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If I were to ask you what the most famous year was in British history, | 0:00:02 | 0:00:05 | |
I bet you'd all give me the same answer. | 0:00:05 | 0:00:07 | |
But what do the ruins of this old castle behind me have to do with it? | 0:00:07 | 0:00:11 | |
I'll tell you what, and where I am, in just a moment. | 0:00:11 | 0:00:14 | |
Today, we're looking for a room with a view, but will it be | 0:00:32 | 0:00:36 | |
a bedside vista for her... | 0:00:36 | 0:00:38 | |
-That's the dream, isn't it? -It is. | 0:00:38 | 0:00:40 | |
'..or a kitchen sink drama for him?' | 0:00:40 | 0:00:43 | |
When Rick's doing the washing-up, he can look out and, yeah... | 0:00:43 | 0:00:46 | |
I'm sure there's a dishwasher! | 0:00:46 | 0:00:48 | |
Today, I'm in East Sussex, | 0:00:51 | 0:00:53 | |
and these walls are the ruins of Hastings Castle, | 0:00:53 | 0:00:57 | |
whose origins date back to, yep, you've guessed it, 1066. | 0:00:57 | 0:01:02 | |
Now, just a few days before the legendary battle took place, | 0:01:02 | 0:01:06 | |
William of Normandy gave orders for a castle to be built on this exact | 0:01:06 | 0:01:10 | |
site just a few miles from the battlefield itself. | 0:01:10 | 0:01:14 | |
There, of course, King Harold and his army were defeated | 0:01:14 | 0:01:17 | |
and William of Normandy became better known | 0:01:17 | 0:01:20 | |
as William the Conqueror. | 0:01:20 | 0:01:22 | |
That, as they say, is history. | 0:01:22 | 0:01:25 | |
Nine and a half centuries of history, to be precise. | 0:01:25 | 0:01:28 | |
And the town of Hastings is celebrating the 950th anniversary | 0:01:28 | 0:01:33 | |
of the Battle of Hastings this very year. | 0:01:33 | 0:01:36 | |
East Sussex is a county on the south coast of England facing out to the | 0:01:37 | 0:01:41 | |
English Channel. | 0:01:41 | 0:01:44 | |
Chalk hills known as the South Downs cross the county from east to west, | 0:01:44 | 0:01:48 | |
dramatically meeting the sea at Beachy Head. | 0:01:48 | 0:01:51 | |
The South Downs Way is a 100-mile route running through the county and | 0:01:51 | 0:01:55 | |
beyond, and can be enjoyed on foot, by bike or on horseback. | 0:01:55 | 0:02:01 | |
The shingle beach at Pevensey was a landing place for the Romans, | 0:02:01 | 0:02:05 | |
who built a fourth-century fort nearby. | 0:02:05 | 0:02:07 | |
It was besieged by the Saxons a century later, | 0:02:07 | 0:02:10 | |
with the Normans taking over | 0:02:10 | 0:02:12 | |
in the 11th century. | 0:02:12 | 0:02:14 | |
But as well as making the county open to invasion and attack, | 0:02:14 | 0:02:18 | |
the sea has provided a livelihood for fishermen. | 0:02:18 | 0:02:22 | |
And at Hastings, the largest beach-launched fishing fleet | 0:02:22 | 0:02:25 | |
in Europe continues to operate. | 0:02:25 | 0:02:27 | |
Regional myths and legends abound. | 0:02:29 | 0:02:31 | |
At Mayfield, the church owes its name to St Dunstan, | 0:02:31 | 0:02:35 | |
a blacksmith said to have been visited by a beautiful temptress. | 0:02:35 | 0:02:39 | |
The story goes that spotting cloven hooves beneath her dress, | 0:02:39 | 0:02:43 | |
St Dunstan realised it was really the devil in disguise | 0:02:43 | 0:02:47 | |
and fended off the Satanic advances with red-hot pincers. | 0:02:47 | 0:02:51 | |
So, whether you enjoy a devilish tale, | 0:02:51 | 0:02:53 | |
a bracing bike ride or a local fish supper, | 0:02:53 | 0:02:57 | |
East Sussex is a stunning county to plan an escape to. | 0:02:57 | 0:03:00 | |
In terms of property, | 0:03:02 | 0:03:03 | |
if you're looking for good value for money in a county with the word | 0:03:03 | 0:03:07 | |
Sussex in it, then East Sussex is definitely for you. | 0:03:07 | 0:03:11 | |
Because even though homes here cost around 30% more than they do in the | 0:03:11 | 0:03:15 | |
rest of England and Wales, | 0:03:15 | 0:03:17 | |
it's a lot cheaper than in neighbouring West Sussex. | 0:03:17 | 0:03:20 | |
In fact, if you take two identical detached homes in both counties, | 0:03:20 | 0:03:26 | |
the one in West Sussex will cost around £460,000, | 0:03:26 | 0:03:31 | |
but the price for the same house here drops to around 390,000. | 0:03:31 | 0:03:37 | |
And talking of houses, | 0:03:37 | 0:03:38 | |
we've chosen three fantastic ones for today's buyers, | 0:03:38 | 0:03:42 | |
so let's meet them. | 0:03:42 | 0:03:44 | |
Our house-hunting couple are long-time Londoners Rick, | 0:03:44 | 0:03:48 | |
an IT worker, and Julia, a support teacher. | 0:03:48 | 0:03:51 | |
This husband and wife have raised two children in their current house | 0:03:51 | 0:03:54 | |
in Hammersmith, West London, but now they're ready for pastures new. | 0:03:54 | 0:03:59 | |
I'm born and bred in this area. | 0:03:59 | 0:04:01 | |
It's the place that I grew up, it's changed a lot. | 0:04:01 | 0:04:03 | |
The riverside has changed dramatically since I was a child, | 0:04:03 | 0:04:07 | |
and it's now getting very built-up, lots of very big, | 0:04:07 | 0:04:12 | |
modern, expensive developments and it just means it's more crowded. | 0:04:12 | 0:04:17 | |
And it's not just busier on the ground. | 0:04:18 | 0:04:21 | |
The city skies are more crowded, too. | 0:04:21 | 0:04:24 | |
The main annoying thing about living here is the aeroplane noise cos | 0:04:24 | 0:04:26 | |
we're on the flight path to Heathrow. | 0:04:26 | 0:04:28 | |
It can be, like, every two or three minutes, really noisy, | 0:04:28 | 0:04:32 | |
aeroplane coming in to land. | 0:04:32 | 0:04:34 | |
Living in the midst of urban bustle is nothing new for these two, | 0:04:34 | 0:04:37 | |
but a few months ago, something happened that made them want | 0:04:37 | 0:04:41 | |
to take stock sooner rather than later. | 0:04:41 | 0:04:44 | |
I was quite ill in September. | 0:04:44 | 0:04:46 | |
Suddenly and acutely and seriously ill. | 0:04:46 | 0:04:49 | |
And then we just suddenly realised we'd been talking about moving for | 0:04:49 | 0:04:52 | |
years and years and years. | 0:04:52 | 0:04:54 | |
Rick being ill made us rethink the rest of our lives, | 0:04:54 | 0:04:58 | |
and the fact that we could stay in this house, but actually, | 0:04:58 | 0:05:01 | |
let's do something that's a bit more... | 0:05:01 | 0:05:04 | |
-dramatic and... -Adventurous. -..adventurous, really. | 0:05:04 | 0:05:06 | |
So, with their son and daughter grown up, | 0:05:08 | 0:05:10 | |
they've decided to head south to the sea. | 0:05:10 | 0:05:13 | |
-East Sussex and Hastings... -Hastings, St Leonards area | 0:05:13 | 0:05:16 | |
-is where we're sort of hoping to be. -Yep. | 0:05:16 | 0:05:18 | |
There's some lovely parts, and there's some kind of funky, | 0:05:18 | 0:05:21 | |
up-and-coming parts. | 0:05:21 | 0:05:24 | |
So there's some cultural activity. | 0:05:24 | 0:05:26 | |
But as well as looking for countryside and culture, | 0:05:26 | 0:05:29 | |
these keen triathletes are expecting plenty of new training grounds to | 0:05:29 | 0:05:34 | |
-challenge them. -I really enjoy, I suppose, endurance sports, | 0:05:34 | 0:05:38 | |
which include cycling, running and swimming, and, of course, triathlon. | 0:05:38 | 0:05:42 | |
We like to be active. | 0:05:42 | 0:05:43 | |
And I think, actually, we're quite sort of hardy. | 0:05:43 | 0:05:47 | |
We're happy to go to sort of the middle of nowhere where there isn't | 0:05:47 | 0:05:50 | |
anything. We don't always expect there to be a shop open | 0:05:50 | 0:05:54 | |
when we need it. I think we will be able to adapt, | 0:05:54 | 0:05:57 | |
because I think we're kind of... | 0:05:57 | 0:05:59 | |
quite adaptable people. | 0:05:59 | 0:06:02 | |
Yeah, we can still get our shopping delivered if we check that out! | 0:06:02 | 0:06:05 | |
Rick and Julia would like to live close to the coast, | 0:06:08 | 0:06:10 | |
around the area of Hastings and St Leonards, | 0:06:10 | 0:06:13 | |
with good transport links back to London. | 0:06:13 | 0:06:16 | |
Recent developments have made their house search more urgent than ever, | 0:06:16 | 0:06:19 | |
so we're meeting in East Sussex to discuss the move. | 0:06:19 | 0:06:22 | |
Well, Julia and Rick, lovely to meet you both. | 0:06:24 | 0:06:26 | |
I understand you've already moved here, haven't you? | 0:06:26 | 0:06:29 | |
You've sold your house in London? | 0:06:29 | 0:06:30 | |
That's right. We've been here a week. | 0:06:30 | 0:06:32 | |
This is our seventh day in Sussex. | 0:06:32 | 0:06:35 | |
And still in love with it? | 0:06:35 | 0:06:37 | |
Absolutely, it's like being on holiday. | 0:06:37 | 0:06:39 | |
So, let's talk about your new home. | 0:06:39 | 0:06:41 | |
What are you looking for? | 0:06:41 | 0:06:43 | |
We're looking for something light and airy. | 0:06:43 | 0:06:45 | |
We would like three...at least three bedrooms | 0:06:45 | 0:06:48 | |
and a good living space, a good garden. | 0:06:48 | 0:06:51 | |
Nice big kitchen for entertaining. | 0:06:51 | 0:06:53 | |
-And you are outdoorsy people, aren't you? -Yeah. | 0:06:53 | 0:06:55 | |
You love your hobbies, your cycling. | 0:06:55 | 0:06:57 | |
Yeah, so we need space to store a number of bicycles. | 0:06:57 | 0:07:01 | |
Space to keep the camper van that we have off the road. | 0:07:01 | 0:07:05 | |
Space for drying wet suits and things like that. | 0:07:05 | 0:07:08 | |
You said light and airy, but explain a little bit more, Rick? | 0:07:08 | 0:07:12 | |
Well, I mean, I would love something that was really, really modern. | 0:07:12 | 0:07:15 | |
Lots of glass, lots of light, but at the same time | 0:07:15 | 0:07:18 | |
sort of well-insulated and easy to keep warm. | 0:07:18 | 0:07:20 | |
One important thing for me is to be able to lie in bed | 0:07:20 | 0:07:23 | |
and look out of the window and see some greenery and sky. | 0:07:23 | 0:07:26 | |
-That's important? -Very important to me, yeah. | 0:07:26 | 0:07:28 | |
Remind us of your top budget here, in East Sussex, please? | 0:07:28 | 0:07:32 | |
So, our top budget is £700,000. | 0:07:32 | 0:07:34 | |
That would be for absolutely everything - move in straightaway, | 0:07:34 | 0:07:37 | |
not have to do anything. | 0:07:37 | 0:07:38 | |
But, you know, | 0:07:38 | 0:07:40 | |
we're sort of happy to do some work on a place if we need to. | 0:07:40 | 0:07:43 | |
That's good news. | 0:07:43 | 0:07:45 | |
You're already in the county, | 0:07:45 | 0:07:46 | |
but we're going to show you a little bit more of it. | 0:07:46 | 0:07:48 | |
-So, shall we get started? -Lovely. -Follow me. Thank you. | 0:07:48 | 0:07:51 | |
For a maximum budget of £700,000, | 0:07:54 | 0:07:57 | |
Rick and Julia would like | 0:07:57 | 0:07:58 | |
an individual property | 0:07:58 | 0:07:59 | |
with a minimum of three | 0:07:59 | 0:08:00 | |
bedrooms, including a master with | 0:08:00 | 0:08:03 | |
countryside views from the bed. | 0:08:03 | 0:08:05 | |
They want lots of living space, | 0:08:05 | 0:08:06 | |
a kitchen with room to entertain, | 0:08:06 | 0:08:08 | |
and a good-sized garden, | 0:08:08 | 0:08:10 | |
plus space to store bikes, | 0:08:10 | 0:08:12 | |
and parking for their camper van. | 0:08:12 | 0:08:13 | |
We've got three very different homes to show them, | 0:08:15 | 0:08:18 | |
with their wish list in mind. | 0:08:18 | 0:08:19 | |
And at each, I'll be getting them to guess the price before I reveal it. | 0:08:19 | 0:08:24 | |
The final tour is our Mystery House, which promises a few surprises. | 0:08:24 | 0:08:29 | |
But first, it's time for house number one. | 0:08:29 | 0:08:31 | |
So, this is really exciting, isn't it, for the two of you? | 0:08:32 | 0:08:35 | |
Yes, it is now, actually. | 0:08:35 | 0:08:37 | |
It was very stressful up until the time of the actual move. | 0:08:37 | 0:08:40 | |
But we've moved ourselves, | 0:08:40 | 0:08:42 | |
we've also helped our children to buy a property in London. | 0:08:42 | 0:08:45 | |
I think it's gone from being terrifying to being exciting. | 0:08:45 | 0:08:50 | |
And what about the R word - retirement? | 0:08:50 | 0:08:54 | |
I mean, I'm still going to be working in London two days a week | 0:08:54 | 0:08:57 | |
to see how it goes. Most people who live down here say, | 0:08:57 | 0:09:00 | |
"Oh, you won't want to do that for long." | 0:09:00 | 0:09:02 | |
Let the adventure begin! | 0:09:02 | 0:09:04 | |
Yes, we are! Yes. | 0:09:04 | 0:09:06 | |
Our first house is in the village of Iden. | 0:09:06 | 0:09:09 | |
Around a 13-mile drive from Hastings, | 0:09:09 | 0:09:12 | |
the settlement is first mentioned in the Domesday Book, and has a pub, | 0:09:12 | 0:09:16 | |
a hall, recreation ground, and, | 0:09:16 | 0:09:20 | |
thanks to the campaigning of the local community, | 0:09:20 | 0:09:22 | |
retains its post office and stores. | 0:09:22 | 0:09:26 | |
The artist Paul Nash was a resident in the 1920s, and his paintings, | 0:09:26 | 0:09:30 | |
many inspired by the local landscape, | 0:09:30 | 0:09:33 | |
now hang in the Tate Britain Gallery in London. | 0:09:33 | 0:09:36 | |
As illustrator of TE Lawrence's Seven Pillars Of Wisdom, | 0:09:36 | 0:09:41 | |
Nash was visited frequently at his Iden home by the man | 0:09:41 | 0:09:44 | |
who was to become Lawrence of Arabia. | 0:09:44 | 0:09:47 | |
And, following in those famous footsteps down a quiet country lane, | 0:09:47 | 0:09:51 | |
it's that very house we've come to see. | 0:09:51 | 0:09:54 | |
What do you make of our very first property we're showing you? | 0:09:54 | 0:09:57 | |
I think it's really pretty. | 0:09:57 | 0:09:59 | |
It sort of looks like a typical Sussex kind of house, | 0:09:59 | 0:10:02 | |
but not too cottagey. | 0:10:02 | 0:10:03 | |
I like... The brickwork is attractive. | 0:10:03 | 0:10:06 | |
And the weatherboarding is nice. | 0:10:06 | 0:10:07 | |
-So, yeah... -That's a jolly good start. | 0:10:07 | 0:10:10 | |
Shall we take a look around? | 0:10:10 | 0:10:11 | |
-Yeah. -Yeah, bring it! -Come on, then. | 0:10:11 | 0:10:13 | |
Built in the same decade that Nash lived here, | 0:10:15 | 0:10:17 | |
the almost century-old cottage was extended either side by the current | 0:10:17 | 0:10:21 | |
owners in recent years. | 0:10:21 | 0:10:23 | |
A front door in one of these additions takes us | 0:10:23 | 0:10:26 | |
into a lobby and hall, | 0:10:26 | 0:10:27 | |
and through into the original part of the home, | 0:10:27 | 0:10:30 | |
which showcases the surroundings that so inspired Nash. | 0:10:30 | 0:10:34 | |
So, let's start off. The first room has to be, I think, the kitchen. | 0:10:35 | 0:10:40 | |
-Yeah, yeah. -So, the first thing that dominates is... | 0:10:40 | 0:10:42 | |
The window. And the view there, that's lovely, yeah. | 0:10:42 | 0:10:45 | |
When he's washing up, actually, it's going to be fantastic for him! | 0:10:45 | 0:10:48 | |
-It is a good washing-up view. -And it's a good kitchen. | 0:10:48 | 0:10:51 | |
It's not too huge. | 0:10:51 | 0:10:52 | |
Now, this range looks scary. | 0:10:52 | 0:10:55 | |
This is often the way in the country - it supplies everything. | 0:10:55 | 0:10:59 | |
-Right. -Your hot water, your central heating as well as your cooking. | 0:10:59 | 0:11:02 | |
-Right, right. -But it's something to bear in mind, | 0:11:02 | 0:11:04 | |
it's something different that you might not be used to. | 0:11:04 | 0:11:07 | |
Wonderful, right. Well, let's keep going. | 0:11:07 | 0:11:08 | |
So we've seen the kitchen. Follow me. | 0:11:08 | 0:11:11 | |
Back across the lobby, | 0:11:13 | 0:11:14 | |
there is a utility room and ground-floor shower room. | 0:11:14 | 0:11:18 | |
Whilst from the kitchen, we reach an L-shape of three reception rooms, | 0:11:18 | 0:11:21 | |
starting in a spacious sitting room. | 0:11:21 | 0:11:23 | |
-Views on two sides, which is nice. -So it's light again as well. | 0:11:25 | 0:11:28 | |
-It is light, yeah. -Really lovely and light. | 0:11:28 | 0:11:30 | |
And this is still the original part of the house, I guess, isn't it? | 0:11:30 | 0:11:34 | |
-It is. -Quite often... | 0:11:34 | 0:11:35 | |
That's one of the things I don't like about country cottages, | 0:11:35 | 0:11:37 | |
is the tiny windows. But it is a stunning view. | 0:11:37 | 0:11:39 | |
I mean, this is much bigger than the sitting room we had in London, | 0:11:39 | 0:11:42 | |
-isn't it? -Yes, yes. -Much bigger. | 0:11:42 | 0:11:45 | |
Not only does this home offer these city escapees | 0:11:45 | 0:11:49 | |
its bright living space, | 0:11:49 | 0:11:50 | |
there's a further reception room in the original part of the home | 0:11:50 | 0:11:53 | |
that is currently used as a study. | 0:11:53 | 0:11:56 | |
And, in the more recent extension, there is a large garden room, | 0:11:56 | 0:11:59 | |
which also serves as a dining area. | 0:11:59 | 0:12:02 | |
Upstairs, there is a family bathroom with a roll-top bath, | 0:12:03 | 0:12:06 | |
next to which is the first of four bedrooms - | 0:12:06 | 0:12:09 | |
big enough for a double bed and featuring windows on two sides. | 0:12:09 | 0:12:13 | |
There's also a large double, then a small box bedroom. | 0:12:13 | 0:12:17 | |
And finally, the room which Rick and Julia could use for themselves makes | 0:12:17 | 0:12:21 | |
bedroom number four. | 0:12:21 | 0:12:23 | |
So, the master bedroom... | 0:12:23 | 0:12:25 | |
This is nice. You can sit in bed and... | 0:12:25 | 0:12:27 | |
-That's the perfect view, yeah. -You can see the view. | 0:12:27 | 0:12:30 | |
That's the dream, isn't it? | 0:12:30 | 0:12:32 | |
It is. I mean, I was just noticing, | 0:12:32 | 0:12:34 | |
there is no wardrobe or cupboard space here. | 0:12:34 | 0:12:37 | |
But actually I quite like that. | 0:12:37 | 0:12:39 | |
I quite like having a bedroom that is just sort of quite simple. | 0:12:39 | 0:12:42 | |
Yeah, OK. | 0:12:42 | 0:12:44 | |
So it is only our first property, | 0:12:44 | 0:12:46 | |
but could you see yourself living somewhere like this? | 0:12:46 | 0:12:50 | |
-I'm starting to. -Yeah, is it really possible? | 0:12:50 | 0:12:53 | |
Maybe it is, yeah. I mean, it feels comfortable, this house. | 0:12:53 | 0:12:56 | |
It's got a nice feel to it. | 0:12:56 | 0:12:57 | |
It's not too huge, as we don't want anything that's, you know, | 0:12:57 | 0:13:00 | |
got too much maintenance, too much space. | 0:13:00 | 0:13:03 | |
OK, well, let's head out into the garden | 0:13:03 | 0:13:05 | |
and see what you make of those views. | 0:13:05 | 0:13:08 | |
So, Julia has her bed with a view, | 0:13:08 | 0:13:11 | |
and we have a very positive finish for the interior accommodation | 0:13:11 | 0:13:15 | |
of this former artist's home. | 0:13:15 | 0:13:18 | |
Sitting in a triangular half-acre plot, | 0:13:18 | 0:13:20 | |
there's a gated gravel drive and car port | 0:13:20 | 0:13:23 | |
for Rick and Julia's camper van. | 0:13:23 | 0:13:25 | |
Whilst to the side of the property, | 0:13:25 | 0:13:26 | |
ready-made raised beds provide a head start on that home-grown veg. | 0:13:26 | 0:13:31 | |
There are useful storage options for bicycles and wet suits in two sheds. | 0:13:31 | 0:13:36 | |
There's room for patio dining. | 0:13:36 | 0:13:38 | |
But the lion's share of the garden is grassed with a level lawn. | 0:13:38 | 0:13:42 | |
So, what do we think of the garden? | 0:13:42 | 0:13:44 | |
I almost think it's a bit too big. | 0:13:45 | 0:13:46 | |
But actually, I'm just wondering whether looking after it | 0:13:46 | 0:13:50 | |
is going to be a distraction from the other things we want to do. | 0:13:50 | 0:13:54 | |
Sit-on mowers are a wonderful invention. | 0:13:54 | 0:13:57 | |
I mean, I actually slightly disagree with him. | 0:13:57 | 0:13:59 | |
-And also, just look behind you! -I know! -Yeah, that is lovely. | 0:13:59 | 0:14:03 | |
So, bearing all that in mind, | 0:14:03 | 0:14:05 | |
we've got to now try and put a price on our first property. | 0:14:05 | 0:14:09 | |
£650,000? | 0:14:09 | 0:14:11 | |
OK. | 0:14:11 | 0:14:12 | |
I think a bit less. I think £625,000. | 0:14:12 | 0:14:15 | |
You're very good at this, very good indeed! | 0:14:15 | 0:14:18 | |
-Because, Rick, you're actually on the money. -Am I really? | 0:14:18 | 0:14:21 | |
The asking price is £625,000. | 0:14:21 | 0:14:23 | |
-Interesting. -So, you know, way under your budget. | 0:14:23 | 0:14:27 | |
Now you know you've got £75,000 to play with, | 0:14:27 | 0:14:29 | |
have another look around, and I'll come and find you when you're ready. | 0:14:29 | 0:14:33 | |
-Thank you. -Thank you. | 0:14:33 | 0:14:34 | |
Well, it's a splendid first house. | 0:14:37 | 0:14:39 | |
Way under their budget. | 0:14:39 | 0:14:41 | |
And I think sometimes it's just getting your head around that | 0:14:41 | 0:14:44 | |
it's very rare that you find a house that gives you everything that you | 0:14:44 | 0:14:48 | |
want on paper. You do have | 0:14:48 | 0:14:49 | |
to sometimes do some of the work yourself. | 0:14:49 | 0:14:51 | |
And with so much left in their budget, they could afford to do it. | 0:14:51 | 0:14:55 | |
This 1920s former artist's home comes in significantly below budget, | 0:14:58 | 0:15:03 | |
and offers a country kitchen, three reception rooms, | 0:15:03 | 0:15:07 | |
four bedrooms and two bathrooms. | 0:15:07 | 0:15:10 | |
Plus, it's set in a half-acre garden with lovely countryside views. | 0:15:10 | 0:15:14 | |
I think, really, what we'd think about doing is knocking this down. | 0:15:14 | 0:15:19 | |
-The kitchen goes in here, and then we've got a dining room... -Right. | 0:15:19 | 0:15:24 | |
-..through here. -Yeah, that would work. | 0:15:24 | 0:15:27 | |
It's in a beautiful location. | 0:15:27 | 0:15:29 | |
The garden is beautiful, | 0:15:29 | 0:15:30 | |
and the lightness and the brightness and the views through the window are | 0:15:30 | 0:15:35 | |
fantastic. And it's a really good amount of space. | 0:15:35 | 0:15:37 | |
It's sort of exactly the kind of space we are looking for. | 0:15:37 | 0:15:41 | |
I do like the property, but I'm not sure if it's for us. | 0:15:41 | 0:15:45 | |
We'd need to do too much to it, I think. | 0:15:45 | 0:15:48 | |
It's the first house we've seen, | 0:15:48 | 0:15:49 | |
and I'm not sure if it's the one that we really want. | 0:15:49 | 0:15:53 | |
How are we doing? | 0:15:53 | 0:15:55 | |
-Good. -Yeah? -Yeah. | 0:15:55 | 0:15:57 | |
A good first property? | 0:15:57 | 0:15:58 | |
-Yes. -Really good, yeah, very interesting. | 0:15:58 | 0:16:00 | |
Good, all right. Well, we've still got more to show you. | 0:16:00 | 0:16:02 | |
-Lovely. -So we'll go. | 0:16:02 | 0:16:04 | |
The fascinating coastline of East Sussex includes | 0:16:12 | 0:16:15 | |
the historic harbour of Rye. | 0:16:15 | 0:16:17 | |
Once a small fishing community almost entirely surrounded by water, | 0:16:17 | 0:16:22 | |
the sea has retreated, creating an abundant variety of habitats. | 0:16:22 | 0:16:26 | |
Since 1970, this coastal expanse has been cared for as a nature reserve. | 0:16:26 | 0:16:32 | |
As Rick and Julia are keen to explore the outdoors | 0:16:32 | 0:16:35 | |
by bike and foot, | 0:16:35 | 0:16:36 | |
we've sent them to meet reserve manager Barry Yates, | 0:16:36 | 0:16:39 | |
who's dedicated over three decades to looking after the landscape. | 0:16:39 | 0:16:43 | |
How did this reserve come to be? | 0:16:45 | 0:16:47 | |
Well, back in 1970, | 0:16:47 | 0:16:49 | |
a partnership of organisations came together because they realised that | 0:16:49 | 0:16:53 | |
the coast was coming under a lot of pressure, | 0:16:53 | 0:16:55 | |
and it was threatening the wildlife. | 0:16:55 | 0:16:57 | |
Apart from the 4,500 species, | 0:16:57 | 0:16:59 | |
there's a whole layer of history and changing coastlines. | 0:16:59 | 0:17:04 | |
And, most importantly, | 0:17:04 | 0:17:06 | |
there's 200 species that are nationally rare or endangered. | 0:17:06 | 0:17:10 | |
And that's what we are managing it for. | 0:17:10 | 0:17:12 | |
And what we're going to do today is have a cycle tour of the whole | 0:17:12 | 0:17:15 | |
reserve. And we're going to go and see lots of wildlife, | 0:17:15 | 0:17:18 | |
-and there's a few surprises. -Oh, lovely. | 0:17:18 | 0:17:20 | |
The reserve is mostly flat, | 0:17:20 | 0:17:23 | |
making it relatively easy to get around by bike. | 0:17:23 | 0:17:26 | |
The intrepid can venture here by the National Cycle Network. | 0:17:26 | 0:17:30 | |
But bike hire is available in Rye itself. | 0:17:30 | 0:17:33 | |
The reserve is noted as a Site of Special Scientific Interest, | 0:17:33 | 0:17:37 | |
and first stop today is one of five bird-watching hides. | 0:17:37 | 0:17:41 | |
What birds can we see here? | 0:17:41 | 0:17:43 | |
The birds out on these islands are a mixture of gulls and terns. | 0:17:43 | 0:17:47 | |
These closest to us are black-headed gulls. | 0:17:47 | 0:17:49 | |
They're sitting on their nests, and the first chicks are hatching now. | 0:17:49 | 0:17:53 | |
Can we see the terns from here? | 0:17:53 | 0:17:55 | |
Yes, the terns are on the left-hand island. | 0:17:55 | 0:17:57 | |
-Oh, right, OK. -There has been a fantastic increase in the numbers | 0:17:57 | 0:18:00 | |
of pairs of nesting birds out here. | 0:18:00 | 0:18:03 | |
So this year there's 400 pairs of sandwich terns nesting, | 0:18:03 | 0:18:06 | |
which is a big increase on previous years. | 0:18:06 | 0:18:09 | |
Ensuring there are good nesting sites for the 90 different bird | 0:18:10 | 0:18:14 | |
species that use the area is not left down to Mother Nature. | 0:18:14 | 0:18:18 | |
Fences deter predators, from badgers to foxes, while shingle islands - | 0:18:18 | 0:18:22 | |
many man-made with managed vegetation - | 0:18:22 | 0:18:25 | |
give the nests added protection. | 0:18:25 | 0:18:28 | |
These current nesters have spent the winter months much further south - | 0:18:28 | 0:18:31 | |
the terns in West Africa, | 0:18:31 | 0:18:33 | |
and the black-headed gulls in Spain and Portugal. | 0:18:33 | 0:18:36 | |
Is there a pecking order amongst them to who gets the best spot? | 0:18:36 | 0:18:42 | |
Yes, the early nesting ones get the best spots. | 0:18:42 | 0:18:44 | |
And the late arrivals have to make do on the edge. | 0:18:44 | 0:18:48 | |
But it's not all about wildlife. | 0:18:48 | 0:18:51 | |
With over 1,000 acres of terrain, | 0:18:51 | 0:18:53 | |
from gravel paths to grassy pastures, | 0:18:53 | 0:18:56 | |
the East Sussex shore tells a tale of invasions, both real and feared. | 0:18:56 | 0:19:02 | |
Henry VIII built a series of coastal forts here. | 0:19:02 | 0:19:05 | |
The remains of Camber Castle is one of them, now open to the public. | 0:19:05 | 0:19:09 | |
Wow, it's a fantastic castle. | 0:19:11 | 0:19:13 | |
It feels like it's in the middle of nowhere. | 0:19:13 | 0:19:15 | |
Yes, it stands about 2km from the sea now. | 0:19:15 | 0:19:17 | |
Whereas when it was built, in Henry VIII's time, that's 500 years ago, | 0:19:17 | 0:19:22 | |
it was overlooking the sea, it was right on the coast. | 0:19:22 | 0:19:24 | |
So it's a really interesting shape. | 0:19:24 | 0:19:26 | |
Is that normal for this kind of castle? | 0:19:26 | 0:19:29 | |
It is. They had a fairly common plan. | 0:19:29 | 0:19:32 | |
They had these big semi-circular bastions, | 0:19:32 | 0:19:34 | |
really thick walls with cannons within, very difficult to attack. | 0:19:34 | 0:19:40 | |
You could not creep up on this castle without being seen. | 0:19:40 | 0:19:43 | |
So, what happened to the sea? | 0:19:43 | 0:19:44 | |
What happened to make it move so far away? | 0:19:44 | 0:19:46 | |
Shortly after the castle was built, | 0:19:46 | 0:19:48 | |
the sea pushed up ridges of shingle, and so now, | 0:19:48 | 0:19:51 | |
all this vast area that was once sea | 0:19:51 | 0:19:55 | |
is now being farmed, and some of it is the nature reserve. | 0:19:55 | 0:19:59 | |
Well, they say an Englishman's home is his castle, | 0:20:00 | 0:20:03 | |
so let's see if we can find suitable fortifications for Rick and Julia | 0:20:03 | 0:20:07 | |
here in the county. | 0:20:07 | 0:20:09 | |
Our next house is located close to the village of Burwash. | 0:20:10 | 0:20:15 | |
Once an important location for iron-making, | 0:20:16 | 0:20:19 | |
the furnaces and forges have made way for antique shops and tea rooms. | 0:20:19 | 0:20:24 | |
But the village is best known for one famous former literary resident. | 0:20:24 | 0:20:29 | |
Now, you know East Sussex quite well. | 0:20:29 | 0:20:31 | |
Have you ever visited this part of it? | 0:20:31 | 0:20:33 | |
Yes, we have. We have actually been to Bateman's before. | 0:20:33 | 0:20:37 | |
Now, that is Rudyard Kipling's house, isn't it? | 0:20:37 | 0:20:39 | |
-That's right, yes. -Turn of the century, he could have been | 0:20:39 | 0:20:41 | |
your neighbour. Do you know why? | 0:20:41 | 0:20:43 | |
Because the property I'm going to show you is literally just around | 0:20:43 | 0:20:46 | |
-the corner. -Really? -Yes. Not quite as grand. | 0:20:46 | 0:20:49 | |
Let's have a look. | 0:20:49 | 0:20:51 | |
Kipling lived in this Jacobean manor house in the first part of the 20th | 0:20:51 | 0:20:55 | |
century. The estate is now in the hands of the National Trust, | 0:20:55 | 0:20:59 | |
and passing this down a private lane, | 0:20:59 | 0:21:01 | |
we find the house we have come to see. | 0:21:01 | 0:21:04 | |
Quite an unusual entrance, driving past that Jacobean home, | 0:21:04 | 0:21:08 | |
the Bateman's estate, but this is actually not attached to it. | 0:21:08 | 0:21:12 | |
This is a private road, and here is our second offering. | 0:21:12 | 0:21:15 | |
-Quite impressive. -Obviously quite new. | 0:21:15 | 0:21:18 | |
Quite new. It looks huge from the outside. | 0:21:18 | 0:21:20 | |
It seems that there's a lot of it, yeah. | 0:21:20 | 0:21:22 | |
It is a substantial property. | 0:21:22 | 0:21:24 | |
Originally, in the 1960s, there was a bungalow on this spot. | 0:21:24 | 0:21:27 | |
So around 2010, the current owners built this to their needs. | 0:21:27 | 0:21:31 | |
It's a nice setting. Yeah. | 0:21:31 | 0:21:32 | |
All right, well, let's how we get on inside. | 0:21:32 | 0:21:35 | |
OK. | 0:21:35 | 0:21:36 | |
'This modern-build property sits' | 0:21:38 | 0:21:40 | |
in an Area of Outstanding Natural Beauty. | 0:21:40 | 0:21:44 | |
The porched front door opens to a corridor running along the front | 0:21:44 | 0:21:47 | |
of the home, which takes us | 0:21:47 | 0:21:49 | |
to the generously proportioned kitchen/diner. | 0:21:49 | 0:21:51 | |
And how is this for space? | 0:21:54 | 0:21:56 | |
Yeah, it's a really good, spacious kitchen. | 0:21:56 | 0:21:58 | |
Beautifully finished. | 0:21:58 | 0:22:00 | |
You've got a wonderful utility room through that door. | 0:22:00 | 0:22:02 | |
Again, ample space. | 0:22:02 | 0:22:04 | |
And then, behind us, you've got a dining room. | 0:22:04 | 0:22:07 | |
-Yeah. -That's really nice. | 0:22:07 | 0:22:08 | |
There's direct access to the outdoors as well. | 0:22:08 | 0:22:10 | |
-Yeah. Brilliant. -I think that's what we're after. | 0:22:10 | 0:22:12 | |
Yeah, I mean, this is probably what we would have tried to make | 0:22:12 | 0:22:15 | |
the other house into, I suppose. | 0:22:15 | 0:22:17 | |
-Yeah. -And again, the sink looking out onto the view, | 0:22:17 | 0:22:21 | |
so when Rick's doing the washing-up, he can look out and, yeah... | 0:22:21 | 0:22:25 | |
I'm sure there's a dishwasher. | 0:22:25 | 0:22:26 | |
Let's show you a little bit more and hopefully we'll keep in the same | 0:22:28 | 0:22:31 | |
vein. Just down here. | 0:22:31 | 0:22:33 | |
Next to the utility is a ground-floor shower room, | 0:22:33 | 0:22:37 | |
then opposite the kitchen is the first of the home's three bedrooms. | 0:22:37 | 0:22:41 | |
And completing this ground floor is a very large reception space. | 0:22:41 | 0:22:45 | |
A long hallway, which leads us to our sitting room. | 0:22:47 | 0:22:51 | |
It's a great size. | 0:22:51 | 0:22:53 | |
It's a good entertaining space, | 0:22:53 | 0:22:54 | |
cos also it's got the doors that lead out. | 0:22:54 | 0:22:56 | |
Light and fresh air, yeah. | 0:22:56 | 0:22:57 | |
-Yeah. -Look at the size of it. | 0:22:57 | 0:22:58 | |
I know, it's a really good space. | 0:22:58 | 0:23:00 | |
What you could do, if you wanted to, is divide it up. | 0:23:00 | 0:23:02 | |
So, have two sitting rooms, cos it's big enough. | 0:23:02 | 0:23:04 | |
Yeah. Easy to sort of change it into... | 0:23:04 | 0:23:06 | |
Yeah, it's straightforward. | 0:23:06 | 0:23:08 | |
There's nothing to... The design is sort of neutral, | 0:23:08 | 0:23:11 | |
so you can do what you like with it. | 0:23:11 | 0:23:13 | |
-Yeah. -I'm wondering, in the main master bedroom, | 0:23:13 | 0:23:16 | |
whether we're going to have the views out of the window. | 0:23:16 | 0:23:18 | |
It would be hard not to get a good view, wouldn't it? | 0:23:18 | 0:23:21 | |
You are selling the house to ME! I'm liking that! | 0:23:21 | 0:23:23 | |
Let's have a look. | 0:23:23 | 0:23:24 | |
The eaves of the house are used as features in two further bedrooms | 0:23:25 | 0:23:29 | |
upstairs. The first of these is a double with dormer windows | 0:23:29 | 0:23:33 | |
served by its own bathroom. | 0:23:33 | 0:23:34 | |
And at the other end of this floor is an extravagantly | 0:23:34 | 0:23:38 | |
proportioned suite. | 0:23:38 | 0:23:39 | |
-Could this be the master bedroom by any chance? -This is really nice. | 0:23:40 | 0:23:43 | |
-This is great. -Yes, it's fantastic. | 0:23:43 | 0:23:45 | |
-Yeah. -Light and bright. | 0:23:45 | 0:23:47 | |
-Yeah. -Airy and spacious... | 0:23:47 | 0:23:49 | |
-Yeah. -The eaves make it interesting, as well. | 0:23:49 | 0:23:52 | |
Yes, gives it some character. | 0:23:52 | 0:23:54 | |
-Interesting shapes. -The reason you haven't got cupboards is you've | 0:23:54 | 0:23:57 | |
actually got your own dressing room, here. | 0:23:57 | 0:23:58 | |
-Oh, wow. OK. -And then, not to be outdone, | 0:23:58 | 0:24:00 | |
we've obviously got to give you an en-suite as well. | 0:24:00 | 0:24:03 | |
Oh, right. OK. | 0:24:03 | 0:24:04 | |
-Yeah. -Yeah, this is a really nice room. | 0:24:04 | 0:24:06 | |
-This is great. -So, lying there, with your head on the pillow, | 0:24:06 | 0:24:11 | |
let's take a look and see what you make of this view. | 0:24:11 | 0:24:15 | |
-Have a peek. -Wow. Yeah. | 0:24:20 | 0:24:22 | |
Would you ever get tired of that view? | 0:24:22 | 0:24:24 | |
No, you wouldn't, because it would change with the seasons. | 0:24:24 | 0:24:27 | |
Yeah, this is really nice. | 0:24:27 | 0:24:29 | |
Yes, this kind of bedroom with good storage and en suite is perfect. | 0:24:29 | 0:24:34 | |
But we don't spend all our time in the bedroom. | 0:24:35 | 0:24:37 | |
No? Well, let's take one final look at the bedroom. | 0:24:37 | 0:24:41 | |
And then let's head outside. | 0:24:42 | 0:24:44 | |
Lovely, thank you. | 0:24:44 | 0:24:46 | |
This house really is offering Rick and Julia everything they asked for, | 0:24:49 | 0:24:53 | |
even down to that bedroom view. | 0:24:53 | 0:24:55 | |
But they still need convincing it's the right house for them. | 0:24:55 | 0:24:59 | |
Perhaps the garden will do the job. | 0:24:59 | 0:25:01 | |
As well as its own driveway and integral garage, | 0:25:02 | 0:25:05 | |
there's a pretty summerhouse, | 0:25:05 | 0:25:07 | |
and the grounds are a manageable size, too. | 0:25:07 | 0:25:09 | |
Knowing Rick is worried about taking on too much garden, | 0:25:10 | 0:25:13 | |
I'm hoping he'll be happy with this one. | 0:25:13 | 0:25:16 | |
-I think the garden's great. -But this is ideal for you, isn't it? | 0:25:17 | 0:25:20 | |
-No, this is the perfect size. -Yeah. -Cos you've got all this for free, | 0:25:20 | 0:25:23 | |
and we could have a small vegetable plot somewhere around, | 0:25:23 | 0:25:26 | |
and it's kind of low-maintenance. | 0:25:26 | 0:25:28 | |
-You're done. -Are you happy? -Yeah, happy with the garden. | 0:25:28 | 0:25:30 | |
And what about the surrounding area? | 0:25:30 | 0:25:32 | |
You know, possible walks, bridle paths. | 0:25:32 | 0:25:34 | |
-Stunning. -Absolutely stunning. | 0:25:34 | 0:25:35 | |
-Yeah, really good. -Yeah, it is. -Cycling. | 0:25:35 | 0:25:37 | |
-I mean... -Yeah, and there's a bridle path that goes right past, | 0:25:37 | 0:25:40 | |
-so... -You know, it's so stunning. | 0:25:40 | 0:25:42 | |
I'm not sure we're quite ready for something quite so rural. | 0:25:42 | 0:25:47 | |
We do need to start to change our mind-set. | 0:25:47 | 0:25:49 | |
I think we're still in London mode, really. | 0:25:49 | 0:25:51 | |
Let's see how we get on with the price. | 0:25:51 | 0:25:53 | |
I am going to tell you it's only just gone on the market. | 0:25:53 | 0:25:57 | |
-Right. -Right. I think it's 700,000. | 0:25:57 | 0:25:59 | |
Ah, well, I think it's a little bit under. | 0:25:59 | 0:26:03 | |
I think it's 695. | 0:26:03 | 0:26:05 | |
OK, well, they are looking for offers between £700,000 | 0:26:05 | 0:26:09 | |
and £750,000. | 0:26:09 | 0:26:12 | |
Right. OK. It's probably more than I would want to pay, really. | 0:26:12 | 0:26:16 | |
I must admit, I'm quite surprised, | 0:26:16 | 0:26:19 | |
cos I thought the comments were very positive going round. | 0:26:19 | 0:26:22 | |
-I'm still going to send you back in. Have another look. -OK. | 0:26:22 | 0:26:25 | |
And it does give you an idea of what you can get for your money in these | 0:26:25 | 0:26:28 | |
sorts of surroundings. | 0:26:28 | 0:26:29 | |
-Absolutely. -Yeah. -And then, tell you what, I'll meet you at the front. | 0:26:29 | 0:26:32 | |
-Please be my guests. Thank you. -All right. | 0:26:32 | 0:26:34 | |
Sitting at the top of their budget, | 0:26:37 | 0:26:39 | |
this modern chalet bungalow offers | 0:26:39 | 0:26:41 | |
everything Rick and Julie have asked | 0:26:41 | 0:26:43 | |
for. There is a large kitchen/diner, | 0:26:43 | 0:26:45 | |
generous reception room | 0:26:45 | 0:26:47 | |
and three bedrooms, | 0:26:47 | 0:26:48 | |
including a large master suite. | 0:26:48 | 0:26:51 | |
It comes with a low-maintenance garden | 0:26:51 | 0:26:53 | |
surrounded by countryside and is | 0:26:53 | 0:26:55 | |
located close to village shops and services. | 0:26:55 | 0:26:58 | |
Having that view from the bedroom is really, really important. | 0:26:59 | 0:27:02 | |
I think, in terms of the garden, this actually is probably fine. | 0:27:02 | 0:27:06 | |
The house has been well designed for the people who live here, | 0:27:06 | 0:27:11 | |
but perhaps it isn't designed for us. | 0:27:11 | 0:27:14 | |
It just doesn't feel like somewhere where I really feel at home. | 0:27:14 | 0:27:18 | |
It's a modern house, but it's not a modern design. | 0:27:18 | 0:27:20 | |
-All right? -Yeah. | 0:27:23 | 0:27:24 | |
-Lovely. -Good second viewing on your own? | 0:27:24 | 0:27:26 | |
-Yes, thank you. -I'm still a little confused. | 0:27:26 | 0:27:29 | |
But that's it for today, | 0:27:29 | 0:27:30 | |
so let's hit the road because I've got more to show you tomorrow. | 0:27:30 | 0:27:33 | |
-Lovely. -Thank you. | 0:27:33 | 0:27:34 | |
We are in East Sussex looking for a home for Rick and Julia, | 0:27:45 | 0:27:48 | |
who have recently relocated from West London. | 0:27:48 | 0:27:52 | |
We've already seen two contrasting houses for their £700,000 budget, | 0:27:52 | 0:27:57 | |
but the Mystery House may offer another dimension. | 0:27:57 | 0:28:00 | |
-It's certainly got character. -Yeah, definitely. | 0:28:00 | 0:28:02 | |
And I'm really looking forward to seeing the modern bit. | 0:28:02 | 0:28:06 | |
Plus, I'm on the right track for a great view of the East Sussex coast. | 0:28:06 | 0:28:10 | |
You can see the fishing fleet, you can see the pier, | 0:28:10 | 0:28:13 | |
you can see the whole of old Hastings. | 0:28:13 | 0:28:14 | |
I certainly wouldn't want to climb it, that's for sure. | 0:28:14 | 0:28:17 | |
I don't know about you, | 0:28:19 | 0:28:21 | |
but I'm a little perplexed with Rick and Julia. | 0:28:21 | 0:28:24 | |
Yesterday, we showed them two very different homes, | 0:28:24 | 0:28:27 | |
and they liked some elements of the first | 0:28:27 | 0:28:30 | |
and some parts of the second, so, | 0:28:30 | 0:28:32 | |
ideally, with our Mystery House, | 0:28:32 | 0:28:34 | |
if we combine the very old with the very new, | 0:28:34 | 0:28:37 | |
chances are we could be onto a winner. | 0:28:37 | 0:28:41 | |
Our mystery offering is located in the village of Hooe. | 0:28:43 | 0:28:46 | |
The village owes its name to the Saxons | 0:28:47 | 0:28:49 | |
who invaded the Sussex coast in the fifth century | 0:28:49 | 0:28:52 | |
and called it Hooe, meaning ridge. | 0:28:52 | 0:28:54 | |
These invaders were heathens | 0:28:54 | 0:28:56 | |
who worshipped natural objects and phenomena. | 0:28:56 | 0:28:59 | |
And there is certainly plenty of nature to appreciate | 0:28:59 | 0:29:01 | |
in the surroundings of this Wealden village. | 0:29:01 | 0:29:04 | |
You can pick up some Sussex produce in the farm shop, | 0:29:04 | 0:29:07 | |
or pop in for a drink at the pub, | 0:29:07 | 0:29:09 | |
which is located a pleasant 15-minute walk along the lane | 0:29:09 | 0:29:12 | |
from the house we've come to see. | 0:29:12 | 0:29:15 | |
May I introduce you to your Mystery House? | 0:29:15 | 0:29:19 | |
-Wow. -Looks really interesting. -It's really lovely. | 0:29:20 | 0:29:24 | |
-Yeah. -Yeah. -Yeah. | 0:29:24 | 0:29:26 | |
Old cottage, but it's got a bit of contemporary as well. | 0:29:26 | 0:29:28 | |
-Yeah, it looks lovely. -Really interesting. | 0:29:28 | 0:29:30 | |
And that's really why we picked it. | 0:29:30 | 0:29:32 | |
-Yeah. -Is it a listed building? | 0:29:32 | 0:29:34 | |
It's not, in actual fact. | 0:29:34 | 0:29:35 | |
-OK. -It's about 17th century... | 0:29:35 | 0:29:37 | |
-Right. -It used to be an old bakery. | 0:29:37 | 0:29:39 | |
-OK. -And then obviously, as you can see from the extension there, | 0:29:39 | 0:29:42 | |
and also there's another one just behind us that was done recently. | 0:29:42 | 0:29:45 | |
So, first impressions? | 0:29:45 | 0:29:47 | |
-Very positive. -Really interesting, yeah. Yeah. -OK. | 0:29:47 | 0:29:50 | |
-I can't wait to see inside. -Good. Well, let's do exactly that. | 0:29:50 | 0:29:53 | |
This side extension of this 17th-century former bakery | 0:29:55 | 0:29:58 | |
has been clad in cedar-wood | 0:29:58 | 0:30:00 | |
whilst a roof of terracotta tiles unites new and old. | 0:30:00 | 0:30:04 | |
The front door leads directly to the main reception room, | 0:30:04 | 0:30:07 | |
where period features show the history of the home. | 0:30:07 | 0:30:11 | |
Right, I think shoes off with the cottage. | 0:30:11 | 0:30:14 | |
And come on in. | 0:30:14 | 0:30:15 | |
You can see the bread oven. | 0:30:16 | 0:30:17 | |
-Yeah. -Often when you go into properties, | 0:30:17 | 0:30:20 | |
the bread ovens are about this big. | 0:30:20 | 0:30:22 | |
You can see this used to be a bakery, cos it's huge. | 0:30:22 | 0:30:24 | |
-Yeah. -It's stunning, but, I mean, it's quite light, | 0:30:24 | 0:30:27 | |
despite the fact that it's an old bakery. | 0:30:27 | 0:30:29 | |
I'm feeling a bit nervous about all this old stuff now. | 0:30:29 | 0:30:32 | |
Are you? | 0:30:32 | 0:30:34 | |
-It's certainly got character. -Yeah. -Definitely. | 0:30:34 | 0:30:36 | |
And I'm really looking forward to seeing the modern bit. | 0:30:36 | 0:30:38 | |
-Yeah. -If you just follow me down this step, | 0:30:38 | 0:30:42 | |
there's something completely different. | 0:30:42 | 0:30:44 | |
Here is your contemporary. | 0:30:44 | 0:30:46 | |
Yeah, yeah. This is good. | 0:30:46 | 0:30:48 | |
This is it. It's what we're looking for, actually. | 0:30:48 | 0:30:50 | |
-Yeah. -But I want the whole house to be like this. | 0:30:50 | 0:30:52 | |
This thing is, when you are looking for contemporary homes, | 0:30:52 | 0:30:54 | |
they are quite difficult to find in the country, | 0:30:54 | 0:30:58 | |
so at least we're giving you a little bit of a mix. | 0:30:58 | 0:31:00 | |
-Yeah. Yeah. -'Well, let's see if they can find enough contemporary styling | 0:31:00 | 0:31:04 | |
'to keep Rick happy as we head back through the original part | 0:31:04 | 0:31:07 | |
'of the home and into the kitchen.' | 0:31:07 | 0:31:10 | |
What I am going to offer you... | 0:31:10 | 0:31:13 | |
is a cottage kitchen. | 0:31:13 | 0:31:15 | |
Uh-huh. | 0:31:15 | 0:31:16 | |
-Small kitchen. -Yes! | 0:31:16 | 0:31:18 | |
Yeah, yeah. | 0:31:18 | 0:31:20 | |
-Bijou? -Yes. -However, | 0:31:20 | 0:31:22 | |
what you COULD do is actually extend this outside another five foot, | 0:31:22 | 0:31:27 | |
which would make a tremendous amount of difference. | 0:31:27 | 0:31:30 | |
-Yeah. Yeah. -I'm curious as to where you eat, as well. | 0:31:30 | 0:31:33 | |
But I suppose, if you extended it, then you could make it into | 0:31:33 | 0:31:35 | |
something that you could eat in as well. | 0:31:35 | 0:31:37 | |
Yeah. Aesthetic design is just fantastic. | 0:31:37 | 0:31:40 | |
-Yeah. -It's all light, so I might get to love the beams in the end. | 0:31:40 | 0:31:45 | |
Adding a generous helping of up-to-date design | 0:31:47 | 0:31:50 | |
to the 17th-century beginnings of this former bakery | 0:31:50 | 0:31:53 | |
may be convincing these long-time city dwellers | 0:31:53 | 0:31:57 | |
of the merits of beams and bread ovens. | 0:31:57 | 0:31:59 | |
To the rear of the recent extension is the first of three bedrooms, | 0:31:59 | 0:32:03 | |
currently with a daybed. | 0:32:03 | 0:32:05 | |
Next to this is a thoroughly modern ground-floor shower room, | 0:32:05 | 0:32:09 | |
which also serves the two bedrooms on the upper floor. | 0:32:09 | 0:32:12 | |
Above the reception room, in the oldest part of the house, | 0:32:12 | 0:32:15 | |
is bedroom number two, currently furnished with bunk beds. | 0:32:15 | 0:32:19 | |
Then we find the largest of the three bedrooms. | 0:32:19 | 0:32:22 | |
I can't take my eyes away from that view, | 0:32:22 | 0:32:25 | |
but I'm going to have to because I want to concentrate on the master | 0:32:25 | 0:32:29 | |
bedroom. As you can see, | 0:32:29 | 0:32:30 | |
the original house would have finished here, | 0:32:30 | 0:32:32 | |
so you've got this part which they've just, | 0:32:32 | 0:32:34 | |
well, let breathe, in a way, | 0:32:34 | 0:32:35 | |
haven't they, with a feature wall behind you. | 0:32:35 | 0:32:37 | |
It's such clever design. | 0:32:37 | 0:32:39 | |
I think it's really a good use of space. | 0:32:39 | 0:32:41 | |
It's quite stunning. | 0:32:41 | 0:32:43 | |
And it's another interesting contrast | 0:32:43 | 0:32:46 | |
between the old and the new. | 0:32:46 | 0:32:48 | |
-Yeah. -A nice open space for a bedroom. | 0:32:48 | 0:32:50 | |
So, yeah. I like it. | 0:32:50 | 0:32:52 | |
But actually, although this is the master bedroom, | 0:32:52 | 0:32:55 | |
I actually really like the bedroom downstairs and could imagine that as | 0:32:55 | 0:32:58 | |
being the master bedroom. And it's next door to the bathroom. | 0:32:58 | 0:33:01 | |
Do you fancy the idea of living on the ground floor? | 0:33:01 | 0:33:04 | |
It does avoid navigating those stairs late at night as well! | 0:33:04 | 0:33:08 | |
-Yeah. -Well, there is actually more to show you accommodation-wise - | 0:33:08 | 0:33:12 | |
as well as the garden - outside. | 0:33:12 | 0:33:15 | |
Rick and Julia are really thinking about how they might live here. | 0:33:15 | 0:33:19 | |
And outside, there's a well-stocked rear garden opening to fields, | 0:33:19 | 0:33:23 | |
plus a small wooded area with ancient oak, | 0:33:23 | 0:33:26 | |
but I can't wait to show them the outbuildings, | 0:33:26 | 0:33:28 | |
starting with a smart and stylish cedar and glass studio. | 0:33:28 | 0:33:32 | |
Is it too good for bikes? | 0:33:34 | 0:33:35 | |
Just worried about how visible they'd be. | 0:33:35 | 0:33:38 | |
I mean, maybe some blinds | 0:33:38 | 0:33:39 | |
or something just to hide what's in there? | 0:33:39 | 0:33:41 | |
I would use it as a writing place, a morning coffee place. | 0:33:41 | 0:33:46 | |
Well, further down, there's another artist's schedule on the left, | 0:33:46 | 0:33:50 | |
and you've got a garage as well. | 0:33:50 | 0:33:52 | |
Quite a lot of space at the back. | 0:33:52 | 0:33:54 | |
-Permission was actually given for an annexe to be built... -Oh, right. | 0:33:54 | 0:33:57 | |
-..on that foot plate there. -Oh, that sounds interesting. | 0:33:57 | 0:33:59 | |
Aha! That's a good sign! | 0:33:59 | 0:34:02 | |
That IS a good sign. But let's see, just as importantly, | 0:34:02 | 0:34:05 | |
if we can afford it, | 0:34:05 | 0:34:06 | |
with all these plans and everything | 0:34:06 | 0:34:08 | |
that we are discussing quite happily. | 0:34:08 | 0:34:10 | |
Any idea what you think this is on the market for? | 0:34:10 | 0:34:13 | |
I'm going to say 650. | 0:34:13 | 0:34:15 | |
-OK. -Well, I think it's more. | 0:34:15 | 0:34:18 | |
I think it's over our budget, so I was good to say 750. | 0:34:18 | 0:34:22 | |
-Ooh. -OK. | 0:34:22 | 0:34:24 | |
It's on the market for £700,000. | 0:34:24 | 0:34:27 | |
However, we've spoken to the owner and he's happy to have discussions | 0:34:27 | 0:34:31 | |
on offers over £650,000. | 0:34:31 | 0:34:34 | |
Wow, OK. OK. Interesting. | 0:34:34 | 0:34:36 | |
-Yeah, OK. -Mm. | 0:34:36 | 0:34:39 | |
-Mm. -Yeah, got me thinking. | 0:34:39 | 0:34:41 | |
-We like the "mmms", don't we? -I like being right as well. | 0:34:41 | 0:34:44 | |
-Thank you so much. -Off you go. Thank you. | 0:34:44 | 0:34:46 | |
This 17th-century former bake house with contemporary additions | 0:34:49 | 0:34:53 | |
is a real meeting of old and new, | 0:34:53 | 0:34:55 | |
offering one reception room with period beams | 0:34:55 | 0:34:58 | |
and another with bi-fold doors. | 0:34:58 | 0:35:01 | |
There are three bedrooms, a low-maintenance garden, | 0:35:01 | 0:35:04 | |
and outbuildings, including a glass and cedar-wood studio. | 0:35:04 | 0:35:07 | |
Yeah, this is a lovely room. | 0:35:09 | 0:35:11 | |
We could use this as our bedroom. | 0:35:11 | 0:35:13 | |
-I know. -It's really nice and next to the bathroom. | 0:35:13 | 0:35:16 | |
Right next door. | 0:35:16 | 0:35:17 | |
And it's just so nicely finished and such a nice design. | 0:35:17 | 0:35:21 | |
I think it's amazing how well it is designed and how it does feel like a | 0:35:21 | 0:35:25 | |
single dwelling, but it's got such huge contrasts. | 0:35:25 | 0:35:29 | |
I'm surprised that I feel so positive about it. | 0:35:29 | 0:35:33 | |
-It could work for us, with some work. -Yeah. | 0:35:33 | 0:35:37 | |
I can picture you two right here, relaxing. | 0:35:37 | 0:35:40 | |
-OK. -It is the most beautiful spot, isn't it? | 0:35:40 | 0:35:42 | |
-It is really beautiful. -I wonder, | 0:35:42 | 0:35:44 | |
has the Mystery House performed its magic? | 0:35:44 | 0:35:47 | |
You're not going to tell me, are you? | 0:35:47 | 0:35:49 | |
Let's go somewhere quiet, sit down, have a chat, | 0:35:49 | 0:35:51 | |
and you can tell me what your next move - | 0:35:51 | 0:35:53 | |
hopefully here - is going to be. | 0:35:53 | 0:35:55 | |
-OK. -OK, thank you. | 0:35:55 | 0:35:56 | |
Nestled under steep sandstone cliffs, during the 18th century, | 0:36:01 | 0:36:06 | |
the old town of Hastings became a place for the wealthy to take a | 0:36:06 | 0:36:09 | |
therapeutic dip. | 0:36:09 | 0:36:11 | |
And after the arrival of the railways, | 0:36:11 | 0:36:13 | |
it grew to become a popular Victorian seaside resort. | 0:36:13 | 0:36:17 | |
But with many prime attractions | 0:36:17 | 0:36:19 | |
located atop steep cliffs above the beach, | 0:36:19 | 0:36:22 | |
two cliff railways, known as funiculars, were built. | 0:36:22 | 0:36:26 | |
The first, to the west, accessing the ruins of the castle, | 0:36:26 | 0:36:30 | |
opened in 1891. | 0:36:30 | 0:36:32 | |
Built by a private company, work overran, | 0:36:32 | 0:36:35 | |
and it was not a financial success. | 0:36:35 | 0:36:37 | |
So when it came to building a second, | 0:36:37 | 0:36:40 | |
the council took matters into their own hands, | 0:36:40 | 0:36:43 | |
and it's this East Cliff line I'm visiting today. | 0:36:43 | 0:36:46 | |
This is the steepest working funicular railway | 0:36:46 | 0:36:49 | |
in the whole of the UK. | 0:36:49 | 0:36:51 | |
Now, if you think that's 90 degrees, | 0:36:51 | 0:36:53 | |
we literally are going up like this, at a 78% gradient. | 0:36:53 | 0:36:58 | |
I mean, it is so steep, | 0:36:58 | 0:36:59 | |
and a real feat of Victorian and Edwardian engineering. | 0:36:59 | 0:37:03 | |
Can you imagine what a thrill it must have been for the tourists | 0:37:03 | 0:37:06 | |
of the day standing here? To climb so rapidly, | 0:37:06 | 0:37:10 | |
looking out on this spectacular view, | 0:37:10 | 0:37:13 | |
which I have to say is so impressive. | 0:37:13 | 0:37:16 | |
There is no driver's car on this line. | 0:37:17 | 0:37:19 | |
Instead, operations are managed from a clifftop control room, | 0:37:19 | 0:37:24 | |
where I meeting the man with his fingers on the button, | 0:37:24 | 0:37:27 | |
Kevin Bormann. | 0:37:27 | 0:37:28 | |
-Hello, Nicki. -Hi, there. | 0:37:30 | 0:37:32 | |
That is the most tremendous view. | 0:37:32 | 0:37:34 | |
-Stunning, isn't it? -Yeah. | 0:37:34 | 0:37:36 | |
Best job in the council, working up here, I reckon. | 0:37:36 | 0:37:38 | |
So, this is where it all happens? | 0:37:38 | 0:37:40 | |
This is it. This is the control room. | 0:37:40 | 0:37:41 | |
So this one's ready to go... | 0:37:41 | 0:37:42 | |
It is. Push the run button. | 0:37:42 | 0:37:45 | |
-There it goes. -So what is a funicular railway? | 0:37:45 | 0:37:47 | |
A funicular railway is one simply worked by a cable and pulleys. | 0:37:47 | 0:37:50 | |
So the one lift goes up and down, and the other one follows it round. | 0:37:50 | 0:37:54 | |
As one goes up, the other goes down. | 0:37:54 | 0:37:56 | |
And when was this actually built? | 0:37:56 | 0:37:57 | |
1902. So, it's well over 100 years old. | 0:37:57 | 0:38:00 | |
Obviously for tourism. | 0:38:00 | 0:38:02 | |
Absolutely for tourism. Hastings was a big tourist resort, | 0:38:02 | 0:38:04 | |
-even in those days. -As it is now. -As it is now. | 0:38:04 | 0:38:07 | |
This upper station is sometimes mistaken by visitors | 0:38:07 | 0:38:11 | |
as Hastings Castle, | 0:38:11 | 0:38:13 | |
but it was built to house 1,200 gallons of water. | 0:38:13 | 0:38:16 | |
Along with a similar sized water reserve in the lower station, | 0:38:16 | 0:38:20 | |
this was the original means of powering the cars up and down | 0:38:20 | 0:38:23 | |
the steep incline. Using a water balance system, | 0:38:23 | 0:38:27 | |
a tank below each car was filled up at the top of the hill, | 0:38:27 | 0:38:30 | |
causing it to descend and, via a pulley, | 0:38:30 | 0:38:33 | |
lifting the lighter cars upwards. | 0:38:33 | 0:38:35 | |
The tanks would then be emptied at the bottom of the hill, | 0:38:35 | 0:38:38 | |
and the cycle would start over again. | 0:38:38 | 0:38:40 | |
Actually, back in the '60s and '70s, you could hear the water, | 0:38:40 | 0:38:43 | |
and as a kid it fascinated me. | 0:38:43 | 0:38:45 | |
As the tanks emptied at the bottom, this great swishing, swirling, | 0:38:45 | 0:38:48 | |
gurgling noise as the water emptied out of the tanks, | 0:38:48 | 0:38:51 | |
ready for the lift to go up empty. | 0:38:51 | 0:38:53 | |
The line now runs on electricity, | 0:38:53 | 0:38:55 | |
but retains the feel of the original, as well as the views. | 0:38:55 | 0:38:59 | |
You can see the fishing fleet, you can see the pier, | 0:38:59 | 0:39:01 | |
you can see the whole of old Hastings. | 0:39:01 | 0:39:03 | |
And the rumour is, and I'm told it's true, that the plans were misread, | 0:39:03 | 0:39:06 | |
and that's why it's so steep. | 0:39:06 | 0:39:08 | |
It shouldn't have been as steep as this. | 0:39:08 | 0:39:09 | |
It's unusually steep for a funicular railway. | 0:39:09 | 0:39:11 | |
It is very steep indeed. | 0:39:11 | 0:39:13 | |
-But it's 1 in 1.3, which makes it very steep indeed. -Yeah. | 0:39:13 | 0:39:16 | |
Most funiculars are nothing like as steep as this. | 0:39:16 | 0:39:18 | |
I certainly wouldn't want to climb it, that's for sure. | 0:39:18 | 0:39:20 | |
But as well as being the best place to take in the scenery, | 0:39:20 | 0:39:24 | |
the steep cliffs of Hastings have often been of strategic importance. | 0:39:24 | 0:39:28 | |
During the Second World War, guns were stationed here, | 0:39:28 | 0:39:32 | |
and this funicular was taken over by the military to ferry munitions. | 0:39:32 | 0:39:36 | |
But for those wanting a ride | 0:39:36 | 0:39:38 | |
to Hastings' most historic military site - the castle - | 0:39:38 | 0:39:41 | |
the West Hill Lift is the one to take. | 0:39:41 | 0:39:44 | |
Now, that's unusual. It's not as steep as this one, | 0:39:44 | 0:39:46 | |
-but it goes through a tunnel. -So, why has Hastings got two? | 0:39:46 | 0:39:49 | |
Well, cos we're a great town - why shouldn't we have two? | 0:39:49 | 0:39:51 | |
In the 1970s, when it was converted, | 0:39:51 | 0:39:53 | |
we had horrible old fibreglass carriages. | 0:39:53 | 0:39:56 | |
These are only six years old. They look very old-fashioned. | 0:39:56 | 0:39:59 | |
They're based on the original Victorian design. | 0:39:59 | 0:40:01 | |
But it adds to the whole experience. | 0:40:01 | 0:40:03 | |
-Absolutely. -I feel like I have stepped back in time. -Yeah. Yeah. | 0:40:03 | 0:40:06 | |
As well as providing a taste of tradition, | 0:40:07 | 0:40:10 | |
from the top it's possible to enjoy 600 acres of ancient woodland, | 0:40:10 | 0:40:14 | |
heathland and grassland in the Hastings Country Park, | 0:40:14 | 0:40:18 | |
as well as further incredible vantage points. | 0:40:18 | 0:40:21 | |
What a terrific view. | 0:40:21 | 0:40:23 | |
And let's be honest, 3.5 million visitors to Hastings every year, | 0:40:23 | 0:40:27 | |
they can't be wrong, can they? | 0:40:27 | 0:40:30 | |
But after that extraordinary journey up, what comes up, has to go down. | 0:40:30 | 0:40:34 | |
And as the Cliff Railway descends, | 0:40:37 | 0:40:39 | |
I wonder if today's buyers have been left on a high after our East Sussex | 0:40:39 | 0:40:44 | |
house search. | 0:40:44 | 0:40:45 | |
Well, I think we can discount house one and two for Julia and Rick, | 0:40:49 | 0:40:53 | |
but our Mystery House, such positive comments from both of them. | 0:40:53 | 0:40:58 | |
Enough to make them want to buy it? | 0:40:58 | 0:41:00 | |
I'm off to find out. Let's ask them. | 0:41:00 | 0:41:01 | |
Well, Julie and Rick, we've got a feast for you, here, haven't we? | 0:41:08 | 0:41:11 | |
Looks lovely. Sussex tea. | 0:41:11 | 0:41:12 | |
Yeah. Certainly going to whet your appetite. | 0:41:12 | 0:41:14 | |
Do we have a house for you, though? | 0:41:14 | 0:41:16 | |
That is the question. | 0:41:16 | 0:41:18 | |
-I'm not sure. -It's possible. | 0:41:18 | 0:41:20 | |
Oh! OK. Go on. | 0:41:20 | 0:41:21 | |
Do you know what, I think the last one you showed us, | 0:41:21 | 0:41:24 | |
the Mystery House, the modern part of it was just so stunning, | 0:41:24 | 0:41:28 | |
and it's just given me a taste. | 0:41:28 | 0:41:30 | |
-I just realised how much I like that style of house. -Yeah. | 0:41:30 | 0:41:33 | |
And the old bit didn't scare you as much as I thought it might. | 0:41:33 | 0:41:36 | |
It didn't scare me as much, | 0:41:36 | 0:41:37 | |
but that old bit means there's less modern bits, | 0:41:37 | 0:41:40 | |
so I think you really spoiled me for the old style | 0:41:40 | 0:41:44 | |
by showing me that just beautifully finished, | 0:41:44 | 0:41:47 | |
designed modern extension on the Mystery House. | 0:41:47 | 0:41:50 | |
So, second viewing or not? | 0:41:50 | 0:41:53 | |
I think possibly. | 0:41:53 | 0:41:54 | |
-OK. -I think... -Yeah? -It would be worth having a second viewing. | 0:41:54 | 0:41:57 | |
Well, all the best. | 0:41:57 | 0:41:58 | |
-Thank you very much. -Have another look at that house. | 0:41:58 | 0:42:00 | |
You never know. You might convince him about beams. | 0:42:00 | 0:42:03 | |
But I hope it's out there, what you're looking for. | 0:42:03 | 0:42:05 | |
And perhaps, if it isn't, | 0:42:05 | 0:42:06 | |
you might have to get it designed and build it yourself. | 0:42:06 | 0:42:09 | |
-Absolutely. -Invite us back if you do, we want to see what it's like. | 0:42:09 | 0:42:13 | |
Thank you both so much. | 0:42:13 | 0:42:14 | |
Thank you. | 0:42:14 | 0:42:15 | |
Well, even though we didn't achieve an actual house sale here, | 0:42:22 | 0:42:26 | |
in East Sussex, with Rick and Julia, | 0:42:26 | 0:42:28 | |
what we can confirm is a county sale. | 0:42:28 | 0:42:31 | |
And I must admit, I'm particularly pleased that the Mystery House, | 0:42:31 | 0:42:34 | |
even though I don't think they're going to buy it, | 0:42:34 | 0:42:37 | |
helped them redefine what it is they want from their new home - | 0:42:37 | 0:42:41 | |
a contemporary designed building with a highly polished finish. | 0:42:41 | 0:42:46 | |
Will they find it here in the county? | 0:42:46 | 0:42:48 | |
Well, we're just going to have to wait and see. | 0:42:48 | 0:42:50 | |
So, that's it from me, | 0:42:50 | 0:42:51 | |
and I'll see you again soon on Escape To The Country. | 0:42:51 | 0:42:55 | |
If you would like to escape to the country | 0:42:58 | 0:43:00 | |
in Northern Ireland, Scotland, | 0:43:00 | 0:43:01 | |
Wales or England and need our help, you can apply online at... | 0:43:01 | 0:43:05 |