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This impressive White Scout car | 0:00:04 | 0:00:06 | |
was built in 1943 during the Second World War | 0:00:06 | 0:00:10 | |
and is just part of one of the largest privately owned collections | 0:00:10 | 0:00:13 | |
of military equipment in the UK. | 0:00:13 | 0:00:17 | |
In just a moment, I will tell you where we are and why it has such | 0:00:17 | 0:00:21 | |
a special significance for where we are today. | 0:00:21 | 0:00:24 | |
Today, it's a love of the arts that is driving an imaginative twosome to | 0:00:47 | 0:00:51 | |
head south, and imaginations are allowed to run wild. | 0:00:51 | 0:00:56 | |
Simple, elegant, but functional. | 0:00:56 | 0:00:59 | |
-Yes. -I thought he was talking about you for a minute there! | 0:00:59 | 0:01:02 | |
-LAUGHTER -No. | 0:01:02 | 0:01:05 | |
And fortunately for our pair, when it comes to properties, | 0:01:05 | 0:01:08 | |
size doesn't matter. | 0:01:08 | 0:01:10 | |
Beams are rather nice. | 0:01:10 | 0:01:11 | |
Perhaps a little low, but we are only short. | 0:01:11 | 0:01:13 | |
Today I'm in Devon, at the | 0:01:18 | 0:01:20 | |
Cobbaton Combat Collection, which started off | 0:01:20 | 0:01:23 | |
as one man's schoolboy hobby and has grown to encompass over 50 military | 0:01:23 | 0:01:29 | |
vehicles and artillery pieces, as well as thousands of smaller items. | 0:01:29 | 0:01:34 | |
This Scout car behind me wears the colours of the local Royal Devon | 0:01:34 | 0:01:38 | |
Yeomanry Regiment based in nearby | 0:01:38 | 0:01:41 | |
Barnstable, and vehicles like this would | 0:01:41 | 0:01:43 | |
have followed the 2nd Battalion to Normandy for the D-Day landings. | 0:01:43 | 0:01:48 | |
Later on, I will be meeting the men behind this impressive collection | 0:01:48 | 0:01:52 | |
and seeing more of these magnificent machines. | 0:01:52 | 0:01:55 | |
The county of Devon sits in the South West of England. | 0:01:57 | 0:02:00 | |
It shares three county borders, | 0:02:00 | 0:02:02 | |
including Cornwall's, and meets the Bristol Channel to the north | 0:02:02 | 0:02:06 | |
with the English Channel to the south. | 0:02:06 | 0:02:09 | |
The southern coastline is dominated by both sandy beaches and fossil | 0:02:09 | 0:02:12 | |
cliffs, whilst the northern edge is characterised by sheltered coves, | 0:02:12 | 0:02:16 | |
fringed by rocky outcrops like those at Croyde and Woolacombe, | 0:02:16 | 0:02:19 | |
as well as the dramatic dunes on display at Saunton Sands. | 0:02:19 | 0:02:23 | |
Meeting the ocean in North Devon is Exmoor National Park, | 0:02:24 | 0:02:27 | |
which spills into neighbouring Somerset. | 0:02:27 | 0:02:30 | |
The 267 miles of hills here are home to wild Exmoor ponies, | 0:02:32 | 0:02:36 | |
of which there are fewer than 1,000 found throughout the world. | 0:02:36 | 0:02:40 | |
Moving inland, the historic market town of Barnstaple is the social | 0:02:41 | 0:02:45 | |
centre of North Devon and was an important trading centre | 0:02:45 | 0:02:48 | |
for wool and pottery in the 16th and 17th centuries. | 0:02:48 | 0:02:51 | |
In fact, Barnstable pottery has been found in archaeological excavations | 0:02:53 | 0:02:57 | |
as far away as Maryland in the USA. | 0:02:57 | 0:03:00 | |
So, with its natural beauty and quaint villages, | 0:03:02 | 0:03:05 | |
where pastel-coloured cottages are topped with thatched roofs, | 0:03:05 | 0:03:08 | |
Devon is a county that showcases England at its very best. | 0:03:08 | 0:03:12 | |
With miles of gorgeous coastline and wild moorlands that appeal to | 0:03:16 | 0:03:20 | |
tourists and locals alike, | 0:03:20 | 0:03:22 | |
you'd expect Devon to be an expensive place to live, | 0:03:22 | 0:03:25 | |
yet the average price of a detached | 0:03:25 | 0:03:28 | |
property here is only around £13,000 above the national figure. | 0:03:28 | 0:03:33 | |
Now, along with all this natural beauty, | 0:03:33 | 0:03:35 | |
one of the biggest draws for many people is the famous | 0:03:35 | 0:03:39 | |
Devon cream tea, | 0:03:39 | 0:03:40 | |
which is estimated to contribute | 0:03:40 | 0:03:43 | |
around £85 million a year to the local economy. | 0:03:43 | 0:03:47 | |
But after all the activities today's buyers | 0:03:47 | 0:03:50 | |
are planning with this move, will they have time | 0:03:50 | 0:03:53 | |
for this delicious delicacy? Let's find out. | 0:03:53 | 0:03:56 | |
Former art teacher Maggie and her | 0:03:57 | 0:03:59 | |
retired IT professional husband Martin | 0:03:59 | 0:04:02 | |
met at school and have been together for 46 years. | 0:04:02 | 0:04:04 | |
Maggie is very creative. | 0:04:06 | 0:04:09 | |
She is different to me in that she is a little less organised, | 0:04:09 | 0:04:14 | |
perhaps a little bit more of an artistic temperament, let me say... | 0:04:14 | 0:04:18 | |
..but we make a good couple. | 0:04:19 | 0:04:21 | |
Martin has got quite strong opinions, he can be very forceful, | 0:04:22 | 0:04:27 | |
but he also has a lot of charm. | 0:04:27 | 0:04:30 | |
After a lifetime of work, | 0:04:32 | 0:04:33 | |
they have decided to live the dream and leave the five-bedroom | 0:04:33 | 0:04:37 | |
Stockport semi they have shared for over 30 years. | 0:04:37 | 0:04:39 | |
As happy living in Stockport as we once were, we have both retired | 0:04:40 | 0:04:45 | |
so we don't have any particular reason to be | 0:04:45 | 0:04:47 | |
hanging around this area. | 0:04:47 | 0:04:48 | |
We live on a major road, which is busy. | 0:04:48 | 0:04:52 | |
And although it is not particularly noisy, | 0:04:52 | 0:04:53 | |
it does mean that we do not really have much of a community | 0:04:53 | 0:04:56 | |
on this stretch of the road. | 0:04:56 | 0:04:58 | |
It will be a terrible shame to leave the house but there are times | 0:04:58 | 0:05:01 | |
when you just have to move on. | 0:05:01 | 0:05:02 | |
And this doesn't give us, really, the life that we aspire to | 0:05:02 | 0:05:07 | |
going forward, I think. | 0:05:07 | 0:05:08 | |
And after visiting the region, | 0:05:11 | 0:05:12 | |
they have decided it's Devon that they would like to call home. | 0:05:12 | 0:05:15 | |
It has got the coastline, I love the coast, we want countryside. | 0:05:15 | 0:05:22 | |
It is warmer down there and I am getting a bit old, | 0:05:22 | 0:05:25 | |
so I don't really want to be enduring really cold winters. | 0:05:25 | 0:05:29 | |
So Devon seems to offer all the things we really like. | 0:05:29 | 0:05:33 | |
And when they move south, | 0:05:33 | 0:05:35 | |
they are keen to devote more time to their hobbies, both outdoors and in. | 0:05:35 | 0:05:40 | |
When I retired, just under two years ago, | 0:05:40 | 0:05:43 | |
I started to do some things that I had not done that I have always | 0:05:43 | 0:05:47 | |
wanted to. I took up pottery and I take a pottery class once a week. | 0:05:47 | 0:05:52 | |
I've always been interested in craft things so I took up peg looming. | 0:05:53 | 0:05:58 | |
And at the moment I tend to do peg looming in the winter. | 0:05:58 | 0:06:02 | |
I am a felt maker... | 0:06:04 | 0:06:05 | |
..but I am also a fine artist and I want to paint more. | 0:06:07 | 0:06:11 | |
So I would like to be able to go out with my paints and sit on a hillside | 0:06:11 | 0:06:15 | |
in Devon, and paint the sea and paint the things I can see around me. | 0:06:15 | 0:06:19 | |
So with their heads full of ideas, this creative couple can't wait | 0:06:20 | 0:06:24 | |
to get stuck in to their new country life. | 0:06:24 | 0:06:27 | |
From our perspective, when we are moving to an area | 0:06:27 | 0:06:30 | |
we want to feel part of that area, that community, | 0:06:30 | 0:06:35 | |
get engaged locally with people, with activities. | 0:06:35 | 0:06:40 | |
I think, when we finally do it, | 0:06:40 | 0:06:42 | |
then that will be the start of something new, | 0:06:42 | 0:06:45 | |
but also the end of a chapter and we will be able to close that book | 0:06:45 | 0:06:49 | |
and open the new book. | 0:06:49 | 0:06:52 | |
Maggie and Martin have decided | 0:06:54 | 0:06:55 | |
to plant their arty roots in the northern half of Devon, | 0:06:55 | 0:06:58 | |
so that's where we are focusing our search. | 0:06:58 | 0:07:01 | |
Ahead of our quest to find them their dream home, | 0:07:01 | 0:07:04 | |
I am meeting them in the county to discuss the finer details of | 0:07:04 | 0:07:07 | |
their requirements. | 0:07:07 | 0:07:09 | |
Martin and Maggie, welcome to Devon, the two of you. | 0:07:09 | 0:07:12 | |
-BOTH: -Thank you very much. | 0:07:12 | 0:07:14 | |
Does Stockport feel a long way away for you now? | 0:07:14 | 0:07:16 | |
It certainly does feel a long way away. | 0:07:16 | 0:07:18 | |
Having made the break and made the decision, now this is the new life. | 0:07:18 | 0:07:24 | |
So you both love this county but does it feel like home? | 0:07:24 | 0:07:27 | |
It does. As soon as we got here to start looking around, | 0:07:27 | 0:07:32 | |
we just felt really comfortable. | 0:07:32 | 0:07:33 | |
Partial to a cream tea, I hope? | 0:07:33 | 0:07:35 | |
-Oh, yes. -Unfortunately. | 0:07:35 | 0:07:38 | |
Me too. | 0:07:38 | 0:07:39 | |
There is a sense of urgency with this house-hunt | 0:07:39 | 0:07:42 | |
because I believe you got some good news yesterday. | 0:07:42 | 0:07:45 | |
We have exchanged contracts. The downside, slightly, | 0:07:45 | 0:07:49 | |
is that we have a completion date, which is only two weeks away. | 0:07:49 | 0:07:53 | |
So, we are homeless in two weeks' time. | 0:07:53 | 0:07:57 | |
Right. | 0:07:57 | 0:07:58 | |
I hope there is going to be something really good this week. | 0:07:58 | 0:08:02 | |
Nothing like being homeless in two weeks' time | 0:08:02 | 0:08:04 | |
to really focus the mind with our houses. | 0:08:04 | 0:08:06 | |
Yes, that's right. | 0:08:06 | 0:08:08 | |
What is it that you are after? | 0:08:08 | 0:08:09 | |
We want somewhere that is on the outskirts of a village, | 0:08:09 | 0:08:13 | |
because we'd like people to talk to. | 0:08:13 | 0:08:15 | |
We also want somewhere where we can have a studio. | 0:08:15 | 0:08:18 | |
-So you're after a workshop, for both of you, is that right? -That's right. | 0:08:18 | 0:08:22 | |
So a workshop is up there as a priority, | 0:08:22 | 0:08:24 | |
but tell me about the actual house you are after, as well. | 0:08:24 | 0:08:27 | |
We want a garden, somewhere I can grow vegetables. | 0:08:27 | 0:08:30 | |
We want it to be light and airy. We have had a big Victorian house, | 0:08:30 | 0:08:34 | |
we don't want to be too claustrophobic moving to a smaller house. | 0:08:34 | 0:08:37 | |
We are fairly relaxed about styles. | 0:08:37 | 0:08:41 | |
We would like a bit of quirkiness. | 0:08:41 | 0:08:45 | |
How many bedrooms? | 0:08:45 | 0:08:47 | |
Three would be good. | 0:08:47 | 0:08:48 | |
What about views? | 0:08:48 | 0:08:51 | |
Views are important. It is such a beautiful county, | 0:08:51 | 0:08:53 | |
it would be a shame not to be able to see it from the house. | 0:08:53 | 0:08:56 | |
Hypothetically, if one or two of the properties don't have a workshop | 0:08:56 | 0:09:00 | |
already done, are you happy to take on a little bit | 0:09:00 | 0:09:03 | |
of a project and build one yourselves? | 0:09:03 | 0:09:05 | |
Yes, we would certainly do that. | 0:09:05 | 0:09:07 | |
We appreciate it is not always possible to find something suitable. | 0:09:07 | 0:09:11 | |
So, what is our top budget? Remind us again what we're working with. | 0:09:11 | 0:09:16 | |
Ideally it's going to be 350,000, but there is a bit of wiggle room. | 0:09:17 | 0:09:24 | |
If we can find somewhere with a good studio, | 0:09:24 | 0:09:27 | |
so we don't have to spend a huge amount of money on that, | 0:09:27 | 0:09:29 | |
I think we could probably run up to | 0:09:29 | 0:09:32 | |
around 380,000 for the right property. | 0:09:32 | 0:09:34 | |
Well, we do have some splendid homes to show you. | 0:09:34 | 0:09:38 | |
We know time is of the essence, so shall we get started? | 0:09:38 | 0:09:41 | |
-Let's go. -Come on, then. | 0:09:41 | 0:09:42 | |
For their top budget of £380,000, | 0:09:45 | 0:09:48 | |
Maggie and Martin want a character home with three bedrooms. | 0:09:48 | 0:09:51 | |
The outside space is important and should offer options to grow fruit | 0:09:51 | 0:09:56 | |
and vegetables, as well as a workshop in which | 0:09:56 | 0:09:58 | |
to base their hobbies. | 0:09:58 | 0:09:59 | |
Location-wise, they would like a place | 0:09:59 | 0:10:01 | |
where they can get stuck in to the local community. | 0:10:01 | 0:10:04 | |
The properties we have chosen will provide Maggie and Martin with a | 0:10:05 | 0:10:08 | |
variety of styles, but it will only be after they have seen each one | 0:10:08 | 0:10:12 | |
that its price will be revealed. | 0:10:12 | 0:10:14 | |
The final visit to the Mystery House will require them to open their | 0:10:14 | 0:10:17 | |
creative minds but, if they do, | 0:10:17 | 0:10:20 | |
I think they will be very pleasantly surprised. | 0:10:20 | 0:10:22 | |
So, this is it now. | 0:10:27 | 0:10:30 | |
Got to search for this perfect home, | 0:10:30 | 0:10:31 | |
or as close to perfect as we can get it. | 0:10:31 | 0:10:34 | |
How long have you both been planning this move? | 0:10:35 | 0:10:38 | |
We've been talking about it for the last 20 years. | 0:10:38 | 0:10:42 | |
But planning it, probably about six months ago. | 0:10:42 | 0:10:47 | |
It's getting tantalisingly close now you've sold your home. | 0:10:47 | 0:10:51 | |
Yes, it's getting slightly scarily close but it's | 0:10:51 | 0:10:54 | |
so exciting as well. | 0:10:54 | 0:10:55 | |
We're heading to the small town of North Tawton in mid Devon. | 0:10:59 | 0:11:02 | |
It has a villagey feel with its centre providing all | 0:11:03 | 0:11:07 | |
the essentials and more, and it's surrounded by gentle hills. | 0:11:07 | 0:11:11 | |
There's plenty here to bring the community together, including | 0:11:11 | 0:11:14 | |
the town hall that gave North Tawton its town status. | 0:11:14 | 0:11:17 | |
At its heart is St Peter's Church, whose statuesque tower | 0:11:19 | 0:11:22 | |
is its oldest feature, dating back to the 13th century. | 0:11:22 | 0:11:26 | |
Standing in the shadow of the church is our first offering. | 0:11:28 | 0:11:31 | |
Thought to have been built in the late 1700s or early 1800s, | 0:11:31 | 0:11:35 | |
this charming stone cottage is topped with a slate roof. | 0:11:35 | 0:11:40 | |
Right. Interesting. | 0:11:40 | 0:11:42 | |
As you notice, it is semidetached. | 0:11:42 | 0:11:45 | |
-This little private road - you've got shared access to this road. -OK. | 0:11:45 | 0:11:48 | |
So first impressions, Maggie? | 0:11:48 | 0:11:51 | |
It looks lovely. It really does. | 0:11:51 | 0:11:53 | |
Very traditional. | 0:11:53 | 0:11:55 | |
And a beautiful view with the church and everything here, | 0:11:55 | 0:11:57 | |
so, yes, fantastic. | 0:11:57 | 0:12:00 | |
Shall we step inside and start our first tour? | 0:12:00 | 0:12:02 | |
-Definitely. -Yes, please. | 0:12:02 | 0:12:04 | |
-Follow me. -Right. | 0:12:04 | 0:12:05 | |
The front door leads straight into a wide, bright entrance hall. | 0:12:08 | 0:12:13 | |
And to its left, the sitting room looks out to the front. | 0:12:13 | 0:12:15 | |
A stone fireplace houses an inviting wooden coal-burning stove. | 0:12:17 | 0:12:21 | |
Right, lovely. | 0:12:22 | 0:12:23 | |
This is lovely. Nice and cosy. | 0:12:23 | 0:12:25 | |
Yes, cosy is definitely the first word you'd use. | 0:12:25 | 0:12:28 | |
It's quite small but not claustrophobic at all. | 0:12:28 | 0:12:33 | |
This room is dominated by the fireplace, isn't it? | 0:12:33 | 0:12:36 | |
-Oh, I can certainly see our winter evenings in front of that. -Lovely. | 0:12:36 | 0:12:40 | |
That would work well. | 0:12:40 | 0:12:42 | |
A good start to our first room. | 0:12:42 | 0:12:44 | |
Next door, you've got the dining room. | 0:12:44 | 0:12:46 | |
I'm going to lead you through and show you the kitchen. | 0:12:46 | 0:12:48 | |
Lovely. | 0:12:48 | 0:12:50 | |
The sunny dining room is sandwiched between the sitting room | 0:12:51 | 0:12:54 | |
and the traditional L-shaped kitchen. | 0:12:54 | 0:12:56 | |
It's dual aspect and features a Butler sink. | 0:12:56 | 0:12:59 | |
You probably guessed this is an extension | 0:13:01 | 0:13:03 | |
because that would have been the outside wall. | 0:13:03 | 0:13:06 | |
Believed to have been done around the 1950s, this kitchen. | 0:13:06 | 0:13:09 | |
-Right. -Yes, it does have that look. | 0:13:09 | 0:13:11 | |
It does. Do you like it? | 0:13:11 | 0:13:13 | |
I do quite like it, yes. | 0:13:13 | 0:13:15 | |
I could see this working OK for us. | 0:13:15 | 0:13:17 | |
If you look out of this window, you can see you've got your | 0:13:17 | 0:13:21 | |
vegetable plot there, all ready for the new seeds to go in. | 0:13:21 | 0:13:24 | |
-Is that something you are keen on doing? -Yes. | 0:13:24 | 0:13:27 | |
But I'm going to take you upstairs next. | 0:13:27 | 0:13:29 | |
This charming cottage is delivering so far and upstairs is just as cosy. | 0:13:29 | 0:13:34 | |
There is a beautifully finished family bathroom and three bedrooms, | 0:13:34 | 0:13:38 | |
all with added character from their position in the eaves. | 0:13:38 | 0:13:42 | |
There is one to the rear which overlooks the side of the home. | 0:13:42 | 0:13:45 | |
Another overlooking the front. | 0:13:46 | 0:13:48 | |
And next to that is the master. | 0:13:50 | 0:13:52 | |
-Cosy again. -Yes. | 0:13:53 | 0:13:55 | |
Cosy, yes. | 0:13:55 | 0:13:57 | |
But enough space for the two of you? | 0:13:57 | 0:13:59 | |
Yes, the bedroom is not really an issue for us in terms of space. | 0:13:59 | 0:14:03 | |
Of course, there are two sides to this property search. | 0:14:03 | 0:14:06 | |
There is the house, which we want you to love, | 0:14:06 | 0:14:08 | |
but I would say nearly as important is the workshop or the space | 0:14:08 | 0:14:12 | |
outside for the two of you. | 0:14:12 | 0:14:14 | |
So let's see how we're doing with this first property. | 0:14:14 | 0:14:17 | |
If you wouldn't mind leading the way. Thank you. | 0:14:17 | 0:14:19 | |
Outside, the enclosed garden extends to around 100 feet, | 0:14:23 | 0:14:27 | |
and is divided into vegetable plots | 0:14:27 | 0:14:29 | |
and lawn with the added bonus of two outbuildings ideal for storage. | 0:14:29 | 0:14:33 | |
But when it comes to hobbies, there is even more. | 0:14:33 | 0:14:36 | |
It's a lovely little garden. | 0:14:37 | 0:14:39 | |
-It's obviously a sun trap. -It's pleasant, actually. | 0:14:39 | 0:14:41 | |
It's a very reasonable outside space to spend some time in. | 0:14:41 | 0:14:45 | |
-Good. -It doesn't have fantastically wide views | 0:14:45 | 0:14:49 | |
but for a more central location it is actually very reasonable indeed. | 0:14:49 | 0:14:54 | |
Good. As you come out of the door you can see what looks like a garage. | 0:14:54 | 0:14:58 | |
The actual owners have converted into a workshop. | 0:14:58 | 0:15:01 | |
There is a wood burner in there. | 0:15:01 | 0:15:02 | |
So it's all kitted out, it's whether it's big enough for the two of you. | 0:15:02 | 0:15:06 | |
But I'll let you explore that on your own. | 0:15:06 | 0:15:08 | |
But there is a workshop there. | 0:15:08 | 0:15:09 | |
So let's see how you get on with the price. | 0:15:09 | 0:15:12 | |
Maggie, do you want to go first? | 0:15:12 | 0:15:14 | |
Erm... | 0:15:14 | 0:15:16 | |
I think I'm going to go 340,000. | 0:15:16 | 0:15:19 | |
OK. | 0:15:19 | 0:15:20 | |
Yes, I think we would have a reasonable amount to do here. | 0:15:20 | 0:15:25 | |
I would probably go a little bit less than that, actually - | 0:15:25 | 0:15:27 | |
I'd probably go closer to 325. | 0:15:27 | 0:15:30 | |
Well, you're both out with your estimates. | 0:15:30 | 0:15:34 | |
The actual asking price for this property is... | 0:15:34 | 0:15:37 | |
£275,000. | 0:15:37 | 0:15:39 | |
-Oh, wow. -OK. | 0:15:39 | 0:15:41 | |
Well, that gives us a bit more scope. | 0:15:41 | 0:15:44 | |
-It does. -Exactly. Just over £100,000 left over. | 0:15:44 | 0:15:49 | |
We could get a nice workshop for that, couldn't we? | 0:15:49 | 0:15:51 | |
Yes, I like your thinking there, I like your thinking. | 0:15:51 | 0:15:55 | |
What about you, Maggie? | 0:15:55 | 0:15:56 | |
How do you feel about that price? | 0:15:56 | 0:15:57 | |
I think the price is fantastic. | 0:15:57 | 0:15:59 | |
It really does make you realise the potential | 0:15:59 | 0:16:02 | |
we could have to live here. | 0:16:02 | 0:16:04 | |
We could do so much stuff. | 0:16:04 | 0:16:06 | |
That's a very, very good starting point, I think. | 0:16:06 | 0:16:09 | |
OK, well, I'm going to send you off. I know where you'll go first - | 0:16:09 | 0:16:12 | |
you're going to go and have a look at that workshop. | 0:16:12 | 0:16:14 | |
And check out the piece of land to the side of it cos you could put | 0:16:14 | 0:16:17 | |
-an additional building on there if you wanted to. -OK. | 0:16:17 | 0:16:19 | |
We'll certainly have a look. | 0:16:19 | 0:16:20 | |
-Be my guest. Thank you. -Thanks. | 0:16:20 | 0:16:22 | |
Well, I think a really, really good start. | 0:16:25 | 0:16:28 | |
Way under their budget - £100,000 under their budget. | 0:16:28 | 0:16:32 | |
It is quite a small property - they're used to a larger house - | 0:16:32 | 0:16:35 | |
but it is a great indicator of what they can get in this | 0:16:35 | 0:16:38 | |
part of the county. | 0:16:38 | 0:16:39 | |
Coming in at a generous amount under Martin | 0:16:41 | 0:16:43 | |
and Maggie's top budget, | 0:16:43 | 0:16:45 | |
this semidetached 19th-century stone cottage offers | 0:16:45 | 0:16:48 | |
plenty of character along with three bedrooms, a multifunctional | 0:16:48 | 0:16:53 | |
garden, a workshop, and it sits in the heart of the community. | 0:16:53 | 0:16:57 | |
-Interesting. -Yes. | 0:17:00 | 0:17:02 | |
It's not a bad space. | 0:17:02 | 0:17:04 | |
I could see it working for you. | 0:17:04 | 0:17:06 | |
Yes, it's nice and light and airy. | 0:17:06 | 0:17:08 | |
Yes, I'm not sure I fancy putting a kiln in here, though. | 0:17:08 | 0:17:12 | |
No, with the potter's wheel. | 0:17:12 | 0:17:14 | |
With the wheel as well, I think we would struggle. | 0:17:14 | 0:17:18 | |
-We be fighting for space, wouldn't we? -Yes, I think so. | 0:17:18 | 0:17:20 | |
I think it's a really lovely little house. | 0:17:23 | 0:17:25 | |
It's quirky and has lots of character. | 0:17:25 | 0:17:29 | |
It's a very welcoming house. | 0:17:29 | 0:17:31 | |
I think it's a nice property. | 0:17:31 | 0:17:33 | |
With a little bit of work it could be very, very nice indeed. | 0:17:33 | 0:17:36 | |
-All right? -Indeed. | 0:17:38 | 0:17:40 | |
Not a bad first property. | 0:17:40 | 0:17:43 | |
-Ready to hit the road? -Oh, yes. | 0:17:43 | 0:17:44 | |
-I think so. -Good, come on, then. | 0:17:44 | 0:17:46 | |
Devon's beautiful backdrop has provided inspiration to countless | 0:17:53 | 0:17:57 | |
craftspeople and has also proved a draw for our creative couple. | 0:17:57 | 0:18:01 | |
They are excited about indulging in their passion for the arts within | 0:18:01 | 0:18:05 | |
its boundaries. | 0:18:05 | 0:18:06 | |
They have come to meet Marek Drzazga, | 0:18:06 | 0:18:08 | |
who was also drawn to the county over 20 years ago | 0:18:08 | 0:18:11 | |
to base his bespoke architectural pottery business. | 0:18:11 | 0:18:15 | |
With 45 years as a potter behind him, he's happy to share his | 0:18:15 | 0:18:19 | |
love of the art and the skill he's acquired with Maggie and Martin. | 0:18:19 | 0:18:23 | |
They are meeting him at his studio on the outskirts of the village of | 0:18:23 | 0:18:25 | |
Chittlehamholt, south of Barnstaple. | 0:18:25 | 0:18:29 | |
What a beautiful place! | 0:18:29 | 0:18:30 | |
Fantastic. What got you into pottery in the first place? | 0:18:30 | 0:18:35 | |
Probably as a six-year-old kid | 0:18:35 | 0:18:38 | |
in Cookham on Thames, seeing dragon finials. | 0:18:38 | 0:18:41 | |
Wow. | 0:18:41 | 0:18:42 | |
I was always interested in | 0:18:42 | 0:18:44 | |
architecture and then when I discovered it at | 0:18:44 | 0:18:46 | |
art college in the early 20s, that was it. | 0:18:46 | 0:18:49 | |
Finials are designed to decorate the apex of a gabled roof. | 0:18:51 | 0:18:55 | |
Creations such as Marek's finely crafted examples were popular | 0:18:55 | 0:18:59 | |
in Gothic and Victorian times but date back much further. | 0:18:59 | 0:19:03 | |
What do you particularly love about clay and pottery? | 0:19:03 | 0:19:06 | |
Everything. I just immerse myself in it, I love it. | 0:19:06 | 0:19:09 | |
Absolutely love it. | 0:19:09 | 0:19:10 | |
And is there a strong sort of community down here of potters | 0:19:10 | 0:19:14 | |
and craftspeople generally? | 0:19:14 | 0:19:16 | |
You would find in the West Country, | 0:19:16 | 0:19:18 | |
being a sort of out-flung area, people work | 0:19:18 | 0:19:22 | |
together more closely than in town so there is a strong community, | 0:19:22 | 0:19:26 | |
arts community, and it works very, very well. | 0:19:26 | 0:19:30 | |
Although Marek's pottery is created in the Devonshire | 0:19:30 | 0:19:32 | |
countryside, the consistency of the local clay isn't suitable | 0:19:32 | 0:19:36 | |
for his work, so it is sourced from Stoke-on-Trent. | 0:19:36 | 0:19:39 | |
Unlike Martin's creations, Marek's designs are on a larger scale. | 0:19:39 | 0:19:44 | |
His motto is, "If you can imagine it, we can make it." | 0:19:44 | 0:19:48 | |
The sorts of things that you do - it's more of an architectural | 0:19:48 | 0:19:52 | |
-ceramics, really, isn't it? -Absolutely. | 0:19:52 | 0:19:55 | |
It is basically | 0:19:55 | 0:19:57 | |
clay work for buildings - | 0:19:57 | 0:20:00 | |
ridge tiles, chimney pots, finials and bricks. | 0:20:00 | 0:20:04 | |
Marek has built up a global client list | 0:20:06 | 0:20:08 | |
and makes each detailed piece to order. | 0:20:08 | 0:20:10 | |
He is currently working on a collection of 16th-century-inspired | 0:20:10 | 0:20:14 | |
chimney pots for a private client. | 0:20:14 | 0:20:16 | |
When assembled, they stand at five feet tall. | 0:20:16 | 0:20:20 | |
He uses a combination of traditional methods with his own techniques | 0:20:20 | 0:20:23 | |
and is showing Maggie and Martin how to craft the top | 0:20:23 | 0:20:26 | |
of the monumental pots. | 0:20:26 | 0:20:29 | |
The method I've developed, basically I call it skimming, | 0:20:29 | 0:20:33 | |
and this is turning a round object into an octagonal. | 0:20:33 | 0:20:37 | |
It is basically pulling a template | 0:20:37 | 0:20:41 | |
through the form. | 0:20:41 | 0:20:43 | |
-OK. -And skimming away... | 0:20:43 | 0:20:47 | |
..the clay. And progress all the way around, lightly at first. | 0:20:49 | 0:20:54 | |
Marek uses water to keep the clay lubricated. | 0:20:58 | 0:21:00 | |
After a short period of time, you actually get a very sharp edge | 0:21:02 | 0:21:07 | |
on the whole thing. | 0:21:07 | 0:21:09 | |
So, if you want to give it a shot. | 0:21:09 | 0:21:12 | |
Yes, please, because I'm all togged up. | 0:21:12 | 0:21:14 | |
Right, there you go. Over to you. | 0:21:14 | 0:21:17 | |
So, if you keep it firmly down and pull it towards you. | 0:21:18 | 0:21:24 | |
That's right. Just lightly with that and pull toward yourself. | 0:21:24 | 0:21:27 | |
If you get it locked down at the bottom, pull towards yourself, | 0:21:27 | 0:21:31 | |
nice and steady. Absolutely perfect. | 0:21:31 | 0:21:34 | |
Architectural ceramics have varied over the centuries | 0:21:34 | 0:21:39 | |
and presumably that'll mean choosing different clays, | 0:21:39 | 0:21:43 | |
different techniques and so on. | 0:21:43 | 0:21:45 | |
Not so much clays, more the various techniques. | 0:21:45 | 0:21:50 | |
-The techniques will come about because of the different shapes. -OK. | 0:21:50 | 0:21:54 | |
So certain things, like in Edwardian times you would have more | 0:21:54 | 0:21:57 | |
rectangular, octagonal chimney pots, | 0:21:57 | 0:22:02 | |
as opposed to the round or whatever, | 0:22:02 | 0:22:04 | |
and so you have to make it differently. | 0:22:04 | 0:22:07 | |
-Can I have a go, then? -All right, then. | 0:22:07 | 0:22:09 | |
-Thank you. -Change places. | 0:22:09 | 0:22:10 | |
Right, you stand on that side and laugh at him! | 0:22:10 | 0:22:14 | |
OK, so holding on to here? | 0:22:14 | 0:22:16 | |
That's it. Get locked in, | 0:22:16 | 0:22:18 | |
pull through and then keep pressing it down. | 0:22:18 | 0:22:21 | |
What kind of clay is this? | 0:22:21 | 0:22:23 | |
That is buff clay - | 0:22:23 | 0:22:25 | |
15% of kiln-dried sand added to it. | 0:22:25 | 0:22:28 | |
Buff clay refers to the finished colour, which is a light cream. | 0:22:29 | 0:22:34 | |
Keep pressing down. | 0:22:34 | 0:22:35 | |
You start to get a feel for it after a while, don't you? | 0:22:39 | 0:22:42 | |
After around 15 minutes of sculpting, | 0:22:42 | 0:22:44 | |
the chimney top is a neat octagonal shape. | 0:22:44 | 0:22:47 | |
Marek takes the reins again for the final stage. | 0:22:47 | 0:22:50 | |
See the master at work. | 0:22:52 | 0:22:54 | |
We love seeing true craftsmen. | 0:22:56 | 0:22:59 | |
Right, there we go. I think you've got the gist of it. | 0:22:59 | 0:23:01 | |
-Absolutely. -There are two put | 0:23:01 | 0:23:03 | |
-together and that is what they should look like. -Wow, fantastic. | 0:23:03 | 0:23:08 | |
That is brilliant. Thank you so much for your time, | 0:23:08 | 0:23:10 | |
-that has been tremendous. -My pleasure. -Thank you. | 0:23:10 | 0:23:14 | |
Full of inspiration, Maggie and Martin are even more | 0:23:14 | 0:23:17 | |
determined to find a new place to call home, | 0:23:17 | 0:23:19 | |
where they can revel in their passions. | 0:23:19 | 0:23:21 | |
Our Devonshire property search is on its way to the village of | 0:23:25 | 0:23:28 | |
Morchard Bishop in the heartland of mid-Devon. | 0:23:28 | 0:23:31 | |
The village is overlooked by pastures green | 0:23:31 | 0:23:33 | |
and dominated by the tower of the 16th-century church | 0:23:33 | 0:23:36 | |
of St Mary's which, at 95 feet tall, | 0:23:36 | 0:23:39 | |
stands almost 600 feet above sea level. | 0:23:39 | 0:23:43 | |
There is a great sense of community here and a good selection of places | 0:23:43 | 0:23:46 | |
to get to know the locals, including a popular dining pub. | 0:23:46 | 0:23:50 | |
The car park here welcomes the Post Office van, | 0:23:50 | 0:23:52 | |
which visits weekly after the village Post Office closed. | 0:23:52 | 0:23:56 | |
Close to the centre of the village, | 0:23:56 | 0:23:58 | |
we find this rather interesting property. | 0:23:58 | 0:24:01 | |
Thought to date back to the 18th century, | 0:24:01 | 0:24:03 | |
it sits neatly amongst its neighbours. | 0:24:03 | 0:24:05 | |
Right, let's see what you make of this little offering. | 0:24:07 | 0:24:12 | |
-Oh, wow! -Oh, this is interesting, isn't it? | 0:24:12 | 0:24:14 | |
-Yes. -Fascinating. | 0:24:14 | 0:24:16 | |
This property used to be a piggery. | 0:24:16 | 0:24:19 | |
Now the reason this is yellow is | 0:24:19 | 0:24:21 | |
because it is actually part of this property. | 0:24:21 | 0:24:23 | |
This used to be the outside toilet | 0:24:23 | 0:24:25 | |
for that house and that one had one next door. | 0:24:25 | 0:24:28 | |
So you own the courtyard but they do have access and right of way. | 0:24:28 | 0:24:32 | |
OK. | 0:24:32 | 0:24:34 | |
Sum up this property for me, will you, before we step inside? | 0:24:34 | 0:24:38 | |
-Different. -OK. | 0:24:38 | 0:24:41 | |
I was going to use the word quaint, but I properly shouldn't. | 0:24:41 | 0:24:45 | |
You can. We like that, quaint and different. | 0:24:45 | 0:24:47 | |
Right, let's see what you make of the inside. | 0:24:47 | 0:24:50 | |
This unconventional attached cottage is set out in an L-shape. | 0:24:54 | 0:24:58 | |
It has been tastefully renovated and the front door, | 0:24:58 | 0:25:01 | |
set beyond the courtyard, | 0:25:01 | 0:25:02 | |
leads us into the house where we find a snug dining room. | 0:25:02 | 0:25:05 | |
We're heading into the right-hand wing of the property. | 0:25:07 | 0:25:10 | |
This is really what I wanted to start off with, the kitchen. | 0:25:10 | 0:25:14 | |
It's lovely. I really like it. | 0:25:14 | 0:25:15 | |
It's not huge but it's got everything. | 0:25:15 | 0:25:18 | |
It's really nicely done. | 0:25:18 | 0:25:20 | |
-Beautifully finished, I have to say. -When we were outside, | 0:25:20 | 0:25:22 | |
-you wouldn't think there was this much space, would you? -No. | 0:25:22 | 0:25:26 | |
No, it's very deceptive. | 0:25:26 | 0:25:27 | |
-To your taste? -Yes. -Very much so. -Lovely. | 0:25:29 | 0:25:31 | |
Simple, elegant, but functional. | 0:25:31 | 0:25:34 | |
I thought he was talking about you for a minute there! | 0:25:34 | 0:25:37 | |
THEY LAUGH | 0:25:37 | 0:25:39 | |
-No! -Right, I'm going to keep going. | 0:25:39 | 0:25:41 | |
Heading out of the kitchen, | 0:25:45 | 0:25:46 | |
we're crossing through the dining room to a large sitting room with | 0:25:46 | 0:25:49 | |
windows to the back garden. | 0:25:49 | 0:25:52 | |
This is nice. | 0:25:52 | 0:25:54 | |
It is. This definitely counts as cosy, I would say. | 0:25:54 | 0:25:57 | |
Yeah. I can see you two sitting in this sitting room. | 0:25:57 | 0:26:01 | |
I think it's big enough to be properly usable | 0:26:01 | 0:26:04 | |
but still small enough to be cosy, even with the beams, | 0:26:04 | 0:26:07 | |
which bring the ceiling height down a little bit. | 0:26:07 | 0:26:10 | |
It doesn't feel oppressive or claustrophobic. | 0:26:10 | 0:26:13 | |
I do like it. | 0:26:13 | 0:26:14 | |
It is lovely. It's a really nice house. | 0:26:14 | 0:26:17 | |
Well, I've shown you the downstairs. | 0:26:17 | 0:26:19 | |
-I'm going to take us upstairs and see what you make of the bedrooms. -OK. | 0:26:19 | 0:26:23 | |
Above the dining and sitting rooms are three bedrooms, | 0:26:24 | 0:26:27 | |
all served by a smart family bathroom. | 0:26:27 | 0:26:30 | |
There's a double with a sloped ceiling and a skylight, | 0:26:30 | 0:26:33 | |
another with a feature window to the front, | 0:26:33 | 0:26:36 | |
and the master benefits from garden views. | 0:26:36 | 0:26:39 | |
It's beautiful. It really is lovely. | 0:26:40 | 0:26:42 | |
So far, so good, I think. | 0:26:44 | 0:26:45 | |
Yeah. You happy? | 0:26:45 | 0:26:47 | |
I would be definitely very happy living in this sort of space, | 0:26:47 | 0:26:50 | |
so long as we have got some of the other things that we need. | 0:26:50 | 0:26:53 | |
Yes. So far, so good. | 0:26:53 | 0:26:55 | |
Let's see what we make of the | 0:26:55 | 0:26:57 | |
outside space and opportunities there. | 0:26:57 | 0:27:01 | |
Right, OK. | 0:27:01 | 0:27:02 | |
Outside, an arc of steps leads up from the house | 0:27:04 | 0:27:07 | |
to landscaped gardens, which include a large patio and a small pond, | 0:27:07 | 0:27:11 | |
a summer house and shed, | 0:27:11 | 0:27:13 | |
plus excellent views across neighbouring countryside. | 0:27:13 | 0:27:17 | |
I think quite a large garden, | 0:27:19 | 0:27:21 | |
considering from the front of the house it doesn't look like you have | 0:27:21 | 0:27:24 | |
-anything, does it? -Exactly, that's right. | 0:27:24 | 0:27:26 | |
It's quite deceiving. | 0:27:26 | 0:27:28 | |
I can see your eyes searching. | 0:27:28 | 0:27:30 | |
They will have to search, I'm afraid, | 0:27:30 | 0:27:32 | |
because I don't have a workshop to show you, but this land is flat. | 0:27:32 | 0:27:37 | |
You could potentially build your own one here. | 0:27:37 | 0:27:40 | |
Yes. I think that's a possibility, certainly. | 0:27:40 | 0:27:44 | |
We've always felt that if there was the land available and it didn't | 0:27:44 | 0:27:47 | |
compromise the garden, that would be the right thing to do. | 0:27:47 | 0:27:51 | |
So, I'm now wondering if we can put a price on this former piggery with | 0:27:51 | 0:27:56 | |
its wonderful view and garden. | 0:27:56 | 0:27:58 | |
My feeling is we're probably about the top of the budget, | 0:27:58 | 0:28:03 | |
plus obviously we need to build the studio, | 0:28:03 | 0:28:06 | |
so I would guess probably about 350. | 0:28:06 | 0:28:08 | |
-OK. -I'm going to be cheeky and hope it's a bit less, and say 340. | 0:28:08 | 0:28:15 | |
-Are you really hoping? -I'm hoping. | 0:28:15 | 0:28:17 | |
I like it when you're cheeky because you could actually be a little bit | 0:28:17 | 0:28:21 | |
cheekier. The asking price is offers in excess of | 0:28:21 | 0:28:24 | |
£250,000. | 0:28:24 | 0:28:28 | |
How luxurious would you like your workshop to be | 0:28:28 | 0:28:31 | |
with that spare money? | 0:28:31 | 0:28:32 | |
-Wow! -That is stunning. | 0:28:32 | 0:28:35 | |
That is amazing, yes. | 0:28:35 | 0:28:37 | |
Yes, I think that is quite a surprise. | 0:28:37 | 0:28:40 | |
Do you fancy now being cheeky and | 0:28:40 | 0:28:42 | |
having another look around on your own? | 0:28:42 | 0:28:44 | |
Oh, yes, definitely. | 0:28:44 | 0:28:45 | |
I love that smile! | 0:28:45 | 0:28:47 | |
I love that smile. | 0:28:47 | 0:28:49 | |
Be my guest. Go and take another look around the property and then | 0:28:49 | 0:28:52 | |
come back out, and really study this area. | 0:28:52 | 0:28:55 | |
I'm sure you will be drawing up plans in no time. | 0:28:55 | 0:28:57 | |
I'm going to keep everything crossed. | 0:28:57 | 0:28:59 | |
-Off you go. -Thank you. Off you go. | 0:28:59 | 0:29:01 | |
This 18th-century cottage has rung in at £130,000 below budget. | 0:29:04 | 0:29:10 | |
It's beautifully renovated, | 0:29:10 | 0:29:12 | |
is full of character and has three bedrooms. | 0:29:12 | 0:29:15 | |
There is a large garden with views, plus the option to build a great | 0:29:15 | 0:29:18 | |
workshop, and it lies close to the village centre. | 0:29:18 | 0:29:21 | |
This is a lovely little room. | 0:29:23 | 0:29:25 | |
This is nice, actually. | 0:29:26 | 0:29:27 | |
-I have to say, I like the little skylight over the bed. -Yes. | 0:29:27 | 0:29:30 | |
Lie in bed and watch the stars. | 0:29:30 | 0:29:32 | |
Yes, I could see this working | 0:29:33 | 0:29:35 | |
as a very, very nice spare room, actually. | 0:29:35 | 0:29:37 | |
Yes. It is, it's lovely. | 0:29:37 | 0:29:40 | |
This house is absolutely beautiful. | 0:29:40 | 0:29:42 | |
It has been restored really sympathetically | 0:29:42 | 0:29:45 | |
and with a sense of style. | 0:29:45 | 0:29:47 | |
It is stunning. A really fabulous place. | 0:29:47 | 0:29:49 | |
It's quite a stunning property, I have to say. | 0:29:51 | 0:29:53 | |
A real surprise. | 0:29:53 | 0:29:55 | |
You can't tell from the outside what you're going to find and it has just | 0:29:55 | 0:29:59 | |
been so beautifully done. | 0:29:59 | 0:30:01 | |
I think I was almost speechless, which for me is very, very unusual. | 0:30:01 | 0:30:06 | |
I think the price of this house is absolutely astonishing. | 0:30:06 | 0:30:10 | |
It's got so much and so much has been done to it. | 0:30:10 | 0:30:14 | |
I love it. | 0:30:14 | 0:30:15 | |
Have you seen enough? | 0:30:19 | 0:30:20 | |
Yes. A lovely, lovely house. | 0:30:20 | 0:30:22 | |
-It really is beautiful. -You said it was different and it was quaint. | 0:30:22 | 0:30:25 | |
It seems to have delivered on all of those, doesn't it? | 0:30:25 | 0:30:28 | |
-Yes. -It's quite a surprise. | 0:30:28 | 0:30:29 | |
Good. We like to do that to you. Let's hit the road. | 0:30:29 | 0:30:32 | |
It's a new day in Devon and we are about to embark | 0:30:42 | 0:30:45 | |
on the next leg of our journey, | 0:30:45 | 0:30:47 | |
searching out a country paradise for Maggie and Martin from Stockport, | 0:30:47 | 0:30:51 | |
where they can live the good life and let their creative juices flow. | 0:30:51 | 0:30:55 | |
Armed with a top budget of £380,000, | 0:30:55 | 0:30:58 | |
we are tasked with finding a characterful home | 0:30:58 | 0:31:01 | |
that has a garden fit for | 0:31:01 | 0:31:02 | |
the green-fingered as well as an artist's workshop. | 0:31:02 | 0:31:05 | |
There is still our marvellous Mystery House to come. | 0:31:05 | 0:31:09 | |
I'm pretty much bowled over by this, I have to say. | 0:31:09 | 0:31:12 | |
-Are you? -Yes. -And I will be finding out how one pocket of Devon is | 0:31:12 | 0:31:16 | |
safeguarding military memorabilia that tells the tales of the brave | 0:31:16 | 0:31:20 | |
and victorious British Army during the Second World War. | 0:31:20 | 0:31:24 | |
It is an extraordinary experience, just to stand here. | 0:31:24 | 0:31:27 | |
Well, yesterday went rather well with Martin and Maggie, | 0:31:32 | 0:31:36 | |
although there is nothing like being homeless in two weeks' time to help | 0:31:36 | 0:31:40 | |
focus the mind! | 0:31:40 | 0:31:41 | |
Today, we are going to show our crafty couple two properties, | 0:31:41 | 0:31:45 | |
one of which being the - what could it possibly be? - Mystery House. | 0:31:45 | 0:31:49 | |
Well, let me give you a clue. | 0:31:49 | 0:31:51 | |
It's rather gorgeous, in a rural location, | 0:31:51 | 0:31:55 | |
but will it give them everything they're after? | 0:31:55 | 0:31:57 | |
Well, we'll have to wait and see because first I'm going to show them | 0:31:57 | 0:32:00 | |
a property that could be the answer | 0:32:00 | 0:32:02 | |
to their creative and artistic dreams. | 0:32:02 | 0:32:05 | |
Our house-hunt is taking us to the mid-Devon hamlet of Oldborough. | 0:32:07 | 0:32:11 | |
Less than a ten-minute drive away is the village of Copplestone. | 0:32:12 | 0:32:16 | |
Sitting in a valley and cutting through the village | 0:32:16 | 0:32:18 | |
is the Tarka Line railway, | 0:32:18 | 0:32:20 | |
which runs from Exeter to Barnstaple and is named after | 0:32:20 | 0:32:24 | |
the 1927 novel Tarka The Otter. | 0:32:24 | 0:32:26 | |
In the scenic hamlet of Oldborough is this Grade II-listed cottage. | 0:32:26 | 0:32:30 | |
Right, may I present you your property? | 0:32:31 | 0:32:35 | |
-Wonderful. -Thatch. | 0:32:37 | 0:32:39 | |
-Yes. -But it's new thatch. | 0:32:39 | 0:32:41 | |
It's only finished last year. | 0:32:41 | 0:32:44 | |
So you've got... You keep an eye on it and make sure the ridge | 0:32:44 | 0:32:47 | |
is always intact, you've got about 25 years there. | 0:32:47 | 0:32:50 | |
It will probably see me out! | 0:32:50 | 0:32:52 | |
LAUGHTER | 0:32:52 | 0:32:54 | |
Before I take you inside, what is going through your minds? | 0:32:55 | 0:32:59 | |
-It's beautiful. -It's a very, very pretty-looking place, I have to say. | 0:32:59 | 0:33:04 | |
-It is lovely. -Right, shall we? -Let's go. -Super. | 0:33:04 | 0:33:09 | |
This enchanting semidetached | 0:33:09 | 0:33:11 | |
cottage is built from cobblestone and is thought to | 0:33:11 | 0:33:14 | |
have its origins in the 16th century. | 0:33:14 | 0:33:16 | |
So, through the stable door, which leads us into our sitting-room. | 0:33:19 | 0:33:25 | |
Lovely. Beautiful oak floor. | 0:33:25 | 0:33:27 | |
This is all new. | 0:33:27 | 0:33:29 | |
The house has had a massive overhaul over the last few years. | 0:33:29 | 0:33:32 | |
You can see a lot of work has been done on it. | 0:33:32 | 0:33:35 | |
The beams are rather nice. | 0:33:35 | 0:33:36 | |
Perhaps a little low, but we're only short. | 0:33:36 | 0:33:39 | |
What about that as a fireplace? | 0:33:41 | 0:33:43 | |
I think we could all walk through that fireplace, couldn't we? | 0:33:43 | 0:33:45 | |
-It's so high. -It's lovely. -It's beautiful. | 0:33:45 | 0:33:48 | |
This is a period piece, | 0:33:48 | 0:33:49 | |
you do feel like you're stepping back in history. | 0:33:49 | 0:33:52 | |
Does that feel like the right thing to do for you two? | 0:33:52 | 0:33:56 | |
I think, potentially, yes. | 0:33:56 | 0:33:58 | |
Super. Well, we'll keep going through. | 0:33:58 | 0:34:00 | |
Next-door is the kitchen... | 0:34:00 | 0:34:01 | |
..which is kept toasty-warm by the range. | 0:34:06 | 0:34:10 | |
Lovely. Oh, yes, oh, yes. | 0:34:10 | 0:34:13 | |
This is a nice area, though. | 0:34:13 | 0:34:15 | |
You have the kitchen and the dining area, so it is sociable. | 0:34:15 | 0:34:19 | |
And actually quite bright, as well, with the French doors. | 0:34:19 | 0:34:25 | |
It works well. | 0:34:25 | 0:34:27 | |
Overall, this kitchen is giving us a very good impression. | 0:34:27 | 0:34:31 | |
I'm going to head upstairs now with the two of you. | 0:34:31 | 0:34:33 | |
-OK, lovely. -See what you think there. | 0:34:33 | 0:34:35 | |
The first floor has just as much charm as downstairs and offers | 0:34:38 | 0:34:42 | |
a compact bathroom with three bedrooms. | 0:34:42 | 0:34:45 | |
A narrow room at the back is in use as a study and then, at the front, | 0:34:45 | 0:34:48 | |
there is a beamed double... | 0:34:48 | 0:34:50 | |
..and next door is the master. | 0:34:52 | 0:34:55 | |
I think it would be fair to say this thatched house isn't huge but you | 0:34:55 | 0:34:58 | |
-still get your three bedrooms. -Yeah. | 0:34:58 | 0:35:00 | |
This is the master. | 0:35:00 | 0:35:02 | |
It's beautiful. It really is well thought out and stylish | 0:35:02 | 0:35:07 | |
within the tradition. | 0:35:07 | 0:35:09 | |
Some issues... | 0:35:09 | 0:35:11 | |
The walls are fantastic but there's nowhere | 0:35:11 | 0:35:13 | |
we'd be able to hang a picture on a wall that shape. | 0:35:13 | 0:35:16 | |
That is very true. | 0:35:17 | 0:35:19 | |
It's such a wonderful curve. | 0:35:19 | 0:35:21 | |
It's certainly interesting. | 0:35:22 | 0:35:24 | |
We'll probably be in a better position to come to a view | 0:35:24 | 0:35:27 | |
-when we have seen a bit more. -That's a good point. | 0:35:27 | 0:35:29 | |
Let's head outside and see what else there is on offer. | 0:35:29 | 0:35:32 | |
-I'll lead on, shall I? -Yes, please, thank you. | 0:35:32 | 0:35:34 | |
The outdoor space here provides | 0:35:34 | 0:35:36 | |
everything Maggie and Martin have asked for. | 0:35:36 | 0:35:39 | |
There are beautifully landscaped gardens featuring endless | 0:35:39 | 0:35:42 | |
countryside views and it's ideally equipped for living the good life | 0:35:42 | 0:35:45 | |
and indulging in creative hobbies. | 0:35:45 | 0:35:48 | |
Wow! | 0:35:48 | 0:35:50 | |
That's what I wanted to hear. | 0:35:50 | 0:35:52 | |
A little bit of wow, yeah. | 0:35:52 | 0:35:53 | |
-That is definitely a view. -That is wonderful. | 0:35:53 | 0:35:56 | |
Now, the garden itself is about a third of an acre. | 0:35:57 | 0:36:01 | |
And you've got areas - if you look all around, you can see seating | 0:36:01 | 0:36:04 | |
-areas, which they obviously love the afternoon sun. -Indeed. | 0:36:04 | 0:36:08 | |
The vegetable patch behind you, plenty of space. | 0:36:08 | 0:36:12 | |
You've got a pond and you have even got your own well. | 0:36:12 | 0:36:14 | |
I'm really getting to the main part, which is the workshop. | 0:36:14 | 0:36:19 | |
-Yes. -You might have noticed when we walked into the house and then came | 0:36:19 | 0:36:22 | |
round, it was to the side. | 0:36:22 | 0:36:24 | |
At the moment, it's a huge double garage | 0:36:24 | 0:36:26 | |
but the owners don't use it to store their car. | 0:36:26 | 0:36:29 | |
They use it for their hobbies. | 0:36:29 | 0:36:31 | |
It has water and it has electricity, and it is pretty large. | 0:36:31 | 0:36:36 | |
-OK. -So, let's see how much this | 0:36:36 | 0:36:37 | |
thatched house is, with a beautiful garden, views to die for. | 0:36:37 | 0:36:42 | |
Let's see what the current asking price is, shall we? | 0:36:42 | 0:36:44 | |
Who wants to go first? | 0:36:44 | 0:36:46 | |
It's my turn. | 0:36:46 | 0:36:47 | |
We've been so wildly out and I'm | 0:36:47 | 0:36:49 | |
expecting to be still wildly out, but I'm going to say 300,000. | 0:36:49 | 0:36:54 | |
OK. Martin? | 0:36:54 | 0:36:56 | |
I suspect that we're probably around 345. | 0:36:56 | 0:37:00 | |
Oh, you're very close. | 0:37:00 | 0:37:03 | |
The asking price is £350,000. | 0:37:04 | 0:37:08 | |
-OK. -And you are paying for being on the edge of a village... | 0:37:08 | 0:37:12 | |
-Yes. -..with those views. | 0:37:12 | 0:37:14 | |
-OK. -I think you should have another look, on your own. | 0:37:14 | 0:37:17 | |
-Yes. -I don't know how long I'm going to give you in that workshop. | 0:37:17 | 0:37:20 | |
I might have to put a timer on because you might be in your element | 0:37:20 | 0:37:23 | |
as you're looking around there! | 0:37:23 | 0:37:24 | |
-Yes. -And, well, I'll meet you by the front door. | 0:37:24 | 0:37:27 | |
-Lovely. -Thank you. -Thank you very much. -See you in a minute. -Let's go. | 0:37:27 | 0:37:31 | |
This Grade II-listed thatched cottage is not only | 0:37:33 | 0:37:36 | |
£30,000 under budget, | 0:37:36 | 0:37:38 | |
but it also comes complete with wonderful original features along | 0:37:38 | 0:37:42 | |
with its three bedrooms. | 0:37:42 | 0:37:43 | |
It's got character and style, a fabulous garden with raised beds, | 0:37:43 | 0:37:48 | |
country views, and that all-important workshop. | 0:37:48 | 0:37:51 | |
Oh, this is quite a reasonable size, isn't it? | 0:37:56 | 0:37:59 | |
It is, and it's quite light. | 0:37:59 | 0:38:01 | |
-This has potential. -It really does. | 0:38:01 | 0:38:03 | |
It's a lovely house, it really is. | 0:38:05 | 0:38:07 | |
It's got so much character and the thatch is just beautiful. | 0:38:07 | 0:38:12 | |
I think the house is really nice. | 0:38:12 | 0:38:15 | |
I think it's fairly compact. | 0:38:15 | 0:38:17 | |
I think we would still struggle to get a lot of our stuff in here. | 0:38:17 | 0:38:21 | |
I'm very taken with the garden. | 0:38:21 | 0:38:23 | |
I think the garden is fabulous and the location is brilliant. | 0:38:23 | 0:38:26 | |
The workshop - I think there's definitely the embryo of something. | 0:38:26 | 0:38:31 | |
It's the right sort of size. | 0:38:31 | 0:38:32 | |
Needs a little bit of work, but we could really use that. | 0:38:32 | 0:38:36 | |
So I'm very, very positive about this | 0:38:36 | 0:38:39 | |
and I think there's probably enough left in the budget to give us a | 0:38:39 | 0:38:44 | |
chance to do what we need to do. | 0:38:44 | 0:38:45 | |
-OK, you two? -Yes. -Indeed. -Finished here? | 0:38:48 | 0:38:51 | |
-I think so. -Thank you for getting the door, Martin. | 0:38:51 | 0:38:53 | |
-I think we're going to hit the road. -OK. Let's go. | 0:38:53 | 0:38:56 | |
Not far from Barnstaple, | 0:39:04 | 0:39:06 | |
the small village of Cobbaton is | 0:39:06 | 0:39:07 | |
home to the Cobbaton Combat Collection, | 0:39:07 | 0:39:10 | |
a display of military memorabilia | 0:39:10 | 0:39:12 | |
from British and Commonwealth countries | 0:39:12 | 0:39:14 | |
that dates to the period between | 0:39:14 | 0:39:16 | |
1939 and 1945, when World War II raged. | 0:39:16 | 0:39:20 | |
I've come to meet Preston Isaac, | 0:39:22 | 0:39:23 | |
who founded the museum on the family farm in 1981. | 0:39:23 | 0:39:27 | |
-Preston. Good to meet you, sir. -Welcome to Cobbaton. | 0:39:29 | 0:39:32 | |
A beautiful, sunny morning. | 0:39:32 | 0:39:33 | |
It's always like this in Devon, isn't it? | 0:39:33 | 0:39:35 | |
-Every day. Every day. -Blue skies, sunshine. | 0:39:35 | 0:39:37 | |
-Yes, always. -But as you come in here, | 0:39:37 | 0:39:39 | |
I've already spied one of those tanks. | 0:39:39 | 0:39:41 | |
So impressed with that. I mean, how did it actually start? | 0:39:41 | 0:39:45 | |
Little boy collecting things. | 0:39:45 | 0:39:46 | |
A little boy collecting things and it has got out of hand, hasn't it? | 0:39:46 | 0:39:49 | |
-Literally, yeah. -What about the military angle? | 0:39:49 | 0:39:51 | |
-When did that come in? -That started... | 0:39:51 | 0:39:53 | |
Dad was in the Home Guard, and you used to hear bits and pieces. | 0:39:53 | 0:39:57 | |
It's just a natural progression. | 0:39:57 | 0:40:00 | |
Preston's father passed on militaria from his war days to help start his | 0:40:00 | 0:40:04 | |
collection and, with the thousands | 0:40:04 | 0:40:06 | |
of items ranging from a military button to a 50-tonne tank, | 0:40:06 | 0:40:11 | |
every piece tells a tale. | 0:40:11 | 0:40:12 | |
If you had a particular favourite - to put you on the spot - | 0:40:14 | 0:40:17 | |
what would it be out of the whole collection? | 0:40:17 | 0:40:19 | |
It's the Churchill tank, which is quite symbolic. | 0:40:19 | 0:40:22 | |
And how long, with a vehicle like that, | 0:40:22 | 0:40:24 | |
if it's constantly looked after and restored, how long will it last for? | 0:40:24 | 0:40:29 | |
The main hull will last forever. | 0:40:29 | 0:40:32 | |
You are talking about armour six inches thick. | 0:40:32 | 0:40:35 | |
Preston's collection has stood the test of time and now it's his son, | 0:40:35 | 0:40:39 | |
Tim, who is at the helm. | 0:40:39 | 0:40:41 | |
The father-and-son team welcome over 10,000 visitors a year | 0:40:41 | 0:40:45 | |
who share their passion for these military memories. | 0:40:45 | 0:40:48 | |
I knew the collection was going to be vast, | 0:40:48 | 0:40:50 | |
but I didn't quite appreciate | 0:40:50 | 0:40:51 | |
-it was going to be so many artillery pieces here. -Well, yes. | 0:40:51 | 0:40:55 | |
It's been 40, maybe 50 years, of collecting. | 0:40:55 | 0:40:57 | |
I want you to show me some that you're particularly fond of | 0:40:57 | 0:41:00 | |
-but where do we start? -We start with something small. | 0:41:00 | 0:41:02 | |
This was made by a German prisoner of war | 0:41:02 | 0:41:06 | |
who was working on a farm here in Cobbaton | 0:41:06 | 0:41:09 | |
and given to my father when he was a little child. | 0:41:09 | 0:41:11 | |
-Really? -As you swing it around a little piece of string | 0:41:11 | 0:41:14 | |
will operate the pecking birds. | 0:41:14 | 0:41:16 | |
-And that was from a prisoner of war? -Yeah. -My goodness. | 0:41:16 | 0:41:19 | |
Was it something like this, do you think, which ignited that flame | 0:41:19 | 0:41:22 | |
-for your father? -It must have done. Yes, it must have done. | 0:41:22 | 0:41:24 | |
A little boy not really understanding what was happening around him with the war | 0:41:24 | 0:41:27 | |
but that would have started his collecting, I suspect. | 0:41:27 | 0:41:30 | |
We are surrounded by tanks here. | 0:41:30 | 0:41:32 | |
When I spoke to Preston, your father, | 0:41:32 | 0:41:34 | |
he mentioned his particular favourite was the Churchill tank. | 0:41:34 | 0:41:37 | |
-The Churchill, yes. -I mean, I don't think... | 0:41:37 | 0:41:40 | |
Am I allowed to touch it? | 0:41:40 | 0:41:41 | |
-Yeah. -I don't think I've ever been close to a tank before. | 0:41:41 | 0:41:44 | |
You know, you get the impression that they are going to be huge, | 0:41:44 | 0:41:47 | |
but this is quite enormous. | 0:41:47 | 0:41:49 | |
It's also pretty intimidating to be standing next to it. | 0:41:49 | 0:41:52 | |
-It is. -Named after then Prime Minister Winston Churchill's family, | 0:41:52 | 0:41:57 | |
Preston bought this tank in the 1970s for a few hundred pounds. | 0:41:57 | 0:42:01 | |
It weighs in at 44 tonnes. | 0:42:01 | 0:42:04 | |
There were several hundred of them all dumped in this scrapyard, | 0:42:04 | 0:42:07 | |
just waiting for the price of steel to go up after the war. | 0:42:07 | 0:42:10 | |
Preston may only have paid the scrap price for the tank, | 0:42:11 | 0:42:14 | |
but, just recently, Tim was offered over £100,000 for it by a private | 0:42:14 | 0:42:18 | |
collector. He said no. | 0:42:18 | 0:42:20 | |
Do we have any idea when it was actually built? | 0:42:22 | 0:42:25 | |
It was built in October 1944, | 0:42:25 | 0:42:28 | |
so it was built for the final thrust of World War II, | 0:42:28 | 0:42:31 | |
from D-Day further on. | 0:42:31 | 0:42:33 | |
So it would have seen some serious action? | 0:42:33 | 0:42:35 | |
-I would think so. -And how many crew | 0:42:35 | 0:42:38 | |
would have operated a tank like this? | 0:42:38 | 0:42:40 | |
There's a five-man crew - the driver, the hull gunner in the front, | 0:42:40 | 0:42:44 | |
and then the commander, the loader gunner, and the radio operator. | 0:42:44 | 0:42:48 | |
So would the crew have spent hours upon hours in this tank, | 0:42:48 | 0:42:52 | |
working together as a close unit? | 0:42:52 | 0:42:53 | |
They did. We've in fact met a radio operator who worked in a Churchill | 0:42:53 | 0:42:58 | |
tank from D-Day onwards | 0:42:58 | 0:43:00 | |
and he became very close to the other four men in the tank. | 0:43:00 | 0:43:04 | |
They were a family. | 0:43:04 | 0:43:06 | |
It's pretty awe-inspiring standing amongst these vehicles of war, | 0:43:06 | 0:43:09 | |
but I'm lucky enough to be getting | 0:43:09 | 0:43:11 | |
the opportunity to hop on board | 0:43:11 | 0:43:13 | |
this self-propelled gun to get first-hand experience from up top. | 0:43:13 | 0:43:18 | |
So this isn't a tank? | 0:43:18 | 0:43:19 | |
It is an artillery gun, | 0:43:19 | 0:43:21 | |
which has been mounted onto a tank chassis | 0:43:21 | 0:43:24 | |
simply to propel itself around the battlefield. | 0:43:24 | 0:43:26 | |
It is brutally basic, standing here. | 0:43:26 | 0:43:29 | |
You get a feeling of being quite exposed. | 0:43:29 | 0:43:31 | |
There's no ceiling to it. Why would that have been? | 0:43:31 | 0:43:33 | |
Simply because we are slightly behind the front line, | 0:43:33 | 0:43:36 | |
firing a barrage of fire over the infantry onto the target. | 0:43:36 | 0:43:39 | |
-My goodness. -So we've got armoured sides and maybe a canvas roof if it | 0:43:39 | 0:43:43 | |
-were raining. -Well, I'd love to see it move, that's for sure. | 0:43:43 | 0:43:46 | |
-Thank you, Tim. -OK. | 0:43:46 | 0:43:47 | |
You really do get a sense of what it must be like. | 0:43:50 | 0:43:53 | |
We're standing here, and it's an impressive piece of kit, | 0:43:53 | 0:43:56 | |
but to think this would have been operated | 0:43:56 | 0:43:59 | |
with shells coming overhead, men dying on either side. | 0:43:59 | 0:44:02 | |
It is an extraordinary experience just to stand here. | 0:44:02 | 0:44:06 | |
Built in Canada from steel, with an aircraft engine, | 0:44:13 | 0:44:16 | |
2,000 of these vehicles were used by | 0:44:16 | 0:44:18 | |
the British Army during World War II. | 0:44:18 | 0:44:21 | |
And this mighty mover weighs in at around 30 tonnes, | 0:44:21 | 0:44:25 | |
with top speeds of around 25mph. | 0:44:25 | 0:44:27 | |
The vehicles in the collection are often taken to military shows | 0:44:29 | 0:44:32 | |
and also feature in films. | 0:44:32 | 0:44:34 | |
One even starred alongside Hollywood icon Brad Pitt, | 0:44:34 | 0:44:37 | |
so I'm pleased to say I'm in good company! | 0:44:37 | 0:44:40 | |
But, for now, it's time to get back to my house-hunting companions | 0:44:41 | 0:44:45 | |
and continue with their property search. | 0:44:45 | 0:44:47 | |
So we are on our way to the mystery house. | 0:44:53 | 0:44:55 | |
Maggie, what do you think we're going to see? | 0:44:55 | 0:44:57 | |
I have no idea. We've seen so many different and unusual properties | 0:44:57 | 0:45:01 | |
already. For the mystery it's going to be something quite different. | 0:45:01 | 0:45:05 | |
It could be perhaps an old farrier's | 0:45:05 | 0:45:07 | |
or an old leather worker's cottage with workshop. | 0:45:07 | 0:45:10 | |
I have no idea. | 0:45:10 | 0:45:12 | |
What about you, Martin? | 0:45:12 | 0:45:14 | |
Any ideas? | 0:45:14 | 0:45:15 | |
My only thought really is that we've seen, up to now, | 0:45:15 | 0:45:19 | |
traditional cottage-style properties | 0:45:19 | 0:45:22 | |
and I'm wondering whether the mystery house | 0:45:22 | 0:45:25 | |
might be something a little more modern, perhaps. | 0:45:25 | 0:45:28 | |
Feeling confident as we make our way to the mystery? | 0:45:28 | 0:45:31 | |
Feeling anticipatory. | 0:45:31 | 0:45:34 | |
THEY LAUGH | 0:45:34 | 0:45:35 | |
Well, we've certainly gone through plenty of beautiful, little | 0:45:35 | 0:45:38 | |
-villages, haven't we? -We have. | 0:45:38 | 0:45:39 | |
It's just such a beautiful county and such lovely buildings. | 0:45:39 | 0:45:43 | |
It is just a wonderful place to be. | 0:45:43 | 0:45:45 | |
I'm sure this is the place we want to live. | 0:45:45 | 0:45:48 | |
The North Devon hamlet of Churchill | 0:45:50 | 0:45:52 | |
is the final property stop on our house hunt. | 0:45:52 | 0:45:55 | |
It's our most remote location, | 0:45:55 | 0:45:56 | |
but just a few minutes' drive away is the village of East Down, | 0:45:56 | 0:46:00 | |
which provides a village hall to unite the local community | 0:46:00 | 0:46:03 | |
and a great gastropub. | 0:46:03 | 0:46:05 | |
Churchill sits in rural isolation, | 0:46:06 | 0:46:08 | |
with far-reaching views across agricultural land, | 0:46:08 | 0:46:12 | |
home to an abundance of wildlife | 0:46:12 | 0:46:14 | |
and the National Trust's Regency house, Arlington Court, | 0:46:14 | 0:46:18 | |
built in 1823, stands proudly in the distance. | 0:46:18 | 0:46:22 | |
Our mystery house may be remote, | 0:46:22 | 0:46:24 | |
but what it lacks in neighbours and community, | 0:46:24 | 0:46:26 | |
it makes up for in many other ways. | 0:46:26 | 0:46:29 | |
So, for our final time, in a way, here's your property - | 0:46:29 | 0:46:34 | |
our mystery house. | 0:46:34 | 0:46:36 | |
-Yes. -Yes. | 0:46:36 | 0:46:38 | |
-Indeed! -Two yeses! It's about 200 years old. | 0:46:38 | 0:46:41 | |
It looks a reasonable size, actually. | 0:46:41 | 0:46:43 | |
-Yes. -I think...certainly an interesting location. | 0:46:43 | 0:46:45 | |
Well, I think you've hit the nail on the head there, haven't you? | 0:46:45 | 0:46:48 | |
Because, for our mystery house, | 0:46:48 | 0:46:50 | |
we have brought you much further afield. | 0:46:50 | 0:46:52 | |
-We've gone more north... -Yes. -..but much more rural. | 0:46:52 | 0:46:55 | |
Surrounded 360 by views. | 0:46:55 | 0:46:57 | |
There's a lot about this sort of location that appeals to me, | 0:46:57 | 0:47:00 | |
and the house, yeah, looks solid. | 0:47:00 | 0:47:02 | |
Great. Right, well, I think we should start, don't you? | 0:47:02 | 0:47:05 | |
Yes, please. | 0:47:05 | 0:47:07 | |
This delightful property was extended in 1998, | 0:47:08 | 0:47:11 | |
which doubled its size to create the sunny, | 0:47:11 | 0:47:14 | |
airy home we're about to discover. | 0:47:14 | 0:47:16 | |
Please come in. | 0:47:16 | 0:47:18 | |
Let's see what you make of our mystery house inside. | 0:47:18 | 0:47:22 | |
First impressions... | 0:47:22 | 0:47:24 | |
it's a lovely size. | 0:47:24 | 0:47:26 | |
-Yes. -Beautiful-size room. | 0:47:26 | 0:47:29 | |
I find the internal windows intriguing. | 0:47:29 | 0:47:32 | |
This must have been two rooms and the outside wall. | 0:47:32 | 0:47:37 | |
-Yes. -You'd be right. That's the exterior wall. | 0:47:37 | 0:47:39 | |
This probably was two rooms. | 0:47:39 | 0:47:42 | |
They've kept that as a feature when they've extended the house. | 0:47:42 | 0:47:44 | |
-Lovely. -So, really bright, roomy, spacious. | 0:47:44 | 0:47:49 | |
Just off to our left, up those stairs, is a study, | 0:47:49 | 0:47:52 | |
a really good-sized study, with a dual aspect, | 0:47:52 | 0:47:55 | |
so you get plenty of light in there, and views. | 0:47:55 | 0:47:57 | |
This works. This does work for us. | 0:47:57 | 0:47:59 | |
Absolutely. I'm pretty much bowled over by this... | 0:47:59 | 0:48:02 | |
-I have to say. -Are you? | 0:48:02 | 0:48:04 | |
Yes. It's got that sort of openness that you don't always get in the | 0:48:04 | 0:48:08 | |
cottages and...yes. | 0:48:08 | 0:48:10 | |
-Love it. -Yeah? -Absolutely love it. -Oh! | 0:48:10 | 0:48:13 | |
Music to my ears. Let's keep going. | 0:48:13 | 0:48:15 | |
At the back of the house, and divided by an open stairway, | 0:48:17 | 0:48:20 | |
is the kitchen-diner. | 0:48:20 | 0:48:21 | |
-Oh, yes. -I like the kitchen. | 0:48:23 | 0:48:25 | |
It's good. This is a great space. | 0:48:25 | 0:48:27 | |
-Yes. -The kitchen's lovely, but also having the diner there, where... | 0:48:27 | 0:48:32 | |
OK, the staircase in between but it's sociable. | 0:48:32 | 0:48:35 | |
-Yes. -You know, if you've got friends round or even one of us cooking, | 0:48:35 | 0:48:40 | |
and that is just a good sociable space. | 0:48:40 | 0:48:42 | |
-Yeah. -Yes. -It does work very, very well. | 0:48:42 | 0:48:46 | |
-Yes. -So, we're liking the kitchen, we're liking the dining area, | 0:48:46 | 0:48:49 | |
we're liking everything we're seeing. | 0:48:49 | 0:48:51 | |
In addition to this, if you just | 0:48:51 | 0:48:53 | |
look past, you can see there's a doorway - | 0:48:53 | 0:48:55 | |
that leads outside - but also you've got your utility room there. | 0:48:55 | 0:48:59 | |
And I want you to remember that room | 0:48:59 | 0:49:01 | |
because it could prove quite important later on. | 0:49:01 | 0:49:03 | |
-Right. -OK. -That's a big hint, wasn't it? | 0:49:03 | 0:49:06 | |
I was going to say, that's subtle, yes. | 0:49:06 | 0:49:08 | |
-Yes. -But you've seen enough downstairs? | 0:49:08 | 0:49:10 | |
-Yes. -Yes. -Let's go and have a look up. -Lovely. | 0:49:10 | 0:49:14 | |
Above us, there's a surprise waiting for Maggie and Martin. | 0:49:14 | 0:49:17 | |
Along with a tiled family bathroom are four bedrooms, | 0:49:17 | 0:49:21 | |
meaning there are already options for a creative workplace. | 0:49:21 | 0:49:24 | |
At the back of the house there is a dual-aspect double | 0:49:24 | 0:49:27 | |
and at the front are two equally bright bedrooms. | 0:49:27 | 0:49:30 | |
Then there is the master, which is concealing another surprise. | 0:49:32 | 0:49:35 | |
Now, the downstairs is pretty spacious and you'll | 0:49:37 | 0:49:41 | |
be pleased to know the upstairs is equally as spacious. | 0:49:41 | 0:49:44 | |
-Wow. -Yes. | 0:49:44 | 0:49:46 | |
-This is lovely. -Yeah, this is your master. | 0:49:46 | 0:49:49 | |
It has an en suite. | 0:49:50 | 0:49:52 | |
I know you didn't ask for an en suite, | 0:49:52 | 0:49:54 | |
but do you like the idea of having one? | 0:49:54 | 0:49:55 | |
Yes, particularly when you've got guests. | 0:49:55 | 0:49:58 | |
It does make life a little easier. | 0:49:58 | 0:50:00 | |
I think it's always a bonus. | 0:50:00 | 0:50:02 | |
It's not something we would necessarily expect, but, you know, | 0:50:02 | 0:50:07 | |
any bonus is good. | 0:50:07 | 0:50:08 | |
Good. So, overall, how would you rate this property inside? | 0:50:08 | 0:50:14 | |
It's very, very good. Really, I think it's got | 0:50:15 | 0:50:19 | |
pretty much what we've been asking for, | 0:50:19 | 0:50:22 | |
so long as we can sort out workshop and... | 0:50:22 | 0:50:24 | |
So, definitely fingers crossed, this would be a goer for us, I think. | 0:50:24 | 0:50:28 | |
-Yeah. -Now, we're going to head back downstairs, | 0:50:28 | 0:50:31 | |
but you two are creative. | 0:50:31 | 0:50:33 | |
I want your imagination to work with the next thing | 0:50:33 | 0:50:36 | |
-I'm going to show you. -OK. | 0:50:36 | 0:50:38 | |
The outside space sits to the front with a lawn and a terrace - | 0:50:41 | 0:50:44 | |
perfect for enjoying the warmer months. | 0:50:44 | 0:50:46 | |
The house also enjoys spectacular views across Exmoor National Park. | 0:50:46 | 0:50:50 | |
Now, let's talk in a little bit more detail about the garden, | 0:50:52 | 0:50:56 | |
the property and also the potential for a workshop. | 0:50:56 | 0:51:00 | |
I think I've given it away there, haven't I? | 0:51:00 | 0:51:02 | |
-Yes. -The potential for a workshop. | 0:51:02 | 0:51:05 | |
The way it's set up at the moment, | 0:51:05 | 0:51:06 | |
you do have a small barn at the side. | 0:51:06 | 0:51:09 | |
I'm guessing that might not be quite big enough for what you're after. | 0:51:09 | 0:51:13 | |
However, you've got a shed the other side of it, | 0:51:13 | 0:51:16 | |
but you have all that land that, in a way, is to the side of the house, | 0:51:16 | 0:51:19 | |
so it's not going to spoil the view, | 0:51:19 | 0:51:21 | |
it's not going to detract from the property. | 0:51:21 | 0:51:23 | |
There could be the potential there of putting a really big workshop in | 0:51:23 | 0:51:28 | |
and you could have it connected to the house, if you wanted to. | 0:51:28 | 0:51:31 | |
Yes, I think there is certainly the opportunity to put something there. | 0:51:31 | 0:51:35 | |
-There's somewhere to put it. -Yeah. I do think it's a lovely, | 0:51:35 | 0:51:38 | |
lovely building that has the potential to work for us. | 0:51:38 | 0:51:40 | |
I think it could be a lovely home. | 0:51:40 | 0:51:42 | |
Well, let's see what price we're going to put on our lovely home. | 0:51:42 | 0:51:46 | |
What are we thinking? | 0:51:46 | 0:51:47 | |
Well, I've been way out every time that I've guessed so far, | 0:51:47 | 0:51:51 | |
but I'm going to go to the top of our budget. | 0:51:51 | 0:51:53 | |
-I think it's probably going to be about 375. -OK. | 0:51:53 | 0:51:57 | |
Bearing in mind the fact that we do have to do some work for a workshop, | 0:51:57 | 0:52:02 | |
and we do need some budget, I'm going to hope around about 360. | 0:52:02 | 0:52:07 | |
You're both actually very close | 0:52:07 | 0:52:09 | |
cos the asking price is £369,000. | 0:52:09 | 0:52:13 | |
-OK. -Yes. -That's... | 0:52:15 | 0:52:16 | |
Yes. Squeezing it. | 0:52:16 | 0:52:18 | |
-Yes. -But I guess we probably knew | 0:52:18 | 0:52:20 | |
-that we would be squeezing it at some point. -Yes. | 0:52:20 | 0:52:23 | |
Would you like to take another look around? | 0:52:23 | 0:52:26 | |
-Yes. -Yes. -Yes, please. -Please do. | 0:52:26 | 0:52:28 | |
The gardens, the potential for that all-important workshop. | 0:52:28 | 0:52:31 | |
And come and find me when you're ready. | 0:52:31 | 0:52:33 | |
-OK. Lovely. -Good. -Thank you. | 0:52:33 | 0:52:35 | |
This double-fronted cottage is | 0:52:40 | 0:52:42 | |
£11,000 under budget and offers a bright | 0:52:42 | 0:52:44 | |
and roomy living space, plus character features | 0:52:44 | 0:52:48 | |
and four bedrooms. | 0:52:48 | 0:52:49 | |
It has wonderful views from the | 0:52:49 | 0:52:51 | |
garden and there is also the potential to create a workshop. | 0:52:51 | 0:52:54 | |
The mystery house may be remote, but it's perfectly packaged. | 0:52:54 | 0:52:58 | |
This is a nice room. | 0:53:01 | 0:53:03 | |
-It's a good size. -It is, actually. | 0:53:03 | 0:53:06 | |
I'm not sure whether this is your work room, or my work room. | 0:53:06 | 0:53:09 | |
It's promising. | 0:53:09 | 0:53:12 | |
I think this house is absolutely lovely. | 0:53:12 | 0:53:14 | |
It's been redeveloped in a sensitive way, | 0:53:14 | 0:53:17 | |
with a great sense of style. | 0:53:17 | 0:53:20 | |
It's light, it's airy and it's quirky. | 0:53:20 | 0:53:23 | |
It's lovely. | 0:53:23 | 0:53:25 | |
I think the house is great, | 0:53:25 | 0:53:26 | |
I really do. I think it's a big house, | 0:53:26 | 0:53:29 | |
there is room for what we need. | 0:53:29 | 0:53:32 | |
I think the location's good. | 0:53:32 | 0:53:35 | |
Because it's towards the top end of the budget | 0:53:35 | 0:53:37 | |
we're got to think quite carefully. | 0:53:37 | 0:53:40 | |
That would have to be factored in to the cost of building a workshop. | 0:53:40 | 0:53:43 | |
The garden's perhaps a little small | 0:53:43 | 0:53:46 | |
and we do have to do something with the workshop but I like it a lot. | 0:53:46 | 0:53:50 | |
It is so beautiful out here today. | 0:53:52 | 0:53:55 | |
-It's lovely. -Oh, and the sun's shining. | 0:53:55 | 0:53:58 | |
-Glorious. -Fabulous. | 0:53:58 | 0:53:59 | |
-Yeah. -Amazing views, but I'm going to have to pull you two away now, | 0:53:59 | 0:54:02 | |
I'm afraid. Let's go somewhere where you two | 0:54:02 | 0:54:04 | |
can have a chat on your own first. | 0:54:04 | 0:54:06 | |
I'll join you and you can tell me what your | 0:54:06 | 0:54:08 | |
-next move's going to be. -Right. -OK. | 0:54:08 | 0:54:10 | |
Well, we know Martin and Maggie need to find a new home, | 0:54:14 | 0:54:18 | |
but will they be moving into any of our properties here in Devon? | 0:54:18 | 0:54:21 | |
Let's find out. | 0:54:21 | 0:54:23 | |
Well, Martin and Maggie, | 0:54:29 | 0:54:32 | |
I wonder how we've done here in Devon for you. | 0:54:32 | 0:54:35 | |
Have we found you your next home? | 0:54:35 | 0:54:38 | |
I think you might well have done. | 0:54:38 | 0:54:40 | |
Sharp intake of breath. | 0:54:41 | 0:54:43 | |
OK. But which one in particular took your fancy? | 0:54:43 | 0:54:46 | |
I think the one that is highest on our list | 0:54:46 | 0:54:49 | |
-is undoubtedly the mystery house. -Yes! | 0:54:49 | 0:54:52 | |
We think it's a beautiful house. | 0:54:52 | 0:54:54 | |
-Yeah. -We need to work out how we | 0:54:54 | 0:54:56 | |
would handle the workshop and we are also | 0:54:56 | 0:54:59 | |
a little bit uncertain about the location, | 0:54:59 | 0:55:02 | |
-because it is a little bit more remote. -It is. -Yes. | 0:55:02 | 0:55:05 | |
I'm going to need to go and walk round the area and see | 0:55:05 | 0:55:09 | |
how I'd be able to connect with | 0:55:09 | 0:55:10 | |
neighbours and what sort of community | 0:55:10 | 0:55:12 | |
-there is down the hill. -Yeah. | 0:55:12 | 0:55:13 | |
It is a beautiful place and a beautiful, beautiful house. | 0:55:13 | 0:55:17 | |
Oh, I'm so delighted. | 0:55:17 | 0:55:18 | |
Did you get that feeling that you | 0:55:18 | 0:55:20 | |
-could be creative and have a lovely life at that property? -Oh, yes. | 0:55:20 | 0:55:24 | |
It is a lovely house, lovely atmosphere in the house. | 0:55:24 | 0:55:27 | |
Well, it's all sounding very promising, | 0:55:27 | 0:55:28 | |
but what is the next important step for you two? | 0:55:28 | 0:55:32 | |
Well, we have had a quick chat with the owners. | 0:55:32 | 0:55:35 | |
-Already? -Yes. -Indeed. | 0:55:35 | 0:55:38 | |
And we are going to go back and have another look. | 0:55:38 | 0:55:41 | |
We're keen enough to get back and look at it in more detail. | 0:55:41 | 0:55:46 | |
-That's tomorrow. -My goodness. | 0:55:46 | 0:55:48 | |
Well, that is delightful news. | 0:55:48 | 0:55:49 | |
I leave you literally for a couple of hours and this is what happens. | 0:55:49 | 0:55:53 | |
Well, I hope all your questions get answered, | 0:55:53 | 0:55:55 | |
that second viewing is as successful as the first. | 0:55:55 | 0:55:58 | |
-Thank you. -And who knows? | 0:55:58 | 0:55:59 | |
In a few weeks, a few months' time, well, | 0:55:59 | 0:56:01 | |
we know you're going to be residents of Devon, | 0:56:01 | 0:56:03 | |
but you might be living in that splendid mystery house. | 0:56:03 | 0:56:06 | |
-Yes. -You will let us know how you get on, won't you? | 0:56:06 | 0:56:08 | |
-Oh, we will. -Of course. -Delightful. Thank you both so very much. | 0:56:08 | 0:56:12 | |
-Thank you. -Thank you very much, too. | 0:56:12 | 0:56:14 | |
Well, I think mentally both Maggie and Martin have left Stockport way | 0:56:18 | 0:56:23 | |
behind and physically are certainly a big step closer to a new life here | 0:56:23 | 0:56:28 | |
in Devon. They've loved all the locations that we've shown them, | 0:56:28 | 0:56:32 | |
but I am so happy that they've | 0:56:32 | 0:56:34 | |
already been in touch with the owners of our mystery house | 0:56:34 | 0:56:38 | |
and are having a second viewing very, very soon. | 0:56:38 | 0:56:42 | |
I so hope it works out for them | 0:56:42 | 0:56:44 | |
and I'll see you again on Escape To The Country. | 0:56:44 | 0:56:47 | |
Maggie and Martin did revisit the mystery house and, although they | 0:56:50 | 0:56:53 | |
still loved it, they've decided it was a little too remote for them. | 0:56:53 | 0:56:57 | |
But I'm happy to report that they've since had an offer accepted on a | 0:56:57 | 0:57:01 | |
detached cottage with a workshop in North Devon. | 0:57:01 | 0:57:04 | |
If you would like to escape to the | 0:57:05 | 0:57:07 | |
country in Northern Ireland, Scotland, | 0:57:07 | 0:57:09 | |
Wales or England and need our help, please apply online at... | 0:57:09 | 0:57:12 |