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Welcome to Escape To The County. | 0:00:02 | 0:00:03 | |
This rather pretty body of water behind me, let's face it, | 0:00:03 | 0:00:06 | |
could be anywhere in the UK, | 0:00:06 | 0:00:07 | |
but this one formed a key component in an 18th-century valleyscape | 0:00:07 | 0:00:11 | |
that is now being painstakingly rediscovered. | 0:00:11 | 0:00:14 | |
It is just part of a much wider country estate | 0:00:14 | 0:00:17 | |
that has, at its heart, a Gothic mansion that's been equally | 0:00:17 | 0:00:21 | |
lost in time. So, where are we? | 0:00:21 | 0:00:23 | |
Join me in just a moment and I'll tell you. | 0:00:23 | 0:00:25 | |
Today, I'm with a pair of sisters used to living it up in London. | 0:00:44 | 0:00:48 | |
But one of them is packing it in for a life in the countryside | 0:00:48 | 0:00:51 | |
and taking a touch of the city buzz with her. | 0:00:51 | 0:00:55 | |
-It lends itself quite nicely to a really funky playroom or... -Yeah. | 0:00:55 | 0:00:59 | |
-..party room. -THEY LAUGH | 0:00:59 | 0:01:01 | |
I wondered when we'd get to that! | 0:01:01 | 0:01:02 | |
Yeah, I get the feeling you two are quite used to a good party. | 0:01:02 | 0:01:05 | |
And it looks like there might be cause for celebration, | 0:01:05 | 0:01:08 | |
as our search throws up a few surprises. | 0:01:08 | 0:01:11 | |
And you may open your eyes now. | 0:01:11 | 0:01:13 | |
-Oh, my goodness! -Oh, wow! | 0:01:13 | 0:01:15 | |
Well, today we are in Gloucestershire | 0:01:17 | 0:01:19 | |
and these are the beautiful landscape surroundings | 0:01:19 | 0:01:22 | |
of Woodchester Park and that, perhaps not surprisingly, | 0:01:22 | 0:01:25 | |
is Woodchester Mansion. | 0:01:25 | 0:01:27 | |
Now, from the outside it looks pretty sumptuous, but in truth, | 0:01:27 | 0:01:30 | |
in 1873, the money ran out, the builders left | 0:01:30 | 0:01:33 | |
and it remains a time capsule - a unique study | 0:01:33 | 0:01:37 | |
in late 19th-century architectural practice. | 0:01:37 | 0:01:40 | |
Now, later on in this show, I'll be back here taking a closer look | 0:01:40 | 0:01:43 | |
at the work that's being done to restore | 0:01:43 | 0:01:45 | |
all that Woodchester has to offer. It is a peculiar part | 0:01:45 | 0:01:48 | |
of Gloucestershire's tantalising countryside. | 0:01:48 | 0:01:51 | |
Gloucestershire is situated in the south-west of England, | 0:01:54 | 0:01:57 | |
where the River Severn flows into the Bristol Channel. | 0:01:57 | 0:02:00 | |
The county encompasses a major part of the Cotswolds Area | 0:02:00 | 0:02:03 | |
of Outstanding Natural Beauty, | 0:02:03 | 0:02:05 | |
the Severn Vale and the Royal Forest Of Dean. | 0:02:05 | 0:02:09 | |
Lying in the western part of the county | 0:02:09 | 0:02:12 | |
and occupying over 27,000 acres, | 0:02:12 | 0:02:14 | |
the ancient forest was originally a hunting reserve, | 0:02:14 | 0:02:17 | |
and in 1938 was the first park in England to be designated | 0:02:17 | 0:02:21 | |
as a national forest. Its woodland is home to over 20 million trees. | 0:02:21 | 0:02:26 | |
Within the forest, the magical dense woodland of Puzzle Wood is a mass | 0:02:26 | 0:02:31 | |
of twisted tree roots and dramatic moss-covered rock formations. | 0:02:31 | 0:02:35 | |
So striking is its imagery, | 0:02:35 | 0:02:37 | |
it was said to have been one of JRR Tolkien's inspirations for | 0:02:37 | 0:02:40 | |
Middle-earth in Lord Of The Rings and is also recognisable from | 0:02:40 | 0:02:44 | |
its appearance in the recent Star Wars movie, The Force Awakens. | 0:02:44 | 0:02:49 | |
Gloucestershire also boasts equally stunning scenery in the form | 0:02:49 | 0:02:52 | |
of its historic architecture. | 0:02:52 | 0:02:54 | |
The charming Cotswolds villages in the east of the county are | 0:02:54 | 0:02:57 | |
made up of ancient honey-coloured limestone cottages, like those | 0:02:57 | 0:03:01 | |
in the village of Bibury. | 0:03:01 | 0:03:03 | |
Described by William Morris as the most beautiful village | 0:03:03 | 0:03:06 | |
in England, its famous stone weavers' cottages at Arlington Row | 0:03:06 | 0:03:10 | |
are some of the most photographed in the UK. | 0:03:10 | 0:03:12 | |
And their iconic image even features on the inner page | 0:03:12 | 0:03:16 | |
of the British passport. But there's certainly no need | 0:03:16 | 0:03:19 | |
to go abroad when you've got all this in Gloucestershire. | 0:03:19 | 0:03:22 | |
From varied landscapes and heritage, to picture-perfect towns | 0:03:22 | 0:03:26 | |
and villages, there really is something for everyone. | 0:03:26 | 0:03:29 | |
Well, who wouldn't be seduced by this glorious Gloucestershire | 0:03:31 | 0:03:35 | |
countryside? But, of course, | 0:03:35 | 0:03:36 | |
moving here does come with something of a premium attached. | 0:03:36 | 0:03:40 | |
At £330,000, the average price of a detached property here | 0:03:40 | 0:03:44 | |
is some 30 grand above the national figure. | 0:03:44 | 0:03:47 | |
Now, you may not have to be | 0:03:47 | 0:03:49 | |
a millionaire to move here, but it is perhaps worth remembering | 0:03:49 | 0:03:52 | |
the story of local man James Wood. | 0:03:52 | 0:03:54 | |
He owned the old bank in Gloucester. | 0:03:54 | 0:03:56 | |
He was, reputedly, | 0:03:56 | 0:03:58 | |
Britain's very first millionaire, but was also said to be so tight | 0:03:58 | 0:04:02 | |
with his money, he was the inspiration for Charles Dickens' | 0:04:02 | 0:04:06 | |
Ebenezer Scrooge. But what about today's buyer? | 0:04:06 | 0:04:09 | |
Let's hope that she is far more prepared to part with her money. | 0:04:09 | 0:04:13 | |
Today, we're house-hunting with south Londoner Mickey, | 0:04:13 | 0:04:16 | |
who lives in a four-bedroom terrace house with son Tom | 0:04:16 | 0:04:19 | |
and their two dogs, Didier and Mouse. | 0:04:19 | 0:04:22 | |
Having family living nearby, Mickey sees her younger sister Charley | 0:04:22 | 0:04:26 | |
on a daily basis. | 0:04:26 | 0:04:27 | |
I live in Wandsworth at the moment and I absolutely love this area. | 0:04:28 | 0:04:34 | |
It's a very close-knit community, everything is on my doorstep. | 0:04:34 | 0:04:37 | |
Tom's school is five minutes away from the house, as is the Common, | 0:04:37 | 0:04:41 | |
as are cafes. | 0:04:41 | 0:04:43 | |
Despite living in the affluent borough for nine years, | 0:04:43 | 0:04:46 | |
Mickey's job as a property design consultant | 0:04:46 | 0:04:49 | |
has meant they never stay put in one property for long. | 0:04:49 | 0:04:52 | |
I have moved seven times in the last six years | 0:04:52 | 0:04:57 | |
and done up every single property that I've lived in. | 0:04:57 | 0:05:00 | |
So I take bare bones of a house, I redo the layout | 0:05:00 | 0:05:03 | |
and create beautiful homes for people | 0:05:03 | 0:05:07 | |
for the ways that families live today. | 0:05:07 | 0:05:10 | |
Mickey has the most incredible vision. | 0:05:10 | 0:05:12 | |
So when she walks into a property she can see what she can do with it, | 0:05:12 | 0:05:15 | |
which a lot of other people don't. | 0:05:15 | 0:05:17 | |
The London lifestyle suits Mickey down to the ground, but with | 0:05:18 | 0:05:22 | |
seven-year-old Tom about to change schools, she feels the fast-paced | 0:05:22 | 0:05:26 | |
city isn't the best place for him to grow up in. | 0:05:26 | 0:05:28 | |
This move is driven solely by Tom and his changing schooling needs. | 0:05:29 | 0:05:36 | |
Um, I would like him to grow up in the countryside | 0:05:36 | 0:05:38 | |
without the pressures of London and being in a city. | 0:05:38 | 0:05:42 | |
He'll have freedom to run around, like we did when we were younger. | 0:05:42 | 0:05:46 | |
Mickey's done her research. | 0:05:47 | 0:05:49 | |
Although she's unfamiliar with the countryside, | 0:05:49 | 0:05:52 | |
she has friends in Gloucestershire and has found | 0:05:52 | 0:05:54 | |
a school there for Tom. | 0:05:54 | 0:05:55 | |
The idea of moving seems a no-brainer. | 0:05:55 | 0:05:57 | |
Gloucestershire is the only place Mickey can go. | 0:05:57 | 0:06:00 | |
It has the most amazing links back to London | 0:06:00 | 0:06:03 | |
and, I think, a great friend network there. | 0:06:03 | 0:06:07 | |
Whilst I am going to embrace it, I am slightly dreading it | 0:06:07 | 0:06:10 | |
and clinging on for the last few months of my London life. | 0:06:10 | 0:06:14 | |
But I will take it with both hands, but I am quite scared. | 0:06:14 | 0:06:19 | |
Such a big move is a daunting prospect, | 0:06:21 | 0:06:24 | |
but there are a few things that Mickey won't miss about city living. | 0:06:24 | 0:06:27 | |
Whilst I like having neighbours, | 0:06:27 | 0:06:30 | |
living in a house that's joined up to neighbours | 0:06:30 | 0:06:33 | |
can pose some problems with dogs that bark, | 0:06:33 | 0:06:35 | |
and if I ever have a party at night or something like that, | 0:06:35 | 0:06:39 | |
it can be a little bit troublesome for the neighbours, | 0:06:39 | 0:06:41 | |
so I'm looking forward to having a little bit more space. | 0:06:41 | 0:06:44 | |
I'm really looking forward to having a parking space outside my house. | 0:06:44 | 0:06:47 | |
And with a change of scenery may also come a change of career. | 0:06:47 | 0:06:52 | |
I have always loved the idea of owning a boutique | 0:06:52 | 0:06:56 | |
and, whilst they are two-a-penny in London, | 0:06:56 | 0:06:59 | |
there aren't that many in Gloucestershire. | 0:06:59 | 0:07:01 | |
So, I would really like to look at opportunities, | 0:07:01 | 0:07:04 | |
to see whether maybe I could realise my dream of owning a little shop. | 0:07:04 | 0:07:08 | |
Although she's a pro when it comes to buying and selling, | 0:07:09 | 0:07:12 | |
there's more pressure on getting this next property purchase right | 0:07:12 | 0:07:16 | |
than ever before. So she's bringing sister Charley along for support. | 0:07:16 | 0:07:20 | |
Charley has got a very wise head on her shoulders. | 0:07:20 | 0:07:24 | |
We work together quite well, | 0:07:24 | 0:07:25 | |
because I have the artistic flair | 0:07:25 | 0:07:28 | |
and my ideas sometimes run away with me | 0:07:28 | 0:07:32 | |
and Charley is probably more likely to be the...the... | 0:07:32 | 0:07:36 | |
-Handbrake? -Yeah! | 0:07:36 | 0:07:37 | |
The school Mickey has found for Tom is in Minchinhampton, | 0:07:41 | 0:07:44 | |
so we're looking in the villages and towns within | 0:07:44 | 0:07:47 | |
a reasonable distance for the school run. | 0:07:47 | 0:07:49 | |
Now although this is one lady who's used to talking property | 0:07:49 | 0:07:52 | |
particulars, I need to find out what's on the wish list | 0:07:52 | 0:07:55 | |
for this next move. | 0:07:55 | 0:07:57 | |
Well, guys, look at this, what a place to start. | 0:07:57 | 0:07:59 | |
So, formally, Charley, Mickey, welcome to Gloucestershire. | 0:07:59 | 0:08:03 | |
This is a really interesting story, | 0:08:03 | 0:08:05 | |
I think, because you're not a typical escapee, are you? | 0:08:05 | 0:08:10 | |
No, I don't think I am. | 0:08:10 | 0:08:12 | |
What's the real motivation behind this move for you? | 0:08:12 | 0:08:16 | |
The real motivation is Tom and his schooling. | 0:08:16 | 0:08:19 | |
Now I'm just looking for the perfect property. | 0:08:19 | 0:08:22 | |
Charley, you know your sister better than anybody - | 0:08:22 | 0:08:24 | |
what's your role going to be this week? | 0:08:24 | 0:08:27 | |
I think I'm here to be the voice of reason. | 0:08:27 | 0:08:29 | |
Mickey has moved a lot and, therefore, she's not scared | 0:08:29 | 0:08:33 | |
to take on a project and it's easy for her. | 0:08:33 | 0:08:36 | |
So, I think I'll be more... | 0:08:36 | 0:08:38 | |
Look at the bigger picture. | 0:08:38 | 0:08:41 | |
Most people coming out here to make a move | 0:08:41 | 0:08:43 | |
of the sort that you are doing | 0:08:43 | 0:08:45 | |
don't necessarily want a massive project, | 0:08:45 | 0:08:47 | |
but actually I think you really enjoy the business | 0:08:47 | 0:08:50 | |
of a huge project, don't you? | 0:08:50 | 0:08:51 | |
I do, I do. I really enjoy a huge project. | 0:08:51 | 0:08:54 | |
I don't think I'd ever be happy turning up and turning a key | 0:08:54 | 0:08:59 | |
and moving my stuff in because it would never work. | 0:08:59 | 0:09:01 | |
With this move, are you looking for an investment property, or a home? | 0:09:01 | 0:09:04 | |
I'm looking for a home, | 0:09:04 | 0:09:06 | |
that will ultimately be an investment, as well, | 0:09:06 | 0:09:08 | |
but I'm looking, first and foremost, for a home. | 0:09:08 | 0:09:10 | |
Let's talk about the specifics. | 0:09:10 | 0:09:12 | |
What do we need to have on our wish list? | 0:09:12 | 0:09:14 | |
Probably the main key component is the location. | 0:09:14 | 0:09:18 | |
So, I'm very keen for a village location. | 0:09:18 | 0:09:21 | |
I do not want it to be too rural. | 0:09:21 | 0:09:23 | |
I would quite like a pub within walking distance. | 0:09:23 | 0:09:26 | |
And then, in terms of the property, four bedrooms. | 0:09:26 | 0:09:31 | |
Um, and a garden that isn't too big. | 0:09:31 | 0:09:34 | |
Just remind us of your budget. | 0:09:34 | 0:09:37 | |
I've got a budget of, maximum, 900,000. | 0:09:37 | 0:09:40 | |
That's for all the work that I would like to do on the property, as well. | 0:09:40 | 0:09:44 | |
That's my complete budget. | 0:09:44 | 0:09:46 | |
Is it possible, Charley, that we could find the perfect home | 0:09:46 | 0:09:51 | |
that didn't need anything doing for your sister? | 0:09:51 | 0:09:54 | |
Um, I think that's incredibly unlikely! | 0:09:54 | 0:09:56 | |
That's my worry. Why? | 0:09:56 | 0:09:59 | |
Why is it so unlikely? | 0:09:59 | 0:10:01 | |
Because if it's not Mickey's way, she doesn't like it. | 0:10:01 | 0:10:04 | |
You've got a fantastic budget, | 0:10:04 | 0:10:06 | |
we've got some great properties here to show you. | 0:10:06 | 0:10:09 | |
-Shall we? -Yeah, brilliant. -Come on, let's go. | 0:10:09 | 0:10:11 | |
Let's see what we can find you. | 0:10:11 | 0:10:12 | |
It's nearly a million quid, you know. It's not bad, is it? | 0:10:12 | 0:10:15 | |
THEY CHUCKLE | 0:10:15 | 0:10:16 | |
With a healthy budget of £900,000, | 0:10:19 | 0:10:22 | |
Mickey's looking for a property with a minimum of four bedrooms, | 0:10:22 | 0:10:26 | |
a substantial yet manageable garden for Tom and the dogs | 0:10:26 | 0:10:30 | |
and she's not shy of doing a little bit of work, if required. | 0:10:30 | 0:10:33 | |
Used to life in the city, Mickey doesn't want anything | 0:10:33 | 0:10:36 | |
too remote and she'd like to be able to walk to a pub. | 0:10:36 | 0:10:39 | |
The most important factor is to be close to her son's new school. | 0:10:39 | 0:10:43 | |
We've got some cracking properties to show Mickey and Charley, | 0:10:43 | 0:10:46 | |
all with an abundance of character | 0:10:46 | 0:10:48 | |
and an interesting mix of old and new. | 0:10:48 | 0:10:51 | |
I'll be asking them to guess the price of each before I tell them. | 0:10:51 | 0:10:54 | |
And for our final offering, I have a Mystery House to rival all | 0:10:54 | 0:10:58 | |
mystery houses, with a very special and unique additional extra. | 0:10:58 | 0:11:03 | |
We're beginning our search in a tiny hamlet called The Vatch, | 0:11:07 | 0:11:10 | |
which is in the southern Cotswolds. | 0:11:10 | 0:11:13 | |
Situated on the edge of the Slad Valley, | 0:11:13 | 0:11:16 | |
it's less than a mile from the picturesque village of Slad, | 0:11:16 | 0:11:19 | |
famous as the home and final resting place of author Laurie Lee. | 0:11:19 | 0:11:23 | |
His 1959 novel Cider With Rosie | 0:11:23 | 0:11:26 | |
was based on his childhood experiences in the village | 0:11:26 | 0:11:29 | |
and captures the essence of this special corner of England. | 0:11:29 | 0:11:32 | |
Today, the village is focused around the parish church and the | 0:11:32 | 0:11:36 | |
Woolpack pub, which continues to receive visitors keen to see | 0:11:36 | 0:11:39 | |
the place where author Lee whiled away the hours writing his books. | 0:11:39 | 0:11:44 | |
As we wander back down the hill, the property I want Mickey to see | 0:11:44 | 0:11:47 | |
stands in a prominent position on a rather impressive plot. | 0:11:47 | 0:11:50 | |
-Wow! -That's property number one. | 0:11:52 | 0:11:53 | |
-Is it? Wow! -It's beautiful. | 0:11:53 | 0:11:57 | |
Originally, a coach house. | 0:11:57 | 0:11:59 | |
Now the outside fabric, as you can see, is all in pretty good order. | 0:11:59 | 0:12:03 | |
It's the internals that are going to require a bit of Mickey magic... | 0:12:03 | 0:12:06 | |
-Yeah. -..I suspect. | 0:12:06 | 0:12:08 | |
It's undoubtedly beautiful. | 0:12:08 | 0:12:11 | |
I'm a bit concerned about how rural it is for London Mickey. | 0:12:11 | 0:12:16 | |
But I'm intrigued to go inside. | 0:12:16 | 0:12:19 | |
-It's a good barometer, I think, this one, to start with... -Definitely. | 0:12:19 | 0:12:22 | |
..as to how much of a project you're up for. | 0:12:22 | 0:12:25 | |
It's big. It definitely looks really big from the outside. | 0:12:25 | 0:12:27 | |
I mean, it comes with three acres of land. | 0:12:27 | 0:12:30 | |
-Oh, my goodness. -OK. -OK. Sugar. | 0:12:30 | 0:12:32 | |
Yeah, sugar. Come on, let's sweeten that pill. Let's have a look. | 0:12:32 | 0:12:36 | |
Made of Cotswold stone, | 0:12:38 | 0:12:40 | |
this three-storey house retains a number of charming features from | 0:12:40 | 0:12:43 | |
its former life as a coach house | 0:12:43 | 0:12:45 | |
and, surprisingly, it isn't listed. | 0:12:45 | 0:12:47 | |
Inside, it certainly is as large as it looks from the outside. | 0:12:49 | 0:12:52 | |
The ground floor is currently divided to create a self-contained | 0:12:52 | 0:12:55 | |
one-bedroomed annexe, separate from the rest of the property, with its | 0:12:55 | 0:12:58 | |
own entrance, a separate kitchen/dining area | 0:12:58 | 0:13:01 | |
and a bathroom, but we're starting in the main house, | 0:13:01 | 0:13:05 | |
which I think could offer Mickey the development | 0:13:05 | 0:13:07 | |
potential she's after, subject to the necessary permissions. | 0:13:07 | 0:13:11 | |
Right, Mickey, come on in. | 0:13:13 | 0:13:16 | |
What do you think? | 0:13:16 | 0:13:17 | |
I think these walls need to come down. | 0:13:17 | 0:13:20 | |
It's a little bit disappointing. | 0:13:20 | 0:13:21 | |
From the outside, you expect to walk into something a little bit more... | 0:13:21 | 0:13:25 | |
-Opulent? -Opulent, yes. | 0:13:25 | 0:13:27 | |
-And welcoming. -Yeah. -Instead, you walk into a wasted room. | 0:13:27 | 0:13:30 | |
This wall, I suspect, should absolutely go. | 0:13:30 | 0:13:34 | |
It's creating a hallway here, which is completely unnecessary, really. | 0:13:34 | 0:13:37 | |
-Yes. -What do you think, Charley? | 0:13:37 | 0:13:39 | |
I'm intrigued, because this is what Mickey likes. | 0:13:39 | 0:13:41 | |
-She likes going in somewhere and seeing the bigger picture. -Yeah. | 0:13:41 | 0:13:46 | |
So, I'm just intrigued to see the rest of it. | 0:13:46 | 0:13:48 | |
That's a picture we need to create, don't we? Come through here. | 0:13:48 | 0:13:51 | |
Here we are. | 0:13:53 | 0:13:55 | |
Oh, gosh. | 0:13:55 | 0:13:58 | |
Right now, I'm not sure I'm really feeling it. | 0:13:58 | 0:14:01 | |
From the outside, it had so much potential, it was beautiful. | 0:14:01 | 0:14:05 | |
So far, it's lots of little rooms that aren't flowing | 0:14:05 | 0:14:09 | |
and really working for me. | 0:14:09 | 0:14:11 | |
It goes through here to give you a sort of kitchen-diner. | 0:14:11 | 0:14:14 | |
Again, I would remove this, to be perfectly honest, and this, | 0:14:14 | 0:14:18 | |
and make the whole thing a whole. | 0:14:18 | 0:14:21 | |
Yes. Definitely, for the way that we live, | 0:14:21 | 0:14:24 | |
this kitchen would have to be bashed out. | 0:14:24 | 0:14:26 | |
I would prefer to open it up bigger than even the existing floor plan. | 0:14:26 | 0:14:31 | |
-Yeah. -I'm just worried about... | 0:14:31 | 0:14:33 | |
The property looks enormous from the outside... | 0:14:33 | 0:14:35 | |
I'm afraid it is. | 0:14:35 | 0:14:38 | |
Come upstairs. You'll see what I mean. | 0:14:38 | 0:14:41 | |
Despite her vision, Mickey is clearly struggling | 0:14:43 | 0:14:46 | |
to get her head around the space on offer here. | 0:14:46 | 0:14:49 | |
Hopefully, she might change her mind when she sees upstairs. | 0:14:49 | 0:14:52 | |
On the first floor are two of the five possible bedrooms - | 0:14:52 | 0:14:56 | |
both doubles - as well as a large family bathroom, | 0:14:56 | 0:14:59 | |
and a huge dual-aspect living area. | 0:14:59 | 0:15:01 | |
Now up here on the first floor is where you get your first real | 0:15:04 | 0:15:07 | |
-kind of reception room. -Yeah, this is great. | 0:15:07 | 0:15:10 | |
-This is amazing. -Ah, you see. | 0:15:10 | 0:15:12 | |
Suddenly, it reveals its magic, yeah. | 0:15:12 | 0:15:16 | |
It's beautiful and I can totally see the potential. | 0:15:16 | 0:15:19 | |
Yeah, I think this is... You're now getting on the par | 0:15:19 | 0:15:22 | |
with how beautiful it looks from the outside. | 0:15:22 | 0:15:25 | |
It gives you the potential to be able to see it, | 0:15:25 | 0:15:27 | |
or people like me, who don't have a vision, how it could look. | 0:15:27 | 0:15:31 | |
Now, if you like this space, and all that it offers you, | 0:15:31 | 0:15:33 | |
you're going to love what's on the top floor. | 0:15:33 | 0:15:36 | |
Come and look at this. | 0:15:36 | 0:15:38 | |
What's really exciting about this property | 0:15:38 | 0:15:40 | |
is the flexibility it offers. | 0:15:40 | 0:15:43 | |
The top floor has over 270 square feet of space, | 0:15:43 | 0:15:47 | |
described on the particulars as two bedrooms. | 0:15:47 | 0:15:51 | |
So, the current master is there. | 0:15:51 | 0:15:53 | |
This little dressing corridor, | 0:15:53 | 0:15:55 | |
but this, to me, is the main event. | 0:15:55 | 0:15:59 | |
The real selling point.... | 0:15:59 | 0:16:00 | |
-This is amazing. -Wow! | 0:16:00 | 0:16:01 | |
-..of this building. -Wow, this is great. | 0:16:01 | 0:16:04 | |
-I love it, amazing beams. -Would you go for a family room up here? | 0:16:04 | 0:16:07 | |
Would you keep this as is or go for more bedroom space? | 0:16:07 | 0:16:11 | |
Master suite up here? | 0:16:11 | 0:16:13 | |
Well, it could be a master suite, but I think, also, | 0:16:13 | 0:16:15 | |
it lends itself quite nicely to a really funky playroom | 0:16:15 | 0:16:18 | |
or party room. | 0:16:18 | 0:16:21 | |
I wondered when we'd get to that. | 0:16:21 | 0:16:22 | |
I get the feeling you two are quite used to a good party. | 0:16:22 | 0:16:26 | |
No, it's good. | 0:16:26 | 0:16:28 | |
This is definitely a real wow point of the house. | 0:16:28 | 0:16:31 | |
Upstairs doesn't worry me at all - | 0:16:31 | 0:16:33 | |
it needs a bit of knocking around but it's good. | 0:16:33 | 0:16:36 | |
Downstairs worries me a little bit more. | 0:16:36 | 0:16:39 | |
OK, let's go and have a look at the garden space and see | 0:16:39 | 0:16:41 | |
-what that offers you. And we might talk about the price. -Yes. | 0:16:41 | 0:16:45 | |
That worries me a little bit, as well! | 0:16:45 | 0:16:48 | |
There is certainly some work to be done with this place, but for | 0:16:49 | 0:16:53 | |
someone with Mickey's development experience, it offers endless | 0:16:53 | 0:16:56 | |
possibilities, and I think it could make a fantastic home. | 0:16:56 | 0:16:59 | |
Outside, it's surrounded by a well-maintained cottage garden, | 0:17:01 | 0:17:05 | |
as well as three acres of sloping paddocks. | 0:17:05 | 0:17:09 | |
So let's climb up here. | 0:17:09 | 0:17:12 | |
Give you a view of what you get at the back of this one. | 0:17:12 | 0:17:14 | |
In terms of the garden set-up, you've got an immediate garden here, | 0:17:16 | 0:17:19 | |
but let's not forget, you've also got three acres that come with this. | 0:17:19 | 0:17:23 | |
So how much do you think it's on the market for? | 0:17:23 | 0:17:25 | |
I think it'll probably be on the market for in excess of 800,000. | 0:17:25 | 0:17:30 | |
Mm-hm. Yeah, Charley? | 0:17:30 | 0:17:32 | |
-775. -Oh! | 0:17:34 | 0:17:36 | |
-Well, um, this is on at £830,000. -Gosh. | 0:17:36 | 0:17:41 | |
I mean, I think, whilst it is a beautiful, beautiful property, | 0:17:42 | 0:17:46 | |
I think the sheer cost of what it would cost | 0:17:46 | 0:17:50 | |
to make it into the property that I would like to live in, | 0:17:50 | 0:17:54 | |
-I think it probably is just one step too far. -Interesting. -Price-wise. | 0:17:54 | 0:17:59 | |
Go and have a quick run around, | 0:17:59 | 0:18:01 | |
make sense of it and I will come and find you a little bit later on. | 0:18:01 | 0:18:05 | |
-OK. -Off you go. -Thank you. | 0:18:05 | 0:18:06 | |
This fabulous converted coach house offers Mickey | 0:18:08 | 0:18:11 | |
a project she could really sink her teeth into. | 0:18:11 | 0:18:14 | |
There's plenty of room for visiting guests to stay, | 0:18:14 | 0:18:17 | |
lots of entertaining space and that separate annexe. | 0:18:17 | 0:18:20 | |
What's more, there's a large garden for Tom and the dogs and it's | 0:18:20 | 0:18:23 | |
within walking distance to the pub in Slad and is just | 0:18:23 | 0:18:26 | |
a 15-minute drive to Tom's school. | 0:18:26 | 0:18:29 | |
I would absolutely love to take on something like this. | 0:18:30 | 0:18:33 | |
Tom would absolutely love the playroom upstairs. | 0:18:33 | 0:18:35 | |
I mean, he could have the whole run of the top floor. | 0:18:35 | 0:18:38 | |
I think probably that's where it'd end. | 0:18:38 | 0:18:41 | |
He's lazy, so the sloping garden, he would find that pretty tedious. | 0:18:41 | 0:18:44 | |
There's only two of us, with two little dogs. | 0:18:44 | 0:18:47 | |
We would really rattle around in a big property like this. | 0:18:47 | 0:18:51 | |
But a mini version, that would be perfect. | 0:18:51 | 0:18:55 | |
It's nice to see this property nestled in this little valley. | 0:18:56 | 0:18:59 | |
Maybe this was a view that Laurie Lee favoured, who knows? | 0:18:59 | 0:19:03 | |
-All done, girls? -Yes, thank you. | 0:19:03 | 0:19:05 | |
Come on, then, the pub's just up the road. Lunch time. | 0:19:05 | 0:19:08 | |
At the turn of the 20th century, Gloucestershire became an important | 0:19:13 | 0:19:17 | |
centre for the Arts And Crafts Movement, led by William Morris. | 0:19:17 | 0:19:22 | |
Faced with the effects of industrialisation and the | 0:19:22 | 0:19:24 | |
introduction of mass production, many British designers championed | 0:19:24 | 0:19:28 | |
the movement that was in favour of simpler, traditional ways of making. | 0:19:28 | 0:19:33 | |
Groups of craftsmen left the cities | 0:19:33 | 0:19:35 | |
to set up workshops in the countryside. | 0:19:35 | 0:19:37 | |
One of the most popular destinations was the Cotswolds. | 0:19:37 | 0:19:40 | |
Bespoke shoemaker Caroline Groves comes from a long line of craftsmen. | 0:19:40 | 0:19:45 | |
Her great grandfather was a cabinet-maker | 0:19:45 | 0:19:47 | |
and right-hand man to designer CR Ashbee, | 0:19:47 | 0:19:50 | |
a key figure in the Arts And Crafts Movement, | 0:19:50 | 0:19:52 | |
who led a team of 150 craftsmen to Chipping Campden in 1902. | 0:19:52 | 0:19:58 | |
With Mickey's ambition to one day open her own fashion boutique, | 0:19:58 | 0:20:02 | |
we sent her and Charley to meet up with Caroline at her workshop. | 0:20:02 | 0:20:06 | |
-Hi, Mickey. Nice to meet you. Hi, Charley. -Hi. | 0:20:07 | 0:20:10 | |
Handicraft and design, obviously, runs in your family. | 0:20:10 | 0:20:13 | |
Was it a natural progression for you to go into the industry? | 0:20:13 | 0:20:16 | |
Yeah, that was my childhood. I thought everybody made things. | 0:20:16 | 0:20:19 | |
I didn't realise it was a natural progression until I was | 0:20:19 | 0:20:24 | |
at home with my first child in my early 20s. | 0:20:24 | 0:20:27 | |
I found that I reverted to wanting to make things with my hands. | 0:20:27 | 0:20:31 | |
The rest is history. Almost 30 years of working with leather. | 0:20:31 | 0:20:36 | |
Caroline trained and worked with a local shoemaker for 15 years | 0:20:36 | 0:20:40 | |
before setting up her own business. | 0:20:40 | 0:20:43 | |
As well as producing bespoke artisan shoes, | 0:20:43 | 0:20:46 | |
she also makes leather accessories like bags, purses and belts. | 0:20:46 | 0:20:50 | |
You have some beautiful pieces, and what's this in your hand? | 0:20:50 | 0:20:54 | |
This is called a last. | 0:20:54 | 0:20:55 | |
This is where we start. | 0:20:55 | 0:20:57 | |
It's a shape which includes the client's measurements and it | 0:20:57 | 0:21:02 | |
includes style details, such as heel height and toe shape. | 0:21:02 | 0:21:07 | |
On average, how long does a pair of bespoke shoes take to make? | 0:21:07 | 0:21:10 | |
If I'm doing standard work, I may make as many as two pairs of shoes | 0:21:10 | 0:21:15 | |
in a week. Something like this, that's highly decorative, | 0:21:15 | 0:21:19 | |
if I was producing a pair of those in two weeks, | 0:21:19 | 0:21:22 | |
I'd be a happy person. | 0:21:22 | 0:21:24 | |
Would you mind us having a look in your workshop? | 0:21:24 | 0:21:26 | |
No, please come along. | 0:21:26 | 0:21:28 | |
All Caroline's items are entirely handmade, using just basic tools | 0:21:28 | 0:21:33 | |
and traditional methods, hence a price tag upwards of £2,750. | 0:21:33 | 0:21:39 | |
Today, the sisters are going to be having a go at | 0:21:39 | 0:21:42 | |
a process called skiving, | 0:21:42 | 0:21:43 | |
used to reduce and refine the edges of leather, before it's folded. | 0:21:43 | 0:21:47 | |
Generally, a first skive is quite a steep cut, | 0:21:47 | 0:21:53 | |
taking the edge off the leather. | 0:21:53 | 0:21:57 | |
Always cleaning away. | 0:21:57 | 0:22:01 | |
Then, a shallower cut, | 0:22:01 | 0:22:03 | |
so that you get a nice, | 0:22:03 | 0:22:07 | |
pared edge. | 0:22:07 | 0:22:09 | |
So, prior to folding that edge, I'm just going to notch it. | 0:22:09 | 0:22:13 | |
How has this process changed over time? | 0:22:15 | 0:22:17 | |
Are you still doing this in the same way as craftsmen used to? | 0:22:17 | 0:22:22 | |
There's nothing I'm doing here that a shoemaker 150 years ago | 0:22:22 | 0:22:26 | |
wouldn't recognise. | 0:22:26 | 0:22:28 | |
After adding a rubber solution to the edges, to make them tacky, | 0:22:28 | 0:22:32 | |
Caroline gently manipulates the leather to form the shape. | 0:22:32 | 0:22:35 | |
Again, with the hammer | 0:22:37 | 0:22:39 | |
and encourage that over. | 0:22:39 | 0:22:42 | |
There's an edge | 0:22:45 | 0:22:48 | |
that could be, you know, similar. | 0:22:48 | 0:22:51 | |
You know, it's got similar curves that you would have on the top line | 0:22:51 | 0:22:55 | |
of a shoe. | 0:22:55 | 0:22:57 | |
Now, traditional shoemaking has been largely superseded by industrial | 0:22:57 | 0:23:02 | |
mass production, due to the sheer volume that can be produced, | 0:23:02 | 0:23:05 | |
not forgetting the speed, but when it comes to quality and attention | 0:23:05 | 0:23:09 | |
to detail, I think the craftsmen of the Arts And Crafts Movement | 0:23:09 | 0:23:12 | |
were right - you can't beat time-honoured, handcrafting skills. | 0:23:12 | 0:23:16 | |
Well done. Gosh! | 0:23:18 | 0:23:19 | |
THEY CHUCKLE | 0:23:19 | 0:23:20 | |
I could train you. | 0:23:20 | 0:23:21 | |
Well, if you're ever looking for an assistant, | 0:23:24 | 0:23:26 | |
I'll be moving up to the Cotswolds in the next few months. | 0:23:26 | 0:23:30 | |
So, er, please do give me a call. | 0:23:30 | 0:23:32 | |
Yeah, for sure, Mickey, I think you'd be excellent. | 0:23:32 | 0:23:34 | |
But if the potential job doesn't work out, | 0:23:34 | 0:23:37 | |
Mickey could always stock some of Caroline's bespoke pieces | 0:23:37 | 0:23:40 | |
in her planned boutique instead. | 0:23:40 | 0:23:42 | |
Our next stop is in the small village of Falfield. | 0:23:48 | 0:23:52 | |
The vibrant market town of Wotton-underEdge is six miles away | 0:23:52 | 0:23:55 | |
and has a selection of independent shops and cafes. | 0:23:55 | 0:23:58 | |
Originally built on the prosperity of the wool trade, | 0:23:59 | 0:24:02 | |
its street layout remains mostly mediaeval. | 0:24:02 | 0:24:05 | |
A mix of architecturally important listed buildings | 0:24:05 | 0:24:08 | |
and traditional Cotswold stone houses. | 0:24:08 | 0:24:10 | |
A landmark of Wotton is the clock perched on the Tolsey Building | 0:24:11 | 0:24:15 | |
overlooking the high street. | 0:24:15 | 0:24:17 | |
It was erected in 1897 | 0:24:17 | 0:24:19 | |
to commemorate Queen Victoria's Diamond Jubilee. | 0:24:19 | 0:24:23 | |
For visitors more interested in exploring the countryside | 0:24:23 | 0:24:25 | |
than the shops, the famous 100-mile footpath, the Cotswold Way, | 0:24:25 | 0:24:30 | |
passes through the town on its way from Chipping Camden to Bath. | 0:24:30 | 0:24:33 | |
But back on the outskirts of Falfield, | 0:24:35 | 0:24:37 | |
our property is a converted farm building. | 0:24:37 | 0:24:39 | |
Now, to be honest with this one, | 0:24:43 | 0:24:44 | |
I'm not entirely sure which is the front. | 0:24:44 | 0:24:46 | |
For argument's sake, we'll deal with this side first | 0:24:46 | 0:24:49 | |
because I think this really gives you an idea of what's on offer. | 0:24:49 | 0:24:52 | |
Owned by a builder and he's spent many years transforming | 0:24:52 | 0:24:56 | |
what was a derelict barn into a really interesting family home. | 0:24:56 | 0:25:00 | |
It looks good. I think it looks like it's already been done. | 0:25:00 | 0:25:04 | |
Mickey? | 0:25:04 | 0:25:06 | |
Looks like there's not much of a project here | 0:25:06 | 0:25:08 | |
but I'm definitely excited to see what's behind those doors. | 0:25:08 | 0:25:12 | |
That doesn't worry me because I think you'll always find something to do. | 0:25:12 | 0:25:16 | |
-No, no, I will. You're right. -Let's see what they have done. Come on. | 0:25:16 | 0:25:19 | |
Originally a barn belonging to the neighbouring stately home, | 0:25:22 | 0:25:25 | |
the property was converted in 2000. | 0:25:25 | 0:25:28 | |
Part of the cobbled terrace outside dates back to 1876. | 0:25:28 | 0:25:32 | |
Although this house looks modest from the front, | 0:25:33 | 0:25:36 | |
the interior provides over 1,300 square feet of living space. | 0:25:36 | 0:25:41 | |
The ground floor is laid out in an inverted L-shape | 0:25:41 | 0:25:44 | |
with an entrance that leads into the breakfast room. | 0:25:44 | 0:25:47 | |
So, Mickey, what does your designer's eye make of this lot? | 0:25:47 | 0:25:52 | |
Well, rather too many walls but they look... | 0:25:52 | 0:25:55 | |
There are always going to be too many walls for you, I suspect. | 0:25:55 | 0:26:00 | |
We need a barn, don't we? We've got one | 0:26:00 | 0:26:02 | |
-but with a few more walls... -No, no, it's looking good. | 0:26:02 | 0:26:06 | |
I mean, you've got quite a nice garden room through here. | 0:26:06 | 0:26:09 | |
Everything does sort of flow together. What do you think? | 0:26:09 | 0:26:13 | |
I think it's great. I like the character of the exposed brickwork. | 0:26:13 | 0:26:17 | |
And it all continues through here into this rather lovely | 0:26:17 | 0:26:22 | |
open-plan dining area, as you can see. | 0:26:22 | 0:26:25 | |
That looks good. | 0:26:26 | 0:26:27 | |
I can see the wheels are turning, yeah. | 0:26:27 | 0:26:31 | |
I hadn't appreciated when we came in, I thought | 0:26:31 | 0:26:33 | |
that was the kitchen, so to see it all opening up, it's good. | 0:26:33 | 0:26:37 | |
You're going to love what's next door. Come and have a look at this. | 0:26:37 | 0:26:40 | |
The living room. | 0:26:40 | 0:26:41 | |
Spatially, I think this could really work for Mickey. | 0:26:41 | 0:26:44 | |
The living room at the back of the house | 0:26:44 | 0:26:47 | |
is divided into two seating areas - one up on a raised mezzanine. | 0:26:47 | 0:26:51 | |
Oh, brilliant. | 0:26:51 | 0:26:52 | |
Wow. That's kind of cool. | 0:26:52 | 0:26:54 | |
Isn't it? | 0:26:54 | 0:26:56 | |
-Brilliant, cool. Can you add to that, Charley? -This is amazing. | 0:26:56 | 0:26:59 | |
-Amazing. -Gosh, and from the outside, | 0:26:59 | 0:27:02 | |
it looked really kind of low, | 0:27:02 | 0:27:04 | |
and then this has got a hugely high ceiling. | 0:27:04 | 0:27:07 | |
-I'm pleasantly surprised. -Hoorah, excellent. Good. | 0:27:07 | 0:27:10 | |
Let's build on that and look upstairs. Let's go this way. | 0:27:10 | 0:27:14 | |
Also on the ground floor is a large study and two double bedrooms | 0:27:15 | 0:27:19 | |
ideal for Mickey's London guests, | 0:27:19 | 0:27:22 | |
each with its own en-suite shower room | 0:27:22 | 0:27:24 | |
and a great utility space. | 0:27:24 | 0:27:26 | |
Upstairs, there are two further doubles which share the use | 0:27:26 | 0:27:30 | |
of a very stylish curved modern bathroom | 0:27:30 | 0:27:32 | |
and of course there's the master. | 0:27:32 | 0:27:34 | |
So this, we are thinking, Mickey, would be yours. | 0:27:34 | 0:27:38 | |
-Gosh. Good view. -Amazing view. -Lovely window seat, too, actually. | 0:27:38 | 0:27:42 | |
But you also have a kind of similarly appointed en suite | 0:27:42 | 0:27:48 | |
with rolltop bath slap bang in the middle of it. | 0:27:48 | 0:27:50 | |
I think we can all agree that the finishes are excellent, | 0:27:50 | 0:27:55 | |
but probably not quite what Mickey would want | 0:27:55 | 0:27:59 | |
in the way that you Mickey-fy your properties. | 0:27:59 | 0:28:02 | |
But I think, Charley, the bones are here. | 0:28:02 | 0:28:05 | |
I think this has been a beautifully put-together house | 0:28:05 | 0:28:08 | |
and I think it wouldn't take Mickey two seconds | 0:28:08 | 0:28:11 | |
to bring it in line with her taste. | 0:28:11 | 0:28:13 | |
And colour scheme. | 0:28:13 | 0:28:15 | |
-That's fantastic. -So it's really a bit of cosmetic fun, I suspect. | 0:28:15 | 0:28:20 | |
Right, then, let's finish up outside. | 0:28:20 | 0:28:22 | |
Let's head down via the mezzanine. | 0:28:22 | 0:28:24 | |
There we are. | 0:28:24 | 0:28:26 | |
Outside, there are number of spaces for Mickey and Tom to make use of, | 0:28:27 | 0:28:30 | |
including a cobbled inner courtyard, great for entertaining, | 0:28:30 | 0:28:34 | |
and a triple garage with huge storage space. | 0:28:34 | 0:28:37 | |
There's also a large veggie patch alongside the lawned back garden | 0:28:37 | 0:28:41 | |
with rural views across the surrounding fields. | 0:28:41 | 0:28:44 | |
And then this, I think, is a really useful patch, | 0:28:46 | 0:28:48 | |
just to give somewhere for Tom to let his hair down | 0:28:48 | 0:28:51 | |
-and kick a football around and all the rest of it. -This is cool. | 0:28:51 | 0:28:55 | |
-And you can try your hand at the vegetables, why not? -Why not? | 0:28:55 | 0:28:59 | |
What could possibly go wrong?! | 0:28:59 | 0:29:02 | |
I think this is perfect. | 0:29:02 | 0:29:04 | |
It's about as much as I can handle, I like it. The garden is good. | 0:29:04 | 0:29:08 | |
So how much is it worth, Charlie? | 0:29:08 | 0:29:11 | |
I'm going to go with £780,000. | 0:29:11 | 0:29:15 | |
Are you? £780,000. | 0:29:15 | 0:29:18 | |
OK, Mickey. | 0:29:18 | 0:29:21 | |
I think I will probably go for 725,000. | 0:29:23 | 0:29:26 | |
-Just not high enough, girls. -Oh, really? -Just not high enough. | 0:29:27 | 0:29:30 | |
This is on at £895,000. | 0:29:30 | 0:29:36 | |
It's not? | 0:29:36 | 0:29:37 | |
-Oh, my goodness. -It's Gloucestershire. | 0:29:37 | 0:29:40 | |
Bristol is not that far away. | 0:29:40 | 0:29:42 | |
-Bit of a shock. -Yeah. | 0:29:42 | 0:29:44 | |
Go back and have another look around. | 0:29:44 | 0:29:46 | |
Just soak up those sumptuous finishes | 0:29:46 | 0:29:49 | |
and see what you get for that sort of money here. Off you go. | 0:29:49 | 0:29:52 | |
I will catch up with you a little bit later on, | 0:29:52 | 0:29:56 | |
while they do some more sums. | 0:29:56 | 0:29:58 | |
This property might be at the top end of Mickey's budget | 0:30:00 | 0:30:03 | |
but it really wouldn't require any major work, | 0:30:03 | 0:30:06 | |
other than a little tweaking. | 0:30:06 | 0:30:08 | |
It's got one more bedroom than she wanted, | 0:30:08 | 0:30:10 | |
a flat, manageable garden and it's within walking distance of a pub. | 0:30:10 | 0:30:14 | |
What's more, Tom's school is just a 15-minute drive away. | 0:30:14 | 0:30:18 | |
It's a double-edged sword for me | 0:30:18 | 0:30:19 | |
because I'd hate her to move down here and be bored, | 0:30:19 | 0:30:24 | |
and she would be if she didn't have something to get her teeth into. | 0:30:24 | 0:30:27 | |
Yet again, I think there is a happy medium. | 0:30:27 | 0:30:30 | |
I don't want her to take on the world. | 0:30:30 | 0:30:33 | |
I could have pictured myself loving in this house, definitely, | 0:30:33 | 0:30:36 | |
when I could have afforded to put my own stamp on it. | 0:30:36 | 0:30:39 | |
It's a lovely house, it would be an easy place to live. | 0:30:39 | 0:30:43 | |
I think it's a case of so far, so good, | 0:30:44 | 0:30:46 | |
but clearly we have a lot more to do to get this house search right | 0:30:46 | 0:30:50 | |
and to get you into something that's going to work, | 0:30:50 | 0:30:53 | |
so, ready to go? | 0:30:53 | 0:30:54 | |
Yeah. Right, then. Let's go. | 0:30:54 | 0:30:56 | |
It's the second day of our search with Londoner Mickey | 0:31:07 | 0:31:09 | |
who, with the help of sister Charley, is looking for a | 0:31:09 | 0:31:12 | |
country pad for her and her son Tom on a generous budget of £900,000. | 0:31:12 | 0:31:17 | |
Having lived in seven properties in the last six years, | 0:31:18 | 0:31:21 | |
she's decided it's time to put down roots | 0:31:21 | 0:31:23 | |
in the Gloucestershire countryside. | 0:31:23 | 0:31:26 | |
Still to come, our Mystery House makes an impact. | 0:31:26 | 0:31:29 | |
It's not at all what I expected the Mystery House to be. | 0:31:29 | 0:31:32 | |
No, it's a million, zillion times better. | 0:31:32 | 0:31:35 | |
And I find out why this 19th-century Gothic mansion | 0:31:35 | 0:31:38 | |
remains unfinished to this day. | 0:31:38 | 0:31:41 | |
-Just going into the dining room now. -Wow. | 0:31:41 | 0:31:43 | |
That's amazing, isn't it? | 0:31:43 | 0:31:45 | |
Despite all the obvious fun we're having this week | 0:31:46 | 0:31:50 | |
on our house search with Mickey and her sister, | 0:31:50 | 0:31:52 | |
as we begin day two, I do have one major concern, | 0:31:52 | 0:31:55 | |
and it's not about the budget, as is often the case. | 0:31:55 | 0:31:59 | |
My worry is that Mickey's obsession with wanting to redesign | 0:31:59 | 0:32:02 | |
her new home is rather overshadowing the real challenge that she faces. | 0:32:02 | 0:32:06 | |
And that is leaving all that's familiar behind in London | 0:32:06 | 0:32:10 | |
and trying to set up a new life here in the countryside. | 0:32:10 | 0:32:13 | |
I'm just not fully convinced she's prepared for what | 0:32:13 | 0:32:16 | |
that is going to involve. So, what can we do about it? | 0:32:16 | 0:32:19 | |
Well, today we have, of course, two more properties to come, | 0:32:19 | 0:32:22 | |
a stunning Mystery House, which, amazingly, | 0:32:22 | 0:32:25 | |
has managed to combine almost every period in British | 0:32:25 | 0:32:29 | |
architectural history, with a nice little twist to boot. | 0:32:29 | 0:32:32 | |
But first, a property which, at first glance, may look more at home | 0:32:32 | 0:32:36 | |
in the Tuscan countryside, but in truth, of course, it's not | 0:32:36 | 0:32:40 | |
in Italy, it's on a hillside in Gloucestershire, just over there. | 0:32:40 | 0:32:44 | |
We are heading for the village of Horsley, again situated in | 0:32:46 | 0:32:49 | |
the heart of the Cotswolds Area of Outstanding Natural Beauty. | 0:32:49 | 0:32:53 | |
The village itself is small, but the nearby town of Nailsworth | 0:32:54 | 0:32:58 | |
is just over a mile away. | 0:32:58 | 0:33:00 | |
Nestled in a wooded valley and surrounded by unspoilt | 0:33:00 | 0:33:03 | |
countryside, it's popular with visiting hikers and mountain bikers | 0:33:03 | 0:33:06 | |
who come to explore the variety of footpaths and cycle trails. | 0:33:06 | 0:33:11 | |
In recent years, Nailsworth has also gained a reputation | 0:33:11 | 0:33:14 | |
for award-winning restaurants and eateries. | 0:33:14 | 0:33:17 | |
The individual shops and boutiques house a variety of goods, | 0:33:17 | 0:33:21 | |
from locally grown produce to antiques and collectibles. | 0:33:21 | 0:33:24 | |
Featured in The Sunday Times | 0:33:24 | 0:33:26 | |
as one of the best places to live in Britain, | 0:33:26 | 0:33:28 | |
and just ten minutes from Tom's school in Minchinhampton, | 0:33:28 | 0:33:31 | |
I could really see Mickey living somewhere like this. | 0:33:31 | 0:33:34 | |
Our property is in an elevated position above the Horsley Valley, | 0:33:35 | 0:33:39 | |
down a quiet country lane. | 0:33:39 | 0:33:41 | |
Right. Here we are, then. | 0:33:41 | 0:33:44 | |
-Wow. -What do you make of that? -It looks good. | 0:33:45 | 0:33:49 | |
Definitely a bit of a suntrap here. | 0:33:49 | 0:33:52 | |
The whole thing has been geared up to capture not just the sun, | 0:33:52 | 0:33:55 | |
but also the views beyond. | 0:33:55 | 0:33:58 | |
At this point, we're not seeing much of the house, | 0:33:58 | 0:34:00 | |
cos I'm guessing it all faces towards the views. | 0:34:00 | 0:34:02 | |
-Absolutely. -But from a view perspective, spectacular. | 0:34:02 | 0:34:05 | |
It's so different, this one. It wouldn't work for everybody | 0:34:05 | 0:34:09 | |
but I think for you two, this should be of interest. | 0:34:09 | 0:34:13 | |
That's my plan, anyway! | 0:34:13 | 0:34:15 | |
Good. Exciting. | 0:34:15 | 0:34:16 | |
Good, come on, let's see what you think. | 0:34:16 | 0:34:18 | |
With its Cotswold-stone exterior, from the outside, | 0:34:21 | 0:34:23 | |
this single-storey house appears typical of the local architecture. | 0:34:23 | 0:34:28 | |
But if Mickey and Charley are envisaging | 0:34:28 | 0:34:30 | |
a traditional interior, they'd be wrong. | 0:34:30 | 0:34:33 | |
Built in 2000, the current owners designed it | 0:34:33 | 0:34:36 | |
from a mix of foreign influences after living abroad. | 0:34:36 | 0:34:38 | |
I don't think this is what you might have been expecting. | 0:34:40 | 0:34:44 | |
-No, it definitely isn't. -Wow. | 0:34:44 | 0:34:48 | |
-No, it's really cool. -Isn't it? -It's quite sort of nautical. | 0:34:48 | 0:34:51 | |
I think you're right to pick up on the boat idea - | 0:34:51 | 0:34:54 | |
there are lots of model ships everywhere, which is kind of helpful | 0:34:54 | 0:34:57 | |
but also it leans heavily on the owners' love of the Mediterranean. | 0:34:57 | 0:35:02 | |
Yeah, it's like the plasterwork... you find in Spanish villas. | 0:35:02 | 0:35:07 | |
Oh, yeah. It all opens up and flows through here, creating this lovely | 0:35:07 | 0:35:11 | |
sort of...forum, if you like... | 0:35:11 | 0:35:14 | |
To come back to the Italian idea of celebrating the view. | 0:35:14 | 0:35:19 | |
Wow, it's amazing. | 0:35:19 | 0:35:21 | |
Charley looks a bit lost for words. | 0:35:21 | 0:35:23 | |
No, I mean, I love the fact that it all revolves around the fantastic view. | 0:35:23 | 0:35:28 | |
The space is good, you know. I like the way the space works. | 0:35:28 | 0:35:31 | |
I mean, I would probably need a slightly bigger kitchen | 0:35:31 | 0:35:33 | |
but I could definitely work with it, it's good. Thumbs-up so far. | 0:35:33 | 0:35:36 | |
Thumbs-up so far! | 0:35:36 | 0:35:38 | |
Now, it's got four bedrooms. The current master is down some steps | 0:35:38 | 0:35:42 | |
over there, but I'm going to take you in here, because I think this | 0:35:42 | 0:35:46 | |
is the perfect master suite. And you'll see why. | 0:35:46 | 0:35:49 | |
Three of the property's four bedrooms lie off the central | 0:35:50 | 0:35:53 | |
living areas. They're all doubles and each has its own en suite. | 0:35:53 | 0:35:56 | |
Right, come in. | 0:35:58 | 0:36:00 | |
-Ah, you see...? -Oh, my goodness. | 0:36:00 | 0:36:02 | |
Sort of sitting area, and then through here... | 0:36:02 | 0:36:05 | |
..is revealed the main bedroom area. | 0:36:06 | 0:36:08 | |
-Oh, wow. -Is this the sort of thing | 0:36:08 | 0:36:11 | |
that you think you could put your stamp on? | 0:36:11 | 0:36:13 | |
Oh, I think I could definitely put my stamp on something like this. | 0:36:13 | 0:36:16 | |
I mean, it's not as much work as I thought I would want to take on, | 0:36:16 | 0:36:21 | |
but I could definitely make it my own. | 0:36:21 | 0:36:24 | |
I mean, we have to be realistic about what's involved in this move, don't we, Charley? | 0:36:24 | 0:36:27 | |
You are my helper! | 0:36:27 | 0:36:29 | |
Try to argue points of reason, because | 0:36:29 | 0:36:32 | |
If you ARE to take on something, you know, you haven't got a lot of time | 0:36:32 | 0:36:36 | |
to get the sale completed, do any work you want to do | 0:36:36 | 0:36:39 | |
and have it all up and running for the start of the school term. | 0:36:39 | 0:36:42 | |
So, I'm thinking this is just a way of getting this move underway | 0:36:42 | 0:36:45 | |
with the minimum of aggravation. | 0:36:45 | 0:36:47 | |
Yeah. I think it's important that, when Mickey brings Tom down here, | 0:36:47 | 0:36:51 | |
there is a home for them to move into and that | 0:36:51 | 0:36:54 | |
he's happy and feels secure before he goes to a new school. | 0:36:54 | 0:36:58 | |
Yeah. | 0:36:58 | 0:36:59 | |
But she has to do something... | 0:36:59 | 0:37:01 | |
THEY LAUGH | 0:37:01 | 0:37:02 | |
..and this could be the perfect option. | 0:37:02 | 0:37:04 | |
You can come and do mine, if you like! | 0:37:04 | 0:37:05 | |
If you're short of things to redesign. | 0:37:05 | 0:37:08 | |
But, you know, I think you could have a lot of fun here... | 0:37:08 | 0:37:10 | |
-Yeah. No, you're right. -..in a very simple cosmetic way. | 0:37:10 | 0:37:13 | |
The Mediterranean influences are all over this property, | 0:37:13 | 0:37:18 | |
in the bathrooms and even the stairs to the fourth bedroom | 0:37:18 | 0:37:21 | |
in the loft, which is currently used as a study. | 0:37:21 | 0:37:24 | |
Outside, there is a useful workshop space and a garage. | 0:37:24 | 0:37:27 | |
The landscaped gardens to the rear have been designed for ease of maintenance, | 0:37:27 | 0:37:31 | |
with a decked sun terrace, | 0:37:31 | 0:37:32 | |
accessed through French doors from the living areas. | 0:37:32 | 0:37:36 | |
Whoa, look at this. Bright. | 0:37:36 | 0:37:38 | |
Bright sunshine. Bouncing off the floor. | 0:37:38 | 0:37:42 | |
There we are. | 0:37:42 | 0:37:43 | |
Little stream down there, that's really sweet. | 0:37:43 | 0:37:45 | |
Oh, lots of walking around here. | 0:37:45 | 0:37:47 | |
Which is just as well because you don't get acres, you don't get a football field-sized garden - | 0:37:47 | 0:37:51 | |
what you've got is this terraced garden here, | 0:37:51 | 0:37:53 | |
and it runs down to that little, erm... | 0:37:53 | 0:37:55 | |
box hedge at the bottom with a vegetable patch, as well, thrown in | 0:37:55 | 0:37:59 | |
-for good measure. But a very social space, I think. -Yeah. -Yeah. | 0:37:59 | 0:38:03 | |
And again, another suntrap. Good for sunbathing. | 0:38:03 | 0:38:06 | |
-Absolutely. -When the weather's good. -You can top your tan up almost all year round. | 0:38:06 | 0:38:09 | |
So, Charley, how much do you think it is on the market for? | 0:38:09 | 0:38:12 | |
It's an incredibly unique property. I think I'm going to go with... | 0:38:12 | 0:38:17 | |
£870,000. | 0:38:17 | 0:38:22 | |
And I think probably £850,000. | 0:38:22 | 0:38:25 | |
Not bad, actually. | 0:38:25 | 0:38:27 | |
-You are spot on. -Oh! | 0:38:27 | 0:38:29 | |
THEY LAUGH | 0:38:29 | 0:38:31 | |
Yeah, £850,000. | 0:38:31 | 0:38:33 | |
For a slice of Mediterranean life | 0:38:33 | 0:38:36 | |
in the heart of the English countryside. | 0:38:36 | 0:38:38 | |
Right, then. Off you go. Go and explore it. | 0:38:38 | 0:38:41 | |
Take your time with this one. | 0:38:41 | 0:38:42 | |
-I'll spoil you with it. -Thank you. -Brilliant. | 0:38:42 | 0:38:45 | |
While I... | 0:38:45 | 0:38:47 | |
enjoy the sunshine and the view. Look at that. | 0:38:47 | 0:38:49 | |
This fantastic Mediterranean-style modern home has the four bedrooms | 0:38:51 | 0:38:56 | |
Mickey needs, and is already a great example of open-plan living, | 0:38:56 | 0:39:00 | |
meaning she wouldn't need to go knocking down any walls. | 0:39:00 | 0:39:04 | |
It's got a low-maintenance garden, | 0:39:04 | 0:39:05 | |
it's half a mile from the local pub in Horsley, and, best of all, | 0:39:05 | 0:39:09 | |
it would just be a ten-minute journey for the school run. | 0:39:09 | 0:39:12 | |
I really like the house. It's really challenged everything that I thought that I would want, | 0:39:13 | 0:39:17 | |
but I think, for me, this particular house, | 0:39:17 | 0:39:20 | |
the garden is just not going to work for Tom and for the dogs - | 0:39:20 | 0:39:25 | |
it's just on too much of a slope. | 0:39:25 | 0:39:27 | |
Mickey needs to decide between | 0:39:27 | 0:39:28 | |
her dream of doing a big project | 0:39:28 | 0:39:31 | |
and finding a home and security for Tom. | 0:39:31 | 0:39:34 | |
I don't think, in the short time frame she has between now | 0:39:34 | 0:39:37 | |
and the time Tom needs to go to school, she can satisfy both dreams. | 0:39:37 | 0:39:42 | |
I mean, if the perfect house was out there and I saw it, | 0:39:42 | 0:39:46 | |
it would actually be a result for me | 0:39:46 | 0:39:48 | |
so that I wouldn't have to do anything. | 0:39:48 | 0:39:51 | |
Because then I could just get involved | 0:39:51 | 0:39:53 | |
in starting my new life in the country. | 0:39:53 | 0:39:55 | |
But, erm... Yeah. It remains to be seen. | 0:39:55 | 0:39:59 | |
This is lovely. I could sit here all day long. | 0:39:59 | 0:40:03 | |
But we can't. We've got one more to see. | 0:40:03 | 0:40:06 | |
-Happy here? -Yes. -Excellent. | 0:40:06 | 0:40:08 | |
Let's go and tempt you with our final offering. | 0:40:08 | 0:40:11 | |
The Cotswolds' wool trade was, to a great extent, responsible for | 0:40:18 | 0:40:21 | |
the prosperity of the region. | 0:40:21 | 0:40:23 | |
But its character is most definitely a result of the abundance | 0:40:23 | 0:40:26 | |
of stone, used to build hundreds of its villages. | 0:40:26 | 0:40:31 | |
I'm visiting Woodchester Mansion, a 19th-century Gothic masterpiece, | 0:40:31 | 0:40:35 | |
that was abandoned, mid-construction, in 1873. | 0:40:35 | 0:40:40 | |
Over the years it's been saved from dereliction, but it will never | 0:40:40 | 0:40:43 | |
be completed. | 0:40:43 | 0:40:44 | |
Ray Canham from the Woodchester Mansion Trust | 0:40:44 | 0:40:47 | |
is showing me around. | 0:40:47 | 0:40:49 | |
-Just going into the dining room now. -Wow. | 0:40:49 | 0:40:52 | |
That's amazing, isn't it? | 0:40:52 | 0:40:53 | |
And this is what the mansion is about. | 0:40:53 | 0:40:56 | |
You can see the way it's not complete - | 0:40:56 | 0:40:58 | |
as we're looking around, you can see the way the centring | 0:40:58 | 0:41:02 | |
-is used to create the arches... -Isn't that wonderful? | 0:41:02 | 0:41:04 | |
-And that is the original timber centring? -Yes. | 0:41:04 | 0:41:06 | |
And I'd like to think they had left it there | 0:41:06 | 0:41:08 | |
so we could show it to you today. | 0:41:08 | 0:41:10 | |
But what is the story, Ray? How did it come to pass that this | 0:41:10 | 0:41:12 | |
building was begun, and then left so spectacularly unfinished? | 0:41:12 | 0:41:17 | |
William Leigh, the mansion builder, | 0:41:17 | 0:41:20 | |
inherited, when he was very young, about £170,000 from his father. | 0:41:20 | 0:41:25 | |
And he converted to Catholicism in the 1840s. | 0:41:25 | 0:41:29 | |
And wanted to move somewhere where he could establish | 0:41:29 | 0:41:32 | |
a Catholic community. | 0:41:32 | 0:41:33 | |
On the site was a Georgian mansion. | 0:41:33 | 0:41:36 | |
William Leigh took advice from Augustus Pugin, | 0:41:36 | 0:41:39 | |
and Pugin said, "Pull it down, and start again." | 0:41:39 | 0:41:42 | |
As perhaps an architect might! | 0:41:42 | 0:41:44 | |
-He's obviously looking for a bit of business, isn't he? -He was. | 0:41:44 | 0:41:47 | |
But why go to all the trouble of creating a GOTHIC mansion? | 0:41:47 | 0:41:50 | |
Because I'm sure the original Georgian one | 0:41:50 | 0:41:53 | |
would have sat in the valley in a pretty aspect, and yet this | 0:41:53 | 0:41:57 | |
is so clearly over the top. | 0:41:57 | 0:41:59 | |
It's not really a cosy family home, is it? | 0:41:59 | 0:42:01 | |
I don't think it was ever going to be a family home, but that is just | 0:42:01 | 0:42:04 | |
a personal view. This could have been to entertain the great | 0:42:04 | 0:42:07 | |
and the good of the Catholic Church. | 0:42:07 | 0:42:08 | |
Looking at the sheer scale of this place, it seems as though Leigh's | 0:42:08 | 0:42:11 | |
ambitions for the building could never have been realised. | 0:42:11 | 0:42:15 | |
As his capital diminished, progress became slow. | 0:42:15 | 0:42:18 | |
When he died in 1873, over 20 years after work began, | 0:42:18 | 0:42:23 | |
the building was never completed. | 0:42:23 | 0:42:26 | |
But his misfortune is our fortune. We're now able to not only marvel | 0:42:26 | 0:42:29 | |
at this building, | 0:42:29 | 0:42:31 | |
but study it in a way that we would never have imagined. | 0:42:31 | 0:42:34 | |
Stonemason Johnny Anderson has been at Woodchester | 0:42:34 | 0:42:36 | |
for eight years, using its masonry history for training others. | 0:42:36 | 0:42:41 | |
Hello, Johnny, nice to meet you. | 0:42:41 | 0:42:43 | |
-Pleased to meet you. -A bit of conservation in action. | 0:42:43 | 0:42:45 | |
Well, that's why we're here. | 0:42:45 | 0:42:47 | |
Now, what a training ground for any stonemason. | 0:42:47 | 0:42:50 | |
I mean, surely every technique you would ever need to master | 0:42:50 | 0:42:53 | |
is identifiable. | 0:42:53 | 0:42:55 | |
Yeah, and you don't need a textbook, you just point to it. | 0:42:55 | 0:42:58 | |
I was lucky enough to have a traditional apprenticeship, | 0:42:58 | 0:43:01 | |
but today, the young people in a sterile workshop environment, | 0:43:01 | 0:43:06 | |
when they come here, they join the dots together | 0:43:06 | 0:43:09 | |
and see their workshop work | 0:43:09 | 0:43:13 | |
and the site work, | 0:43:13 | 0:43:14 | |
and they marry the two together and it's all explained here. | 0:43:14 | 0:43:19 | |
What are you about to replicate with this block? | 0:43:19 | 0:43:22 | |
So I'm taking this block down, I'm squaring the top off and this | 0:43:22 | 0:43:26 | |
is one of the first things you learn to do as an apprentice. | 0:43:26 | 0:43:29 | |
So if I give you a short demonstration, | 0:43:29 | 0:43:31 | |
-would you like to have a go? -Yeah, go on. -OK. | 0:43:31 | 0:43:35 | |
What you want to do is get a rhythm. | 0:43:35 | 0:43:37 | |
And the idea is to get a draught going... | 0:43:37 | 0:43:41 | |
-Draught? -A draught. | 0:43:41 | 0:43:42 | |
And the draught is the name for the straight line | 0:43:42 | 0:43:45 | |
that the mason works in across the top of his block. | 0:43:45 | 0:43:48 | |
There are over 30 different types of limestone used in the building, | 0:43:48 | 0:43:52 | |
and looking around, you can see | 0:43:52 | 0:43:54 | |
countless examples of techniques, finishes and tool marks on show. | 0:43:54 | 0:43:58 | |
If you try and keep the straight line going, | 0:43:58 | 0:44:03 | |
you're working towards the end of the block. | 0:44:03 | 0:44:05 | |
Kept in its current state, | 0:44:05 | 0:44:07 | |
the mansion offers us a fantastic window | 0:44:07 | 0:44:09 | |
on 19th-century architectural practice, | 0:44:09 | 0:44:12 | |
and provides a remarkable research tool, | 0:44:12 | 0:44:14 | |
to teach and inspire new generations of students and tradesmen. | 0:44:14 | 0:44:18 | |
Outside, the 500-acre grounds of Woodchester Park | 0:44:18 | 0:44:22 | |
have a story of their own to tell. | 0:44:22 | 0:44:25 | |
Although now overgrown with trees, | 0:44:25 | 0:44:27 | |
area ranger Max Dancer and his team from the National Trust | 0:44:27 | 0:44:31 | |
have discovered the remains of a 19th-century terraced garden | 0:44:31 | 0:44:34 | |
that has fallen into disrepair. | 0:44:34 | 0:44:37 | |
This is what I really want to show you, Jules. | 0:44:37 | 0:44:40 | |
Welcome to Woodchester's own Italian gardens. | 0:44:40 | 0:44:45 | |
So, this was made for the... | 0:44:45 | 0:44:47 | |
Georgian mansion that would've sat where the | 0:44:47 | 0:44:50 | |
current Victorian mansion sits now. | 0:44:50 | 0:44:52 | |
That's incredible. | 0:44:52 | 0:44:53 | |
I'm fascinated by this archaeology that you've uncovered here. | 0:44:53 | 0:44:56 | |
It's just fantastic, isn't it, | 0:44:56 | 0:44:58 | |
this is the remains of an old water fountain. | 0:44:58 | 0:45:00 | |
Imagine water trickling down here, so beautiful, romantic, therapeutic. | 0:45:00 | 0:45:04 | |
I would love this area to be grassed, for the cascade | 0:45:04 | 0:45:08 | |
above us to be on show, and for the public to be able to see it. | 0:45:08 | 0:45:12 | |
And really sort of put themselves back into 18th-century Britain. | 0:45:12 | 0:45:16 | |
The ambition they're bringing to this project is admirable. | 0:45:17 | 0:45:20 | |
I just hope that, unlike the builders of the main house, | 0:45:20 | 0:45:23 | |
Max and his team are able to finish what they've started, | 0:45:23 | 0:45:26 | |
opening up some of this fascinating history for the public. | 0:45:26 | 0:45:29 | |
Heading back to our search, | 0:45:33 | 0:45:34 | |
I've got another historic masterpiece to show Mickey. | 0:45:34 | 0:45:37 | |
So Jules, we're really excited about the Mystery House. | 0:45:39 | 0:45:42 | |
Does it... | 0:45:42 | 0:45:44 | |
have a flat garden? | 0:45:44 | 0:45:45 | |
It does have a flat garden. | 0:45:45 | 0:45:47 | |
Does it have a... | 0:45:47 | 0:45:49 | |
thatched roof? | 0:45:49 | 0:45:50 | |
-No. -Good. | 0:45:50 | 0:45:52 | |
Is it listed? | 0:45:54 | 0:45:55 | |
Might be. Might be! | 0:45:55 | 0:45:58 | |
Does it need any work? | 0:45:58 | 0:46:00 | |
Well, this is always the leading question with you, Mickey. Erm... | 0:46:00 | 0:46:03 | |
For many of us it probably wouldn't need any work at all, | 0:46:03 | 0:46:06 | |
but I know you'll want to do something | 0:46:06 | 0:46:08 | |
so I think there's scope for you to play around with it. Yeah. | 0:46:08 | 0:46:10 | |
We're on the road heading to a hamlet called The Mythe, | 0:46:13 | 0:46:16 | |
on the northern edge of the Cotswolds | 0:46:16 | 0:46:18 | |
close to the Worcestershire border. | 0:46:18 | 0:46:21 | |
The nearby medieval market town of Tewkesbury | 0:46:21 | 0:46:24 | |
lies at the confluence of the rivers Severn and Avon. | 0:46:24 | 0:46:27 | |
Steeped in history and medieval character, | 0:46:27 | 0:46:30 | |
visitors can take a stroll through a town rich in black-and-white | 0:46:30 | 0:46:33 | |
timber-framed buildings, or visit the 900-year-old Tewkesbury Abbey | 0:46:33 | 0:46:37 | |
with its striking Norman tower. | 0:46:37 | 0:46:40 | |
In the 16th century, most of the monastery buildings | 0:46:40 | 0:46:42 | |
were destroyed on the orders of Henry VIII. | 0:46:42 | 0:46:45 | |
But the Abbey was rescued by the parishioners, | 0:46:45 | 0:46:48 | |
who bought it back for the sum of £453. | 0:46:48 | 0:46:52 | |
Crossing over the River Avon, our mystery house is just a mile | 0:46:52 | 0:46:55 | |
from the town and is set back from the road. | 0:46:55 | 0:46:58 | |
Oh, this is trust, isn't it? This is trust! Keep walking. | 0:46:59 | 0:47:02 | |
Keep walking, keep walking. | 0:47:02 | 0:47:04 | |
Keep walking. Oh, feel that lovely sunshine. | 0:47:04 | 0:47:07 | |
And stop there. And you may open your eyes now. | 0:47:07 | 0:47:11 | |
-Oh, my goodness! -Oh, wow. | 0:47:11 | 0:47:13 | |
Wow. Oh, you definitely saved the best till last. | 0:47:13 | 0:47:15 | |
-Yeah, didn't we just?! -Wow. It's amazing. | 0:47:15 | 0:47:17 | |
You could be Lady of the Manor. How about that? | 0:47:17 | 0:47:20 | |
I can't quite believe it. | 0:47:20 | 0:47:22 | |
Well, there is more truth in that than you might think | 0:47:22 | 0:47:24 | |
because this one actually does come with a title. | 0:47:24 | 0:47:28 | |
If you owned this, you'd become Lord of Mythe and Mythe Hook - | 0:47:28 | 0:47:32 | |
Lord of the Manor of Mythe and Mythe Hook. | 0:47:32 | 0:47:33 | |
Oh, right. Do I need a sex change? | 0:47:33 | 0:47:35 | |
THEY LAUGH | 0:47:35 | 0:47:36 | |
No. But you can give it to Tom.. | 0:47:36 | 0:47:40 | |
-Oh, I see. -..as a moving present. How about that? | 0:47:40 | 0:47:43 | |
None of his mates are lords, at seven years old, I'm sure. Er, yeah. | 0:47:43 | 0:47:47 | |
OK, right, then, let's do it country-style - let's use the back door, shall we? | 0:47:47 | 0:47:51 | |
Not surprisingly, this rare property is Grade II-listed. | 0:47:54 | 0:48:00 | |
Less than 6% of all listed buildings have this grading. | 0:48:00 | 0:48:04 | |
The first owner on record was William the Conqueror's wife, | 0:48:04 | 0:48:06 | |
Matilda - the land given to her as a gift from her husband. | 0:48:06 | 0:48:10 | |
It was later sold to King John, | 0:48:10 | 0:48:11 | |
who used it as a hunting lodge in the 13th century. | 0:48:11 | 0:48:15 | |
Over the years, it has been added to and embellished, | 0:48:15 | 0:48:18 | |
and was sympathetically restored and extended in the 1980s | 0:48:18 | 0:48:21 | |
to create a beautiful family home. | 0:48:21 | 0:48:24 | |
So... | 0:48:24 | 0:48:27 | |
my Lady. | 0:48:27 | 0:48:28 | |
THEY LAUGH | 0:48:28 | 0:48:30 | |
Oh, my goodness. | 0:48:30 | 0:48:32 | |
It's really grown up! | 0:48:32 | 0:48:34 | |
-Isn't it? -Yeah. | 0:48:34 | 0:48:36 | |
-Well, we are all sort of growing up, I mean... -Yeah. -You know. | 0:48:36 | 0:48:39 | |
It's not at all what I expected the Mystery House to be. | 0:48:39 | 0:48:42 | |
No. It's a million, zillion times better. | 0:48:42 | 0:48:46 | |
Come on, have a look through here. | 0:48:46 | 0:48:47 | |
I mean, this is obviously the diner end of the kitchen/diner, | 0:48:47 | 0:48:51 | |
and bearing in mind, you know, this IS the new extension, | 0:48:51 | 0:48:54 | |
once again, just beautifully done and thought through | 0:48:54 | 0:48:56 | |
with these oak beams and doors out to the garden... | 0:48:56 | 0:48:59 | |
Yes. | 0:48:59 | 0:49:01 | |
Come through here. This is the living room... | 0:49:01 | 0:49:04 | |
The magical mix of medieval and 16th-century architecture in this house | 0:49:04 | 0:49:08 | |
really works with the modern finishes. | 0:49:08 | 0:49:11 | |
The main reception room is south-facing, | 0:49:11 | 0:49:14 | |
making it wonderfully light. | 0:49:14 | 0:49:16 | |
You see, I'm wondering whether this room has already been Mickey-fied. | 0:49:17 | 0:49:20 | |
-MICKEY GASPS -Yes, it has a bit. | 0:49:20 | 0:49:23 | |
-It's amazing. -Yeah, it's really good. | 0:49:23 | 0:49:25 | |
So, I don't think you'd have to do too much to this to make it yours. | 0:49:25 | 0:49:29 | |
-No. -Who'd have thought it possible that we might have found something | 0:49:29 | 0:49:32 | |
that you didn't to rethink? | 0:49:32 | 0:49:34 | |
-Oh, she'll find something! -Yeah! Well, I'm sure, but... | 0:49:34 | 0:49:38 | |
come on, let's go upstairs. | 0:49:38 | 0:49:39 | |
I think Mickey is genuinely taken with this house, | 0:49:41 | 0:49:44 | |
as I hoped she would be. | 0:49:44 | 0:49:46 | |
The five bedrooms are split across the two top floors. | 0:49:46 | 0:49:49 | |
There are three bedrooms on the first floor, | 0:49:49 | 0:49:51 | |
one with an en-suite shower room, and a luxurious family bathroom. | 0:49:51 | 0:49:57 | |
But as we head up the Norman tower, there are a further two bedrooms, | 0:49:57 | 0:50:00 | |
the largest used as a living room - the perfect playroom for Tom. | 0:50:00 | 0:50:04 | |
And then there's the master bedroom. | 0:50:04 | 0:50:07 | |
-Oh... Wow. -Yeah. | 0:50:09 | 0:50:13 | |
It's like we've stepped back in time. | 0:50:13 | 0:50:15 | |
Well - this is you, the maiden at the top of the tower. | 0:50:15 | 0:50:17 | |
This is one of the oldest parts of the building, | 0:50:17 | 0:50:19 | |
the Norman tower of course, looking out... | 0:50:19 | 0:50:22 | |
-Oh, I see, yeah. -..into the garden. | 0:50:22 | 0:50:24 | |
-I love that window. -I do, too. | 0:50:24 | 0:50:26 | |
Would you come and stay, Charley? | 0:50:27 | 0:50:29 | |
-I think I'd probably never move out. -THEY LAUGH | 0:50:29 | 0:50:32 | |
I'm thinking about relocating, myself. | 0:50:32 | 0:50:35 | |
It's really fun. And, you know, we are a little bit further away | 0:50:35 | 0:50:38 | |
from the school in Minchinhampton | 0:50:38 | 0:50:40 | |
that you're thinking of sending Tom to - | 0:50:40 | 0:50:42 | |
about 45 minutes - but the building you get as a result... | 0:50:42 | 0:50:44 | |
..Charley, come on, help me... | 0:50:46 | 0:50:49 | |
-It's gorgeous. -No, I totally agree. I mean, the building is beautiful. | 0:50:49 | 0:50:53 | |
What do we think it's worth, then? | 0:50:53 | 0:50:54 | |
You can think about it on our way to the bottom. Come on. | 0:50:54 | 0:50:57 | |
Outside, the property is surrounded by beautiful level-lawn gardens | 0:50:59 | 0:51:03 | |
to the front and side, with a number of seating areas. | 0:51:03 | 0:51:07 | |
There's also a purpose-built arts studio, which I imagine | 0:51:07 | 0:51:09 | |
Mickey would make use of as a garden room, or entertaining space | 0:51:09 | 0:51:12 | |
in the summer. | 0:51:12 | 0:51:14 | |
So, make us an offer, then, on our final offering - our gorgeous, | 0:51:14 | 0:51:18 | |
wonderful Mystery House. | 0:51:18 | 0:51:20 | |
Well, I never in a million years thought I would be able to afford | 0:51:20 | 0:51:23 | |
anything like this, and I'm going to be optimistic in my price... | 0:51:23 | 0:51:26 | |
Mm-hm. Yeah. | 0:51:26 | 0:51:28 | |
..and put it right on my top budget, | 0:51:28 | 0:51:31 | |
which was £900,000. | 0:51:31 | 0:51:33 | |
£900,000. Yeah? Charley...? | 0:51:33 | 0:51:35 | |
-I'm going to go with £950,000. -£950,000. | 0:51:35 | 0:51:39 | |
I mean, any of those figures, frankly, | 0:51:39 | 0:51:41 | |
I think would be completely justified on this one, | 0:51:41 | 0:51:44 | |
but here's the trick... | 0:51:44 | 0:51:46 | |
And this is why I think | 0:51:46 | 0:51:48 | |
the 45-minute commute | 0:51:48 | 0:51:50 | |
is worth making, because this could be yours... | 0:51:50 | 0:51:53 | |
..for £850,000. | 0:51:54 | 0:51:57 | |
No! | 0:51:57 | 0:51:59 | |
THEY LAUGH | 0:51:59 | 0:52:01 | |
-Oh, my goodness! -Wow! | 0:52:01 | 0:52:02 | |
-So is that just because of the different location? -Yeah. | 0:52:02 | 0:52:05 | |
-We've come a little bit... -We've stepped a little way outside of the heart of the Cotswolds. | 0:52:05 | 0:52:08 | |
-Oh, my goodness. -Yeah. | 0:52:08 | 0:52:11 | |
Lady Mickey! | 0:52:12 | 0:52:13 | |
THEY LAUGH | 0:52:13 | 0:52:15 | |
Right, then, I'm going to give you as much time as I can though here, | 0:52:15 | 0:52:19 | |
and I will come and find you a little bit later on. | 0:52:19 | 0:52:21 | |
Go on, off you go. Go on, Charley. | 0:52:21 | 0:52:22 | |
Take your time. | 0:52:22 | 0:52:24 | |
This beautifully presented house offers Mickey a real slice | 0:52:25 | 0:52:29 | |
of local history - and a title - for an amazing £50,000 below budget. | 0:52:29 | 0:52:35 | |
The generously proportioned rooms offer a great living space, | 0:52:35 | 0:52:38 | |
with five bedrooms, and the perfect flat garden for Tom and the dogs. | 0:52:38 | 0:52:42 | |
It's only minutes to Tewkesbury, | 0:52:42 | 0:52:44 | |
but the compromise is the 45-minute journey to Tom's school | 0:52:44 | 0:52:48 | |
in Minchinhampton. | 0:52:48 | 0:52:50 | |
-Nice arts studio. -Yeah, amazing. | 0:52:52 | 0:52:54 | |
Such a versatile space, you could actually do anything with it. | 0:52:54 | 0:52:56 | |
But how cool is that house? | 0:52:56 | 0:52:58 | |
I mean, amazing, isn't it? Look at it. | 0:52:58 | 0:53:00 | |
I can really imagine you here, I think it's... | 0:53:00 | 0:53:03 | |
It's very homely, it's everything you want. | 0:53:03 | 0:53:06 | |
-Tom would love it. -Can you imagine coming to one of my brilliant dinner parties, at that dining-room table? | 0:53:06 | 0:53:11 | |
And probably not leaving, yeah! | 0:53:11 | 0:53:13 | |
I mean, I absolutely love the house - | 0:53:15 | 0:53:17 | |
the one reservation that I have is | 0:53:17 | 0:53:20 | |
I've kind of gone down the route of putting Tom into a school, | 0:53:20 | 0:53:24 | |
and so I think we've just got to try and work out whether... | 0:53:24 | 0:53:28 | |
you know, in reality, it's doable. | 0:53:28 | 0:53:33 | |
You know, I love this building - it's been here for over 1,000 years, | 0:53:34 | 0:53:38 | |
and if its walls could talk it would tell tales of kings and queens, and who knows, | 0:53:38 | 0:53:42 | |
maybe in the future, Lady Mickey of the Manor, how about that? | 0:53:42 | 0:53:46 | |
-I know, it sounds good. -It does sound very good, doesn't it? | 0:53:46 | 0:53:49 | |
Well, my ladies, I'm afraid your carriage awaits, we've got to go. | 0:53:49 | 0:53:52 | |
You've got a lot to think about. Come on. | 0:53:52 | 0:53:55 | |
Well, our journey this week has certainly thrown up | 0:54:02 | 0:54:04 | |
plenty of challenges for Charley and, importantly, for Mickey. | 0:54:04 | 0:54:07 | |
But also, I think, | 0:54:07 | 0:54:09 | |
one or two conclusions that they weren't really expecting. | 0:54:09 | 0:54:12 | |
We've given them lots to think about - | 0:54:12 | 0:54:14 | |
but have we managed to find them a house for the future? | 0:54:14 | 0:54:17 | |
Well, let's go and ask them. | 0:54:17 | 0:54:19 | |
Well, guys... This is the end of the line, I'm afraid. | 0:54:26 | 0:54:30 | |
The process is nearly over. | 0:54:30 | 0:54:31 | |
We've given you, I think, some really interesting properties | 0:54:31 | 0:54:35 | |
this week to consider, | 0:54:35 | 0:54:36 | |
but I suspect, Charley, | 0:54:36 | 0:54:38 | |
it's going to come as no surprise to anybody, watching this, | 0:54:38 | 0:54:41 | |
that there is one clear favourite. | 0:54:41 | 0:54:43 | |
Am I right? | 0:54:43 | 0:54:45 | |
You're right, Jules, the Mystery House was incredible. | 0:54:45 | 0:54:49 | |
It's put a real cat amongst the pigeons, because now everything | 0:54:49 | 0:54:54 | |
is up in the air. I've got to look a little bit more into the area... | 0:54:54 | 0:54:58 | |
You know, even potentially look at different schools, | 0:54:58 | 0:55:00 | |
because I'm not sure 45 minutes is workable for me, but... | 0:55:00 | 0:55:04 | |
I absolutely love that house, | 0:55:04 | 0:55:06 | |
I never imagined that we'd see anything like that, | 0:55:06 | 0:55:10 | |
and er... I mean, that's a house that I feel that | 0:55:10 | 0:55:12 | |
we can really grow in and enjoy. | 0:55:12 | 0:55:16 | |
-A proper family seat! -Yeah. | 0:55:16 | 0:55:18 | |
With, let's not forget, a title! | 0:55:18 | 0:55:21 | |
You know, come on. | 0:55:21 | 0:55:22 | |
Your Ladyship. I mean, it's all good. | 0:55:22 | 0:55:26 | |
And Tom being His Little Lordship. | 0:55:26 | 0:55:28 | |
I mean, there is still a lot to consider. | 0:55:28 | 0:55:30 | |
So what happens next? | 0:55:30 | 0:55:32 | |
Well, I think I've got to do some driving around, | 0:55:32 | 0:55:34 | |
I've got to consult the map. | 0:55:34 | 0:55:37 | |
And erm, yeah, got to... move forward, I think. | 0:55:37 | 0:55:41 | |
It's been a lot of fun, guys... | 0:55:41 | 0:55:43 | |
We've made light, in some respects, | 0:55:43 | 0:55:45 | |
of this enormous decision that you are having to make, | 0:55:45 | 0:55:47 | |
but I do think you're coming to the right area. | 0:55:47 | 0:55:50 | |
You've had some brilliant advice this week from you, Charley, | 0:55:50 | 0:55:53 | |
thank you for YOUR help. | 0:55:53 | 0:55:54 | |
Made my job a lot easier. | 0:55:54 | 0:55:56 | |
It's been a great pleasure - | 0:55:56 | 0:55:57 | |
-best of luck. -Thank you. -Thank you. | 0:55:57 | 0:56:00 | |
Well, we finished up this week in the lovely surroundings | 0:56:07 | 0:56:10 | |
at Elmore Court. | 0:56:10 | 0:56:11 | |
It's said that the grounds and the gardens here | 0:56:11 | 0:56:13 | |
so inspired a young Hubert Parry | 0:56:13 | 0:56:16 | |
that he composed the tune to the hymn Jerusalem. | 0:56:16 | 0:56:19 | |
Now, of course, the words we now all know and love | 0:56:19 | 0:56:21 | |
written by the poet William Blake. | 0:56:21 | 0:56:24 | |
"And did those feet in ancient times walk upon England's pastures green?" | 0:56:24 | 0:56:29 | |
Well, in truth, of course, we will probably never know | 0:56:29 | 0:56:32 | |
the answer to that one, but I do hope that, in due course, | 0:56:32 | 0:56:35 | |
Mickey's will. Or should it be Lady Mickey? Watch this space. | 0:56:35 | 0:56:39 | |
I'll see you next time. | 0:56:39 | 0:56:41 | |
After researching her options, | 0:56:43 | 0:56:45 | |
Mickey eventually decided our Mystery House | 0:56:45 | 0:56:47 | |
was just too far from the school. | 0:56:47 | 0:56:50 | |
But I am pleased to report she's just bought another property | 0:56:50 | 0:56:53 | |
close to the school, which, of course, needs work. | 0:56:53 | 0:56:56 | |
I have no doubt, once she's turned it into her dream home, | 0:56:56 | 0:56:58 | |
she and Tom will be very happy in Gloucestershire. | 0:56:58 | 0:57:01 | |
If you'd like to escape to the country in Wales, Scotland, | 0:57:02 | 0:57:06 | |
Northern Ireland or England and would like our help, | 0:57:06 | 0:57:08 | |
why not apply online at... | 0:57:08 | 0:57:13 |