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The riverbed that runs through this great Victorian aqueduct | 0:00:02 | 0:00:04 | |
was the birthplace of one of England's most famous | 0:00:04 | 0:00:06 | |
fictional animal heroes. | 0:00:06 | 0:00:08 | |
Find out who he was, and what county I'm in, | 0:00:08 | 0:00:11 | |
in just a few moments. | 0:00:11 | 0:00:13 | |
On today's show, we're challenged to find | 0:00:31 | 0:00:33 | |
the perfect rural hideaway with lots of land. | 0:00:33 | 0:00:36 | |
And it seems the more remote, the better. | 0:00:36 | 0:00:39 | |
I'd just love to be stuck in the middle of nowhere. I love it. | 0:00:39 | 0:00:42 | |
-It's really pretty. -It's really pretty. | 0:00:42 | 0:00:44 | |
'And there's much more to love when we uncover | 0:00:44 | 0:00:46 | |
'a potential home that may deliver the dream.' | 0:00:46 | 0:00:49 | |
With this property, you also get over two acres of land. | 0:00:49 | 0:00:52 | |
JULIE GASPS | 0:00:52 | 0:00:53 | |
Yay! | 0:00:53 | 0:00:54 | |
Oh! Oh, my goodness! | 0:00:54 | 0:00:56 | |
Don't, you're going to start me off! | 0:00:56 | 0:00:59 | |
Today I'm in Devon, | 0:01:01 | 0:01:03 | |
and behind me is the Beam Aqueduct, or Canal Bridge, | 0:01:03 | 0:01:06 | |
as the author Henry Williamson called it in his classic novel, | 0:01:06 | 0:01:10 | |
Tarka the Otter, published back in 1927. | 0:01:10 | 0:01:13 | |
Williamson's accurate description of the River Torridge | 0:01:13 | 0:01:16 | |
and the surrounding countryside now form the 180-mile Tarka Trail, | 0:01:16 | 0:01:22 | |
so along with the chance of spotting an otter, | 0:01:22 | 0:01:24 | |
you also get to explore a landscape that has hardly changed | 0:01:24 | 0:01:28 | |
since the book was written all those years ago. | 0:01:28 | 0:01:31 | |
Lying in the South West Peninsula, | 0:01:32 | 0:01:34 | |
Devon shares land borders to the west and east, | 0:01:34 | 0:01:37 | |
with the Bristol Channel to the north | 0:01:37 | 0:01:39 | |
and the English Channel to the south. | 0:01:39 | 0:01:41 | |
The South West Coastal Path spans each shoreline, | 0:01:42 | 0:01:45 | |
65% of which is designated Heritage Coast, noted for | 0:01:45 | 0:01:49 | |
its natural beauty, wildlife, and historical significance. | 0:01:49 | 0:01:53 | |
The seaside village of Combe Martin, up on the north coast, | 0:01:53 | 0:01:57 | |
is widely thought to have the longest village street in England, | 0:01:57 | 0:02:01 | |
and holds the record for the longest street party in the country. | 0:02:01 | 0:02:05 | |
And what a picturesque backdrop for the celebration, sandwiched between | 0:02:05 | 0:02:09 | |
the Exmoor National Park and an award-winning beach. | 0:02:09 | 0:02:13 | |
Further west, along the coast, | 0:02:13 | 0:02:15 | |
Clovelly sprang up as a fishing harbour. | 0:02:15 | 0:02:18 | |
Much of it is inaccessible to cars, | 0:02:18 | 0:02:20 | |
making the muddle of cobbled streets a delight to explore on foot. | 0:02:20 | 0:02:25 | |
The steep gradient here | 0:02:25 | 0:02:26 | |
meant goods were traditionally delivered by donkeys. | 0:02:26 | 0:02:29 | |
Although the donkey work is now done by sledge, | 0:02:29 | 0:02:32 | |
the much-loved animals are still a popular sight in the village. | 0:02:32 | 0:02:36 | |
Devon also boasts many architectural gems. | 0:02:36 | 0:02:39 | |
The 12th-century Hartland Abbey was the last monastery seized | 0:02:39 | 0:02:43 | |
under the Dissolution of the Monasteries. | 0:02:43 | 0:02:45 | |
It was subsequently given to the keeper of Henry VIII's wine cellar | 0:02:45 | 0:02:49 | |
by the king himself, in the 16th century - | 0:02:49 | 0:02:52 | |
a lavish gift bestowed upon the aptly-named William Abbott, | 0:02:52 | 0:02:56 | |
whose descendants still live here today. | 0:02:56 | 0:02:59 | |
So, whether it's historic buildings, remote moorland, | 0:02:59 | 0:03:03 | |
or quaint seaside vistas, Devon is a wonderful place | 0:03:03 | 0:03:06 | |
for a temporary - or more permanent - rural escape. | 0:03:06 | 0:03:09 | |
The average cost of a detached home here in Devon is around £310,000. | 0:03:13 | 0:03:18 | |
That's £23,000 above the national average. | 0:03:18 | 0:03:21 | |
But don't forget that that figure includes the property hot spots | 0:03:21 | 0:03:24 | |
of Salcombe to the south and Croyde to the north, | 0:03:24 | 0:03:28 | |
where homes can often sell for double the national average. | 0:03:28 | 0:03:31 | |
Move further inland and you get more for your money, | 0:03:31 | 0:03:34 | |
particularly around the market towns of South Moulton and Tavistock. | 0:03:34 | 0:03:38 | |
So, with that in mind, | 0:03:38 | 0:03:40 | |
let's meet today's buyer, and find out where they'd like to settle. | 0:03:40 | 0:03:44 | |
Pharmacist Julie from Shoreham-by-Sea in West Sussex | 0:03:44 | 0:03:47 | |
is about to embark on a complete change of lifestyle, | 0:03:47 | 0:03:50 | |
and has set her sights on relocating to the West Country. | 0:03:50 | 0:03:54 | |
I've wanted to move westwards for quite some time now. | 0:03:54 | 0:03:59 | |
I just think it's a dream of mine, and I can achieve it. | 0:03:59 | 0:04:04 | |
As children, we used to go caravanning and tenting | 0:04:04 | 0:04:07 | |
down in Devon, so I just feel I've grown up with that countryside, | 0:04:07 | 0:04:13 | |
and I've got a genuine love of it. | 0:04:13 | 0:04:16 | |
And helping her to realise this dream | 0:04:17 | 0:04:19 | |
is good friend and work colleague, fellow pharmacist Morella. | 0:04:19 | 0:04:23 | |
I think it's wonderful to be able to do something | 0:04:23 | 0:04:25 | |
that you've always wanted to do. That's really important in life. | 0:04:25 | 0:04:29 | |
I think, basically, I'm just there to support her, | 0:04:29 | 0:04:32 | |
and if I see something that I think would be right, | 0:04:32 | 0:04:35 | |
I would actually say what is right and what I think is right. | 0:04:35 | 0:04:38 | |
I tend to go by my heart rather than my brain, | 0:04:38 | 0:04:43 | |
and I'm hoping Morella will be the brain in this, this, erm... | 0:04:43 | 0:04:47 | |
Absolutely. | 0:04:47 | 0:04:49 | |
Moving will of course mean leaving behind the three-bed end-of-terrace | 0:04:49 | 0:04:52 | |
that's been Julie's home for the last 15 years, | 0:04:52 | 0:04:55 | |
and though she's enjoyed living there, | 0:04:55 | 0:04:57 | |
she's now after a more peaceful pace of life. | 0:04:57 | 0:05:00 | |
Shoreham, I feel, is definitely becoming more busy. | 0:05:00 | 0:05:04 | |
Lots more traffic coming through. | 0:05:04 | 0:05:06 | |
I hanker after the country life. | 0:05:07 | 0:05:10 | |
I've just come back from a week's holiday in Devon, and, erm... | 0:05:10 | 0:05:16 | |
I just felt I'd come home, as it were. | 0:05:16 | 0:05:21 | |
It's a slice of heaven, in my eyes. | 0:05:21 | 0:05:24 | |
By turning her holiday destination into a permanent address, | 0:05:26 | 0:05:29 | |
Julie hopes to expand on her hobbies, | 0:05:29 | 0:05:31 | |
spend more time with her dogs | 0:05:31 | 0:05:33 | |
and maybe even add some livestock to the list. | 0:05:33 | 0:05:36 | |
She's so in love with animals. | 0:05:36 | 0:05:39 | |
Everything in her life is around animals, | 0:05:39 | 0:05:41 | |
so, yeah, it's very, very important to her. | 0:05:41 | 0:05:44 | |
I'd like to be able to get more animals, some chickens, | 0:05:44 | 0:05:48 | |
-maybe adopt... -A horse! -Adopt a donkey or two. | 0:05:48 | 0:05:52 | |
-Goats. -Goats. -Everything. | 0:05:52 | 0:05:54 | |
THEY LAUGH | 0:05:54 | 0:05:56 | |
With so much to look forward to, there's just one downside, | 0:05:56 | 0:05:59 | |
and that's leaving local mates behind. | 0:05:59 | 0:06:02 | |
Well, of course I'll miss them. But I'm quite sociable, and I think | 0:06:02 | 0:06:09 | |
I can make new friends, as long as there's a nice pub nearby. | 0:06:09 | 0:06:13 | |
-And we can come out and visit. -Yeah. | 0:06:13 | 0:06:16 | |
Yeah, I'm obviously hoping friends will come and visit. | 0:06:17 | 0:06:21 | |
I've never seen Devon, but I'm excited to go, | 0:06:21 | 0:06:25 | |
and I could get the Devon bug, and want to move down there myself. | 0:06:25 | 0:06:29 | |
Julie wants us to focus our house search in the north of the county, | 0:06:31 | 0:06:35 | |
where she hopes to get the best value for her property pound. | 0:06:35 | 0:06:38 | |
And before we start the search, I'm meeting up with the two friends | 0:06:38 | 0:06:42 | |
in the county to find out even more about the specifics of this move. | 0:06:42 | 0:06:46 | |
Welcome to Devon. | 0:06:46 | 0:06:48 | |
So, Julie, why are you making this move here? | 0:06:48 | 0:06:50 | |
It's been a dream of mine for several years now. | 0:06:50 | 0:06:54 | |
And there's always some reason why I can't make that actual move, | 0:06:54 | 0:06:59 | |
but as I'm getting a bit older, I've just got to fulfil my dream, | 0:06:59 | 0:07:04 | |
and I'm the only one that can make that happen. | 0:07:04 | 0:07:06 | |
So what is it about Devon in particular | 0:07:06 | 0:07:08 | |
that makes you dream of living here? | 0:07:08 | 0:07:11 | |
It's just so peaceful. I mean, the views, look behind us. | 0:07:11 | 0:07:16 | |
It's such varied countryside, you've got the sea, | 0:07:16 | 0:07:20 | |
you can get from the north coast to the south coast in an hour. | 0:07:20 | 0:07:23 | |
It's just so beautiful and, most of all, it's quiet. | 0:07:23 | 0:07:27 | |
Morella, interesting, because you've never been to Devon before. | 0:07:27 | 0:07:30 | |
No, I haven't. It's really lovely, on first view. It's really lovely. | 0:07:30 | 0:07:34 | |
-I love it, yep. -So you must be quite excited | 0:07:34 | 0:07:36 | |
that Julie's able to pursue this dream now. | 0:07:36 | 0:07:40 | |
I'm really happy for her. That's what she wants to do, so hopefully, | 0:07:40 | 0:07:44 | |
-she'll find what she wants. -And what kind of person is she? | 0:07:44 | 0:07:47 | |
She's quite instinctive. She'll walk into a place, | 0:07:47 | 0:07:49 | |
and she'll know if it's the right place for her. | 0:07:49 | 0:07:52 | |
Well, let's talk about the right place, | 0:07:52 | 0:07:54 | |
about what you imagine from it, and also what you need from it. | 0:07:54 | 0:07:56 | |
Well, I don't mind if it's fairly isolated, | 0:07:56 | 0:08:00 | |
I don't mind if it's near a village. | 0:08:00 | 0:08:02 | |
I feel that I'm quite good at making friends. | 0:08:02 | 0:08:07 | |
I'd like preferably a detached house with some land, | 0:08:07 | 0:08:12 | |
and that's top of my list, the land aspect, | 0:08:12 | 0:08:14 | |
because I'm just mad on animals, and I'd love to have a horse | 0:08:14 | 0:08:19 | |
or some chickens, etc. | 0:08:19 | 0:08:22 | |
I want to live a bit of the good life, really, I think, | 0:08:22 | 0:08:25 | |
maybe grow my own veggies as well. | 0:08:25 | 0:08:27 | |
So, we've got to have room for all the animals. | 0:08:27 | 0:08:29 | |
What about for the friends when they come to stay? | 0:08:29 | 0:08:31 | |
Minimum two bedrooms, maybe three would be good. | 0:08:31 | 0:08:36 | |
Like most people, I want a big kitchen, | 0:08:36 | 0:08:38 | |
the heart of the house. | 0:08:38 | 0:08:40 | |
-This is a really big life change for you, isn't it? -Mm-hmm. | 0:08:40 | 0:08:43 | |
What do you think, Morella, | 0:08:43 | 0:08:45 | |
that Julie's not going to compromise on in this search? | 0:08:45 | 0:08:47 | |
I think that the land's important, | 0:08:47 | 0:08:49 | |
because of the animals that she wants to have. | 0:08:49 | 0:08:52 | |
-I think that's probably the only thing. -Mmm. -Yeah. | 0:08:52 | 0:08:56 | |
If the property didn't come with much land, | 0:08:56 | 0:08:59 | |
as long as there was some land nearby that I could maybe rent, | 0:08:59 | 0:09:03 | |
that would be a good compromise. | 0:09:03 | 0:09:06 | |
So, Julie, remind me of the budget | 0:09:06 | 0:09:07 | |
that we're working with on the search. | 0:09:07 | 0:09:09 | |
Erm... I've got £350,000. | 0:09:09 | 0:09:13 | |
Any wiggle room on that for the right property? | 0:09:13 | 0:09:16 | |
Maybe for the dream property, yes. | 0:09:16 | 0:09:19 | |
-Yeah, maybe a little bit more. -OK. | 0:09:19 | 0:09:22 | |
Well, it's a great budget for this part of the country. | 0:09:22 | 0:09:26 | |
We've got some fantastic properties to show you, so are you both ready? | 0:09:26 | 0:09:29 | |
-Yeah. -Yeah. -Let's go house-hunting. | 0:09:29 | 0:09:31 | |
Julie has confirmed that she's happy to stretch her budget | 0:09:35 | 0:09:38 | |
to a maximum of £375,000. | 0:09:38 | 0:09:41 | |
And for that figure, she's looking for a detached house | 0:09:41 | 0:09:44 | |
with two to three bedrooms and a large kitchen, | 0:09:44 | 0:09:46 | |
not forgetting land to keep some animals. | 0:09:46 | 0:09:49 | |
She's after a tranquil, rural setting, | 0:09:49 | 0:09:52 | |
with easy access to both coast and countryside. | 0:09:52 | 0:09:55 | |
We've got some wonderful houses lined up, | 0:09:56 | 0:09:58 | |
all in beautifully appealing settings, | 0:09:58 | 0:10:01 | |
but the price tags won't be revealed until the end of each tour. | 0:10:01 | 0:10:05 | |
Our final property is the Mystery House, | 0:10:05 | 0:10:07 | |
which will challenge on look, lifestyle, and location. | 0:10:07 | 0:10:11 | |
-You've already got your dogs. -Yep. | 0:10:16 | 0:10:18 | |
And you have got plans to have a bit of a menagerie. | 0:10:18 | 0:10:21 | |
Yes. Yes, definitely chickens. | 0:10:21 | 0:10:23 | |
And any other waifs and strays that need rescuing, you know. | 0:10:23 | 0:10:29 | |
The odd lamb, maybe, or... I can just see myself as being | 0:10:29 | 0:10:34 | |
that eccentric old lady with lots of animals around her. | 0:10:34 | 0:10:38 | |
We are starting our house tour in Central Devon, | 0:10:41 | 0:10:44 | |
just over a mile from the small town of North Tawton. | 0:10:44 | 0:10:48 | |
Surrounded by unspoilt Devon countryside, the centrepiece of | 0:10:48 | 0:10:52 | |
North Tawton is a Grade II-listed clocktower, built in 1887 | 0:10:52 | 0:10:56 | |
to commemorate Queen Victoria's Golden Jubilee. | 0:10:56 | 0:11:00 | |
The town has a great range of shops, pubs, and restaurants, | 0:11:00 | 0:11:03 | |
alongside a number of other establishments that may suit Julie, | 0:11:03 | 0:11:08 | |
or even her dogs. | 0:11:08 | 0:11:09 | |
And when it comes to walking them, there is no shortage of places | 0:11:09 | 0:11:13 | |
to explore, with the Tarka Trail passing straight through the town. | 0:11:13 | 0:11:18 | |
Just a five-minute drive away, | 0:11:18 | 0:11:20 | |
in a rural setting, we find our first house. | 0:11:20 | 0:11:22 | |
So, this is the one I've brought you to see. | 0:11:24 | 0:11:27 | |
It is a three-bedroom detached period property. | 0:11:27 | 0:11:29 | |
It was all part of a former mill, | 0:11:29 | 0:11:31 | |
so it has all been converted into various houses. | 0:11:31 | 0:11:34 | |
-The detached part here was the old granary. -I like. | 0:11:34 | 0:11:37 | |
-In terms of the style, what do you think? -No, I really like it. | 0:11:37 | 0:11:41 | |
I love the stonework. | 0:11:41 | 0:11:43 | |
-Yes, really like it. -What about you, Morella? | 0:11:43 | 0:11:45 | |
Can you imagine Julie in something like this? | 0:11:45 | 0:11:47 | |
Yeah, possibly. | 0:11:47 | 0:11:49 | |
How do you feel about the location? | 0:11:49 | 0:11:51 | |
The location is good in terms of surroundings. | 0:11:51 | 0:11:55 | |
The only thing I'm a bit worried about | 0:11:55 | 0:11:58 | |
-is the noise of the road behind. -There is a road there. | 0:11:58 | 0:12:01 | |
It is not like an A-road that you would find in a busy town, there | 0:12:01 | 0:12:04 | |
will be certain times of the day when it is used more than others. | 0:12:04 | 0:12:07 | |
-Sure. -But we can't get away from that fact that it's there. | 0:12:07 | 0:12:10 | |
-No, no. -Means you are well-connected, though. | 0:12:10 | 0:12:12 | |
Yes, yes, true. | 0:12:12 | 0:12:13 | |
Well, why don't we take a look inside and just see if, | 0:12:13 | 0:12:16 | |
once you've had a look at the house, if the feel of the house | 0:12:16 | 0:12:18 | |
perhaps overcomes your reservations about the road. | 0:12:18 | 0:12:21 | |
Yes, great. | 0:12:21 | 0:12:22 | |
OK? | 0:12:22 | 0:12:24 | |
The historic pedigree of this detached property | 0:12:24 | 0:12:27 | |
has been protected by a Grade-II listing. | 0:12:27 | 0:12:29 | |
But its conversion from an industrial granary into a home | 0:12:29 | 0:12:32 | |
is a successful blend of character and contemporary, | 0:12:32 | 0:12:36 | |
perfect for 21st-century living. | 0:12:36 | 0:12:39 | |
So, straight in. | 0:12:40 | 0:12:42 | |
It's all open-plan. | 0:12:42 | 0:12:44 | |
Let's take a look through here at the kitchen. | 0:12:44 | 0:12:47 | |
You've got a nice, country style kitchen, with lovely views | 0:12:47 | 0:12:50 | |
-out over the fields. -Yes. | 0:12:50 | 0:12:52 | |
-What do you think of the style of the kitchen? -Yeah, I like it. | 0:12:52 | 0:12:55 | |
Does open-plan grab you? Is that something you'd considered? | 0:12:55 | 0:12:57 | |
Yes, definitely. | 0:12:57 | 0:12:59 | |
It is quite nice, because the kitchen is separated off. | 0:12:59 | 0:13:01 | |
It is also very practical, because you have got a downstairs bathroom, | 0:13:01 | 0:13:04 | |
-and a really good-sized utility room. -Mm-hm. | 0:13:04 | 0:13:06 | |
What do you think, Morella? | 0:13:06 | 0:13:08 | |
It's nice, but I think it's a little small. A bit tiny. | 0:13:08 | 0:13:11 | |
Just wander through and take a look at this, because of course, | 0:13:11 | 0:13:14 | |
this is what the house is all about. It's all these original features. | 0:13:14 | 0:13:18 | |
The old uprights, original beams, stone wall. | 0:13:19 | 0:13:23 | |
Lovely fire. | 0:13:23 | 0:13:24 | |
-How does the fire grab you? -I love that fire, yeah. | 0:13:24 | 0:13:27 | |
That's brilliant. | 0:13:27 | 0:13:29 | |
-That's really cosy, isn't it? -And the seating area here. | 0:13:29 | 0:13:32 | |
You've got the patio doors there out into the garden. Love it. | 0:13:32 | 0:13:36 | |
This is a nice-sized room, though. It is a really good space. | 0:13:36 | 0:13:38 | |
I like this room. | 0:13:38 | 0:13:40 | |
-Can you hear the road? -No, not at all. | 0:13:40 | 0:13:43 | |
It gets quiet and peaceful. | 0:13:43 | 0:13:45 | |
OK, well, downstairs, as I say, it is just this really big, open-plan, | 0:13:45 | 0:13:49 | |
lovely space to live in. There are three good-sized bedrooms | 0:13:49 | 0:13:52 | |
upstairs, so shall we go and explore those? | 0:13:52 | 0:13:54 | |
-Great, yes. -Yes. | 0:13:54 | 0:13:57 | |
Despite initial concerns, Julie seems to be warming | 0:13:57 | 0:14:00 | |
to this unique property. Upstairs, there are three bedrooms | 0:14:00 | 0:14:04 | |
to choose from, two of which have built-in storage, | 0:14:04 | 0:14:07 | |
and make use of a half-tiled family bathroom. | 0:14:07 | 0:14:10 | |
And that leaves just the master suite. | 0:14:10 | 0:14:12 | |
So, upstairs you really get huge ceiling heights, fantastic, | 0:14:13 | 0:14:17 | |
and you've got the old A frame up there. | 0:14:17 | 0:14:20 | |
Amazing. Absolutely amazing. | 0:14:20 | 0:14:22 | |
Second sitting area in there, or dressing area, then you have got | 0:14:22 | 0:14:25 | |
-your en-suite bathroom. -Yes. | 0:14:25 | 0:14:27 | |
-What do you think? -Yeah. It's got everything, hasn't it? | 0:14:27 | 0:14:29 | |
-A bedroom with an en-suite is really good. -Yeah. | 0:14:29 | 0:14:32 | |
-I've never had one of those. -Yes, that would be nice. | 0:14:32 | 0:14:35 | |
And you've got a lovely view out over the farm's fields. | 0:14:35 | 0:14:37 | |
Yes, wake up to that every morning. | 0:14:37 | 0:14:39 | |
Look, I know that the garden is almost as important to you | 0:14:39 | 0:14:41 | |
as the house itself. You have got all these plans | 0:14:41 | 0:14:43 | |
for the animals that are going to join you when you live here, | 0:14:43 | 0:14:46 | |
so let's take a look at that, | 0:14:46 | 0:14:47 | |
and then I need you both to start thinking about price as well. | 0:14:47 | 0:14:50 | |
OK. | 0:14:50 | 0:14:51 | |
Mindful of Julia's desire to have more animals, | 0:14:54 | 0:14:57 | |
I hope the large garden to the rear | 0:14:57 | 0:14:59 | |
will give her ample space for her plans. | 0:14:59 | 0:15:01 | |
Mostly laid to lawn, | 0:15:01 | 0:15:02 | |
it lies right next to open fields, with far-reaching views. | 0:15:02 | 0:15:06 | |
So, a good-sized garden. | 0:15:06 | 0:15:08 | |
It is about a quarter of an acre. | 0:15:08 | 0:15:10 | |
And you get a lovely view of the property from here, | 0:15:10 | 0:15:13 | |
-see all its character. -It is lovely. | 0:15:13 | 0:15:16 | |
In terms of the garden, it is a little bit on the small size, | 0:15:16 | 0:15:20 | |
but it is a lovely garden. | 0:15:20 | 0:15:22 | |
Let me just talk to you about what the possibilities are | 0:15:22 | 0:15:24 | |
with the land, because, of course, | 0:15:24 | 0:15:26 | |
it looks out onto the farm's fields behind us. | 0:15:26 | 0:15:28 | |
And we have been told that there could perhaps be some negotiation | 0:15:28 | 0:15:30 | |
with the local farmer to get some extra land. | 0:15:30 | 0:15:32 | |
-So, that's an option there. -Oh, OK, yeah. | 0:15:32 | 0:15:34 | |
Let's move on to guessing the price, | 0:15:34 | 0:15:36 | |
because that might change things, it might clarify a few things for you. | 0:15:36 | 0:15:39 | |
What do you think this is on the market for? | 0:15:39 | 0:15:41 | |
-Who would like to go first? -Julie. | 0:15:41 | 0:15:42 | |
Oh, that's nice of you, Morella(!) Go on, then, Julie. | 0:15:42 | 0:15:45 | |
I think it's under. | 0:15:46 | 0:15:48 | |
I am going to go for £340,000. | 0:15:48 | 0:15:51 | |
-OK. Morella? -I think about £330,000. | 0:15:51 | 0:15:57 | |
Morella is bang on. | 0:15:57 | 0:15:59 | |
-It is actually... -I find that unbelievable! | 0:15:59 | 0:16:02 | |
It is actually offers in excess of £330,000. | 0:16:02 | 0:16:05 | |
-But that is certainly the guide price. -OK. | 0:16:05 | 0:16:08 | |
-OK, so you were both pretty close with that. -Yes. | 0:16:08 | 0:16:10 | |
You know the market round here for sure. | 0:16:10 | 0:16:13 | |
Why don't you go back in, take a look around, just admire | 0:16:13 | 0:16:16 | |
those features, and just spend some more time in it? | 0:16:16 | 0:16:19 | |
-OK. -Come and find me when you're ready. | 0:16:19 | 0:16:21 | |
Very comfortably below budget for offers over £330,000, | 0:16:24 | 0:16:29 | |
our first property is a detached Grade II-listed former granary, | 0:16:29 | 0:16:32 | |
with some interesting character features. | 0:16:32 | 0:16:36 | |
It comes with the requested three bedrooms, a spacious, open-plan | 0:16:36 | 0:16:40 | |
living and dining area, and with a quarter of an acre plot, there is | 0:16:40 | 0:16:45 | |
a decent amount of garden to keep a few small animals. | 0:16:45 | 0:16:48 | |
From the outside, I did like the look of it, | 0:16:48 | 0:16:51 | |
the stonework and the wood cladding. | 0:16:51 | 0:16:54 | |
Inside, it's got the period features, the beams, | 0:16:55 | 0:16:59 | |
the wood-burning fire, and it's all in very good decorative order. | 0:16:59 | 0:17:04 | |
The outside of the house is really important, | 0:17:04 | 0:17:06 | |
because of the amount of animals that she would like to have. | 0:17:06 | 0:17:10 | |
I don't think it is quite big enough, but it is a nice garden. | 0:17:10 | 0:17:13 | |
The third room's a bonus. She did say that she would be | 0:17:13 | 0:17:16 | |
quite happy with two bedrooms, but the third room is quite good. | 0:17:16 | 0:17:20 | |
I want this to be my forever home. | 0:17:20 | 0:17:22 | |
I need to feel that it's the right place, but not quite right. | 0:17:22 | 0:17:28 | |
-Hello. -Hello. | 0:17:31 | 0:17:32 | |
-Have you seen enough? -Yeah, I think so. | 0:17:32 | 0:17:35 | |
-We've got more to explore. -Great. | 0:17:35 | 0:17:37 | |
With their origins in medieval war horses | 0:17:45 | 0:17:47 | |
bred from stock brought over after the Norman conquest, | 0:17:47 | 0:17:50 | |
Britain's working horses, whether drawing carts | 0:17:50 | 0:17:53 | |
or tilling the fields, were once a common sight across the country. | 0:17:53 | 0:17:57 | |
However, during the first half of the 20th century, | 0:17:59 | 0:18:02 | |
oil-fuelled vehicles like tractors came to be seen as cheaper, | 0:18:02 | 0:18:06 | |
faster, and less demanding, | 0:18:06 | 0:18:08 | |
and so the nation's equine labour was slowly replaced. | 0:18:08 | 0:18:11 | |
But rising concern for the environment, | 0:18:12 | 0:18:15 | |
along with nostalgia for our agricultural heritage, | 0:18:15 | 0:18:18 | |
means some farmers are bringing horses back to the land. | 0:18:18 | 0:18:22 | |
We're sending animal-lover Julie along with Morella | 0:18:22 | 0:18:25 | |
to meet traditional farmer Ben May. | 0:18:25 | 0:18:28 | |
He's offered to show them how he uses shires to work | 0:18:28 | 0:18:31 | |
his 60 acres of Devon countryside. | 0:18:31 | 0:18:33 | |
-Hello. -Hello. -Welcome to Lower Upcott Farm. | 0:18:35 | 0:18:39 | |
Thank you, Ben. Thank you for having us. | 0:18:39 | 0:18:41 | |
So, what methods do you use here? | 0:18:41 | 0:18:43 | |
Well, we actually use our horses a lot to do our farm work, | 0:18:43 | 0:18:46 | |
so we do our haymaking with the horses and we do all our | 0:18:46 | 0:18:49 | |
sort of muck-spreading in the winter and then the rolling | 0:18:49 | 0:18:52 | |
and the harrowing in the spring. | 0:18:52 | 0:18:54 | |
And then we do a whole lot of horse logging work, | 0:18:54 | 0:18:57 | |
both on the farm and commercially. | 0:18:57 | 0:18:59 | |
I suppose it's a little bit like a 1940s farm, but we kind of | 0:18:59 | 0:19:02 | |
like to think we're the best of the past and the best of the future, | 0:19:02 | 0:19:07 | |
and that's how we try and do things. | 0:19:07 | 0:19:09 | |
So, Ben, why do you use these traditional methods? | 0:19:09 | 0:19:12 | |
I think it's that connection with the land that I like. | 0:19:12 | 0:19:15 | |
It means that sometimes you can get on the land just that much earlier | 0:19:15 | 0:19:18 | |
and you don't damage the land so much. | 0:19:18 | 0:19:20 | |
But, at the end of the day, it's a way of life. | 0:19:20 | 0:19:23 | |
How many horses do you have? | 0:19:23 | 0:19:24 | |
We've got six horses. | 0:19:24 | 0:19:25 | |
They're all different ages, so we've got some youngsters coming on. | 0:19:25 | 0:19:28 | |
Tom here is 17, so he's starting to get a little bit older. | 0:19:28 | 0:19:33 | |
I think Tom's getting a little bit keen to get on with some work, | 0:19:33 | 0:19:36 | |
so shall we move on and do some horse logging? | 0:19:36 | 0:19:39 | |
-Yeah. -Yeah, let's go, let's go. -OK. Come on, boy. | 0:19:39 | 0:19:41 | |
Shire horses are more manoeuvrable than tractors, | 0:19:43 | 0:19:46 | |
can deal with boggier and steeper terrain | 0:19:46 | 0:19:48 | |
and don't leave ruts in the land. | 0:19:48 | 0:19:51 | |
Ben and his horses often work for organisations like | 0:19:51 | 0:19:53 | |
The National Trust in environmentally sensitive locations. | 0:19:53 | 0:19:58 | |
Tom's task today is shifting some felled timber. | 0:19:58 | 0:20:01 | |
The woodland at the farm is mixed and includes some large oak, | 0:20:02 | 0:20:05 | |
along with smaller trees like ash, willow and hazel. | 0:20:05 | 0:20:09 | |
Over. Good boy, walk on. | 0:20:11 | 0:20:13 | |
As Ben is keen for his farm to be as self-sufficient as possible, | 0:20:13 | 0:20:17 | |
much of the wood is used to heat the farmhouse | 0:20:17 | 0:20:19 | |
or turned into charcoal. | 0:20:19 | 0:20:21 | |
And, whoa. | 0:20:21 | 0:20:23 | |
But Ben also uses offcuts in the farm workshop, | 0:20:23 | 0:20:26 | |
where he has another traditional technique | 0:20:26 | 0:20:28 | |
that Julie and Morella can turn their hands to. | 0:20:28 | 0:20:31 | |
So, I've got a piece of hazel here that's come up from the woods. | 0:20:33 | 0:20:36 | |
And we're going to make a parasol mushroom. | 0:20:36 | 0:20:39 | |
So, if you'd like to sit down and have a go, | 0:20:39 | 0:20:41 | |
and I'll just show you what you need to do. | 0:20:41 | 0:20:43 | |
If you put your two feet on each side of this, | 0:20:43 | 0:20:45 | |
then that's a vice for you, so it means you don't have to hold | 0:20:45 | 0:20:48 | |
the piece of wood while you're doing the work. | 0:20:48 | 0:20:50 | |
A draw knife is used to shave the end of the hazel pole, | 0:20:52 | 0:20:55 | |
which will form the stalk of the mushroom. | 0:20:55 | 0:20:57 | |
It's the same basic tool that was used in medieval times | 0:20:57 | 0:21:01 | |
to make chair legs. | 0:21:01 | 0:21:02 | |
Turn the piece of wood around. | 0:21:02 | 0:21:04 | |
And then keep going effectively until you've got a bit of a point. | 0:21:04 | 0:21:08 | |
Oh, that's great, Julie. Good stuff. Why don't you have a go, Morella? | 0:21:09 | 0:21:13 | |
-Your turn. -Love to. -BEN LAUGHS | 0:21:13 | 0:21:15 | |
Using the wood from his mixed woodland, | 0:21:15 | 0:21:17 | |
Ben makes a range of cottage crafts, | 0:21:17 | 0:21:19 | |
from furniture to signs and decorative items. | 0:21:19 | 0:21:23 | |
That's it. Good stuff. I think that's great. What I'll do now is... | 0:21:24 | 0:21:28 | |
I'll just take this out and we'll put it together. | 0:21:28 | 0:21:30 | |
We've got this here, and then that goes on here. | 0:21:30 | 0:21:33 | |
-So, there we go. -Great. | 0:21:34 | 0:21:36 | |
THEY LAUGH | 0:21:36 | 0:21:37 | |
-Thank you very much. -Pleasure! | 0:21:37 | 0:21:40 | |
One handcrafted garden mushroom completed, it's time to turn | 0:21:40 | 0:21:44 | |
our attention back to finding Julie her own piece of Devon countryside, | 0:21:44 | 0:21:49 | |
as we get back to our house-hunt. | 0:21:49 | 0:21:51 | |
Our property search is heading to the hamlet of West Anstey. | 0:21:53 | 0:21:57 | |
A picturesque hamlet right on the edge of the Exmoor National Park, | 0:21:58 | 0:22:01 | |
this is a rural location with all the walks, | 0:22:01 | 0:22:03 | |
woodlands and wildlife you could hope for. | 0:22:03 | 0:22:06 | |
And when it comes to local amenities, | 0:22:06 | 0:22:08 | |
the small town of Dulverton is a five-mile drive away, | 0:22:08 | 0:22:11 | |
just over the border and into Somerset. | 0:22:11 | 0:22:14 | |
There's a good mix of local businesses, | 0:22:14 | 0:22:16 | |
including a post office, takeaways and pubs, | 0:22:16 | 0:22:19 | |
along with an interesting array of shops. | 0:22:19 | 0:22:21 | |
But it's a short drive into the surrounding countryside | 0:22:23 | 0:22:26 | |
where we find the house I want Julie to see. | 0:22:26 | 0:22:28 | |
JULIE GASPS So, this is what I brought you to see. | 0:22:29 | 0:22:32 | |
Oh! GINNY LAUGHS | 0:22:32 | 0:22:33 | |
-Oh, my word. -Come on closer. | 0:22:33 | 0:22:35 | |
Take a proper look! | 0:22:35 | 0:22:37 | |
THEY LAUGH | 0:22:37 | 0:22:39 | |
-I like this, Julie. -Oh! Wow. | 0:22:39 | 0:22:41 | |
This looks really lovely. | 0:22:41 | 0:22:43 | |
-That's a brilliant, positive reaction. -Oh, yeah. | 0:22:43 | 0:22:46 | |
-And the view, look at that! -Yeah. | 0:22:46 | 0:22:47 | |
-It's a fantastic view, isn't it? -Oh, it's amazing. | 0:22:47 | 0:22:50 | |
I take it this meets with approval. | 0:22:50 | 0:22:52 | |
I like the look of this house. | 0:22:52 | 0:22:54 | |
Quite an interesting, quirky layout that... | 0:22:54 | 0:22:56 | |
I have a feeling it might suit you. | 0:22:56 | 0:22:58 | |
I guess the really outstanding feature is... | 0:22:58 | 0:23:02 | |
-The view. -That's amazing. | 0:23:02 | 0:23:03 | |
-The view is gorgeous. -Stunning. | 0:23:03 | 0:23:06 | |
-QUIETLY: -And it's quiet. | 0:23:06 | 0:23:09 | |
-It's fantastic. -It's so quiet. -You look quite emotional. | 0:23:09 | 0:23:12 | |
-I know, it's lovely! -THEY LAUGH | 0:23:12 | 0:23:14 | |
The house looks really nice. | 0:23:15 | 0:23:17 | |
The garden's pretty as well, isn't it? | 0:23:17 | 0:23:20 | |
I couldn't have asked for a better reaction to the outside, | 0:23:20 | 0:23:23 | |
so why don't we go in and explore and see if we can keep that | 0:23:23 | 0:23:26 | |
-very big smile on your face? -Yes, please. | 0:23:26 | 0:23:28 | |
Well, that's exactly the response I was hoping for. | 0:23:30 | 0:23:33 | |
The breathtaking location is a clear winner, | 0:23:33 | 0:23:36 | |
but I wonder what they'll make of the house. | 0:23:36 | 0:23:38 | |
It dates back to 1870 and is actually a former schoolhouse, | 0:23:38 | 0:23:42 | |
until it was lovingly converted under its old slate roof. | 0:23:42 | 0:23:45 | |
-So, we come straight into the entrance hall. -Oh! | 0:23:47 | 0:23:49 | |
Now, this would have been the old kitchen in the old house. | 0:23:49 | 0:23:53 | |
From this large hallway, which is doubling up as a snug, | 0:23:54 | 0:23:57 | |
the ground floor of the property is split into two halves. | 0:23:57 | 0:24:00 | |
In the right-hand side, which is the original part of the building, | 0:24:00 | 0:24:03 | |
there's also a sitting room and stairs up to the first floor, | 0:24:03 | 0:24:07 | |
but first for us is the newer extended wing | 0:24:07 | 0:24:09 | |
over on the left-hand side. | 0:24:09 | 0:24:11 | |
The extension through here was done 15 years ago, | 0:24:11 | 0:24:13 | |
so actually, there's a fantastic-sized kitchen-diner | 0:24:13 | 0:24:16 | |
that I'm sure you'll be looking forward to seeing. | 0:24:16 | 0:24:18 | |
Hey, I like this! | 0:24:18 | 0:24:21 | |
-Look at the smile! -I like this, Julie. | 0:24:21 | 0:24:23 | |
What do you like about it? | 0:24:23 | 0:24:24 | |
-It's really nice and warm. -I love it. | 0:24:24 | 0:24:27 | |
-She likes it. -JULIE LAUGHS | 0:24:27 | 0:24:29 | |
-She likes it! -THEY LAUGH | 0:24:29 | 0:24:31 | |
What do you like about it, Julie? | 0:24:31 | 0:24:33 | |
Well, it's not just a square box. I just love the units. | 0:24:34 | 0:24:36 | |
It's a bit quirky, cos you've got to step down. It's just lovely. | 0:24:36 | 0:24:41 | |
-You've got a little courtyard there. -I love it. | 0:24:41 | 0:24:43 | |
There's another entrance through the side to the back of the house. | 0:24:43 | 0:24:46 | |
In there is a boot room, a downstairs bathroom, | 0:24:46 | 0:24:50 | |
so if you were out with the dogs, you can come in and get rid | 0:24:50 | 0:24:53 | |
of your dirty, muddy boots and clean the dogs off in there. | 0:24:53 | 0:24:56 | |
I'm a bit overwhelmed, I have to say. | 0:24:56 | 0:24:58 | |
JULIE LAUGHS | 0:24:58 | 0:24:59 | |
I've just got a really good feeling. | 0:24:59 | 0:25:01 | |
-It's nice to see such big smiles on your faces. -Yeah. -Really like it. | 0:25:01 | 0:25:04 | |
Well, we've still got more to explore. | 0:25:04 | 0:25:06 | |
Let's wander through into the sitting room. | 0:25:06 | 0:25:08 | |
-This is nice. -It's nice, isn't it? | 0:25:15 | 0:25:17 | |
We've a second log-burning stove and some nice views. | 0:25:17 | 0:25:20 | |
-Oh, it's lovely. -It's really bright and cheerful. | 0:25:20 | 0:25:23 | |
It's small, but it's perfect for what I want. | 0:25:23 | 0:25:27 | |
-It's cosy, isn't it? -Oh, lovely. | 0:25:27 | 0:25:29 | |
-Are you still getting that nice feeling? -Yes. -Mmm. | 0:25:29 | 0:25:31 | |
-Just as excited! -SHE LAUGHS | 0:25:31 | 0:25:34 | |
-Are you? -I love it. | 0:25:34 | 0:25:36 | |
JULIE LAUGHS | 0:25:36 | 0:25:37 | |
Good. | 0:25:37 | 0:25:38 | |
'I think it's safe to say that this property is really tugging | 0:25:38 | 0:25:41 | |
'on Julie's heartstrings, | 0:25:41 | 0:25:43 | |
'as the ground floor rooms have obviously resonated with her. | 0:25:43 | 0:25:46 | |
'I just hope the feeling continues upstairs. | 0:25:46 | 0:25:49 | |
'Here there's a bright family bathroom and three bedrooms. | 0:25:49 | 0:25:53 | |
'All are comfy doubles and two feature double-aspect windows, | 0:25:53 | 0:25:56 | |
'allowing the light to flood in. | 0:25:56 | 0:25:58 | |
'And those beautiful views across lush farmland draw you in | 0:25:58 | 0:26:02 | |
'as soon as you step inside the rooms. | 0:26:02 | 0:26:05 | |
'That leaves just one more bedroom to see, and that's the master.' | 0:26:06 | 0:26:09 | |
-You can see the character of the property here. -Yeah. -It's nice. | 0:26:12 | 0:26:14 | |
It's nice, isn't it? | 0:26:14 | 0:26:16 | |
-The views are superb, aren't they, really? -Yeah, I really like it. | 0:26:16 | 0:26:20 | |
What are you looking worried about? You look really worried! | 0:26:20 | 0:26:22 | |
THEY LAUGH | 0:26:22 | 0:26:24 | |
-What's going through your mind? -I'm...waiting for something to be wrong! | 0:26:24 | 0:26:27 | |
-Are you waiting for the "but"? -Yes. -OK! | 0:26:27 | 0:26:29 | |
It's just been so lovely so far. | 0:26:29 | 0:26:31 | |
Although Julie's a little anxious, | 0:26:32 | 0:26:34 | |
I'm confident the outside space will also deliver, | 0:26:34 | 0:26:37 | |
so we're heading downstairs to throw open the door | 0:26:37 | 0:26:40 | |
and explore the garden. | 0:26:40 | 0:26:41 | |
It's mostly laid to lawn, framed by beech hedging, | 0:26:41 | 0:26:44 | |
but what hits you straight away has to be that incredible vista | 0:26:44 | 0:26:48 | |
across deeply rural Devonshire fields. | 0:26:48 | 0:26:51 | |
But if we take our attention back to what's on offer with this property, | 0:26:52 | 0:26:55 | |
I've got something else to reveal. | 0:26:55 | 0:26:57 | |
The sunsets are just over there in the west, | 0:26:58 | 0:27:01 | |
-and they're apparently absolutely beautiful. -Perfect. | 0:27:01 | 0:27:03 | |
I'll have a west-facing back garden. | 0:27:03 | 0:27:05 | |
-Yeah. -So, you've probably noticed the barn, | 0:27:05 | 0:27:07 | |
the old barn there in the corner with the stables. | 0:27:07 | 0:27:09 | |
You're probably going to need that, I'd have thought, | 0:27:09 | 0:27:11 | |
cos with this property you also get over two acres of land. | 0:27:11 | 0:27:14 | |
JULIE GASPS | 0:27:14 | 0:27:15 | |
-Oh! -Oh...! | 0:27:15 | 0:27:17 | |
Oh, my goodness! | 0:27:17 | 0:27:19 | |
Don't, you're going to start me off! | 0:27:19 | 0:27:22 | |
Oh, my goodness. | 0:27:22 | 0:27:24 | |
My heart's going like mad. | 0:27:24 | 0:27:26 | |
I'm just so excited about it! | 0:27:27 | 0:27:29 | |
-I'm just praying the price is OK. -OK. | 0:27:29 | 0:27:32 | |
-So, would you like to go and explore the rest of the land? -Yes, please! -THEY LAUGH | 0:27:32 | 0:27:36 | |
Beyond the stable block are three paddocks currently used for horses. | 0:27:37 | 0:27:42 | |
But with two acres of land, | 0:27:43 | 0:27:44 | |
there should be enough room for even more animals. | 0:27:44 | 0:27:46 | |
-I could have sheep as well! -THEY LAUGH | 0:27:48 | 0:27:50 | |
That's more than enough. That's fantastic. | 0:27:52 | 0:27:55 | |
Morella, you know Julie well. | 0:27:55 | 0:27:57 | |
Is this the kind of place you could see her being? | 0:27:57 | 0:27:59 | |
I think this is a place that she would find herself at home. | 0:27:59 | 0:28:04 | |
And now comes the difficult bit, | 0:28:04 | 0:28:06 | |
cos I have to ask you to guess the price. | 0:28:06 | 0:28:07 | |
I'm going to say 375. | 0:28:07 | 0:28:10 | |
I'm thinking 385, 90 maybe. | 0:28:10 | 0:28:14 | |
Let me put you both out of your misery. | 0:28:14 | 0:28:16 | |
Julie... | 0:28:16 | 0:28:17 | |
-You are absolutely spot-on. -Oh! | 0:28:17 | 0:28:20 | |
-Wow! I'm so happy! -THEY LAUGH | 0:28:20 | 0:28:23 | |
I am so happy. | 0:28:23 | 0:28:24 | |
It's on the market for £375,000, | 0:28:24 | 0:28:27 | |
and there could potentially be a small amount of negotiation | 0:28:27 | 0:28:30 | |
on that price as well. | 0:28:30 | 0:28:31 | |
Oh! | 0:28:31 | 0:28:32 | |
JULIE LAUGHS | 0:28:32 | 0:28:35 | |
That's brilliant! | 0:28:35 | 0:28:37 | |
Now, I know the land has always been | 0:28:37 | 0:28:38 | |
something that really matters to you, | 0:28:38 | 0:28:40 | |
so I would normally say go back in | 0:28:40 | 0:28:42 | |
and have another look around the house, | 0:28:42 | 0:28:43 | |
but why don't you just go and explore the land? | 0:28:43 | 0:28:46 | |
-Will do. -OK, off you go. Go on! | 0:28:46 | 0:28:48 | |
This is absolutely brilliant. I'm so thrilled for Julie. | 0:28:49 | 0:28:54 | |
You can see the emotion in her. It's making me feel emotional. | 0:28:54 | 0:28:57 | |
She just seems to have found somewhere | 0:28:57 | 0:28:59 | |
that has really struck a chord with her heart. | 0:28:59 | 0:29:01 | |
It's wonderful. | 0:29:01 | 0:29:02 | |
Hello. | 0:29:02 | 0:29:04 | |
Oh, beautiful. | 0:29:04 | 0:29:05 | |
This is perfect. | 0:29:05 | 0:29:06 | |
On budget with a price tag of £375,000, | 0:29:08 | 0:29:12 | |
this proposition is indeed a perfect match to Julie's wish list. | 0:29:12 | 0:29:16 | |
A detached Victorian property, | 0:29:16 | 0:29:19 | |
it has three bedrooms and the large kitchen-diner she wants | 0:29:19 | 0:29:22 | |
along with a sitting room featuring views out to the garden. | 0:29:22 | 0:29:26 | |
A whopping two acres of land should be more than ample | 0:29:26 | 0:29:28 | |
for chickens and rescue ponies. | 0:29:28 | 0:29:31 | |
And the stunning, peaceful location seems to be spot-on. | 0:29:31 | 0:29:34 | |
I loved this house right from the word go. | 0:29:36 | 0:29:39 | |
I like the outside, the views are just stunning. | 0:29:39 | 0:29:43 | |
Inside, the kitchen, it's got lots of features, | 0:29:43 | 0:29:47 | |
the lovely bare wood, the wood-burning stoves. | 0:29:47 | 0:29:52 | |
I could see in Julie's face that she loved it. | 0:29:52 | 0:29:54 | |
It was written all over her face, so... | 0:29:54 | 0:29:57 | |
And then when we went inside, she fell in love even more with it, | 0:29:57 | 0:30:00 | |
and then when she saw the land, that finished it. | 0:30:00 | 0:30:03 | |
The two acres of land is just amazing. | 0:30:03 | 0:30:06 | |
It's just incredible. I'm so happy. | 0:30:06 | 0:30:08 | |
-Have you had a good explore? -Oh, we have, we have. | 0:30:10 | 0:30:13 | |
-And that smile's still on your face. -Yes! I want to stay! | 0:30:13 | 0:30:16 | |
Well, you can't, because the search isn't over and there's more to see, | 0:30:16 | 0:30:19 | |
-so I need to drag you away, I'm afraid. -OK. -Come on. | 0:30:19 | 0:30:22 | |
It's the start of our second day of property shopping | 0:30:36 | 0:30:39 | |
for animal-loving Julie from Shoreham-by-Sea in West Sussex, | 0:30:39 | 0:30:42 | |
who's chosen to get away from it all in the county of Devon. | 0:30:42 | 0:30:46 | |
With a budget of £375,000, | 0:30:46 | 0:30:49 | |
she's brought her friend Morella along to help her find | 0:30:49 | 0:30:52 | |
a dream country home with some land. | 0:30:52 | 0:30:55 | |
So far, we've visited an ideal house that could prove hard to beat. | 0:30:56 | 0:30:59 | |
I'm just so excited about it. | 0:31:01 | 0:31:03 | |
But still to come, | 0:31:03 | 0:31:05 | |
our Mystery House puts her right in the thick of things | 0:31:05 | 0:31:07 | |
with an alternative outlook and style. | 0:31:07 | 0:31:10 | |
-What do you think? -It's different. | 0:31:11 | 0:31:13 | |
THEY LAUGH | 0:31:13 | 0:31:15 | |
Different in a good way, different in a bad way? | 0:31:15 | 0:31:17 | |
It looks very attractive, actually. | 0:31:17 | 0:31:19 | |
And I'm joining the harvest when I visit a traditional Devon orchard | 0:31:19 | 0:31:23 | |
and then enjoy the fruits of our labour. | 0:31:23 | 0:31:25 | |
It's so sweet and zingy and fresh-tasting. | 0:31:25 | 0:31:29 | |
It's the second day of our house-hunt here in Devon | 0:31:31 | 0:31:33 | |
and what became clear yesterday | 0:31:33 | 0:31:35 | |
was the land is as important to Julie as the house itself. | 0:31:35 | 0:31:38 | |
Well, we'll be putting that to the test with our Mystery House, | 0:31:38 | 0:31:41 | |
which will offer Julie a slice of village life | 0:31:41 | 0:31:44 | |
in the heart of a thriving community. | 0:31:44 | 0:31:47 | |
But first, we're off to see a property that would allow Julie | 0:31:47 | 0:31:49 | |
to put her own stamp on her home here in Devon. | 0:31:49 | 0:31:52 | |
How will she feel about a challenge like that? | 0:31:52 | 0:31:55 | |
To start the day we're heading closer towards the north coast | 0:31:57 | 0:32:00 | |
and our destination is just outside the village of Parkham. | 0:32:00 | 0:32:03 | |
Being a small rural place, | 0:32:03 | 0:32:05 | |
there aren't too many amenities in the village | 0:32:05 | 0:32:07 | |
but there is a thatched 13th-century cob-walled pub | 0:32:07 | 0:32:11 | |
and a 14th-century church. | 0:32:11 | 0:32:14 | |
The village is less than a mile from the next house, | 0:32:14 | 0:32:16 | |
and so within walking distance for Julie and her dogs. | 0:32:16 | 0:32:19 | |
Passing through agricultural farmland, | 0:32:19 | 0:32:22 | |
off the beaten track and up an unadopted road, | 0:32:22 | 0:32:24 | |
we come to the property we're here to see. | 0:32:24 | 0:32:27 | |
Here we go. | 0:32:29 | 0:32:30 | |
It's a very, very pretty 19th-century cottage. | 0:32:30 | 0:32:33 | |
What do you think? | 0:32:33 | 0:32:35 | |
-Yeah, I love it. -It's really pretty. -It's really pretty. | 0:32:35 | 0:32:37 | |
The fact that it's detached, is that a positive? | 0:32:37 | 0:32:40 | |
That's a positive, definitely. I'm more than happy so far. | 0:32:40 | 0:32:43 | |
What do you think of the location? | 0:32:43 | 0:32:45 | |
Yeah, it's lovely. Really peaceful. It's lovely. | 0:32:45 | 0:32:48 | |
You're 20 minutes' walk from some very beautiful beaches | 0:32:48 | 0:32:51 | |
and from the coast, | 0:32:51 | 0:32:53 | |
so here you really do have the best of both worlds - | 0:32:53 | 0:32:55 | |
you've got coast and you've got countryside. | 0:32:55 | 0:32:57 | |
How does that sound? | 0:32:57 | 0:32:59 | |
That sounds fantastic. | 0:32:59 | 0:33:00 | |
We are up a real old country lane here. | 0:33:00 | 0:33:03 | |
A good chance you might get snowed in when that snow comes. | 0:33:03 | 0:33:06 | |
That's what I want. | 0:33:06 | 0:33:07 | |
-THEY LAUGH -I love the snow. | 0:33:07 | 0:33:10 | |
I'd just love to be stuck in the middle of nowhere. | 0:33:10 | 0:33:12 | |
Why don't we go and take a look inside the house? | 0:33:12 | 0:33:14 | |
-I think we're off to a really good start with this one. -Yeah. | 0:33:14 | 0:33:17 | |
Originally starting life as two separate cottages | 0:33:19 | 0:33:21 | |
in the early 1800s, but later knocked into one, | 0:33:21 | 0:33:25 | |
this pretty property is nestled on the hillside, | 0:33:25 | 0:33:28 | |
looking out over uninterrupted views, | 0:33:28 | 0:33:30 | |
surrounded by a generous garden | 0:33:30 | 0:33:32 | |
with steps that take us down to the patio and front porch. | 0:33:32 | 0:33:35 | |
So we come straight into the kitchen. | 0:33:37 | 0:33:40 | |
What I really love about this house | 0:33:40 | 0:33:42 | |
is that it's so snug and so cosy with lots of character. | 0:33:42 | 0:33:46 | |
You've got a friend there in the corner. | 0:33:46 | 0:33:47 | |
I know - you and your animals! | 0:33:47 | 0:33:49 | |
-Is he staying? -THEY GIGGLE | 0:33:49 | 0:33:51 | |
Sadly, he's not. | 0:33:51 | 0:33:53 | |
I like the units. I like it. | 0:33:53 | 0:33:55 | |
What do you think, Morella? | 0:33:55 | 0:33:57 | |
You're quiet, you're quiet. | 0:33:57 | 0:33:59 | |
-I mean, it's a nice little kitchen. -It's got everything. It feels nice. | 0:33:59 | 0:34:04 | |
So I'm quite happy with it, actually. | 0:34:04 | 0:34:07 | |
-It's cosy, isn't it? -Yeah. | 0:34:07 | 0:34:10 | |
Let's go off and explore the rest of the downstairs. | 0:34:10 | 0:34:13 | |
A long, wide property, this home is just one room deep. | 0:34:14 | 0:34:18 | |
On the ground floor, the kitchen leads to two reception rooms. | 0:34:18 | 0:34:22 | |
Right next door to the kitchen is the first of these, | 0:34:22 | 0:34:25 | |
currently used as a cosy snug with a stove. | 0:34:25 | 0:34:28 | |
Then neighbouring this is the main living room, | 0:34:28 | 0:34:30 | |
which has a big feature fireplace. | 0:34:30 | 0:34:33 | |
Wow! | 0:34:33 | 0:34:36 | |
Oh, Morella, look at that. | 0:34:36 | 0:34:37 | |
-What a lovely fireplace. -A bread oven. | 0:34:37 | 0:34:39 | |
-Yeah. -It's welcoming. | 0:34:39 | 0:34:42 | |
That is, isn't it? | 0:34:42 | 0:34:43 | |
-And it's cosy, as well. -It's beautiful. -Yeah. | 0:34:43 | 0:34:46 | |
So just imagine getting snowed in - | 0:34:46 | 0:34:48 | |
you'd have every excuse just to sit by this fire day after day. | 0:34:48 | 0:34:52 | |
I'd love it. | 0:34:52 | 0:34:53 | |
It feels really nice and warm, homely. | 0:34:55 | 0:34:59 | |
It's got a very nice flow through. | 0:35:00 | 0:35:03 | |
I can see myself here. | 0:35:03 | 0:35:05 | |
The fact that Julie is picturing herself here is | 0:35:05 | 0:35:08 | |
a really encouraging sign. | 0:35:08 | 0:35:10 | |
Upstairs, there are three equally charming bedrooms | 0:35:10 | 0:35:13 | |
and the family bathroom. | 0:35:13 | 0:35:15 | |
One of the bedrooms is a good-sized double, | 0:35:15 | 0:35:17 | |
another is slightly smaller with bunk beds. | 0:35:17 | 0:35:20 | |
And, finally, the one where Julie might sleep. | 0:35:20 | 0:35:23 | |
So this is the master bedroom. | 0:35:23 | 0:35:25 | |
It's nice and bright and airy. What do you think? | 0:35:25 | 0:35:28 | |
First impressions, yeah, good. | 0:35:28 | 0:35:30 | |
I like it. I do like the fitted wardrobes. | 0:35:30 | 0:35:33 | |
I can see I could maybe change a few things in here, | 0:35:33 | 0:35:37 | |
reveal the floor again. | 0:35:37 | 0:35:38 | |
Yeah, I think make my mark on this, as well. | 0:35:38 | 0:35:41 | |
-It's a really nice-sized room. -Mm-hm. | 0:35:41 | 0:35:43 | |
I guess you wouldn't have to do that immediately. | 0:35:43 | 0:35:45 | |
-No, I mean, it's liveable as it is at the moment. -Mm, perfectly. | 0:35:45 | 0:35:49 | |
There's nothing that she has to change straightaway, | 0:35:49 | 0:35:52 | |
because it all looks quite... It looks quite nice, doesn't it? | 0:35:52 | 0:35:55 | |
Mm-hmm. | 0:35:55 | 0:35:56 | |
Now one thing that I've realised about you is that, | 0:35:56 | 0:36:00 | |
as much as the house has to be great, | 0:36:00 | 0:36:02 | |
it's the outside that matters, just as much. | 0:36:02 | 0:36:04 | |
Let's not keep you in suspense any longer, | 0:36:04 | 0:36:06 | |
let's go and explore outside. | 0:36:06 | 0:36:09 | |
Back through the house and outside, steps lead up to an extensive garden | 0:36:09 | 0:36:13 | |
and the first of a number of lawn terraces. | 0:36:13 | 0:36:17 | |
As you can see, it's long and it's narrow, | 0:36:17 | 0:36:19 | |
-but it is actually quite a good size. -Mm-hm. | 0:36:19 | 0:36:22 | |
OK, so you've got the area down at the bottom | 0:36:22 | 0:36:24 | |
that you could easily keep chickens in. | 0:36:24 | 0:36:26 | |
Then you've got the stepped areas here with some amazing views | 0:36:26 | 0:36:30 | |
from the area up at the top where there's a pretty garden swing. | 0:36:30 | 0:36:33 | |
It is long and thin. | 0:36:33 | 0:36:35 | |
I'm not sure whether it's big enough. | 0:36:35 | 0:36:38 | |
I'm not going to be able to spring a surprise on you like yesterday. | 0:36:38 | 0:36:41 | |
However, the farmer who lives just down the lane | 0:36:41 | 0:36:43 | |
manages and farms all the land around here | 0:36:43 | 0:36:45 | |
and there could be a conversation to be had with him | 0:36:45 | 0:36:48 | |
about potentially leasing some land. | 0:36:48 | 0:36:50 | |
I always felt that as long as there was that possibility, | 0:36:50 | 0:36:53 | |
I wouldn't rule it out, definitely. | 0:36:53 | 0:36:56 | |
There may not be acres, but I'm glad Julie is keeping an open mind | 0:36:56 | 0:37:01 | |
regarding the potential here. | 0:37:01 | 0:37:02 | |
'And up a few more small steps is a vantage point | 0:37:02 | 0:37:05 | |
'that might persuade her further.' | 0:37:05 | 0:37:08 | |
-The climb is worth it, isn't it? -Mmm. | 0:37:08 | 0:37:10 | |
It's really pretty. | 0:37:10 | 0:37:12 | |
That's beautiful. That's idyllic countryside, isn't it? | 0:37:12 | 0:37:15 | |
-It's just.... Yeah. -It is lovely. | 0:37:15 | 0:37:18 | |
So what do you think this one is on the market for? | 0:37:18 | 0:37:21 | |
I think, although it hasn't got the land, | 0:37:21 | 0:37:23 | |
I think because of the location, | 0:37:23 | 0:37:25 | |
I think I'm going to be optimistic and say 360. | 0:37:25 | 0:37:28 | |
-I would have said that, as well. -OK. | 0:37:28 | 0:37:31 | |
-Well, you can both... -You can say that. | 0:37:31 | 0:37:33 | |
I think around that price, I think she's right. | 0:37:33 | 0:37:36 | |
I'm sorry to say that you are both wrong, unfortunately. | 0:37:36 | 0:37:39 | |
-It actually on the market for less than that. -Wow. | 0:37:39 | 0:37:42 | |
It's on for £315,000. | 0:37:42 | 0:37:45 | |
-That's quite a drop, isn't it, to what we thought? -Wow! | 0:37:45 | 0:37:48 | |
-Wow, now that puts... -Things into perspective. -Yeah. | 0:37:50 | 0:37:53 | |
Wow, that's amazing. 315. | 0:37:54 | 0:37:57 | |
Yeah, that is such good news. | 0:37:57 | 0:38:00 | |
That gives me a nice little bit of money | 0:38:00 | 0:38:02 | |
to do what I really want to do. | 0:38:02 | 0:38:04 | |
A lot to see, a lot to think about at this point. | 0:38:04 | 0:38:06 | |
Why don't you wander back inside? | 0:38:06 | 0:38:08 | |
-Start thinking about where you could put your own stamp on it. -OK. | 0:38:08 | 0:38:10 | |
-Off you go. Come and find me when you're ready. -OK, thanks. | 0:38:10 | 0:38:14 | |
What a fantastic reaction. | 0:38:17 | 0:38:18 | |
I really thought that yesterday was all sewn up. | 0:38:18 | 0:38:21 | |
We'd seen that property. Julie was so emotional about it. | 0:38:21 | 0:38:25 | |
But now I think there could be a battle on the cards. | 0:38:25 | 0:38:28 | |
A huge £60,000 below budget, | 0:38:29 | 0:38:32 | |
this detached 19th-century property could be another contender. | 0:38:32 | 0:38:37 | |
It has a cottage kitchen, two reception rooms, | 0:38:37 | 0:38:40 | |
three bedrooms and a garden that wraps around the property. | 0:38:40 | 0:38:44 | |
And the location is in a blissful spot, | 0:38:44 | 0:38:46 | |
offering a great deal of privacy and calm. | 0:38:46 | 0:38:49 | |
I was amazed with the price. That was such good news to the ear. | 0:38:49 | 0:38:53 | |
It's really thrown the cat amongst the pigeons. | 0:38:53 | 0:38:56 | |
Um, I really like it. | 0:38:56 | 0:38:58 | |
After yesterday, I didn't think anything would beat that, | 0:38:58 | 0:39:00 | |
but I can see such a lot of potential here, | 0:39:00 | 0:39:03 | |
lots of different things that I could do. | 0:39:03 | 0:39:05 | |
How about if we could maybe knock through here | 0:39:05 | 0:39:10 | |
to open up this space into a kitchen-diner? | 0:39:10 | 0:39:13 | |
It'll make it a nice space if you take that wall down. | 0:39:13 | 0:39:17 | |
That's definitely a possibility. | 0:39:17 | 0:39:19 | |
-It's not something that you have to do straightaway, is it? -No. | 0:39:19 | 0:39:22 | |
I think Julie has got more potential of making it her own here. | 0:39:22 | 0:39:26 | |
It's a little bit remote, and that's what she likes. | 0:39:26 | 0:39:29 | |
So, er...I think, ideally, this could be the place for her. | 0:39:29 | 0:39:33 | |
I'm just admiring this beautiful courtyard garden. | 0:39:35 | 0:39:37 | |
There's so much going on with this house. | 0:39:37 | 0:39:40 | |
There is so much you could do with it, yeah. | 0:39:40 | 0:39:42 | |
How are you feeling? | 0:39:42 | 0:39:44 | |
A bit overwhelmed again. | 0:39:44 | 0:39:46 | |
Guess what? | 0:39:46 | 0:39:47 | |
You've got the Mystery House to see next. Come on. | 0:39:47 | 0:39:50 | |
Just 50 years ago, the county of Devon had one of the highest | 0:39:59 | 0:40:03 | |
concentrations of traditional orchards in the country | 0:40:03 | 0:40:06 | |
and the area was once known as the cider capital of England. | 0:40:06 | 0:40:09 | |
But now that a significant proportion of our apples | 0:40:09 | 0:40:12 | |
are imported, or commercially farmed, | 0:40:12 | 0:40:15 | |
many heritage varieties are under threat, | 0:40:15 | 0:40:17 | |
along with the wildlife which depends on these orchard ecosystems. | 0:40:17 | 0:40:21 | |
So to find out about the importance of preserving | 0:40:21 | 0:40:24 | |
our traditional orchards, I've come to meet Ed Nicholson, | 0:40:24 | 0:40:27 | |
head ranger of the Killerton Estate, near Broadclyst, | 0:40:27 | 0:40:30 | |
where the apple harvest is in full swing. | 0:40:30 | 0:40:33 | |
Just walking through here on this beautiful sunny day, | 0:40:33 | 0:40:36 | |
surrounded by apple trees, | 0:40:36 | 0:40:39 | |
you would be forgiven for thinking that small orchards like this | 0:40:39 | 0:40:42 | |
are alive and well and thriving here in Devon, | 0:40:42 | 0:40:44 | |
but sadly that's not the case, is it? | 0:40:44 | 0:40:46 | |
No, not really. | 0:40:46 | 0:40:47 | |
Across the region we've lost about 90% of the orchards | 0:40:47 | 0:40:50 | |
here in the south-west. | 0:40:50 | 0:40:52 | |
How is that happening? | 0:40:52 | 0:40:53 | |
Obviously, the demand for apples is still there - | 0:40:53 | 0:40:55 | |
people want to eat them, they want to drink apple juice, | 0:40:55 | 0:40:58 | |
they want to drink cider. | 0:40:58 | 0:40:59 | |
They do, the demand's higher than ever, really. | 0:40:59 | 0:41:01 | |
To harvest apples from these sorts of trees, basically, | 0:41:01 | 0:41:04 | |
is very labour-intensive. | 0:41:04 | 0:41:05 | |
So what we're doing, we're just sticking to a few mainstream | 0:41:05 | 0:41:08 | |
varieties that are easy and less complex to grow | 0:41:08 | 0:41:11 | |
and all these traditional trees are just disappearing. | 0:41:11 | 0:41:14 | |
To a greater or lesser degree, yeah. | 0:41:14 | 0:41:17 | |
Why is it important that orchards like this, | 0:41:17 | 0:41:19 | |
these smaller orchards, thrive? | 0:41:19 | 0:41:21 | |
These are a really special habitat. | 0:41:21 | 0:41:23 | |
You can just feel it on a day like this, | 0:41:23 | 0:41:25 | |
it's a magical place to be. | 0:41:25 | 0:41:27 | |
So calm, so peaceful, and yet they're just so right for wildlife. | 0:41:27 | 0:41:31 | |
Basically, we use 100% of the fruit that's in these orchards. | 0:41:31 | 0:41:35 | |
Only 50% of it goes for humans, | 0:41:35 | 0:41:37 | |
50% of it, we leave behind for the overwintering birds, | 0:41:37 | 0:41:40 | |
the insects and all of the cycles that go on with that. | 0:41:40 | 0:41:43 | |
These particular trees, they're very old, | 0:41:43 | 0:41:45 | |
they're quite gnarly and basically they've got | 0:41:45 | 0:41:47 | |
a lot of lichen in there, they've got a lot of interest from | 0:41:47 | 0:41:50 | |
the mosses on there and they're just a great habitat. | 0:41:50 | 0:41:52 | |
How do we ensure then that things don't get worse | 0:41:52 | 0:41:55 | |
and that small orchards like this are there | 0:41:55 | 0:41:57 | |
for future generations to enjoy? | 0:41:57 | 0:41:59 | |
Go and taste and experience your local varieties. | 0:41:59 | 0:42:01 | |
Then, if you've got a bit of ground, | 0:42:01 | 0:42:03 | |
they do say five trees makes an orchard. | 0:42:03 | 0:42:05 | |
So, you know, get five trees, plant your own traditional orchard. | 0:42:05 | 0:42:09 | |
I've got one, they're on the way! | 0:42:09 | 0:42:11 | |
There are over 6,000 different apple varieties in Britain | 0:42:11 | 0:42:15 | |
and the estate here is home to around 100 of them, | 0:42:15 | 0:42:18 | |
with at least 70 in this orchard alone. | 0:42:18 | 0:42:20 | |
12 tonnes of the fruit are used to make cider for the estate, | 0:42:20 | 0:42:24 | |
mostly collected by community groups and volunteers. | 0:42:24 | 0:42:28 | |
'I'm told that it's only after I've joined the harvest, | 0:42:28 | 0:42:31 | |
'with Ed and Molly, that I'm allowed to taste some.' | 0:42:31 | 0:42:35 | |
You have one of those, I'll have one of these. | 0:42:35 | 0:42:36 | |
-By the time we fill these up, we should have enough. -OK. | 0:42:36 | 0:42:40 | |
-Molly's pinched an apple. -She helps to pick them. | 0:42:40 | 0:42:43 | |
Basically, we want everything that's nice and firm, | 0:42:43 | 0:42:45 | |
that's reasonable to eat. | 0:42:45 | 0:42:46 | |
-OK. -We don't want anything that's mouldy. | 0:42:46 | 0:42:49 | |
Unlike eating apples, cider apples are picked from the ground, | 0:42:49 | 0:42:53 | |
for it's at the point they're ready to drop | 0:42:53 | 0:42:55 | |
that they have the highest sugars and starches needed | 0:42:55 | 0:42:58 | |
to make sweet cider. | 0:42:58 | 0:42:59 | |
I guess if most of us were asked to name | 0:42:59 | 0:43:02 | |
a few varieties of apple, | 0:43:02 | 0:43:03 | |
we could probably come up with four or five. | 0:43:03 | 0:43:05 | |
You've got an awful lot more than that growing here, haven't you? | 0:43:05 | 0:43:08 | |
There are, yeah. Each area would have its own | 0:43:08 | 0:43:11 | |
and they'd often be named after where they were born. | 0:43:11 | 0:43:14 | |
Basically, two varieties that came from the estate here, | 0:43:14 | 0:43:17 | |
Killerton Sweet and Killerton Sharp. | 0:43:17 | 0:43:18 | |
What's the ratio, then? | 0:43:18 | 0:43:20 | |
Is that going to get me a decent amount of cider? | 0:43:20 | 0:43:23 | |
Almost a pint. | 0:43:23 | 0:43:24 | |
-That's OK, that'll do. -That'll do for a start. | 0:43:24 | 0:43:27 | |
I don't need more than a pint! | 0:43:27 | 0:43:28 | |
'I add my somewhat slim pickings to the apples collected earlier.' | 0:43:28 | 0:43:33 | |
How many's in the bag? | 0:43:33 | 0:43:35 | |
There's probably about 300kg in there. | 0:43:35 | 0:43:38 | |
'That's a hefty weight of apples to shift | 0:43:38 | 0:43:40 | |
'so Ed fires up the tractor. | 0:43:40 | 0:43:42 | |
'I help him fix the bag in place before we transport the fruit | 0:43:42 | 0:43:46 | |
'down to the estate's 200-year-old cider press.' | 0:43:46 | 0:43:49 | |
Oh, my goodness me. | 0:43:52 | 0:43:53 | |
That is a press, isn't it? Wow! | 0:43:53 | 0:43:56 | |
Yeah, quite a beast, isn't it? | 0:43:56 | 0:43:58 | |
But, yeah, this is where we turn all the apples into the juice | 0:43:58 | 0:44:01 | |
which we then ferment into the cider. | 0:44:01 | 0:44:03 | |
-I'm guessing it's not going to do that on its own? -It's not. | 0:44:03 | 0:44:06 | |
As ever, we rely heavily on our volunteers. | 0:44:06 | 0:44:09 | |
So...are you ready, guys? | 0:44:09 | 0:44:11 | |
No pesticides or chemicals are used, | 0:44:12 | 0:44:14 | |
just pure unadulterated fruit - and a whole lot of elbow grease. | 0:44:14 | 0:44:19 | |
The juice is fermented for about six months before the cider is ready | 0:44:21 | 0:44:25 | |
but my mouth is watering now. | 0:44:25 | 0:44:27 | |
'So I'm going to sample some of the raw juice direct from the press.' | 0:44:27 | 0:44:31 | |
That's delicious. | 0:44:32 | 0:44:34 | |
It's so sweet and zingy and fresh-tasting. | 0:44:34 | 0:44:37 | |
I've never tasted apple juice as good as that before. | 0:44:37 | 0:44:40 | |
-This is very raw, raw apple juice. -Cheers. | 0:44:40 | 0:44:44 | |
The 50 acres of orchards on this estate may now be | 0:44:44 | 0:44:47 | |
a drop in the ocean compared to the numbers that once existed in Devon. | 0:44:47 | 0:44:51 | |
But it's encouraging to witness and taste how every drop | 0:44:51 | 0:44:54 | |
of the produce grown here | 0:44:54 | 0:44:56 | |
is supporting the local wildlife and fruit-growing heritage | 0:44:56 | 0:45:00 | |
that was once so prevalent across the county's fertile landscape. | 0:45:00 | 0:45:04 | |
Julie, how do you feel? Off to see the Mystery House now | 0:45:11 | 0:45:14 | |
after seeing a couple of properties that have caused | 0:45:14 | 0:45:17 | |
-quite a strong reaction. -Yes. | 0:45:17 | 0:45:20 | |
In a way, I'm hoping I don't like the Mystery House, | 0:45:21 | 0:45:25 | |
because it'll just confuse me all the more. | 0:45:25 | 0:45:29 | |
What would your heart absolutely sink at the thought of? | 0:45:29 | 0:45:33 | |
Brand-new. | 0:45:33 | 0:45:34 | |
Brand-new. New. | 0:45:34 | 0:45:36 | |
Yes, yeah. | 0:45:36 | 0:45:38 | |
I want character. | 0:45:38 | 0:45:40 | |
-So something very modern is not for you. -No. No. | 0:45:40 | 0:45:44 | |
Who knows? I might fall in love with a modern property. | 0:45:44 | 0:45:49 | |
Julie shouldn't worry, for we haven't got a new build lined up, | 0:45:49 | 0:45:52 | |
and it is full of character, but not in the way she might expect. | 0:45:52 | 0:45:56 | |
Another twist is the location. To get there, | 0:45:56 | 0:46:00 | |
we're making our way to the village of Bratton Fleming. | 0:46:00 | 0:46:03 | |
A large village, close to both the coast and the countryside, | 0:46:03 | 0:46:07 | |
Bratton Fleming is set on a hillside, | 0:46:07 | 0:46:09 | |
right on the fringes of the Exmoor National Park, | 0:46:09 | 0:46:13 | |
so plenty of walking opportunities on the doorstep. | 0:46:13 | 0:46:17 | |
Residents are served by a church dating back to the mid-19th century, | 0:46:17 | 0:46:21 | |
a village shop and pub. | 0:46:21 | 0:46:22 | |
There are lots of ways to get to know the local community. | 0:46:22 | 0:46:26 | |
Since Julie will be moving out to Devon on her own, | 0:46:26 | 0:46:29 | |
it's this potential social connection that's prompted | 0:46:29 | 0:46:32 | |
our choice for the mystery property. | 0:46:32 | 0:46:34 | |
It lies right on the main street, | 0:46:34 | 0:46:36 | |
smack bang in the centre of the village. | 0:46:36 | 0:46:38 | |
So the Mystery House... | 0:46:39 | 0:46:41 | |
..is right here in front of us. | 0:46:43 | 0:46:45 | |
-It's an old schoolhouse. -It's a chapel. | 0:46:45 | 0:46:48 | |
Yeah, it was attached to the chapel, | 0:46:48 | 0:46:50 | |
which is a separate building on the right. | 0:46:50 | 0:46:52 | |
The schoolhouse on the left dates back earlier to 1881. | 0:46:52 | 0:46:55 | |
What do you think? | 0:46:55 | 0:46:57 | |
It's different. | 0:46:57 | 0:46:59 | |
Different in a good way, different in a bad way? | 0:46:59 | 0:47:01 | |
No, it looks very attractive, actually. | 0:47:01 | 0:47:03 | |
What do you think, Morella? | 0:47:03 | 0:47:05 | |
I think it looks lovely. | 0:47:05 | 0:47:06 | |
It's really interesting from the outside. | 0:47:06 | 0:47:08 | |
It's not as remote as Julie wanted, | 0:47:08 | 0:47:12 | |
but I think you have to see the inside | 0:47:12 | 0:47:15 | |
to see whether it's going to be a good thing or not. | 0:47:15 | 0:47:18 | |
I think you're going to be in for a pleasant surprise | 0:47:18 | 0:47:20 | |
when we open the door. | 0:47:20 | 0:47:22 | |
-Really? -Come on. | 0:47:22 | 0:47:23 | |
'Despite being in the heart of the village, | 0:47:25 | 0:47:27 | |
'they both seem impressed by the outside of our Mystery House.' | 0:47:27 | 0:47:31 | |
Converted in 2007, the interior is a prime example | 0:47:31 | 0:47:34 | |
of historic character and contemporary design combined. | 0:47:34 | 0:47:38 | |
Renovated to a high standard, | 0:47:38 | 0:47:40 | |
it also features a unique inverted layout. | 0:47:40 | 0:47:44 | |
It's an upside-down house. | 0:47:44 | 0:47:45 | |
-Oh, is it? -Which means the main living space is upstairs. | 0:47:45 | 0:47:49 | |
-Shall we head straight up? -Yeah. | 0:47:49 | 0:47:51 | |
The main living area may be upstairs | 0:47:52 | 0:47:54 | |
but the majority of the accommodation | 0:47:54 | 0:47:56 | |
lies on the ground floor and includes four bedrooms, | 0:47:56 | 0:48:00 | |
two bathrooms, and a kitchen-diner. | 0:48:00 | 0:48:03 | |
To really set the scene | 0:48:03 | 0:48:05 | |
'of what this unique property has on show, we're starting up at the top.' | 0:48:05 | 0:48:09 | |
So, up here is the main...living area. | 0:48:09 | 0:48:13 | |
They took full advantage of the space. | 0:48:13 | 0:48:16 | |
It is so bright, light, airy. Vaulted ceilings. | 0:48:16 | 0:48:19 | |
Original beams. | 0:48:19 | 0:48:21 | |
It is a wow! | 0:48:21 | 0:48:23 | |
-It is definitely a wow! -I love it! | 0:48:23 | 0:48:26 | |
The windows are lovely. | 0:48:26 | 0:48:27 | |
-It's amazing. -Gorgeous, isn't it? -Yeah. | 0:48:27 | 0:48:30 | |
Could you imagine yourself here, though? | 0:48:30 | 0:48:32 | |
No, but I could. | 0:48:32 | 0:48:34 | |
OK. | 0:48:34 | 0:48:36 | |
So it's a double house search. | 0:48:36 | 0:48:38 | |
If we were house-hunting for you, what would appeal to you? | 0:48:38 | 0:48:43 | |
Something like this. | 0:48:43 | 0:48:44 | |
Well, sadly, we're not. Julie, this is your Mystery House. | 0:48:44 | 0:48:49 | |
I've got a lot of hysterical laughter at the moment. | 0:48:49 | 0:48:52 | |
It's different. | 0:48:52 | 0:48:54 | |
It is certainly different. | 0:48:54 | 0:48:56 | |
I mean, it is beautiful. | 0:48:56 | 0:48:58 | |
The Mystery House has clearly thrown Julie a curveball. | 0:48:59 | 0:49:04 | |
The four bedrooms downstairs lead off a central hallway - | 0:49:04 | 0:49:06 | |
three of which are light and bright and vary in size. | 0:49:06 | 0:49:10 | |
There is also a modern tiled bathroom, | 0:49:10 | 0:49:14 | |
and down a small step, we come to the master bedroom. | 0:49:14 | 0:49:17 | |
It has an en-suite bathroom just attached there. | 0:49:17 | 0:49:21 | |
And the nice high ceiling, | 0:49:21 | 0:49:22 | |
it gives it that really bright, airy feeling in here. | 0:49:22 | 0:49:25 | |
-It is certainly bright. -It's a lovely-sized room, isn't it? | 0:49:25 | 0:49:28 | |
Could you imagine yourself in here, Julie? | 0:49:28 | 0:49:31 | |
I could imagine sleeping here. | 0:49:31 | 0:49:33 | |
-But not living? -No. Maybe not. | 0:49:33 | 0:49:36 | |
What is it about it which is not appealing to you? | 0:49:36 | 0:49:39 | |
-Erm... -SHE SIGHS | 0:49:39 | 0:49:41 | |
It's not cosy. | 0:49:41 | 0:49:42 | |
Um...I think I like the cosy feeling. | 0:49:42 | 0:49:47 | |
It is very white and that can be a bit cold, I think. | 0:49:47 | 0:49:52 | |
No, it is not to my taste. | 0:49:52 | 0:49:55 | |
The stark, clean lines may not be suited to Julie, | 0:49:55 | 0:49:59 | |
but I have a sneaking suspicion that Morella might be sold. | 0:49:59 | 0:50:02 | |
Back at the step and right at the end of the corridor, | 0:50:02 | 0:50:05 | |
'we come to the final room on our tour.' | 0:50:05 | 0:50:08 | |
The second wow factor part of this house, I think, is here - | 0:50:08 | 0:50:12 | |
the kitchen-dining space, with its vaulted ceiling. | 0:50:12 | 0:50:16 | |
-Yep. -And more beams. -Hey! That is a wow! | 0:50:16 | 0:50:20 | |
-Oh, this is nice, isn't it? -It's been nicely done. | 0:50:22 | 0:50:25 | |
-It has. -Very well done. -Obviously very contemporary, | 0:50:25 | 0:50:27 | |
but I think they have managed to get that blend of the old features. | 0:50:27 | 0:50:30 | |
-That's lovely. -It is lovely. I can't deny it's lovely. | 0:50:30 | 0:50:35 | |
So, what do you think, as Mystery Houses go, Julie? | 0:50:35 | 0:50:38 | |
It's pretty much on the spot, I think, as a Mystery House! | 0:50:38 | 0:50:43 | |
I mean, it is such a beautiful finish. | 0:50:43 | 0:50:45 | |
It has got this contemporary feel, | 0:50:45 | 0:50:47 | |
which I know isn't your cup of tea, necessarily, | 0:50:47 | 0:50:50 | |
but I do think it is combined with the original features | 0:50:50 | 0:50:53 | |
really beautifully. | 0:50:53 | 0:50:54 | |
It is very well done. | 0:50:54 | 0:50:56 | |
There's still more to see. So, let's head outside and see | 0:50:56 | 0:50:59 | |
-if the garden can sway you more in the direction of this house. -OK! | 0:50:59 | 0:51:03 | |
Well, one half of the pair is impressed, | 0:51:03 | 0:51:07 | |
but sadly, not the one who is actually buying. | 0:51:07 | 0:51:09 | |
'Stepping out into the sunshine, the rather compact back garden | 0:51:09 | 0:51:13 | |
'is the last place to see.' | 0:51:13 | 0:51:15 | |
Ta-da! Here it is! | 0:51:15 | 0:51:18 | |
ALL LAUGH | 0:51:18 | 0:51:19 | |
That is the other mystery! | 0:51:19 | 0:51:22 | |
-You could definitely keep a chicken or two in here. -Yes! | 0:51:22 | 0:51:25 | |
You could. | 0:51:25 | 0:51:26 | |
Morella, I can just tell, from your face, | 0:51:26 | 0:51:29 | |
that this house really appeals to you. | 0:51:29 | 0:51:31 | |
-It might not be... -To Julie's taste, yeah. | 0:51:31 | 0:51:34 | |
No, I think it's lovely. | 0:51:34 | 0:51:35 | |
You can sit outside and have a coffee. | 0:51:35 | 0:51:38 | |
A little barbie. It's a small garden, | 0:51:38 | 0:51:41 | |
but it's really pleasant, isn't it? | 0:51:41 | 0:51:43 | |
OK, I am going to put you on the spot. | 0:51:43 | 0:51:46 | |
Your budget is £350,000, | 0:51:46 | 0:51:48 | |
going up to £375,000, if you needed to. | 0:51:48 | 0:51:51 | |
What do you think this one is on the market for? | 0:51:51 | 0:51:54 | |
You go first. | 0:51:54 | 0:51:55 | |
-Erm...360? -Julie? | 0:51:55 | 0:51:59 | |
I am going to go 340. | 0:51:59 | 0:52:02 | |
OK, you are both wrong, I'm afraid. | 0:52:02 | 0:52:05 | |
But Julie, you are most wrong, out of the two of you. | 0:52:05 | 0:52:08 | |
It is actually on the market for £375,000, | 0:52:08 | 0:52:10 | |
so not too far off, Morella. | 0:52:10 | 0:52:13 | |
And it is a beautifully finished house in a fantastic location. | 0:52:13 | 0:52:16 | |
-So... -Yep, it's... I won't deny, it's a lovely, lovely house. -Yes. | 0:52:16 | 0:52:22 | |
OK, I think, for Morella's sake, you just have to go back inside | 0:52:22 | 0:52:25 | |
and have another look around! | 0:52:25 | 0:52:27 | |
-And just take your time. -Another look in the kitchen! | 0:52:27 | 0:52:29 | |
ALL LAUGH | 0:52:29 | 0:52:31 | |
At £375,000, the Mystery House is an incredible contemporary conversion | 0:52:34 | 0:52:41 | |
of an original Victorian schoolhouse. | 0:52:41 | 0:52:44 | |
Featuring a topsy-turvy layout, it has four bedrooms, | 0:52:44 | 0:52:48 | |
a spacious living room, as well as a large kitchen-diner. | 0:52:48 | 0:52:51 | |
And the property lies right in the middle of a desirable village. | 0:52:51 | 0:52:55 | |
As a Mystery House, it lived up to its name. | 0:52:55 | 0:52:58 | |
It certainly gave me a surprise! | 0:52:58 | 0:53:02 | |
SHE LAUGHS | 0:53:02 | 0:53:05 | |
The conversion from an old school is just amazing. | 0:53:05 | 0:53:08 | |
The design is incredible, especially upstairs. | 0:53:08 | 0:53:11 | |
The windows, all the features, it is just... | 0:53:11 | 0:53:15 | |
It is stunning. | 0:53:15 | 0:53:17 | |
I love this house. It's gorgeous. | 0:53:17 | 0:53:20 | |
This isn't the type of house that Julie would live in. | 0:53:20 | 0:53:24 | |
It's too modern for her. | 0:53:24 | 0:53:26 | |
It is not warm enough, as in, it is too white, | 0:53:26 | 0:53:29 | |
but I love it. | 0:53:29 | 0:53:30 | |
I think it's gorgeous. | 0:53:30 | 0:53:33 | |
An amazing house. Incredibly well-furnished and designed. | 0:53:33 | 0:53:37 | |
I can't see myself living in something like this, | 0:53:37 | 0:53:43 | |
but beautiful nonetheless. | 0:53:43 | 0:53:44 | |
Well, that is all the houses seen, | 0:53:48 | 0:53:50 | |
so I guess it's time for you two to have a chat | 0:53:50 | 0:53:53 | |
-and for you in particular, Julie, to do some thinking. -Yep. Yep! | 0:53:53 | 0:53:57 | |
It has been a lovely few days | 0:53:59 | 0:54:00 | |
and it is fantastic that a couple of properties | 0:54:00 | 0:54:03 | |
seem to have really struck a chord with Julie. | 0:54:03 | 0:54:05 | |
I can't wait to hear what she is going to do next. | 0:54:05 | 0:54:07 | |
-Hello! -Hello. -Hi! | 0:54:11 | 0:54:13 | |
Well, the end of the search here in Devon. | 0:54:13 | 0:54:16 | |
I think that two houses really seemed to stand out for you, | 0:54:16 | 0:54:21 | |
but I have got no idea where your thoughts lie at this moment in time. | 0:54:21 | 0:54:25 | |
So, put me out of my misery. | 0:54:25 | 0:54:26 | |
I am not really sure where my thoughts lie, either! | 0:54:26 | 0:54:29 | |
The house with the land is a definite. | 0:54:29 | 0:54:32 | |
I fell in love with that. It was wonderful. | 0:54:32 | 0:54:35 | |
And then, this morning, I was sent into confusion | 0:54:35 | 0:54:38 | |
with the cottage. | 0:54:38 | 0:54:40 | |
That was lovely, as well, | 0:54:40 | 0:54:42 | |
and I am really torn between the two, at the moment. | 0:54:42 | 0:54:45 | |
I have really got to, I think, go back and see them | 0:54:45 | 0:54:49 | |
and weigh up the pros and cons for both of them. | 0:54:49 | 0:54:52 | |
Well, that is a great, fantastic, promising start. | 0:54:52 | 0:54:55 | |
So, just talk me through what the pros and cons are | 0:54:55 | 0:54:58 | |
on the two of them, for you. | 0:54:58 | 0:55:00 | |
The house with the land - the land is a huge, huge bonus. | 0:55:00 | 0:55:06 | |
And the kitchen there was particularly lovely. | 0:55:06 | 0:55:09 | |
The boot room, for the dogs, that was great. | 0:55:09 | 0:55:11 | |
I guess the main con there was the price. | 0:55:11 | 0:55:14 | |
The cottage today hasn't got the land. | 0:55:14 | 0:55:17 | |
However, hopefully, | 0:55:17 | 0:55:18 | |
I will be able to get in touch with the farmer, | 0:55:18 | 0:55:22 | |
to see whether there is some way I can rent some land from him. | 0:55:22 | 0:55:25 | |
The actual cottage, I felt was lovely. | 0:55:25 | 0:55:28 | |
It had a lot of potential. | 0:55:28 | 0:55:30 | |
A few things needed doing, | 0:55:30 | 0:55:32 | |
but as it is quite below budget, that gave me the funds to be able | 0:55:32 | 0:55:36 | |
to make those changes, yeah. | 0:55:36 | 0:55:38 | |
So, where do you go from here? | 0:55:38 | 0:55:41 | |
-Tomorrow, we are going to go back... -Yeah. -..and have a look at both, | 0:55:41 | 0:55:45 | |
with the surrounding areas. | 0:55:45 | 0:55:49 | |
And hopefully come to a decision | 0:55:49 | 0:55:52 | |
as to which I'd like to pursue. | 0:55:52 | 0:55:55 | |
That is a brilliantly positive, | 0:55:55 | 0:55:58 | |
you know, position to be in at the end of this search. | 0:55:58 | 0:56:00 | |
It is absolutely fantastic to have not one, but two potentials. | 0:56:00 | 0:56:05 | |
Morella, do you have a gut feeling as to which one of the two | 0:56:05 | 0:56:09 | |
you could most imagine her in? | 0:56:09 | 0:56:11 | |
I don't know. I think I particularly like the one with the land. | 0:56:11 | 0:56:15 | |
But obviously, at the end of the day, it's Julie's choice. | 0:56:15 | 0:56:19 | |
But she could live in either of them. | 0:56:19 | 0:56:21 | |
She likes both of them. | 0:56:21 | 0:56:23 | |
Well, this is a fantastic note to leave you on. | 0:56:23 | 0:56:25 | |
It has been wonderful being part of your search here. | 0:56:25 | 0:56:28 | |
I just really hope that, when you go back and explore more, | 0:56:28 | 0:56:32 | |
one of them stands out for you and becomes your home here in Devon. | 0:56:32 | 0:56:36 | |
So do I. | 0:56:36 | 0:56:37 | |
I'm so grateful. Thank you very much for all your help. | 0:56:37 | 0:56:40 | |
It's been wonderful. | 0:56:40 | 0:56:41 | |
It is the end of our search here in Devon | 0:56:46 | 0:56:48 | |
and it is wonderful that Julie has found not just one, | 0:56:48 | 0:56:51 | |
but two properties that she can imagine living in. | 0:56:51 | 0:56:53 | |
We really hope that one of them | 0:56:53 | 0:56:55 | |
will become her new home here in Devon | 0:56:55 | 0:56:58 | |
and wish her lots of luck with her move to this beautiful county. | 0:56:58 | 0:57:01 | |
Join me next time, on Escape To The Country. | 0:57:01 | 0:57:04 | |
If you would like to escape to the country | 0:57:05 | 0:57:07 | |
in England, Scotland, Wales or Northern Ireland | 0:57:07 | 0:57:10 | |
and need our help, please apply online, at... | 0:57:10 | 0:57:14 |