 | |
and borders the English counties of Herefordshire | 0:01:45 | 0:01:47 | |
and Gloucestershire to the east, and four Welsh counties to the west. | 0:01:47 | 0:01:51 | |
The region is one of huge geographical diversity, | 0:01:52 | 0:01:55 | |
where agricultural land falls in peaks and troughs. | 0:01:55 | 0:01:59 | |
Dotted around Monmouthshire are historic towns | 0:01:59 | 0:02:02 | |
and villages like Usk in the south, with its Norman castle | 0:02:02 | 0:02:06 | |
and a prison, built in 1842. | 0:02:06 | 0:02:08 | |
And the border town of Monmouth, birthplace of King Henry V, | 0:02:10 | 0:02:14 | |
is an excellent centre for shopping, dining out and culture. | 0:02:14 | 0:02:18 | |
So, with its blend of splendid landscapes | 0:02:18 | 0:02:21 | |
and buildings steeped in history, | 0:02:21 | 0:02:22 | |
many bearing battle scars from long-fought wars, | 0:02:22 | 0:02:26 | |
Monmouthshire is a rich and vibrant place | 0:02:26 | 0:02:28 | |
for escapees looking for somewhere rather special. | 0:02:28 | 0:02:31 | |
Well, there is no easy way of saying this - | 0:02:35 | 0:02:38 | |
when it comes to house prices, | 0:02:38 | 0:02:39 | |
Monmouthshire is the third most expensive county in Wales. | 0:02:39 | 0:02:43 | |
Currently, the average price of a detached property here | 0:02:43 | 0:02:45 | |
is around about £258,000. but when you compare it to prices | 0:02:45 | 0:02:50 | |
across England AND Wales, | 0:02:50 | 0:02:52 | |
well, happily, it's 9% below the national figure, | 0:02:52 | 0:02:55 | |
which means you get beautiful border country | 0:02:55 | 0:02:58 | |
with excellent transport links to the rest of the UK. | 0:02:58 | 0:03:00 | |
So, why have today's buyers elected to make this place their new home? | 0:03:00 | 0:03:05 | |
Well, let's meet them and find out. | 0:03:05 | 0:03:08 | |
Civil servants Jane and Andrew met at work 19 years ago, | 0:03:08 | 0:03:11 | |
and were married four years later. | 0:03:11 | 0:03:13 | |
They're currently in the UK for just one week, | 0:03:13 | 0:03:16 | |
staying in a hotel whilst house-hunting for a new family home. | 0:03:16 | 0:03:20 | |
Because, for the past 12 years, they've been living the expat life, | 0:03:20 | 0:03:24 | |
but now they're ready to come back home with their young family. | 0:03:24 | 0:03:28 | |
We've got two girls, Amelia and Katie, | 0:03:28 | 0:03:31 | |
and a rescue dog, and we live in a compound in Abu Dhabi | 0:03:31 | 0:03:35 | |
in the middle of the city, in a walled compound | 0:03:35 | 0:03:38 | |
-with about 150 houses? -Yeah. -Something like that. | 0:03:38 | 0:03:43 | |
We have a small garden and it's not really grass. | 0:03:43 | 0:03:47 | |
It's concrete and tiles, and things like that. | 0:03:47 | 0:03:50 | |
So, it's, er... not the most comfortable... | 0:03:50 | 0:03:54 | |
-No. -..outside space, is it, really? | 0:03:54 | 0:03:56 | |
The house is modern. It's probably about ten years old. | 0:03:56 | 0:03:59 | |
Quite spacious, but very different to the sort of house | 0:03:59 | 0:04:02 | |
that we're looking for in the UK. | 0:04:02 | 0:04:04 | |
And it's rural Monmouthshire in south Wales | 0:04:04 | 0:04:06 | |
they've set their sights on. | 0:04:06 | 0:04:08 | |
I was brought up in South Wales, in Cwmbran. | 0:04:08 | 0:04:12 | |
My mum is still there and we're looking to move, um, | 0:04:12 | 0:04:16 | |
on to the Welsh borders, because it's a beautiful part of the world. | 0:04:16 | 0:04:20 | |
We're hoping to find somewhere in Monmouth, | 0:04:20 | 0:04:22 | |
or in the area around Monmouth. | 0:04:22 | 0:04:24 | |
It's a beautiful part of the world. | 0:04:24 | 0:04:27 | |
It's really historic and I think it's good value for money, as well. | 0:04:27 | 0:04:30 | |
When they do find their dream home, | 0:04:30 | 0:04:32 | |
Jane and Andrew can't wait to put their stamp on it. | 0:04:32 | 0:04:35 | |
We've lived in four different countries | 0:04:35 | 0:04:37 | |
and the houses have been very nice, but they've not been our houses, | 0:04:37 | 0:04:41 | |
whereas now, we get to choose, not only our own house, | 0:04:41 | 0:04:43 | |
but our own furniture, which is going to be really exciting. | 0:04:43 | 0:04:46 | |
And when they move home, Andrew will continue working, | 0:04:46 | 0:04:49 | |
but Jane is hoping to take on a new project for herself. | 0:04:49 | 0:04:52 | |
One of the things that we're hoping to be able to do is | 0:04:52 | 0:04:56 | |
to run a kind of self-catering, holiday let business. | 0:04:56 | 0:04:59 | |
So, that's self-employment for the first time. | 0:04:59 | 0:05:02 | |
So, the whole thing is a big change. | 0:05:02 | 0:05:06 | |
It's a lifestyle that we've never really had, so it's quite exciting. | 0:05:06 | 0:05:10 | |
So, the race is on to find their new country home. | 0:05:10 | 0:05:13 | |
We've been back in the UK for about three days. | 0:05:13 | 0:05:16 | |
The priority is to do the house-hunting. | 0:05:16 | 0:05:18 | |
We've got a week and, hopefully at the end of the week, | 0:05:18 | 0:05:20 | |
we'll have a house. That's the plan. | 0:05:20 | 0:05:22 | |
Jane and Andrew need to find somewhere within the catchment area | 0:05:23 | 0:05:26 | |
of a school in Monmouth itself. | 0:05:26 | 0:05:28 | |
So, that's where we're concentrating our search. | 0:05:28 | 0:05:31 | |
But before the clock starts on our whirlwind trip around the county, | 0:05:31 | 0:05:34 | |
I'm meeting them to get the lowdown. | 0:05:34 | 0:05:36 | |
-Well, hello. -Hi. -Hello. -Very nice to see you. | 0:05:36 | 0:05:39 | |
-Jane, Andrew, welcome to Escape To The Country. -Thank you. | 0:05:39 | 0:05:42 | |
And to Monmouthshire! | 0:05:42 | 0:05:44 | |
So, you've decided to make the big move back home. | 0:05:44 | 0:05:47 | |
Now, give us an idea of the kind of property | 0:05:47 | 0:05:49 | |
you've been dreaming about, Jane? | 0:05:49 | 0:05:51 | |
Something with some character, because a lot of what we've lived in | 0:05:51 | 0:05:55 | |
has been lovely, don't get me wrong, but not my forever home. | 0:05:55 | 0:05:58 | |
So, just remind us of your budget. | 0:05:58 | 0:06:01 | |
Either up to 400,000, or if... | 0:06:01 | 0:06:04 | |
One thing we're interested in is maybe the potential | 0:06:04 | 0:06:07 | |
for a self-catering holiday let on the property | 0:06:07 | 0:06:09 | |
and, in which case, it would be up to 450. | 0:06:09 | 0:06:11 | |
How important is the holiday let in terms of the viability | 0:06:11 | 0:06:14 | |
of this move, of the income it might bring in? | 0:06:14 | 0:06:17 | |
Well, ideally, I would like not to carry on working... | 0:06:17 | 0:06:21 | |
in the job I'm doing at the moment. | 0:06:21 | 0:06:23 | |
So, it would be an income for that. | 0:06:23 | 0:06:26 | |
It's not crucial, because, obviously, | 0:06:26 | 0:06:28 | |
I can carry on working, but ideally, | 0:06:28 | 0:06:31 | |
I'd like to be able not to do that and to have my own business, | 0:06:31 | 0:06:34 | |
it would be my business and we'd be able to | 0:06:34 | 0:06:37 | |
have that second income from that. | 0:06:37 | 0:06:40 | |
And I know that your mum may come and live with you in the future? | 0:06:40 | 0:06:43 | |
Well, yes, if she'd like to. | 0:06:43 | 0:06:45 | |
I mean, the holiday let has two kind of objectives. | 0:06:45 | 0:06:48 | |
One, for an income, and also for Mum when and if she feels | 0:06:48 | 0:06:54 | |
that she wants to leave her house and move in with us. | 0:06:54 | 0:06:58 | |
So, in terms of the spec, | 0:06:58 | 0:07:01 | |
the basic spec of what we're after, in terms of bedrooms | 0:07:01 | 0:07:04 | |
and reception rooms and all the rest of it, what's in your mind? | 0:07:04 | 0:07:07 | |
Three or four bedrooms and just a nice living space, really. | 0:07:07 | 0:07:12 | |
With character. That's really important. | 0:07:12 | 0:07:15 | |
The amount of land, not really critical. A garden. | 0:07:15 | 0:07:18 | |
Extra land, fine, but it's by no means a deal-breaker. | 0:07:18 | 0:07:21 | |
And it needs to be in the catchment area for Monmouth School. | 0:07:21 | 0:07:24 | |
Good. Well, we've got some really interesting properties | 0:07:24 | 0:07:27 | |
-lined up for you this week. -Fantastic. | 0:07:27 | 0:07:30 | |
It isn't 45 degrees out there, I'm afraid, | 0:07:30 | 0:07:33 | |
as you're probably used to. | 0:07:33 | 0:07:35 | |
It's somewhat less than that and it's a little bit grey and drizzly. | 0:07:35 | 0:07:38 | |
Don't let it put you off. You know what it's like here! | 0:07:38 | 0:07:40 | |
-Yeah. -The girls are in for a shock, though! | 0:07:40 | 0:07:42 | |
BOTH: They are! THEY LAUGH | 0:07:42 | 0:07:44 | |
Good, right, then, let's see what we can find you, come on. | 0:07:44 | 0:07:48 | |
Jane and Andrew's maximum budget of £450,000 | 0:07:50 | 0:07:53 | |
is a healthy one for the region. | 0:07:53 | 0:07:55 | |
So I'm hopeful we might get them | 0:07:55 | 0:07:57 | |
fixed before they have to fly back to the Middle East. | 0:07:57 | 0:08:00 | |
They're looking for a country pad with character | 0:08:00 | 0:08:02 | |
and 3-4 bedrooms and the potential for a holiday let would be | 0:08:02 | 0:08:06 | |
ideal to keep Jane occupied, plus any extra income generated, | 0:08:06 | 0:08:11 | |
would really help if the house is at the top end of their budget. | 0:08:11 | 0:08:14 | |
They'd also love a good outdoor space and a house in the | 0:08:14 | 0:08:18 | |
catchment area for their preferred school in Monmouth is a must. | 0:08:18 | 0:08:21 | |
We've gathered a fantastic range of properties | 0:08:21 | 0:08:24 | |
to make Jane and Andrew's voyage across the world a worthwhile one. | 0:08:24 | 0:08:27 | |
And the price tag of each house | 0:08:27 | 0:08:29 | |
will only be revealed after the home has been toured. | 0:08:29 | 0:08:32 | |
Our last stop, our Mystery House, | 0:08:32 | 0:08:34 | |
will give them a little shock at first, but once they see | 0:08:34 | 0:08:37 | |
what's on offer, it should be an easy shock to swallow. | 0:08:37 | 0:08:40 | |
We're starting our search in the rural hamlet of Brynderi. | 0:08:45 | 0:08:49 | |
It's ten miles from Monmouth | 0:08:49 | 0:08:51 | |
and just under 5½ miles from the village of Grosmont. | 0:08:51 | 0:08:54 | |
Grosmont, close to the English border, | 0:08:54 | 0:08:56 | |
is steeped in history with its Norman church and castle, | 0:08:56 | 0:08:59 | |
plus there's stunning scenery all around. | 0:08:59 | 0:09:03 | |
It has a small selection of amenities, | 0:09:03 | 0:09:05 | |
including the Angel Inn pub, | 0:09:05 | 0:09:07 | |
which, until a few years ago, was owned by a group of local residents. | 0:09:07 | 0:09:11 | |
Just under a 15-minute drive away, and we're in Brynderi. | 0:09:11 | 0:09:15 | |
Here we find rolling fields and our first house, which sits | 0:09:15 | 0:09:19 | |
in the shadow of the historic White Castle and the Black Mountains. | 0:09:19 | 0:09:23 | |
-Not bad. -It's really pretty. -It's a classic country cottage. -It is. | 0:09:24 | 0:09:28 | |
As you can probably tell, the only thing it's lacking, really, | 0:09:28 | 0:09:31 | |
are some roses around the door. It's a really lovely spot. | 0:09:31 | 0:09:34 | |
-It has been extended, as you can probably tell... -Mm-hm. | 0:09:34 | 0:09:37 | |
..in more recent times, giving you quite a useful addition to the | 0:09:37 | 0:09:40 | |
-kitchen area, giving you a kind of kitchen-diner. -Lovely. | 0:09:40 | 0:09:42 | |
And in terms of views, I mean... | 0:09:42 | 0:09:44 | |
It's not desert, it's green and beautiful. | 0:09:44 | 0:09:46 | |
It's certainly different to Abu Dhabi, isn't it? | 0:09:46 | 0:09:49 | |
-Very. -THEY LAUGH | 0:09:49 | 0:09:52 | |
-Wetter. -A bit wetter, but that's all part of... -Part of the experience! | 0:09:52 | 0:09:55 | |
Exactly, yeah! What do you think the girls would make of this one? | 0:09:55 | 0:09:57 | |
Oh, they'd love it, I think. Yeah. Very pretty. | 0:09:57 | 0:10:00 | |
Good, right then, well, let's get out of the weather | 0:10:00 | 0:10:03 | |
before it rains again, come on. SHE LAUGHS | 0:10:03 | 0:10:05 | |
This character cottage dates back to the mid-1800s | 0:10:05 | 0:10:08 | |
and was originally a one-up one-down. | 0:10:08 | 0:10:10 | |
We're starting off our tour in its country kitchen. | 0:10:10 | 0:10:14 | |
Oh, nice and warm in here. In you come. | 0:10:14 | 0:10:17 | |
Grab the door, Andrew. | 0:10:17 | 0:10:18 | |
There we are. That's what greets you. | 0:10:18 | 0:10:21 | |
-That's lovely, isn't it? -It's a lovely kitchen. | 0:10:21 | 0:10:24 | |
There is one thing missing in here. Any ideas? | 0:10:24 | 0:10:27 | |
-A cooker? -The cooker! Yeah, exactly. THEY LAUGH | 0:10:27 | 0:10:30 | |
That's through here. | 0:10:30 | 0:10:32 | |
There it is. | 0:10:33 | 0:10:35 | |
Lovely oil-fired range for you | 0:10:35 | 0:10:38 | |
-and lovely views out there towards the Black Mountains. -Beautiful. | 0:10:38 | 0:10:41 | |
Well, you've got this room of course and the kitchen, | 0:10:41 | 0:10:43 | |
but also two further reception rooms through here, | 0:10:43 | 0:10:46 | |
including the living room and a really nice little snug. | 0:10:46 | 0:10:48 | |
Have a look at this. | 0:10:48 | 0:10:50 | |
'And I'm pretty sure you don't get many of these in Abu Dhabi.' | 0:10:51 | 0:10:55 | |
-Nice and cosy. -Lovely. Very nice. | 0:10:55 | 0:10:58 | |
-I like that. -What a lovely room. | 0:10:58 | 0:11:00 | |
-It's got a real cottagey feel, but it's light. -That's the thing. | 0:11:00 | 0:11:03 | |
Yes, it is light, isn't it? | 0:11:03 | 0:11:05 | |
Now, those double doors, they lead onto an additional snug... Oh, OK. | 0:11:05 | 0:11:08 | |
-..so you could have a kind of girl's room. -Yeah. | 0:11:08 | 0:11:10 | |
Now, you wanted three bedrooms. | 0:11:10 | 0:11:12 | |
Let's have a look upstairs and see what we've got for you. | 0:11:12 | 0:11:15 | |
'The stairway, sandwiched between the sitting room | 0:11:15 | 0:11:17 | |
'and the snug, leads to a long, narrow landing | 0:11:17 | 0:11:20 | |
'and to the three bedrooms Jane and Andrew have requested.' | 0:11:20 | 0:11:23 | |
Now you've got a single there. | 0:11:23 | 0:11:27 | |
-A sweet little child's room at the moment in there. -Oh, yeah. | 0:11:27 | 0:11:30 | |
The family bathroom is this one. | 0:11:30 | 0:11:34 | |
OK. | 0:11:34 | 0:11:36 | |
'And, at the end of the hallway above the kitchen, | 0:11:36 | 0:11:38 | |
'is the triple-aspect master.' | 0:11:38 | 0:11:40 | |
-What do you think? -Yeah, it's really pretty, isn't it? I love it. | 0:11:40 | 0:11:43 | |
-And I love the way it's decorated. -It's pretty. -I love this room. | 0:11:43 | 0:11:46 | |
-The views across there. -Stunning. -Amazing. -Just gorgeous. | 0:11:46 | 0:11:49 | |
-It's got curtains but to be honest, you don't really need them. -No. | 0:11:49 | 0:11:53 | |
-You're not going to be overlooked, are you? -You're not. | 0:11:53 | 0:11:55 | |
No, only by the cows and the sheep! | 0:11:55 | 0:11:57 | |
LAUGHTER | 0:11:57 | 0:11:58 | |
'Well, this charming cottage does seem to be charming both Jane | 0:12:00 | 0:12:03 | |
'and Andrew, but as we leave the sleeping quarters, there's more. | 0:12:03 | 0:12:08 | |
'At the bottom of the garden is a one-bedroom studio, | 0:12:08 | 0:12:10 | |
'which could provide a useful business opportunity.' | 0:12:10 | 0:12:13 | |
Now... Ha-ha! ..talk about the shed at the end of the garden! | 0:12:17 | 0:12:22 | |
-SHE LAUGHS: -Oh, wow! | 0:12:22 | 0:12:24 | |
It has a shower room in there with a loo and all the rest of it. | 0:12:24 | 0:12:28 | |
-Fantastic. -A crazy little mezzanine up there. | 0:12:28 | 0:12:30 | |
-I suppose, ideal if you've got young kids who are... -Certainly! | 0:12:30 | 0:12:33 | |
-..visiting and, of course, plenty of space for all of that. -Yeah. | 0:12:33 | 0:12:38 | |
-It's good. It's really quirky. -It's amazing. -I like it. | 0:12:38 | 0:12:43 | |
It's a great extra... holiday let potential? | 0:12:43 | 0:12:46 | |
Yeah, it could have, but as an extra bedroom, this really fits the bill. | 0:12:46 | 0:12:50 | |
So, shall we test your in-depth knowledge of the property market | 0:12:50 | 0:12:54 | |
-and get you to guess the price? -Oh, my goodness! | 0:12:54 | 0:12:56 | |
Come on, let's go outside, you might need some fresh air for that! | 0:12:56 | 0:12:59 | |
Right, then, it's really tough on you, actually, isn't it? | 0:13:04 | 0:13:07 | |
-It's really hard. -To be fair, all the way from Abu Dhabi | 0:13:07 | 0:13:10 | |
to pitch you into the pricing of this one here in Monmouthshire, | 0:13:10 | 0:13:15 | |
but go on, you go first, what do you think this is on the market for? | 0:13:15 | 0:13:20 | |
Well, as you've given us nearly everything we wanted, I would say | 0:13:20 | 0:13:23 | |
it's at the top end of our budget, so I'm going to say 440. | 0:13:23 | 0:13:27 | |
440? Yeah. | 0:13:27 | 0:13:29 | |
-I'm going to go 415. -415? Straight in there, no nonsense. | 0:13:29 | 0:13:34 | |
-This could be yours for 375. -Wow! -Wow! | 0:13:34 | 0:13:39 | |
-What do you think about that? -That's pretty good. -Yeah? | 0:13:39 | 0:13:42 | |
-Impressive. -That's really good. | 0:13:42 | 0:13:44 | |
Look, even the sun's coming out. You see, it's all meant to be! | 0:13:44 | 0:13:46 | |
You can't say any better than that. | 0:13:46 | 0:13:48 | |
-It's all meant to be. -That's wonderful. | 0:13:48 | 0:13:50 | |
Right, off you go, have a wander round. | 0:13:50 | 0:13:52 | |
-Thank you. -I'll catch up with you a little bit later. | 0:13:52 | 0:13:54 | |
Not only does this cottage deliver on all fronts, | 0:13:59 | 0:14:03 | |
it also leaves Jane and Andrew a cool £75,000 to spare. | 0:14:03 | 0:14:06 | |
There's all the character they want here, | 0:14:06 | 0:14:09 | |
with a lovely living space and just the right amount of bedrooms. | 0:14:09 | 0:14:12 | |
The garden studio offers the potential for a holiday let | 0:14:12 | 0:14:15 | |
and it's all set in a stunning location | 0:14:15 | 0:14:18 | |
that's in the right catchment area for the school in Monmouth. | 0:14:18 | 0:14:21 | |
I like the house, I really do. | 0:14:21 | 0:14:24 | |
It's an amazing setting, it's beautiful. | 0:14:24 | 0:14:26 | |
I love the downstairs space and the posh shed. | 0:14:26 | 0:14:30 | |
I think this is really pretty. | 0:14:30 | 0:14:33 | |
It's in a perfect location, the views are beautiful. | 0:14:33 | 0:14:36 | |
My only concern would be the amount of storage space, in particular | 0:14:36 | 0:14:40 | |
upstairs, but I think that that could be rectified | 0:14:40 | 0:14:42 | |
with a little bit of imagination. | 0:14:42 | 0:14:44 | |
-Nice, isn't it? -It is. -It is, it's lovely. It's really nice. | 0:14:44 | 0:14:47 | |
I think a really good start. And this is just such a pretty view | 0:14:47 | 0:14:51 | |
to keep with you in your memories, as we continue our house search. | 0:14:51 | 0:14:54 | |
-Yes. -It is. -But a really nice one to begin with. | 0:14:54 | 0:14:57 | |
It is, I mean, this is number one, it's great. | 0:14:57 | 0:15:00 | |
-Who's hungry? -Me. -Come on. | 0:15:00 | 0:15:03 | |
To the west of Monmouthshire | 0:15:09 | 0:15:11 | |
lies the Blaenavon World Heritage site, where the footprint | 0:15:11 | 0:15:14 | |
of Wales' industrial landscape is still visible in its valleys. | 0:15:14 | 0:15:18 | |
At the beginning of the Industrial Revolution, | 0:15:18 | 0:15:20 | |
during the 19th century, the Blaenavon Ironworks was | 0:15:20 | 0:15:23 | |
one of the largest producers of iron and steel in the world. | 0:15:23 | 0:15:27 | |
The local colliery provided the coal to produce iron and steel, | 0:15:27 | 0:15:32 | |
but in 1980, it was closed, as it had become | 0:15:32 | 0:15:35 | |
uneconomical to continue mining. | 0:15:35 | 0:15:37 | |
The mine is named Big Pit and is now preserved as a museum. | 0:15:37 | 0:15:42 | |
History enthusiasts Jane and Andrew | 0:15:42 | 0:15:44 | |
have come to meet Ceri Thompson, ex-miner and curator of the museum, | 0:15:44 | 0:15:48 | |
to get an insight's into the industrial heritage of Wales. | 0:15:48 | 0:15:53 | |
It's hard to imagine now the early industrialist's coming up here, | 0:15:53 | 0:15:56 | |
transporting their big machinery up here, | 0:15:56 | 0:15:58 | |
transporting workers up here, you know. | 0:15:58 | 0:16:01 | |
And, of course, people working in the ironworks, | 0:16:01 | 0:16:03 | |
it's quite dangerous. | 0:16:03 | 0:16:05 | |
With hot molten metals around the place, all the work going on. | 0:16:05 | 0:16:09 | |
And then with the coal mines, of course, | 0:16:09 | 0:16:11 | |
you're actually working underground. | 0:16:11 | 0:16:14 | |
For a start, working in the dark is a danger on its own, | 0:16:14 | 0:16:16 | |
that's without the roof falling in, | 0:16:16 | 0:16:18 | |
the dangers of gases, which cause explosions, of course. | 0:16:18 | 0:16:22 | |
So, it's not a very pleasant place to work. | 0:16:22 | 0:16:24 | |
How many men would have worked here at the height of production? | 0:16:24 | 0:16:27 | |
By 1980, when the pit shut down, | 0:16:27 | 0:16:29 | |
there was about 300 men working here, by the time it closed down. | 0:16:29 | 0:16:32 | |
But, in the century before that, of course, there was | 0:16:32 | 0:16:35 | |
up to 1,000 men just working in this one pit alone. | 0:16:35 | 0:16:38 | |
To get a better understanding of what life as a coal miner might | 0:16:38 | 0:16:42 | |
have been like, Jane and Andrew are going down into the old mine itself. | 0:16:42 | 0:16:46 | |
En route, | 0:16:46 | 0:16:47 | |
they're meeting electrician Richard Philip's in the old lamp room, | 0:16:47 | 0:16:51 | |
to find out how our feathered friends | 0:16:51 | 0:16:53 | |
and a clever invention helped overcome the real dangers the miners | 0:16:53 | 0:16:56 | |
faced each and every day, in the darkness of the pit. | 0:16:56 | 0:17:00 | |
This is a lamp room, this is where | 0:17:00 | 0:17:02 | |
the miners would have picked up their lamps to go underground. | 0:17:02 | 0:17:05 | |
Here, we've got the miner's safety lamp. | 0:17:05 | 0:17:07 | |
Which was a piece of engineering that was developed | 0:17:07 | 0:17:11 | |
into coal mining and saved thousands and thousands of lives. | 0:17:11 | 0:17:15 | |
Deep in the mines, there was the danger that methane gas, | 0:17:15 | 0:17:18 | |
found in coal, could escape into the air and, if it did, | 0:17:18 | 0:17:21 | |
when it met the naked flames of the miners' oil lamps or candles, | 0:17:21 | 0:17:25 | |
it could cause potentially lethal explosions. | 0:17:25 | 0:17:28 | |
But, over 200 years ago, Cornish entrepreneur Humphry Davy | 0:17:28 | 0:17:31 | |
came up with the solution known today as the Davy lamp. | 0:17:31 | 0:17:35 | |
They put in a gauze over the top of the frame, it would | 0:17:35 | 0:17:38 | |
keep the flame alight, cos it allows oxygen to pass in, | 0:17:38 | 0:17:41 | |
but it prevents the methane igniting the gas. | 0:17:41 | 0:17:43 | |
This was the gauze. | 0:17:43 | 0:17:46 | |
If we hold the gauze directly over the frame, as you can see, | 0:17:46 | 0:17:49 | |
the flame doesn't pass through the gauze. | 0:17:49 | 0:17:52 | |
But even though the addition of the gauze was a life-saver, | 0:17:52 | 0:17:55 | |
it wasn't popular, as it reduced the lamp's light by a quarter. | 0:17:55 | 0:17:59 | |
It wasn't until about 30 years later that somebody | 0:17:59 | 0:18:02 | |
came up with the idea of separating the flame with a glass. | 0:18:02 | 0:18:07 | |
But it's probably the most important invention | 0:18:07 | 0:18:12 | |
ever to come into coal mining. | 0:18:12 | 0:18:14 | |
But there was also another more unusual tactic | 0:18:14 | 0:18:17 | |
employed to keep the miners safe. | 0:18:17 | 0:18:20 | |
-You can probably hear the canaries in the background. -Yes. | 0:18:20 | 0:18:23 | |
The canaries were used underground, because, after we have an explosion, | 0:18:23 | 0:18:28 | |
we have carbon monoxide given off. | 0:18:28 | 0:18:30 | |
The canaries would go underground with the safety teams after | 0:18:30 | 0:18:34 | |
the explosion. They could detect the carbon monoxide. | 0:18:34 | 0:18:37 | |
The way they detected carbon monoxide is that | 0:18:37 | 0:18:39 | |
they breathe quicker than us. | 0:18:39 | 0:18:42 | |
Less than half a percent of carbon monoxide in the area underground | 0:18:42 | 0:18:46 | |
will kill you in less than 15 minutes. | 0:18:46 | 0:18:49 | |
If the canaries appeared distressed, it was a sign the gas was present. | 0:18:49 | 0:18:54 | |
So, the miners would retreat and ventilate the area, | 0:18:54 | 0:18:57 | |
to clear the gas. | 0:18:57 | 0:18:59 | |
Now, it's Jane and Andrew's turn to get kitted out and go underground. | 0:18:59 | 0:19:03 | |
Paul Green is going to be their guide. | 0:19:06 | 0:19:09 | |
He was a miner for 22 years. He started in 1972, | 0:19:09 | 0:19:13 | |
when he was just a teenager. | 0:19:13 | 0:19:15 | |
The cage will take them down to the pit bottom. | 0:19:15 | 0:19:18 | |
The shaft we're going down is 90 metres deep, 300 feet. | 0:19:18 | 0:19:22 | |
90 metres is very shallow for a mine in Wales. | 0:19:22 | 0:19:25 | |
The cage is descending at a speed of just two metres per second, | 0:19:25 | 0:19:29 | |
but when it was a working mine, it would travel at double that speed. | 0:19:29 | 0:19:32 | |
And the sound of the men at work would be deafening. | 0:19:32 | 0:19:35 | |
Today, though, it's eerily silent. | 0:19:35 | 0:19:37 | |
Watch your step, guys. | 0:19:37 | 0:19:39 | |
This is what we call a stall area, guys. | 0:19:41 | 0:19:43 | |
A man and boy would work together, father and son. | 0:19:43 | 0:19:46 | |
You see the coal in the background there? | 0:19:46 | 0:19:48 | |
Their job would be to take the coal off and load the drams. | 0:19:48 | 0:19:51 | |
It was the boy's job to load the dram. | 0:19:51 | 0:19:54 | |
Coal was traditionally extracted by hand and then, of course, | 0:19:54 | 0:19:57 | |
as mechanisation and time went on, it all came to big machinery. | 0:19:57 | 0:20:00 | |
Big coal cutters and machinery taking it away. | 0:20:00 | 0:20:03 | |
And what about your mining experiences? | 0:20:03 | 0:20:06 | |
At that time, in the 1970s, every village within Wales | 0:20:06 | 0:20:09 | |
had a coal mine. It was well paid. | 0:20:09 | 0:20:12 | |
So, I started as a 15-year-old and my first wage was £11.50. | 0:20:12 | 0:20:17 | |
And I had to pay £6 board and lodge. | 0:20:17 | 0:20:19 | |
So, I didn't have a lot left out of it. | 0:20:19 | 0:20:22 | |
If the mines hadn't closed, I'll be truthful, | 0:20:22 | 0:20:26 | |
I would still be working in them. | 0:20:26 | 0:20:27 | |
And you'd probably go to 80% or 90% of the miners | 0:20:27 | 0:20:30 | |
and they would say exactly the same. | 0:20:30 | 0:20:32 | |
OK, guys, shall we make our way back to the surface? | 0:20:32 | 0:20:34 | |
-Great. -Yeah. -Follow me along. | 0:20:34 | 0:20:36 | |
It was clearly a harsh life underground, | 0:20:40 | 0:20:43 | |
hidden from life above on the surface. | 0:20:43 | 0:20:45 | |
It's the second day of our jaunt around Monmouthshire in Wales, | 0:20:50 | 0:20:53 | |
where Jane and Andrew, who've been living in Abu Dhabi, have up | 0:20:53 | 0:20:56 | |
to £450,000 to spend on their first home in Britain for 12 years. | 0:20:56 | 0:21:01 | |
And there's still our mystery house to come. | 0:21:01 | 0:21:04 | |
-But this is the main event. -Oh, lovely. -Wow. | 0:21:04 | 0:21:08 | |
And I'll be testing my aim, when I'm handed a very Welsh bow and arrow. | 0:21:08 | 0:21:13 | |
So, I'm really going to have to put some effort into this, aren't I? | 0:21:13 | 0:21:16 | |
Absolutely smash it. | 0:21:16 | 0:21:17 | |
Oh, keeping the arrow on the thing is a trick, isn't it? | 0:21:17 | 0:21:20 | |
Well, our final day of house-hunting has, thankfully started, | 0:21:25 | 0:21:28 | |
with clearer skies. Which is just as well, | 0:21:28 | 0:21:31 | |
because we've got plenty left to show Jane and Andrew. | 0:21:31 | 0:21:34 | |
Now, over breakfast, they let slip that their daughters have | 0:21:34 | 0:21:37 | |
an ambition to keep alpacas. Talk about moving the goalposts. | 0:21:37 | 0:21:40 | |
But, hey, no-one ever said that house-hunting was going to be easy. | 0:21:40 | 0:21:44 | |
Now, coming up, we will, at the end of the day, | 0:21:44 | 0:21:46 | |
be revealing our mystery house. | 0:21:46 | 0:21:48 | |
To find that, we are going to have to head into another country. | 0:21:48 | 0:21:51 | |
But first, our penultimate property. | 0:21:51 | 0:21:54 | |
I think it's got bags of character and bags of space, plenty of room | 0:21:54 | 0:21:57 | |
for a family whose collection of animals might just keep growing. | 0:21:57 | 0:22:01 | |
Our next visit takes us to the hamlet of Kingcoed. | 0:22:03 | 0:22:06 | |
It's just over ten miles from Monmouth | 0:22:06 | 0:22:09 | |
and under two and a half miles from the village of Raglan. | 0:22:09 | 0:22:12 | |
Here, along with attractive stone cottages, | 0:22:12 | 0:22:14 | |
are all the necessary amenities, including a post office, chemist, | 0:22:14 | 0:22:18 | |
family butchers, as well as a choice of pubs. | 0:22:18 | 0:22:21 | |
There is also the spectacular 15th-century Raglan Castle, | 0:22:21 | 0:22:25 | |
which was originally built for show, not battle | 0:22:25 | 0:22:27 | |
and has featured in a magical TV drama. | 0:22:27 | 0:22:30 | |
A five-minute drive takes us to the rural beauty of Kingcoed, | 0:22:30 | 0:22:33 | |
with its endless views and our next property - | 0:22:33 | 0:22:36 | |
this L-shaped, whitewashed cottage, | 0:22:36 | 0:22:39 | |
that's hiding a bit of a surprise on the inside. | 0:22:39 | 0:22:42 | |
-There you go, what about that one? -Oh, it's beautiful. | 0:22:42 | 0:22:44 | |
-I like it. -Really pretty. -Yeah? -Yeah. | 0:22:44 | 0:22:47 | |
You probably can see that little carved stone on the wall. | 0:22:47 | 0:22:49 | |
1812, that's when this part of the property dates from. | 0:22:49 | 0:22:52 | |
We think it was probably a barn originally. | 0:22:52 | 0:22:55 | |
But then, through the '60s and '70s, it's been extended into this | 0:22:55 | 0:22:57 | |
L-shape, to create a really substantial family home. | 0:22:57 | 0:23:00 | |
-It's lovely. -Now, the thing that is | 0:23:00 | 0:23:02 | |
unusual about it is that, it's completely unfurnished. | 0:23:02 | 0:23:06 | |
So, let's get our thinking caps on, use some imagination, let's see | 0:23:06 | 0:23:09 | |
what you might do that with this one and how you might occupy it. | 0:23:09 | 0:23:13 | |
-Lovely. -OK. | 0:23:13 | 0:23:14 | |
'This 19th-century cottage might be a blank canvas, | 0:23:14 | 0:23:18 | |
'but its age means its period character is | 0:23:18 | 0:23:20 | |
'there to see as soon as you walk through the door, | 0:23:20 | 0:23:23 | |
'married beautifully with a contemporary style.' | 0:23:23 | 0:23:26 | |
Right, then. | 0:23:26 | 0:23:27 | |
I think we'll start in here, which is the kitchen. | 0:23:27 | 0:23:30 | |
-There we go. -Oh, wow. | 0:23:31 | 0:23:35 | |
Nice little kitchen. | 0:23:35 | 0:23:37 | |
We're getting these little cottagey details, you know, | 0:23:37 | 0:23:40 | |
the beams are exposed, which is quite nice. | 0:23:40 | 0:23:42 | |
You've got these double-glazed, but leaded-look windows, | 0:23:42 | 0:23:45 | |
which break up these panes, which is quite nice. | 0:23:45 | 0:23:49 | |
-Yes, excellent. -Yes. | 0:23:49 | 0:23:51 | |
OK, let's go through to this living room. | 0:23:51 | 0:23:54 | |
You've got a couple to choose from, but we'll start with this one. | 0:23:54 | 0:23:57 | |
And it's going to need some creative thinking to imagine it as | 0:23:57 | 0:24:00 | |
a cosy family room or perhaps a dining room. | 0:24:00 | 0:24:03 | |
Yeah, it's a nice-sized room. | 0:24:03 | 0:24:06 | |
So, I think this could be a nice intimate space, actually. | 0:24:06 | 0:24:08 | |
I think so, yeah. | 0:24:08 | 0:24:10 | |
The other living area is across the hallway from the living room, | 0:24:10 | 0:24:13 | |
in the original part of the house. | 0:24:13 | 0:24:15 | |
Again, I think a very similar size to next door, | 0:24:16 | 0:24:19 | |
but this, to me, feels much more like your family living room space. | 0:24:19 | 0:24:23 | |
Yes, definitely. | 0:24:23 | 0:24:24 | |
And you've got the decking there | 0:24:24 | 0:24:25 | |
and the French windows, it's really nice. | 0:24:25 | 0:24:27 | |
You have. Normally I'd be taking you upstairs now, but I'll treat you. | 0:24:27 | 0:24:30 | |
Have a look, cos it's worth exploring, whilst we're down here. | 0:24:30 | 0:24:33 | |
Let's go out and give you a real feel for it. | 0:24:33 | 0:24:35 | |
-There we are. -Wow. It's beautiful. The views are amazing. | 0:24:35 | 0:24:39 | |
-It's lovely. -Look at this, bright sunshine to greet us. | 0:24:39 | 0:24:42 | |
It's fabulous. | 0:24:42 | 0:24:44 | |
-I do want to take you upstairs and show you the bedrooms. -OK. | 0:24:44 | 0:24:47 | |
-You wanted three, we've got you four. -Fantastic. | 0:24:47 | 0:24:51 | |
Up on the first floor, there is also a modern family bathroom, | 0:24:55 | 0:24:58 | |
as well as a compact shower room. | 0:24:58 | 0:25:01 | |
The sleeping quarters consist of a large, | 0:25:01 | 0:25:03 | |
square, double bedroom overlooking the garden, a smaller double, | 0:25:03 | 0:25:07 | |
also at the back of the house, and next to it, a dual-aspect room. | 0:25:07 | 0:25:12 | |
But we're headed to the best of the bunch. | 0:25:12 | 0:25:15 | |
So, no surprise, this is the one we've earmarked for a you. | 0:25:15 | 0:25:19 | |
-Oh, it's beautiful. -Yes. -It's beautiful. | 0:25:19 | 0:25:21 | |
-That's got that real cottagey feel, hasn't it? -Oh, isn't that lovely? | 0:25:21 | 0:25:26 | |
-The beams are great. -Yeah, really sweet. -Really beautiful. | 0:25:26 | 0:25:28 | |
-And you've got that. -Oh, yeah. -Put your heads round the corner. | 0:25:28 | 0:25:31 | |
Well, to have an en-suite in a property like this is great, | 0:25:31 | 0:25:34 | |
-isn't it? -It's unusual. -It really is, yeah. | 0:25:34 | 0:25:37 | |
OK, well, we teased you with the garden before. | 0:25:37 | 0:25:39 | |
Come on, let's go back outside and enjoy the weather. | 0:25:39 | 0:25:42 | |
Now, our buyers have already had a sneak preview of | 0:25:44 | 0:25:47 | |
the outside space, but to really appreciate this house, | 0:25:47 | 0:25:50 | |
you need to see it from the bottom of the garden. | 0:25:50 | 0:25:53 | |
This is gorgeous, especially in the sunlight. | 0:25:53 | 0:25:55 | |
I love this view of the property. | 0:25:55 | 0:25:57 | |
Sitting up there in a very elevated position, | 0:25:57 | 0:26:00 | |
-it really sets it off a treat. -It does. | 0:26:00 | 0:26:02 | |
So, we've pretty much seen it all. | 0:26:02 | 0:26:05 | |
There is one part we haven't seen and that is through that gate, | 0:26:05 | 0:26:09 | |
what we're describing as a bit of a paddock. | 0:26:09 | 0:26:11 | |
It's a bit overgrown at the moment, | 0:26:11 | 0:26:13 | |
but it might give you space for creating your animal kingdom | 0:26:13 | 0:26:19 | |
that I suspect might be coming, if your daughters get their way | 0:26:19 | 0:26:22 | |
-and they get their alpacas. -Yes. | 0:26:22 | 0:26:23 | |
So, when we're done here, I'm going to send you off down there | 0:26:23 | 0:26:26 | |
-and you can explore that on your own. -OK. | 0:26:26 | 0:26:28 | |
But, suffice to say, I think we've seen pretty much all of it. | 0:26:28 | 0:26:31 | |
Certainly enough to give you an idea of what it might be worth. | 0:26:31 | 0:26:34 | |
-Yes. -Who's going to guess first? Andrew. | 0:26:34 | 0:26:37 | |
-435. -435, yeah. | 0:26:37 | 0:26:41 | |
I think it's a little bit more than that, I would say it's 445. | 0:26:41 | 0:26:45 | |
445? This is on the market for £399,000. | 0:26:45 | 0:26:48 | |
-Wow. -You're joking? -I'm not. -That's amazing. | 0:26:48 | 0:26:51 | |
HE LAUGHS | 0:26:51 | 0:26:53 | |
That's an incredible price. I'm really surprised. | 0:26:53 | 0:26:58 | |
And you don't need to worry about any kind of business angle, | 0:26:58 | 0:27:01 | |
because, at that price, I don't think you need to | 0:27:01 | 0:27:04 | |
worry about holiday lets or B&B and all the rest of it. | 0:27:04 | 0:27:07 | |
-No, no. -You've got plenty of room here, plenty of room for Mum, | 0:27:07 | 0:27:10 | |
if she wants to come, with that fourth bedroom. | 0:27:10 | 0:27:12 | |
-Yes, absolutely. -A serious contender, I think. -Yeah. | 0:27:12 | 0:27:14 | |
Now, the paddock is a bit of bonus. | 0:27:14 | 0:27:16 | |
-Go and have a look at it, see what you might do with it. -Right. | 0:27:16 | 0:27:19 | |
And I will come and find you somewhere a little bit later on. | 0:27:19 | 0:27:22 | |
-Lovely. -Great, thank you. -Thank you. -Off you go. | 0:27:22 | 0:27:24 | |
This lovely, rural cottage seems to have the perfect combination | 0:27:28 | 0:27:32 | |
of both character and space, plus it comes in at | 0:27:32 | 0:27:36 | |
£51,000 under Jane and Andrew's budget. | 0:27:36 | 0:27:39 | |
The downstairs living area is great for a young family | 0:27:39 | 0:27:42 | |
and upstairs is, too. | 0:27:42 | 0:27:45 | |
And the garden, with its views, is superb, | 0:27:45 | 0:27:47 | |
featuring a bonus paddock, which could become home to a | 0:27:47 | 0:27:50 | |
herd of alpacas, if our buyers let their daughters' dreams come true. | 0:27:50 | 0:27:54 | |
-What a beautiful little bit of space. -Beautiful. | 0:27:54 | 0:27:57 | |
As soon as we walked round the corner, I loved the house. | 0:27:57 | 0:28:00 | |
It's exactly what we looking for. | 0:28:00 | 0:28:02 | |
And it's perfect, it's got the cottagey feel, | 0:28:02 | 0:28:04 | |
but it's got the space inside. | 0:28:04 | 0:28:06 | |
I was impressed when I walked in and my only worry, really, | 0:28:06 | 0:28:09 | |
was what the price would be, would it be too high? | 0:28:09 | 0:28:11 | |
But now I've heard what the price is, | 0:28:11 | 0:28:13 | |
we're going to have to give it some really serious thought, I think. | 0:28:13 | 0:28:16 | |
Isn't this lovely? Early summer in Monmouthshire. | 0:28:16 | 0:28:20 | |
You know, showing a house that's empty can be a bit of a gamble, | 0:28:20 | 0:28:22 | |
but, today, I think it's all gone rather well, hasn't it? | 0:28:22 | 0:28:25 | |
-It has, it's amazing. -Definitely. | 0:28:25 | 0:28:28 | |
Well, hold that thought, because we have one more to show you. | 0:28:28 | 0:28:30 | |
Come on. | 0:28:30 | 0:28:32 | |
Yes, our final trip to the mystery house has taken us a whisker | 0:28:39 | 0:28:43 | |
over the Welsh border into England | 0:28:43 | 0:28:45 | |
and the village of Newland, in Gloucestershire. | 0:28:45 | 0:28:48 | |
Which is still only around four miles from the school in Monmouth. | 0:28:48 | 0:28:51 | |
Newland is a pretty village, surrounded by hills | 0:28:51 | 0:28:54 | |
and stunning scenery and an eclectic mix of architecture, | 0:28:54 | 0:28:58 | |
including grand houses, stone cottages and old arms houses. | 0:28:58 | 0:29:03 | |
Just outside Newland, with far-reaching views, | 0:29:03 | 0:29:05 | |
we find our mystery house. | 0:29:05 | 0:29:07 | |
And if Jane and Andrew engaged some flexible thinking, | 0:29:07 | 0:29:10 | |
they might find exactly what they're looking for right here. | 0:29:10 | 0:29:13 | |
Well, finally, the waiting is over. Here we are, | 0:29:13 | 0:29:17 | |
at our mystery house location. | 0:29:17 | 0:29:19 | |
Well, kind of, mystery complex, I should say. | 0:29:19 | 0:29:21 | |
What we've got you is this extraordinary | 0:29:21 | 0:29:23 | |
development of eight properties, | 0:29:23 | 0:29:25 | |
built around an old series of existing, | 0:29:25 | 0:29:28 | |
beautiful farm buildings. | 0:29:28 | 0:29:31 | |
That's what I want you to think about. All of that. | 0:29:31 | 0:29:34 | |
-Wow. -That's quite something. | 0:29:34 | 0:29:36 | |
Now, why is it our mystery house? We know that you are used to | 0:29:36 | 0:29:40 | |
living in complexes around the world. | 0:29:40 | 0:29:43 | |
The good news about this one is that it's in Britain, | 0:29:43 | 0:29:45 | |
but also, of course, it's single-storey. | 0:29:45 | 0:29:48 | |
We are in England, of course, and I know you'll be thinking, | 0:29:48 | 0:29:51 | |
"Oh, schools! What about the catchment area?" | 0:29:51 | 0:29:53 | |
Monmouth itself is only four miles away. | 0:29:53 | 0:29:55 | |
It is technically outside of the catchment, | 0:29:55 | 0:29:57 | |
but there are children who live here who go to the comprehensive | 0:29:57 | 0:30:00 | |
that you're thinking about. | 0:30:00 | 0:30:02 | |
OK, well, that's good news. | 0:30:02 | 0:30:03 | |
What I am keen to do, though, is to show you a building that I think | 0:30:03 | 0:30:06 | |
-is a really lovely family home. -OK. -Shall we have a look? | 0:30:06 | 0:30:09 | |
-Yes, let's. -Let me show you around. | 0:30:09 | 0:30:11 | |
The original barn is around 300 years old, | 0:30:11 | 0:30:15 | |
made from local stone, with a slate roof. | 0:30:15 | 0:30:18 | |
But all the fixtures and fittings are contemporary and top-notch, | 0:30:18 | 0:30:22 | |
making our mystery house well worth the trip over the border. | 0:30:22 | 0:30:26 | |
We're going straight into an L-shaped entrance hall. | 0:30:26 | 0:30:28 | |
-There we are. Look at this. -Lovely. | 0:30:28 | 0:30:31 | |
-You get the idea, don't you? -You certainly do. | 0:30:31 | 0:30:34 | |
Now, this central corridor really is the spine of the building | 0:30:34 | 0:30:37 | |
and you've got bedrooms and bathrooms leading off of it. | 0:30:37 | 0:30:40 | |
-But this is the main event. -Oh, lovely. -Wow. | 0:30:40 | 0:30:45 | |
-Very nice, yeah. -It's impressive. | 0:30:45 | 0:30:48 | |
The thing with this building, it's all orientated, | 0:30:48 | 0:30:51 | |
not that way to the drive, but this way. | 0:30:51 | 0:30:54 | |
The kitchen really makes use of the views. There you go. | 0:30:54 | 0:30:57 | |
Oh, that's beautiful. Yeah, there's the view. | 0:30:57 | 0:30:59 | |
It's got the view and what a great kitchen. | 0:30:59 | 0:31:02 | |
A great kitchen. | 0:31:02 | 0:31:03 | |
It's also got really generous utility room through there, | 0:31:03 | 0:31:06 | |
-with another door out. -OK. -I mean, that view out the back, | 0:31:06 | 0:31:09 | |
-you wouldn't think you were in a complex. -Absolutely. | 0:31:09 | 0:31:12 | |
-No. -You must think you were just on your own. -Yes, definitely. | 0:31:12 | 0:31:15 | |
A location just with one cottage. So, that's quite impressive. | 0:31:15 | 0:31:19 | |
Right, then, let's explore. Come with me, down the corridor. | 0:31:19 | 0:31:22 | |
'Next to the entrance hall is a neutral family bathroom and | 0:31:22 | 0:31:26 | |
'next to that is a bright, square, double bedroom, currently used | 0:31:26 | 0:31:30 | |
'as a den, overlooking the courtyard at the front of the property. | 0:31:30 | 0:31:34 | |
'Opposite is another double with doors to the garden. | 0:31:34 | 0:31:38 | |
'And on the other side of the hall is a cosy double, | 0:31:38 | 0:31:42 | |
'with stairs to a mezzanine office above. Then, tucked into | 0:31:42 | 0:31:45 | |
'the back left-hand corner of the house, is the master.' | 0:31:45 | 0:31:49 | |
So, this is your bit. | 0:31:49 | 0:31:51 | |
Lovely. | 0:31:51 | 0:31:53 | |
I've just seen the bathroom. | 0:31:53 | 0:31:55 | |
That did take your breath away, didn't it? | 0:31:55 | 0:31:58 | |
-Yeah, go and have a look. It's gorgeous, isn't it? -You like that? | 0:31:58 | 0:32:02 | |
It's really generous, this one. | 0:32:02 | 0:32:05 | |
-Yes, it definitely is. -A wonderful bathroom. | 0:32:05 | 0:32:08 | |
And you've got those two door, which open out onto the terrace. | 0:32:08 | 0:32:12 | |
It works, doesn't it? | 0:32:12 | 0:32:14 | |
It does, it works very, very well. It's a lovely bedroom. | 0:32:14 | 0:32:17 | |
Right, well, let's make use of those doors and explore the garden. | 0:32:17 | 0:32:20 | |
Come and look at this. | 0:32:20 | 0:32:22 | |
'Outside, although there's no income potential, | 0:32:24 | 0:32:27 | |
'what you do get is a spectacular, south-facing garden, | 0:32:27 | 0:32:30 | |
'complete with a pretty pond. | 0:32:30 | 0:32:32 | |
'I think it's fair to say our English mystery house is | 0:32:32 | 0:32:35 | |
'working very hard to impress.' | 0:32:35 | 0:32:38 | |
-Hmm, beautiful. -So, final guess of the week, madam? -I would say 410. | 0:32:38 | 0:32:43 | |
410? | 0:32:43 | 0:32:45 | |
I'm going to go for 425. | 0:32:45 | 0:32:48 | |
Oh! Very close. | 0:32:48 | 0:32:51 | |
Not bad at all. | 0:32:51 | 0:32:52 | |
This is currently on the market at £429,000. | 0:32:52 | 0:32:57 | |
429. | 0:32:57 | 0:33:00 | |
Now, I have spoken to the owners. | 0:33:00 | 0:33:02 | |
They are moving to France and they are really keen to go. | 0:33:02 | 0:33:05 | |
It has been on the market a while | 0:33:05 | 0:33:07 | |
and they are open to some sensible offers. | 0:33:07 | 0:33:10 | |
I think, provided it begins with a four, | 0:33:10 | 0:33:13 | |
-it would be a conversation you could have. -OK, that's interesting. | 0:33:13 | 0:33:16 | |
-Yeah, I think the girls would love it. -OK. -OK. | 0:33:16 | 0:33:20 | |
-You can tell me if I'm right later on. Off you go. -Thank you. | 0:33:20 | 0:33:23 | |
Our mystery house straddles three centuries | 0:33:26 | 0:33:29 | |
and has a perfect blend of character and cutting-edge style to prove it. | 0:33:29 | 0:33:33 | |
Yet, it's still £29,000 under Jane and Andrew's budget. | 0:33:33 | 0:33:38 | |
It may be single-storey, but it's spacious, with four | 0:33:38 | 0:33:41 | |
good-sized bedrooms giving plenty of options for visitors and Jane's mum. | 0:33:41 | 0:33:46 | |
The garden and the views are fantastic. | 0:33:46 | 0:33:49 | |
And, although it's not in the official catchment area | 0:33:49 | 0:33:51 | |
for the school in Monmouth, a place there isn't out of the question. | 0:33:51 | 0:33:55 | |
So, Jane and Andrew could have a lot to write home about here. | 0:33:55 | 0:33:58 | |
-Oh, wow. Look at this. -Oh, I like it. | 0:33:59 | 0:34:03 | |
-Oh, that's fabulous. -I like the house. | 0:34:03 | 0:34:05 | |
I wasn't so impressed when we were on the outside. | 0:34:05 | 0:34:08 | |
I guess, because it's part of a complex. | 0:34:08 | 0:34:11 | |
And I thought, "Oh, I don't really know | 0:34:11 | 0:34:13 | |
"if I want to be in that close a proximity to my neighbours." | 0:34:13 | 0:34:16 | |
But, inside, it's really impressive and at the back as well, the garden. | 0:34:16 | 0:34:19 | |
I really like the garden and the view. | 0:34:19 | 0:34:21 | |
Once we got inside, I thought it was beautiful. | 0:34:21 | 0:34:24 | |
I love the kitchen. | 0:34:24 | 0:34:25 | |
I love the way it looks out over the garden at the back. | 0:34:25 | 0:34:29 | |
You forget that you are in a complex when you look outside. | 0:34:29 | 0:34:32 | |
Being over the border into England isn't a problem in itself. | 0:34:32 | 0:34:35 | |
I'm English, so I'm quite happy to live in England. | 0:34:35 | 0:34:38 | |
We're still close to Jane's family | 0:34:38 | 0:34:39 | |
and we're really in the same neighbourhood. | 0:34:39 | 0:34:41 | |
So, that's not an issue, it's just the school place risk. | 0:34:41 | 0:34:45 | |
It's something we'd have to think about very carefully. | 0:34:45 | 0:34:48 | |
-It all rather lovely, isn't it? -It is, very nice. | 0:34:48 | 0:34:51 | |
-Well, I think we spoiled you this week. -You have. Too much choice. | 0:34:51 | 0:34:55 | |
Yes, there's definitely some potential in the offing, | 0:34:55 | 0:34:59 | |
-isn't there? This is a move you've really got to make soon. -Yes. | 0:34:59 | 0:35:02 | |
-To get back from Abu Dhabi. -Yes. | 0:35:02 | 0:35:04 | |
Right, then, let's have a nice old-fashioned pint of beer. | 0:35:04 | 0:35:08 | |
Monmouthshire has been known for its skilled archers | 0:35:14 | 0:35:17 | |
for hundreds of years. They were instrumental | 0:35:17 | 0:35:19 | |
in many of Wales' and England's greatest military victories, | 0:35:19 | 0:35:23 | |
including the Battle of Agincourt in 1415. | 0:35:23 | 0:35:27 | |
So awe-inspiring were the Welsh bowmen, | 0:35:27 | 0:35:30 | |
that the English Army replaced their crossbows with longbows. | 0:35:30 | 0:35:34 | |
Jeremy Spencer makes period military longbows with historic materials. | 0:35:34 | 0:35:38 | |
I've come to meet him at Wye Valley Archery. | 0:35:38 | 0:35:42 | |
Look, I've remembered my cap. | 0:35:42 | 0:35:44 | |
A very simple affair, but it's a great way into a fascinating story. | 0:35:44 | 0:35:47 | |
The Monmouth cap and Welsh archers. | 0:35:47 | 0:35:49 | |
What is it about this part of the world | 0:35:49 | 0:35:51 | |
that really lends itself to the history of archery? | 0:35:51 | 0:35:54 | |
The thing about Monmouth is its history goes back in archery | 0:35:54 | 0:35:58 | |
-a long, long time. -But how did originate? | 0:35:58 | 0:36:00 | |
I mean, presumably, it was just an everyday hunting tool. | 0:36:00 | 0:36:03 | |
Absolutely. There's nothing particularly special about it. | 0:36:03 | 0:36:06 | |
It's just a bent stick. | 0:36:06 | 0:36:08 | |
The special thing about it is, being brought up in the bow, | 0:36:08 | 0:36:12 | |
when you shoot a bow, you master it. | 0:36:12 | 0:36:15 | |
You're given a larger bow by your father and you get bigger | 0:36:15 | 0:36:18 | |
and stronger. You can't do that sort of thing overnight. | 0:36:18 | 0:36:22 | |
Now, aside from the bow, of course, the key bit is the arrow. | 0:36:22 | 0:36:25 | |
Absolutely. It's very interesting to look at the history of arrows, | 0:36:25 | 0:36:29 | |
because they echo the history of armour. | 0:36:29 | 0:36:31 | |
You can look at an arrowhead | 0:36:31 | 0:36:33 | |
and it will date the period it comes from. | 0:36:33 | 0:36:36 | |
'Arrows were the bullets of their day. | 0:36:36 | 0:36:38 | |
'But almost works of art in their own right. | 0:36:38 | 0:36:41 | |
'Jeremy is going to show me some he's crafted himself.' | 0:36:41 | 0:36:44 | |
Fantastic. They are beautiful things, aren't they? | 0:36:44 | 0:36:46 | |
I know they're weapons of war, but there is something | 0:36:46 | 0:36:49 | |
beautiful about the way they're made and that kind of artisanship. | 0:36:49 | 0:36:52 | |
Yeah, they have a certain aesthetic, don't they? | 0:36:52 | 0:36:54 | |
That one doesn't look as if it's going to do an awful lot of damage. | 0:36:54 | 0:36:57 | |
Granted, it looks quite friendly, but, believe me, it's not. | 0:36:57 | 0:37:01 | |
It would be like getting hit by a rubber bullet, | 0:37:01 | 0:37:03 | |
but it is actually a practice head. | 0:37:03 | 0:37:05 | |
Something you'd be allowed to shoot in the forest. | 0:37:05 | 0:37:08 | |
If you shot something like this, which is a hunting arrowhead, | 0:37:08 | 0:37:12 | |
you're only up to one thing. And that could lose you your hand. | 0:37:12 | 0:37:15 | |
If you look at something like this, a fairly early arrowhead, | 0:37:15 | 0:37:20 | |
that's a needle bodkin. | 0:37:20 | 0:37:23 | |
That would find its way through a mail link, even before it | 0:37:23 | 0:37:27 | |
meets any resistance. | 0:37:27 | 0:37:29 | |
'Arrowheads were typically made from iron, and chain mail was armour | 0:37:29 | 0:37:33 | |
'designed to try to protect the body against sharp weapons, like this. | 0:37:33 | 0:37:38 | |
'At the other end of the arrow are the fletches, | 0:37:38 | 0:37:40 | |
'the feathers which stabilise it in flight. | 0:37:40 | 0:37:43 | |
'And, on this one, they're from a swan.' | 0:37:43 | 0:37:45 | |
So, what we'll do is... | 0:37:45 | 0:37:48 | |
With your medieval scissors. | 0:37:48 | 0:37:50 | |
With my medieval scissors, we'll cut that down. | 0:37:50 | 0:37:53 | |
-Gosh, it's like silk, isn't it? -It is, it's lovely. | 0:37:55 | 0:37:58 | |
-Amazing. -You've got to do it confidently. | 0:37:58 | 0:38:00 | |
So, something like that. | 0:38:00 | 0:38:02 | |
I think you should have a go, try it out yourself. | 0:38:02 | 0:38:05 | |
Who'd have thought it? | 0:38:05 | 0:38:06 | |
I never appreciated the value of a swan feather. | 0:38:06 | 0:38:09 | |
Next time I'm wandering along the river bank | 0:38:09 | 0:38:11 | |
and I see some, I might pick a couple up. | 0:38:11 | 0:38:12 | |
Of course, you only get two decent ones per wing as well. | 0:38:12 | 0:38:16 | |
-Is that right? -Yeah. -I'm not sure I've gone straight enough there. | 0:38:16 | 0:38:20 | |
No, that was pretty good. | 0:38:20 | 0:38:23 | |
-There we are. How's that? -Great, great. -OK. | 0:38:25 | 0:38:28 | |
'The fletches, fastened with glue, | 0:38:28 | 0:38:30 | |
'are then secured by binding them with silk.' | 0:38:30 | 0:38:33 | |
I do love making things. | 0:38:33 | 0:38:35 | |
It is lovely to just get a hand on something that really is | 0:38:35 | 0:38:37 | |
-a time-honoured tradition. -Sure. | 0:38:37 | 0:38:39 | |
Well, I could be here all day, to be perfectly honest. | 0:38:39 | 0:38:42 | |
What I'm really keen to do, though, is to see just how effective | 0:38:42 | 0:38:46 | |
-these arrows are against some targets. -Sure. | 0:38:46 | 0:38:48 | |
We've got a rig up for you, if you'd like to see it. | 0:38:48 | 0:38:50 | |
And I think we should get you to wear your Monmouth cap | 0:38:50 | 0:38:52 | |
and get you to have a go. | 0:38:52 | 0:38:54 | |
Absolutely, I've been carrying this thing around all day. | 0:38:54 | 0:38:57 | |
-Right, there we go. -Much better. | 0:38:57 | 0:38:59 | |
It's a good look for you. Come on. Let's go and have a go. | 0:38:59 | 0:39:02 | |
Ah, I see. A French knight over there. | 0:39:02 | 0:39:05 | |
We've got monsieur there. He's wearing plate armour. | 0:39:05 | 0:39:09 | |
So, we've got some beautifully fletched arrows | 0:39:09 | 0:39:11 | |
-that you made earlier. -Sure. -What's on the end of these? | 0:39:11 | 0:39:14 | |
-Oh, look at that. -Bodkin points. | 0:39:14 | 0:39:17 | |
With got machined bodkin and we've got handmade bodkins as well, | 0:39:17 | 0:39:22 | |
made by a master arrowsmith. | 0:39:22 | 0:39:24 | |
'Bodkin points are military arrowheads | 0:39:24 | 0:39:27 | |
'designed to penetrate armour. | 0:39:27 | 0:39:29 | |
'In the hands of a professional longbowman, one of these can | 0:39:29 | 0:39:32 | |
'travel at around 120mph, with up to 12 arrows shot a minute.' | 0:39:32 | 0:39:37 | |
Right, let's give it a go. | 0:39:37 | 0:39:38 | |
-You hit it. -Absolutely. -Didn't quite go through, though. | 0:39:43 | 0:39:46 | |
Well, actually, if we look at that, it's gone in and bounced out. | 0:39:46 | 0:39:49 | |
If we go over and look at that, you'll see it probably got | 0:39:49 | 0:39:52 | |
about that much penetration, which is potentially lethal. | 0:39:52 | 0:39:54 | |
I'm not sure I'm even going to hit the target, | 0:39:54 | 0:39:56 | |
so I don't know why I'm laughing at you. | 0:39:56 | 0:39:58 | |
You've got to make sure that, if you hold the bow there, | 0:39:58 | 0:40:01 | |
we get the cock feather sticking out, otherwise you have a cock-up. | 0:40:01 | 0:40:05 | |
-So, hence the phrase. -Ah! I love these old phrases. | 0:40:05 | 0:40:07 | |
There's loads of them. | 0:40:07 | 0:40:09 | |
So, I'm really going to have to put some effort into this, aren't I? | 0:40:09 | 0:40:13 | |
Absolutely smash it. | 0:40:13 | 0:40:14 | |
Keeping the arrow on the thing is a trick, isn't it? | 0:40:14 | 0:40:17 | |
THEY LAUGH | 0:40:18 | 0:40:20 | |
Bravo, very good. | 0:40:20 | 0:40:21 | |
What are the chances of that? I've only just clipped it. | 0:40:21 | 0:40:24 | |
I think our knight would've kept coming. | 0:40:24 | 0:40:27 | |
I think so, I think so. | 0:40:27 | 0:40:28 | |
-Jeremy, it's been an absolute pleasure. -You're very welcome. | 0:40:28 | 0:40:31 | |
-Thanks very much, mate. -Brilliant. Thank you. | 0:40:31 | 0:40:34 | |
Now, that wasn't as easy as it looks. | 0:40:35 | 0:40:38 | |
But I wonder if finding a house in Monmouthshire was easier or | 0:40:38 | 0:40:41 | |
harder than our buyers thought it would be. | 0:40:41 | 0:40:44 | |
Well, to be honest, I'm not entirely sure | 0:40:44 | 0:40:47 | |
how successful our house-hunting has been this week, | 0:40:47 | 0:40:50 | |
but I did promise Andrew a pint. | 0:40:50 | 0:40:52 | |
So, this is the perfect place to find out. | 0:40:52 | 0:40:54 | |
-Ah, how are you? -Yeah, good thanks. -Is that from me? -It is. -Yeah. | 0:40:57 | 0:41:02 | |
-Well, guys, it's been quite a week, this, hasn't it? -It's been great. | 0:41:02 | 0:41:06 | |
Have we whetted your appetite for life here, Andrew? | 0:41:06 | 0:41:08 | |
You definitely have. | 0:41:08 | 0:41:10 | |
I didn't know this area particularly well. It's amazing. | 0:41:10 | 0:41:12 | |
I'm really looking forward to coming and living here. | 0:41:12 | 0:41:15 | |
We've got to get a house here, definitely. | 0:41:15 | 0:41:16 | |
Well, have we managed to get you one? | 0:41:16 | 0:41:18 | |
-That's the million-dollar question. -Well, there are certainly | 0:41:18 | 0:41:21 | |
some serious contenders between the two cottages that we've seen. | 0:41:21 | 0:41:24 | |
-Number one was gorgeous, wasn't it? -Absolutely beautiful. -What a spot. | 0:41:24 | 0:41:28 | |
-The views were amazing. -Mm-hm. And the other little white cottage, | 0:41:28 | 0:41:32 | |
with that very sweet garden dropping away below and the views beyond. | 0:41:32 | 0:41:36 | |
With potential room for, dare I say it, these alpacas. Who knows? | 0:41:36 | 0:41:40 | |
-Yes. -Oh, dear. | 0:41:40 | 0:41:42 | |
-Yes, you've got to be careful what you wish for. -We have, indeed. | 0:41:42 | 0:41:45 | |
No, the girls would be delighted with that one, I'm sure. | 0:41:45 | 0:41:48 | |
It's not really a definite, is it? | 0:41:48 | 0:41:50 | |
Two contenders, clearly, you've got to go back soon, of course. | 0:41:50 | 0:41:54 | |
That's going to make further investigation a little harder | 0:41:54 | 0:41:56 | |
than it might be, if you were based here in the UK. | 0:41:56 | 0:41:59 | |
Well, I am home in a few weeks. | 0:41:59 | 0:42:01 | |
So, we can have a good conversation about it. | 0:42:01 | 0:42:03 | |
And, hopefully, if they're still on the market, | 0:42:03 | 0:42:05 | |
I can go back and have a look. | 0:42:05 | 0:42:07 | |
Well, you've got a lot to think about. All that remains for me to do | 0:42:07 | 0:42:11 | |
is to wish you a very safe trip back to the sun. | 0:42:11 | 0:42:14 | |
Although, let's face it, it hasn't turned out that badly today, | 0:42:14 | 0:42:16 | |
-has it? -Not bad at all. -It's very nice. | 0:42:16 | 0:42:18 | |
-But, cheers. Cheers to you. -Thank you. -Cheers. -Best of luck. | 0:42:18 | 0:42:22 | |
You know, on a day like this, | 0:42:24 | 0:42:26 | |
with views like that, the merits of living in this beautiful | 0:42:26 | 0:42:29 | |
border region I think really speak for themselves. | 0:42:29 | 0:42:32 | |
Andrew and Jane are now packing up, | 0:42:32 | 0:42:35 | |
heading off to the airport, ready to fly back to Abu Dhabi. | 0:42:35 | 0:42:38 | |
We have given them plenty to consider. | 0:42:38 | 0:42:40 | |
Now, of course, they've got a nice long plane ride on which to do so. | 0:42:40 | 0:42:44 | |
But there is a danger that everything we've shown them, | 0:42:44 | 0:42:47 | |
over the last few days, could, in the weeks to come, | 0:42:47 | 0:42:50 | |
become nothing more than a distant memory. | 0:42:50 | 0:42:53 | |
But, having immersed themselves in this glorious countryside, | 0:42:53 | 0:42:56 | |
somehow, I don't think it will. I'll see you next time. | 0:42:56 | 0:42:59 | |
If you would like to Escape To The Country in Wales, Scotland, | 0:43:01 | 0:43:04 | |
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