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Today, I'm in a county that boasts | 0:00:02 | 0:00:03 | |
one of the oldest British breeds of sheep, | 0:00:03 | 0:00:05 | |
that owes its popularity to monks and royalty, | 0:00:05 | 0:00:07 | |
and has a fleece so valuable, it was once referred to as "ore". | 0:00:07 | 0:00:11 | |
Where am I? Find out in just a moment. | 0:00:11 | 0:00:14 | |
Today's quest to help a couple find some countryside calm | 0:00:31 | 0:00:35 | |
is one met with some very encouraging feedback. | 0:00:35 | 0:00:39 | |
-Wow. -Oh, I love a wow. | 0:00:39 | 0:00:41 | |
Well, you got a wow. | 0:00:41 | 0:00:43 | |
And it's not long before we uncover a potential home, | 0:00:43 | 0:00:46 | |
where things become overwhelming. | 0:00:46 | 0:00:48 | |
-You all right? -Yeah, I'm fine. It's just so lovely. | 0:00:48 | 0:00:51 | |
It's just what we're looking for, really, isn't it? | 0:00:51 | 0:00:53 | |
It is. | 0:00:53 | 0:00:55 | |
Today, I'm in Herefordshire, and these are Ryeland sheep. | 0:00:56 | 0:00:59 | |
The earliest records show that the monks of Leominster | 0:00:59 | 0:01:02 | |
developed the breed more than 800 years ago, | 0:01:02 | 0:01:05 | |
making them one of the earliest breeds recorded in England. | 0:01:05 | 0:01:09 | |
Leominster became the main wool market, and their fleeces | 0:01:09 | 0:01:12 | |
were so valuable they were referred to as "Leominster ore". | 0:01:12 | 0:01:16 | |
The popularity of the breed increased in the 16th century, | 0:01:16 | 0:01:19 | |
when it was said that Queen Elizabeth I | 0:01:19 | 0:01:21 | |
was gifted a pair of socks made from Ryeland wool. | 0:01:21 | 0:01:25 | |
She liked them so much that she said she would only wear | 0:01:25 | 0:01:28 | |
clothes made from the wool in the future. | 0:01:28 | 0:01:30 | |
But sheep like these aren't the only thing | 0:01:30 | 0:01:33 | |
that's highly prized here in Herefordshire. | 0:01:33 | 0:01:35 | |
Let's see more of what this beautiful county has to offer. | 0:01:35 | 0:01:39 | |
Nestled up against Wales, landlocked Herefordshire | 0:01:41 | 0:01:44 | |
shares borders with the Welsh counties of Powys and Monmouthshire, | 0:01:44 | 0:01:47 | |
as well as three other English counties. | 0:01:47 | 0:01:50 | |
A deeply rural and sparsely populated region, | 0:01:50 | 0:01:53 | |
Herefordshire has a long history of farming and food production, | 0:01:53 | 0:01:57 | |
is home to over 3,000 orchards and 5,000 farms. | 0:01:57 | 0:02:02 | |
Scatterings of native Hereford cattle also help | 0:02:02 | 0:02:05 | |
to mould the landscape and are believed to be one | 0:02:05 | 0:02:08 | |
of the UK's oldest pedigree beef breeds. | 0:02:08 | 0:02:11 | |
The county's only city is Hereford, whose foundations were laid | 0:02:12 | 0:02:16 | |
by the Saxons in the 7th century AD on the banks of the River Wye, | 0:02:16 | 0:02:20 | |
England's fifth-longest river. | 0:02:20 | 0:02:22 | |
And just a stone's throw from the water is the 11th-century cathedral, | 0:02:24 | 0:02:28 | |
an ancient site of worship that's also home to the Mappa Mundi - | 0:02:28 | 0:02:32 | |
the largest medieval map of the world. | 0:02:32 | 0:02:34 | |
When it comes to other architectural gems, | 0:02:36 | 0:02:38 | |
highlights also include a significant number | 0:02:38 | 0:02:40 | |
of striking monochrome timbered buildings, | 0:02:40 | 0:02:43 | |
with black-painted beams and panels of white plaster. | 0:02:43 | 0:02:47 | |
A particularly notable example can be found in | 0:02:47 | 0:02:49 | |
the market town of Ledbury, whose centrepiece is a 17th-century | 0:02:49 | 0:02:53 | |
Grade I listed market house | 0:02:53 | 0:02:55 | |
that sits suspended on 16 oak stilts. | 0:02:55 | 0:02:59 | |
So, with a fascinating supply of properties | 0:02:59 | 0:03:02 | |
that echo with history, set against a striking backdrop | 0:03:02 | 0:03:05 | |
of lush grazing land, there's every reason to choose | 0:03:05 | 0:03:09 | |
Herefordshire as a perfect place to get away from it all. | 0:03:09 | 0:03:12 | |
Herefordshire offers country living at a good price. | 0:03:16 | 0:03:19 | |
The average cost of a detached property here is | 0:03:19 | 0:03:21 | |
around £270,000. That's £20,000 below the national average. | 0:03:21 | 0:03:27 | |
Now, the east of the county is more expensive | 0:03:27 | 0:03:29 | |
because it's close to the central Midlands and the motorway network. | 0:03:29 | 0:03:33 | |
If you want more for your money, head towards the Welsh borders. | 0:03:33 | 0:03:36 | |
Now, this is one of the least populated counties in England, | 0:03:36 | 0:03:39 | |
so rural life is almost guaranteed. | 0:03:39 | 0:03:43 | |
But what are today's buyers looking for? | 0:03:43 | 0:03:45 | |
Let's meet them and find out. | 0:03:45 | 0:03:47 | |
It's a three-bedroom bungalow in a suburban cul-de-sac | 0:03:48 | 0:03:52 | |
just on the outskirts of the coastal city of Brighton | 0:03:52 | 0:03:55 | |
that our couple, Ian and Les, currently call home. | 0:03:55 | 0:03:58 | |
We met seven-and-a-half years ago. | 0:03:58 | 0:04:01 | |
We met through mutual friends and we've been living together | 0:04:01 | 0:04:05 | |
-for five years. -Yes. | 0:04:05 | 0:04:07 | |
We've been civil partners for three. | 0:04:07 | 0:04:09 | |
Ian is a nursing assistant at a local hospice | 0:04:09 | 0:04:12 | |
and Les is involved in the finance sector for a leisure company. | 0:04:12 | 0:04:16 | |
But both parties feel their lives are dominated by work, | 0:04:16 | 0:04:19 | |
so they want to semi-retire, cut back their working hours | 0:04:19 | 0:04:22 | |
and reduce the travelling. | 0:04:22 | 0:04:24 | |
My commute is excruciating. I mean, on an ideal day, | 0:04:24 | 0:04:29 | |
I could do it maybe within an hour. | 0:04:29 | 0:04:31 | |
But on an average day, it's nearer two. | 0:04:31 | 0:04:34 | |
We want to do something completely different, not quite sure what yet. | 0:04:34 | 0:04:37 | |
We may do something together, may do something separately, | 0:04:37 | 0:04:40 | |
we're not quite sure. So the world's our oyster. | 0:04:40 | 0:04:42 | |
And we think moving to the country will just be a nice, | 0:04:42 | 0:04:44 | |
simpler lifestyle. Less frenetic, I would say, probably. | 0:04:44 | 0:04:48 | |
And top of the list for that more straightforward way of life | 0:04:48 | 0:04:51 | |
is a joint property purchase. | 0:04:51 | 0:04:53 | |
I think we're very excited about buying a house together | 0:04:53 | 0:04:56 | |
for the first time. | 0:04:56 | 0:04:57 | |
We're really looking forward to it, aren't we? | 0:04:57 | 0:05:00 | |
I think it's going to be easy because we've got very | 0:05:00 | 0:05:02 | |
similar tastes. | 0:05:02 | 0:05:04 | |
We kind of know pretty comprehensively what we're | 0:05:04 | 0:05:07 | |
looking for and, probably more importantly, | 0:05:07 | 0:05:09 | |
what we don't like. | 0:05:09 | 0:05:10 | |
Yeah, I think we're both singing from the same hymn sheet, | 0:05:10 | 0:05:13 | |
as they say. | 0:05:13 | 0:05:14 | |
So they've put their 1950s bungalow on the market | 0:05:14 | 0:05:17 | |
and have plans in place to head inland | 0:05:17 | 0:05:20 | |
to find some serenity and solitude in the countryside. | 0:05:20 | 0:05:23 | |
We're looking at Herefordshire but we don't really mind | 0:05:24 | 0:05:27 | |
hopping over borders. | 0:05:27 | 0:05:29 | |
Because Les's family live in Scotland and mine live | 0:05:29 | 0:05:31 | |
in Guildford, it's a good midway place between the two. | 0:05:31 | 0:05:34 | |
Yeah. Herefordshire, to me, represents everything | 0:05:34 | 0:05:36 | |
we're kind of looking for in the country. | 0:05:36 | 0:05:38 | |
You know, it's very underpopulated. | 0:05:38 | 0:05:40 | |
It's very quiet, lovely properties, lovely little villages, | 0:05:40 | 0:05:44 | |
little towns, very relaxed. | 0:05:44 | 0:05:47 | |
-It just seems ideal for me. -Yes. | 0:05:47 | 0:05:50 | |
And with their new-found freedom, they're both looking forward | 0:05:50 | 0:05:53 | |
to focusing more on their hobbies, both at home | 0:05:53 | 0:05:56 | |
and out in the open air. | 0:05:56 | 0:05:57 | |
We are looking at joining a rock choir. | 0:05:59 | 0:06:02 | |
Ian's very much into his amateur dramatics, | 0:06:02 | 0:06:04 | |
so he's going to be looking to do more of that. | 0:06:04 | 0:06:07 | |
I love cooking, so I want to expand on that | 0:06:07 | 0:06:09 | |
and that will also involve growing a lot of food as well, | 0:06:09 | 0:06:12 | |
which everyone says they do, I know, but we will. | 0:06:12 | 0:06:15 | |
We certainly love walking and we feel we've exhausted | 0:06:15 | 0:06:18 | |
this area now. That's another reason why we want to move, | 0:06:18 | 0:06:21 | |
because we can explore new areas and there's plenty of | 0:06:21 | 0:06:23 | |
walking opportunities where we're planning to move to. | 0:06:23 | 0:06:27 | |
With a fresh rural location, a change of pace | 0:06:27 | 0:06:31 | |
and, hopefully, their first home found together, | 0:06:31 | 0:06:34 | |
the couple are wholeheartedly embracing this next chapter | 0:06:34 | 0:06:38 | |
in their lives. | 0:06:38 | 0:06:40 | |
It's a very exciting adventure. | 0:06:40 | 0:06:42 | |
I think sometimes, as people approach retirement, | 0:06:42 | 0:06:44 | |
they don't necessarily plan it. | 0:06:44 | 0:06:46 | |
We've got the opportunity to plan a whole new beginning | 0:06:46 | 0:06:48 | |
and that, to me, is very exciting. | 0:06:48 | 0:06:50 | |
Ian and Les are very open-minded about location | 0:06:54 | 0:06:57 | |
and would even consider crossing the border. | 0:06:57 | 0:06:59 | |
So to find their perfect property, we'll be focusing | 0:06:59 | 0:07:02 | |
our house search in the western portion of the county, near Wales. | 0:07:02 | 0:07:07 | |
I'm catching up with the buyers to discover | 0:07:07 | 0:07:09 | |
a little bit more about the details of their move. | 0:07:09 | 0:07:12 | |
-Welcome to Herefordshire. -Thank you. -Thank you. | 0:07:12 | 0:07:15 | |
This is quite a change for the two of you. | 0:07:15 | 0:07:17 | |
Why now, why this particular time for this move? | 0:07:17 | 0:07:19 | |
Well, we've reached the stage now | 0:07:19 | 0:07:21 | |
where we wanted to slow down, really, in our work. | 0:07:21 | 0:07:24 | |
And we hope to work part time. | 0:07:24 | 0:07:26 | |
-One of us has reached a special birthday. -That would be me. | 0:07:26 | 0:07:29 | |
Oh, I was expecting to press you on that, but you volunteered! | 0:07:29 | 0:07:33 | |
-Yeah, I turned 60 this year. Ian's not far behind. -Thank you! | 0:07:33 | 0:07:38 | |
So we decided that, really, now would be the time to do it, | 0:07:38 | 0:07:41 | |
before, you know, we get too old to enjoy it. | 0:07:41 | 0:07:44 | |
OK, let's talk about the property. | 0:07:44 | 0:07:46 | |
When you envisage in your mind's eye the home | 0:07:46 | 0:07:48 | |
that you're going to live in here, what does it look like? | 0:07:48 | 0:07:51 | |
Somewhere detached, with two to three bedrooms, study, | 0:07:51 | 0:07:56 | |
a big kitchen-diner, half an acre of garden... | 0:07:56 | 0:07:59 | |
Half an acre is quite a hefty garden size. | 0:07:59 | 0:08:02 | |
I'm guessing that one of you has got green fingers? | 0:08:02 | 0:08:04 | |
We both enjoy gardening, actually, yeah. | 0:08:04 | 0:08:06 | |
We've got quite a big garden at the moment, | 0:08:06 | 0:08:08 | |
so we're quite happy to develop that. | 0:08:08 | 0:08:11 | |
Perhaps grow a bit of our own veg as well, that sort of thing. | 0:08:11 | 0:08:14 | |
Fruit trees, if there's some - that would be lovely, too. | 0:08:14 | 0:08:16 | |
-We're in the right county for fruit trees, that's for sure. -We are. | 0:08:16 | 0:08:20 | |
But what are the things you aren't prepared to compromise on? | 0:08:20 | 0:08:23 | |
We don't want a modern house, do we, particularly. | 0:08:23 | 0:08:25 | |
We don't want modern, no. We don't want semidetached either. | 0:08:25 | 0:08:28 | |
-I think it's got to be detached. -Mm. | 0:08:28 | 0:08:30 | |
So if the property was right, | 0:08:30 | 0:08:32 | |
you wouldn't be averse to a bit of border-hopping? | 0:08:32 | 0:08:34 | |
-Nope. -No, not at all. -Not at all. | 0:08:34 | 0:08:36 | |
So, what's the budget that we're working with? | 0:08:36 | 0:08:39 | |
-300,000. -That's it. | 0:08:39 | 0:08:41 | |
Well, it's a good budget for Herefordshire and we've got some | 0:08:41 | 0:08:44 | |
fantastic properties to show you, so are you excited, ready to get going? | 0:08:44 | 0:08:47 | |
-Absolutely. -Very excited, yes. Really looking forward to this. | 0:08:47 | 0:08:51 | |
-Let's get started. -OK. -Good. | 0:08:51 | 0:08:53 | |
For a top budget of £300,000, Les and Ian are looking for... | 0:08:54 | 0:08:58 | |
Then, outside, they're after half an acre of grounds | 0:09:04 | 0:09:07 | |
to fulfil their ambitions of gardening and self-sufficiency. | 0:09:07 | 0:09:11 | |
We have a variety of wonderful homes lined up, | 0:09:11 | 0:09:14 | |
but I'll keep our buyers guessing as to the price of each one | 0:09:14 | 0:09:18 | |
until the end of the tour. | 0:09:18 | 0:09:20 | |
And to finish off our property hunt, | 0:09:20 | 0:09:22 | |
we'll be presenting the mystery house, | 0:09:22 | 0:09:24 | |
where they may have to scale back their grand garden plans outside, | 0:09:24 | 0:09:29 | |
but which promises grandiose character inside. | 0:09:29 | 0:09:33 | |
It's quite exciting, I guess, because am I right that this is | 0:09:35 | 0:09:38 | |
the first home that the two of you have chosen together? | 0:09:38 | 0:09:40 | |
-It is. -How does that feel for both of you? | 0:09:40 | 0:09:42 | |
It feels great. It feels a real natural thing to do. | 0:09:42 | 0:09:46 | |
Because the house we're in at the moment, | 0:09:46 | 0:09:48 | |
I bought that originally and then Ian moved on. | 0:09:48 | 0:09:51 | |
So, yeah, it feels great. | 0:09:51 | 0:09:52 | |
We can really put our roots down, that's the exciting thing. | 0:09:52 | 0:09:56 | |
-So this is the for ever house, is it? -It is. -It is. -It is. | 0:09:56 | 0:09:59 | |
For the first property on our tour, | 0:10:01 | 0:10:03 | |
we're driving up to the north of the county | 0:10:03 | 0:10:05 | |
and heading for the quiet hamlet of Ivington Green, | 0:10:05 | 0:10:08 | |
just a ten-minute drive from Leominster. | 0:10:08 | 0:10:11 | |
Known as the Town in the Marches, | 0:10:12 | 0:10:14 | |
the black-and-white-timbered market town of Leominster | 0:10:14 | 0:10:17 | |
has a fine selection of facilities both essential and luxury, | 0:10:17 | 0:10:20 | |
including a butcher's, a grocer's, cafes and boutiques. | 0:10:20 | 0:10:25 | |
So Ian and Les wouldn't be too far from civilisation, | 0:10:25 | 0:10:28 | |
but far enough to really escape the hustle and bustle | 0:10:28 | 0:10:31 | |
and find some serious peace and tranquillity back in Ivington Green. | 0:10:31 | 0:10:35 | |
And it's here that we find our first house, | 0:10:35 | 0:10:38 | |
with a lovely outlook across agricultural fields | 0:10:38 | 0:10:40 | |
and walking trails right on the doorstep. | 0:10:40 | 0:10:43 | |
-So, this is our property. -Oh! It's very nice. -Yeah. | 0:10:43 | 0:10:48 | |
-It sits quite nicely. Nice location. -Yeah, beautiful views. | 0:10:48 | 0:10:52 | |
Fantastic views. | 0:10:52 | 0:10:54 | |
It's quiet, but not too far away from anywhere, | 0:10:54 | 0:10:56 | |
so, no, I think it looks really good. | 0:10:56 | 0:10:58 | |
-Nice extension. -Yeah, what about the style of the property? | 0:10:58 | 0:11:01 | |
What do you think of that? | 0:11:01 | 0:11:02 | |
I'm not too enamoured on conservatories, | 0:11:02 | 0:11:04 | |
to be perfectly honest, but, you know, | 0:11:04 | 0:11:06 | |
-we'll wait till we get in and see it. -Of course, yeah. | 0:11:06 | 0:11:08 | |
-Let's take a look. -OK, I'm looking forward to this. | 0:11:08 | 0:11:11 | |
Originally a two-up, two-down Victorian cottage, | 0:11:11 | 0:11:14 | |
this detached home is a much-evolved property | 0:11:14 | 0:11:17 | |
that still retains its traditional charm. | 0:11:17 | 0:11:20 | |
It was considerably extended in the late 1980s, | 0:11:20 | 0:11:23 | |
with a further addition of a conservatory just four years ago. | 0:11:23 | 0:11:26 | |
Our first stop inside is the main reception room. | 0:11:26 | 0:11:29 | |
So, we come through the little porch | 0:11:31 | 0:11:34 | |
and straight into this cosy, snug living room. | 0:11:34 | 0:11:38 | |
You can see the original Victorian fireplace | 0:11:38 | 0:11:41 | |
and it's got the old bread oven in the corner. | 0:11:41 | 0:11:43 | |
-Oh, wow! -It's lovely. That is lovely. | 0:11:43 | 0:11:46 | |
It's a real feature of the room, isn't it? | 0:11:46 | 0:11:48 | |
I love the fireplace. | 0:11:48 | 0:11:49 | |
-That's really nice. -I love the tiles. -And how about this for size? | 0:11:49 | 0:11:52 | |
-What do you think of the size of this room? -It's quite small. | 0:11:52 | 0:11:55 | |
-Would this be your main living room? -This is the main living area, yeah. | 0:11:55 | 0:11:58 | |
Right, OK. It is a bit on the snug side. | 0:11:58 | 0:12:01 | |
It's a character property, it's an old Victorian property, | 0:12:01 | 0:12:04 | |
-it's a cottage. -Yeah. | 0:12:04 | 0:12:05 | |
-And with all of those things often comes smaller-sized rooms. -Yes. | 0:12:05 | 0:12:10 | |
Let's go through, cos I think the kitchen is a really good size. | 0:12:10 | 0:12:12 | |
-So let's wander through and take a look at that. -Yes. -OK. | 0:12:12 | 0:12:16 | |
Follow me through here | 0:12:16 | 0:12:18 | |
-into the modern part of the house. -Oh, this is a nice space, isn't it? | 0:12:18 | 0:12:23 | |
Yeah, this was the extension that was added on in the '80s. | 0:12:23 | 0:12:26 | |
-Right. -This is a big room. This is good. Yeah, I like this. | 0:12:26 | 0:12:30 | |
-Again, a nice floor. -Nice tiles again. | 0:12:30 | 0:12:32 | |
Yeah, it's a modern take on what you've got in the other room. | 0:12:32 | 0:12:34 | |
Yeah, yeah. | 0:12:34 | 0:12:36 | |
You've got a utility room just off it, with the back door | 0:12:36 | 0:12:38 | |
that leads out into the garden, so you can use that as a boot room, | 0:12:38 | 0:12:41 | |
washing machines, everything in there, | 0:12:41 | 0:12:43 | |
-keep it all out of sight, which is good. -Yes. | 0:12:43 | 0:12:46 | |
What about the space and the style of this room? | 0:12:46 | 0:12:48 | |
Yes, I love the kitchen units. I think they're really nice. | 0:12:48 | 0:12:51 | |
No, I like this. I like this room a lot. | 0:12:51 | 0:12:53 | |
Let's just wander through to the conservatory, | 0:12:53 | 0:12:55 | |
-cos I've got an idea to run by you both. -OK. -OK. | 0:12:55 | 0:12:58 | |
-Amazing views! -Yes. -Oh, wow! | 0:12:59 | 0:13:02 | |
You could turn this into something more substantial. | 0:13:02 | 0:13:05 | |
So you could effectively turn this into an extension that could | 0:13:05 | 0:13:08 | |
become your main living area and I think it really could give you | 0:13:08 | 0:13:11 | |
-the opportunity to put your stamp on it. -Yes, yes. | 0:13:11 | 0:13:14 | |
I think it would, or maybe something slightly bigger, | 0:13:14 | 0:13:17 | |
but it's certainly an improvement on the other room, I would say. | 0:13:17 | 0:13:21 | |
What do you think of the prospect of taking on an extension | 0:13:21 | 0:13:24 | |
and a bigger project? Does that faze either of you? | 0:13:24 | 0:13:28 | |
No, not really, does it? We already expected to have to do some work. | 0:13:28 | 0:13:32 | |
-Yeah. -So, that wouldn't faze us at all. | 0:13:32 | 0:13:35 | |
That completes all there is to see on the ground floor | 0:13:35 | 0:13:38 | |
of this cottage, and although open to the possibility of a project, | 0:13:38 | 0:13:42 | |
it seems that space is a real issue. | 0:13:42 | 0:13:44 | |
But upstairs, there are the three bedrooms they requested, | 0:13:44 | 0:13:48 | |
all of which are served by a four-piece family bathroom. | 0:13:48 | 0:13:50 | |
A double bedroom, presented as a single, | 0:13:52 | 0:13:54 | |
has an exposed brick feature wall. | 0:13:54 | 0:13:56 | |
The smallest room upstairs is being used as a study | 0:13:56 | 0:13:59 | |
and that just leaves the final dual-aspect bedroom. | 0:13:59 | 0:14:03 | |
-And into the master bedroom, the largest of the three. -Right. | 0:14:03 | 0:14:09 | |
Again, in the new part of the house. | 0:14:09 | 0:14:11 | |
And fitted wardrobes, I notice, which is... | 0:14:11 | 0:14:13 | |
Oh, yeah, that's always handy. | 0:14:13 | 0:14:15 | |
It's not a big room, but it's big enough for our purposes. | 0:14:15 | 0:14:18 | |
-It is, yeah, it is. -It's just not grabbing me completely yet. | 0:14:18 | 0:14:22 | |
OK, well, I know the outside - the garden, the views - | 0:14:22 | 0:14:24 | |
matter to you, and that's definitely a very strong point about this house | 0:14:24 | 0:14:28 | |
so shall we go and explore outside? | 0:14:28 | 0:14:30 | |
-Absolutely. -Thanks. | 0:14:30 | 0:14:32 | |
Fortunately, the home really opens up | 0:14:34 | 0:14:36 | |
when it comes to the grounds outside and so should provide Ian and Les | 0:14:36 | 0:14:40 | |
with plenty of options for growing fruit and veg. | 0:14:40 | 0:14:43 | |
Spread over about a quarter of an acre, | 0:14:43 | 0:14:46 | |
the garden has been zoned and partitioned, | 0:14:46 | 0:14:48 | |
with low box hedging and shrubs. | 0:14:48 | 0:14:50 | |
There's also paved seating areas. | 0:14:50 | 0:14:52 | |
And then, of course, there's the pizza oven | 0:14:52 | 0:14:54 | |
that the current owner built, which is fantastic. | 0:14:54 | 0:14:57 | |
Yes, unusual, isn't it? | 0:14:57 | 0:14:58 | |
-Are you pizza fans, the pair of you? -Very much so, yes. | 0:14:58 | 0:15:02 | |
We will be more now. | 0:15:02 | 0:15:04 | |
So, the garden - is it the kind of size you had in mind? | 0:15:04 | 0:15:07 | |
For me, yes, it is. I think it's really manageable. | 0:15:07 | 0:15:11 | |
I would definitely redesign part of it, | 0:15:11 | 0:15:13 | |
but, yeah, I think this is great. | 0:15:13 | 0:15:15 | |
This is just the sort of size I was kind of thinking of, really. | 0:15:15 | 0:15:18 | |
Yeah, I agree with that, really. It's not too big, not overwhelming. | 0:15:18 | 0:15:21 | |
So, what do you think this house is on the market for? | 0:15:21 | 0:15:23 | |
-Who would like to go first? -I'll go first. -OK. | 0:15:23 | 0:15:25 | |
Erm, I would say about 275. | 0:15:25 | 0:15:31 | |
-And Ian? -I'll go a little lower, I think. | 0:15:31 | 0:15:33 | |
-265, I'm going to say. -OK. | 0:15:33 | 0:15:36 | |
Well, Ian, Les... | 0:15:36 | 0:15:39 | |
-you're both wrong, I'm afraid. -How unusual! | 0:15:39 | 0:15:43 | |
It's under budget, and it's under budget quite substantially. | 0:15:43 | 0:15:47 | |
-It's on the market for £250,000. -Is it? -Really? -It is. -Oh, right. -Gosh! | 0:15:47 | 0:15:53 | |
Well, that's a surprise. | 0:15:53 | 0:15:54 | |
-It's certainly something to think about, I think. -Yeah, definitely. | 0:15:54 | 0:15:58 | |
Well, why don't you go back inside, | 0:15:58 | 0:16:00 | |
take another look around? Now you've got the price in mind, | 0:16:00 | 0:16:03 | |
see where perhaps you might spend what you'd have left in the budget | 0:16:03 | 0:16:07 | |
and come and find me when you're ready. | 0:16:07 | 0:16:09 | |
-OK. -Thank you very much. | 0:16:09 | 0:16:10 | |
Under budget by £50,000, our first property... | 0:16:14 | 0:16:18 | |
The house is set in a peaceful location - | 0:16:25 | 0:16:28 | |
neighbouring farmland at the edge of a pretty hamlet. | 0:16:28 | 0:16:31 | |
-This is quite a nice space. -This is the guest room, then, isn't it? -Yes. | 0:16:33 | 0:16:36 | |
-Yeah. That's nice, isn't it? -Yeah, that wall is good. | 0:16:36 | 0:16:39 | |
Yeah, that's unusual. | 0:16:39 | 0:16:41 | |
-And that window's quirky, isn't it? -Oh, yeah. Yeah. -I like that. | 0:16:41 | 0:16:44 | |
I certainly think we would have to spend a bit of time | 0:16:44 | 0:16:46 | |
thinking about the house, whether it would be the right one for us. | 0:16:46 | 0:16:49 | |
I'm really glad we've seen it. Obviously, the views are fabulous. | 0:16:49 | 0:16:52 | |
But not quite sure whether it's what we're looking for at the moment. | 0:16:52 | 0:16:56 | |
I feel this house might not be for us. | 0:16:56 | 0:16:58 | |
I think it's a bit on the small side. Everything else is fine. | 0:16:58 | 0:17:01 | |
Location, everything else is good. | 0:17:01 | 0:17:04 | |
I just think it's a bit too small for us. | 0:17:04 | 0:17:06 | |
-Time, gentlemen, please! Come on, now! -Hello! -Seen enough? | 0:17:08 | 0:17:14 | |
-Yes, thank you. It's been good. -And thoughts? | 0:17:14 | 0:17:16 | |
-Yeah, I think it's definitely food for thought. -Yeah, definitely. | 0:17:16 | 0:17:19 | |
Yeah, a little more time to think about it. | 0:17:19 | 0:17:21 | |
-Food for thought's good, cos we've got more to see. -Lovely. | 0:17:21 | 0:17:24 | |
Those views, though, hey? | 0:17:24 | 0:17:26 | |
-Those views... -Beautiful views. | 0:17:26 | 0:17:27 | |
When they make their move to Herefordshire, | 0:17:39 | 0:17:41 | |
Les and Ian want to make the most of their new surroundings, | 0:17:41 | 0:17:44 | |
exploring the great outdoors, | 0:17:44 | 0:17:46 | |
which is something that Paul Morton embraced | 0:17:46 | 0:17:49 | |
when he and his wife bought 38 acres of woodland | 0:17:49 | 0:17:52 | |
in the village of Ullingswick six years ago. | 0:17:52 | 0:17:56 | |
They try to live a low-impact lifestyle within the woods | 0:17:56 | 0:17:59 | |
and also use the land to make a living. | 0:17:59 | 0:18:01 | |
We arranged for our buyers to visit their coppice woodland | 0:18:01 | 0:18:03 | |
to find out more. | 0:18:03 | 0:18:05 | |
What is coppicing and how did you get into it? | 0:18:06 | 0:18:08 | |
Well, coppicing, simply, is to cut a tree down and allow it to grow. | 0:18:08 | 0:18:13 | |
Once we've cut them, | 0:18:13 | 0:18:14 | |
a coppice worker will then add value to that produce by turning it | 0:18:14 | 0:18:20 | |
into various products like bean rods, pea sticks, hurdles. | 0:18:20 | 0:18:24 | |
Me getting into it was a need for a change of lifestyle | 0:18:24 | 0:18:30 | |
and career, really. I love working outdoors. | 0:18:30 | 0:18:33 | |
I love working with hand tools. Every day is different. | 0:18:33 | 0:18:37 | |
So, conservation and wildlife is also part of why I do this job. | 0:18:37 | 0:18:42 | |
For me, it's the perfect job. | 0:18:42 | 0:18:45 | |
We're trying to have a sort of zero-waste policy, | 0:18:45 | 0:18:48 | |
so that means trying to add value to all the brush as well. | 0:18:48 | 0:18:53 | |
We also found this product, pimps. | 0:18:53 | 0:18:56 | |
Instead of burning it and letting it rot, | 0:18:56 | 0:18:59 | |
this product is ideal for adding value. | 0:18:59 | 0:19:02 | |
So, Paul, what are pimps? I've never heard of them before. | 0:19:02 | 0:19:05 | |
Well, pimps is a traditional handmade form of kindling. | 0:19:05 | 0:19:09 | |
-And if you follow me, we'll harvest them today. -OK. | 0:19:09 | 0:19:13 | |
This time of year is perfect for harvesting kindling, | 0:19:15 | 0:19:18 | |
and Paul usually starts coppicing, | 0:19:18 | 0:19:21 | |
which provides him with his raw material, | 0:19:21 | 0:19:23 | |
from October through to the end of February. | 0:19:23 | 0:19:26 | |
How do you know when it's ready for coppicing, Paul? | 0:19:26 | 0:19:29 | |
For pimps, the younger the better. | 0:19:29 | 0:19:32 | |
But pimps are just a minor product that we make. | 0:19:32 | 0:19:35 | |
It's the hazel which takes charge of when we cut it. | 0:19:35 | 0:19:38 | |
So when we cut the hazel and a few other products, | 0:19:38 | 0:19:41 | |
we also harvest the birch at the same time. | 0:19:41 | 0:19:44 | |
But the younger the better. | 0:19:44 | 0:19:46 | |
The side branches are trimmed away | 0:19:46 | 0:19:48 | |
using an edged tool called a billhook. | 0:19:48 | 0:19:50 | |
This will make a nice hedge stake. | 0:19:50 | 0:19:54 | |
And after the lengths for the principal products | 0:19:54 | 0:19:56 | |
have been selected, the smaller excess branches | 0:19:56 | 0:19:59 | |
and shoots are then collected. | 0:19:59 | 0:20:01 | |
These will provide the kindling, | 0:20:01 | 0:20:03 | |
but only once they've been seasoned for the best part of a year | 0:20:03 | 0:20:06 | |
to dry out can they be turned into pimps. | 0:20:06 | 0:20:09 | |
And the pimp-making is done in Paul's timber-framed workshop. | 0:20:09 | 0:20:14 | |
This is the birch harvested last year. | 0:20:14 | 0:20:17 | |
It's been down about ten months. | 0:20:17 | 0:20:20 | |
But the longer the better you can season it, the drier it will be. | 0:20:20 | 0:20:23 | |
A couple of handfuls of kindling are cut to size - about ten inches - | 0:20:23 | 0:20:27 | |
with a small axe and then put into a woodman's vice to clamp the birch, | 0:20:27 | 0:20:32 | |
which frees up the hands to securely fasten the bundle with string. | 0:20:32 | 0:20:36 | |
And what's the wood, this wood that you've got on the base? | 0:20:36 | 0:20:39 | |
Well, that's what you put in first with the string, | 0:20:39 | 0:20:41 | |
so the string goes in first and these bits of hazel are slightly | 0:20:41 | 0:20:45 | |
larger pieces of wood and that'll just help the fire get going. | 0:20:45 | 0:20:50 | |
-Oh, right. -OK. | 0:20:50 | 0:20:52 | |
It takes 25 small bundles to make a pimp, so Ian and Les have got | 0:20:52 | 0:20:56 | |
-a lot of chopping and prepping to do. -That's it. | 0:20:56 | 0:21:00 | |
Pimps were traditionally transported to London during the Victorian era | 0:21:00 | 0:21:04 | |
and it's thought that the name came from the essential role | 0:21:04 | 0:21:07 | |
the kindling plays as a kind of agent between the coal and the fire. | 0:21:07 | 0:21:12 | |
Ease it down. | 0:21:12 | 0:21:13 | |
It typically takes Paul about an hour to make 25 bundles, | 0:21:13 | 0:21:17 | |
so Paul and Les need to pick up the pace. | 0:21:17 | 0:21:20 | |
-Once the last one has been tied... -That's it. | 0:21:20 | 0:21:22 | |
..the next step is to fasten all 25 together with string | 0:21:24 | 0:21:28 | |
to create a complete pimp. | 0:21:28 | 0:21:30 | |
-That's your finished bundle. -Wow! | 0:21:30 | 0:21:33 | |
And how many fires could this light, this bundle? | 0:21:33 | 0:21:36 | |
Well, there's 25 bundles within that. | 0:21:36 | 0:21:40 | |
Erm, each one can be broken up. | 0:21:40 | 0:21:43 | |
You can get two out of each so there's 50, 60, | 0:21:43 | 0:21:45 | |
-70 fires easily, really. -Right. | 0:21:45 | 0:21:47 | |
That should be enough kindling to keep our couple going | 0:21:47 | 0:21:51 | |
through the winter, but with the amount of fireplaces on offer | 0:21:51 | 0:21:55 | |
in our next property, they might need to head back here | 0:21:55 | 0:21:58 | |
for another pimp before the season is over. | 0:21:58 | 0:22:00 | |
We're on the road, travelling down to the south of the county | 0:22:05 | 0:22:09 | |
to the small village of Pontrilas. | 0:22:09 | 0:22:11 | |
Local amenities include a post office | 0:22:11 | 0:22:14 | |
and a 400-year-old pub, and neighbouring properties | 0:22:14 | 0:22:17 | |
include a Grade I listed estate at Kentchurch Court, | 0:22:17 | 0:22:21 | |
a stately home situated in 5,000 acres | 0:22:21 | 0:22:24 | |
of prime Herefordshire countryside. | 0:22:24 | 0:22:26 | |
Now, Ian and Les were both concerned about the apparent lack of space | 0:22:26 | 0:22:31 | |
in our first house so we've really upped the ante and are giving them | 0:22:31 | 0:22:34 | |
an extra 700 square feet of property with this one. | 0:22:34 | 0:22:38 | |
So, this is the property I wanted to show you. | 0:22:39 | 0:22:42 | |
-Ooh, it looks big. -Substantial. | 0:22:42 | 0:22:44 | |
It is big and that's one of the reasons I wanted to show it to you | 0:22:44 | 0:22:46 | |
because I know you've got a lot of friends | 0:22:46 | 0:22:48 | |
who will be coming to stay, | 0:22:48 | 0:22:49 | |
you'll be entertaining, and it gives you the space to be able to do that. | 0:22:49 | 0:22:52 | |
-Yeah, very interesting. -Excited. -OK. -Yeah, it's very attractive. | 0:22:52 | 0:22:56 | |
It's an Edwardian property, built turn of the 19th century | 0:22:56 | 0:22:59 | |
and it's got a lot of character going on inside, | 0:22:59 | 0:23:02 | |
so I think we should head straight inside | 0:23:02 | 0:23:04 | |
cos my only worry, really, about this property is - | 0:23:04 | 0:23:06 | |
is it going to be too big for you? | 0:23:06 | 0:23:08 | |
-Oh, OK, good. -Good. | 0:23:08 | 0:23:09 | |
First impressions are extremely encouraging | 0:23:11 | 0:23:14 | |
and they'll be even more excited to learn | 0:23:14 | 0:23:16 | |
that this property has not one but three reception rooms. | 0:23:16 | 0:23:20 | |
Through a porch is a large entrance hall, | 0:23:20 | 0:23:24 | |
off which there are the two front reception rooms, | 0:23:24 | 0:23:26 | |
one a more snug sitting room and, on the other side, a dining room. | 0:23:26 | 0:23:30 | |
Then the main living room lies at the back, | 0:23:30 | 0:23:33 | |
with patio doors onto the garden. | 0:23:33 | 0:23:35 | |
You may have two good-sized rooms at the front, | 0:23:35 | 0:23:38 | |
-but you've also got them... Ah! Here! -I didn't expect that. | 0:23:38 | 0:23:43 | |
-This is very nice, isn't it? -That's fantastic. That's such a surprise. | 0:23:43 | 0:23:46 | |
-It is. -I didn't expect that at all. That fireplace is amazing. | 0:23:46 | 0:23:49 | |
That's really good. | 0:23:49 | 0:23:51 | |
So, Ian, what do you think of the proportions of the room? | 0:23:51 | 0:23:54 | |
Yes, I really like it. | 0:23:54 | 0:23:55 | |
The high ceilings, the spaciousness of it all. And it's very light. | 0:23:55 | 0:23:59 | |
So, this is your big living room. | 0:23:59 | 0:24:00 | |
You've also got a cosy sitting room there at the front | 0:24:00 | 0:24:03 | |
-and a dining space as well down here with a good-sized dining room. -Yes. | 0:24:03 | 0:24:08 | |
So, how does that feel for rooms? | 0:24:08 | 0:24:09 | |
Well, that's a lot more than we expected | 0:24:09 | 0:24:11 | |
and a lot more than you would think from looking at the house. | 0:24:11 | 0:24:14 | |
I didn't expect to find this at the back, so this is a real bonus, | 0:24:14 | 0:24:16 | |
and it's a big room. | 0:24:16 | 0:24:18 | |
The final room down here is the kitchen/breakfast room | 0:24:18 | 0:24:21 | |
that lies just next door. | 0:24:21 | 0:24:23 | |
-Oh, wow! -My goodness! -Oh, I love a wow! -Well, you got a wow. | 0:24:23 | 0:24:29 | |
-My God, it's huge! -It is. | 0:24:29 | 0:24:31 | |
Again, you've got original cupboards over there. | 0:24:31 | 0:24:33 | |
You've got a range and it's a real country kitchen, | 0:24:33 | 0:24:37 | |
-with room for a table. -It's fantastic. | 0:24:37 | 0:24:40 | |
We can sit and eat in here and entertain in the formal dining room. | 0:24:40 | 0:24:46 | |
-There's plenty of space for everything, isn't there? -There is. | 0:24:46 | 0:24:49 | |
-This is great. -I love the original cupboards. -Beautiful. -Yeah! | 0:24:49 | 0:24:53 | |
Just behind us there, | 0:24:53 | 0:24:55 | |
you've got a utility room and also a downstairs bathroom, which is handy. | 0:24:55 | 0:24:58 | |
-Perfect. -Yes, very nice. -And it all flows just really well, doesn't it? | 0:24:58 | 0:25:04 | |
I love the style of it. This is very much the stuff we like, isn't it? | 0:25:04 | 0:25:07 | |
-Victorian, Edwardian, that type of thing, you know. -You're smiling. | 0:25:07 | 0:25:11 | |
-I am! -And you're smiling! -He's smiling. -That's great. -Two smiles. | 0:25:11 | 0:25:16 | |
A joint seal of approval for the ground floor, and there's more | 0:25:18 | 0:25:21 | |
to keep those smiles on their faces as we head upstairs. | 0:25:21 | 0:25:25 | |
There are four bedrooms on offer, one more than they asked for, | 0:25:25 | 0:25:29 | |
and they all make use of a contemporary family bathroom. | 0:25:29 | 0:25:33 | |
Each of the bedrooms is a good-sized double and every one comes | 0:25:33 | 0:25:36 | |
with an original feature fireplace. | 0:25:36 | 0:25:38 | |
A pale-blue room is presented with a single bed, | 0:25:38 | 0:25:41 | |
while another is made up as a home office. | 0:25:41 | 0:25:44 | |
And this is the master bedroom. | 0:25:44 | 0:25:47 | |
-Oh, very nice! -Oh, wow! -Another wow! | 0:25:47 | 0:25:51 | |
-Another wow! -Yes, and another fireplace. -Yeah. -Lovely. | 0:25:51 | 0:25:54 | |
Again, typical of the era, aren't they? | 0:25:54 | 0:25:56 | |
Very big rooms, nicely proportioned rooms. | 0:25:56 | 0:25:59 | |
Yeah, I'm very excited about it, really. | 0:25:59 | 0:26:00 | |
Very impressive, very impressive. Very big. | 0:26:00 | 0:26:04 | |
-Yeah. -But you know, guys, you might not want this | 0:26:04 | 0:26:07 | |
to be the master bedroom | 0:26:07 | 0:26:08 | |
and you definitely have options in this house. Just follow me. | 0:26:08 | 0:26:12 | |
Because this one is definitely big enough. | 0:26:15 | 0:26:19 | |
-Oh, yes, this is a nice room. -OK? -Double aspect as well. | 0:26:19 | 0:26:22 | |
Yeah, definitely. | 0:26:22 | 0:26:24 | |
Although the large internal footprint gives great options | 0:26:24 | 0:26:27 | |
within the walls, the possibilities are more limited outside. | 0:26:27 | 0:26:31 | |
And when it comes to the plot size, well, it's not so spacious. | 0:26:31 | 0:26:35 | |
Set just off the road, there's no front garden to speak of, | 0:26:35 | 0:26:38 | |
but at the back, there's a secluded gravelled area with enough room | 0:26:38 | 0:26:42 | |
for a table and chairs as well as an ornamental pond. | 0:26:42 | 0:26:45 | |
So, guys, the house has more space than you imagined, | 0:26:45 | 0:26:50 | |
the garden isn't quite as large as you probably hoped. | 0:26:50 | 0:26:53 | |
This is what you get. | 0:26:53 | 0:26:54 | |
The garden is small, isn't it? | 0:26:54 | 0:26:57 | |
It is, it is. But I think you can do things with it. | 0:26:57 | 0:27:00 | |
Yeah, there's potential. | 0:27:00 | 0:27:01 | |
I think there's things you could change to make it | 0:27:01 | 0:27:03 | |
a more sort of cottagey-style garden, | 0:27:03 | 0:27:05 | |
so I don't think it's a deal-breaker. | 0:27:05 | 0:27:08 | |
So, potentially, this would be OK? | 0:27:08 | 0:27:09 | |
Yes, cos we do realise we've got to compromise somewhere | 0:27:09 | 0:27:12 | |
-and we're happy to do that. -Yep. | 0:27:12 | 0:27:14 | |
So, let's guess the price, my favourite bit. | 0:27:14 | 0:27:17 | |
-Who wants to go first this time? -Ian, do you want to go first? | 0:27:17 | 0:27:20 | |
OK, I'll go first this time. | 0:27:20 | 0:27:21 | |
Well, it's a beautiful house so I think it's going to be | 0:27:21 | 0:27:25 | |
near the top of our budget, so I'm going to say 295. | 0:27:25 | 0:27:31 | |
So, just under your £300,000 budget. Les? | 0:27:31 | 0:27:35 | |
I think it's even closer. | 0:27:35 | 0:27:37 | |
-Do you? -Yeah, I do, so I'm going to say 299,950. -299,950, OK. | 0:27:37 | 0:27:43 | |
It's on the market for £240,000. | 0:27:43 | 0:27:46 | |
-Really? -Really. -What?! -Goodness! | 0:27:46 | 0:27:50 | |
-I love that reaction! -240? | 0:27:51 | 0:27:53 | |
We can tell the vendor to put it on for a bit more, if you like. | 0:27:53 | 0:27:56 | |
-No, no, no, please. -You're fine, you're fine. | 0:27:56 | 0:27:58 | |
-You have read that right? -Yeah, it's £240,000. -OK. | 0:27:58 | 0:28:01 | |
It's not been on the market long. | 0:28:01 | 0:28:02 | |
-Right. -It's only been on the market for a short time. -Right. | 0:28:02 | 0:28:05 | |
-It's a good house. -Right. -Um... | 0:28:05 | 0:28:07 | |
-And offers you a lot of space. -Right! -It certainly does that. | 0:28:07 | 0:28:10 | |
And it gives you money left over in your budget as well, which is | 0:28:10 | 0:28:14 | |
always a good thing, that doesn't happen often, let's face it, | 0:28:14 | 0:28:17 | |
-when we're buying houses. -Yeah! Wow. | 0:28:17 | 0:28:19 | |
Now, with that in mind, go back in, take a look around, | 0:28:19 | 0:28:23 | |
take your time and I'll come and find you. | 0:28:23 | 0:28:25 | |
-I think you might be some time. -I think we will! -Thank you. | 0:28:25 | 0:28:28 | |
-See you later. -Brilliant. | 0:28:28 | 0:28:29 | |
Well, that was a really positive reaction. | 0:28:31 | 0:28:34 | |
And the reaction they've had to this house proves one thing that | 0:28:34 | 0:28:37 | |
I always believed to be true - the things that you think matter | 0:28:37 | 0:28:41 | |
in a house go completely out of the window | 0:28:41 | 0:28:43 | |
when it just feels right inside. | 0:28:43 | 0:28:45 | |
Hugely under budget by some £60,000, | 0:28:47 | 0:28:51 | |
this traditional Edwardian property comes with... | 0:28:51 | 0:28:54 | |
It's absolutely chock-full of period features | 0:28:59 | 0:29:02 | |
and has a compact gravelled garden. | 0:29:02 | 0:29:04 | |
This house, yeah, it's very much my sort of taste, really. | 0:29:04 | 0:29:07 | |
Large rooms, there's a lot of original features, high ceilings, | 0:29:07 | 0:29:12 | |
lots of space and the fireplaces in every room is an absolute bonus. | 0:29:12 | 0:29:16 | |
I love that. It really gives it character. | 0:29:16 | 0:29:19 | |
I really like this house. I think it'd be a great house. | 0:29:19 | 0:29:21 | |
I can see us living in it quite comfortably. | 0:29:21 | 0:29:24 | |
There's not much I would change. | 0:29:24 | 0:29:26 | |
The garden is smaller than we would have perhaps liked, | 0:29:26 | 0:29:28 | |
but we can work with that, really. | 0:29:28 | 0:29:31 | |
I think it looks the part and it looks like a proper Edwardian house. | 0:29:31 | 0:29:34 | |
So, yeah, I really like it. I like it a lot. | 0:29:34 | 0:29:37 | |
You took your time! | 0:29:39 | 0:29:41 | |
Well, no surprise, it's so huge - lots to see. | 0:29:41 | 0:29:44 | |
There's a lot to see there | 0:29:44 | 0:29:45 | |
-and we've still got more to see, so come on. -OK. | 0:29:45 | 0:29:47 | |
It's the second day of our property search | 0:30:00 | 0:30:02 | |
and with semi-retirement on the cards, | 0:30:02 | 0:30:04 | |
our buyers Ian and Les have a £300,000 budget | 0:30:04 | 0:30:07 | |
to spend on their move away from the busy suburbs | 0:30:07 | 0:30:10 | |
of Brighton, West Sussex, into the wonderful Herefordshire countryside. | 0:30:10 | 0:30:15 | |
Still to come, we have the mystery house to unveil, | 0:30:15 | 0:30:18 | |
which might be a perfect match for our couple. | 0:30:18 | 0:30:21 | |
This is exactly what we were thinking about | 0:30:21 | 0:30:24 | |
when we were talking about moving - | 0:30:24 | 0:30:27 | |
something a bit unusual, something a bit different. | 0:30:27 | 0:30:29 | |
And I'll be finding out how small-scale drinks production | 0:30:29 | 0:30:32 | |
is being brought to the masses with some age-old hard graft. | 0:30:32 | 0:30:37 | |
Just give them a shake. | 0:30:37 | 0:30:38 | |
You need muscles, don't you? | 0:30:38 | 0:30:41 | |
It's the start of our second day's house-hunting here in Herefordshire, | 0:30:43 | 0:30:46 | |
and one thing became clear yesterday - | 0:30:46 | 0:30:48 | |
our couple are prepared to compromise, | 0:30:48 | 0:30:50 | |
particularly when it comes to outside space, | 0:30:50 | 0:30:53 | |
which is just as well, because the mystery house offers them | 0:30:53 | 0:30:57 | |
all the space and character they're after in the heart of a village, | 0:30:57 | 0:31:00 | |
but you don't need green fingers to live there. | 0:31:00 | 0:31:03 | |
But first, we're off to take Les and Ian for a spot of border-hopping. | 0:31:03 | 0:31:06 | |
Our first port of call this morning takes us just out of | 0:31:08 | 0:31:11 | |
Herefordshire and into the Welsh county of Powys. | 0:31:11 | 0:31:13 | |
The property we're driving to is in the village of Norton, | 0:31:13 | 0:31:17 | |
which is located just a couple of miles from Presteigne. | 0:31:17 | 0:31:20 | |
Surrounded by beautiful, unspoiled border countryside, | 0:31:20 | 0:31:25 | |
Presteigne is a small town, but with a large range of independent shops, | 0:31:25 | 0:31:29 | |
restaurants and pubs, many housed in attractive historic architecture. | 0:31:29 | 0:31:34 | |
And we're stepping back in time with our next property - | 0:31:34 | 0:31:38 | |
back to the 18th century, when it's believed that this rendered | 0:31:38 | 0:31:42 | |
stone cottage in Norton was built. | 0:31:42 | 0:31:44 | |
Our couple, Les and Ian, may be prepared to make concessions | 0:31:44 | 0:31:48 | |
on their initial vision for the outdoor space, but we're about | 0:31:48 | 0:31:52 | |
to find out if they share that same vision when it comes to the inside. | 0:31:52 | 0:31:57 | |
So, here we have an 18th-century, | 0:31:57 | 0:32:00 | |
three-bedroom detached property and it has a lot of potential | 0:32:00 | 0:32:03 | |
for the two of you to really put your stamp on it. | 0:32:03 | 0:32:06 | |
-We're always up for a project, aren't we? -Yes, we like a challenge. | 0:32:06 | 0:32:09 | |
-Yes. That sounds good. -OK. | 0:32:09 | 0:32:11 | |
I do like the fact that there seems, from here, to be | 0:32:11 | 0:32:13 | |
-plenty of space either side of the property. -Yes. | 0:32:13 | 0:32:15 | |
Now, I need you to let your imaginations run wild, | 0:32:15 | 0:32:18 | |
I need you to be visionary, cos we're going to go | 0:32:18 | 0:32:20 | |
and take a look inside, cos I think | 0:32:20 | 0:32:22 | |
this is quite an exciting property, that offers a lot of scope | 0:32:22 | 0:32:24 | |
to do something really interesting with it. | 0:32:24 | 0:32:26 | |
-That'd be good. -I look forward to it. | 0:32:26 | 0:32:28 | |
The charming exterior is drawing our buyers in | 0:32:29 | 0:32:32 | |
and a Victorian iron gate leads up to the front door. | 0:32:32 | 0:32:36 | |
So, let's come straight in. | 0:32:38 | 0:32:40 | |
I'm going to move you right through quickly into the living room, | 0:32:40 | 0:32:44 | |
because I think this is where the wow factor of the house is. | 0:32:44 | 0:32:49 | |
How about that for a fireplace? | 0:32:49 | 0:32:50 | |
-That's a lovely fireplace. -That's a big fireplace. | 0:32:50 | 0:32:52 | |
Considering that takes up so much room, I think | 0:32:52 | 0:32:54 | |
-there's still a fair bit of room left. -Yeah, I agree. | 0:32:54 | 0:32:57 | |
It's a...nice-shaped room, yeah. I like it. | 0:32:57 | 0:33:01 | |
Can you see potential in here? | 0:33:01 | 0:33:02 | |
I mean, can you imagine what you could do to put your own mark on it? | 0:33:02 | 0:33:07 | |
-I can. Yeah. -Yes. | 0:33:07 | 0:33:09 | |
Now, I think the real potential here in the house lies in the kitchen, | 0:33:09 | 0:33:12 | |
cos that's where you could create something quite interesting, | 0:33:12 | 0:33:15 | |
so let's go and investigate. Come on, follow me. | 0:33:15 | 0:33:19 | |
To the far end of this main living room is a light, bright area, | 0:33:19 | 0:33:22 | |
which could make a good study, with storage and a window seat. | 0:33:22 | 0:33:26 | |
This then flows into a long conservatory, spanning | 0:33:26 | 0:33:30 | |
the entire width of the property | 0:33:30 | 0:33:32 | |
and overlooking the back garden. | 0:33:32 | 0:33:34 | |
In the front entrance hall lies the staircase, which rises to the | 0:33:34 | 0:33:37 | |
first floor, and also a doorway, which takes us into a dining room. | 0:33:37 | 0:33:42 | |
And what I would do, if you could get the planning permission, | 0:33:42 | 0:33:45 | |
is open all of this up. | 0:33:45 | 0:33:46 | |
Take the walls out, really create a big space, and then through here, | 0:33:46 | 0:33:50 | |
in the kitchen at the back, | 0:33:50 | 0:33:52 | |
I'd put an extension on. | 0:33:52 | 0:33:54 | |
Lovely skylights, so you'd have views out over onto the garden. | 0:33:54 | 0:33:58 | |
-Yes. -So you'd create one really big kitchen/dining space. -Yeah. | 0:33:58 | 0:34:02 | |
Can you see the potential? | 0:34:02 | 0:34:03 | |
Do you know where I'm coming from on this one? | 0:34:03 | 0:34:05 | |
Oh, yeah, I can see it. It's too many rooms. | 0:34:05 | 0:34:08 | |
-It needs it to be knocked into one. -Yeah. -Big project. | 0:34:08 | 0:34:11 | |
-Yes, huge project, but... -But, yeah. | 0:34:11 | 0:34:14 | |
I can definitely see it. | 0:34:14 | 0:34:15 | |
It's fair to say that this cottage needs modernising. | 0:34:17 | 0:34:20 | |
A little TLC and a lot of vision will bring it | 0:34:20 | 0:34:23 | |
into the 21st century, | 0:34:23 | 0:34:25 | |
but it has good bones, with lots of historic features | 0:34:25 | 0:34:28 | |
and fairly generous dimensions downstairs. | 0:34:28 | 0:34:31 | |
It is smaller on the first floor, | 0:34:31 | 0:34:34 | |
but there are still the three desired bedrooms - | 0:34:34 | 0:34:37 | |
one is a single room and the other two are cosy doubles. | 0:34:37 | 0:34:41 | |
-Again, lots of character up here. -Right. | 0:34:41 | 0:34:44 | |
It'll need your own stamp putting on it, | 0:34:44 | 0:34:46 | |
-it all needs a little bit of updating. -Yes. | 0:34:46 | 0:34:48 | |
-Quite high ceilings for a cottage, though. -They are, yes. That is true. | 0:34:48 | 0:34:52 | |
-It is a bit small for us. -It is, yeah. -And overlooks the road, so... | 0:34:52 | 0:34:58 | |
This would probably be the occasional one, I'd say. | 0:34:58 | 0:35:00 | |
It strikes me that you don't see the potential upstairs in the same | 0:35:00 | 0:35:04 | |
way that you did downstairs. | 0:35:04 | 0:35:06 | |
No, I think downstairs you can play around with, | 0:35:06 | 0:35:08 | |
-up here, it's a bit more difficult to configure. -I agree, yes. | 0:35:08 | 0:35:12 | |
Well, let's head out to the garden and see | 0:35:12 | 0:35:15 | |
if a look at the garden and the price may convince you that, | 0:35:15 | 0:35:19 | |
-actually, this could be worth considering. -OK. -Come on. | 0:35:19 | 0:35:22 | |
The cottage sits comfortably in its plot, surrounded by private, | 0:35:23 | 0:35:27 | |
well-tended gardens. | 0:35:27 | 0:35:29 | |
At the end of a long driveway is a garage | 0:35:29 | 0:35:31 | |
and there are a number of outbuildings. With great views | 0:35:31 | 0:35:35 | |
over the beautiful countryside and neighbouring fields, | 0:35:35 | 0:35:38 | |
the gardens quite literally give a taste of country living, as the | 0:35:38 | 0:35:42 | |
last of the harvest is still hanging temptingly on the fruit bushes. | 0:35:42 | 0:35:47 | |
Rolling hills, sheep, | 0:35:47 | 0:35:48 | |
-you've got countryside walks right on the doorstep. -Beautiful. | 0:35:48 | 0:35:52 | |
I still struggle with the amount of work involved, I think | 0:35:52 | 0:35:56 | |
that's going to be a bit beyond us, I think. | 0:35:56 | 0:35:58 | |
OK, well, let's see if the price can sway you. | 0:35:58 | 0:36:01 | |
I'm going to go in pretty low. I'm going to say 225. | 0:36:01 | 0:36:04 | |
-Ian? -That's an interesting price. -Thanks! | 0:36:04 | 0:36:08 | |
I think I will go... | 0:36:08 | 0:36:10 | |
-215. -Oof! -215? OK. | 0:36:10 | 0:36:13 | |
So you're both going low today. | 0:36:13 | 0:36:17 | |
Going very low. | 0:36:17 | 0:36:18 | |
It IS under budget, but not by as much as either of you have said, | 0:36:18 | 0:36:22 | |
-cos it's on the market for £240,000. -OK. | 0:36:22 | 0:36:25 | |
Even with that price reduction, it still wouldn't work for us, | 0:36:25 | 0:36:28 | |
-I'm afraid. -Of course, I can tell that this house isn't grabbing | 0:36:28 | 0:36:31 | |
both of you, but still, go inside, take another look around, | 0:36:31 | 0:36:33 | |
-and come and find me when you've seen enough. -OK. -Thank you. | 0:36:33 | 0:36:37 | |
Yet again under budget, | 0:36:39 | 0:36:41 | |
this stone cottage has bags of character | 0:36:41 | 0:36:44 | |
and could present a potential project for our buyers, | 0:36:44 | 0:36:47 | |
but in its present state comes with | 0:36:47 | 0:36:49 | |
two separate reception rooms, | 0:36:49 | 0:36:51 | |
including a large living room, | 0:36:51 | 0:36:52 | |
a conservatory, three bedrooms | 0:36:52 | 0:36:55 | |
and a large, mature garden. | 0:36:55 | 0:36:57 | |
The style of the house is very cottage-y, | 0:36:57 | 0:37:00 | |
which is something we like. | 0:37:00 | 0:37:02 | |
Love the fireplace. I could see the potential of opening that up | 0:37:02 | 0:37:05 | |
and having a wood-burning stove there, or something like that. | 0:37:05 | 0:37:07 | |
In the cottage, there's a lot of nice features, | 0:37:07 | 0:37:09 | |
a lot of things you would keep. | 0:37:09 | 0:37:12 | |
It's got a great garden, great views, great features, | 0:37:12 | 0:37:15 | |
but I don't think it's for us. | 0:37:15 | 0:37:18 | |
I think this would be a bit too much of a project for Les | 0:37:18 | 0:37:20 | |
and I, to be honest. | 0:37:20 | 0:37:22 | |
So we can see the potential, there's a lot of work to do, | 0:37:22 | 0:37:25 | |
but I think a bit too much for us. | 0:37:25 | 0:37:26 | |
-Hello, you two. -Hiya. -Hello, Ginny. | 0:37:31 | 0:37:33 | |
Time for us to move on, because it's time to see the mystery house. | 0:37:33 | 0:37:36 | |
-Looking forward to that. -Great. | 0:37:36 | 0:37:38 | |
A defining characteristic of the Herefordshire landscape | 0:37:44 | 0:37:47 | |
has to be its orchards. | 0:37:47 | 0:37:49 | |
Once described as a forest of fruit trees, | 0:37:49 | 0:37:52 | |
this region has a proud history of cider | 0:37:52 | 0:37:55 | |
and perry production that dates back to the 17th century. | 0:37:55 | 0:37:59 | |
Today, over 1 billion Herefordshire apples are needed to meet | 0:37:59 | 0:38:02 | |
demand for the cider industry on a commercial level. | 0:38:02 | 0:38:05 | |
But at the domestic end, many of our home-grown apples are wasted | 0:38:05 | 0:38:10 | |
and left to rot, so local resident Deborah Davies | 0:38:10 | 0:38:13 | |
has come up with a way of using up all the fruit | 0:38:13 | 0:38:16 | |
you may have cultivated in your back garden. | 0:38:16 | 0:38:19 | |
I've come to her home in the village of Putley to find out more. | 0:38:19 | 0:38:23 | |
-Hi, Deborah! -Hello, Ginny, nice to meet you. -Good to meet you, too. | 0:38:23 | 0:38:26 | |
Now, I've brought you some apples. | 0:38:26 | 0:38:28 | |
My apple tree at home has had so many this year | 0:38:28 | 0:38:30 | |
-and I've run out of ideas for what to do with them. -Excellent. | 0:38:30 | 0:38:33 | |
-I think you might have a solution for me? -I do. | 0:38:33 | 0:38:35 | |
Lots of people have one or two trees in their garden | 0:38:35 | 0:38:38 | |
and the same thing as you explain, they just fall on the ground | 0:38:38 | 0:38:41 | |
and rot, so what we have set up is a little pressing service | 0:38:41 | 0:38:45 | |
for small volumes of fruit, | 0:38:45 | 0:38:47 | |
where we can turn your apples into cider and apple juice. | 0:38:47 | 0:38:51 | |
So people like me, who are just fed up of making chutney | 0:38:51 | 0:38:53 | |
-and apple pies, have an alternative. -You certainly do! | 0:38:53 | 0:38:56 | |
So can any kind of apple be brought along here to you, anything at all? | 0:38:56 | 0:39:01 | |
Traditionally, cider is made with cider apples, it has | 0:39:01 | 0:39:04 | |
the tannins, you tend to not be able to eat those apples on their own. | 0:39:04 | 0:39:09 | |
But you can make cider from dessert apples as well. | 0:39:09 | 0:39:12 | |
Well, here's a selection of some of mine. | 0:39:12 | 0:39:14 | |
Some of them are windfall, some I picked. | 0:39:14 | 0:39:16 | |
Are the windfalls OK as well? | 0:39:16 | 0:39:18 | |
Windfalls are fine to use, | 0:39:18 | 0:39:20 | |
-but you need good fruit to make a good cider. -OK. | 0:39:20 | 0:39:24 | |
So we would reject any apples like this one that has got mould | 0:39:24 | 0:39:29 | |
and the reason is, that could give taint to the actual cider you make, | 0:39:29 | 0:39:33 | |
so we would reject those. | 0:39:33 | 0:39:35 | |
But the other apples you have, they would be fine to use. | 0:39:35 | 0:39:39 | |
On their own, my batch isn't enough to make a sufficient pressing, | 0:39:39 | 0:39:43 | |
so we're going to pick a few more from Deborah's orchard to bulk | 0:39:43 | 0:39:47 | |
up my basket. So, how are we looking, Deborah? | 0:39:47 | 0:39:50 | |
I think we have enough apples here. Let's get them over to the press. | 0:39:50 | 0:39:52 | |
Lovely. | 0:39:52 | 0:39:54 | |
The prime motivation for starting the press was to encourage | 0:39:55 | 0:39:58 | |
locals to safeguard the original Herefordshire species, | 0:39:58 | 0:40:02 | |
now mostly found in residential gardens, | 0:40:02 | 0:40:05 | |
the feeling being that by helping people to maximise | 0:40:05 | 0:40:08 | |
the yield of the apple crop, | 0:40:08 | 0:40:10 | |
the more likely they'll be to tend, | 0:40:10 | 0:40:12 | |
prune and graft their trees, | 0:40:12 | 0:40:14 | |
which should in turn preserve them for the future | 0:40:14 | 0:40:16 | |
and so protect the heritage varieties. | 0:40:16 | 0:40:19 | |
Deborah's partner Nigel is already sorting | 0:40:19 | 0:40:21 | |
and cleaning apples for the next pressing batch. | 0:40:21 | 0:40:25 | |
-What, mix all the different varieties in? -Yes. | 0:40:25 | 0:40:27 | |
OK, so that's unusual. I would have thought you'd have used | 0:40:27 | 0:40:31 | |
one variety of apple to produce cider from, but that's not the case? | 0:40:31 | 0:40:34 | |
It makes a much more full, rounded juice and cider | 0:40:34 | 0:40:37 | |
if you use different varieties. | 0:40:37 | 0:40:39 | |
It takes about 50kg to make 25 litres of juice. | 0:40:40 | 0:40:43 | |
OK, so the apples are washed, they're ready to go. | 0:40:45 | 0:40:47 | |
How many buckets of these are we going to need? | 0:40:47 | 0:40:49 | |
Probably another five or ten. | 0:40:49 | 0:40:51 | |
Let's do this one. Fill this one up, lovely. | 0:40:51 | 0:40:54 | |
Shake... | 0:40:54 | 0:40:56 | |
Gosh, you need muscles, don't you? | 0:40:57 | 0:41:00 | |
Next up, we slowly and steadily transfer the apples to the scratter, | 0:41:00 | 0:41:03 | |
which mashes the fruit into a pulp. | 0:41:03 | 0:41:06 | |
The next stage is to shovel these scratted apples, the pulp, | 0:41:07 | 0:41:10 | |
into the press and we're then going to put a number of shovelfuls | 0:41:10 | 0:41:15 | |
-in each cloth, fold the cloths over to create cheeses... -OK. | 0:41:15 | 0:41:20 | |
Cheeses, as per cheese-making, you squeeze the juice | 0:41:20 | 0:41:23 | |
out of the cheese, it's the same principle with cider. | 0:41:23 | 0:41:26 | |
You make a cheese and squeeze the juice out of it. | 0:41:26 | 0:41:28 | |
With gloves on, | 0:41:28 | 0:41:30 | |
we then place shovels of apple pulp into the cloth cheeses. | 0:41:30 | 0:41:33 | |
You can see it's coming through quickly already, isn't it? | 0:41:33 | 0:41:36 | |
Just from the weight of the fruit. | 0:41:36 | 0:41:39 | |
The cheeses are stacked neatly on top of each other and then | 0:41:39 | 0:41:42 | |
they're topped with a heavy, sturdy block, | 0:41:42 | 0:41:44 | |
which will evenly distribute the weight across the press. | 0:41:44 | 0:41:47 | |
-Would you like to come up and have a go on the press? -I'd love to. | 0:41:47 | 0:41:50 | |
Right, if you come in here, where I am... | 0:41:50 | 0:41:52 | |
Simply pull the handle towards you. | 0:41:52 | 0:41:55 | |
Now lift very gently and push back | 0:41:55 | 0:41:58 | |
and watch the peg drop into the next hole and pull again. | 0:41:58 | 0:42:01 | |
How do you know when it's done? | 0:42:01 | 0:42:03 | |
Because you can't squeeze it any further. | 0:42:03 | 0:42:05 | |
-We've got a long way to go yet! -OK! | 0:42:05 | 0:42:07 | |
Once all the juice has been extracted, | 0:42:07 | 0:42:09 | |
the pulp scraps are given to | 0:42:09 | 0:42:11 | |
a local farmer who feeds it to his rare-breed pigs | 0:42:11 | 0:42:14 | |
and that leaves the fresh apple liquid, which is bottled | 0:42:14 | 0:42:17 | |
and left to ferment for six months before it becomes cider. | 0:42:17 | 0:42:21 | |
But I can't wait that long and after all that work, I've | 0:42:22 | 0:42:25 | |
definitely built up a thirst, | 0:42:25 | 0:42:26 | |
so Deborah has a glass for me to sample. | 0:42:26 | 0:42:28 | |
Wow, that's not what I was expecting at all. | 0:42:30 | 0:42:32 | |
It's not as sweet as a lot of the commercial varieties, | 0:42:32 | 0:42:34 | |
that's what I like about it. | 0:42:34 | 0:42:37 | |
It tastes really like apples. | 0:42:37 | 0:42:38 | |
All of the sugar will be fermented to alcohol, | 0:42:38 | 0:42:42 | |
so it's completely dry, but it is bottle conditioned, | 0:42:42 | 0:42:46 | |
so we've got a little bit of yeast giving it a fizz. | 0:42:46 | 0:42:49 | |
-Just got to wait six months to try mine! -You do! -Can't wait! | 0:42:49 | 0:42:52 | |
What a treat on a sunny autumn day, | 0:42:54 | 0:42:56 | |
to make and taste the local nectar in a county where | 0:42:56 | 0:43:00 | |
fruit production is woven into the fabric of its economy and culture. | 0:43:00 | 0:43:05 | |
-So, you two, we're off to see the -mystery house. Very exciting. | 0:43:08 | 0:43:12 | |
It is very exciting. | 0:43:12 | 0:43:13 | |
What do you think I've got lined up for you, | 0:43:13 | 0:43:15 | |
what are you expecting to see? | 0:43:15 | 0:43:17 | |
I think it's probably something that's going to be | 0:43:17 | 0:43:19 | |
a conversion of a pub or chapel or something unusual. | 0:43:19 | 0:43:23 | |
Yes. Semirural, maybe not semirural. | 0:43:23 | 0:43:26 | |
Bring it on now, really. I don't want to wait much longer. | 0:43:26 | 0:43:29 | |
We'd better get off to the mystery house, then, hadn't we? | 0:43:29 | 0:43:32 | |
-Absolutely! -Be very quick! | 0:43:32 | 0:43:33 | |
Our last property stop is again down south in Ewyas Harold, | 0:43:33 | 0:43:38 | |
right near the border of England and Wales. | 0:43:38 | 0:43:41 | |
Before we get to the mystery house, I want to show Les and Ian | 0:43:41 | 0:43:45 | |
all that's on offer in this pretty local village that serves it. | 0:43:45 | 0:43:48 | |
Well, we're in the village of Ewyas Harold, | 0:43:48 | 0:43:51 | |
in south-west Herefordshire. Do you know the area? | 0:43:51 | 0:43:54 | |
Yes, we're pretty familiar with it. | 0:43:54 | 0:43:56 | |
Oh, how do you know it? Do tell all, come on. | 0:43:56 | 0:43:59 | |
Well, we've got friends that live very close by, | 0:43:59 | 0:44:01 | |
-so we definitely know it. -And do you like it? | 0:44:01 | 0:44:03 | |
Oh, very much. It's a lovely little village, yes. | 0:44:03 | 0:44:05 | |
It's a really popular village, not least because it's so pretty, | 0:44:05 | 0:44:09 | |
but also, it's got just about everything you need, | 0:44:09 | 0:44:11 | |
which is why I really wanted to show it to you. | 0:44:11 | 0:44:13 | |
There's a fantastic butcher's, they cure their own bacon in there. | 0:44:13 | 0:44:16 | |
-Great! -Lovely. -There's a village shop and post office that | 0:44:16 | 0:44:19 | |
has everything you need and then some. A couple of really good pubs. | 0:44:19 | 0:44:22 | |
There's also an amazing fish and chip shop. | 0:44:22 | 0:44:25 | |
-That sounds good! -Are you ready to go and see the mystery house? | 0:44:25 | 0:44:28 | |
-We are! -We are. -Come on, then, follow me. Right this way. -OK. | 0:44:28 | 0:44:32 | |
Because the mystery house is literally on your doorstep. | 0:44:33 | 0:44:36 | |
-Oh, right! -Good heavens! Good grief. -That was a long walk! | 0:44:36 | 0:44:40 | |
-Goodness me. -Oh, right. Wow. | 0:44:40 | 0:44:43 | |
So, if you need your bacon from the butcher's, it's just over there. | 0:44:43 | 0:44:46 | |
When you run out of anything else, the shop's there. | 0:44:46 | 0:44:48 | |
-I love the look of it. -I do. -I think it looks great. | 0:44:48 | 0:44:50 | |
It's a detached stone property, dates back to the early 1800s, | 0:44:50 | 0:44:53 | |
-and it's a barn conversion. -Ah! | 0:44:53 | 0:44:56 | |
And the mystery isn't just the location here in the village. | 0:44:56 | 0:44:59 | |
-There isn't a garden with this property. -Right. -No garden at all? | 0:44:59 | 0:45:02 | |
No. That's your compromise. | 0:45:02 | 0:45:04 | |
-There's a tiny little courtyard garden, that's all. -OK. -OK? -Yes. | 0:45:04 | 0:45:08 | |
-I'm excited about this one. -So am I. -It looks great. | 0:45:08 | 0:45:11 | |
-I can't wait to see it now. -Yes, definitely. | 0:45:11 | 0:45:13 | |
Right in the heart of the community | 0:45:13 | 0:45:15 | |
of this classic Herefordshire village, | 0:45:15 | 0:45:17 | |
our early-19th-century detached mystery property | 0:45:17 | 0:45:21 | |
has great appeal and presence from the road, | 0:45:21 | 0:45:23 | |
and I'm keen to find out whether our buyers will like what lies beyond. | 0:45:23 | 0:45:27 | |
Formed from the conversion of two stone barns, it has double gables, | 0:45:27 | 0:45:31 | |
an integral garage, and a robust wooden front door. | 0:45:31 | 0:45:36 | |
So, we're straight into this fantastic, | 0:45:36 | 0:45:39 | |
-cosy kitchen-dining space. -Oh, wow! | 0:45:39 | 0:45:41 | |
-You can really see the history of the barn, can't you? -Wow. | 0:45:41 | 0:45:45 | |
-Wow, this is great. -Do you like it? -I do. -Very much. -Very much. | 0:45:45 | 0:45:49 | |
-This is exactly what you like as well, isn't it? -Yes. | 0:45:49 | 0:45:52 | |
Excuse me, guys. Sorry. | 0:45:52 | 0:45:54 | |
-No! -It's just really nice. -Is it? | 0:45:54 | 0:45:57 | |
-Has it just got you somewhere? -Yeah. | 0:45:57 | 0:45:59 | |
-You all right? -Yes, I'm fine, but it's just so lovely. | 0:45:59 | 0:46:03 | |
It's just what we're looking for, really, isn't it? | 0:46:03 | 0:46:06 | |
It is, this is exactly what we wanted. | 0:46:06 | 0:46:08 | |
I love the stone walls and the beams. The thickness of the walls. | 0:46:08 | 0:46:11 | |
-The feel of it. -It's a real country thing, isn't it, | 0:46:11 | 0:46:14 | |
-coming into the kitchen? -Yes. | 0:46:14 | 0:46:16 | |
-I like that. -It's great. -This is lovely. | 0:46:16 | 0:46:18 | |
-Well, we're off to a good start. -Absolutely. -Let's carry on. -OK. | 0:46:18 | 0:46:22 | |
-Well, if it's character and space you're after, how about this? -Wow. | 0:46:22 | 0:46:27 | |
-Crikey, this is lovely. -Oh, my God, this is great. | 0:46:27 | 0:46:30 | |
-This is really beautiful. -A minstrel's gallery! | 0:46:30 | 0:46:34 | |
-Isn't it lovely? -Wow. | 0:46:34 | 0:46:35 | |
-This is fantastic. -It's really lovely. -And so bright. | 0:46:35 | 0:46:39 | |
-I was going to say how light it is. -Isn't it? -I love those windows. -Yes. | 0:46:39 | 0:46:42 | |
-Beautiful. -You can really see in here that it was two barns. | 0:46:42 | 0:46:46 | |
-You can see the high ceilings, all the detailing. -Yes. | 0:46:46 | 0:46:49 | |
It is all there, isn't it? | 0:46:49 | 0:46:51 | |
Les, no tears from you, | 0:46:51 | 0:46:53 | |
but you do seem quite emotional in your reaction to it. | 0:46:53 | 0:46:56 | |
Yes, I'll cry in private, don't worry! | 0:46:56 | 0:46:58 | |
Provoking high and hidden emotions, there's no doubt | 0:46:58 | 0:47:02 | |
that the mystery property is having a positive impact. | 0:47:02 | 0:47:05 | |
And the proportions are certainly impressive, too. | 0:47:05 | 0:47:09 | |
As well as the kitchen-breakfast room and large living room, the | 0:47:09 | 0:47:12 | |
ground floor also features a study, | 0:47:12 | 0:47:14 | |
which is accessed via a dining room. | 0:47:14 | 0:47:16 | |
This separate dining area could be a great space for formal occasions, | 0:47:16 | 0:47:21 | |
when hosting all the guests our couple plan on entertaining. | 0:47:21 | 0:47:24 | |
The study behind it has original exposed brickwork, | 0:47:24 | 0:47:27 | |
and offers privacy and quiet. | 0:47:27 | 0:47:30 | |
When it comes to storage solutions, | 0:47:30 | 0:47:32 | |
there's also a utility room to hide away the white goods, | 0:47:32 | 0:47:35 | |
as well as the large garage with double timber doors to the front. | 0:47:35 | 0:47:39 | |
This is exactly what we were thinking about | 0:47:41 | 0:47:44 | |
when we were talking about moving. | 0:47:44 | 0:47:46 | |
-Something a bit unusual, something a bit different. -Yeah. -It's great. | 0:47:46 | 0:47:50 | |
-Yes, and even the colours are just so lovely. -Yes. | 0:47:50 | 0:47:53 | |
It's bright, it's really bright. | 0:47:53 | 0:47:55 | |
What I haven't told you is that upstairs you've got plenty of space | 0:47:55 | 0:47:58 | |
-as well - you've got four bedrooms. -Four bedrooms?! -Yes. | 0:47:58 | 0:48:02 | |
-Let's go and decide which one could be the master suite. -OK. | 0:48:02 | 0:48:05 | |
Upstairs, off a grand galleried landing, | 0:48:08 | 0:48:11 | |
there are two bedrooms at the rear of the property. | 0:48:11 | 0:48:13 | |
Then the other two have aspects to the front and include the largest | 0:48:13 | 0:48:18 | |
double, as well as a smaller room, currently used for craft and sewing. | 0:48:18 | 0:48:21 | |
Then at the back, a third bedroom is presented as a dressing room, | 0:48:21 | 0:48:25 | |
next to which is another pleasantly decorated double. | 0:48:25 | 0:48:28 | |
I'm bringing you into this one. | 0:48:28 | 0:48:29 | |
It's not currently used as the master bedroom. | 0:48:29 | 0:48:31 | |
It's not the largest, | 0:48:31 | 0:48:33 | |
-but I just think there's something really pretty about it. -It is. | 0:48:33 | 0:48:36 | |
-It's really sweet, isn't it? -It's very light. | 0:48:36 | 0:48:38 | |
-If you just take a look behind you, I love that. -Oh, yes. | 0:48:38 | 0:48:42 | |
-Yes, the beams. -Beautiful. -Yes. | 0:48:42 | 0:48:43 | |
There's a smaller bedroom being used as a dressing room | 0:48:43 | 0:48:46 | |
right next door, and you've got a shower room next door, | 0:48:46 | 0:48:48 | |
so you've almost got a little self-contained suite here. | 0:48:48 | 0:48:51 | |
-You have. -Yes. | 0:48:51 | 0:48:52 | |
There's the other bathroom, | 0:48:52 | 0:48:54 | |
-for when you've got visitors that come to stay. -Right. | 0:48:54 | 0:48:56 | |
This is great. | 0:48:56 | 0:48:58 | |
This is a lovely room, and it's a good size. | 0:48:58 | 0:49:00 | |
Let's explore the other bedrooms, | 0:49:00 | 0:49:02 | |
-and you can decide which one you fancy. -OK. | 0:49:02 | 0:49:05 | |
There's options with four. | 0:49:05 | 0:49:06 | |
So, everywhere you look up here is just another beautiful feature. | 0:49:07 | 0:49:11 | |
-It's gorgeous. -Yes, I love this, Les. | 0:49:11 | 0:49:13 | |
This is the room currently used as the master bedroom. | 0:49:13 | 0:49:16 | |
Again, it's got the beautiful features, the original beams. | 0:49:16 | 0:49:19 | |
-Yes, lovely. -It's a nice atmosphere. -Yes? | 0:49:19 | 0:49:22 | |
-Are you smiling? -I am. -Oh, absolutely. -OK. | 0:49:22 | 0:49:24 | |
Both Ian and Les are quite clearly bowled over | 0:49:24 | 0:49:28 | |
by everything within the chunky, historic walls | 0:49:28 | 0:49:31 | |
of this striking mystery property. | 0:49:31 | 0:49:33 | |
And this is normally the point where I would say, "Let's explore | 0:49:33 | 0:49:36 | |
"the garden outside," but there really isn't that much to consider. | 0:49:36 | 0:49:40 | |
What we do have, however, is a pretty, | 0:49:40 | 0:49:43 | |
intimate and sunny south-facing courtyard. | 0:49:43 | 0:49:46 | |
So, here we are. | 0:49:46 | 0:49:48 | |
Straight out into a compact little courtyard. | 0:49:48 | 0:49:53 | |
I did say there was the mystery, and this is the mystery. | 0:49:53 | 0:49:56 | |
It's very private, though. It feels very private. | 0:49:56 | 0:49:59 | |
It is, yes. It is. | 0:49:59 | 0:50:00 | |
And it's small. | 0:50:00 | 0:50:02 | |
You know, we saw a small one yesterday as well, | 0:50:02 | 0:50:04 | |
-and we were prepared to comprise on that. -Yes. | 0:50:04 | 0:50:07 | |
I think we could live with it. | 0:50:07 | 0:50:09 | |
So, how are you both feeling at this point? Les? | 0:50:09 | 0:50:12 | |
I'm feeling fearful that it's going to be over our budget. | 0:50:12 | 0:50:15 | |
But I'm hoping it won't be. | 0:50:15 | 0:50:18 | |
What do you think this is on the market for? | 0:50:18 | 0:50:21 | |
I think it's going to be very near the top of our budget, | 0:50:21 | 0:50:24 | |
so I'm going to say £295,000. | 0:50:24 | 0:50:28 | |
-OK. -OK. I'm going to say a very hopeful £285,000. | 0:50:28 | 0:50:33 | |
-Ian, you are bang-on. It's on the market for £295,000. -Is it? -Yes. | 0:50:34 | 0:50:40 | |
-My goodness. Look at that, I got it right! -Well done! | 0:50:40 | 0:50:44 | |
But, more importantly, it is within your budget. | 0:50:44 | 0:50:48 | |
How do you feel now? | 0:50:48 | 0:50:50 | |
-That's great. I was convinced it would be over. -Yes, I was too. | 0:50:50 | 0:50:55 | |
-Definitely. -Very excited. -That's fantastic. | 0:50:55 | 0:50:58 | |
-Would you like to go and look around again? -We'd love to. | 0:50:58 | 0:51:00 | |
-I think we should. -Go on, then, take your time. -Thank you. | 0:51:00 | 0:51:04 | |
Come and find me when you're ready. | 0:51:04 | 0:51:06 | |
This is fantastic. | 0:51:06 | 0:51:07 | |
They've gone from hoping for half an acre | 0:51:07 | 0:51:09 | |
to being happy with a pretty little patio. | 0:51:09 | 0:51:11 | |
It just shows, if the house is right, that's all that matters. | 0:51:11 | 0:51:15 | |
On the market for offers around £295,000, the mystery property | 0:51:16 | 0:51:21 | |
is a detached stone barn conversion | 0:51:21 | 0:51:24 | |
with roots in the early 1800s. | 0:51:24 | 0:51:26 | |
As such, it's laden with | 0:51:26 | 0:51:27 | |
historic gems and character. | 0:51:27 | 0:51:30 | |
It comes with four bedrooms, a kitchen-diner and three reception | 0:51:30 | 0:51:34 | |
rooms, and although limited | 0:51:34 | 0:51:35 | |
on outdoor space, the property is very well connected for local | 0:51:35 | 0:51:39 | |
amenities, being smack bang in the middle of a desirable village. | 0:51:39 | 0:51:42 | |
-A dressing room. -It's something we've never had before. | 0:51:44 | 0:51:47 | |
Exactly, no. And something worth keeping, I think. | 0:51:47 | 0:51:50 | |
And you've still got three bedrooms. | 0:51:50 | 0:51:52 | |
-Yeah. -So, you know, you could afford to lose one. -Absolutely. | 0:51:52 | 0:51:56 | |
I'm very excited by this house, | 0:51:56 | 0:51:58 | |
and it's certainly a very strong contender. | 0:51:58 | 0:52:01 | |
I know we didn't ask for a dining room, Les, | 0:52:01 | 0:52:03 | |
but this is a lovely room, isn't it? | 0:52:03 | 0:52:05 | |
Yes, you wouldn't change this. It just lends itself to it. | 0:52:05 | 0:52:08 | |
-It does. Can you imagine formal dinner parties in here? -Yes. | 0:52:08 | 0:52:11 | |
-The best thing is the study. -I know, isn't that lovely? | 0:52:11 | 0:52:14 | |
That's fantastic. We're definitely excited about this house, yes. | 0:52:14 | 0:52:17 | |
There's no doubt about that. | 0:52:17 | 0:52:19 | |
As I say, it really got us thinking from when we saw it first, | 0:52:19 | 0:52:23 | |
this is the unique, ideal kind of house for us, | 0:52:23 | 0:52:26 | |
so we're definitely going to give it some serious thought. | 0:52:26 | 0:52:29 | |
-Big smiles. -Yes. -And lots for you to take in. -Absolutely. -Lots. | 0:52:32 | 0:52:37 | |
-That's all the houses seen. -OK. | 0:52:37 | 0:52:38 | |
-Now it's time to do some thinking and then some talking. -OK. | 0:52:38 | 0:52:42 | |
Two properties have really struck a chord with Les and Ian. | 0:52:47 | 0:52:50 | |
Now they've had time to reflect, | 0:52:50 | 0:52:52 | |
I wonder if they'll still feel the same about them. | 0:52:52 | 0:52:55 | |
Hello, you two. | 0:53:00 | 0:53:02 | |
-Hi! -Hello, Ginny. | 0:53:02 | 0:53:04 | |
Wow. Sadly, the end of our house-hunt here in Herefordshire. | 0:53:04 | 0:53:08 | |
And I think that two properties have stood out for the two of you. | 0:53:08 | 0:53:11 | |
-Would that be fair to say? -I think that's very fair to say, yes. | 0:53:11 | 0:53:15 | |
So, come on, talk me through them. | 0:53:15 | 0:53:16 | |
Well, the Edwardian house we saw, we really liked that, | 0:53:16 | 0:53:20 | |
which compromised on the garden, obviously. | 0:53:20 | 0:53:22 | |
But the house itself really fulfilled | 0:53:22 | 0:53:26 | |
everything we were looking for, didn't it? | 0:53:26 | 0:53:28 | |
Yes, it had lovely spacious rooms, | 0:53:28 | 0:53:30 | |
plenty of them. We did like that. | 0:53:30 | 0:53:32 | |
-And then there was the mystery house. -And then the mystery house. | 0:53:32 | 0:53:36 | |
The mystery house. Well, it was a mystery. | 0:53:36 | 0:53:39 | |
A real surprise, actually. | 0:53:39 | 0:53:42 | |
Lovely village, lovely location, | 0:53:42 | 0:53:44 | |
and we were taken aback with the size of the house | 0:53:44 | 0:53:48 | |
when we walked into it. | 0:53:48 | 0:53:49 | |
I really loved the rooms, lots of original features. | 0:53:49 | 0:53:52 | |
Yes, we were very taken by that, weren't we? | 0:53:52 | 0:53:54 | |
Yeah, and really surprised to hear it was a barn conversion, | 0:53:54 | 0:53:57 | |
as it didn't look like a barn conversion, | 0:53:57 | 0:53:58 | |
and that, to me, is an advantage. I really liked it, it was great, | 0:53:58 | 0:54:01 | |
it gave us more than we'd asked for again. | 0:54:01 | 0:54:04 | |
Again, a compromise on the garden, | 0:54:04 | 0:54:05 | |
but that wouldn't be the end of the world for us. | 0:54:05 | 0:54:08 | |
So, is there a "what next?" with either of those two properties? | 0:54:08 | 0:54:12 | |
I think the one that stands out, really, is the mystery house. | 0:54:12 | 0:54:15 | |
Yes, definitely. | 0:54:15 | 0:54:16 | |
Definitely, so that'd be the more likely one that we'd see again. | 0:54:16 | 0:54:20 | |
That had a really strong reaction, particularly with you, Ian. | 0:54:20 | 0:54:23 | |
-It did, yes. -And actually, Les, | 0:54:23 | 0:54:25 | |
you commented as well on how atmospheric it felt... | 0:54:25 | 0:54:29 | |
Absolutely, yes. It just struck you when you walked in. | 0:54:29 | 0:54:33 | |
-It was great. -And there was a great warmth about it, | 0:54:33 | 0:54:36 | |
not just because the heating was on, there was a genuine warmth. | 0:54:36 | 0:54:39 | |
-It was a much-loved house. That's what came across. -Yes, definitely. | 0:54:39 | 0:54:43 | |
And beautifully furnished, beautifully decorated. | 0:54:43 | 0:54:45 | |
-So that's more likely. -So, would you say after our house-hunting | 0:54:45 | 0:54:48 | |
here in Herefordshire that you're drawn more | 0:54:48 | 0:54:50 | |
to remote, country properties, | 0:54:50 | 0:54:53 | |
or properties that are a bit closer to a village, | 0:54:53 | 0:54:57 | |
a bit more in the thick of it all? | 0:54:57 | 0:54:59 | |
-I think it's more in the villages, isn't it? -Yes. | 0:54:59 | 0:55:02 | |
We like to have facilities quite nearby. | 0:55:02 | 0:55:04 | |
So I think that's been more sort of reinforced by | 0:55:04 | 0:55:07 | |
this whole exercise really, hasn't it? | 0:55:07 | 0:55:10 | |
Yes, I think that's true. We didn't want to be too remote, | 0:55:10 | 0:55:13 | |
but being on the edge of the village gives you | 0:55:13 | 0:55:15 | |
the chance to go out in the country if you want to, but you've also got | 0:55:15 | 0:55:19 | |
-the amenities, as you say, on your doorstep. -Yes, on hand. | 0:55:19 | 0:55:21 | |
You want to escape to the country, but you're not ready to | 0:55:21 | 0:55:24 | |
leave all the bright lights behind yet. You want a few glowing there! | 0:55:24 | 0:55:27 | |
Not in the MIDDLE of the country. | 0:55:29 | 0:55:31 | |
But is Herefordshire the county for you, is this where you want to be? | 0:55:31 | 0:55:35 | |
-Definitely. For me. -Yes, and I think, | 0:55:35 | 0:55:37 | |
certainly in the few days we've been here, | 0:55:37 | 0:55:40 | |
travelling through the countryside, we've covered a few miles | 0:55:40 | 0:55:43 | |
and thoroughly enjoyed seeing the countryside. It's been so beautiful | 0:55:43 | 0:55:46 | |
this time of the year, with the leaves changing colour, | 0:55:46 | 0:55:49 | |
so it's really reinforced for us both, really, hasn't it, | 0:55:49 | 0:55:52 | |
-how much we want to move here. -Yep, definitely. | 0:55:52 | 0:55:54 | |
-And the sooner, the better. -Yep. | 0:55:54 | 0:55:55 | |
-You'll have to make sure you tell us. -Oh, of course we will. | 0:55:55 | 0:55:58 | |
We definitely will. | 0:55:58 | 0:55:59 | |
Well, I love Herefordshire, I think it's a beautiful county, | 0:55:59 | 0:56:02 | |
and I can completely see the two of you making it home. | 0:56:02 | 0:56:06 | |
I hope it's in the mystery house, but wherever it is, | 0:56:06 | 0:56:09 | |
be very happy here. | 0:56:09 | 0:56:10 | |
-Thanks very much. -Thank you very much, Ginny. | 0:56:10 | 0:56:12 | |
It's the end of our house search here in Herefordshire, | 0:56:20 | 0:56:22 | |
and it's wonderful that Les and Ian have found two properties | 0:56:22 | 0:56:25 | |
that they can imagine living in. | 0:56:25 | 0:56:27 | |
Whilst they definitely do want to be rural, I think our search | 0:56:27 | 0:56:30 | |
has shown them that they also want to be in the heart | 0:56:30 | 0:56:32 | |
of a village, and the mystery house in particular would give them that. | 0:56:32 | 0:56:36 | |
With a second viewing on the cards, I hope we've helped them find | 0:56:36 | 0:56:39 | |
their home together in this beautiful county. | 0:56:39 | 0:56:42 | |
Join me next time on Escape To The Country. | 0:56:42 | 0:56:45 | |
Well, after that second viewing at the mystery house, | 0:56:46 | 0:56:50 | |
I'm delighted to report | 0:56:50 | 0:56:51 | |
that Les and Ian were still enamoured with the property. | 0:56:51 | 0:56:54 | |
So much so, they put in an offer, which was accepted, | 0:56:54 | 0:56:57 | |
and they're now enjoying life living in Herefordshire | 0:56:57 | 0:57:00 | |
in that beautiful historic home. | 0:57:00 | 0:57:02 | |
If you would like to Escape To The Country in England, | 0:57:02 | 0:57:05 | |
Northern Ireland, Scotland or Wales, | 0:57:05 | 0:57:08 | |
and need our help, please apply online at... | 0:57:08 | 0:57:14 |