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Welcome to Escape to the Country. | 0:00:02 | 0:00:03 | |
This beautiful backdrop was the fictional home | 0:00:03 | 0:00:05 | |
for a group of rabbits whose adventures have become | 0:00:05 | 0:00:08 | |
a classic of modern British literature. | 0:00:08 | 0:00:10 | |
They also made their author a household name. | 0:00:10 | 0:00:13 | |
But who conjured this tale of country life and where was it set? | 0:00:13 | 0:00:17 | |
Well, join me in just a moment and I'll tell you the story. | 0:00:17 | 0:00:20 | |
On today's show, a well-travelled couple | 0:00:37 | 0:00:39 | |
are buying their first home in the UK. | 0:00:39 | 0:00:42 | |
And at the top of their wish list, a dose of classic British character. | 0:00:42 | 0:00:46 | |
Oh, this is lovely. Look at the wood panelling. | 0:00:46 | 0:00:48 | |
That's very nice, on the walls. | 0:00:48 | 0:00:50 | |
And they also try to define their feelings on other striking features. | 0:00:50 | 0:00:55 | |
Now, I don't think I've ever seen a countertop quite like that one. | 0:00:55 | 0:00:59 | |
Does it appeal to the artist? | 0:00:59 | 0:01:00 | |
In an abstract, expressionist kind of a way. | 0:01:00 | 0:01:03 | |
Well, today we are in the North Wessex Downs, | 0:01:08 | 0:01:10 | |
and that is Watership Down. | 0:01:10 | 0:01:12 | |
It was this landscape that inspired local author Richard Adams | 0:01:12 | 0:01:16 | |
to pen his debut novel of the same name | 0:01:16 | 0:01:18 | |
about a group of rabbits in search of a new home. | 0:01:18 | 0:01:21 | |
Now, if you've read the book or indeed seen the film, | 0:01:21 | 0:01:23 | |
you may recall that the rabbits, led by Hazel, | 0:01:23 | 0:01:25 | |
discover that their existing warren is in grave danger. | 0:01:25 | 0:01:28 | |
So they undertake a perilous journey to find a new place to live, | 0:01:28 | 0:01:32 | |
which they do on those hills behind me. | 0:01:32 | 0:01:34 | |
And let's be honest, on a day like today, with a view like that, | 0:01:34 | 0:01:37 | |
who could blame them? | 0:01:37 | 0:01:38 | |
The North Wessex Downs is an Area of Outstanding Natural Beauty | 0:01:41 | 0:01:44 | |
in the south of England | 0:01:44 | 0:01:46 | |
and spans four counties including Wiltshire, Berkshire and Hampshire. | 0:01:46 | 0:01:51 | |
Roughly the size of Greater London, | 0:01:51 | 0:01:53 | |
the landscape is characterised by | 0:01:53 | 0:01:55 | |
rolling, open downlands and ancient woodland. | 0:01:55 | 0:01:58 | |
In 1972, it was designated a protected area | 0:01:58 | 0:02:01 | |
due to a rich abundance of flora and fauna | 0:02:01 | 0:02:04 | |
and an array of historic settlements. | 0:02:04 | 0:02:07 | |
The region's bedrock is chalk. | 0:02:07 | 0:02:09 | |
The white, earthy limestone has been used locally | 0:02:09 | 0:02:12 | |
as both a building material, | 0:02:12 | 0:02:13 | |
evident in the architecture found throughout its villages, | 0:02:13 | 0:02:16 | |
and in numerous hill figures, | 0:02:16 | 0:02:18 | |
including the White Horse at Uffington, | 0:02:18 | 0:02:20 | |
which dates to the Bronze Age. | 0:02:20 | 0:02:22 | |
Its elegant lines were first carved some 3,000 years ago. | 0:02:22 | 0:02:26 | |
Meandering its way through the region is the River Kennet, | 0:02:26 | 0:02:29 | |
a tributary of the Thames, it's popular with anglers and birdlife | 0:02:29 | 0:02:33 | |
and flows through the market town of Hungerford | 0:02:33 | 0:02:35 | |
on its journey to meet the Thames at Reading. | 0:02:35 | 0:02:38 | |
Further west lies the historic market town of Marlborough, | 0:02:38 | 0:02:42 | |
with its wide high street flanked by some fine Georgian architecture | 0:02:42 | 0:02:45 | |
and older 17th-century buildings. | 0:02:45 | 0:02:48 | |
With its breathtaking countryside and sense of rural isolation, | 0:02:49 | 0:02:52 | |
the North Wessex Downs is a place in which to get away from it all. | 0:02:52 | 0:02:56 | |
Now, when you consider that the North Wessex Downs is made up of | 0:02:59 | 0:03:02 | |
some of the most expensive counties in England, | 0:03:02 | 0:03:04 | |
it probably comes as no great surprise to learn | 0:03:04 | 0:03:06 | |
that buying a property here can be a pricey business, | 0:03:06 | 0:03:09 | |
not least because of its great road and rail links | 0:03:09 | 0:03:12 | |
not only to the rest of the country but also into London. | 0:03:12 | 0:03:15 | |
Broadly speaking, the further east you go, particularly into Berkshire, | 0:03:15 | 0:03:18 | |
the more expensive it gets. | 0:03:18 | 0:03:20 | |
So if you want a bit more bang for your buck, | 0:03:20 | 0:03:22 | |
head west over towards Wiltshire, particularly around Devizes. | 0:03:22 | 0:03:25 | |
You may be surprised at just what you can afford. | 0:03:25 | 0:03:27 | |
But what about today's buyers? | 0:03:27 | 0:03:29 | |
What's attracted them to an Area of Outstanding Natural Beauty? | 0:03:29 | 0:03:32 | |
Well, let's meet them and find out. | 0:03:32 | 0:03:34 | |
Anthony and Morag currently live in Brussels, Belgium | 0:03:36 | 0:03:39 | |
and have been married for 24 years. | 0:03:39 | 0:03:41 | |
But they're now temporarily back in the UK to begin their house hunt. | 0:03:41 | 0:03:45 | |
A well-travelled couple, Morag, who grew up in Scotland, | 0:03:45 | 0:03:48 | |
first met Australian Anthony at university in Sydney, | 0:03:48 | 0:03:51 | |
where they were both studying creative arts. | 0:03:51 | 0:03:54 | |
I saw Morag on a bus. | 0:03:54 | 0:03:56 | |
It was a sort of love-at-first-sight thing, really. | 0:03:56 | 0:03:58 | |
I had sunglasses on. I was looking at him | 0:03:58 | 0:04:00 | |
but I was pretending to look out the window. | 0:04:00 | 0:04:02 | |
I noticed that he was staring at me. | 0:04:02 | 0:04:04 | |
But then I got to know him and I thought he was very sweet. | 0:04:04 | 0:04:06 | |
After living together in Australia for ten years, | 0:04:06 | 0:04:09 | |
Morag then secured a job working for the United Nations | 0:04:09 | 0:04:12 | |
which took her all around the world | 0:04:12 | 0:04:14 | |
before the couple finally settled in Brussels. | 0:04:14 | 0:04:16 | |
But with Anthony landing a new job teaching art in London, | 0:04:16 | 0:04:20 | |
change is on the horizon. | 0:04:20 | 0:04:21 | |
Each job was a little bit different, | 0:04:21 | 0:04:23 | |
but it was always to do with governance or peace building. | 0:04:23 | 0:04:26 | |
I worked a couple of times in Iraq, | 0:04:26 | 0:04:28 | |
we went to Geneva for a couple of years. | 0:04:28 | 0:04:30 | |
Anthony got this new job with the International School in London. | 0:04:30 | 0:04:33 | |
I decided I will leave my job, | 0:04:33 | 0:04:36 | |
there was an early retirement offer on the table as well, | 0:04:36 | 0:04:38 | |
so I thought I will take that and move back to the UK. | 0:04:38 | 0:04:42 | |
Having left Scotland when she was just ten, | 0:04:42 | 0:04:44 | |
Morag is keen to return to her UK roots | 0:04:44 | 0:04:46 | |
and reconnect with long-lost family. | 0:04:46 | 0:04:49 | |
We kept moving westwards towards the UK. | 0:04:49 | 0:04:52 | |
Our goal was to go to the UK eventually, | 0:04:52 | 0:04:54 | |
and I've come back a few times and met my cousins again, | 0:04:54 | 0:04:57 | |
which was really nice, | 0:04:57 | 0:04:58 | |
and found new family members I didn't meet before. | 0:04:58 | 0:05:01 | |
Their current home is an Art Nouveau-style townhouse | 0:05:01 | 0:05:04 | |
in central Brussels, | 0:05:04 | 0:05:06 | |
and although they love the Belgian capital, | 0:05:06 | 0:05:08 | |
they're now looking for more room | 0:05:08 | 0:05:09 | |
than their inner-city living allows for. | 0:05:09 | 0:05:11 | |
It's a city with a lot of hidden secrets. | 0:05:11 | 0:05:14 | |
It's quite a beautiful place. | 0:05:14 | 0:05:16 | |
And it can be quite gritty and a little bit noisy, etc, | 0:05:16 | 0:05:19 | |
so what I've been looking forward to in relation to the move | 0:05:19 | 0:05:21 | |
is being somewhere with a little bit more solitude and a lot more space. | 0:05:21 | 0:05:26 | |
With their youngest of three grown-up daughters | 0:05:26 | 0:05:29 | |
currently at university in Reading, | 0:05:29 | 0:05:31 | |
the choice of the North Wessex area is partly for practical reasons. | 0:05:31 | 0:05:34 | |
We were attracted to the North Wessex Downs area | 0:05:34 | 0:05:38 | |
firstly for its beauty and the big skies | 0:05:38 | 0:05:41 | |
and also for Anthony to being able to commute, you know, | 0:05:41 | 0:05:44 | |
in a reasonable distance and time to London for his work. | 0:05:44 | 0:05:47 | |
And for Australian Anthony, | 0:05:47 | 0:05:49 | |
the English countryside offers a special kind of character. | 0:05:49 | 0:05:53 | |
I think that the institution of the English pub, for example, | 0:05:53 | 0:05:56 | |
is something that is unique | 0:05:56 | 0:05:59 | |
and you won't find anywhere else in the world. | 0:05:59 | 0:06:01 | |
That type of setting with, you know, the village, the pub, | 0:06:01 | 0:06:04 | |
some of the beautiful waterways in England. | 0:06:04 | 0:06:07 | |
I think England would be a unique and beautiful place to live. | 0:06:07 | 0:06:10 | |
With their Brussels townhouse already sold | 0:06:10 | 0:06:12 | |
and Anthony's job starting imminently, | 0:06:12 | 0:06:14 | |
the pressure is on to find a permanent home soon, | 0:06:14 | 0:06:17 | |
and they're looking forward to the next chapter. | 0:06:17 | 0:06:20 | |
For me, my children are all grown up, we're empty nesters now, | 0:06:20 | 0:06:25 | |
-and I guess it's about following our dream. -Absolutely. | 0:06:25 | 0:06:28 | |
Anthony would like to be within | 0:06:36 | 0:06:37 | |
a one-and-a-half-hour commute of London, | 0:06:37 | 0:06:39 | |
so our house search will factor in good rail links into the capital | 0:06:39 | 0:06:43 | |
such as those from Swindon. | 0:06:43 | 0:06:44 | |
I'm meeting up with our couple at their hotel | 0:06:45 | 0:06:47 | |
in the North Wessex Downs | 0:06:47 | 0:06:49 | |
to get the details of their property wish list. | 0:06:49 | 0:06:51 | |
Ah! Good morning, guys. How are you? | 0:06:53 | 0:06:55 | |
Good morning. We're very well, thank you. | 0:06:55 | 0:06:57 | |
What an eclectic life you've led. | 0:06:57 | 0:06:59 | |
-From Australia, from Scotland. -Yes. -The United Nations. | 0:06:59 | 0:07:03 | |
You've worked in Iraq, you're living in Brussels at the moment. | 0:07:03 | 0:07:07 | |
Now, give us an idea of what your new home might ideally have. | 0:07:07 | 0:07:10 | |
It should have character. The windows, the eyes of the house | 0:07:10 | 0:07:13 | |
that kind of give it that kind of unusual feel. | 0:07:13 | 0:07:17 | |
I don't like anything too bland. | 0:07:17 | 0:07:19 | |
That's interesting - "The eyes of the house." | 0:07:19 | 0:07:21 | |
I hear houses described in many ways, but I really like that. | 0:07:21 | 0:07:23 | |
We might develop that a little further. | 0:07:23 | 0:07:25 | |
Space is probably the most important thing for me. | 0:07:25 | 0:07:27 | |
Because I'm an oil painter, | 0:07:27 | 0:07:29 | |
ideally, some sort of outbuilding would be ideal. | 0:07:29 | 0:07:33 | |
In terms of space and accommodation, | 0:07:33 | 0:07:35 | |
I mean, how many bedrooms and that sort of thing? | 0:07:35 | 0:07:37 | |
Two is a minimum. Ideally three. But two would suffice. | 0:07:37 | 0:07:41 | |
At least it's another bedroom for our daughter when she visits, | 0:07:41 | 0:07:44 | |
or any of our daughters. | 0:07:44 | 0:07:45 | |
We have two other daughters in Australia. Or friends. | 0:07:45 | 0:07:48 | |
Downstairs, we really just want a large eat-in kitchen | 0:07:48 | 0:07:52 | |
and a large living room. | 0:07:52 | 0:07:53 | |
I have a few sofas to fit in. | 0:07:53 | 0:07:55 | |
And gardening, Morag, I know that's of interest to you. | 0:07:55 | 0:07:57 | |
I like gardening, but that's what I'm willing to sacrifice on. | 0:07:57 | 0:08:01 | |
A small garden just to grow a few vegetables and have a few plants | 0:08:01 | 0:08:04 | |
and not a huge amount of space. | 0:08:04 | 0:08:06 | |
How much are you planning to spend on this? | 0:08:06 | 0:08:08 | |
We'd like to spend £500,000. | 0:08:08 | 0:08:10 | |
How much work would you put into a property to make it your own | 0:08:10 | 0:08:13 | |
if it needed a new kitchen, a new bathroom or something like that? | 0:08:13 | 0:08:16 | |
We don't mind, you know, taking my paintbrush up | 0:08:16 | 0:08:18 | |
or putting in some extra storage. I don't mind that so much. | 0:08:18 | 0:08:21 | |
Well, we've got three, I think, very interesting properties to show you | 0:08:21 | 0:08:24 | |
within this rather unique area of the North Wessex Downs, | 0:08:24 | 0:08:27 | |
-including, of course, our Mystery House. -Mm-hm. | 0:08:27 | 0:08:29 | |
-Let's go. -OK. -OK. -Thank you. | 0:08:29 | 0:08:32 | |
Cash buyers Anthony and Morag have a maximum of £500,000 to spend | 0:08:36 | 0:08:41 | |
on their new country pad | 0:08:41 | 0:08:42 | |
which would ideally have lots of character | 0:08:42 | 0:08:45 | |
as well as a large living room and spacious kitchen-diner. | 0:08:45 | 0:08:48 | |
They need three bedrooms for when their daughters come to stay | 0:08:48 | 0:08:51 | |
as well as a manageable garden. | 0:08:51 | 0:08:53 | |
And outside, they're also looking | 0:08:53 | 0:08:55 | |
for a separate outbuilding | 0:08:55 | 0:08:56 | |
for artist Anthony to paint in. | 0:08:56 | 0:08:58 | |
We've an assortment of charming Wessex properties | 0:08:58 | 0:09:01 | |
to tempt our buyers with, | 0:09:01 | 0:09:02 | |
but I won't be revealing the price tag of each | 0:09:02 | 0:09:05 | |
until the end of our tours. | 0:09:05 | 0:09:06 | |
And our final property, the Mystery House, | 0:09:06 | 0:09:09 | |
will definitely teach them a lesson or two about character. | 0:09:09 | 0:09:13 | |
Presumably, the quiet life really is something | 0:09:16 | 0:09:18 | |
-you're going to relish now? -Definitely. I will relish it, | 0:09:18 | 0:09:21 | |
but at the same time, I like to keep busy. | 0:09:21 | 0:09:23 | |
So I'm looking forward to following pursuits that I'm interested in. | 0:09:23 | 0:09:29 | |
I really want to get out there within the community | 0:09:29 | 0:09:32 | |
and do my gardening, join groups, | 0:09:32 | 0:09:35 | |
maybe I'll grow some prize carrots | 0:09:35 | 0:09:36 | |
-or something, or beetroots. -JULES CHUCKLES | 0:09:36 | 0:09:38 | |
I just want to kind of really immerse myself in the country life | 0:09:38 | 0:09:41 | |
and that includes the activities that comes with it. | 0:09:41 | 0:09:44 | |
Well, we've got a lot to show you and not a lot of time to do it in, | 0:09:44 | 0:09:47 | |
so we're going to have to get a move on. | 0:09:47 | 0:09:48 | |
But property number one is not that far away. | 0:09:48 | 0:09:51 | |
Great. | 0:09:51 | 0:09:52 | |
We're kicking off our house hunt in the small village of Horton, | 0:09:54 | 0:09:57 | |
just outside the town of Devizes in Wiltshire. | 0:09:57 | 0:10:00 | |
Although, for Anthony, the closest railway station | 0:10:00 | 0:10:02 | |
for London is Pewsey, a 15-minute drive away. | 0:10:02 | 0:10:05 | |
Devizes is a vibrant market town | 0:10:06 | 0:10:08 | |
with an extensive range of shops and eateries | 0:10:08 | 0:10:11 | |
lining its handsome Georgian-fronted high street | 0:10:11 | 0:10:14 | |
and owes its rich range of historic architecture | 0:10:14 | 0:10:16 | |
to the textile industry which peaked here in the 18th century. | 0:10:16 | 0:10:20 | |
One of the town's oldest surviving buildings | 0:10:20 | 0:10:23 | |
is the timber-framed Great Porch House | 0:10:23 | 0:10:25 | |
built for a prosperous wool merchant in the mid-15th century. | 0:10:25 | 0:10:28 | |
A mile outside the town, back in Horton, | 0:10:30 | 0:10:32 | |
our first house sits on the banks of the Kennet and Avon Canal. | 0:10:32 | 0:10:36 | |
The village benefits from a traditional canal-side pub, | 0:10:36 | 0:10:39 | |
something Anthony wanted to take advantage of. | 0:10:39 | 0:10:42 | |
Fortunately, the property is just a ten-minute walk away. | 0:10:42 | 0:10:45 | |
Right. Here we are. | 0:10:48 | 0:10:50 | |
All the way from Brussels to Wiltshire. | 0:10:50 | 0:10:53 | |
-What do you think of this one? -I like the entrance way | 0:10:53 | 0:10:55 | |
with the climbing foliage. | 0:10:55 | 0:10:58 | |
It's rather nice. | 0:10:58 | 0:11:00 | |
It looks fresh on the outside, and | 0:11:00 | 0:11:01 | |
there's still space here to create a bit more of a garden. | 0:11:01 | 0:11:05 | |
Yeah, I'm looking forward to seeing what else is inside the house. | 0:11:05 | 0:11:08 | |
The outside is a little bit plainer, I suppose. | 0:11:08 | 0:11:11 | |
I think this is very much a property that we will appreciate | 0:11:11 | 0:11:14 | |
-more on the inside than probably on the outside here. -OK. | 0:11:14 | 0:11:17 | |
-Well, let's see what you think. -OK. -OK. | 0:11:17 | 0:11:19 | |
The house dates back to the 1970s, | 0:11:20 | 0:11:23 | |
but was derelict when the current owner moved in seven years ago. | 0:11:23 | 0:11:27 | |
She set about completely renovating the property. | 0:11:27 | 0:11:30 | |
The entrance hall opens into | 0:11:30 | 0:11:31 | |
a light and spacious dining-cum-living room. | 0:11:31 | 0:11:34 | |
-So, starting in here, a bit of a dining space, as it were. -Yes. | 0:11:34 | 0:11:38 | |
They've made it all open plan, and it sort of revolves around | 0:11:38 | 0:11:41 | |
-this scarlet-coloured chimney breast. -OK. | 0:11:41 | 0:11:44 | |
Giving you that rather funky, quite crisp wood burner in there. | 0:11:44 | 0:11:47 | |
-Multi-fuel. -I like the space. I like the flow. | 0:11:47 | 0:11:50 | |
-The flow is nice. I would create a library round there. -Ah! | 0:11:50 | 0:11:53 | |
This is more the TV side of the living. | 0:11:53 | 0:11:56 | |
-More sort of zoned. -Yes. | 0:11:56 | 0:11:58 | |
-But certainly a lot of room to fit your sofas and...or our sofas. -Yes. | 0:11:58 | 0:12:02 | |
And I think it's a good, sizable space. | 0:12:02 | 0:12:05 | |
This is quite cool. Look at this. | 0:12:05 | 0:12:07 | |
This is a great space. | 0:12:07 | 0:12:09 | |
I might even use this as a dining room, actually. | 0:12:09 | 0:12:11 | |
I'm impressed by the space, there's lots of light. | 0:12:11 | 0:12:14 | |
Certainly the view of that field is spectacular. | 0:12:14 | 0:12:16 | |
I mean, I love the idea of a gate to a field beyond. | 0:12:16 | 0:12:19 | |
-Well, that gate also gets you to the pub off-road. -The short cut. | 0:12:19 | 0:12:23 | |
Exactly, that's the short cut. | 0:12:23 | 0:12:25 | |
-Let's go and have a look at the kitchen. -OK. | 0:12:25 | 0:12:26 | |
Cos this is quite quirky, actually. I like what they've done with it. | 0:12:26 | 0:12:30 | |
As well as the sizable sunroom to the rear, | 0:12:30 | 0:12:33 | |
there's an additional room to the side of the house | 0:12:33 | 0:12:35 | |
currently used as a children's playroom. | 0:12:35 | 0:12:38 | |
Round at the front, just off the entrance hall, | 0:12:38 | 0:12:41 | |
there's a small study space and a fully-tiled shower room. | 0:12:41 | 0:12:45 | |
But we're weaving our way back across the open-plan living room | 0:12:45 | 0:12:48 | |
to reveal a rather vibrant feature in the kitchen. | 0:12:48 | 0:12:51 | |
Now, I don't think I've ever seen a countertop | 0:12:54 | 0:12:56 | |
quite like that one. THEY CHUCKLE | 0:12:56 | 0:12:59 | |
-But it's certainly memorable. -Yes. I'm speechless. -It's granite. | 0:12:59 | 0:13:03 | |
The current owner's very upfront about it, she loved it. | 0:13:03 | 0:13:06 | |
She said, "You'll either love it or hate it." | 0:13:06 | 0:13:08 | |
You've got the double gas hob there. | 0:13:08 | 0:13:10 | |
-That's nice. -The whole thing is gas, mains gas. -Fantastic. | 0:13:10 | 0:13:12 | |
Could be a little bit of getting used to, | 0:13:12 | 0:13:14 | |
that leopard print benchtop. | 0:13:14 | 0:13:16 | |
Does it appeal to the artist? | 0:13:16 | 0:13:18 | |
Er, in an abstract, expressionist kind of a way. | 0:13:18 | 0:13:20 | |
THEY LAUGH | 0:13:20 | 0:13:22 | |
But, no, I think in here you could tweak the tops, to be frank, | 0:13:22 | 0:13:25 | |
you know, to kind of tone it down a bit. | 0:13:25 | 0:13:26 | |
-Now, bedrooms, you said...two? BOTH: -Two or three. | 0:13:26 | 0:13:30 | |
-Come and have a look upstairs. -OK. | 0:13:30 | 0:13:32 | |
The kitchen also benefits from a separate utility room | 0:13:34 | 0:13:37 | |
with space for the washing machine. | 0:13:37 | 0:13:39 | |
Upstairs, there are actually four bedrooms | 0:13:39 | 0:13:41 | |
arranged off a central landing. | 0:13:41 | 0:13:43 | |
They're all large enough to accommodate a double bed, | 0:13:43 | 0:13:45 | |
so more than enough room for visiting family. | 0:13:45 | 0:13:48 | |
There's also a fully tiled family bath and shower room. | 0:13:48 | 0:13:51 | |
So that just leaves Anthony and Morag's master. | 0:13:51 | 0:13:54 | |
Now, it's surprising, isn't it? | 0:13:54 | 0:13:56 | |
When you look at this place from the outside | 0:13:56 | 0:13:57 | |
-to find that it's got four bedrooms. -Yes, indeed. | 0:13:57 | 0:14:00 | |
This is what's currently used as the master. | 0:14:00 | 0:14:03 | |
None of them are en suite, | 0:14:03 | 0:14:04 | |
but this one has the views out the back. | 0:14:04 | 0:14:07 | |
Lovely views. Nice square, well-proportioned rooms. | 0:14:07 | 0:14:10 | |
Good light. Yeah, it's good. | 0:14:10 | 0:14:12 | |
Well, they aren't giving much away, | 0:14:13 | 0:14:15 | |
but my hunch is that although they're warming to this property, | 0:14:15 | 0:14:18 | |
it hasn't quite hit the mark on character. | 0:14:18 | 0:14:21 | |
Outside, the south-facing garden extends to the rear | 0:14:21 | 0:14:24 | |
and is mainly laid to lawn, with a timber garage outbuilding | 0:14:24 | 0:14:27 | |
offering plenty of scope as Anthony's potential art studio. | 0:14:27 | 0:14:31 | |
But the real selling point of the garden | 0:14:31 | 0:14:33 | |
is that view across open countryside. | 0:14:33 | 0:14:36 | |
There we are. It's not bad, is it, really? | 0:14:39 | 0:14:42 | |
No, it's a lovely view from here. | 0:14:42 | 0:14:44 | |
And you can see the Downs up there, the sheep sort of setting the scene. | 0:14:44 | 0:14:47 | |
So, are you happy? | 0:14:47 | 0:14:49 | |
-Pleasantly surprised, let's say. -Yeah. | 0:14:49 | 0:14:51 | |
Well, it is the first of three. And it's our first price guess now. | 0:14:51 | 0:14:54 | |
-Oh. -CHUCKLING: Yes. | 0:14:54 | 0:14:56 | |
So, £500,000 is what you've given us to play with. | 0:14:56 | 0:14:59 | |
Who's going to go first? | 0:14:59 | 0:15:02 | |
-Would it be cruel to ask him to go first? -Go on. | 0:15:02 | 0:15:04 | |
Considering that the property has | 0:15:04 | 0:15:06 | |
a lot more bedrooms than we were looking for, | 0:15:06 | 0:15:09 | |
my guess would be about 485. | 0:15:09 | 0:15:12 | |
485. Morag? | 0:15:12 | 0:15:15 | |
The garden is not that large. | 0:15:15 | 0:15:18 | |
All things considered, I would say 465,000. | 0:15:18 | 0:15:21 | |
Not bad, actually. | 0:15:21 | 0:15:23 | |
475. | 0:15:23 | 0:15:25 | |
-Oh, right in the middle. -So, you straddled it, yeah. | 0:15:25 | 0:15:27 | |
So, it's certainly affordable and I think would give you just | 0:15:27 | 0:15:30 | |
enough left over to really play around with that studio space. | 0:15:30 | 0:15:33 | |
-Absolutely. -Go and have a look at that, | 0:15:33 | 0:15:35 | |
and I will come and find you a little bit later on. | 0:15:35 | 0:15:37 | |
-OK, thanks, Jules. -Off you go. -Thank you. | 0:15:37 | 0:15:39 | |
Brilliant. Well, there we are, look. | 0:15:39 | 0:15:41 | |
Sheep grazing, the Downs in the distance, | 0:15:41 | 0:15:43 | |
and this is the gate to the pub. | 0:15:43 | 0:15:46 | |
Just as well it's locked, isn't it? | 0:15:48 | 0:15:49 | |
Under budget by £25,000, | 0:15:51 | 0:15:54 | |
this recently renovated family home meets their brief. | 0:15:54 | 0:15:57 | |
It provides our couple with bags of space, | 0:15:57 | 0:16:00 | |
featuring a large, open-plan living and dining room, | 0:16:00 | 0:16:03 | |
and a unique, well appointed kitchen. | 0:16:03 | 0:16:06 | |
Upstairs, there are more bedrooms than our buyers asked for, | 0:16:06 | 0:16:09 | |
and outside, there's a potential studio. | 0:16:09 | 0:16:11 | |
What's more, its location provides access to market town amenities | 0:16:11 | 0:16:15 | |
and a good train route into London. | 0:16:15 | 0:16:18 | |
This house has a lot of good things going for it. | 0:16:18 | 0:16:22 | |
It's got good light, and the flow downstairs works well. | 0:16:22 | 0:16:26 | |
But I don't think it has the character | 0:16:26 | 0:16:28 | |
that I think I'm looking for. | 0:16:28 | 0:16:30 | |
I think it's a good-sized space. | 0:16:31 | 0:16:33 | |
-Could almost turn this into a machinery workshop. -OK, that side. | 0:16:33 | 0:16:36 | |
-And this side more for painting. -Where would you set up your easel? | 0:16:36 | 0:16:39 | |
-On the other side? -Probably the other side. | 0:16:39 | 0:16:41 | |
It's a good space. | 0:16:41 | 0:16:43 | |
I was impressed with the studio space, and the outlook is stunning. | 0:16:43 | 0:16:47 | |
It may not have the kind of charm that we're after | 0:16:47 | 0:16:50 | |
in terms of some character features. | 0:16:50 | 0:16:52 | |
However, in terms of its practical base, | 0:16:52 | 0:16:55 | |
I think this is something worth thinking about. | 0:16:55 | 0:16:58 | |
Well, can you believe it? Our first house is done already. | 0:17:00 | 0:17:04 | |
Yeah. Good first start. | 0:17:04 | 0:17:05 | |
Good first start. Now it's lunchtime. | 0:17:05 | 0:17:07 | |
-And hopefully time for a pint. -You see. | 0:17:07 | 0:17:10 | |
MORAG CHUCKLES I knew it was coming. Let's go. | 0:17:10 | 0:17:12 | |
The undulating North Wessex Downs | 0:17:18 | 0:17:20 | |
is known for its rolling chalk-laden hills | 0:17:20 | 0:17:23 | |
on which man has made his mark for the past 5,000 years. | 0:17:23 | 0:17:27 | |
Along with this chalk bedrock, | 0:17:27 | 0:17:29 | |
another defining geological feature of the Downs are sarsen stones, | 0:17:29 | 0:17:32 | |
used as building blocks since Neolithic times. | 0:17:32 | 0:17:36 | |
Today they can be spotted at prehistoric stone circles | 0:17:36 | 0:17:39 | |
such as the one at Avebury | 0:17:39 | 0:17:40 | |
and in the foundations of historic buildings, | 0:17:40 | 0:17:43 | |
including nearby Avebury Manor, which dates to the 16th century. | 0:17:43 | 0:17:46 | |
Since Anthony's keen to immerse himself in British heritage | 0:17:48 | 0:17:51 | |
and Morag hopes to get more involved in the community by volunteering, | 0:17:51 | 0:17:55 | |
we sent them to Avebury Manor which relies heavily on local help | 0:17:55 | 0:17:58 | |
to keep the property open to the public. | 0:17:58 | 0:18:00 | |
They're meeting National Trust museum curator Dr Ros Cleal. | 0:18:00 | 0:18:04 | |
Welcome to Avebury Manor and Gardens. | 0:18:05 | 0:18:08 | |
Well, thank you for having us here. It's a very impressive building. | 0:18:08 | 0:18:11 | |
Can you tell us a little bit about the history of the place? | 0:18:11 | 0:18:14 | |
Well, it goes back to the 1500s, | 0:18:14 | 0:18:17 | |
and the part that's in front of us was probably built in the 1550s. | 0:18:17 | 0:18:21 | |
And it's mostly finished by about 1600. | 0:18:21 | 0:18:24 | |
And so what happened to the house after it was built? | 0:18:24 | 0:18:26 | |
Did it remain just in one family's hands? | 0:18:26 | 0:18:29 | |
No, it didn't. No, quite the opposite, in fact. | 0:18:29 | 0:18:31 | |
So, it changed hands lots and lots of times over the centuries. | 0:18:31 | 0:18:35 | |
How has the building been maintained over all these years? | 0:18:35 | 0:18:38 | |
In 1991, the National Trust bought the house | 0:18:38 | 0:18:41 | |
and quite a major restoration of the house took place, | 0:18:41 | 0:18:44 | |
and each room was presented as a different historical period, | 0:18:44 | 0:18:49 | |
partly because that's so much part of the house's history, | 0:18:49 | 0:18:52 | |
that it's had this changing history of ownership. | 0:18:52 | 0:18:56 | |
Today, the manor house and its attractive walled garden | 0:18:57 | 0:19:00 | |
with lavender-lined lawns and topiary | 0:19:00 | 0:19:02 | |
are open for much of the year | 0:19:02 | 0:19:04 | |
and attract around 140,000 visitors annually. | 0:19:04 | 0:19:08 | |
Ros has arranged for our couple to meet volunteer Richard Bradshaw, | 0:19:08 | 0:19:11 | |
who today has the job of getting the house ready | 0:19:11 | 0:19:14 | |
before it opens to the public in the morning. | 0:19:14 | 0:19:17 | |
Inside the manor, the refurbished rooms | 0:19:17 | 0:19:19 | |
reflect different historic periods | 0:19:19 | 0:19:21 | |
and includes a Tudor parlour right through to a 1940s reception room | 0:19:21 | 0:19:25 | |
and country house kitchen dating to 1912. | 0:19:25 | 0:19:28 | |
But one of the most popular rooms is an 18th-century dining room. | 0:19:28 | 0:19:32 | |
Wow, what a beautiful room this is, Richard. | 0:19:33 | 0:19:36 | |
Yes, it is a nice room. | 0:19:36 | 0:19:38 | |
It's Adam and Anna Williamson's room, the Georgian period. | 0:19:38 | 0:19:41 | |
But our job now is... I've already opened up the curtains. | 0:19:41 | 0:19:44 | |
We want to set the scene out, prep it up for the visitors | 0:19:44 | 0:19:46 | |
coming in at 11 o'clock. | 0:19:46 | 0:19:48 | |
-So, are you happy to give me a hand on that? -Absolutely. | 0:19:48 | 0:19:50 | |
So, Richard, is there many volunteers | 0:19:50 | 0:19:52 | |
working here at Avebury Manor? | 0:19:52 | 0:19:54 | |
We have anywhere between 200 and 300 at any particular time. | 0:19:54 | 0:19:58 | |
-Wow, that's a lot. -They don't all work in the manor. | 0:19:58 | 0:20:01 | |
Volunteers have a range of duties, | 0:20:02 | 0:20:04 | |
from cleaning to working in the gift shop. | 0:20:04 | 0:20:07 | |
But the majority, like Richard, are tasked with presenting | 0:20:07 | 0:20:10 | |
the story of the house to the general public. | 0:20:10 | 0:20:13 | |
Here at Avebury, visitors are encouraged to interact | 0:20:13 | 0:20:15 | |
with the furniture and objects, | 0:20:15 | 0:20:17 | |
and one such piece has caught Anthony's eye - | 0:20:17 | 0:20:20 | |
a Georgian exercise chair. | 0:20:20 | 0:20:22 | |
So, how old is this chair? | 0:20:23 | 0:20:25 | |
Oh, wow, this would go back to the 18th century. | 0:20:25 | 0:20:30 | |
-Maybe slightly before that. -OK. | 0:20:30 | 0:20:32 | |
-This is a copy of one of them. -Oh, wow. Right. | 0:20:32 | 0:20:35 | |
-It's extraordinary. -What does it feel like? | 0:20:35 | 0:20:37 | |
-It's like being on a rickshaw. -THEY CHUCKLE | 0:20:37 | 0:20:40 | |
It's very unusual. | 0:20:40 | 0:20:42 | |
Another object the public are encouraged to explore | 0:20:42 | 0:20:45 | |
can be found upstairs in the Tudor bedchamber. | 0:20:45 | 0:20:47 | |
This is called a truckle bed | 0:20:49 | 0:20:51 | |
and this can be moved in or out underneath the bed. | 0:20:51 | 0:20:53 | |
So, if you have a visitor stay, they could stay on here | 0:20:53 | 0:20:56 | |
or if, for instance, you felt like you wanted | 0:20:56 | 0:20:59 | |
a cup of tea in the middle of the night, | 0:20:59 | 0:21:01 | |
you'd get your servant to sleep on there | 0:21:01 | 0:21:03 | |
and they would make you a cup of tea when you wanted it. | 0:21:03 | 0:21:05 | |
You've heard the phrase of good night, sleep tight. | 0:21:05 | 0:21:08 | |
-Yeah. -And this is it. | 0:21:08 | 0:21:09 | |
If the ropes are tight, you do get a good night's sleep. | 0:21:09 | 0:21:11 | |
If they're slack, you do not. | 0:21:11 | 0:21:13 | |
-That's interesting, isn't it? -That's important. | 0:21:13 | 0:21:15 | |
Make sure the ropes are tight and that the mattress is comfy | 0:21:15 | 0:21:18 | |
and you will have a good night's sleep. | 0:21:18 | 0:21:20 | |
It's great to know where these sayings come from. | 0:21:20 | 0:21:22 | |
-Fantastic. -It is, isn't it? Yeah. | 0:21:22 | 0:21:25 | |
So having had a glimpse inside one of the region's historic properties, | 0:21:25 | 0:21:28 | |
we're turning our attention back to finding Anthony and Morag | 0:21:28 | 0:21:32 | |
the characterful country home of their own. | 0:21:32 | 0:21:34 | |
For our second offering, we're venturing north-east | 0:21:40 | 0:21:42 | |
to the highly sought-after village of Aldbourne, | 0:21:42 | 0:21:45 | |
around nine miles from Swindon | 0:21:45 | 0:21:47 | |
which has regular rail services into London. | 0:21:47 | 0:21:50 | |
Set in the Marlborough Downs, | 0:21:50 | 0:21:51 | |
this delightful village has many amenities | 0:21:51 | 0:21:54 | |
and an active local community. | 0:21:54 | 0:21:56 | |
Village life is centred on a pretty green | 0:21:56 | 0:21:59 | |
which is bordered by rows of characterful cottages. | 0:21:59 | 0:22:01 | |
Well, guys, on your travels, have you ever been here before? | 0:22:01 | 0:22:05 | |
-No, we haven't. -Never. | 0:22:05 | 0:22:06 | |
You wanted a slice of quintessential English country life. | 0:22:06 | 0:22:09 | |
-This is Aldbourne. Look at that. -It's gorgeous. -Absolutely beautiful. | 0:22:09 | 0:22:13 | |
This little green is surrounded by | 0:22:13 | 0:22:15 | |
some of the prettiest houses I think Wiltshire has to offer. | 0:22:15 | 0:22:17 | |
It also has a fabulous local pub which I can personally vouch for. | 0:22:17 | 0:22:21 | |
And the whole thing is overlooked by that church. | 0:22:21 | 0:22:23 | |
Take a good look at that, | 0:22:23 | 0:22:24 | |
because we may see something similar to it very shortly. | 0:22:24 | 0:22:28 | |
Because if you like all of this, you're going to love property two. | 0:22:28 | 0:22:32 | |
It's really intriguing. Come and have a look. | 0:22:32 | 0:22:34 | |
Our second house choice is situated | 0:22:36 | 0:22:38 | |
on a quiet country lane in an elevated position, | 0:22:38 | 0:22:41 | |
and I'm hoping it'll offer Anthony and Morag | 0:22:41 | 0:22:43 | |
the external character they've wanted. | 0:22:43 | 0:22:45 | |
Right then. Here we are. | 0:22:47 | 0:22:50 | |
-Property number two. -Oh, wow. | 0:22:50 | 0:22:52 | |
What do you reckon? What do you think it is? | 0:22:52 | 0:22:54 | |
It looks like either a Victorian or Edwardian cottage. | 0:22:54 | 0:22:56 | |
You could be mistaken. | 0:22:56 | 0:22:58 | |
-This is 1947. So it's post-war. -It's post-war. -Just post-war. -Just. | 0:22:58 | 0:23:03 | |
It was built by the current owner's grandfather, | 0:23:03 | 0:23:06 | |
and this is the first time that it's ever been on the open market. | 0:23:06 | 0:23:09 | |
-Wow. -I do love some of the details. | 0:23:09 | 0:23:11 | |
These lovely Crittall-framed windows with the lead work inside. | 0:23:11 | 0:23:14 | |
Yes, the eyes of the house are very nice. | 0:23:14 | 0:23:16 | |
You talked about eyes of the house when we met. | 0:23:16 | 0:23:18 | |
-This one has eyebrows, doesn't it? -Yes. | 0:23:18 | 0:23:20 | |
I like the character from the outside. It's lovely. | 0:23:20 | 0:23:22 | |
It's got a lot of interesting features, the lead windows. | 0:23:22 | 0:23:25 | |
I think it's got a lot of quirky elements to it. | 0:23:25 | 0:23:27 | |
-Come and have a look inside. -OK. | 0:23:27 | 0:23:29 | |
Fortunately, there's quite an upbeat reaction | 0:23:31 | 0:23:33 | |
to this redbrick detached property built back in the 1940s. | 0:23:33 | 0:23:37 | |
Since that time, this unique home | 0:23:37 | 0:23:39 | |
has been in the care of the same family for nearly 70 years. | 0:23:39 | 0:23:43 | |
OK, Morag... | 0:23:43 | 0:23:44 | |
-There we go. -Oh, this is lovely. Look at the wood panelling. | 0:23:47 | 0:23:50 | |
That's very nice, on the walls. | 0:23:50 | 0:23:52 | |
It's a room, I think, with a lot of character. | 0:23:52 | 0:23:54 | |
-It lets a lot of light in. -Yeah. | 0:23:54 | 0:23:56 | |
-I think you could fit all your sofas in here. -Yeah. | 0:23:56 | 0:23:58 | |
With this window, this window, | 0:23:58 | 0:23:59 | |
and it looks like another window over in the corner there. | 0:23:59 | 0:24:02 | |
Now, have a think about this door here. | 0:24:02 | 0:24:04 | |
It's a full-length door, obviously, | 0:24:04 | 0:24:05 | |
but I think we can do something similar next-door in the kitchen... | 0:24:05 | 0:24:08 | |
-OK. -..which would help kind of connect it | 0:24:08 | 0:24:11 | |
to the rest of the garden. | 0:24:11 | 0:24:12 | |
-You'll see what I mean. -All right. | 0:24:12 | 0:24:14 | |
All the rooms on the ground floor lead off a central hallway | 0:24:14 | 0:24:18 | |
and include a downstairs washroom as well as a conservatory | 0:24:18 | 0:24:21 | |
which has been built onto the back of the house. | 0:24:21 | 0:24:24 | |
This is the kitchen-cum...sort of, well, sitting room at the moment, | 0:24:24 | 0:24:29 | |
-but clearly is begging to be kitchen-diner. -Yes. | 0:24:29 | 0:24:32 | |
Or one big room where you have your dining table | 0:24:32 | 0:24:35 | |
-at this end of the kitchen... -Yeah. -..leading to outdoor dining area. | 0:24:35 | 0:24:38 | |
Exactly. Now, if we could replicate that door that's next-door | 0:24:38 | 0:24:42 | |
to give you French doors to mirror the look of what's already here. | 0:24:42 | 0:24:45 | |
Yeah, knock out the lower part of that window, you'd have | 0:24:45 | 0:24:48 | |
a great way of moving straight out onto the terrace beyond. | 0:24:48 | 0:24:50 | |
-And you could make this much wider. -Yes. | 0:24:50 | 0:24:52 | |
You know, take this out, perhaps. To give you the sort of | 0:24:52 | 0:24:55 | |
classic kitchen-diner that you've been talking about. | 0:24:55 | 0:24:58 | |
Perfect. That would be a great way to look at this room. | 0:24:58 | 0:25:00 | |
I'm delighted our buyers seem receptive | 0:25:02 | 0:25:03 | |
to adapting the living space to suit them. | 0:25:03 | 0:25:06 | |
Upstairs, there are three decent-sized bedrooms | 0:25:06 | 0:25:09 | |
including a double-aspect guest room and a smaller single. | 0:25:09 | 0:25:12 | |
They're served by a family bathroom and a separate WC. | 0:25:14 | 0:25:18 | |
There's also a smaller windowless room off the landing | 0:25:18 | 0:25:21 | |
which the current owner has made into a walk-in wardrobe | 0:25:21 | 0:25:23 | |
as it's next to the master. | 0:25:23 | 0:25:25 | |
And then finally this one | 0:25:28 | 0:25:30 | |
which is probably just bigger than bedroom two, I would think. | 0:25:30 | 0:25:33 | |
It's small, but it will do us, I guess. | 0:25:33 | 0:25:35 | |
The best part of the room, really, is the fact that | 0:25:35 | 0:25:37 | |
you have a beautiful outlook to the garden which is very private. | 0:25:37 | 0:25:40 | |
This window is one of those two dormers | 0:25:40 | 0:25:42 | |
with those lovely eyebrows that we saw when we first arrived. | 0:25:42 | 0:25:45 | |
-So we're in the eyebrows of the house. -Exactly. | 0:25:45 | 0:25:48 | |
I noticed another window over there, which is nice. | 0:25:48 | 0:25:51 | |
-I was concerned that up here was a bit more limited. -It's tight. | 0:25:51 | 0:25:54 | |
-It's cosy, which you might need on a winter's night, anyway. -Sure. | 0:25:54 | 0:25:58 | |
Wahey! Well, we'll leave that conversation there, shall we? | 0:25:58 | 0:26:01 | |
Let's get out and cool off in the garden. | 0:26:01 | 0:26:03 | |
-Come on. -OK. -After you guys. | 0:26:03 | 0:26:04 | |
Well, despite the smaller layout upstairs, | 0:26:07 | 0:26:09 | |
they do seem right at home in this house. | 0:26:09 | 0:26:11 | |
Outside, the gardens wrap around three sides of the property. | 0:26:12 | 0:26:17 | |
At the rear, there's a low-maintenance area laid to slate | 0:26:17 | 0:26:20 | |
with steps down to a small gravelled area and storage shed. | 0:26:20 | 0:26:24 | |
There's an additional timber shed | 0:26:24 | 0:26:26 | |
which could be replaced with a larger structure | 0:26:26 | 0:26:28 | |
for Anthony's art studio subject to planning permission. | 0:26:28 | 0:26:31 | |
But the front garden is the real focal point of the outside space. | 0:26:31 | 0:26:35 | |
Here there's a paved patio | 0:26:35 | 0:26:37 | |
and steps leading up to a charming, raised seating area | 0:26:37 | 0:26:40 | |
as well as an incredibly eye-catching centrepiece. | 0:26:40 | 0:26:43 | |
Now, I said this garden was fun. | 0:26:45 | 0:26:47 | |
MORAG CHUCKLES | 0:26:47 | 0:26:49 | |
-My goodness. -What about it? -Oh, my God. | 0:26:49 | 0:26:52 | |
-It's the church from down the street. -Exactly. | 0:26:52 | 0:26:54 | |
This is St Michael's Church, Aldbourne. | 0:26:54 | 0:26:56 | |
It's a real folly, isn't it? | 0:26:56 | 0:26:58 | |
He obviously had plenty of time to study the original. | 0:26:58 | 0:27:00 | |
-Is this the original owner of the house who's done this? -Yeah. | 0:27:00 | 0:27:03 | |
Look, let's get back to business. | 0:27:03 | 0:27:04 | |
There it is. A house with eyes and eyebrows. | 0:27:04 | 0:27:08 | |
1947, very unique. What do you think? | 0:27:08 | 0:27:10 | |
I would put it at slightly more than the last property. | 0:27:10 | 0:27:13 | |
At £485,000. | 0:27:13 | 0:27:18 | |
485. Anthony? | 0:27:18 | 0:27:19 | |
Very close to my estimation, actually. | 0:27:19 | 0:27:22 | |
I was thinking somewhere in the vicinity of about 490. | 0:27:22 | 0:27:25 | |
Well, here's the thing. This is also on the market | 0:27:25 | 0:27:28 | |
for £475,000. | 0:27:28 | 0:27:31 | |
Oh, it's the same. OK. | 0:27:31 | 0:27:32 | |
Excellent. Well, I'm glad you've enjoyed seeing this one. | 0:27:32 | 0:27:35 | |
It's a very different proposition to our first property. | 0:27:35 | 0:27:38 | |
It's well worth you taking another look at, I think. | 0:27:38 | 0:27:40 | |
And while you do it, I'm going to see | 0:27:40 | 0:27:42 | |
what else I can find in the garden. | 0:27:42 | 0:27:44 | |
-OK. -Off you go. -Thank you, Jules. -Thank you. | 0:27:44 | 0:27:47 | |
The price of our second property, a characterful 1940s house, | 0:27:48 | 0:27:52 | |
leaves Anthony and Morag with | 0:27:52 | 0:27:54 | |
£25,000 to spare to put | 0:27:54 | 0:27:56 | |
their stamp on it. | 0:27:56 | 0:27:58 | |
It provides them with the | 0:27:58 | 0:27:59 | |
generous living room they wanted and | 0:27:59 | 0:28:01 | |
with a bit of work, the potential | 0:28:01 | 0:28:02 | |
for an open-plan kitchen-diner. | 0:28:02 | 0:28:05 | |
Upstairs, there are three | 0:28:05 | 0:28:06 | |
decent-sized bedrooms, | 0:28:06 | 0:28:08 | |
and the quirky character continues | 0:28:08 | 0:28:09 | |
into the garden with that | 0:28:09 | 0:28:11 | |
astonishing model church. | 0:28:11 | 0:28:13 | |
And the house is situated in the | 0:28:13 | 0:28:14 | |
middle of a sought-after village. | 0:28:14 | 0:28:17 | |
The thing that really worked for us | 0:28:17 | 0:28:18 | |
was its location to a beautiful village. | 0:28:18 | 0:28:21 | |
And when we came to the front of the property, | 0:28:21 | 0:28:23 | |
we both thought it had bags of character | 0:28:23 | 0:28:26 | |
and we could see ourselves here. | 0:28:26 | 0:28:28 | |
There's just something holding me back on this property. | 0:28:28 | 0:28:30 | |
I don't really know what it is. | 0:28:30 | 0:28:31 | |
But maybe I'm baulking at the work of the renovations, | 0:28:31 | 0:28:35 | |
cos it does require some modernisation of the kitchen. | 0:28:35 | 0:28:38 | |
This is a great space for a studio, Anthony. | 0:28:38 | 0:28:40 | |
Yeah, the existing shed's obviously a bit too small. | 0:28:40 | 0:28:43 | |
But you could almost fill this whole space. | 0:28:43 | 0:28:45 | |
Have the front door of the studio almost at the top of the steps. | 0:28:45 | 0:28:47 | |
Absolutely. | 0:28:47 | 0:28:49 | |
I think that there's a big jump from what we've seen in the first house | 0:28:49 | 0:28:52 | |
to this property and I could certainly see myself living here, | 0:28:52 | 0:28:57 | |
in a place with this type of character and features. | 0:28:57 | 0:29:01 | |
This is a place of great fun. | 0:29:01 | 0:29:03 | |
-Have you enjoyed it? -I have enjoyed it. It's interesting. | 0:29:03 | 0:29:07 | |
-Do you fancy a quick look at the church before we go? -Which church? | 0:29:07 | 0:29:10 | |
The real one. Come on. THEY LAUGH | 0:29:10 | 0:29:12 | |
It's the second day of our property search | 0:29:17 | 0:29:19 | |
across the North Wessex Downs with Anthony and Scottish-born Morag | 0:29:19 | 0:29:23 | |
who currently live in Brussels. | 0:29:23 | 0:29:25 | |
With their £500,000 budget, | 0:29:25 | 0:29:27 | |
they're looking for a characterful British home | 0:29:27 | 0:29:30 | |
after many years living abroad. | 0:29:30 | 0:29:32 | |
Coming up, the Mystery House is an education in history. | 0:29:32 | 0:29:36 | |
-Wow. -Wow. -Look at that. -This space is just incredible. | 0:29:36 | 0:29:40 | |
And I explore one of the region's time-honoured traditions. | 0:29:40 | 0:29:44 | |
Pull it down quite firmly. All the way down. | 0:29:44 | 0:29:46 | |
BELL RINGS Oh, that's fabulous. | 0:29:46 | 0:29:48 | |
The hammers on the bell. That's amazing. | 0:29:48 | 0:29:50 | |
Well, yesterday was a good day | 0:29:54 | 0:29:56 | |
made even more memorable by that astonishing model church | 0:29:56 | 0:29:59 | |
in the garden of property number two. | 0:29:59 | 0:30:01 | |
I can't wait to get home and start building one of my own. | 0:30:01 | 0:30:04 | |
But of course I can't rush off just yet | 0:30:04 | 0:30:06 | |
because we have our Mystery House to show our buyers. | 0:30:06 | 0:30:09 | |
Now, this also has a unique architectural twist | 0:30:09 | 0:30:12 | |
which I hope they'll really enjoy. | 0:30:12 | 0:30:14 | |
The Mystery House is just a five-minute drive | 0:30:16 | 0:30:18 | |
from our previous property. | 0:30:18 | 0:30:20 | |
It's situated in the village of Ramsbury, | 0:30:20 | 0:30:22 | |
and the most convenient rail station for London | 0:30:22 | 0:30:25 | |
is Swindon around 12 miles away. | 0:30:25 | 0:30:27 | |
Ramsbury is nestled in the pretty Kennett Valley | 0:30:27 | 0:30:30 | |
and is steeped in history. | 0:30:30 | 0:30:32 | |
Dating back to Saxon times, | 0:30:32 | 0:30:33 | |
the village is home to a thriving community | 0:30:33 | 0:30:36 | |
with many clubs and societies | 0:30:36 | 0:30:37 | |
including a choir, local WI and a horticultural group. | 0:30:37 | 0:30:42 | |
Amenities include a post office and two pubs, | 0:30:42 | 0:30:44 | |
one of which is a 300-year-old former coaching inn. | 0:30:44 | 0:30:48 | |
The Mystery House is just a short distance from the village centre | 0:30:48 | 0:30:51 | |
and pushes character to the max. | 0:30:51 | 0:30:53 | |
But Anthony and Morag may have to compromise on size | 0:30:53 | 0:30:56 | |
to get the kind of traditional property they're after. | 0:30:56 | 0:30:59 | |
Well, at last. Here it is. Our Mystery House. | 0:31:02 | 0:31:05 | |
-Is it a church? -Wow. | 0:31:05 | 0:31:06 | |
It looks like a church, but then it doesn't at the same time. | 0:31:06 | 0:31:09 | |
It's an old Victorian schoolhouse. It is technically a semi. | 0:31:09 | 0:31:13 | |
OK. So it's joined at one end. | 0:31:13 | 0:31:14 | |
Yeah, it's joined at one end, at that end. | 0:31:14 | 0:31:16 | |
But you get this bit, the sort of lion's share of it. | 0:31:16 | 0:31:18 | |
Now, I have to be up front about this. | 0:31:18 | 0:31:20 | |
It doesn't have studio space. OK? | 0:31:20 | 0:31:23 | |
So we would have to think about finding you something elsewhere... | 0:31:23 | 0:31:27 | |
-To rent maybe. -..to rent. | 0:31:27 | 0:31:28 | |
-But maybe you'd end up with something bigger. -Yeah. | 0:31:28 | 0:31:31 | |
Where you could make even more mess. THEY CHUCKLE | 0:31:31 | 0:31:33 | |
And go nuts with it. | 0:31:33 | 0:31:35 | |
But that's the one big drawback. | 0:31:35 | 0:31:36 | |
But in terms of village location and getting you into | 0:31:36 | 0:31:39 | |
a beautiful community, I think this one works a treat. | 0:31:39 | 0:31:42 | |
-Come and have a look. -OK. | 0:31:42 | 0:31:43 | |
This former Victorian school built from brick and flint | 0:31:45 | 0:31:47 | |
was converted into a family home in the 1990s. | 0:31:47 | 0:31:51 | |
And whilst it may now require a bit of updating, | 0:31:51 | 0:31:54 | |
it does retain many of its original features including leaded windows. | 0:31:54 | 0:31:59 | |
The entrance hall takes us straight into a dining kitchen. | 0:31:59 | 0:32:03 | |
Come in then. Back to school, as it were. | 0:32:03 | 0:32:06 | |
We'll start with the kitchen. | 0:32:06 | 0:32:08 | |
-It's square. -MORAG CHUCKLES | 0:32:08 | 0:32:10 | |
-It's nice proportions. -Exactly. -It does need a bit of work. | 0:32:10 | 0:32:13 | |
But if it were redone, would it work for the cook? | 0:32:13 | 0:32:17 | |
I think it would. As Morag says, it's got the right proportions. | 0:32:17 | 0:32:20 | |
Nice floor. I would certainly keep that the way it is. | 0:32:20 | 0:32:22 | |
-Yeah, it's good fun. -No tiles. | 0:32:22 | 0:32:24 | |
Definitely could work. Depends on the rest of it. | 0:32:24 | 0:32:27 | |
-Yeah, well, the real selling point is through here. -OK. | 0:32:27 | 0:32:30 | |
-There you go. -Wow. -Wow. -Look at that. | 0:32:30 | 0:32:33 | |
-A bit more character than the others. -Yes. | 0:32:33 | 0:32:35 | |
This space is just incredible. | 0:32:35 | 0:32:37 | |
It's roomy enough. It certainly will fit our sofas. | 0:32:37 | 0:32:41 | |
It certainly will. | 0:32:41 | 0:32:43 | |
I like the fireplace. It's got lots of character. | 0:32:43 | 0:32:45 | |
Those beams are really magnificent. | 0:32:45 | 0:32:47 | |
I think there's still a bit of work here because there's... | 0:32:47 | 0:32:50 | |
I can see the ceiling over there has... | 0:32:50 | 0:32:52 | |
Yeah, I think a lot of that, actually, | 0:32:52 | 0:32:54 | |
is probably original lath and plaster | 0:32:54 | 0:32:56 | |
and that's what those cracks are revealing. | 0:32:56 | 0:32:58 | |
Let's go upstairs and see what you think of the bedroom. | 0:32:58 | 0:33:01 | |
Next to the main living area on the ground floor | 0:33:01 | 0:33:03 | |
is one of the two bedrooms the Mystery Property offers. | 0:33:03 | 0:33:07 | |
And the only bathroom in the house is also on this level, | 0:33:07 | 0:33:10 | |
just off the entrance hall. | 0:33:10 | 0:33:12 | |
Upstairs, there are two rooms at either end of the living space. | 0:33:12 | 0:33:15 | |
One is a gallery at mezzanine level | 0:33:15 | 0:33:17 | |
which the current owners use as their dining room. | 0:33:17 | 0:33:19 | |
At the other end, accessed by another staircase | 0:33:19 | 0:33:22 | |
is the second bedroom. | 0:33:22 | 0:33:24 | |
This is currently the master, as described. | 0:33:24 | 0:33:26 | |
Although the bedroom downstairs is pretty big too. | 0:33:26 | 0:33:29 | |
I think I'd like this as a master, actually. I think this is sweeter | 0:33:29 | 0:33:32 | |
and it's got some of the beams within the make-up of the room. | 0:33:32 | 0:33:35 | |
-I love the windows. -Yeah. -They are quite beautiful, actually. | 0:33:35 | 0:33:38 | |
-This is a lovely window. -A lot of light comes in from this. | 0:33:38 | 0:33:40 | |
Clearly, there are some compromises with this one. | 0:33:40 | 0:33:43 | |
-But then every house has an element of that. Let's be honest. -Mm-hm. | 0:33:43 | 0:33:46 | |
-But I don't know, maybe the price... -OK. -..might persuade you. | 0:33:46 | 0:33:51 | |
-Let's talk about that outside. -Sounds interesting. | 0:33:51 | 0:33:53 | |
Clearly Anthony and Morag are captivated by | 0:33:53 | 0:33:55 | |
the school's unique character, but I wonder | 0:33:55 | 0:33:58 | |
whether the practicalities of modern-day living here | 0:33:58 | 0:34:00 | |
are creeping into their thoughts as we venture outside again. | 0:34:00 | 0:34:03 | |
The garden is private and enclosed. | 0:34:04 | 0:34:06 | |
Mainly lawn, it's certainly manageable | 0:34:06 | 0:34:09 | |
and also has a patio area. | 0:34:09 | 0:34:11 | |
In addition, they'd also have use of | 0:34:11 | 0:34:13 | |
a larger communal garden to the rear. | 0:34:13 | 0:34:16 | |
The compromise of our characterful Mystery House is that it currently | 0:34:16 | 0:34:19 | |
doesn't offer an outbuilding for Anthony's art studio. | 0:34:19 | 0:34:22 | |
But perhaps there'll be money left over to rent one. | 0:34:22 | 0:34:24 | |
So, there we are. | 0:34:24 | 0:34:25 | |
Our lovely old Victorian schoolhouse in the heart of Ramsbury. | 0:34:25 | 0:34:29 | |
-Very pretty house. -Any idea what it's worth, then? | 0:34:29 | 0:34:31 | |
-415. -415. Yeah. | 0:34:31 | 0:34:34 | |
I would say 395,000. | 0:34:34 | 0:34:36 | |
It's actually on at £430,000. | 0:34:36 | 0:34:39 | |
It's been reduced to that. It's been on for about 18 months. | 0:34:39 | 0:34:42 | |
So I suspect there is a deal to be done, | 0:34:42 | 0:34:44 | |
which, if successful, would leave you with a fair bit of change. | 0:34:44 | 0:34:48 | |
It's an interesting proposition. I'm not sure if it's a step too far | 0:34:48 | 0:34:51 | |
for us in terms of the work that needs to be done. | 0:34:51 | 0:34:53 | |
But it's an interesting building nonetheless. | 0:34:53 | 0:34:55 | |
It is. It's certainly something to think about. | 0:34:55 | 0:34:57 | |
-Go on. It's all yours. -OK. | 0:34:57 | 0:34:59 | |
£70,000 under budget, | 0:35:03 | 0:35:05 | |
our Mystery Property is | 0:35:05 | 0:35:06 | |
a former Victorian school | 0:35:06 | 0:35:08 | |
packed with characterful features, | 0:35:08 | 0:35:10 | |
leaving them plenty of change | 0:35:10 | 0:35:11 | |
to put their stamp on it. | 0:35:11 | 0:35:13 | |
Despite being compact, | 0:35:13 | 0:35:14 | |
it offers Anthony and Morag | 0:35:14 | 0:35:16 | |
a large high-ceilinged living space | 0:35:16 | 0:35:18 | |
and an eat-in kitchen. | 0:35:18 | 0:35:20 | |
There are two good-sized bedrooms, | 0:35:20 | 0:35:22 | |
and the garden is more than manageable. | 0:35:22 | 0:35:24 | |
And despite the fact there's | 0:35:24 | 0:35:26 | |
no art studio space for Anthony, | 0:35:26 | 0:35:27 | |
the village location gives him | 0:35:27 | 0:35:29 | |
rental options nearby. | 0:35:29 | 0:35:31 | |
From the outside, I thought, "Yay! This is my house." | 0:35:32 | 0:35:35 | |
I had a different feel inside, I have to say. | 0:35:35 | 0:35:38 | |
I was a bit disappointed when I came in | 0:35:38 | 0:35:39 | |
cos there was so much work to do. | 0:35:39 | 0:35:41 | |
It has to have a completely new kitchen. It's very old and dated. | 0:35:41 | 0:35:44 | |
And the bathroom probably needs to be updated as well. | 0:35:44 | 0:35:47 | |
What I liked about the Mystery House was its features. | 0:35:47 | 0:35:50 | |
The exterior is extremely pretty. | 0:35:50 | 0:35:52 | |
The lead in the windows, the high ceilings were impressive. | 0:35:52 | 0:35:56 | |
I think what doesn't work for us is that there's a lot of work to do | 0:35:56 | 0:36:00 | |
to get this place the way we would like it. | 0:36:00 | 0:36:03 | |
Well, I think we've given you | 0:36:06 | 0:36:07 | |
a really interesting mix of properties this week. | 0:36:07 | 0:36:10 | |
So, it's now time to go away and think about them | 0:36:10 | 0:36:12 | |
because, let's face it, this move has got to happen sometime soon. | 0:36:12 | 0:36:15 | |
-Certainly. -Right then. After you. -OK. | 0:36:15 | 0:36:17 | |
In the heart of the North Wessex Downs, | 0:36:23 | 0:36:25 | |
the market town of Hungerford, with its pretty Georgian streetscape, | 0:36:25 | 0:36:29 | |
has a long-established reputation as a centre for antiques. | 0:36:29 | 0:36:33 | |
Today the town is home to over 100 specialist dealers | 0:36:33 | 0:36:36 | |
selling anything from furniture and curios to rare books and clocks. | 0:36:36 | 0:36:41 | |
One such dealer is the town's clockmaker | 0:36:41 | 0:36:43 | |
who not only sells but also restores and repairs historic timepieces. | 0:36:43 | 0:36:48 | |
I've come to the shop and studio to meet clockmaker Chris Bessent, | 0:36:48 | 0:36:52 | |
who's been tinkering with clocks since the 1970s. | 0:36:52 | 0:36:55 | |
-Chris, nice to see you. -Hi, Jules. How are you? -This is beautiful. | 0:36:57 | 0:37:00 | |
If you are a clock aficionado, this is a real Aladdin's cave. | 0:37:00 | 0:37:03 | |
How long have you been a clockmaker for? | 0:37:03 | 0:37:05 | |
I've been clockmaking for the last 36 years. | 0:37:05 | 0:37:08 | |
Never had a boring day yet. | 0:37:08 | 0:37:10 | |
And what got you into it in the first place? | 0:37:10 | 0:37:12 | |
Really just taking apart clocks, | 0:37:12 | 0:37:15 | |
bits and pieces, anything I could find | 0:37:15 | 0:37:17 | |
and seeing if I can get it back together. | 0:37:17 | 0:37:19 | |
Fortunately now, I've mastered the process. | 0:37:19 | 0:37:22 | |
But how difficult is it to master | 0:37:22 | 0:37:24 | |
the range of movements that need repaired? | 0:37:24 | 0:37:27 | |
The first 20 years was probably the most difficult. | 0:37:27 | 0:37:29 | |
Making a handcrafted clock from scratch | 0:37:34 | 0:37:37 | |
is a time-consuming and costly process, | 0:37:37 | 0:37:40 | |
so most of the clocks for sale in the shop are refurbished antiques. | 0:37:40 | 0:37:44 | |
Chris spends the majority of his time servicing clocks | 0:37:44 | 0:37:46 | |
brought in by the public. | 0:37:46 | 0:37:48 | |
Upstairs in the workshop, he's just finished restoring a bracket clock | 0:37:48 | 0:37:52 | |
dating to the early 18th century, | 0:37:52 | 0:37:54 | |
so called because it could be mounted on a wall bracket | 0:37:54 | 0:37:57 | |
or positioned on a tabletop. | 0:37:57 | 0:37:58 | |
-That's a lovely old patina, isn't it? -It is gorgeous, yeah. | 0:37:59 | 0:38:03 | |
-And it's got a date on it too. -This is round about 1710, 1720. | 0:38:03 | 0:38:08 | |
That's astonishing. I mean, you know, | 0:38:08 | 0:38:10 | |
-not long after the English Civil War. -Oh, absolutely, yeah. | 0:38:10 | 0:38:12 | |
Can we have a look at the back and see | 0:38:12 | 0:38:14 | |
what all these bits and pieces will look like when they're together? | 0:38:14 | 0:38:17 | |
And I can show you how it works if you'd like to see. | 0:38:17 | 0:38:19 | |
Yeah, let's see it operate. | 0:38:19 | 0:38:21 | |
When these were made, they didn't have very good artificial light, | 0:38:21 | 0:38:25 | |
so to know what the time was, they needed to pull a cord | 0:38:25 | 0:38:28 | |
and it would give them the nearest quarter. | 0:38:28 | 0:38:30 | |
Pull it down quite firmly. | 0:38:30 | 0:38:31 | |
-All the way down. -MACHINERY CLUNKS | 0:38:31 | 0:38:34 | |
I can just hear it winding up. | 0:38:34 | 0:38:35 | |
Oh, that's fabulous. The hammers on the bell. | 0:38:35 | 0:38:38 | |
And, presumably, each clock could have its own signature tune? | 0:38:38 | 0:38:41 | |
They followed patterns. | 0:38:41 | 0:38:42 | |
-But if you had a specific request, you could have that. -That's amazing. | 0:38:42 | 0:38:47 | |
So, it would give you a fairly clear indication | 0:38:47 | 0:38:50 | |
of what time it was in the middle of the night | 0:38:50 | 0:38:52 | |
just so you knew what was happening. | 0:38:52 | 0:38:54 | |
We didn't really worry about minutes and seconds in those days. | 0:38:54 | 0:38:57 | |
The nearest quarter was adequate. | 0:38:57 | 0:38:59 | |
Having seen the finished article, | 0:39:02 | 0:39:04 | |
I'm keen to get a sense of the myriad of components | 0:39:04 | 0:39:07 | |
that make up a bracket clock. | 0:39:07 | 0:39:09 | |
Chris is working on another 18th-century example, | 0:39:09 | 0:39:11 | |
and he's about to reassemble the mechanism. | 0:39:11 | 0:39:14 | |
You basically start off with the centre wheel, | 0:39:14 | 0:39:17 | |
which we'll plop in there. | 0:39:17 | 0:39:18 | |
And you just know that that's where it goes? | 0:39:18 | 0:39:20 | |
It's experience. And it's experience that tells you. | 0:39:20 | 0:39:22 | |
After that, you have a little crown wheel. | 0:39:22 | 0:39:25 | |
-Can I use these? -Yeah, help yourself. | 0:39:25 | 0:39:27 | |
I mean, that is fabulous. | 0:39:29 | 0:39:30 | |
How long would it take you to make that now with modern machine tools? | 0:39:30 | 0:39:34 | |
-That would take me about two days to make. -Two days. | 0:39:34 | 0:39:37 | |
And to make an entire clock like this from scratch? | 0:39:37 | 0:39:40 | |
You're talking about months and months of work. | 0:39:40 | 0:39:42 | |
It is absolutely fascinating. | 0:39:42 | 0:39:44 | |
Restoring a clock is clearly complex. | 0:39:44 | 0:39:47 | |
-Have you ever tried to build one? -I've made a number of clocks. | 0:39:47 | 0:39:49 | |
I'm actually currently making one at the moment. I'll show you it. | 0:39:49 | 0:39:53 | |
Beautiful. What kind of a clock is this one? | 0:39:53 | 0:39:55 | |
So, this is a drop dial clock. It's a fusee. | 0:39:55 | 0:39:58 | |
It's a clock that I'm making for my granddaughter. | 0:39:58 | 0:40:00 | |
I started it when she was born. | 0:40:00 | 0:40:02 | |
She's going to be eight this month. | 0:40:02 | 0:40:04 | |
So it's taking quite a while, then. | 0:40:04 | 0:40:06 | |
Well, the trouble is I'm so busy with repairs | 0:40:06 | 0:40:08 | |
and restorations that I don't get a lot of time. | 0:40:08 | 0:40:11 | |
It doesn't take that long, | 0:40:11 | 0:40:12 | |
it doesn't take eight years to build a clock, | 0:40:12 | 0:40:14 | |
but it does take a long time to get to do it. | 0:40:14 | 0:40:17 | |
Chris, thank you very much indeed. I wish you all the best of luck. | 0:40:17 | 0:40:20 | |
She'll be very pleased, I'm sure, | 0:40:20 | 0:40:21 | |
-when she finally takes delivery of that. -Thank you, Jules. | 0:40:21 | 0:40:25 | |
CLOCKS TICK | 0:40:25 | 0:40:27 | |
Well, there is no underestimating the urgency | 0:40:30 | 0:40:32 | |
that surrounds Morag and Anthony's move, | 0:40:32 | 0:40:35 | |
but have we done enough this week to help them finally get it under way? | 0:40:35 | 0:40:38 | |
I wonder. | 0:40:38 | 0:40:39 | |
Well, look at this. Is that for me? | 0:40:45 | 0:40:48 | |
-Yes. -JULES SIGHS | 0:40:48 | 0:40:50 | |
Well, guys, here we are at the end of our house search. | 0:40:50 | 0:40:53 | |
-It flies by, doesn't it? -It has. | 0:40:53 | 0:40:56 | |
So, how close did we get, Anthony? We gave you three to consider. | 0:40:56 | 0:40:59 | |
What about property number one? | 0:40:59 | 0:41:00 | |
Property number one, I think, had a fantastic workshop. | 0:41:00 | 0:41:03 | |
In terms of the house, it had plenty of room, | 0:41:03 | 0:41:05 | |
but probably lacked the character that we were looking for. | 0:41:05 | 0:41:08 | |
What about property two, then? | 0:41:08 | 0:41:09 | |
I think property two was a real contender. | 0:41:09 | 0:41:11 | |
I guess it was our favourite. | 0:41:11 | 0:41:13 | |
It had a beautiful facade, | 0:41:13 | 0:41:14 | |
some of the rooms were very nice, characterful. | 0:41:14 | 0:41:17 | |
I could see where we could make the changes to make it work for us. | 0:41:17 | 0:41:21 | |
But I think, at the end of the day, | 0:41:21 | 0:41:22 | |
it was the kitchen that was a breaker, | 0:41:22 | 0:41:24 | |
because it really needed a complete new kitchen. | 0:41:24 | 0:41:26 | |
I think it just didn't grab me enough | 0:41:26 | 0:41:29 | |
for me to put my £500,000 on the table for it. | 0:41:29 | 0:41:32 | |
Interesting. So number two was your favourite. | 0:41:32 | 0:41:35 | |
Our Mystery House, we tried to up the ante on character | 0:41:35 | 0:41:38 | |
whilst still giving you a sort of heart-of-village location. | 0:41:38 | 0:41:41 | |
But I think we all agreed it was probably a little bit small. | 0:41:41 | 0:41:45 | |
It was the smallest. | 0:41:45 | 0:41:46 | |
I think also it didn't really have a true living area. | 0:41:46 | 0:41:49 | |
I don't really particularly like staircases | 0:41:49 | 0:41:51 | |
leading into a main living area. | 0:41:51 | 0:41:53 | |
Where do we go from here? | 0:41:53 | 0:41:54 | |
Well, we've actually fallen in love with the area. | 0:41:54 | 0:41:56 | |
The Wessex Downs, the villages that we looked at on the way through, | 0:41:56 | 0:42:00 | |
just absolutely stunning, | 0:42:00 | 0:42:01 | |
and we're very keen to keep looking and focus on this particular area. | 0:42:01 | 0:42:06 | |
So watch this space. | 0:42:06 | 0:42:08 | |
Well, guys, I am sad that we haven't been able to | 0:42:08 | 0:42:10 | |
find a solution for you this week, | 0:42:10 | 0:42:11 | |
but we wish you all the very best of luck. | 0:42:11 | 0:42:13 | |
-Thank you, Jules. -Pleasure. | 0:42:13 | 0:42:15 | |
Well, this may have been a frustrating week of house-hunting, | 0:42:18 | 0:42:21 | |
but it doesn't always follow that it's been a bad one. | 0:42:21 | 0:42:24 | |
Let's be honest, exploring this part of the world | 0:42:24 | 0:42:26 | |
is never a great hardship. | 0:42:26 | 0:42:28 | |
And although we haven't quite sold Morag and Anthony a new home, | 0:42:28 | 0:42:31 | |
we have sold them on the North Wessex Downs. | 0:42:31 | 0:42:34 | |
And let's be honest, when you look around you on a day like today, | 0:42:34 | 0:42:37 | |
whoever decided that this should be | 0:42:37 | 0:42:38 | |
an Area of Outstanding Natural Beauty, | 0:42:38 | 0:42:41 | |
well, they really did know what they were talking about. | 0:42:41 | 0:42:43 | |
I'll see you next time. | 0:42:43 | 0:42:45 | |
Morag and Anthony revisited some of the areas | 0:42:46 | 0:42:48 | |
they were introduced to on our search | 0:42:48 | 0:42:51 | |
and have since bought a property near Malmesbury | 0:42:51 | 0:42:53 | |
which they'll be moving into shortly. | 0:42:53 | 0:42:55 | |
If you'd like to escape to the country | 0:42:55 | 0:42:57 | |
in England, Wales, Northern Ireland or Scotland | 0:42:57 | 0:42:59 | |
and would like our help, then please apply online at... | 0:42:59 | 0:43:02 |