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Welcome to Escape To The County. | 0:00:02 | 0:00:03 | |
This rather pretty body of water behind me, let's face it, | 0:00:03 | 0:00:06 | |
could be anywhere in the UK, | 0:00:06 | 0:00:07 | |
but this one formed a key component in an 18th-century valleyscape | 0:00:07 | 0:00:11 | |
that is now being painstakingly rediscovered. | 0:00:11 | 0:00:14 | |
It is just part of a much wider country estate | 0:00:14 | 0:00:17 | |
that has, at its heart, a Gothic mansion that's been equally | 0:00:17 | 0:00:21 | |
lost in time. So, where are we? | 0:00:21 | 0:00:23 | |
Join me in just a moment and I'll tell you. | 0:00:23 | 0:00:25 | |
Today, I'm with a pair of sisters used to living it up in London. | 0:00:44 | 0:00:48 | |
But one of them is packing it in for a life in the countryside | 0:00:48 | 0:00:51 | |
and taking a touch of the city buzz with her. | 0:00:51 | 0:00:55 | |
-It lends itself quite nicely to a really funky playroom or... -Yeah. | 0:00:55 | 0:00:59 | |
-..party room. -THEY LAUGH | 0:00:59 | 0:01:01 | |
I wondered when we'd get to that! | 0:01:01 | 0:01:02 | |
Yeah, I get the feeling you two are quite used to a good party. | 0:01:02 | 0:01:05 | |
And it looks like there might be cause for celebration, | 0:01:05 | 0:01:08 | |
as our search throws up a few surprises. | 0:01:08 | 0:01:11 | |
And you may open your eyes now. | 0:01:11 | 0:01:13 | |
-Oh, my goodness! -Oh, wow! | 0:01:13 | 0:01:15 | |
Well, today we are in Gloucestershire | 0:01:17 | 0:01:19 | |
and these are the beautiful landscape surroundings | 0:01:19 | 0:01:22 | |
of Woodchester Park and that, perhaps not surprisingly, | 0:01:22 | 0:01:25 | |
is Woodchester Mansion. | 0:01:25 | 0:01:27 | |
Now, from the outside it looks pretty sumptuous, but in truth, | 0:01:27 | 0:01:30 | |
in 1873, the money ran out, the builders left | 0:01:30 | 0:01:33 | |
and it remains a time capsule - a unique study | 0:01:33 | 0:01:37 | |
in late 19th century architectural practice. | 0:01:37 | 0:01:40 | |
Now, later on in this show, I'll be back here taking a closer look | 0:01:40 | 0:01:43 | |
at the work that's being done to restore | 0:01:43 | 0:01:45 | |
all that Woodchester has to offer. It is a peculiar part | 0:01:45 | 0:01:48 | |
of Gloucestershire's tantalising countryside. | 0:01:48 | 0:01:51 | |
Gloucestershire is situated in the south-west of England, | 0:01:54 | 0:01:57 | |
where the River Severn flows into the Bristol Channel. | 0:01:57 | 0:02:00 | |
The county encompasses a major part of the Cotswolds Area | 0:02:00 | 0:02:03 | |
Of Outstanding Natural Beauty, | 0:02:03 | 0:02:05 | |
the Severn Vale and the Royal Forest Of Dean. | 0:02:05 | 0:02:09 | |
Within the forest, the magical dense woodland of Puzzle Wood is a mass | 0:02:09 | 0:02:13 | |
of twisted tree roots and dramatic moss-covered rock formations. | 0:02:13 | 0:02:18 | |
So striking is its imagery, | 0:02:18 | 0:02:20 | |
it was said to have been one of JRR Tolkien's inspirations for | 0:02:20 | 0:02:23 | |
Middle Earth in Lord Of The Rings and is also recognisable from | 0:02:23 | 0:02:27 | |
its appearance in the recent Star Wars movie, The Force Awakens. | 0:02:27 | 0:02:32 | |
Gloucestershire also boasts equally stunning scenery in the form | 0:02:32 | 0:02:35 | |
of its historic architecture. | 0:02:35 | 0:02:37 | |
The charming Cotswolds villages in the east of the county are | 0:02:37 | 0:02:40 | |
made up of ancient honey-coloured limestone cottages, like those | 0:02:40 | 0:02:44 | |
in the village of Bibury. | 0:02:44 | 0:02:45 | |
Described by William Morris as the most beautiful village | 0:02:45 | 0:02:49 | |
in England, its famous stone weavers' cottages at Arlington Row | 0:02:49 | 0:02:52 | |
are some of the most photographed in the UK. | 0:02:52 | 0:02:55 | |
And their iconic image even features on the inner page | 0:02:55 | 0:02:59 | |
of the British passport. But there's certainly no need | 0:02:59 | 0:03:02 | |
to go abroad, when you've got all this in Gloucestershire. | 0:03:02 | 0:03:05 | |
From varied landscapes and heritage, to picture-perfect towns | 0:03:05 | 0:03:08 | |
and villages, there really is something for everyone. | 0:03:08 | 0:03:11 | |
Well, who wouldn't be seduced by this glorious Gloucestershire | 0:03:14 | 0:03:17 | |
countryside but, of course, | 0:03:17 | 0:03:19 | |
moving here does come with something of a premium attached. | 0:03:19 | 0:03:23 | |
At £330,000, the average price of a detached property here | 0:03:23 | 0:03:27 | |
is some 30 grand above the national figure. | 0:03:27 | 0:03:30 | |
Now, you may not have to be | 0:03:30 | 0:03:32 | |
a millionaire to move here, but it is perhaps worth remembering | 0:03:32 | 0:03:35 | |
the story of local man James Wood. | 0:03:35 | 0:03:37 | |
He owned the old bank in Gloucester. | 0:03:37 | 0:03:39 | |
He was, reputedly, | 0:03:39 | 0:03:41 | |
Britain's very first millionaire, but was also said to be so tight | 0:03:41 | 0:03:45 | |
with his money, he was the inspiration for Charles Dickens' | 0:03:45 | 0:03:48 | |
Ebenezer Scrooge. But what about today's buyer? | 0:03:48 | 0:03:51 | |
Let's hope that she is far more prepared to part with her money. | 0:03:51 | 0:03:55 | |
Today, we're house-hunting with South Londoner, Mickey, | 0:03:55 | 0:03:59 | |
who lives in a four-bedroom terrace house with son, Tom, | 0:03:59 | 0:04:02 | |
and their two dogs, Didier and Mouse. | 0:04:02 | 0:04:05 | |
Having family living nearby, Mickey sees her younger sister Charley | 0:04:05 | 0:04:09 | |
on a daily basis. | 0:04:09 | 0:04:10 | |
I live in Wandsworth at the moment and I absolutely love this area. | 0:04:11 | 0:04:16 | |
It's a very close-knit community, everything is on my doorstep. | 0:04:16 | 0:04:20 | |
Tom's school is five minutes away from the house, as is the Common, | 0:04:20 | 0:04:24 | |
as are cafes. | 0:04:24 | 0:04:26 | |
Despite living in the affluent borough for nine years, | 0:04:26 | 0:04:29 | |
Mickey's job as a property design consultant | 0:04:29 | 0:04:31 | |
has meant they never stay put in one property for long. | 0:04:31 | 0:04:35 | |
I have moved seven times in the last six years | 0:04:35 | 0:04:39 | |
and done up every single property that I've lived in. | 0:04:39 | 0:04:42 | |
Mickey has the most incredible vision. | 0:04:42 | 0:04:45 | |
So when she walks into a property she can see what she can do with it, | 0:04:45 | 0:04:48 | |
which a lot of other people don't. | 0:04:48 | 0:04:50 | |
The London lifestyle suits Mickey down to the ground, but with | 0:04:51 | 0:04:54 | |
seven-year-old Tom about to change schools, she feels the fast-paced | 0:04:54 | 0:04:58 | |
city isn't the best place for him to grow up in. | 0:04:58 | 0:05:01 | |
This move is driven solely by Tom and his changing schooling needs. | 0:05:02 | 0:05:08 | |
Um, I would like him to grow up in the countryside | 0:05:08 | 0:05:11 | |
without the pressures of London and being in a city. | 0:05:11 | 0:05:15 | |
He'll have freedom to run around, like we did when we were younger. | 0:05:15 | 0:05:19 | |
Mickey's done her research. | 0:05:20 | 0:05:22 | |
Although she's unfamiliar with the countryside, | 0:05:22 | 0:05:24 | |
she has friends in Gloucestershire and has found | 0:05:24 | 0:05:26 | |
a school there for Tom. | 0:05:26 | 0:05:28 | |
The idea of moving seems a no-brainer. | 0:05:28 | 0:05:31 | |
Gloucestershire is the only place Mickey can go. | 0:05:31 | 0:05:33 | |
It has the most amazing links back to London | 0:05:33 | 0:05:36 | |
and, I think, a great friend network there. | 0:05:36 | 0:05:40 | |
Whilst I am going to embrace it, I am slightly dreading it | 0:05:40 | 0:05:43 | |
and clinging on for the last few months of my London life. | 0:05:43 | 0:05:47 | |
But I will take it with both hands, but I am quite scared. | 0:05:47 | 0:05:52 | |
And with a change of scenery may also come a change of career. | 0:05:53 | 0:05:58 | |
I have always loved the idea of owning a boutique | 0:05:58 | 0:06:01 | |
and, whilst they are two-a-penny in London, | 0:06:01 | 0:06:05 | |
there aren't that many in Gloucestershire. | 0:06:05 | 0:06:07 | |
So, I would really like to look at opportunities, | 0:06:07 | 0:06:10 | |
to see whether maybe I could realise my dream of owning a little shop. | 0:06:10 | 0:06:14 | |
Although she's a pro when it comes to buying and selling, | 0:06:15 | 0:06:18 | |
there's more pressure on getting this next property purchase right | 0:06:18 | 0:06:21 | |
than ever before. So, she's bringing sister Charley along for support. | 0:06:21 | 0:06:26 | |
Charley has got a very wise head on her shoulders. | 0:06:26 | 0:06:29 | |
We work together quite well, | 0:06:29 | 0:06:31 | |
because I have the artistic flair | 0:06:31 | 0:06:34 | |
and my ideas sometimes run away with me | 0:06:34 | 0:06:37 | |
and Charley is probably more likely to be the...the... | 0:06:37 | 0:06:41 | |
-Handbrake? -Yeah! | 0:06:41 | 0:06:43 | |
The school Mickey has found for Tom is in Minchinhampton, | 0:06:47 | 0:06:50 | |
so we're looking in the villages and towns within | 0:06:50 | 0:06:52 | |
a reasonable distance for the school run. | 0:06:52 | 0:06:54 | |
Now although this is one lady who's used to talking property | 0:06:54 | 0:06:58 | |
particulars, I need to find out what's on the wish list | 0:06:58 | 0:07:01 | |
for this next move. | 0:07:01 | 0:07:02 | |
Well, guys, look at this, what a place to start. | 0:07:02 | 0:07:05 | |
So, formally, Charley, Mickey, welcome to Gloucestershire. | 0:07:05 | 0:07:09 | |
This is a really interesting story, | 0:07:09 | 0:07:10 | |
I think, because you're not a typical escapee, are you? | 0:07:10 | 0:07:15 | |
No, I don't think I am. | 0:07:15 | 0:07:17 | |
What's the real motivation behind this move for you? | 0:07:17 | 0:07:21 | |
The real motivation is Tom and his schooling. | 0:07:21 | 0:07:24 | |
Now, I'm just looking for the perfect property. | 0:07:24 | 0:07:27 | |
Charley, you know your sister better than anybody, | 0:07:27 | 0:07:30 | |
what's your role going to be this week? | 0:07:30 | 0:07:32 | |
I think I'm here to be the voice of reason. | 0:07:32 | 0:07:35 | |
Mickey has moved a lot and, therefore, she's not scared | 0:07:35 | 0:07:39 | |
to take on a project and it's easy for her. | 0:07:39 | 0:07:42 | |
So, I think I'll be more... | 0:07:42 | 0:07:44 | |
look at the bigger picture. | 0:07:44 | 0:07:46 | |
With this move, are you looking for an investment property, or a home? | 0:07:46 | 0:07:49 | |
I'm looking for a home, | 0:07:49 | 0:07:51 | |
that will ultimately be an investment, as well, | 0:07:51 | 0:07:53 | |
but I'm looking, first and foremost, for a home. | 0:07:53 | 0:07:56 | |
Let's talk about the specifics. | 0:07:56 | 0:07:57 | |
What do we need to have on our wish list? | 0:07:57 | 0:07:59 | |
Probably the main key component is the location. | 0:07:59 | 0:08:03 | |
So, I'm very keen for a village location. | 0:08:03 | 0:08:06 | |
I do not want it to be too rural. | 0:08:06 | 0:08:08 | |
I would quite like a pub within walking distance. | 0:08:08 | 0:08:11 | |
And then, in terms of the property, four bedrooms. | 0:08:11 | 0:08:16 | |
Um, and a garden that isn't too big. | 0:08:16 | 0:08:19 | |
Just remind us of your budget? | 0:08:19 | 0:08:22 | |
I've got a budget of, maximum, 900,000. | 0:08:22 | 0:08:26 | |
That's for all the work that I would like to do on the property, as well. | 0:08:26 | 0:08:29 | |
That's my complete budget. | 0:08:29 | 0:08:31 | |
Is it possible, Charley, that we could find the perfect home | 0:08:31 | 0:08:36 | |
that didn't need anything doing for your sister? | 0:08:36 | 0:08:39 | |
Um, I think that's incredibly unlikely! | 0:08:39 | 0:08:41 | |
That's my worry. Why? | 0:08:41 | 0:08:44 | |
Why is it so unlikely? | 0:08:44 | 0:08:46 | |
Because if it's not Mickey's way, she doesn't like it. | 0:08:46 | 0:08:49 | |
You've got a fantastic budget, | 0:08:49 | 0:08:51 | |
we've got some great properties here to show you. | 0:08:51 | 0:08:54 | |
-Shall we? -Yeah, brilliant. -Come on, let's go. | 0:08:54 | 0:08:56 | |
Let's see what we can find you. | 0:08:56 | 0:08:57 | |
It's nearly a million quid, you know. It's not bad, is it? | 0:08:57 | 0:09:00 | |
THEY CHUCKLE | 0:09:00 | 0:09:01 | |
With a healthy budget of £900,000, | 0:09:04 | 0:09:07 | |
Mickey's looking for a property with a minimum of four bedrooms, | 0:09:07 | 0:09:11 | |
a substantial, yet manageable, garden for Tom and the dogs | 0:09:11 | 0:09:15 | |
and she's not shy of doing a little bit of work, if required. | 0:09:15 | 0:09:18 | |
Used to life in the city, Mickey doesn't want anything | 0:09:18 | 0:09:21 | |
too remote and she'd like to be able to walk to a pub. | 0:09:21 | 0:09:24 | |
The most important factor is to be close to her son's new school. | 0:09:24 | 0:09:28 | |
We've got some cracking properties to show Mickey and Charley, | 0:09:28 | 0:09:31 | |
all with an abundance of character | 0:09:31 | 0:09:33 | |
and an interesting mix of old and new. | 0:09:33 | 0:09:36 | |
I'll be asking them to guess the price of each, before I tell them. | 0:09:36 | 0:09:39 | |
And for our final offering, I have a Mystery House to rival all | 0:09:39 | 0:09:43 | |
mystery houses, with a very special and unique additional extra. | 0:09:43 | 0:09:47 | |
We're beginning our search in a tiny hamlet called The Vatch, | 0:09:52 | 0:09:55 | |
which is in the southern Cotswolds. | 0:09:55 | 0:09:58 | |
Situated on the edge of the Slad Valley, | 0:09:58 | 0:10:01 | |
it's less than a mile from the picturesque village of Slad, | 0:10:01 | 0:10:04 | |
famous as the home and final resting place of author, Laurie Lee. | 0:10:04 | 0:10:08 | |
Today, the village is focused around the parish church and the | 0:10:08 | 0:10:11 | |
Woolpack pub, which continues to receive visitors keen to see | 0:10:11 | 0:10:15 | |
the place where author Lee whiled away the hours writing his books. | 0:10:15 | 0:10:19 | |
As we wander back down the hill, the property I want Mickey to see | 0:10:19 | 0:10:23 | |
stands in a prominent position, on a rather impressive plot. | 0:10:23 | 0:10:26 | |
-Wow! -That's property number one. | 0:10:27 | 0:10:29 | |
-Is it? Wow! -It's beautiful. | 0:10:29 | 0:10:32 | |
Originally, a coach house. | 0:10:32 | 0:10:34 | |
Now the outside fabric, as you can see, is all in pretty good order. | 0:10:34 | 0:10:38 | |
It's the internals that are going to require a bit of Mickey magic... | 0:10:38 | 0:10:41 | |
-Yeah. -..I suspect. | 0:10:41 | 0:10:43 | |
-It's a good barometer, I think, this one to start with. -Definitely. | 0:10:43 | 0:10:45 | |
As to how much of a project you're up for. | 0:10:45 | 0:10:47 | |
It's big. It definitely looks really big from the outside. | 0:10:47 | 0:10:50 | |
I mean, it comes with three acres of land. | 0:10:50 | 0:10:52 | |
-Oh, my goodness. -OK. -OK. Sugar. | 0:10:52 | 0:10:55 | |
Yeah, sugar. Come on, let's sweeten that pill. Let's have a look. | 0:10:55 | 0:10:59 | |
Made of Cotswold stone, | 0:11:02 | 0:11:03 | |
this three-storey house retains a number of charming features from | 0:11:03 | 0:11:06 | |
its former life as a coach house | 0:11:06 | 0:11:09 | |
and, surprisingly, it isn't listed. | 0:11:09 | 0:11:10 | |
Inside, it certainly is as large as it looks from the outside. | 0:11:12 | 0:11:15 | |
The ground floor is currently divided, to create a self-contained | 0:11:15 | 0:11:18 | |
one-bedroomed annexe, separate from the rest of the property, with its | 0:11:18 | 0:11:22 | |
own entrance, a separate kitchen/dining area | 0:11:22 | 0:11:24 | |
and a bathroom, but we're starting in the main house, | 0:11:24 | 0:11:28 | |
which I think could offer Mickey the development | 0:11:28 | 0:11:30 | |
potential she's after, subject to the necessary permissions. | 0:11:30 | 0:11:34 | |
Right, Mickey, come on in. | 0:11:36 | 0:11:39 | |
What do you think? | 0:11:39 | 0:11:41 | |
I think these walls need to come down. | 0:11:41 | 0:11:43 | |
It's a little bit disappointing. | 0:11:43 | 0:11:45 | |
From the outside, you expect to walk into something a little bit more... | 0:11:45 | 0:11:49 | |
-Opulent? -Opulent, yes. | 0:11:49 | 0:11:50 | |
-And welcoming. -Yeah. -Instead, you walk into a wasted room. | 0:11:50 | 0:11:54 | |
This wall, I suspect, should absolutely go. | 0:11:54 | 0:11:57 | |
It's creating a hallway here, which is completely unnecessary, really. | 0:11:57 | 0:12:01 | |
-Yes. -What do you think, Charley? | 0:12:01 | 0:12:02 | |
I'm intrigued, because this is what Mickey likes. | 0:12:02 | 0:12:05 | |
-She likes going in somewhere and seeing the bigger picture. -Yeah. | 0:12:05 | 0:12:09 | |
So, I'm just intrigued to see the rest of it. | 0:12:09 | 0:12:11 | |
That's a picture we need to create, don't we? Come through here. | 0:12:11 | 0:12:14 | |
Here we are. | 0:12:17 | 0:12:18 | |
Oh, gosh. | 0:12:18 | 0:12:21 | |
Right now, I'm not sure I'm really feeling it. | 0:12:21 | 0:12:24 | |
From the outside, it had so much potential, it was beautiful. | 0:12:24 | 0:12:28 | |
So far, it's lots of little rooms that aren't flowing | 0:12:28 | 0:12:33 | |
and really working for me. | 0:12:33 | 0:12:34 | |
Despite her vision, Mickey is clearly struggling to get her | 0:12:35 | 0:12:38 | |
head around the space on offer here. | 0:12:38 | 0:12:40 | |
Hopefully, she might change her mind when she sees upstairs. | 0:12:40 | 0:12:44 | |
On the first floor are two of the five possible bedrooms, | 0:12:44 | 0:12:48 | |
both doubles, as well as a large family bathroom, | 0:12:48 | 0:12:51 | |
but a huge dual aspect living area. | 0:12:51 | 0:12:53 | |
Now up here on the first floor is where you get your first real | 0:12:55 | 0:12:59 | |
-kind of reception room. -Yeah, this is great. | 0:12:59 | 0:13:02 | |
-This is amazing. -Ah, you see. | 0:13:02 | 0:13:04 | |
Suddenly, it reveals its magic, yeah. | 0:13:04 | 0:13:08 | |
It's beautiful and I can totally see the potential. | 0:13:08 | 0:13:11 | |
Yeah, I think this is... You're now getting on the par | 0:13:11 | 0:13:14 | |
with how beautiful it looks from the outside. | 0:13:14 | 0:13:16 | |
It gives you the potential to be able to see it, | 0:13:16 | 0:13:19 | |
or people like me, who don't have a vision, how it could look. | 0:13:19 | 0:13:23 | |
Now, if you like this space, and all that it offers you, | 0:13:23 | 0:13:25 | |
you're going to love what's on the top floor. | 0:13:25 | 0:13:28 | |
Come and look at this. | 0:13:28 | 0:13:30 | |
What's really exciting about this property | 0:13:30 | 0:13:32 | |
is the flexibility it offers. | 0:13:32 | 0:13:35 | |
The top floor has over 270 square feet of space, | 0:13:35 | 0:13:39 | |
described on the particulars as two bedrooms. | 0:13:39 | 0:13:42 | |
So, the current master is there. | 0:13:42 | 0:13:44 | |
This little dressing corridor | 0:13:44 | 0:13:47 | |
but this, to me, is the main event. | 0:13:47 | 0:13:50 | |
The real selling point.... | 0:13:50 | 0:13:52 | |
-This is amazing. -Wow! | 0:13:52 | 0:13:53 | |
-..of this building. -Wow, this is great. | 0:13:53 | 0:13:55 | |
-I love it, amazing beams. -Would you go for a family room up here? | 0:13:55 | 0:13:59 | |
Would you keep this as is or go for more bedroom space? | 0:13:59 | 0:14:03 | |
Master suite up here? | 0:14:03 | 0:14:04 | |
Well, it could be a master suite, but I think, also, | 0:14:04 | 0:14:07 | |
it lends itself quite nicely to a really funky playroom | 0:14:07 | 0:14:10 | |
or party room. | 0:14:10 | 0:14:12 | |
I wondered when we'd get to that. | 0:14:12 | 0:14:14 | |
I get the feeling you two are quite used to a good party. | 0:14:14 | 0:14:18 | |
No, it's good. | 0:14:18 | 0:14:19 | |
This is definitely a real wow point of the house. | 0:14:19 | 0:14:23 | |
OK, let's go and have a look at the garden space and see what | 0:14:23 | 0:14:25 | |
-that offers you. And we might talk about the price. -Yes. | 0:14:25 | 0:14:29 | |
There is certainly some work to be done with this place, but for | 0:14:29 | 0:14:33 | |
someone with Mickey's development experience, it offers endless | 0:14:33 | 0:14:36 | |
possibilities and I think it could make a fantastic home. | 0:14:36 | 0:14:39 | |
Outside, it's surrounded by a well-maintained cottage garden, | 0:14:41 | 0:14:45 | |
as well as three acres of sloping paddocks. | 0:14:45 | 0:14:49 | |
In terms of the garden set-up, you've got an immediate garden here, | 0:14:49 | 0:14:52 | |
but let's not forget, you've also got three acres that come with this. | 0:14:52 | 0:14:55 | |
So how much do you think it's on the market for? | 0:14:55 | 0:14:58 | |
I think it'll probably be on the market for in excess of 800,000. | 0:14:58 | 0:15:03 | |
Mm-hm. Yeah, Charley? | 0:15:03 | 0:15:05 | |
-775. -Oh! | 0:15:06 | 0:15:09 | |
-Well, um, this is on at £830,000. -Gosh. | 0:15:09 | 0:15:14 | |
I mean, I think, whilst it is a beautiful, beautiful property, | 0:15:15 | 0:15:19 | |
I think it probably is one step too far. | 0:15:19 | 0:15:22 | |
-Interesting. -Price-wise. | 0:15:22 | 0:15:24 | |
Go and have a quick run around, | 0:15:24 | 0:15:25 | |
make sense of it and I will come and find you a little bit later on. | 0:15:25 | 0:15:29 | |
-OK. -Off you go. -Thank you. | 0:15:29 | 0:15:31 | |
This fabulous converted coach house offers Mickey | 0:15:32 | 0:15:36 | |
a project she could really sink her teeth into. | 0:15:36 | 0:15:39 | |
There's plenty of room for visiting guests to stay, | 0:15:39 | 0:15:41 | |
lots of entertaining space and that separate annexe. | 0:15:41 | 0:15:44 | |
What's more, there's a large garden for Tom and the dogs and it's | 0:15:44 | 0:15:48 | |
within walking distance to the pub in Slad and is just | 0:15:48 | 0:15:50 | |
a 15-minute drive to Tom's school. | 0:15:50 | 0:15:53 | |
I would absolutely love to take on something like this. | 0:15:54 | 0:15:57 | |
Tom would absolutely love the playroom upstairs. | 0:15:57 | 0:16:00 | |
I mean, he could have the whole run of the top floor. | 0:16:00 | 0:16:02 | |
I think probably that's where it'd end. | 0:16:02 | 0:16:05 | |
He's lazy, so the sloping garden, he would find that pretty tedious. | 0:16:05 | 0:16:08 | |
There's only two of us, with two little dogs. | 0:16:08 | 0:16:11 | |
We would really rattle around in a big property like this. | 0:16:11 | 0:16:15 | |
But a mini version, that would be perfect. | 0:16:15 | 0:16:18 | |
It's nice to see this property nestled in this little valley. | 0:16:20 | 0:16:22 | |
Maybe this was a view that Laurie Lee favoured, who knows? | 0:16:22 | 0:16:27 | |
-All done, girls? -Yes, thank you. | 0:16:27 | 0:16:29 | |
Come on, then, the pub's just up the road. Lunch time. | 0:16:29 | 0:16:32 | |
At the turn of the 20th century, Gloucestershire became an important | 0:16:37 | 0:16:41 | |
centre for The Arts And Crafts Movement, led by William Morris. | 0:16:41 | 0:16:46 | |
Faced with the effects of industrialisation and the | 0:16:46 | 0:16:49 | |
introduction of mass production, many British designers championed | 0:16:49 | 0:16:52 | |
the movement, that was in favour of simpler, traditional ways of making. | 0:16:52 | 0:16:57 | |
Bespoke shoemaker Caroline Groves comes from a long line of craftsmen. | 0:16:57 | 0:17:01 | |
Her great grandfather was a cabinet-maker and right-hand | 0:17:01 | 0:17:04 | |
man to designer CR Ashbee, | 0:17:04 | 0:17:06 | |
a key figure in The Arts And Crafts Movement, | 0:17:06 | 0:17:09 | |
who led a team of 150 craftsmen to Chipping Campden in 1902. | 0:17:09 | 0:17:14 | |
With Mickey's ambition to one day open her own fashion boutique, | 0:17:14 | 0:17:18 | |
we sent her and Charley to meet up with Caroline at her workshop. | 0:17:18 | 0:17:22 | |
-Hi, Mickey. Nice to meet you. Hi, Charley. -Hi. | 0:17:23 | 0:17:26 | |
Handicraft and design, obviously, runs in your family. | 0:17:26 | 0:17:29 | |
Was it a natural progression for you to go into the industry? | 0:17:29 | 0:17:32 | |
Yeah, that was my childhood. I thought everybody made things. | 0:17:32 | 0:17:36 | |
I didn't realise it was a natural progression until I was | 0:17:36 | 0:17:40 | |
at home with my first child in my early twenties. | 0:17:40 | 0:17:43 | |
I found that I reverted to wanting to make things with my hands. | 0:17:43 | 0:17:47 | |
The rest is history. Almost 30 years of working with leather. | 0:17:47 | 0:17:52 | |
Caroline trained and worked with a local shoemaker for 15 years, | 0:17:52 | 0:17:56 | |
before setting up her own business. | 0:17:56 | 0:17:59 | |
As well as producing bespoke Artisan shoes, | 0:17:59 | 0:18:02 | |
she also makes leather accessories like bags, purses and belts. | 0:18:02 | 0:18:06 | |
You have some beautiful pieces and what's this in your hand? | 0:18:06 | 0:18:10 | |
This is called a last. | 0:18:10 | 0:18:12 | |
This is where we start. | 0:18:12 | 0:18:14 | |
It's a shape which includes the client's measurements and it | 0:18:14 | 0:18:18 | |
includes style details, such as heel height and toe shape. | 0:18:18 | 0:18:23 | |
On average, how long does a pair of bespoke shoes take to make? | 0:18:23 | 0:18:27 | |
If I'm doing standard work, I may make as many as two pairs of shoes | 0:18:27 | 0:18:31 | |
in a week. Something like this, that's highly decorative, | 0:18:31 | 0:18:35 | |
if I was producing a pair of those in two weeks, | 0:18:35 | 0:18:39 | |
I'd be a happy person. | 0:18:39 | 0:18:40 | |
Would you mind us having a look in your workshop? | 0:18:40 | 0:18:43 | |
No, please come along. | 0:18:43 | 0:18:44 | |
All Caroline's items are entirely handmade, using just basic tools | 0:18:44 | 0:18:49 | |
and traditional methods, hence a price tag upwards of £2,750. | 0:18:49 | 0:18:55 | |
Today, the sisters are going to be having a go at | 0:18:55 | 0:18:58 | |
a process called skiving, | 0:18:58 | 0:18:59 | |
used to reduce and refine the edges of leather, before it's folded. | 0:18:59 | 0:19:04 | |
Generally, a first skive is quite a steep cut, | 0:19:04 | 0:19:09 | |
taking the edge off the leather. | 0:19:09 | 0:19:14 | |
Always cleaning away. | 0:19:14 | 0:19:17 | |
Then, a shallower cut, | 0:19:17 | 0:19:20 | |
so that you get a nice, | 0:19:20 | 0:19:23 | |
pared edge. | 0:19:23 | 0:19:25 | |
So, prior to folding that edge, I'm just going to notch it. | 0:19:25 | 0:19:29 | |
How has this process changed over time? | 0:19:31 | 0:19:34 | |
Are you still doing this in the same way as craftsmen used to? | 0:19:34 | 0:19:38 | |
There's nothing I'm doing here that a shoemaker 150 years ago | 0:19:38 | 0:19:42 | |
wouldn't recognise. | 0:19:42 | 0:19:44 | |
After adding a rubber solution to the edges, to make them tacky, | 0:19:44 | 0:19:48 | |
Caroline gently manipulates the leather, to form the shape. | 0:19:48 | 0:19:52 | |
Again, with the hammer | 0:19:53 | 0:19:56 | |
and encourage that over. | 0:19:56 | 0:19:57 | |
There's an edge | 0:20:00 | 0:20:03 | |
that could be, you know, similar. | 0:20:03 | 0:20:07 | |
You know, it's got similar curves that you would have on the top line | 0:20:07 | 0:20:11 | |
of a shoe. | 0:20:11 | 0:20:13 | |
Now, traditional shoemaking has been largely superseded by industrial | 0:20:13 | 0:20:17 | |
mass production, due to the sheer volume that can be produced, | 0:20:17 | 0:20:21 | |
not forgetting the speed, but when it comes to quality and attention | 0:20:21 | 0:20:24 | |
to detail, I think the craftsmen of The Arts And Crafts Movement | 0:20:24 | 0:20:28 | |
were right - you can't beat time-honoured, handcrafting skills. | 0:20:28 | 0:20:32 | |
Well done. Gosh! | 0:20:33 | 0:20:35 | |
THEY CHUCKLE | 0:20:35 | 0:20:36 | |
I could train you. | 0:20:36 | 0:20:37 | |
Well, if you're ever looking for an assistant, | 0:20:39 | 0:20:42 | |
I'll be moving up to the Cotswolds in the next few months. | 0:20:42 | 0:20:45 | |
So, er, please do give me a call. | 0:20:45 | 0:20:48 | |
Yeah, for sure, Mickey, I think you'd be excellent. | 0:20:48 | 0:20:50 | |
But if the potential job doesn't work out, | 0:20:50 | 0:20:52 | |
Mickey could always stock some of Caroline's bespoke pieces | 0:20:52 | 0:20:55 | |
in her planned boutique, instead. | 0:20:55 | 0:20:57 | |
It's the second day of our search with Londoner Mickey, | 0:21:04 | 0:21:07 | |
who with the help of sister Charley, is looking for a | 0:21:07 | 0:21:10 | |
country pad for her and her son Tom, on a generous budget of £900,000. | 0:21:10 | 0:21:14 | |
Having lived in seven properties in the last six years, she has | 0:21:16 | 0:21:19 | |
decided it's time to put down roots in the Gloucestershire countryside. | 0:21:19 | 0:21:23 | |
Still to come, our mystery house makes an impact. | 0:21:23 | 0:21:26 | |
It's not at all what I expected the mystery house to be. | 0:21:26 | 0:21:29 | |
No, it's a million, zillion times better. | 0:21:29 | 0:21:32 | |
And I find out why this 19th-century Gothic mansion remains | 0:21:32 | 0:21:36 | |
unfinished to this day. | 0:21:36 | 0:21:38 | |
-Just going into the dining room now. -Wow. | 0:21:38 | 0:21:41 | |
That's amazing, isn't it? | 0:21:41 | 0:21:42 | |
As we begin day two, I do have one major concern, | 0:21:44 | 0:21:48 | |
and it's not about the budget, as is often the case. | 0:21:48 | 0:21:51 | |
My worry is that Mickey's obsession with wanting to redesign her | 0:21:51 | 0:21:55 | |
new home, is rather overshadowing the real challenge that she faces. | 0:21:55 | 0:21:59 | |
And that is leaving all that is familiar behind in London | 0:21:59 | 0:22:03 | |
and trying to set up a new life here in the countryside. | 0:22:03 | 0:22:06 | |
I'm just not fully convinced that she is prepared for what that | 0:22:06 | 0:22:09 | |
is going to involve. So, what can we do about it? | 0:22:09 | 0:22:12 | |
Well, today we have, of course, two more properties to come, | 0:22:12 | 0:22:14 | |
a stunning mystery house, which amazingly, | 0:22:14 | 0:22:18 | |
has managed to combine almost every period in British | 0:22:18 | 0:22:21 | |
architectural history, with a nice little twist, to boot. | 0:22:21 | 0:22:25 | |
But first, a property which, at first glance, may look more at home | 0:22:25 | 0:22:29 | |
in the Tuscan countryside, but in truth, of course, it's not | 0:22:29 | 0:22:32 | |
in Italy, it's on a hillside in Gloucestershire, just over there. | 0:22:32 | 0:22:36 | |
We are heading for the village of Horsley, again situated in | 0:22:39 | 0:22:42 | |
the heart of the Cotswolds Area of Outstanding Natural Beauty. | 0:22:42 | 0:22:45 | |
The village itself is small, but the nearby town of Nailsworth | 0:22:47 | 0:22:50 | |
is just over a mile away. | 0:22:50 | 0:22:52 | |
Nestled in a wooded valley and surrounded by unspoilt | 0:22:52 | 0:22:55 | |
countryside, it's popular with visiting hikers and mountain bikers | 0:22:55 | 0:22:59 | |
who come to explore the variety of footpaths and cycle trails. | 0:22:59 | 0:23:03 | |
In recent years, Nailsworth has also gained a reputation | 0:23:03 | 0:23:07 | |
for award-winning restaurants and eateries. | 0:23:07 | 0:23:10 | |
Our property is in an elevated position above the Horsley Valley, | 0:23:10 | 0:23:13 | |
down a quiet country lane. | 0:23:13 | 0:23:16 | |
Right. Here we are, then. | 0:23:16 | 0:23:18 | |
-Wow. -What do you make of that? -It looks good. | 0:23:20 | 0:23:24 | |
Definitely a bit of suntrap here. | 0:23:24 | 0:23:27 | |
The whole thing has been geared up to capture not just the sun, | 0:23:27 | 0:23:30 | |
but also the views beyond. | 0:23:30 | 0:23:32 | |
At this point, we're not seeing much of the house, | 0:23:32 | 0:23:35 | |
cos I'm guessing it all faces towards the views. | 0:23:35 | 0:23:37 | |
-Absolutely. -But from a view perspective, spectacular. | 0:23:37 | 0:23:41 | |
Good, come on, let's see what you think. | 0:23:41 | 0:23:43 | |
With its Cotswold stone exterior, from the outside, | 0:23:45 | 0:23:48 | |
this single-storey house appears typical of the local architecture. | 0:23:48 | 0:23:52 | |
But if Mickey and Charley are envisaging | 0:23:52 | 0:23:55 | |
a traditional interior, they'd be wrong. | 0:23:55 | 0:23:57 | |
Built in 2000, the current owners designed from | 0:23:57 | 0:24:00 | |
a mix of foreign influences, after living abroad. | 0:24:00 | 0:24:03 | |
I don't think this is what you might have been expecting. | 0:24:04 | 0:24:08 | |
-No, it definitely isn't. -Wow. | 0:24:08 | 0:24:12 | |
-No, it's really cool. -Isn't it? -It's quite sort of nautical. | 0:24:12 | 0:24:16 | |
I think you're right to pick up on the boat idea, | 0:24:16 | 0:24:18 | |
there are lots of model ships everywhere, which is kind of helpful | 0:24:18 | 0:24:21 | |
but also it leans heavily on the owners' love of the Mediterranean. | 0:24:21 | 0:24:26 | |
Yeah, it's like the plasterwork... you find in Spanish villas. | 0:24:27 | 0:24:31 | |
Oh, yeah. It all opens up and flows through here, creating this lovely, | 0:24:31 | 0:24:36 | |
sort of...forum, if you like... | 0:24:36 | 0:24:40 | |
To come back to the Italian idea of celebrating the view. | 0:24:40 | 0:24:44 | |
Wow, it's amazing. | 0:24:45 | 0:24:46 | |
Charley looks a bit lost for words. | 0:24:46 | 0:24:48 | |
No, I love the fact that it all revolves around the fantastic view. | 0:24:48 | 0:24:52 | |
The space is good, you know. I like the way the space works. | 0:24:52 | 0:24:56 | |
I mean, I would probably need a slightly bigger kitchen, but I | 0:24:56 | 0:24:58 | |
could definitely work with it, it's good. Thumbs-up, so far. | 0:24:58 | 0:25:01 | |
Thumbs-up, so far. | 0:25:01 | 0:25:02 | |
Now, it's got four bedrooms. The current master is down some steps | 0:25:02 | 0:25:06 | |
over there, but I'm going to take you in here, because I think this | 0:25:06 | 0:25:11 | |
is the perfect master suite. And you'll see why. | 0:25:11 | 0:25:14 | |
Three of the property's four bedrooms lie off the central | 0:25:15 | 0:25:19 | |
living areas, they are all doubles and each has its own en-suite. | 0:25:19 | 0:25:22 | |
Right, come in. | 0:25:22 | 0:25:25 | |
-Now, do you see? -Oh, my goodness. | 0:25:25 | 0:25:27 | |
Sort of sitting area, and through here... | 0:25:27 | 0:25:29 | |
..is revealed, the main bedroom area. | 0:25:31 | 0:25:33 | |
-Oh, wow. -Is this the sort of thing that you think you could | 0:25:33 | 0:25:37 | |
put your stamp on? | 0:25:37 | 0:25:38 | |
I think I could definitely put my stamp on this. | 0:25:38 | 0:25:40 | |
I mean, it's not as much work as I thought I would want to take on, | 0:25:40 | 0:25:45 | |
but I could definitely make it my own. | 0:25:45 | 0:25:49 | |
If you are to take on something, you know, you haven't got | 0:25:49 | 0:25:51 | |
a lot of time to get the sale completed, do any work you want to | 0:25:51 | 0:25:55 | |
do and have it all up and running for the start of the school term. | 0:25:55 | 0:25:58 | |
So, I'm thinking this is just a way of getting this move underway | 0:25:58 | 0:26:01 | |
with the minimum of aggravation. | 0:26:01 | 0:26:03 | |
Yes, I think it's important that, when Mickey brings Tom down here, | 0:26:03 | 0:26:07 | |
there is a home for them to move into and that | 0:26:07 | 0:26:10 | |
he is happy and feels secure before he goes to a new school. | 0:26:10 | 0:26:14 | |
Yeah. | 0:26:14 | 0:26:15 | |
But she has to do something... | 0:26:15 | 0:26:17 | |
LAUGHTER | 0:26:17 | 0:26:18 | |
..and this could be the perfect option. | 0:26:18 | 0:26:20 | |
You can come and do mine, if you like! | 0:26:20 | 0:26:22 | |
If you're short of things to redesign. | 0:26:22 | 0:26:24 | |
The Mediterranean influences are all over this property, | 0:26:24 | 0:26:27 | |
in the bathrooms and even the stairs to the fourth bedroom, | 0:26:27 | 0:26:31 | |
in the loft, which is currently used as a study. | 0:26:31 | 0:26:34 | |
Outside, there is a useful workshop space and a garage. | 0:26:34 | 0:26:37 | |
The landscaped gardens to the rear have been designed for ease | 0:26:37 | 0:26:40 | |
of maintenance, with a decked sun terrace, accessed through | 0:26:40 | 0:26:43 | |
French doors from the living areas. | 0:26:43 | 0:26:46 | |
Whoa, look at this. Bright. Bright sunshine. Bouncing off the floor. | 0:26:46 | 0:26:51 | |
There we are. | 0:26:51 | 0:26:53 | |
What you've got is this terraced garden here, | 0:26:53 | 0:26:55 | |
and it runs down to that little, erm... | 0:26:55 | 0:26:57 | |
box hedge at the bottom with a vegetable patch, as well, thrown in | 0:26:57 | 0:27:01 | |
-for good measure. But a very social space, I think. -Yeah. -Yeah. | 0:27:01 | 0:27:05 | |
So, Charley, how much do you think it is on the market for? | 0:27:05 | 0:27:08 | |
It's an incredibly unique property. I think I'm going to go with... | 0:27:08 | 0:27:13 | |
£870,000 | 0:27:13 | 0:27:17 | |
And I think probably £850,000. | 0:27:17 | 0:27:20 | |
Not bad, actually. | 0:27:20 | 0:27:23 | |
-You are spot on. -Oh! | 0:27:23 | 0:27:25 | |
LAUGHTER | 0:27:25 | 0:27:26 | |
Yeah, £850,000. | 0:27:26 | 0:27:29 | |
For a slice of Mediterranean life | 0:27:29 | 0:27:31 | |
in the heart of the English countryside. | 0:27:31 | 0:27:34 | |
Right then, off you go. Go and explore it. | 0:27:34 | 0:27:36 | |
Take your time with this one. | 0:27:36 | 0:27:37 | |
-I'll spoil you with it. -Thank you. -Brilliant. While I... | 0:27:37 | 0:27:42 | |
enjoy the sunshine and the view. Look at that. | 0:27:42 | 0:27:45 | |
This fantastic Mediterranean-style modern home has the four bedrooms | 0:27:47 | 0:27:51 | |
Mickey needs and is already a great example of open-plan living. | 0:27:51 | 0:27:55 | |
Meaning she wouldn't need to go knocking down any walls. | 0:27:55 | 0:27:58 | |
It's got a low-maintenance garden, | 0:27:58 | 0:28:01 | |
it's half a mile from the local pub in Horsley and, best of all, | 0:28:01 | 0:28:04 | |
it would just be a ten-minute journey for the school run. | 0:28:04 | 0:28:07 | |
I think, for me, this particular house... | 0:28:07 | 0:28:10 | |
The garden is just not going to work for Tom and the dogs. | 0:28:10 | 0:28:14 | |
It's just on too much of a slope. | 0:28:14 | 0:28:16 | |
Mickey needs to decide between her dream of doing | 0:28:16 | 0:28:20 | |
a big project and finding a home and security for Tom. | 0:28:20 | 0:28:24 | |
I don't think, in the short timeframe she has between now | 0:28:24 | 0:28:27 | |
and the time Tom needs to go to school, she can satisfy both dreams. | 0:28:27 | 0:28:32 | |
-Happy here? -Yes. -Excellent. Let's go and tempt you with | 0:28:32 | 0:28:35 | |
our final offering. | 0:28:35 | 0:28:37 | |
The Cotswolds' wool trade was, to a great extent, responsible for | 0:28:44 | 0:28:47 | |
the prosperity of the region. | 0:28:47 | 0:28:50 | |
But its character is most definitely a result of the abundance | 0:28:50 | 0:28:52 | |
of stone, | 0:28:52 | 0:28:54 | |
used to build hundreds of its villages. | 0:28:54 | 0:28:57 | |
I'm visiting Woodchester Mansion, a 19th-century Gothic masterpiece, | 0:28:57 | 0:29:01 | |
that was abandoned, mid-construction, in 1873. | 0:29:01 | 0:29:06 | |
Over the years, it's been saved from dereliction, but it will never | 0:29:06 | 0:29:09 | |
be completed. | 0:29:09 | 0:29:10 | |
Ray Canham from the Woodchester Mansion Trust, | 0:29:10 | 0:29:13 | |
is showing me around. | 0:29:13 | 0:29:16 | |
-Just going into the dining room now. -Wow. | 0:29:16 | 0:29:18 | |
That is amazing, isn't it? | 0:29:18 | 0:29:20 | |
And this is what the mansion is about. | 0:29:20 | 0:29:22 | |
-And that is the original timber centring? -Yes. | 0:29:22 | 0:29:24 | |
I'd like to think they left it there | 0:29:24 | 0:29:26 | |
so we could show it to you today. | 0:29:26 | 0:29:27 | |
But what is the story, Ray? How did it come to pass that this | 0:29:27 | 0:29:30 | |
building was begun and then left so spectacularly unfinished? | 0:29:30 | 0:29:34 | |
William Leigh, the mansion builder, inherited, when | 0:29:34 | 0:29:38 | |
he was very young, about £170,000 from his father. | 0:29:38 | 0:29:42 | |
And he converted to Catholicism in the 1840s. | 0:29:42 | 0:29:46 | |
And wanted to move somewhere where he could establish | 0:29:46 | 0:29:49 | |
a Catholic community. | 0:29:49 | 0:29:50 | |
On the site was a Georgian mansion. Leigh took advice | 0:29:50 | 0:29:54 | |
from Augustus Pugin, | 0:29:54 | 0:29:56 | |
and Pugin said, "Pull it down, and start again." | 0:29:56 | 0:29:59 | |
As perhaps, an architect might! | 0:29:59 | 0:30:00 | |
He's looking for a bit of business, isn't he? | 0:30:00 | 0:30:03 | |
He was looking for a bit of business. | 0:30:03 | 0:30:04 | |
But why go to all the trouble of creating a Gothic mansion? | 0:30:04 | 0:30:07 | |
It's not really a cosy family home, is it? | 0:30:07 | 0:30:09 | |
I don't think it was ever going to be a family home, but that is just | 0:30:09 | 0:30:12 | |
a personal view. This could have been to entertain the great | 0:30:12 | 0:30:15 | |
and the good of the Catholic Church. | 0:30:15 | 0:30:17 | |
Looking at the sheer scale of this place, it seems as though Leigh's | 0:30:17 | 0:30:20 | |
ambitions for the building could never have been realised. | 0:30:20 | 0:30:23 | |
As his capital diminished, progress became slow. | 0:30:23 | 0:30:27 | |
When he died in 1873, over 20 years after work began, | 0:30:27 | 0:30:31 | |
the building was never completed. | 0:30:31 | 0:30:34 | |
But his misfortune is our fortune. We're now able to not only marvel at | 0:30:34 | 0:30:38 | |
this building, but study it in a way that we would never have imagined. | 0:30:38 | 0:30:42 | |
Stonemason Johnny Anderson has been at Woodchester | 0:30:42 | 0:30:45 | |
for eight years, using its masonry history for training others. | 0:30:45 | 0:30:49 | |
Hello, Johnny, nice to meet you. | 0:30:49 | 0:30:51 | |
-Pleased to meet you. -A bit of conservation in action. | 0:30:51 | 0:30:53 | |
Well, that's why we're here. | 0:30:53 | 0:30:55 | |
Now, what a training ground for any stonemason. | 0:30:55 | 0:30:58 | |
I mean, surely every technique you would ever need to master | 0:30:58 | 0:31:02 | |
is identifiable? | 0:31:02 | 0:31:03 | |
Yeah, and you don't need a textbook, you just point to it. | 0:31:03 | 0:31:06 | |
I was lucky enough to have a traditional apprenticeship, | 0:31:06 | 0:31:09 | |
but today, the young people in a sterile workshop environment, | 0:31:09 | 0:31:13 | |
when they come here, they join the dots together and see their | 0:31:13 | 0:31:19 | |
workshop work and the site work and they marry the two together | 0:31:19 | 0:31:24 | |
and it's all explained here. | 0:31:24 | 0:31:26 | |
What are you about to replicate with this block? | 0:31:26 | 0:31:30 | |
So, I'm taking this block down, I'm squaring the top off and this | 0:31:30 | 0:31:34 | |
is one of the first things you learn to do as an apprentice. | 0:31:34 | 0:31:37 | |
So, if I give you a short demonstration, | 0:31:37 | 0:31:39 | |
would you like to have a go? | 0:31:39 | 0:31:41 | |
-Yeah, go on. -OK. | 0:31:41 | 0:31:43 | |
What you want to do is get a rhythm. | 0:31:43 | 0:31:45 | |
And the idea is to get a draught going... | 0:31:45 | 0:31:48 | |
-A draught? -A draught. | 0:31:48 | 0:31:50 | |
And the draught is the name for the straight line that | 0:31:50 | 0:31:53 | |
the mason works in across the top of his blog. | 0:31:53 | 0:31:56 | |
There are over 30 different types of limestone used in the building | 0:31:56 | 0:32:00 | |
and, looking around, you can see | 0:32:00 | 0:32:02 | |
countless examples of techniques, finishes and tool marks on show. | 0:32:02 | 0:32:06 | |
If you try and keep the straight line going, | 0:32:06 | 0:32:10 | |
you're working towards the end of the block. | 0:32:10 | 0:32:13 | |
Kept in its current state, | 0:32:13 | 0:32:15 | |
the mansion offers us a fantastic window on 19th-century | 0:32:15 | 0:32:19 | |
architectural practice and provides a remarkable research tool, | 0:32:19 | 0:32:23 | |
to inspire and teach new generations of students and tradesmen. | 0:32:23 | 0:32:27 | |
Outside, the 500-acre grounds of Woodchester Park | 0:32:27 | 0:32:30 | |
have a story of their own to tell. | 0:32:30 | 0:32:33 | |
Although now overgrown with trees, | 0:32:33 | 0:32:35 | |
area ranger Max Dancer and his team from the National Trust | 0:32:35 | 0:32:38 | |
have discovered the remains of a 19th-century terraced garden | 0:32:38 | 0:32:42 | |
that has fallen into disrepair. | 0:32:42 | 0:32:45 | |
This is what I really want to show you, Jules. | 0:32:45 | 0:32:48 | |
Welcome to Woodchester's own Italian gardens. | 0:32:48 | 0:32:53 | |
So, this was made for the... | 0:32:53 | 0:32:55 | |
Georgian mansion that would've sat where the current | 0:32:55 | 0:32:57 | |
Victorian mansion sits now. | 0:32:57 | 0:33:00 | |
That's incredible. | 0:33:00 | 0:33:01 | |
I'm fascinated by this archaeology that you've | 0:33:01 | 0:33:03 | |
-uncovered here. -This is fantastic, isn't it, | 0:33:03 | 0:33:06 | |
this is the remains of an old water fountain. | 0:33:06 | 0:33:08 | |
Imagine water trickling down here, so beautiful, romantic, therapeutic. | 0:33:08 | 0:33:12 | |
I would love this area to be grassed, for the cascade | 0:33:12 | 0:33:16 | |
above us to be on show and for the public to be able to see it. | 0:33:16 | 0:33:20 | |
And really put themselves back into 18th-century Britain. | 0:33:20 | 0:33:25 | |
The ambition they're bringing to this project is admirable. | 0:33:25 | 0:33:28 | |
I just hope that, unlike the builders of the main house, | 0:33:28 | 0:33:31 | |
Max and his team are able to finish what they've started, | 0:33:31 | 0:33:34 | |
opening up some of this fascinating history for the public. | 0:33:34 | 0:33:37 | |
We're on the road heading to a hamlet called The Mythe, | 0:33:42 | 0:33:45 | |
on the northern edge of the Cotswolds, | 0:33:45 | 0:33:47 | |
close to the Worcestershire border. | 0:33:47 | 0:33:50 | |
The nearby medieval market town of Tewkesbury, | 0:33:50 | 0:33:53 | |
lies at the confluence of the rivers Severn and Avon. | 0:33:53 | 0:33:56 | |
Steeped in history and medieval character, | 0:33:56 | 0:33:58 | |
visitors can take a stroll through a town rich in black-and-white | 0:33:58 | 0:34:02 | |
timber-framed buildings, or visit the 900-year-old Tewkesbury Abbey | 0:34:02 | 0:34:06 | |
with its striking Norman tower. | 0:34:06 | 0:34:09 | |
Crossing over the River Avon, our mystery house is just a mile | 0:34:09 | 0:34:12 | |
from the town and is set back from the road. | 0:34:12 | 0:34:15 | |
Keep walking. Oh, feel that lovely sunshine. | 0:34:15 | 0:34:18 | |
And stop there. And you may open your eyes now. | 0:34:18 | 0:34:21 | |
Oh, my goodness! | 0:34:21 | 0:34:23 | |
-Oh, wow. -You've definitely saved the best till last. | 0:34:23 | 0:34:26 | |
-Yes, didn't we just?! -Wow, it's amazing. | 0:34:26 | 0:34:28 | |
You could be Lady of the Manor. How about that? | 0:34:28 | 0:34:31 | |
I can't quite believe it. | 0:34:31 | 0:34:33 | |
Well, there is more truth in that than you might think, | 0:34:33 | 0:34:35 | |
because this one actually does come with a title. | 0:34:35 | 0:34:39 | |
If you owned this, you become Lord of Mythe and Mythe Hook, | 0:34:39 | 0:34:42 | |
Lord of the Manor of Mythe and Mythe Hook. | 0:34:42 | 0:34:45 | |
Oh, right, do I need a sex change? | 0:34:45 | 0:34:46 | |
LAUGHTER | 0:34:46 | 0:34:48 | |
No, but you can give it to Tom as a moving present. | 0:34:48 | 0:34:53 | |
How about that? None of his mates are lords, at seven years old, | 0:34:53 | 0:34:57 | |
I'm sure. Yeah. | 0:34:57 | 0:34:58 | |
OK, right then, let's do it country-style. | 0:34:58 | 0:35:01 | |
Let's use the back door, shall we? | 0:35:01 | 0:35:03 | |
Not surprisingly, this rare property is Grade II* listed. | 0:35:05 | 0:35:10 | |
Less than 6% of all listed buildings have this grading. | 0:35:10 | 0:35:14 | |
The first owner on record was William the Conqueror's wife, | 0:35:14 | 0:35:17 | |
Matilda, the land given to her as a gift from her husband. | 0:35:17 | 0:35:21 | |
It was later sold to King John, | 0:35:21 | 0:35:23 | |
who used it as a hunting lodge in the 13th century. | 0:35:23 | 0:35:26 | |
Over the years, it has been added to and embellished and was | 0:35:26 | 0:35:29 | |
sympathetically restored and extended in the 1980s, | 0:35:29 | 0:35:32 | |
to create a beautiful family home. | 0:35:32 | 0:35:36 | |
So... | 0:35:36 | 0:35:37 | |
my Lady. | 0:35:37 | 0:35:39 | |
LAUGHTER | 0:35:39 | 0:35:41 | |
Oh, my goodness. | 0:35:41 | 0:35:43 | |
It's not at all what I expected the mystery house to be. | 0:35:43 | 0:35:46 | |
No, it's one million, zillion times better. | 0:35:46 | 0:35:49 | |
Come on, have a look through here. | 0:35:49 | 0:35:50 | |
I mean, this is obviously the diner end of the kitchen/diner | 0:35:50 | 0:35:54 | |
and, bearing in mind that this is the new extension, | 0:35:54 | 0:35:57 | |
once again, just beautifully done and thought through, | 0:35:57 | 0:36:00 | |
with these oak beams and doors out to the garden... | 0:36:00 | 0:36:03 | |
Yes. | 0:36:03 | 0:36:04 | |
Come through here. This is the living room. | 0:36:04 | 0:36:07 | |
The magical mix of medieval and 16th-Century architecture | 0:36:07 | 0:36:12 | |
in this house, really works with the modern finishes. | 0:36:12 | 0:36:14 | |
The main reception room is south- facing, making it wonderfully light. | 0:36:14 | 0:36:19 | |
-This is amazing. -Yes, it's really good. | 0:36:19 | 0:36:22 | |
So, I don't think you'd have to do too much, to this, to make it yours. | 0:36:22 | 0:36:25 | |
-No. -Who'd have thought it possible that we might have found something | 0:36:25 | 0:36:29 | |
that you didn't to rethink. | 0:36:29 | 0:36:30 | |
-I'm sure she'll find something! -Yeah! Well, I'm sure. | 0:36:30 | 0:36:34 | |
Come on, let's go upstairs. | 0:36:34 | 0:36:35 | |
I think Mickey is genuinely taken with this house, | 0:36:37 | 0:36:40 | |
as I hoped she would be. | 0:36:40 | 0:36:42 | |
The five bedrooms are split across the two top floors. | 0:36:42 | 0:36:45 | |
There are three bedrooms on the first floor, | 0:36:45 | 0:36:48 | |
one with an en-suite shower room, and a luxurious family bathroom. | 0:36:48 | 0:36:53 | |
But as we head up the Norman tower, there are a further two bedrooms, | 0:36:53 | 0:36:57 | |
the largest used as a living room, the perfect playroom for Tom. | 0:36:57 | 0:37:01 | |
And then there's the master bedroom. | 0:37:01 | 0:37:03 | |
-Oh... Wow. -Yeah. | 0:37:06 | 0:37:09 | |
It's like we step back in time. | 0:37:09 | 0:37:11 | |
Well, this is you, the maiden at the top of the tower. | 0:37:11 | 0:37:14 | |
This is one of the oldest parts of the building, | 0:37:14 | 0:37:16 | |
the Norman tower, of course, looking out... | 0:37:16 | 0:37:18 | |
-Oh, I see, yeah. -..into the garden. | 0:37:18 | 0:37:20 | |
-I love that window. -I do, too. | 0:37:20 | 0:37:22 | |
Would you come and stay, Charley? | 0:37:23 | 0:37:26 | |
I think I'd probably never move out. | 0:37:26 | 0:37:28 | |
I'm thinking about relocating, myself. | 0:37:28 | 0:37:31 | |
It's really fun and you know, we are a little bit further away | 0:37:31 | 0:37:34 | |
from the school you're thinking about sending Tom to, | 0:37:34 | 0:37:38 | |
about 45 minutes, but the building you get as a result... | 0:37:38 | 0:37:41 | |
..Charley, come on, help me... | 0:37:42 | 0:37:45 | |
I totally agree. The building is beautiful. | 0:37:45 | 0:37:49 | |
What do we think it's worth, then? | 0:37:49 | 0:37:51 | |
Think about it on our way to the bottom. Come on. | 0:37:51 | 0:37:53 | |
Outside, the property is surrounded by beautiful level-lawn gardens | 0:37:55 | 0:37:59 | |
to the front and side, with a number of seating areas. | 0:37:59 | 0:38:03 | |
There's also a purpose-built arts studio, which I imagine | 0:38:03 | 0:38:06 | |
Mickey would make use of as a garden room, or entertaining space | 0:38:06 | 0:38:09 | |
in the summer. | 0:38:09 | 0:38:10 | |
So, make us an offer, then, on our final offering - our gorgeous, | 0:38:10 | 0:38:15 | |
wonderful mystery house. | 0:38:15 | 0:38:17 | |
Well, I never in a million years thought I'd be able to afford | 0:38:17 | 0:38:19 | |
anything like this, and I'm going to be optimistic in my price... | 0:38:19 | 0:38:22 | |
Yeah. | 0:38:22 | 0:38:24 | |
And put it right on the top of my top budget, | 0:38:24 | 0:38:27 | |
which was £900,000. | 0:38:27 | 0:38:29 | |
£900,000. Yeah, Charley. | 0:38:29 | 0:38:31 | |
-I'm going to go with the £950,000. -£950,000. | 0:38:31 | 0:38:35 | |
I mean, any of those figures, frankly, | 0:38:35 | 0:38:38 | |
I think would be completely justified on this one, | 0:38:38 | 0:38:41 | |
but here's the trick... | 0:38:41 | 0:38:42 | |
And this is why I think the 45-minute commute is worth making | 0:38:42 | 0:38:47 | |
because this could be yours... | 0:38:47 | 0:38:49 | |
..for £850,000. | 0:38:51 | 0:38:54 | |
No! | 0:38:54 | 0:38:56 | |
LAUGHTER | 0:38:56 | 0:38:58 | |
-Oh, my goodness! -Wow! | 0:38:58 | 0:39:00 | |
Lady Mickey! | 0:39:00 | 0:39:01 | |
LAUGHTER | 0:39:01 | 0:39:03 | |
Right, then, I'm going to give you as much time as I can here | 0:39:03 | 0:39:06 | |
and I will come and find you a little bit later on. | 0:39:06 | 0:39:08 | |
Go on, off you go. Go on, Charley. | 0:39:08 | 0:39:10 | |
Take your time. | 0:39:10 | 0:39:12 | |
This beautifully-presented house offers Mickey a real slice | 0:39:12 | 0:39:16 | |
of local history, and a title, for an amazing £50,000 below budget. | 0:39:16 | 0:39:21 | |
The generously proportioned rooms offer a great living space, | 0:39:21 | 0:39:25 | |
with five bedrooms and the perfect flat garden for Tom and the dogs. | 0:39:25 | 0:39:30 | |
It's only minutes to Tewkesbury, but the compromise is the 45-minute | 0:39:30 | 0:39:33 | |
journey to Tom's school in Minchinhampton. | 0:39:33 | 0:39:37 | |
-Nice arts studio. -Amazing. | 0:39:39 | 0:39:41 | |
Such a versatile space, you could actually do anything with it. | 0:39:41 | 0:39:44 | |
But how cool is the house? | 0:39:44 | 0:39:45 | |
I mean, amazing, isn't it? Look at it. | 0:39:45 | 0:39:47 | |
I mean, I absolutely love the house, | 0:39:47 | 0:39:49 | |
the one reservation that I have is I've gone down | 0:39:49 | 0:39:53 | |
the route of putting Tom into a school | 0:39:53 | 0:39:56 | |
and so, I think we've just got to try and work out whether... | 0:39:56 | 0:40:01 | |
You know, in reality, it's doable. | 0:40:01 | 0:40:05 | |
Well, my ladies, I'm afraid your carriage awaits, we've got to go. | 0:40:05 | 0:40:09 | |
You've got a lot to think about. Come on. | 0:40:09 | 0:40:11 | |
Well, our journey this week has certainly thrown up plenty | 0:40:15 | 0:40:18 | |
of challenges for Charley and, importantly, for Mickey. | 0:40:18 | 0:40:20 | |
But also, I think, | 0:40:20 | 0:40:22 | |
one or two conclusions that they weren't really expecting. | 0:40:22 | 0:40:25 | |
We've given them lots to think about, | 0:40:25 | 0:40:27 | |
but have we managed to find them a house for the future? | 0:40:27 | 0:40:30 | |
Well, let's go and ask them. | 0:40:30 | 0:40:32 | |
Well, guys... This is the end of the line, I'm afraid. | 0:40:39 | 0:40:43 | |
The process is nearly over. | 0:40:43 | 0:40:44 | |
We've given you, I think, some really interesting properties | 0:40:44 | 0:40:48 | |
this week to consider, but I suspect, Charley, | 0:40:48 | 0:40:51 | |
it's going to come as no surprise to anybody, watching this, | 0:40:51 | 0:40:54 | |
that there is one clear favourite. | 0:40:54 | 0:40:56 | |
Am I right? | 0:40:56 | 0:40:58 | |
You're right, Jules, the mystery house was incredible. | 0:40:58 | 0:41:02 | |
It's put a real cat amongst the pigeons, because now everything | 0:41:02 | 0:41:07 | |
is up in the air. I've got to look a little bit more into the area... | 0:41:07 | 0:41:11 | |
You know, even potentially look at different schools, | 0:41:11 | 0:41:13 | |
because I'm not sure 45 minutes is workable for me, but... | 0:41:13 | 0:41:17 | |
I absolutely love that house, | 0:41:17 | 0:41:19 | |
I never imagined that we'd see anything like that | 0:41:19 | 0:41:23 | |
and that's a house that I feel we can really grow in and enjoy. | 0:41:23 | 0:41:29 | |
So, what happens next? | 0:41:29 | 0:41:31 | |
Well, I think I've got to do some driving around, | 0:41:31 | 0:41:33 | |
I've got to consult the map. | 0:41:33 | 0:41:36 | |
And yeah, got to... Move forward, I think. | 0:41:36 | 0:41:40 | |
It's been a lot of fun, guys... | 0:41:40 | 0:41:42 | |
We've made light, in some respects, | 0:41:42 | 0:41:44 | |
of this enormous decision that you are having to make, but I do think | 0:41:44 | 0:41:47 | |
you're coming to the right area. It's been a great pleasure. | 0:41:47 | 0:41:50 | |
-Best of luck. -Thank you. -Thank you. | 0:41:50 | 0:41:52 | |
Well, we finished up this week in the lovely surroundings | 0:41:59 | 0:42:03 | |
at Elmore Court. | 0:42:03 | 0:42:04 | |
It's said that the grounds and the gardens here so inspired | 0:42:04 | 0:42:07 | |
a young Hubert Parry | 0:42:07 | 0:42:09 | |
that he composed the tune to the hymn, Jerusalem. | 0:42:09 | 0:42:12 | |
Now, of course, the words we now all know and love were written | 0:42:12 | 0:42:15 | |
by the poet, William Blake. | 0:42:15 | 0:42:17 | |
"And did those feet in ancient times walk upon England's pastures green?" | 0:42:17 | 0:42:22 | |
Well, in truth, of course, we will probably never know | 0:42:22 | 0:42:25 | |
the answer to that one, but I do hope that, in due course, | 0:42:25 | 0:42:28 | |
Mickey's will. Or should it be Lady Mickey? Watch this space... | 0:42:28 | 0:42:32 | |
I'll see you next time. | 0:42:32 | 0:42:33 | |
After researching her options, | 0:42:36 | 0:42:38 | |
Mickey eventually decided our mystery house was just too far from | 0:42:38 | 0:42:41 | |
the school. But I am pleased to report, she's just bought another | 0:42:41 | 0:42:45 | |
property close to the school, which, of course, needs work. | 0:42:45 | 0:42:48 | |
I have no doubt, once she's turned it into her dream home, | 0:42:48 | 0:42:51 | |
she and Tom will be very happy in Gloucestershire. | 0:42:51 | 0:42:55 | |
If you'd like to escape to the country in Wales, Scotland, | 0:42:55 | 0:42:58 | |
Northern Ireland or England and would like our help, | 0:42:58 | 0:43:01 | |
apply online, at... | 0:43:01 | 0:43:06 |