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So influential was the architecture and the owner of this building | 0:00:02 | 0:00:04 | |
behind me, that in 1867, when Queen Victoria came to visit, | 0:00:04 | 0:00:07 | |
she decided to redecorate Balmoral Castle in the same style. | 0:00:07 | 0:00:12 | |
Find out where I am, | 0:00:12 | 0:00:13 | |
and who the very imaginative owner was in just a moment. | 0:00:13 | 0:00:16 | |
On today's show, I help a couple who want to escape to the wilds to | 0:00:33 | 0:00:37 | |
find their ideal country retreat. | 0:00:37 | 0:00:40 | |
But from the start, | 0:00:40 | 0:00:41 | |
I'm kept on tenterhooks as to how they feel about the properties. | 0:00:41 | 0:00:45 | |
I'm smiling at you, Alistair. | 0:00:45 | 0:00:46 | |
I know. My heart sank when you first arrived. | 0:00:46 | 0:00:50 | |
And, when it comes to price, they do not hold back. | 0:00:50 | 0:00:54 | |
How much?! | 0:00:54 | 0:00:56 | |
-The Yorkshire.. -How much? | 0:00:56 | 0:00:59 | |
Today I'm in the Scottish Borders, and this is Abbotsford, | 0:01:04 | 0:01:08 | |
which was the home of one of Scotland's greatest writers, | 0:01:08 | 0:01:10 | |
Sir Walter Scott. | 0:01:10 | 0:01:12 | |
Completed in 1824, | 0:01:12 | 0:01:13 | |
on the proceeds of his very successful Waverley novels, | 0:01:13 | 0:01:17 | |
it was inspired by Scott's journeys through his beloved country, | 0:01:17 | 0:01:20 | |
and particularly its architecture. | 0:01:20 | 0:01:22 | |
Indeed, there are parts of some of the rooms | 0:01:22 | 0:01:24 | |
that he so admired built into the fabric of this home. | 0:01:24 | 0:01:27 | |
It was very influential in its time, and became the template | 0:01:28 | 0:01:32 | |
of what's known as the Scottish baronial style of architecture. But, | 0:01:32 | 0:01:36 | |
great stately homes are not the only thing | 0:01:36 | 0:01:39 | |
that the Scottish Borders have to offer. | 0:01:39 | 0:01:41 | |
As one of the 32 council regions in Scotland, | 0:01:42 | 0:01:45 | |
Scottish Borders flanks Edinburgh to the North, | 0:01:45 | 0:01:48 | |
Dumfries and Galloway to the West, | 0:01:48 | 0:01:50 | |
and the English counties | 0:01:50 | 0:01:52 | |
of Northumberland and Cumbria to the south. | 0:01:52 | 0:01:54 | |
An area of vast open spaces, | 0:01:55 | 0:01:57 | |
the Borders landscape sweeps across lush green fields and woodlands, | 0:01:57 | 0:02:01 | |
and rises to one of the area's best known landmarks, the Eldon Hells, | 0:02:01 | 0:02:05 | |
which are visible for miles. | 0:02:05 | 0:02:07 | |
Of these three heather clad summits, the middle peak is the highest. | 0:02:07 | 0:02:11 | |
Standing at 1,385 feet, | 0:02:11 | 0:02:13 | |
it commands a breathtaking view of the valley below, | 0:02:13 | 0:02:17 | |
overlooking the majestic River Tweed. | 0:02:17 | 0:02:19 | |
Flowing east across the region, and just into northern England, | 0:02:20 | 0:02:23 | |
this river is abundant with salmon and trout. | 0:02:23 | 0:02:26 | |
It has been a favourite spot for fly fishers since the 19th century. | 0:02:26 | 0:02:31 | |
97 miles long, the Tweed is crossed by the Kelso Bridge, | 0:02:31 | 0:02:35 | |
designed by John Rennie, | 0:02:35 | 0:02:36 | |
who later modelled London's Waterloo Bridge on this design. | 0:02:36 | 0:02:40 | |
And picturesque market towns include Kelso itself, | 0:02:40 | 0:02:44 | |
described by the novelist and poet Sir Walter Scott as "The most | 0:02:44 | 0:02:47 | |
"beautiful, if not romantic, village in Scotland." | 0:02:47 | 0:02:51 | |
So, with its strong identity, | 0:02:51 | 0:02:52 | |
impressive heritage and awe-inspiring scenery, the Scottish Borders | 0:02:52 | 0:02:57 | |
make a truly compelling region for aspiring escapees. | 0:02:57 | 0:03:00 | |
At the moment, property prices in the Scottish Borders stand at around | 0:03:02 | 0:03:05 | |
£250,000 for a detached house. | 0:03:05 | 0:03:09 | |
That's £12,000 more than the Scottish average, | 0:03:09 | 0:03:12 | |
but it's £30,000 less than the figure for England and Wales. | 0:03:12 | 0:03:17 | |
And if you go away from the commuter hotspots and the south of Edinburgh, | 0:03:17 | 0:03:21 | |
or around the East Coast mainline station at Berwick-upon-Tweed, | 0:03:21 | 0:03:24 | |
then your money will go further still. | 0:03:24 | 0:03:27 | |
So, where in this beautiful part of the world are our buyers looking to | 0:03:27 | 0:03:32 | |
move? Let's meet them and find out. | 0:03:32 | 0:03:34 | |
Retired builder Ken and finance administrator Carol | 0:03:36 | 0:03:39 | |
from Ilkley in West Yorkshire, have been together for the last 16 years. | 0:03:39 | 0:03:43 | |
Both have grown-up children | 0:03:43 | 0:03:44 | |
from previous marriages and they feel the time has come | 0:03:44 | 0:03:48 | |
for new adventures. | 0:03:48 | 0:03:49 | |
Well, we want to move now, because we're due to retire, | 0:03:49 | 0:03:53 | |
I'm already retired. | 0:03:53 | 0:03:55 | |
And we are looking for a more peaceful way of living. | 0:03:55 | 0:03:58 | |
It's definitely our time. | 0:03:58 | 0:04:01 | |
As Ken was a builder, | 0:04:01 | 0:04:02 | |
he and Carol completely converted their current home, | 0:04:02 | 0:04:05 | |
and are happy to take on a small project in the next. | 0:04:05 | 0:04:08 | |
This property was a little detached bungalow, but in a nice plot. | 0:04:08 | 0:04:13 | |
And we got planning permission and converted this property | 0:04:13 | 0:04:16 | |
into a beautiful four-bedroom detached house. | 0:04:16 | 0:04:19 | |
I'd like a little project, I think. | 0:04:19 | 0:04:23 | |
I'm fit enough to do... | 0:04:23 | 0:04:25 | |
Maybe not a full conversion, but a conversion. | 0:04:25 | 0:04:29 | |
Ken is also keen to have land with the next property to follow country | 0:04:29 | 0:04:33 | |
pursuits. Hooked on fishing, | 0:04:33 | 0:04:35 | |
he looks forward to spending more time along the rivers and streams of Scotland. | 0:04:35 | 0:04:40 | |
Carol is keen to pursue her own hobbies and they'll both come | 0:04:40 | 0:04:42 | |
together for country strolls with their dog. | 0:04:42 | 0:04:46 | |
We just love it up there. | 0:04:46 | 0:04:47 | |
It's just nice and peaceful, | 0:04:47 | 0:04:49 | |
and we found the people nice where we've stayed and been. | 0:04:49 | 0:04:52 | |
-Oh, it's a beautiful part of the world. -Yes, it's really nice. | 0:04:52 | 0:04:56 | |
Today, they've seen numerous properties online, | 0:04:56 | 0:04:59 | |
and have been up to view a couple, | 0:04:59 | 0:05:00 | |
but they've always fallen short in some way, | 0:05:00 | 0:05:03 | |
and it's very clear that they have a lot riding on this move. | 0:05:03 | 0:05:06 | |
What do you say, it's... It's your...? | 0:05:06 | 0:05:08 | |
-Forever home. -There you go. | 0:05:08 | 0:05:11 | |
-Forever home. -It's going to be our forever home. | 0:05:11 | 0:05:13 | |
-Our next move will be. -Yeah. | 0:05:13 | 0:05:14 | |
Our next move will be our forever home. | 0:05:14 | 0:05:17 | |
Ken and Carol are keen to live near the towns of Jedburgh and Kelso, | 0:05:21 | 0:05:24 | |
and their surrounding villages. | 0:05:24 | 0:05:26 | |
We are all meeting up at the magnificent Scott's View, | 0:05:27 | 0:05:30 | |
to delve deeper into their property wish list. | 0:05:30 | 0:05:33 | |
Welcome to Scotland, guys. Although, I think, actually, you, Ken, | 0:05:34 | 0:05:37 | |
know this area probably better than I do. | 0:05:37 | 0:05:39 | |
-You've been here a lot. -I have, yes, | 0:05:39 | 0:05:41 | |
in the last 25 years I've been up here fishing | 0:05:41 | 0:05:43 | |
and enjoying the views and scenery. | 0:05:43 | 0:05:44 | |
Right, so is he dragging you here kicking and screaming, | 0:05:44 | 0:05:47 | |
-or willingly? -Willingly. | 0:05:47 | 0:05:49 | |
It'll give us time to spend together, | 0:05:49 | 0:05:52 | |
and time for him to do his fishing etc. | 0:05:52 | 0:05:54 | |
And beautiful countryside. | 0:05:54 | 0:05:55 | |
-Yeah, absolutely. -This is Sir Walter Scott's favourite view. | 0:05:55 | 0:05:58 | |
It is indeed, yeah. | 0:05:58 | 0:05:59 | |
Don't get much better than that. | 0:05:59 | 0:06:01 | |
So, tell me about the property that you want. | 0:06:01 | 0:06:04 | |
My idea would be a detached property. | 0:06:04 | 0:06:07 | |
Three bedrooms. Minimum of, probably, half an acre or an acre | 0:06:07 | 0:06:11 | |
of land around. The outskirts of the village would be very nice. | 0:06:11 | 0:06:15 | |
And views like this, if possible. | 0:06:15 | 0:06:18 | |
Are you on the same page with that? | 0:06:18 | 0:06:20 | |
There or thereabouts, yeah. | 0:06:20 | 0:06:22 | |
I'm not bothered about the land. | 0:06:22 | 0:06:24 | |
I'd like to be a bit nearer people, | 0:06:24 | 0:06:25 | |
I'm not quite ready for living in the middle of a field yet. | 0:06:25 | 0:06:28 | |
-Right. -And I'm not bothered about a huge garden, | 0:06:28 | 0:06:31 | |
so long as there's room for table and a glass of wine, | 0:06:31 | 0:06:34 | |
it'll be fine by me. | 0:06:34 | 0:06:35 | |
And in terms of the actual style of the property... | 0:06:35 | 0:06:38 | |
There's various styles of property up here which we like. | 0:06:38 | 0:06:40 | |
Whether it be a or bungalow or a house, or whatever it may be. | 0:06:40 | 0:06:43 | |
I come from a building background, | 0:06:43 | 0:06:46 | |
so if there is a bit of a project there, that wouldn't be a problem. | 0:06:46 | 0:06:49 | |
A bit of a project. | 0:06:49 | 0:06:51 | |
What are your thoughts about a project? | 0:06:51 | 0:06:53 | |
I've told him, whatever we look at, he's not taking the roof off. | 0:06:53 | 0:06:56 | |
I don't mind knocking walls down, kitchen, bathroom, | 0:06:56 | 0:06:59 | |
it's got to be habitable, whatever we get. | 0:06:59 | 0:07:01 | |
And what's the top end of your budget? | 0:07:01 | 0:07:02 | |
Our top end of the budget would be £350,000. | 0:07:02 | 0:07:05 | |
Good. We can talk more about what you're going to do up in Scotland | 0:07:05 | 0:07:08 | |
as we drive around, but we've got three lovely houses. | 0:07:08 | 0:07:10 | |
Hopefully you're going to love them all. So, let's get in the car | 0:07:10 | 0:07:13 | |
-and go visit. -OK. -Fine. | 0:07:13 | 0:07:15 | |
With a budget of £350,000, they are looking for a detached property | 0:07:20 | 0:07:25 | |
that has at least three bedrooms. | 0:07:25 | 0:07:27 | |
Carol would like to be near a village, | 0:07:27 | 0:07:29 | |
and between half an acre and an acre of land would be ideal for Ken. | 0:07:29 | 0:07:33 | |
They are up for building project, so long as it's a small one, | 0:07:33 | 0:07:36 | |
and are hoping for a location with lovely views. | 0:07:36 | 0:07:40 | |
We've found three fantastic properties to tempt them | 0:07:40 | 0:07:42 | |
and at each one I'll be asking them to guess the price | 0:07:42 | 0:07:45 | |
at the end of the tour. | 0:07:45 | 0:07:46 | |
Our final destination is the Mystery House, | 0:07:47 | 0:07:50 | |
which will broaden their horizons, | 0:07:50 | 0:07:51 | |
being something they would not have considered before. | 0:07:51 | 0:07:54 | |
In a bid to start off the search in your preferred area, | 0:07:59 | 0:08:01 | |
we're beginning our tour in the rural village of Redpath. | 0:08:01 | 0:08:05 | |
Quaint cottages and converted crofts come in abundance here, | 0:08:05 | 0:08:09 | |
lining quiet country roads and sitting alongside the Leide River, | 0:08:09 | 0:08:13 | |
whose waters flow into the Tweed and to the nearby town of Melrose. | 0:08:13 | 0:08:18 | |
Dating back to the Iron Age, | 0:08:18 | 0:08:19 | |
this picturesque town neighbours the Eldon Hills, | 0:08:19 | 0:08:22 | |
and offers all the shops and amenities you'd need. | 0:08:22 | 0:08:25 | |
Just a short drive from here is the first property I want to present. | 0:08:25 | 0:08:29 | |
Back in the peaceful village of Redpath. | 0:08:29 | 0:08:31 | |
Here we have it, house number one. | 0:08:31 | 0:08:34 | |
What are your impressions from the street? | 0:08:34 | 0:08:36 | |
-Oh, right. -All right. | 0:08:36 | 0:08:38 | |
It's semidetached, an older property. | 0:08:38 | 0:08:42 | |
-Yes. -This could be the project. | 0:08:42 | 0:08:44 | |
Ah, you're pulling a very pained face. | 0:08:44 | 0:08:47 | |
-Hmm. -Carol, it's not for you? -No, don't like... | 0:08:47 | 0:08:50 | |
Not from the outside, I don't like the look of it. | 0:08:50 | 0:08:52 | |
What is it that you're not liking? | 0:08:52 | 0:08:54 | |
-The rendering. -Well, that's a very Scottish thing, | 0:08:54 | 0:08:56 | |
there's barely a house in the whole of Scotland... | 0:08:56 | 0:08:59 | |
It's better than the grey blocks you get. | 0:08:59 | 0:09:02 | |
-Yeah. -But it's OK, it looks all right. | 0:09:02 | 0:09:04 | |
-At least it's got a roof. -It has got a roof. | 0:09:04 | 0:09:07 | |
It's a good roof as well. | 0:09:07 | 0:09:09 | |
Keep your hands off it. | 0:09:09 | 0:09:11 | |
Let's have a look inside and see if we can win you over. | 0:09:11 | 0:09:13 | |
-Yeah, looking forward to it. -OK, then. | 0:09:13 | 0:09:16 | |
'Despite being semidetached, | 0:09:16 | 0:09:17 | |
'and not to Carol's taste on first impressions,' | 0:09:17 | 0:09:20 | |
'I believe this cottage has lots to offer. | 0:09:20 | 0:09:23 | |
'Dating back to the 1860s, it has been recently extended to the rear, | 0:09:23 | 0:09:27 | |
'and it comes with a beautiful classic country decor inside.' | 0:09:27 | 0:09:30 | |
Come on in. Let's go straight into this room. | 0:09:33 | 0:09:36 | |
-Great. -I like that. | 0:09:36 | 0:09:38 | |
-Nice, isn't it? -Lovely. | 0:09:38 | 0:09:40 | |
This is a lovely room because you've got the log burner. | 0:09:40 | 0:09:42 | |
There are two rooms with log burners. | 0:09:42 | 0:09:44 | |
And you've got the French doors going into the patio area at the back of the house. | 0:09:44 | 0:09:47 | |
-That's a nice room. -First impressions, it's a nice room. | 0:09:47 | 0:09:50 | |
This is a lovely room, yeah. | 0:09:50 | 0:09:52 | |
Have you warmed up from the outside? | 0:09:52 | 0:09:54 | |
-Yes, I have. -OK. | 0:09:54 | 0:09:55 | |
I'm smiling at you, Alistair. | 0:09:55 | 0:09:57 | |
I know. My heart sank when you first arrived. But a good feeling in here? | 0:09:57 | 0:10:02 | |
Yeah. Good feeling here. | 0:10:02 | 0:10:03 | |
-Let's go into the kitchen. -Ah. | 0:10:03 | 0:10:05 | |
Small. | 0:10:09 | 0:10:10 | |
I think it's a decent size. | 0:10:10 | 0:10:12 | |
-No. -Yeah. -Carol doesn't. | 0:10:12 | 0:10:14 | |
The Cottage. Cottage kitchen. | 0:10:14 | 0:10:16 | |
Yeah. It's a cottage kitchen, yeah. | 0:10:16 | 0:10:18 | |
Good-sized dining table. | 0:10:18 | 0:10:19 | |
Yeah. And is this the only eating area? | 0:10:19 | 0:10:22 | |
Yes. So, behind us you've got quite a nice second sitting room, | 0:10:22 | 0:10:27 | |
which they have also used as a dining room. | 0:10:27 | 0:10:30 | |
-And then on this side you've got quite a big utility room. -Right. | 0:10:30 | 0:10:33 | |
So, there are currently plans in | 0:10:33 | 0:10:35 | |
to knock the two rooms behind us through | 0:10:35 | 0:10:38 | |
-to make a big room at the back of the house. -Right. | 0:10:38 | 0:10:40 | |
So, you could... | 0:10:40 | 0:10:42 | |
make this a big kitchen-diner, if you wanted. | 0:10:42 | 0:10:44 | |
-That's your project. -Yeah. | 0:10:44 | 0:10:46 | |
-There's a project there. I like projects. -You do. | 0:10:46 | 0:10:50 | |
'Along with giving Ken a project, | 0:10:52 | 0:10:54 | |
'there is also a ground floor single bedroom to throw into the mix. | 0:10:54 | 0:10:57 | |
'But I'm keen to see what they make of the three upstairs bedrooms. | 0:10:58 | 0:11:01 | |
'The first is a large double, | 0:11:02 | 0:11:04 | |
'and sits beside a spacious shower room. | 0:11:04 | 0:11:06 | |
'The second, again a roomy double, with painted floorboards. | 0:11:08 | 0:11:13 | |
'Which just leaves the last bedroom.' | 0:11:13 | 0:11:15 | |
-The landing is lovely. -It's good, isn't it? -Yeah. | 0:11:15 | 0:11:18 | |
So, this bathroom serves what they use as the master. | 0:11:18 | 0:11:21 | |
-There's a bath in there. OK. -Oh, right. | 0:11:21 | 0:11:22 | |
-And a shower. -That's a nice one. -Yep. | 0:11:22 | 0:11:24 | |
And this is what they're using as the master. | 0:11:24 | 0:11:27 | |
Nice size. Double aspect. | 0:11:27 | 0:11:30 | |
-Good-sized room. I think this is a nice-proportioned house. -Yeah. | 0:11:30 | 0:11:35 | |
-It's got good bones. -Yeah. | 0:11:35 | 0:11:36 | |
Good bones, that's a nice phrase, yes. | 0:11:36 | 0:11:39 | |
So, I'll let you have a good sniff around upstairs a bit later, | 0:11:39 | 0:11:43 | |
but I want to show you the garden. | 0:11:43 | 0:11:44 | |
-So, the garden is not massive. Brace yourself for that. -OK. | 0:11:44 | 0:11:47 | |
Despite initial reservations, | 0:11:49 | 0:11:50 | |
I'm glad they're beginning to see the merits of this immaculately-presented home. | 0:11:50 | 0:11:55 | |
As we make our way outside, | 0:11:55 | 0:11:57 | |
I hope we get more positivity when they take in the back garden, | 0:11:57 | 0:12:00 | |
with its established borders, raised lawn and patio. | 0:12:00 | 0:12:04 | |
What are your thoughts? | 0:12:04 | 0:12:06 | |
For me, the garden is about the right size I was thinking of. | 0:12:06 | 0:12:09 | |
Hedges, nice. | 0:12:10 | 0:12:11 | |
Just manageable to cut maybe once or twice a year. | 0:12:11 | 0:12:14 | |
Trees, yeah. | 0:12:14 | 0:12:16 | |
-I like the garden. -For me, the garden's... | 0:12:16 | 0:12:18 | |
too small. | 0:12:18 | 0:12:20 | |
I don't quite get the raised level of garden. | 0:12:20 | 0:12:22 | |
How much do you think this property is on the market for? | 0:12:22 | 0:12:25 | |
Not much idea, but I'll say 265. | 0:12:25 | 0:12:27 | |
I'll say... | 0:12:30 | 0:12:31 | |
230-ish. | 0:12:31 | 0:12:33 | |
OK, so... This is where it might be a bit of a wake-up call. | 0:12:35 | 0:12:38 | |
This property is on the market for £340,000. | 0:12:38 | 0:12:42 | |
Right. That's a surprise to me. | 0:12:42 | 0:12:44 | |
So, maybe the market has moved up, or... | 0:12:44 | 0:12:46 | |
Or if the property is not right for you, you down-price it. | 0:12:46 | 0:12:51 | |
Quite. Anyway, that's an important part of the puzzle - the price. | 0:12:51 | 0:12:54 | |
So, you can stroll around the garden and have a look around the house again, | 0:12:54 | 0:12:57 | |
and I'll meet you out the front | 0:12:57 | 0:12:58 | |
-and then we can take you to the next one. -OK. -OK. | 0:12:58 | 0:13:01 | |
Just under budget at £340,000, | 0:13:03 | 0:13:05 | |
the price of this Victorian cottage may come as a surprise, | 0:13:05 | 0:13:09 | |
but it does come with four bedrooms and spacious living areas. | 0:13:09 | 0:13:13 | |
What's more, with planning permission to extend, | 0:13:13 | 0:13:15 | |
it could offer a potential project for Ken. | 0:13:15 | 0:13:18 | |
And whilst it is semidetached with a small garden, | 0:13:18 | 0:13:22 | |
it does have a lovely village location and community | 0:13:22 | 0:13:24 | |
that Carol might enjoy. | 0:13:24 | 0:13:26 | |
It looked quite nice from the front. | 0:13:26 | 0:13:28 | |
Little bit disappointed it was semidetached. | 0:13:28 | 0:13:32 | |
But very pleasantly surprised when we came inside. | 0:13:32 | 0:13:34 | |
I like the proportions of the rooms. | 0:13:34 | 0:13:37 | |
The garden... | 0:13:37 | 0:13:39 | |
a little bit too small for me. | 0:13:39 | 0:13:40 | |
When I came in, I liked the rooms, I liked the layout, | 0:13:40 | 0:13:44 | |
it's presented beautifully. | 0:13:44 | 0:13:45 | |
The kitchen, I thought on first appraisal, was a little bit small, | 0:13:47 | 0:13:50 | |
but then...it's warmed on me as it's gone through. | 0:13:50 | 0:13:52 | |
I quite like it. | 0:13:52 | 0:13:54 | |
-Right, guys. -Yeah. | 0:13:55 | 0:13:56 | |
All done? If you pull the door behind you, we're going to head off | 0:13:56 | 0:13:59 | |
-to house number two. -OK, that'll be fine. | 0:13:59 | 0:14:01 | |
Ken and Carol have been coming up to the Scottish Borders for many years, | 0:14:09 | 0:14:12 | |
attracted by its stunning scenery and great fishing opportunities. | 0:14:12 | 0:14:17 | |
And they don't come much better than the River Tweed. | 0:14:17 | 0:14:20 | |
Cutting across the region through villages and valleys, | 0:14:20 | 0:14:23 | |
it's the fourth longest river in Scotland, and boasts | 0:14:23 | 0:14:26 | |
the largest catch of Atlantic salmon | 0:14:26 | 0:14:28 | |
out of any river in the EU. | 0:14:28 | 0:14:31 | |
The River Tweed Commission oversees the welfare of this river, | 0:14:31 | 0:14:34 | |
and they in turn set up the Tweed Foundation | 0:14:34 | 0:14:37 | |
to protect and monitor the fish. | 0:14:37 | 0:14:40 | |
So, with our couple keen to cast off here in the future, | 0:14:40 | 0:14:43 | |
we've brought them along to meet assistant biologist James Hunt, | 0:14:43 | 0:14:46 | |
on one of his river surveys. | 0:14:46 | 0:14:49 | |
So, what is it we're doing today, James? | 0:14:49 | 0:14:51 | |
Well, we're going to go down the Leader Water there | 0:14:51 | 0:14:54 | |
and we're going to have a look at the numbers of juvenile salmon | 0:14:54 | 0:14:57 | |
that are in the river. | 0:14:57 | 0:14:58 | |
And what's the benefits of doing this? | 0:14:58 | 0:15:00 | |
It's to know the health of the river, | 0:15:00 | 0:15:02 | |
to check where there's good numbers of fish, | 0:15:02 | 0:15:04 | |
where there's not so many fish, | 0:15:04 | 0:15:05 | |
if there is anything we can do to improve the numbers of fish. | 0:15:05 | 0:15:08 | |
So, we are just looking for the tiddlers, I'm afraid, not the trophy hunting. | 0:15:08 | 0:15:11 | |
That is all we concentrate on, just the fry of the year, like that. | 0:15:11 | 0:15:15 | |
I'm a keen fisherman, salmon fisherman, | 0:15:15 | 0:15:16 | |
so how are we going to be catching these fish today? | 0:15:16 | 0:15:19 | |
Well, not the way you might think of catching them, with your rod and line. | 0:15:19 | 0:15:22 | |
-Right. -So, we've got our battery on my back, our probe, and our earth, | 0:15:22 | 0:15:25 | |
and we'll go down to the river, and it's quite an amazing thing, really, | 0:15:25 | 0:15:29 | |
that you can pass a low current through the water, | 0:15:29 | 0:15:31 | |
and these fish will just appear, and then we're going to count them. There's no harm to the fish. | 0:15:31 | 0:15:35 | |
It's an established method that people are using throughout the United Kingdom. | 0:15:35 | 0:15:39 | |
You'll see that the moment you put them back in the bucket, they're going to be absolutely fine. | 0:15:39 | 0:15:43 | |
-There's a chance they'll come back and you'll catch them with your rod and line. -Sounds good to me. | 0:15:43 | 0:15:48 | |
The technique James is using today is a scientific method | 0:15:48 | 0:15:50 | |
used throughout the UK called electrofishing. | 0:15:50 | 0:15:54 | |
They've been using it successfully at the Foundation since the 1990s | 0:15:54 | 0:15:58 | |
to count fish stock. | 0:15:58 | 0:16:00 | |
With waders on and equipment in hand, | 0:16:00 | 0:16:02 | |
it's down to the river bank to get today's survey underway. | 0:16:02 | 0:16:06 | |
Electrofishing is the only safe way of getting young fish out of the river. | 0:16:06 | 0:16:10 | |
And we're going to pass a very low current through the water | 0:16:10 | 0:16:13 | |
and give the fish a little tickle. | 0:16:13 | 0:16:15 | |
So the fish will only be affected just around the probe | 0:16:15 | 0:16:18 | |
and we're going to bring them down to here | 0:16:18 | 0:16:20 | |
and you're going to catch them with the net and then we're going to put them in the bucket. | 0:16:20 | 0:16:23 | |
Mainly it's the salmon we're looking for then, is it? | 0:16:23 | 0:16:26 | |
Yep. This place here is one of the most productive places in the catchment, | 0:16:26 | 0:16:29 | |
so, fingers crossed, I expect to catch lots of salmon here. | 0:16:29 | 0:16:32 | |
We want to make sure that there's enough young fish | 0:16:32 | 0:16:35 | |
that are going out to sea to come back. | 0:16:35 | 0:16:38 | |
So, I think we better get on, then. | 0:16:38 | 0:16:39 | |
-I think so. -So let's have a go. | 0:16:39 | 0:16:41 | |
So, if you just want to put your net down, Ken. | 0:16:41 | 0:16:44 | |
And we're just going to pass a low current through the water here | 0:16:44 | 0:16:47 | |
and you'll see the fish are just affected in this area here. | 0:16:47 | 0:16:51 | |
-There's a fish. -There you go. | 0:16:51 | 0:16:53 | |
By slowly working up the river, | 0:16:53 | 0:16:55 | |
a good sample of salmon can be collected. | 0:16:55 | 0:16:57 | |
Comparing these counts every three years helps to identify falls | 0:16:57 | 0:17:01 | |
in the fish and salmon stock | 0:17:01 | 0:17:03 | |
and provides an early warning system for any problems upriver, | 0:17:03 | 0:17:07 | |
which means they can be acted upon quickly before there's any marked decline. | 0:17:07 | 0:17:11 | |
We'll just try just here. | 0:17:11 | 0:17:13 | |
-There's a fish coming down. -Another one. | 0:17:13 | 0:17:15 | |
-There we are. -Do you normally catch as many as this? | 0:17:15 | 0:17:18 | |
Sometimes more, sometimes less. | 0:17:18 | 0:17:20 | |
But you always catch them? | 0:17:20 | 0:17:22 | |
It's like this pretty much anywhere in the catchment we go to. | 0:17:22 | 0:17:25 | |
Next it's back to the bank, | 0:17:25 | 0:17:27 | |
where the fish are transferred to buckets containing a mild anaesthetic, | 0:17:27 | 0:17:31 | |
which calms them before a closer inspection can begin. | 0:17:31 | 0:17:34 | |
Now he's getting a little bit more relaxed. | 0:17:34 | 0:17:36 | |
-There you can see... -Oh, yeah. -We can just measure him now. | 0:17:36 | 0:17:39 | |
-Yeah. 80 millimetres. -Yeah. | 0:17:39 | 0:17:41 | |
So, if you're going to hold the fish, just wet your hands... | 0:17:41 | 0:17:44 | |
So, that fish will, if it's lucky, | 0:17:46 | 0:17:49 | |
it will spend another year in the river and then it will go off to sea | 0:17:49 | 0:17:52 | |
and then spend one or two years at sea and then come back. | 0:17:52 | 0:17:55 | |
Have you seen a vast change in numbers? | 0:17:55 | 0:17:57 | |
We've been doing this method since 2006, | 0:17:57 | 0:18:00 | |
and there is absolutely no measurable change in the numbers of fish. | 0:18:00 | 0:18:03 | |
Certainly on the Tweed, the salmon stocks are still very healthy. | 0:18:03 | 0:18:07 | |
So, here we are. | 0:18:07 | 0:18:08 | |
It's a big fish for this bit, but that's a salmon parr. | 0:18:09 | 0:18:12 | |
That's about 120 millimetres. | 0:18:12 | 0:18:14 | |
That'll be a year old, then, will it? | 0:18:14 | 0:18:16 | |
That's a year old. And that fish is just about ready to go off to sea. | 0:18:16 | 0:18:19 | |
Are you happy with the catch today, James? | 0:18:19 | 0:18:21 | |
Yes, there's absolutely nothing wrong with this site. | 0:18:21 | 0:18:24 | |
It's bang on average. | 0:18:24 | 0:18:25 | |
So, absolutely nothing to worry about. | 0:18:25 | 0:18:27 | |
After a satisfactory measure and count, | 0:18:28 | 0:18:30 | |
the fish are returned to the wild. | 0:18:30 | 0:18:32 | |
So, all you have to do is just... Yeah. | 0:18:32 | 0:18:34 | |
Just tip it into the water. | 0:18:34 | 0:18:36 | |
That's it. | 0:18:37 | 0:18:38 | |
-And then just lift them up. -There you go. | 0:18:39 | 0:18:42 | |
There they are... off on their merry way. | 0:18:50 | 0:18:54 | |
With the fish heading off down the river, our couple head off as well, | 0:18:54 | 0:18:58 | |
and we turn our attention back to the property market. | 0:18:58 | 0:19:00 | |
For our second property, | 0:19:05 | 0:19:06 | |
we're moving further north, to the market town of Lauder. | 0:19:06 | 0:19:10 | |
This royal borough is a town steeped in history, | 0:19:10 | 0:19:13 | |
written all over its traditional architecture, | 0:19:13 | 0:19:15 | |
most notably in the town hall that was once a tollbooth | 0:19:15 | 0:19:19 | |
where traders paid rent. | 0:19:19 | 0:19:21 | |
Today, the town offers many essential facilities, | 0:19:21 | 0:19:24 | |
and it's the gateway to the surrounding Leader Valley, | 0:19:24 | 0:19:27 | |
where walkers can reach its most famous landmark, Thirlestane Castle. | 0:19:27 | 0:19:31 | |
Sadly not house number two. | 0:19:32 | 0:19:34 | |
It's a little bit out of your budget, this one. | 0:19:34 | 0:19:36 | |
I make no bones about it. But... | 0:19:36 | 0:19:38 | |
It is your neighbours, in fact. | 0:19:38 | 0:19:39 | |
-Right. -Have you ever been here before? | 0:19:39 | 0:19:42 | |
-No. -Never. | 0:19:42 | 0:19:43 | |
And you can see here very clearly | 0:19:43 | 0:19:46 | |
how Scotland used to be allied to France - the Old Alliance. | 0:19:46 | 0:19:49 | |
Because it's almost like a French chateaux. | 0:19:49 | 0:19:51 | |
-It is. -Yes, it is, yeah. | 0:19:51 | 0:19:53 | |
'It's been owned throughout history by one of the most powerful and | 0:19:53 | 0:19:57 | |
'distinguished families in Scotland - the Maitland family - | 0:19:57 | 0:20:00 | |
'who later went on to become the Earl and then Duke of Lauderdale. | 0:20:00 | 0:20:04 | |
'Over generations, the castle has been extensively remodelled | 0:20:04 | 0:20:07 | |
'and is now open to the public. | 0:20:07 | 0:20:09 | |
'And neighbouring the castle, nestled on a hillside, | 0:20:09 | 0:20:12 | |
'we find our second house.' | 0:20:12 | 0:20:15 | |
This is property two. | 0:20:15 | 0:20:16 | |
Right. Much better. | 0:20:16 | 0:20:18 | |
-Much better? -Yes. -Oh, phew. -Yes. | 0:20:18 | 0:20:20 | |
I like the position, I like the... | 0:20:20 | 0:20:23 | |
the shape of it. The outside is lovely. | 0:20:23 | 0:20:26 | |
-Very detached. -Yeah. Very detached. | 0:20:26 | 0:20:28 | |
Ken, what are your first impressions? | 0:20:28 | 0:20:30 | |
Nice. Detached property. | 0:20:30 | 0:20:32 | |
Nice area, by the look of it. | 0:20:32 | 0:20:34 | |
Surrounded by green fields. | 0:20:34 | 0:20:36 | |
-It's looking the part. -Yeah, it's looking good. | 0:20:36 | 0:20:38 | |
-Shall we go? -Yes, thanks. | 0:20:38 | 0:20:41 | |
'That's more like the first impression I was hoping for. | 0:20:41 | 0:20:44 | |
'Built in 2002, | 0:20:44 | 0:20:45 | |
'this detached home has been designed with contemporary living in mind. | 0:20:45 | 0:20:50 | |
'Outside, it has an impressive facade, stunning views, | 0:20:50 | 0:20:54 | |
'and well-stocked gardens. | 0:20:54 | 0:20:56 | |
'We're going in via a side door.' | 0:20:56 | 0:20:57 | |
So, this is the big surprise. | 0:21:02 | 0:21:03 | |
Oh... | 0:21:03 | 0:21:05 | |
-Right. -Oho! | 0:21:05 | 0:21:07 | |
-Speechless, I think the word is. -Ha-ha! | 0:21:07 | 0:21:09 | |
And no face, this time, Alistair. | 0:21:09 | 0:21:11 | |
No face. | 0:21:11 | 0:21:12 | |
-Smiles and speechlessness. -Only a smiling face. -This is...us. | 0:21:12 | 0:21:16 | |
-Is it? -Yeah. This is perfect. | 0:21:16 | 0:21:19 | |
Ah, that's such good news. | 0:21:19 | 0:21:21 | |
Yeah, this is absolutely spot on. | 0:21:21 | 0:21:24 | |
Lovely big inch-thick oak floorboards throughout. | 0:21:24 | 0:21:26 | |
-High ceilings. -High ceilings. | 0:21:26 | 0:21:28 | |
-Very high spec. -Yep. -Spotlights, lovely. | 0:21:28 | 0:21:30 | |
-And then you've got, behind you, you've got a little utility room for your white goods. -Yeah. -Right. | 0:21:30 | 0:21:35 | |
You've got this rather nice five-sided sunroom, | 0:21:39 | 0:21:41 | |
which pushes out into the valley | 0:21:41 | 0:21:44 | |
and maximises the view. | 0:21:44 | 0:21:46 | |
I think the rooms look great. | 0:21:46 | 0:21:47 | |
Yes. The space is amazing. I love it. | 0:21:47 | 0:21:50 | |
I think this is a winner. | 0:21:50 | 0:21:51 | |
'The ground floor has certainly delivered so far. | 0:21:52 | 0:21:55 | |
'It's smiles all round. | 0:21:55 | 0:21:57 | |
'And there's a WC and also an office to boot. | 0:21:57 | 0:21:59 | |
'I just hope it's happy faces upstairs, where there are three bedrooms. | 0:22:01 | 0:22:05 | |
'Two are light and bright doubles, currently set up as twins, | 0:22:05 | 0:22:09 | |
'but both share the use of a fresh, modern bathroom. | 0:22:09 | 0:22:12 | |
'And we've saved the best till last.' | 0:22:13 | 0:22:15 | |
Oh, everything's so clean and smart in this house. | 0:22:15 | 0:22:19 | |
This is the master. | 0:22:19 | 0:22:20 | |
-Very nice. -Cos you've got the lovely views... -Yep. | 0:22:20 | 0:22:23 | |
..right over the fields. So that's the morning sun that comes in there. | 0:22:23 | 0:22:27 | |
And through here, you have a dressing room, wardrobes, and an en suite. | 0:22:27 | 0:22:30 | |
-Good size of room again. -Yeah. | 0:22:30 | 0:22:31 | |
-Nice big double. -It's lovely, fantastic. -Double aspect, great. | 0:22:31 | 0:22:34 | |
-High ceilings for you. -Good ceilings. | 0:22:34 | 0:22:36 | |
You don't need to take the roof off. | 0:22:36 | 0:22:38 | |
We like the minimalistic look, don't we? | 0:22:38 | 0:22:40 | |
-Yeah, we do. Yeah. -They're selling it to themselves. | 0:22:40 | 0:22:42 | |
Yeah, we are. We're trying to justify that we... | 0:22:42 | 0:22:45 | |
we like it so much. | 0:22:45 | 0:22:46 | |
You don't have to. It's wonderful that you like it. | 0:22:46 | 0:22:48 | |
-Outside, you can just see through, there's this huge garage... -Yep. -Yep. -..which has a mass... | 0:22:48 | 0:22:53 | |
I mean, it's a double garage and a workshop downstairs. | 0:22:53 | 0:22:56 | |
-Really, man cave. -Right. Very useful. | 0:22:56 | 0:22:58 | |
And upstairs it's all boarded, so you could easily get, | 0:22:58 | 0:23:00 | |
sort of, a guest suite up there | 0:23:00 | 0:23:02 | |
-or just a games room or a study or whatever you wanted. -Right. | 0:23:02 | 0:23:04 | |
But I want to show you the garden, | 0:23:04 | 0:23:06 | |
because I know that it was a sticking point with the last property. | 0:23:06 | 0:23:09 | |
And the garden could easily make all the difference when considering | 0:23:10 | 0:23:13 | |
that all-important price. | 0:23:13 | 0:23:15 | |
Back downstairs, the double doors take us outside. | 0:23:15 | 0:23:18 | |
So, the garden is not massive. | 0:23:21 | 0:23:23 | |
But you can see, it's got this rather nice effect, | 0:23:23 | 0:23:25 | |
it's just a wire fence. | 0:23:25 | 0:23:27 | |
She did that so that it feels like | 0:23:27 | 0:23:28 | |
it just flows out into the fields around. | 0:23:28 | 0:23:31 | |
Because, actually, this land around you, | 0:23:31 | 0:23:33 | |
this rough land, is owned by the farmer. | 0:23:33 | 0:23:35 | |
It's lovely. The perfect size for me, is this. | 0:23:35 | 0:23:37 | |
-Right. -Yep. Spot on. | 0:23:37 | 0:23:39 | |
Patio for my glass of wine. | 0:23:39 | 0:23:41 | |
It's your manageable garden. | 0:23:41 | 0:23:42 | |
My manageable garden. I can potter about in the hedges. | 0:23:42 | 0:23:45 | |
-Yeah. -I think the location is fantastic. -Oh, it's beautiful. Can't fault it. | 0:23:45 | 0:23:48 | |
What do YOU think about the garden, though? | 0:23:48 | 0:23:50 | |
Well, it's a bit too small for me, | 0:23:50 | 0:23:52 | |
but with all this open space and fields around, | 0:23:52 | 0:23:56 | |
I'd try and do a deal with the farmer, I think. | 0:23:56 | 0:23:58 | |
Right, yeah. | 0:23:58 | 0:23:59 | |
This is a nice property. | 0:23:59 | 0:24:01 | |
Yeah, you've done well here, Alistair. | 0:24:01 | 0:24:03 | |
What do you think it costs, though? | 0:24:03 | 0:24:05 | |
Mm. I'm going to say... | 0:24:05 | 0:24:08 | |
370. | 0:24:08 | 0:24:09 | |
I'll go five grand above that, 375. | 0:24:10 | 0:24:13 | |
OK, so this is over your budget. | 0:24:13 | 0:24:15 | |
I'm afraid it's actually on the market at 380. | 0:24:15 | 0:24:18 | |
And I know that is over your budget, | 0:24:20 | 0:24:22 | |
but we couldn't resist showing it to you because it's a standout property. | 0:24:22 | 0:24:25 | |
-Absolutely. -Definitely. | 0:24:25 | 0:24:27 | |
And you can perhaps negotiate. | 0:24:27 | 0:24:29 | |
-Yeah. -If there's any slight room for negotiation there, | 0:24:29 | 0:24:32 | |
-then we're in with half a chance. -Yeah. | 0:24:32 | 0:24:35 | |
-Well, food for thought. -Yeah. | 0:24:36 | 0:24:38 | |
-Yes, definitely food for thought. -Do have a look around, | 0:24:38 | 0:24:40 | |
have a look in the garage and just stroll around | 0:24:40 | 0:24:42 | |
and see if you can get a feel for it, | 0:24:42 | 0:24:44 | |
and I'll meet you out the front. | 0:24:44 | 0:24:46 | |
-OK. -Right. -Thank you. -Off you go. | 0:24:46 | 0:24:48 | |
Oh-ho! | 0:24:50 | 0:24:52 | |
It's a winner. | 0:24:52 | 0:24:53 | |
If they can, you know, | 0:24:53 | 0:24:55 | |
squeeze the budget so that they could afford it, | 0:24:55 | 0:24:57 | |
I think it could be the perfect house for them. | 0:24:57 | 0:25:00 | |
Granted, this detached house is over budget, | 0:25:02 | 0:25:05 | |
but it's impeccably presented, | 0:25:05 | 0:25:07 | |
needs no work and is ready to move in. | 0:25:07 | 0:25:09 | |
It not only comes with a kitchen-diner | 0:25:09 | 0:25:11 | |
and open-plan living, | 0:25:11 | 0:25:13 | |
but separate spaces for Carol's crafts as well. | 0:25:13 | 0:25:16 | |
And although it doesn't have | 0:25:16 | 0:25:17 | |
an acre of garden | 0:25:17 | 0:25:18 | |
or a village location, | 0:25:18 | 0:25:20 | |
it does have wonderful views | 0:25:20 | 0:25:22 | |
and a river close by. | 0:25:22 | 0:25:23 | |
Yeah, wow. | 0:25:23 | 0:25:24 | |
It's a winner as soon as we walked down the drive. | 0:25:24 | 0:25:27 | |
Everything's going for it. | 0:25:27 | 0:25:29 | |
I think it's a great layout. | 0:25:29 | 0:25:31 | |
The rooms flow from one to another, | 0:25:31 | 0:25:33 | |
they're all of good proportion, | 0:25:33 | 0:25:35 | |
and, obviously, well maintained. | 0:25:35 | 0:25:38 | |
It's a beautiful house. | 0:25:39 | 0:25:41 | |
Well, as soon as we came on the drive, it were like... | 0:25:41 | 0:25:44 | |
loved the look of it, the location, the situation, | 0:25:44 | 0:25:48 | |
the space round it. | 0:25:48 | 0:25:50 | |
And then, when we came inside it, were... | 0:25:50 | 0:25:52 | |
Well, I were speechless. I really did have our lump in my throat. | 0:25:52 | 0:25:55 | |
I thought, "This is just what we were looking for | 0:25:55 | 0:25:58 | |
"and we were hoping to find." | 0:25:58 | 0:26:00 | |
I can't say any more than that. It's... | 0:26:02 | 0:26:04 | |
I'm just lost for words. | 0:26:04 | 0:26:05 | |
Hello, guys. You're all done? | 0:26:07 | 0:26:08 | |
Yeah, all done, and still smiling. | 0:26:08 | 0:26:09 | |
-Still smiling. -Yeah! | 0:26:09 | 0:26:11 | |
-Tugging at your heartstrings? -Yeah, absolutely. | 0:26:11 | 0:26:13 | |
-Great prop. -Let's... | 0:26:13 | 0:26:14 | |
Let's get a little distance from the property so you can digest, | 0:26:14 | 0:26:17 | |
and we're all done for today, so... | 0:26:17 | 0:26:19 | |
-Fantastic. -..you can have a rest. -Very good. | 0:26:19 | 0:26:22 | |
It's the start of our second day in Scottish Borders, | 0:26:32 | 0:26:34 | |
with Ken and Carol from Ilkley in West Yorkshire, | 0:26:34 | 0:26:37 | |
who have a budget of £350,000 to spend on a three-bedroom house. | 0:26:37 | 0:26:43 | |
Still to come, their reactions to our mystery property are written all over their faces. | 0:26:43 | 0:26:48 | |
-Certainly a mystery. -Mystery. | 0:26:49 | 0:26:51 | |
Yeah. And I'm smiling at it still. | 0:26:51 | 0:26:53 | |
Oh, I caught your resting face before you came in here. | 0:26:53 | 0:26:55 | |
It wasn't looking so impressed. | 0:26:55 | 0:26:57 | |
And I learn about our traditional textile | 0:26:57 | 0:26:59 | |
that's definitely not run of the mill. | 0:26:59 | 0:27:01 | |
I've just noticed. | 0:27:01 | 0:27:03 | |
-Well, this is... -We've got our own tweed! | 0:27:03 | 0:27:05 | |
Beautiful, summery Scottish day here for day two of our property search | 0:27:10 | 0:27:15 | |
in the Scottish Borders. And, I have to say, we're in a slight dilemma | 0:27:15 | 0:27:18 | |
because the Mystery House was meant to solve some of the problems | 0:27:18 | 0:27:21 | |
that house number two threw up. | 0:27:21 | 0:27:23 | |
But, actually, Ken and Carol totally fell in love with house number two, | 0:27:23 | 0:27:26 | |
even though, in some ways, | 0:27:26 | 0:27:28 | |
it didn't give Ken a big garden | 0:27:28 | 0:27:30 | |
and it didn't put Carol right next to a community. | 0:27:30 | 0:27:34 | |
So, the Mystery House gives them that, but in a slightly different combination, | 0:27:34 | 0:27:38 | |
cos it's very rural and there are definitely neighbours. | 0:27:38 | 0:27:41 | |
What are you thinking about the Mystery House? | 0:27:43 | 0:27:45 | |
Neither of us have any real idea. | 0:27:45 | 0:27:47 | |
After yesterday, I don't know what you can throw at us now. | 0:27:47 | 0:27:50 | |
I think... | 0:27:50 | 0:27:51 | |
..something converted, I would have thought. | 0:27:52 | 0:27:54 | |
Uh-huh. | 0:27:54 | 0:27:56 | |
I'm guessing, maybe an older property, as well? | 0:27:56 | 0:27:58 | |
Barn conversions. | 0:27:58 | 0:28:00 | |
-Not that keen on them, but I've never looked at one. -Right. | 0:28:00 | 0:28:03 | |
For our mystery property, we are heading to the east of the region - | 0:28:06 | 0:28:10 | |
five miles from the coast - to the village of Duns. | 0:28:10 | 0:28:13 | |
Formerly a market town, | 0:28:13 | 0:28:15 | |
for centuries Duns was the focus of the local farming community, | 0:28:15 | 0:28:18 | |
who came from miles around to sell livestock here in the square. | 0:28:18 | 0:28:22 | |
Now marked with a monument - the Mercat cross - | 0:28:23 | 0:28:25 | |
to represent its borough status, | 0:28:25 | 0:28:27 | |
there are plenty of shops to cater for everyday needs. | 0:28:27 | 0:28:31 | |
It's also surrounded by great dog walking country that takes you along | 0:28:31 | 0:28:34 | |
woodland paths and open hillsides, | 0:28:34 | 0:28:37 | |
passing the River Whiteadder on your way. | 0:28:37 | 0:28:39 | |
And it's out in this super-remote setting, | 0:28:40 | 0:28:42 | |
surrounded by miles of fields, | 0:28:42 | 0:28:44 | |
that we come to our final property. | 0:28:44 | 0:28:46 | |
So, the Mystery House. | 0:28:48 | 0:28:50 | |
Oh, right. It's certainly a mystery. | 0:28:50 | 0:28:51 | |
-A mystery. -Yeah. | 0:28:51 | 0:28:53 | |
And I'm smiling. | 0:28:53 | 0:28:54 | |
Oh, I caught your resting face before you came in | 0:28:54 | 0:28:56 | |
and it wasn't looking so impressed. | 0:28:56 | 0:28:58 | |
It is a conversion. | 0:28:58 | 0:29:00 | |
-Right. -And I know that you said you would never look at a barn conversion. | 0:29:00 | 0:29:03 | |
-Well, because I've never been in one. -Right. | 0:29:03 | 0:29:06 | |
-There's always a first time. -You haven't written it off? | 0:29:06 | 0:29:08 | |
-Is...is... -No, I certainly haven't written it off. -..this the front garden, or is it...? | 0:29:08 | 0:29:12 | |
Yeah, this is all yours. So, all of this... | 0:29:12 | 0:29:14 | |
all of this is.... Again, it's about a quarter of an acre plot. | 0:29:14 | 0:29:17 | |
A lot of it towards the front or the back, however you want to see this. | 0:29:17 | 0:29:20 | |
-Mm-hm. -The thing about it is that we thought | 0:29:20 | 0:29:22 | |
this is perfect because it gives Ken exactly what he wants | 0:29:22 | 0:29:25 | |
because we're miles from anything, | 0:29:25 | 0:29:28 | |
but you've got built-in neighbours. | 0:29:28 | 0:29:29 | |
-Yep. -Yeah, so best of both worlds. | 0:29:29 | 0:29:32 | |
-Well, that's what we thought. -Yeah. | 0:29:32 | 0:29:33 | |
What do you think of it in the flesh? | 0:29:33 | 0:29:35 | |
I like it. From the outside, it looks very nice. | 0:29:35 | 0:29:37 | |
Be interesting to see the layout inside | 0:29:37 | 0:29:39 | |
and how much there actually is of it. | 0:29:39 | 0:29:41 | |
-Well, you're only seeing the, sort of, side of it, really. -Uh-huh. -Good, shall we look inside? | 0:29:41 | 0:29:45 | |
-Please, do. Yes. -Yes, please. | 0:29:45 | 0:29:47 | |
'It's a great reaction for our Mystery House - a barn conversion. | 0:29:47 | 0:29:51 | |
'One in a group of 11 other properties. | 0:29:51 | 0:29:53 | |
'This former farm building, | 0:29:53 | 0:29:54 | |
'built in Blackrock stone and set in the middle of the countryside, | 0:29:54 | 0:29:58 | |
'definitely offers them something different. | 0:29:58 | 0:30:01 | |
'And it comes with all the rooms they're looking for, | 0:30:01 | 0:30:03 | |
'all on one level.' | 0:30:03 | 0:30:05 | |
In you come. | 0:30:05 | 0:30:06 | |
It's the kitchen, obviously. | 0:30:07 | 0:30:09 | |
Plenty of base units and wall units. | 0:30:09 | 0:30:11 | |
Yeah, they've just put this in, actually. | 0:30:11 | 0:30:13 | |
The present owners redecorated this whole entrance area. | 0:30:13 | 0:30:16 | |
They sort of.... There's a utility room, | 0:30:16 | 0:30:18 | |
and then there's a, sort of, downstairs closet. | 0:30:18 | 0:30:20 | |
And then they, sort of, redesigned the kitchen. | 0:30:20 | 0:30:23 | |
-No, it's a nice, big enough kitchen. -Nice and private. | 0:30:23 | 0:30:26 | |
I'm pleasantly surprised about this. | 0:30:26 | 0:30:28 | |
Height of the ceilings as well. | 0:30:28 | 0:30:29 | |
They're very big, tall ceilings. | 0:30:29 | 0:30:31 | |
I mean, the thing is, as you've probably guessed, | 0:30:31 | 0:30:33 | |
this is a mono-level dwelling. | 0:30:33 | 0:30:35 | |
-Yes. -So there is no upstairs. | 0:30:35 | 0:30:37 | |
So all the...all of the space of the building, | 0:30:37 | 0:30:39 | |
-right up into the pitch, has been taken... -Right. | 0:30:39 | 0:30:42 | |
-..for ceiling height. -Yep. | 0:30:42 | 0:30:44 | |
So, a good vibe from this room? | 0:30:44 | 0:30:45 | |
-Yeah, good vibes, yeah. -Yeah, this is a plus in here, as well. | 0:30:45 | 0:30:48 | |
-Yeah. -The... -Little table. | 0:30:48 | 0:30:49 | |
-..dining area. -Yeah. | 0:30:49 | 0:30:51 | |
So, that is the actual... | 0:30:51 | 0:30:52 | |
That is, there isn't a formal dining area, | 0:30:52 | 0:30:54 | |
-although there is space next door to put one. -In there to put one. | 0:30:54 | 0:30:57 | |
-Let's have a look. -OK. -OK. | 0:30:57 | 0:30:58 | |
Another big, long room. | 0:31:02 | 0:31:04 | |
-Oh, yeah. -Oh, yeah. -It's quite nice. | 0:31:04 | 0:31:06 | |
I know that you like the open, | 0:31:06 | 0:31:07 | |
-but some people prefer to have the kitchen a little separate from the... -Yeah. | 0:31:07 | 0:31:10 | |
..their, sort of, living space. | 0:31:10 | 0:31:12 | |
I like either, it's... They both work, for me. | 0:31:12 | 0:31:14 | |
It's a good-sized room, is this. | 0:31:14 | 0:31:16 | |
It's a nice room. | 0:31:16 | 0:31:18 | |
Yeah, I think the dining room needs to be at the centre, straight from your kitchen. | 0:31:18 | 0:31:21 | |
-The same again, if you're dining... -Yeah, dining area. | 0:31:21 | 0:31:24 | |
If you're dining on a Sunday, you can have the doors open. | 0:31:24 | 0:31:27 | |
What really impressed me is that actually, the next wing, if you like, | 0:31:27 | 0:31:30 | |
is also... It feels very spacious. | 0:31:30 | 0:31:32 | |
-Let's have a quick look there. -OK. | 0:31:32 | 0:31:34 | |
From the large living room, a door leads into one wing of the property, | 0:31:36 | 0:31:40 | |
where there's a long corridor with three bedrooms and a bathroom off it. | 0:31:40 | 0:31:43 | |
The first is a neat double, with recessed windows. | 0:31:45 | 0:31:48 | |
The second is similar, but is currently set up as an office. | 0:31:48 | 0:31:52 | |
Next to that, is the family bathroom suite. | 0:31:53 | 0:31:55 | |
And at the very end, we find the largest room. | 0:31:55 | 0:31:58 | |
It's a long corridor, isn't it? | 0:32:01 | 0:32:03 | |
-It is, yeah. -See what I mean? -It is a long corridor. | 0:32:03 | 0:32:05 | |
It's like a long wing of the house. | 0:32:05 | 0:32:07 | |
-And this is the master bedroom. -Yeah. | 0:32:07 | 0:32:09 | |
-Lovely, big wardrobes. -Wardrobes, yeah. | 0:32:09 | 0:32:11 | |
Deep, deep wardrobes. | 0:32:11 | 0:32:12 | |
And then an en suite. So, it's... | 0:32:12 | 0:32:14 | |
It's an interesting offering, I think. | 0:32:14 | 0:32:16 | |
-You know, it's... -It is, yeah. -It's nice, yeah. Very nice. | 0:32:16 | 0:32:19 | |
Let's go out in the courtyard and talk about price. | 0:32:19 | 0:32:21 | |
'Heading outside, we come to the courtyard and the opposite wing. | 0:32:23 | 0:32:27 | |
Here, there's a carport, accessed from round the other side, | 0:32:27 | 0:32:30 | |
and also a fourth double bedroom with its own en suite. | 0:32:30 | 0:32:34 | |
You get the...the full scope of the C-shape. | 0:32:36 | 0:32:38 | |
So, that's where the sleeping quarters are. | 0:32:38 | 0:32:40 | |
-That's your living quarters. -Yep. | 0:32:40 | 0:32:42 | |
And this is a fully functional annexe. | 0:32:42 | 0:32:45 | |
-I think the conversion's a cracking conversion. -It's beautifully done, isn't it? -Yeah. | 0:32:45 | 0:32:49 | |
It is, yeah. The courtyard works for me, as well. | 0:32:49 | 0:32:52 | |
It's private, you're getting the sun. | 0:32:52 | 0:32:53 | |
-A nice place to sit out of an evening. -It would, yeah. | 0:32:53 | 0:32:56 | |
How much do you think this one's on the market for? | 0:32:56 | 0:32:58 | |
I think it's probably just slightly under our budget. | 0:32:58 | 0:33:01 | |
Maybe £500 under. | 0:33:01 | 0:33:03 | |
I'd say 355,000. | 0:33:03 | 0:33:07 | |
OK. So, interestingly, this property | 0:33:07 | 0:33:09 | |
is on the market for £5 under £315,000. | 0:33:09 | 0:33:16 | |
-How much? -Go that again? | 0:33:16 | 0:33:18 | |
How much? | 0:33:18 | 0:33:20 | |
-The Yorkshire...war cry. -How much? | 0:33:20 | 0:33:22 | |
The Yorkshire war cry. Right. | 0:33:22 | 0:33:25 | |
So, get inside and have a think. | 0:33:25 | 0:33:26 | |
Because now you've got the price, that puts some... | 0:33:26 | 0:33:29 | |
-Yeah. -..rocket fuel in your thoughts. -A fresh look. | 0:33:29 | 0:33:32 | |
-Have a look inside. -OK. | 0:33:32 | 0:33:33 | |
Mystery House triumph! | 0:33:36 | 0:33:39 | |
They loved house two, but now they might love the Mystery House more. | 0:33:39 | 0:33:43 | |
On the market just shy of £315,000, our Mystery House - | 0:33:45 | 0:33:49 | |
a four-bed barn conversion - has really thrown them a curveball. | 0:33:49 | 0:33:53 | |
Considerably under budget, | 0:33:53 | 0:33:55 | |
it has all the requested rooms | 0:33:55 | 0:33:56 | |
wrapped around a quaint, sunny courtyard. | 0:33:56 | 0:33:59 | |
And although it may not have the half acre plot Ken wanted, | 0:33:59 | 0:34:02 | |
it does give him his rural dream, | 0:34:02 | 0:34:05 | |
with a community of neighbours not too far away for Carol. | 0:34:05 | 0:34:08 | |
This Mystery House really was a Mystery House for us. | 0:34:08 | 0:34:11 | |
Great property, complete surprise. | 0:34:11 | 0:34:14 | |
I like it very, very much. | 0:34:14 | 0:34:16 | |
The living quarters, and the kitchen, I think they're quite doable. They're quite nice. | 0:34:16 | 0:34:20 | |
The outside space is good. | 0:34:20 | 0:34:22 | |
With all that lovely grass at the front, you know, and the views, | 0:34:22 | 0:34:25 | |
why would you not like it? | 0:34:25 | 0:34:27 | |
That was a good Mystery House, huh? | 0:34:27 | 0:34:29 | |
Yep. Very good, yeah. | 0:34:29 | 0:34:31 | |
Let's find a spot where we can gather our thoughts... | 0:34:31 | 0:34:34 | |
-and have a cup of tea. -Sounds good. | 0:34:34 | 0:34:36 | |
The largely rural landscape of Scottish Borders | 0:34:42 | 0:34:44 | |
belies its once industrial past, | 0:34:44 | 0:34:47 | |
centred on a booming textile industry. | 0:34:47 | 0:34:50 | |
All of a piece with this rugged landscape, | 0:34:50 | 0:34:52 | |
tweed cloth was developed as an material for outdoor clothing. | 0:34:52 | 0:34:58 | |
Many of these tweed mills have closed, | 0:34:58 | 0:35:00 | |
but some have stood the test of time. | 0:35:00 | 0:35:02 | |
Particularly Lovat Mill, in Hawick, | 0:35:02 | 0:35:04 | |
which dates back to the 1880s. | 0:35:04 | 0:35:06 | |
Today, I've come to meet one of the two current owners, Stephen Rendle, | 0:35:06 | 0:35:10 | |
to find out more about this local textile. | 0:35:10 | 0:35:13 | |
-Hawick is the home of tweed, isn't it? -It is indeed. | 0:35:13 | 0:35:15 | |
In fact the word "tweed" basically sprung from Hawick, | 0:35:15 | 0:35:19 | |
and indeed, from commercial roads in the street we're in today. | 0:35:19 | 0:35:21 | |
So it's not from the river? | 0:35:21 | 0:35:23 | |
No, not at all. It's actually a mistake. | 0:35:23 | 0:35:25 | |
It kicked off because the local cloths that were made were called tweels, | 0:35:25 | 0:35:29 | |
and this is referring to the twill weave. | 0:35:29 | 0:35:32 | |
There were woollen cloths - they were quite heavy - | 0:35:32 | 0:35:34 | |
and they were made by a number of mills around here. | 0:35:34 | 0:35:36 | |
But one particular mill owner, Willie Watson, | 0:35:36 | 0:35:39 | |
sent down a consignment of tweels to London and somebody misread the | 0:35:39 | 0:35:43 | |
copperplate L at the end of the word for a D. | 0:35:43 | 0:35:47 | |
And when they reordered, they reordered six bales of tweeds, not tweels. | 0:35:47 | 0:35:51 | |
Thinking, "Ah, I can't read it, | 0:35:51 | 0:35:53 | |
"but maybe the River Tweed's up there." | 0:35:53 | 0:35:55 | |
Willie Watson kept the name, and the word came into common use. | 0:35:55 | 0:35:59 | |
For centuries, tweed has been the material of choice | 0:35:59 | 0:36:02 | |
for renowned estates, landowners and regiments. | 0:36:02 | 0:36:06 | |
Linking the fabric to the land, | 0:36:06 | 0:36:07 | |
each tweed comes with its own unique pattern and design. | 0:36:07 | 0:36:11 | |
This is the estate tweed book. | 0:36:12 | 0:36:14 | |
This is the tome. For example, Cawdor estate. | 0:36:14 | 0:36:17 | |
Cawdor, from Macbeth. | 0:36:17 | 0:36:18 | |
Indeed, yeah. Now, important to this is to get the colours right. | 0:36:18 | 0:36:22 | |
And mills traditionally had their own colour mixtures | 0:36:22 | 0:36:26 | |
and these were very much the DNA of each individual mill. | 0:36:26 | 0:36:29 | |
Here's an example. | 0:36:29 | 0:36:31 | |
-Gosh, the colours are so bright. -They are extremely bright. -Do those goes into a tweed? -Extremely bright. | 0:36:31 | 0:36:35 | |
These are real core colours. | 0:36:35 | 0:36:37 | |
So, what would happen would be, | 0:36:37 | 0:36:38 | |
you would take individual bright colours. | 0:36:38 | 0:36:41 | |
Now, these tufts are then blown and mixed together. | 0:36:41 | 0:36:44 | |
And then carded to become this sort of colour mixture. | 0:36:44 | 0:36:49 | |
But of course, this is spun into a yarn like this, | 0:36:49 | 0:36:51 | |
which in turn becomes the weft yarn of this tweed. | 0:36:51 | 0:36:56 | |
-Ah, I see. -And you can see there. | 0:36:56 | 0:36:58 | |
Oh, wow. Yes, cos you can see all the colours in it. | 0:36:58 | 0:37:01 | |
Now, that richness you see can never be copied by someone who is trying | 0:37:01 | 0:37:04 | |
to do it on the cheap with two or three colours. | 0:37:04 | 0:37:06 | |
And that's the sort of gift of Scottish tweed makers and Scottish designers. | 0:37:06 | 0:37:10 | |
Can I go and see this being made? | 0:37:10 | 0:37:12 | |
Yes, indeed. I think the next thing to do | 0:37:12 | 0:37:14 | |
is to take you down to the looms and let you see how it goes. | 0:37:14 | 0:37:16 | |
And I think you may find an interesting tweed downstairs. | 0:37:16 | 0:37:20 | |
'Tweed is still made in traditional styles, | 0:37:20 | 0:37:23 | |
'but the original machinery has now been replaced with more modern technology. | 0:37:23 | 0:37:27 | |
'Some of the yarns the machines weave here are still sourced from Scotland. | 0:37:27 | 0:37:32 | |
'It's on the factory floor where I'm meeting the co-owner Alan Cummings, | 0:37:32 | 0:37:36 | |
'to find out about the weaving process with one very special cloth.' | 0:37:36 | 0:37:41 | |
I've just noticed. | 0:37:41 | 0:37:43 | |
-Well, this is... -We've got our own tweed! | 0:37:43 | 0:37:45 | |
This was something we thought might be interesting to you. | 0:37:45 | 0:37:48 | |
We put together a little something for the Escape To The Country Tweed. | 0:37:48 | 0:37:52 | |
So, do you approve? | 0:37:52 | 0:37:53 | |
Oh, totally. It's gorgeous. It's gorgeous. | 0:37:53 | 0:37:55 | |
The actual construction of this tweed is very typical. | 0:37:55 | 0:37:59 | |
Essentially, the vertical threads are the warp, | 0:37:59 | 0:38:02 | |
and then the threads you have coming in from left to right are the weft. | 0:38:02 | 0:38:07 | |
-Right. -So, warp, weft. | 0:38:07 | 0:38:09 | |
-Yeah. -And that principle goes back hundreds of years. | 0:38:09 | 0:38:12 | |
Each thread is threaded through a hethel on a shaft, OK? | 0:38:12 | 0:38:19 | |
And the order in which those threads are lifted | 0:38:19 | 0:38:22 | |
-dictates what the weave will be. -Yeah. | 0:38:22 | 0:38:25 | |
-Can we see it in action? -We certainly can. | 0:38:25 | 0:38:27 | |
'This cloth is made with a simple tweed construction, | 0:38:28 | 0:38:31 | |
'which gives the weave its distinctive diagonal pattern and design. | 0:38:31 | 0:38:35 | |
'Once the tweed is completed, any imperfections are removed, | 0:38:35 | 0:38:39 | |
'which is where expert darner Margaret Thompson steps in.' | 0:38:39 | 0:38:43 | |
So, this is ours? | 0:38:43 | 0:38:45 | |
So, is it very good quality, this one? | 0:38:45 | 0:38:47 | |
Very good quality. | 0:38:47 | 0:38:49 | |
So, these ladies inspect every inch of cloth, | 0:38:49 | 0:38:52 | |
and where there is a fault, they will take the weave back to a point | 0:38:52 | 0:38:57 | |
where they can re-weave it | 0:38:57 | 0:38:59 | |
and take out the fault. | 0:38:59 | 0:39:01 | |
So, who... So, let me just... | 0:39:01 | 0:39:02 | |
So, you've just found a fault... | 0:39:02 | 0:39:04 | |
-Yeah. -..and then unthreaded it back a bit. | 0:39:04 | 0:39:07 | |
Yeah. To make a darn bigger. | 0:39:07 | 0:39:08 | |
Oh gosh, so you're going to thread that back in? | 0:39:08 | 0:39:11 | |
I'm going to thread it back in. | 0:39:11 | 0:39:12 | |
So you get it completely lined up? | 0:39:12 | 0:39:14 | |
-Yeah. -That's amazing. | 0:39:14 | 0:39:16 | |
Brilliant. What a wonderful set up. | 0:39:16 | 0:39:17 | |
And thank you so much for making this for us. | 0:39:17 | 0:39:19 | |
-It's really great. -No problem. I hope you'll wear it with pride. | 0:39:19 | 0:39:22 | |
'What a fascinating insight into the making of tweed, | 0:39:23 | 0:39:26 | |
'and it's lovely to see the legacy of Scotland and Escape To The Country | 0:39:26 | 0:39:30 | |
'woven into a traditional pattern and design.' | 0:39:30 | 0:39:33 | |
12 hours ago, I would have bet all the tea in Yorkshire | 0:39:37 | 0:39:39 | |
that Carol and Ken would have gone for house number two. | 0:39:39 | 0:39:42 | |
100%. No doubt. | 0:39:42 | 0:39:45 | |
But the Mystery House really seems to have done its job, | 0:39:45 | 0:39:48 | |
and stirred everything up. | 0:39:48 | 0:39:49 | |
Ken was really in love with it. | 0:39:49 | 0:39:51 | |
Not so sure about Carol, and usually you can read Carol's emotions a mile off. | 0:39:51 | 0:39:55 | |
So let's find out what they really think. | 0:39:55 | 0:39:57 | |
Wow, we found a lovely place. | 0:40:06 | 0:40:09 | |
How has the week been? | 0:40:09 | 0:40:10 | |
-How's it been for you? -Amazing. | 0:40:10 | 0:40:12 | |
Absolutely amazing. | 0:40:12 | 0:40:14 | |
-Great. -An absolute blast. | 0:40:14 | 0:40:16 | |
Tell me, what has been the result of our week's house-hunting? | 0:40:16 | 0:40:19 | |
Out of the three contenders, I think we found a good two. | 0:40:19 | 0:40:24 | |
For me, it is number two and number three, being the Mystery House. | 0:40:24 | 0:40:29 | |
But for you, Carol? | 0:40:29 | 0:40:30 | |
Yeah, I'm the same. | 0:40:30 | 0:40:32 | |
But I'm... Number three doesn't hold anything from me at all. | 0:40:32 | 0:40:35 | |
-Right. -It's a very nice house, but I couldn't see myself living there. | 0:40:35 | 0:40:40 | |
But number two, I didn't want to come away yesterday. | 0:40:40 | 0:40:43 | |
-I'm guessing that we're going to go for house number two. Is that the favourite? -Oh, yeah. | 0:40:43 | 0:40:46 | |
That's...that's still my favourite... | 0:40:46 | 0:40:48 | |
-Good. -..by a mile. | 0:40:48 | 0:40:50 | |
Yeah, by miles, yeah. | 0:40:50 | 0:40:52 | |
And what is it that you like about that house? | 0:40:52 | 0:40:54 | |
The positioning, the elevation, the view. | 0:40:54 | 0:40:57 | |
And inside it were just such lovely clean lines | 0:40:57 | 0:41:01 | |
and just our kind of thing. | 0:41:01 | 0:41:03 | |
-And are you on the same song sheet? -Yes. | 0:41:03 | 0:41:06 | |
The land was an...an issue for me. | 0:41:06 | 0:41:09 | |
But, surrounded by farmland, | 0:41:09 | 0:41:10 | |
there may be a little move there where I can have a chat with the farmer. | 0:41:10 | 0:41:14 | |
possibly rent, or even buy. | 0:41:14 | 0:41:16 | |
But the house, itself, a beautiful house. | 0:41:16 | 0:41:19 | |
Perfect for us. | 0:41:19 | 0:41:21 | |
I love to hear that on a show, that's so great. | 0:41:21 | 0:41:23 | |
Yeah, we just hope we can pull it together. | 0:41:23 | 0:41:26 | |
And what happens next? What's the very next step for you? | 0:41:26 | 0:41:29 | |
Well, we've talked about it all night, just about | 0:41:29 | 0:41:32 | |
and we've done some number crunching and it was slightly above our budget price. | 0:41:32 | 0:41:36 | |
But nothing is impossible, | 0:41:36 | 0:41:38 | |
and maybe a little bit of wiggle room there and it could be our - | 0:41:38 | 0:41:42 | |
as Carol would say - our forever home. | 0:41:42 | 0:41:44 | |
If everything goes to plan, which I hope it will, and you move in, | 0:41:45 | 0:41:48 | |
what are the things you're most excited about moving into that property? | 0:41:48 | 0:41:51 | |
Just sitting and relaxing and enjoying it. | 0:41:51 | 0:41:54 | |
Just enjoying it. I could have sat in that window yesterday all afternoon | 0:41:54 | 0:41:58 | |
and not come home, just sat there. | 0:41:58 | 0:42:00 | |
It's been a tremendous joy showing you around. You've really been great. | 0:42:00 | 0:42:03 | |
And I love the fact that we may have found... | 0:42:03 | 0:42:06 | |
-Yeah. -..a house that makes you happy. | 0:42:06 | 0:42:08 | |
-So, all the best. -Thank you very much. -Make it happen. | 0:42:08 | 0:42:11 | |
If anybody can, I'm sure you two can. | 0:42:11 | 0:42:13 | |
Oh, we can. If it's possible, we will make it happen. | 0:42:13 | 0:42:16 | |
I always love going up to Scotland, | 0:42:20 | 0:42:21 | |
and it's particularly lovely to come up in the company of such a great couple. | 0:42:21 | 0:42:25 | |
Don't you think Ken and Carol deserve happiness? | 0:42:25 | 0:42:28 | |
They deserve to find a place where they can crochet and sit | 0:42:28 | 0:42:32 | |
and fly fish and relax in their retirement. | 0:42:32 | 0:42:36 | |
So, I hope they make it happen and I hope that you join us again for more | 0:42:36 | 0:42:39 | |
Escape To The Country. | 0:42:39 | 0:42:41 | |
Ken and Carol are still very keen on property number two, | 0:42:43 | 0:42:46 | |
and have followed up by putting in a note of interest. | 0:42:46 | 0:42:50 | |
We hope they do manage to seal the deal and wish them the very best. | 0:42:50 | 0:42:53 | |
If you would like to Escape To The Country | 0:42:53 | 0:42:55 | |
in Scotland, Northern Ireland, | 0:42:55 | 0:42:56 | |
Wales, England, and need our help, | 0:42:56 | 0:42:59 | |
please apply online... | 0:42:59 | 0:43:00 |