Browse content similar to Dorset. Check below for episodes and series from the same categories and more!
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At first glance, it's hard to believe this | 0:00:02 | 0:00:04 | |
picture-perfect village, with all these thatched cottages, | 0:00:04 | 0:00:07 | |
was built just a couple of centuries ago when a whole community | 0:00:07 | 0:00:10 | |
was uprooted and moved here. | 0:00:10 | 0:00:12 | |
Find out why and where I am in just a moment. | 0:00:12 | 0:00:14 | |
Today's property search is all about having the right outlook. | 0:00:31 | 0:00:35 | |
That's what this house is about. | 0:00:35 | 0:00:37 | |
Yes. That picture. | 0:00:37 | 0:00:39 | |
We asked for a sea view and we didn't think you would find it, | 0:00:39 | 0:00:41 | |
but how you did it, I don't know. | 0:00:41 | 0:00:43 | |
But will we be able to find our home hunters | 0:00:43 | 0:00:46 | |
the dream location for a country retirement? | 0:00:46 | 0:00:49 | |
I feel quite emotional about it. | 0:00:49 | 0:00:51 | |
It's really, really fabulous. | 0:00:51 | 0:00:54 | |
It's a great start. | 0:00:54 | 0:00:55 | |
Today I'm in Dorset and this is the village of Milton Abbas. | 0:00:56 | 0:01:01 | |
It was built in the 1770s by the Earl of Dorchester, | 0:01:01 | 0:01:04 | |
who brought on board the famous landscape designer | 0:01:04 | 0:01:07 | |
Lancelot "Capability" Brown and architect Sir William Chambers. | 0:01:07 | 0:01:11 | |
But this was no great philanthropic mission. | 0:01:11 | 0:01:14 | |
The Earl actually moved the village here from its original spot nearby | 0:01:14 | 0:01:19 | |
because it was spoiling the view from his newly built mansion, | 0:01:19 | 0:01:22 | |
so he completely demolished it and created this village here | 0:01:22 | 0:01:26 | |
over the hill and out of sight. | 0:01:26 | 0:01:28 | |
That said, the end result certainly possesses that authentic | 0:01:28 | 0:01:32 | |
Dorset character that you will find in many places across the county. | 0:01:32 | 0:01:36 | |
Dorset is found on the south coast of England and is bordered | 0:01:37 | 0:01:41 | |
by Hampshire to the east, Wiltshire to the north | 0:01:41 | 0:01:44 | |
and Somerset and Devon to the west. | 0:01:44 | 0:01:47 | |
Its 95 miles of coastline offer striking geological features | 0:01:47 | 0:01:51 | |
such as Durdle Door, a natural limestone arch, | 0:01:51 | 0:01:54 | |
thought to be named from the old English word, thirl, | 0:01:54 | 0:01:57 | |
meaning to pierce or bore. | 0:01:57 | 0:02:00 | |
Man-made coastal landmarks include the Cobb at Lyme Regis, | 0:02:00 | 0:02:04 | |
a curved stone pier which has formed a harbour since at least 1313. | 0:02:04 | 0:02:10 | |
Close to the town of Bridport, a near-conical sandstone hill | 0:02:10 | 0:02:14 | |
is eye-catchingly topped by a smattering of pine trees. | 0:02:14 | 0:02:18 | |
Indeed, hills are very much a feature of the landscape here, | 0:02:18 | 0:02:21 | |
where fertile pastures have made an ideal sheep farming location, | 0:02:21 | 0:02:26 | |
providing trade in both wool and meat. | 0:02:26 | 0:02:29 | |
Dorset is also rich in ecclesiastical buildings, | 0:02:29 | 0:02:32 | |
although its religious history is rather more turbulent | 0:02:32 | 0:02:36 | |
than the serenity of the resultant architecture. | 0:02:36 | 0:02:39 | |
The village of Chideock was once known for | 0:02:39 | 0:02:41 | |
clandestine Catholic worship after the Civil War. | 0:02:41 | 0:02:44 | |
In the late 16th century, four local Catholics, | 0:02:44 | 0:02:47 | |
now known as the Chideock Martyrs, | 0:02:47 | 0:02:49 | |
were tried in the village and consequently executed in the county. | 0:02:49 | 0:02:53 | |
The Weld Memorial Chapel is an important landmark in the story | 0:02:53 | 0:02:57 | |
of Catholic emancipation. | 0:02:57 | 0:02:59 | |
So whether it's picture-postcard towns and villages, | 0:02:59 | 0:03:03 | |
wild coastlines or local history, Dorset really does offer | 0:03:03 | 0:03:07 | |
a great choice for those seeking a country escape. | 0:03:07 | 0:03:11 | |
All of this beauty and history does of course come at a price. | 0:03:11 | 0:03:15 | |
The average cost of a detached home here in Dorset is around ?321,000 - | 0:03:15 | 0:03:21 | |
that's about 55,000 above the national figure. | 0:03:21 | 0:03:24 | |
That does include the super-expensive Sandbanks | 0:03:24 | 0:03:27 | |
near Poole, where price tags are routinely in their millions. | 0:03:27 | 0:03:31 | |
As a general rule of thumb, if you move away from coastal hotspots, | 0:03:31 | 0:03:35 | |
your money will go that little bit further, | 0:03:35 | 0:03:37 | |
especially if you move towards the north of the county. | 0:03:37 | 0:03:40 | |
So which part of Dorset are today's buyers inspired to move to? | 0:03:40 | 0:03:44 | |
Let's meet them and find out. | 0:03:44 | 0:03:46 | |
Life has been an adventure for Diana and Jonathan, | 0:03:47 | 0:03:50 | |
from Burgess Hill, Sussex, | 0:03:50 | 0:03:52 | |
since they first got together over three decades ago. | 0:03:52 | 0:03:56 | |
We met when Jonathan was in the police force | 0:03:56 | 0:04:01 | |
and I was a stewardess. | 0:04:01 | 0:04:03 | |
After knowing each other for ten days, we decided to get married | 0:04:03 | 0:04:06 | |
and that was 33 years ago. | 0:04:06 | 0:04:08 | |
Yes. | 0:04:08 | 0:04:10 | |
I think excitement sums up our relationship and our life together. | 0:04:10 | 0:04:15 | |
We are quite impulsive, very impulsive. | 0:04:15 | 0:04:19 | |
As well as packing in plenty of round-the-world travel, | 0:04:19 | 0:04:22 | |
Diana and Jonathan also had two sons. | 0:04:22 | 0:04:26 | |
Now the couple are in their mid-60s and their kids have moved away | 0:04:26 | 0:04:29 | |
to have families of their own. | 0:04:29 | 0:04:31 | |
But life hasn't stopped with retirement, | 0:04:31 | 0:04:33 | |
particularly for former police officer Jonathan | 0:04:33 | 0:04:36 | |
who has become a published author. | 0:04:36 | 0:04:38 | |
My writing, I started about five years ago. | 0:04:38 | 0:04:42 | |
Crime thriller, based using my experience. | 0:04:42 | 0:04:46 | |
I'm on my third book at the moment. | 0:04:46 | 0:04:49 | |
But that's not all Diana and Jonathan are seeking - | 0:04:49 | 0:04:51 | |
they're also looking for more new experiences and want to move away | 0:04:51 | 0:04:55 | |
from their hometown of 23 years to start a new life | 0:04:55 | 0:04:59 | |
in more rural surroundings. | 0:04:59 | 0:05:02 | |
We are enclosed on the edge of an estate | 0:05:02 | 0:05:05 | |
with a main road 50 yards away. | 0:05:05 | 0:05:09 | |
There is a constant noise, a constant traffic jam, | 0:05:09 | 0:05:13 | |
there is building going on. | 0:05:13 | 0:05:15 | |
Every day, there is someone nearby drilling, | 0:05:15 | 0:05:19 | |
cutting down a tree or hedge-cutting. | 0:05:19 | 0:05:22 | |
We would like somewhere that had just that little bit of extra space, | 0:05:22 | 0:05:26 | |
a little bit quieter, a little bit more of a view. | 0:05:26 | 0:05:29 | |
And there's one part of the country in particular that is calling them. | 0:05:29 | 0:05:34 | |
An area that we really do like and we have visited | 0:05:34 | 0:05:37 | |
and travelled through quite a bit is west Dorset. | 0:05:37 | 0:05:41 | |
I think it's a very pretty area, | 0:05:41 | 0:05:44 | |
it's got fascinating history, | 0:05:44 | 0:05:45 | |
the coastline is quite dramatic. | 0:05:45 | 0:05:48 | |
Even during the summer, out on the headlands, | 0:05:48 | 0:05:51 | |
it's got that little bit of wildness about it. | 0:05:51 | 0:05:53 | |
What is drawing me to west Dorset is the relaxed pace of life. | 0:05:53 | 0:05:58 | |
I like the scenery, | 0:05:58 | 0:05:59 | |
I like the fact that the sea is there. | 0:05:59 | 0:06:02 | |
I think there's a lot of energy going on there - it's becoming | 0:06:02 | 0:06:06 | |
an interesting, lively place as well as a peaceful place. | 0:06:06 | 0:06:10 | |
I feel quite at home in that area, | 0:06:10 | 0:06:12 | |
I think I could settle down there. | 0:06:12 | 0:06:14 | |
Of course, settling down for this energetic duo doesn't really mean | 0:06:15 | 0:06:19 | |
putting their feet up. | 0:06:19 | 0:06:20 | |
I want to take up sailing, | 0:06:21 | 0:06:23 | |
maybe get a small boat to go up and down rivers or that type of thing. | 0:06:23 | 0:06:27 | |
I want to meet new people. | 0:06:27 | 0:06:29 | |
Perhaps running a sewing group there. | 0:06:29 | 0:06:31 | |
I think we'll turn out to be very busy. | 0:06:31 | 0:06:34 | |
I think so too. | 0:06:34 | 0:06:36 | |
Although the move means leaving behind the location of many happy | 0:06:36 | 0:06:40 | |
memories, they know there are plenty of new ones to look forward to. | 0:06:40 | 0:06:45 | |
It will be sad because we have been happy and we've got lots of friends, | 0:06:45 | 0:06:49 | |
but they'll have to come and visit us. | 0:06:49 | 0:06:52 | |
Diana and Jonathan want to concentrate their search | 0:06:56 | 0:06:59 | |
in the south-west of the county, close to the coast between Bridport | 0:06:59 | 0:07:03 | |
and the Devon border. | 0:07:03 | 0:07:05 | |
But before we start our house hunt, | 0:07:05 | 0:07:07 | |
I want to know more about the type of home they are hoping to find. | 0:07:07 | 0:07:10 | |
Diana and Jonathan, welcome to Dorset. | 0:07:11 | 0:07:14 | |
Thank you very much. Thank you. | 0:07:14 | 0:07:15 | |
Is it those fabulous sea views that are attracting you to this county? | 0:07:15 | 0:07:19 | |
The sea views, the countryside, the way of life, yes. | 0:07:19 | 0:07:24 | |
It really does have a little bit of everything. | 0:07:24 | 0:07:26 | |
It's got everything and it's just so peaceful yet there is that vibrancy | 0:07:26 | 0:07:31 | |
that you get next to the sea. | 0:07:31 | 0:07:33 | |
What do you want from the house itself? | 0:07:33 | 0:07:36 | |
We're looking for somewhere bright and airy. | 0:07:36 | 0:07:38 | |
We'd probably like three bedrooms and we would like a room | 0:07:38 | 0:07:41 | |
where I could do my sewing and you could perhaps do your writing. | 0:07:41 | 0:07:44 | |
That's really quite important. | 0:07:44 | 0:07:46 | |
The view's most important to us and the location. | 0:07:46 | 0:07:49 | |
So, location-wise, what sort of setting would you like? | 0:07:49 | 0:07:54 | |
I'd like a view, | 0:07:54 | 0:07:56 | |
proximity to the sea, | 0:07:56 | 0:07:59 | |
and not too far away from a town. | 0:07:59 | 0:08:02 | |
Is there anything you both don't want? | 0:08:02 | 0:08:06 | |
I think from experience, a thatched cottage. | 0:08:06 | 0:08:09 | |
Yes, I agree, really. | 0:08:09 | 0:08:10 | |
That's probably, as we say, a thatch, we don't want a thatch. | 0:08:10 | 0:08:13 | |
Remind me of your budget. | 0:08:13 | 0:08:15 | |
Go ahead. | 0:08:15 | 0:08:16 | |
Well, our budget is ?500,000. OK. | 0:08:16 | 0:08:18 | |
We could just go a little bit above that if we needed to. | 0:08:18 | 0:08:22 | |
I like hearing that because it is a popular county, of course, | 0:08:22 | 0:08:26 | |
so it's always nice to know that you might have a little bit extra. | 0:08:26 | 0:08:29 | |
Yes. | 0:08:29 | 0:08:31 | |
And we have got some fantastic properties already waiting for you. | 0:08:31 | 0:08:36 | |
Lovely. So, let's get going. | 0:08:36 | 0:08:37 | |
Lovely, thank you very much. | 0:08:37 | 0:08:38 | |
For a budget of ?500,000, | 0:08:41 | 0:08:44 | |
but some leeway if necessary, | 0:08:44 | 0:08:46 | |
Diana and Jonathan are looking for | 0:08:46 | 0:08:48 | |
a bright and airy property with | 0:08:48 | 0:08:49 | |
a minimum of three bedrooms. | 0:08:49 | 0:08:51 | |
They'd like a sewing room for Diana | 0:08:51 | 0:08:53 | |
as well as a separate space | 0:08:53 | 0:08:55 | |
for Jonathan to write. | 0:08:55 | 0:08:57 | |
The location is important and should | 0:08:57 | 0:08:59 | |
offer them views as well as | 0:08:59 | 0:09:01 | |
proximity to the coast and a town. | 0:09:01 | 0:09:03 | |
While they are flexible over style, | 0:09:03 | 0:09:05 | |
neither of them is keen | 0:09:05 | 0:09:07 | |
on thatched houses. | 0:09:07 | 0:09:08 | |
We have an exciting variety of homes to present, and at each one, | 0:09:09 | 0:09:13 | |
I will be asking them to guess the price before I reveal it. | 0:09:13 | 0:09:17 | |
Our final property will be the Mystery House which may be | 0:09:17 | 0:09:20 | |
a naughty choice, but could turn out to be surprisingly nice. | 0:09:20 | 0:09:24 | |
But before that, we're off to view house number one. | 0:09:27 | 0:09:29 | |
Our property search is kicking off just a five-minute drive | 0:09:33 | 0:09:36 | |
from Charmouth Beach, in the small village of Morcombelake. | 0:09:36 | 0:09:40 | |
With its outlook across rolling fields to the sea, | 0:09:40 | 0:09:43 | |
it's a great starting point for several walks. | 0:09:43 | 0:09:46 | |
The village is home to the savoury Dorset knob biscuit, | 0:09:46 | 0:09:49 | |
made here since late Victorian times. | 0:09:49 | 0:09:52 | |
Amenities include a post office and store as well as a farm shop. | 0:09:52 | 0:09:56 | |
Our first house is idyllically located | 0:09:58 | 0:10:00 | |
just a five-minute walk away. | 0:10:00 | 0:10:03 | |
This is our first property, the house on the hill. | 0:10:03 | 0:10:07 | |
Wow. It's just lovely. Isn't it gorgeous? | 0:10:07 | 0:10:09 | |
Absolutely gorgeous, the trees... | 0:10:09 | 0:10:11 | |
This is the location you were looking for? Am I right? | 0:10:11 | 0:10:14 | |
Yes, lovely, it really is lovely. | 0:10:14 | 0:10:16 | |
Do we need to go in? | 0:10:16 | 0:10:18 | |
Look, the house is ideal already. | 0:10:18 | 0:10:20 | |
It's ticking a lot of boxes already. | 0:10:20 | 0:10:22 | |
It's lovely, yes, really nice. | 0:10:22 | 0:10:24 | |
Let's see if the inside charms you. | 0:10:24 | 0:10:26 | |
OK. Yes, lovely. | 0:10:26 | 0:10:27 | |
This hillside home was originally built in the 1930s, | 0:10:30 | 0:10:33 | |
but has been fully renovated by the current owners over the past decade. | 0:10:33 | 0:10:38 | |
The property is accessed via a decked frontage with French doors | 0:10:38 | 0:10:41 | |
that lead straight into the large country kitchen. | 0:10:41 | 0:10:45 | |
Come in. Wow. | 0:10:45 | 0:10:47 | |
It's a really good-sized kitchen, nice and light. | 0:10:47 | 0:10:50 | |
You come straight in, so the balcony is part of the kitchen? | 0:10:50 | 0:10:53 | |
Absolutely, so you can throw open the doors | 0:10:53 | 0:10:55 | |
and that's your little champagne balcony. | 0:10:55 | 0:10:57 | |
Yes. | 0:10:57 | 0:10:59 | |
Oh, I think it's gorgeous. | 0:10:59 | 0:11:01 | |
It's lovely, isn't it? Beautiful. | 0:11:01 | 0:11:03 | |
Really lovely. You've got a conservatory just through there, | 0:11:03 | 0:11:06 | |
which again makes use of the views. Yes. | 0:11:06 | 0:11:08 | |
You've got a really lovely-sized utility room, | 0:11:08 | 0:11:11 | |
so this isn't where everything is. | 0:11:11 | 0:11:14 | |
Even as you're washing up in the utility room or doing the laundry, | 0:11:14 | 0:11:18 | |
you've got the views. | 0:11:18 | 0:11:19 | |
Fantastic. Lovely. | 0:11:19 | 0:11:21 | |
Also off the kitchen is a ground floor family bathroom, | 0:11:21 | 0:11:24 | |
and on the other side, the main reception, | 0:11:24 | 0:11:27 | |
once again with charming country features | 0:11:27 | 0:11:29 | |
including a log-burning stove. | 0:11:29 | 0:11:31 | |
Again, in here, the owners have really made use of the setting. | 0:11:32 | 0:11:36 | |
A really nice-sized room, a door that goes outside. | 0:11:36 | 0:11:39 | |
And you've still got the view and it is so light and bright. | 0:11:39 | 0:11:43 | |
It's got a lovely feel to it. | 0:11:43 | 0:11:45 | |
So you can imagine yourself relaxing in here? | 0:11:45 | 0:11:48 | |
Absolutely. I can, actually. | 0:11:48 | 0:11:49 | |
I can, actually, it is really nice. | 0:11:49 | 0:11:52 | |
The two doors that you can see there are bedrooms. | 0:11:52 | 0:11:55 | |
Oh. So they are matching bedrooms, | 0:11:55 | 0:11:57 | |
they've each got a working fireplace in each of the bedrooms. | 0:11:57 | 0:12:01 | |
Both can fit double beds in so really, those are your guest rooms. | 0:12:01 | 0:12:05 | |
Yes, lovely. Let me show you your bedroom, though. | 0:12:05 | 0:12:08 | |
Thank you. | 0:12:08 | 0:12:10 | |
A really heartening reaction to the welcoming spaces on offer | 0:12:10 | 0:12:13 | |
in this beautifully located home. | 0:12:13 | 0:12:16 | |
But there is even more to impress Jonathan and Diana upstairs, | 0:12:16 | 0:12:19 | |
where the converted loft space is entirely devoted to the master accommodation | 0:12:19 | 0:12:24 | |
with its own dressing room and en suite featuring a modern bathtub | 0:12:24 | 0:12:28 | |
and separate shower. | 0:12:28 | 0:12:31 | |
Up here you've got your own private suite, really. | 0:12:31 | 0:12:35 | |
Wow. I like the lightness, it's really bright. | 0:12:35 | 0:12:38 | |
Look at the views across there. | 0:12:38 | 0:12:39 | |
You could wake up to that view. | 0:12:39 | 0:12:42 | |
Wow. | 0:12:42 | 0:12:43 | |
That is like a picture, it's absolutely lovely. | 0:12:43 | 0:12:47 | |
This floor is your own, not really for guests, unless in the future | 0:12:47 | 0:12:50 | |
you chose to stay in the bedrooms on the ground floor. | 0:12:50 | 0:12:53 | |
It's a perfect house for a couple. | 0:12:53 | 0:12:55 | |
It is, yes. Perfect. | 0:12:55 | 0:12:57 | |
I like the way they have shaped the ceiling to get the light in. | 0:12:57 | 0:13:00 | |
Beautifully done. It's been done very nicely. | 0:13:00 | 0:13:02 | |
Great. Let's go and see what else is in store. | 0:13:02 | 0:13:04 | |
Exciting. Lead us back out to the garden. | 0:13:04 | 0:13:06 | |
Well, the interior has delivered everything Diana and Jonathan | 0:13:08 | 0:13:12 | |
had hoped for, and I don't think the outside will disappoint. | 0:13:12 | 0:13:16 | |
Extensive gardens boast many mature shrubs and trees, | 0:13:16 | 0:13:20 | |
plus outbuildings including a former housekeeper's annexe | 0:13:20 | 0:13:24 | |
with recently lapsed planning permission. | 0:13:24 | 0:13:26 | |
Subject to a fresh application, | 0:13:26 | 0:13:28 | |
it could be turned into extra guest accommodation, | 0:13:28 | 0:13:31 | |
or they could use it as a writing or sewing space. | 0:13:31 | 0:13:34 | |
There's also a large paddock, | 0:13:34 | 0:13:36 | |
currently kept in check by the owner's small flock of sheep. | 0:13:36 | 0:13:40 | |
So you've got three quarters of an acre, really. | 0:13:40 | 0:13:43 | |
That's a joy. I like gardening, | 0:13:43 | 0:13:45 | |
I like working outside. | 0:13:45 | 0:13:48 | |
So, what would this beautiful house cost you? | 0:13:48 | 0:13:51 | |
Well, I would say certainly top-end, | 0:13:51 | 0:13:55 | |
so I would say...525. | 0:13:55 | 0:13:58 | |
I'm not going to argue too much with that. | 0:13:58 | 0:14:00 | |
I will be optimistic and go 520. | 0:14:00 | 0:14:02 | |
It's actually on the market for just under your budget, | 0:14:03 | 0:14:08 | |
?499,950. | 0:14:08 | 0:14:11 | |
Good gracious. Unbelievable. | 0:14:11 | 0:14:13 | |
It's just absolutely gorgeous. | 0:14:13 | 0:14:16 | |
I feel quite emotional about it. | 0:14:16 | 0:14:18 | |
It's really, really fabulous. | 0:14:18 | 0:14:20 | |
It's a great start. Go and have another look around, | 0:14:20 | 0:14:22 | |
now that you know the price. OK. | 0:14:22 | 0:14:24 | |
I will meet you out front in a bit. | 0:14:24 | 0:14:25 | |
Thank you very much. Thank you very much. | 0:14:25 | 0:14:28 | |
Coming in slightly under budget, | 0:14:30 | 0:14:32 | |
this hillside property has | 0:14:32 | 0:14:34 | |
everything our buyers want from | 0:14:34 | 0:14:36 | |
their new home in the country. | 0:14:36 | 0:14:38 | |
The three double bedrooms include | 0:14:38 | 0:14:40 | |
a master suite on the entire upper | 0:14:40 | 0:14:42 | |
floor. Plus there is a large kitchen | 0:14:42 | 0:14:45 | |
diner and spacious sitting room, | 0:14:45 | 0:14:46 | |
as well as wonderful countryside views | 0:14:46 | 0:14:49 | |
from almost every room. | 0:14:49 | 0:14:50 | |
The large plot gives keen gardener | 0:14:51 | 0:14:53 | |
Jonathan plenty to work with | 0:14:53 | 0:14:56 | |
and an annexe offers potential | 0:14:56 | 0:14:57 | |
as a writing or sewing room. | 0:14:57 | 0:14:59 | |
Nice, isn't it? Yes, really. | 0:15:00 | 0:15:02 | |
Again, it is an extension of the house into the garden. | 0:15:02 | 0:15:06 | |
Everything is joined up. It's really lovely. | 0:15:06 | 0:15:08 | |
Yes, gorgeous. | 0:15:08 | 0:15:10 | |
The house inside - lovely open plan, beautifully done, | 0:15:10 | 0:15:13 | |
nice soft wood everywhere. | 0:15:13 | 0:15:15 | |
I wouldn't want to change anything, I think it's really gorgeous. | 0:15:15 | 0:15:19 | |
I think that views were our number one priority and it is | 0:15:19 | 0:15:23 | |
beautifully situated. The rooms are so nicely done. | 0:15:23 | 0:15:25 | |
It feels as though the outside and inside are almost joined together. | 0:15:25 | 0:15:28 | |
Beaming smiles, that's what I like to see. | 0:15:30 | 0:15:33 | |
I don't think we could have asked for a better start to our house hunt. | 0:15:33 | 0:15:36 | |
No, no. | 0:15:36 | 0:15:39 | |
It really does tick all the boxes. | 0:15:39 | 0:15:40 | |
It's lovely. It really is lovely. | 0:15:40 | 0:15:43 | |
Great, I can't ask for more than that. | 0:15:43 | 0:15:45 | |
Let's go. Thank you. | 0:15:45 | 0:15:46 | |
The fertile lands of Dorset have a long tradition of food production, | 0:15:51 | 0:15:55 | |
but historically, they were also an important source of clothing. | 0:15:55 | 0:15:59 | |
Arable and livestock farming supported the making of lace | 0:15:59 | 0:16:03 | |
and wool, whilst the county's sheep also provided discs of horn | 0:16:03 | 0:16:07 | |
to be turned into early cloth-covered buttons. | 0:16:07 | 0:16:10 | |
In the 17th century, | 0:16:11 | 0:16:12 | |
button making really took off here when an English soldier, | 0:16:12 | 0:16:16 | |
returning from battles in Europe, | 0:16:16 | 0:16:18 | |
realised the growing popularity of buttoned clothing and set up | 0:16:18 | 0:16:22 | |
a commercial makers in the town of Shaftesbury. | 0:16:22 | 0:16:26 | |
And that's where we are sending Jonathan and keen seamstress Diana - | 0:16:26 | 0:16:29 | |
they are meeting local button maker and historian Anna McDowell | 0:16:29 | 0:16:33 | |
to find out about this Dorset form of haberdashery. | 0:16:33 | 0:16:36 | |
Hello and welcome to Shaftesbury. | 0:16:38 | 0:16:40 | |
Thank you very much. You are now visiting the birthplace | 0:16:40 | 0:16:42 | |
of the Dorset button industry. | 0:16:42 | 0:16:44 | |
So, I understand you are a sewer? I am indeed. | 0:16:44 | 0:16:46 | |
Why don't we go into the Gold Hill Museum and have a look? | 0:16:46 | 0:16:49 | |
We'd love to. Thank you very much. | 0:16:49 | 0:16:51 | |
With women typically able to earn more from making buttons | 0:16:51 | 0:16:55 | |
from home than from working on the land, | 0:16:55 | 0:16:57 | |
it was a popular endeavour that supported many families | 0:16:57 | 0:17:00 | |
for around 200 years. | 0:17:00 | 0:17:03 | |
Gold Hill Museum has several examples of the different designs | 0:17:03 | 0:17:06 | |
produced over that time. | 0:17:06 | 0:17:08 | |
As you can imagine, there are a lot of other people making buttons, | 0:17:09 | 0:17:13 | |
especially thread buttons, which is basically what a Dorset button is. | 0:17:13 | 0:17:17 | |
Up in Macclesfield you had the silk buttons, | 0:17:17 | 0:17:20 | |
you had button makers in London, but here in Dorset, we're unique, | 0:17:20 | 0:17:25 | |
because our buttons are actually made originally with linen, | 0:17:25 | 0:17:29 | |
linen fabric and also the natural sheep's horn. | 0:17:29 | 0:17:34 | |
But the original buttons were the high tops and the Dorset knobs | 0:17:34 | 0:17:37 | |
which you can see a little Dorset knob in here with a flatter button | 0:17:37 | 0:17:41 | |
they say was more undergarments. | 0:17:41 | 0:17:44 | |
Was it just the women at home that made the buttons? | 0:17:44 | 0:17:47 | |
No, the children would have been involved. | 0:17:47 | 0:17:49 | |
These buttons here are made from a wire ring and small boys were used | 0:17:49 | 0:17:54 | |
to dip the wire to seal them. | 0:17:54 | 0:17:57 | |
There would have been the men - | 0:17:57 | 0:17:59 | |
they were agents and used to sell the buttons. | 0:17:59 | 0:18:02 | |
It was actually a very well organised industry or business. | 0:18:02 | 0:18:08 | |
These handmade thread buttons were to provide a viable income | 0:18:08 | 0:18:12 | |
for many Dorset families until the middle of the 19th century | 0:18:12 | 0:18:16 | |
when machines capable of doing the job much faster and more cheaply | 0:18:16 | 0:18:20 | |
cut the cottage industry dead. | 0:18:20 | 0:18:23 | |
But just a short distance from the museum, Anna is bringing | 0:18:23 | 0:18:26 | |
the old-fashioned techniques back to life in her workshop. | 0:18:26 | 0:18:29 | |
I thought we would have a go at just doing something simple, | 0:18:30 | 0:18:34 | |
a larger version of one of these. | 0:18:34 | 0:18:36 | |
You call that a simple one, do you? | 0:18:36 | 0:18:38 | |
Yes, that is a simple cartwheel button. | 0:18:38 | 0:18:41 | |
Lovely. | 0:18:41 | 0:18:42 | |
As there are no written records of how the original buttons | 0:18:42 | 0:18:45 | |
were made, Anna has had to work the methods out for herself, | 0:18:45 | 0:18:49 | |
starting with measuring out the thread. | 0:18:49 | 0:18:51 | |
Three lengths like that. | 0:18:51 | 0:18:54 | |
Yes. | 0:18:54 | 0:18:55 | |
Is this the old-fashioned yard? | 0:18:55 | 0:18:57 | |
It is the old-fashioned yard. | 0:18:57 | 0:18:59 | |
Next, the thread is used to cover | 0:19:00 | 0:19:02 | |
a small metal ring with a series of blanket stitches. | 0:19:02 | 0:19:06 | |
Throw the thread over the back of your hand and you form a loop. | 0:19:06 | 0:19:11 | |
Right? You're going to put the needle through that loop. | 0:19:11 | 0:19:14 | |
The most difficult thing is, it keeps getting tangled up, | 0:19:14 | 0:19:17 | |
or is it just me? | 0:19:17 | 0:19:18 | |
Go through the loop, | 0:19:20 | 0:19:22 | |
the centre of the ring and pull it tight. | 0:19:22 | 0:19:25 | |
It's not as easy as it looks. No, it's not. | 0:19:25 | 0:19:28 | |
It now takes Anna around 40 minutes to make a single button | 0:19:28 | 0:19:32 | |
but in the 1730s, | 0:19:32 | 0:19:34 | |
women workers were earning around two shillings a day | 0:19:34 | 0:19:37 | |
with averages of six or seven dozen buttons. | 0:19:37 | 0:19:40 | |
I was told that a local farmer, at harvest time, | 0:19:40 | 0:19:45 | |
said he couldn't get the women to help harvest because they could | 0:19:45 | 0:19:49 | |
actually earn more making buttons than they could on the land. | 0:19:49 | 0:19:53 | |
Once the ring is tightly covered with the blanket stitching, | 0:19:53 | 0:19:56 | |
Anna creates an effect like the spokes of a wheel | 0:19:56 | 0:19:59 | |
by taking turns around the entire button. | 0:19:59 | 0:20:01 | |
Sometimes I put more spokes, | 0:20:01 | 0:20:04 | |
sometimes I put in less spokes. | 0:20:04 | 0:20:07 | |
And then draws these all together with a crossed stitch at the centre. | 0:20:07 | 0:20:11 | |
Watch this. Oh. | 0:20:11 | 0:20:14 | |
How clever. | 0:20:14 | 0:20:16 | |
Finally, a back stitch is used over each of the spokes | 0:20:16 | 0:20:19 | |
to cover the gaps. | 0:20:19 | 0:20:21 | |
Eventually, you will fill up the button. | 0:20:21 | 0:20:23 | |
Right, we're nearly there, | 0:20:23 | 0:20:25 | |
and you've got something like that. | 0:20:25 | 0:20:27 | |
Good gracious. It looks really lovely. | 0:20:27 | 0:20:30 | |
It's fabulous. It looks like a really intricate spider's web. | 0:20:30 | 0:20:34 | |
There you have it, a Dorset button. | 0:20:34 | 0:20:37 | |
It's lovely, thank you very much indeed, it's really lovely. | 0:20:37 | 0:20:39 | |
Why don't you take that home? | 0:20:39 | 0:20:42 | |
That's fabulous. | 0:20:42 | 0:20:44 | |
Take those two you have been working on and finish them off. | 0:20:44 | 0:20:47 | |
Thank you very much for showing us. Good luck. | 0:20:47 | 0:20:50 | |
It has been wonderful to see a cottage craft being revived | 0:20:50 | 0:20:53 | |
in its original surroundings, but for now we will have to wait to get | 0:20:53 | 0:20:57 | |
our buyers' property search all sewn up when we continue | 0:20:57 | 0:21:00 | |
with the house hunt tomorrow. | 0:21:00 | 0:21:02 | |
Diana and Jonathan from Burgess Hill, West Sussex, | 0:21:10 | 0:21:13 | |
have a budget of ?500,000 to find their dream home | 0:21:13 | 0:21:17 | |
near the coast of west Dorset. | 0:21:17 | 0:21:20 | |
We've already shown them some tantalising property, | 0:21:20 | 0:21:23 | |
but there's still more to look at and our Mystery House | 0:21:23 | 0:21:27 | |
may just confound expectations. | 0:21:27 | 0:21:29 | |
What a surprise. I take it all back, it's really bright. | 0:21:30 | 0:21:33 | |
Plus, I get back to basics with a pair of printmakers | 0:21:35 | 0:21:38 | |
who left London life for the rural delights of Dorset. | 0:21:38 | 0:21:41 | |
It is caveman technology, it's not that difficult, really. | 0:21:41 | 0:21:44 | |
We have two more properties to view today - | 0:21:47 | 0:21:49 | |
later on, we'll be visiting our Mystery House which gives me | 0:21:49 | 0:21:52 | |
the opportunity to show Diana and Jonathan something | 0:21:52 | 0:21:55 | |
they would never have gone to see themselves. | 0:21:55 | 0:21:58 | |
But first, we have another house to look at | 0:21:58 | 0:22:01 | |
and this one really makes the most of being by the coast. | 0:22:01 | 0:22:04 | |
For our next house, we are walking distance from the sea | 0:22:05 | 0:22:09 | |
in the historic market town of Bridport. | 0:22:09 | 0:22:11 | |
Used as the basis for Port Bredy in Thomas Hardy's fictional Wessex, | 0:22:12 | 0:22:17 | |
it has a lively arts scene as well as a broad selection | 0:22:17 | 0:22:20 | |
of shops and services. | 0:22:20 | 0:22:22 | |
Within the town's boundary, | 0:22:22 | 0:22:24 | |
West Bay features spectacular cliff walks and sandy beaches. | 0:22:24 | 0:22:28 | |
The next house enjoys this magnificent coastal outlook | 0:22:29 | 0:22:33 | |
from less than a mile away. We're starting our tour at the rear | 0:22:33 | 0:22:36 | |
of the property, where the seaside setting is really maximised. | 0:22:36 | 0:22:41 | |
Now, as you both do want to live by the coast, | 0:22:41 | 0:22:47 | |
here is a house by the sea. | 0:22:47 | 0:22:49 | |
Bringing you in this way, you really get to appreciate the views | 0:22:49 | 0:22:53 | |
which is what you're after and what you have requested. Yes. | 0:22:53 | 0:22:56 | |
What do you think about the house itself? | 0:22:56 | 0:22:58 | |
A good size, nice windows. | 0:22:58 | 0:23:01 | |
Immediately I see those big glass doors, | 0:23:01 | 0:23:03 | |
which is showing us the view again and making the most of it. | 0:23:03 | 0:23:06 | |
Let's go in. Lovely, thank you. | 0:23:08 | 0:23:09 | |
Built in 1936, | 0:23:11 | 0:23:13 | |
this seaside home was given a two-storey extension to the front | 0:23:13 | 0:23:17 | |
by the current owners in 2013. | 0:23:17 | 0:23:20 | |
A conservatory entrance to the side of the property takes us through | 0:23:20 | 0:23:24 | |
to this newer section of the home and the large kitchen-diner. | 0:23:24 | 0:23:28 | |
A really good size. | 0:23:28 | 0:23:30 | |
Really nice. | 0:23:30 | 0:23:31 | |
Bright. I like the fixtures and fittings. | 0:23:31 | 0:23:33 | |
They look good. Loads of colours. | 0:23:33 | 0:23:35 | |
It has been nicely done. | 0:23:35 | 0:23:37 | |
Would this kind of space work for you in the way you live? | 0:23:37 | 0:23:40 | |
Yes. Yes, definitely. | 0:23:40 | 0:23:42 | |
This is the front of the house - | 0:23:42 | 0:23:44 | |
let's go to the view side of the house. Lovely. | 0:23:44 | 0:23:48 | |
Back at the rear of the property, | 0:23:48 | 0:23:49 | |
past a useful downstairs cloakroom, the spacious reception room | 0:23:49 | 0:23:53 | |
has sliding patio doors to soak up the setting. | 0:23:53 | 0:23:56 | |
This used to be two rooms. | 0:23:56 | 0:23:58 | |
It works well as a big room, really. | 0:23:58 | 0:24:00 | |
A really good-sized room, log-burning stove. | 0:24:00 | 0:24:02 | |
It's lovely, isn't it? | 0:24:02 | 0:24:03 | |
Nice, bright, and the views are really gorgeous. | 0:24:03 | 0:24:07 | |
Huge, huge doors. | 0:24:07 | 0:24:10 | |
It feels like a lovely Dorset picture, doesn't it? Yes. | 0:24:10 | 0:24:14 | |
Let's go higher because of course that sea view can only get better. | 0:24:14 | 0:24:18 | |
Jonathan and Diana barely dared to wish for a view of the sea | 0:24:20 | 0:24:24 | |
but the one on offer from this immaculate detached home | 0:24:24 | 0:24:28 | |
is certainly winning them over. | 0:24:28 | 0:24:30 | |
Upstairs there are four bedrooms - | 0:24:30 | 0:24:33 | |
the two smallest rooms are located in the top floor | 0:24:33 | 0:24:36 | |
of the front extension, both with single beds. | 0:24:36 | 0:24:39 | |
Then, to the rear of the property, | 0:24:39 | 0:24:41 | |
a large double enjoys that coastal outlook. | 0:24:41 | 0:24:44 | |
The family bathroom provides a roll-top bath and separate shower. | 0:24:44 | 0:24:49 | |
And then, also to the rear of the property, | 0:24:49 | 0:24:51 | |
bedroom number four is the master en suite. | 0:24:51 | 0:24:54 | |
You could have next door as a master | 0:24:54 | 0:24:56 | |
but this had the space for the en suite. | 0:24:56 | 0:24:58 | |
Yes, and you've got the view. | 0:24:58 | 0:25:01 | |
It's lovely. | 0:25:01 | 0:25:03 | |
That's what this house is about - | 0:25:03 | 0:25:04 | |
that picture. Yes. | 0:25:04 | 0:25:07 | |
And lovely big windows to show it off. | 0:25:07 | 0:25:10 | |
If that's what you want, this is the place to go for. | 0:25:10 | 0:25:13 | |
We asked for a sea view but didn't think you would find it. | 0:25:13 | 0:25:16 | |
How you did it, I don't know. | 0:25:16 | 0:25:17 | |
And you've got the hills as well, so you've got everything. | 0:25:17 | 0:25:20 | |
Nicely decorated. I like the colours and it means no decorating. | 0:25:20 | 0:25:25 | |
Yes. I'm really impressed. | 0:25:25 | 0:25:27 | |
It's lovely. Really, really lovely. | 0:25:27 | 0:25:29 | |
Yes. | 0:25:29 | 0:25:31 | |
The appeal of this home seems to be growing stronger and stronger. | 0:25:31 | 0:25:35 | |
Outside to the front of the property is a block-paved driveway | 0:25:35 | 0:25:39 | |
with parking for several cars. | 0:25:39 | 0:25:41 | |
A garage is found at the rear and is reached via a service road. | 0:25:41 | 0:25:46 | |
What's more, it has planning permission to be redeveloped, | 0:25:46 | 0:25:49 | |
so could provide options for their creative pastimes. | 0:25:49 | 0:25:53 | |
There's also a greenhouse and small vegetable patch | 0:25:53 | 0:25:56 | |
as well as a raised terrace and an ample lawn | 0:25:56 | 0:25:59 | |
from which to enjoy the views across to the bay. | 0:25:59 | 0:26:02 | |
I think this garden is a bit of a blank canvas for you. | 0:26:03 | 0:26:07 | |
Absolutely, and actually, not a bad place to be working, is it? | 0:26:07 | 0:26:11 | |
No. It needs work doing but we've got the location of course which is | 0:26:11 | 0:26:16 | |
again, what we asked for. | 0:26:16 | 0:26:17 | |
Close to West Bay, so... | 0:26:17 | 0:26:19 | |
How much is this property on the market for? | 0:26:19 | 0:26:22 | |
How much is that sea view going to cost you? | 0:26:22 | 0:26:25 | |
Again, it's going to be top-end. | 0:26:25 | 0:26:27 | |
An optimistic 515. OK. | 0:26:27 | 0:26:30 | |
Still some gardening to be done - | 0:26:32 | 0:26:34 | |
I'm going to be really optimistic | 0:26:34 | 0:26:36 | |
and go for 495. | 0:26:36 | 0:26:38 | |
You both are being very optimistic. | 0:26:40 | 0:26:43 | |
It is actually on the market for ?540,000. | 0:26:43 | 0:26:47 | |
Is it really? | 0:26:47 | 0:26:49 | |
I know I've been naughty by going over budget but you did say that you | 0:26:49 | 0:26:52 | |
might have a little bit extra over the half a million, | 0:26:52 | 0:26:56 | |
and there is always room to negotiate - | 0:26:56 | 0:26:58 | |
540 is the guide price. | 0:26:58 | 0:27:00 | |
OK, yes. Go and have another look around. | 0:27:00 | 0:27:03 | |
Lovely, thank you very much. | 0:27:03 | 0:27:05 | |
The asking price of this detached coastal home may be over budget | 0:27:08 | 0:27:12 | |
but it does fulfil that dream of a sea view. | 0:27:12 | 0:27:15 | |
There's a total of four bedrooms, that is one more than requested | 0:27:15 | 0:27:20 | |
so plenty of scope for hobby rooms. The property has a large | 0:27:20 | 0:27:23 | |
kitchen-diner as well as a good-sized reception room with space | 0:27:23 | 0:27:28 | |
to entertain the whole family. The gardens give Jonathan options | 0:27:28 | 0:27:32 | |
for a project and the garage could potentially | 0:27:32 | 0:27:35 | |
be turned into a writer's den. | 0:27:35 | 0:27:38 | |
The first impression was a nice, big, bright, light, airy house. | 0:27:38 | 0:27:43 | |
Really attractive. South-facing, walking distance to the sea. | 0:27:43 | 0:27:47 | |
Location - absolutely lovely. | 0:27:47 | 0:27:49 | |
The views, out southwards really does take the eye. | 0:27:49 | 0:27:53 | |
I would hope there would be room for negotiation because | 0:27:53 | 0:27:57 | |
I am definitely interested, yeah. | 0:27:57 | 0:27:59 | |
It's definitely up there. You've made life difficult for us. | 0:27:59 | 0:28:03 | |
I'm afraid I will need to drag you both away from the gorgeous view | 0:28:03 | 0:28:09 | |
as we still have the Mystery House to go. | 0:28:09 | 0:28:11 | |
OK. Our property hunt is not over. | 0:28:11 | 0:28:13 | |
Thank you very much. Let's see what else you've got up your sleeve. | 0:28:13 | 0:28:17 | |
Dorset's beautiful land and seascapes have long been a source | 0:28:20 | 0:28:24 | |
of artistic inspiration. Turner was a frequent visitor, | 0:28:24 | 0:28:28 | |
painting several sunsets at Poole Harbour, while the brush | 0:28:28 | 0:28:32 | |
of Constable captured rain clouds over Weymouth Bay | 0:28:32 | 0:28:35 | |
along with many pastoral scenes. | 0:28:35 | 0:28:38 | |
It is a draw that continues to this day. | 0:28:38 | 0:28:41 | |
A decade ago, creative couple Cameron Short and Janet Tristram | 0:28:41 | 0:28:44 | |
chucked in their London lives and careers in advertising and retail | 0:28:44 | 0:28:49 | |
to move to the county and pursue more artistic paths. | 0:28:49 | 0:28:53 | |
Settling in Thorncombe, | 0:28:53 | 0:28:55 | |
they turned abandoned premises into a home and studio for themselves | 0:28:55 | 0:28:59 | |
and their three young daughters. | 0:28:59 | 0:29:01 | |
Now working as handmade printmakers, | 0:29:01 | 0:29:03 | |
they are building a reputation for uniquely captivating work | 0:29:03 | 0:29:07 | |
inspired by their Dorset setting and local folklore. | 0:29:07 | 0:29:11 | |
I want to find out about the appeal of the area... | 0:29:11 | 0:29:14 | |
Hello. Hello, Sonali. | 0:29:14 | 0:29:15 | |
..and why it is such an attractive location for those | 0:29:15 | 0:29:18 | |
seeking creative fulfilment. | 0:29:18 | 0:29:21 | |
What persuaded you to move away from London? | 0:29:21 | 0:29:24 | |
Many people wanting to get into this business would have been tempted | 0:29:24 | 0:29:28 | |
to stay there. What made you come to Dorset? | 0:29:28 | 0:29:31 | |
Yeah, well, I got to a stage in my career, as a copywriter, | 0:29:31 | 0:29:35 | |
where I'd just kind of had enough. | 0:29:35 | 0:29:37 | |
So I'd be carving away, whittling at night, thinking about designs. | 0:29:37 | 0:29:41 | |
And we found our way, through trial and error, but the things | 0:29:41 | 0:29:45 | |
that we do as a family, naturally, are imbued into the imagery. | 0:29:45 | 0:29:49 | |
So it might be the walks we do, the animals we see in the area. | 0:29:49 | 0:29:54 | |
All that stuff does lend itself beautifully to creating imagery. | 0:29:54 | 0:29:58 | |
Our life in the countryside now does influence our work. | 0:29:58 | 0:30:01 | |
There's a lot that I get stirred by, even now, | 0:30:01 | 0:30:04 | |
and the pace of life suits us, it's very relaxed, | 0:30:04 | 0:30:08 | |
people are very friendly, | 0:30:08 | 0:30:10 | |
so we feel very much at home here. | 0:30:10 | 0:30:12 | |
Janet and Cameron now create designs that they work onto cushions, | 0:30:14 | 0:30:18 | |
lampshades, wallpaper and furniture, as well as limited edition prints. | 0:30:18 | 0:30:22 | |
But it's about more than simply creating | 0:30:24 | 0:30:26 | |
aesthetically pleasing objects - | 0:30:26 | 0:30:27 | |
there's a depth of statement contained within. | 0:30:27 | 0:30:31 | |
Tell me about this one. | 0:30:31 | 0:30:32 | |
Ode To The Ash. Well, that particular print... | 0:30:32 | 0:30:35 | |
I heard about the crisis with ash dieback, | 0:30:35 | 0:30:38 | |
and I wanted to do something that celebrated the tree, | 0:30:38 | 0:30:43 | |
and maybe educated people when they looked at it, | 0:30:43 | 0:30:45 | |
about how important the tree had been in our history and our culture. | 0:30:45 | 0:30:49 | |
Cameron's really using storytelling, | 0:30:49 | 0:30:53 | |
and there's certain vignettes within the overall design, | 0:30:53 | 0:30:56 | |
so you can kind of lose yourself in what is a repeat pattern. | 0:30:56 | 0:31:00 | |
For instance, if it was in a child's room, | 0:31:00 | 0:31:02 | |
they can daydream away looking at the little bits and pieces | 0:31:02 | 0:31:05 | |
within the image. | 0:31:05 | 0:31:07 | |
The process starts by carving away the parts of the design | 0:31:07 | 0:31:10 | |
that will remain ink-free into a lino-covered wood block. | 0:31:10 | 0:31:14 | |
It's caveman technology, it's not that difficult, really. | 0:31:15 | 0:31:18 | |
A tacky, linseed-based ink is applied to a plain glass surface | 0:31:19 | 0:31:23 | |
and rolled out until it's the texture of suede. | 0:31:23 | 0:31:25 | |
Just push the ink. | 0:31:25 | 0:31:27 | |
Really nice. | 0:31:27 | 0:31:29 | |
There's something very therapeutic about this. | 0:31:29 | 0:31:32 | |
Next, the ink is transferred from the glass to the carved wood block with the roller. | 0:31:33 | 0:31:38 | |
It's a manual process that creates natural imperfections. | 0:31:38 | 0:31:41 | |
You know that it's been done by hand, | 0:31:41 | 0:31:43 | |
because each print is going to be unique, not totally perfect, | 0:31:43 | 0:31:47 | |
but that's what gives it its life. | 0:31:47 | 0:31:50 | |
Now for Cameron and Janet's early 20th century proofing press | 0:31:50 | 0:31:53 | |
to be put into action. You've got the handle here, | 0:31:53 | 0:31:56 | |
which will move the cylinder across the bed of the press and apply the | 0:31:56 | 0:31:59 | |
pressure, and this thing here that you can alter the pressures. | 0:31:59 | 0:32:03 | |
The paper is carefully laid over the inked block. | 0:32:03 | 0:32:06 | |
Once it's down, you can't move it, don't even breathe. | 0:32:06 | 0:32:10 | |
And protective felts are put on top before adjusting the pressure. | 0:32:10 | 0:32:14 | |
About there should do it. | 0:32:14 | 0:32:16 | |
Then the cylinder is brought across the design, | 0:32:16 | 0:32:18 | |
a little like a mechanical rolling pin. | 0:32:18 | 0:32:21 | |
Just roll it across gently, like this. Give it some welly! Yeah. | 0:32:21 | 0:32:24 | |
We probably did that a bit quickly, but it's not going to matter. | 0:32:24 | 0:32:27 | |
Sorry. That's OK. Finally the felts and paper are peeled back, | 0:32:27 | 0:32:31 | |
revealing the image. | 0:32:31 | 0:32:33 | |
There we go. Oh, my gosh. | 0:32:33 | 0:32:35 | |
You see nightjars, moths and a lantern. | 0:32:35 | 0:32:39 | |
My gosh, I want to take that home and frame it. | 0:32:39 | 0:32:41 | |
You can. | 0:32:41 | 0:32:42 | |
Of course you can, yes. Thank you. | 0:32:42 | 0:32:45 | |
What a wonderful memento of the natural details true artists | 0:32:45 | 0:32:49 | |
like Cameron and Janet observe in their surroundings. | 0:32:49 | 0:32:52 | |
Stepping into their world has given me a fresh insight | 0:32:52 | 0:32:55 | |
into the creative energy that Dorset has to offer. | 0:32:55 | 0:32:58 | |
What do you think I have up my sleeve for the mystery property? | 0:33:07 | 0:33:12 | |
Oh... I really don't know. You've surprised us so far. | 0:33:12 | 0:33:15 | |
I can only think, although we said we would prefer not to, | 0:33:15 | 0:33:20 | |
perhaps you've got a thatched property... | 0:33:20 | 0:33:23 | |
So, remind me why you don't like thatched. | 0:33:23 | 0:33:26 | |
We didn't want the upkeep of a thatched. | 0:33:26 | 0:33:29 | |
And normally they're very small and not light and airy. | 0:33:29 | 0:33:34 | |
You might end up loving the mystery! | 0:33:34 | 0:33:36 | |
The mystery offering takes us back to Morcombelake, | 0:33:40 | 0:33:43 | |
just a short drive from the seaside village of Charmouth. | 0:33:43 | 0:33:45 | |
Known as the gateway to the Jurassic Coast, | 0:33:47 | 0:33:49 | |
there's a gently shelving beach below striking cliffs, | 0:33:49 | 0:33:53 | |
often yielding fossils. | 0:33:53 | 0:33:55 | |
Amenities include cafes and eateries, medical services, | 0:33:56 | 0:34:00 | |
a post office and a traditional butcher's. | 0:34:00 | 0:34:03 | |
Our Mystery House nestles in the surrounding countryside | 0:34:04 | 0:34:07 | |
of Morcombelake, a couple of miles away. | 0:34:07 | 0:34:09 | |
LAUGHTER | 0:34:10 | 0:34:12 | |
How did we know?! | 0:34:14 | 0:34:16 | |
How pretty is that? | 0:34:16 | 0:34:17 | |
And you did know, didn't you? | 0:34:17 | 0:34:19 | |
Yeah. So, I'm afraid my Mystery House wasn't as much of a mystery | 0:34:20 | 0:34:24 | |
as it should've been, because you completely guessed. | 0:34:24 | 0:34:27 | |
Oh... But how pretty is that? | 0:34:27 | 0:34:30 | |
And what a lovely setting. | 0:34:30 | 0:34:32 | |
Wow. Actually, it looks really nice. | 0:34:32 | 0:34:35 | |
It's a really nice house. I know you said no thatched. Yeah. | 0:34:35 | 0:34:39 | |
I wanted you to give this a chance, | 0:34:39 | 0:34:41 | |
because those fears you have about a thatched, being perhaps pokey... | 0:34:41 | 0:34:45 | |
Yeah, yeah. It doesn't really apply. | 0:34:45 | 0:34:47 | |
Yeah. It looks so lovely. Yeah, it does. | 0:34:47 | 0:34:49 | |
I love the round bits on the end. | 0:34:49 | 0:34:51 | |
Oh, it's gorgeous, let's give it a go. | 0:34:51 | 0:34:54 | |
Shall we? Yeah, absolutely. | 0:34:54 | 0:34:55 | |
You're up for trying it? BOTH: Absolutely. | 0:34:55 | 0:34:58 | |
That's all I wanted to know. | 0:34:58 | 0:35:00 | |
A great reaction to the exterior of our rather cheeky mystery proposition. | 0:35:01 | 0:35:06 | |
Built in the 17th century from cob stone and brick, | 0:35:06 | 0:35:10 | |
the porched front door of this Grade II listed thatched cottage, | 0:35:10 | 0:35:14 | |
takes us via a hallway into a decidedly spacious reception room. | 0:35:14 | 0:35:18 | |
This is the main living room. | 0:35:20 | 0:35:22 | |
Very light and bright. Very! | 0:35:22 | 0:35:24 | |
What a pleasant surprise. I take it all back, it's really bright, yeah. | 0:35:24 | 0:35:29 | |
Higher ceilings, I think, than usual on a cottage. Yes. | 0:35:29 | 0:35:33 | |
And I like the way they're painted in, rather than left dark. | 0:35:33 | 0:35:36 | |
It brightens it up. | 0:35:36 | 0:35:38 | |
Good-sized windows, so that you can see the sun's really coming in. | 0:35:38 | 0:35:41 | |
Was it what you expected? | 0:35:41 | 0:35:44 | |
From a thatched place, no. | 0:35:44 | 0:35:46 | |
No. It's much brighter, much lighter. | 0:35:46 | 0:35:48 | |
This is the older part of the house, let's take you through into the newer part. OK. | 0:35:48 | 0:35:53 | |
"New" is a comparative concept in this charming period property. | 0:35:55 | 0:35:59 | |
Extended in 1949, | 0:35:59 | 0:36:00 | |
in order to provide a plumbed kitchen and WC, | 0:36:00 | 0:36:04 | |
the space has been sympathetically refitted by the current owners. | 0:36:04 | 0:36:08 | |
This is the relatively newer part of the house, the kitchen. | 0:36:08 | 0:36:12 | |
Oh, isn't that lovely? It's really light. | 0:36:12 | 0:36:14 | |
So many windows, you couldn't ever call this dark and dingy, could you? | 0:36:14 | 0:36:17 | |
No. It's a good size, a good-sized table in here. | 0:36:17 | 0:36:20 | |
Really, really surprised, really pleasantly surprised. | 0:36:20 | 0:36:23 | |
It hasn't got straw falling off everywhere! | 0:36:23 | 0:36:25 | |
No. And the floor's all nicely done. | 0:36:25 | 0:36:28 | |
It's a lovely country kitchen. | 0:36:28 | 0:36:30 | |
I'm causing problems, aren't I? Yes. Giving you too many choices. | 0:36:30 | 0:36:33 | |
You are, you're definitely causing us problems. | 0:36:33 | 0:36:37 | |
Shall we go and explore the upstairs? | 0:36:37 | 0:36:39 | |
Lovely. Oh, yes, please. | 0:36:39 | 0:36:41 | |
Despite Diana and Jonathan's professed wariness of thatched cottages, | 0:36:41 | 0:36:45 | |
the proportions of our charming mystery offering are persuading them | 0:36:45 | 0:36:49 | |
that "period" doesn't have to mean "pokey". | 0:36:49 | 0:36:53 | |
Off the kitchen there is also a utility and cloakroom, | 0:36:53 | 0:36:56 | |
as well as a snug with cast iron stove. | 0:36:56 | 0:36:59 | |
An original curved, elm staircase takes us up to | 0:36:59 | 0:37:01 | |
the three-bedroom accommodation. | 0:37:01 | 0:37:04 | |
A good-sized double is set under the eaves, | 0:37:05 | 0:37:08 | |
as is a similarly characterful twin room. | 0:37:08 | 0:37:11 | |
There's also a family bathroom, | 0:37:11 | 0:37:14 | |
and then the third and largest of the bedrooms. | 0:37:14 | 0:37:17 | |
This is the master. Ah-ha. | 0:37:17 | 0:37:19 | |
Gosh, it's all so nice. | 0:37:19 | 0:37:21 | |
It's bright. Yes. You can lie in bed and look out at the lovely view. | 0:37:21 | 0:37:25 | |
And this room has a wet room. | 0:37:25 | 0:37:27 | |
Oh, I thought it was just wardrobe space, how nicely done. | 0:37:27 | 0:37:30 | |
It's totally different from my experiences | 0:37:30 | 0:37:33 | |
of thatched cottages, you know, | 0:37:33 | 0:37:36 | |
which have always had small windows | 0:37:36 | 0:37:39 | |
and everywhere's dark inside the house. | 0:37:39 | 0:37:41 | |
It's really, really different. | 0:37:41 | 0:37:43 | |
Mmm. Mmm. | 0:37:43 | 0:37:45 | |
Crumbs! | 0:37:45 | 0:37:47 | |
Let's go back downstairs and outside. OK. | 0:37:47 | 0:37:50 | |
Because we need to discuss the price. OK, right. Lovely. | 0:37:50 | 0:37:54 | |
I'm glad to have confounded their expectations of thatched cottages | 0:37:56 | 0:37:59 | |
with this bright and spacious Mystery House. | 0:37:59 | 0:38:02 | |
And outside there's a lot more to show them, | 0:38:02 | 0:38:05 | |
with a third of an acre of mainly south-facing, secluded grounds, | 0:38:05 | 0:38:09 | |
surrounded by countryside. | 0:38:09 | 0:38:12 | |
There's a rotating summerhouse, and a well appointed timber cabin, | 0:38:12 | 0:38:16 | |
perhaps offering a peaceful spot to sit sewing or writing that latest | 0:38:16 | 0:38:20 | |
crime thriller. | 0:38:20 | 0:38:22 | |
How could we not see a Dorset thatched when we're in Dorset? | 0:38:22 | 0:38:27 | |
And it's beautiful, it's such a pretty house, | 0:38:27 | 0:38:30 | |
and inside does not disappoint. | 0:38:30 | 0:38:33 | |
So it's charmed you both? | 0:38:33 | 0:38:34 | |
It has. Yeah, it has. Absolutely, absolutely. | 0:38:34 | 0:38:37 | |
So how much is this charming property on the market for? | 0:38:37 | 0:38:41 | |
Oh, dear... | 0:38:41 | 0:38:43 | |
I'm going to go for... | 0:38:43 | 0:38:46 | |
520. | 0:38:46 | 0:38:48 | |
OK... I can't believe it's anywhere near our price range. | 0:38:49 | 0:38:54 | |
Again, top end, but I'd say 525. | 0:38:54 | 0:38:56 | |
You've hit the nail on the head. | 0:38:56 | 0:38:58 | |
Oh, well done. | 0:38:58 | 0:39:00 | |
It is on the market for ?525,000. | 0:39:00 | 0:39:04 | |
The good news is, if you are interested, | 0:39:04 | 0:39:07 | |
the owners are willing to take offers, so I think it's attainable, | 0:39:07 | 0:39:11 | |
it's achievable. Yeah, yeah. Have another look around. | 0:39:11 | 0:39:14 | |
OK, lovely. OK, lovely. | 0:39:14 | 0:39:15 | |
Talk about it and have a think about whether this kind of | 0:39:15 | 0:39:19 | |
country-style property is you. | 0:39:19 | 0:39:22 | |
Lovely, thank you very much. Thank you. | 0:39:22 | 0:39:24 | |
I'll meet you in a bit. Thank you. Thank you. | 0:39:24 | 0:39:26 | |
With an asking price somewhat above budget, but room for negotiation, | 0:39:29 | 0:39:33 | |
this thatched Grade II listed cottage | 0:39:33 | 0:39:36 | |
has unexpectedly fulfilled Diana and Jonathan's property wish list. | 0:39:36 | 0:39:40 | |
Packed with original features, such as fireplaces | 0:39:40 | 0:39:43 | |
and a timber staircase, | 0:39:43 | 0:39:45 | |
there are three bedrooms, including an en suite. | 0:39:45 | 0:39:48 | |
The large grounds are set in beautiful countryside, | 0:39:48 | 0:39:51 | |
and there's a choice of versatile outbuildings. | 0:39:51 | 0:39:55 | |
I think you're far more open now, in my views of thatches, | 0:39:55 | 0:39:58 | |
of thatched houses. | 0:39:58 | 0:39:59 | |
Because of inside, some of the old timbers | 0:39:59 | 0:40:03 | |
really are just so beautiful. | 0:40:03 | 0:40:05 | |
A nice, big garden. | 0:40:05 | 0:40:07 | |
Set in countryside, really surprised, pleasantly surprised. | 0:40:07 | 0:40:11 | |
It was really pretty. | 0:40:11 | 0:40:14 | |
Unexpectedly so. | 0:40:14 | 0:40:15 | |
So, yeah, really pleased with it. | 0:40:15 | 0:40:18 | |
It's really given us something to think about. | 0:40:18 | 0:40:20 | |
We've seen some fabulous properties, all very different, | 0:40:20 | 0:40:24 | |
all meeting what we asked for, | 0:40:24 | 0:40:26 | |
so we've now got to make a decision of which one. | 0:40:26 | 0:40:29 | |
We better get going, because we have so much to discuss. | 0:40:32 | 0:40:36 | |
Yeah. Where are you both going to live? | 0:40:36 | 0:40:39 | |
Choices, choices, choices. | 0:40:44 | 0:40:46 | |
It's time to find out if Jonathan and Diana have been able to make a | 0:40:46 | 0:40:49 | |
decision about which property to go for. | 0:40:49 | 0:40:52 | |
I'm pretty confident at least one of them is still in the running. | 0:40:52 | 0:40:56 | |
Hello. Hello. Hello. | 0:41:00 | 0:41:02 | |
I thought it would be lovely to have our chat here on Charmouth Beach, | 0:41:02 | 0:41:07 | |
as this could be one of your local beaches. | 0:41:07 | 0:41:09 | |
Yes. I'd say it's been a successful house hunt, wouldn't you? | 0:41:09 | 0:41:13 | |
Absolutely. Definitely, definitely. | 0:41:13 | 0:41:16 | |
All of our properties had pretty much everything on your wish list, | 0:41:16 | 0:41:20 | |
so now it's just down to just a feeling perhaps. | 0:41:20 | 0:41:23 | |
What do we do now, what do you do now? | 0:41:23 | 0:41:26 | |
What we've decided is that we'd like to make an offer | 0:41:26 | 0:41:28 | |
on the house by the sea. Yeah. | 0:41:28 | 0:41:33 | |
And if the offer isn't accepted, | 0:41:33 | 0:41:36 | |
then we'd go for the house on the hill. | 0:41:36 | 0:41:39 | |
Wow, that sounds like a grand plan. | 0:41:39 | 0:41:41 | |
Yes, yes. We phoned the estate agent about our house | 0:41:41 | 0:41:44 | |
and we've reduced the price and we said we need it gone, because... | 0:41:44 | 0:41:48 | |
You want to be in a position to move quickly. | 0:41:48 | 0:41:50 | |
Yes, we said reduce the price, just do it. | 0:41:50 | 0:41:53 | |
Well, I'm just so pleased for you. | 0:41:53 | 0:41:55 | |
Two houses that you would be very happy in. | 0:41:55 | 0:41:58 | |
Yeah, yeah. That's brilliant news. | 0:41:58 | 0:42:01 | |
We couldn't have asked for more and we're just delighted. | 0:42:01 | 0:42:04 | |
We had high hopes, but they were met over and above. | 0:42:04 | 0:42:08 | |
I'm so pleased for you both. So thank you. Thank you. | 0:42:08 | 0:42:10 | |
I can't wait to hear what happens. | 0:42:10 | 0:42:12 | |
Thank you very much. | 0:42:12 | 0:42:14 | |
So, the very best of luck. Thank you very much. Thank you. | 0:42:14 | 0:42:18 | |
I do love it when a plan comes together, | 0:42:22 | 0:42:25 | |
and this plan has a backup plan. | 0:42:25 | 0:42:27 | |
How lovely that Jonathan and Diana absolutely love | 0:42:27 | 0:42:31 | |
not just one, but two of our properties, | 0:42:31 | 0:42:33 | |
and I'm so looking forward to hearing the end of this story | 0:42:33 | 0:42:36 | |
and finding out where they'll be starting their new life here in | 0:42:36 | 0:42:39 | |
Dorset. See you next time on Escape To The Country. | 0:42:39 | 0:42:42 | |
Jonathan and Diana put in their offer on the house by the sea, | 0:42:44 | 0:42:48 | |
and it was accepted. | 0:42:48 | 0:42:50 | |
They're all packed up and ready to fulfil their dream | 0:42:50 | 0:42:52 | |
of living near the Dorset coast in the very near future. | 0:42:52 | 0:42:56 | |
If you'd like to escape to the country in England, Scotland, | 0:42:56 | 0:43:00 | |
Northern Ireland or Wales and need our help, | 0:43:00 | 0:43:03 | |
please apply online at... | 0:43:03 | 0:43:06 | |
Good morning, this is BBC Breakfast. Morning, Dan. | 0:43:40 | 0:43:42 | |
Morning, Jenny! | 0:43:42 | 0:43:43 | |
In the sports news, we have the latest on the Welsh rugby team, | 0:43:43 | 0:43:46 | |
Poppy's sports day, and news on Andy Murray. | 0:43:46 | 0:43:49 | |
The headlines coming up, but our next guest is really quite special. | 0:43:49 | 0:43:52 |