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Welcome to Escape To The Country. Now, this remarkable structure was built in 1875. | 0:00:02 | 0:00:06 | |
It is a marvel of Victorian engineering, | 0:00:06 | 0:00:09 | |
the first of its kind to be built anywhere in the world. | 0:00:09 | 0:00:12 | |
But what was it for and where was it built? | 0:00:12 | 0:00:14 | |
Well, join me in just a moment and I'll tell you. | 0:00:14 | 0:00:17 | |
Today's house-hunting couple are itching to embark | 0:00:34 | 0:00:37 | |
on a new phase of their life | 0:00:37 | 0:00:38 | |
and make the move to the countryside they've always dreamed of. | 0:00:38 | 0:00:41 | |
And at first, there's a repeatedly positive reaction to our houses. | 0:00:41 | 0:00:46 | |
Absolutely stunning. | 0:00:46 | 0:00:47 | |
-Stunning again. -Yeah. | 0:00:47 | 0:00:49 | |
This is stunning. | 0:00:49 | 0:00:51 | |
Absolutely stunning. | 0:00:51 | 0:00:52 | |
But later, they change their tune | 0:00:52 | 0:00:55 | |
and it's time for some straight-talking. | 0:00:55 | 0:00:57 | |
-I'm afraid it doesn't do it for me. -Oh. -Right. | 0:00:57 | 0:00:59 | |
I just don't like the set-out. | 0:00:59 | 0:01:00 | |
Well, today, we are in Cheshire, | 0:01:03 | 0:01:04 | |
and this astonishing structure is the Anderton Boat Lift. | 0:01:04 | 0:01:08 | |
It was built to allow canal boats | 0:01:08 | 0:01:10 | |
using the trench at the Mersey Canal over there | 0:01:10 | 0:01:13 | |
to drop some 50 feet below me down to the River Weaver. | 0:01:13 | 0:01:17 | |
Now, it was designed by Victorian engineer Edwin Clark. | 0:01:17 | 0:01:20 | |
Back in 1875, it cost some £48,000 - | 0:01:20 | 0:01:24 | |
in today's money, about 4 million. | 0:01:24 | 0:01:26 | |
Now, later on in the show, I'll be back here, | 0:01:26 | 0:01:28 | |
learning more about its history | 0:01:28 | 0:01:30 | |
and, importantly, finding out exactly how it works. | 0:01:30 | 0:01:33 | |
But in the meantime, here's a little taster | 0:01:33 | 0:01:35 | |
of what the rest of this fascinating county has to offer. | 0:01:35 | 0:01:38 | |
Located in the North West of England, | 0:01:41 | 0:01:43 | |
Cheshire has a population of just over a million. | 0:01:43 | 0:01:46 | |
It stretches from its border with Wales in the West | 0:01:46 | 0:01:49 | |
to the windswept moors of the Peak District in the East. | 0:01:49 | 0:01:53 | |
The county may have a reputation | 0:01:53 | 0:01:55 | |
as the playground of the rich and famous, | 0:01:55 | 0:01:57 | |
as many high-profile footballers live in the region, | 0:01:57 | 0:02:00 | |
but agriculture still plays a central role in the economy. | 0:02:00 | 0:02:04 | |
More than two thirds of its land is farmed today, mainly for dairy, | 0:02:04 | 0:02:09 | |
and a fifth of the North West's breeding herds are found here. | 0:02:09 | 0:02:12 | |
This largely rural landscape | 0:02:12 | 0:02:14 | |
makes the county an ever-popular choice with commuters | 0:02:14 | 0:02:17 | |
wanting to live beyond the urban centres of Manchester and Liverpool. | 0:02:17 | 0:02:21 | |
The expansive Cheshire Plain is home to market towns, | 0:02:22 | 0:02:25 | |
such as Nantwich, which has the largest number of historic buildings | 0:02:25 | 0:02:29 | |
in the county, outside of Chester. | 0:02:29 | 0:02:31 | |
With beautifully-preserved villages and towns | 0:02:31 | 0:02:34 | |
giving way to undulating countryside, | 0:02:34 | 0:02:36 | |
Cheshire provides fertile ground for property-shoppers | 0:02:36 | 0:02:40 | |
in search of a rural bolthole. | 0:02:40 | 0:02:42 | |
Now, Cheshire is famous for many things, | 0:02:43 | 0:02:46 | |
but when it comes to property, it is now perhaps notorious | 0:02:46 | 0:02:49 | |
as the home of more than a handful of footballers' wives, | 0:02:49 | 0:02:52 | |
living in multi-million pound properties | 0:02:52 | 0:02:55 | |
within the county's Golden Triangle, | 0:02:55 | 0:02:57 | |
centred around Wilmslow, Knutsford and Alderley Edge. | 0:02:57 | 0:03:00 | |
They, of course, have inflated local house prices. | 0:03:00 | 0:03:03 | |
Within the hotspot, the average price of a detached property | 0:03:03 | 0:03:06 | |
is currently double the national figure. | 0:03:06 | 0:03:08 | |
But there is, of course, some good news. | 0:03:08 | 0:03:10 | |
Around the rest of the county as a whole, | 0:03:10 | 0:03:12 | |
things are much more sensible. | 0:03:12 | 0:03:14 | |
The average price of a detached property elsewhere | 0:03:14 | 0:03:16 | |
is currently £268,000, | 0:03:16 | 0:03:19 | |
15 grand below the national average, | 0:03:19 | 0:03:22 | |
which means, of course, in simple terms, | 0:03:22 | 0:03:23 | |
you don't need to be a millionaire to live here. | 0:03:23 | 0:03:26 | |
So, let's now meet today's buyers | 0:03:26 | 0:03:28 | |
and find out what has attracted them to this glorious county. | 0:03:28 | 0:03:31 | |
Neil met Denise as teenagers | 0:03:33 | 0:03:35 | |
on a blind date at the school dance in the 1970s. | 0:03:35 | 0:03:39 | |
He's fun-loving, he's adventurous, I think, | 0:03:39 | 0:03:44 | |
good sense of humour. | 0:03:44 | 0:03:46 | |
I'd describe Denise all those | 0:03:46 | 0:03:48 | |
but very organised. | 0:03:48 | 0:03:50 | |
She organises my life. | 0:03:50 | 0:03:53 | |
But I call Denise a corned-beef inspector, | 0:03:53 | 0:03:55 | |
because, no matter what I do in the house, she inspects it. | 0:03:55 | 0:03:59 | |
Yes. | 0:03:59 | 0:04:00 | |
Married now for 40 years, | 0:04:00 | 0:04:02 | |
they currently live in Milnrow | 0:04:02 | 0:04:04 | |
on the outskirts of Rochdale in Lancashire. | 0:04:04 | 0:04:07 | |
The reason we moved to Milnrow is | 0:04:07 | 0:04:09 | |
-we got a job at the Milnrow Working Men's Club. -I work in the men's club. | 0:04:09 | 0:04:13 | |
Yeah, steward and stewardess of a working men's club. | 0:04:13 | 0:04:16 | |
Yeah, when we moved out of Milner for a few years, | 0:04:16 | 0:04:20 | |
we only lasted five years and came back. | 0:04:20 | 0:04:23 | |
People that we knew 20, 30 years ago, | 0:04:23 | 0:04:26 | |
we still see them, you know, say hi to them. | 0:04:26 | 0:04:28 | |
So, it seems to capture people's hearts. | 0:04:28 | 0:04:31 | |
Our first house cost us £700. | 0:04:31 | 0:04:33 | |
Yeah, £700. | 0:04:33 | 0:04:35 | |
-Makes me feel ancient, that. -Yeah. -Back-to-back house, no toilet. | 0:04:35 | 0:04:38 | |
Yeah. | 0:04:38 | 0:04:39 | |
Yeah. | 0:04:39 | 0:04:40 | |
Because they've lived here for as long as they've been married, | 0:04:40 | 0:04:43 | |
Neil and Denise have extremely fond memories | 0:04:43 | 0:04:46 | |
of where they began their lives together. | 0:04:46 | 0:04:48 | |
However, over the decades, | 0:04:48 | 0:04:50 | |
the area has increasingly become part | 0:04:50 | 0:04:52 | |
of the busy Greater Manchester suburbs. | 0:04:52 | 0:04:54 | |
Years ago, when we first moved here, it was a little village. | 0:04:54 | 0:04:57 | |
It was a few estates, but it wasn't a big community as such. | 0:04:57 | 0:05:02 | |
And it's just a massive place now. | 0:05:02 | 0:05:05 | |
Former telecoms-engineer Neil and marketing consultant Denise | 0:05:06 | 0:05:10 | |
bought their current home six years ago | 0:05:10 | 0:05:12 | |
with the intention that it was to be their last. | 0:05:12 | 0:05:15 | |
But since then, | 0:05:15 | 0:05:16 | |
they've decided that the house no longer suits their needs. | 0:05:16 | 0:05:19 | |
We bought this off-plan. | 0:05:19 | 0:05:21 | |
We knew the motorway was there, but I think... | 0:05:21 | 0:05:24 | |
It's not until it was built and we moved in. | 0:05:24 | 0:05:26 | |
-You can hear the motorway all the time. -Yeah. | 0:05:26 | 0:05:29 | |
I think we want peaceful | 0:05:29 | 0:05:30 | |
is an important part of living in the country, | 0:05:30 | 0:05:33 | |
the noises of the country, not the noises of the towns, | 0:05:33 | 0:05:37 | |
-so that's why we want to go. -Yes, yeah, exactly. | 0:05:37 | 0:05:40 | |
Mindful that they don't want to be too far | 0:05:40 | 0:05:42 | |
from their two daughters and four grandchildren, who live locally, | 0:05:42 | 0:05:46 | |
Denise and Neil have decided that rural Cheshire is the right place | 0:05:46 | 0:05:50 | |
for them to put down roots for the long term. | 0:05:50 | 0:05:53 | |
We want that nice fresh air, | 0:05:53 | 0:05:55 | |
that nice fresh smell of the countryside, you know. | 0:05:55 | 0:05:59 | |
What I quite like about the Cheshire countryside is - the countryside - | 0:05:59 | 0:06:02 | |
just getting up, getting out and walking. | 0:06:02 | 0:06:04 | |
I love open spaces. | 0:06:04 | 0:06:07 | |
Neil's been lobbying for this move for the past three years, | 0:06:07 | 0:06:10 | |
but it's only since buying a caravan that Denise has been fully convinced | 0:06:10 | 0:06:14 | |
that a move to the country could be just what she's been looking for. | 0:06:14 | 0:06:18 | |
On the caravan sites, you get the friendliness. | 0:06:18 | 0:06:21 | |
It's completely different to what... | 0:06:21 | 0:06:23 | |
You know, everybody helps each other. | 0:06:23 | 0:06:25 | |
It's the best thing we've ever invested in... | 0:06:25 | 0:06:28 | |
-Yes. -..I think. | 0:06:28 | 0:06:29 | |
Well, we invested in each other. | 0:06:29 | 0:06:31 | |
Yes, love. | 0:06:31 | 0:06:32 | |
Now that Denise and Neil have both signed up to a rural move, | 0:06:33 | 0:06:37 | |
they're excited that it marks a new chapter in their lives together. | 0:06:37 | 0:06:40 | |
I think we're kind of ready for going back to | 0:06:40 | 0:06:42 | |
where we were right at the beginning when it's just the two of you. | 0:06:42 | 0:06:46 | |
We've been from childhood sweethearts... | 0:06:46 | 0:06:49 | |
-Is it a case of putting up with each other now? -Yeah. No. | 0:06:49 | 0:06:52 | |
Denise and Neil are looking forward to the open space | 0:06:54 | 0:06:57 | |
that the Cheshire countryside can offer them. | 0:06:57 | 0:07:00 | |
As long as they're within a quiet, semi-rural location, | 0:07:00 | 0:07:03 | |
they're up for settling pretty much anywhere within the county. | 0:07:03 | 0:07:06 | |
I'm catching up with them | 0:07:06 | 0:07:08 | |
to see just what it is they're after from their new home. | 0:07:08 | 0:07:10 | |
Rights, guys, well, welcome to Escape To The Country, | 0:07:12 | 0:07:15 | |
Denise and Neil, and welcome to Cheshire on a glorious day. | 0:07:15 | 0:07:18 | |
-Yeah, it's fantastic, isn't it? -Yes. | 0:07:18 | 0:07:20 | |
-This is quite a move, then. -It is, yes. | 0:07:20 | 0:07:22 | |
-It's going to be our final... -Well, hopefully, it's going to be our last. -Yes. | 0:07:22 | 0:07:26 | |
Now, give us an idea of the kind of key components | 0:07:26 | 0:07:28 | |
that this new house has in your own mind, Denise. | 0:07:28 | 0:07:31 | |
I want it to have a lovely, big kitchen, | 0:07:31 | 0:07:36 | |
preferably with an island in it. | 0:07:36 | 0:07:37 | |
We've got a caravan, so, I want to put... | 0:07:37 | 0:07:40 | |
It would be a preference to have a drive, but it's not essential. | 0:07:40 | 0:07:43 | |
-Yeah. -And then, I kind of like the thought of a bungalow. -Yeah. | 0:07:43 | 0:07:48 | |
But it doesn't have to be a bungalow. | 0:07:48 | 0:07:51 | |
And maybe detached rather than semidetached. | 0:07:51 | 0:07:54 | |
OK. Anything from you, Neil, to add to that list? | 0:07:54 | 0:07:57 | |
I think she's filled everything, apart from I'd like a rather large workshop. | 0:07:57 | 0:08:01 | |
-OK. -To escape away from everybody. | 0:08:01 | 0:08:03 | |
-So, this is you pottering away in your retirement. -Exactly, yeah. | 0:08:03 | 0:08:06 | |
He has a shed which we call his studio. | 0:08:06 | 0:08:08 | |
HE LAUGHS But it's a shed? | 0:08:08 | 0:08:09 | |
But it's a shed. | 0:08:09 | 0:08:11 | |
So, I think, when we move, he wants it to become the studio. | 0:08:11 | 0:08:14 | |
-Now, in terms of style, you've mentioned bungalow. -Mmm. | 0:08:14 | 0:08:18 | |
Do you have any kind of real view | 0:08:18 | 0:08:20 | |
on what it should kind of feel and look like? | 0:08:20 | 0:08:23 | |
I tend to go for more modern. Neil tends to go more for... | 0:08:23 | 0:08:26 | |
-Traditional. -Traditional. | 0:08:26 | 0:08:28 | |
Now, I think congratulations are in order, | 0:08:28 | 0:08:30 | |
-because you've just celebrated your 40th wedding anniversary. -Yes. | 0:08:30 | 0:08:34 | |
How many times have you moved over that 40-year period? | 0:08:34 | 0:08:37 | |
-Four times. -Four times we've moved, yeah. | 0:08:37 | 0:08:40 | |
Yeah, our very first house, back in the 1970s, was £700. | 0:08:40 | 0:08:46 | |
-OK, 700 quid, 40 years ago. -Yeah. | 0:08:46 | 0:08:49 | |
How much are we going to spend 40 years later? | 0:08:49 | 0:08:51 | |
I know, 3-400,000. | 0:08:51 | 0:08:54 | |
Well, it's 300,000, with a contingency to go to 400,000. | 0:08:54 | 0:08:57 | |
Yeah. Yeah, for the right property. | 0:08:57 | 0:08:59 | |
Now, is all this dependent on you selling your current home? | 0:08:59 | 0:09:02 | |
Are you ready to go? | 0:09:02 | 0:09:03 | |
-No, we're ready to go. -We don't need a mortgage or anything. -We've got the money in the bank | 0:09:03 | 0:09:07 | |
and we're ready to buy. | 0:09:07 | 0:09:09 | |
-Wow. -Yeah. -Hot to trot. | 0:09:09 | 0:09:10 | |
-Yes. -Hot to trot is the word. | 0:09:10 | 0:09:12 | |
Is it burning a hole, Neil? | 0:09:12 | 0:09:13 | |
It always burns a hole in Denise's pocket, not mine. | 0:09:13 | 0:09:16 | |
THEY LAUGH | 0:09:16 | 0:09:17 | |
Brilliant. | 0:09:17 | 0:09:19 | |
Well, I think we've got some really interesting properties | 0:09:19 | 0:09:21 | |
lined up for you this week. | 0:09:21 | 0:09:22 | |
We've got some wonderful weather, all of Cheshire to explore | 0:09:22 | 0:09:27 | |
and, of course, in the mix is our Mystery House. | 0:09:27 | 0:09:29 | |
-Looking forward to that. -Might cost you a bit more than 700 quid, though. -Yes. | 0:09:29 | 0:09:33 | |
-But that's how times have changed. Come on, let's have a look... -OK. -..and see what we can show you. | 0:09:33 | 0:09:37 | |
With a budget of £400,000, | 0:09:39 | 0:09:40 | |
our buyers have drawn up a well thought-through wish-list. | 0:09:40 | 0:09:45 | |
They're after a three-bedroom property | 0:09:45 | 0:09:47 | |
with both traditional and modern features. | 0:09:47 | 0:09:50 | |
Ideally, they'd also like a large kitchen with an island, | 0:09:50 | 0:09:54 | |
and a shed or studio for Neil potter about in. | 0:09:54 | 0:09:58 | |
We found a selection of handsome properties | 0:09:58 | 0:10:00 | |
which embrace the mix of old and new features | 0:10:00 | 0:10:03 | |
that Neil and Denise have requested. | 0:10:03 | 0:10:05 | |
After each house tour, | 0:10:05 | 0:10:06 | |
I'll be asking them to put a price on each one. | 0:10:06 | 0:10:09 | |
Our final proposition will be our Mystery House, | 0:10:10 | 0:10:13 | |
designed to challenge them to think beyond their original brief | 0:10:13 | 0:10:16 | |
and open their minds to other surprising possibilities. | 0:10:16 | 0:10:19 | |
We're starting our property search | 0:10:24 | 0:10:26 | |
in the hamlet of Wettenhall in the heart of the county. | 0:10:26 | 0:10:29 | |
Nearby Tarporley is one of the larger villages of central Cheshire, | 0:10:30 | 0:10:34 | |
which flourished during the mid-18th-century | 0:10:34 | 0:10:37 | |
as a result of its position | 0:10:37 | 0:10:38 | |
on the main route between London and Chester. | 0:10:38 | 0:10:41 | |
It was used by traders dealing in salt mined in nearby Nantwich. | 0:10:41 | 0:10:45 | |
The high street offers a Post Office, a pub, a butcher's | 0:10:45 | 0:10:49 | |
and many independent shops and restaurants. | 0:10:49 | 0:10:51 | |
And just six miles away back in Wettenhall is our first option. | 0:10:52 | 0:10:57 | |
Right, chaps, here we are. | 0:10:57 | 0:10:59 | |
Property number one, | 0:10:59 | 0:11:00 | |
set within this newly-renovated complex of farm buildings and barns. | 0:11:00 | 0:11:05 | |
-But which one is it? -Mmm. -Yeah, exactly. | 0:11:05 | 0:11:08 | |
It's this. | 0:11:08 | 0:11:10 | |
Tucked away in the corner. You've got two floors, which is rather nice, | 0:11:10 | 0:11:13 | |
-although it has a sort of sense of kind of single-storey living... -Yeah. -..if you like. | 0:11:13 | 0:11:17 | |
-Mmm, very nice. -I quite like it, yeah. -Yeah. | 0:11:17 | 0:11:19 | |
I've always quite fancied the idea of a barn conversion | 0:11:19 | 0:11:22 | |
and it does look like a big barn conversion in this corner. | 0:11:22 | 0:11:25 | |
A bit of communal living to whet your appetite as far as property number one is concerned. | 0:11:25 | 0:11:29 | |
-Yes. -I quite like that idea, actually. That's fine. | 0:11:29 | 0:11:32 | |
Get to know the neighbours, close-knit. Yeah. I quite like that. | 0:11:32 | 0:11:35 | |
-Yeah. -Yeah. -Lovely. -Shall we go in? | 0:11:35 | 0:11:36 | |
Yes. Let's go. | 0:11:36 | 0:11:38 | |
Renovated seven years ago, | 0:11:38 | 0:11:40 | |
the five individual properties set within this complex | 0:11:40 | 0:11:43 | |
are thought to date back to 1850. | 0:11:43 | 0:11:46 | |
It's a solid start so far, | 0:11:46 | 0:11:47 | |
so let's hope the interior also gets a positive reaction. | 0:11:47 | 0:11:51 | |
Right. | 0:11:52 | 0:11:54 | |
-Come on in. -Wow. -Thank you. | 0:11:54 | 0:11:57 | |
What do you think? All done, isn't it? | 0:11:57 | 0:11:58 | |
-It is. -Very nice. Very nice, indeed. | 0:11:58 | 0:12:00 | |
Done to a very high spec. | 0:12:00 | 0:12:03 | |
This, I guess, is your sort of dining room, | 0:12:03 | 0:12:05 | |
-dining-hallway, as it were. -Yeah. | 0:12:05 | 0:12:07 | |
So, it has a nice, sort of simple kind of flow to it. | 0:12:07 | 0:12:10 | |
This works for me. This is nice. | 0:12:10 | 0:12:12 | |
It's just right. I don't know what you think. | 0:12:12 | 0:12:15 | |
-I like this... -Yeah. -..as the dining room, | 0:12:15 | 0:12:17 | |
but it does kind of depend on the kitchen a little bit as well. | 0:12:17 | 0:12:20 | |
-Well, yeah, the kitchen is through here. It's not the biggest... -It'll be interesting to see, yeah. | 0:12:20 | 0:12:24 | |
..to be honest, but it does all kind of flow through. | 0:12:24 | 0:12:27 | |
-Granite tops, all done. -Oh, yeah. | 0:12:27 | 0:12:29 | |
Oh, no, it's nice. | 0:12:29 | 0:12:31 | |
Yeah, again, high spec. | 0:12:31 | 0:12:33 | |
But what I like about this is, | 0:12:33 | 0:12:35 | |
what we want to do is, if we're entertaining, | 0:12:35 | 0:12:37 | |
you can still speak to people while you're in the kitchen | 0:12:37 | 0:12:40 | |
and this, therefore, works. | 0:12:40 | 0:12:41 | |
-Yeah, with it being open-plan, it flows. -Yeah, it flows. -Yeah. | 0:12:41 | 0:12:44 | |
It's not... | 0:12:44 | 0:12:46 | |
Even though it may appear narrow, it's actually not, | 0:12:46 | 0:12:48 | |
it's quite a wide kitchen. | 0:12:48 | 0:12:51 | |
Back through the entrance hall, lies the living room. | 0:12:51 | 0:12:53 | |
There you go. | 0:12:54 | 0:12:57 | |
Oh, now, this is cosy. | 0:12:57 | 0:12:58 | |
-Yeah. -Yeah? | 0:12:58 | 0:13:00 | |
-That's a good word, that, cosy. -Yeah. | 0:13:00 | 0:13:02 | |
And I like the width of it. | 0:13:02 | 0:13:03 | |
I also like the simplicity of it all. | 0:13:03 | 0:13:06 | |
-Yeah. -I like that. That's nice. | 0:13:06 | 0:13:07 | |
It's very uncluttered. | 0:13:07 | 0:13:08 | |
-It is. -And we're that kind of people. -Yes. | 0:13:08 | 0:13:11 | |
Well, it always helps in selling your property when it's presented like this, | 0:13:11 | 0:13:15 | |
to be perfectly honest, cos you can see the wood from the trees. | 0:13:15 | 0:13:17 | |
-You know exactly what you've got to play with. -Yeah. | 0:13:17 | 0:13:20 | |
I think this is more Neil than me, because of the barn effect, | 0:13:20 | 0:13:24 | |
but I do like... It feels nice. | 0:13:24 | 0:13:26 | |
The flow of it feels really nice. | 0:13:26 | 0:13:28 | |
-Well, there is more of a sense of the barn upstairs. -Right. | 0:13:28 | 0:13:31 | |
Particularly, in the master bedroom. Let's have a look up there. | 0:13:31 | 0:13:33 | |
-Yeah, that would be interesting. -Yeah, OK, fine. | 0:13:33 | 0:13:37 | |
Just off the dining hall, there's also a cloakroom. | 0:13:37 | 0:13:40 | |
On the first floor, the historic features of the property | 0:13:40 | 0:13:43 | |
have been retained throughout the three double bedrooms, | 0:13:43 | 0:13:46 | |
all of which include exposed beams. | 0:13:46 | 0:13:49 | |
There's also a bathroom, tiled in neutral tones. | 0:13:49 | 0:13:52 | |
And then this is the master. | 0:13:53 | 0:13:55 | |
Oh, right. | 0:13:55 | 0:13:56 | |
Oh, yeah, this is nice. | 0:13:56 | 0:13:58 | |
This is obviously the biggest of the three. | 0:13:58 | 0:14:00 | |
-This is lovely. -Yeah. And again, it's... | 0:14:00 | 0:14:02 | |
Even though it's only got that one window, it's still very light. | 0:14:02 | 0:14:06 | |
-Mmm. -Isn't it? I quite like the fact we've got the modern | 0:14:06 | 0:14:09 | |
with this effect, so it fits both of us, and I like the beams. | 0:14:09 | 0:14:14 | |
-It's cosy again. -Yeah. -I keep bringing that word out, cosy. -Cosy. | 0:14:14 | 0:14:17 | |
-And it's warm feeling in here. -Yeah. | 0:14:17 | 0:14:18 | |
Interesting. Well, let's go out the garden | 0:14:18 | 0:14:20 | |
and we'll talk about the price, because I think that's going to be | 0:14:20 | 0:14:23 | |
another interesting thing for you to kind of take on board | 0:14:23 | 0:14:26 | |
as to how far your budget may or may not go. | 0:14:26 | 0:14:28 | |
The outside space is mostly lawn with a Yorkstone sitting area | 0:14:30 | 0:14:33 | |
overlooking open fields. | 0:14:33 | 0:14:35 | |
It's pretty much a blank canvas for Neil and Denise to make their own. | 0:14:35 | 0:14:39 | |
-Here we are. -Oh, very nice. | 0:14:43 | 0:14:44 | |
-Lots of kinds of alfresco opportunities here. -Yeah. | 0:14:46 | 0:14:49 | |
Your garden extends really up to this post and rail fence, | 0:14:49 | 0:14:52 | |
-and that gate. That little paddock in there is communal. -Right. | 0:14:52 | 0:14:55 | |
And you access it from over there. | 0:14:55 | 0:14:58 | |
-That's your garage in the middle of that lot. -Oh, right, yeah. -OK. | 0:14:58 | 0:15:01 | |
-Nice double-door garage. -Yeah. | 0:15:01 | 0:15:02 | |
-So, you can bring it in, your shed, as it were. -Yeah. | 0:15:02 | 0:15:05 | |
-Well, studio, come on. -Studio, yes. | 0:15:05 | 0:15:07 | |
-It's going to be pukka, isn't it? -I'm glad you said that. | 0:15:07 | 0:15:10 | |
-Yeah, exactly. -You'd put it, like, in this corner here, wouldn't you? | 0:15:10 | 0:15:13 | |
-Yeah. -Tucked away. | 0:15:13 | 0:15:14 | |
-Well, let's think about the price, then. -Well, I would say 35, 355. | 0:15:14 | 0:15:19 | |
355? Yeah, OK. Neil? | 0:15:19 | 0:15:22 | |
Well, I'm going higher, because it's a project that's finished, | 0:15:22 | 0:15:25 | |
and, with that in mind, I'm going to go 375. | 0:15:25 | 0:15:28 | |
If it were 299,950... | 0:15:28 | 0:15:31 | |
Mmm. | 0:15:31 | 0:15:33 | |
-That would... -That's an eye-opener. | 0:15:33 | 0:15:34 | |
Yeah. | 0:15:34 | 0:15:36 | |
I don't think it is going to be 299. | 0:15:36 | 0:15:39 | |
-It is. -Is it? | 0:15:39 | 0:15:40 | |
It's 299,950. | 0:15:40 | 0:15:42 | |
-Very surprised. Very surprised. -Yeah, so am I. | 0:15:42 | 0:15:45 | |
I think we'd have to look into the definite studio thing, as well, | 0:15:45 | 0:15:49 | |
to make sure that it is feasible, cos that is important, | 0:15:49 | 0:15:52 | |
cos I don't want Neil in the house all day. | 0:15:52 | 0:15:55 | |
She's trying to say I'm under her feet. | 0:15:55 | 0:15:57 | |
-Well, look, I think we've given you an interesting proposition here... -Very, yeah. | 0:15:57 | 0:16:01 | |
-Very surprised. -..at a very interesting price point | 0:16:01 | 0:16:03 | |
-to start with. -It is. It is, yeah. -Yeah. | 0:16:03 | 0:16:05 | |
So, go and have a wander around, get the feel of it, why not? | 0:16:05 | 0:16:08 | |
Check it out, explore it. | 0:16:08 | 0:16:09 | |
-And I will come and find you a little bit later. -Lovely. -OK, thank you. -Thanks. | 0:16:09 | 0:16:12 | |
Below budget, at just under £300,000, | 0:16:14 | 0:16:17 | |
this generous three-bedroom barn conversion | 0:16:17 | 0:16:20 | |
has been renovated to an excellent standard. | 0:16:20 | 0:16:22 | |
Outside, the garden gives way to views of open countryside. | 0:16:22 | 0:16:26 | |
Altogether, an impressive package. | 0:16:26 | 0:16:28 | |
The style of these barns, it appeals to me. | 0:16:28 | 0:16:30 | |
This is what I've been looking for for quite a long time. | 0:16:30 | 0:16:34 | |
So, yeah, as soon as we approached it, | 0:16:34 | 0:16:36 | |
I thought, "Oh, this'll do for me." | 0:16:36 | 0:16:38 | |
When I saw the kitchen, initially, I thought, | 0:16:38 | 0:16:41 | |
"This isn't the kitchen that I was dreaming about." | 0:16:41 | 0:16:44 | |
But because of the openness of the dining room | 0:16:44 | 0:16:46 | |
and then into the living room, | 0:16:46 | 0:16:48 | |
it actually felt like a nice-sized kitchen. | 0:16:48 | 0:16:51 | |
Quite liked outside. | 0:16:51 | 0:16:53 | |
I quite like the fact that it wasn't overlooked. | 0:16:53 | 0:16:55 | |
You've got all these fields behind you. | 0:16:55 | 0:16:57 | |
Nicely set out garden, lovely. | 0:16:57 | 0:16:59 | |
For this property, I feel that, if I could move it | 0:16:59 | 0:17:02 | |
into more of a semi or a detached, it would be a definite contender. | 0:17:02 | 0:17:10 | |
Good. Well. | 0:17:10 | 0:17:12 | |
Property number one. | 0:17:12 | 0:17:16 | |
-Almost on target for you. -Mm-hmm. | 0:17:16 | 0:17:18 | |
Little bit wide of the mark for you. | 0:17:18 | 0:17:20 | |
-Mm-hm, yeah. -So, we need a direct hit, don't we, really? | 0:17:20 | 0:17:23 | |
-We do. -Right, then. Let's have some lunch | 0:17:23 | 0:17:24 | |
and then we'll see if we can achieve that with property number two. | 0:17:24 | 0:17:27 | |
OK, fine. | 0:17:27 | 0:17:29 | |
Cheshire's historic canals stand testament | 0:17:36 | 0:17:38 | |
to water being the lifeblood of the county's industrial activity. | 0:17:38 | 0:17:43 | |
But as well as providing a transport network, | 0:17:43 | 0:17:45 | |
it also fuelled the growth of Cheshire's biggest industry, | 0:17:45 | 0:17:48 | |
water-powered textile mills thrived throughout the county. | 0:17:48 | 0:17:52 | |
And it was silk mills that really put Cheshire on the map. | 0:17:52 | 0:17:56 | |
From the 1800s, Macclesfield was strategically-placed | 0:17:56 | 0:17:59 | |
on the textile trade route between Manchester and London. | 0:17:59 | 0:18:03 | |
Over the next century, | 0:18:03 | 0:18:04 | |
it became one of the leading silk-producing centres in Europe. | 0:18:04 | 0:18:08 | |
And today, its legacy is kept alive | 0:18:08 | 0:18:10 | |
through museums and heritage centres. | 0:18:10 | 0:18:13 | |
Denise and Neil are keen to know more about the area's history, | 0:18:13 | 0:18:16 | |
so we arranged for them to visit Paradise Mill, | 0:18:16 | 0:18:18 | |
one of the last remaining silk mills in Cheshire | 0:18:18 | 0:18:21 | |
to meet tour guide Mike Scott. | 0:18:21 | 0:18:23 | |
Welcome to Paradise. | 0:18:23 | 0:18:24 | |
Thank you, mate, thank you. | 0:18:24 | 0:18:26 | |
So, Mike, how old is the mill? | 0:18:26 | 0:18:27 | |
It's approximately 140, 150 years old. | 0:18:27 | 0:18:30 | |
The last company to actually use this mill as a working silk mill, | 0:18:30 | 0:18:35 | |
didn't close until 1981. | 0:18:35 | 0:18:37 | |
-Right. -So... | 0:18:37 | 0:18:38 | |
So, why was silk produced in Macclesfield? | 0:18:38 | 0:18:42 | |
They say that some of that silk came into Macclesfield | 0:18:42 | 0:18:45 | |
for the purpose of covering buttons. | 0:18:45 | 0:18:48 | |
Silk buttons were a status symbol. | 0:18:48 | 0:18:50 | |
The more silk buttons you had, the more wealthy you were. | 0:18:50 | 0:18:53 | |
-Shall we go and have a look, and have a look at the looms? -Yeah. | 0:18:53 | 0:18:56 | |
-Yeah, that'd be lovely, Mike. Thank you. -Come this way. | 0:18:56 | 0:18:58 | |
Silk had to be twisted through the water-powered machines | 0:19:01 | 0:19:04 | |
before it could be used to cover buttons. | 0:19:04 | 0:19:07 | |
It was this process that formed the beginnings of the silk trade | 0:19:07 | 0:19:10 | |
in the UK, with mills in Macclesfield, Congleton, Stockport | 0:19:10 | 0:19:13 | |
and Bollington becoming silk powerhouses. | 0:19:13 | 0:19:15 | |
What type of looms are they? | 0:19:18 | 0:19:20 | |
They are Jacquard looms, | 0:19:20 | 0:19:22 | |
which means that they can produce patterns. | 0:19:22 | 0:19:24 | |
It was the first programme board machine in the world. | 0:19:24 | 0:19:27 | |
It was given to us by a Frenchman, Joseph Marie Jacquard. | 0:19:27 | 0:19:30 | |
He was born in Lyon. | 0:19:30 | 0:19:32 | |
And he produced this system | 0:19:32 | 0:19:34 | |
whereby you could produce a set of punch cards. | 0:19:34 | 0:19:38 | |
The machine will read the holes in those cards | 0:19:38 | 0:19:41 | |
and select the warp threads to lift or to stay down. | 0:19:41 | 0:19:45 | |
-Right, very interesting. -Very good. | 0:19:45 | 0:19:47 | |
How much was made on one loom? | 0:19:47 | 0:19:50 | |
It is a very slow process. | 0:19:50 | 0:19:53 | |
Two yards a day. | 0:19:53 | 0:19:55 | |
Between 1743 and 1940, | 0:19:55 | 0:19:59 | |
over 100 mill sites were built in Macclesfield, | 0:19:59 | 0:20:02 | |
and, by the 1830s, nearly half of the town's population | 0:20:02 | 0:20:05 | |
were working in the textile industry. | 0:20:05 | 0:20:07 | |
Would it be possible to have a demonstration? | 0:20:07 | 0:20:10 | |
Yes, certainly, | 0:20:10 | 0:20:11 | |
and perhaps you could have a treadle or two yourself. | 0:20:11 | 0:20:15 | |
-Oh, that'd be lovely. -Right, come this way. -Thank you. | 0:20:15 | 0:20:17 | |
-Down... -Yeah. -..back, across. | 0:20:18 | 0:20:21 | |
This rhythm. | 0:20:21 | 0:20:23 | |
I wonder if Denise will rise to the challenge. | 0:20:24 | 0:20:27 | |
And down. | 0:20:27 | 0:20:29 | |
That's it. | 0:20:29 | 0:20:30 | |
That's it. | 0:20:30 | 0:20:32 | |
From there...to there. | 0:20:32 | 0:20:33 | |
About that big. | 0:20:33 | 0:20:35 | |
-She's got a good right hand. -That's it. Yeah. | 0:20:35 | 0:20:37 | |
Well done. | 0:20:37 | 0:20:38 | |
I'm awaiting for the shuttle to fly out. | 0:20:38 | 0:20:40 | |
-THEY LAUGH -So am I! | 0:20:40 | 0:20:42 | |
I wouldn't like to do that for eight hours a day. | 0:20:42 | 0:20:45 | |
Silk has always been more desirable than cotton for many reasons. | 0:20:45 | 0:20:50 | |
Often, it's down to its texture, lustre and draping ability, | 0:20:50 | 0:20:53 | |
which made it a luxurious, almost exotic, textile. | 0:20:53 | 0:20:57 | |
It was also easier to dye into practically any colour. | 0:20:57 | 0:21:00 | |
We're in the little part of the factory now | 0:21:02 | 0:21:05 | |
where design was paramount. | 0:21:05 | 0:21:06 | |
So, how old, just as a matter of fact, would these samples be? | 0:21:06 | 0:21:11 | |
These would probably be up to the end of the '50s, | 0:21:11 | 0:21:15 | |
-something like that. -Would they? | 0:21:15 | 0:21:17 | |
So, why did the factory close, then, in '81? | 0:21:17 | 0:21:20 | |
Well, there was a number of things, really. | 0:21:20 | 0:21:22 | |
The tide was certainly against it. | 0:21:22 | 0:21:25 | |
They had their good times. | 0:21:25 | 0:21:27 | |
Silk was no longer the preserve of the very rich | 0:21:27 | 0:21:32 | |
and, also, there was a lot of import penetration coming in. | 0:21:32 | 0:21:35 | |
There was also polyesters and viscose coming in as well, | 0:21:35 | 0:21:39 | |
which made the whole thing cheaper. | 0:21:39 | 0:21:41 | |
So, cost went against them, so they had to go and close. | 0:21:41 | 0:21:46 | |
-It's a shame, really. -It is. | 0:21:46 | 0:21:48 | |
Having stepped back into Cheshire's productive textile past, | 0:21:49 | 0:21:52 | |
it's time we spooled forward to the present day | 0:21:52 | 0:21:55 | |
to continue our property search. | 0:21:55 | 0:21:57 | |
Our second property lies in Beeston, known for its series of locks | 0:22:02 | 0:22:06 | |
located along the Shropshire Union Canal. | 0:22:06 | 0:22:09 | |
Nearby is the larger village of Bunbury, | 0:22:09 | 0:22:12 | |
whose corn mill is thought to date back to 1290. | 0:22:12 | 0:22:14 | |
With a mill pool and stream running by, | 0:22:15 | 0:22:18 | |
its thriving centre has a number of useful amenities to hand, | 0:22:18 | 0:22:21 | |
including a store with Post Office, family butchers and two pubs. | 0:22:21 | 0:22:26 | |
Just a five-minute drive from the heart of the village | 0:22:28 | 0:22:31 | |
and with great views of Beeston Castle from its doorstep | 0:22:31 | 0:22:34 | |
is our second property. | 0:22:34 | 0:22:36 | |
Next on our list, on our little tour of Cheshire's rural hotspots... | 0:22:36 | 0:22:42 | |
-Right. -..is this one. | 0:22:42 | 0:22:44 | |
-What do you think of that, then, Denise? -Oh, that's lovely. | 0:22:44 | 0:22:47 | |
-That is nice. -Yeah? -Yes. | 0:22:47 | 0:22:49 | |
Why does this one appeal? | 0:22:49 | 0:22:51 | |
-Well, it's a semi, for a start. It's got a conservatory. -Yes. | 0:22:51 | 0:22:54 | |
It's got a beautiful garden and it's more private. | 0:22:54 | 0:22:58 | |
And I like the character. | 0:22:58 | 0:22:59 | |
It's got loads of character, this place, looking at it from here. | 0:22:59 | 0:23:04 | |
-This is not the kind of slick modern finish that we saw earlier. -OK. | 0:23:04 | 0:23:09 | |
But, that said, I think there's lots of scope for you to sort of... | 0:23:09 | 0:23:13 | |
-You put your own stamp on it, then, don't you? -Exactly that. | 0:23:13 | 0:23:15 | |
-And you're a handy bloke. -Oh, he is. Definitely. -So she keeps saying. | 0:23:15 | 0:23:18 | |
THEY LAUGH Well, it's worked for 40-odd years, hasn't it? Let's face it. | 0:23:18 | 0:23:21 | |
-Yeah, that's right. -Yeah. -Good. | 0:23:21 | 0:23:23 | |
-Looks lovely. -Come on, then. Let's have a look. -Yeah, let's go. -OK. | 0:23:23 | 0:23:26 | |
This handsome Victorian redbrick semidetached property | 0:23:28 | 0:23:31 | |
dates back 120 years. | 0:23:31 | 0:23:34 | |
Laid out over two storeys, | 0:23:34 | 0:23:36 | |
there's more than enough space both inside and out | 0:23:36 | 0:23:38 | |
for Neil and Denise to make this a forever home. | 0:23:38 | 0:23:41 | |
-Grab the door, Neil. -OK. | 0:23:43 | 0:23:45 | |
Thank you. | 0:23:45 | 0:23:46 | |
-So, your conservatory, obviously. -Yeah. | 0:23:46 | 0:23:48 | |
And then straight into one of the two reception rooms, really, | 0:23:48 | 0:23:52 | |
-that this place offers you. -Oh, right. | 0:23:52 | 0:23:54 | |
Oh, this is nice. This is lovely. | 0:23:54 | 0:23:56 | |
-Yeah? -Yeah. | 0:23:56 | 0:23:57 | |
-This is more you. -Beams, again. -Yeah, this is definitely you. | 0:23:57 | 0:24:00 | |
-This is me, yeah. -Yeah. | 0:24:00 | 0:24:01 | |
How is it you? | 0:24:01 | 0:24:02 | |
It's the cottagey feel for me. | 0:24:02 | 0:24:04 | |
Comfy, cosy. | 0:24:04 | 0:24:06 | |
-Mmm. -Yeah, don't mind it. I don't mind it. | 0:24:06 | 0:24:09 | |
You don't mind it but you don't love it? | 0:24:09 | 0:24:11 | |
I don't love it at the moment, | 0:24:11 | 0:24:12 | |
and the only reason why, if I'm absolutely truthful, | 0:24:12 | 0:24:15 | |
is I would do something with the stairs. | 0:24:15 | 0:24:18 | |
Yeah. It's a bit '70s, isn't it? | 0:24:18 | 0:24:20 | |
Yeah. I wasn't expecting that. | 0:24:20 | 0:24:22 | |
But it can be changed. | 0:24:22 | 0:24:24 | |
I would keep these. | 0:24:24 | 0:24:25 | |
-These are really nice character. -I think you would have to. They're holding the house up. -Well, yeah. | 0:24:25 | 0:24:29 | |
Good point. Well made. You can tell he was an engineer. | 0:24:31 | 0:24:34 | |
-Right, come and have a look at the kitchen. -Let's see it. -OK. | 0:24:34 | 0:24:36 | |
-Now, Denise... -Mmm. | 0:24:39 | 0:24:41 | |
..is this a bit more like it? | 0:24:41 | 0:24:43 | |
It is. | 0:24:43 | 0:24:44 | |
A bit more of the size. | 0:24:44 | 0:24:46 | |
-This is a country feel for me. -Yeah. -This is definitely a country kitchen. -Yeah. | 0:24:46 | 0:24:50 | |
But I would... I mean, I'd change it slightly, obviously. | 0:24:50 | 0:24:53 | |
Well, I'd have this just purely as the kitchen. | 0:24:53 | 0:24:55 | |
It's a nice size and it's very roomy. | 0:24:55 | 0:24:57 | |
You've also got a really big and quite extensive | 0:24:57 | 0:25:00 | |
utility area through there. | 0:25:00 | 0:25:02 | |
-Interesting. -Yeah, it's the right size what we're looking for. -Yeah. | 0:25:02 | 0:25:06 | |
-Let's crack on with the tour. -Yeah. | 0:25:06 | 0:25:08 | |
-Let's get upstairs. -OK. -Okey doke. | 0:25:08 | 0:25:09 | |
Follow me, this way. | 0:25:09 | 0:25:11 | |
Heading back through the sitting room, | 0:25:12 | 0:25:14 | |
it's time we explored upstairs. | 0:25:14 | 0:25:16 | |
Here, there are three bedrooms - | 0:25:16 | 0:25:18 | |
two doubles with high ceilings and large windows, | 0:25:18 | 0:25:20 | |
along with a small single. | 0:25:20 | 0:25:22 | |
And they all share a family bathroom. | 0:25:22 | 0:25:25 | |
And then, finally, we're thinking this is for you. | 0:25:25 | 0:25:28 | |
Right. | 0:25:28 | 0:25:29 | |
It is the biggest of the three. | 0:25:29 | 0:25:31 | |
Yes. | 0:25:31 | 0:25:33 | |
Although, in many ways, I quite like the guest room actually. | 0:25:33 | 0:25:36 | |
-Yeah. -I like it, because that room next door overlooks the castle, | 0:25:36 | 0:25:39 | |
-which is nice. It's away from the road, which is quite nice. -Yeah. | 0:25:39 | 0:25:42 | |
-It doesn't quite flow the same, this upstairs. -Mmm. I think you can do something quite interesting | 0:25:42 | 0:25:46 | |
-with the end boxroom... -Yeah. -..and the family bathroom, | 0:25:46 | 0:25:49 | |
-knocking those together... -Mmm. | 0:25:49 | 0:25:50 | |
..to give you a nice, big family bathroom... | 0:25:50 | 0:25:53 | |
-Yeah, and two bedrooms. -..and just settle for two bedrooms. | 0:25:53 | 0:25:56 | |
-Which is fine, cos there's only you and I and occasional guests. -That's right, occasional guests. | 0:25:56 | 0:26:00 | |
For me, it doesn't flow quite the same up here. | 0:26:00 | 0:26:03 | |
But I think, if I came back and had a few more visits, | 0:26:03 | 0:26:06 | |
I could get back into that kind of flow of visually seeing it. | 0:26:06 | 0:26:11 | |
So, upstairs has taken a little bit of a dip. | 0:26:11 | 0:26:13 | |
-Just a little bit of a dip. -OK. | 0:26:13 | 0:26:15 | |
Well, I'm going to see if we can pick ourselves back up again | 0:26:15 | 0:26:18 | |
by heading outside. | 0:26:18 | 0:26:19 | |
-Garage-workshop, mate. -Yeah. | 0:26:20 | 0:26:22 | |
My hair's standing on end. | 0:26:22 | 0:26:24 | |
THEY LAUGH | 0:26:24 | 0:26:25 | |
Essential to Neil's retirement is the need for man-space | 0:26:25 | 0:26:29 | |
he can call his own, | 0:26:29 | 0:26:30 | |
and I think this one could do quite nicely. | 0:26:30 | 0:26:32 | |
There we are, Neil. Just for you, mate. | 0:26:34 | 0:26:36 | |
THEY LAUGH | 0:26:36 | 0:26:38 | |
-This is definitely for me. -Yeah? -This is the workshop I want, yes. | 0:26:38 | 0:26:42 | |
I think we might put a hammock in here for you, as well. | 0:26:42 | 0:26:44 | |
-HE LAUGHS And it would get him out of your way. -Yeah. | 0:26:44 | 0:26:46 | |
-Very good. -Let's get out there and conclude | 0:26:46 | 0:26:49 | |
with a talk about the price, then. | 0:26:49 | 0:26:50 | |
OK. | 0:26:50 | 0:26:51 | |
Outside, the large lawn is surrounded by established borders | 0:26:54 | 0:26:57 | |
and has amazing views of Beeston Castle, | 0:26:57 | 0:27:00 | |
with uninterrupted countryside all around. | 0:27:00 | 0:27:02 | |
So, time now to think about the price. | 0:27:02 | 0:27:06 | |
OK, so, the final bit. | 0:27:06 | 0:27:07 | |
Let's see...Neil? | 0:27:07 | 0:27:09 | |
I think I'd put a price on this of about 340. | 0:27:09 | 0:27:14 | |
340. | 0:27:14 | 0:27:15 | |
Now, I'm going to go slightly higher and do 370. | 0:27:15 | 0:27:18 | |
It's actually on the market - on the market - | 0:27:18 | 0:27:21 | |
for 399,950. | 0:27:21 | 0:27:25 | |
-Now... -Top of the batch. -Yeah. | 0:27:25 | 0:27:27 | |
Top of the clock, isn't it, really? | 0:27:27 | 0:27:29 | |
-Yeah. -However, it is, of course, open to sensible offers, | 0:27:29 | 0:27:34 | |
which is where I think your 370... | 0:27:34 | 0:27:37 | |
-Ish might... -..ish would probably be something worth talking about. | 0:27:37 | 0:27:42 | |
-Mmm. Yes. -Right, then, off you go. | 0:27:42 | 0:27:44 | |
-OK. -THEY LAUGH | 0:27:44 | 0:27:46 | |
-Go and explore, the pair of you. -OK. | 0:27:46 | 0:27:47 | |
-OK. -And I will catch up with you a little bit later on. | 0:27:47 | 0:27:50 | |
£50 under their top budget, | 0:27:53 | 0:27:55 | |
this three-bedroom semidetached | 0:27:55 | 0:27:56 | |
Victorian property | 0:27:56 | 0:27:58 | |
has the character and proportions | 0:27:58 | 0:27:59 | |
that Denise and Neil asked for, | 0:27:59 | 0:28:01 | |
while offering scope for them to put | 0:28:01 | 0:28:03 | |
their own personal mark on it. | 0:28:03 | 0:28:05 | |
Crucially, it also gives Neil | 0:28:05 | 0:28:06 | |
a ready-made workshop | 0:28:06 | 0:28:08 | |
and those countryside views. | 0:28:08 | 0:28:09 | |
Overall, | 0:28:09 | 0:28:10 | |
it's an attractive proposition. | 0:28:10 | 0:28:12 | |
When we arrived at this Victorian property | 0:28:12 | 0:28:15 | |
and I walked up the drive, | 0:28:15 | 0:28:16 | |
I just thought, "This is absolutely beautiful." | 0:28:16 | 0:28:19 | |
I was quite surprised how big this property is | 0:28:19 | 0:28:22 | |
and the land at the side, as well. It was really surprising. | 0:28:22 | 0:28:27 | |
The gardens were superb for me. | 0:28:27 | 0:28:29 | |
Yeah, they'll do for me. | 0:28:29 | 0:28:30 | |
I just weighed up at the side of the workshop, | 0:28:30 | 0:28:32 | |
I could put the caravan, not a problem, | 0:28:32 | 0:28:35 | |
and then, going inside the workshop, that did it for me. | 0:28:35 | 0:28:38 | |
It was... Yeah. | 0:28:38 | 0:28:39 | |
Just my size. | 0:28:39 | 0:28:40 | |
Ah. | 0:28:42 | 0:28:43 | |
Now, what would you do with this room? | 0:28:43 | 0:28:45 | |
I'd just turn this into a dining room | 0:28:45 | 0:28:48 | |
and move that table out the kitchen | 0:28:48 | 0:28:51 | |
and put our own table in here. | 0:28:51 | 0:28:53 | |
It's nice and quiet. | 0:28:53 | 0:28:54 | |
Lovely meal and away you go. | 0:28:54 | 0:28:57 | |
Yeah, well, I have to say I'm coming round to your way of thinking. | 0:28:57 | 0:29:02 | |
-Good, good. -OK. | 0:29:02 | 0:29:03 | |
When I went upstairs, I was expecting a lot bigger bedrooms, | 0:29:05 | 0:29:13 | |
so I was disappointed. | 0:29:13 | 0:29:16 | |
This Victorian house, for me, is in the right location. | 0:29:16 | 0:29:20 | |
Lovely house, but it does need a bit of tender loving care, | 0:29:20 | 0:29:23 | |
just to bring it up to stamp. | 0:29:23 | 0:29:26 | |
-Gosh, what has happened to the day? -I know. -It's freezing now. | 0:29:26 | 0:29:28 | |
-Look at the cloud. I think it's going to start raining. -Oh, gosh. -Oh, don't say that. | 0:29:28 | 0:29:32 | |
-OK, so, a busy day. -Yes. | 0:29:32 | 0:29:35 | |
-Good day? -Yes. -Yes, yes. | 0:29:35 | 0:29:37 | |
Are we getting closer to figuring out what it is we're after? | 0:29:37 | 0:29:40 | |
-I think so, yes. -Yes, you are. | 0:29:40 | 0:29:41 | |
I think you've got a better idea now | 0:29:41 | 0:29:43 | |
and we're tightening the brief a little bit more. | 0:29:43 | 0:29:46 | |
-We are. -Yes. -It's a work in progress. | 0:29:46 | 0:29:48 | |
-It is. -It certainly is. | 0:29:48 | 0:29:49 | |
Right, come on, beer time. Let's go. | 0:29:49 | 0:29:51 | |
-OK. -THEY LAUGH | 0:29:51 | 0:29:52 | |
Sounds good to me. | 0:29:52 | 0:29:54 | |
Retired childhood sweethearts Denise and Neil | 0:30:03 | 0:30:06 | |
have up to £400,000 to spend on making a move | 0:30:06 | 0:30:09 | |
from suburban life in Rochdale to the Cheshire countryside. | 0:30:09 | 0:30:13 | |
They've been on the same page | 0:30:13 | 0:30:15 | |
with the two properties they've seen so far, | 0:30:15 | 0:30:17 | |
but coming up, our Mystery House causes conflict... | 0:30:17 | 0:30:20 | |
I'm not with you on that one, I can't see that one. | 0:30:20 | 0:30:23 | |
Right, fine. | 0:30:23 | 0:30:24 | |
-JULES LAUGHS -I can't see that at all. | 0:30:24 | 0:30:26 | |
..and I found out how one impressive Victorian structure | 0:30:28 | 0:30:31 | |
revolutionised the way goods were transported | 0:30:31 | 0:30:34 | |
on Cheshire's famous waterways. | 0:30:34 | 0:30:36 | |
So, we're now kind of isolated in our own kind of watery bath... | 0:30:36 | 0:30:40 | |
-Yes. -..50 feet above the river below us. | 0:30:40 | 0:30:43 | |
-Yeah. -HE LAUGHS | 0:30:43 | 0:30:45 | |
Well, when we started out with Neil and Denise, they gave us such a broad brief, | 0:30:47 | 0:30:51 | |
I thought our task might be somewhat easier, | 0:30:51 | 0:30:53 | |
but of course, it is throwing up its own challenges. | 0:30:53 | 0:30:57 | |
When you are on the hunt, you do need to have some idea | 0:30:57 | 0:30:59 | |
of what it is you're looking for. | 0:30:59 | 0:31:01 | |
Initially, they weren't that bothered about style | 0:31:01 | 0:31:04 | |
or, indeed, location. | 0:31:04 | 0:31:05 | |
But Neil, it seems, does quite like a barn conversion | 0:31:05 | 0:31:08 | |
and certainly responds to that cottagey feel. | 0:31:08 | 0:31:11 | |
But Denise, on the other hand, | 0:31:11 | 0:31:12 | |
well, she is proving to be a much tougher nut to crack. | 0:31:12 | 0:31:15 | |
So, it's another day, our final day, | 0:31:15 | 0:31:18 | |
with plenty more to see, including, of course, our Mystery House, | 0:31:18 | 0:31:22 | |
which I hope, in its own rather distinctive, crafty way, | 0:31:22 | 0:31:26 | |
may provide everything they're looking for. | 0:31:26 | 0:31:28 | |
Before the Mystery House, we're heading to our penultimate property, | 0:31:31 | 0:31:34 | |
which lies in the village of Warmingham. | 0:31:34 | 0:31:37 | |
Here, the River Wheelock runs around the outskirts of the centre, | 0:31:37 | 0:31:40 | |
which is home to a pub. | 0:31:40 | 0:31:42 | |
Nearby is the busy town of Sandbach, | 0:31:42 | 0:31:44 | |
where there are frequent food and craft markets | 0:31:44 | 0:31:46 | |
held in the attractive cobbled square. | 0:31:46 | 0:31:49 | |
There's also a Post Office and other handy amenities. | 0:31:49 | 0:31:52 | |
Our next offering is just a five-mile drive away | 0:31:52 | 0:31:56 | |
in rural seclusion. | 0:31:56 | 0:31:57 | |
Oh, wow. | 0:31:59 | 0:32:00 | |
-How about this? Was that a "wow"? -Yeah. -That was a "wow". -Yeah. | 0:32:00 | 0:32:03 | |
We've got the wow factor. | 0:32:03 | 0:32:04 | |
So it should be. This is lovely. | 0:32:04 | 0:32:06 | |
Bathed in sunlight. | 0:32:06 | 0:32:07 | |
-Yeah. -Look at that. -Yeah. | 0:32:07 | 0:32:09 | |
Absolutely stunning. | 0:32:09 | 0:32:11 | |
Yeah. | 0:32:11 | 0:32:12 | |
-Yeah, well, that's definitely got the wow factor. -It's beautiful. | 0:32:12 | 0:32:15 | |
Well, wait till you get inside, | 0:32:15 | 0:32:16 | |
because I'm going to put my head on the block | 0:32:16 | 0:32:19 | |
and say I think this is you all over. | 0:32:19 | 0:32:21 | |
-OK. -I'm not going to disagree with that. | 0:32:21 | 0:32:24 | |
-Well, let's see if I'm right. Come on, let's have a look inside. -OK. | 0:32:24 | 0:32:27 | |
Constructed in 1875 and formerly a dairy, | 0:32:27 | 0:32:31 | |
this L-shaped barn was converted eight years ago | 0:32:31 | 0:32:34 | |
into three properties. | 0:32:34 | 0:32:35 | |
As they'll see, the renovations have been completed sympathetically | 0:32:35 | 0:32:39 | |
and to a really high standard. | 0:32:39 | 0:32:42 | |
-You see? -Yes. -NEIL CHUCKLES | 0:32:42 | 0:32:43 | |
-Come in, mate. -Oh. Oh, look at this. | 0:32:43 | 0:32:47 | |
-What do you think? -Oh... | 0:32:47 | 0:32:49 | |
-Stunning again. -Yeah. | 0:32:49 | 0:32:50 | |
Blown away. It's beautiful. | 0:32:50 | 0:32:53 | |
Nothing to do here at all. | 0:32:53 | 0:32:55 | |
And I guess this gives us a natural kind of choice as to where we go first. | 0:32:55 | 0:32:58 | |
To the right there is the living room. | 0:32:58 | 0:33:00 | |
-OK. -But to the left is the kitchen. | 0:33:00 | 0:33:03 | |
So, where are we going to start, Denise? | 0:33:03 | 0:33:05 | |
-I think to the left. -I thought you'd say that, yeah. -Let's see the kitchen. | 0:33:05 | 0:33:08 | |
Come and have a look. | 0:33:08 | 0:33:10 | |
Good choice, Denise. | 0:33:10 | 0:33:12 | |
-Oh. -I thought this was where you'd want to start. | 0:33:12 | 0:33:14 | |
This is stunning. | 0:33:14 | 0:33:16 | |
Absolutely stunning. | 0:33:16 | 0:33:17 | |
-Is that not the kitchen you're looking for? -It is. | 0:33:17 | 0:33:20 | |
-Oh! The island in the middle. -Yeah. | 0:33:20 | 0:33:23 | |
I think it's absolutely perfect. | 0:33:23 | 0:33:24 | |
The beauty about this kitchen, Jules, is | 0:33:24 | 0:33:26 | |
when we're in our kitchen at home, we're under each other's feet. | 0:33:26 | 0:33:30 | |
-Not in here. -No. -Not here. | 0:33:30 | 0:33:32 | |
-You can stand there. -THEY LAUGH -I'll stand here. | 0:33:32 | 0:33:35 | |
But what I like is actually the extra room for sitting and dining. | 0:33:35 | 0:33:39 | |
Yeah, yeah. | 0:33:39 | 0:33:40 | |
-It's big, it's spacious. -But it's done to our taste. This is something that I would choose. | 0:33:40 | 0:33:44 | |
-You've found the right one here. -Yeah, the handles, everything. -So far, anyway. It's beautiful. | 0:33:44 | 0:33:49 | |
-It's just lovely. -Even the handles! No-one's ever said that before. I love the detail. -Yeah. | 0:33:49 | 0:33:53 | |
Good, we're getting there. We are finding our way, aren't we? | 0:33:53 | 0:33:55 | |
-Oh, yeah. -I think you've got there at the moment. | 0:33:55 | 0:33:57 | |
-Well, let's nip across the hallway and look at the living room. -Yes. -OK. | 0:33:57 | 0:34:00 | |
So, all good so far, | 0:34:03 | 0:34:04 | |
but I wonder if Neil and Denise would've been just as thrilled | 0:34:04 | 0:34:07 | |
if they'd taken a right turn at the entrance hall. | 0:34:07 | 0:34:09 | |
Time to find out. | 0:34:09 | 0:34:10 | |
There you go. | 0:34:12 | 0:34:14 | |
Oh. | 0:34:14 | 0:34:15 | |
Yes. | 0:34:15 | 0:34:16 | |
This is - I'm going to use the word again, Jules - it's stunning. | 0:34:16 | 0:34:20 | |
I need to think of some more words that relate to stunning. | 0:34:20 | 0:34:22 | |
Stunning's good. I'd leave it at stunning. | 0:34:22 | 0:34:25 | |
Again, wouldn't change anything. | 0:34:25 | 0:34:27 | |
So, do you want to buy the whole lot with everything in it? | 0:34:27 | 0:34:29 | |
We don't need to look upstairs. | 0:34:29 | 0:34:32 | |
Oh, yes, you do. Believe you me. | 0:34:32 | 0:34:34 | |
-OK, OK. -It's well worth seeing. I tell you what's interesting | 0:34:34 | 0:34:36 | |
about this one, cos it's not massive, let's be honest, | 0:34:36 | 0:34:39 | |
but it does feel big enough to give you both your own space. | 0:34:39 | 0:34:42 | |
Oh, of course. | 0:34:42 | 0:34:43 | |
-Without a doubt, yeah. -Yeah, I've already put Neil down there | 0:34:43 | 0:34:45 | |
-on the settee there and I'm there. -THEY LAUGH | 0:34:45 | 0:34:48 | |
-Managed him in the kitchen, so... -She's put me near the remote. | 0:34:48 | 0:34:50 | |
-Yeah, yeah, yeah, I can see what's coming. -Yeah. | 0:34:50 | 0:34:53 | |
-Good. -It's beautiful. | 0:34:53 | 0:34:56 | |
It's the bee's knees. | 0:34:56 | 0:34:57 | |
Yeah, it's beautiful. | 0:34:57 | 0:34:58 | |
-Well, let's have a look upstairs. It will not let you down, I can assure you. -Yeah. | 0:34:58 | 0:35:02 | |
Well, the character downstairs has really delivered | 0:35:02 | 0:35:05 | |
and that continues at the top of the oak staircase. | 0:35:05 | 0:35:08 | |
How about that? | 0:35:08 | 0:35:09 | |
-Yeah. -That's stunning as well. | 0:35:09 | 0:35:12 | |
Yeah. | 0:35:12 | 0:35:14 | |
There are four bedrooms in total - | 0:35:14 | 0:35:16 | |
three generous doubles with one currently laid out as a study, | 0:35:16 | 0:35:19 | |
benefiting from a fitted wardrobe, and one single, used for storage. | 0:35:19 | 0:35:23 | |
There's also a family bathroom with a Jacuzzi bath. | 0:35:23 | 0:35:27 | |
This is your master bedroom. | 0:35:27 | 0:35:29 | |
-Oh! -HE CHUCKLES | 0:35:30 | 0:35:32 | |
-This is... -Absolutely beautiful. -Yeah. | 0:35:34 | 0:35:36 | |
-Yeah? -Oh, yeah. -Original beams. | 0:35:36 | 0:35:38 | |
Yeah, original beans. | 0:35:38 | 0:35:40 | |
-Yeah. -Yeah. | 0:35:40 | 0:35:41 | |
And you've got the bonus of your shower en suite. | 0:35:41 | 0:35:44 | |
-All right. -Oh, gosh. | 0:35:44 | 0:35:46 | |
-All done. -I love the shower. | 0:35:46 | 0:35:48 | |
Look at the shower. | 0:35:48 | 0:35:49 | |
-Massive walk-in shower. -Walk-in. -Yeah. -Lovely. | 0:35:49 | 0:35:52 | |
-Lovely. -High quality. -Told you it wouldn't disappoint you. | 0:35:52 | 0:35:55 | |
-It certainly hasn't. -No, definitely not. -No. | 0:35:55 | 0:35:58 | |
No, I can't find any...anything. | 0:35:58 | 0:36:00 | |
-You can't fault it. -No. -No. | 0:36:00 | 0:36:02 | |
You've done your homework today. | 0:36:02 | 0:36:04 | |
-JULES LAUGHS -Yes. -Phew! | 0:36:04 | 0:36:06 | |
But it's not over yet. | 0:36:07 | 0:36:08 | |
-No? -Garden. -Mmm. -OK. | 0:36:08 | 0:36:10 | |
It's beautiful. | 0:36:10 | 0:36:12 | |
Come and have a look. | 0:36:12 | 0:36:13 | |
Outside, there is a large and immaculate lawn | 0:36:14 | 0:36:17 | |
and a flagstone patio. | 0:36:17 | 0:36:19 | |
It also has a greenhouse | 0:36:19 | 0:36:20 | |
and a shed, so Neil and Denise can potter to their hearts' content. | 0:36:20 | 0:36:25 | |
Plus, it also benefits from a double garage. | 0:36:25 | 0:36:27 | |
There we are. That's it. The whole package is now complete. | 0:36:31 | 0:36:34 | |
-It is. -Couldn't wish for anything better. | 0:36:34 | 0:36:36 | |
-Now, let's think about your studio. -OK. -Mmm. | 0:36:36 | 0:36:38 | |
-Can you see what the neighbours have done? -I can, yeah. | 0:36:38 | 0:36:40 | |
-That's the type of thing I'd like. -That's it, isn't it? -That is, yeah. | 0:36:40 | 0:36:43 | |
And I think you'd find some space down here to do that. | 0:36:43 | 0:36:46 | |
-Oh, yeah. -In fact, I was talking to the neighbours earlier, | 0:36:46 | 0:36:49 | |
-they built their own. -I'd have ask to him, then, would he build mine. | 0:36:49 | 0:36:52 | |
There's a project, yeah. THEY LAUGH | 0:36:52 | 0:36:54 | |
So, let's think about the price of this property, then, | 0:36:54 | 0:36:57 | |
because I think it appeals, Denise, doesn't it? | 0:36:57 | 0:36:59 | |
It appeals, yes. | 0:36:59 | 0:37:00 | |
So, Madame, make me an offer. | 0:37:00 | 0:37:02 | |
Yes, well, cos I really love it, I'm going to guess at 385, | 0:37:02 | 0:37:09 | |
but I think it's more than that, but I want it to be 385. | 0:37:09 | 0:37:13 | |
-HE LAUGHS You want it to be? -I want it to be 385. -OK. | 0:37:13 | 0:37:15 | |
I'm going to go way over budget here and say 425. | 0:37:15 | 0:37:18 | |
-425. -Mmm. | 0:37:18 | 0:37:21 | |
Well, here's the thing, you're both wrong. | 0:37:21 | 0:37:23 | |
Right. | 0:37:23 | 0:37:24 | |
-But in a good way. -Oh. | 0:37:24 | 0:37:26 | |
This is on the market for 389,950. | 0:37:26 | 0:37:32 | |
THEY LAUGH | 0:37:32 | 0:37:33 | |
-So, that should put a smile on your face. -Oh, it went bang. | 0:37:33 | 0:37:36 | |
-THEY LAUGH Good. -Yes. | 0:37:36 | 0:37:38 | |
-Well, you've surprised me with that... -Yeah. -..with that price. | 0:37:38 | 0:37:41 | |
-I really thought it was well over budget. -Good. | 0:37:41 | 0:37:43 | |
Well, look, I think you should have a better look around upstairs | 0:37:43 | 0:37:46 | |
-because it really is sumptuous up there. -Yeah. | 0:37:46 | 0:37:49 | |
-And I will come and find you a little bit later on. -Okey doke. -Lovely, thank you. -Thanks, Jules. | 0:37:49 | 0:37:53 | |
Off you go. | 0:37:53 | 0:37:55 | |
Making plans to move in, I think. | 0:37:55 | 0:37:56 | |
So, still within | 0:38:01 | 0:38:02 | |
their maximum budget, | 0:38:02 | 0:38:03 | |
this converted dairy | 0:38:03 | 0:38:05 | |
with its four bedrooms | 0:38:05 | 0:38:06 | |
is beautifully presented throughout. | 0:38:06 | 0:38:08 | |
The huge kitchen with its island | 0:38:08 | 0:38:10 | |
was an obvious hit with Denise | 0:38:10 | 0:38:12 | |
and the studio options open to Neil | 0:38:12 | 0:38:14 | |
seem to have made this property | 0:38:14 | 0:38:16 | |
a genuine contender. | 0:38:16 | 0:38:17 | |
This is nice again. Good size. | 0:38:19 | 0:38:21 | |
-Nice guest bedroom, this. -Yeah. -Isn't it? | 0:38:21 | 0:38:24 | |
You just can't fault it, can you? | 0:38:24 | 0:38:26 | |
When we went into the kitchen, | 0:38:26 | 0:38:27 | |
I just couldn't see anything wrong with it | 0:38:27 | 0:38:31 | |
in any way, shape or form. | 0:38:31 | 0:38:32 | |
Sometimes, you want to put your own stamp on something. | 0:38:32 | 0:38:35 | |
That had my name on it. | 0:38:35 | 0:38:37 | |
The style of the house, for me, is everything. | 0:38:37 | 0:38:39 | |
It's got that rustic farm feel about it. | 0:38:39 | 0:38:42 | |
Love it. | 0:38:42 | 0:38:44 | |
Oh, right, yeah, this is another full-sized room again, look. | 0:38:44 | 0:38:47 | |
Yeah. | 0:38:47 | 0:38:48 | |
Might even be an extra dressing room. | 0:38:48 | 0:38:50 | |
-Oh, well, I thought as much. -SHE LAUGHS | 0:38:50 | 0:38:53 | |
The sitting room's another one. | 0:38:53 | 0:38:54 | |
It was just nice and cosy, | 0:38:54 | 0:38:56 | |
the right size what we're looking for. | 0:38:56 | 0:38:58 | |
I could see me and Denise sat in there, without a problem. | 0:38:58 | 0:39:01 | |
The downstairs, the size of it, the feel of it, everything was perfect. | 0:39:01 | 0:39:06 | |
The bedrooms, four bedrooms, and all big. | 0:39:06 | 0:39:10 | |
The original beams, and it just complemented everything. | 0:39:10 | 0:39:13 | |
How I would sum up this particular property | 0:39:13 | 0:39:16 | |
is stunning, stunning, stunning. | 0:39:16 | 0:39:19 | |
Perfect. | 0:39:19 | 0:39:21 | |
-How we doing, then? -Really good, Jules, really good. | 0:39:21 | 0:39:24 | |
I think things are hotting up in more ways than one. | 0:39:24 | 0:39:27 | |
They certainly are. They certainly are. | 0:39:27 | 0:39:30 | |
I'm all of a flush. | 0:39:30 | 0:39:32 | |
Do you want to see the Mystery House? | 0:39:32 | 0:39:33 | |
-Let's go for it. -Erm...oh, do I now, Jules, really? | 0:39:33 | 0:39:37 | |
-It might put a spanner in the works. -I know. That's the fear factor. | 0:39:37 | 0:39:41 | |
-Yeah. -Come on. | 0:39:41 | 0:39:42 | |
-We will. -Come on, toughen up. -Let's go for it. | 0:39:42 | 0:39:44 | |
Now, what do you think we've got in mind for our Mystery House, then, Neil? | 0:39:53 | 0:39:58 | |
For some reason, I'm looking towards thinking | 0:39:58 | 0:40:01 | |
it's going to be like a project, an old church or something like that. | 0:40:01 | 0:40:06 | |
I'm looking forward to seeing it. | 0:40:06 | 0:40:07 | |
Is this mystery property going to be a huge studio | 0:40:07 | 0:40:11 | |
with a little flat on the top of it, Jules? | 0:40:11 | 0:40:13 | |
THEY LAUGH It could be anything, Denise. | 0:40:13 | 0:40:15 | |
It could be anything. | 0:40:15 | 0:40:17 | |
One thing that has become clear from property one | 0:40:17 | 0:40:20 | |
is the idea that a bit of community living might appeal. | 0:40:20 | 0:40:24 | |
Yes. Yes, it does appeal to me. | 0:40:24 | 0:40:26 | |
I don't mind neighbours around. | 0:40:26 | 0:40:28 | |
I think, for me, it was just | 0:40:28 | 0:40:30 | |
I would've preferred the house to be | 0:40:30 | 0:40:33 | |
slightly more detached away or a semi. | 0:40:33 | 0:40:35 | |
OK, so, if we found you something that had a similar feel, | 0:40:35 | 0:40:38 | |
but gave you a sense of a bit more space, that might... | 0:40:38 | 0:40:42 | |
That would, yes, that would tick the box, yes. | 0:40:42 | 0:40:44 | |
I thought she was going to say tick the box. | 0:40:44 | 0:40:46 | |
THEY LAUGH Everybody's ticking boxes on this show, Neil. | 0:40:46 | 0:40:50 | |
Yeah. | 0:40:50 | 0:40:51 | |
For our final offering, we're heading 20 miles north | 0:40:54 | 0:40:56 | |
to Frodsham where the River Weaver and the Mersey meet. | 0:40:56 | 0:41:00 | |
With good access to the coast, | 0:41:00 | 0:41:02 | |
Frodsham today is a lively market town. | 0:41:02 | 0:41:06 | |
The high street with its two pubs and handful of independent stores | 0:41:06 | 0:41:09 | |
is interspersed with pretty houses. | 0:41:09 | 0:41:12 | |
And just three miles outside of the town | 0:41:12 | 0:41:15 | |
is our rather imposing Mystery House. | 0:41:15 | 0:41:17 | |
Well... | 0:41:20 | 0:41:21 | |
at last, I can reveal our Mystery House. | 0:41:21 | 0:41:24 | |
-Mmm. -What do you reckon? | 0:41:24 | 0:41:26 | |
Pretty large. | 0:41:26 | 0:41:27 | |
Yes. It used to be the Crossley Sanatorium or Crossley Hospital. | 0:41:28 | 0:41:33 | |
But what we've got for you isn't an apartment, | 0:41:33 | 0:41:36 | |
-you'll be pleased to hear. -Oh. -Good. | 0:41:36 | 0:41:38 | |
-Well, let's go for a wander and find your Mystery House. -OK. | 0:41:38 | 0:41:43 | |
Built in the early 1920s, this Grade II listed building | 0:41:43 | 0:41:46 | |
was initially a hospital for TB patients. | 0:41:46 | 0:41:49 | |
Having also spent its former years as a nursing home and a school, | 0:41:49 | 0:41:53 | |
it was completely and sympathetically developed | 0:41:53 | 0:41:55 | |
25 years ago. | 0:41:55 | 0:41:56 | |
See, you get away from the main building out here | 0:41:58 | 0:42:01 | |
and it's like walking through a kind of very quiet, leafy suburb. | 0:42:01 | 0:42:04 | |
-Yeah. -Stunning. | 0:42:04 | 0:42:06 | |
-Well, that's the Mystery House. -I like the way it's laid out. | 0:42:06 | 0:42:08 | |
-I like all this architecture on the roof. -I'm not as keen. | 0:42:08 | 0:42:11 | |
-I'm not keen on the pebble-dash... -Mm-hm. -..I have to say. | 0:42:11 | 0:42:14 | |
Erm... | 0:42:14 | 0:42:16 | |
and I'm not overly enamoured about living near what was a sanatorium. | 0:42:16 | 0:42:22 | |
HE LAUGHS There's no more TB, that's all long gone. | 0:42:22 | 0:42:24 | |
-I know. I know. -It worked. | 0:42:24 | 0:42:26 | |
THEY LAUGH | 0:42:26 | 0:42:29 | |
It did. But I'm keen to look inside. | 0:42:29 | 0:42:32 | |
Good. Right. Come on, then. | 0:42:32 | 0:42:33 | |
OK. | 0:42:33 | 0:42:34 | |
Our Mystery House is located in a private, gated development | 0:42:36 | 0:42:39 | |
with a community of its own, | 0:42:39 | 0:42:41 | |
which may offer Neil and Denise an alternative | 0:42:41 | 0:42:43 | |
to living near a village. | 0:42:43 | 0:42:46 | |
Through the entrance hall, our first stop is the dining room. | 0:42:46 | 0:42:50 | |
Let's start in here, then, guys. | 0:42:50 | 0:42:52 | |
-Oh, this is nice. -Yeah? | 0:42:52 | 0:42:53 | |
-Yes. -Nice dining room. -Nice size. | 0:42:53 | 0:42:55 | |
Yeah, it's a good size, this. | 0:42:55 | 0:42:56 | |
It would make a very nice living room actually, but you've got one next-door. | 0:42:56 | 0:43:00 | |
I think we need to look at the other rooms as well, | 0:43:00 | 0:43:02 | |
cos, to me, this could also be the living room. | 0:43:02 | 0:43:04 | |
-I'm delighted you're giving it its due. -Oh, yes. -This is all good. -Yes. | 0:43:04 | 0:43:07 | |
-Let's have a look at the living room. This is lovely. -OK. -This is a really good family space. | 0:43:07 | 0:43:12 | |
-There. -Oh, right. This is lovely. | 0:43:12 | 0:43:15 | |
-But it's contemporary as well. -Nice size. It's very contemporary. | 0:43:15 | 0:43:18 | |
It's a lot bigger than I thought. | 0:43:18 | 0:43:20 | |
And these lovely windows that go out onto the little patio there | 0:43:20 | 0:43:24 | |
-and the garden beyond as well. -Yeah. | 0:43:24 | 0:43:25 | |
Pleasantly surprised, to be honest with you. | 0:43:25 | 0:43:28 | |
-You see, but I would make this maybe the dining room. -Well, you could, couldn't you? | 0:43:28 | 0:43:32 | |
You've got a lot of room here and it would work quite nicely, because, | 0:43:32 | 0:43:35 | |
-with a dining table there, the kitchen is through that door. -Right. | 0:43:35 | 0:43:39 | |
Well, if that was the case, if you wanted, then you could have... You could knock through | 0:43:39 | 0:43:42 | |
-and have a huge lounge. -Mmm. | 0:43:42 | 0:43:44 | |
-Look at you with the creative poking about. -There you go. | 0:43:44 | 0:43:46 | |
I thought I'd better put ten penneth in. | 0:43:46 | 0:43:48 | |
Yeah, well, you've done more than that. Let's call it ten quid. | 0:43:48 | 0:43:51 | |
That is very good. Very good. | 0:43:51 | 0:43:53 | |
-Right, come and have look at the kitchen. That's through here. -Absolutely fine. | 0:43:53 | 0:43:56 | |
Well, Denise does seem to have warmed a little since coming inside, | 0:43:56 | 0:44:00 | |
although I suspect a lot will hinge on the all-important kitchen. | 0:44:00 | 0:44:03 | |
There you go. | 0:44:03 | 0:44:05 | |
Oh, that's nice. | 0:44:05 | 0:44:07 | |
-Very straightforward. -Yeah. -Very simple, really, actually. | 0:44:07 | 0:44:10 | |
-And I'm afraid it doesn't do it for me. -Right. | 0:44:10 | 0:44:12 | |
Because...? | 0:44:12 | 0:44:13 | |
-It's just the set-out, really. -Yeah. | 0:44:13 | 0:44:16 | |
I just don't like the set-out. | 0:44:16 | 0:44:17 | |
I suspect if you could, for example, if we're going to get creative... | 0:44:17 | 0:44:21 | |
-Mm-hm. -..somehow create a kind of garden room | 0:44:21 | 0:44:25 | |
that occupied that space out there | 0:44:25 | 0:44:26 | |
-that links the kitchen with the main living room. -Yeah. | 0:44:26 | 0:44:30 | |
-Wow. -I don't mind the kitchen, actually. I really don't. | 0:44:30 | 0:44:34 | |
-That's interesting, actually. -Yeah. | 0:44:34 | 0:44:36 | |
-That's cos she's seen a wine rack in the corner. -THEY LAUGH | 0:44:36 | 0:44:39 | |
-It's kind of almost full. -Yeah. | 0:44:39 | 0:44:41 | |
Good, OK. | 0:44:41 | 0:44:42 | |
But upstairs is also pretty expansive. | 0:44:42 | 0:44:45 | |
-Right. -Yeah. -Right, yeah. -Let's try the upstairs. -Let's have a look. | 0:44:45 | 0:44:48 | |
You've got an extra floor with this one. | 0:44:48 | 0:44:50 | |
Oh. | 0:44:50 | 0:44:51 | |
Back through the entrance hall, we're heading upstairs, | 0:44:51 | 0:44:54 | |
where there are three bedrooms laid out over two levels. | 0:44:54 | 0:44:58 | |
On the first floor, there's a large single bedroom | 0:44:58 | 0:45:00 | |
with its own modern ensuite shower room, | 0:45:00 | 0:45:02 | |
as well as a simple family bathroom. | 0:45:02 | 0:45:05 | |
In the eaves, there is a further newly-decorated double bedroom. | 0:45:05 | 0:45:09 | |
But we're stopping off at the bedroom I've earmarked for them. | 0:45:09 | 0:45:12 | |
So, this is yours... | 0:45:14 | 0:45:17 | |
-we think. -Right. The master, yeah. -Yeah. | 0:45:17 | 0:45:19 | |
The only thing that I would say is that I would've preferred | 0:45:19 | 0:45:22 | |
the bed up there and the wardrobes here, | 0:45:22 | 0:45:24 | |
because it feels strange having the bed to the back of the door. | 0:45:24 | 0:45:28 | |
I'm not with you on that one, I can't see that one. | 0:45:28 | 0:45:31 | |
Right, fine. | 0:45:31 | 0:45:32 | |
-JULES LAUGHS -I can't see that at all. | 0:45:32 | 0:45:34 | |
It's great being a fly on the wall with you two. It really is. | 0:45:36 | 0:45:38 | |
I love it. Carry on. Go on. | 0:45:38 | 0:45:40 | |
Yeah, well, I just think that, if you walked in, | 0:45:40 | 0:45:42 | |
it's nicer to see the bed, | 0:45:42 | 0:45:44 | |
so you put the wardrobes on this and then put the bed up there. | 0:45:44 | 0:45:47 | |
-Well, then, wouldn't the wardrobes be stuck out so far, so you'd go...? -Yeah. | 0:45:47 | 0:45:51 | |
You're blocking it in, this room. | 0:45:51 | 0:45:52 | |
OK. It's, erm... | 0:45:52 | 0:45:54 | |
-Yeah, it's... Again, you've had the problem with the kitchen. -You've got the problem with the bedroom. | 0:45:54 | 0:45:59 | |
-I've got the problem with this bedroom. -So long as everybody's got a problem... -Yeah. | 0:45:59 | 0:46:02 | |
..that's a problem. | 0:46:02 | 0:46:05 | |
-Right, come on, let's come out and get some fresh air. -OK. | 0:46:05 | 0:46:07 | |
-After you, Jules. -Maybe that's what we need. | 0:46:07 | 0:46:10 | |
The garden here is deceptively large, | 0:46:10 | 0:46:13 | |
extending through a small area of woodland | 0:46:13 | 0:46:15 | |
and backing onto open fields. | 0:46:15 | 0:46:17 | |
Now, when we were discussing things in the living room, | 0:46:19 | 0:46:22 | |
-it was all much bigger than you'd expected. -Yes. | 0:46:22 | 0:46:25 | |
-What about the garden? -Yes, bigger. | 0:46:25 | 0:46:26 | |
-It is, isn't it? -It is. -Mmm. | 0:46:26 | 0:46:28 | |
-So, really surprising, this one, isn't it? -It is. | 0:46:28 | 0:46:30 | |
It is a surprising one. | 0:46:30 | 0:46:32 | |
Yes, and I also actually don't mind the pebble-dash | 0:46:32 | 0:46:35 | |
on the back of the house. | 0:46:35 | 0:46:36 | |
For some reason, it fits with the back. | 0:46:36 | 0:46:40 | |
-Got a result, there, Jules. -SHE LAUGHS Well, have we, though? | 0:46:40 | 0:46:43 | |
Have we, though? Because there is one more bit to come, which is... | 0:46:43 | 0:46:45 | |
One more bit to come? | 0:46:47 | 0:46:48 | |
-Yeah. -Is there? | 0:46:48 | 0:46:49 | |
-The price. -Oh... -Of course. | 0:46:49 | 0:46:51 | |
I thought you were going to show me a swimming pool, then, Jules. | 0:46:53 | 0:46:56 | |
-You got me all excited. -Oh, no. | 0:46:56 | 0:46:58 | |
And it was all going to open up. | 0:46:58 | 0:47:00 | |
Yes, the price. | 0:47:00 | 0:47:01 | |
Neil, make us an offer on our Mystery House. | 0:47:01 | 0:47:04 | |
I thought about it and I've put a price on at 360. | 0:47:04 | 0:47:07 | |
Actually, I think I'm going to match you. | 0:47:07 | 0:47:10 | |
Yeah, 360. | 0:47:10 | 0:47:11 | |
This is on the market for £385,000. | 0:47:11 | 0:47:14 | |
-Oh, right. -Right. OK. | 0:47:14 | 0:47:16 | |
Yeah, I can understand why it's kind of at that price. | 0:47:16 | 0:47:20 | |
Yeah. | 0:47:20 | 0:47:21 | |
-Good. -But, mmm... | 0:47:21 | 0:47:23 | |
Well, that's it. House tours are over. | 0:47:23 | 0:47:25 | |
-Yeah. -Go and have a wander around | 0:47:25 | 0:47:27 | |
and I will catch up with you a little bit later on. | 0:47:27 | 0:47:29 | |
-OK, thank you. -Thanks, Jules. -Off you go. | 0:47:29 | 0:47:31 | |
£15,000 under their top budget, | 0:47:36 | 0:47:39 | |
our Mystery House delivers | 0:47:39 | 0:47:40 | |
generously with three bedrooms | 0:47:40 | 0:47:42 | |
and smart decor throughout. | 0:47:42 | 0:47:44 | |
It has a large, secluded garden, | 0:47:44 | 0:47:46 | |
but will the origins and setting | 0:47:46 | 0:47:48 | |
of this private development | 0:47:48 | 0:47:49 | |
sit easily with our buyers? | 0:47:49 | 0:47:51 | |
Initially, I wasn't overly keen on the outside. | 0:47:51 | 0:47:54 | |
But I like the feel of the house. | 0:47:54 | 0:47:57 | |
So, that kind of overcame the outside. | 0:47:57 | 0:48:01 | |
The lounge was superb. | 0:48:01 | 0:48:02 | |
Absolutely superb. | 0:48:02 | 0:48:04 | |
Lovely wood fire, nice view into the garden. | 0:48:04 | 0:48:08 | |
I quite like that and the neutral taste as well. | 0:48:08 | 0:48:11 | |
I was pleasantly surprised at the size, | 0:48:11 | 0:48:14 | |
and it's contemporary, which I love. | 0:48:14 | 0:48:16 | |
But at the end of the day, | 0:48:18 | 0:48:19 | |
I think the hospital bit has really put me off. | 0:48:19 | 0:48:24 | |
I didn't like the impression of the kitchen at all. It threw me. | 0:48:24 | 0:48:28 | |
The very large handles on all the units, | 0:48:28 | 0:48:31 | |
it just threw in my face and I just didn't like that look at all. | 0:48:31 | 0:48:34 | |
Some of the things I didn't like, but it's not bad, | 0:48:34 | 0:48:36 | |
you can overcome that, but all in all, it wasn't the best of them. | 0:48:36 | 0:48:41 | |
Ah. Well, you took a bit longer then I thought you might. | 0:48:41 | 0:48:44 | |
Yes. | 0:48:44 | 0:48:45 | |
Is it a grower, I wonder? | 0:48:45 | 0:48:46 | |
Erm...well, pleasantly surprised, to be honest with you. | 0:48:46 | 0:48:49 | |
-Pleasantly surprised. -Yeah. -You've definitely given us plenty to think about, Jules. | 0:48:49 | 0:48:53 | |
-I think we've given you bags to think about. -You have that. | 0:48:53 | 0:48:56 | |
Some very tempting options. | 0:48:56 | 0:48:57 | |
Right, then, let's go and sit you down somewhere nice and quiet | 0:48:57 | 0:49:00 | |
and you can mull it all over. | 0:49:00 | 0:49:02 | |
-OK. -Come on. -Thank you. | 0:49:02 | 0:49:03 | |
Built in 1875 and designed by Edwin Clark, | 0:49:10 | 0:49:14 | |
Cheshire's Anderton Boat Lift was one of the most ambitious feats | 0:49:14 | 0:49:17 | |
of Victorian engineering on Britain's waterways. | 0:49:17 | 0:49:21 | |
It was designed to use two enormous tanks of water as counterweights, | 0:49:21 | 0:49:25 | |
each weighing over 200 tonnes when full, | 0:49:25 | 0:49:27 | |
to lift cargo boats 50 feet | 0:49:27 | 0:49:29 | |
between the River Weaver and the Trent and Mersey Canal. | 0:49:29 | 0:49:33 | |
This hydraulic method was a far quicker way of transporting goods, | 0:49:33 | 0:49:37 | |
avoiding the time-consuming and difficult job | 0:49:37 | 0:49:39 | |
of unloading cargo by hand between the two waterways. | 0:49:39 | 0:49:43 | |
As a huge fan of the Industrial Revolution, | 0:49:43 | 0:49:46 | |
I want to learn more about this architectural icon | 0:49:46 | 0:49:49 | |
of our canal network, | 0:49:49 | 0:49:51 | |
so I've come to meet Graham Wood from the Canal and River Trust. | 0:49:51 | 0:49:55 | |
Wonderful. What a great way to get a glimpse of this fantastic structure. | 0:49:55 | 0:49:59 | |
-It is remarkable, isn't it? -It is. It's amazing. | 0:49:59 | 0:50:01 | |
But why was it built here? | 0:50:01 | 0:50:03 | |
This is the closest point that the Trent and Mersey Canal comes to the River Weaver, | 0:50:03 | 0:50:06 | |
so it was an obvious place to put it. | 0:50:06 | 0:50:08 | |
Northwich and surrounding areas were massive salt producers | 0:50:08 | 0:50:11 | |
in their day, and Stoke-on-Trent, of course, famous for its pottery. | 0:50:11 | 0:50:14 | |
So, to get things from one level to the other, | 0:50:14 | 0:50:17 | |
so that they could move them onto Manchester Ship Canal | 0:50:17 | 0:50:19 | |
and move them all over the country and all over the world, this was the obvious place to do it. | 0:50:19 | 0:50:23 | |
So, what were they doing before the lift was built? | 0:50:23 | 0:50:26 | |
They'd have chutes for the salt. | 0:50:26 | 0:50:27 | |
So, you'd have a massive chute on the hill behind us, | 0:50:27 | 0:50:30 | |
and the salt would be brought to the chute in barrows | 0:50:30 | 0:50:32 | |
and then tipped down onto the chute and onto the boats below. | 0:50:32 | 0:50:36 | |
And pottery was having to be moved by hand. | 0:50:36 | 0:50:38 | |
Now, I would love to take a closer look. | 0:50:38 | 0:50:40 | |
Is it possible to get on top of it? | 0:50:40 | 0:50:41 | |
-Yeah, no problem. We can get right up onto the top deck. -Come on, then. | 0:50:41 | 0:50:45 | |
Wonderful. | 0:50:45 | 0:50:47 | |
The lift remained in service for over 100 years | 0:50:47 | 0:50:50 | |
before structural faults were found and it closed in 1983. | 0:50:50 | 0:50:54 | |
20 years later, a seven-year renovation project was undertaken | 0:50:54 | 0:50:58 | |
to bring the lift back to life, | 0:50:58 | 0:50:59 | |
and today, it's used by both commercial and leisure boats alike. | 0:50:59 | 0:51:03 | |
Wow. | 0:51:04 | 0:51:06 | |
I mean, I got a glimpse of these from down below, | 0:51:06 | 0:51:09 | |
but I had no idea just how big these cogs were. | 0:51:09 | 0:51:11 | |
That's an amazing shot, isn't it? | 0:51:12 | 0:51:14 | |
-It is. -What a wonderful view, it's like an enormous clock. | 0:51:14 | 0:51:16 | |
-It is, it's marvellous. -How many are there? | 0:51:16 | 0:51:19 | |
-There's 72 altogether. -And when do these date from? | 0:51:19 | 0:51:21 | |
These date from 1908, when it became an electronically-driven lift. | 0:51:21 | 0:51:25 | |
It's because the salt content in the water was corroding | 0:51:25 | 0:51:28 | |
the hydraulic mechanism. | 0:51:28 | 0:51:29 | |
So, it begins life as a hydraulic lift, | 0:51:29 | 0:51:31 | |
it then has its electric phase. | 0:51:31 | 0:51:34 | |
Now, during your subsequent renovations, | 0:51:34 | 0:51:36 | |
you've decided to take it back to a hydraulic lift. Why? | 0:51:36 | 0:51:38 | |
It's more economic doing it hydraulically | 0:51:38 | 0:51:41 | |
and it returns it back to its original roots. | 0:51:41 | 0:51:43 | |
Well, it's been a real treat to get a sense of it, | 0:51:43 | 0:51:46 | |
-but any chance of a ride? -No problem at all. | 0:51:46 | 0:51:48 | |
If you'd like to go on the boat, we'll go now. | 0:51:48 | 0:51:50 | |
Boats come off the canal and into the aqueduct | 0:51:53 | 0:51:55 | |
through a series of gates. | 0:51:55 | 0:51:57 | |
The lift works by a counterbalance method, | 0:51:57 | 0:51:59 | |
whereby one boat travels up to the canal | 0:51:59 | 0:52:01 | |
as the other travels down to the river. | 0:52:01 | 0:52:03 | |
Fascinating, there, the gates above us. Brilliant. Look at that. | 0:52:06 | 0:52:09 | |
MACHINERY DROWNS THEM OUT | 0:52:09 | 0:52:11 | |
I'm amazed they managed to stay on. | 0:52:11 | 0:52:14 | |
The next stage involves the operator opening another set of gates, | 0:52:14 | 0:52:18 | |
which allows us to sail into the giant bathtub-like tank, | 0:52:18 | 0:52:21 | |
known as a caisson. | 0:52:21 | 0:52:22 | |
So, here we are coming actually into the lift itself. | 0:52:22 | 0:52:26 | |
-Is that the gate? -Yes, that's the gate. | 0:52:26 | 0:52:28 | |
That's the gate. | 0:52:28 | 0:52:30 | |
Incredible. | 0:52:30 | 0:52:31 | |
-Once we're in, they'll drop the gates behind us. -Yeah. | 0:52:34 | 0:52:37 | |
Brilliant. | 0:52:37 | 0:52:38 | |
Are we going to see another boat coming up alongside us now? | 0:52:38 | 0:52:41 | |
Yes, there will be boats coming up alongside us. | 0:52:41 | 0:52:43 | |
The lift operates in balance the majority of the day. | 0:52:43 | 0:52:46 | |
We can do 32 boats a day. | 0:52:46 | 0:52:49 | |
WATER RUSHES | 0:52:49 | 0:52:51 | |
Now that sounds like somebody's just pulled a plug out. | 0:52:51 | 0:52:54 | |
That's right, that's the last of the water disappearing | 0:52:54 | 0:52:56 | |
-down the drain. -Between the gate and the...? | 0:52:56 | 0:52:59 | |
-Yes, yes. -Aqueduct. -Between the two sets of gates. | 0:52:59 | 0:53:01 | |
So, we're now, kind of, isolated in our own kind of watery bath... | 0:53:01 | 0:53:05 | |
-Yes. -..50 feet above the river. -Yeah. | 0:53:05 | 0:53:08 | |
HE LAUGHS | 0:53:08 | 0:53:10 | |
Today, the hydraulic system may be computerised, | 0:53:10 | 0:53:13 | |
but the speed at which the lift moves evokes the pace | 0:53:13 | 0:53:16 | |
of a bygone era - a gentle nine feet per minute. | 0:53:16 | 0:53:21 | |
-So, at last, we're dropping. -That's right. | 0:53:21 | 0:53:24 | |
I say dropping. Thankfully, it's very controlled. | 0:53:24 | 0:53:28 | |
Yeah, it's a lovely smooth movement. | 0:53:28 | 0:53:30 | |
I can certainly see how it's got that name, | 0:53:30 | 0:53:31 | |
the Cathedral of the Canals. | 0:53:31 | 0:53:33 | |
It's absolutely brilliant, absolutely brilliant. | 0:53:33 | 0:53:36 | |
Do you think Edwin Clark thought of it as the Cathedral of Canals | 0:53:36 | 0:53:39 | |
when he designed it? | 0:53:39 | 0:53:41 | |
Maybe he did, maybe he had a soft side. | 0:53:41 | 0:53:43 | |
I'd like to think he had a sense of the romantic about him. | 0:53:43 | 0:53:46 | |
-Revolutionary in its time. -Yeah. And yet, here we are, | 0:53:46 | 0:53:49 | |
it's still working in all of its glory. | 0:53:49 | 0:53:53 | |
Well, I'm delighted to see this working, | 0:53:53 | 0:53:56 | |
I'm delighted that it has survived all of those years | 0:53:56 | 0:53:59 | |
and, with any luck, Graham, | 0:53:59 | 0:54:00 | |
it should continue well into the future. | 0:54:00 | 0:54:02 | |
Now, the conversation that we have to conclude any house tour | 0:54:05 | 0:54:08 | |
is always a chat that I look forward to. | 0:54:08 | 0:54:10 | |
Now, some weeks, it's pretty hard to tell which way | 0:54:10 | 0:54:13 | |
it's going to go, but this week, well, I've got no worries. | 0:54:13 | 0:54:16 | |
Ready to go? Look at that. Is that for me? | 0:54:20 | 0:54:23 | |
-It is. -Fabulous, guys, thank you very much indeed. | 0:54:23 | 0:54:25 | |
Well, it all seems like quite a long time since we started this, | 0:54:25 | 0:54:28 | |
-doesn't it? -It does. | 0:54:28 | 0:54:30 | |
When you started this process, how optimistic were you | 0:54:30 | 0:54:33 | |
about finding a home that would work? | 0:54:33 | 0:54:35 | |
I was more pessimistic than optimistic, | 0:54:35 | 0:54:38 | |
but you've turned it around for me. | 0:54:38 | 0:54:40 | |
Denise? | 0:54:40 | 0:54:42 | |
Um, I think, because of the brief we gave you, | 0:54:42 | 0:54:44 | |
a little like Neil, I didn't know whether you'd get | 0:54:44 | 0:54:47 | |
the right property for us. | 0:54:47 | 0:54:48 | |
OK, let's cut to the chase. | 0:54:48 | 0:54:50 | |
We've given you plenty of options, all of them interesting, | 0:54:50 | 0:54:54 | |
all of them worthwhile in their own way. | 0:54:54 | 0:54:57 | |
But I suspect there is one that's really out in front. | 0:54:57 | 0:55:01 | |
Yes, well out in front, I think, yes. | 0:55:01 | 0:55:06 | |
-Lovely barn conversion. -Yes. | 0:55:06 | 0:55:09 | |
What was it about that property that really sold it to you, Neil? | 0:55:09 | 0:55:12 | |
When we walked round the corner and you showed us the expanse | 0:55:12 | 0:55:15 | |
of this barn conversion... | 0:55:15 | 0:55:17 | |
-That whole kind of wing? -The wing, yeah. | 0:55:17 | 0:55:19 | |
It blew me away and I didn't know what to expect. | 0:55:19 | 0:55:22 | |
I was getting excited, thinking, "I can't wait to get inside here | 0:55:22 | 0:55:25 | |
"and have a look." Beautiful. | 0:55:25 | 0:55:27 | |
When you opened that front door and let us in | 0:55:27 | 0:55:30 | |
and I saw this entrance hall... | 0:55:30 | 0:55:31 | |
Excellent, excellent. | 0:55:31 | 0:55:34 | |
-Yeah! -That did it for me. | 0:55:34 | 0:55:35 | |
And I gave you a choice of whether we went left or right. | 0:55:36 | 0:55:39 | |
-You correctly picked the kitchen. -Yes. | 0:55:39 | 0:55:41 | |
That I knew would sell it to you. | 0:55:41 | 0:55:43 | |
It certainly did, the minute I walked into the kitchen. | 0:55:43 | 0:55:45 | |
It had everything and the island in the middle, | 0:55:45 | 0:55:48 | |
it just was everything we'd asked for. | 0:55:48 | 0:55:50 | |
What happens next? | 0:55:50 | 0:55:52 | |
Well, I'd like to look at the amenities. | 0:55:52 | 0:55:54 | |
So, at the weekend, I want to come back and have a good look around | 0:55:54 | 0:55:57 | |
the area and then, once we've done that, I think we'll ask | 0:55:57 | 0:56:00 | |
for a second viewing. | 0:56:00 | 0:56:01 | |
I think there'll be no stopping her. | 0:56:01 | 0:56:03 | |
Do you need a second viewing? | 0:56:03 | 0:56:04 | |
I don't. | 0:56:04 | 0:56:07 | |
It's one of those times where my hand will go in the wallet. | 0:56:07 | 0:56:09 | |
Well, guys, it's been a real treat. I've really enjoyed your company, | 0:56:09 | 0:56:12 | |
I've thoroughly enjoyed being back in Cheshire. | 0:56:12 | 0:56:15 | |
So, well, let us know what happens. | 0:56:15 | 0:56:17 | |
-BOTH: -We will. -Here's to you. | 0:56:17 | 0:56:19 | |
-Thank you. -Thanks. -And your new life. | 0:56:19 | 0:56:21 | |
-Thank you. -Cheers. | 0:56:21 | 0:56:22 | |
Well, our work here is pretty much done. | 0:56:26 | 0:56:29 | |
The sun is beginning to set over Cheshire's glorious countryside | 0:56:29 | 0:56:32 | |
and the whole landscape is now bathed in this wonderful, | 0:56:32 | 0:56:35 | |
rich, warm glow. | 0:56:35 | 0:56:37 | |
Our house search is over, but with any luck, | 0:56:37 | 0:56:40 | |
Neil and Denise's new life is just about to begin. | 0:56:40 | 0:56:43 | |
I'll see you next time. | 0:56:43 | 0:56:44 | |
Well, the hot news is - Denise and Neil | 0:56:46 | 0:56:48 | |
have had a major change of heart. | 0:56:48 | 0:56:51 | |
In an enormous U-turn, they've decided to stay put | 0:56:51 | 0:56:54 | |
in Rochdale and buy a holiday home in Portugal instead. | 0:56:54 | 0:56:58 | |
But they do intend to revisit their country move | 0:56:58 | 0:57:00 | |
in a few years' time. | 0:57:00 | 0:57:03 | |
If you'd like to escape to the country in England, | 0:57:03 | 0:57:05 | |
Scotland, Wales or Northern Ireland and would like our help, | 0:57:05 | 0:57:08 | |
then please apply online at... | 0:57:08 | 0:57:12 |