Browse content similar to Norfolk. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This beautiful engine is a 1927 Foster Showman's tractor | 0:00:04 | 0:00:09 | |
and this corner of the country is home to what's believed to be | 0:00:09 | 0:00:12 | |
the world's largest collection of traction engines and roadrollers. | 0:00:12 | 0:00:17 | |
But where am I? | 0:00:17 | 0:00:18 | |
And how did one local boy's love of steam grow so big? | 0:00:18 | 0:00:22 | |
Find out in just a minute. | 0:00:22 | 0:00:23 | |
TRACTOR HISSES, RUMBLES AND SQUEAKS | 0:00:23 | 0:00:26 | |
'Today's escape is all about horses for courses.' | 0:00:44 | 0:00:47 | |
Ta-da! | 0:00:47 | 0:00:49 | |
MAN LAUGHS | 0:00:49 | 0:00:51 | |
Stables underneath the accommodation. | 0:00:51 | 0:00:53 | |
LAUGHTER | 0:00:53 | 0:00:55 | |
-Absolutely ideal. -Yeah. | 0:00:55 | 0:00:57 | |
It's fantastic. | 0:00:57 | 0:00:58 | |
'But will any of our houses be first past the post?' | 0:00:58 | 0:01:01 | |
Could you see yourself living here? | 0:01:01 | 0:01:04 | |
-I think so. -Yeah, I definitely think so. | 0:01:04 | 0:01:06 | |
-Yeah. -Yeah. | 0:01:06 | 0:01:08 | |
ENGINE RUMBLES | 0:01:08 | 0:01:10 | |
Despite what it says up there on the canopy, | 0:01:10 | 0:01:12 | |
today I'm actually in Norfolk, | 0:01:12 | 0:01:14 | |
and vintage engines like this form part of the Thursford Collection, | 0:01:14 | 0:01:19 | |
started by George Thomas Henry Cushing as a young man | 0:01:19 | 0:01:23 | |
and now home to more than 30 steam engines, | 0:01:23 | 0:01:26 | |
ten mechanical organs, | 0:01:26 | 0:01:28 | |
and a multitude of fairground memorabilia. | 0:01:28 | 0:01:31 | |
Born in 1904, Cushing developed a fascination with steam engines | 0:01:31 | 0:01:35 | |
as a child whilst working on the farm here, | 0:01:35 | 0:01:38 | |
where the collection is now based. | 0:01:38 | 0:01:40 | |
And later on, | 0:01:40 | 0:01:41 | |
I'll be meeting the next generation of Cushings to discover what other | 0:01:41 | 0:01:45 | |
wonders they have hidden away. | 0:01:45 | 0:01:47 | |
Norfolk is a county in East Anglia, | 0:01:50 | 0:01:52 | |
with both the Wash and the North Sea off its coastline. | 0:01:52 | 0:01:56 | |
Largely rural, with a low population density of just over 400 people per | 0:01:56 | 0:02:01 | |
square mile, the flat, | 0:02:01 | 0:02:03 | |
fertile lands of the region make it ideal for growing crops | 0:02:03 | 0:02:07 | |
such as wheat and oilseed rape, | 0:02:07 | 0:02:09 | |
and one in five jobs here are in agriculture or food production. | 0:02:09 | 0:02:14 | |
The Norfolk Coast Area of Outstanding Natural Beauty | 0:02:14 | 0:02:17 | |
includes the cliffs at Hunstanton. | 0:02:17 | 0:02:20 | |
Now towering up to 18 metres above the beach, millions of years ago, | 0:02:20 | 0:02:24 | |
these stark layers of brown carrstone | 0:02:24 | 0:02:27 | |
and red-and-white limestone were under the sea. | 0:02:27 | 0:02:30 | |
They're now a rich source of fossils, | 0:02:30 | 0:02:32 | |
as well as home to colonies of sea birds. | 0:02:32 | 0:02:35 | |
Other coastal wildlife includes seals, | 0:02:36 | 0:02:39 | |
with both common and grey being readily sighted | 0:02:39 | 0:02:41 | |
on the county's beaches, | 0:02:41 | 0:02:43 | |
including this growing colony at Horsey. | 0:02:43 | 0:02:47 | |
Another big draw for visitors are the Broads. | 0:02:47 | 0:02:50 | |
This vast and unique network of largely navigable rivers and lakes | 0:02:50 | 0:02:55 | |
is popular for boating. | 0:02:55 | 0:02:56 | |
The tranquillity and charm of the waters are known as | 0:02:56 | 0:03:00 | |
Britain's Magical Waterway. | 0:03:00 | 0:03:02 | |
A local tradition for quirky signage was started by King Edward VII, | 0:03:02 | 0:03:07 | |
who suggested them to focus the identity of the villages | 0:03:07 | 0:03:10 | |
around the Royal Sandringham estate. | 0:03:10 | 0:03:13 | |
The idea spread | 0:03:13 | 0:03:14 | |
and the eye-catching signs are well worth watching out for, | 0:03:14 | 0:03:17 | |
as many have a tale to tell, such as this one | 0:03:17 | 0:03:20 | |
showing King Canute who gave Ludham Manor to St Bennet's Abbey. | 0:03:20 | 0:03:24 | |
So, if you're looking for peace and serenity | 0:03:25 | 0:03:28 | |
alongside coast and country, | 0:03:28 | 0:03:29 | |
steeped in the traditions and history of bygone eras, | 0:03:29 | 0:03:33 | |
Norfolk is a county that's hard to surpass. | 0:03:33 | 0:03:36 | |
The beautiful waterways and quiet woodlands of Norfolk are lucky | 0:03:38 | 0:03:43 | |
enough to remain undisturbed by motorways, | 0:03:43 | 0:03:46 | |
and, believe it or not, until the railways arrived in 1845, | 0:03:46 | 0:03:50 | |
it was actually quicker to get from Norwich to Amsterdam by boat | 0:03:50 | 0:03:54 | |
than it was down to London by road. | 0:03:54 | 0:03:56 | |
Such rural idyll is often assumed to come with a hefty price tag, | 0:03:56 | 0:04:00 | |
yet the average cost of a detached home here is around £245,000. | 0:04:00 | 0:04:06 | |
That's an impressive £55,000 below the national figure. | 0:04:06 | 0:04:11 | |
So, what expectations do today's buyers have of this lovely county? | 0:04:11 | 0:04:15 | |
Let's meet them and find out. | 0:04:15 | 0:04:16 | |
Keith and Karen made their first bid to escape to the country when they | 0:04:18 | 0:04:21 | |
moved to their current Hertfordshire home 12 years ago. | 0:04:21 | 0:04:25 | |
We live in a village called Chipperfield. | 0:04:25 | 0:04:28 | |
It's a very nice area. | 0:04:28 | 0:04:31 | |
We live on a small, private road, | 0:04:31 | 0:04:34 | |
which has a wonderful community spirit, which you don't get | 0:04:34 | 0:04:37 | |
in many places nowadays. | 0:04:37 | 0:04:38 | |
But now that Keith has finished work in the insurance industry | 0:04:38 | 0:04:41 | |
and their sons have left home, | 0:04:41 | 0:04:43 | |
it's time for an even more rural lifestyle, | 0:04:43 | 0:04:46 | |
away from the London commuter belt. | 0:04:46 | 0:04:48 | |
So, a lot of people who live here do commute into London. | 0:04:48 | 0:04:51 | |
We just feel like there's something else - | 0:04:51 | 0:04:55 | |
a new challenge waiting for us. | 0:04:55 | 0:04:56 | |
I've always wanted to live in the countryside, | 0:04:56 | 0:04:59 | |
and I've always felt a big part of the countryside | 0:04:59 | 0:05:02 | |
and I'd just like to have it around me. | 0:05:02 | 0:05:05 | |
It's not just the countryside they want directly around them - | 0:05:05 | 0:05:09 | |
these animal lovers will be bringing a few four-legged family members | 0:05:09 | 0:05:12 | |
along for the move. | 0:05:12 | 0:05:15 | |
Karen has two horses, | 0:05:15 | 0:05:16 | |
and one of our dreams, if you like, | 0:05:16 | 0:05:18 | |
has always been to have the horses right outside the back door, | 0:05:18 | 0:05:21 | |
so you can just walk out to the horses. | 0:05:21 | 0:05:23 | |
We've got six whippets, which we keep at home. | 0:05:23 | 0:05:26 | |
They're racing whippets and we used to race them | 0:05:26 | 0:05:28 | |
quite competitively at one time. | 0:05:28 | 0:05:30 | |
They're a massive part of our lives, you know? | 0:05:30 | 0:05:32 | |
They're almost like children, is what I would say, | 0:05:32 | 0:05:35 | |
and one of the reasons to move to a new location is | 0:05:35 | 0:05:39 | |
to give them a bit more space to run around in. | 0:05:39 | 0:05:43 | |
And when it comes to finding a rural retreat for two humans, | 0:05:43 | 0:05:46 | |
two horses and six dogs, | 0:05:46 | 0:05:49 | |
there's just one county Keith and Karen have in mind. | 0:05:49 | 0:05:52 | |
North Norfolk is the area we're looking to move to, | 0:05:52 | 0:05:55 | |
around the King's Lynn area. | 0:05:55 | 0:05:57 | |
It's an area that... | 0:05:57 | 0:05:59 | |
we've holidayed with the children when they were younger. | 0:05:59 | 0:06:03 | |
Our pound goes further in Norfolk than it would do in the area | 0:06:03 | 0:06:05 | |
in which we are in. | 0:06:05 | 0:06:07 | |
It'll give us an opportunity to live the dream that we've | 0:06:07 | 0:06:10 | |
always wanted to have, and that's to have the horses and animals | 0:06:10 | 0:06:15 | |
and grow our own vegetables and things like that. | 0:06:15 | 0:06:17 | |
Having it all in one place and in a nice rural location | 0:06:17 | 0:06:21 | |
in an area we know and love would be our real dream, really. | 0:06:21 | 0:06:26 | |
Part of the Norfolk dream is having time to be creative. | 0:06:26 | 0:06:31 | |
I do enjoy painting. | 0:06:31 | 0:06:33 | |
I have a studio in the garden at the moment | 0:06:33 | 0:06:36 | |
and I'd really like to be able to spend more time doing that | 0:06:36 | 0:06:39 | |
in the new house. | 0:06:39 | 0:06:40 | |
I'd quite like to learn a new skill, and learn about gardening | 0:06:40 | 0:06:43 | |
and growing vegetables. | 0:06:43 | 0:06:45 | |
I've not had much time to devote to it when I was working, | 0:06:45 | 0:06:48 | |
so I want to spend more time doing that. | 0:06:48 | 0:06:50 | |
But, most of all, it's about realising a lifelong plan. | 0:06:50 | 0:06:54 | |
It's always been our ambition to have a place with land, | 0:06:54 | 0:06:59 | |
and to have the horses at home, | 0:06:59 | 0:07:01 | |
and to have other animals, as well, if we can. | 0:07:01 | 0:07:04 | |
And now's the right time. | 0:07:04 | 0:07:06 | |
We want to have a new experience in our life | 0:07:06 | 0:07:08 | |
-while we're still young enough to enjoy it, really. -Yeah. | 0:07:08 | 0:07:11 | |
Keith and Karen want to concentrate their search | 0:07:15 | 0:07:17 | |
in the north of the county, in the area around King's Lynn, | 0:07:17 | 0:07:20 | |
but before we start looking at property, | 0:07:20 | 0:07:22 | |
'I'm meeting them in Norfolk to talk about their hopes for the move.' | 0:07:22 | 0:07:26 | |
Keith and Karen, welcome to Norfolk. | 0:07:27 | 0:07:29 | |
-Thank you. -What's attracted you to this part of the country? | 0:07:29 | 0:07:33 | |
We're just drawn to it, really. | 0:07:33 | 0:07:35 | |
We've had holidays here for many years now, | 0:07:35 | 0:07:38 | |
and it just seems a natural progression to, sort of, move here. | 0:07:38 | 0:07:42 | |
And why are you making the move now? | 0:07:42 | 0:07:44 | |
I mean, it's a time of life where our children have left home. | 0:07:44 | 0:07:47 | |
I left my job recently. | 0:07:47 | 0:07:49 | |
So now's the right time for us to move to find | 0:07:49 | 0:07:52 | |
a new life in a new location, | 0:07:52 | 0:07:53 | |
and we hope that you're going to find it for us today in Norfolk! | 0:07:53 | 0:07:57 | |
I hope so too. Let's get down to business. | 0:07:57 | 0:08:00 | |
What are you looking for in a property? | 0:08:00 | 0:08:03 | |
We're mainly looking for a property that's got some land, | 0:08:03 | 0:08:06 | |
-because I've got two horses, so that is really important. -OK. | 0:08:06 | 0:08:11 | |
And we've got six dogs as well. | 0:08:11 | 0:08:13 | |
We're looking for something that's got stables and land for the horses, | 0:08:13 | 0:08:16 | |
and plenty of space for the dogs. | 0:08:16 | 0:08:18 | |
What about the property itself? | 0:08:18 | 0:08:21 | |
Well, we're quite open-minded. | 0:08:21 | 0:08:22 | |
I quite like Georgian-style properties. | 0:08:22 | 0:08:25 | |
And I don't mind a barn conversion - | 0:08:25 | 0:08:27 | |
that would be interesting for me to see. | 0:08:27 | 0:08:29 | |
You know, we quite like modern style inside, | 0:08:29 | 0:08:32 | |
but that's not to say if we found a house that needed some work, | 0:08:32 | 0:08:35 | |
we would definitely consider, erm, you know, | 0:08:35 | 0:08:37 | |
thinking about doing some work if we had to. | 0:08:37 | 0:08:40 | |
We'd like an en-suite bathroom for our room, | 0:08:40 | 0:08:42 | |
but not bothered about whether that's the case or not. | 0:08:42 | 0:08:45 | |
So, fairly flexible, I think, is what, you know, you'll find us. | 0:08:45 | 0:08:48 | |
How important is location, community around you? | 0:08:48 | 0:08:52 | |
That's fairly important, actually, yeah. | 0:08:52 | 0:08:54 | |
We don't want to be completely isolated, | 0:08:54 | 0:08:57 | |
but, on the other hand, we don't want near neighbours. | 0:08:57 | 0:09:01 | |
Traffic noise would be an issue for us, for example, | 0:09:01 | 0:09:04 | |
so that would be the other thing... | 0:09:04 | 0:09:06 | |
But I guess whenever you are going to look at a house, | 0:09:06 | 0:09:09 | |
there are always compromises, and we know that you have | 0:09:09 | 0:09:12 | |
to compromise quite often to get what you want. | 0:09:12 | 0:09:15 | |
OK, remind me of your budget. | 0:09:15 | 0:09:17 | |
Our budget is £850,000. | 0:09:17 | 0:09:20 | |
OK, well, let's go and find you a house. | 0:09:20 | 0:09:22 | |
-Lovely. -Thank you. | 0:09:22 | 0:09:23 | |
So, for a top budget of £850,000, | 0:09:25 | 0:09:29 | |
Karen and Keith are flexible on the accommodation in the house, | 0:09:29 | 0:09:32 | |
but must have enough land for their two horses, | 0:09:32 | 0:09:36 | |
as well as a dog-friendly garden. | 0:09:36 | 0:09:38 | |
They want a private location away from a main road, | 0:09:38 | 0:09:41 | |
but with easy access to a community, | 0:09:41 | 0:09:44 | |
and they are open to doing some work. | 0:09:44 | 0:09:47 | |
We found a real variety of incredible properties | 0:09:47 | 0:09:50 | |
to meet their needs, and, at each, I'll be getting them to guess | 0:09:50 | 0:09:54 | |
the asking price before I reveal it. | 0:09:54 | 0:09:57 | |
And the final offering will be our Mystery House, | 0:09:57 | 0:10:00 | |
which could really test just how far they'll go | 0:10:00 | 0:10:03 | |
to get the land they're after. | 0:10:03 | 0:10:05 | |
So you both already know this area fairly well, don't you? | 0:10:08 | 0:10:11 | |
We've got a holiday home on the north coast, and so | 0:10:11 | 0:10:14 | |
we've been coming here for a few years to visit that. | 0:10:14 | 0:10:18 | |
We've had many holidays here, so we do know the area reasonably well. | 0:10:18 | 0:10:22 | |
Will you keep your holiday home if you move here? | 0:10:22 | 0:10:24 | |
That's the plan, yes. | 0:10:24 | 0:10:25 | |
We enjoy that so much, being on the coast and everything else, | 0:10:25 | 0:10:29 | |
so the plan is not to sell it. | 0:10:29 | 0:10:31 | |
We just use it for family at the moment, | 0:10:31 | 0:10:33 | |
but I guess we've got an option to rent it out if we wanted to. | 0:10:33 | 0:10:35 | |
It's a lovely day to be house-hunting. | 0:10:35 | 0:10:38 | |
-It is. -It's a beautiful day, isn't it? | 0:10:38 | 0:10:40 | |
Hopefully we're going to see some lovely houses... | 0:10:40 | 0:10:42 | |
I'll guarantee you'll see some lovely houses! | 0:10:42 | 0:10:44 | |
Our search is heading to Emneth, | 0:10:47 | 0:10:49 | |
a fenland village close to the border with Cambridgeshire. | 0:10:49 | 0:10:53 | |
There's an active community here, as well as good facilities, | 0:10:53 | 0:10:56 | |
including pubs, a post office and stores, | 0:10:56 | 0:11:00 | |
and a butcher's. | 0:11:00 | 0:11:02 | |
St Edmund's features a bellcote with six bells. | 0:11:02 | 0:11:06 | |
Former vicars of the church include the Reverend Wilbert Awdry, | 0:11:06 | 0:11:09 | |
creator of Thomas the Tank Engine. | 0:11:09 | 0:11:12 | |
It's said the tracks of the reverend's model railway | 0:11:12 | 0:11:15 | |
remain in the attic of the neighbouring vicarage. | 0:11:15 | 0:11:18 | |
And less than a mile away, we find our first house. | 0:11:18 | 0:11:22 | |
It looks interesting. | 0:11:23 | 0:11:24 | |
Yeah, it looks quite old. | 0:11:24 | 0:11:26 | |
It is quite old. It's a Grade II listed Jacobean manor house. | 0:11:26 | 0:11:30 | |
Yeah, I like the look of it. It's got a nice symmetry about it, hasn't it... | 0:11:30 | 0:11:34 | |
-Mm-hmm. -..with the two wings on either side. | 0:11:34 | 0:11:36 | |
Yeah, it's handsome. Nice big windows. | 0:11:36 | 0:11:38 | |
-Yeah, it's nice. -Tick, tick, so far! | 0:11:38 | 0:11:40 | |
LAUGHTER I'm glad to hear it. | 0:11:40 | 0:11:42 | |
You'll definitely feel the history of the house, | 0:11:42 | 0:11:44 | |
-when we go inside. -Yeah. | 0:11:44 | 0:11:45 | |
I won't take you through the front entrance - | 0:11:45 | 0:11:47 | |
as with a lot of these houses in the country, | 0:11:47 | 0:11:49 | |
we'll go in through the kitchen. | 0:11:49 | 0:11:51 | |
-Lovely, thank you. -Thank you. | 0:11:51 | 0:11:53 | |
'Built in the early 17th century, | 0:11:54 | 0:11:57 | |
'with extensions to either side added around 100 years later, | 0:11:57 | 0:12:00 | |
'we're heading to the left-hand wing, | 0:12:00 | 0:12:02 | |
'which leads straight into the rather rustic kitchen-diner.' | 0:12:02 | 0:12:06 | |
Come in. | 0:12:09 | 0:12:11 | |
Thank you. | 0:12:11 | 0:12:12 | |
If you want to move to the country, you need a country kitchen. | 0:12:12 | 0:12:15 | |
It is a country kitchen. Very homely. | 0:12:15 | 0:12:18 | |
It's fantastic, isn't it? Quite lofty ceilings, as well. | 0:12:18 | 0:12:21 | |
I wasn't expecting that - | 0:12:21 | 0:12:22 | |
being a Jacobean house, I thought it might have lower ceilings. | 0:12:22 | 0:12:25 | |
And the range over there, I can see in the archway. | 0:12:25 | 0:12:27 | |
Yeah, it's a real feature, isn't it? | 0:12:27 | 0:12:29 | |
And room for a big table. | 0:12:29 | 0:12:31 | |
Yeah, which is fantastic, yeah. For the family. | 0:12:31 | 0:12:33 | |
And you've got a utility room as well, | 0:12:33 | 0:12:35 | |
which you could use as a boot room, too, | 0:12:35 | 0:12:37 | |
-so, another place where you can clean up the dogs... -Very useful. | 0:12:37 | 0:12:40 | |
And there's a really nice conservatory over there, | 0:12:40 | 0:12:42 | |
where the dogs can chill. | 0:12:42 | 0:12:43 | |
They'd like that, yeah! | 0:12:43 | 0:12:45 | |
They'd spend a lot of time out there, no doubt, I'm sure! | 0:12:45 | 0:12:47 | |
Yeah, but there's plenty of other rooms to have a look at. | 0:12:47 | 0:12:50 | |
'Off the kitchen, there's also a handy cloakroom, | 0:12:52 | 0:12:54 | |
'then, to the front of this wing is the first of four | 0:12:54 | 0:12:58 | |
'large reception rooms.' | 0:12:58 | 0:13:00 | |
So, this is the main sitting room. | 0:13:00 | 0:13:02 | |
It's a nice room, nice and bright. | 0:13:02 | 0:13:04 | |
The fireplace is a real feature, isn't it? | 0:13:04 | 0:13:06 | |
-And this is where you see the history of the property... -Yeah. | 0:13:06 | 0:13:09 | |
..because this is the old exterior. | 0:13:09 | 0:13:12 | |
Yeah, I really like that. | 0:13:12 | 0:13:14 | |
-It's a nice feature of the building. -Yeah, and they've kept that. -Yeah. | 0:13:14 | 0:13:17 | |
-It's a good-sized room. -Yeah, very nice. | 0:13:17 | 0:13:19 | |
It's not too small, it's not too big - | 0:13:19 | 0:13:21 | |
-it's just right. -Big size. | 0:13:21 | 0:13:22 | |
I can imagine spending some nice evenings in here | 0:13:22 | 0:13:24 | |
in front of the fire. | 0:13:24 | 0:13:26 | |
-Yeah, definitely. -Lovely. | 0:13:26 | 0:13:27 | |
-No, but this isn't the only reception room. -OK. | 0:13:27 | 0:13:30 | |
-There's plenty more. Follow me. -All right. | 0:13:30 | 0:13:33 | |
There's also a formal dining room. | 0:13:35 | 0:13:37 | |
-What an amazing room. -It's beautiful. | 0:13:38 | 0:13:40 | |
The fireplace is just incredible. | 0:13:40 | 0:13:42 | |
It's got a lot of history to it. You can see that. Hasn't it? | 0:13:42 | 0:13:45 | |
-Yeah, yeah. -Yeah, it's lovely. -Yeah, I like it a lot. | 0:13:45 | 0:13:47 | |
And then, next door, they've got what they call a music room, | 0:13:47 | 0:13:49 | |
because there's a piano in there. | 0:13:49 | 0:13:51 | |
-At the end... -Right. -..they've got a study. | 0:13:51 | 0:13:54 | |
-Right. -But you've got a lot of options. | 0:13:54 | 0:13:57 | |
Would you use this as a dining room? | 0:13:57 | 0:13:59 | |
-Don't know. -It's up to you. -I don't know. | 0:13:59 | 0:14:01 | |
Yeah, it's a beautiful room, though. Very nice. | 0:14:01 | 0:14:03 | |
-Shall we head upstairs? Yeah? -Let's do that. | 0:14:03 | 0:14:06 | |
'So, bags of character and space on this floor. | 0:14:07 | 0:14:10 | |
'Stairs lead up to the four-bedroom accommodation. | 0:14:10 | 0:14:14 | |
'Over the kitchen sits a large guest bedroom with en-suite facilities. | 0:14:14 | 0:14:19 | |
'Next to this, the family bathroom, with a roll-top bath, | 0:14:19 | 0:14:22 | |
'serves two further bedrooms. | 0:14:22 | 0:14:24 | |
'One is currently used as a twin, | 0:14:24 | 0:14:26 | |
'and the other has its own wash basin. | 0:14:26 | 0:14:29 | |
'That leaves the entirety of the other wing for | 0:14:29 | 0:14:32 | |
'an extremely generous suite for Keith and Karen.' | 0:14:32 | 0:14:35 | |
In here is the master suite, | 0:14:35 | 0:14:38 | |
-so you've got the en-suite over there. -Right. -Mm-hmm. | 0:14:38 | 0:14:41 | |
And then...the master bedroom. | 0:14:41 | 0:14:44 | |
It's a big room, isn't it? | 0:14:45 | 0:14:46 | |
It's great. It's dual-aspect. | 0:14:46 | 0:14:49 | |
Great views out the front, there. | 0:14:49 | 0:14:50 | |
We weren't expecting we'd get a big bedroom, | 0:14:50 | 0:14:52 | |
as big a bedroom as we've got at home, | 0:14:52 | 0:14:53 | |
so it's fantastic to have that. | 0:14:53 | 0:14:55 | |
Could you see yourselves living here? | 0:14:55 | 0:14:58 | |
-I think so. -Yeah, I definitely think so, yeah. | 0:14:58 | 0:15:00 | |
I'm surprised at how nice it is. | 0:15:00 | 0:15:02 | |
It's a good start. | 0:15:02 | 0:15:03 | |
It's a good start, because now it all comes down | 0:15:03 | 0:15:06 | |
to the garden, doesn't it? | 0:15:06 | 0:15:07 | |
Yeah, absolutely. | 0:15:07 | 0:15:08 | |
-Yeah. -The outside space is as important as the inside space, so... | 0:15:08 | 0:15:11 | |
-Let's head outside, then. -OK. -Thank you. | 0:15:11 | 0:15:14 | |
'Well, we've agreed space is not a problem inside the house, | 0:15:14 | 0:15:18 | |
'and outside, the grounds are pleasantly landscaped | 0:15:18 | 0:15:21 | |
'with formal lawns, as well as alfresco seating options | 0:15:21 | 0:15:25 | |
'and even a substantial outbuilding, housing a swimming pool. | 0:15:25 | 0:15:28 | |
'Whilst there are currently no dedicated paddocks, | 0:15:28 | 0:15:31 | |
'there are a total of four acres to play with.' | 0:15:31 | 0:15:34 | |
-Four acres is plenty of space, isn't it? -Yeah, yeah. | 0:15:34 | 0:15:37 | |
So putting up posts and rail wouldn't be too much | 0:15:37 | 0:15:39 | |
-of an issue, I guess. -Yeah, and it's nice and level. | 0:15:39 | 0:15:42 | |
-It is, very, very flat, isn't it? -Yeah, exactly. | 0:15:42 | 0:15:44 | |
You don't have to level anything out. | 0:15:44 | 0:15:45 | |
You've got the space, as you said, | 0:15:45 | 0:15:47 | |
-if you section off a little bit as a paddock. -Yeah. | 0:15:47 | 0:15:50 | |
But it's nice - it's a nice big area, isn't it? | 0:15:50 | 0:15:52 | |
Yes, it's beautiful. Yeah. | 0:15:52 | 0:15:53 | |
-And very nicely landscaped at the moment. -Yeah. | 0:15:53 | 0:15:55 | |
-Yeah. -There's lots of possibilities. | 0:15:55 | 0:15:57 | |
-So, how much does it cost? -Right. | 0:15:57 | 0:16:00 | |
-Good question. -It's time to guess the price. | 0:16:00 | 0:16:03 | |
You go first. | 0:16:03 | 0:16:05 | |
Erm, well, our budget's 850. | 0:16:05 | 0:16:07 | |
I mean, it's a lovely house, so I reckon... | 0:16:07 | 0:16:10 | |
795. | 0:16:10 | 0:16:11 | |
I'm thinking more, a bit lower... | 0:16:11 | 0:16:13 | |
750? | 0:16:13 | 0:16:15 | |
It's actually currently on the market for... | 0:16:15 | 0:16:17 | |
£650,000. | 0:16:17 | 0:16:19 | |
-Wow! -Really? | 0:16:19 | 0:16:20 | |
-Yes. -That's exciting. Yeah. | 0:16:20 | 0:16:22 | |
-Yeah, it's amazing. -Yeah. | 0:16:22 | 0:16:23 | |
I didn't realise, you know, you could get so much for your money | 0:16:23 | 0:16:26 | |
-in this area. -No. | 0:16:26 | 0:16:27 | |
Well, do you want to have another look around the house | 0:16:27 | 0:16:30 | |
and then I will meet you out the front? | 0:16:30 | 0:16:33 | |
-OK. -OK. Thank you. | 0:16:33 | 0:16:34 | |
-Thank you. -Thank you. | 0:16:34 | 0:16:35 | |
-Shall we go and have a look at the pool house? -Mm-hm. | 0:16:35 | 0:16:38 | |
I'm so pleased they love it, | 0:16:38 | 0:16:40 | |
because it is a real opportunity when you consider their budget, | 0:16:40 | 0:16:44 | |
so fingers crossed. | 0:16:44 | 0:16:46 | |
It's a great start. | 0:16:46 | 0:16:47 | |
This Grade II listed Jacobean manor house | 0:16:50 | 0:16:52 | |
is an incredible £200,000 below budget | 0:16:52 | 0:16:57 | |
and offers lots of period features, | 0:16:57 | 0:16:59 | |
no fewer than four reception rooms, | 0:16:59 | 0:17:01 | |
and a large country kitchen. | 0:17:01 | 0:17:03 | |
There's a utility room for the dogs and plenty of space for horses. | 0:17:03 | 0:17:07 | |
Not something we were looking for... | 0:17:08 | 0:17:10 | |
-Big area, though. -Yeah. -Massive room, isn't it? | 0:17:10 | 0:17:12 | |
Maybe convert it into stables or use it for some other purpose. | 0:17:12 | 0:17:16 | |
Yes. It's got possibilities. | 0:17:16 | 0:17:20 | |
I love the house. I'm pleasantly surprised. | 0:17:20 | 0:17:22 | |
The room sizes are very, very good. | 0:17:22 | 0:17:24 | |
The ceiling heights are good - plenty of space. | 0:17:24 | 0:17:26 | |
I hadn't thought of something quite so old, but it grew on me | 0:17:26 | 0:17:31 | |
I think it's a very imposing building. | 0:17:32 | 0:17:34 | |
It has a lot of symmetry about it. | 0:17:34 | 0:17:36 | |
I like the two wings with the central piece and clearly it's got a lot of history. | 0:17:36 | 0:17:40 | |
The grounds are a great asset to this house. | 0:17:40 | 0:17:43 | |
And, although we'd have to build stables | 0:17:43 | 0:17:46 | |
and put paddocks in, it's definitely a contender. | 0:17:46 | 0:17:49 | |
It's a nice house and I know Karen likes it. | 0:17:49 | 0:17:51 | |
She feels it's got a nice, you know, feel to it. | 0:17:51 | 0:17:54 | |
That counts for a lot, doesn't it? | 0:17:54 | 0:17:56 | |
It's a lovely first house, isn't it? | 0:17:59 | 0:18:01 | |
Very nice house. | 0:18:01 | 0:18:03 | |
Beautiful, yeah. | 0:18:03 | 0:18:04 | |
And there's plenty more to come. | 0:18:04 | 0:18:06 | |
Thank you. | 0:18:06 | 0:18:07 | |
Norfolk's low population density and unique habitats make it | 0:18:13 | 0:18:17 | |
a haven for wildlife. | 0:18:17 | 0:18:19 | |
One of the rarest seals in the world, the grey, | 0:18:19 | 0:18:22 | |
lives along the county's stunning coastline. | 0:18:22 | 0:18:26 | |
Almost half of the world's grey seals are found in the UK, | 0:18:26 | 0:18:29 | |
so caring for them is of global significance. | 0:18:29 | 0:18:33 | |
The good news is that this breeding colony saw | 0:18:33 | 0:18:36 | |
record numbers of births last season, | 0:18:36 | 0:18:38 | |
but with over 1,000 pups born here at Horsey, | 0:18:38 | 0:18:41 | |
there are now more seals needing support. | 0:18:41 | 0:18:44 | |
So, we're sending animal lovers and fans of all things horsey, | 0:18:44 | 0:18:48 | |
Keith and Karen, to a wildlife rescue centre | 0:18:48 | 0:18:51 | |
to meet RSPCA supervisor Jo Meade, | 0:18:51 | 0:18:54 | |
who's helping orphaned, sick or injured seals | 0:18:54 | 0:18:57 | |
from Norfolk and beyond. | 0:18:57 | 0:18:59 | |
How many seals do you have here at the moment, Jo? | 0:18:59 | 0:19:01 | |
We've got roughly about 50 seals at the moment. | 0:19:01 | 0:19:04 | |
-SEAL MOANS -Some of them are still quite poorly in our isolation unit. | 0:19:04 | 0:19:07 | |
Some of them, like these guys out here, | 0:19:07 | 0:19:09 | |
are just fattening up, ready for release. | 0:19:09 | 0:19:11 | |
So why are they here, Jo? | 0:19:11 | 0:19:12 | |
For a variety of reasons. | 0:19:12 | 0:19:14 | |
They can get separated from their mums. | 0:19:14 | 0:19:16 | |
Many of them have come in where they're bit older | 0:19:16 | 0:19:19 | |
and they develop lungworm, so we treat them for that. | 0:19:19 | 0:19:23 | |
And members of the public kindly phone us | 0:19:23 | 0:19:25 | |
and we take them in and rehab them. | 0:19:25 | 0:19:26 | |
We do really well with seals. | 0:19:26 | 0:19:28 | |
They're very resilient animals. | 0:19:28 | 0:19:30 | |
Obviously, not all of them make it. | 0:19:30 | 0:19:32 | |
Sometimes when they come to us, they are so sick that they don't make it, | 0:19:32 | 0:19:37 | |
but a majority do. | 0:19:37 | 0:19:39 | |
The centre manages to rehabilitate 80% of the seals that come here, | 0:19:39 | 0:19:44 | |
with most staying for three to five months before they're released | 0:19:44 | 0:19:47 | |
back into the wild. | 0:19:47 | 0:19:49 | |
There are three stages prior to release. | 0:19:49 | 0:19:52 | |
The first is the isolation unit, | 0:19:52 | 0:19:53 | |
where injured seals are treated, | 0:19:53 | 0:19:56 | |
before they move on to stage number two. | 0:19:56 | 0:19:58 | |
OK, so come in. These are our intermediate pools. | 0:19:59 | 0:20:03 | |
So, this is where the seals come when they're well enough to come out | 0:20:03 | 0:20:06 | |
of the isolation unit, | 0:20:06 | 0:20:08 | |
so they come here for a bit of exercise, fatten up a bit and... | 0:20:08 | 0:20:11 | |
-before they go outside. -SEAL MOANS | 0:20:11 | 0:20:13 | |
We have a very strict regime on how we deal with them, | 0:20:13 | 0:20:16 | |
so it's vital that we move them through the system | 0:20:16 | 0:20:18 | |
as quickly as possible, | 0:20:18 | 0:20:19 | |
because we've always got new seals coming in, | 0:20:19 | 0:20:22 | |
and it's very labour-intensive. | 0:20:22 | 0:20:23 | |
They're really hard work. | 0:20:23 | 0:20:25 | |
And what care do they need? | 0:20:25 | 0:20:26 | |
Obviously the regular feeding, | 0:20:26 | 0:20:28 | |
regular weighing, | 0:20:28 | 0:20:30 | |
and just keeping a health-check on them. | 0:20:30 | 0:20:32 | |
Our aim is just to build them up and get them nice and fat for release. | 0:20:32 | 0:20:36 | |
SEALS BARK | 0:20:36 | 0:20:38 | |
The final stage is the outdoor pool - | 0:20:38 | 0:20:41 | |
here, each seal is fed three kilos of mackerel per day. | 0:20:41 | 0:20:46 | |
Right, so if you want to just grab a few each and throw them... | 0:20:46 | 0:20:49 | |
If you try and move them around the pool... | 0:20:49 | 0:20:51 | |
Throw them right at the back, then they'll... | 0:20:51 | 0:20:55 | |
Throwing the fish around helps get the seals | 0:20:55 | 0:20:57 | |
fit and ready for the wild. | 0:20:57 | 0:20:59 | |
Each week, the pool is drained and the seals are weighed. | 0:20:59 | 0:21:02 | |
Once a seal achieves its target weight, it's time for it to leave. | 0:21:02 | 0:21:07 | |
Right, that's the last couple now, | 0:21:07 | 0:21:09 | |
so that'll be it until dinner time. | 0:21:09 | 0:21:13 | |
Nearly finished! | 0:21:13 | 0:21:14 | |
I wonder who's going to get this one, then! | 0:21:14 | 0:21:16 | |
LAUGHTER | 0:21:16 | 0:21:19 | |
And it's time for us to leave the seals to fight over that final fish, | 0:21:19 | 0:21:23 | |
as Keith and Karen turn their attention to | 0:21:23 | 0:21:25 | |
their Norfolk property search. | 0:21:25 | 0:21:27 | |
Our house-hunt is taking us to Dersingham, | 0:21:33 | 0:21:36 | |
a village close to the coast. | 0:21:36 | 0:21:38 | |
Highlights include St Nicholas, | 0:21:38 | 0:21:40 | |
one of the great churches of the 14th century, | 0:21:40 | 0:21:43 | |
and nature lovers can enjoy Dersingham bog reserve. | 0:21:43 | 0:21:46 | |
Facilities here include pubs, a bowling green, | 0:21:46 | 0:21:51 | |
a variety of stores and a garden centre. | 0:21:51 | 0:21:55 | |
The village also features a pottery and art gallery | 0:21:55 | 0:21:58 | |
located in what was originally | 0:21:58 | 0:22:00 | |
a stable block of the Sandringham estate. | 0:22:00 | 0:22:03 | |
The property we've come to see is on a hill that enjoys far-reaching | 0:22:03 | 0:22:06 | |
'country and coastal views on the outskirts of the village.' | 0:22:06 | 0:22:10 | |
Welcome to the farm cottage. | 0:22:10 | 0:22:13 | |
Beautiful. It looks lovely from the outside. | 0:22:13 | 0:22:15 | |
Yeah, really lovely. | 0:22:15 | 0:22:16 | |
I like the stone and the typical Norfolk roof tiles. | 0:22:16 | 0:22:20 | |
-Especially from this side. -It must be deceptive. | 0:22:20 | 0:22:22 | |
It is deceptive. | 0:22:22 | 0:22:23 | |
It's a substantial home. | 0:22:23 | 0:22:24 | |
-They look really fantastic. -And the outlook's great as well. | 0:22:24 | 0:22:27 | |
-Yeah, the views are to die for, aren't they? -And the setting. | 0:22:27 | 0:22:30 | |
-The setting is fantastic. -Beautiful. -I can see some outbuildings as well. | 0:22:30 | 0:22:33 | |
You've already spotted them! LAUGHTER | 0:22:33 | 0:22:35 | |
What do you think so far, then? | 0:22:35 | 0:22:37 | |
-I want to see more. -It looks really attractive. | 0:22:37 | 0:22:39 | |
I would say it is a very typical Norfolk-looking property | 0:22:39 | 0:22:43 | |
from the outside. | 0:22:43 | 0:22:44 | |
Very attractive, so I'm looking to see more inside, definitely. | 0:22:44 | 0:22:47 | |
-Let's go in. -Yeah. | 0:22:47 | 0:22:48 | |
Built in the 1800s, | 0:22:50 | 0:22:51 | |
this property was originally two farm cottages | 0:22:51 | 0:22:54 | |
which were joined to create a sizeable home | 0:22:54 | 0:22:57 | |
that extends considerably behind. | 0:22:57 | 0:23:00 | |
Still essentially two wings, | 0:23:01 | 0:23:03 | |
the majority of the living space is found in the right-hand wing, | 0:23:03 | 0:23:07 | |
with the front door leading directly into an open-plan living area of the | 0:23:07 | 0:23:11 | |
house, which is currently unoccupied. | 0:23:11 | 0:23:14 | |
Oh! Right, OK. | 0:23:16 | 0:23:18 | |
-It's unfurnished. -It's unfurnished. | 0:23:18 | 0:23:20 | |
That means you just have to use your imaginations. | 0:23:20 | 0:23:22 | |
Maybe it makes it easier to imagine your own things in it. | 0:23:22 | 0:23:24 | |
-I don't know. -Yeah, certainly, I can do that. | 0:23:24 | 0:23:26 | |
-You've got two reception rooms here... -Yeah. | 0:23:26 | 0:23:29 | |
..and they've got the dining room there, | 0:23:29 | 0:23:32 | |
but, again, it just depends. | 0:23:32 | 0:23:33 | |
I think these rooms, you can use them for whatever you'd like. | 0:23:33 | 0:23:36 | |
-And I like the brick exposed... -OK. -Mmm. | 0:23:36 | 0:23:39 | |
..and clearly a wood-burner, which is fantastic for the winter. | 0:23:39 | 0:23:42 | |
Yes, so it's got that open-plan feel, really. | 0:23:42 | 0:23:44 | |
Yeah, it does. | 0:23:44 | 0:23:46 | |
And then we come into the kitchen. | 0:23:46 | 0:23:49 | |
Nice, big space. | 0:23:53 | 0:23:54 | |
-It's much bigger than I thought it was going to be, actually. -Yeah. | 0:23:54 | 0:23:57 | |
It looks reasonably well-decorated and it looks like it hasn't been | 0:23:57 | 0:23:59 | |
empty for very long, doesn't it? | 0:23:59 | 0:24:01 | |
-No, and it hasn't been, no. -So... | 0:24:01 | 0:24:03 | |
-So far, so good? -It looks nice. | 0:24:03 | 0:24:05 | |
-I like it. -Fantastic. | 0:24:05 | 0:24:06 | |
There's a utility room and a downstairs loo there. | 0:24:06 | 0:24:09 | |
-There's also a home office just through there... -Right. | 0:24:09 | 0:24:11 | |
-OK. -..so you don't have to worry about space with this house. | 0:24:11 | 0:24:16 | |
No, I can see that. It's got plenty of space in here. | 0:24:16 | 0:24:19 | |
Now, I did say there were two parts to the house. | 0:24:19 | 0:24:21 | |
There are also two staircases. I'll take you up the main one. | 0:24:21 | 0:24:23 | |
OK. | 0:24:23 | 0:24:24 | |
'So, lots of versatile space in this period property.' | 0:24:25 | 0:24:29 | |
The rest of this floor also has a downstairs bathroom | 0:24:29 | 0:24:32 | |
and rather a big surprise, | 0:24:32 | 0:24:35 | |
but before I reveal that, | 0:24:35 | 0:24:36 | |
we're taking one of two staircases up to the six-bedroomed sleeping | 0:24:36 | 0:24:40 | |
accommodation, which, again, is split into two sections. | 0:24:40 | 0:24:44 | |
To the left is a self-contained annexe with two bedrooms, | 0:24:44 | 0:24:48 | |
but we're heading to the remaining four bedrooms in the other wing. | 0:24:48 | 0:24:52 | |
Above the downstairs living space is a family bathroom that serves | 0:24:54 | 0:24:58 | |
three guest bedrooms - a double, and two smaller rooms, | 0:24:58 | 0:25:01 | |
one with built-in storage, | 0:25:01 | 0:25:03 | |
'and then there's the largest bedroom, with en-suite facilities.' | 0:25:03 | 0:25:08 | |
There are four bedrooms in this part of the house. | 0:25:08 | 0:25:13 | |
I will emphasise "in this part of the house". | 0:25:13 | 0:25:15 | |
-This is the master... -Right. -..with the en-suite. | 0:25:15 | 0:25:18 | |
-Pop your head through. -This is a nice-sized room as well, isn't it? | 0:25:18 | 0:25:21 | |
For me, this room and the selling point is the view. | 0:25:21 | 0:25:24 | |
-Yeah. -I can picture us laying in bed and you bringing me a cup of tea up. | 0:25:24 | 0:25:28 | |
-Well, that's normal, isn't it? -OK. LAUGHTER | 0:25:28 | 0:25:30 | |
It looks lovely. Really nice, actually. | 0:25:30 | 0:25:32 | |
Yeah, I really like it. I'm a bit worried. | 0:25:32 | 0:25:33 | |
What are you worried about?! | 0:25:33 | 0:25:35 | |
-I'm worried we can't afford it! -LAUGHTER | 0:25:35 | 0:25:37 | |
-I'm glad to know you like it that much! -I do. | 0:25:37 | 0:25:39 | |
And I've not even shown you the other part of the house. | 0:25:39 | 0:25:41 | |
Let's go there. | 0:25:41 | 0:25:42 | |
OK, thank you. | 0:25:42 | 0:25:45 | |
'Yes, there's even more to see, | 0:25:45 | 0:25:46 | |
'as connecting doors to a corridor and stairs lead through to the | 0:25:46 | 0:25:50 | |
'potentially self-contained top-floor annexe.' | 0:25:50 | 0:25:53 | |
Blimey, where are we going? | 0:25:56 | 0:25:57 | |
I don't know! | 0:25:59 | 0:26:00 | |
Through the tunnel is the second wing. | 0:26:00 | 0:26:03 | |
Wow! This is amazing, isn't it? | 0:26:03 | 0:26:06 | |
Look at this ceiling and everything. | 0:26:06 | 0:26:08 | |
So this is the, sort of, main living area of | 0:26:08 | 0:26:10 | |
-the second part of the house. -Right. | 0:26:10 | 0:26:13 | |
-That's actually a kitchen, a kitchenette. -Right. | 0:26:13 | 0:26:15 | |
And there are two decent-sized bedrooms in this part, | 0:26:15 | 0:26:19 | |
also a bathroom, | 0:26:19 | 0:26:20 | |
and what you could call a seventh bedroom to the house, | 0:26:20 | 0:26:23 | |
or a dressing-room. | 0:26:23 | 0:26:24 | |
-I don't think you'd need a seventh bedroom... -No. | 0:26:24 | 0:26:27 | |
..so shall we call it a six-bedroom house in total? | 0:26:27 | 0:26:29 | |
Was it separated as a holiday home? | 0:26:29 | 0:26:31 | |
Yeah, they used to have it as a holiday let. | 0:26:31 | 0:26:32 | |
I like the lofty ceilings in here and it does feel really nice, | 0:26:32 | 0:26:36 | |
it feels good. | 0:26:36 | 0:26:38 | |
How do you feel about this much space? | 0:26:38 | 0:26:41 | |
Six bedrooms and this much property to deal with? | 0:26:41 | 0:26:43 | |
It's much more than we wanted. We didn't feel we needed that much space, | 0:26:43 | 0:26:47 | |
There's only two of us. | 0:26:47 | 0:26:49 | |
I could have this as my studio. | 0:26:49 | 0:26:51 | |
It's a bonus. Definitely a bonus. | 0:26:51 | 0:26:53 | |
So what's underneath this part of the house? | 0:26:53 | 0:26:55 | |
Ah-ha! | 0:26:55 | 0:26:56 | |
Now I can show you. | 0:26:56 | 0:26:58 | |
OK. | 0:26:58 | 0:26:59 | |
Let's head down the stairs. | 0:26:59 | 0:27:01 | |
'Taking the second staircase from the sitting room of this annexe, | 0:27:01 | 0:27:04 | |
'we reach the sneaky surprise I've been keeping | 0:27:04 | 0:27:07 | |
'from horse-lover Karen.' | 0:27:07 | 0:27:08 | |
So, the main entrance to this part... | 0:27:08 | 0:27:12 | |
And then... | 0:27:12 | 0:27:13 | |
Ta-da! | 0:27:13 | 0:27:14 | |
KEITH LAUGHS | 0:27:14 | 0:27:17 | |
Stables underneath the accommodation? | 0:27:17 | 0:27:20 | |
KEITH AND KAREN LAUGH | 0:27:20 | 0:27:23 | |
Absolutely ideal. | 0:27:23 | 0:27:24 | |
Yeah, it'll keep the people above warm. | 0:27:24 | 0:27:26 | |
I wasn't expecting this at all! | 0:27:26 | 0:27:28 | |
Yeah, they would like it in here. | 0:27:28 | 0:27:30 | |
-Would they? -Yeah, they would. | 0:27:30 | 0:27:32 | |
They'd have to. | 0:27:32 | 0:27:34 | |
And there's a garage through there as well, | 0:27:34 | 0:27:36 | |
-storage or whatever else you needed, all the horsey stuff. -Right. Yeah. | 0:27:36 | 0:27:40 | |
This house just keeps on giving, doesn't it? | 0:27:40 | 0:27:42 | |
Shall we see what land comes with the house, then? | 0:27:42 | 0:27:45 | |
-Oh, yes, please. -Yes. -Yeah. | 0:27:45 | 0:27:47 | |
So, plenty to cater to Keith and Karen and all four-legged members of | 0:27:47 | 0:27:51 | |
their family in this 19th-century hilltop cottage. | 0:27:51 | 0:27:55 | |
But there's more! | 0:27:55 | 0:27:57 | |
A selection of outbuildings includes a garden room as well as a workshop, | 0:27:57 | 0:28:01 | |
and it all lies in 1.6 acres of grounds, | 0:28:01 | 0:28:05 | |
with that all-important paddock, | 0:28:05 | 0:28:07 | |
featuring distant coastal views to the Wash. | 0:28:07 | 0:28:10 | |
You wanted a paddock - | 0:28:10 | 0:28:12 | |
how about a paddock with a view? | 0:28:12 | 0:28:14 | |
Yeah, that's amazing. | 0:28:14 | 0:28:15 | |
They're going to be the most spoilt horses in the country. | 0:28:15 | 0:28:17 | |
-They are. -Too right. Yeah. | 0:28:17 | 0:28:19 | |
So, this paddock is three quarters of an acre - | 0:28:19 | 0:28:21 | |
is that enough for two horses? | 0:28:21 | 0:28:23 | |
-Not ideally, no. -No. | 0:28:23 | 0:28:25 | |
The other paddock area's outside the stables, | 0:28:25 | 0:28:27 | |
that belongs to your neighbour, | 0:28:27 | 0:28:29 | |
-so you might be able to negotiate just renting that off them. -Right. | 0:28:29 | 0:28:32 | |
They don't use it for horses, | 0:28:32 | 0:28:33 | |
-so it's just there, sitting, free. -Sounds like an option. | 0:28:33 | 0:28:36 | |
Yeah, that's something we'd like to explore. | 0:28:36 | 0:28:38 | |
-Yeah, definitely, yeah. -Yeah. -Yeah. | 0:28:38 | 0:28:39 | |
-You like the house. -I do. | 0:28:40 | 0:28:42 | |
How much will you have to pay for it? | 0:28:42 | 0:28:44 | |
I think you've gone over our budget. | 0:28:44 | 0:28:46 | |
I think this would be 880. | 0:28:46 | 0:28:49 | |
I'm not going to go that high, | 0:28:49 | 0:28:50 | |
-cos I don't think you'd be that cruel to us, so... -He has faith. | 0:28:50 | 0:28:53 | |
..so I'm going to say 830. | 0:28:53 | 0:28:56 | |
OK. | 0:28:56 | 0:28:57 | |
You're lucky - Keith is closer. | 0:28:58 | 0:28:59 | |
-Is he? -He is. | 0:28:59 | 0:29:02 | |
It's on the market for £795,000. | 0:29:02 | 0:29:06 | |
-Wow. -Is it? -Wow! -I wasn't expecting that at all. | 0:29:06 | 0:29:08 | |
No, it's fantastic news. It really is. | 0:29:08 | 0:29:10 | |
-Definitely worth us having a long, hard think about, definitely. -Yeah. | 0:29:10 | 0:29:13 | |
You're itching to go and see that sea view, aren't you? | 0:29:13 | 0:29:15 | |
-I am, yes. -Go, go, I can't stop you. | 0:29:15 | 0:29:17 | |
-OK, thank you. -Thank you. | 0:29:17 | 0:29:19 | |
Let's go and have a look. | 0:29:19 | 0:29:20 | |
£55,000 below budget, | 0:29:22 | 0:29:24 | |
this substantial 1800s hilltop cottage has open-plan living spaces, | 0:29:24 | 0:29:30 | |
six bedrooms and a self-contained annexe. | 0:29:30 | 0:29:33 | |
There are integral stables and a paddock with coastal views. | 0:29:33 | 0:29:37 | |
So... | 0:29:38 | 0:29:40 | |
Wow, that's a view and a half, isn't it? | 0:29:40 | 0:29:42 | |
Fantastic. Lucky horses. | 0:29:42 | 0:29:44 | |
-Yeah, the icing on the cake. -Yeah. | 0:29:44 | 0:29:47 | |
It's a very pretty cottage - | 0:29:47 | 0:29:49 | |
a very traditional-looking Norfolk property. | 0:29:49 | 0:29:51 | |
As soon as I walked in, I could see... | 0:29:51 | 0:29:55 | |
that this is a place that we could make our own. | 0:29:55 | 0:29:58 | |
You go through the first part of the house and it's very traditional | 0:29:58 | 0:30:01 | |
and then you open another door and it's almost like going into another house. | 0:30:01 | 0:30:04 | |
It's finding another exciting part to the property. | 0:30:04 | 0:30:08 | |
The further you went in, it just kept giving and giving and giving. | 0:30:08 | 0:30:14 | |
I think it's in a fantastic location. | 0:30:14 | 0:30:16 | |
It's on the top of a hill and the outlook is fantastic - | 0:30:16 | 0:30:19 | |
you know, all your fields all around you and a view to the sea. | 0:30:19 | 0:30:22 | |
It's a beautiful setting. Absolutely lovely. | 0:30:22 | 0:30:25 | |
If we could think about how we could make the land work for the horses, | 0:30:25 | 0:30:29 | |
we'd definitely be interested in the house. | 0:30:29 | 0:30:32 | |
I could see us living here, definitely. | 0:30:32 | 0:30:34 | |
It certainly offers more than this facade suggests, doesn't it? | 0:30:38 | 0:30:42 | |
-It does. -Absolutely, yeah. -It's very surprising. | 0:30:42 | 0:30:44 | |
And you both look very at home, already, may I say? | 0:30:44 | 0:30:48 | |
Yeah, we are. | 0:30:48 | 0:30:49 | |
-Not bad for a first day of house-hunting. -Yeah. | 0:30:49 | 0:30:52 | |
'We're in Norfolk, | 0:31:08 | 0:31:09 | |
'helping Keith and Karen from Hertfordshire find a house | 0:31:09 | 0:31:12 | |
'with land for their two horses and six dogs.' | 0:31:12 | 0:31:15 | |
We've already shown them some amazing property, | 0:31:15 | 0:31:18 | |
within their budget of £850,000, | 0:31:18 | 0:31:22 | |
but there's more to see. | 0:31:22 | 0:31:23 | |
And our Mystery offering could be the outsider in the field, | 0:31:23 | 0:31:27 | |
but will it have a winning finish? | 0:31:27 | 0:31:29 | |
It has potential, yeah, and it doesn't faze me, at all. | 0:31:29 | 0:31:32 | |
-No? -No. -You look very calm about all of this. | 0:31:32 | 0:31:34 | |
-Mm-hm. -Yeah. -Fantastic. | 0:31:34 | 0:31:36 | |
'Plus, I get into the groove with a very special Norfolk collection.' | 0:31:36 | 0:31:42 | |
-All you do is put it in the frame, like that... -Right. | 0:31:42 | 0:31:46 | |
..and pull the frame down. | 0:31:46 | 0:31:49 | |
ORGAN PLAYS LOUDLY | 0:31:49 | 0:31:51 | |
Well done! | 0:31:51 | 0:31:52 | |
Today we have two more houses for Karen and Keith. | 0:31:57 | 0:31:59 | |
Later, I'll be showing them our Mystery House, | 0:31:59 | 0:32:01 | |
which will test their willingness | 0:32:01 | 0:32:04 | |
to put in some work to create their dream home. | 0:32:04 | 0:32:07 | |
But first I have a property which is the most modern of them all. | 0:32:07 | 0:32:11 | |
Day two of our house hunt is taking us to Hillington. | 0:32:18 | 0:32:22 | |
One and a half miles away, the Sandringham Estate village of Flitcham | 0:32:22 | 0:32:25 | |
has a community centre which was extensively renovated and reopened | 0:32:25 | 0:32:31 | |
by the Queen in the year 2000. | 0:32:31 | 0:32:33 | |
The 12th century part of its church are largely in ruins, | 0:32:33 | 0:32:38 | |
but the 19th century sections still serve the community. | 0:32:38 | 0:32:42 | |
A short distance away, Hillington's church of St Mary's | 0:32:42 | 0:32:45 | |
is built from blue carrstone from the quarries of the royal estate. | 0:32:45 | 0:32:49 | |
A 300-year-old coaching inn is now a hotel, restaurant and bar | 0:32:49 | 0:32:54 | |
whilst elsewhere, the village provides post office facilities. | 0:32:54 | 0:32:58 | |
Then, located well back from the main road is our next property. | 0:32:58 | 0:33:02 | |
You said you liked barn conversions, | 0:33:02 | 0:33:04 | |
I do. | 0:33:04 | 0:33:06 | |
It's not quite a barn conversion because it never used to be a barn, | 0:33:06 | 0:33:09 | |
but it's a house that was built 17 years ago in the style of a barn conversion. | 0:33:09 | 0:33:13 | |
It does look very much like a barn conversion. | 0:33:13 | 0:33:17 | |
It looks interesting. | 0:33:17 | 0:33:18 | |
What do you think about the setting? | 0:33:18 | 0:33:20 | |
-Yeah, so from the gate, this is all yours. -Yeah. | 0:33:24 | 0:33:26 | |
So there's obviously the driveway. | 0:33:26 | 0:33:28 | |
There is the issue of the main road out the front. | 0:33:28 | 0:33:30 | |
Yeah, how much of an issue is that? | 0:33:30 | 0:33:32 | |
We'd have to give it some serious thought. | 0:33:32 | 0:33:35 | |
Whenever you buy a house there's always compromises, so maybe this is the compromise. | 0:33:35 | 0:33:39 | |
It's the newest property I'll be showing you. | 0:33:39 | 0:33:42 | |
-New's not bad. I don't mind new. -No, modern is good. | 0:33:42 | 0:33:45 | |
Modern is good, yeah. | 0:33:45 | 0:33:46 | |
Purpose-built in 1999, this spacious single-storey property | 0:33:46 | 0:33:51 | |
reveals its contemporary proportions in the entrance hall. | 0:33:51 | 0:33:54 | |
-OK. -It's a grand entrance as you get with this style of home, generally. | 0:33:58 | 0:34:02 | |
Yes, it's a wonderful space, yes. | 0:34:02 | 0:34:04 | |
And you can see it's new, can't you, as you come in? | 0:34:04 | 0:34:07 | |
It feels quite modern. | 0:34:07 | 0:34:08 | |
But the real showpiece, I think, is here. | 0:34:08 | 0:34:10 | |
So in the sitting room you've got the double high ceiling. | 0:34:13 | 0:34:17 | |
-That's interesting. -Wow. I didn't expect that, I have to say. | 0:34:17 | 0:34:21 | |
I love the vaulted ceiling with the beams up there. | 0:34:21 | 0:34:23 | |
-And it's nice and light. -Yeah, beautifully light, yeah. | 0:34:23 | 0:34:27 | |
-Cup of tea area. -Cup of tea area, that's right, yeah. | 0:34:27 | 0:34:29 | |
And I like the fire as well, it kind of works both sides, doesn't it? | 0:34:29 | 0:34:33 | |
Absolutely, so if you're having dinner and you've got people round | 0:34:33 | 0:34:36 | |
-you see it and come here. -Yeah, it's nice. | 0:34:36 | 0:34:39 | |
It does look like a barn conversion and it feels just like that. | 0:34:39 | 0:34:41 | |
-It's quite cosy. -Do you like it so far? | 0:34:41 | 0:34:43 | |
There's also the conservatory which looks out onto the garden. | 0:34:43 | 0:34:46 | |
-Yes, I like the conservatory. -Yes, it's good, yes. | 0:34:46 | 0:34:50 | |
It's good, I like that you're warming to this house. This way. | 0:34:50 | 0:34:52 | |
HE LAUGHS | 0:34:52 | 0:34:55 | |
Off this central open-plan living space we find the large, | 0:34:57 | 0:35:00 | |
well-equipped kitchen. | 0:35:00 | 0:35:03 | |
This house comes with a very good sized kitchen. | 0:35:03 | 0:35:06 | |
-Here's a good space. -It's massive, isn't it? It's huge. | 0:35:06 | 0:35:10 | |
In fact, you could put your dining table here. | 0:35:10 | 0:35:13 | |
You could definitely live in here and not move out of here for the | 0:35:13 | 0:35:16 | |
-whole day, couldn't you, really? -I really like it, it's a good space. | 0:35:16 | 0:35:20 | |
So the house has surprised you as you've come in? | 0:35:20 | 0:35:24 | |
-It has, yeah, pleasantly surprised me. -Yeah, it's nice, | 0:35:24 | 0:35:26 | |
it really is, it really is a lovely house. | 0:35:26 | 0:35:28 | |
It's beautiful. You'd move in and it will be fantastic, wouldn't it?. | 0:35:28 | 0:35:31 | |
-This house is completely ready for you to move into. -Yeah. | 0:35:31 | 0:35:33 | |
To one end of the kitchen is a utility and cloakroom | 0:35:35 | 0:35:38 | |
and then to the other end, a hall leads through to an annex | 0:35:38 | 0:35:42 | |
containing a further reception currently used as an office | 0:35:42 | 0:35:45 | |
and an en-suite double bedroom. | 0:35:45 | 0:35:47 | |
But the additional three bedrooms are in the remaining wing | 0:35:49 | 0:35:51 | |
at the far end of the main house. | 0:35:51 | 0:35:53 | |
Here there's a guest double with an en-suite bathroom, | 0:35:53 | 0:35:57 | |
another double with an en-suite shower room | 0:35:57 | 0:35:59 | |
and then there's the fourth and final bedroom. | 0:35:59 | 0:36:02 | |
If you were to buy this house, this would be your master bedroom. | 0:36:03 | 0:36:07 | |
I could see us in here, Keith. It's really nice. | 0:36:08 | 0:36:12 | |
It's lovely, I love the doors out onto the garden. | 0:36:12 | 0:36:15 | |
And I could see that the horses would be just there. | 0:36:15 | 0:36:18 | |
Good spot. You really want to live with your horses, you can with | 0:36:18 | 0:36:21 | |
-this property. -And it's got -an en-suite. It's a suite. | 0:36:21 | 0:36:24 | |
And a little walk-in closet, walk-in wardrobe. | 0:36:24 | 0:36:26 | |
It's very nicely done, isn't it? | 0:36:26 | 0:36:28 | |
Ticks all the boxes, doesn't it? Yeah, good. | 0:36:30 | 0:36:33 | |
-All right, let's head on outside. -Yeah. | 0:36:33 | 0:36:36 | |
Keith and Karen certainly like the contemporary single-storey | 0:36:37 | 0:36:40 | |
living on offer in this barn conversion style property | 0:36:40 | 0:36:44 | |
with just over an acre of land there are formal gardens, | 0:36:44 | 0:36:48 | |
a double garage and workshop | 0:36:48 | 0:36:50 | |
and a paddock with a stable block for the horses. | 0:36:50 | 0:36:53 | |
It's a very nice set up out here. | 0:36:56 | 0:36:58 | |
It is a nice set-up, I was hoping you'd say that, | 0:36:58 | 0:37:01 | |
because as you spied from inside the house, you've got two stables here. | 0:37:01 | 0:37:06 | |
But if you don't think that space is enough for the two horses, | 0:37:06 | 0:37:09 | |
what is also an option and what the current owners do | 0:37:09 | 0:37:12 | |
is they lease out nine acres from the farmer. | 0:37:12 | 0:37:16 | |
-Oh, wow. -Interesting. -Exactly. | 0:37:16 | 0:37:18 | |
Because I don't think you would have come to see this house. | 0:37:18 | 0:37:21 | |
No, we wouldn't have done. Definitely not. | 0:37:21 | 0:37:23 | |
Everything you've asked for exists in this house and it's ready to move | 0:37:23 | 0:37:27 | |
into, you and the horses and the dogs and some chickens if you want. | 0:37:27 | 0:37:30 | |
HE LAUGHS | 0:37:30 | 0:37:33 | |
How much is this property on the market for? | 0:37:33 | 0:37:36 | |
-Around 650. -OK. | 0:37:36 | 0:37:40 | |
I reckon it's worth much more than that and I reckon 795,000. | 0:37:40 | 0:37:46 | |
You're closer, you'll be pleased to know. | 0:37:47 | 0:37:50 | |
-It's actually on the market for 599,950. -No! | 0:37:50 | 0:37:54 | |
So just under 600,000. | 0:37:54 | 0:37:57 | |
-That's put a smile on our faces, hasn't it? -Yeah, yeah, yeah. | 0:37:57 | 0:38:00 | |
-Go and have a wander round. -OK. | 0:38:00 | 0:38:02 | |
Have a think now you know the price of the property. | 0:38:02 | 0:38:05 | |
-It's a very attractive price. -It is. -And I'll meet you out the front. | 0:38:05 | 0:38:09 | |
-OK. -OK, thank you. -Thank you. | 0:38:09 | 0:38:11 | |
It's a very attractive price, so they should consider it. | 0:38:12 | 0:38:18 | |
I know the main road's a problem, | 0:38:18 | 0:38:19 | |
but it's a really good option for them. | 0:38:19 | 0:38:21 | |
An incredible £250,000 below budget. | 0:38:24 | 0:38:29 | |
This modern single-storey home has contemporary open-plan living, | 0:38:29 | 0:38:33 | |
a large kitchen, a total of four bedrooms all with ensuite | 0:38:33 | 0:38:37 | |
bathrooms, plus a paddock and stable block. | 0:38:37 | 0:38:40 | |
Much bigger than you'd actually think when you come through | 0:38:40 | 0:38:42 | |
the door. You don't expect it to be as big as this, do you? | 0:38:42 | 0:38:45 | |
-I like the lofty ceilings as well. -Yeah, it's great. | 0:38:45 | 0:38:48 | |
There's lots of options because it's such a big room. | 0:38:48 | 0:38:51 | |
-Yeah. -The house itself, I mean, it's fantastic, | 0:38:51 | 0:38:54 | |
you know, looks like a barn conversion, | 0:38:54 | 0:38:57 | |
feels like a barn conversion, | 0:38:57 | 0:38:58 | |
very modern inside and the gallery in the main living room, | 0:38:58 | 0:39:01 | |
that's a lovely place to sit and look out across the land | 0:39:01 | 0:39:06 | |
at the back of the house. | 0:39:06 | 0:39:08 | |
I think this property offers us everything that we really could | 0:39:08 | 0:39:11 | |
ever want and more, probably. | 0:39:11 | 0:39:13 | |
Another double bedroom. | 0:39:15 | 0:39:16 | |
Yeah, it's big enough for a double bed, isn't it? | 0:39:16 | 0:39:19 | |
Nice ensuite as well. | 0:39:19 | 0:39:20 | |
-And a nice big window looking out onto the garden. -Yeah, perfect. | 0:39:20 | 0:39:25 | |
The price really surprised me, I have to say. | 0:39:26 | 0:39:28 | |
I mean, it was a nice shock. on the basis it would leave | 0:39:28 | 0:39:31 | |
quite a lot of money left from our budget to do other things. | 0:39:31 | 0:39:34 | |
Definitely an interesting sort of option and not one we may have come | 0:39:34 | 0:39:38 | |
to see had we been looking on our own. | 0:39:38 | 0:39:40 | |
How could you not love this house? It's a lovely house. It really is. | 0:39:40 | 0:39:44 | |
Have I given you a bit of a dilemma? | 0:39:47 | 0:39:49 | |
-I think you have, yeah, definitely. -Yeah, definitely. -Good. | 0:39:50 | 0:39:55 | |
Let's hit the road, because we've still got another house to see. | 0:39:55 | 0:39:58 | |
Looking forward to that one as well. | 0:39:58 | 0:40:00 | |
The small Norfolk village of Thursford, | 0:40:05 | 0:40:07 | |
just a few miles inland from the coast | 0:40:07 | 0:40:10 | |
is now home to a fascinating museum of vintage engines, | 0:40:10 | 0:40:14 | |
fairground rides and musical organs. | 0:40:14 | 0:40:17 | |
It all started with George Cushing, the son of a farm hand, | 0:40:17 | 0:40:21 | |
born here in 1904. | 0:40:21 | 0:40:23 | |
Young George developed a fascination with the sights | 0:40:23 | 0:40:26 | |
of the travelling fairs, | 0:40:26 | 0:40:28 | |
and, as a teenager, he travelled to King's Lynn to get a job | 0:40:28 | 0:40:31 | |
as the driver of a steam roller. | 0:40:31 | 0:40:33 | |
When the steam engines he drove were being sold off, | 0:40:33 | 0:40:36 | |
George decided to preserve them, | 0:40:36 | 0:40:38 | |
along with other soon-to-be-obsolete machines. | 0:40:38 | 0:40:41 | |
His farm in Thursford soon became a centre for | 0:40:41 | 0:40:44 | |
fellow mechanical enthusiasts, | 0:40:44 | 0:40:46 | |
who flocked to help repair, as well as view, his latest acquisitions. | 0:40:46 | 0:40:51 | |
The collection, featuring 47 steam engines, | 0:40:51 | 0:40:54 | |
is now in a museum cared for by his descendants, | 0:40:54 | 0:40:57 | |
including grandson Charlie Cushing, | 0:40:57 | 0:40:59 | |
'who's on hand to tell me more about grandfather George.' | 0:40:59 | 0:41:03 | |
Tell me all about the family collection - | 0:41:03 | 0:41:05 | |
it's really grown over the years. | 0:41:05 | 0:41:07 | |
When my grandfather, George, was very young, | 0:41:07 | 0:41:10 | |
he went to see numerous different fairs, | 0:41:10 | 0:41:12 | |
and there are memories he talked about when he'd go to the fair, | 0:41:12 | 0:41:15 | |
see all the showman's engines running all the lights, | 0:41:15 | 0:41:18 | |
the music and, you can imagine, | 0:41:18 | 0:41:20 | |
in those sort of days, you rarely left your own village, | 0:41:20 | 0:41:22 | |
to see all this wonderful, sort of, spectacle arrive, | 0:41:22 | 0:41:26 | |
it was quite incredible. | 0:41:26 | 0:41:27 | |
I think that's where that, sort of, | 0:41:27 | 0:41:29 | |
initial passion was really instilled, from quite a young age. | 0:41:29 | 0:41:31 | |
When the engines were being sold for scrap back in the 1930s, | 0:41:31 | 0:41:36 | |
they were being sold for, some of them, around about £20. | 0:41:36 | 0:41:39 | |
And he went on to buy three of his most enjoyable engines | 0:41:39 | 0:41:43 | |
that he really did love, and that was Alexandra, Unity and Victory. | 0:41:43 | 0:41:48 | |
How many members of the family have that passion for steam engines? | 0:41:48 | 0:41:51 | |
Well, there's three of us involved in the business. | 0:41:51 | 0:41:54 | |
And it's about more than steam engines, isn't it? | 0:41:54 | 0:41:57 | |
Yes, it is, yeah. We've got the mechanical organs, as well, | 0:41:57 | 0:42:00 | |
we've got ten of those. | 0:42:00 | 0:42:02 | |
If you just head on into the main museum, | 0:42:02 | 0:42:03 | |
then they'll be in there, playing for you. | 0:42:03 | 0:42:05 | |
-Wonderful, thank you very much, Charlie. -Nice to meet you. | 0:42:05 | 0:42:08 | |
'Bob Ince, who was a schoolboy apprentice, | 0:42:10 | 0:42:12 | |
'first came to work on the museum's organ collection in the 1970s, | 0:42:12 | 0:42:17 | |
'and has been a regular ever since. | 0:42:17 | 0:42:19 | |
'He's showing me an organ which started life in a cinema, | 0:42:19 | 0:42:23 | |
'before it was adapted to play in a fairground ride.' | 0:42:23 | 0:42:26 | |
You've got to tell me how it works, cos I can see this whirring away. | 0:42:26 | 0:42:29 | |
This is the drive driving. | 0:42:29 | 0:42:31 | |
-OK. -But the actual drive, here, | 0:42:31 | 0:42:33 | |
was usually done by what they call a model - a steam engine. | 0:42:33 | 0:42:35 | |
And you've got a lot of music, here. | 0:42:35 | 0:42:38 | |
There's an enormous amount. | 0:42:38 | 0:42:39 | |
Could you play anything, in theory, | 0:42:39 | 0:42:41 | |
that could be adapted for an organ? | 0:42:41 | 0:42:43 | |
You could, yes. | 0:42:43 | 0:42:45 | |
For instance, in Holland, when the Beatles were popular, | 0:42:45 | 0:42:48 | |
all the street organs had Beatles' tunes. | 0:42:48 | 0:42:50 | |
There is still a call for them. | 0:42:50 | 0:42:52 | |
But, of course, these books here are old, | 0:42:52 | 0:42:54 | |
and I think you could say some of them are 70, 80 years old. | 0:42:54 | 0:42:58 | |
They've done pretty well. | 0:42:58 | 0:42:59 | |
Yeah, they really have. | 0:42:59 | 0:43:01 | |
When the music goes through the key frame, | 0:43:01 | 0:43:03 | |
these little keys here, they're allowed to jump up. | 0:43:03 | 0:43:06 | |
They read the music. You can see the music's got slots. | 0:43:06 | 0:43:08 | |
Oh, so, this is the music. | 0:43:08 | 0:43:10 | |
This is some of the music, | 0:43:10 | 0:43:12 | |
-and all you do is put it in the frame, like that... -Right. | 0:43:12 | 0:43:17 | |
..and pull the frame down. | 0:43:17 | 0:43:20 | |
ORGAN PLAYS LOUDLY | 0:43:20 | 0:43:22 | |
Well done. | 0:43:22 | 0:43:23 | |
'But the museum isn't only home to mechanical organs - | 0:43:28 | 0:43:32 | |
'Bob also helped to reassemble a mighty Wurlitzer, | 0:43:32 | 0:43:35 | |
'thought to be the fourth-largest in Europe | 0:43:35 | 0:43:38 | |
'and rescued from a 3,000-seater cinema in Leeds. | 0:43:38 | 0:43:42 | |
'Organist Robert Wolfe regularly performs on the instrument | 0:43:42 | 0:43:45 | |
'and has promised me a private demonstration.' | 0:43:45 | 0:43:48 | |
So, tell me, what's so special about the Wurlitzer? | 0:43:49 | 0:43:52 | |
It's just a magnificent-looking instrument, | 0:43:52 | 0:43:55 | |
and, I think, once you hear it, as well, | 0:43:55 | 0:43:56 | |
it's just a powerful, unique piece of art. | 0:43:56 | 0:44:00 | |
'Designed to replace the pit orchestras that once accompanied | 0:44:01 | 0:44:05 | |
'silent movies, at the peak of production in 1926, | 0:44:05 | 0:44:09 | |
'the Rudolph Wurlitzer Company was shipping one of these | 0:44:09 | 0:44:11 | |
'magnificent instruments a day. | 0:44:11 | 0:44:14 | |
'Their success was down to combining 2,000-year-old pipe organ technology | 0:44:14 | 0:44:19 | |
'with modern electronics, that allowed for adventurous, | 0:44:19 | 0:44:22 | |
'synthesised effects.' | 0:44:22 | 0:44:24 | |
The Wurlitzers were built to replace, like, a whole orchestra. | 0:44:24 | 0:44:27 | |
-Oh. -So, you see all of the slots on the organ - | 0:44:27 | 0:44:29 | |
you have clarinets, saxophones, oboes, a string section. | 0:44:29 | 0:44:33 | |
-Basically, a whole orchestra. -I see. | 0:44:33 | 0:44:35 | |
How do you get into playing an organ like this? | 0:44:35 | 0:44:38 | |
Well, many years ago, my father took me to a cinema, locally, | 0:44:38 | 0:44:41 | |
to an organ concert, when I was 12 years old, | 0:44:41 | 0:44:44 | |
and the first time I saw this organ rising out of the floor, | 0:44:44 | 0:44:47 | |
I was completely hooked. | 0:44:47 | 0:44:48 | |
And a piano just wouldn't have done? | 0:44:48 | 0:44:50 | |
No, no, it had to be the organ. It had to be the organ. | 0:44:50 | 0:44:52 | |
-Can we have a little preview? -Of course you can. Yeah, definitely. | 0:44:52 | 0:44:55 | |
-That would be amazing. -Definitely. | 0:44:55 | 0:44:57 | |
Thank you. | 0:44:57 | 0:44:58 | |
HE PLAYS Entry Of The Gladiators by Julius Fucik | 0:45:01 | 0:45:04 | |
'Robert first played here when he was 14, | 0:45:09 | 0:45:11 | |
'and almost 40 years later, | 0:45:11 | 0:45:13 | |
'it's easy to hear why this organ still has him hooked, | 0:45:13 | 0:45:16 | |
'enchanting audiences just as it has for generations gone by.' | 0:45:16 | 0:45:21 | |
So, what do you think I have up my sleeve for the Mystery House? | 0:45:27 | 0:45:31 | |
I'm hoping you haven't got a nice, converted windmill, | 0:45:31 | 0:45:35 | |
or a converted water mill, | 0:45:35 | 0:45:38 | |
or a thatched property, | 0:45:38 | 0:45:41 | |
cos I'm not enthusiastic about those. | 0:45:41 | 0:45:43 | |
I'm hoping that the house and the land | 0:45:43 | 0:45:46 | |
are going to be exactly what we've asked for. | 0:45:46 | 0:45:50 | |
What if the land is exactly what you want, but the house isn't? | 0:45:50 | 0:45:54 | |
-Then there's things that we can do to alter a house... -Yeah. | 0:45:54 | 0:45:58 | |
..but, generally, you can't alter the land. | 0:45:58 | 0:46:01 | |
I guess we'll wait and see. You're going to surprise us, aren't you? | 0:46:01 | 0:46:05 | |
Our Mystery offering is located in the small village | 0:46:08 | 0:46:11 | |
of Tilney All Saints. | 0:46:11 | 0:46:13 | |
Nearby facilities, found in the larger village of | 0:46:13 | 0:46:16 | |
Terrington St Clement, | 0:46:16 | 0:46:18 | |
include two pubs serving food, takeaways, | 0:46:18 | 0:46:21 | |
a well-stocked hardware store and a vet. | 0:46:21 | 0:46:24 | |
Built on reclaimed marshland, | 0:46:24 | 0:46:27 | |
it's thought the soft soil of the region | 0:46:27 | 0:46:29 | |
is why the impressive tower of St Clement's | 0:46:29 | 0:46:31 | |
was constructed apart from the church itself. | 0:46:31 | 0:46:35 | |
Just under three miles away, | 0:46:35 | 0:46:37 | |
Tilney All Saints' long nave is perhaps | 0:46:37 | 0:46:39 | |
once again the result of builders battling its marshland setting. | 0:46:39 | 0:46:44 | |
The village here has a community hall and a primary school | 0:46:44 | 0:46:48 | |
and located just over a mile from the centre is our Mystery House. | 0:46:48 | 0:46:52 | |
That's a very handsome house. | 0:46:52 | 0:46:54 | |
It's very imposing, actually. | 0:46:54 | 0:46:56 | |
It looks quite grand, from the outside. | 0:46:56 | 0:46:58 | |
Yeah, it's got a lovely facade to it. | 0:46:58 | 0:46:59 | |
-First impressions are fantastic, actually. -Yeah? | 0:46:59 | 0:47:02 | |
And then you've got the view out across the land, I guess, | 0:47:02 | 0:47:04 | |
which, I presume, is all part of the property? | 0:47:04 | 0:47:06 | |
It is, and I know how important land is to you both. | 0:47:06 | 0:47:09 | |
It comes with five and a half acres that belongs to the property... | 0:47:09 | 0:47:13 | |
-Fantastic. -..and a lot of paddock space. | 0:47:13 | 0:47:16 | |
The amount of land sounds just right. | 0:47:16 | 0:47:18 | |
It's perfect for the two horses and being right outside the house. | 0:47:18 | 0:47:21 | |
-Yes. -So, fantastic. Yeah. | 0:47:21 | 0:47:23 | |
-Yeah, good. -So far, so good. | 0:47:23 | 0:47:24 | |
-Happy so far? -Yeah. -Yeah, excellent. Yeah. | 0:47:24 | 0:47:26 | |
Now it's time to reveal the Mystery. | 0:47:26 | 0:47:29 | |
Let's go inside. | 0:47:29 | 0:47:30 | |
-OK, thank you. -OK. | 0:47:30 | 0:47:32 | |
'Karen has a love of Georgian properties | 0:47:32 | 0:47:34 | |
'and this one has certainly impressed them | 0:47:34 | 0:47:36 | |
'with its land and exterior. | 0:47:36 | 0:47:38 | |
'A front door framed with Doric columns takes us | 0:47:38 | 0:47:41 | |
'via an elegant entrance hall into the large drawing room of | 0:47:41 | 0:47:45 | |
'this part-furnished home.' | 0:47:45 | 0:47:47 | |
So, as you can see, the house really needs a bit of a loving touch. | 0:47:51 | 0:47:56 | |
-It certainly does. -Yeah. | 0:47:56 | 0:47:57 | |
That's the Mystery - you would need to put your own stamp on it. | 0:47:57 | 0:48:02 | |
Well, we're not afraid of hard work, and we've done it before | 0:48:02 | 0:48:04 | |
and we can do it again, so we're up for the challenge. | 0:48:04 | 0:48:07 | |
Yeah, definitely. It's dated, but I can see some original features. | 0:48:07 | 0:48:11 | |
-Yeah, I love the floor, actually. -Yes, very good. -Yeah. | 0:48:11 | 0:48:15 | |
Around the edge of the carpet, the middle, | 0:48:15 | 0:48:17 | |
it's like a dance floor or something, isn't it? | 0:48:17 | 0:48:19 | |
And that bay window just is perfect to look out onto | 0:48:19 | 0:48:23 | |
the paddocks, and, you know, again, you can keep an eye on the horses. | 0:48:23 | 0:48:27 | |
I can just see myself sitting there, looking out onto the grass there | 0:48:27 | 0:48:30 | |
and to the pond out there. | 0:48:30 | 0:48:31 | |
-Yeah, I'm keen to see more. -Yeah. | 0:48:31 | 0:48:34 | |
Shall we go through to the kitchen? | 0:48:34 | 0:48:35 | |
-Let's do that. -Lead the way. -Thank you. | 0:48:35 | 0:48:38 | |
'Keith and Karen seem open to the potential of this project property, | 0:48:38 | 0:48:43 | |
'and there are three further reception spaces on this floor, | 0:48:43 | 0:48:46 | |
'as well as a downstairs bathroom, boot room and a utility.' | 0:48:46 | 0:48:50 | |
-Here we are in the kitchen. -Right, yeah. | 0:48:54 | 0:48:57 | |
I think this is one of the first rooms you'd do up, really. | 0:48:57 | 0:49:00 | |
-Yeah. -I think you'd have to. But it's a good-sized room. | 0:49:00 | 0:49:02 | |
It's a good, square room. | 0:49:02 | 0:49:04 | |
Yeah, the window's big, isn't it? Nice. | 0:49:04 | 0:49:05 | |
Yeah, it looks out onto your courtyard. | 0:49:05 | 0:49:07 | |
But, yeah, it offers a lot of potential, doesn't it? | 0:49:07 | 0:49:09 | |
It has potential, yeah, and it doesn't faze me at all. | 0:49:09 | 0:49:11 | |
-No? -No. -You look very calm about all of this. | 0:49:11 | 0:49:14 | |
-Mm-hm. -Yeah. -Fantastic. | 0:49:14 | 0:49:16 | |
-Let's go upstairs. -After you. | 0:49:16 | 0:49:17 | |
Upstairs, there are six bedrooms, | 0:49:25 | 0:49:27 | |
and they're all served by a family bathroom. | 0:49:27 | 0:49:30 | |
A large bedroom lies to the front, above the drawing room, | 0:49:30 | 0:49:33 | |
and has windows to two sides. | 0:49:33 | 0:49:36 | |
Then, behind this is the largest of the six bedrooms, | 0:49:36 | 0:49:39 | |
with built-in storage. | 0:49:39 | 0:49:42 | |
'All these rooms are reached by a landing | 0:49:42 | 0:49:44 | |
'with rather grand proportions.' | 0:49:44 | 0:49:47 | |
And this, I think, is beautiful in itself - | 0:49:47 | 0:49:49 | |
almost another room, this hallway. | 0:49:49 | 0:49:51 | |
-It is. -Yes, it's huge, this landing. | 0:49:51 | 0:49:52 | |
Yeah, it's amazing, isn't it? | 0:49:52 | 0:49:54 | |
-You don't get this in a normal house, do you? -No. | 0:49:54 | 0:49:56 | |
'Enough space for Keith and Karen inside - | 0:49:58 | 0:50:01 | |
'now to show them where their horses would be staying. | 0:50:01 | 0:50:04 | |
'Outside, a driveway leads to a courtyard, | 0:50:04 | 0:50:07 | |
'surrounded by a variety of outbuildings.' | 0:50:07 | 0:50:09 | |
You've got two stables. | 0:50:10 | 0:50:12 | |
You could turn the end part into a third stable, | 0:50:12 | 0:50:15 | |
-if you wanted another horse. -All right. | 0:50:15 | 0:50:16 | |
That's the original tack room, | 0:50:16 | 0:50:18 | |
-so the current owners use this for their horses. -OK. Mm-hm. | 0:50:18 | 0:50:21 | |
Two garages and some more outbuildings. | 0:50:21 | 0:50:24 | |
-Well, there's plenty of space, isn't there? -OK. | 0:50:24 | 0:50:26 | |
Even for Karen's trailer for her horse, | 0:50:26 | 0:50:29 | |
-as well, it would be fantastic. -Oh, plenty of room. | 0:50:29 | 0:50:31 | |
-Yeah. -Absolutely, yeah, more than we'd need. | 0:50:31 | 0:50:33 | |
-More than we'd need, yeah, definitely. -Yeah, I'm happy. | 0:50:33 | 0:50:36 | |
-Let's head where we started. -OK. Thank you. | 0:50:36 | 0:50:38 | |
'This house may come with the requisite land and outbuildings, | 0:50:38 | 0:50:42 | |
'as well as more than enough accommodation, | 0:50:42 | 0:50:44 | |
'but it is quite a renovation project, | 0:50:44 | 0:50:47 | |
'so I suspect Keith and Karen's final judgment | 0:50:47 | 0:50:50 | |
'will all come down to the price.' | 0:50:50 | 0:50:52 | |
What about the challenge of the Mystery? | 0:50:52 | 0:50:55 | |
Well, it is a challenge. | 0:50:55 | 0:50:56 | |
It's a very imposing property, | 0:50:56 | 0:50:58 | |
but it does need a bit of work inside, | 0:50:58 | 0:51:00 | |
to bring it up to modern-day standards. | 0:51:00 | 0:51:02 | |
It depends whether we've got the money to do it, I guess. | 0:51:02 | 0:51:05 | |
So, we'd better talk about the price. | 0:51:05 | 0:51:06 | |
I'm going to say... | 0:51:06 | 0:51:08 | |
740,000. | 0:51:08 | 0:51:10 | |
OK. | 0:51:10 | 0:51:12 | |
And I'm hoping it's going to be... | 0:51:12 | 0:51:15 | |
720. | 0:51:15 | 0:51:18 | |
Well, you're both not far off, relatively. | 0:51:18 | 0:51:20 | |
It's actually on the market for... | 0:51:20 | 0:51:23 | |
£695,000. | 0:51:23 | 0:51:26 | |
-Right. -Is it, really? -Yes. -Wow. Yeah. | 0:51:26 | 0:51:29 | |
I'm surprised, again, you know. | 0:51:29 | 0:51:31 | |
-That's... -Good value, I would have thought. | 0:51:31 | 0:51:33 | |
It's not been on the market long is what I would say, | 0:51:33 | 0:51:36 | |
just a couple of weeks. | 0:51:36 | 0:51:37 | |
-Right, yeah. -OK, pleasantly surprised again. | 0:51:37 | 0:51:40 | |
I think within your overall budget, you could actually have a very | 0:51:40 | 0:51:44 | |
nice option, it's whether you're pleased with the overall picture. | 0:51:44 | 0:51:47 | |
It's good. | 0:51:47 | 0:51:49 | |
The land for the horses - there's enough there for that | 0:51:49 | 0:51:52 | |
and it's got a very good size garden as well. I'm happy with that. | 0:51:52 | 0:51:55 | |
Yeah, and plenty of outbuildings and the courtyard space to keep | 0:51:55 | 0:51:58 | |
the dogs safe so, yeah, I think it would work for us actually, yes. | 0:51:58 | 0:52:02 | |
Why don't you have another look around? | 0:52:02 | 0:52:04 | |
Have a chat and I will meet you in the courtyard. | 0:52:04 | 0:52:06 | |
-OK, thank you. -OK, thanks very much. | 0:52:06 | 0:52:09 | |
I really think this house could work for them, | 0:52:11 | 0:52:14 | |
but it's whether that challenge is too daunting. | 0:52:14 | 0:52:18 | |
Leaving £155,000 to spare in the budget, | 0:52:20 | 0:52:24 | |
this Georgian country home comes with four reception rooms, | 0:52:24 | 0:52:27 | |
a kitchen breakfast room and six bedrooms. | 0:52:27 | 0:52:31 | |
There are five and a half acres of land, | 0:52:31 | 0:52:33 | |
with stables and a paddock. | 0:52:33 | 0:52:35 | |
It's a great size room, isn't it, Keith? | 0:52:37 | 0:52:39 | |
Yeah, another bedroom, I guess, but which one is the master, | 0:52:39 | 0:52:41 | |
they're so many of them. Very well proportioned, aren't they? | 0:52:41 | 0:52:44 | |
Fantastic size window, look at that. | 0:52:44 | 0:52:46 | |
-Yeah, look at the views out there. -Yeah. -Brilliant. | 0:52:46 | 0:52:49 | |
I think the Mystery House really offered | 0:52:49 | 0:52:51 | |
a lot of the requirements we had on our list, | 0:52:51 | 0:52:53 | |
I don't think we've ever been | 0:52:53 | 0:52:55 | |
in a building quite like this before, have we? | 0:52:55 | 0:52:57 | |
And it really does offer us the most land that we've seen. | 0:52:57 | 0:53:00 | |
-This is an amazing house. -Yeah. | 0:53:00 | 0:53:02 | |
I was quite excited about it, initially, when I first saw it, | 0:53:02 | 0:53:05 | |
but we realise it's quite a large project to take on | 0:53:05 | 0:53:10 | |
and we need to think about it. | 0:53:10 | 0:53:13 | |
The amount of work that's required, | 0:53:13 | 0:53:15 | |
I imagine it's going to take us a bit of time to do that, | 0:53:15 | 0:53:17 | |
so, you know, do we want to commit ourselves to that | 0:53:17 | 0:53:19 | |
and, you know, and spent all of our money on that kind of a project? | 0:53:19 | 0:53:23 | |
And there we have our Mystery. | 0:53:28 | 0:53:30 | |
You've seen all the houses now. | 0:53:30 | 0:53:32 | |
You're a cup-of-tea man - | 0:53:32 | 0:53:33 | |
shall we go and get one and have a chat about what you might do next? | 0:53:33 | 0:53:36 | |
-Sounds like a plan. -Yeah, let's go and do that. | 0:53:36 | 0:53:38 | |
-You're buying. -Definitely, yeah. -THEY LAUGH | 0:53:38 | 0:53:42 | |
Right, let's see if Keith and Karen like any of our properties | 0:53:50 | 0:53:53 | |
enough to make a move. | 0:53:53 | 0:53:55 | |
So, Keith and Karen, | 0:54:02 | 0:54:04 | |
what are you going to do next? | 0:54:04 | 0:54:07 | |
-Good question. -What's the move? | 0:54:07 | 0:54:09 | |
For me, the home that I would like to go and investigate more about | 0:54:09 | 0:54:13 | |
is the cottage. | 0:54:13 | 0:54:15 | |
You know, I really loved the location of that place, | 0:54:15 | 0:54:18 | |
on top of the hill, with the sea views, etc. | 0:54:18 | 0:54:21 | |
It didn't quite have the land for the horses, | 0:54:21 | 0:54:23 | |
but, you know, it's something that maybe we could investigate about | 0:54:23 | 0:54:26 | |
acquiring some more land. | 0:54:26 | 0:54:28 | |
I loved the location of it, and it had wonderful views. | 0:54:28 | 0:54:31 | |
-Yeah. -Erm, countryside views and sea views. -Oh. | 0:54:31 | 0:54:35 | |
So you've almost got the best of Norfolk. | 0:54:35 | 0:54:37 | |
-Yeah. -Absolutely, yes. | 0:54:37 | 0:54:38 | |
I think finding a property that meets all of our requirements | 0:54:38 | 0:54:41 | |
for the horses and location etc, it clearly is proving more | 0:54:41 | 0:54:46 | |
a challenge than we thought it was going to be originally. | 0:54:46 | 0:54:49 | |
And all of the houses that we've seen offered some potential | 0:54:49 | 0:54:53 | |
for the horses, but none of them quite right, maybe the last house. | 0:54:53 | 0:54:58 | |
Having seen our Mystery House | 0:54:58 | 0:55:00 | |
and being faced with that challenge of...although it was only | 0:55:00 | 0:55:04 | |
cosmetic, are you really wanting to work on a house? | 0:55:04 | 0:55:07 | |
I know you said initially you might want to. | 0:55:07 | 0:55:10 | |
I think that would have been quite a major project for us | 0:55:10 | 0:55:13 | |
to take on and it's made me realise that maybe that isn't quite what | 0:55:13 | 0:55:17 | |
I want to be doing at this stage. | 0:55:17 | 0:55:20 | |
You know, it offered lots of potential, | 0:55:20 | 0:55:21 | |
I can see somebody making that into a very, | 0:55:21 | 0:55:23 | |
very lovely home, I really can, yeah. | 0:55:23 | 0:55:25 | |
-But perhaps not for you? -Not for us. -Sadly not, no. | 0:55:25 | 0:55:29 | |
You've got such a good-sized budget for the area... | 0:55:29 | 0:55:31 | |
Yeah, I think that's what surprised us, really, it's shown | 0:55:31 | 0:55:34 | |
that you can get a property for quite considerably less | 0:55:34 | 0:55:37 | |
that pretty much meets most of our requirements, | 0:55:37 | 0:55:39 | |
maybe not all of the requirements, but most of them for quite | 0:55:39 | 0:55:42 | |
a considerable amount of money less than our original budget, so... | 0:55:42 | 0:55:46 | |
-You really... -It looks like you feel very much at home here. | 0:55:46 | 0:55:49 | |
-Yeah. -It feels like the right place for you, certainly. | 0:55:49 | 0:55:52 | |
-Yeah. -Yeah. -We feel it is. | 0:55:52 | 0:55:53 | |
I know Karen's been going on at me - | 0:55:53 | 0:55:56 | |
nagging me, if that's the right phrase. | 0:55:56 | 0:55:59 | |
-Is that the right phrase? -Nudging, nudging you. | 0:55:59 | 0:56:01 | |
Nudging me in the direction of Norfolk | 0:56:01 | 0:56:03 | |
for, you know, the last year or so, | 0:56:03 | 0:56:06 | |
and I guess now I'm coming round to the idea that it is | 0:56:06 | 0:56:08 | |
-the right place for us. -I really hope so. | 0:56:08 | 0:56:10 | |
-Well, we wish you well and keep us informed. -Absolutely. | 0:56:10 | 0:56:12 | |
-Will do, yeah. -We want to know how this all turns out. | 0:56:12 | 0:56:15 | |
-Yeah, we'll definitely do that. -Yeah, we will. | 0:56:15 | 0:56:17 | |
But it's been an absolute pleasure. | 0:56:17 | 0:56:18 | |
-Thank you very much. -Thank you. -We've enjoyed it. -Thanks, thanks. | 0:56:18 | 0:56:21 | |
It's been a lovely couple of days of house-hunting with Keith and Karen, | 0:56:27 | 0:56:31 | |
and I'm so pleased that they'd like to explore at least one of our | 0:56:31 | 0:56:34 | |
properties a little bit further. | 0:56:34 | 0:56:36 | |
I think this process has helped them realise exactly where | 0:56:36 | 0:56:40 | |
they're willing to compromise, | 0:56:40 | 0:56:41 | |
and, fingers crossed, they'll be moving to a new home | 0:56:41 | 0:56:44 | |
with their horses very soon. | 0:56:44 | 0:56:46 | |
See you next time on Escape To The Country. | 0:56:46 | 0:56:48 | |
Keith and Karen made further inquiries about | 0:56:50 | 0:56:52 | |
the cottage in Dersingham, | 0:56:52 | 0:56:53 | |
but found the adjacent paddock space they needed | 0:56:53 | 0:56:56 | |
had just been rented out and was no longer available. | 0:56:56 | 0:56:59 | |
We wish them luck with their continued search. | 0:56:59 | 0:57:02 | |
If you'd like to escape to the country in Northern Ireland, | 0:57:02 | 0:57:05 | |
Scotland, Wales or England, and need our help, | 0:57:05 | 0:57:09 | |
please apply online at: | 0:57:09 | 0:57:10 |