Browse content similar to Cambridgeshire. Check below for episodes and series from the same categories and more!
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These flat, fertile plains were once an ancient | 0:00:03 | 0:00:05 | |
woodland, surrounded by water, until, that is, | 0:00:05 | 0:00:09 | |
they were drained for farming in the 17th century. | 0:00:09 | 0:00:11 | |
So, where am I? And which one of | 0:00:11 | 0:00:15 | |
the nation's favourite vegetables is produced | 0:00:15 | 0:00:17 | |
in these very fields? I'll tell you in just a moment. | 0:00:17 | 0:00:21 | |
'Today, our house search makes a discovery | 0:00:38 | 0:00:40 | |
'that's picture perfect.' | 0:00:40 | 0:00:42 | |
Very pretty, isn't it? If you were going to draw a house, that's how | 0:00:42 | 0:00:46 | |
you would draw it! Symmetrical, isn't it? It appeals to | 0:00:46 | 0:00:49 | |
my mathematical bent. Does it? Yeah. | 0:00:49 | 0:00:51 | |
'But I may have to call time on an area of dispute.' | 0:00:51 | 0:00:55 | |
Where is the brewing going to take place? I think | 0:00:55 | 0:00:59 | |
the Wendy house. No! The Wendy house is now the pub | 0:00:59 | 0:01:03 | |
at the end of the garden. That's good. Very | 0:01:03 | 0:01:05 | |
creative thinking! | 0:01:05 | 0:01:09 | |
Today, we're in Cambridgeshire, in the heart of the Fens. | 0:01:09 | 0:01:12 | |
This once-waterlogged fenland is now home to one of | 0:01:12 | 0:01:16 | |
the richest agricultural lands in the whole of | 0:01:16 | 0:01:18 | |
Britain, with some of the largest producers of | 0:01:18 | 0:01:21 | |
potatoes in the country. Later on in the show, I'll | 0:01:21 | 0:01:24 | |
be meeting a farmer whose family have been | 0:01:24 | 0:01:27 | |
cultivating the humble spud here in Cambridgeshire for over 200 years. | 0:01:27 | 0:01:32 | |
Cambridgeshire is a landlocked county in | 0:01:34 | 0:01:36 | |
East Anglia bordered by seven counties, | 0:01:36 | 0:01:38 | |
including Northamptonshire to the west and Essex to the south. | 0:01:38 | 0:01:42 | |
Although cut off from the coast, water plays an important part | 0:01:42 | 0:01:46 | |
in the county's landscape and history. | 0:01:46 | 0:01:49 | |
The River Cam starts in the university city of | 0:01:49 | 0:01:51 | |
Cambridge and runs 14-and-a-half miles north | 0:01:51 | 0:01:54 | |
to the Ouse. Punting was introduced here at the | 0:01:54 | 0:01:57 | |
beginning of the 20th century and is now a | 0:01:57 | 0:02:00 | |
firm Cambridge tradition and a great way to view | 0:02:00 | 0:02:03 | |
the historic colleges of one of the most famous | 0:02:03 | 0:02:05 | |
universities in the world. | 0:02:05 | 0:02:07 | |
Much of the county is flat and low-lying, including the | 0:02:07 | 0:02:11 | |
lowest point of the UK, at nine feet below sea level. | 0:02:11 | 0:02:14 | |
To the north are the distinct landscapes | 0:02:14 | 0:02:17 | |
of the Fens, marshy areas reclaimed from | 0:02:17 | 0:02:20 | |
the sea in a process of drainage started several | 0:02:20 | 0:02:22 | |
centuries ago. Before the successful | 0:02:22 | 0:02:25 | |
reclamation of the land, the few hills of the | 0:02:25 | 0:02:28 | |
area once acted as islands, often providing | 0:02:28 | 0:02:31 | |
sites for places of worship. One such isle | 0:02:31 | 0:02:34 | |
was Anglesey. A priory was built here at the | 0:02:34 | 0:02:37 | |
time of Henry I, being later converted to a | 0:02:37 | 0:02:40 | |
country house in the 16th century and renamed Anglesey Abbey. | 0:02:40 | 0:02:44 | |
So, whether it's scholarly architecture, | 0:02:45 | 0:02:48 | |
unusual rural landscapes or historic homes you're interested in, | 0:02:48 | 0:02:52 | |
Cambridgeshire is a fascinating and | 0:02:52 | 0:02:54 | |
rewarding county to escape to. | 0:02:54 | 0:02:56 | |
Given that London is only around an hour's drive from | 0:02:56 | 0:02:59 | |
Cambridgeshire, it comes as no big surprise that | 0:02:59 | 0:03:02 | |
property prices here are above the national | 0:03:02 | 0:03:05 | |
average, but not by as much as you may expect. | 0:03:05 | 0:03:09 | |
?328,000 is the typical price of a detached | 0:03:09 | 0:03:13 | |
property here in the county, which is only | 0:03:13 | 0:03:16 | |
around 9% above the rest of England and Wales. | 0:03:16 | 0:03:20 | |
What's more, if it's the wildlife you're | 0:03:20 | 0:03:22 | |
after, then this may be the county for you, because | 0:03:22 | 0:03:25 | |
Cambridgeshire is home to some of the most | 0:03:25 | 0:03:28 | |
important nature reserves in the whole of | 0:03:28 | 0:03:30 | |
the UK, including one of the oldest, Wicken Fen. | 0:03:30 | 0:03:34 | |
So, let's meet today's buyers and find out what | 0:03:34 | 0:03:37 | |
kind of lifestyle they're hoping to find here. | 0:03:37 | 0:03:40 | |
When Dick and Louise chose their Chislehurst | 0:03:40 | 0:03:43 | |
semi to the south-east of the capital, it was | 0:03:43 | 0:03:45 | |
in a perfect, peaceful location. But as the | 0:03:45 | 0:03:48 | |
years have gone by, they've felt city life | 0:03:48 | 0:03:50 | |
closing in. It's a lot busier here than it used | 0:03:50 | 0:03:53 | |
to be. When we first moved here 30 years ago, | 0:03:53 | 0:03:57 | |
it was relatively quiet. You notice there's a | 0:03:57 | 0:04:00 | |
lot more traffic, and I think that applies | 0:04:00 | 0:04:02 | |
throughout London, not just here. And, of course, now | 0:04:02 | 0:04:04 | |
we've got the bus coming down the street, which | 0:04:04 | 0:04:07 | |
is something that happened seven or eight years ago. | 0:04:07 | 0:04:11 | |
Dick has retired from his job in | 0:04:11 | 0:04:13 | |
insurance and their two daughters have moved | 0:04:13 | 0:04:16 | |
away. They'd like to escape the increasing | 0:04:16 | 0:04:18 | |
bustle of London for a quiet life within easy | 0:04:18 | 0:04:21 | |
reach of family. We've been going up to | 0:04:21 | 0:04:24 | |
Loughborough for a good ten years now because | 0:04:24 | 0:04:27 | |
the kids were at university, and the | 0:04:27 | 0:04:29 | |
notion of moving really started with those | 0:04:29 | 0:04:33 | |
journeys. So, probably about a couple of years | 0:04:33 | 0:04:37 | |
ago, we started playing these games as to where | 0:04:37 | 0:04:41 | |
we might like to stop. And when it comes to | 0:04:41 | 0:04:43 | |
where they'd like to stop, the couple have | 0:04:43 | 0:04:45 | |
settled on Cambridgeshire. | 0:04:45 | 0:04:48 | |
We quite like the countryside, and we're members of the | 0:04:48 | 0:04:51 | |
National Trust and the Royal Horticultural Society, | 0:04:51 | 0:04:56 | |
so we're hoping that will initially get | 0:04:56 | 0:04:58 | |
us out and about, looking at some of the | 0:04:58 | 0:05:00 | |
places. So we're fairly confident that we can | 0:05:00 | 0:05:05 | |
find somewhere in that area. And I think also, for | 0:05:05 | 0:05:08 | |
me, you're also near to some larger towns, | 0:05:08 | 0:05:12 | |
which, I think, having spent all my life in | 0:05:12 | 0:05:14 | |
London, I think I would miss if they weren't | 0:05:14 | 0:05:17 | |
within easy reach. | 0:05:17 | 0:05:20 | |
As well as the culture shock of country life, Louise has some nerves | 0:05:21 | 0:05:25 | |
over leaving the family home. I think I'm more | 0:05:25 | 0:05:29 | |
nervous about the move than Dick is, because I | 0:05:29 | 0:05:33 | |
didn't work when I had the children, and, as | 0:05:33 | 0:05:36 | |
such, the home has become very much my domain. | 0:05:36 | 0:05:40 | |
That's my office space, if you like. | 0:05:40 | 0:05:42 | |
And yeah, it would be very, very weird. | 0:05:42 | 0:05:46 | |
But she's hoping the move will give them more time, not only to | 0:05:46 | 0:05:49 | |
see family but to spend on their hobbies. | 0:05:49 | 0:05:53 | |
The thing about moving nearer to our daughter | 0:05:53 | 0:05:55 | |
would probably mean that there would be less | 0:05:55 | 0:05:57 | |
overnight stops, so we would have more time on | 0:05:57 | 0:06:00 | |
our hands. I do some card crafting for | 0:06:00 | 0:06:05 | |
families and friends. That's my | 0:06:05 | 0:06:07 | |
little hobby, which means I can get out of Dick's hair. | 0:06:07 | 0:06:12 | |
If he had any! | 0:06:12 | 0:06:14 | |
I enjoy making beer, making wine, anything alcoholic! Anything that | 0:06:14 | 0:06:21 | |
involves a fermentation process, so I'm quite good | 0:06:21 | 0:06:24 | |
at making bread now. And when I have a bit more | 0:06:24 | 0:06:27 | |
time on my hands, I'll be doing a bit of vegetable gardening. | 0:06:27 | 0:06:31 | |
They're all the, I suppose, fairly standard men crafts! | 0:06:31 | 0:06:36 | |
Most of all, though, it's about starting over in fresh surroundings. | 0:06:36 | 0:06:40 | |
Hopefully, it will be really exciting, a new chapter. | 0:06:40 | 0:06:44 | |
If everything's going to be new, I suppose it'd be | 0:06:44 | 0:06:46 | |
like having a honeymoon all over again! | 0:06:46 | 0:06:48 | |
You'll be after a new kitchen, for a start! Yes. | 0:06:48 | 0:06:52 | |
Dick and Louise are open to living anywhere in the county with access | 0:06:57 | 0:07:00 | |
to road links to their family in Loughborough, | 0:07:00 | 0:07:03 | |
but before we start looking at houses, we're | 0:07:03 | 0:07:05 | |
meeting in Cambridgeshire to | 0:07:05 | 0:07:07 | |
discover more about what they're hoping to find. | 0:07:07 | 0:07:10 | |
Well, Dick and Louise, welcome to Cambridgeshire. It's | 0:07:11 | 0:07:14 | |
a little bit damp, so I've brought you under this | 0:07:14 | 0:07:16 | |
gazebo to keep us dry. But we're looking for a | 0:07:16 | 0:07:19 | |
new home, it's not going to deter us. Tell me | 0:07:19 | 0:07:22 | |
about the house that, ideally, you're after. | 0:07:22 | 0:07:25 | |
It's got to be light and airy, three good-sized | 0:07:25 | 0:07:29 | |
bedrooms, and I do crafts, so I want a craft room. | 0:07:29 | 0:07:32 | |
Dick likes his office. Large kitchen? Large kitchen would be | 0:07:32 | 0:07:35 | |
lovely. And, Dick, how important is the garden? Yeah, a | 0:07:35 | 0:07:39 | |
good-sized garden. I probably want to do a | 0:07:39 | 0:07:42 | |
little bit of veg growing. And also you're | 0:07:42 | 0:07:46 | |
a bread-maker, I understand? Well, anything | 0:07:46 | 0:07:48 | |
to do with yeast, really. I'm into all | 0:07:48 | 0:07:51 | |
sorts of fermentation, and bread is one of | 0:07:51 | 0:07:54 | |
them. So it's a polite way to say he likes brewing beer! I see, I see. | 0:07:54 | 0:07:58 | |
This is quite a big property. You're not downsizing, you two, are | 0:07:58 | 0:08:01 | |
you? No. Don't intend to downsize. When we're at | 0:08:01 | 0:08:04 | |
home together, we need a bit of space! | 0:08:04 | 0:08:07 | |
OK! All right. What are things that you have to have | 0:08:07 | 0:08:10 | |
and what could you live without? | 0:08:10 | 0:08:11 | |
It's really difficult to answer that, really, because I | 0:08:11 | 0:08:15 | |
think often you fall in love with a place and it might not necessarily | 0:08:15 | 0:08:19 | |
meet the spec. Very true. Right, well, let's talk | 0:08:19 | 0:08:22 | |
money and remind ourselves of your top | 0:08:22 | 0:08:25 | |
budget. Well, the top budget's 600,000. | 0:08:25 | 0:08:29 | |
If you really pushed us and the place was perfect, | 0:08:29 | 0:08:32 | |
maybe 625. But we wouldn't mind if it was | 0:08:32 | 0:08:35 | |
a little bit lower! So, ?625,000 for that dream, | 0:08:35 | 0:08:41 | |
perfect home. Mm-hm. OK. All right. Well, are we | 0:08:41 | 0:08:44 | |
ready? We've got some splendid properties to | 0:08:44 | 0:08:46 | |
show you. Shall we get going? Yes. Yes. Come on. | 0:08:46 | 0:08:49 | |
For an absolute maximum of ?625,000, Dick and Louise's | 0:08:52 | 0:08:57 | |
dream Cambridgeshire home would have: | 0:08:57 | 0:09:00 | |
We've lined up a tempting selection of | 0:09:10 | 0:09:12 | |
houses with their wish list in mind, and at | 0:09:12 | 0:09:15 | |
each, they'll be asked to guess the price | 0:09:15 | 0:09:16 | |
before I reveal it. The final one, of course, is | 0:09:16 | 0:09:20 | |
our Mystery House, where our search may be taking on | 0:09:20 | 0:09:22 | |
a surprisingly Continental flavour. | 0:09:22 | 0:09:25 | |
Our property search is heading to the market | 0:09:30 | 0:09:34 | |
town of Chatteris. Situated in the Fens, there's | 0:09:34 | 0:09:36 | |
been a settlement here since the Neolithic period, | 0:09:36 | 0:09:38 | |
and it's claimed to have been a refuge | 0:09:38 | 0:09:41 | |
for Boadicea fleeing from the Romans. | 0:09:41 | 0:09:43 | |
Facilities include places to eat and drink, a bank | 0:09:45 | 0:09:49 | |
and a hairdresser's that hints at the local sense of humour. | 0:09:49 | 0:09:53 | |
The property we've come to view is located in the southern | 0:09:53 | 0:09:57 | |
part of the town centre, with a rather grand | 0:09:57 | 0:09:59 | |
aspect onto its south-facing rear garden. | 0:09:59 | 0:10:02 | |
Well, I've brought you into the garden to start off, | 0:10:03 | 0:10:06 | |
because I want you to take a look at your | 0:10:06 | 0:10:08 | |
property from this angle. Wow. That's | 0:10:08 | 0:10:10 | |
beautiful. This is absolutely stunning from | 0:10:10 | 0:10:12 | |
the outside. Just those windows, there's so | 0:10:12 | 0:10:15 | |
much light going in there, isn't there? | 0:10:15 | 0:10:16 | |
And I like the shutters up the top. So, good start. Can | 0:10:16 | 0:10:19 | |
you believe that it used to be a farmhouse? No, | 0:10:19 | 0:10:23 | |
no. I think we should look inside. Shall we? | 0:10:23 | 0:10:27 | |
Let's do that, please. | 0:10:27 | 0:10:29 | |
Built from brick and dating to the | 0:10:29 | 0:10:31 | |
middle of the 19th century, at the front of | 0:10:31 | 0:10:33 | |
this grand former farmhouse, the impressive elegance | 0:10:33 | 0:10:36 | |
continues through an imposing entrance hall | 0:10:36 | 0:10:39 | |
and into the front reception room. | 0:10:39 | 0:10:42 | |
So, impressed with the outside. Let's see what | 0:10:43 | 0:10:46 | |
we think about the inside. It's enormous. It's beautiful. | 0:10:46 | 0:10:49 | |
It's a good size, isn't it? It's lovely. That is period. | 0:10:49 | 0:10:53 | |
It does look very grand. Impressive. | 0:10:53 | 0:10:56 | |
It's an impressive property. So, you have this | 0:10:56 | 0:10:59 | |
as one of your drawing rooms. You've got the same | 0:10:59 | 0:11:01 | |
size again next door. You talked about escaping | 0:11:01 | 0:11:05 | |
from each other in your property - you've got | 0:11:05 | 0:11:06 | |
plenty of room here. And you've got a study | 0:11:06 | 0:11:09 | |
across the way with a downstairs cloakroom. | 0:11:09 | 0:11:12 | |
Let's see what you think of the kitchen. | 0:11:12 | 0:11:14 | |
If you'd like to follow me... | 0:11:14 | 0:11:16 | |
Now, I think this is one of the most important rooms in the whole | 0:11:18 | 0:11:22 | |
house, the kitchen. It's lovely. Really | 0:11:22 | 0:11:25 | |
nice. Nice, big space for the table. And look at that sink. | 0:11:25 | 0:11:30 | |
Have you ever seen a sink like that? No. No, not with feet like that. | 0:11:30 | 0:11:34 | |
The owner thinks it's an original, so about 160, 170 years old. | 0:11:34 | 0:11:39 | |
You do have access outside, the side door. If you look | 0:11:39 | 0:11:42 | |
through, we've got some windows leading out into the garden, | 0:11:42 | 0:11:45 | |
but you've also got a massive conservatory, which they're using as | 0:11:45 | 0:11:48 | |
a games room at the moment. We could use it | 0:11:48 | 0:11:50 | |
for anything, really. | 0:11:50 | 0:11:52 | |
This beautifully presented period home also boasts a sizeable | 0:11:52 | 0:11:57 | |
cellar, perfect for home-brewer Dick. | 0:11:57 | 0:11:59 | |
And completing this floor is a hobby room, which | 0:11:59 | 0:12:02 | |
could be put to use as a ground-floor guest room, | 0:12:02 | 0:12:04 | |
but I suspect they'll find more than enough | 0:12:04 | 0:12:05 | |
accommodation upstairs, where there are no fewer | 0:12:05 | 0:12:08 | |
than six bedrooms. | 0:12:08 | 0:12:10 | |
A large family bathroom | 0:12:10 | 0:12:12 | |
with roll-top bath and separate shower serves | 0:12:12 | 0:12:14 | |
all of the rooms, along with an additional cloakroom. | 0:12:14 | 0:12:16 | |
To the front of the property, a large | 0:12:19 | 0:12:22 | |
double has interlinking doors through two | 0:12:22 | 0:12:24 | |
smaller rooms, one of which currently sits | 0:12:24 | 0:12:26 | |
empty and the other features a bay window. | 0:12:26 | 0:12:29 | |
Behind these lies a further double. | 0:12:29 | 0:12:33 | |
Yet another double is reached via its own | 0:12:33 | 0:12:35 | |
small flight of stairs, and then there's | 0:12:35 | 0:12:37 | |
bedroom number six, which I think Dick and | 0:12:37 | 0:12:40 | |
Louise could turn into their master. | 0:12:40 | 0:12:43 | |
It's a lovely-size room. Yeah, lovely. Not only does it | 0:12:43 | 0:12:46 | |
have an ample size, but, through this wall, there | 0:12:46 | 0:12:49 | |
are some stairs on the other side. | 0:12:49 | 0:12:51 | |
You could easily open it up, sacrifice a bedroom and | 0:12:51 | 0:12:55 | |
make it an en-suite... OK. | 0:12:55 | 0:12:58 | |
..which might be quite nice for the two of you, because this house has | 0:12:58 | 0:13:03 | |
six bedrooms in total. I'm thinking it might be too | 0:13:03 | 0:13:08 | |
big. Really? I don't know. See, you set us a | 0:13:08 | 0:13:11 | |
challenge! I know! Right. Well, I think we should head | 0:13:11 | 0:13:14 | |
back downstairs, then we can talk about what sort | 0:13:14 | 0:13:16 | |
of price you think it's on the market for. | 0:13:16 | 0:13:18 | |
Dick, you lead the way, please. OK. Thank you! Thank you. | 0:13:18 | 0:13:21 | |
Dick and Louise seem somewhat intimidated by the sheer scale | 0:13:23 | 0:13:26 | |
of what's on offer here, which is a shame, because there's | 0:13:26 | 0:13:29 | |
a lot more outside. | 0:13:29 | 0:13:32 | |
This former farmhouse comes with a range of period outbuildings, | 0:13:33 | 0:13:37 | |
including garages, workshops and the old apple store. | 0:13:37 | 0:13:41 | |
All of this is included. Honestly? | 0:13:41 | 0:13:44 | |
Yes. Honestly. So, for your craft, you could | 0:13:44 | 0:13:48 | |
have a whole area. We could have a | 0:13:48 | 0:13:50 | |
microbrewery for you, Dick! Yeah! We could! And ample | 0:13:50 | 0:13:55 | |
parking for you and all the family and all your friends. | 0:13:55 | 0:13:58 | |
We could probably live in there! | 0:13:58 | 0:14:01 | |
In the substantial walled front garden, | 0:14:03 | 0:14:06 | |
there are alfresco seating areas and a | 0:14:06 | 0:14:08 | |
veranda from which to admire the mature shrubs and trees. | 0:14:08 | 0:14:12 | |
A large garden. Sunshine all afternoon on a good day. | 0:14:12 | 0:14:16 | |
Good-sized garden. Manageable? I think so. Yes. Most certainly. | 0:14:16 | 0:14:21 | |
Well, let's see if you can afford this property. | 0:14:21 | 0:14:24 | |
Can you put a price on this magnificent home? | 0:14:24 | 0:14:27 | |
I think it's got to start with a six. Let's say 625. OK. | 0:14:27 | 0:14:32 | |
So right at the top of your budget. I think it's over budget. | 0:14:32 | 0:14:37 | |
I think it's 650. OK. Well, the asking price is... | 0:14:37 | 0:14:44 | |
?635,000. However, we've spoken to the | 0:14:44 | 0:14:49 | |
owner, and she assured me that she's happy to | 0:14:49 | 0:14:52 | |
talk in the region of your top budget. | 0:14:52 | 0:14:54 | |
Definitely food for thought. Yeah! Yeah. Have that | 0:14:54 | 0:14:57 | |
in your minds and go and have another look | 0:14:57 | 0:14:59 | |
around. And in about three hours I think I'll | 0:14:59 | 0:15:02 | |
come and find you! Be my guest. OK. Thank you. | 0:15:02 | 0:15:05 | |
It's interesting, isn't it? | 0:15:07 | 0:15:08 | |
Because this property, you know, does give them | 0:15:08 | 0:15:10 | |
what they asked for. Really high ceilings, | 0:15:10 | 0:15:13 | |
beautiful, airy spaces, this wonderful garden. | 0:15:13 | 0:15:17 | |
And the thing which I think is so appealing | 0:15:17 | 0:15:19 | |
is where it's situated - in a market town. | 0:15:19 | 0:15:22 | |
When you're used to living in the city, | 0:15:22 | 0:15:23 | |
it can be a huge adjustment to move to the country. | 0:15:23 | 0:15:27 | |
Here, they have the best of both worlds. | 0:15:27 | 0:15:29 | |
Pushing their top budget at ?635,000, | 0:15:32 | 0:15:35 | |
this substantial former Victorian farmhouse | 0:15:35 | 0:15:38 | |
has two very large reception rooms, a kitchen/diner, | 0:15:38 | 0:15:42 | |
six bedrooms and a range of brick outbuildings. | 0:15:42 | 0:15:44 | |
I absolutely love the house. | 0:15:46 | 0:15:48 | |
I think it's gorgeous. I love the style, | 0:15:48 | 0:15:51 | |
the large rooms, the big ceilings. | 0:15:51 | 0:15:54 | |
Seeing the house, I thought, "Wow!" | 0:15:54 | 0:15:57 | |
It looked huge to me. The garden is just right. | 0:15:57 | 0:16:02 | |
There's so much to like about this place. | 0:16:02 | 0:16:05 | |
So which one's going to be your brewery, then? | 0:16:05 | 0:16:07 | |
Well, it's got... This one? It's got to be that one there. | 0:16:07 | 0:16:10 | |
And then you've still got all these left. I know, well... | 0:16:10 | 0:16:13 | |
Have you got plans for all these outbuildings, have you? No! | 0:16:13 | 0:16:16 | |
That's it now. Tour over. Shall we hit the road? | 0:16:16 | 0:16:19 | |
OK. OK. Let's go. All right, then. | 0:16:19 | 0:16:21 | |
Keeping water at bay to provide land for crops such as wheat | 0:16:26 | 0:16:30 | |
dominated agriculture for much of Cambridgeshire's history. | 0:16:30 | 0:16:34 | |
But when it came to turning that wheat into flour, | 0:16:34 | 0:16:36 | |
water power was positively embraced via the technology of the mill. | 0:16:36 | 0:16:41 | |
And we've arranged for Louise and keen home baker Dick | 0:16:41 | 0:16:44 | |
to see that power in action, | 0:16:44 | 0:16:45 | |
with a visit to the water mill at Anglesey Abbey. | 0:16:45 | 0:16:49 | |
Now in the care of the National Trust, | 0:16:49 | 0:16:51 | |
volunteer Roy Smith is on hand to show them how this historic building | 0:16:51 | 0:16:55 | |
continues to produce wholemeal flour the traditional way. | 0:16:55 | 0:16:59 | |
Hi, hello. OK, welcome to Lode Mill. | 0:16:59 | 0:17:01 | |
And welcome to you. Thank you. | 0:17:01 | 0:17:03 | |
So, Roy, why is the mill so special? | 0:17:03 | 0:17:06 | |
Because it's been here for 270 years. | 0:17:06 | 0:17:08 | |
It was built in 1745, still running today, | 0:17:08 | 0:17:12 | |
very much as it did on day one. | 0:17:12 | 0:17:14 | |
There's been milling in this country since Roman times. | 0:17:14 | 0:17:17 | |
It tended to be water mills in the early days, | 0:17:17 | 0:17:20 | |
and windmills came onto the scene in the late 12th century. Hmm. | 0:17:20 | 0:17:25 | |
So what's the benefit of a water mill over a windmill? | 0:17:25 | 0:17:29 | |
Windmills are subject to the vagaries | 0:17:29 | 0:17:31 | |
of the English climate, really. | 0:17:31 | 0:17:34 | |
And, er, sometimes the wind is too strong, not strong enough. | 0:17:34 | 0:17:38 | |
Water lets us run every day of the year. | 0:17:38 | 0:17:41 | |
Last autumn, we had about ten days when we couldn't actually run, | 0:17:41 | 0:17:45 | |
because the water level was quite low, | 0:17:45 | 0:17:47 | |
but most of the time, we've got plenty of water. Yeah. | 0:17:47 | 0:17:50 | |
So I've just recently got into bread-making. | 0:17:50 | 0:17:52 | |
It'd be lovely to get inside and see how the flour's made. | 0:17:52 | 0:17:55 | |
Once grinding out 20 tonnes of flour a week, | 0:17:55 | 0:17:58 | |
the mill was converted for cement making | 0:17:58 | 0:18:01 | |
at the beginning of the 20th century. | 0:18:01 | 0:18:03 | |
Fully restored to its original use in the 1980s, | 0:18:03 | 0:18:06 | |
it now produces a modest ten tonnes of flour a year. | 0:18:06 | 0:18:10 | |
That's enough to allow visitors to see the flour-making process | 0:18:10 | 0:18:13 | |
without too much wear and tear. | 0:18:13 | 0:18:15 | |
And that process starts with the opening of the sluice gates. | 0:18:15 | 0:18:18 | |
OK, Dick, every schoolboy's dream now. | 0:18:18 | 0:18:21 | |
I'm going to let you turn the wheel on, so... OK? Lovely, thanks. | 0:18:21 | 0:18:24 | |
Blimey! Oh, dear. | 0:18:27 | 0:18:28 | |
Just one turn of the sluice gate wheel | 0:18:30 | 0:18:32 | |
and the water stored in the mill pond flows at ten tonnes per minute, | 0:18:32 | 0:18:36 | |
filling buckets on the water wheel and causing it to turn. | 0:18:36 | 0:18:39 | |
Now we can go upstairs and see the stones in action, OK? OK. | 0:18:41 | 0:18:44 | |
As grains of wheat pour down, the power of the water wheel is used | 0:18:46 | 0:18:50 | |
to turn the millstones producing flour. | 0:18:50 | 0:18:53 | |
Today, the gears are set at 60 turns per minute, | 0:18:53 | 0:18:56 | |
but in its heyday, the mill would've worked the stones | 0:18:56 | 0:18:58 | |
up to 150 turns per minute, | 0:18:58 | 0:19:01 | |
which would've been even noisier. | 0:19:01 | 0:19:03 | |
So I'm surprised how quickly that turns it into flour. | 0:19:03 | 0:19:06 | |
Yeah, no, it's instantaneous, really. | 0:19:06 | 0:19:09 | |
Once the grain starts dropping down into the gap between the stones, | 0:19:09 | 0:19:12 | |
the wheat is crushed and flour starts dropping down the chute | 0:19:12 | 0:19:17 | |
and is collected in the sack underneath. | 0:19:17 | 0:19:20 | |
It's an instantaneous process, really. Yeah, very quick. | 0:19:20 | 0:19:24 | |
Today's wheat is brought in from Hertfordshire. | 0:19:25 | 0:19:27 | |
The traditional Derbyshire grit millstones | 0:19:27 | 0:19:30 | |
have also been swapped for much hardier millstones | 0:19:30 | 0:19:32 | |
imported from a disused mill in Portugal | 0:19:32 | 0:19:35 | |
which are much better suited | 0:19:35 | 0:19:36 | |
to grinding today's softer-grained wheat. | 0:19:36 | 0:19:39 | |
OK, so this is the flour that we've just produced. | 0:19:40 | 0:19:43 | |
It's a lovely, stone-ground... Lovely. ..wholemeal flour. | 0:19:43 | 0:19:46 | |
Lovely, soft. Have a feel. | 0:19:46 | 0:19:48 | |
Oh, yeah. Oh, yeah! | 0:19:48 | 0:19:50 | |
We don't add anything. We don't take anything away. Mm-hm. | 0:19:50 | 0:19:53 | |
So it's pure, unadulterated flour from organic wheat, | 0:19:53 | 0:19:57 | |
so we like to think it's actually better quality | 0:19:57 | 0:20:00 | |
than you can buy in supermarkets. | 0:20:00 | 0:20:01 | |
I've got a bag of flour here, Dick. | 0:20:01 | 0:20:03 | |
I know you're into your bread-making. Yeah. | 0:20:03 | 0:20:05 | |
So I'd like to present it to you. Lovely. Thank you. | 0:20:05 | 0:20:08 | |
Go away and use it wisely and, er, | 0:20:08 | 0:20:10 | |
enjoy the rest of your explorations, OK? Thanks very much. | 0:20:10 | 0:20:14 | |
Well, Dick's bread baking will have to wait, | 0:20:15 | 0:20:17 | |
because our search for their Cambridgeshire country home | 0:20:17 | 0:20:20 | |
resumes tomorrow. | 0:20:20 | 0:20:21 | |
We're helping retirees Dick and Louise swap life in London | 0:20:30 | 0:20:34 | |
for a home in the Cambridgeshire countryside. | 0:20:34 | 0:20:37 | |
With a budget of up to ?625,000, | 0:20:37 | 0:20:40 | |
we've already shown them some wonderful property. | 0:20:40 | 0:20:43 | |
But there's more to see, | 0:20:43 | 0:20:44 | |
including our mystery house, | 0:20:44 | 0:20:46 | |
which might just prove more of a puzzle than we bargained for. | 0:20:46 | 0:20:50 | |
What is it? I don't know! | 0:20:50 | 0:20:52 | |
I've heard lots of comments in the past. | 0:20:53 | 0:20:56 | |
I don't think I've ever heard that one. | 0:20:56 | 0:20:58 | |
Plus I visit a local potato farm for a snack break | 0:20:58 | 0:21:01 | |
that's a real taste of home. | 0:21:01 | 0:21:04 | |
Can I smell it? Yeah, please do. | 0:21:04 | 0:21:06 | |
Oh! Smells of sausages, doesn't it? | 0:21:07 | 0:21:10 | |
It does! It smells of my mother's cooking! | 0:21:10 | 0:21:12 | |
We've got two fabulous properties to show Dick and Louise, | 0:21:12 | 0:21:16 | |
but I'm hoping we can tempt them today | 0:21:16 | 0:21:18 | |
with our mystery house, which has a certain je ne sais quoi about it. | 0:21:18 | 0:21:23 | |
Watch this space and all will be revealed. | 0:21:23 | 0:21:26 | |
In the meantime, do wish me "bon chance" | 0:21:26 | 0:21:29 | |
as I'm hoping at least one of our properties | 0:21:29 | 0:21:31 | |
that we're going to show them | 0:21:31 | 0:21:33 | |
will have Dick and Louise reaching for their cheque-book. | 0:21:33 | 0:21:36 | |
The village of Warboys is the location of our first house today. | 0:21:41 | 0:21:45 | |
Amenities here include a pub, post office and store | 0:21:45 | 0:21:49 | |
and a chemist. | 0:21:49 | 0:21:50 | |
Just an eight-minute drive away is the small market town of Ramsey, | 0:21:50 | 0:21:54 | |
where the remains of a Benedictine abbey, | 0:21:54 | 0:21:56 | |
the origins of the settlement, can still be seen. | 0:21:56 | 0:22:00 | |
Back in Warboys, our next house enjoys a historic position | 0:22:00 | 0:22:03 | |
on the village high street. | 0:22:03 | 0:22:05 | |
So, new day, new property. | 0:22:06 | 0:22:09 | |
It looks like a cottage, but in actual fact, quite a large house. | 0:22:09 | 0:22:13 | |
Is it? Ah! It's very charming. It looks lovely from the front. Yeah. | 0:22:13 | 0:22:17 | |
It looks in very good condition. Yeah. | 0:22:17 | 0:22:19 | |
Very pretty, isn't it? Yeah, very. If you're going to draw a house, | 0:22:19 | 0:22:22 | |
that's how you would draw it. | 0:22:22 | 0:22:24 | |
Symmetrical, isn't it? Yes, yes. Yeah, it is. | 0:22:24 | 0:22:26 | |
Yeah, it's lovely. It appeals to my mathematical bent. Does it? | 0:22:26 | 0:22:29 | |
Yeah. OK. Well, shall we step inside and take a look around? | 0:22:29 | 0:22:32 | |
Love to. Lovely. | 0:22:32 | 0:22:33 | |
Dating back to 1801, this Grade II-listed property | 0:22:34 | 0:22:37 | |
was once a bakery, with its former bakehouse located to the rear, | 0:22:37 | 0:22:41 | |
meaning that, whilst the frontage may look symmetrical, | 0:22:41 | 0:22:45 | |
the footprint is a little more unusual. | 0:22:45 | 0:22:47 | |
An entrance to the side leads via a lobby and hall | 0:22:47 | 0:22:50 | |
to the kitchen/diner at the heart of the home. | 0:22:50 | 0:22:53 | |
This is lovely. A really nice-sized kitchen. Yes, a super size. Yeah. | 0:22:53 | 0:22:57 | |
Plenty of storage. Cos kitchens are close to your heart, aren't they? | 0:22:57 | 0:23:00 | |
You want the right kitchen. | 0:23:00 | 0:23:01 | |
Mm-hm, yeah, it looks good. I think it's very nice. | 0:23:01 | 0:23:04 | |
It's large enough to take a huge dining table for the family. Yeah. | 0:23:04 | 0:23:07 | |
I like the kitchen. Yeah. | 0:23:07 | 0:23:09 | |
Very good start. So far, so good. So far, so good. | 0:23:09 | 0:23:11 | |
So let's keep going through, see what you make of the next room. | 0:23:11 | 0:23:15 | |
Off the kitchen, there is a utility room | 0:23:15 | 0:23:17 | |
and, to the front of the property, | 0:23:17 | 0:23:19 | |
the first of the generously-proportioned reception rooms. | 0:23:19 | 0:23:23 | |
So, here is our sitting-room. | 0:23:23 | 0:23:27 | |
Or your drawing-room. Whichever you prefer. | 0:23:27 | 0:23:29 | |
That's not a bad size. I think it's a good size, actually, yeah. | 0:23:29 | 0:23:32 | |
Yeah. Impressive wood burner. | 0:23:32 | 0:23:34 | |
I like wood burners and, er, I'm quite used to cleaning them as well. | 0:23:34 | 0:23:38 | |
Are you? We'd be very comfortable in here. Yeah, homely? | 0:23:38 | 0:23:42 | |
Definitely homely. This could be a nice little snug for us. | 0:23:42 | 0:23:45 | |
All we need is four bedrooms upstairs and you've, er... | 0:23:45 | 0:23:48 | |
you've got us sorted. Four bedrooms! | 0:23:48 | 0:23:50 | |
Ooh, can I deliver on that for you? | 0:23:50 | 0:23:52 | |
Look, I'm smiling, I'm giving too much away! Let's go and have a look. | 0:23:52 | 0:23:56 | |
Next to this reception room is another, currently used as a study. | 0:23:57 | 0:24:01 | |
To the rear of the property, | 0:24:01 | 0:24:02 | |
the former bakehouse provides yet another even larger reception, | 0:24:02 | 0:24:06 | |
as well as a cloakroom. | 0:24:06 | 0:24:08 | |
Not only that, upstairs, | 0:24:08 | 0:24:10 | |
this property trumps the four bedrooms Dick's hoping for | 0:24:10 | 0:24:13 | |
by offering five. | 0:24:13 | 0:24:15 | |
Situated to the front, there's a good-sized guest double, | 0:24:15 | 0:24:18 | |
next to which is a single and a further double. | 0:24:18 | 0:24:21 | |
Behind this is the fourth and smallest of the guest rooms. | 0:24:21 | 0:24:25 | |
These are all served by a family bathroom. | 0:24:25 | 0:24:28 | |
Lastly, to the rear of the home, | 0:24:28 | 0:24:30 | |
is a spacious master en-suite. | 0:24:30 | 0:24:32 | |
This is good space. | 0:24:33 | 0:24:34 | |
Lovely wardrobes. Plenty of wardrobes. | 0:24:34 | 0:24:36 | |
It is very good. And if you notice, there is a door behind us, | 0:24:36 | 0:24:39 | |
you've actually got a shower. Bonus. Yeah? Yeah, yeah. | 0:24:39 | 0:24:42 | |
More than you're after? | 0:24:42 | 0:24:43 | |
Yeah. Yeah. Two reception rooms. Yeah, just a little bit. | 0:24:43 | 0:24:46 | |
Yeah. Mm-hm. | 0:24:46 | 0:24:47 | |
I know you two want space. | 0:24:47 | 0:24:49 | |
So plenty for the children, friends come to stay. Yeah. | 0:24:49 | 0:24:52 | |
But also for your own hobbies and crafts. Mm-hm. | 0:24:52 | 0:24:55 | |
Hmm, we're warming to this. Yeah? | 0:24:55 | 0:24:57 | |
Well, there is more to show you outside, | 0:24:57 | 0:24:59 | |
so, Dick, if you wouldn't mind leading the way. OK. | 0:24:59 | 0:25:02 | |
It seems this period property goes the extra mile | 0:25:04 | 0:25:07 | |
when it comes to delivering what Dick and Louise have asked for, | 0:25:07 | 0:25:10 | |
and the outside is no exception. | 0:25:10 | 0:25:13 | |
There's ample hard standing for several cars, | 0:25:13 | 0:25:15 | |
plus a large barn-style garage and workshop. | 0:25:15 | 0:25:18 | |
A fully-enclosed rear garden, | 0:25:18 | 0:25:20 | |
with planted beds and well-maintained lawn, | 0:25:20 | 0:25:23 | |
includes a glasshouse and a little summerhouse. | 0:25:23 | 0:25:25 | |
So you actually have quite a substantial amount of land | 0:25:27 | 0:25:30 | |
from that back door. | 0:25:30 | 0:25:31 | |
This looks manageable, though. Yeah? Mm-hm. | 0:25:31 | 0:25:34 | |
And that greenhouse looks wonderful. | 0:25:34 | 0:25:35 | |
I think it is a recipe to get my green fingers out again. Yeah? Yeah. | 0:25:35 | 0:25:38 | |
Where is the brewing going to take place? That's what I want to know. | 0:25:38 | 0:25:42 | |
I think the, er, the Wendy house. No! That'll be good. | 0:25:42 | 0:25:45 | |
The Wendy house is now the pub at the end of the garden! | 0:25:45 | 0:25:50 | |
That's very creative thinking. | 0:25:50 | 0:25:52 | |
Well, we've seen the house, we've seen the garden. | 0:25:52 | 0:25:55 | |
We've now got to decide what it's on the market for. | 0:25:55 | 0:25:59 | |
You're looking at me with dread in your eyes! | 0:25:59 | 0:26:02 | |
I'm going to be optimistic and say 595. OK. | 0:26:02 | 0:26:08 | |
I think I'd go a little bit lower than that. | 0:26:08 | 0:26:10 | |
I'd probably go about 570. OK. | 0:26:10 | 0:26:12 | |
Well, you're both out. | 0:26:12 | 0:26:14 | |
The owner's asking offers in excess | 0:26:14 | 0:26:17 | |
of ?500,000. Oh! Ooh! | 0:26:17 | 0:26:21 | |
It just demonstrates, if you look around, | 0:26:21 | 0:26:23 | |
you can get quite a lot for your money. For your money. | 0:26:23 | 0:26:25 | |
It's going to give you something to think about. Definitely. | 0:26:25 | 0:26:28 | |
Now you know that price... Mm-hm. ..reacquaint yourself with the property. | 0:26:28 | 0:26:31 | |
Houses always look different when they're under budget, | 0:26:31 | 0:26:33 | |
and I'll catch up with you when you're ready. | 0:26:33 | 0:26:35 | |
Thanks. Thank you. Thank you. | 0:26:35 | 0:26:37 | |
Below budget at an incredible ?125,000, | 0:26:40 | 0:26:44 | |
this Grade II-listed former bakery has a kitchen/diner | 0:26:44 | 0:26:48 | |
and three additional reception rooms. | 0:26:48 | 0:26:51 | |
There are five bedrooms, | 0:26:51 | 0:26:52 | |
including a master en-suite, | 0:26:52 | 0:26:53 | |
a large garage and workshop, | 0:26:53 | 0:26:55 | |
as well as a low-maintenance garden with a glasshouse. | 0:26:55 | 0:26:59 | |
This is a lovely, spacious house. | 0:27:00 | 0:27:02 | |
It's got, er, so many rooms, it's unbelievable. | 0:27:02 | 0:27:05 | |
I think it's very easy to imagine yourself living here. | 0:27:05 | 0:27:08 | |
The kitchen I like as well, which is an added bonus, | 0:27:08 | 0:27:12 | |
so I don't think we'd need to sort of touch anything for some time. | 0:27:12 | 0:27:15 | |
There's lots of things to like about this property. | 0:27:15 | 0:27:18 | |
It's got a good balance of rooms, both downstairs and upstairs. | 0:27:18 | 0:27:22 | |
I think it's a strong possibility, this place. | 0:27:22 | 0:27:26 | |
I wonder if a second look around, knowing that price, | 0:27:26 | 0:27:29 | |
has warmed them up a bit. | 0:27:29 | 0:27:30 | |
Well, they're taking their time, so that could be a good sign. | 0:27:30 | 0:27:34 | |
All finished? Yes. Yeah. Yeah? | 0:27:35 | 0:27:37 | |
Seen everything? Yes, thank you. Happy? Yup. Right, let's go. | 0:27:37 | 0:27:40 | |
Much of the current farmland of Cambridgeshire | 0:27:47 | 0:27:49 | |
was once covered by sea water and bog oak. | 0:27:49 | 0:27:52 | |
Attempts to drain it began in earnest in the 1600s, | 0:27:52 | 0:27:55 | |
taking over two centuries of effort | 0:27:55 | 0:27:57 | |
before the rich soil, known as the black gold, emerged. | 0:27:57 | 0:28:01 | |
Ross Taylor's family have worked the earth here | 0:28:01 | 0:28:03 | |
at Willow Farm near Ely since 1860. | 0:28:03 | 0:28:06 | |
Their 500 acres produce prize-winning potatoes | 0:28:06 | 0:28:10 | |
along with other root vegetables. | 0:28:10 | 0:28:12 | |
But the last decade has also seen them setting up | 0:28:12 | 0:28:14 | |
their very own crisp factory and Ross has agreed to tell me why. | 0:28:14 | 0:28:18 | |
Hi, Ross. Hi, Nicki. | 0:28:18 | 0:28:20 | |
Now, I've never seen soil like this before. | 0:28:20 | 0:28:23 | |
But what's so special about this area? | 0:28:23 | 0:28:26 | |
The reason why we can produce these potatoes | 0:28:26 | 0:28:29 | |
is down to our beautiful black, peaty soil. | 0:28:29 | 0:28:31 | |
Now, you say it's peaty. | 0:28:31 | 0:28:33 | |
So why is it like this? | 0:28:33 | 0:28:35 | |
Um, thousands of years of, um, organic material and bog oak | 0:28:35 | 0:28:42 | |
and, er, we've been left with this beautiful soil | 0:28:42 | 0:28:46 | |
for our beautiful potatoes to grow in. I love that. | 0:28:46 | 0:28:49 | |
"Beautiful soil, beautiful spuds!" | 0:28:49 | 0:28:51 | |
So this region is renowned for its potatoes, which... | 0:28:51 | 0:28:54 | |
I've got one here. | 0:28:54 | 0:28:55 | |
So why did you decide to diversify and go into crisps? | 0:28:55 | 0:28:58 | |
The recession came along in 2008 | 0:28:58 | 0:29:01 | |
and we decided we couldn't carry the farm on any longer, um, | 0:29:01 | 0:29:06 | |
relying on the markets that we'd always traded with, | 0:29:06 | 0:29:08 | |
so we needed to do something with the product ourselves. | 0:29:08 | 0:29:12 | |
So, really, was it that tough for you as a farmer? | 0:29:12 | 0:29:14 | |
Oh, it was terrible! We'd lost our Irish market, | 0:29:14 | 0:29:17 | |
which we supplied all my father's career. | 0:29:17 | 0:29:20 | |
It was... It was either do something different or give the farm up. | 0:29:20 | 0:29:24 | |
So the crisp came to the rescue? | 0:29:24 | 0:29:26 | |
Yeah, we never tried crisps before with our product | 0:29:26 | 0:29:29 | |
and, er, we took them to a crisp expert | 0:29:29 | 0:29:32 | |
and they tried them and they couldn't believe | 0:29:32 | 0:29:34 | |
the quality of our product. | 0:29:34 | 0:29:36 | |
And, er, so we decided that was the way forward for us in the future. | 0:29:36 | 0:29:40 | |
So all your potatoes converted into crisps | 0:29:40 | 0:29:42 | |
come from the land that we can see around us? | 0:29:42 | 0:29:44 | |
Yeah, indeed, literally from 100 yards of our factory. | 0:29:44 | 0:29:46 | |
Is that your factory there? It is. I think you know when I'm going - | 0:29:46 | 0:29:49 | |
to see where these crisps are produced. | 0:29:49 | 0:29:51 | |
Ross, thank you so much. It's a pleasure. | 0:29:51 | 0:29:52 | |
I'll leave you with your spuds. I'll let you carry that. | 0:29:52 | 0:29:55 | |
OK, thank you. Thank you. | 0:29:55 | 0:29:57 | |
The farm's factory is where the potatoes are washed, sliced, | 0:29:57 | 0:30:01 | |
cooked and flavoured before being bagged and boxed. | 0:30:01 | 0:30:07 | |
It's a speedy process that turns the crop in the field into crisps | 0:30:07 | 0:30:11 | |
that are ready to leave in an average of just 40 minutes. | 0:30:11 | 0:30:14 | |
The farm currently makes seven flavours of potato crisps | 0:30:14 | 0:30:17 | |
and three varieties of vegetable ones. | 0:30:17 | 0:30:19 | |
But today the plan is to add another to the slate. | 0:30:19 | 0:30:23 | |
Ross's friend and fellow crisp entrepreneur Rod Garnham | 0:30:23 | 0:30:27 | |
has developed a new flavour for us to try. | 0:30:27 | 0:30:31 | |
Now, talking about flavours, when I was growing up, | 0:30:31 | 0:30:33 | |
I think there were only two available - | 0:30:33 | 0:30:35 | |
cheese and onion and salt and vinegar. | 0:30:35 | 0:30:37 | |
Yes, there's more and more demand for more adventurous flavours | 0:30:37 | 0:30:41 | |
so that's what we've been developing as a company. | 0:30:41 | 0:30:45 | |
We go out to Ely and Cambridge, | 0:30:45 | 0:30:46 | |
our local cities, | 0:30:46 | 0:30:48 | |
and we'll stand in the middle of the square and ask, you know, | 0:30:48 | 0:30:52 | |
"What sort of tickles your taste buds, really?" | 0:30:52 | 0:30:54 | |
So the people of Cambridgeshire decide what the rest of us are going to eat? Exactly, yeah. | 0:30:54 | 0:30:57 | |
Well, when we were talking about actually coming here, | 0:30:57 | 0:31:00 | |
they said if you could come up with any variety, | 0:31:00 | 0:31:02 | |
what would it be? What would be your taste? | 0:31:02 | 0:31:04 | |
And I said - because I'm a classy bird - | 0:31:04 | 0:31:06 | |
"Bangers and mash." | 0:31:06 | 0:31:07 | |
Yeah. Is that a good or a bad one? No, I think that's a good one. | 0:31:07 | 0:31:10 | |
It's funny you should say that, because we developed this, | 0:31:10 | 0:31:13 | |
which is a bangers and mash flavour. Can I smell it? | 0:31:13 | 0:31:15 | |
Please do. | 0:31:15 | 0:31:16 | |
Oh. It smells of sausages, doesn't it? | 0:31:18 | 0:31:20 | |
It does. It smells of my mother's cooking. | 0:31:20 | 0:31:23 | |
'The flavours are made to order by a specialist nearby company | 0:31:23 | 0:31:26 | |
'using natural local ingredients where possible | 0:31:26 | 0:31:29 | |
'before being added to the crisps at the factory.' | 0:31:29 | 0:31:31 | |
OK, I think we're ready for a taste. | 0:31:31 | 0:31:35 | |
Here we go. Ready? Yeah. | 0:31:35 | 0:31:37 | |
Ooh! That's pretty good, actually. That is good. | 0:31:39 | 0:31:42 | |
That is good. That reminds me of home cooking, | 0:31:42 | 0:31:45 | |
but there's something else in there. What have you added? | 0:31:45 | 0:31:47 | |
Put a little bit of mustard in there because, in my mind, | 0:31:47 | 0:31:50 | |
if you're going to have bangers and mash, | 0:31:50 | 0:31:51 | |
you're going to have a bit of mustard. Gives it a little kick. | 0:31:51 | 0:31:54 | |
Can you taste it? You can. | 0:31:54 | 0:31:56 | |
It's good, eh? I might have to try one more. | 0:31:56 | 0:31:58 | |
Listen to that crunch! It's good, isn't it? | 0:32:00 | 0:32:02 | |
Oh, that is delicious. We might have to launch that. | 0:32:02 | 0:32:04 | |
What would we call it, though? | 0:32:04 | 0:32:06 | |
Chappers' Bangers And Mash. That sounds good. | 0:32:06 | 0:32:09 | |
Chappers' Bangers And Mash. | 0:32:09 | 0:32:11 | |
'Who would have thought an economic crisis | 0:32:11 | 0:32:13 | |
'would turn some humble Cambridgeshire spuds | 0:32:13 | 0:32:15 | |
'into a gourmet crisp? | 0:32:15 | 0:32:17 | |
'And, if I ever fancy a taste of Mum's cooking, | 0:32:17 | 0:32:20 | |
'well, who knows? | 0:32:20 | 0:32:21 | |
'I may just be able to eat a packet soon.' | 0:32:21 | 0:32:24 | |
One more. It would be rude not to. | 0:32:24 | 0:32:26 | |
You'd better take those away from me. | 0:32:26 | 0:32:28 | |
I'll eat the whole lot. | 0:32:28 | 0:32:30 | |
Our mystery offering is located close to the village of Pondersbridge. | 0:32:36 | 0:32:41 | |
Facilities are found in the nearby ancient fenland market town of Whittlesey | 0:32:41 | 0:32:45 | |
and include butchers and pubs. | 0:32:45 | 0:32:47 | |
But the centre of the marketplace is a 17th-century covered butter cross | 0:32:47 | 0:32:51 | |
where local dairy produce was once bought and sold. | 0:32:51 | 0:32:56 | |
Fresh eggs, milk and butter would have been laid out for display | 0:32:56 | 0:32:59 | |
on the stepped bases of the cross. | 0:32:59 | 0:33:01 | |
This structure was considered useless in the 19th century | 0:33:01 | 0:33:05 | |
and only saved from demolition when a local businessman | 0:33:05 | 0:33:08 | |
donated slate tiles for the roof. | 0:33:08 | 0:33:09 | |
Before the fens were drained in the 18th and 19th century, | 0:33:12 | 0:33:15 | |
this settlement was effectively an island | 0:33:15 | 0:33:17 | |
surrounded by water. | 0:33:17 | 0:33:19 | |
It's now an eight-minute drive across dry land | 0:33:19 | 0:33:21 | |
to our mystery property in the midst of open countryside. | 0:33:21 | 0:33:25 | |
So, our final offering is the most unusual one. | 0:33:27 | 0:33:32 | |
Welcome to your Mystery House. | 0:33:32 | 0:33:35 | |
What is it? I don't... | 0:33:35 | 0:33:37 | |
I've had lots of comments in the past - | 0:33:37 | 0:33:40 | |
I don't think I've ever had that one! | 0:33:40 | 0:33:42 | |
It is a house. Next door, the chimney | 0:33:42 | 0:33:44 | |
that you can actually see was the old pumping station | 0:33:44 | 0:33:47 | |
which has been converted into another property. | 0:33:47 | 0:33:50 | |
It's not actually attached to this. | 0:33:50 | 0:33:52 | |
This is your Mystery House. | 0:33:52 | 0:33:54 | |
It's not only a very unusual property inside | 0:33:54 | 0:33:57 | |
but also it's the most rural location, | 0:33:57 | 0:33:59 | |
surrounded by fields, | 0:33:59 | 0:34:01 | |
so I'm not going to lie... | 0:34:01 | 0:34:03 | |
No shops, no amenities on your doorstep... | 0:34:03 | 0:34:06 | |
OK. ..with the Mystery House. | 0:34:06 | 0:34:08 | |
It looks very impressive from the outside. | 0:34:08 | 0:34:10 | |
I've probably got an open mind until I get inside. Have you? | 0:34:10 | 0:34:13 | |
I wouldn't necessarily say | 0:34:13 | 0:34:16 | |
it's the most attractive building I've seen, | 0:34:16 | 0:34:18 | |
but space-wise, I suspect it's there. | 0:34:18 | 0:34:20 | |
Ready to get inside? Yeah, indeed. | 0:34:20 | 0:34:22 | |
Let's go this way. | 0:34:22 | 0:34:24 | |
'Our unique Mystery House was built in 2004, | 0:34:24 | 0:34:27 | |
'inspired by a pair of arched glass doors | 0:34:27 | 0:34:30 | |
'from a chateaux in the Loire Valley. | 0:34:30 | 0:34:32 | |
'The solid oak entrance door is also from France, | 0:34:32 | 0:34:35 | |
'and the Continental ambience continues through | 0:34:35 | 0:34:39 | |
'into the professionally designed interior.' | 0:34:39 | 0:34:41 | |
I don't think you're going to have seen anything like it. | 0:34:41 | 0:34:44 | |
Definitely not! This is enormous. | 0:34:44 | 0:34:47 | |
How high are these ceilings? | 0:34:47 | 0:34:49 | |
Have a guess how high that ceiling is. | 0:34:49 | 0:34:51 | |
15 feet? | 0:34:51 | 0:34:52 | |
Not bad. 12. | 0:34:52 | 0:34:54 | |
You do get the feeling you're in a French chateau, don't you? | 0:34:54 | 0:34:56 | |
With those doors. And the curtains, actually, yeah. | 0:34:56 | 0:35:00 | |
Not what you'd expect in Cambridgeshire. | 0:35:00 | 0:35:03 | |
No. No, I don't think you would. | 0:35:03 | 0:35:04 | |
And look at that fabulous fireplace. 17th-century. | 0:35:04 | 0:35:08 | |
That came from France as well. | 0:35:08 | 0:35:10 | |
I'm just blown away by the size, really. I mean, it's vast. | 0:35:10 | 0:35:14 | |
It is vast. Isn't it? We'd have to bend our minds | 0:35:14 | 0:35:16 | |
as to what we do with it. | 0:35:16 | 0:35:18 | |
Rather than have two or three sitting rooms, | 0:35:18 | 0:35:21 | |
you've just got this one open space, | 0:35:21 | 0:35:23 | |
and then just leading off here is the kitchen. | 0:35:23 | 0:35:27 | |
'Also off this large central reception room is an orangery. | 0:35:27 | 0:35:31 | |
'Featuring those inspirational Loire Valley doors, | 0:35:31 | 0:35:34 | |
'it's currently used as a music room.' | 0:35:34 | 0:35:38 | |
So, we have a separate kitchen | 0:35:38 | 0:35:41 | |
but it still contains that open-plan feel. | 0:35:41 | 0:35:45 | |
It's a bit galley-ish to me. | 0:35:45 | 0:35:46 | |
Yeah. So although what they've done is beautifully fitted - | 0:35:46 | 0:35:50 | |
and you've actually got this trough sink... | 0:35:50 | 0:35:52 | |
Yeah, which is quite useful. Yeah. | 0:35:52 | 0:35:54 | |
Yeah, lovely beams up top. | 0:35:54 | 0:35:57 | |
I'm not too sure it's really big enough. | 0:35:57 | 0:36:00 | |
It isn't huge, - I can't lie - | 0:36:00 | 0:36:03 | |
but what you do have is a utility room next door. | 0:36:03 | 0:36:05 | |
You've got your white goods in there. | 0:36:05 | 0:36:07 | |
And then, through there, you actually have a wet room. | 0:36:07 | 0:36:10 | |
So, on this floor, you've also, unusually, | 0:36:10 | 0:36:13 | |
got the master bedroom as well. | 0:36:13 | 0:36:15 | |
Downstairs? Downstairs. Shall we take a look? | 0:36:15 | 0:36:17 | |
Yes. Let's go through the kitchen this way. | 0:36:17 | 0:36:19 | |
'A mixed response to the living space | 0:36:19 | 0:36:22 | |
'of this quirky recent build | 0:36:22 | 0:36:24 | |
'which offers a total of four bedrooms. | 0:36:24 | 0:36:26 | |
'A guest single is also found off the entrance hall | 0:36:26 | 0:36:29 | |
'on the ground floor, while spiral stairs in the reception room | 0:36:29 | 0:36:33 | |
'lead to a landing and two large guest doubles, | 0:36:33 | 0:36:36 | |
'both with skylight windows and one with an en-suite shower room. | 0:36:36 | 0:36:41 | |
'Then, back on the ground floor, is the impressive master en-suite.' | 0:36:41 | 0:36:46 | |
Another splendid room. | 0:36:46 | 0:36:48 | |
This must be the master. Yes. It's huge. | 0:36:48 | 0:36:52 | |
Beautiful large en-suite. | 0:36:52 | 0:36:54 | |
Yes. This, I'm thinking, would be yours. | 0:36:54 | 0:36:57 | |
It's a lovely, lovely light, spacious room. | 0:36:57 | 0:37:00 | |
I'm quite keen to take you back outside. | 0:37:00 | 0:37:02 | |
A little bit more to show you. | 0:37:02 | 0:37:03 | |
And, for the last time, I'm going to ask you... The price. ..yes, to put a price on it. | 0:37:03 | 0:37:08 | |
Oh, don't look so worried! Your favourite part(!) | 0:37:08 | 0:37:11 | |
'Dick and Louise have asked for space | 0:37:13 | 0:37:15 | |
'and the mystery house certainly delivers it in spades, | 0:37:15 | 0:37:18 | |
'both inside and out. | 0:37:18 | 0:37:19 | |
'With a plot of almost three quarters of an acre, | 0:37:19 | 0:37:22 | |
'the wraparound decking provides somewhere | 0:37:22 | 0:37:24 | |
'to enjoy the very peaceful surroundings. | 0:37:24 | 0:37:27 | |
'There is a greenhouse in need of some TLC | 0:37:27 | 0:37:29 | |
'as well as a massive barn which has both power and water, | 0:37:29 | 0:37:33 | |
'and could brew Dick's interests.' | 0:37:33 | 0:37:36 | |
So, I'm thinking workshops, brewery... Yeah, possibly, possibly. | 0:37:36 | 0:37:40 | |
Yeah? Yeah. | 0:37:40 | 0:37:42 | |
Have we surprised you? Yes. | 0:37:42 | 0:37:45 | |
Yes, I'm a bit speechless, I think, really. | 0:37:45 | 0:37:48 | |
It's certainly challenged us. | 0:37:48 | 0:37:50 | |
It's not something we'd ever dreamed of looking at. | 0:37:50 | 0:37:55 | |
No. It's a fair proposition. | 0:37:55 | 0:37:58 | |
Let's just talk the finances, shall we? | 0:37:58 | 0:38:01 | |
What do you think the current asking price is? | 0:38:01 | 0:38:05 | |
I don't know. I'll go for about 525, I think. | 0:38:05 | 0:38:08 | |
Louise? I'm not too sure, really. | 0:38:08 | 0:38:11 | |
It's got a lot of land. | 0:38:11 | 0:38:13 | |
I think I might go higher than Dick, | 0:38:13 | 0:38:15 | |
so I'll probably say 550. | 0:38:15 | 0:38:18 | |
Oh. Well, you're actually the closest, | 0:38:18 | 0:38:20 | |
because it's on the market for ?554,950. | 0:38:20 | 0:38:26 | |
OK. Yeah, not surprised. | 0:38:26 | 0:38:27 | |
It is a unique property. | 0:38:27 | 0:38:29 | |
Do you fancy having another look around? Yes, please. | 0:38:29 | 0:38:32 | |
On your own? Yeah, we'll have a look around. | 0:38:32 | 0:38:33 | |
It's the last time I'm going to say it. | 0:38:33 | 0:38:36 | |
OK. Go and have a wander around the Mystery House once more. | 0:38:36 | 0:38:39 | |
OK, thank you. Thank you. | 0:38:39 | 0:38:40 | |
With an asking price ?70,000 below budget, | 0:38:45 | 0:38:49 | |
this chateau-inspired new build | 0:38:49 | 0:38:51 | |
features a large open-plan living space, | 0:38:51 | 0:38:53 | |
four bedrooms, including two ensuites, | 0:38:53 | 0:38:56 | |
and almost three-quarters of an acre of grounds | 0:38:56 | 0:38:58 | |
in very rural surroundings. | 0:38:58 | 0:39:01 | |
I think it's an extraordinary property. | 0:39:01 | 0:39:03 | |
It's got some beautiful features. | 0:39:03 | 0:39:06 | |
Lovely bit upstairs for the family and so on. | 0:39:06 | 0:39:08 | |
Wonderful bedroom. Yep. | 0:39:08 | 0:39:10 | |
And you'd lose yourself in the bathroom, wouldn't you? | 0:39:10 | 0:39:13 | |
I think it's been quite interesting seeing this, | 0:39:13 | 0:39:16 | |
because I suppose it's so much out of what we would envisage. | 0:39:16 | 0:39:20 | |
This room is absolutely amazing, isn't it? | 0:39:20 | 0:39:23 | |
With the 17th-century fireplace, | 0:39:23 | 0:39:26 | |
the open windows, the high ceilings... | 0:39:26 | 0:39:29 | |
Very versatile in terms of how you can use it. | 0:39:29 | 0:39:33 | |
The open plan-ness is something | 0:39:33 | 0:39:36 | |
that doesn't quite work for us even though | 0:39:36 | 0:39:39 | |
I think it's perhaps opened our minds a little bit to it. | 0:39:39 | 0:39:42 | |
Don't necessarily want to be this far out in the country, do we? | 0:39:42 | 0:39:45 | |
No, maybe not. | 0:39:45 | 0:39:47 | |
It has helped concentrate our minds on what we like | 0:39:47 | 0:39:50 | |
and what we don't like. | 0:39:50 | 0:39:54 | |
That is it. The end of all our house tours. | 0:39:56 | 0:40:00 | |
Enjoyed it? Very much so. Yeah? Very much so. | 0:40:00 | 0:40:03 | |
Do you want some time to have a think amongst yourselves, | 0:40:03 | 0:40:06 | |
what your next move's going to be? Yep. | 0:40:06 | 0:40:09 | |
OK, come on. | 0:40:09 | 0:40:11 | |
So, out of all the properties we showed Dick and Louise, | 0:40:18 | 0:40:22 | |
I think one of them stands a fighting chance | 0:40:22 | 0:40:25 | |
of a revisit. | 0:40:25 | 0:40:27 | |
But I'm just wondering whether Cambridgeshire as a county | 0:40:27 | 0:40:30 | |
is going to get a second viewing. Let's find out. | 0:40:30 | 0:40:33 | |
Well, Dick and Louise, | 0:40:39 | 0:40:41 | |
we've certainly travelled around this county, haven't we? | 0:40:41 | 0:40:44 | |
So, let's talk about the actual houses that you've seen, | 0:40:44 | 0:40:46 | |
and, for me, there's one that stands out. | 0:40:46 | 0:40:49 | |
I think it was that very old property | 0:40:49 | 0:40:51 | |
with the bakery at the back. | 0:40:51 | 0:40:52 | |
Would I be right? You would be. | 0:40:52 | 0:40:55 | |
Ah, good. | 0:40:55 | 0:40:56 | |
So, Dick, what was it about that property that so appealed to you? | 0:40:56 | 0:40:59 | |
It was the one that was nearest to what we really wanted | 0:40:59 | 0:41:02 | |
in terms of blueprint, footprint, what ever you want to call it. | 0:41:02 | 0:41:05 | |
You know, it has a nice bit of character to it | 0:41:05 | 0:41:08 | |
and it had a combination of rooms that we still haven't worked out | 0:41:08 | 0:41:11 | |
exactly what we'd like to do with, | 0:41:11 | 0:41:13 | |
but it sort of covers all occasions. | 0:41:13 | 0:41:15 | |
So probably the most important question... | 0:41:15 | 0:41:18 | |
Do you think you'll go back for a second viewing? | 0:41:18 | 0:41:20 | |
I would certainly like to go back and have a look. | 0:41:20 | 0:41:23 | |
I think so. Yeah. | 0:41:23 | 0:41:25 | |
Louise, I'm going to ask you a question. | 0:41:25 | 0:41:27 | |
You've loved living in London. | 0:41:27 | 0:41:30 | |
Born and bred in London. | 0:41:30 | 0:41:32 | |
Have you come to terms with the idea of actually leaving the city | 0:41:32 | 0:41:36 | |
and moving away? | 0:41:36 | 0:41:37 | |
I think so. | 0:41:37 | 0:41:39 | |
I mean, I suppose the proof of the pudding | 0:41:39 | 0:41:41 | |
will be when you make the decision on the house. | 0:41:41 | 0:41:44 | |
But, yeah, it's going to be a big wrench. | 0:41:44 | 0:41:47 | |
Do you think we can put a timeframe on this move, | 0:41:47 | 0:41:49 | |
wherever you decide to go? | 0:41:49 | 0:41:51 | |
I just wondered if, in your minds, you were thinking... | 0:41:51 | 0:41:54 | |
two months, six months, a year? | 0:41:54 | 0:41:55 | |
Oh, we'd like... Well, I don't know. | 0:41:55 | 0:41:57 | |
Well, I think we'd like to be gone within a year. Yeah. | 0:41:57 | 0:42:00 | |
I'd like to think we wouldn't still be looking in a year. | 0:42:00 | 0:42:02 | |
At Christmas, you'll be in your new home? Yeah. | 0:42:02 | 0:42:05 | |
Well, all the very best, | 0:42:05 | 0:42:07 | |
and I expect to hear an update on where you're at very soon. | 0:42:07 | 0:42:11 | |
Thank you both so much. Thank you. Many thanks, Nicki. | 0:42:11 | 0:42:14 | |
Now, if I'm honest, | 0:42:18 | 0:42:20 | |
it's not the easiest thing in the world showing a couple a county | 0:42:20 | 0:42:22 | |
which, well, they really don't know very well. | 0:42:22 | 0:42:26 | |
But I think what we've achieved over the last few days | 0:42:26 | 0:42:29 | |
is a fantastic cross-section of properties | 0:42:29 | 0:42:31 | |
to tempt Dick and Louise. | 0:42:31 | 0:42:33 | |
Now, personally, I really do hope they go for that second viewing | 0:42:33 | 0:42:37 | |
of that splendid house with the old bakery at the back, | 0:42:37 | 0:42:40 | |
because what it will give them | 0:42:40 | 0:42:42 | |
is the community they're going to need, | 0:42:42 | 0:42:45 | |
the space they say they require... | 0:42:45 | 0:42:47 | |
and at a price that will give them the scope to make those adjustments | 0:42:47 | 0:42:51 | |
so they can have their perfect home. | 0:42:51 | 0:42:54 | |
Whatever they decide to do, | 0:42:54 | 0:42:56 | |
we wish them all the very best of luck, | 0:42:56 | 0:42:58 | |
and I'll see you again on Escape To The Country. | 0:42:58 | 0:43:01 | |
If you would like to escape to the country | 0:43:03 | 0:43:05 | |
in Northern Ireland, Scotland, Wales or England, | 0:43:05 | 0:43:08 | |
and need our help, | 0:43:08 | 0:43:09 | |
please apply online at... | 0:43:09 | 0:43:15 | |
Need a medic. | 0:43:46 | 0:43:47 | |
# We are weightless... # | 0:43:47 | 0:43:49 | |
Humanitarian mission. | 0:43:49 | 0:43:50 | |
# We are invincible... # | 0:43:50 | 0:43:52 | |
On the Somali border. | 0:43:52 | 0:43:53 | |
# Nothing like this... # | 0:43:53 | 0:43:55 | |
I hope you told them where to stick it. | 0:43:55 | 0:43:56 | |
# Flying like cannonballs... # | 0:43:56 | 0:43:59 |