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Welcome to Escape to the Country. | 0:00:02 | 0:00:03 | |
This towering monument behind me | 0:00:03 | 0:00:05 | |
was erected to commemorate one of two | 0:00:05 | 0:00:07 | |
of this county's most famous sons, | 0:00:07 | 0:00:09 | |
who coincidentally happened to share the same name. | 0:00:09 | 0:00:12 | |
But, to whom was it built, and where? | 0:00:12 | 0:00:14 | |
Well, as ever, join me in just a moment and I'll tell you. | 0:00:14 | 0:00:17 | |
Today's house hunters are hoping to switch suburban living | 0:00:35 | 0:00:38 | |
for a relaxed life in a rural setting, | 0:00:38 | 0:00:40 | |
and our properties present more than what first meets the eye. | 0:00:40 | 0:00:44 | |
-Oh, wow, that's different. -Yeah. | 0:00:45 | 0:00:49 | |
And they find it hard to contain their excitement. | 0:00:49 | 0:00:52 | |
-Sold, then. -Sold, really? Sold? | 0:00:52 | 0:00:55 | |
-Sold. -Pretty much giddy now. -We only just started. | 0:00:55 | 0:00:57 | |
Well, today we are in Dorset, and this is the Hardy Monument, | 0:01:01 | 0:01:05 | |
built not as you might think to the Victorian author, Thomas Hardy, | 0:01:05 | 0:01:09 | |
but rather to Vice-Admiral Sir Thomas Masterman Hardy. | 0:01:09 | 0:01:12 | |
He was the flag captain of HMS Victory in whose arms Nelson | 0:01:12 | 0:01:16 | |
famously died following the Battle of Trafalgar back in 1805. | 0:01:16 | 0:01:20 | |
But Hardy the admiral was a naval hero in his own right, | 0:01:20 | 0:01:24 | |
going on to become the First Sea Lord before his death in 1839. | 0:01:24 | 0:01:28 | |
In 1844, this monument was put up to commemorate his efforts, | 0:01:28 | 0:01:32 | |
and ever since then it's dominated this part of the county. | 0:01:32 | 0:01:35 | |
And if you've never been here before, this is a great place | 0:01:35 | 0:01:38 | |
to start because it gives you a genuinely bird's eye view | 0:01:38 | 0:01:41 | |
of some of the best that Dorset has to offer. | 0:01:41 | 0:01:44 | |
Sitting on the south coast, the West Country county of Dorset is bordered | 0:01:49 | 0:01:53 | |
by Devon to the west and Hampshire to the east. | 0:01:53 | 0:01:55 | |
Although perhaps most famous for its Jurassic coastline, | 0:01:57 | 0:02:00 | |
the sweeping scenery inland is equally impressive. | 0:02:00 | 0:02:03 | |
In the north of the region is the village of Ashmore. | 0:02:04 | 0:02:08 | |
Here, pretty cottages frame a circular pond which is | 0:02:08 | 0:02:11 | |
one of the oldest in the country. | 0:02:11 | 0:02:14 | |
Lying some 200m above sea level, | 0:02:14 | 0:02:16 | |
it's the highest village in the county. | 0:02:16 | 0:02:19 | |
But from one elevated settlement to another, | 0:02:19 | 0:02:22 | |
Shaftesbury is the highest town in Dorset. | 0:02:22 | 0:02:25 | |
Its celebrated Gold Hill may have come into the wider | 0:02:25 | 0:02:28 | |
conscience thanks to an iconic bread advert from the 1970s, | 0:02:28 | 0:02:32 | |
but there's no doubt that the pretty cobbled street, | 0:02:32 | 0:02:34 | |
set against the backdrop of lush countryside, | 0:02:34 | 0:02:37 | |
still resonates today. | 0:02:37 | 0:02:39 | |
Head east, and you can experience the county's centuries old heritage | 0:02:39 | 0:02:43 | |
at Knowlton Rings, where the ruins of a 12th century Norman church | 0:02:43 | 0:02:46 | |
sit on an ancient Neolithic henge that demonstrated the switch | 0:02:46 | 0:02:50 | |
from pagan to Christian worship. | 0:02:50 | 0:02:53 | |
Travel through the region's rural roads, | 0:02:53 | 0:02:55 | |
and you'll find around 1,000 signs known as fingerposts. | 0:02:55 | 0:02:59 | |
Each featuring a six figure map reference, | 0:02:59 | 0:03:01 | |
their design is completely unique to Dorset, | 0:03:01 | 0:03:04 | |
and make a fitting guide through the wealth of historic landmarks | 0:03:04 | 0:03:08 | |
and picturesque villages that this beautiful county has to offer. | 0:03:08 | 0:03:11 | |
Well, house-hunting in Dorset can be an expensive business. | 0:03:14 | 0:03:18 | |
Here, the average price of a detached property is | 0:03:18 | 0:03:20 | |
currently £343,000. | 0:03:20 | 0:03:24 | |
That's a whopping £60,000 above the national figure, | 0:03:24 | 0:03:27 | |
so if you want a little bit more value for money, here's the tip. | 0:03:27 | 0:03:31 | |
Head west away from the border with Hampshire, and away from the coast. | 0:03:31 | 0:03:35 | |
Little villages like Charminster and Charlton Down can offer you | 0:03:35 | 0:03:39 | |
plenty of value for money, but also loads of village charm. | 0:03:39 | 0:03:42 | |
And, what's more, they're within easy distance | 0:03:42 | 0:03:45 | |
of the county town of Dorchester. | 0:03:45 | 0:03:47 | |
So what about today buyers, what's attracted them to a life in Dorset? | 0:03:47 | 0:03:51 | |
Well, let's meet them and find out. | 0:03:51 | 0:03:53 | |
Anita met semi-retired sustainability consultant Robert | 0:03:54 | 0:03:57 | |
in their homeland of South Africa. | 0:03:57 | 0:03:59 | |
They first set eyes on one another at work, | 0:04:00 | 0:04:03 | |
and have now been married for 42 years. | 0:04:03 | 0:04:05 | |
I was at Cape Town University doing a ballet course, | 0:04:07 | 0:04:11 | |
and I joined the bank and Robert was my boss at the time. | 0:04:11 | 0:04:16 | |
Anita is my soul mate. | 0:04:16 | 0:04:18 | |
We pretty much do everything together. | 0:04:18 | 0:04:21 | |
Travelling the world has always featured heavily | 0:04:21 | 0:04:24 | |
in Robert's working life. | 0:04:24 | 0:04:26 | |
After living in Johannesburg and then Belgium, | 0:04:26 | 0:04:29 | |
they chose to put down roots in the UK in 1981. | 0:04:29 | 0:04:31 | |
We've been in Britain so long now, it just feels like home. | 0:04:34 | 0:04:37 | |
I love the people here and it's just a relaxed way of living. | 0:04:37 | 0:04:43 | |
Their base for the last 14 years has been the town of Southborough, | 0:04:44 | 0:04:48 | |
just outside Tunbridge Wells in Kent. | 0:04:48 | 0:04:51 | |
But they no longer need to be within a busy town | 0:04:51 | 0:04:53 | |
that's commutable to London. | 0:04:53 | 0:04:55 | |
-Where we live now is suburban... -Lots of traffic. | 0:04:56 | 0:05:01 | |
-Nice to get away from some of that now and it's time to... -Change. | 0:05:01 | 0:05:04 | |
..start exploring and have a bit of a change, I think. | 0:05:04 | 0:05:07 | |
New adventure. | 0:05:07 | 0:05:08 | |
Another catalyst for the move is the departure of Anita | 0:05:10 | 0:05:13 | |
and Robert's 19-year-old son, Christopher. | 0:05:13 | 0:05:16 | |
He's now studying aerospace engineering | 0:05:16 | 0:05:19 | |
at Southampton University. | 0:05:19 | 0:05:21 | |
His leaving has left much of the space in their large | 0:05:21 | 0:05:23 | |
converted coach house surplus to requirements. | 0:05:23 | 0:05:27 | |
Well, we'd like to downsize too | 0:05:27 | 0:05:29 | |
so that we can buy Christopher an apartment. | 0:05:29 | 0:05:31 | |
We've had the opportunity of owning our own home, and I think | 0:05:31 | 0:05:34 | |
that's what we'd like to help Christopher with. | 0:05:34 | 0:05:36 | |
As well as bricks and mortar, | 0:05:38 | 0:05:40 | |
this adventurous pair also own a motorhome, | 0:05:40 | 0:05:42 | |
and have spent nine months exploring much of the country | 0:05:42 | 0:05:45 | |
before deciding on relocating to Dorset. | 0:05:45 | 0:05:49 | |
The county is not only a convenient location for visiting | 0:05:49 | 0:05:52 | |
Christopher at university, but it also offers land | 0:05:52 | 0:05:55 | |
and seascapes reminiscent of familiar far off shores. | 0:05:55 | 0:05:58 | |
The coastline itself and the beaches with beautiful sand | 0:05:59 | 0:06:02 | |
reminded us of the Cape. | 0:06:02 | 0:06:06 | |
But it's also got beautiful scenery, it's the greenery of it... | 0:06:06 | 0:06:09 | |
-It is the greenery, yeah. -It's the country lanes. | 0:06:09 | 0:06:13 | |
So, now the couple have decided that it's destination Dorset, | 0:06:13 | 0:06:16 | |
they're keen to explore new ventures that the county has to offer, | 0:06:16 | 0:06:20 | |
and also invest more time in their interests. | 0:06:20 | 0:06:23 | |
I'd like to do some voluntary work, either with children with | 0:06:23 | 0:06:27 | |
learning difficulties, or perhaps help in an old age home. | 0:06:27 | 0:06:33 | |
I enjoy photography, I'd like to go on some courses to get better at it. | 0:06:33 | 0:06:39 | |
Their current home is already on the market, | 0:06:39 | 0:06:42 | |
so with Miniature Dachshund Ryan by their sides, it's all systems go | 0:06:42 | 0:06:45 | |
to find a beautiful bolthole in the British countryside. | 0:06:45 | 0:06:50 | |
We'll have more time to do things together. | 0:06:50 | 0:06:52 | |
It means that we can do a lot more relaxing. | 0:06:52 | 0:06:55 | |
-It'll be really exciting, I think. -Yeah. | 0:06:55 | 0:06:58 | |
Now whilst Robert and Anita love to visit the coast, | 0:07:01 | 0:07:04 | |
they'd prefer their house to be based further inland. | 0:07:04 | 0:07:07 | |
So we're concentrating our search in the north of the county. | 0:07:07 | 0:07:10 | |
We're all meeting up in Dorset to finalise the details of their move. | 0:07:10 | 0:07:15 | |
-Anita, very nice to see you. -Very nice to meet you. | 0:07:15 | 0:07:18 | |
-Rob, very nice to see you. -Hello. | 0:07:18 | 0:07:19 | |
Well, guys, how long have you been thinking about this move for? | 0:07:19 | 0:07:23 | |
Well, we've been waiting for Christopher to finish school, | 0:07:23 | 0:07:25 | |
and he's had his first year at university | 0:07:25 | 0:07:27 | |
and we thought this was the right time. | 0:07:27 | 0:07:29 | |
Now, you're releasing a reasonable | 0:07:29 | 0:07:31 | |
amount of equity from your current home and its sale in Tunbridge, | 0:07:31 | 0:07:36 | |
so how much are you going to spend on this move now? | 0:07:36 | 0:07:39 | |
-600? -£600,000. | 0:07:39 | 0:07:40 | |
I like the way you looked at Robert there just to double check. | 0:07:40 | 0:07:43 | |
£600,000. And what are you looking for? | 0:07:43 | 0:07:46 | |
Three bedrooms, at least. Three receptions. | 0:07:46 | 0:07:49 | |
Three receptions... | 0:07:49 | 0:07:50 | |
I need a home office of some sort, | 0:07:50 | 0:07:52 | |
and a reasonable piece of ground, a garden that Anita can tend to. | 0:07:52 | 0:07:58 | |
-Double garage? -And I definitely need a garage, I need a man-space. | 0:07:58 | 0:08:02 | |
So we know what you need in terms of the basics, but what about style? | 0:08:02 | 0:08:06 | |
We like modern property, we like old property. We're very open to style. | 0:08:06 | 0:08:10 | |
Obviously in the past you've done some work to your current home, | 0:08:10 | 0:08:12 | |
so would you be prepared to do some work to make your new property | 0:08:12 | 0:08:15 | |
exactly what you wanted it to be? | 0:08:15 | 0:08:16 | |
BOTH: Absolutely. Yeah. | 0:08:16 | 0:08:18 | |
And you need space for Christopher to come back and visit, presumably? | 0:08:18 | 0:08:21 | |
-Well, he will come back and stay with us, won't he? -Yeah. | 0:08:21 | 0:08:23 | |
-Depends what you buy him with what's left over... -That's right. | 0:08:23 | 0:08:26 | |
-..he may just want to stay there. -Might do. | 0:08:26 | 0:08:28 | |
Well, let's see what we can find you. | 0:08:28 | 0:08:30 | |
The weather I hope will be kind to us. | 0:08:30 | 0:08:32 | |
-It's clearing. -Shall we go? -Yes. -Come on then. | 0:08:32 | 0:08:35 | |
So, with a budget of £600,000 our buyers are after a three | 0:08:38 | 0:08:43 | |
bedroom property with a dedicated space for a study, a good sized | 0:08:43 | 0:08:47 | |
garden for green-fingered Anita, and a garage or workshop for Robert, | 0:08:47 | 0:08:51 | |
and all in a location within easy reach of their son | 0:08:51 | 0:08:54 | |
at Southampton University. | 0:08:54 | 0:08:56 | |
We've dug deep to find our buyers a selection of highly desirable | 0:08:57 | 0:09:00 | |
Dorset dwellings, but the price of each won't be revealed until | 0:09:00 | 0:09:04 | |
we've had a good look around first. | 0:09:04 | 0:09:06 | |
And our final contender is the Mystery House, | 0:09:06 | 0:09:09 | |
which could offer a buy one, get one free proposition. | 0:09:09 | 0:09:12 | |
We're beginning our search up in the north of the county, | 0:09:18 | 0:09:21 | |
around 50 miles from Southampton in the village of Kington Magna. | 0:09:21 | 0:09:25 | |
Surrounded by working farmland, | 0:09:27 | 0:09:29 | |
the village is home to a rather novel book exchange. | 0:09:29 | 0:09:32 | |
And perched high on a limestone ridge is the prominent landmark | 0:09:32 | 0:09:35 | |
of All Saints' Church, which claims to have the best | 0:09:35 | 0:09:38 | |
ecclesiastical views in Dorset, overlooking Blackmore Vale. | 0:09:38 | 0:09:42 | |
A gentle saunter from this picture perfect backdrop | 0:09:42 | 0:09:45 | |
is property number one. | 0:09:45 | 0:09:47 | |
Well, this is what we're going to start with. | 0:09:48 | 0:09:51 | |
What do you think to that then, madam? | 0:09:51 | 0:09:53 | |
-Oh, really sweet. -I like that. -I like that. | 0:09:53 | 0:09:56 | |
-It is sweet, isn't it? -I like the stonework on there. | 0:09:56 | 0:09:58 | |
It's been added to over the years. The main bit's about 1750. | 0:09:58 | 0:10:04 | |
-Looks really nice. -It's very nice. -Great. | 0:10:04 | 0:10:06 | |
-Can we go in? -Shall we? | 0:10:06 | 0:10:08 | |
Built in the 18th century, this home began its life as two cottages. | 0:10:12 | 0:10:16 | |
Offering a slice of classic Dorset architecture, | 0:10:16 | 0:10:19 | |
from the outset it clearly seems to have struck a chord with our buyers. | 0:10:19 | 0:10:23 | |
So let's see what they make of the character on the inside. | 0:10:23 | 0:10:27 | |
-Come on in. -It's so nice. Isn't it sweet? | 0:10:27 | 0:10:32 | |
-It's a great space, isn't it? -Absolutely. Do we get all the keys? | 0:10:32 | 0:10:36 | |
Well, the keys are fascinating, aren't they? | 0:10:36 | 0:10:38 | |
There are keys everywhere in this house. | 0:10:38 | 0:10:40 | |
Needless to say, there aren't that many doors here. | 0:10:40 | 0:10:44 | |
-So it's quite a rare collection. -Wow. -But the inglenook is very nice. | 0:10:44 | 0:10:48 | |
-It is lovely. -Is this the sort of thing, sort of character-wise? | 0:10:48 | 0:10:52 | |
-Really quirky, lovely. -I like the character of this. Yes. | 0:10:52 | 0:10:57 | |
But the layout's great fun. You'll see what I mean. | 0:10:57 | 0:10:59 | |
Have a look through here. | 0:10:59 | 0:11:00 | |
As this property has been extended over the years, the ground floor | 0:11:00 | 0:11:03 | |
has an unconventional layout with rooms on different levels. | 0:11:03 | 0:11:07 | |
Off the main living area and accessed off a hallway | 0:11:08 | 0:11:11 | |
is a garden room which could be a home office for Robert. | 0:11:11 | 0:11:14 | |
Also downstairs is the family bathroom as well as a shower room. | 0:11:15 | 0:11:20 | |
But next we're off to explore the kitchen. | 0:11:20 | 0:11:24 | |
-Yeah, nice size. -It's a great shape. | 0:11:24 | 0:11:26 | |
-It's nice and square which is what... -Yes. | 0:11:26 | 0:11:29 | |
-..we are always looking for. -Easy to use. -Absolutely. | 0:11:29 | 0:11:31 | |
It leads on to the dining room down yet more stairs which again | 0:11:31 | 0:11:35 | |
-goes back up to the main living room. -Right. | 0:11:35 | 0:11:38 | |
It's whether or not you feel at home in it really. | 0:11:38 | 0:11:40 | |
-I do, I think it's very homely. -I think it's a nice-sized kitchen. | 0:11:40 | 0:11:43 | |
It's easy to manoeuvre and change things around, if you wanted to... | 0:11:43 | 0:11:48 | |
-Yeah, absolutely. -..because of the shape. So, yeah, I think it works. | 0:11:48 | 0:11:52 | |
Down through the dining room and back up into the living room, | 0:11:54 | 0:11:57 | |
we're making our way to view the | 0:11:57 | 0:11:59 | |
sleeping accommodation up on the first floor. | 0:11:59 | 0:12:02 | |
It has a total of three bedrooms. | 0:12:02 | 0:12:04 | |
One is a good-sized double, simply decorated | 0:12:04 | 0:12:07 | |
and there's also a spacious single as well as a washroom, | 0:12:07 | 0:12:10 | |
so ample space for when their son comes home. | 0:12:10 | 0:12:13 | |
But for us, though, it's onwards to the master. | 0:12:13 | 0:12:16 | |
And this is by far the biggest of the lot. | 0:12:17 | 0:12:22 | |
-Oh, nice size. -Nice-sized room. | 0:12:22 | 0:12:24 | |
And you've got loads of built-in storage over there too. | 0:12:24 | 0:12:26 | |
-Important. -Yeah, very important for Rob's clothes. Ahem. | 0:12:26 | 0:12:29 | |
THEY LAUGH | 0:12:29 | 0:12:31 | |
I'm not getting into that one. I've been there too many times before. | 0:12:31 | 0:12:34 | |
The only thing that takes away from it up here is that | 0:12:34 | 0:12:36 | |
-all of the bathrooms... ALL: -..are downstairs. | 0:12:36 | 0:12:39 | |
Not a big problem if there's just two of us in the house. | 0:12:39 | 0:12:42 | |
Well, exactly, you know, that's the way to look at it. | 0:12:42 | 0:12:44 | |
And lovely view out over the garden. | 0:12:44 | 0:12:47 | |
Come on, let's go out and have a look. | 0:12:47 | 0:12:49 | |
Well, so far I think they're quietly impressed by this | 0:12:52 | 0:12:55 | |
cottage but I suspect Anita is itching to find out | 0:12:55 | 0:12:58 | |
whether the outside space could also work for them. | 0:12:58 | 0:13:01 | |
To the front of the property there's a single garage | 0:13:01 | 0:13:04 | |
and, to the rear, the garden extends to 2/3 of an acre. | 0:13:04 | 0:13:07 | |
Look at this. | 0:13:09 | 0:13:11 | |
It's much bigger than you can appreciate from the house, really. | 0:13:11 | 0:13:14 | |
-Wow, it's huge. -It's much bigger. | 0:13:14 | 0:13:15 | |
The large lawn is framed by mature trees and features a pond. | 0:13:15 | 0:13:19 | |
Elevated towards its top end, | 0:13:20 | 0:13:21 | |
it's blessed with far-reaching views across farmland. | 0:13:21 | 0:13:25 | |
-There we go, beautiful. -Fantastic view, isn't it? | 0:13:26 | 0:13:29 | |
Lovely view out that way. | 0:13:29 | 0:13:30 | |
The garden, I think, | 0:13:30 | 0:13:31 | |
really is a blank canvas to someone like yourself. | 0:13:31 | 0:13:35 | |
-It is, it's a lovely garden. -It is quite manageable. | 0:13:35 | 0:13:39 | |
I mean, because it only needs mowing, really. | 0:13:39 | 0:13:41 | |
Over there, Rob, just see the top of that grey roof, | 0:13:41 | 0:13:45 | |
that is a dedicated workshop. | 0:13:45 | 0:13:47 | |
-Ah. -Perfect. | 0:13:47 | 0:13:48 | |
I don't think, in fairness, there's enough room for the motor home. | 0:13:48 | 0:13:52 | |
But there are some storage units up the road. | 0:13:52 | 0:13:54 | |
-Literally about 200 yards up the road. -That's no problem. | 0:13:54 | 0:13:57 | |
Well, shall we talk about the price then? | 0:13:57 | 0:13:59 | |
-Off you go. -Five... | 0:13:59 | 0:14:01 | |
Fifty. 550, yeah. | 0:14:02 | 0:14:04 | |
I would say closer to the 575 mark. Or maybe a bit higher. | 0:14:04 | 0:14:08 | |
550 would be good, wouldn't it? | 0:14:08 | 0:14:10 | |
525 would be even better. | 0:14:10 | 0:14:12 | |
-Very much better. -525 would be very good. -Very good. | 0:14:12 | 0:14:15 | |
That's it, 525. | 0:14:15 | 0:14:17 | |
Wow, that's good. | 0:14:17 | 0:14:18 | |
Right then, we've got a bit more time here to allow you to explore | 0:14:18 | 0:14:21 | |
the property at your leisure. | 0:14:21 | 0:14:22 | |
-OK. -Off you go. -Thank you. -Thanks. | 0:14:22 | 0:14:24 | |
At a very healthy £75,000 below their budget, | 0:14:31 | 0:14:35 | |
this extended three-bedroom period | 0:14:35 | 0:14:37 | |
cottage would leave our couple with | 0:14:37 | 0:14:38 | |
a sizeable amount of spare change to | 0:14:38 | 0:14:41 | |
complete any home improvements. | 0:14:41 | 0:14:43 | |
And with a large garden | 0:14:43 | 0:14:44 | |
overlooking open countryside, | 0:14:44 | 0:14:45 | |
it's located on the edge | 0:14:45 | 0:14:47 | |
of a village. | 0:14:47 | 0:14:48 | |
-Well... -I think a nice cottagey style, | 0:14:51 | 0:14:55 | |
maybe a round table would work perfectly. | 0:14:55 | 0:14:58 | |
Over here I would love to have a wood burner. | 0:14:58 | 0:15:01 | |
I think that would work perfectly. | 0:15:01 | 0:15:03 | |
I think this property is really sweet and it's very homely | 0:15:03 | 0:15:07 | |
and I could probably live here. | 0:15:07 | 0:15:11 | |
I think the house has a good feel about it. | 0:15:11 | 0:15:15 | |
It's got great outdoor space. | 0:15:15 | 0:15:17 | |
I think that's fantastic, I love the garden. | 0:15:17 | 0:15:20 | |
I definitely think Robert would like this place, yes. | 0:15:20 | 0:15:22 | |
And I think he'd probably like the challenge of doing the kitchen. | 0:15:22 | 0:15:27 | |
I think Anita probably likes some of the quirkiness around the house. | 0:15:27 | 0:15:31 | |
She does like that type of thing. | 0:15:31 | 0:15:33 | |
I think that maybe having the bathrooms downstairs | 0:15:33 | 0:15:37 | |
might be a concern. | 0:15:37 | 0:15:38 | |
Right then, it's time to go. Look at this. BELL RINGS | 0:15:40 | 0:15:43 | |
I quite fancy one of those on my own house actually. That's rather nice. | 0:15:43 | 0:15:46 | |
-Come in. -Come out! -Thank you. -More like. | 0:15:46 | 0:15:50 | |
Excellent, one down, two to go. | 0:15:50 | 0:15:53 | |
-Yeah. -Happy so far? -Very happy, thank you. -Yes, very good start. | 0:15:53 | 0:15:56 | |
-Very good start. -Good start. | 0:15:56 | 0:15:57 | |
If this were our final house, what would you be thinking, I wonder? | 0:15:57 | 0:16:00 | |
-It depends what the other two were like. -Indeed! -No. | 0:16:00 | 0:16:02 | |
But I think this is genuinely one worth considering. | 0:16:02 | 0:16:05 | |
-It definitely is. -It is. | 0:16:05 | 0:16:07 | |
-Right, lunchtime, come on. -Lunchtime, thank you. | 0:16:07 | 0:16:10 | |
The Dorset Area of Outstanding Natural Beauty covers | 0:16:17 | 0:16:20 | |
some 44% of the county. | 0:16:20 | 0:16:23 | |
But within this protected terrain lie many dense areas | 0:16:23 | 0:16:26 | |
of woodland including a hazel coppice dating | 0:16:26 | 0:16:28 | |
back to the 1700s, which lies just outside the market town of Wareham. | 0:16:28 | 0:16:33 | |
Here David Partridge, Chairman of the Dorset Coppice Society, | 0:16:33 | 0:16:37 | |
practises a traditional type of fence construction | 0:16:37 | 0:16:40 | |
called hurdle making. | 0:16:40 | 0:16:42 | |
So with their interest in local sustainability, | 0:16:42 | 0:16:45 | |
we've sent Robert and Anita to meet him to learn about his craft. | 0:16:45 | 0:16:49 | |
-Welcome to Dorset. -Thank you. -Thanks very much. -This is my office. | 0:16:50 | 0:16:53 | |
This is the coppice system. | 0:16:53 | 0:16:55 | |
The hazel will regrow after I've cut it down. | 0:16:55 | 0:16:58 | |
And in seven years' time I can use the same hazel again | 0:16:58 | 0:17:01 | |
-to make my hurdles. -And a hurdle is... | 0:17:01 | 0:17:05 | |
A hurdle is a woven frame panel made out of hazel, | 0:17:05 | 0:17:11 | |
made out of round hazel and split hazel. | 0:17:11 | 0:17:13 | |
And it's quite an old traditional craft. | 0:17:13 | 0:17:17 | |
When do hurdles date back to? | 0:17:17 | 0:17:19 | |
At markets they used to corral the sheep in hurdles | 0:17:19 | 0:17:23 | |
so the basic original hurdle was three foot high by six foot wide. | 0:17:23 | 0:17:28 | |
To maintain the abundance of local materials such as hazel, | 0:17:28 | 0:17:31 | |
coppicing was developed as a traditional method of | 0:17:31 | 0:17:33 | |
woodland management and is thought to be the oldest form of forestry, | 0:17:33 | 0:17:37 | |
dating all the way back to 5,000 BC. | 0:17:37 | 0:17:40 | |
You use fresh, green wood, you cut it | 0:17:41 | 0:17:43 | |
and you still use it before it's dried out so it twists easier. | 0:17:43 | 0:17:47 | |
-So it's more flexible. -Yeah, yeah. | 0:17:47 | 0:17:49 | |
So it's certainly ensuring that the ancient arts are keeping going... | 0:17:49 | 0:17:52 | |
Well, that's it, yeah. It's all traditional crafts | 0:17:52 | 0:17:54 | |
and if you look at the old thatched cottages, there's one here, | 0:17:54 | 0:17:57 | |
you'll see there's lots of hazel spars go into that. | 0:17:57 | 0:18:01 | |
Look at the top of the cottage. | 0:18:01 | 0:18:02 | |
-Are there any environmental benefits to coppicing? -Absolutely. | 0:18:02 | 0:18:07 | |
The hazel coppice creates the woodland you can see today. | 0:18:07 | 0:18:11 | |
When it's cut, all the flowers regenerate | 0:18:11 | 0:18:14 | |
and the butterflies come here. | 0:18:14 | 0:18:16 | |
Hazel has been used to weave hurdles for thousands of years | 0:18:16 | 0:18:19 | |
because it's extremely durable and flexible. | 0:18:19 | 0:18:22 | |
So we've got two sorts of hazel. | 0:18:24 | 0:18:25 | |
We've got the thin ones we use for the start of the hurdle at | 0:18:25 | 0:18:28 | |
the bottom and we've got the thicker ones which are the splitting rods. | 0:18:28 | 0:18:31 | |
So we've let these rods pitch so that means | 0:18:31 | 0:18:34 | |
we've left them to settle down. | 0:18:34 | 0:18:36 | |
So we've cut them down and they've been resting for a couple of days. | 0:18:36 | 0:18:40 | |
And we're going to try and split the hazel, | 0:18:40 | 0:18:43 | |
the thicker one, so we can weave it and even twist it on the end. | 0:18:43 | 0:18:46 | |
So we can finish the hurdle. | 0:18:46 | 0:18:50 | |
Once widely used to fence livestock, today handmade hurdles are often | 0:18:50 | 0:18:54 | |
used as a natural alternative to mass-produced purpose-built fencing. | 0:18:54 | 0:18:59 | |
So this is the hurdle. | 0:18:59 | 0:19:00 | |
We've brought the hurdle up with all the different split rods we've used. | 0:19:01 | 0:19:05 | |
And you can see the odd twist. | 0:19:05 | 0:19:07 | |
So we've actually twisted two around the side | 0:19:07 | 0:19:11 | |
and that holds the... | 0:19:11 | 0:19:13 | |
..enzaling, so these are called zales. | 0:19:14 | 0:19:16 | |
And now the next bit is to weave. | 0:19:16 | 0:19:19 | |
-So it's just locking and then just start weaving. -All right. | 0:19:19 | 0:19:23 | |
-There you go, Anita. -Is that right? -OK. | 0:19:23 | 0:19:27 | |
Just push it down a little bit when it's in. | 0:19:27 | 0:19:30 | |
-Yeah, OK, that's it. -Yeah. | 0:19:30 | 0:19:33 | |
This process is repeated with the next rod. | 0:19:33 | 0:19:35 | |
But this time, weaving the other way around the upright posts or zales. | 0:19:35 | 0:19:39 | |
Rob, do you want to have a go at twisting now? That's it now. | 0:19:40 | 0:19:43 | |
Now turn it round the other way. Roll it round. | 0:19:43 | 0:19:46 | |
-Just ah... -Ah, with your mallet. | 0:19:46 | 0:19:50 | |
Once freshly cut, the hazel rods can be worked for up | 0:19:50 | 0:19:53 | |
to three months before the wood becomes too dry to be malleable. | 0:19:53 | 0:19:57 | |
Handy for supporting climbing plants or your runner beans, | 0:19:57 | 0:20:00 | |
hurdling principles can also be used to make garden furniture. | 0:20:00 | 0:20:04 | |
I'm going to finish off with a round rod. | 0:20:05 | 0:20:07 | |
And then it's just to weave it through again. | 0:20:07 | 0:20:09 | |
So do you do that all the way to the top and that's it? | 0:20:09 | 0:20:12 | |
Yeah, so just a couple more round rods. And a hurdle maker's knot | 0:20:12 | 0:20:15 | |
on the end - which is the double twist - and then that's it. | 0:20:15 | 0:20:18 | |
And then we just trim the waste off and we're done. | 0:20:18 | 0:20:21 | |
So having had a hands-on insight into how | 0:20:22 | 0:20:24 | |
the conservation of some of Dorset's prime woodland also helps | 0:20:24 | 0:20:28 | |
to sustain a traditional craft, it's now back to the house hunt. | 0:20:28 | 0:20:32 | |
Next we're heading to the sought-after village | 0:20:38 | 0:20:40 | |
of Marnhull which is also around 50 miles from Southampton. | 0:20:40 | 0:20:44 | |
Marnhull features attractive stone cottages | 0:20:45 | 0:20:48 | |
as well as a grander Tudor residence in the form of Nash Court, | 0:20:48 | 0:20:52 | |
presented by Henry VIII to his sixth wife Catherine Parr in 1544. | 0:20:52 | 0:20:57 | |
There is also a small parade of shops and two local pubs. | 0:20:57 | 0:21:02 | |
Our second property is a short stroll away from the village centre. | 0:21:02 | 0:21:06 | |
I do love a house where you can walk to the pub. Or pubs. And you can. | 0:21:08 | 0:21:12 | |
-And you can from here, this is it. -Oh, wow. Can we afford this one? | 0:21:12 | 0:21:16 | |
-This is beautiful. This is fantastic. -Absolutely. | 0:21:16 | 0:21:20 | |
And right in front of me is a double garage. | 0:21:20 | 0:21:23 | |
Now, the double garage, | 0:21:23 | 0:21:25 | |
it has been converted behind those double doors | 0:21:25 | 0:21:27 | |
into a fabulous artist's studio. | 0:21:27 | 0:21:29 | |
-Wow. -You know, it's beautiful. | 0:21:29 | 0:21:32 | |
I'm going to let you explore that on your own at the end of the tour. | 0:21:32 | 0:21:36 | |
And I think you could probably just about fit the motor home in here. | 0:21:36 | 0:21:39 | |
-We could. -We could probably... Yes, you could. -Yes, we could. | 0:21:39 | 0:21:43 | |
It's built 1994, so you know, new build but new proportions. | 0:21:43 | 0:21:47 | |
Really fits in with the local area of the village. | 0:21:47 | 0:21:50 | |
-Yeah, what about it, Lisa? -Come, quickly. | 0:21:50 | 0:21:52 | |
I'll follow you then. Come on! | 0:21:52 | 0:21:54 | |
THEY LAUGH | 0:21:54 | 0:21:56 | |
I've got to try and keep up. Right, I'm going to overtake you. | 0:21:56 | 0:21:58 | |
There we are. | 0:21:58 | 0:21:59 | |
Clearly impressed by the size of this modern chalet-style home, | 0:22:01 | 0:22:05 | |
I wonder if Anita is going to be able to contain her | 0:22:05 | 0:22:07 | |
excitement once we've stepped inside. | 0:22:07 | 0:22:10 | |
Look at this! | 0:22:10 | 0:22:12 | |
'And viewed the living room.' | 0:22:12 | 0:22:14 | |
-Oh, lovely size. -Beautiful room. -Beautiful. | 0:22:14 | 0:22:18 | |
-Really nice. -Lovely size. And a wood burner. -Yes. | 0:22:18 | 0:22:21 | |
Again, you know, big windows and doors going out to the front garden. | 0:22:21 | 0:22:25 | |
-Really, really nice. -Very nice. -Very, very nice. | 0:22:25 | 0:22:27 | |
And of course it's all designed for modern living. | 0:22:27 | 0:22:30 | |
So bags and bags of space downstairs. | 0:22:30 | 0:22:34 | |
And elsewhere as well. | 0:22:34 | 0:22:35 | |
-Sold, then. -Sold? Really? Sold? -Sold. -Pretty much getting there. | 0:22:35 | 0:22:39 | |
-And we only just started. -I know, well, come on then. | 0:22:39 | 0:22:42 | |
-I saw the garage. -Well, guys, this is all good news, isn't it? | 0:22:42 | 0:22:46 | |
-Very good. -It is. Very ,very good. -Sold. How about that? | 0:22:46 | 0:22:49 | |
Well, we've barely explored this place but | 0:22:51 | 0:22:53 | |
Anita and Robert seem to have already moved in. | 0:22:53 | 0:22:56 | |
Next stop is the kitchen. | 0:22:56 | 0:22:57 | |
-There we go, Anita, what do you think of this, then? -Oh, very nice. | 0:22:59 | 0:23:04 | |
-Yeah? -A nice size. -The dining room, of course, is next-door. | 0:23:04 | 0:23:08 | |
If you wanted to be really creative | 0:23:08 | 0:23:09 | |
you could think about opening that up. | 0:23:09 | 0:23:12 | |
If you want to think about changing it, | 0:23:12 | 0:23:13 | |
-you could do that over a period of time. -Yeah. | 0:23:13 | 0:23:16 | |
-Would you be quite happy in here, madam? -Yes, yes, sir. -Still sold? | 0:23:16 | 0:23:19 | |
Yes, sold. | 0:23:19 | 0:23:21 | |
Adjacent to the kitchen is the utility room and a study | 0:23:21 | 0:23:24 | |
which could be useful for Robert. | 0:23:24 | 0:23:26 | |
But the expansive accommodation on the ground floor doesn't stop here. | 0:23:26 | 0:23:29 | |
I'm keen to show our buyers what could be | 0:23:29 | 0:23:31 | |
their rather generous master suite. | 0:23:31 | 0:23:33 | |
-So, here we are. Five piece bathroom. -Wow. | 0:23:35 | 0:23:40 | |
And then the main bedroom itself. | 0:23:40 | 0:23:41 | |
-Oh! Really nice size. -Yeah, perfect size. | 0:23:41 | 0:23:44 | |
And I'm not missing the fact that | 0:23:44 | 0:23:45 | |
we're not upstairs, really, with this one. | 0:23:45 | 0:23:47 | |
No, no. I like a downstairs bedroom. | 0:23:47 | 0:23:49 | |
We quite like the idea of a downstairs bedroom as we get older. | 0:23:49 | 0:23:51 | |
But you have got upstairs, of course, for when Chris comes to stay | 0:23:51 | 0:23:54 | |
-and probably brings his mates back with him. -Yeah. -And his washing. | 0:23:54 | 0:23:57 | |
And his washing. | 0:23:57 | 0:23:59 | |
There are three bedrooms in total. | 0:24:00 | 0:24:02 | |
The remaining two are found upstairs and | 0:24:02 | 0:24:05 | |
are currently used as extra living space | 0:24:05 | 0:24:08 | |
served by another five piece family bathroom. | 0:24:08 | 0:24:11 | |
Outside, the carefully manicured gardens wrap around the house | 0:24:11 | 0:24:15 | |
and feature two patios, | 0:24:15 | 0:24:17 | |
some raised borders and mature and manageable planting. | 0:24:17 | 0:24:21 | |
Now, the grounds themselves may not extend to acres | 0:24:21 | 0:24:23 | |
but I'm hoping they'll still be big enough for Anita. | 0:24:23 | 0:24:27 | |
-I love this elevation with these three dormer windows. -Very pretty. | 0:24:27 | 0:24:30 | |
-Very, very nice, yes. -So now you've seen it all, madam. -I know. | 0:24:30 | 0:24:34 | |
Are you still sold on it? | 0:24:34 | 0:24:35 | |
Yes, I'm still sold on it | 0:24:35 | 0:24:37 | |
but I think it's a bit over our price range. | 0:24:37 | 0:24:39 | |
-Shall I say 625? -625? | 0:24:39 | 0:24:42 | |
I'm going to be optimistic and say 610. | 0:24:42 | 0:24:45 | |
I would chance my luck on this one. | 0:24:45 | 0:24:47 | |
I would be even more optimistic | 0:24:47 | 0:24:48 | |
-and I would say it's on the market for £595,000. -Really? -There you go. | 0:24:48 | 0:24:53 | |
-So it's within budget. -It's within budget. And open to sensible offers. | 0:24:53 | 0:24:58 | |
That is very good. I'm happy. I'm a happy man. | 0:24:58 | 0:25:01 | |
THEY LAUGH | 0:25:01 | 0:25:03 | |
-Are you a happy woman, madam? -Yes, very happy, definitely sold. | 0:25:03 | 0:25:06 | |
Definitely sold. | 0:25:06 | 0:25:07 | |
Do you remember when we arrived and I pointed out the double garage | 0:25:07 | 0:25:10 | |
-which has been converted into an artist's studio? -Yes. | 0:25:10 | 0:25:13 | |
Now's your moment, so go and have a look at that | 0:25:13 | 0:25:15 | |
and I will catch up with you a little bit later. | 0:25:15 | 0:25:17 | |
-OK, thank you. -Off you go. -Thank you. | 0:25:17 | 0:25:19 | |
Just £5,000 under their maximum budget, | 0:25:23 | 0:25:26 | |
this modern chalet-style property with three bedrooms | 0:25:26 | 0:25:29 | |
seems to have the ideal layout for our couple. | 0:25:29 | 0:25:32 | |
It has a manageable garden | 0:25:32 | 0:25:34 | |
and is located within a highly sought-after village. | 0:25:34 | 0:25:37 | |
-Oh, this is a nice size, isn't it? -This is the garage. | 0:25:39 | 0:25:43 | |
This is the garage. We'll have to convert it back, I'm afraid. | 0:25:43 | 0:25:46 | |
-There should be plenty of room to put a workbench there. -Yeah. | 0:25:46 | 0:25:50 | |
-Two cars? -This will work. -Great. | 0:25:50 | 0:25:53 | |
Inside, the accommodation is perfect. | 0:25:53 | 0:25:56 | |
The downstairs bedroom is a great idea. | 0:25:56 | 0:25:58 | |
I think Anita will love this house. | 0:25:59 | 0:26:01 | |
Her face said it all as we moved into it. | 0:26:03 | 0:26:05 | |
This is really brilliant. | 0:26:05 | 0:26:08 | |
I think it's just what we're looking for, really. | 0:26:08 | 0:26:10 | |
I mean, I know it's quite a small garden | 0:26:10 | 0:26:12 | |
but I think a small garden would be better for us in the long term. | 0:26:12 | 0:26:16 | |
I hope that Rob likes this house. | 0:26:17 | 0:26:20 | |
And I hope he likes it as much as I do. | 0:26:21 | 0:26:23 | |
I think we could move in tomorrow. | 0:26:24 | 0:26:26 | |
Does it feel like home, then? | 0:26:29 | 0:26:30 | |
-It does! -It does feel like home, yeah. It does. | 0:26:30 | 0:26:33 | |
-So we have maybe sold it? -Maybe. -Well, somebody's very happy. | 0:26:33 | 0:26:36 | |
Do you still want to see the Mystery House tomorrow morning? | 0:26:36 | 0:26:39 | |
I love a mystery. | 0:26:39 | 0:26:40 | |
-You never know what you might be missing, do you? -I know. | 0:26:40 | 0:26:43 | |
-That's the problem. -Come on, then. | 0:26:43 | 0:26:45 | |
It's the second day of our property hunt with Anita and Robert | 0:26:54 | 0:26:58 | |
who are looking to leave the commuter town of Southborough | 0:26:58 | 0:27:01 | |
in Kent in favour of rural Dorset. | 0:27:01 | 0:27:03 | |
Coming up, our mystery property could provide them | 0:27:03 | 0:27:06 | |
-with a tempting proposition. -It's an interesting space. | 0:27:06 | 0:27:09 | |
I haven't seen something like this before. | 0:27:09 | 0:27:12 | |
And I find out about the evolution of a rather mobile part | 0:27:12 | 0:27:15 | |
of our agricultural heritage. | 0:27:15 | 0:27:18 | |
-And are they easy to move? -They are, yeah. | 0:27:18 | 0:27:20 | |
In here on hard ground you can move it on your own, just one person. | 0:27:20 | 0:27:23 | |
Well, what a week we are having here in Dorset. | 0:27:26 | 0:27:29 | |
Two very strong properties yesterday, | 0:27:29 | 0:27:31 | |
the second of which Rob and Anita declared sold | 0:27:31 | 0:27:33 | |
so you may be thinking we can all take the day off. | 0:27:33 | 0:27:36 | |
But of course we're not going to be letting our buyers sign up to | 0:27:36 | 0:27:39 | |
anything before they've seen our final offering, our Mystery House. | 0:27:39 | 0:27:43 | |
Could it be bigger? Could it be better? | 0:27:43 | 0:27:45 | |
Well, you never know your luck. | 0:27:45 | 0:27:46 | |
But one thing is for sure, it also contains an interesting | 0:27:46 | 0:27:49 | |
option for their son Chris which may in the future save them | 0:27:49 | 0:27:52 | |
quite a lot of money. | 0:27:52 | 0:27:53 | |
So let's see if they like it. | 0:27:53 | 0:27:55 | |
For our final option we're travelling south to the | 0:28:02 | 0:28:05 | |
village of Shroton which, at around 45 miles from Southampton, | 0:28:05 | 0:28:08 | |
is the closest location to our couple's son at university. | 0:28:08 | 0:28:12 | |
Towering 190 metres above the village is Hambledon Hill | 0:28:13 | 0:28:17 | |
which is one of the best preserved Iron Age hill forts in Britain. | 0:28:17 | 0:28:20 | |
Sitting at the foot of this Site of Special Scientific Interest, | 0:28:20 | 0:28:24 | |
the ancient River Iwerne | 0:28:24 | 0:28:25 | |
winds its way through the quaint village centre | 0:28:25 | 0:28:27 | |
but there's also a post office and a pub. | 0:28:27 | 0:28:30 | |
Located just on the edge of the village is our mystery option. | 0:28:30 | 0:28:34 | |
Now as our buyers are hoping to release | 0:28:34 | 0:28:36 | |
equity from their current home to buy their son a property, | 0:28:36 | 0:28:39 | |
I couldn't resist showing them something with the potential | 0:28:39 | 0:28:42 | |
to make this a real possibility, | 0:28:42 | 0:28:44 | |
perhaps a little closer to home than they would have imagined. | 0:28:44 | 0:28:47 | |
-Well, here we are. At long last. -Mystery House. -Our Mystery House. | 0:28:51 | 0:28:56 | |
-Here you go. -Wow, that's different. Very different. | 0:28:56 | 0:29:00 | |
And in fairness to you, it's probably hard | 0:29:00 | 0:29:02 | |
to make sense of it from here | 0:29:02 | 0:29:04 | |
because it really comes to life inside. | 0:29:04 | 0:29:07 | |
It has a certain sort of Georgian feel about it | 0:29:07 | 0:29:09 | |
-but it was only built in 1968. -Oh, so it's fairly new. | 0:29:09 | 0:29:13 | |
-The key thing is that the top floor is a separate flat. -Ah. | 0:29:13 | 0:29:18 | |
You see? This is where we're going with the whole Christopher... | 0:29:18 | 0:29:21 | |
The Christopher thing... | 0:29:21 | 0:29:22 | |
..conundrum, or you could just keep it for him | 0:29:22 | 0:29:26 | |
-for when he comes back to visit. BOTH: -OK. | 0:29:26 | 0:29:29 | |
-Are you opening your mind to the possibility? -I am. Come on. | 0:29:29 | 0:29:32 | |
All right, come on. HE LAUGHS | 0:29:32 | 0:29:35 | |
This very modern and very different property was designed to | 0:29:36 | 0:29:40 | |
maximise its location, making the most of the surrounding views. | 0:29:40 | 0:29:45 | |
Now, as you can see what is effectively the ground floor | 0:29:45 | 0:29:47 | |
has been elevated by this very elegant staircase. | 0:29:47 | 0:29:51 | |
Now, it may have been a reserved start outside | 0:29:51 | 0:29:53 | |
but I think this is a property that | 0:29:53 | 0:29:55 | |
could really grow on Robert and Anita. | 0:29:55 | 0:29:58 | |
-Disappointing. -It's not huge. -No. -But in terms of a working space... | 0:29:58 | 0:30:05 | |
-Quite manageable. -Yeah, it's workable. | 0:30:05 | 0:30:07 | |
But this is something which is absolutely unique. | 0:30:07 | 0:30:11 | |
This is the door through to the dining room. | 0:30:11 | 0:30:15 | |
-Oh, wow. That's different. -Yeah. It's a bit Thunderbirds, isn't it? | 0:30:15 | 0:30:19 | |
This is a Jefferson door. | 0:30:19 | 0:30:22 | |
Crazy, but it allows you, I suppose, to make the best use of the space | 0:30:22 | 0:30:26 | |
the door would ordinarily occupy | 0:30:26 | 0:30:28 | |
but we can go through it. | 0:30:28 | 0:30:30 | |
-Wow. -Crazy, isn't it? -Really crazy. | 0:30:30 | 0:30:33 | |
This is really quirky this place, honestly. Come through. | 0:30:33 | 0:30:36 | |
-Yet more elegance for you. -Very nice. -And just look at those views. | 0:30:36 | 0:30:41 | |
-Wow. -That's beautiful. -Views to die for. | 0:30:41 | 0:30:45 | |
I love this room and I think, you know, with the bay window, | 0:30:45 | 0:30:49 | |
the doors out to the terrace, nice working fireplace. | 0:30:49 | 0:30:52 | |
-Very comfortable. Very nice. -Cosy. -Very cosy. | 0:30:52 | 0:30:57 | |
-Could you be happy in here? -Yes. | 0:30:57 | 0:30:59 | |
Sitting there and looking at the view all day, yes. | 0:30:59 | 0:31:03 | |
Due to the unusual layout of this property, | 0:31:03 | 0:31:05 | |
the bedrooms are located on the ground floor. | 0:31:05 | 0:31:08 | |
The simply styled family bathroom serves two good-sized doubles | 0:31:08 | 0:31:12 | |
and we're making a beeline to the one that could be their master. | 0:31:12 | 0:31:16 | |
There you go. | 0:31:16 | 0:31:18 | |
And it leads through to quite a | 0:31:18 | 0:31:20 | |
-generously proportioned en suite, actually. -Oh, right. | 0:31:20 | 0:31:23 | |
A corner bath with shower above it and all the rest of it. | 0:31:23 | 0:31:25 | |
And again, a lovely bay window making the best of those views. | 0:31:25 | 0:31:28 | |
-Of those views. And not overlooked at all. -Not at all. -No. | 0:31:28 | 0:31:32 | |
In terms of the flow of this one, because it is unusual, | 0:31:32 | 0:31:35 | |
-how does it feel? -The flow's fine. -Yes. | 0:31:35 | 0:31:39 | |
-Is it working? -Sort of. -Sort of? -Sort of. | 0:31:39 | 0:31:42 | |
Robert seems to be open-minded to the quirkiness of this house | 0:31:45 | 0:31:48 | |
even if Anita needs a little more convincing. | 0:31:48 | 0:31:51 | |
But I'm hoping what I'm about to show them might present them | 0:31:51 | 0:31:54 | |
with an interesting option for their son. | 0:31:54 | 0:31:56 | |
Outside and to the rear of the property, there's a staircase | 0:31:56 | 0:31:59 | |
leading up to the top floor where we find a self-contained flat. | 0:31:59 | 0:32:04 | |
Featuring a living-cum-sleeping area, a compact kitchen | 0:32:04 | 0:32:07 | |
and a small bathroom, | 0:32:07 | 0:32:09 | |
with a little TLC this has the potential for our couple to | 0:32:09 | 0:32:12 | |
provide their son with his very own pad before he decides where | 0:32:12 | 0:32:16 | |
he'd like to buy. | 0:32:16 | 0:32:17 | |
Now, what do you think Christopher would make of this, then? | 0:32:18 | 0:32:21 | |
Wow, this is a bit amazing. | 0:32:21 | 0:32:23 | |
It's a bit of a time capsule. | 0:32:25 | 0:32:28 | |
It feels very late '60s | 0:32:28 | 0:32:29 | |
but through that door there is an enormous loft space. | 0:32:29 | 0:32:33 | |
It's as big as this again. | 0:32:33 | 0:32:34 | |
It would make a fantastic bedroom which would mean if you knocked all | 0:32:34 | 0:32:37 | |
this out through to the kitchen, you'd have kitchen/living room. | 0:32:37 | 0:32:41 | |
Amazing space. | 0:32:41 | 0:32:42 | |
If this were a flat in West London, it would be 400 grand. | 0:32:42 | 0:32:45 | |
-Absolutely. -Exactly. Yes. | 0:32:45 | 0:32:47 | |
But it's just on top of your house. | 0:32:47 | 0:32:50 | |
THEY LAUGH | 0:32:50 | 0:32:53 | |
So it's a bonus. | 0:32:53 | 0:32:54 | |
It's an interesting space. I haven't seen something like this before. | 0:32:54 | 0:32:57 | |
-Is it growing on you? -Sort of. -Sort of. | 0:32:57 | 0:33:01 | |
-Well, the price may help your decision-making. -OK. | 0:33:01 | 0:33:04 | |
-Shall we go out and enjoy the views? -Right. -Let's do that. -OK, come on. | 0:33:04 | 0:33:08 | |
Well, our mystery property is still getting muted reactions from Anita | 0:33:09 | 0:33:13 | |
but I've got one last chance to impress her. | 0:33:13 | 0:33:16 | |
Outside, there's a spacious garage and workshop which can also | 0:33:16 | 0:33:20 | |
be accessed directly from the house via an indoor lift. | 0:33:20 | 0:33:24 | |
And to the rear, the good-sized yet low-maintenance lawned garden | 0:33:24 | 0:33:28 | |
has a beautiful view over Hambledon Hill. | 0:33:28 | 0:33:31 | |
-The garden is what you see. But... -But you've got a garden here. | 0:33:32 | 0:33:37 | |
Look at that! I mean, what a view! | 0:33:37 | 0:33:39 | |
Come on, it's got to be growing, a little bit. | 0:33:39 | 0:33:42 | |
Mm, a little bit. | 0:33:42 | 0:33:44 | |
Robert, help me out here. You can guess first. | 0:33:44 | 0:33:47 | |
It's under budget, so 585. | 0:33:47 | 0:33:50 | |
-585. -I don't think it's going to be that much. | 0:33:50 | 0:33:55 | |
-540. -Well, here's the thing. | 0:33:55 | 0:33:57 | |
-You're both wrong. -Oh, OK. -Ah, which way? | 0:33:57 | 0:34:00 | |
-A good way. BOTH: -A good way. | 0:34:01 | 0:34:02 | |
-It's half a million. £500,000. -£500,000? | 0:34:02 | 0:34:05 | |
So we've just saved you 100 grand. | 0:34:05 | 0:34:07 | |
Now, admittedly you're going to spend some of that on it. But... | 0:34:07 | 0:34:11 | |
the rest of the money that you're going to save from the sale | 0:34:11 | 0:34:13 | |
of your house, you can keep in the bank until you know | 0:34:13 | 0:34:15 | |
-what Christopher's going to do. -What Christopher's going to do. | 0:34:15 | 0:34:18 | |
-Yeah. It's worth thinking, considering. -Right then, off you go. | 0:34:18 | 0:34:22 | |
Go and have an explore. | 0:34:22 | 0:34:23 | |
-See what you might do with that £100,000 change. -OK. | 0:34:23 | 0:34:27 | |
OK, thank you. Right. | 0:34:27 | 0:34:28 | |
And in the meantime, I think I might just enjoy the archaeology. | 0:34:30 | 0:34:34 | |
£100,000 under budget, our mystery property offers two bedrooms, | 0:34:39 | 0:34:43 | |
spacious reception rooms and a self-contained flat | 0:34:43 | 0:34:46 | |
presenting our couple with the potential to make a lovely | 0:34:46 | 0:34:49 | |
country home for themselves and a separate one for their son. | 0:34:49 | 0:34:54 | |
And situated on the edge of a village, | 0:34:54 | 0:34:56 | |
it's also blessed by fabulous historic views. | 0:34:56 | 0:34:59 | |
I'm not sure the Mystery House would really be for us. | 0:35:00 | 0:35:03 | |
I think the Mystery House has a lot of features that I like | 0:35:03 | 0:35:08 | |
but, overall, I don't think it would really work for us. | 0:35:08 | 0:35:12 | |
Some aspects of the house are very nice. | 0:35:12 | 0:35:15 | |
This lovely living room's beautiful. | 0:35:15 | 0:35:18 | |
Overall, the property has fantastic views but we'd have to | 0:35:18 | 0:35:23 | |
spend a lot more money on it than we would be prepared to do. | 0:35:23 | 0:35:26 | |
You're enjoying that view, aren't you? | 0:35:28 | 0:35:30 | |
I could spend all day wandering around up there | 0:35:30 | 0:35:32 | |
but I haven't got time. | 0:35:32 | 0:35:34 | |
-Come on, let's go. -Thank you. -Big decision to be had. | 0:35:34 | 0:35:37 | |
It's not just Dorset's stunning coast that has a few tales to tell. | 0:35:46 | 0:35:51 | |
Inland, the rural heart of the county inspired one of the country's | 0:35:51 | 0:35:55 | |
greatest authors, Thomas Hardy, to pen his most famous works. | 0:35:55 | 0:35:59 | |
The agricultural landscape here continues to provoke creative minds. | 0:35:59 | 0:36:04 | |
Today the village of Waterston is home to local entrepreneur | 0:36:04 | 0:36:07 | |
Richard Leigh, for whom a humble shelter for shepherds | 0:36:07 | 0:36:11 | |
has come to play a key role in his 21st-century business. | 0:36:11 | 0:36:14 | |
Now, the shepherd's hut is synonymous with Dorset | 0:36:14 | 0:36:17 | |
as, of course, are sheep and, of course, are Hardy. | 0:36:17 | 0:36:20 | |
There is a very specific connection, though, within all of that, | 0:36:20 | 0:36:23 | |
to where we are now, isn't there? | 0:36:23 | 0:36:25 | |
Yeah, we're looking down on the valley at Waterston, really, | 0:36:25 | 0:36:28 | |
which is where Far From The Madding Crowd was set. | 0:36:28 | 0:36:31 | |
When Hardy wrote the novel, Bathsheba lived in Waterston Manor, | 0:36:31 | 0:36:35 | |
Gabriel Oak lived in a cottage in the field | 0:36:35 | 0:36:38 | |
and Farmer Boldwood lived at Druce Farm. | 0:36:38 | 0:36:41 | |
But what gave you the idea to take up | 0:36:41 | 0:36:44 | |
the mantle of resurrecting these huts? | 0:36:44 | 0:36:46 | |
Well, on the top of the hill, | 0:36:46 | 0:36:48 | |
on the brow of the hill there is an old hut. | 0:36:48 | 0:36:50 | |
I saw it and in the back of my mind I thought, | 0:36:50 | 0:36:53 | |
"Well, if that if that ever came up for sale, | 0:36:53 | 0:36:55 | |
"I might, you know, let's have it and rebuild it." | 0:36:55 | 0:36:57 | |
But it went by on a lorry. It got sold | 0:36:57 | 0:36:59 | |
and I thought, "That's a shame." | 0:36:59 | 0:37:00 | |
It was quite a feature of the area. Everybody knew about it. | 0:37:00 | 0:37:04 | |
So I thought, "Well, let's make a copy." | 0:37:04 | 0:37:06 | |
We made our first one 15 years ago. | 0:37:06 | 0:37:08 | |
That rustic end of it, clearly that appealed to you. | 0:37:08 | 0:37:11 | |
It couldn't be more appropriate, really. | 0:37:11 | 0:37:13 | |
Working in the countryside, making an iconic rural bygone | 0:37:13 | 0:37:17 | |
-but with a contemporary twist. -I can't wait to see how you make them. | 0:37:17 | 0:37:20 | |
Brilliant, well, I look forward to showing you round. | 0:37:20 | 0:37:24 | |
These huts have been around for hundreds of years. | 0:37:24 | 0:37:27 | |
They were used by shepherds during the lengthy lambing season | 0:37:27 | 0:37:30 | |
when they had to be on hand 24/7 to ensure the safety of their flock. | 0:37:30 | 0:37:35 | |
It's the classic Victorian hut, clad in corrugated iron with | 0:37:35 | 0:37:38 | |
a curved roof, which inspires the huts Richard makes today. | 0:37:38 | 0:37:42 | |
He employs a core team of eight hut makers, | 0:37:42 | 0:37:45 | |
craftsmen who restore original models as well as making new ones. | 0:37:45 | 0:37:49 | |
They look absolutely fabulous. I love the range of colours as well. | 0:37:49 | 0:37:52 | |
This one here is a 14-foot hut | 0:37:52 | 0:37:55 | |
and it's off to the Highlands of Scotland. | 0:37:55 | 0:37:57 | |
And I think that might sort of explain the colour. | 0:37:57 | 0:37:59 | |
It's lacking a big white cross, isn't it, really? | 0:37:59 | 0:38:02 | |
That's what it needs. But this is 14 foot? | 0:38:02 | 0:38:04 | |
That's 14 foot so we base them as near as we can to the originals | 0:38:04 | 0:38:08 | |
which were about 12-foot long, about six-foot-six wide. | 0:38:08 | 0:38:11 | |
We've got an old, original hut down here that we're restoring. | 0:38:11 | 0:38:13 | |
That one in the back there? | 0:38:13 | 0:38:15 | |
Yeah, I mean, that's as typical as they could be, really. | 0:38:15 | 0:38:17 | |
And a shepherd's hut should have its wheels | 0:38:17 | 0:38:19 | |
outside the body of the hut. | 0:38:19 | 0:38:21 | |
And you have a smaller wheel at the steering end so that it can steer. | 0:38:21 | 0:38:24 | |
You can hitch it up to a tractor or originally a horse | 0:38:24 | 0:38:27 | |
and you can steer it and tow it out. | 0:38:27 | 0:38:29 | |
-And are they easy to move? -They are, yeah. | 0:38:29 | 0:38:31 | |
In here on hard ground you can move it on your own, just one person. | 0:38:31 | 0:38:35 | |
Huts were originally made by blacksmiths at local forges | 0:38:35 | 0:38:38 | |
and Richard still gets his cast-iron wheels | 0:38:38 | 0:38:41 | |
made at a nearby foundry to his own design. | 0:38:41 | 0:38:44 | |
Is this one in any way finished? | 0:38:44 | 0:38:46 | |
It's nearly there, we've just got the 12-volt electrics to do. | 0:38:46 | 0:38:48 | |
There'll be a solar panel on the roof charging a battery | 0:38:48 | 0:38:52 | |
and that will run LED lights inside. | 0:38:52 | 0:38:54 | |
So all the furniture's done. | 0:38:54 | 0:38:57 | |
It's got a bed, a table that drops down to form a bed. | 0:38:57 | 0:39:00 | |
And I love the little wood burner in there. That's beautiful. | 0:39:00 | 0:39:03 | |
Yeah, and again, all fitted to modern standards. | 0:39:03 | 0:39:05 | |
-Now, you do a range of sizes. -We do. | 0:39:05 | 0:39:07 | |
-I'm dying to know the prices. -They're from about £15,000 upwards. | 0:39:08 | 0:39:12 | |
Last year, the team made 40 huts and, to date, have created some 300, | 0:39:13 | 0:39:18 | |
each one taking a few hundred hours to complete. | 0:39:18 | 0:39:21 | |
And those classic, simple proportions | 0:39:21 | 0:39:23 | |
have uses that are far and wide. | 0:39:23 | 0:39:25 | |
Many are transformed into luxury glamping retreats or simply used | 0:39:25 | 0:39:29 | |
as an alternative to summer houses, offices and art studios. | 0:39:29 | 0:39:33 | |
What's more, being portable, they're seen as lifelong investments | 0:39:33 | 0:39:37 | |
that you can tow away as and when you move. | 0:39:37 | 0:39:40 | |
-You can stay in a hotel room... -Yeah. | 0:39:40 | 0:39:42 | |
..or a cottage any day of the week. | 0:39:42 | 0:39:43 | |
This is something that's going to stick in your memory. | 0:39:43 | 0:39:46 | |
It will do, yeah. It's got that kind of romantic sort of feel to it. | 0:39:46 | 0:39:50 | |
The use of these simple huts may have evolved over | 0:39:50 | 0:39:52 | |
the last 150 years or so, but there's no doubting the enduring | 0:39:52 | 0:39:56 | |
charm of their traditional simplicity. | 0:39:56 | 0:39:59 | |
What would be the ultimate hut? Have you made it yet? | 0:40:01 | 0:40:04 | |
It's a bit like being a painter or an artist, isn't it? | 0:40:04 | 0:40:07 | |
You know that the next one's going to be the best one. | 0:40:07 | 0:40:10 | |
Will it ever happen? I don't know. | 0:40:10 | 0:40:12 | |
-It's that search for continual perfection. -Yeah, it is. | 0:40:12 | 0:40:15 | |
Well, Richard, it's been a real treat. Thank you very much. | 0:40:15 | 0:40:17 | |
And it's delightful to think that, once again, | 0:40:17 | 0:40:19 | |
the British countryside is now going to have | 0:40:19 | 0:40:21 | |
shepherds' huts strewn across it. | 0:40:21 | 0:40:23 | |
Well, it is a cruel law of probability that even on a good | 0:40:27 | 0:40:30 | |
week on Escape To The Country, in general, we only have a one in three | 0:40:30 | 0:40:34 | |
chance of getting it right, if at all. | 0:40:34 | 0:40:36 | |
So have we managed to do it this week for Robert and Anita? | 0:40:36 | 0:40:39 | |
Well, as you can see, they're enjoying a drink. | 0:40:39 | 0:40:41 | |
Let's go and ask them. | 0:40:41 | 0:40:43 | |
-Well, how are you two? BOTH: -Very well, thank you. | 0:40:46 | 0:40:49 | |
-Hello, for the last time. -Final time. -How are we doing? | 0:40:49 | 0:40:52 | |
-Very well, thank you. -Beautiful sunshine. | 0:40:52 | 0:40:54 | |
We've had beautiful weather, beautiful properties, | 0:40:54 | 0:40:57 | |
but have we managed to find you one that will work? | 0:40:57 | 0:41:01 | |
I think, possibly. | 0:41:01 | 0:41:03 | |
Yeah, I thought so. THEY LAUGH | 0:41:03 | 0:41:07 | |
-Property number two. -Yes. -What happened there, Anita? | 0:41:07 | 0:41:12 | |
It was really nice. I really like it. It's lovely. | 0:41:12 | 0:41:16 | |
Liked it? | 0:41:16 | 0:41:18 | |
-You said it was sold. -Yeah, it was sold. | 0:41:18 | 0:41:19 | |
In fact, we're going for our second viewing today. | 0:41:19 | 0:41:24 | |
-You're going for a second viewing today? BOTH: -Yes. | 0:41:24 | 0:41:26 | |
-We haven't finished the show yet. -I'm sorry. -You can't mess around. | 0:41:26 | 0:41:29 | |
This is working fast. | 0:41:29 | 0:41:30 | |
Are you optimistic about putting in an offer? | 0:41:30 | 0:41:35 | |
A lot depends on what's happening with our house. | 0:41:35 | 0:41:37 | |
Obviously our house is on the market. | 0:41:37 | 0:41:39 | |
We believe we've got some people very interested. | 0:41:39 | 0:41:43 | |
It would be great if they put an offer in | 0:41:43 | 0:41:45 | |
-and we could then move swiftly. -Forward. -Wow. | 0:41:45 | 0:41:48 | |
This is all slightly breathtaking, isn't it? | 0:41:48 | 0:41:50 | |
Were you expecting to be in this position at the end of the week? | 0:41:50 | 0:41:53 | |
I sort of had a feeling that might happen. | 0:41:53 | 0:41:56 | |
It was very much love at first sight, though, wasn't it? | 0:41:56 | 0:41:58 | |
Yeah, I think the entrance was very imposing. | 0:41:58 | 0:42:02 | |
It had a nice feel about the house, the front of the house. | 0:42:02 | 0:42:05 | |
We loved the veranda, the walkway | 0:42:05 | 0:42:08 | |
sort of reminded us a bit about Africa. | 0:42:08 | 0:42:10 | |
Yeah, well, guys, I'm delighted. | 0:42:10 | 0:42:12 | |
I'm not going to delay you any longer. | 0:42:12 | 0:42:15 | |
-You've got a viewing to get to. -We do. -Well, look, best of luck. | 0:42:15 | 0:42:18 | |
-Let us know how you get on. -Thank you. -Thank you. -Cheers. | 0:42:18 | 0:42:21 | |
-ALL: -Cheers. -Congratulations. -Thank you. -Thank you. | 0:42:21 | 0:42:24 | |
Dorset really is one of my favourite parts of the UK. | 0:42:28 | 0:42:32 | |
In just a few weeks' time, this wheat crop will have been harvested | 0:42:32 | 0:42:35 | |
and hopefully by then Robert and Anita | 0:42:35 | 0:42:38 | |
will have done their own deal on their new home, | 0:42:38 | 0:42:41 | |
getting them "far from the madding crowd" | 0:42:41 | 0:42:43 | |
and into a new life in the country. | 0:42:43 | 0:42:45 | |
I'll see you next time. | 0:42:45 | 0:42:47 | |
If you'd like to escape to the country | 0:42:48 | 0:42:50 | |
in Wales, Scotland, Northern Ireland or England | 0:42:50 | 0:42:53 | |
and would like our help, then please apply online at... | 0:42:53 | 0:42:56 |