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Welcome to Escape To The Country. | 0:00:02 | 0:00:04 | |
Now, this remarkable structure behind me was built in 1875. | 0:00:04 | 0:00:07 | |
It is a marvel of Victorian engineering, | 0:00:07 | 0:00:10 | |
the first of its kind to be built anywhere in the world, | 0:00:10 | 0:00:13 | |
but what was it for and where was it built? | 0:00:13 | 0:00:16 | |
Well, join me in just a moment and I'll tell you. | 0:00:16 | 0:00:18 | |
Today's house-hunting couple are itching to embark on a new phase of their life | 0:00:35 | 0:00:39 | |
and make the move to the countryside they've always dreamed of. | 0:00:39 | 0:00:43 | |
And at first, there's a repeatedly positive reaction to our houses. | 0:00:43 | 0:00:47 | |
Absolutely stunning. | 0:00:47 | 0:00:48 | |
Stunning again. Yeah. | 0:00:48 | 0:00:50 | |
This is stunning. Absolutely stunning. | 0:00:50 | 0:00:54 | |
But later they change their tune and it's time for some straight talking. | 0:00:54 | 0:00:58 | |
I'm afraid it doesn't do it for me. Right. | 0:00:58 | 0:01:00 | |
I just don't like the set-out. | 0:01:00 | 0:01:03 | |
Well, today we are in Cheshire and this astonishing structure is | 0:01:04 | 0:01:08 | |
the Anderton Boat Lift. | 0:01:08 | 0:01:10 | |
It was built to allow canal boats using the Trent and Mersey Canal, | 0:01:10 | 0:01:13 | |
over there, to drop some 50 feet below me down to the River Weaver. | 0:01:13 | 0:01:18 | |
Now, it was designed by Victorian engineer Edwin Clark. | 0:01:18 | 0:01:21 | |
Back in 1875 it cost some ?48,000 - in today's money about ?4 million. | 0:01:21 | 0:01:28 | |
Now, later on in the show I'll be back here, learning more | 0:01:28 | 0:01:30 | |
about its history and, importantly, finding out exactly how it works. | 0:01:30 | 0:01:35 | |
But in the meantime, here's a little taster of what the rest of | 0:01:35 | 0:01:38 | |
this fascinating county has to offer. | 0:01:38 | 0:01:40 | |
Located in the north-west of England, Cheshire | 0:01:42 | 0:01:45 | |
has a population of just over a million. | 0:01:45 | 0:01:47 | |
It stretches from its border with Wales in the west | 0:01:48 | 0:01:51 | |
to the windswept moors of the Peak District in the east. | 0:01:51 | 0:01:55 | |
The county may have a reputation as the playground of the rich | 0:01:55 | 0:01:58 | |
and famous, as many high-profile footballers live in the region, | 0:01:58 | 0:02:01 | |
but agriculture still plays a central role in the economy. | 0:02:01 | 0:02:06 | |
More than two thirds of the land is farmed today, mainly for dairy. | 0:02:06 | 0:02:10 | |
The expansive Cheshire Plain is home to market towns such as Nantwich, | 0:02:10 | 0:02:14 | |
which has the largest number of historic buildings | 0:02:14 | 0:02:17 | |
in the county outside of Chester. | 0:02:17 | 0:02:20 | |
With beautifully preserved villages and towns giving way to | 0:02:20 | 0:02:23 | |
undulating countryside, Cheshire provides fertile ground for | 0:02:23 | 0:02:27 | |
property shoppers in search of a rural bolthole. | 0:02:27 | 0:02:30 | |
Now, Cheshire is famous for many things but when it comes to property | 0:02:31 | 0:02:35 | |
it is now perhaps notorious as the home of more than | 0:02:35 | 0:02:38 | |
a handful of footballers' wives, | 0:02:38 | 0:02:41 | |
living in multi-million-pound properties | 0:02:41 | 0:02:43 | |
within the county's Golden Triangle, | 0:02:43 | 0:02:45 | |
centred around Wilmslow, Knutsford and Alderley Edge. | 0:02:45 | 0:02:48 | |
They, of course, have inflated local house prices. | 0:02:48 | 0:02:51 | |
Within the hot spot the average price of | 0:02:51 | 0:02:53 | |
a detached property is currently double the national figure. | 0:02:53 | 0:02:56 | |
But there is of course some good news - | 0:02:56 | 0:02:58 | |
around the rest of the county as a whole, | 0:02:58 | 0:03:00 | |
things are much more sensible. | 0:03:00 | 0:03:02 | |
The average price of a detached property elsewhere is | 0:03:02 | 0:03:05 | |
currently ?268,000, 15 grand below the national average, | 0:03:05 | 0:03:10 | |
which means of course, in simple terms, | 0:03:10 | 0:03:12 | |
you don't need to be a millionaire to live here. | 0:03:12 | 0:03:14 | |
So let's now meet today's buyers and find out what | 0:03:14 | 0:03:17 | |
has attracted them to this glorious county. | 0:03:17 | 0:03:19 | |
Neil met Denise as teenagers on a blind date at the school dance | 0:03:21 | 0:03:25 | |
in the 1970s. | 0:03:25 | 0:03:27 | |
He's fun-loving, he's adventurous, I think, erm, a good sense of humour. | 0:03:27 | 0:03:33 | |
Er, I'd describe Denise all those, but very organised. | 0:03:33 | 0:03:39 | |
She organises my life! | 0:03:39 | 0:03:42 | |
Married now for 40 years, they currently live in Milnrow on | 0:03:42 | 0:03:45 | |
the outskirts of Rochdale in Lancashire. | 0:03:45 | 0:03:48 | |
The reason we moved to Milnrow is we got a job at... | 0:03:48 | 0:03:52 | |
At a working men's club. ...Milnrow Working Men's Club. | 0:03:52 | 0:03:55 | |
Our first house cost us ?700. Yeah, ?700. Makes me feel ancient, that. | 0:03:55 | 0:03:59 | |
Back-to-back house with a toilet. Yeah. Yeah. | 0:03:59 | 0:04:02 | |
Yeah. | 0:04:02 | 0:04:03 | |
Because they've lived here for as long as they've been married, | 0:04:03 | 0:04:07 | |
Neil and Denise have extremely fond memories of where they began | 0:04:07 | 0:04:10 | |
their lives together. | 0:04:10 | 0:04:11 | |
However, over the decades the area has increasingly become part | 0:04:11 | 0:04:15 | |
of the busy Greater Manchester suburbs. | 0:04:15 | 0:04:18 | |
Years ago when we first moved here it was a little village. It was... | 0:04:18 | 0:04:22 | |
They had a few estates but it wasn't a big community as such, | 0:04:22 | 0:04:25 | |
and it's just a massive place now. | 0:04:25 | 0:04:29 | |
Former telecoms engineer Neil and marketing consultant Denise | 0:04:29 | 0:04:33 | |
bought their current home six years ago with the intention that | 0:04:33 | 0:04:36 | |
it was to be their last but since then they've decided | 0:04:36 | 0:04:40 | |
that the house no longer suits their needs. | 0:04:40 | 0:04:43 | |
We bought this off plan. | 0:04:43 | 0:04:44 | |
We knew the motorway was there but I think we... | 0:04:44 | 0:04:47 | |
It was not until it was built and we moved in, | 0:04:47 | 0:04:50 | |
you can hear the motorway all the time. Yeah. | 0:04:50 | 0:04:52 | |
I think we want peaceful, | 0:04:52 | 0:04:53 | |
is an important part of living in the country, | 0:04:53 | 0:04:56 | |
and the noises of the country, not the noises of the towns. | 0:04:56 | 0:05:00 | |
So that's why we want to go. That's... Yeah, exactly. | 0:05:00 | 0:05:04 | |
Mindful that they don't want to be too far from their two daughters | 0:05:04 | 0:05:07 | |
and four grandchildren who live locally, | 0:05:07 | 0:05:10 | |
Denise and Neil have decided that rural Cheshire is the right | 0:05:10 | 0:05:13 | |
place for them to put down roots for the long-term. | 0:05:13 | 0:05:16 | |
We want that nice fresh air, | 0:05:17 | 0:05:19 | |
that nice fresh smell of the countryside, you know. | 0:05:19 | 0:05:22 | |
What I quite like about the Cheshire countryside | 0:05:22 | 0:05:25 | |
is the countryside...just getting up, getting out and walking. | 0:05:25 | 0:05:28 | |
I love open spaces. | 0:05:28 | 0:05:30 | |
Neil's been lobbying for this move for the past three years but | 0:05:30 | 0:05:34 | |
it's only since buying a caravan that Denise has been fully convinced | 0:05:34 | 0:05:37 | |
that a move to the country could be just what she's been looking for. | 0:05:37 | 0:05:41 | |
On the caravan sites you get the friendliness. | 0:05:41 | 0:05:44 | |
Everybody helps each other. It's the best thing we've ever invested in. | 0:05:44 | 0:05:49 | |
Now that Denise and Neil have both signed up to a rural move, | 0:05:49 | 0:05:52 | |
they're excited that it marks a new chapter in their lives together. | 0:05:52 | 0:05:56 | |
Think we're kind of ready for going back to where we were right | 0:05:56 | 0:05:58 | |
at the beginning, when it's just the two of you. | 0:05:58 | 0:06:01 | |
We've been from childhood sweethearts... | 0:06:01 | 0:06:03 | |
Is it a case of putting up with each other now? Yeah, no. | 0:06:03 | 0:06:07 | |
Denise and Neil are looking forward to the open space | 0:06:09 | 0:06:12 | |
that the Cheshire countryside can offer them. | 0:06:12 | 0:06:15 | |
As long as they're within a quiet semirural location, | 0:06:15 | 0:06:18 | |
they're up for settling pretty much anywhere within the county. | 0:06:18 | 0:06:22 | |
I'm catching up with them to see just what it is they're after | 0:06:22 | 0:06:24 | |
from their new home. | 0:06:24 | 0:06:26 | |
Right, guys, well, welcome to Escape To The Country, | 0:06:27 | 0:06:30 | |
Denise and Neil, and welcome to Cheshire, on a glorious day! | 0:06:30 | 0:06:33 | |
Yeah, it's fantastic, isn't it? Yes. | 0:06:33 | 0:06:35 | |
Now, give us an idea of the kind of key components | 0:06:35 | 0:06:37 | |
that this new house has in your own mind, Denise. | 0:06:37 | 0:06:40 | |
Erm, I want it to have a lovely big kitchen, erm, | 0:06:40 | 0:06:44 | |
preferably with an island in it. We've got a caravan, so I want to... | 0:06:44 | 0:06:49 | |
It would be a preference to have a drive, but it's not essential. | 0:06:49 | 0:06:52 | |
And maybe a detached rather than semidetached. OK. | 0:06:52 | 0:06:56 | |
Anything from you, Neil, to add to that list? | 0:06:56 | 0:06:58 | |
I think she's filled everything, apart from I'd like a rather large workshop. OK, now, you... | 0:06:58 | 0:07:02 | |
To escape away from everybody. | 0:07:02 | 0:07:04 | |
So this is you pottering away in your retirement? Exactly, yeah. | 0:07:04 | 0:07:07 | |
He has a shed which we call his studio. | 0:07:07 | 0:07:09 | |
Now, in terms of style, do you have any kind of real view on what | 0:07:09 | 0:07:14 | |
it should kind of feel and look like? | 0:07:14 | 0:07:16 | |
I tend to go for more modern, Neil tends to go more for... Traditional. | 0:07:16 | 0:07:20 | |
Traditional. | 0:07:20 | 0:07:22 | |
Now, I think congratulations are in order, | 0:07:22 | 0:07:23 | |
because you've just celebrated your 40th wedding anniversary. Yes. | 0:07:23 | 0:07:27 | |
How many times have you moved over that 40-year period? | 0:07:27 | 0:07:30 | |
Erm, four times. Four times we've moved, yeah. Yeah. | 0:07:30 | 0:07:33 | |
One, two, three, four. Yeah, our very first house, back in 1970s, was ?700. | 0:07:33 | 0:07:38 | |
OK, 700 quid 40 years ago. Yeah. Yeah. | 0:07:38 | 0:07:42 | |
How much are we going to spend 40 years later? | 0:07:42 | 0:07:45 | |
And now 300,000 to 400,000. | 0:07:45 | 0:07:47 | |
Well, it's 300,000 with a contingency to go to 400,000. | 0:07:47 | 0:07:50 | |
Yeah, for the right property. | 0:07:50 | 0:07:52 | |
Now, is all this dependent on you selling your current home, | 0:07:52 | 0:07:56 | |
are you ready to go? No, we're ready to go. No. | 0:07:56 | 0:07:58 | |
So we've got the money in the bank. | 0:07:58 | 0:08:00 | |
We don't need the mortgage or anything. We're ready to buy. Wow. | 0:08:00 | 0:08:02 | |
Yes. Hot to trot. Yes. Hot to trot is the word. | 0:08:02 | 0:08:05 | |
Is it burning a hole, Neil? | 0:08:05 | 0:08:07 | |
It always burns a hole in Denise's pocket, never mine! | 0:08:07 | 0:08:10 | |
Brilliant. | 0:08:10 | 0:08:12 | |
Er, well, I think we've got some really interesting properties | 0:08:12 | 0:08:14 | |
lined up for you this week. | 0:08:14 | 0:08:16 | |
Might cost you a bit more than 700 quid, though. Yes! But that's how times have changed. | 0:08:16 | 0:08:20 | |
Come on, let's have a look, and see what we can show you. | 0:08:20 | 0:08:23 | |
With a budget of ?400,000, | 0:08:24 | 0:08:27 | |
our buyers have drawn up a well-thought-through wish list. | 0:08:27 | 0:08:31 | |
They're after a three-bedroom property with both | 0:08:31 | 0:08:33 | |
traditional and modern features. | 0:08:33 | 0:08:36 | |
Ideally they'd also like a large kitchen with an island and | 0:08:36 | 0:08:39 | |
a shed or studio for Neil to potter about in. | 0:08:39 | 0:08:42 | |
We've found a selection of handsome properties which embrace the mix | 0:08:42 | 0:08:46 | |
of old and new features that Neil and Denise have requested. | 0:08:46 | 0:08:51 | |
After each house tour, | 0:08:51 | 0:08:52 | |
I'll be asking them to put a price on each one. | 0:08:52 | 0:08:55 | |
Our final proposition will be our Mystery House, | 0:08:55 | 0:08:58 | |
designed to challenge them to think beyond their original brief | 0:08:58 | 0:09:01 | |
and open their minds to other surprising possibilities. | 0:09:01 | 0:09:05 | |
We're starting our property search in the hamlet of Wettenhall | 0:09:09 | 0:09:13 | |
in the heart of the county. | 0:09:13 | 0:09:14 | |
Nearby Tarporley is one of the larger villages of central Cheshire, | 0:09:16 | 0:09:20 | |
which flourished during the mid 18th century as | 0:09:20 | 0:09:23 | |
a result of its position on the main route between London and Chester. | 0:09:23 | 0:09:26 | |
It was used by traders dealing in salt mined in nearby Nantwich. | 0:09:26 | 0:09:30 | |
The high street offers a post office, a pub, | 0:09:30 | 0:09:33 | |
a butcher's and many independent shops and restaurants. | 0:09:33 | 0:09:37 | |
And just six miles away back in Wettenhall is our first option. | 0:09:38 | 0:09:42 | |
Right, chaps, here we are. Property number one. | 0:09:42 | 0:09:46 | |
Set within this newly renovated complex of farm buildings and barns, | 0:09:46 | 0:09:51 | |
it's this. Tucked away in the corner. | 0:09:51 | 0:09:54 | |
You've got two floors, which is rather nice. Mm, very nice. | 0:09:54 | 0:09:56 | |
I quite like it, yes. | 0:09:56 | 0:09:57 | |
I've always quite fancied the idea of a barn conversion, | 0:09:57 | 0:10:00 | |
and it does look like a big barn conversion in this corner. | 0:10:00 | 0:10:03 | |
Bit of communal living to whet your appetite | 0:10:03 | 0:10:05 | |
as far as property number one is concerned. | 0:10:05 | 0:10:07 | |
I quite like that idea, actually. | 0:10:07 | 0:10:10 | |
That's fine, get to know the neighbours, close-knit. | 0:10:10 | 0:10:12 | |
Yeah, I quite like that. Yeah, lovely. Shall we go in? Yes. | 0:10:12 | 0:10:15 | |
Yes, let's go. | 0:10:15 | 0:10:16 | |
Renovated seven years ago, the five individual properties | 0:10:17 | 0:10:21 | |
set within this complex are thought to date back to 1850. | 0:10:21 | 0:10:24 | |
It's a solid start so far, | 0:10:24 | 0:10:26 | |
so let's hope the interior also gets a positive reaction. | 0:10:26 | 0:10:29 | |
Right. Come on in. Wow. Thank you. | 0:10:31 | 0:10:34 | |
What do you think? | 0:10:34 | 0:10:36 | |
All done, isn't it? It is. Very nice. Very nice indeed. | 0:10:36 | 0:10:39 | |
Done to a very high spec. I don't know what you think. | 0:10:39 | 0:10:42 | |
I like this, as the dining room, | 0:10:42 | 0:10:45 | |
but it does kind of depend on the kitchen a little bit as well. | 0:10:45 | 0:10:48 | |
Here we go. Well, yeah, the kitchen is through here. | 0:10:48 | 0:10:50 | |
So it'll be interesting to see. It's not the biggest, to be honest, | 0:10:50 | 0:10:53 | |
but it does all kind of flow through. Granite tops, all done. | 0:10:53 | 0:10:56 | |
Oh, yeah. Oh, no, it's nice. Yeah, again, high spec. | 0:10:56 | 0:11:00 | |
But what I like about this is... | 0:11:00 | 0:11:03 | |
What we want to do is, if we're entertaining, that you can still | 0:11:03 | 0:11:06 | |
speak to people while you're in the kitchen, and this therefore works. | 0:11:06 | 0:11:09 | |
Yeah, with it being open-plan it flows. Yeah, it flows. Yeah. | 0:11:09 | 0:11:12 | |
Back through the entrance hall lies the living room. | 0:11:12 | 0:11:15 | |
There you go. | 0:11:15 | 0:11:17 | |
Oh, now, this is cosy. Yeah. Yeah? That's a good word, that, cosy. | 0:11:17 | 0:11:21 | |
Yeah. And I like the width of it. I also like the simplicity of it all. | 0:11:21 | 0:11:27 | |
Yeah. I like that. That's nice. It's very uncluttered. | 0:11:27 | 0:11:29 | |
You know exactly what you've got to play with. Yeah. Yeah. | 0:11:29 | 0:11:32 | |
I think this is more Neil than me, because of the barn effect, | 0:11:32 | 0:11:35 | |
but I do like the... It feels nice, the flow of it feels really nice. | 0:11:35 | 0:11:40 | |
Well, there is more of a sense of the barn upstairs. Right. | 0:11:40 | 0:11:43 | |
Particularly in the master bedroom. Let's have a look up there. | 0:11:43 | 0:11:46 | |
Yeah, that'd be interesting. | 0:11:46 | 0:11:49 | |
Just off the dining hall there's also a cloakroom. | 0:11:49 | 0:11:53 | |
On the first floor, the historic features of the property have | 0:11:53 | 0:11:56 | |
been retained throughout the three double bedrooms, | 0:11:56 | 0:11:58 | |
all of which include exposed beams. | 0:11:58 | 0:12:01 | |
There's also a bathroom tiled in neutral tones. | 0:12:01 | 0:12:04 | |
And then this is the master. Oh, right. | 0:12:05 | 0:12:09 | |
Oh, yeah, this is nice. This is obviously the biggest of the three. | 0:12:09 | 0:12:12 | |
This is lovely. Yeah. | 0:12:12 | 0:12:13 | |
I quite like the fact we've got the modern with this effect, | 0:12:13 | 0:12:17 | |
so it fits both of us, and I like the beams. It's cosy, again. | 0:12:17 | 0:12:21 | |
I keep bringing that word out, cosy. Yeah, cosy. | 0:12:21 | 0:12:24 | |
And it's a warm feeling in here. Interesting. | 0:12:24 | 0:12:26 | |
Well, let's go out to the garden and we'll talk about the price, | 0:12:26 | 0:12:29 | |
because I think that's going to be another interesting thing for you | 0:12:29 | 0:12:32 | |
to kind of take on board, as to how far your budget may or may not go. | 0:12:32 | 0:12:36 | |
The outside space is mostly lawn | 0:12:36 | 0:12:38 | |
with a Yorkstone sitting area overlooking open fields. | 0:12:38 | 0:12:42 | |
It's pretty much a blank canvas for Neil and Denise to make their own. | 0:12:42 | 0:12:46 | |
There we are. Oh, very nice. Lots of kind of alfresco opportunities here. | 0:12:49 | 0:12:54 | |
Yeah. | 0:12:54 | 0:12:56 | |
Your garden extends really to this post-and-rail fence and that gate. | 0:12:56 | 0:12:59 | |
Yeah. That little paddock in there is communal. Right. | 0:12:59 | 0:13:03 | |
And you access it from over there. | 0:13:03 | 0:13:05 | |
That's your garage in the middle of that lot. Ah, right, yes. OK. | 0:13:05 | 0:13:07 | |
Nice double-doored garage. | 0:13:07 | 0:13:09 | |
Erm, so you could bring it in, your shed, as it were. Yeah. | 0:13:09 | 0:13:12 | |
Well, studio, come on. Studio, yes! It's going to be pukka, isn't it? | 0:13:12 | 0:13:15 | |
I'm glad you've said that. Yeah, exactly. | 0:13:15 | 0:13:17 | |
And you'd put it, like, in this corner here, wouldn't you? | 0:13:17 | 0:13:20 | |
Tucked away. Well, let's think about the price, then. | 0:13:20 | 0:13:22 | |
Well, I would say 350, 355. 355, yeah, OK. Neil? | 0:13:22 | 0:13:28 | |
Well, I'm going higher, because it's a project that's finished, | 0:13:28 | 0:13:32 | |
and with that in mind I'm going to go 375. | 0:13:32 | 0:13:35 | |
If it were 299,950... Hmm? | 0:13:35 | 0:13:38 | |
That... That would... That... That's an eye-opener. Yeah. | 0:13:40 | 0:13:43 | |
I don't think it is going to be 299... It is. Is it? Is it, is it? | 0:13:43 | 0:13:47 | |
It's 299,950. Very surprised. Very surprised. Yeah, so am I. | 0:13:47 | 0:13:51 | |
I think we'd have to look into the definite studio thing as well, | 0:13:51 | 0:13:56 | |
to make sure that is feasible, because that is important. | 0:13:56 | 0:13:59 | |
Cos I don't want Neil in the house all day. | 0:13:59 | 0:14:02 | |
She's trying to say I'm under her feet. | 0:14:02 | 0:14:04 | |
So go and have a wander round, get the feel of it, why not? | 0:14:04 | 0:14:06 | |
Check it out, explore it, and I will come and find you a bit later. | 0:14:06 | 0:14:09 | |
Lovely. OK, thank you. OK, thanks. | 0:14:09 | 0:14:12 | |
Below budget at just under ?300,000, | 0:14:13 | 0:14:16 | |
this generous three-bedroom barn conversion | 0:14:16 | 0:14:19 | |
has been renovated to an excellent standard. | 0:14:19 | 0:14:21 | |
Outside, the garden gives way to views of open countryside. | 0:14:21 | 0:14:25 | |
Altogether an impressive package. | 0:14:25 | 0:14:27 | |
The style of these barns, it appeals to me. | 0:14:27 | 0:14:30 | |
This is what I've been looking for for quite a long time. Erm... | 0:14:30 | 0:14:33 | |
So, yeah, as soon as we approached it I thought, | 0:14:33 | 0:14:35 | |
"This will do for me." | 0:14:35 | 0:14:37 | |
When I saw the kitchen, initially I thought, | 0:14:37 | 0:14:40 | |
"This isn't the kitchen that I was dreaming about." | 0:14:40 | 0:14:43 | |
But because of the openness of the dining room and then | 0:14:43 | 0:14:46 | |
into the living room, it actually felt like a nice-sized kitchen. | 0:14:46 | 0:14:51 | |
Quite liked outside. I quite liked the fact that it wasn't overlooked. | 0:14:51 | 0:14:54 | |
You've got all these fields behind you, nicely set-out garden, lovely. | 0:14:54 | 0:14:59 | |
For this property I feel that if I could move it into more of | 0:14:59 | 0:15:03 | |
a semi or a detached, erm, it would be a definite contender. | 0:15:03 | 0:15:09 | |
Good. | 0:15:09 | 0:15:11 | |
Well, property number one. Mm. Erm, almost on target for you. Mm-hm. | 0:15:11 | 0:15:17 | |
Little bit wide of the mark for you. Mm-hm, yeah. | 0:15:17 | 0:15:20 | |
So we need a direct hit, don't we, really? We do. Right, then. | 0:15:20 | 0:15:23 | |
We'll see if we can achieve that with property number two. Come on. | 0:15:23 | 0:15:26 | |
OK, fine. | 0:15:26 | 0:15:27 | |
Cheshire's historic canals stand testament to water being | 0:15:34 | 0:15:37 | |
the lifeblood of the county's industrial activity. | 0:15:37 | 0:15:41 | |
But as well as providing a transport network | 0:15:41 | 0:15:43 | |
it also fuelled the growth of Cheshire's biggest industry. | 0:15:43 | 0:15:47 | |
Water-powered textile mills thrived throughout the county and it | 0:15:47 | 0:15:51 | |
was silk mills that really put Cheshire on the map. | 0:15:51 | 0:15:54 | |
From the 1800s, Macclesfield was strategically placed | 0:15:54 | 0:15:58 | |
on the textile trade route between Manchester and London. | 0:15:58 | 0:16:01 | |
Over the next century it became one of the leading silk-producing | 0:16:01 | 0:16:05 | |
centres in Europe and today its legacy is kept alive through | 0:16:05 | 0:16:08 | |
museums and heritage centres. | 0:16:08 | 0:16:10 | |
Denise and Neil are keen to know more about the area's history | 0:16:10 | 0:16:14 | |
so we arranged for them to visit Paradise Mill, one of the last | 0:16:14 | 0:16:18 | |
remaining silk mills in Cheshire, to meet tour guide Mike Scott. | 0:16:18 | 0:16:21 | |
Welcome to Paradise. Thank you, Mike, thank you. | 0:16:21 | 0:16:24 | |
So, Mike, how old is the mill? It's approximately 140, 150 years old. | 0:16:24 | 0:16:28 | |
The last company to actually use this mill as | 0:16:28 | 0:16:31 | |
a working silk mill didn't close until 1981. Right. | 0:16:31 | 0:16:36 | |
So why was silk produced in Macclesfield? | 0:16:36 | 0:16:39 | |
They say that some of that silk came into Macclesfield for | 0:16:39 | 0:16:42 | |
the purpose of covering buttons. | 0:16:42 | 0:16:45 | |
Silk buttons were a status symbol. | 0:16:45 | 0:16:47 | |
The more silk buttons you had, the more wealthy you were. | 0:16:47 | 0:16:50 | |
Shall we go and have a look at the looms? | 0:16:50 | 0:16:52 | |
Yeah, that would be lovely, Mike, thank you. Come this way. | 0:16:52 | 0:16:56 | |
Silk had to be twisted through the water-powered machines before it | 0:16:58 | 0:17:01 | |
could be used to cover buttons. | 0:17:01 | 0:17:04 | |
It was this process that formed the beginnings of the silk trade | 0:17:04 | 0:17:07 | |
in the UK, with mills in Macclesfield, Congleton, Stockport | 0:17:07 | 0:17:10 | |
and Bollington becoming silk powerhouses. | 0:17:10 | 0:17:13 | |
Erm, what type of looms are they? | 0:17:15 | 0:17:17 | |
Er, they are jacquard looms, which means they can produce patterns. | 0:17:17 | 0:17:21 | |
It was the first programmable machine in the world, | 0:17:21 | 0:17:24 | |
whereby you could produce a set of punch cards, | 0:17:24 | 0:17:28 | |
the machine will read the holes in those cards and select | 0:17:28 | 0:17:31 | |
the warp threads to lift or to stay down. Very good. | 0:17:31 | 0:17:36 | |
Right, very interesting. How much was made on one loom? | 0:17:36 | 0:17:40 | |
It is a very slow process. Er, two yards. A day. | 0:17:40 | 0:17:45 | |
Between 1743 and 1940, over 100 mill sites were built in | 0:17:45 | 0:17:51 | |
Macclesfield, and by the 1830s nearly half of the town's | 0:17:51 | 0:17:54 | |
population were working in the textile industry. | 0:17:54 | 0:17:57 | |
Would it be possible to have a demonstration? Yeah, certainly. | 0:17:57 | 0:18:01 | |
And perhaps you could have a treadle or two yourself. | 0:18:01 | 0:18:05 | |
Oh, that would be lovely. Thank you. Come this way. | 0:18:05 | 0:18:08 | |
Down. Yeah. Back. Back. Across. This, the rhythm. | 0:18:08 | 0:18:13 | |
I wonder if Denise will rise to the challenge. | 0:18:15 | 0:18:17 | |
And down. | 0:18:17 | 0:18:19 | |
That's it. That's it. | 0:18:19 | 0:18:21 | |
From there to there, about that big. She's got a good rate. | 0:18:21 | 0:18:26 | |
That's it, yeah. | 0:18:26 | 0:18:27 | |
I'm waiting for the shuttle to fly out. So am I! | 0:18:28 | 0:18:32 | |
I wouldn't like to do that for eight hours a day. | 0:18:32 | 0:18:35 | |
Silk has always been more desirable than cotton for many reasons. | 0:18:35 | 0:18:39 | |
Often it's down to its texture, lustre and draping ability, | 0:18:39 | 0:18:43 | |
which made it a luxurious, almost exotic textile. | 0:18:43 | 0:18:46 | |
It was also easier to dye into practically any colour. | 0:18:46 | 0:18:50 | |
We're in a little part of the factory now | 0:18:52 | 0:18:54 | |
where design was paramount. | 0:18:54 | 0:18:56 | |
So how old, just as a matter of fact, would these samples be? | 0:18:56 | 0:19:00 | |
These would... These would probably be up to the end of the '50s, | 0:19:00 | 0:19:04 | |
something like that. Would they? | 0:19:04 | 0:19:06 | |
So, er, why did the factory close, then? In '81. | 0:19:06 | 0:19:10 | |
Silk was no longer the preserve of the very rich and it was also | 0:19:10 | 0:19:16 | |
polyesters and viscose coming in as well, | 0:19:16 | 0:19:19 | |
which made the whole thing cheaper. | 0:19:19 | 0:19:21 | |
So costs went against them so they had to go and close. And... | 0:19:21 | 0:19:26 | |
Shame, really. It is. | 0:19:26 | 0:19:28 | |
Having stepped back into Cheshire's textile past, | 0:19:28 | 0:19:31 | |
it's time for Denise and Neil to reflect on what they've seen so far. | 0:19:31 | 0:19:35 | |
Retired childhood sweethearts Denise and Neil have up to ?400,000 | 0:19:45 | 0:19:50 | |
to spend on making a move from suburban life in Rochdale | 0:19:50 | 0:19:54 | |
to the Cheshire countryside. | 0:19:54 | 0:19:56 | |
They've been on the same page with the property they've seen so far | 0:19:56 | 0:20:00 | |
but, coming up, our Mystery House causes conflict. | 0:20:00 | 0:20:03 | |
I'm not with you on that one, I can't see that one. Right, fine. | 0:20:03 | 0:20:07 | |
I can't see that at all. | 0:20:07 | 0:20:09 | |
And I find out how one impressive Victorian structure | 0:20:10 | 0:20:14 | |
revolutionised the way goods were transported on Cheshire's | 0:20:14 | 0:20:17 | |
famous waterways. | 0:20:17 | 0:20:19 | |
So we're now kind of isolated in our own kind of watery bath. Yes. | 0:20:19 | 0:20:23 | |
50 feet above the river below us. Yeah. | 0:20:23 | 0:20:26 | |
Well, when we started out with Neil and Denise they gave us such | 0:20:29 | 0:20:32 | |
a broad brief I thought our task might be somewhat easier, | 0:20:32 | 0:20:36 | |
but of course it is throwing up its own challenges. | 0:20:36 | 0:20:39 | |
When you are on the hunt you do need to have some idea of what it is | 0:20:39 | 0:20:42 | |
you're looking for. | 0:20:42 | 0:20:44 | |
Initially they weren't that bothered about style or indeed | 0:20:44 | 0:20:47 | |
location but Neil, it seems, | 0:20:47 | 0:20:49 | |
does quite like a barn conversion and certainly responds to | 0:20:49 | 0:20:52 | |
that cottagey feel, but Denise on the other hand, well, | 0:20:52 | 0:20:55 | |
she is proving to be a much tougher nut to crack. | 0:20:55 | 0:20:58 | |
So it's another day, our final day, with plenty more to see, | 0:20:58 | 0:21:02 | |
including, of course, our Mystery House, | 0:21:02 | 0:21:04 | |
which I hope in its own rather distinctive, | 0:21:04 | 0:21:07 | |
crafty way may provide everything they're looking for. | 0:21:07 | 0:21:11 | |
Before the Mystery House, we're heading to our penultimate | 0:21:13 | 0:21:16 | |
property, which lies in the village of Warmingham. | 0:21:16 | 0:21:19 | |
Here the River Wheelock runs around the outskirts of the centre, | 0:21:19 | 0:21:22 | |
which is home to a pub. | 0:21:22 | 0:21:25 | |
Nearby is the busy town of Sandbach, where there are frequent food | 0:21:25 | 0:21:28 | |
and craft markets held in the attractive cobbled square. | 0:21:28 | 0:21:31 | |
There's also a post office and other handy amenities. | 0:21:31 | 0:21:35 | |
Our next offering is just a five-mile drive away | 0:21:35 | 0:21:38 | |
in rural seclusion. | 0:21:38 | 0:21:40 | |
Oh, wow. How about this? Was that a wow? Yeah. That was a wow. | 0:21:41 | 0:21:44 | |
That's a wow. We've got the wow factor. So it should be. | 0:21:44 | 0:21:48 | |
This is lovely. Bathed in sunlight. Yeah. Look at that. Yeah. | 0:21:48 | 0:21:52 | |
Absolutely stunning. Yeah. | 0:21:52 | 0:21:54 | |
It's beautiful. Well, that's definitely got the wow factor. | 0:21:54 | 0:21:57 | |
Well, wait till you get inside, because I'm going to put my | 0:21:57 | 0:22:00 | |
head on the block and say I think this is you all over. OK. | 0:22:00 | 0:22:05 | |
I'm not going to disagree with that. Well, let's see if I'm right. | 0:22:05 | 0:22:08 | |
Come on, let's have a look inside. OK. | 0:22:08 | 0:22:10 | |
Constructed in 1875 and formerly a dairy, this L-shaped barn was | 0:22:10 | 0:22:15 | |
converted eight years ago into three properties. | 0:22:15 | 0:22:18 | |
As they'll see, the renovations have been completed sympathetically | 0:22:18 | 0:22:22 | |
and to a really high standard. | 0:22:22 | 0:22:24 | |
You see? Yes. Come in. Oh... Oh, look at this. | 0:22:25 | 0:22:30 | |
What do you think? Oh... Stunning, again. Yeah. Blown away. It's... | 0:22:30 | 0:22:34 | |
It's beautiful. Nothing to do here at all. | 0:22:34 | 0:22:37 | |
And I guess this gives us a natural kind of choice | 0:22:37 | 0:22:40 | |
as to where we go first. | 0:22:40 | 0:22:41 | |
To the right there is the living room. OK. | 0:22:41 | 0:22:44 | |
But to the left is the kitchen, so where are we going to start, Denise? | 0:22:44 | 0:22:48 | |
I think to the left. I thought you'd say that. Let's do the kitchen. | 0:22:48 | 0:22:51 | |
Come and have a look. | 0:22:51 | 0:22:52 | |
Good choice, Denise. Oh... I thought this was where you'd want to start. | 0:22:52 | 0:22:56 | |
This is stunning. Absolutely stunning. It's... | 0:22:56 | 0:23:00 | |
Is that not the kitchen you were looking for? It is. | 0:23:00 | 0:23:03 | |
Oh-ho, the island in the middle. Yeah. | 0:23:03 | 0:23:05 | |
I think it's absolutely perfect. The beauty about this kitchen, Jules, | 0:23:05 | 0:23:09 | |
is when we're in our kitchen at home we're under each other's feet. | 0:23:09 | 0:23:13 | |
Not here. No. Not here. You can stand there. | 0:23:13 | 0:23:16 | |
LAUGHTER And I'll stand here. | 0:23:16 | 0:23:18 | |
But what I like is actually the extra room for sitting and dining. | 0:23:18 | 0:23:22 | |
Yeah, yeah, it's... It's big, it's spacious... | 0:23:22 | 0:23:24 | |
But it's done to our taste. This is something that I would choose. | 0:23:24 | 0:23:27 | |
You've found the right one here. Yeah, the handles, everything. | 0:23:27 | 0:23:30 | |
It's beautiful. It's just lovely. Even the handles! | 0:23:30 | 0:23:33 | |
No-one's ever said that before. Yeah. I love the detail. Good. | 0:23:33 | 0:23:36 | |
We're getting there. We are finding our way, aren't we? | 0:23:36 | 0:23:38 | |
Oh, yeah. I think you've got there at the moment. | 0:23:38 | 0:23:40 | |
Well, let's nip across the hallway, look at the living room. Yes. OK. | 0:23:40 | 0:23:44 | |
So all good so far, but I wonder if Neil and Denise would have been | 0:23:45 | 0:23:48 | |
just as thrilled if they'd taken a right turn at the entrance hall. | 0:23:48 | 0:23:52 | |
Time to find out. | 0:23:52 | 0:23:53 | |
There you go. | 0:23:54 | 0:23:56 | |
Oh... | 0:23:56 | 0:23:58 | |
Yes. This is... I'm going to use the word again, Jules. It's stunning. | 0:23:58 | 0:24:03 | |
I need to think of some more words that relate to stunning. | 0:24:03 | 0:24:05 | |
Stunning's good. I'd leave it at stunning. | 0:24:05 | 0:24:07 | |
Again, wouldn't change anything. | 0:24:07 | 0:24:09 | |
So do you want to buy the whole lot with everything in it? | 0:24:09 | 0:24:12 | |
We don't need to look upstairs. | 0:24:12 | 0:24:15 | |
Oh, yes, you do, believe you me. It is well worth seeing. | 0:24:15 | 0:24:18 | |
I tell you what's interesting about this one, cos it's not massive, | 0:24:18 | 0:24:21 | |
but it does feel big enough to give you both your own space. | 0:24:21 | 0:24:25 | |
Oh, of course. Without a doubt, yeah. Yeah. | 0:24:25 | 0:24:27 | |
I've already put Neil down there on the settee there, and I'm there. | 0:24:27 | 0:24:30 | |
Managed him in the kitchen, so... She's put me near the remote. | 0:24:30 | 0:24:33 | |
Yeah, yeah, yeah, I can see what's coming. Yeah. Good. | 0:24:33 | 0:24:36 | |
It's... It's beautiful. It's the bee's knees. Yeah. It's beautiful. | 0:24:36 | 0:24:40 | |
OK. Well, let's have a look upstairs. | 0:24:40 | 0:24:42 | |
It will not let you down, I can assure you. | 0:24:42 | 0:24:45 | |
There are four bedrooms in total, three generous doubles, | 0:24:45 | 0:24:49 | |
with one currently laid out as a study benefiting from | 0:24:49 | 0:24:52 | |
a fitted wardrobe and one single used for storage. | 0:24:52 | 0:24:55 | |
There's also a family bathroom with a Jacuzzi bath. | 0:24:55 | 0:24:59 | |
This is your master bedroom. | 0:24:59 | 0:25:01 | |
Oh-ho! Ho-ho-ho-ho! | 0:25:02 | 0:25:05 | |
JULES LAUGHS This is... Absolutely beautiful. | 0:25:05 | 0:25:08 | |
Yeah. Yeah? Original beams. | 0:25:08 | 0:25:10 | |
Yeah, original beams. Yeah. Yeah. And... | 0:25:10 | 0:25:14 | |
You've got the bonus of your shower en suite. Oh, right. Oh, gosh. | 0:25:14 | 0:25:18 | |
All done. I love the shower. Look at the shower. Massive walk-in shower. | 0:25:18 | 0:25:22 | |
Walk-in. Yeah. Lovely, lovely. High quality. | 0:25:22 | 0:25:25 | |
Told you it wouldn't disappoint you. It certainly hasn't. | 0:25:25 | 0:25:28 | |
No, definitely not. No. No. I can't find any...anything. Can't fault it. | 0:25:28 | 0:25:33 | |
No. No, no. You've done your homework today. Yes. | 0:25:33 | 0:25:36 | |
Phew! | 0:25:36 | 0:25:39 | |
But it's not over yet! No? No? Garden. Mm! OK. It's beautiful. | 0:25:39 | 0:25:44 | |
Come and have a look. | 0:25:44 | 0:25:46 | |
Outside, there is a large and immaculate lawn and | 0:25:46 | 0:25:49 | |
a flagstone patio. | 0:25:49 | 0:25:51 | |
It also has a greenhouse and a shed, | 0:25:51 | 0:25:53 | |
so Neil and Denise can potter to their heart's content. | 0:25:53 | 0:25:57 | |
Plus, it also benefits from a double garage. | 0:25:57 | 0:26:00 | |
There we are. That's it. The whole package is now complete. It is. | 0:26:02 | 0:26:06 | |
Couldn't wish for anything better. Now, let's think about your studio. | 0:26:06 | 0:26:09 | |
OK. Mm. Can you see what the neighbours have done? I can, yeah. | 0:26:09 | 0:26:12 | |
That's the type of thing I'd like. | 0:26:12 | 0:26:14 | |
So let's think about the price of this property, then, | 0:26:14 | 0:26:17 | |
because I think it appeals, Denise, doesn't it? | 0:26:17 | 0:26:19 | |
So, madam, make me an offer. | 0:26:19 | 0:26:21 | |
Yes, well, cos I really love it, I'm going to guess at 385, | 0:26:21 | 0:26:28 | |
but I think it's more than that, but I want it to be 385. | 0:26:28 | 0:26:32 | |
You want it to be? I want it to be 385. OK. | 0:26:32 | 0:26:34 | |
I'm going to go way over budget here and say 425. 425. Mm. | 0:26:34 | 0:26:40 | |
Well, here's the thing. You're both wrong. Right. But in a good way. Oh. | 0:26:40 | 0:26:45 | |
This is on the market for 389,950. | 0:26:45 | 0:26:51 | |
So that should put a smile on your face. Oh, it went...bang! Good. Yes. | 0:26:52 | 0:26:57 | |
Yeah. Well, you've surprised me with that, with that price. | 0:26:57 | 0:27:00 | |
I really thought it was well over budget. Good. | 0:27:00 | 0:27:01 | |
Well, look, I think you should have a better look around upstairs, | 0:27:01 | 0:27:05 | |
because it really is sumptuous up there, er, | 0:27:05 | 0:27:08 | |
and I will come and find you a little bit later on. | 0:27:08 | 0:27:10 | |
Lovely, thank you. Okey doke. Thanks, Jules. Off you go. | 0:27:10 | 0:27:14 | |
Making plans to move in, I think. | 0:27:14 | 0:27:16 | |
So still within their maximum budget, this converted dairy | 0:27:20 | 0:27:23 | |
with its four bedrooms is beautifully presented throughout. | 0:27:23 | 0:27:27 | |
The huge kitchen with its island was an obvious hit with Denise | 0:27:27 | 0:27:30 | |
and the studio options open to Neil | 0:27:30 | 0:27:33 | |
seem to have made this property a genuine contender. | 0:27:33 | 0:27:36 | |
When we went into the kitchen, | 0:27:36 | 0:27:39 | |
I just couldn't see anything wrong with it in any way, shape or form. | 0:27:39 | 0:27:44 | |
That had my name on it. | 0:27:44 | 0:27:45 | |
The style of the house, for me, is everything. | 0:27:45 | 0:27:48 | |
It's got that rustic farmyard feel about it. Love it. | 0:27:48 | 0:27:52 | |
The sitting room's another one, it was just nice and cosy, | 0:27:52 | 0:27:55 | |
the right size what we're looking for. | 0:27:55 | 0:27:57 | |
I could see me and Denise sat in there without a problem. | 0:27:57 | 0:28:00 | |
The downstairs, the size of it, the feel of it, everything was perfect. | 0:28:00 | 0:28:06 | |
How I would sum up this particular property | 0:28:06 | 0:28:08 | |
is stunning, stunning, stunning, perfect. | 0:28:08 | 0:28:13 | |
How are we doing, then? Really good, Jules. | 0:28:13 | 0:28:16 | |
Splendid. Well, I think things are hotting up in more ways than one. | 0:28:16 | 0:28:20 | |
They are. They certainly are. They certainly are. | 0:28:20 | 0:28:22 | |
I'm all of a flush. Do you want to see the Mystery House? | 0:28:22 | 0:28:26 | |
Let's go for it. Erm, oh... Do I now, Jules, really? | 0:28:26 | 0:28:29 | |
It might put a spanner in the works. I know. | 0:28:29 | 0:28:32 | |
That's the fear factor, yeah. Come on. But we will, let's go for it. | 0:28:32 | 0:28:35 | |
Come on, tough it out. | 0:28:35 | 0:28:37 | |
For our final offering we're heading 20 miles north to Frodsham, | 0:28:43 | 0:28:47 | |
where the River Weaver and the Mersey meet. | 0:28:47 | 0:28:50 | |
With good access to the coast, | 0:28:50 | 0:28:52 | |
Frodsham today is a lively market town. | 0:28:52 | 0:28:55 | |
The high street, with its two pubs and handful of independent stores, | 0:28:55 | 0:28:59 | |
is interspersed with pretty houses. | 0:28:59 | 0:29:01 | |
And just three miles outside of the town | 0:29:02 | 0:29:04 | |
is our rather imposing Mystery House. | 0:29:04 | 0:29:07 | |
Well... | 0:29:09 | 0:29:11 | |
at last I can reveal our Mystery House. | 0:29:11 | 0:29:14 | |
What do you reckon? | 0:29:14 | 0:29:16 | |
Pretty large. | 0:29:16 | 0:29:18 | |
Yes! | 0:29:18 | 0:29:19 | |
It used to be the Crossley Sanatorium, | 0:29:19 | 0:29:22 | |
or Crossley Hospital, but what we've got for you isn't an apartment, | 0:29:22 | 0:29:26 | |
you'll be pleased to hear. Good. | 0:29:26 | 0:29:27 | |
Right, let's go for a wander and find your Mystery House. OK. | 0:29:27 | 0:29:31 | |
Built in the early 1920s, this Grade II listed building was | 0:29:32 | 0:29:36 | |
initially a hospital for TB patients. | 0:29:36 | 0:29:39 | |
Having also spent its former years as a nursing home and a school, | 0:29:39 | 0:29:43 | |
it was completely and sympathetically developed | 0:29:43 | 0:29:45 | |
25 years ago. | 0:29:45 | 0:29:46 | |
See, you get away from the main building, out here, | 0:29:48 | 0:29:51 | |
and it's like walking through a very quiet, leafy suburb. Yeah. Stunning. | 0:29:51 | 0:29:55 | |
Well, that's the Mystery House. | 0:29:55 | 0:29:57 | |
I like the way it's laid out, I like all this architecture on the roof. | 0:29:57 | 0:29:59 | |
I'm not as keen, I'm not keen on the pebble dash, I have to say. | 0:29:59 | 0:30:04 | |
Erm... | 0:30:04 | 0:30:05 | |
And I'm not overly... | 0:30:05 | 0:30:08 | |
enamoured about living near what was a sanatorium. | 0:30:08 | 0:30:12 | |
JULES LAUGHS | 0:30:12 | 0:30:13 | |
There's no more TB, that's all long gone. I know, I know. It worked! | 0:30:13 | 0:30:16 | |
THEY LAUGH | 0:30:16 | 0:30:18 | |
It did. Erm, but I'm keen to look inside. | 0:30:18 | 0:30:22 | |
Good. Yes. Right, come on, then. OK. | 0:30:22 | 0:30:24 | |
Our Mystery House is located in a private gated development, | 0:30:26 | 0:30:29 | |
with a community of its own, which may offer Neil and Denise | 0:30:29 | 0:30:32 | |
an alternative to living near a village. | 0:30:32 | 0:30:35 | |
Through the entrance hall, our first stop is the dining room. | 0:30:35 | 0:30:39 | |
Let's start in here, then, guys. | 0:30:39 | 0:30:41 | |
Well, this is nice. Yeah? Yes. | 0:30:41 | 0:30:44 | |
Nice size. Nice dining room. Yeah, it's a good size, this. | 0:30:44 | 0:30:46 | |
It would make a very nice living room, actually, but you've got one next door. | 0:30:46 | 0:30:49 | |
Well, I think we need to look at the other rooms as well, | 0:30:49 | 0:30:51 | |
because to me this could also be the living room. | 0:30:51 | 0:30:53 | |
I'm delighted you're giving it its due! Yes. This is all good. Yes. | 0:30:53 | 0:30:56 | |
Let's look at the living room. This is lovely. OK. | 0:30:56 | 0:30:58 | |
This is a really good family space. | 0:30:58 | 0:31:01 | |
There. Oh, right. This is lovely. | 0:31:01 | 0:31:04 | |
But it's contemporary, as well. Nice size. It's very contemporary. | 0:31:04 | 0:31:07 | |
It's a lot bigger than I thought. | 0:31:07 | 0:31:10 | |
You see, but I would make this, maybe, the dining room. | 0:31:10 | 0:31:14 | |
You could, couldn't you? You've got a lot of room, here. Yeah. | 0:31:14 | 0:31:16 | |
It would work quite nicely, because with the dining table there, the kitchen is through that door... | 0:31:16 | 0:31:20 | |
Right. Well, if that was the case, if you wanted, then, | 0:31:20 | 0:31:22 | |
you could knock through... Mmm. ..and have a huge lounge. | 0:31:22 | 0:31:26 | |
Look at you with the creative knocking about. There you go. | 0:31:26 | 0:31:28 | |
JULES LAUGHS | 0:31:28 | 0:31:29 | |
I thought I better put ten penneth in. Yeah, yeah, you've done more than that! Let's call it ten quid! | 0:31:29 | 0:31:33 | |
That was very good, very good. | 0:31:33 | 0:31:35 | |
Right, come and have a look at the kitchen. Yeah. That's really... | 0:31:35 | 0:31:38 | |
'Well, Denise does seem to have warmed a little since coming inside, | 0:31:38 | 0:31:42 | |
'although I suspect a lot will hinge on the all-important kitchen.' | 0:31:42 | 0:31:46 | |
There you go. Oh, that's nice. Very straightforward. | 0:31:46 | 0:31:49 | |
Very simple, really, actually. Yeah. | 0:31:49 | 0:31:52 | |
And I'm afraid it doesn't do it for me. Right. Because...? | 0:31:52 | 0:31:55 | |
It's just the set-out, really. Yeah. I just don't like the set-out. | 0:31:55 | 0:31:59 | |
I don't mind the kitchen, actually, I really don't. | 0:31:59 | 0:32:02 | |
That's interesting, actually. Yeah. | 0:32:02 | 0:32:04 | |
That's cos she's seen the wine rack in the corner. | 0:32:04 | 0:32:06 | |
THEY LAUGH | 0:32:06 | 0:32:08 | |
That's kind of almost full, too. Yeah. OK, OK. | 0:32:08 | 0:32:11 | |
But upstairs is also pretty expansive. Right. Oh, yeah? | 0:32:11 | 0:32:14 | |
Let's try the upstairs. Let's have a look. | 0:32:14 | 0:32:16 | |
You've got an extra floor with this one. Oh! | 0:32:16 | 0:32:20 | |
Back through the entrance hall, we're heading upstairs, | 0:32:20 | 0:32:22 | |
where there are three bedrooms laid out over two levels. | 0:32:22 | 0:32:26 | |
On the first floor, there's a large single bedroom with its own | 0:32:26 | 0:32:29 | |
modern en-suite shower room, as well as a simple family bathroom. | 0:32:29 | 0:32:33 | |
In the eaves, there is a further newly-decorated double bedroom. | 0:32:33 | 0:32:37 | |
But we're stopping off at the bedroom I've earmarked for them. | 0:32:37 | 0:32:41 | |
So, this is yours, we think. | 0:32:43 | 0:32:46 | |
Right. The master, yeah. | 0:32:46 | 0:32:48 | |
The only thing that I would say is that I would have preferred | 0:32:48 | 0:32:50 | |
the bed up there and the wardrobes here, | 0:32:50 | 0:32:53 | |
because it feels strange having the bed | 0:32:53 | 0:32:55 | |
to the back of the door. | 0:32:55 | 0:32:57 | |
I'm...not with you on that one. I can't see that one. Right, fine(!) | 0:32:57 | 0:33:01 | |
JULES LAUGHS I can't see that at all. | 0:33:01 | 0:33:03 | |
You've had the problem with the kitchen... You've got the problem with the bedroom. | 0:33:03 | 0:33:07 | |
I've got the problem with this bedroom. As long as everybody's got a problem... Yeah. | 0:33:07 | 0:33:10 | |
..that's a problem. THEY LAUGH | 0:33:10 | 0:33:12 | |
Right, come on, let's go out and get some fresh air. Yeah. | 0:33:12 | 0:33:15 | |
OK. After you. Maybe that's what we need. | 0:33:15 | 0:33:17 | |
The garden here is deceptively large, | 0:33:18 | 0:33:21 | |
extending through a small area of woodland | 0:33:21 | 0:33:23 | |
and backing onto open fields. | 0:33:23 | 0:33:25 | |
Now, when we were discussing things in the living room, | 0:33:26 | 0:33:30 | |
it was all much bigger than you'd expected. Yes. | 0:33:30 | 0:33:32 | |
What about the garden? Yes, bigger. It is, isn't it? It is. Mm. | 0:33:32 | 0:33:36 | |
So, it is surprising, this one, isn't it? It is. It is. | 0:33:36 | 0:33:38 | |
It is a surprising one. It's erm... Yes. | 0:33:38 | 0:33:40 | |
And I also actually don't mind the pebble dash on the back of | 0:33:40 | 0:33:43 | |
the house...for some reason. | 0:33:43 | 0:33:45 | |
It fits with the back. Got a result, there, Jules! | 0:33:45 | 0:33:49 | |
DENISE LAUGHS Well, have we, though? | 0:33:49 | 0:33:51 | |
Have we, though? Because there is one more bit to come, which is... | 0:33:51 | 0:33:53 | |
Neil? Make us an offer on our Mystery House. | 0:33:53 | 0:33:56 | |
I've thought about it, and I've put a price on at 360. | 0:33:56 | 0:33:59 | |
Actually, I think...I'm going to match you. Yeah, 360. | 0:33:59 | 0:34:03 | |
This is on the market for ?385,000. | 0:34:03 | 0:34:06 | |
Oh, right. Right. OK. | 0:34:06 | 0:34:08 | |
Yeah, I can understand why it's kind of at that price. | 0:34:08 | 0:34:12 | |
Yeah. Good. Mmm. | 0:34:12 | 0:34:15 | |
Well, that's it. House tours are over. Yeah. | 0:34:15 | 0:34:17 | |
Go and have a wander round, | 0:34:17 | 0:34:18 | |
and we'll catch up with you a little bit later on. | 0:34:18 | 0:34:21 | |
OK, thank you. Thanks, Jules. Off you go. | 0:34:21 | 0:34:23 | |
?15,000 under their top budget, | 0:34:28 | 0:34:31 | |
our Mystery House delivers | 0:34:31 | 0:34:32 | |
generously, with three bedrooms and | 0:34:32 | 0:34:34 | |
smart decor throughout. | 0:34:34 | 0:34:36 | |
It has a large, secluded garden, | 0:34:36 | 0:34:38 | |
but will the origins and setting | 0:34:38 | 0:34:40 | |
of this private development | 0:34:40 | 0:34:41 | |
sit easily with our buyers? | 0:34:41 | 0:34:43 | |
Initially, I wasn't overly keen on the outside. | 0:34:43 | 0:34:46 | |
But I like the feel of the house. | 0:34:46 | 0:34:49 | |
The lounge was superb, absolutely superb. | 0:34:49 | 0:34:52 | |
Lovely wood fire, nice view into the garden. | 0:34:52 | 0:34:57 | |
I quite like that, and the neutral taste, as well. | 0:34:57 | 0:34:59 | |
I was pleasantly surprised at the size, | 0:34:59 | 0:35:02 | |
and it's contemporary, which I love. | 0:35:02 | 0:35:06 | |
But at the end of the day, I think | 0:35:06 | 0:35:08 | |
the hospital bit has really put me off. | 0:35:08 | 0:35:12 | |
I didn't like the impression of the kitchen at all. It threw me. | 0:35:12 | 0:35:16 | |
The very large handles on all the units, and... | 0:35:16 | 0:35:19 | |
It just threw in my face, and I just didn't like that look at all. | 0:35:19 | 0:35:23 | |
All in all, it wasn't the best of them. | 0:35:23 | 0:35:25 | |
Ah. Well, you took a bit longer than I thought you might. Yes. | 0:35:26 | 0:35:29 | |
Is it a grower, I wonder. | 0:35:29 | 0:35:31 | |
Ah, well, pleasantly surprised, to be honest with you. | 0:35:31 | 0:35:33 | |
Pleasantly surprised. | 0:35:33 | 0:35:35 | |
You've definitely given us plenty to think about, Jules. Yeah. | 0:35:35 | 0:35:37 | |
I think we've given you bags to think about. You have that. | 0:35:37 | 0:35:40 | |
Some very tempting options. Yep. Right, then. | 0:35:40 | 0:35:43 | |
Let's go and sit you down somewhere nice and quiet, | 0:35:43 | 0:35:45 | |
and you can mull it all over. | 0:35:45 | 0:35:46 | |
OK. Lovely. Come on. Thank you. | 0:35:46 | 0:35:48 | |
Built in 1875 and designed by Edwin Clark, | 0:35:56 | 0:35:59 | |
Cheshire's Anderton Boat Lift was one of the most ambitious feats of | 0:35:59 | 0:36:03 | |
Victorian engineering on Britain's waterways. | 0:36:03 | 0:36:06 | |
It was designed to use two enormous tanks of water | 0:36:06 | 0:36:09 | |
as counterweights, each weighing over 200 tons when full, | 0:36:09 | 0:36:13 | |
to lift cargo boats 50ft between the River Weaver | 0:36:13 | 0:36:16 | |
and the Trent and Mersey Canal. | 0:36:16 | 0:36:18 | |
This hydraulic method was a far quicker way of transporting goods, | 0:36:18 | 0:36:22 | |
avoiding the time-consuming and difficult job | 0:36:22 | 0:36:25 | |
of unloading cargo by hand between the two waterways. | 0:36:25 | 0:36:29 | |
As a huge fan of the Industrial Revolution, | 0:36:29 | 0:36:32 | |
I want to learn more about this architectural icon | 0:36:32 | 0:36:35 | |
of our canal network. | 0:36:35 | 0:36:36 | |
So, I've come to meet Graham Wood, | 0:36:36 | 0:36:38 | |
from the from the Canal and River Trust. | 0:36:38 | 0:36:40 | |
Wonderful! What a great way to get a glimpse of this fantastic structure. | 0:36:40 | 0:36:44 | |
It is remarkable, isn't it? It is, it's amazing. | 0:36:44 | 0:36:46 | |
But why was it built here? | 0:36:46 | 0:36:48 | |
This is the closest point that the Trent and Mersey Canal comes | 0:36:48 | 0:36:51 | |
to the River Weaver, so it was an obvious place to put it. | 0:36:51 | 0:36:54 | |
Northwich and surrounding areas were massive salt producers in their day. | 0:36:54 | 0:36:57 | |
Yeah. And Stoke On Trent, of course, famous for its pottery, | 0:36:57 | 0:37:00 | |
so to get things from one level to the other | 0:37:00 | 0:37:02 | |
so that we could move them onto the Manchester Ship Canal | 0:37:02 | 0:37:05 | |
and move them all over the country and all over the world, | 0:37:05 | 0:37:07 | |
this was the obvious place to do it. | 0:37:07 | 0:37:08 | |
Now, I would love to take a closer look. | 0:37:08 | 0:37:10 | |
Is it possible to get on top of it? Yeah, no problem. | 0:37:10 | 0:37:12 | |
We can get right up onto the top deck. Come on, then. Wonderful. | 0:37:12 | 0:37:16 | |
The lift remained in service for over 100 years before | 0:37:17 | 0:37:20 | |
structural faults were found, and it closed in 1983. | 0:37:20 | 0:37:24 | |
20 years later, a seven-year renovation project | 0:37:24 | 0:37:27 | |
was undertaken to bring the lift back to life, | 0:37:27 | 0:37:30 | |
and today it's used by both commercial and leisure boats alike. | 0:37:30 | 0:37:33 | |
Wow! Ha-ha-ha! | 0:37:35 | 0:37:36 | |
I mean, I got a glimpse of these from down below, | 0:37:36 | 0:37:39 | |
but I had no idea just how big these cogs were. How many are there? | 0:37:39 | 0:37:43 | |
There's 72, altogether. And when do these date from? | 0:37:43 | 0:37:45 | |
These date from 1908, when it became an electronically driven lift. | 0:37:45 | 0:37:49 | |
It's because the salt content in the water | 0:37:49 | 0:37:52 | |
was corroding the hydraulic mechanism. | 0:37:52 | 0:37:54 | |
So, it begins life as a hydraulic lift, | 0:37:54 | 0:37:57 | |
it then has its electric phase. | 0:37:57 | 0:37:59 | |
Now, during your subsequent renovations you've decided to | 0:37:59 | 0:38:01 | |
take it back to a hydraulic lift. Why? | 0:38:01 | 0:38:03 | |
It's more economic to run it hydraulically, | 0:38:03 | 0:38:06 | |
and it returns it back to its original roots. | 0:38:06 | 0:38:08 | |
Well, it's been a real treat to get a sense of it, | 0:38:08 | 0:38:10 | |
but any chance of a ride? | 0:38:10 | 0:38:12 | |
No problem at all. If you'd like to go on the boat, we'll go now. | 0:38:12 | 0:38:15 | |
Boats come off the canal and into the aqueduct | 0:38:17 | 0:38:19 | |
through a series of gates. | 0:38:19 | 0:38:21 | |
The lift works by a counter-balance method, | 0:38:21 | 0:38:24 | |
whereby one boat travels up to the canal | 0:38:24 | 0:38:26 | |
as the other travels down to the river. | 0:38:26 | 0:38:28 | |
So, here we are actually coming into the lift itself. Ha! | 0:38:29 | 0:38:34 | |
Is that the gate? Yes, that's the gate. That's the gate. | 0:38:34 | 0:38:36 | |
JULES LAUGHS Incredible. | 0:38:36 | 0:38:38 | |
Once we're in, they drop the gates behind us. | 0:38:41 | 0:38:44 | |
Yeah. Brilliant. | 0:38:44 | 0:38:46 | |
Are we going to see another boat coming up alongside us now? | 0:38:46 | 0:38:48 | |
Yes, there'll be boats coming up alongside us. | 0:38:48 | 0:38:51 | |
The lift operates in balance the majority of the day. | 0:38:51 | 0:38:53 | |
There can be 32 boats a day. | 0:38:53 | 0:38:55 | |
Now, that sounds like someone's just pulled the plug out. | 0:38:59 | 0:39:01 | |
That's right, that's the last of the water disappearing down the drain. | 0:39:01 | 0:39:04 | |
Between the gates and the... Yeah. ..aqueduct? | 0:39:04 | 0:39:07 | |
Between the two sets of gates. | 0:39:07 | 0:39:09 | |
So, we're now kind of isolated in our own kind of watery bath... Yes. | 0:39:09 | 0:39:12 | |
50ft above the river. Yeah. | 0:39:12 | 0:39:15 | |
JULES LAUGHS | 0:39:15 | 0:39:18 | |
Today, the hydraulic system may be computerised, | 0:39:18 | 0:39:21 | |
but the speed at which the lift moves | 0:39:21 | 0:39:23 | |
evokes the pace of a bygone era - | 0:39:23 | 0:39:25 | |
a gentle 9ft per minute. | 0:39:25 | 0:39:28 | |
So, at last, we're dropping. That's right. | 0:39:29 | 0:39:32 | |
I say dropping. I mean, thankfully, it's very controlled. | 0:39:32 | 0:39:34 | |
THEY LAUGH | 0:39:34 | 0:39:35 | |
Yeah, it's a lovely smooth movement. | 0:39:35 | 0:39:37 | |
I can certainly see how it's got that name, | 0:39:37 | 0:39:39 | |
"The Cathedral of the Canals", it's absolutely brilliant. | 0:39:39 | 0:39:42 | |
Absolutely brilliant. | 0:39:42 | 0:39:44 | |
Do you think Edwin Clark thought of it as "The Cathedral of the Canals" | 0:39:44 | 0:39:47 | |
when he designed it? Maybe he did. Maybe he had a soft side. | 0:39:47 | 0:39:51 | |
I'd like to think he had a sense of the romantic about him. | 0:39:51 | 0:39:54 | |
Revolutionary in its time. Yeah. | 0:39:54 | 0:39:56 | |
And yet here we are, it's still working in all of its glory. | 0:39:56 | 0:40:00 | |
Well, I am delighted to see this working, | 0:40:00 | 0:40:03 | |
I am delighted that it has survived all of those years, | 0:40:03 | 0:40:06 | |
and with any luck, Graham, it should continue well into the future. | 0:40:06 | 0:40:10 | |
Now, the conversation that we have to conclude any house tour | 0:40:12 | 0:40:16 | |
is always a chat that I look forward to. | 0:40:16 | 0:40:18 | |
Now, some weeks it's pretty hard to tell which way it's going to go, | 0:40:18 | 0:40:21 | |
but this week, well, I've got no worries. | 0:40:21 | 0:40:24 | |
Ready to go, look at that. Is that for me? It is. Fabulous, guys. | 0:40:28 | 0:40:31 | |
Thank you very much indeed. | 0:40:31 | 0:40:33 | |
Well. It all seems like quite a long time since we started this, | 0:40:33 | 0:40:36 | |
doesn't it? It does. It does that. | 0:40:36 | 0:40:37 | |
When you started this process, | 0:40:37 | 0:40:39 | |
how optimistic were you about finding a home that would work? | 0:40:39 | 0:40:42 | |
I was more pessimistic than optimistic. | 0:40:42 | 0:40:45 | |
But, you've turned it around for me. Denise? | 0:40:45 | 0:40:49 | |
I think because of the brief we gave you, a little bit like Neil, | 0:40:49 | 0:40:53 | |
I didn't know whether you'd get the right property for us. OK. | 0:40:53 | 0:40:56 | |
Let's cut to the chase. | 0:40:56 | 0:40:58 | |
I suspect there is one that's really out in front. | 0:40:58 | 0:41:02 | |
Yes. A lovely barn conversion. Yes. | 0:41:02 | 0:41:05 | |
What was it about that property that really sold it to you, Neil. | 0:41:05 | 0:41:08 | |
When we walked round the corner and you showed us the expanse of this | 0:41:08 | 0:41:12 | |
barn conversion, it blew me away, and I didn't know what to expect. | 0:41:12 | 0:41:16 | |
I was getting excited, thinking, "I can't wait to get inside | 0:41:16 | 0:41:19 | |
"and have a look". Mmm. | 0:41:19 | 0:41:21 | |
Beautiful. When you opened that front door and let us in, | 0:41:21 | 0:41:23 | |
and I saw this entrance hall.... | 0:41:23 | 0:41:26 | |
Excellent. Excellent. Yes. | 0:41:26 | 0:41:28 | |
That did it for me. Mmm. | 0:41:28 | 0:41:30 | |
The minute I walked into the kitchen - it had everything, | 0:41:30 | 0:41:33 | |
and the island in the middle. It just was everything we'd asked for. | 0:41:33 | 0:41:36 | |
What happens next? | 0:41:36 | 0:41:38 | |
Well, I'd like to look at the amenities, | 0:41:38 | 0:41:39 | |
so at the weekend I want to come back and have | 0:41:39 | 0:41:41 | |
a good look around the area, and then once we've done that | 0:41:41 | 0:41:45 | |
I think we'll ask for a second viewing. | 0:41:45 | 0:41:47 | |
I think there'll be no stopping her. | 0:41:47 | 0:41:49 | |
Do you need a second viewing? I don't. | 0:41:49 | 0:41:51 | |
JULES LAUGHS | 0:41:51 | 0:41:53 | |
It's one of those times where my hand will go in the wallet. | 0:41:53 | 0:41:55 | |
Well, guys, it's been a real treat. | 0:41:55 | 0:41:57 | |
I've really enjoyed your company. | 0:41:57 | 0:41:58 | |
I've thoroughly enjoyed being back in Cheshire. | 0:41:58 | 0:42:01 | |
So, well, let us know what happens. BOTH: We will. Here's to you! | 0:42:01 | 0:42:05 | |
Thank you. Thanks, Jules. And your new life. Thank you. Cheers. | 0:42:05 | 0:42:09 | |
Well, our work here is pretty much done. | 0:42:12 | 0:42:15 | |
The sun is beginning to set over Cheshire's glorious countryside, | 0:42:15 | 0:42:19 | |
and the whole landscape is now bathed | 0:42:19 | 0:42:20 | |
in this wonderful rich, warm glow. | 0:42:20 | 0:42:23 | |
Our house search is over, but with any luck, | 0:42:23 | 0:42:26 | |
Neil and Denise's new life is just about to begin. | 0:42:26 | 0:42:30 | |
I'll see you next time. | 0:42:30 | 0:42:32 | |
Well, the hot news is, | 0:42:32 | 0:42:34 | |
Denise and Neil have had a major change of heart. | 0:42:34 | 0:42:37 | |
In an enormous U-turn, they've decided to stay put | 0:42:37 | 0:42:40 | |
in Rochdale and buy a holiday home in Portugal instead. | 0:42:40 | 0:42:44 | |
But they do intend to revisit their country move in a few years' time. | 0:42:44 | 0:42:49 | |
If you'd like to escape to the country | 0:42:49 | 0:42:51 | |
in England, Scotland, Wales or Northern Ireland, | 0:42:51 | 0:42:53 | |
and would like our help, then please apply online at... | 0:42:53 | 0:42:56 | |
I expect you'll want to become a schoolmaster? | 0:43:32 | 0:43:33 | |
That's what most of the gentlemen does that get sent down for | 0:43:33 | 0:43:35 | |
indecent behaviour. Evelyn Waugh's classic novel. | 0:43:35 | 0:43:38 | |
Have you ever been in love, Mr Pennyfeather? No, not yet. | 0:43:38 | 0:43:41 | |
The fire escape is very dangerous and never to be used, | 0:43:41 | 0:43:43 |