Browse content similar to Cambridgeshire. Check below for episodes and series from the same categories and more!
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These flat, fertile plains were once an ancient woodland, | 0:00:02 | 0:00:05 | |
surrounded by water, until, that is, | 0:00:05 | 0:00:07 | |
they were drained for farming in the 17th century. | 0:00:07 | 0:00:09 | |
So, where am I? And which one | 0:00:09 | 0:00:13 | |
of the nation's favourite vegetables is produced | 0:00:13 | 0:00:16 | |
in these very fields? I'll tell you in just a moment. | 0:00:16 | 0:00:19 | |
'Today, our house search makes a discovery that's picture perfect.' | 0:00:36 | 0:00:40 | |
Very pretty, isn't it? If you were going to draw a house, that's how | 0:00:40 | 0:00:44 | |
you would draw it! Symmetrical, isn't it? | 0:00:44 | 0:00:47 | |
-It appeals to my mathematical bent. -Does it? -Yeah. | 0:00:47 | 0:00:50 | |
'But I may have to call time on an area of dispute.' | 0:00:50 | 0:00:54 | |
Where is the brewing going to take place? | 0:00:54 | 0:00:56 | |
-I think the Wendy house. -No! -The Wendy house is now the pub | 0:00:56 | 0:01:01 | |
at the end of the garden. That's good. | 0:01:01 | 0:01:03 | |
Very creative thinking! | 0:01:03 | 0:01:05 | |
Today, we're in Cambridgeshire, in the heart of the Fens. | 0:01:07 | 0:01:11 | |
This once-waterlogged fenland is now home to one | 0:01:11 | 0:01:14 | |
of the richest agricultural lands in the whole | 0:01:14 | 0:01:17 | |
of Britain, with some of the largest producers | 0:01:17 | 0:01:19 | |
of potatoes in the country. Later on in the show, | 0:01:19 | 0:01:22 | |
I'll be meeting a farmer whose family have been | 0:01:22 | 0:01:25 | |
cultivating the humble spud here in Cambridgeshire for over 200 years. | 0:01:25 | 0:01:30 | |
Cambridgeshire is a landlocked county in East Anglia, | 0:01:32 | 0:01:35 | |
bordered by seven counties, | 0:01:35 | 0:01:37 | |
including Northamptonshire to the west and Essex to the south. | 0:01:37 | 0:01:41 | |
Although cut off from the coast, water plays an important part | 0:01:41 | 0:01:44 | |
in the county's landscape and history. | 0:01:44 | 0:01:47 | |
The River Cam starts in the university city | 0:01:47 | 0:01:50 | |
of Cambridge and runs 14-and-a-half miles north | 0:01:50 | 0:01:53 | |
to the Ouse. Punting was introduced here | 0:01:53 | 0:01:55 | |
at the beginning of the 20th century and is now | 0:01:55 | 0:01:58 | |
a firm Cambridge tradition and a great way to view | 0:01:58 | 0:02:01 | |
the historic colleges of one of the most famous | 0:02:01 | 0:02:03 | |
universities in the world. | 0:02:03 | 0:02:06 | |
Much of the county is flat and low-lying, including | 0:02:06 | 0:02:09 | |
the lowest point of the UK, at nine feet below sea level. | 0:02:09 | 0:02:12 | |
To the north are the distinct landscapes | 0:02:12 | 0:02:15 | |
of the Fens, marshy areas reclaimed from | 0:02:15 | 0:02:18 | |
the sea in a process of drainage started several | 0:02:18 | 0:02:20 | |
centuries ago. Before the successful | 0:02:20 | 0:02:24 | |
reclamation of the land, the few hills of the area | 0:02:24 | 0:02:26 | |
once acted as islands, often providing | 0:02:26 | 0:02:29 | |
sites for places of worship. One such isle was Anglesey. | 0:02:29 | 0:02:33 | |
A priory was built here at the time of Henry I, | 0:02:33 | 0:02:37 | |
being later converted to a country house in the 16th century | 0:02:37 | 0:02:40 | |
and renamed Anglesey Abbey. | 0:02:40 | 0:02:44 | |
Another former isle, Ely, is the site of a cathedral | 0:02:44 | 0:02:47 | |
first founded in the 11th century. | 0:02:47 | 0:02:49 | |
Six centuries later, the town became home to Oliver Cromwell, | 0:02:49 | 0:02:53 | |
once Lord Protector of the Commonwealth. | 0:02:53 | 0:02:56 | |
His former residence is open to the public, where his 17th century | 0:02:56 | 0:03:00 | |
family life has been imaginatively recreated. | 0:03:00 | 0:03:04 | |
So, whether it's scholarly architecture, | 0:03:04 | 0:03:06 | |
unusual rural landscapes or historic homes you're interested in, | 0:03:06 | 0:03:09 | |
Cambridgeshire is a fascinating and rewarding county to escape to. | 0:03:09 | 0:03:15 | |
Given that London is only around an hour's drive from Cambridgeshire, | 0:03:16 | 0:03:20 | |
it comes as no big surprise that property prices here | 0:03:20 | 0:03:23 | |
are above the national average, | 0:03:23 | 0:03:25 | |
but not by as much as you may expect. | 0:03:25 | 0:03:28 | |
£328,000 is the typical price of a detached property | 0:03:28 | 0:03:33 | |
here in the county, which is only | 0:03:33 | 0:03:35 | |
around 9% above the rest of England and Wales. | 0:03:35 | 0:03:39 | |
What's more, if it's the wildlife you're after, | 0:03:39 | 0:03:41 | |
then this may be the county for you, | 0:03:41 | 0:03:44 | |
because Cambridgeshire is home to some of the most | 0:03:44 | 0:03:47 | |
important nature reserves in the whole of the UK, | 0:03:47 | 0:03:50 | |
including one of the oldest, Wicken Fen. | 0:03:50 | 0:03:53 | |
So, let's meet today's buyers and find out what | 0:03:53 | 0:03:56 | |
kind of lifestyle they're hoping to find here. | 0:03:56 | 0:04:00 | |
When Dick and Louise chose their Chislehurst semi | 0:04:00 | 0:04:02 | |
to the south-east of the capital, it was in | 0:04:02 | 0:04:04 | |
a perfect, peaceful location. But as the years | 0:04:04 | 0:04:07 | |
have gone by, they've felt city life closing in. | 0:04:07 | 0:04:10 | |
It's a lot busier here than it used to be. When we first moved here | 0:04:10 | 0:04:15 | |
30 years ago, it was relatively quiet. You notice there's | 0:04:15 | 0:04:19 | |
a lot more traffic, and I think that applies | 0:04:19 | 0:04:21 | |
-throughout London, not just here. -And, of course, | 0:04:21 | 0:04:24 | |
now we've got the bus coming down the street, | 0:04:24 | 0:04:26 | |
which is something that happened seven or eight years ago. | 0:04:26 | 0:04:30 | |
Dick has retired from his job | 0:04:30 | 0:04:32 | |
in insurance and their two daughters have moved away. | 0:04:32 | 0:04:35 | |
They'd like to escape the increasing bustle of London | 0:04:35 | 0:04:38 | |
for a quiet life within easy reach of family. | 0:04:38 | 0:04:42 | |
We've now got a grandchild, who lives in Loughborough. | 0:04:42 | 0:04:47 | |
And it's currently a two and a half hour journey up there. | 0:04:47 | 0:04:52 | |
And we're trying to reduce that journey, hopefully, by about half, | 0:04:52 | 0:04:57 | |
so that we don't spend so much time in the car. | 0:04:57 | 0:04:59 | |
We've been going up to | 0:04:59 | 0:05:01 | |
Loughborough for a good ten years now, | 0:05:01 | 0:05:03 | |
because the kids were at university, and the | 0:05:03 | 0:05:06 | |
notion of moving really started with those journeys. | 0:05:06 | 0:05:11 | |
So, probably about a couple of years ago, we started playing these games, | 0:05:11 | 0:05:17 | |
as to where we might like to stop. | 0:05:17 | 0:05:19 | |
And when it comes to where they'd like to stop, | 0:05:19 | 0:05:22 | |
the couple have settled on Cambridgeshire. | 0:05:22 | 0:05:25 | |
We quite like the countryside and we're members of the | 0:05:25 | 0:05:28 | |
National Trust and the Royal Horticultural Society, | 0:05:28 | 0:05:33 | |
so we're hoping that will initially get | 0:05:33 | 0:05:35 | |
us out and about, looking at some of the places. | 0:05:35 | 0:05:37 | |
So, we're fairly confident that we can find somewhere in that area. | 0:05:37 | 0:05:44 | |
And I think also, for me, you're also near to some larger towns, | 0:05:44 | 0:05:49 | |
which, I think, having spent all my life in London, | 0:05:49 | 0:05:52 | |
I think I would miss if they weren't within easy reach. | 0:05:52 | 0:05:57 | |
As well as the culture shock of country life, Louise has some nerves | 0:05:59 | 0:06:02 | |
over leaving the family home. | 0:06:02 | 0:06:05 | |
I think I'm more nervous about the move than Dick is, | 0:06:05 | 0:06:09 | |
because I didn't work when I had the children and, | 0:06:09 | 0:06:13 | |
as such, the home has become very much my domain. | 0:06:13 | 0:06:17 | |
That's my office space, if you like. | 0:06:17 | 0:06:19 | |
And yeah, it would be very, very weird. | 0:06:19 | 0:06:23 | |
But she's hoping the move will give them more time, not only to | 0:06:24 | 0:06:27 | |
see family, but to spend on their hobbies. | 0:06:27 | 0:06:30 | |
The thing about moving nearer to our daughter | 0:06:30 | 0:06:32 | |
would probably mean that there would be less | 0:06:32 | 0:06:34 | |
overnight stops, so we would have more time on | 0:06:34 | 0:06:37 | |
our hands. I do some card crafting for | 0:06:37 | 0:06:42 | |
families and friends. That's my little hobby, which means | 0:06:42 | 0:06:47 | |
-I can get out of Dick's hair. -Mm. -If he had any! | 0:06:47 | 0:06:50 | |
I enjoy making beer, making wine - anything alcoholic! Anything that | 0:06:50 | 0:06:58 | |
involves a fermentation process, so I'm quite good | 0:06:58 | 0:07:01 | |
at making bread now. And when I have a bit more | 0:07:01 | 0:07:04 | |
time on my hands, I'll be doing a bit of vegetable gardening. | 0:07:04 | 0:07:08 | |
They're all the, I suppose, fairly standard men crafts! | 0:07:08 | 0:07:13 | |
Most of all, though, it's about starting over in fresh surroundings. | 0:07:13 | 0:07:17 | |
Hopefully, it will be really exciting, a new chapter. | 0:07:17 | 0:07:21 | |
If everything's going to be new, I suppose it'd be | 0:07:21 | 0:07:23 | |
like having a honeymoon all over again! | 0:07:23 | 0:07:25 | |
-You'll be after a new kitchen, for a start! -Yes. | 0:07:25 | 0:07:30 | |
Dick and Louise are open to living anywhere in the county with access | 0:07:34 | 0:07:37 | |
to road links to their family in Loughborough, | 0:07:37 | 0:07:40 | |
but before we start looking at houses, | 0:07:40 | 0:07:42 | |
we're meeting in Cambridgeshire, to discover more about | 0:07:42 | 0:07:45 | |
what they're hoping to find. | 0:07:45 | 0:07:47 | |
Well, Dick and Louise, welcome to Cambridgeshire. | 0:07:48 | 0:07:51 | |
It's a little bit damp, so I've brought you under this gazebo, | 0:07:51 | 0:07:54 | |
to keep us dry. But we're looking for a new home, | 0:07:54 | 0:07:57 | |
it's not going to deter us. | 0:07:57 | 0:07:58 | |
So, making this move to the country is all about changing the way you live your lives. | 0:07:58 | 0:08:02 | |
Being close to family, making new friends, | 0:08:02 | 0:08:05 | |
-getting the balance right. -I think so. Very much so. | 0:08:05 | 0:08:08 | |
We've got a grandchild now and that makes all the difference | 0:08:08 | 0:08:12 | |
and, yeah, we want to get involved in the community and, you know, | 0:08:12 | 0:08:15 | |
sort of, make some new friends, hopefully. | 0:08:15 | 0:08:17 | |
We don't really have much to do with our community where we are, | 0:08:17 | 0:08:22 | |
because the kids have left home. Now, I'm looking forward to | 0:08:22 | 0:08:25 | |
doing something entirely different. | 0:08:25 | 0:08:27 | |
Tell me about the house that, ideally, you're after. | 0:08:27 | 0:08:31 | |
It's got to be light and airy. Three good-sized | 0:08:31 | 0:08:34 | |
bedrooms. And I do crafts, so I want a craft room. | 0:08:34 | 0:08:37 | |
-Dick likes his office. -Large kitchen? -Large kitchen would be | 0:08:37 | 0:08:41 | |
-lovely. -And, Dick, how important is the garden? | 0:08:41 | 0:08:44 | |
Yeah, a good-sized garden. I probably want to do | 0:08:44 | 0:08:47 | |
-a little bit of veg growing. -And also, you're a bread-maker, | 0:08:47 | 0:08:52 | |
-I understand? -Well, anything to do with yeast, really. | 0:08:52 | 0:08:56 | |
I'm into all sorts of fermentation and bread is one of them. | 0:08:56 | 0:09:00 | |
-So it's a polite way to say he likes brewing beer! -Yes. -I see! | 0:09:00 | 0:09:04 | |
This is quite a big property. You're not downsizing, you two. | 0:09:04 | 0:09:07 | |
-No. -We don't intend to downsize. When we're at home together, | 0:09:07 | 0:09:10 | |
we need a bit of space! | 0:09:10 | 0:09:11 | |
OK! All right. What are the things that you have to have | 0:09:13 | 0:09:15 | |
and what could you live without? | 0:09:15 | 0:09:17 | |
It's really difficult to answer that, really, because I | 0:09:17 | 0:09:21 | |
think often you fall in love with a place and it might not necessarily | 0:09:21 | 0:09:24 | |
-be quite the spec. -Very true. Right, well, let's talk money | 0:09:24 | 0:09:28 | |
and remind ourselves of your top budget. | 0:09:28 | 0:09:31 | |
Well, the top budget's 600,000. | 0:09:31 | 0:09:34 | |
If you really pushed us and the place was perfect, | 0:09:34 | 0:09:38 | |
maybe 625. But we wouldn't mind if it was | 0:09:38 | 0:09:41 | |
-a little bit lower! -So, £625,000 for that dream, | 0:09:41 | 0:09:47 | |
-perfect home. -Mm-hm. -OK. All right. Well, are we ready? | 0:09:47 | 0:09:50 | |
We've got some splendid properties to show you. Shall we get going? | 0:09:50 | 0:09:53 | |
-Yes. -Yes. -Come on. | 0:09:53 | 0:09:54 | |
For an absolute maximum of £625,000, Dick and Louise's | 0:09:58 | 0:10:03 | |
dream Cambridgeshire home would have... | 0:10:03 | 0:10:05 | |
We've lined up a tempting selection of houses with their wish list | 0:10:16 | 0:10:19 | |
in mind, and at each, they'll be asked to guess the price | 0:10:19 | 0:10:22 | |
before I reveal it. The final one, of course, | 0:10:22 | 0:10:25 | |
is our Mystery House, where our search may be taking on | 0:10:25 | 0:10:28 | |
a surprisingly Continental flavour. | 0:10:28 | 0:10:31 | |
But before that, we are heading to house number one. | 0:10:33 | 0:10:36 | |
Dick, tell me about this new hobby of yours. | 0:10:37 | 0:10:41 | |
A brewer and a baker. How much space are you going to need? | 0:10:41 | 0:10:45 | |
DICK LAUGHS | 0:10:45 | 0:10:47 | |
I've actually been brewing for quite a long time. | 0:10:47 | 0:10:51 | |
Ever since I left university, actually. | 0:10:51 | 0:10:54 | |
But the baking is a fairly new hobby. | 0:10:55 | 0:10:58 | |
But the latest idea is to try and do some all-grain brewing. | 0:10:59 | 0:11:05 | |
So, I need some rather big pots and kettles and things. | 0:11:05 | 0:11:08 | |
So, if there's a utility room, that would be very handy. | 0:11:09 | 0:11:13 | |
A utility room or perhaps even a cellar? | 0:11:13 | 0:11:16 | |
A cellar would be ideal. | 0:11:16 | 0:11:17 | |
Or a shed, even, with a water supply. | 0:11:17 | 0:11:20 | |
It sounds a great hobby. | 0:11:20 | 0:11:22 | |
-Brewing and baking, that's perfect, isn't it? -Yeah! | 0:11:22 | 0:11:25 | |
Drink, eat and be merry. | 0:11:25 | 0:11:28 | |
Our search is starting near to the Cambridgeshire and Bedfordshire | 0:11:29 | 0:11:32 | |
border, in the village of Gamlingay. As well as providing | 0:11:32 | 0:11:36 | |
a good range of shops and services, including a grocer's and pharmacy, | 0:11:36 | 0:11:40 | |
there are fascinating reminders of Gamlingay's medieval origins. | 0:11:40 | 0:11:44 | |
Most of the houses here were once owned by colleges of Cambridge | 0:11:44 | 0:11:47 | |
and Oxford universities. | 0:11:47 | 0:11:49 | |
Located along the main coaching route from London to Cambridge, | 0:11:49 | 0:11:53 | |
you could once find in excess of 30 pubs in the parish, | 0:11:53 | 0:11:56 | |
with some accounts even claiming a total of 54. | 0:11:56 | 0:12:00 | |
Just two now remain. The Cock Inn, dating from at least 1588, | 0:12:00 | 0:12:04 | |
and The Wheatsheaf, originally built in 1798. | 0:12:04 | 0:12:08 | |
And located in the core of historic Gamlingay, | 0:12:08 | 0:12:10 | |
on a corner of the central crossroads, | 0:12:10 | 0:12:13 | |
our first house has a brew-serving story of its own. | 0:12:13 | 0:12:18 | |
So, we thought we'd start off our property search | 0:12:18 | 0:12:21 | |
with an older property. And here it is. | 0:12:21 | 0:12:25 | |
-Mm. -That looks interesting. | 0:12:25 | 0:12:26 | |
-Quite quirky. -Yeah. | 0:12:26 | 0:12:28 | |
With you a bit of a brewer, that used to be a pub, Dick. | 0:12:28 | 0:12:31 | |
-Wow. -Did it really? -It did. The Rose and Crown. | 0:12:31 | 0:12:34 | |
Yeah. Is that a sign, I wonder?! | 0:12:34 | 0:12:36 | |
Could well be! | 0:12:36 | 0:12:37 | |
Now, it is semidetached, | 0:12:37 | 0:12:39 | |
but it is a substantial property. | 0:12:39 | 0:12:41 | |
-So, what's going through your mind? -The only thing I wonder about | 0:12:41 | 0:12:45 | |
is how light it's going to be inside. | 0:12:45 | 0:12:47 | |
-The windows aren't enormous. -I'm just intrigued by the size. | 0:12:47 | 0:12:51 | |
-Ready to take a look around? -Yeah, I can't wait to get inside the pub! | 0:12:51 | 0:12:54 | |
Last orders! Come on! | 0:12:54 | 0:12:56 | |
Thank you! | 0:12:56 | 0:12:57 | |
'Dating from the late 17th century, with 19th century renovations, | 0:12:59 | 0:13:02 | |
'this Grade II listed building is known to have been a pub from 1864. | 0:13:02 | 0:13:07 | |
'The solid oak door leads via a lobby into the sitting room, | 0:13:07 | 0:13:11 | |
'where the character and charm of this historic home | 0:13:11 | 0:13:13 | |
'have been lovingly retained.' | 0:13:13 | 0:13:15 | |
Beautiful fireplace. | 0:13:15 | 0:13:17 | |
It's a decent size, I think. | 0:13:17 | 0:13:20 | |
I'd put it at bigger than a snug. | 0:13:20 | 0:13:21 | |
It's actually lighter inside than I thought it was going to be. | 0:13:21 | 0:13:25 | |
It's quite light. | 0:13:25 | 0:13:26 | |
Yeah, and you can see the age, if you look at the woodwork behind, | 0:13:26 | 0:13:29 | |
-with the fireplace. -It is beautiful, that. | 0:13:29 | 0:13:30 | |
-You've got your burner there, as well. -Yeah. | 0:13:30 | 0:13:33 | |
It's a lovely room. | 0:13:33 | 0:13:34 | |
Now, you might have noticed there's a door there. | 0:13:34 | 0:13:36 | |
-Where do you think that leads to? -Got to be a cellar. | 0:13:36 | 0:13:39 | |
-Look at that smile. -It's got to be a cellar. -Look! | 0:13:39 | 0:13:40 | |
-He's now interested. Quite a large cellar. -Mm-hmm. -Oh. | 0:13:40 | 0:13:44 | |
Obviously, just used for storage at the moment, | 0:13:44 | 0:13:46 | |
-but could be perfect for your brewing. -Yeah. | 0:13:46 | 0:13:49 | |
-It does look lovely. It is beautiful. -Excellent. | 0:13:49 | 0:13:53 | |
All right, let's see what you make of next door. | 0:13:53 | 0:13:56 | |
Now, I'm sure when this property was built, | 0:13:56 | 0:13:58 | |
-they didn't have a kitchen like this. -No. | 0:13:58 | 0:14:00 | |
-Oof. -They've done it up lovely. | 0:14:00 | 0:14:02 | |
I'm not too sure it's quite big enough for me. | 0:14:02 | 0:14:05 | |
-Behind us is the larder... -Ah. -Ah. | 0:14:05 | 0:14:08 | |
..with a huge fridge-freezer as well, | 0:14:08 | 0:14:09 | |
-so you've got additional... -That might make a big difference, then. | 0:14:09 | 0:14:12 | |
-And, obviously, you've got the outlook into the garden. -The garden. | 0:14:12 | 0:14:15 | |
So, 50-50 on the kitchen? | 0:14:15 | 0:14:18 | |
-I think so, yeah. -Yeah, probably 50-50. -All right. | 0:14:18 | 0:14:21 | |
-A bit early to make our minds up, I think. -Yeah? | 0:14:21 | 0:14:23 | |
-Mm-hmm. -OK, all right, then, | 0:14:23 | 0:14:24 | |
let's head upstairs and see what you make of that. | 0:14:24 | 0:14:27 | |
'Despite plenty of original features, | 0:14:27 | 0:14:30 | |
'Dick and Louise are reserving judgment. | 0:14:30 | 0:14:32 | |
'On the ground floor, | 0:14:32 | 0:14:33 | |
'there's also a dining room with dual-aspect period leaded windows. | 0:14:33 | 0:14:37 | |
'Then, at the back in the sitting room, stairs lead to | 0:14:37 | 0:14:40 | |
'a split-level landing, and the family bathroom with a roll-top tub. | 0:14:40 | 0:14:44 | |
'The staircase continues up to the three-bedroomed accommodation. | 0:14:44 | 0:14:48 | |
'We're starting in the largest of the rooms.' | 0:14:48 | 0:14:50 | |
-This is the master. -I'm not too sure it's big enough. | 0:14:50 | 0:14:53 | |
-It's slightly intriguing. -I'm not too sure about the wardrobe space. | 0:14:53 | 0:14:57 | |
And what's through there? | 0:14:57 | 0:14:58 | |
-So, that's a little area for storage. -Mm-hmm. | 0:14:58 | 0:15:01 | |
You've got a wardrobe behind you. | 0:15:01 | 0:15:03 | |
You also have two other bedrooms - | 0:15:03 | 0:15:06 | |
another double and a very large single, | 0:15:06 | 0:15:09 | |
which actually can take a double bed quite easily in it. | 0:15:09 | 0:15:11 | |
-But you've also got a separate WC, as well, up here. -OK. | 0:15:11 | 0:15:15 | |
This is a house that has been beautifully done up. | 0:15:15 | 0:15:18 | |
-It has, yeah. -It is a lovely house. | 0:15:18 | 0:15:19 | |
-It is a really lovely house. -The attention to detail... | 0:15:19 | 0:15:22 | |
I don't know, I get the feeling of it being very clean, very homey... | 0:15:22 | 0:15:25 | |
Oh, very much so. Yeah. | 0:15:25 | 0:15:26 | |
I think it'd be wonderful if it was just the two of us | 0:15:26 | 0:15:28 | |
-moving here, but we... -It is. | 0:15:28 | 0:15:29 | |
-We still incorporate our family into what we are doing. -Yeah. | 0:15:29 | 0:15:32 | |
How would you feel, though, about moving to a house, | 0:15:32 | 0:15:35 | |
having this much charm and age to it? | 0:15:35 | 0:15:39 | |
Whether I'm ready to live in a house with this much character, | 0:15:39 | 0:15:42 | |
I don't know. | 0:15:42 | 0:15:44 | |
I'm not entirely convinced, | 0:15:44 | 0:15:45 | |
but I might be nearer to being convinced. | 0:15:45 | 0:15:48 | |
-It's beautiful, though. -Yeah, it is. It's wonderful. | 0:15:48 | 0:15:51 | |
'Well, perhaps what's on offer outside will convince them. | 0:15:51 | 0:15:55 | |
'As well as a couple of Grade II-listed outbuildings, | 0:15:55 | 0:15:58 | |
'there's a carport and a very large detached workshop that could | 0:15:58 | 0:16:01 | |
'provide a spacious crafts room for Louise. | 0:16:01 | 0:16:04 | |
'The private, south-facing rear garden extends to 160 feet | 0:16:04 | 0:16:08 | |
'and is mainly laid to lawn.' | 0:16:08 | 0:16:11 | |
-I think the garden is the perfect size. -Yeah. | 0:16:11 | 0:16:14 | |
-Perfect. -It's, sort of, high-impact but not too high-maintenance. | 0:16:14 | 0:16:17 | |
-No, no. -Mm-hmm, Just right. | 0:16:17 | 0:16:18 | |
So, what's the final part that we have to discuss? | 0:16:18 | 0:16:22 | |
-The price. -The price. | 0:16:22 | 0:16:24 | |
How much do you think this property's on the market for? | 0:16:24 | 0:16:27 | |
I'm going to guess 565. | 0:16:27 | 0:16:32 | |
I'll probably go slightly lower. | 0:16:32 | 0:16:35 | |
Maybe 550. | 0:16:35 | 0:16:36 | |
OK, well, you were both out. | 0:16:36 | 0:16:38 | |
-It's actually below that. -Oh. -Oh. | 0:16:38 | 0:16:40 | |
The asking price is £525,000. | 0:16:40 | 0:16:43 | |
Right. | 0:16:44 | 0:16:45 | |
-That's good to know. -OK, yeah. -Yeah. | 0:16:45 | 0:16:46 | |
So, we're all pleasantly surprised with that asking price, aren't we? | 0:16:46 | 0:16:49 | |
-Yeah. -Mm-hmm. -I wonder if that's going to change your minds at all. | 0:16:49 | 0:16:52 | |
-It's worth another look around, isn't it? -And the cellar! | 0:16:52 | 0:16:55 | |
-And the cellar. -And the cellar. Go on, Mr Brewer. | 0:16:55 | 0:16:57 | |
-Go and have another look, why don't you? -All right. -OK. | 0:16:57 | 0:16:59 | |
-Thank you. -Thank you. -Thank you. | 0:16:59 | 0:17:00 | |
Quite a surprise. | 0:17:02 | 0:17:04 | |
I mean, they do seem to want an enormous house for | 0:17:04 | 0:17:06 | |
just the two of them, but, in a way, I think it's the character and the | 0:17:06 | 0:17:10 | |
charm of this property that, funnily enough, might have put them off. | 0:17:10 | 0:17:14 | |
I think they're a little bit overawed by it, but who knows? | 0:17:14 | 0:17:17 | |
The second viewing, could it seal the deal? | 0:17:17 | 0:17:20 | |
We'll have to wait and see. | 0:17:20 | 0:17:21 | |
Very comfortably below budget by £100,000, | 0:17:22 | 0:17:26 | |
this Grade II-listed former public house | 0:17:26 | 0:17:29 | |
has two characterful reception rooms, three bedrooms, | 0:17:29 | 0:17:33 | |
a cellar and a selection of outbuildings, including a workshop. | 0:17:33 | 0:17:36 | |
This is another nice room, isn't it? | 0:17:38 | 0:17:40 | |
-Mmm, look at that piano. -Beautiful. | 0:17:40 | 0:17:41 | |
Not too sure it's quite big enough, though. | 0:17:41 | 0:17:43 | |
I don't think our dresser would go in here. | 0:17:43 | 0:17:45 | |
-It's certainly not big enough for Christmas, either. -No, no. | 0:17:45 | 0:17:48 | |
It's a really charming house. | 0:17:48 | 0:17:50 | |
The fireplace was wonderful. | 0:17:50 | 0:17:53 | |
The range is wonderful, and it really has got a country feel to it. | 0:17:53 | 0:17:58 | |
I think, inside, it is an awful lot lighter than I expected it to be, | 0:17:58 | 0:18:03 | |
given the age of the property. | 0:18:03 | 0:18:05 | |
This house has bags of character, both downstairs and upstairs, | 0:18:05 | 0:18:09 | |
and even outside, with the sheds and so on. | 0:18:09 | 0:18:12 | |
I think you've found a house that really challenges our thinking. | 0:18:12 | 0:18:16 | |
Even got a cellar. | 0:18:16 | 0:18:18 | |
It's another charming room, isn't it? | 0:18:21 | 0:18:23 | |
It's a beautiful cottage, but... | 0:18:23 | 0:18:25 | |
Mmm. Probably not quite big enough for us, though, is it? | 0:18:25 | 0:18:28 | |
No, I don't think so. | 0:18:28 | 0:18:29 | |
We wouldn't really want to downsize, | 0:18:31 | 0:18:33 | |
and I think it's too small for when all of the family come to stay. | 0:18:33 | 0:18:37 | |
Well, that's it - our first house done. | 0:18:41 | 0:18:44 | |
Dick, if you can get the door? | 0:18:44 | 0:18:45 | |
-There we are. -Right, let's keep going. | 0:18:45 | 0:18:48 | |
Keeping water at bay to provide land for crops such as wheat | 0:18:54 | 0:18:58 | |
dominated agriculture for much of Cambridgeshire's history, | 0:18:58 | 0:19:01 | |
but, when it came to turning that wheat into flour, | 0:19:01 | 0:19:04 | |
water power was positively embraced via the technology of the mill. | 0:19:04 | 0:19:08 | |
And we've arranged for Louise and keen home baker Dick | 0:19:08 | 0:19:11 | |
to see that power in action, | 0:19:11 | 0:19:13 | |
with a visit to the water mill at Anglesey Abbey. | 0:19:13 | 0:19:16 | |
Now in the care of the National Trust, | 0:19:16 | 0:19:18 | |
volunteer Roy Smith is on hand to show them how this historic building | 0:19:18 | 0:19:23 | |
continues to produce wholemeal flour the traditional way. | 0:19:23 | 0:19:27 | |
-Hi, hello. -OK, welcome to Lode Mill. | 0:19:27 | 0:19:29 | |
-And welcome to you. -Thank you. | 0:19:29 | 0:19:31 | |
So, Roy, why is the mill so special? | 0:19:31 | 0:19:33 | |
Because it's been here for 270 years. | 0:19:33 | 0:19:35 | |
It was built in 1745, still running today, | 0:19:35 | 0:19:39 | |
very much as it did on day one. | 0:19:39 | 0:19:42 | |
There's been milling in this country since Roman times. | 0:19:42 | 0:19:45 | |
It tended to be water mills in the early days, | 0:19:45 | 0:19:48 | |
-and windmills came onto the scene in the late 12th century. -Hmm. | 0:19:48 | 0:19:53 | |
So what's the benefit of a water mill over a windmill? | 0:19:53 | 0:19:56 | |
Windmills are subject to the vagaries | 0:19:56 | 0:19:59 | |
of the English climate, really. | 0:19:59 | 0:20:01 | |
And, er, sometimes the wind is too strong, or not strong enough. | 0:20:01 | 0:20:06 | |
Water lets us run every day of the year. | 0:20:06 | 0:20:09 | |
Last autumn, we had about ten days when we couldn't actually run, | 0:20:09 | 0:20:12 | |
because the water level was quite low, | 0:20:12 | 0:20:15 | |
-but most of the time, we've got plenty of water. -Yeah. | 0:20:15 | 0:20:17 | |
So I've just recently got into bread-making. | 0:20:17 | 0:20:20 | |
It'd be lovely to get inside and see how the flour's made. | 0:20:20 | 0:20:23 | |
Once grinding out 20 tonnes of flour a week, | 0:20:23 | 0:20:26 | |
the mill was converted for cement-making | 0:20:26 | 0:20:28 | |
at the beginning of the 20th century. | 0:20:28 | 0:20:30 | |
Fully restored to its original use in the 1980s, | 0:20:30 | 0:20:33 | |
it now produces a modest ten tonnes of flour a year. | 0:20:33 | 0:20:37 | |
That's enough to allow visitors to see the flour-making process | 0:20:37 | 0:20:41 | |
without too much wear and tear, | 0:20:41 | 0:20:43 | |
and that process starts with the opening of the sluice gates. | 0:20:43 | 0:20:46 | |
OK, Dick, every schoolboy's dream now. | 0:20:46 | 0:20:48 | |
-I'm going to let you turn the wheel on, so... OK? -Lovely, thanks. | 0:20:48 | 0:20:52 | |
-Blimey! -Oh, dear. | 0:20:54 | 0:20:56 | |
Just one turn of the sluice gate wheel | 0:20:57 | 0:20:59 | |
and the water stored in the mill pond flows at ten tonnes per minute, | 0:20:59 | 0:21:04 | |
filling buckets on the water wheel and causing it to turn. | 0:21:04 | 0:21:07 | |
-Now we can go upstairs and see the stones in action, OK? -OK. | 0:21:08 | 0:21:11 | |
As grains of wheat pour down, the power of the water wheel is used | 0:21:14 | 0:21:18 | |
to turn the millstones producing flour. | 0:21:18 | 0:21:20 | |
Today, the gears are set at 60 turns per minute, | 0:21:20 | 0:21:23 | |
but, in its heyday, the mill would've worked the stones | 0:21:23 | 0:21:26 | |
up to 150 turns per minute, | 0:21:26 | 0:21:29 | |
which would've been even noisier. | 0:21:29 | 0:21:31 | |
So I'm surprised how quickly that turns it into flour. | 0:21:31 | 0:21:34 | |
Yeah, no, it's instantaneous, really. | 0:21:34 | 0:21:36 | |
Once the grain starts dropping down into the gap between the stones, | 0:21:36 | 0:21:40 | |
the wheat is crushed and flour starts dropping down the chute | 0:21:40 | 0:21:45 | |
and is collected in the sack underneath. | 0:21:45 | 0:21:48 | |
-It's an instantaneous process, really. -Yeah, very quick. | 0:21:48 | 0:21:51 | |
Today's wheat is brought in from Hertfordshire. | 0:21:52 | 0:21:55 | |
The traditional Derbyshire grit millstones | 0:21:55 | 0:21:57 | |
have also been swapped for much hardier millstones | 0:21:57 | 0:22:00 | |
imported from a disused mill in Portugal | 0:22:00 | 0:22:02 | |
which are much better suited | 0:22:02 | 0:22:04 | |
to grinding today's softer-grained wheat. | 0:22:04 | 0:22:06 | |
OK, so this is the flour that we've just produced. | 0:22:08 | 0:22:11 | |
-It's a lovely, stone-ground... -Lovely. -..wholemeal flour. | 0:22:11 | 0:22:13 | |
Lovely, soft. Have a feel. | 0:22:13 | 0:22:16 | |
-Oh, yeah. -Oh, yeah! | 0:22:16 | 0:22:17 | |
-We don't add anything. We don't take anything away. -Mm-hm. | 0:22:17 | 0:22:21 | |
So it's pure, unadulterated flour from organic wheat, | 0:22:21 | 0:22:25 | |
so we like to think it's actually better quality | 0:22:25 | 0:22:27 | |
than you can buy in supermarkets. | 0:22:27 | 0:22:29 | |
I've got a bag of flour here, Dick. | 0:22:29 | 0:22:31 | |
-I know you're into your bread-making. -Yeah. | 0:22:31 | 0:22:33 | |
-So I'd like to present it to you. -Lovely. -Thank you. | 0:22:33 | 0:22:35 | |
Go away and use it wisely and, er, | 0:22:35 | 0:22:37 | |
-enjoy the rest of your explorations, OK? -Thanks very much. | 0:22:37 | 0:22:42 | |
Well, Dick's bread baking will have to wait, | 0:22:42 | 0:22:44 | |
because it's time to turn our attention back to | 0:22:44 | 0:22:46 | |
our property search here in the Cambridgeshire countryside. | 0:22:46 | 0:22:50 | |
Our property search is heading to the market town of Chatteris. | 0:22:54 | 0:22:58 | |
Situated in the Fens, there's been a settlement here | 0:22:58 | 0:23:01 | |
since the Neolithic period, | 0:23:01 | 0:23:02 | |
and it's claimed to have been a refuge | 0:23:02 | 0:23:05 | |
for Boadicea fleeing from the Romans. | 0:23:05 | 0:23:07 | |
A church has been on the site of St Peter & St Paul since at least | 0:23:07 | 0:23:11 | |
the 12th century, although the oldest remaining part of the | 0:23:11 | 0:23:14 | |
current building is the tower, dating from 1352. | 0:23:14 | 0:23:19 | |
Facilities include places to eat and drink, a bank | 0:23:19 | 0:23:23 | |
and a hairdresser's that hints at the local sense of humour. | 0:23:23 | 0:23:28 | |
The property we've come to view is located in the southern | 0:23:28 | 0:23:31 | |
part of the town centre, with a rather grand | 0:23:31 | 0:23:33 | |
aspect onto its south-facing rear garden. | 0:23:33 | 0:23:36 | |
Well, I've brought you into the garden to start off, | 0:23:38 | 0:23:40 | |
because I want you to take a look at your | 0:23:40 | 0:23:43 | |
-property from this angle. -Wow. That's | 0:23:43 | 0:23:45 | |
beautiful. This is absolutely stunning from | 0:23:45 | 0:23:47 | |
-the outside. -Just those windows, there's so | 0:23:47 | 0:23:49 | |
much light going in there, isn't there? | 0:23:49 | 0:23:51 | |
-And I like the shutters up the top. -So, good start. | 0:23:51 | 0:23:54 | |
-Can you believe that it used to be a farmhouse? -No, no. | 0:23:54 | 0:23:59 | |
I think we should look inside. Shall we? | 0:23:59 | 0:24:01 | |
Let's do that, please. | 0:24:01 | 0:24:04 | |
Built from brick and dating to the | 0:24:04 | 0:24:06 | |
middle of the 19th century, at the front of | 0:24:06 | 0:24:08 | |
this grand former farmhouse, the impressive elegance | 0:24:08 | 0:24:11 | |
continues through an imposing entrance hall | 0:24:11 | 0:24:14 | |
and into the front reception room. | 0:24:14 | 0:24:16 | |
So, impressed with the outside. Let's see what | 0:24:18 | 0:24:21 | |
-we think about the inside. -It's enormous. It's beautiful. | 0:24:21 | 0:24:24 | |
-It's a good size, isn't it? -It's lovely. -That is period. | 0:24:24 | 0:24:27 | |
Yeah. | 0:24:27 | 0:24:29 | |
Now, you both said that you want a large house, an entertaining house. | 0:24:29 | 0:24:35 | |
-Is it delivering on that side? -It is. | 0:24:35 | 0:24:37 | |
-I'm just wondering whether it's too big. I don't know. -No! | 0:24:37 | 0:24:41 | |
You can't say that it's too big. | 0:24:41 | 0:24:44 | |
You have a very large, very elegant home here. | 0:24:44 | 0:24:48 | |
-Mmm. -Mm-hmm. -Have I scared you? | 0:24:48 | 0:24:50 | |
-It looks quite grand, doesn't it? -I don't know yet. | 0:24:50 | 0:24:52 | |
I think we'll reserve judgment until we see the rest of it. | 0:24:52 | 0:24:55 | |
-It does look very grand. -Impressive. | 0:24:55 | 0:24:58 | |
It's an impressive property. | 0:24:58 | 0:25:00 | |
So, you have this as one of your drawing rooms. | 0:25:00 | 0:25:02 | |
You've got the same size again next door. | 0:25:02 | 0:25:05 | |
You talked about escaping | 0:25:05 | 0:25:06 | |
from each other in your property - you've got | 0:25:06 | 0:25:08 | |
plenty of room here. And you've got a study | 0:25:08 | 0:25:10 | |
across the way with a downstairs cloakroom. | 0:25:10 | 0:25:14 | |
Let's see what you think of the kitchen. | 0:25:14 | 0:25:16 | |
If you'd like to follow me... | 0:25:16 | 0:25:18 | |
Now, I think this is one of the most important rooms in the whole | 0:25:20 | 0:25:24 | |
house, the kitchen. | 0:25:24 | 0:25:26 | |
It's lovely. Really nice. Nice, big space for the table. | 0:25:26 | 0:25:30 | |
And look at that sink. | 0:25:30 | 0:25:32 | |
-Have you ever seen a sink like that? -No. -No, not with feet like that. | 0:25:32 | 0:25:36 | |
The owner thinks it's an original, so about 160, 170 years old. | 0:25:36 | 0:25:41 | |
You do have access outside, the side door. If you look | 0:25:41 | 0:25:44 | |
through, we've got some windows leading out into the garden, | 0:25:44 | 0:25:47 | |
but you've also got a massive conservatory, which they're using as | 0:25:47 | 0:25:50 | |
-a games room at the moment. -We could use it | 0:25:50 | 0:25:52 | |
for anything, really. | 0:25:52 | 0:25:54 | |
This beautifully presented period home also boasts a sizeable | 0:25:54 | 0:25:59 | |
cellar, perfect for home-brewer Dick. | 0:25:59 | 0:26:01 | |
And completing this floor is a hobby room, which | 0:26:01 | 0:26:04 | |
could be put to use as a ground-floor guest room, | 0:26:04 | 0:26:07 | |
but I suspect they'll find more than enough | 0:26:07 | 0:26:09 | |
accommodation upstairs, where there are no fewer | 0:26:09 | 0:26:12 | |
than six bedrooms. | 0:26:12 | 0:26:14 | |
A large family bathroom | 0:26:14 | 0:26:15 | |
with roll-top bath and separate shower serves | 0:26:15 | 0:26:18 | |
all of the rooms, along with an additional cloakroom. | 0:26:18 | 0:26:21 | |
To the front of the property, a large | 0:26:21 | 0:26:23 | |
double has interlinking doors through two | 0:26:23 | 0:26:26 | |
smaller rooms, one of which currently sits | 0:26:26 | 0:26:28 | |
empty and the other features a bay window. | 0:26:28 | 0:26:31 | |
Behind these lies a further double. | 0:26:31 | 0:26:35 | |
Yet another double is reached via its own | 0:26:35 | 0:26:37 | |
small flight of stairs, and then there's | 0:26:37 | 0:26:39 | |
bedroom number six, which I think Dick and | 0:26:39 | 0:26:42 | |
Louise could turn into their master. | 0:26:42 | 0:26:45 | |
-It's a lovely-sized room. -Yeah, lovely. -Not only does it | 0:26:45 | 0:26:48 | |
have an ample size, but, through this wall, | 0:26:48 | 0:26:51 | |
there are some stairs on the other side. | 0:26:51 | 0:26:53 | |
You could easily open it up, sacrifice a bedroom and | 0:26:53 | 0:26:57 | |
-make it an en-suite... -OK. | 0:26:57 | 0:27:00 | |
..which might be quite nice for the two of you, because this house has | 0:27:00 | 0:27:05 | |
six bedrooms in total. | 0:27:05 | 0:27:07 | |
So, you see, you've got enough space up here if you want to do your | 0:27:07 | 0:27:10 | |
crafts and your card-making. | 0:27:10 | 0:27:12 | |
Loads of light coming through the windows, which, as an artist, | 0:27:12 | 0:27:14 | |
-is important to you. -Yeah. -Mm-hmm. | 0:27:14 | 0:27:16 | |
You could easily sacrifice another bedroom. | 0:27:16 | 0:27:18 | |
-All of them are large, and why not use them? -Yeah. | 0:27:18 | 0:27:21 | |
I guarantee, if you decided to buy this house, within six months, | 0:27:21 | 0:27:26 | |
you'd be like, "How did we cope without all these rooms?" | 0:27:26 | 0:27:29 | |
-You just use them, don't you? -Yeah. | 0:27:29 | 0:27:31 | |
You just use them, and also it encourages people to come and stay. | 0:27:31 | 0:27:35 | |
-Is that good? -Is that a good thing? | 0:27:35 | 0:27:37 | |
-You haven't met my family. -There's a big kitchen. | 0:27:37 | 0:27:39 | |
Oh, I tell you what, your granddaughter's going to love | 0:27:39 | 0:27:41 | |
running around this property, isn't she? | 0:27:41 | 0:27:43 | |
Yeah, yeah. | 0:27:43 | 0:27:44 | |
I'm thinking it might be too big. | 0:27:44 | 0:27:47 | |
-Really? -I don't know. -See, you set us a challenge! | 0:27:47 | 0:27:50 | |
-I know! -Right. Well, I think we should head | 0:27:50 | 0:27:52 | |
back downstairs, then we can talk about what sort | 0:27:52 | 0:27:55 | |
of price you think it's on the market for. | 0:27:55 | 0:27:57 | |
-Dick, you lead the way, please. -OK. -Thank you! -Thank you. | 0:27:57 | 0:28:00 | |
Dick and Louise seem somewhat intimidated by the sheer scale | 0:28:01 | 0:28:04 | |
of what's on offer here, which is a shame, because there's | 0:28:04 | 0:28:08 | |
a lot more outside. | 0:28:08 | 0:28:10 | |
This former farmhouse comes with a range of period outbuildings, | 0:28:12 | 0:28:15 | |
including garages, workshops and the old apple store. | 0:28:15 | 0:28:19 | |
-All of this is included. -Honestly? | 0:28:19 | 0:28:22 | |
Yes. Honestly. So, for your craft, you could | 0:28:22 | 0:28:26 | |
have a whole area. We could have a | 0:28:26 | 0:28:29 | |
-microbrewery for you, Dick! -Yeah! We could! | 0:28:29 | 0:28:33 | |
And ample parking for you and all the family and all your friends. | 0:28:33 | 0:28:37 | |
We could probably live in there! | 0:28:37 | 0:28:39 | |
In the substantial walled front garden, | 0:28:41 | 0:28:44 | |
there are alfresco seating areas and a | 0:28:44 | 0:28:46 | |
veranda from which to admire the mature shrubs and trees. | 0:28:46 | 0:28:51 | |
A large garden. Sunshine all afternoon on a good day. | 0:28:51 | 0:28:55 | |
-Good-sized garden. -Manageable? -I think so. -Yes. Most certainly. | 0:28:55 | 0:28:59 | |
-Yeah. -Yeah? | 0:28:59 | 0:29:00 | |
So, how does this house make you both feel? | 0:29:00 | 0:29:04 | |
I think it's beautiful. | 0:29:04 | 0:29:05 | |
It's got that, sort of, colonial feel to it. | 0:29:05 | 0:29:08 | |
There's a degree of upsizing, rather than... | 0:29:08 | 0:29:11 | |
Not downsizing, to this, yeah. | 0:29:11 | 0:29:13 | |
Well, let's see if you can afford this property. | 0:29:13 | 0:29:16 | |
Can you put a price on this magnificent home? | 0:29:16 | 0:29:19 | |
-I think it's got to start with a six. Let's say 625. -OK. | 0:29:19 | 0:29:24 | |
-So right at the top of your budget. -I think it's over budget. | 0:29:24 | 0:29:28 | |
-I think it's 650. -OK. Well, the asking price is... | 0:29:28 | 0:29:36 | |
£635,000. | 0:29:36 | 0:29:39 | |
However, we've spoken to the owner, | 0:29:39 | 0:29:42 | |
and she assured me that she's happy to | 0:29:42 | 0:29:44 | |
talk in the region of your top budget. | 0:29:44 | 0:29:46 | |
-Definitely food for thought. -Yeah! -Yeah. -Have that | 0:29:46 | 0:29:49 | |
in your minds and go and have another look around. | 0:29:49 | 0:29:52 | |
-So much to look at! -And in about three hours | 0:29:52 | 0:29:53 | |
I think I'll come and find you! | 0:29:53 | 0:29:55 | |
-Be my guest. -OK. -Thank you. | 0:29:55 | 0:29:57 | |
It's interesting, isn't it? | 0:29:58 | 0:30:00 | |
Because this property, you know, does give them | 0:30:00 | 0:30:02 | |
what they asked for. Really high ceilings, | 0:30:02 | 0:30:05 | |
beautiful, airy spaces, this wonderful garden. | 0:30:05 | 0:30:08 | |
And the thing which I think is so appealing | 0:30:08 | 0:30:10 | |
is where it's situated - in a market town. | 0:30:10 | 0:30:14 | |
When you're used to living in the city, | 0:30:14 | 0:30:15 | |
it can be a huge adjustment to move to the country. | 0:30:15 | 0:30:19 | |
Here, they have the best of both worlds. | 0:30:19 | 0:30:21 | |
Pushing their top budget at £635,000, | 0:30:23 | 0:30:27 | |
this substantial former Victorian farmhouse | 0:30:27 | 0:30:30 | |
has two very large reception rooms, a kitchen/diner, | 0:30:30 | 0:30:33 | |
six bedrooms and a range of brick outbuildings. | 0:30:33 | 0:30:36 | |
I absolutely love the house. | 0:30:38 | 0:30:40 | |
I think it's gorgeous. I love the style, | 0:30:40 | 0:30:43 | |
the large rooms, the big ceilings. | 0:30:43 | 0:30:46 | |
The little quirky little nooks and crannies. | 0:30:46 | 0:30:49 | |
It's just...just stunning. | 0:30:49 | 0:30:51 | |
This would be a perfect Christmas house, | 0:30:51 | 0:30:53 | |
and plenty of room for dining and kids running round, | 0:30:53 | 0:30:58 | |
and entertaining the whole family. | 0:30:58 | 0:31:01 | |
Seeing the house, I thought, "Wow!" | 0:31:01 | 0:31:04 | |
It looked huge to me. The garden is just right. | 0:31:04 | 0:31:09 | |
There's so much to like about this place. | 0:31:09 | 0:31:11 | |
Another big room. | 0:31:12 | 0:31:14 | |
Well, that's exactly what we asked for - two reception rooms. | 0:31:14 | 0:31:17 | |
Yeah, but we've got a lot more besides. | 0:31:17 | 0:31:19 | |
I think if I have any concerns about it, | 0:31:19 | 0:31:22 | |
it's that it's top of the budget, and I think it still needs | 0:31:22 | 0:31:26 | |
a little bit of work done to it, | 0:31:26 | 0:31:28 | |
so I think the jury's out on this one. | 0:31:28 | 0:31:31 | |
There's a tiny bit of me that would like to buy this house, | 0:31:31 | 0:31:34 | |
just because it is so beautiful, | 0:31:34 | 0:31:37 | |
but I wonder whether it's too big for us at our age. | 0:31:37 | 0:31:42 | |
I wish I was 30 years younger. | 0:31:42 | 0:31:44 | |
So which one's going to be your brewery, then? | 0:31:46 | 0:31:49 | |
-Well, it's got... -This one? -It's got to be that one there. | 0:31:49 | 0:31:51 | |
-And then you've still got all these left. -I know, well... | 0:31:51 | 0:31:54 | |
-Have you got plans for all these outbuildings, have you? -No! | 0:31:54 | 0:31:57 | |
That's it now. Tour over. Shall we hit the road? | 0:31:57 | 0:32:00 | |
-OK. -OK. -Let's go. -All right, then. | 0:32:00 | 0:32:03 | |
We're helping retirees Dick and Louise swap life in London | 0:32:13 | 0:32:17 | |
for a home in the Cambridgeshire countryside. | 0:32:17 | 0:32:19 | |
With a budget of up to £625,000, | 0:32:19 | 0:32:23 | |
we've already shown them some wonderful property, | 0:32:23 | 0:32:25 | |
but there's more to see, | 0:32:25 | 0:32:27 | |
including our Mystery House, | 0:32:27 | 0:32:29 | |
which might just prove more of a puzzle than we bargained for. | 0:32:29 | 0:32:33 | |
-What is it? -I don't know! | 0:32:33 | 0:32:35 | |
I've heard lots of comments in the past. | 0:32:36 | 0:32:38 | |
I don't think I've ever heard that one. | 0:32:38 | 0:32:41 | |
Plus I visit a local potato farm for a snack break | 0:32:41 | 0:32:44 | |
that's a real taste of home. | 0:32:44 | 0:32:47 | |
-Can I smell it? -Yeah, please do. | 0:32:47 | 0:32:48 | |
-Oh! -Smells of sausages, doesn't it? | 0:32:50 | 0:32:52 | |
It does! It smells of my mother's cooking! | 0:32:52 | 0:32:55 | |
We've got two fabulous properties to show Dick and Louise, | 0:32:55 | 0:32:59 | |
but I'm hoping we can tempt them today | 0:32:59 | 0:33:01 | |
with our Mystery House, which has a certain je ne sais quoi about it. | 0:33:01 | 0:33:06 | |
Watch this space and all will be revealed. | 0:33:06 | 0:33:09 | |
In the meantime, do wish me "bon chance" | 0:33:09 | 0:33:12 | |
as I'm hoping at least one of our properties | 0:33:12 | 0:33:14 | |
that we're going to show them | 0:33:14 | 0:33:15 | |
will have Dick and Louise reaching for their cheque-book. | 0:33:15 | 0:33:19 | |
The village of Warboys is the location of our first house today. | 0:33:24 | 0:33:28 | |
Amenities here include a pub, post office and store | 0:33:28 | 0:33:32 | |
and a chemist. | 0:33:32 | 0:33:33 | |
Just an eight-minute drive away is the small market town of Ramsey, | 0:33:33 | 0:33:37 | |
where the remains of a Benedictine abbey, | 0:33:37 | 0:33:39 | |
the origins of the settlement, can still be seen. | 0:33:39 | 0:33:43 | |
Back in Warboys, our next house enjoys a historic position | 0:33:43 | 0:33:46 | |
on the village high street. | 0:33:46 | 0:33:47 | |
So, new day, new property. | 0:33:49 | 0:33:52 | |
It looks like a cottage, but, in actual fact, quite a large house. | 0:33:52 | 0:33:56 | |
-Is it? -Ah! It's very charming. -It looks lovely from the front. -Yeah. | 0:33:56 | 0:34:00 | |
-It looks in very good condition. -Yeah. | 0:34:00 | 0:34:02 | |
-Very pretty, isn't it? -Yeah, very. -If you're going to draw a house, | 0:34:02 | 0:34:04 | |
that's how you would draw it. | 0:34:04 | 0:34:06 | |
-Symmetrical, isn't it? -Yes, yes. -Yeah, it is. | 0:34:06 | 0:34:09 | |
-Yeah, it's lovely. -It appeals to my mathematical bent. -Does it? | 0:34:09 | 0:34:12 | |
-Yeah. -I think it looks charming. | 0:34:12 | 0:34:14 | |
It looks as if it goes quite a long way back, as well. | 0:34:14 | 0:34:17 | |
I was expecting you to say, "Oh, I'm not sure how big it is," | 0:34:17 | 0:34:19 | |
cos you're right, there, you've spotted it. | 0:34:19 | 0:34:21 | |
It is quite a substantial home, | 0:34:21 | 0:34:23 | |
-which is what the two of you are after, isn't it? -Yeah. | 0:34:23 | 0:34:25 | |
OK. Well, shall we step inside and take a look around? | 0:34:25 | 0:34:28 | |
-Love to. -Lovely. | 0:34:28 | 0:34:29 | |
Dating back to 1801, this Grade II-listed property | 0:34:30 | 0:34:34 | |
was once a bakery, with its former bakehouse located to the rear, | 0:34:34 | 0:34:37 | |
meaning that, whilst the frontage may look symmetrical, | 0:34:37 | 0:34:41 | |
the footprint is a little more unusual. | 0:34:41 | 0:34:43 | |
An entrance to the side leads via a lobby and hall | 0:34:43 | 0:34:46 | |
to the kitchen/diner at the heart of the home. | 0:34:46 | 0:34:49 | |
-This is lovely. A really nice-sized kitchen. -Yes, a super size. -Yeah. | 0:34:49 | 0:34:53 | |
-Plenty of storage. -Cos kitchens are close to your heart, aren't they? | 0:34:53 | 0:34:56 | |
-You want the right kitchen. -Mm-hm, yeah, it looks good. | 0:34:56 | 0:34:59 | |
I think it's very nice. | 0:34:59 | 0:35:00 | |
-It's large enough to take a huge dining table for the family. -Yeah. | 0:35:00 | 0:35:03 | |
-I like the kitchen. -Yeah. | 0:35:03 | 0:35:04 | |
-Very good start. -So far, so good. -So far, so good. | 0:35:04 | 0:35:07 | |
So let's keep going through, see what you make of the next room. | 0:35:07 | 0:35:11 | |
Off the kitchen, there is a utility room | 0:35:11 | 0:35:13 | |
and, to the front of the property, the first of | 0:35:13 | 0:35:16 | |
the generously-proportioned reception rooms. | 0:35:16 | 0:35:19 | |
So, here is our sitting-room. | 0:35:19 | 0:35:23 | |
Or your drawing-room. Whichever you prefer. | 0:35:23 | 0:35:25 | |
-That's not a bad size. -I think it's a good size, actually, yeah. | 0:35:25 | 0:35:28 | |
-Yeah. -Impressive wood burner. | 0:35:28 | 0:35:30 | |
I like wood burners and, er, I'm quite used to cleaning them as well. | 0:35:30 | 0:35:34 | |
-Are you? -We'd be very comfortable in here. -Yeah, homely? | 0:35:34 | 0:35:38 | |
Definitely homely. | 0:35:38 | 0:35:39 | |
That, actually, is your front door. They never use the front door. | 0:35:39 | 0:35:43 | |
-Mm-hmm. -People just don't, do they? -Don't? No. | 0:35:43 | 0:35:45 | |
But, if you wanted to, you could. | 0:35:45 | 0:35:47 | |
This could be a nice little snug for us. | 0:35:47 | 0:35:49 | |
All we need is four bedrooms upstairs and you've, er... | 0:35:49 | 0:35:52 | |
-you've got us sorted. -Four bedrooms! | 0:35:52 | 0:35:54 | |
Ooh, can I deliver on that for you? | 0:35:54 | 0:35:56 | |
Look, I'm smiling, I'm giving too much away! Let's go and have a look. | 0:35:56 | 0:36:00 | |
Next to this reception room is another, currently used as a study. | 0:36:01 | 0:36:05 | |
To the rear of the property, | 0:36:05 | 0:36:06 | |
the former bakehouse provides yet another even larger reception, | 0:36:06 | 0:36:10 | |
as well as a cloakroom. | 0:36:10 | 0:36:12 | |
Not only that, upstairs, | 0:36:12 | 0:36:14 | |
this property trumps the four bedrooms Dick's hoping for | 0:36:14 | 0:36:17 | |
by offering five. | 0:36:17 | 0:36:19 | |
Situated to the front, there's a good-sized guest double, | 0:36:19 | 0:36:22 | |
next to which is a single and a further double. | 0:36:22 | 0:36:25 | |
Behind this is the fourth and smallest of the guest rooms. | 0:36:25 | 0:36:29 | |
These are all served by a family bathroom. | 0:36:29 | 0:36:32 | |
Lastly, to the rear of the home, | 0:36:32 | 0:36:34 | |
is a spacious master en suite. | 0:36:34 | 0:36:36 | |
This is good space. | 0:36:37 | 0:36:39 | |
Lovely wardrobes. Plenty of wardrobes. | 0:36:39 | 0:36:40 | |
-It is very good. -And if you notice, there is a door behind us, | 0:36:40 | 0:36:43 | |
-you've actually got a shower. -Bonus. -Yeah? -Yeah, yeah. | 0:36:43 | 0:36:46 | |
More than you're after? | 0:36:46 | 0:36:47 | |
-Yeah. -Yeah. -Two reception rooms. -Yeah, just a little bit. | 0:36:47 | 0:36:50 | |
-Yeah. -Mm-hm. | 0:36:50 | 0:36:51 | |
I know you two want space. | 0:36:51 | 0:36:53 | |
-So plenty for the children, friends come to stay. -Yeah. | 0:36:53 | 0:36:56 | |
-But also for your own hobbies and crafts. -Mm-hm. | 0:36:56 | 0:36:59 | |
-Hmm, we're warming to this. -Yeah? | 0:36:59 | 0:37:01 | |
Well, there is more to show you outside, | 0:37:01 | 0:37:03 | |
-so, Dick, if you wouldn't mind leading the way. -OK. | 0:37:03 | 0:37:06 | |
It seems this period property goes the extra mile | 0:37:08 | 0:37:11 | |
when it comes to delivering what Dick and Louise have asked for, | 0:37:11 | 0:37:14 | |
and the outside is no exception. | 0:37:14 | 0:37:17 | |
There's ample hard standing for several cars, | 0:37:17 | 0:37:19 | |
plus a large barn-style garage and workshop. | 0:37:19 | 0:37:22 | |
A fully-enclosed rear garden, | 0:37:22 | 0:37:24 | |
with planted beds and well-maintained lawn, | 0:37:24 | 0:37:27 | |
includes a glasshouse and a little summerhouse. | 0:37:27 | 0:37:29 | |
So you actually have quite a substantial amount of land | 0:37:31 | 0:37:33 | |
from that back door. | 0:37:33 | 0:37:35 | |
-This looks manageable, though. -Yeah? -Mm-hm. | 0:37:35 | 0:37:38 | |
And that greenhouse looks wonderful. | 0:37:38 | 0:37:39 | |
-I think it is a recipe to get my green fingers out again. -Yeah? -Yeah. | 0:37:39 | 0:37:43 | |
Where is the brewing going to take place? That's what I want to know. | 0:37:43 | 0:37:46 | |
-I think the, er, the Wendy house. -No! -That'll be good. | 0:37:46 | 0:37:49 | |
The Wendy house is now the pub at the end of the garden! | 0:37:49 | 0:37:54 | |
That's very creative thinking. | 0:37:54 | 0:37:56 | |
Well, we've seen the house. We've seen the garden. | 0:37:56 | 0:37:59 | |
We've now got to decide what it's on the market for. | 0:37:59 | 0:38:03 | |
You're looking at me with dread in your eyes! | 0:38:03 | 0:38:06 | |
-I'm going to be optimistic and say 595. -OK. | 0:38:06 | 0:38:12 | |
I think I'd go a little bit lower than that. | 0:38:12 | 0:38:14 | |
-I'd probably go about 570. -OK. | 0:38:14 | 0:38:16 | |
Well, you're both out. | 0:38:16 | 0:38:18 | |
The owner's asking offers in excess | 0:38:18 | 0:38:21 | |
-of £500,000. -Oh! -Ooh! | 0:38:21 | 0:38:25 | |
It just demonstrates, if you look around, | 0:38:25 | 0:38:27 | |
-you can get quite a lot for your money. -For your money. | 0:38:27 | 0:38:29 | |
-It's going to give you something to think about. -Definitely. | 0:38:29 | 0:38:32 | |
-Now you know that price... -Mm-hm. | 0:38:32 | 0:38:33 | |
..reacquaint yourself with the property. | 0:38:33 | 0:38:35 | |
Houses always look different when they're under budget, | 0:38:35 | 0:38:38 | |
and I'll catch up with you when you're ready. | 0:38:38 | 0:38:39 | |
-Thanks. -Thank you. -Thank you. | 0:38:39 | 0:38:42 | |
I love this garden. | 0:38:42 | 0:38:43 | |
It feels so secluded, even though we're in the heart of a village. | 0:38:43 | 0:38:46 | |
Interestingly enough, | 0:38:46 | 0:38:48 | |
I thought they were going to bite my hand off at this property. | 0:38:48 | 0:38:51 | |
They've been wowed with the size. It is beautifully done. | 0:38:51 | 0:38:55 | |
There's something about me that feels that Louise's heart | 0:38:55 | 0:38:57 | |
just isn't in it, and I'm not talking about the house, | 0:38:57 | 0:39:01 | |
I'm actually referring to the move itself. | 0:39:01 | 0:39:04 | |
Hey, I'll give them some time on their own. | 0:39:04 | 0:39:06 | |
Below budget at an incredible £125,000, | 0:39:08 | 0:39:12 | |
this Grade II-listed former bakery has a kitchen/diner | 0:39:12 | 0:39:15 | |
and three additional reception rooms. | 0:39:15 | 0:39:18 | |
There are five bedrooms, | 0:39:18 | 0:39:19 | |
including a master en suite, | 0:39:19 | 0:39:21 | |
a large garage and workshop, | 0:39:21 | 0:39:23 | |
as well as a low-maintenance garden with a glasshouse. | 0:39:23 | 0:39:26 | |
This is a lovely, spacious house. | 0:39:28 | 0:39:30 | |
It's got, er, so many rooms, it's unbelievable. | 0:39:30 | 0:39:33 | |
I think it's very easy to imagine yourself living here. | 0:39:33 | 0:39:36 | |
The kitchen I like as well, which is an added bonus, | 0:39:36 | 0:39:39 | |
so I don't think we'd need to, sort of, touch anything for some time. | 0:39:39 | 0:39:43 | |
There's lots of things to like about this property. | 0:39:43 | 0:39:45 | |
It's got a good balance of rooms, both downstairs and upstairs. | 0:39:45 | 0:39:50 | |
I think it's a strong possibility, this place. | 0:39:50 | 0:39:53 | |
I think it gives us all the options we need, | 0:39:53 | 0:39:56 | |
and it's all within budget, so I'm quite excited. | 0:39:56 | 0:40:01 | |
Even bigger than the other one. | 0:40:01 | 0:40:02 | |
There's a lot of space downstairs - | 0:40:02 | 0:40:04 | |
lots of things that you could do with it. | 0:40:04 | 0:40:05 | |
-Perhaps leave this more for entertaining, yeah. -Yeah. | 0:40:05 | 0:40:08 | |
Dick probably feels that this has got a lot of potential, and he's | 0:40:08 | 0:40:12 | |
probably working out where he can have his little mini-microbrewery. | 0:40:12 | 0:40:17 | |
I haven't really made my mind up yet whether this is it. | 0:40:17 | 0:40:22 | |
We need to explore some other possibilities first, I think. | 0:40:22 | 0:40:25 | |
I wonder if a second look around, knowing that price, | 0:40:25 | 0:40:28 | |
has warmed them up a bit. | 0:40:28 | 0:40:30 | |
Well, they're taking their time, so that could be a good sign. | 0:40:30 | 0:40:33 | |
-All finished? -Yes. -Yeah. -Yeah? | 0:40:34 | 0:40:36 | |
-Seen everything? -Yes, thank you. -Happy? -Yup. -Right, let's go. | 0:40:36 | 0:40:40 | |
Much of the current farmland of Cambridgeshire | 0:40:45 | 0:40:47 | |
was once covered by sea water and bog oak. | 0:40:47 | 0:40:50 | |
Attempts to drain it began in earnest in the 1600s, | 0:40:50 | 0:40:53 | |
taking over two centuries of effort | 0:40:53 | 0:40:55 | |
before the rich soil, known as the black gold, emerged. | 0:40:55 | 0:40:59 | |
Ross Taylor's family have worked the earth here | 0:40:59 | 0:41:02 | |
at Willow Farm near Ely since 1860. | 0:41:02 | 0:41:05 | |
Their 500 acres produce prize-winning potatoes | 0:41:05 | 0:41:08 | |
along with other root vegetables. | 0:41:08 | 0:41:10 | |
But the last decade has also seen them setting up | 0:41:10 | 0:41:12 | |
their very own crisp factory and Ross has agreed to tell me why. | 0:41:12 | 0:41:16 | |
-Hi, Ross. -Hi, Nicki. | 0:41:16 | 0:41:18 | |
Now, I've never seen soil like this before. | 0:41:18 | 0:41:22 | |
But what's so special about this area? | 0:41:22 | 0:41:24 | |
The reason why we can produce these potatoes | 0:41:24 | 0:41:27 | |
is down to our beautiful black, peaty soil. | 0:41:27 | 0:41:30 | |
Now, you say it's peaty. | 0:41:30 | 0:41:31 | |
So why is it like this? | 0:41:31 | 0:41:34 | |
Um, thousands of years of, um, organic material and bog oak | 0:41:34 | 0:41:40 | |
and, er, we've been left with this beautiful soil | 0:41:40 | 0:41:44 | |
for our beautiful potatoes. | 0:41:44 | 0:41:46 | |
You talk about bog oak - is this it here? | 0:41:46 | 0:41:48 | |
Yeah, yeah. This is... | 0:41:48 | 0:41:49 | |
This is the famous bog oak. | 0:41:49 | 0:41:51 | |
This is probably between 8,000 and 4,000 years old. | 0:41:51 | 0:41:55 | |
So, Ross, are you still finding this bog oak today? | 0:41:55 | 0:41:58 | |
-Yeah, we still plough it up every year. -OK. | 0:41:58 | 0:42:00 | |
There's still huge trees, 40 feet long. | 0:42:00 | 0:42:02 | |
-We're finding it all the time, still. -My goodness. | 0:42:02 | 0:42:04 | |
So this region is renowned for its potatoes, which... | 0:42:04 | 0:42:07 | |
I've got one here. | 0:42:07 | 0:42:08 | |
So why did you decide to diversify and go into crisps? | 0:42:08 | 0:42:11 | |
The recession came along in 2008 | 0:42:11 | 0:42:14 | |
and we decided we couldn't carry the farm on any longer, um, | 0:42:14 | 0:42:19 | |
relying on the markets that we'd always traded with, | 0:42:19 | 0:42:22 | |
so we needed to do something with the product ourselves. | 0:42:22 | 0:42:25 | |
So, really, was it that tough for you as a farmer? | 0:42:25 | 0:42:27 | |
Oh, it was terrible! We'd lost our Irish market, | 0:42:27 | 0:42:30 | |
which we supplied all my father's career. | 0:42:30 | 0:42:33 | |
It was... It was either do something different or give the farm up. | 0:42:33 | 0:42:37 | |
So the crisp came to the rescue? | 0:42:37 | 0:42:39 | |
Yeah, we'd never tried crisps before with our product | 0:42:39 | 0:42:42 | |
and, er, we took them to a crisp expert | 0:42:42 | 0:42:45 | |
and they tried them and they couldn't believe | 0:42:45 | 0:42:47 | |
the quality of our product. | 0:42:47 | 0:42:49 | |
And, er, so we decided that was the way forward for us in the future. | 0:42:49 | 0:42:53 | |
So all your potatoes converted into crisps | 0:42:53 | 0:42:55 | |
come from the land that we can see around us? | 0:42:55 | 0:42:57 | |
Yeah, indeed, literally from 100 yards of our factory. | 0:42:57 | 0:42:59 | |
-Is that your factory there? -It is. -I think you know where I'm going - | 0:42:59 | 0:43:02 | |
to see where these crisps are produced. | 0:43:02 | 0:43:04 | |
-Ross, thank you so much. -It's a pleasure. | 0:43:04 | 0:43:06 | |
I'll leave you with your spuds. I'll let you carry that. | 0:43:06 | 0:43:08 | |
-OK, thank you. -Thank you. | 0:43:08 | 0:43:10 | |
The farm's factory is where the potatoes are washed, sliced, | 0:43:10 | 0:43:14 | |
cooked and flavoured before being bagged and boxed. | 0:43:14 | 0:43:20 | |
It's a speedy process that turns the crop in the field into crisps | 0:43:20 | 0:43:24 | |
that are ready to leave in an average of just 40 minutes. | 0:43:24 | 0:43:27 | |
The farm currently makes seven flavours of potato crisps | 0:43:27 | 0:43:31 | |
and three varieties of vegetable ones, | 0:43:31 | 0:43:33 | |
but today the plan is to add another to the slate. | 0:43:33 | 0:43:37 | |
Ross's friend and fellow crisp entrepreneur Rod Garnham | 0:43:37 | 0:43:40 | |
has developed a new flavour for us to try. | 0:43:40 | 0:43:44 | |
Now, talking about flavours, when I was growing up, | 0:43:44 | 0:43:46 | |
I think there were only two available - | 0:43:46 | 0:43:48 | |
cheese and onion and salt and vinegar. | 0:43:48 | 0:43:50 | |
Yes, there's more and more demand for more adventurous flavours | 0:43:50 | 0:43:54 | |
so that's what we've been developing as a company. | 0:43:54 | 0:43:58 | |
We go out to Ely and Cambridge, | 0:43:58 | 0:44:00 | |
our local cities, | 0:44:00 | 0:44:01 | |
and we'll stand in the middle of the square and ask, you know, | 0:44:01 | 0:44:05 | |
"What, sort of, tickles your taste buds, really?" | 0:44:05 | 0:44:07 | |
-So the people of Cambridgeshire decide what the rest of us are going to eat? -Exactly, yeah. | 0:44:07 | 0:44:11 | |
Well, when we were talking about actually coming here, | 0:44:11 | 0:44:13 | |
they said if you could come up with any variety, | 0:44:13 | 0:44:15 | |
what would it be? What would be your taste? | 0:44:15 | 0:44:17 | |
And I said - because I'm a classy bird - | 0:44:17 | 0:44:19 | |
"Bangers and mash." | 0:44:19 | 0:44:21 | |
-Yeah. -Is that a good or a bad one? -No, I think that's a good one. | 0:44:21 | 0:44:23 | |
It's funny you should say that, because we developed this, | 0:44:23 | 0:44:26 | |
-which is a bangers and mash flavour. -Can I smell it? | 0:44:26 | 0:44:28 | |
Please do. | 0:44:28 | 0:44:29 | |
-Oh. -It smells of sausages, doesn't it? | 0:44:31 | 0:44:34 | |
It does. It smells of my mother's cooking. | 0:44:34 | 0:44:36 | |
'The flavours are made to order by a specialist nearby company | 0:44:36 | 0:44:39 | |
'using natural local ingredients where possible | 0:44:39 | 0:44:42 | |
'before being added to the crisps at the factory.' | 0:44:42 | 0:44:44 | |
OK, I think we're ready for a taste. | 0:44:44 | 0:44:48 | |
-Here we go. Ready? -Yeah. | 0:44:48 | 0:44:50 | |
-Ooh! -That's pretty good, actually. -That is good. | 0:44:52 | 0:44:55 | |
-That is good. -That reminds me of home cooking, | 0:44:55 | 0:44:58 | |
but there's something else in there. What have you added? | 0:44:58 | 0:45:00 | |
Put a little bit of mustard in there because, in my mind, | 0:45:00 | 0:45:03 | |
if you're going to have bangers and mash, | 0:45:03 | 0:45:05 | |
-you're going to have a bit of mustard. -Gives it a little kick. | 0:45:05 | 0:45:07 | |
-Can you taste it? -You can. | 0:45:07 | 0:45:09 | |
-It's good, eh? -I might have to try one more. | 0:45:09 | 0:45:11 | |
-Listen to that crunch! -It's good, isn't it? | 0:45:13 | 0:45:15 | |
-Oh, that is delicious. -We might have to launch that. | 0:45:15 | 0:45:18 | |
What would we call it, though? | 0:45:18 | 0:45:19 | |
-Chappers' Bangers And Mash. -That sounds good. | 0:45:19 | 0:45:22 | |
Chappers' Bangers And Mash. | 0:45:22 | 0:45:24 | |
'Who would have thought an economic crisis | 0:45:24 | 0:45:26 | |
'would turn some humble Cambridgeshire spuds | 0:45:26 | 0:45:29 | |
'into a gourmet crisp? | 0:45:29 | 0:45:30 | |
'And, if I ever fancy a taste of Mum's cooking, | 0:45:30 | 0:45:33 | |
'well, who knows? | 0:45:33 | 0:45:34 | |
'I may just be able to eat a packet soon.' | 0:45:34 | 0:45:37 | |
One more. It would be rude not to. | 0:45:37 | 0:45:39 | |
You'd better take those away from me. | 0:45:39 | 0:45:41 | |
I'll eat the whole lot. | 0:45:41 | 0:45:43 | |
So, we're on our way to our Mystery House. | 0:45:49 | 0:45:53 | |
Now, are your hearts filled with hope or dread? | 0:45:53 | 0:45:58 | |
Erm, I think it's quite difficult to know what you're going to show us. | 0:45:58 | 0:46:02 | |
-The houses you've shown us so far have been so different... -Yeah. | 0:46:02 | 0:46:06 | |
..that I'm not too sure what's left. | 0:46:06 | 0:46:08 | |
I mean, what would you...? | 0:46:08 | 0:46:11 | |
You can be honest. What would you hate to be shown? | 0:46:11 | 0:46:14 | |
Probably a modern house anywhere near a modern estate. | 0:46:14 | 0:46:19 | |
OK. Yup. Dick? | 0:46:19 | 0:46:21 | |
Certainly something that's, let's say, | 0:46:21 | 0:46:24 | |
ten miles from anywhere in the country. | 0:46:24 | 0:46:27 | |
-Yeah. Too rural. -Erm, so... | 0:46:27 | 0:46:28 | |
But, otherwise, I'm probably up for anything. | 0:46:28 | 0:46:31 | |
You've both got to love this property, | 0:46:31 | 0:46:33 | |
but let's see how we get on. | 0:46:33 | 0:46:35 | |
Yes. | 0:46:35 | 0:46:36 | |
Our mystery offering is located close to | 0:46:36 | 0:46:39 | |
the village of Pondersbridge. | 0:46:39 | 0:46:41 | |
Facilities are found in the nearby ancient fenland market town | 0:46:41 | 0:46:44 | |
of Whittlesey and include butchers and pubs. | 0:46:44 | 0:46:49 | |
At the centre of the marketplace is a 17th-century covered butter cross, | 0:46:49 | 0:46:53 | |
where local dairy produce was once bought and sold. | 0:46:53 | 0:46:56 | |
Fresh eggs, milk and butter would have been laid out for display | 0:46:56 | 0:46:59 | |
on the stepped bases of the cross. | 0:46:59 | 0:47:02 | |
This structure was considered useless in the 19th century | 0:47:02 | 0:47:05 | |
and only saved from demolition when a local businessman | 0:47:05 | 0:47:08 | |
donated slate tiles for the roof. | 0:47:08 | 0:47:10 | |
Before the fens were drained in the 18th and 19th century, | 0:47:12 | 0:47:15 | |
this settlement was effectively an island surrounded by water. | 0:47:15 | 0:47:19 | |
It's now an eight-minute drive across dry land | 0:47:19 | 0:47:21 | |
to our mystery property in the midst of open countryside. | 0:47:21 | 0:47:26 | |
So, our final offering is the most unusual one. | 0:47:27 | 0:47:32 | |
Welcome to your Mystery House. | 0:47:32 | 0:47:35 | |
-What is it? -I don't... | 0:47:35 | 0:47:37 | |
I've had lots of comments in the past - | 0:47:37 | 0:47:40 | |
I don't think I've ever had that one! | 0:47:40 | 0:47:42 | |
It is a house. Next door, the chimney | 0:47:42 | 0:47:44 | |
that you can actually see was the old pumping station | 0:47:44 | 0:47:48 | |
which has been converted into another property. | 0:47:48 | 0:47:50 | |
It's not actually attached to this. | 0:47:50 | 0:47:52 | |
This is your Mystery House. | 0:47:52 | 0:47:54 | |
It's not only a very unusual property inside | 0:47:54 | 0:47:57 | |
but also it's the most rural location, | 0:47:57 | 0:47:59 | |
surrounded by fields, | 0:47:59 | 0:48:02 | |
so I'm not going to lie... | 0:48:02 | 0:48:04 | |
No shops, no amenities on your doorstep... | 0:48:04 | 0:48:06 | |
-OK. -..with the Mystery House. | 0:48:06 | 0:48:09 | |
It looks very impressive from the outside. | 0:48:09 | 0:48:11 | |
-I've probably got an open mind until I get inside. -Have you? | 0:48:11 | 0:48:14 | |
I wouldn't necessarily say | 0:48:14 | 0:48:16 | |
it's the most attractive building I've seen, | 0:48:16 | 0:48:18 | |
but space-wise, I suspect it's there. | 0:48:18 | 0:48:21 | |
-Ready to get inside? -Yeah, indeed. | 0:48:21 | 0:48:23 | |
Let's go this way. | 0:48:23 | 0:48:24 | |
'Our unique Mystery House was built in 2004, | 0:48:24 | 0:48:28 | |
'inspired by a pair of arched glass doors | 0:48:28 | 0:48:31 | |
'from a chateaux in the Loire Valley. | 0:48:31 | 0:48:33 | |
'The solid oak entrance door is also from France, | 0:48:33 | 0:48:36 | |
'and the Continental ambience continues through | 0:48:36 | 0:48:39 | |
'into the professionally designed interior.' | 0:48:39 | 0:48:42 | |
I don't think you're going to have seen anything like it. | 0:48:42 | 0:48:44 | |
Definitely not! This is enormous. | 0:48:44 | 0:48:47 | |
How high are these ceilings? | 0:48:47 | 0:48:49 | |
Have a guess how high that ceiling is. | 0:48:49 | 0:48:51 | |
15 feet? | 0:48:51 | 0:48:52 | |
Not bad. 12. | 0:48:52 | 0:48:54 | |
You do get the feeling you're in a French chateau, don't you? | 0:48:54 | 0:48:57 | |
-With those doors. -And the curtains, actually, yeah. | 0:48:57 | 0:49:01 | |
Not what you'd expect in Cambridgeshire. | 0:49:01 | 0:49:03 | |
-No. -No, I don't think you would. | 0:49:03 | 0:49:05 | |
And look at that fabulous fireplace. 17th-century. | 0:49:05 | 0:49:09 | |
That came from France as well. | 0:49:09 | 0:49:11 | |
I'm just blown away by the size, really. I mean, it's vast. | 0:49:11 | 0:49:14 | |
-It is vast. -Isn't it? -We'd have to bend our minds | 0:49:14 | 0:49:16 | |
as to what we do with it. | 0:49:16 | 0:49:18 | |
Rather than have two or three sitting rooms, | 0:49:18 | 0:49:21 | |
you've just got this one open space, | 0:49:21 | 0:49:23 | |
and then just leading off here is the kitchen. | 0:49:23 | 0:49:27 | |
'Also off this large central reception room is an orangery. | 0:49:27 | 0:49:31 | |
'Featuring those inspirational Loire Valley doors, | 0:49:31 | 0:49:34 | |
'it's currently used as a music room.' | 0:49:34 | 0:49:39 | |
So, we have a separate kitchen | 0:49:39 | 0:49:41 | |
but it still contains that open-plan feel. | 0:49:41 | 0:49:45 | |
It's a bit galley-ish to me. | 0:49:45 | 0:49:47 | |
Yeah. So although what they've done is beautifully fitted - | 0:49:47 | 0:49:50 | |
and you've actually got this trough sink... | 0:49:50 | 0:49:53 | |
-Yeah, which is quite useful. -Yeah. | 0:49:53 | 0:49:55 | |
Yeah, lovely beams up top. | 0:49:55 | 0:49:57 | |
I'm not too sure it's really big enough. | 0:49:57 | 0:50:00 | |
It isn't huge - I can't lie - | 0:50:00 | 0:50:02 | |
but what you do have is a utility room next door. | 0:50:02 | 0:50:05 | |
You've got your white goods in there. | 0:50:05 | 0:50:07 | |
And then, through there, you actually have a wet room. | 0:50:07 | 0:50:11 | |
So, on this floor, you've also, unusually, | 0:50:11 | 0:50:13 | |
got the master bedroom as well. | 0:50:13 | 0:50:15 | |
-Downstairs? -Downstairs. Shall we take a look? | 0:50:15 | 0:50:17 | |
-Yes. -Let's go through the kitchen this way. | 0:50:17 | 0:50:19 | |
'A mixed response to the living space | 0:50:19 | 0:50:22 | |
'of this quirky recent build | 0:50:22 | 0:50:25 | |
'which offers a total of four bedrooms. | 0:50:25 | 0:50:27 | |
'A guest single is also found off the entrance hall | 0:50:27 | 0:50:29 | |
'on the ground floor, while spiral stairs in the reception room | 0:50:29 | 0:50:33 | |
'lead to a landing and two large guest doubles, | 0:50:33 | 0:50:36 | |
'both with skylight windows and one with an en-suite shower room. | 0:50:36 | 0:50:41 | |
'Then, back on the ground floor, is the impressive master en suite.' | 0:50:41 | 0:50:46 | |
Another splendid room. | 0:50:46 | 0:50:49 | |
-This must be the master. -Yes. -It's huge. | 0:50:49 | 0:50:52 | |
Beautiful large en suite. | 0:50:52 | 0:50:55 | |
-Yes. -This, I'm thinking, would be yours. | 0:50:55 | 0:50:57 | |
It's a lovely, lovely light, spacious room. | 0:50:57 | 0:51:00 | |
I'm quite keen to take you back outside. | 0:51:00 | 0:51:02 | |
A little bit more to show you. | 0:51:02 | 0:51:04 | |
-And, for the last time, I'm going to ask you... -The price. | 0:51:04 | 0:51:06 | |
..yes, to put a price on it. | 0:51:06 | 0:51:08 | |
-Oh, don't look so worried! -Your favourite part(!) | 0:51:08 | 0:51:11 | |
'Dick and Louise have asked for space | 0:51:13 | 0:51:15 | |
'and the Mystery House certainly delivers it in spades, | 0:51:15 | 0:51:18 | |
'both inside and out. | 0:51:18 | 0:51:20 | |
'With a plot of almost three quarters of an acre, | 0:51:20 | 0:51:22 | |
'the wraparound decking provides somewhere | 0:51:22 | 0:51:24 | |
'to enjoy the very peaceful surroundings. | 0:51:24 | 0:51:27 | |
'There is a greenhouse in need of some TLC, | 0:51:27 | 0:51:30 | |
'as well as a massive barn which has both power and water, | 0:51:30 | 0:51:33 | |
'and could brew Dick's interests.' | 0:51:33 | 0:51:36 | |
-So, I'm thinking workshops, brewery... -Yeah, possibly, possibly. | 0:51:36 | 0:51:41 | |
-Yeah? -Yeah. | 0:51:41 | 0:51:42 | |
-Have we surprised you? -Yes. | 0:51:42 | 0:51:45 | |
Yes, I'm a bit speechless, I think, really. | 0:51:45 | 0:51:48 | |
It's certainly challenged us. | 0:51:48 | 0:51:50 | |
It's not something we'd ever dreamed of looking at. | 0:51:50 | 0:51:55 | |
-No. -It's a fair proposition. | 0:51:55 | 0:51:58 | |
Let's just talk the finances, shall we? | 0:51:58 | 0:52:01 | |
What do you think the current asking price is? | 0:52:01 | 0:52:05 | |
I don't know. I'll go for about 525, I think. | 0:52:05 | 0:52:08 | |
-Louise? -I'm not too sure, really. | 0:52:08 | 0:52:12 | |
It's got a lot of land. | 0:52:12 | 0:52:13 | |
I think I might go higher than Dick, | 0:52:13 | 0:52:16 | |
so I'll probably say 550. | 0:52:16 | 0:52:18 | |
Oh. Well, you're actually the closest, | 0:52:18 | 0:52:20 | |
because it's on the market for £554,950. | 0:52:20 | 0:52:26 | |
-OK. -Yeah, I'm not surprised. | 0:52:26 | 0:52:28 | |
It is a unique property. | 0:52:28 | 0:52:30 | |
-Do you fancy having another look around? -Yes, please. | 0:52:30 | 0:52:32 | |
-On your own? -Yeah, we'll have a look around. | 0:52:32 | 0:52:34 | |
It's the last time I'm going to say it. | 0:52:34 | 0:52:36 | |
-OK. -Go and have a wander around the Mystery House once more. | 0:52:36 | 0:52:39 | |
-OK, thank you. -Thank you. | 0:52:39 | 0:52:41 | |
With an asking price £70,000 below budget, | 0:52:46 | 0:52:49 | |
this chateau-inspired new build | 0:52:49 | 0:52:51 | |
features a large open-plan living space, | 0:52:51 | 0:52:54 | |
four bedrooms, including two en suites, | 0:52:54 | 0:52:56 | |
and almost three-quarters of an acre of grounds | 0:52:56 | 0:52:59 | |
in very rural surroundings. | 0:52:59 | 0:53:01 | |
I think it's an extraordinary property. | 0:53:01 | 0:53:04 | |
It's got some beautiful features. | 0:53:04 | 0:53:06 | |
Lovely bit upstairs for the family and so on. | 0:53:06 | 0:53:09 | |
-Wonderful bedroom. -Yep. | 0:53:09 | 0:53:11 | |
And you'd lose yourself in the bathroom, wouldn't you? | 0:53:11 | 0:53:14 | |
I think it's been quite interesting seeing this, | 0:53:14 | 0:53:16 | |
because I suppose it's so much out of what we would envisage. | 0:53:16 | 0:53:20 | |
This room is absolutely amazing, isn't it? | 0:53:20 | 0:53:24 | |
With the 17th-century fireplace, | 0:53:24 | 0:53:26 | |
the open windows, the high ceilings... | 0:53:26 | 0:53:30 | |
Very versatile in terms of how you can use it. | 0:53:30 | 0:53:34 | |
The open-plan-ness is something that doesn't quite work for us, | 0:53:34 | 0:53:39 | |
even though I think it's perhaps opened our minds a little bit to it. | 0:53:39 | 0:53:43 | |
Don't necessarily want to be this far out in the country, do we? | 0:53:43 | 0:53:46 | |
No, maybe not. | 0:53:46 | 0:53:48 | |
It has helped concentrate our minds on what we like | 0:53:48 | 0:53:50 | |
and what we don't like. | 0:53:50 | 0:53:52 | |
That is it - the end of all our house tours. | 0:53:56 | 0:54:00 | |
-Enjoyed it? -Very much so. -Yeah? -Very much so. | 0:54:00 | 0:54:04 | |
Do you want some time to have a think amongst yourselves, | 0:54:04 | 0:54:06 | |
what your next move's going to be? | 0:54:06 | 0:54:09 | |
-Yep. -OK, come on. | 0:54:09 | 0:54:11 | |
So, out of all the properties we showed Dick and Louise, | 0:54:19 | 0:54:22 | |
I think one of them stands a fighting chance | 0:54:22 | 0:54:25 | |
of a revisit, | 0:54:25 | 0:54:27 | |
but I'm just wondering whether Cambridgeshire as a county | 0:54:27 | 0:54:30 | |
is going to get a second viewing. | 0:54:30 | 0:54:32 | |
Let's find out. | 0:54:32 | 0:54:34 | |
Well, Dick and Louise, | 0:54:39 | 0:54:41 | |
we've certainly travelled around this county, haven't we? | 0:54:41 | 0:54:44 | |
So, let's talk about the actual houses that you've seen, | 0:54:44 | 0:54:47 | |
and, for me, there's one that stands out. | 0:54:47 | 0:54:49 | |
I think it was that very old property | 0:54:49 | 0:54:51 | |
with the bakery at the back. | 0:54:51 | 0:54:53 | |
-Would I be right? -You would be. | 0:54:53 | 0:54:55 | |
Ah, good. | 0:54:55 | 0:54:56 | |
So, Dick, what was it about that property that so appealed to you? | 0:54:56 | 0:54:59 | |
It was the one that was nearest to what we really wanted | 0:54:59 | 0:55:02 | |
in terms of blueprint, footprint, whatever you want to call it. | 0:55:02 | 0:55:06 | |
You know, it has a nice bit of character to it | 0:55:06 | 0:55:09 | |
and it had a combination of rooms that we still haven't worked out | 0:55:09 | 0:55:11 | |
exactly what we'd like to do with, | 0:55:11 | 0:55:14 | |
but it sort of covers all occasions. | 0:55:14 | 0:55:16 | |
So probably the most important question... | 0:55:16 | 0:55:18 | |
Do you think you'll go back for a second viewing? | 0:55:18 | 0:55:20 | |
I would certainly like to go back and have a look. | 0:55:20 | 0:55:23 | |
-I think so. -Yeah. | 0:55:23 | 0:55:25 | |
Louise, I'm going to ask you a question. | 0:55:25 | 0:55:28 | |
You've loved living in London. | 0:55:28 | 0:55:30 | |
Born and bred in London. | 0:55:30 | 0:55:32 | |
Have you come to terms with the idea of actually | 0:55:32 | 0:55:35 | |
leaving the city and moving away? | 0:55:35 | 0:55:37 | |
I think so. | 0:55:37 | 0:55:39 | |
I mean, I suppose the proof of the pudding | 0:55:39 | 0:55:41 | |
will be when you make the decision on the house, | 0:55:41 | 0:55:44 | |
but, yeah, it's going to be a big wrench. | 0:55:44 | 0:55:47 | |
Do you think we can put a timeframe on this move, | 0:55:47 | 0:55:49 | |
wherever you decide to go? | 0:55:49 | 0:55:51 | |
I just wondered if, in your minds, you were thinking... | 0:55:51 | 0:55:53 | |
two months, six months, a year? | 0:55:53 | 0:55:56 | |
Oh, we'd like... Well, I don't know. | 0:55:56 | 0:55:57 | |
-Well, I think we'd like to be gone within a year. -Yeah. | 0:55:57 | 0:56:00 | |
I'd like to think we wouldn't still be looking in a year. | 0:56:00 | 0:56:03 | |
-At Christmas, you'll be in your new home? -Yeah. | 0:56:03 | 0:56:06 | |
Well, all the very best, | 0:56:06 | 0:56:07 | |
and I expect to hear an update on where you're at very soon. | 0:56:07 | 0:56:11 | |
-Thank you both so much. -Thank you. -Many thanks, Nicki. | 0:56:11 | 0:56:14 | |
Now, if I'm honest, | 0:56:18 | 0:56:20 | |
it's not the easiest thing in the world showing a couple a county | 0:56:20 | 0:56:23 | |
which, well, they really don't know very well. | 0:56:23 | 0:56:26 | |
But I think what we've achieved over the last few days | 0:56:26 | 0:56:29 | |
is a fantastic cross-section of properties | 0:56:29 | 0:56:32 | |
to tempt Dick and Louise. | 0:56:32 | 0:56:33 | |
Now, personally, I really do hope they go for that second viewing | 0:56:33 | 0:56:38 | |
of that splendid house with the old bakery at the back, | 0:56:38 | 0:56:41 | |
because what it will give them | 0:56:41 | 0:56:43 | |
is the community they're going to need, | 0:56:43 | 0:56:45 | |
the space they say they require... | 0:56:45 | 0:56:48 | |
and at a price that will give them the scope to make those adjustments | 0:56:48 | 0:56:51 | |
so they can have their perfect home. | 0:56:51 | 0:56:54 | |
Whatever they decide to do, | 0:56:54 | 0:56:56 | |
we wish them all the very best of luck, | 0:56:56 | 0:56:58 | |
and I'll see you again on Escape To The Country. | 0:56:58 | 0:57:02 | |
If you would like to escape to the country | 0:57:03 | 0:57:06 | |
in Northern Ireland, Scotland, Wales or England, | 0:57:06 | 0:57:08 | |
and need our help, | 0:57:08 | 0:57:10 | |
please apply online at... | 0:57:10 | 0:57:15 |