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Welcome to Escape to the Country. | 0:00:02 | 0:00:03 | |
We do love exploring canals on this show | 0:00:03 | 0:00:05 | |
and if you're familiar with any part of the canal network, | 0:00:05 | 0:00:08 | |
you'll know that the tried and tested way | 0:00:08 | 0:00:11 | |
of getting a boat from a higher level of water to a lower one | 0:00:11 | 0:00:14 | |
is to use the engineering marvel that is a lock - | 0:00:14 | 0:00:17 | |
but what do you do if you have a tackle a rise of some 60 feet? | 0:00:17 | 0:00:21 | |
Well, the answer here was to build five in a row... | 0:00:21 | 0:00:24 | |
but where is here? | 0:00:24 | 0:00:26 | |
Well, join me in just a moment and I'll tell you. | 0:00:26 | 0:00:28 | |
On today's house-hunt, our buyers are searching | 0:00:46 | 0:00:49 | |
for a very specific space... | 0:00:49 | 0:00:52 | |
I don't think there's a room for the model railway. | 0:00:52 | 0:00:55 | |
..but with a top selection of properties lined up... | 0:00:55 | 0:00:58 | |
-Cheers! BOTH: -Cheers! | 0:00:58 | 0:01:01 | |
I'm confident we'll find something to whet their appetites. | 0:01:01 | 0:01:05 | |
-Oh! -Wow! -I like! | 0:01:05 | 0:01:08 | |
A "wow!" You see! | 0:01:08 | 0:01:09 | |
Look, we impressed you at the beginning, mate, | 0:01:09 | 0:01:12 | |
and it was the right thing to do! | 0:01:12 | 0:01:14 | |
Well, today we're in West Yorkshire, | 0:01:17 | 0:01:18 | |
and this series of locks | 0:01:18 | 0:01:20 | |
are known as the as the Bingley Five Rise Locks | 0:01:20 | 0:01:23 | |
on the Leeds and Liverpool canal. | 0:01:23 | 0:01:25 | |
Built back in 1774, | 0:01:25 | 0:01:28 | |
they're known as staircase locks, | 0:01:28 | 0:01:30 | |
because each one opens directly onto the other. | 0:01:30 | 0:01:33 | |
Now, they're not the only staircase locks in Britain, | 0:01:33 | 0:01:35 | |
but with a gradient of one in five, | 0:01:35 | 0:01:38 | |
they are by far the steepest | 0:01:38 | 0:01:39 | |
and they're just part of a landscape that's packed full of riches | 0:01:39 | 0:01:43 | |
from one of my favourite periods | 0:01:43 | 0:01:45 | |
in British history, the Industrial Revolution. | 0:01:45 | 0:01:49 | |
West Yorkshire is one of four counties making up | 0:01:54 | 0:01:57 | |
the region of Yorkshire. | 0:01:57 | 0:01:59 | |
This land-locked county has long been known for its industrial past, | 0:01:59 | 0:02:03 | |
signs of the wool and cloth industries remain visible | 0:02:03 | 0:02:06 | |
in the rows of weavers' cottages and workers' houses | 0:02:06 | 0:02:09 | |
built on ridges and overlooking the towering chimneys of mills | 0:02:09 | 0:02:12 | |
in the valleys. | 0:02:12 | 0:02:14 | |
The area's varied landscapes are vividly described | 0:02:14 | 0:02:17 | |
in the work of the Bronte sisters - | 0:02:17 | 0:02:19 | |
arguably West Yorkshire's most renowned literary exports. | 0:02:19 | 0:02:23 | |
Their childhood home, the Parsonage, in Haworth, | 0:02:23 | 0:02:26 | |
has been open to visitors for over 75 years. | 0:02:26 | 0:02:30 | |
Nine miles away, | 0:02:30 | 0:02:31 | |
the market town of Hebden Bridge | 0:02:31 | 0:02:33 | |
was built around water-powered weaving mills in the 19th century, | 0:02:33 | 0:02:37 | |
but today is better known for its artistic identity, | 0:02:37 | 0:02:40 | |
where streets are lined with artisan shops, galleries and cafes. | 0:02:40 | 0:02:45 | |
West Yorkshire is also a county of excellent walking opportunities. | 0:02:45 | 0:02:50 | |
Visitors head to Ilkley Moor | 0:02:50 | 0:02:52 | |
to enjoy its abundance of striking carved rocks, | 0:02:52 | 0:02:55 | |
also popular for rock climbing. | 0:02:55 | 0:02:57 | |
They're thought to date back as far as the late Neolithic or Bronze Age. | 0:02:57 | 0:03:01 | |
Offering a captivating mix of outdoor pursuits, | 0:03:01 | 0:03:05 | |
industrial heritage, pretty Pennine villages and literary landmarks, | 0:03:05 | 0:03:09 | |
there's definitely no shortage of things to explore | 0:03:09 | 0:03:12 | |
in West Yorkshire. | 0:03:12 | 0:03:14 | |
You know, it's often a curious thing how house prices can vary | 0:03:15 | 0:03:19 | |
so dramatically between one neighbouring county and another - | 0:03:19 | 0:03:22 | |
and, here in Yorkshire, I think the numbers prove the point. | 0:03:22 | 0:03:26 | |
In North Yorkshire, the average price of a detached property | 0:03:26 | 0:03:29 | |
is currently £282,000 - | 0:03:29 | 0:03:32 | |
but in West Yorkshire, well, | 0:03:32 | 0:03:34 | |
you could get the same thing for £67,000 less. | 0:03:34 | 0:03:38 | |
Doubtless the draw of the North York Moors and the national parks | 0:03:38 | 0:03:42 | |
have helped up the figures up there, but nonetheless, | 0:03:42 | 0:03:45 | |
West Yorkshire is not short on beautiful scenery either. | 0:03:45 | 0:03:48 | |
So, let's meet today's buyers | 0:03:48 | 0:03:50 | |
and find out why they want a slice of it. | 0:03:50 | 0:03:53 | |
Graeme and Denise have been married for eight years. | 0:03:54 | 0:03:57 | |
They first met through their local amateur dramatics company | 0:03:57 | 0:04:00 | |
and have been making each other laugh ever since. | 0:04:00 | 0:04:04 | |
What I love most about Denise is her sense of humour, | 0:04:04 | 0:04:08 | |
the sense of humour that is on the same wavelength as mine. | 0:04:08 | 0:04:11 | |
The most romantic thing that Graeme's ever done | 0:04:11 | 0:04:14 | |
is when he proposed, | 0:04:14 | 0:04:16 | |
which was on top of haystacks in the Lake District. | 0:04:16 | 0:04:21 | |
He'd taken up there a ring, | 0:04:21 | 0:04:23 | |
he'd taken up half a bottle of champagne. | 0:04:23 | 0:04:25 | |
He'd taken up glasses. | 0:04:25 | 0:04:27 | |
-It was a smaller bottle of champagne. -Yeah. | 0:04:27 | 0:04:30 | |
-No, it wasn't...! -Not half a bottle! | 0:04:30 | 0:04:33 | |
No, just a small bottle because of carrying it up a mountain. | 0:04:33 | 0:04:37 | |
Ten years ago, they bought their first home together, | 0:04:37 | 0:04:40 | |
a five-bedroomed new build in Peterborough. | 0:04:40 | 0:04:42 | |
Close to family, Denise's work, and within commuting distance for London | 0:04:42 | 0:04:46 | |
for railway project manager Graeme. | 0:04:46 | 0:04:49 | |
The town's been a practical base for them both, | 0:04:49 | 0:04:51 | |
but now they're looking to live out their retirement | 0:04:51 | 0:04:54 | |
somewhere more idyllic. | 0:04:54 | 0:04:56 | |
Whenever we drive up to Yorkshire, | 0:04:56 | 0:04:59 | |
as soon as we leave the main road | 0:04:59 | 0:05:03 | |
and we're in amongst dry stone walls and hills, | 0:05:03 | 0:05:07 | |
there's a feeling comes over us, isn't there? | 0:05:07 | 0:05:11 | |
-Just a... Whew! Just that... -Yeah. -A real nice feeling, isn't it? | 0:05:11 | 0:05:14 | |
And, it's... And I guess that touches the heart. | 0:05:14 | 0:05:17 | |
Both keen walkers, they're drawn to the varied landscapes, | 0:05:17 | 0:05:21 | |
hills and mountains of Yorkshire's National Parks - | 0:05:21 | 0:05:24 | |
but, for Graeme, there's an even deeper pull. | 0:05:24 | 0:05:27 | |
For me, it's a roots thing. | 0:05:27 | 0:05:30 | |
I come from Yorkshire | 0:05:30 | 0:05:32 | |
and we used to go into the Dales regularly as a child. | 0:05:32 | 0:05:35 | |
The countryside lifestyle means that we can get into the scenery | 0:05:35 | 0:05:40 | |
and drink it in. I'm interested in photography, | 0:05:40 | 0:05:42 | |
so, for me, photographing landscape | 0:05:42 | 0:05:46 | |
is going to be a great opportunity for me. | 0:05:46 | 0:05:49 | |
And when it comes to buying the right property, | 0:05:49 | 0:05:52 | |
the couple have a number of indoor hobbies to consider, too. | 0:05:52 | 0:05:55 | |
Having retired from the railway industry, | 0:05:55 | 0:05:59 | |
I have always hankered after building a model railway. | 0:05:59 | 0:06:06 | |
So, I've built up quite a collection. | 0:06:06 | 0:06:08 | |
I've got to get on and build it now. | 0:06:08 | 0:06:10 | |
I'm usually in another room, reading my book, | 0:06:10 | 0:06:13 | |
or I might be in the kitchen doing some cooking. | 0:06:13 | 0:06:17 | |
So, with their house under offer, the wheels are certainly in motion. | 0:06:17 | 0:06:20 | |
What's more, Graeme and Denise are hoping their forthcoming move | 0:06:20 | 0:06:24 | |
won't be as stressful as their last. | 0:06:24 | 0:06:27 | |
On the day of exchange, the couple that were selling pulled out, | 0:06:27 | 0:06:31 | |
which meant that we were homeless. | 0:06:31 | 0:06:33 | |
We have some very good friends who were holidaying in France. | 0:06:33 | 0:06:37 | |
We lived in their house for a month | 0:06:37 | 0:06:40 | |
and in that month we found this house and moved in. | 0:06:40 | 0:06:45 | |
And it was fate. | 0:06:45 | 0:06:47 | |
This time we're hoping for a much easier purchase. | 0:06:47 | 0:06:51 | |
We don't want any of the disasters that we had last time! | 0:06:51 | 0:06:56 | |
Our couple are open to looking anywhere | 0:06:59 | 0:07:01 | |
in the West Yorkshire countryside, | 0:07:01 | 0:07:02 | |
with great walking opportunities nearby, | 0:07:02 | 0:07:05 | |
which gives us great scope for the search. | 0:07:05 | 0:07:08 | |
All I need to know are the exact requirements for their dream home. | 0:07:08 | 0:07:11 | |
Well, welcome back to West Yorkshire, mate. | 0:07:12 | 0:07:15 | |
How does it feel to be back on your old patch? | 0:07:15 | 0:07:18 | |
It feels absolutely great. It feels like coming home. | 0:07:18 | 0:07:20 | |
And how do you feel about being up here? | 0:07:20 | 0:07:23 | |
I'm very happy about being up here. | 0:07:23 | 0:07:25 | |
-I love it up here. -I gather you've just sold your house? | 0:07:25 | 0:07:27 | |
Yeah, really good news. | 0:07:27 | 0:07:29 | |
-Daunting? -Yes. | 0:07:29 | 0:07:31 | |
Yes, of course! | 0:07:31 | 0:07:33 | |
So, give us a picture, then, of the sort of thing you're imagining. | 0:07:33 | 0:07:36 | |
A rural location would be lovely. | 0:07:36 | 0:07:39 | |
-Not isolated. -Yeah. | 0:07:39 | 0:07:41 | |
A character property is fine, | 0:07:41 | 0:07:45 | |
but I'd like it nice... modern inside. | 0:07:45 | 0:07:48 | |
Modern inside. So we've got an idea of broad style, | 0:07:48 | 0:07:51 | |
but what does it need to have? | 0:07:51 | 0:07:53 | |
What components are you particularly looking for, Denise? | 0:07:53 | 0:07:56 | |
At least four bedrooms and a nice kitchen. | 0:07:56 | 0:08:00 | |
I have an ambition to build a model railway, | 0:08:00 | 0:08:04 | |
so what we would like, additionally to the four bedrooms, | 0:08:04 | 0:08:08 | |
is a railway room. | 0:08:08 | 0:08:10 | |
Somewhere big enough for me to build the model. | 0:08:10 | 0:08:12 | |
OK, so something with a bit of character about it. | 0:08:12 | 0:08:16 | |
You don't obviously want a project? | 0:08:16 | 0:08:18 | |
-No. -No. -Now you've sold, what's the budget for this new move? | 0:08:18 | 0:08:22 | |
Our maximum budget, if everything has been done, would be £500,000. | 0:08:22 | 0:08:27 | |
I'm pretty optimistic as to what the property market can offer you. | 0:08:27 | 0:08:30 | |
The one thing I'm not too sure about is the weather today, hence these - | 0:08:30 | 0:08:34 | |
but you're good to go and so am I. | 0:08:34 | 0:08:36 | |
Come on. Let's see what we can find you. | 0:08:36 | 0:08:38 | |
Half a million! | 0:08:38 | 0:08:40 | |
Graeme and Denise are hoping their budget of £500,000 | 0:08:42 | 0:08:45 | |
will get them a property with a modern interior | 0:08:45 | 0:08:48 | |
and at least four bedrooms. | 0:08:48 | 0:08:50 | |
Denise would like a good-sized kitchen | 0:08:50 | 0:08:52 | |
and Graeme needs a separate hobby room for his model railway - | 0:08:52 | 0:08:55 | |
and they'd like a balance of a rural location | 0:08:55 | 0:08:57 | |
that's close to a community. | 0:08:57 | 0:08:59 | |
We've got three great characterful properties ready to tempt them with | 0:09:00 | 0:09:04 | |
all in idyllic countryside settings. | 0:09:04 | 0:09:06 | |
At each one I'll be asking them to guess the asking price, | 0:09:06 | 0:09:09 | |
before I reveal it at the end of the tours. | 0:09:09 | 0:09:12 | |
Our last stop will be our Mystery House. | 0:09:12 | 0:09:14 | |
A unique property, | 0:09:14 | 0:09:16 | |
which I hope will engineer a good response from Graeme and Denise. | 0:09:16 | 0:09:19 | |
-So, you've got four children between you. -Yes. | 0:09:22 | 0:09:24 | |
How many grandchildren? | 0:09:24 | 0:09:26 | |
-Seven. -Seven! | 0:09:26 | 0:09:27 | |
-Yes. -How do they feel about you moving away from a familiar home? | 0:09:28 | 0:09:32 | |
They're behind us all the way. | 0:09:32 | 0:09:34 | |
It will them an opportunity for some quality time with us | 0:09:34 | 0:09:37 | |
when they do come and stay. | 0:09:37 | 0:09:39 | |
-No wonder you need four bedrooms, Denise! -Yes. | 0:09:39 | 0:09:41 | |
It will be like running a B&B, won't it? | 0:09:41 | 0:09:44 | |
I think it will be, yes. | 0:09:44 | 0:09:46 | |
Our search begins in the village of Eldwick, in the north of the county. | 0:09:48 | 0:09:52 | |
With scenic countryside | 0:09:52 | 0:09:53 | |
and endless walking opportunities on its doorstep, | 0:09:53 | 0:09:56 | |
this location offers a rural lifestyle | 0:09:56 | 0:09:59 | |
with all the conveniences of village life. | 0:09:59 | 0:10:01 | |
There's a post office, a number of shops, | 0:10:01 | 0:10:04 | |
a hairdressers and, of course, a public house. | 0:10:04 | 0:10:08 | |
There's also an active community, with a number of local clubs, | 0:10:08 | 0:10:12 | |
societies and events, including an annual beer festival. | 0:10:12 | 0:10:15 | |
A five-minute walk from the shops, | 0:10:15 | 0:10:17 | |
our first house is perched on the banks of the Eldwick Beck, | 0:10:17 | 0:10:21 | |
at the edge of the village. | 0:10:21 | 0:10:22 | |
So, this is where it begins to really reveal itself. | 0:10:24 | 0:10:28 | |
-It's lovely. -There you are! | 0:10:28 | 0:10:30 | |
-What do you think of that, then? -That's lovely. -Yeah. | 0:10:30 | 0:10:32 | |
What you've got here, Graeme | 0:10:32 | 0:10:35 | |
are two former mill workers' cottages, | 0:10:35 | 0:10:38 | |
but, obviously, in more recent times it's been converted into one, | 0:10:38 | 0:10:42 | |
I think, very spacious family home. | 0:10:42 | 0:10:45 | |
From this position, it doesn't look very big. | 0:10:45 | 0:10:49 | |
Ah! Probably what you're struggling with | 0:10:49 | 0:10:51 | |
is the fact it's set into this hillside - | 0:10:51 | 0:10:52 | |
but I think you'll find on the inside it does open up | 0:10:52 | 0:10:55 | |
to reveal quite a spacious property | 0:10:55 | 0:10:57 | |
that has a number of things going for it, | 0:10:57 | 0:10:59 | |
which I hope you'll pick up on. | 0:10:59 | 0:11:01 | |
-Lovely. -Come on! Let's have a look. | 0:11:01 | 0:11:04 | |
This stone-built cottage dates back to the early 1800s, | 0:11:05 | 0:11:08 | |
but benefits from some recent additions and improvements. | 0:11:08 | 0:11:12 | |
The ground floor flows from room to room, | 0:11:12 | 0:11:15 | |
without the use of a central hallway, | 0:11:15 | 0:11:17 | |
with an entrance that leads directly into the living room. | 0:11:17 | 0:11:21 | |
This is what greets you. | 0:11:21 | 0:11:23 | |
This lovely fireplace. | 0:11:23 | 0:11:24 | |
It's lovely. Nice and cosy. | 0:11:24 | 0:11:27 | |
Is this the sort of thing that you would find welcoming, Graeme? | 0:11:27 | 0:11:30 | |
Yeah. Absolutely. | 0:11:30 | 0:11:32 | |
Probably a little bit smaller than we've currently got, | 0:11:32 | 0:11:35 | |
don't you think, as a lounge? | 0:11:35 | 0:11:37 | |
Maybe. But it's... | 0:11:37 | 0:11:38 | |
It hasn't got as many doors out of it. So... | 0:11:38 | 0:11:40 | |
-I like it. -Yeah? OK. | 0:11:40 | 0:11:42 | |
So it's very much geared up to draw you this way, | 0:11:42 | 0:11:45 | |
which it does quite nicely. | 0:11:45 | 0:11:46 | |
You've got this area here, this little snug, | 0:11:46 | 0:11:48 | |
and then through into here and the kitchen, | 0:11:48 | 0:11:50 | |
through this rather ornate sort of screen arrangement. | 0:11:50 | 0:11:54 | |
-I love that. -Yes, that's very nice. | 0:11:54 | 0:11:56 | |
Yes. I like the kitchen as well. | 0:11:57 | 0:11:59 | |
-It's nice, isn't it? -It's lovely. | 0:11:59 | 0:12:01 | |
I do find this really attractive. | 0:12:01 | 0:12:03 | |
Yes, I do. It's lovely. | 0:12:03 | 0:12:04 | |
However, if I'm being brutality honest, | 0:12:04 | 0:12:06 | |
I think it interrupts what you would do with that space through there. | 0:12:06 | 0:12:10 | |
Because I would love to see this as a more open kitchen/diner. | 0:12:10 | 0:12:14 | |
-BOTH: -Yes. | 0:12:14 | 0:12:15 | |
Practically speaking, it is a better use of that space, isn't it? | 0:12:15 | 0:12:19 | |
There's also a separate sort of utility-cum-glory hole | 0:12:19 | 0:12:22 | |
just through a little door here. Very much a sort of walk-in larder. | 0:12:22 | 0:12:25 | |
I mean, they've got another separate dining room through here. | 0:12:25 | 0:12:28 | |
It's tempting to think that might rattle to the sound of trains | 0:12:28 | 0:12:32 | |
clinking over tracks, possibly. | 0:12:32 | 0:12:34 | |
-OK. -However, I think there are some other options. | 0:12:34 | 0:12:37 | |
-OK. -Upstairs. -OK. | 0:12:37 | 0:12:39 | |
Right. Off you go. | 0:12:39 | 0:12:40 | |
Through that door, mate. Let's see what we've got up here. | 0:12:40 | 0:12:43 | |
Upstairs, there are four good-sized bedrooms. | 0:12:43 | 0:12:46 | |
Two singles and two doubles, | 0:12:46 | 0:12:48 | |
so plenty of space for the family to stay. | 0:12:48 | 0:12:51 | |
As well as options to house Graeme's model railway. | 0:12:51 | 0:12:54 | |
There's also a modern family bathroom | 0:12:54 | 0:12:56 | |
and a separate shower room. | 0:12:56 | 0:12:58 | |
So, this being the biggest, not surprisingly, | 0:12:59 | 0:13:03 | |
-is the master. -Yes. | 0:13:03 | 0:13:05 | |
That's lovely. Really good size, isn't it? | 0:13:05 | 0:13:07 | |
-Yeah. -It's nicely presented, as well, isn't it? -Yeah. | 0:13:07 | 0:13:10 | |
I like it. I think it's a very cosy, amenable building, actually. | 0:13:10 | 0:13:14 | |
-Yes. -Yes. I think cosy is the operative word there. | 0:13:14 | 0:13:19 | |
Has it grown on you, Graeme? | 0:13:19 | 0:13:21 | |
Because I have a feeling this one had a bit of work to do. | 0:13:21 | 0:13:23 | |
Certainly the decor. | 0:13:23 | 0:13:25 | |
The presentation is superb. | 0:13:25 | 0:13:30 | |
Size is probably the thing for me, because I like space, | 0:13:30 | 0:13:35 | |
and that's the thing that this doesn't have in spades, as it were. | 0:13:35 | 0:13:41 | |
It's a life on the railway, he's used to these big, open spaces. | 0:13:41 | 0:13:44 | |
Come on, let's go back outside to the garden. | 0:13:44 | 0:13:46 | |
Despite its four bedrooms, generous living spaces and beautiful finish, | 0:13:48 | 0:13:53 | |
I suspect this house isn't quite living up to the dream for Graeme - | 0:13:53 | 0:13:58 | |
but heading outside, | 0:13:58 | 0:13:59 | |
the property is surrounded by well-maintained gardens | 0:13:59 | 0:14:01 | |
and there's a small patio with seating area. | 0:14:01 | 0:14:06 | |
So, pretty much back where we started. | 0:14:06 | 0:14:10 | |
I think you and I think it's a nice, cosy little number, don't we? | 0:14:10 | 0:14:13 | |
Yes. It's cosy, it's got a nice comforting feel about it. | 0:14:13 | 0:14:16 | |
I still like it. | 0:14:16 | 0:14:18 | |
Well, let's see if the price has an effect on that. | 0:14:18 | 0:14:21 | |
Who's going to go first, then? | 0:14:21 | 0:14:23 | |
-You go first. -I think it's about... | 0:14:23 | 0:14:26 | |
-£465,000 I'm going to go for. -£465,000. | 0:14:26 | 0:14:29 | |
OK, I was thinking slightly less than that. | 0:14:29 | 0:14:32 | |
So I'll say £450,000. | 0:14:32 | 0:14:34 | |
£450,000. | 0:14:34 | 0:14:36 | |
You're both wrong, I am afraid. | 0:14:38 | 0:14:40 | |
It's on at £495,000. | 0:14:40 | 0:14:44 | |
Wow! | 0:14:44 | 0:14:45 | |
Irrespective of its price, | 0:14:45 | 0:14:47 | |
is this a property that you think you could be happy in? | 0:14:47 | 0:14:50 | |
I could be, yes. | 0:14:51 | 0:14:53 | |
There you go! | 0:14:53 | 0:14:56 | |
Maybe that tells me all I need to know, Graeme. | 0:14:56 | 0:14:59 | |
Well, look, have a wander around. | 0:14:59 | 0:15:00 | |
Explore it at your leisure and I'll come and find you a bit later on. | 0:15:00 | 0:15:03 | |
-Go on. -Thanks. -Off you go! | 0:15:03 | 0:15:06 | |
Coming in just under budget, | 0:15:06 | 0:15:09 | |
this superb detached character property | 0:15:09 | 0:15:11 | |
has the four bedrooms Graeme and Denise asked for, | 0:15:11 | 0:15:14 | |
one of which Graeme could use for his model railway | 0:15:14 | 0:15:17 | |
and a kitchen with the potential to be opened up into the next room. | 0:15:17 | 0:15:20 | |
It's in a great location on the edge of a village | 0:15:20 | 0:15:23 | |
in the middle of the Yorkshire countryside. | 0:15:23 | 0:15:25 | |
I think this would make an ideal study for us | 0:15:27 | 0:15:30 | |
rather than a dining room. | 0:15:30 | 0:15:32 | |
Yeah, I'd agree. | 0:15:32 | 0:15:33 | |
I think Graeme will be thinking that this place is too small for us. | 0:15:33 | 0:15:37 | |
He does like space, and I don't think it will be the one for him. | 0:15:37 | 0:15:41 | |
I think I probably would not see myself living here. | 0:15:41 | 0:15:47 | |
It hasn't given me that... | 0:15:47 | 0:15:48 | |
..wow factor when I first walked in. | 0:15:49 | 0:15:53 | |
Well, madam, perfect timing! | 0:15:53 | 0:15:54 | |
-All done? -Yes, thank you. | 0:15:55 | 0:15:57 | |
Right, the weather is changing, | 0:15:57 | 0:16:01 | |
I hate to say it, we may well need these, I suspect, later on. | 0:16:01 | 0:16:04 | |
I think a good start and a good insight into what you're after. | 0:16:04 | 0:16:08 | |
Yeah - and also an indication of what we get for our money. | 0:16:08 | 0:16:11 | |
Well, isn't that the battle? | 0:16:11 | 0:16:14 | |
Come on, let's keep fighting! | 0:16:14 | 0:16:15 | |
Much of Yorkshire's landscape | 0:16:21 | 0:16:22 | |
is etched with farmland and fields given over to agriculture. | 0:16:22 | 0:16:26 | |
The farming industry makes an important contribution | 0:16:26 | 0:16:29 | |
to the region's economy, | 0:16:29 | 0:16:31 | |
with milk from its cattle bringing in over £200 million a year. | 0:16:31 | 0:16:35 | |
One family dairy farm in Denby Dale | 0:16:35 | 0:16:38 | |
had decided to do something a little different | 0:16:38 | 0:16:40 | |
with the milk from its Friesian cows, | 0:16:40 | 0:16:42 | |
producing a local delicacy | 0:16:42 | 0:16:44 | |
which should be of interest to keen cook, Denise. | 0:16:44 | 0:16:47 | |
We're sending her and Graeme to meet Louise Holmes, | 0:16:47 | 0:16:50 | |
who runs the farm with her husband. | 0:16:50 | 0:16:52 | |
-Hello. -Has there always been a farm here? | 0:16:53 | 0:16:55 | |
Yes, since the 1960s, | 0:16:55 | 0:16:57 | |
it was started by my husband's grandad | 0:16:57 | 0:16:59 | |
and then passed on to his father and on to my husband. | 0:16:59 | 0:17:01 | |
And has it always been a dairy farm? | 0:17:01 | 0:17:03 | |
It has, but in 2007 we diversified into making ice cream. | 0:17:03 | 0:17:06 | |
We both wanted to do something a little bit different. | 0:17:06 | 0:17:09 | |
We had a surplus of cream on the farm, | 0:17:09 | 0:17:10 | |
so we wanted to find something that we could use it for, | 0:17:10 | 0:17:13 | |
and ice cream was both of our passions, | 0:17:13 | 0:17:15 | |
and it allowed us to be more adventurous | 0:17:15 | 0:17:17 | |
with what we were producing here. | 0:17:17 | 0:17:18 | |
What makes your ice cream so special? | 0:17:18 | 0:17:21 | |
Well, it's all made here on the farm. | 0:17:21 | 0:17:22 | |
It's made from the milk from these cows that you see behind you here, | 0:17:22 | 0:17:25 | |
and it's made to ice cream within 24 to 48 hours of them being milked. | 0:17:25 | 0:17:29 | |
So it's as fresh as you can get it. | 0:17:29 | 0:17:31 | |
So, come on, let's go and make some ice cream. | 0:17:31 | 0:17:32 | |
Yes, please. | 0:17:32 | 0:17:34 | |
The 250-acre farm is home to 110 cows | 0:17:35 | 0:17:39 | |
that produce a total of 800,000 litres of milk a year. | 0:17:39 | 0:17:43 | |
10% of it goes into the production of their award-winning ice cream, | 0:17:43 | 0:17:47 | |
which is sold across the region and in the farm's own ice cream parlour. | 0:17:47 | 0:17:52 | |
I really enjoy making puddings, Louise, | 0:17:52 | 0:17:54 | |
but I have to say, I've never made ice cream - so, what's the process? | 0:17:54 | 0:17:57 | |
Well, it's quite simple, really. | 0:17:57 | 0:17:58 | |
It's a bit like making a cake in reverse. | 0:17:58 | 0:18:01 | |
So lots of milk, a bit of cream. | 0:18:01 | 0:18:03 | |
It goes into a big pasteuriser, | 0:18:03 | 0:18:05 | |
and then we put that pasteuriser on to heat, | 0:18:05 | 0:18:07 | |
so it starts to heat it towards 85 degrees centigrade, | 0:18:07 | 0:18:09 | |
so, very hot. | 0:18:09 | 0:18:11 | |
As it's halfway through the process of heating up, we add our sugars. | 0:18:11 | 0:18:14 | |
And then the machine chills it as fast as possible, | 0:18:14 | 0:18:17 | |
down to four degrees. | 0:18:17 | 0:18:18 | |
And that then sits in the pasteuriser overnight, | 0:18:18 | 0:18:20 | |
which is called ageing. | 0:18:20 | 0:18:21 | |
The next day, we come and use that mix to make our ice cream. | 0:18:21 | 0:18:25 | |
Along with all the old favourites, | 0:18:25 | 0:18:27 | |
they also produce some more unusual flavours, | 0:18:27 | 0:18:29 | |
which are specialities of the local area, | 0:18:29 | 0:18:32 | |
including a recipe that has its roots | 0:18:32 | 0:18:34 | |
just half an hour's drive away in the market town of Pontefract. | 0:18:34 | 0:18:37 | |
Today, we're going to make Pontefract cake ice cream. | 0:18:39 | 0:18:41 | |
What other flavours do you do here? | 0:18:41 | 0:18:43 | |
We make all sorts of flavours. | 0:18:43 | 0:18:44 | |
We have experimented with things like black garlic, | 0:18:44 | 0:18:47 | |
which is really rather quite nice. | 0:18:47 | 0:18:49 | |
It doesn't sound wonderful, but it is. | 0:18:49 | 0:18:51 | |
And then we do a most unusual flavour for Yorkshire, though, | 0:18:51 | 0:18:54 | |
-which is our Yorkshire pudding gravy and raspberry vinegar flavour. -Ugh! | 0:18:54 | 0:18:58 | |
I know! I can see from your reaction, you love it! | 0:18:58 | 0:19:01 | |
So, is the flavour popular? | 0:19:01 | 0:19:03 | |
It's a bit of a love-hate flavour, | 0:19:03 | 0:19:05 | |
because, obviously, gravy's really quite salty when you taste it, | 0:19:05 | 0:19:08 | |
but with the sweetness of the ice cream, love it or hate it. | 0:19:08 | 0:19:12 | |
As well as the hand-cut Pontefract cake pieces, | 0:19:12 | 0:19:15 | |
Louise also uses a liquorice paste, | 0:19:15 | 0:19:18 | |
which she adds to the ice cream base mix | 0:19:18 | 0:19:20 | |
for a more intense flavour before it's churned in the batch freezer. | 0:19:20 | 0:19:23 | |
So we are ready to add our Pontefract cakes | 0:19:24 | 0:19:26 | |
that we cut up so nicely earlier on. | 0:19:26 | 0:19:29 | |
So, if you want to try some ice cream, | 0:19:29 | 0:19:31 | |
see what you think of it. | 0:19:31 | 0:19:32 | |
Oh, it's lovely! I mean, I don't like liquorice, but I have to say, | 0:19:36 | 0:19:40 | |
honestly, it's subtle and it's so smooth and creamy, it's gorgeous. | 0:19:40 | 0:19:44 | |
It will be even better after you've tasted it with these in it. | 0:19:44 | 0:19:48 | |
Business is steadily growing, | 0:19:48 | 0:19:49 | |
and now Louise and her husband produce | 0:19:49 | 0:19:52 | |
around 33,000 litres of ice cream a year. | 0:19:52 | 0:19:55 | |
In the midst of a struggling UK dairy industry, | 0:19:55 | 0:19:58 | |
success has come at the right time, | 0:19:58 | 0:20:00 | |
and their ice cream production has proved a great way | 0:20:00 | 0:20:02 | |
of adding value to the milk from their cows. | 0:20:02 | 0:20:05 | |
It's lovely! I just had a chip of the Pontefract cake, | 0:20:08 | 0:20:13 | |
and it really sets it off. | 0:20:13 | 0:20:15 | |
See, it's worth all that cutting upstairs, isn't it? | 0:20:15 | 0:20:18 | |
Good luck with the house-hunting, | 0:20:18 | 0:20:19 | |
and I'm hoping you become a regular here. | 0:20:19 | 0:20:21 | |
-Thank you very much. -Thank you very much. | 0:20:21 | 0:20:23 | |
-It's been really enjoyable. -Thank you. -Thank you. | 0:20:23 | 0:20:26 | |
So, with bellies full of delicious ice cream, | 0:20:26 | 0:20:28 | |
I'm glad Graeme and Denise have found something in West Yorkshire | 0:20:28 | 0:20:31 | |
to their taste. Let's hope they like our next property just as much. | 0:20:31 | 0:20:35 | |
Our next stop is near the village of Harden, | 0:20:40 | 0:20:42 | |
just three miles from our first house. | 0:20:42 | 0:20:45 | |
Nestled in a valley amidst woodland and farmland, | 0:20:45 | 0:20:48 | |
the village is a favoured base | 0:20:48 | 0:20:49 | |
for both commuters to nearby Bradford and Leeds, | 0:20:49 | 0:20:52 | |
as well as those exploring the local landscape, | 0:20:52 | 0:20:54 | |
with footpaths up to the surrounding moorland. | 0:20:54 | 0:20:57 | |
Locals are well served by a school, a popular pub and a number of shops, | 0:20:57 | 0:21:02 | |
including a post office and a butcher's. | 0:21:02 | 0:21:05 | |
The property we're here to see is just a two-minute drive away, | 0:21:05 | 0:21:08 | |
in a hamlet called Ryecroft, | 0:21:08 | 0:21:10 | |
a conservation area made up of local stone cottages | 0:21:10 | 0:21:13 | |
and agricultural buildings, | 0:21:13 | 0:21:14 | |
which still look attractive even in the predicted downpour. | 0:21:14 | 0:21:18 | |
Right, then, you two, this is... | 0:21:19 | 0:21:21 | |
..our next offering. What do you think of that? | 0:21:23 | 0:21:25 | |
Oh, wow! I think that looks lovely! | 0:21:25 | 0:21:28 | |
-Looks impressive. -It does. -Yeah. | 0:21:28 | 0:21:29 | |
So, Denise, I think this has rather tickled your fancy, | 0:21:29 | 0:21:32 | |
-hasn't it? -It certainly has. | 0:21:32 | 0:21:34 | |
Now, when we go through the door, you have a choice, | 0:21:34 | 0:21:36 | |
we can either go into the kitchen or the living room first. | 0:21:36 | 0:21:39 | |
-What would you prefer? -Kitchen, please. | 0:21:39 | 0:21:41 | |
Right, OK. Kitchen it is. | 0:21:41 | 0:21:43 | |
Come on then. | 0:21:43 | 0:21:45 | |
This Grade II Listed stone barn was originally a cow shed | 0:21:45 | 0:21:48 | |
owned by the hamlet's most prominent family | 0:21:48 | 0:21:51 | |
from the 16th to the 19th centuries. | 0:21:51 | 0:21:53 | |
Converted over ten years ago, | 0:21:53 | 0:21:55 | |
I'm confident it will deliver not only on character, but also space, | 0:21:55 | 0:21:59 | |
which should keep Graeme happy, too. | 0:21:59 | 0:22:01 | |
Oh, yes! Oh, yes! | 0:22:03 | 0:22:05 | |
-Very nice! -As you can see, the island here, | 0:22:05 | 0:22:08 | |
nicely sort of separates these two zones. | 0:22:08 | 0:22:12 | |
I mean you could, I suppose, have this as a dining end, | 0:22:12 | 0:22:14 | |
but there is also space for that next door - | 0:22:14 | 0:22:17 | |
but have a drink of this, | 0:22:17 | 0:22:19 | |
because it also comes with its own spring. | 0:22:19 | 0:22:22 | |
So, try this. | 0:22:22 | 0:22:25 | |
-Cheers! BOTH: -Cheers. | 0:22:25 | 0:22:26 | |
-Lovely! -Oh, that's... | 0:22:28 | 0:22:31 | |
-Yes, very nice. -Isn't it? Very sweet. | 0:22:31 | 0:22:33 | |
-Oh! -It's run through a UV filter in here. | 0:22:33 | 0:22:36 | |
It's all in there. | 0:22:38 | 0:22:40 | |
So, you've got your own free mineral water... | 0:22:40 | 0:22:43 | |
..bottled at source. Come and have a look at the living room, | 0:22:44 | 0:22:48 | |
that's through across the hall way. | 0:22:48 | 0:22:50 | |
At the back of the property, just off the kitchen, | 0:22:51 | 0:22:54 | |
is a useful utility room, and on the other side of the house | 0:22:54 | 0:22:57 | |
is a wonderful dual aspect living room. | 0:22:57 | 0:22:59 | |
-There! -Oh, very nice. | 0:22:59 | 0:23:01 | |
Plenty of room, isn't there? | 0:23:01 | 0:23:03 | |
And you can see why they've not put the dining table next door. | 0:23:03 | 0:23:06 | |
Because you've got plenty of space in here. | 0:23:06 | 0:23:09 | |
Is this working its magic more on you, Graeme? | 0:23:09 | 0:23:10 | |
It is. | 0:23:10 | 0:23:12 | |
This gives me a greater sense of space. | 0:23:12 | 0:23:14 | |
-Yeah. -Good! Excellent. | 0:23:14 | 0:23:16 | |
-Because you really like it, don't you? -I do. -Yay, you see? | 0:23:16 | 0:23:18 | |
Right, let's have a look upstairs. | 0:23:18 | 0:23:20 | |
There's a little treat for you. | 0:23:20 | 0:23:22 | |
Think railways! | 0:23:22 | 0:23:23 | |
Upstairs, it offers up all the space they requested, | 0:23:25 | 0:23:28 | |
with two generous double bedrooms and a smaller single, | 0:23:28 | 0:23:32 | |
all with exposed beams. | 0:23:32 | 0:23:34 | |
There's also a stylish family bathroom, | 0:23:34 | 0:23:36 | |
as well as a vast master bedroom. | 0:23:36 | 0:23:38 | |
Now, again, this is not short on space. | 0:23:39 | 0:23:42 | |
It certainly isn't. | 0:23:42 | 0:23:44 | |
That is a big room. | 0:23:44 | 0:23:45 | |
-It's huge, isn't it? -It is. | 0:23:45 | 0:23:47 | |
An unusual shape. | 0:23:47 | 0:23:48 | |
It also has a shower en suite here... | 0:23:48 | 0:23:50 | |
-Very nice. -..which is great. Is there anything you'd change? | 0:23:50 | 0:23:53 | |
I think I'd zizz it up a little bit | 0:23:53 | 0:23:56 | |
with a bit of colour here and there. | 0:23:56 | 0:23:57 | |
-In the furnishings. -In the furnishings. | 0:23:57 | 0:23:59 | |
Yes. Just to make it more of our own. | 0:23:59 | 0:24:02 | |
Yeah. Now, I did promise you a little treat. | 0:24:02 | 0:24:05 | |
Through this door. | 0:24:05 | 0:24:07 | |
See if my thinking is on your wavelength. | 0:24:07 | 0:24:09 | |
Now, Graeme, ha-ha, | 0:24:11 | 0:24:14 | |
the current owners are using this mezzanine space as their office - | 0:24:14 | 0:24:19 | |
but would it not be fun to try and think of a way | 0:24:19 | 0:24:22 | |
of getting the railway | 0:24:22 | 0:24:23 | |
so that it could run out here | 0:24:23 | 0:24:25 | |
through some elaborate sort of bridge system. | 0:24:25 | 0:24:28 | |
Yeah, I mean, | 0:24:28 | 0:24:29 | |
I'm just wondering whether it would be big enough, | 0:24:29 | 0:24:33 | |
but it's a possibility, isn't it? | 0:24:33 | 0:24:35 | |
It also, I suppose, taps into your drama roots, doesn't it? | 0:24:35 | 0:24:40 | |
A balcony, a play, | 0:24:40 | 0:24:42 | |
a Romeo... Right, let's leave it there. | 0:24:42 | 0:24:45 | |
Come on, let's go outside and talk about the price, | 0:24:45 | 0:24:47 | |
altogether far more serious issue. | 0:24:47 | 0:24:49 | |
I'm slightly concerned Graeme seems to have tunnel vision | 0:24:52 | 0:24:55 | |
when it comes to housing his model railway. | 0:24:55 | 0:24:58 | |
If it's more space he needs, | 0:24:58 | 0:24:59 | |
then perhaps he'd be better off creating something outside. | 0:24:59 | 0:25:03 | |
I think we'd all agree, it's a really interesting property. | 0:25:03 | 0:25:07 | |
Yes, I don't think there's a room for the model railway. | 0:25:07 | 0:25:11 | |
But, I mean, what about the model railway in a bespoke shed. | 0:25:11 | 0:25:15 | |
-Out here? -Out here. | 0:25:15 | 0:25:17 | |
Yeah. I mean, that's a possibility. | 0:25:17 | 0:25:19 | |
OK, so, let's talk about the price, then. | 0:25:19 | 0:25:21 | |
Come on, then, Graeme? | 0:25:21 | 0:25:22 | |
OK, me to go first. | 0:25:22 | 0:25:24 | |
-I'm going to say £475,000. -£475,000? | 0:25:24 | 0:25:28 | |
I was thinking £450,000. | 0:25:28 | 0:25:29 | |
This is interesting, | 0:25:29 | 0:25:31 | |
because it's a direct comparison with property number one. | 0:25:31 | 0:25:34 | |
It's also on the market for £495,000. | 0:25:34 | 0:25:39 | |
It is surprising, actually... | 0:25:39 | 0:25:41 | |
-Yes. -..how steep the property market can be. | 0:25:41 | 0:25:45 | |
I'm going to give the house one more shot. | 0:25:45 | 0:25:47 | |
It can do its best. Off you go, | 0:25:47 | 0:25:49 | |
have a wander around, and I'll come and find you a little bit later on. | 0:25:49 | 0:25:51 | |
-OK. Thank you. -In fact, it won't be that long, it's pouring with rain! | 0:25:51 | 0:25:56 | |
This characterful barn conversion certainly delivers on space, | 0:25:58 | 0:26:02 | |
with four bedrooms, | 0:26:02 | 0:26:03 | |
a great-sized kitchen for keen cook Denise, | 0:26:03 | 0:26:06 | |
and if Graeme's model railway doesn't fit on the mezzanine level, | 0:26:06 | 0:26:09 | |
he could custom-build a shed for it in the garden. | 0:26:09 | 0:26:12 | |
What I like about this property, | 0:26:14 | 0:26:16 | |
I like the kitchen and the area to the side of it. | 0:26:16 | 0:26:20 | |
I love the size of the lounge. | 0:26:20 | 0:26:22 | |
That mezzanine area is really nice. | 0:26:22 | 0:26:24 | |
This property has more space than the first house we saw. | 0:26:25 | 0:26:30 | |
The problem for me is my need for this, for my model railway | 0:26:30 | 0:26:36 | |
and the room that had been considered | 0:26:36 | 0:26:41 | |
would be possible for the model railway, | 0:26:41 | 0:26:43 | |
I didn't see as being big enough. | 0:26:43 | 0:26:45 | |
What I've taken away from today | 0:26:45 | 0:26:48 | |
is that maybe we're not looking in the right area for our budget. | 0:26:48 | 0:26:53 | |
The properties have been a lot more expensive | 0:26:53 | 0:26:56 | |
than, certainly, both of us anticipated. | 0:26:56 | 0:26:58 | |
So maybe we have to have a rethink. | 0:26:58 | 0:27:00 | |
So, that's it. Day one of house-hunting is over - | 0:27:02 | 0:27:05 | |
and I can offer you another choice, | 0:27:05 | 0:27:07 | |
Yorkshire tea, Yorkshire beer? | 0:27:07 | 0:27:09 | |
-That's a hard decision! -It's not that hard, is it? | 0:27:11 | 0:27:14 | |
Come on! | 0:27:14 | 0:27:15 | |
Retired railway manager Graeme | 0:27:26 | 0:27:27 | |
dreams of returning to his roots in West Yorkshire, | 0:27:27 | 0:27:30 | |
taking wife Denise with him. | 0:27:30 | 0:27:32 | |
With a budget of £500,000, | 0:27:32 | 0:27:34 | |
they're hoping to swap their new-build Peterborough home | 0:27:34 | 0:27:37 | |
of ten years for a picture-perfect pad in the Yorkshire countryside. | 0:27:37 | 0:27:42 | |
Coming up, it looks like our Mystery House | 0:27:42 | 0:27:44 | |
is on the right track for Graeme... | 0:27:44 | 0:27:47 | |
I like simple. | 0:27:47 | 0:27:48 | |
THEY LAUGH | 0:27:49 | 0:27:51 | |
What does that tell us? | 0:27:51 | 0:27:52 | |
..and I try to look the part on my visit | 0:27:55 | 0:27:57 | |
to one of Yorkshire's last remaining wool mills. | 0:27:57 | 0:28:00 | |
-Yeah! That's the business. -That's terrific. | 0:28:00 | 0:28:02 | |
And do you know what? It's so light, I don't even know I'm wearing it. | 0:28:02 | 0:28:05 | |
Well, the brochures will tell you | 0:28:07 | 0:28:09 | |
that the sun always shines in Yorkshire... | 0:28:09 | 0:28:12 | |
but not today. Not on our final day of house-hunting here | 0:28:12 | 0:28:15 | |
with Graeme and with Denise. | 0:28:15 | 0:28:17 | |
So far, we've seen two properties, but we've struggled for space, | 0:28:17 | 0:28:20 | |
particularly for Graeme's train set. | 0:28:20 | 0:28:23 | |
So what can we come up with on our final day? | 0:28:23 | 0:28:26 | |
Well, it is, of course, time to reveal our Mystery House. | 0:28:26 | 0:28:29 | |
This has everything they are looking for, | 0:28:29 | 0:28:32 | |
but I suspect it's not quite where they might have expected to find it. | 0:28:32 | 0:28:35 | |
Our Mystery House takes us to Todmorden, | 0:28:38 | 0:28:40 | |
in the west of the county, | 0:28:40 | 0:28:42 | |
near the Lancashire border. | 0:28:42 | 0:28:44 | |
The small market town has a big industrial history, | 0:28:44 | 0:28:47 | |
and is known for a prosperous cotton and textile trade. | 0:28:47 | 0:28:50 | |
Walsden Water, a tributary of the river Calder, | 0:28:50 | 0:28:53 | |
runs through the town and represents the historic boundary | 0:28:53 | 0:28:56 | |
between Yorkshire and Lancashire. | 0:28:56 | 0:28:59 | |
Straddling the water, the town hall was once situated in both counties, | 0:28:59 | 0:29:03 | |
until the administrative county border was altered in 1888, | 0:29:03 | 0:29:07 | |
placing the whole town firmly in Yorkshire. | 0:29:07 | 0:29:10 | |
Today, there's a diverse range of shops and restaurants, | 0:29:10 | 0:29:13 | |
including a toy and model museum, | 0:29:13 | 0:29:15 | |
which might be of interest to model train collector, Graeme. | 0:29:15 | 0:29:18 | |
The house we're seeing is in a quiet rural spot, | 0:29:18 | 0:29:20 | |
just over a mile from the centre of town. | 0:29:20 | 0:29:23 | |
Well, there we are then, madam, and sir, that is our Mystery House. | 0:29:24 | 0:29:28 | |
-What do you think of that? -Very interesting. | 0:29:28 | 0:29:30 | |
Yeah. Different. | 0:29:30 | 0:29:32 | |
-Certainly different. -Well, sort of different. | 0:29:32 | 0:29:34 | |
This is yet another barn, but this one is considerably older. | 0:29:34 | 0:29:38 | |
This one dates to 1666. | 0:29:38 | 0:29:40 | |
-Oh, my goodness. -Is this the sort of aspect you were really looking for? | 0:29:40 | 0:29:44 | |
Yes. Yes, it is. | 0:29:44 | 0:29:46 | |
I know it's rural, but it's not isolated. | 0:29:46 | 0:29:48 | |
There are other properties around. | 0:29:48 | 0:29:50 | |
-That's fine for me. -Yeah. | 0:29:51 | 0:29:52 | |
The other great thing that this property comes with | 0:29:52 | 0:29:55 | |
is this garage structure here, Graeme. | 0:29:55 | 0:29:58 | |
Now you can see, on the left there's garaging itself. | 0:29:58 | 0:30:01 | |
On the right, this is currently a music studio, | 0:30:01 | 0:30:04 | |
but I'm thinking it's the perfect railway room. | 0:30:04 | 0:30:06 | |
Yeah, OK. | 0:30:06 | 0:30:08 | |
-That's got potential. -So, here's my plan - | 0:30:08 | 0:30:10 | |
-we go in there first... -Yeah. -..and then we go into the main property. | 0:30:10 | 0:30:14 | |
-What do you think of that? -Good idea. -Sounds good. | 0:30:14 | 0:30:16 | |
Right, let's do railways. | 0:30:16 | 0:30:17 | |
One reason why we've selected this Grade II Listed barn | 0:30:19 | 0:30:22 | |
as our Mystery House | 0:30:22 | 0:30:23 | |
is because it's by far the most rural of the properties | 0:30:23 | 0:30:26 | |
we've found for Graeme and Denise, | 0:30:26 | 0:30:28 | |
although I'm happy to say, that doesn't seem to have put them off. | 0:30:28 | 0:30:32 | |
Now, then Graeme, come on, | 0:30:32 | 0:30:34 | |
don't say we don't care, or we haven't listened! | 0:30:34 | 0:30:37 | |
That's a good size. | 0:30:37 | 0:30:39 | |
A good size! It's fantastic. | 0:30:39 | 0:30:40 | |
There's a smile on his face. | 0:30:40 | 0:30:42 | |
-Look at it! -Yeah, this works. | 0:30:42 | 0:30:44 | |
I think we can safely say we've ticked off the railway box, yeah? | 0:30:44 | 0:30:49 | |
-Yeah. -Right then, let's get on with the main event, | 0:30:49 | 0:30:51 | |
-which is your Mystery House. -OK. | 0:30:51 | 0:30:52 | |
Follow me. | 0:30:52 | 0:30:53 | |
So, the outbuilding's got the green light from Graeme. | 0:30:55 | 0:30:57 | |
Now it's time for me to get Denise on board, too. | 0:30:57 | 0:31:00 | |
I think this is the obvious place to start... | 0:31:02 | 0:31:04 | |
..Denise. | 0:31:05 | 0:31:07 | |
That's more like it. | 0:31:07 | 0:31:08 | |
-Yeah? -Yes. Definitely. | 0:31:08 | 0:31:10 | |
-Nice, isn't it? -Very nice. | 0:31:10 | 0:31:12 | |
Listen to him! We've got the railway all sorted, mate. | 0:31:12 | 0:31:15 | |
"I don't care now. | 0:31:15 | 0:31:16 | |
"The kitchen's perfectly good. Have what you like, Denise." | 0:31:16 | 0:31:19 | |
-That is lovely. -Good! | 0:31:19 | 0:31:22 | |
Yeah, yeah, positive feeling. | 0:31:22 | 0:31:23 | |
Yes! Excellent! So glad we did the railway thing first. | 0:31:23 | 0:31:28 | |
Right, come and look at the living room. | 0:31:28 | 0:31:30 | |
As we head on, at the back of the hall way, | 0:31:31 | 0:31:33 | |
there's also a useful study area. | 0:31:33 | 0:31:37 | |
-So... -Ah, yes. Again, this is much better. | 0:31:37 | 0:31:40 | |
It's a lovely space, isn't it? | 0:31:40 | 0:31:42 | |
-Very nice. -It's very simple. | 0:31:42 | 0:31:44 | |
I think you can come in here, redecorate, make it your own, | 0:31:44 | 0:31:47 | |
within, you know, a few days, really. | 0:31:47 | 0:31:48 | |
-Yes. -Yeah. -Definitely. | 0:31:48 | 0:31:50 | |
Yeah. I mean, I like simple. | 0:31:50 | 0:31:53 | |
THEY LAUGH | 0:31:54 | 0:31:56 | |
What does that tell us? | 0:31:56 | 0:31:57 | |
But I take your point. | 0:32:00 | 0:32:02 | |
I do take your point. | 0:32:02 | 0:32:04 | |
-Simple is good. It works for me. -Yes, it is. | 0:32:04 | 0:32:06 | |
-Plain and simple's good. -Yeah. | 0:32:06 | 0:32:08 | |
Right, then! | 0:32:08 | 0:32:10 | |
Come on, let's go upstairs. | 0:32:10 | 0:32:12 | |
Heading upstairs, | 0:32:14 | 0:32:15 | |
the double-height entrance hall | 0:32:15 | 0:32:17 | |
creates a superb light galleried landing, | 0:32:17 | 0:32:20 | |
leading to three well-presented double bedrooms, | 0:32:20 | 0:32:22 | |
offering plenty of room to accommodate visiting family | 0:32:22 | 0:32:25 | |
and a large bathroom, as well as the master en suite. | 0:32:25 | 0:32:30 | |
There we are. Finally. | 0:32:30 | 0:32:31 | |
Yours. Wow! | 0:32:31 | 0:32:33 | |
-I like. -A wow! | 0:32:33 | 0:32:35 | |
-Yeah. -You see, look, we impressed you at the beginning, mate, | 0:32:35 | 0:32:38 | |
and it was the right thing to do. | 0:32:38 | 0:32:40 | |
-I like this. -I do. -It's very nice. | 0:32:40 | 0:32:41 | |
You've got a very nice en suite around the corner there, | 0:32:41 | 0:32:44 | |
and then this spiral leads up to a mezzinine | 0:32:44 | 0:32:47 | |
which they're using as a little media room at the moment. | 0:32:47 | 0:32:49 | |
-Right. -It's rather nice, actually. | 0:32:49 | 0:32:51 | |
The skylight gives the room so much light, as well. | 0:32:51 | 0:32:54 | |
It's lovely. | 0:32:54 | 0:32:56 | |
-I like it very much. -Ah! | 0:32:56 | 0:32:58 | |
Right, then! So we've pleased you and we've pleased you. | 0:32:58 | 0:33:01 | |
Let's see what the price does to that equation. | 0:33:01 | 0:33:05 | |
Outside, the main garden lies to the front of the property, | 0:33:07 | 0:33:10 | |
and so makes the most of the ordinarily lovely views. | 0:33:10 | 0:33:13 | |
Now then, it is still pouring... | 0:33:15 | 0:33:17 | |
..and my suggestion is that we don't bother getting wet again. | 0:33:18 | 0:33:22 | |
I think you can see what the garden has to offer from here. | 0:33:22 | 0:33:24 | |
-Happy with the house? -Yes. | 0:33:24 | 0:33:26 | |
Happy with the railway thing? | 0:33:26 | 0:33:28 | |
-Absolutely. -Good! | 0:33:28 | 0:33:30 | |
Happiness all round, then. So what's it on the market for? | 0:33:30 | 0:33:34 | |
I think this property is worth £490,000. | 0:33:34 | 0:33:37 | |
£490,000. | 0:33:37 | 0:33:39 | |
-Yeah. Graeme? -I'm going to say top of our budget, £500,000. | 0:33:39 | 0:33:44 | |
You are pretty much spot on, Graeme. | 0:33:44 | 0:33:46 | |
-This is on the market for £499,950. -Right. | 0:33:46 | 0:33:52 | |
-What do you think of the price? -I think it reflects the property. | 0:33:52 | 0:33:56 | |
Good! That's the right answer. | 0:33:56 | 0:33:58 | |
So, go and have a wander around, | 0:33:58 | 0:33:59 | |
and I will catch up with you a little bit later on. | 0:33:59 | 0:34:02 | |
Off you go. | 0:34:02 | 0:34:04 | |
-OK. -OK. | 0:34:04 | 0:34:05 | |
Well, I think that's all turned out rather well, you know? | 0:34:06 | 0:34:09 | |
This 17th century converted barn | 0:34:11 | 0:34:13 | |
would give Graeme and Denise all the space they were hoping for. | 0:34:13 | 0:34:16 | |
There are four generous bedrooms and a large kitchen, | 0:34:16 | 0:34:19 | |
as well as a designated outbuilding | 0:34:19 | 0:34:21 | |
for Graeme's all-important model railway - | 0:34:21 | 0:34:24 | |
and it's all set in a rural location, | 0:34:24 | 0:34:26 | |
with magnificent countryside views. | 0:34:26 | 0:34:28 | |
I really like this house. | 0:34:28 | 0:34:30 | |
I love the layout. | 0:34:30 | 0:34:31 | |
It's a lovely property in a stunning location. | 0:34:31 | 0:34:34 | |
I feel very comfortable in this house. | 0:34:36 | 0:34:39 | |
It's warm and inviting. | 0:34:39 | 0:34:41 | |
And the mystery property has delivered | 0:34:41 | 0:34:45 | |
when we were about to give up hope. | 0:34:45 | 0:34:48 | |
So, I think that was well worth you seeing. | 0:34:50 | 0:34:52 | |
Yes, it was. | 0:34:52 | 0:34:54 | |
And I think, overall, | 0:34:54 | 0:34:55 | |
we've given you plenty to consider this week | 0:34:55 | 0:34:57 | |
in terms of the properties we've been able to find you | 0:34:57 | 0:34:59 | |
for your £500,000. | 0:34:59 | 0:35:01 | |
-Are you going to spend it? -We may well do. -Ah! | 0:35:01 | 0:35:04 | |
Well, let's get you somewhere where you can mull it all over, | 0:35:04 | 0:35:07 | |
-and we'll see what happens next. Come on. -Yeah. | 0:35:07 | 0:35:09 | |
With evidence of Yorkshire's heritage | 0:35:16 | 0:35:18 | |
in the milling and weaving industries all around, | 0:35:18 | 0:35:21 | |
I'm taking some time out to visit one of the few, | 0:35:21 | 0:35:24 | |
so-called vertical wool mills still left in Britain, | 0:35:24 | 0:35:27 | |
meaning they complete all the processes on one site, | 0:35:27 | 0:35:30 | |
from raw materials through to fabric finishing. | 0:35:30 | 0:35:34 | |
Abraham Moon & Sons was founded in 1837, | 0:35:34 | 0:35:37 | |
supplying fabric to the Leeds market throughout the 1800s, | 0:35:37 | 0:35:41 | |
and, today, supplies many of the world's major fashion houses. | 0:35:41 | 0:35:45 | |
I'm meeting manager director, John Walsh, | 0:35:45 | 0:35:47 | |
to learn more about the history of the company, | 0:35:47 | 0:35:50 | |
its founder, and the materials they produce for the modern-day market. | 0:35:50 | 0:35:53 | |
-Hello, John. -Hello. | 0:35:55 | 0:35:56 | |
-How are you? -Very nice to see you. | 0:35:56 | 0:35:59 | |
Tell us a bit more about Abraham Moon. | 0:35:59 | 0:36:02 | |
I gather he set up shop back in 1837. | 0:36:02 | 0:36:05 | |
He started out as a merchant. | 0:36:05 | 0:36:07 | |
But in the 1860s, he decided to set up a mill on this site. | 0:36:07 | 0:36:12 | |
The reason for this site | 0:36:12 | 0:36:14 | |
was that the railway would have just arrived | 0:36:14 | 0:36:17 | |
and also we have our own artesian well, | 0:36:17 | 0:36:20 | |
a source of natural water, | 0:36:20 | 0:36:21 | |
and that is obviously crucial for the dyeing | 0:36:21 | 0:36:23 | |
and the finishing of the fabrics. | 0:36:23 | 0:36:25 | |
Quite why he changed from being a merchant to a manufacturer, | 0:36:25 | 0:36:29 | |
we don't know. But he must have been quite an entrepreneur to do that. | 0:36:29 | 0:36:33 | |
It's a major step, and it needs serious finance. | 0:36:33 | 0:36:36 | |
He obviously understood the process very well. | 0:36:36 | 0:36:38 | |
But tell us bit more about the process that you employ today? | 0:36:38 | 0:36:41 | |
We buy in wool. | 0:36:41 | 0:36:44 | |
We bring it in and dye it to constituent colours | 0:36:44 | 0:36:48 | |
and then we blend, | 0:36:48 | 0:36:50 | |
and that's part of our great secret and success, | 0:36:50 | 0:36:54 | |
is that our yarns are tweed, heathered yarns | 0:36:54 | 0:36:57 | |
made of multicoloured blends. | 0:36:57 | 0:37:00 | |
We dye four, five, six, even seven colours in every single blend, | 0:37:00 | 0:37:04 | |
and spin that into yarn. | 0:37:04 | 0:37:06 | |
So your fabric has a wonderful depth to it. | 0:37:06 | 0:37:08 | |
I mean, this, presumably, is some of your fabric that you're wearing. | 0:37:08 | 0:37:11 | |
-It is. -I mean, is this what we end up with from this particular bin? | 0:37:11 | 0:37:15 | |
It is - and the human eye, perhaps, from a distance, | 0:37:15 | 0:37:18 | |
would see that as a solid colour. | 0:37:18 | 0:37:19 | |
But when you get up close and personal, | 0:37:19 | 0:37:21 | |
you can see the vibrancy of the yarn. | 0:37:21 | 0:37:23 | |
See how many colours there are in there. | 0:37:23 | 0:37:26 | |
So these are now ready to be spun into fabrics | 0:37:26 | 0:37:28 | |
-that will go all over the world? -That's right. | 0:37:28 | 0:37:30 | |
-That's the plan. -Right, let's have a look at your weaving process. | 0:37:30 | 0:37:33 | |
Although the industry has, of course, | 0:37:35 | 0:37:37 | |
continued to move forward with better machinery | 0:37:37 | 0:37:40 | |
and greater efficiency, | 0:37:40 | 0:37:42 | |
the processes themselves are not so different | 0:37:42 | 0:37:44 | |
to those used 100 years ago. | 0:37:44 | 0:37:46 | |
Despite increased competition in recent years | 0:37:46 | 0:37:49 | |
from cheaper man-made fabrics, | 0:37:49 | 0:37:51 | |
Moon's have maintained a focus on quality. | 0:37:51 | 0:37:54 | |
Today, their product is more sought-after than ever - | 0:37:54 | 0:37:57 | |
and two-thirds of their output is exported. | 0:37:57 | 0:37:59 | |
John, this is obviously the noisiest part of the factory. | 0:38:02 | 0:38:07 | |
It is indeed. We have 32 looms on this site. | 0:38:07 | 0:38:10 | |
So they do make a little bit of noise. Yes. | 0:38:10 | 0:38:12 | |
So at any one time you can be producing 32 different patterns? | 0:38:12 | 0:38:17 | |
-That's right. -You're obviously dealing in a global market now. | 0:38:17 | 0:38:20 | |
How much of your product goes for clothing, | 0:38:20 | 0:38:22 | |
and how much of it goes for other textiles - say, upholstery? | 0:38:22 | 0:38:26 | |
It's about half and half. | 0:38:26 | 0:38:27 | |
We sell from a range, | 0:38:27 | 0:38:29 | |
but we also make a lot of bespoke products | 0:38:29 | 0:38:31 | |
and that's part of our USP. | 0:38:31 | 0:38:33 | |
I gather that some of your products | 0:38:33 | 0:38:35 | |
still goes to support a really famous local product? | 0:38:35 | 0:38:38 | |
Yes, indeed. | 0:38:38 | 0:38:39 | |
Let's go up to our showroom and meet Rhian. | 0:38:39 | 0:38:41 | |
Right, which way? That way? | 0:38:41 | 0:38:43 | |
In Victorian times, a man wouldn't be seen without a hat on his head. | 0:38:45 | 0:38:49 | |
An upper class gent would have donned a top hat, | 0:38:49 | 0:38:52 | |
a middle-class chap a bowler hat, | 0:38:52 | 0:38:54 | |
and a working-class bloke would have worn a flat cap. | 0:38:54 | 0:38:57 | |
In recent times, these hats have fallen out of fashion, | 0:38:57 | 0:39:00 | |
except for one. I'm meeting designer and entrepreneur | 0:39:00 | 0:39:03 | |
Rhian Kempadoo Millar in the showroom upstairs. | 0:39:03 | 0:39:07 | |
-Hi, Rhian. Nice to see you. -Nice to meet you. | 0:39:08 | 0:39:10 | |
You're looking very resplendent... | 0:39:10 | 0:39:12 | |
-Thank you. -..in your very fine Yorkshire cap. | 0:39:12 | 0:39:14 | |
And look at this lot. A real taste of the county. | 0:39:14 | 0:39:17 | |
How did it all begin for you? | 0:39:17 | 0:39:19 | |
Well, I used to wear hats, particularly flat caps, | 0:39:19 | 0:39:22 | |
when I was a girl. | 0:39:22 | 0:39:24 | |
And when I was studying millinery at college, | 0:39:24 | 0:39:27 | |
I started making my own flat caps. | 0:39:27 | 0:39:29 | |
They are such a good all-rounder. | 0:39:29 | 0:39:31 | |
You can see how the design has lasted so long. | 0:39:31 | 0:39:34 | |
-Yeah. -But now you're giving it a new lease of life. | 0:39:34 | 0:39:37 | |
Yeah. I just thought we'd take the flat cap | 0:39:37 | 0:39:38 | |
so you can go out for the dog walk, | 0:39:38 | 0:39:40 | |
or you could wear something on the catwalk, like this. | 0:39:40 | 0:39:42 | |
-Could I? -Just put a twist on the flat cap. | 0:39:42 | 0:39:46 | |
But, you know, very clever, and, again, clearly a flat cap. | 0:39:46 | 0:39:49 | |
Now I love wearing hats. | 0:39:49 | 0:39:51 | |
Can you suggest something here out of your collection | 0:39:51 | 0:39:53 | |
-that would suit me? -You could try this one. -Yeah? | 0:39:53 | 0:39:56 | |
-A bit more traditional. -A little bit more traditional. | 0:39:56 | 0:39:59 | |
-There you go. That's the business. -It's terrific. | 0:39:59 | 0:40:02 | |
Do you know what? It's so light, I don't even know I'm wearing it. | 0:40:02 | 0:40:05 | |
But it will keep me nice and dry and warm. | 0:40:05 | 0:40:07 | |
Rhian, thank you very much. | 0:40:07 | 0:40:08 | |
-Best of luck. -Nice to meet you. Bye. -Cheers. Bye-bye. | 0:40:08 | 0:40:11 | |
I love what Rhian is doing here. | 0:40:11 | 0:40:13 | |
While the team at Moon's | 0:40:13 | 0:40:14 | |
are producing their cloth in the time-honoured way, | 0:40:14 | 0:40:17 | |
she's taking it forward to a different market, | 0:40:17 | 0:40:20 | |
a different generation, and with new, innovative twists. | 0:40:20 | 0:40:24 | |
I only wish I'd had my new flat cap | 0:40:24 | 0:40:26 | |
at the start of our rather rainy search here in West Yorkshire. | 0:40:26 | 0:40:29 | |
Well, my favourite part of any Escape To The Country | 0:40:34 | 0:40:36 | |
has now arrived. | 0:40:36 | 0:40:38 | |
It is, of course, that moment when we find out | 0:40:38 | 0:40:40 | |
if we've been successful in our house search for our buyers. | 0:40:40 | 0:40:44 | |
We've certainly given, I think, | 0:40:44 | 0:40:45 | |
Graeme and Denise plenty to think about | 0:40:45 | 0:40:47 | |
and some really good options at the right sort of price - | 0:40:47 | 0:40:51 | |
but have we managed to find them anything they're going to buy? | 0:40:51 | 0:40:54 | |
Well, let's go and ask them. | 0:40:54 | 0:40:55 | |
Well, guys, here we are. | 0:41:02 | 0:41:03 | |
It's the end of the process. | 0:41:03 | 0:41:05 | |
And has it helped you evaluate | 0:41:05 | 0:41:07 | |
what the property market here can give you? | 0:41:07 | 0:41:10 | |
Absolutely. I think that's the most we've got out of the last few days, | 0:41:10 | 0:41:14 | |
what our expectations, | 0:41:14 | 0:41:16 | |
or how unrealistic our expectations probably were for the area. | 0:41:16 | 0:41:21 | |
The trick was trying to find you something | 0:41:21 | 0:41:24 | |
that offered you enough space. | 0:41:24 | 0:41:26 | |
So, we put all of our eggs into our final basket, our Mystery House. | 0:41:26 | 0:41:33 | |
That was quite exciting. | 0:41:33 | 0:41:34 | |
I thought, "Aha." | 0:41:34 | 0:41:36 | |
It was rural, which is what we wanted, | 0:41:36 | 0:41:37 | |
but I certainly didn't want to be in an isolated position, | 0:41:37 | 0:41:41 | |
and it wasn't that, just a few miles away from Todmorden. | 0:41:41 | 0:41:44 | |
So you were very pleased with the room sizes, | 0:41:44 | 0:41:48 | |
once we'd established there was somewhere for the railway | 0:41:48 | 0:41:51 | |
in the outbuilding. | 0:41:51 | 0:41:52 | |
What happens next? | 0:41:52 | 0:41:54 | |
What we want to do is to go back, | 0:41:54 | 0:41:56 | |
research the area more, | 0:41:56 | 0:41:57 | |
because it's not somewhere that we are familiar with. | 0:41:57 | 0:42:00 | |
Do you think it's one that you might move to? | 0:42:00 | 0:42:03 | |
There's certainly a good possibility that we would make an offer on it. | 0:42:03 | 0:42:07 | |
-Yes. -How interesting. | 0:42:07 | 0:42:08 | |
Guys, it's been an absolute pleasure. | 0:42:08 | 0:42:10 | |
I am thrilled that we've managed to get there at long last, | 0:42:10 | 0:42:13 | |
even if it was with our final roll of the dice, with our Mystery House. | 0:42:13 | 0:42:16 | |
-But it is often the way. -Yeah. | 0:42:16 | 0:42:18 | |
Lovely, and thank you very much for all your help. | 0:42:18 | 0:42:20 | |
-Thank you. -Our pleasure. | 0:42:20 | 0:42:21 | |
Denise and Graeme's Escape To The Country is now, | 0:42:26 | 0:42:29 | |
I hope, well under way - | 0:42:29 | 0:42:31 | |
and while they start attending to all the details they'll need to sort | 0:42:31 | 0:42:34 | |
in order to make their new life happen, | 0:42:34 | 0:42:36 | |
I've got a little job of my own, | 0:42:36 | 0:42:38 | |
to break in my first... | 0:42:38 | 0:42:40 | |
..and rather lovely Yorkshire cap - | 0:42:41 | 0:42:44 | |
and on a day like this, typical Yorkshire weather, | 0:42:44 | 0:42:47 | |
it's just what you need. I'll see you next time. | 0:42:47 | 0:42:49 | |
Denise and Graeme decided to extend their search area, | 0:42:51 | 0:42:54 | |
and have since had an offer accepted | 0:42:54 | 0:42:56 | |
on a property on the West Coast of Cumbria. | 0:42:56 | 0:42:58 | |
We wish them all the best with their move. | 0:42:58 | 0:43:01 | |
If you'd like to Escape To The Country | 0:43:01 | 0:43:03 | |
in Northern Ireland, Scotland, Wales or England and need our help, | 0:43:03 | 0:43:06 | |
then please apply online at... | 0:43:06 | 0:43:10 |