Browse content similar to Dorset. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
At first glance, it's hard to believe this | 0:00:02 | 0:00:04 | |
picture-perfect village, with all these thatched cottages, | 0:00:04 | 0:00:06 | |
was built just a couple of centuries ago when a whole community | 0:00:06 | 0:00:09 | |
was uprooted and moved here. | 0:00:09 | 0:00:11 | |
Find out why and where I am in just a moment. | 0:00:11 | 0:00:13 | |
Today's property search is all about having the right outlook. | 0:00:31 | 0:00:35 | |
That's what this house is about. | 0:00:35 | 0:00:36 | |
-Yes. -That picture. | 0:00:36 | 0:00:38 | |
We asked for a sea view but didn't think you would find it. | 0:00:38 | 0:00:41 | |
How you did it, I don't know. | 0:00:41 | 0:00:43 | |
But will we be able to find our home hunters | 0:00:43 | 0:00:45 | |
the dream location for a country retirement? | 0:00:45 | 0:00:48 | |
I feel quite emotional about it. | 0:00:48 | 0:00:50 | |
It's really, really fabulous. | 0:00:50 | 0:00:53 | |
It's a great start. | 0:00:53 | 0:00:54 | |
Today I'm in Dorset and this is the village of Milton Abbas. | 0:00:56 | 0:01:00 | |
It was built in the 1770s by the Earl of Dorchester, | 0:01:00 | 0:01:03 | |
who brought on board the famous landscape designer | 0:01:03 | 0:01:06 | |
Lancelot "Capability" Brown and architect Sir William Chambers. | 0:01:06 | 0:01:11 | |
But this was no great philanthropic mission. | 0:01:11 | 0:01:14 | |
The Earl actually moved the village here from its original spot nearby | 0:01:14 | 0:01:18 | |
because it was spoiling the view from his newly built mansion, | 0:01:18 | 0:01:21 | |
so he completely demolished it and created this village here | 0:01:21 | 0:01:25 | |
over the hill and out of sight. | 0:01:25 | 0:01:28 | |
That said, the end result certainly possesses that authentic | 0:01:28 | 0:01:31 | |
Dorset character that you will find in many places across the county. | 0:01:31 | 0:01:35 | |
Dorset is found on the south coast of England and is bordered | 0:01:37 | 0:01:40 | |
by Hampshire to the east, Wiltshire to the north | 0:01:40 | 0:01:43 | |
and Somerset and Devon to the west. | 0:01:43 | 0:01:46 | |
Its 95 miles of coastline offer striking geological features | 0:01:46 | 0:01:50 | |
such as Durdle Door, a natural limestone arch, | 0:01:50 | 0:01:53 | |
thought to be named from the old English word, "thirl", | 0:01:53 | 0:01:56 | |
meaning to pierce or bore. | 0:01:56 | 0:01:59 | |
Man-made coastal landmarks include the Cobb at Lyme Regis, | 0:01:59 | 0:02:04 | |
a curved stone pier which has formed a harbour since at least 1313. | 0:02:04 | 0:02:09 | |
It featured in the 1981 film, The French Lieutenant's Woman, | 0:02:09 | 0:02:13 | |
starring Meryl Streep, based on the novel written by John Fowles, | 0:02:13 | 0:02:17 | |
who drew inspiration from the Dorset landscape around him. | 0:02:17 | 0:02:20 | |
Close to the town of Bridport, a near-conical sandstone hill | 0:02:21 | 0:02:25 | |
is eye-catchingly topped by a smattering of pine trees. | 0:02:25 | 0:02:30 | |
In the 19th century it was named after the then landowner, | 0:02:30 | 0:02:33 | |
the Rev Colmer. | 0:02:33 | 0:02:34 | |
Indeed, hills are very much a feature of the landscape here, | 0:02:34 | 0:02:38 | |
where fertile pastures have made an ideal sheep-farming location, | 0:02:38 | 0:02:42 | |
providing trade in both wool and meat. | 0:02:42 | 0:02:46 | |
Dorset is also rich in ecclesiastical buildings, | 0:02:46 | 0:02:49 | |
although its religious history is rather more turbulent | 0:02:49 | 0:02:52 | |
than the serenity of the resultant architecture. | 0:02:52 | 0:02:55 | |
The village of Chideock was once known for | 0:02:55 | 0:02:58 | |
clandestine Catholic worship after the Civil War. | 0:02:58 | 0:03:01 | |
In the late 16th century, four local Catholics, | 0:03:01 | 0:03:04 | |
now known as the Chideock Martyrs, | 0:03:04 | 0:03:06 | |
were tried in the village and consequently executed in the county. | 0:03:06 | 0:03:10 | |
The Weld Memorial Chapel is an important landmark in the story | 0:03:10 | 0:03:14 | |
of Catholic emancipation. | 0:03:14 | 0:03:16 | |
The county is also home to around 150 villages, | 0:03:18 | 0:03:21 | |
peppered with traditional thatched cottages. | 0:03:21 | 0:03:24 | |
But perhaps the most picturesque row of houses in the county is at | 0:03:24 | 0:03:28 | |
the cobbled street of Gold Hill in Shaftesbury. It once provided | 0:03:28 | 0:03:32 | |
the backdrop to Britain's favourite advertisement of all time. | 0:03:32 | 0:03:36 | |
So whether it's picture-postcard towns and villages, | 0:03:36 | 0:03:40 | |
wild coastlines or local history, Dorset really does offer | 0:03:40 | 0:03:44 | |
a great choice for those seeking a country escape. | 0:03:44 | 0:03:48 | |
All of this beauty and history does of course come at a price. | 0:03:48 | 0:03:52 | |
The average cost of a detached home here in Dorset is around £321,000 - | 0:03:52 | 0:03:58 | |
that's about 55,000 above the national figure. | 0:03:58 | 0:04:01 | |
That does include the super-expensive Sandbanks | 0:04:01 | 0:04:05 | |
near Poole, where price tags are routinely in their millions. | 0:04:05 | 0:04:08 | |
As a general rule of thumb, if you move away from coastal hotspots, | 0:04:08 | 0:04:12 | |
your money will go that little bit further, | 0:04:12 | 0:04:14 | |
especially if you move towards the north of the county. | 0:04:14 | 0:04:17 | |
So which part of Dorset are today's buyers inspired to move to? | 0:04:17 | 0:04:22 | |
Let's meet them and find out. | 0:04:22 | 0:04:23 | |
Life has been an adventure for Diana and Jonathan, | 0:04:25 | 0:04:27 | |
from Burgess Hill, Sussex, | 0:04:27 | 0:04:29 | |
since they first got together over three decades ago. | 0:04:29 | 0:04:33 | |
We met when Jonathan was in the police force | 0:04:33 | 0:04:38 | |
and I was a stewardess. | 0:04:38 | 0:04:40 | |
After knowing each other for ten days, we decided to get married | 0:04:40 | 0:04:43 | |
and that was 33 years ago. | 0:04:43 | 0:04:45 | |
Yes. | 0:04:45 | 0:04:47 | |
I think excitement sums up our relationship and our life together. | 0:04:47 | 0:04:52 | |
We are quite impulsive. Well, very impulsive. | 0:04:52 | 0:04:55 | |
We enjoy travel, we enjoy coming out of our comfort zone. | 0:04:55 | 0:05:00 | |
We have good fun. | 0:05:00 | 0:05:02 | |
-We're energetic. -Yes, we are. | 0:05:02 | 0:05:05 | |
-And we like doing things together. -Yeah. | 0:05:05 | 0:05:07 | |
As well as packing in plenty of round-the-world travel, | 0:05:07 | 0:05:10 | |
Diana and Jonathan also had two sons. | 0:05:10 | 0:05:14 | |
Now the couple are in their mid-60s and their kids have moved away | 0:05:14 | 0:05:17 | |
to have families of their own. | 0:05:17 | 0:05:19 | |
But life hasn't stopped with retirement, | 0:05:19 | 0:05:22 | |
particularly for former police officer Jonathan, | 0:05:22 | 0:05:24 | |
who has become a published author. | 0:05:24 | 0:05:26 | |
My writing, I started about five years ago. | 0:05:26 | 0:05:31 | |
Crime thriller, based using my experience. | 0:05:31 | 0:05:35 | |
I'm on my third book at the moment. | 0:05:35 | 0:05:37 | |
But that's not all Diana and Jonathan are seeking - | 0:05:37 | 0:05:40 | |
they're also looking for more new experiences and want to move away | 0:05:40 | 0:05:44 | |
from their hometown of 23 years to start a new life | 0:05:44 | 0:05:47 | |
in more rural surroundings. | 0:05:47 | 0:05:50 | |
We are enclosed on the edge of an estate | 0:05:50 | 0:05:53 | |
with a main road 50 yards away. | 0:05:53 | 0:05:57 | |
There is a constant noise, a constant traffic jam, | 0:05:57 | 0:06:01 | |
there is building going on. | 0:06:01 | 0:06:03 | |
Every day, there is someone nearby drilling, | 0:06:03 | 0:06:07 | |
cutting down a tree or hedge-cutting. | 0:06:07 | 0:06:10 | |
We would like somewhere that had just that little bit of extra space, | 0:06:10 | 0:06:14 | |
a little bit quieter, a little bit more of a view. | 0:06:14 | 0:06:18 | |
And there's one part of the country in particular that is calling them. | 0:06:18 | 0:06:22 | |
An area that we really do like and we have visited | 0:06:22 | 0:06:26 | |
and travelled through quite a bit is west Dorset. | 0:06:26 | 0:06:29 | |
I think it's a very pretty area, | 0:06:29 | 0:06:32 | |
it's got fascinating history, | 0:06:32 | 0:06:34 | |
the coastline is quite dramatic. | 0:06:34 | 0:06:36 | |
Even during the summer, out on the headlands, | 0:06:36 | 0:06:39 | |
it's got that little bit of wildness about it. | 0:06:39 | 0:06:41 | |
What is drawing me to west Dorset is the relaxed pace of life. | 0:06:41 | 0:06:46 | |
I like the scenery, | 0:06:46 | 0:06:48 | |
I like the fact that the sea is there. | 0:06:48 | 0:06:50 | |
I think there's a lot of energy going on there - it's becoming | 0:06:50 | 0:06:54 | |
an interesting, lively place as well as a peaceful place. | 0:06:54 | 0:06:58 | |
I feel quite at home in that area, | 0:06:58 | 0:07:00 | |
I think I could settle down there. | 0:07:00 | 0:07:02 | |
Of course, settling down for this energetic duo doesn't really mean | 0:07:04 | 0:07:07 | |
putting their feet up. | 0:07:07 | 0:07:08 | |
I want to take up sailing, | 0:07:09 | 0:07:12 | |
maybe get a small boat to go up and down rivers or that type of thing. | 0:07:12 | 0:07:16 | |
There's a sewing group that I started a year ago. | 0:07:16 | 0:07:19 | |
There was a few ladies that said they couldn't sew, | 0:07:19 | 0:07:22 | |
didn't know how to sew, didn't know one end of a needle from the other. | 0:07:22 | 0:07:26 | |
I just wanted them to have fun, get confidence in sewing, | 0:07:26 | 0:07:29 | |
enjoy it and take away something from the process. | 0:07:29 | 0:07:32 | |
I want to meet new people. | 0:07:32 | 0:07:34 | |
Perhaps running a sewing group there. | 0:07:34 | 0:07:36 | |
I think we'll turn out to be very busy. | 0:07:36 | 0:07:39 | |
I think so too. | 0:07:39 | 0:07:41 | |
Although the move means leaving behind the location of many | 0:07:41 | 0:07:45 | |
happy memories, they know there are | 0:07:45 | 0:07:47 | |
plenty of new ones to look forward to. | 0:07:47 | 0:07:50 | |
I will be sad, in a way, to leave here, | 0:07:50 | 0:07:53 | |
because we've had a happy time here. | 0:07:53 | 0:07:55 | |
The boys were young when we moved in here. | 0:07:55 | 0:07:58 | |
It will be sad because we have been happy and we've got lots of friends, | 0:07:58 | 0:08:03 | |
but they'll have to come and visit us. | 0:08:03 | 0:08:06 | |
Diana and Jonathan want to concentrate their search | 0:08:10 | 0:08:13 | |
in the south-west of the county, close to the coast between Bridport | 0:08:13 | 0:08:16 | |
and the Devon border. | 0:08:16 | 0:08:18 | |
But before we start our house hunt, | 0:08:18 | 0:08:20 | |
I want to know more about the type of home they are hoping to find. | 0:08:20 | 0:08:23 | |
Diana and Jonathan, welcome to Dorset. | 0:08:25 | 0:08:27 | |
-Thank you very much. -Thank you. | 0:08:27 | 0:08:29 | |
Is it those fabulous sea views that are attracting you to this county? | 0:08:29 | 0:08:33 | |
The sea views, the countryside, the way of life, yes. | 0:08:33 | 0:08:38 | |
It really does have a little bit of everything. | 0:08:38 | 0:08:40 | |
It's got everything and it's just so peaceful yet there is that vibrancy | 0:08:40 | 0:08:45 | |
that you get next to the sea. | 0:08:45 | 0:08:47 | |
How well do you know this area? | 0:08:47 | 0:08:49 | |
Well, we've driven through the area for over 30 years to go | 0:08:49 | 0:08:54 | |
and visit my parents in Devon. | 0:08:54 | 0:08:56 | |
We've always taken the route from Lyme Regis along the coast | 0:08:56 | 0:09:00 | |
down to Sidmouth and Budleigh Salterton. | 0:09:00 | 0:09:03 | |
And we've slowed down, actually, coming through Dorset. | 0:09:03 | 0:09:05 | |
-We've stopped for coffee breaks and things like that. -Yeah. -Yeah. | 0:09:05 | 0:09:10 | |
We've had a look over the years. And it's such a beautiful county. | 0:09:10 | 0:09:14 | |
It's got everything you want, really. | 0:09:14 | 0:09:16 | |
What do you want from the house itself? | 0:09:16 | 0:09:18 | |
We're looking for somewhere bright and airy. | 0:09:18 | 0:09:21 | |
We'd probably like three bedrooms and we would like a room | 0:09:21 | 0:09:24 | |
where I could do my sewing and you could perhaps do your writing. | 0:09:24 | 0:09:27 | |
That's really quite important. | 0:09:27 | 0:09:29 | |
The view's most important to us, and the location. | 0:09:29 | 0:09:32 | |
So, location-wise, what sort of setting would you like? | 0:09:32 | 0:09:36 | |
I'd like a view, | 0:09:36 | 0:09:39 | |
proximity to the sea, | 0:09:39 | 0:09:42 | |
and not too far away from a town. | 0:09:42 | 0:09:45 | |
Is there anything you both don't want? | 0:09:45 | 0:09:49 | |
I think from experience, a thatched cottage. | 0:09:49 | 0:09:51 | |
Yes, I agree, really. | 0:09:51 | 0:09:52 | |
That's probably, as we say, a thatch, we don't want a thatch. | 0:09:52 | 0:09:56 | |
Remind me of your budget. | 0:09:56 | 0:09:57 | |
Go ahead. | 0:09:57 | 0:09:58 | |
-Well, our budget is £500,000. -OK. | 0:09:58 | 0:10:01 | |
We could just go a little bit above that if we needed to. | 0:10:01 | 0:10:05 | |
I like hearing that because it is a popular county, of course, | 0:10:05 | 0:10:08 | |
so it's always nice to know that you might have a little bit extra. | 0:10:08 | 0:10:12 | |
Yes. | 0:10:12 | 0:10:14 | |
And we have got some fantastic properties already waiting for you. | 0:10:14 | 0:10:19 | |
-Lovely. -So, let's get going. | 0:10:19 | 0:10:20 | |
Lovely, thank you very much. | 0:10:20 | 0:10:21 | |
For a budget of £500,000, | 0:10:24 | 0:10:26 | |
but some leeway if necessary, | 0:10:26 | 0:10:29 | |
Diana and Jonathan are looking for | 0:10:29 | 0:10:31 | |
a bright and airy property with | 0:10:31 | 0:10:32 | |
a minimum of three bedrooms. | 0:10:32 | 0:10:34 | |
They'd like a sewing room for Diana | 0:10:34 | 0:10:36 | |
as well as a separate space | 0:10:36 | 0:10:38 | |
for Jonathan to write. | 0:10:38 | 0:10:39 | |
The location is important and should | 0:10:39 | 0:10:41 | |
offer them views as well as | 0:10:41 | 0:10:43 | |
proximity to the coast and a town. | 0:10:43 | 0:10:46 | |
While they are flexible over style, | 0:10:46 | 0:10:48 | |
neither of them is keen | 0:10:48 | 0:10:49 | |
on thatched houses. | 0:10:49 | 0:10:51 | |
We have an exciting variety of homes to present, and at each one, | 0:10:52 | 0:10:56 | |
I will be asking them to guess the price before I reveal it. | 0:10:56 | 0:10:59 | |
Our final property will be the Mystery House, which may be | 0:10:59 | 0:11:03 | |
a naughty choice, but could turn out to be surprisingly nice. | 0:11:03 | 0:11:07 | |
But before that, we're off to view house number one. | 0:11:10 | 0:11:12 | |
Our property search is kicking off just a five-minute drive | 0:11:16 | 0:11:19 | |
from Charmouth Beach, in the small village of Morcombelake. | 0:11:19 | 0:11:23 | |
With its outlook across rolling fields to the sea, | 0:11:23 | 0:11:26 | |
it's a great starting point for several walks. | 0:11:26 | 0:11:29 | |
The village is home to the savoury Dorset knob biscuit, | 0:11:29 | 0:11:32 | |
made here since late Victorian times. | 0:11:32 | 0:11:35 | |
Amenities include a post office and store as well as a farm shop. | 0:11:35 | 0:11:39 | |
The simple chapel-style church, built in 1841, | 0:11:40 | 0:11:44 | |
replaced a 13th-century one that had fallen into ruins. | 0:11:44 | 0:11:48 | |
'Our first house is idyllically located | 0:11:48 | 0:11:50 | |
'just a five-minute walk away.' | 0:11:50 | 0:11:53 | |
This is our first property, the house on the hill. | 0:11:53 | 0:11:56 | |
-Wow. -It's just lovely. -Isn't it gorgeous? | 0:11:56 | 0:11:59 | |
Absolutely gorgeous, the trees... | 0:11:59 | 0:12:01 | |
This is the location you were looking for? Am I right? | 0:12:01 | 0:12:04 | |
Yes, lovely, it really is lovely. | 0:12:04 | 0:12:06 | |
Do we need to go in? | 0:12:06 | 0:12:07 | |
Look, the house is ideal already. | 0:12:07 | 0:12:10 | |
It's ticking a lot of boxes already. | 0:12:10 | 0:12:11 | |
It's lovely, yes, really nice. | 0:12:11 | 0:12:13 | |
Let's see if the inside charms you. | 0:12:13 | 0:12:16 | |
-OK. -Yes, lovely. | 0:12:16 | 0:12:18 | |
This hillside home was originally built in the 1930s, | 0:12:19 | 0:12:23 | |
but has been fully renovated by the current owners over the past decade. | 0:12:23 | 0:12:27 | |
The property is accessed via a decked frontage with French doors | 0:12:27 | 0:12:31 | |
that lead straight into the large country kitchen. | 0:12:31 | 0:12:35 | |
-Come in. -Wow. | 0:12:35 | 0:12:38 | |
It's a really good-sized kitchen, nice and light. | 0:12:38 | 0:12:41 | |
You come straight in, so the balcony is part of the kitchen? | 0:12:41 | 0:12:44 | |
Absolutely, so you can throw open the doors | 0:12:44 | 0:12:46 | |
-and that's your little champagne balcony. -Yes. | 0:12:46 | 0:12:49 | |
And even when it's cold, raining, | 0:12:49 | 0:12:52 | |
you've still got that fabulous view. | 0:12:52 | 0:12:55 | |
-A-ha! -THEY LAUGH | 0:12:55 | 0:12:56 | |
I never noticed that! | 0:12:56 | 0:12:58 | |
Oh, yes. | 0:12:58 | 0:12:59 | |
I'd say that was a fantastic element. | 0:12:59 | 0:13:02 | |
Oh, I think it's gorgeous. | 0:13:02 | 0:13:04 | |
-It's lovely, isn't it? -Beautiful. | 0:13:04 | 0:13:06 | |
-Really lovely. -You've got a conservatory just through there, | 0:13:06 | 0:13:09 | |
-which again makes use of the views. -Yes. | 0:13:09 | 0:13:11 | |
You've got a really lovely-sized utility room, | 0:13:11 | 0:13:14 | |
so this isn't where everything is. | 0:13:14 | 0:13:17 | |
Even as you're washing up in the utility room or doing the laundry, | 0:13:17 | 0:13:21 | |
you've got the views. | 0:13:21 | 0:13:22 | |
-Fantastic. -Lovely. | 0:13:22 | 0:13:24 | |
Also off the kitchen is a ground floor family bathroom, | 0:13:24 | 0:13:27 | |
and on the other side, the main reception, | 0:13:27 | 0:13:29 | |
once again with charming country features | 0:13:29 | 0:13:32 | |
including a log-burning stove. | 0:13:32 | 0:13:34 | |
Again, in here, the owners have really made use of the setting. | 0:13:35 | 0:13:39 | |
A really nice-sized room, a door that goes outside. | 0:13:39 | 0:13:42 | |
And you've still got the view and it is so light and bright. | 0:13:42 | 0:13:46 | |
It's got a lovely feel to it. | 0:13:46 | 0:13:47 | |
So you can imagine yourself relaxing in here? | 0:13:47 | 0:13:50 | |
-Absolutely. -I can, actually. | 0:13:50 | 0:13:52 | |
I can, actually, it is really nice. | 0:13:52 | 0:13:55 | |
The two doors that you can see there are bedrooms. | 0:13:55 | 0:13:58 | |
-Oh. -So they are matching bedrooms, | 0:13:58 | 0:14:00 | |
they've each got a working fireplace in each of the bedrooms. | 0:14:00 | 0:14:03 | |
Both can fit double beds in so really, those are your guest rooms. | 0:14:03 | 0:14:08 | |
-Yes, lovely. -Let me show you your bedroom, though. | 0:14:08 | 0:14:11 | |
Thank you. | 0:14:11 | 0:14:13 | |
A really heartening reaction to the welcoming spaces on offer | 0:14:13 | 0:14:16 | |
in this beautifully located home. | 0:14:16 | 0:14:19 | |
But there's even more to impress Jonathan and Diana upstairs, | 0:14:19 | 0:14:22 | |
where the converted loft space is | 0:14:22 | 0:14:24 | |
entirely devoted to the master accommodation, | 0:14:24 | 0:14:27 | |
with its own dressing room and en suite featuring a modern bathtub | 0:14:27 | 0:14:32 | |
and separate shower. | 0:14:32 | 0:14:34 | |
Up here, you've got your own private suite, really. | 0:14:34 | 0:14:38 | |
-Wow. -I like the lightness, it's really bright. | 0:14:38 | 0:14:40 | |
Look at the views across there. | 0:14:40 | 0:14:42 | |
You could wake up to that view. | 0:14:42 | 0:14:45 | |
Wow. | 0:14:45 | 0:14:46 | |
That is like a picture, it's absolutely lovely. | 0:14:46 | 0:14:50 | |
This floor is your own, not really for guests, unless in the future | 0:14:50 | 0:14:53 | |
you chose to stay in the bedrooms on the ground floor. | 0:14:53 | 0:14:56 | |
It's a perfect house for a couple. | 0:14:56 | 0:14:58 | |
-It is, yes. -Perfect. | 0:14:58 | 0:15:00 | |
I like the way they have shaped the ceiling to get the light in. | 0:15:00 | 0:15:02 | |
-Beautifully done. -It's been done very nicely. | 0:15:02 | 0:15:04 | |
Great. Let's go and see what else is in store. | 0:15:04 | 0:15:07 | |
-Exciting. -Lead us back out to the garden. | 0:15:07 | 0:15:09 | |
Well, the interior has delivered everything Diana and Jonathan | 0:15:11 | 0:15:15 | |
had hoped for, and I don't think the outside will disappoint. | 0:15:15 | 0:15:19 | |
Extensive gardens boast many mature shrubs and trees, | 0:15:19 | 0:15:23 | |
plus outbuildings including a former housekeeper's annexe | 0:15:23 | 0:15:26 | |
with recently lapsed planning permission. | 0:15:26 | 0:15:29 | |
Subject to a fresh application, | 0:15:29 | 0:15:30 | |
it could be turned into extra guest accommodation, | 0:15:30 | 0:15:33 | |
or they could use it as a writing or sewing space. | 0:15:33 | 0:15:37 | |
There's also a large paddock, | 0:15:37 | 0:15:39 | |
currently kept in check by the owner's small flock of sheep. | 0:15:39 | 0:15:42 | |
So you've got three-quarters of an acre, really. | 0:15:42 | 0:15:46 | |
That's a joy. I like gardening, | 0:15:46 | 0:15:48 | |
I like working outside. | 0:15:48 | 0:15:50 | |
So, what would this beautiful house cost you? | 0:15:50 | 0:15:54 | |
Well, I would say certainly top end, | 0:15:54 | 0:15:58 | |
so I would say...525. | 0:15:58 | 0:16:00 | |
I'm not going to argue too much with that. | 0:16:00 | 0:16:03 | |
I will be optimistic and go 520. | 0:16:03 | 0:16:05 | |
It's actually on the market for just under your budget, | 0:16:06 | 0:16:10 | |
£499,950. | 0:16:10 | 0:16:14 | |
-Good gracious. -Unbelievable. | 0:16:14 | 0:16:16 | |
It's just absolutely gorgeous. | 0:16:16 | 0:16:18 | |
I feel quite emotional about it. | 0:16:18 | 0:16:20 | |
It's really, really fabulous. | 0:16:20 | 0:16:23 | |
It's a great start. Go and have another look around, | 0:16:23 | 0:16:25 | |
-now that you know the price. -OK. | 0:16:25 | 0:16:27 | |
I will meet you out front in a bit. | 0:16:27 | 0:16:28 | |
-Thank you very much. -Thank you very much. | 0:16:28 | 0:16:30 | |
Coming in slightly under budget, | 0:16:33 | 0:16:35 | |
this hillside property has | 0:16:35 | 0:16:37 | |
everything our buyers want from | 0:16:37 | 0:16:39 | |
their new home in the country. | 0:16:39 | 0:16:41 | |
The three double bedrooms include | 0:16:41 | 0:16:43 | |
a master suite on the entire upper | 0:16:43 | 0:16:45 | |
floor. Plus there is a large kitchen | 0:16:45 | 0:16:47 | |
diner and spacious sitting room, | 0:16:47 | 0:16:49 | |
as well as wonderful countryside views | 0:16:49 | 0:16:51 | |
from almost every room. | 0:16:51 | 0:16:53 | |
The large plot gives keen gardener | 0:16:54 | 0:16:56 | |
Jonathan plenty to work with | 0:16:56 | 0:16:58 | |
and an annexe offers potential | 0:16:58 | 0:17:00 | |
as a writing or sewing room. | 0:17:00 | 0:17:01 | |
-Nice, isn't it? -Yes, really. | 0:17:03 | 0:17:05 | |
Again, it is an extension of the house into the garden. | 0:17:05 | 0:17:08 | |
Everything is joined up. It's really lovely. | 0:17:08 | 0:17:10 | |
Yes, gorgeous. | 0:17:10 | 0:17:12 | |
The house inside - lovely open plan, beautifully done, | 0:17:12 | 0:17:16 | |
nice soft wood everywhere. | 0:17:16 | 0:17:17 | |
I wouldn't want to change anything, I think it's really gorgeous. | 0:17:17 | 0:17:21 | |
We'd like to have the grandchildren and the family down to visit. | 0:17:21 | 0:17:25 | |
It'll be perfect. | 0:17:25 | 0:17:27 | |
Nice big area where we can eat | 0:17:27 | 0:17:28 | |
and of course the garden would be lovely | 0:17:28 | 0:17:31 | |
for the two grandchildren, | 0:17:31 | 0:17:33 | |
they'd have a whale of a time making camps and running around. | 0:17:33 | 0:17:36 | |
I think that views were our number one priority and it is | 0:17:36 | 0:17:40 | |
beautifully situated. The rooms are so nicely done. | 0:17:40 | 0:17:43 | |
It feels as though the outside and inside are almost joined together. | 0:17:43 | 0:17:46 | |
I really like gardens, I like working outside, | 0:17:46 | 0:17:49 | |
and to have this amount of land I can play with and really enjoy, | 0:17:49 | 0:17:53 | |
really delighted and pleased with it. | 0:17:53 | 0:17:55 | |
When the price was given to us, | 0:17:55 | 0:17:58 | |
I was really pleased about that. | 0:17:58 | 0:18:00 | |
That certainly made us think about it very seriously. | 0:18:00 | 0:18:04 | |
Beaming smiles, that's what I like to see. | 0:18:05 | 0:18:09 | |
I don't think we could have asked | 0:18:09 | 0:18:10 | |
for a better start to our house hunt. | 0:18:10 | 0:18:12 | |
No, no. | 0:18:12 | 0:18:14 | |
It really does tick all the boxes. | 0:18:14 | 0:18:16 | |
It's lovely. It really is lovely. | 0:18:16 | 0:18:18 | |
Great, I can't ask for more than that. | 0:18:18 | 0:18:20 | |
-Let's go. -Thank you. | 0:18:20 | 0:18:22 | |
The fertile lands of Dorset have a long tradition of food production, | 0:18:26 | 0:18:30 | |
but historically, they were also an important source of clothing. | 0:18:30 | 0:18:35 | |
Arable and livestock farming supported the making of lace | 0:18:35 | 0:18:38 | |
and wool, whilst the county's sheep also provided discs of horn | 0:18:38 | 0:18:42 | |
to be turned into early cloth-covered buttons. | 0:18:42 | 0:18:45 | |
In the 17th century, | 0:18:47 | 0:18:48 | |
button-making really took off here when an English soldier, | 0:18:48 | 0:18:51 | |
returning from battles in Europe, | 0:18:51 | 0:18:53 | |
realised the growing popularity of buttoned clothing and set up | 0:18:53 | 0:18:57 | |
a commercial makers in the town of Shaftesbury. | 0:18:57 | 0:19:01 | |
And that's where we are sending Jonathan and keen seamstress Diana - | 0:19:01 | 0:19:05 | |
they are meeting local button maker and historian Anna McDowell | 0:19:05 | 0:19:09 | |
to find out about this Dorset form of haberdashery. | 0:19:09 | 0:19:12 | |
Hello and welcome to Shaftesbury. | 0:19:13 | 0:19:15 | |
-Thank you very much. -You are now visiting the birthplace | 0:19:15 | 0:19:18 | |
of the Dorset button industry. | 0:19:18 | 0:19:19 | |
-So, I understand you are a sewer? -I am indeed. | 0:19:19 | 0:19:21 | |
Why don't we go into the Gold Hill Museum and have a look? | 0:19:21 | 0:19:24 | |
-We'd love to. -Thank you very much. | 0:19:24 | 0:19:27 | |
With women typically able to earn more from making buttons | 0:19:27 | 0:19:30 | |
from home than from working on the land, | 0:19:30 | 0:19:33 | |
it was a popular endeavour that supported many families | 0:19:33 | 0:19:36 | |
for around 200 years. | 0:19:36 | 0:19:38 | |
Gold Hill Museum has several examples of the different designs | 0:19:38 | 0:19:42 | |
produced over that time. | 0:19:42 | 0:19:43 | |
As you can imagine, there are a lot of other people making buttons, | 0:19:45 | 0:19:49 | |
especially thread buttons, which is basically what a Dorset button is. | 0:19:49 | 0:19:53 | |
Up in Macclesfield you had the silk buttons, | 0:19:53 | 0:19:55 | |
you had button makers in London, but here in Dorset, we're unique, | 0:19:55 | 0:20:01 | |
because our buttons are actually made originally with linen, | 0:20:01 | 0:20:05 | |
linen fabric and also the natural sheep's horn. | 0:20:05 | 0:20:09 | |
But the original buttons were the high tops and the Dorset knobs, | 0:20:09 | 0:20:13 | |
which you can see a little Dorset knob in here, with a flatter button | 0:20:13 | 0:20:17 | |
they say was more undergarments. | 0:20:17 | 0:20:19 | |
Was it just the women at home that made the buttons? | 0:20:19 | 0:20:22 | |
No, the children would have been involved. | 0:20:22 | 0:20:25 | |
These buttons here are made from a wire ring and small boys were used | 0:20:25 | 0:20:30 | |
to dip the wire to seal them. | 0:20:30 | 0:20:33 | |
There would have been the men - | 0:20:33 | 0:20:34 | |
they were agents and used to sell the buttons. | 0:20:34 | 0:20:38 | |
It was actually a very well organised industry or business. | 0:20:38 | 0:20:44 | |
Were there markets or special events to sell the buttons? | 0:20:44 | 0:20:47 | |
Agents used to go and collect them from the cottages. | 0:20:47 | 0:20:51 | |
They were taken to the depots | 0:20:51 | 0:20:52 | |
and there they would have been washed and graded. | 0:20:52 | 0:20:55 | |
To set the scene, | 0:20:55 | 0:20:56 | |
the cottages would have been, shall we say, not the cleanest, | 0:20:56 | 0:21:00 | |
so the buttons used to be, you know, not the cleanest. | 0:21:00 | 0:21:04 | |
These handmade thread buttons were to provide a viable income | 0:21:04 | 0:21:08 | |
for many Dorset families until the middle of the 19th century | 0:21:08 | 0:21:12 | |
when machines capable of doing the job much faster and more cheaply | 0:21:12 | 0:21:16 | |
cut the cottage industry dead. | 0:21:16 | 0:21:19 | |
But just a short distance from the museum, Anna is bringing | 0:21:19 | 0:21:22 | |
the old-fashioned techniques back to life in her workshop. | 0:21:22 | 0:21:25 | |
I thought we would have a go at just doing something simple, | 0:21:26 | 0:21:30 | |
a larger version of one of these. | 0:21:30 | 0:21:32 | |
You call that a simple one, do you(?) | 0:21:32 | 0:21:34 | |
Yes, that is a simple cartwheel button. | 0:21:34 | 0:21:37 | |
Lovely. | 0:21:37 | 0:21:38 | |
As there are no written records of how the original buttons | 0:21:38 | 0:21:41 | |
were made, Anna has had to work the methods out for herself, | 0:21:41 | 0:21:45 | |
starting with measuring out the thread. | 0:21:45 | 0:21:47 | |
Three lengths like that. | 0:21:47 | 0:21:50 | |
Yes. | 0:21:50 | 0:21:51 | |
Is this the old-fashioned yard? | 0:21:51 | 0:21:53 | |
It is the old-fashioned yard. | 0:21:53 | 0:21:55 | |
Next, the thread is used to cover | 0:21:56 | 0:21:58 | |
a small metal ring with a series of blanket stitches. | 0:21:58 | 0:22:02 | |
Throw the thread over the back of your hand and you form a loop. | 0:22:02 | 0:22:07 | |
Right? You're going to put the needle through that loop. | 0:22:07 | 0:22:10 | |
The most difficult thing is, it keeps getting tangled up, | 0:22:10 | 0:22:13 | |
or is it just me? | 0:22:13 | 0:22:14 | |
Go through the loop, | 0:22:16 | 0:22:18 | |
the centre of the ring and pull it tight. | 0:22:18 | 0:22:21 | |
-It's not as easy as it looks. -No, it's not. | 0:22:21 | 0:22:24 | |
It now takes Anna around 40 minutes to make a single button, | 0:22:24 | 0:22:28 | |
but in the 1730s, | 0:22:28 | 0:22:30 | |
women workers were earning around two shillings a day | 0:22:30 | 0:22:33 | |
with averages of six or seven dozen buttons. | 0:22:33 | 0:22:36 | |
I was told that a local farmer, at harvest time, | 0:22:36 | 0:22:41 | |
said he couldn't get the women to help harvest because they could | 0:22:41 | 0:22:45 | |
actually earn more making buttons than they could on the land. | 0:22:45 | 0:22:49 | |
Once the ring is tightly covered with the blanket stitching, | 0:22:49 | 0:22:52 | |
Anna creates an effect like the spokes of a wheel | 0:22:52 | 0:22:55 | |
by taking turns around the entire button. | 0:22:55 | 0:22:57 | |
Sometimes I put more spokes, | 0:22:57 | 0:23:00 | |
sometimes I put in less spokes. | 0:23:00 | 0:23:03 | |
And then draws these all together with a crossed stitch at the centre. | 0:23:03 | 0:23:07 | |
-Watch this. -Oh. | 0:23:07 | 0:23:10 | |
How clever. | 0:23:10 | 0:23:12 | |
Finally, a back stitch is used over each of the spokes | 0:23:12 | 0:23:15 | |
to cover the gaps. | 0:23:15 | 0:23:17 | |
Eventually, you will fill up the button. | 0:23:17 | 0:23:19 | |
Right, we're nearly there, | 0:23:19 | 0:23:21 | |
and you've got something like that. | 0:23:21 | 0:23:23 | |
Good gracious. It looks really lovely. | 0:23:23 | 0:23:26 | |
It's fabulous. It looks like a really intricate spider's web. | 0:23:26 | 0:23:30 | |
There you have it, a Dorset button. | 0:23:30 | 0:23:33 | |
It's lovely, thank you very much indeed, it's really lovely. | 0:23:33 | 0:23:35 | |
Why don't you take that home? | 0:23:35 | 0:23:38 | |
That's fabulous. | 0:23:38 | 0:23:40 | |
Take those two you have been working on and finish them off. | 0:23:40 | 0:23:44 | |
-Thank you very much for showing us. -Good luck. | 0:23:44 | 0:23:46 | |
It has been wonderful to see a cottage craft being revived | 0:23:46 | 0:23:49 | |
in its original surroundings. But now for Diana and Jonathan | 0:23:49 | 0:23:53 | |
to find out if they can get their property search all sewn up | 0:23:53 | 0:23:56 | |
as we continue with their house hunt. | 0:23:56 | 0:23:59 | |
Our next property is taking the search ten miles inland, | 0:24:02 | 0:24:07 | |
close to the borders of Devon and Somerset | 0:24:07 | 0:24:09 | |
and the village of Thorncombe. | 0:24:09 | 0:24:11 | |
Set in verdant, undulating hills, it was once home and inspiration | 0:24:11 | 0:24:16 | |
to the French landscape painter Lucien Pissarro. | 0:24:16 | 0:24:20 | |
There's a strong sense of community here, | 0:24:20 | 0:24:23 | |
with a shop and post office run by locals, | 0:24:23 | 0:24:26 | |
a village hall offering activities, and a primary school. | 0:24:26 | 0:24:30 | |
In the 18th century the area became a thriving centre | 0:24:30 | 0:24:33 | |
for wool and lace-making, | 0:24:33 | 0:24:35 | |
with the resulting population growth | 0:24:35 | 0:24:37 | |
such that a century later, a new church had to be built | 0:24:37 | 0:24:40 | |
to house the now 1,500-strong parish congregation. | 0:24:40 | 0:24:44 | |
The property we've come to see | 0:24:44 | 0:24:46 | |
is located at the end of a no-through-road | 0:24:46 | 0:24:49 | |
at the edges of the village. | 0:24:49 | 0:24:51 | |
The stone house in the corner. | 0:24:51 | 0:24:54 | |
-Oh! -Is our offering. -OK. -Oh, yes. | 0:24:54 | 0:24:58 | |
-What do you think? -The house looks nice. | 0:24:58 | 0:25:00 | |
The view's really quite stunning. On the edge of the village. | 0:25:00 | 0:25:03 | |
You are inland here a little bit more than perhaps you wanted. | 0:25:03 | 0:25:07 | |
How do you feel about that? | 0:25:07 | 0:25:08 | |
-Maybe it's a compromise. -Yeah. -Yeah, open mind. -Yes, absolutely. | 0:25:08 | 0:25:13 | |
What about the house itself? | 0:25:13 | 0:25:15 | |
It looks nice. It's in nice condition, | 0:25:15 | 0:25:17 | |
nice windows, nice outlook from the windows. | 0:25:17 | 0:25:20 | |
Really open to have a look. | 0:25:20 | 0:25:22 | |
-Let's go and have a look. -Lovely. -Thank you. | 0:25:22 | 0:25:25 | |
This stone house was only built in the year 2000 | 0:25:25 | 0:25:28 | |
and has even more recently been extended and improved. | 0:25:28 | 0:25:32 | |
Set into the corner of the property, the main door leads to a hallway | 0:25:32 | 0:25:36 | |
and onto the heart of the home. | 0:25:36 | 0:25:38 | |
Just come through into the kitchen-diner. | 0:25:40 | 0:25:44 | |
-Ooh! Very nice. -Oh, yes. -Isn't that lovely? | 0:25:44 | 0:25:49 | |
-Nice centre. -Yeah, lovely island, really nice size. | 0:25:49 | 0:25:53 | |
I mean, I feel this is like a family entertaining kitchen. | 0:25:53 | 0:25:56 | |
-Yeah, it is, yes, yes. -Yeah. | 0:25:56 | 0:25:59 | |
And that little space, you could almost have it as a little TV corner | 0:25:59 | 0:26:02 | |
or, you know, you could do whatever you wanted, | 0:26:02 | 0:26:06 | |
or leave it open like that, or... | 0:26:06 | 0:26:08 | |
If you had guests, this is where you'd be eating dinner too. | 0:26:08 | 0:26:11 | |
-Yes. -Yeah. | 0:26:11 | 0:26:12 | |
It's really lovely, really nicely done. | 0:26:12 | 0:26:15 | |
'Adjoining the kitchen, there's a utility room, | 0:26:17 | 0:26:20 | |
'and further along the hall at the rear of the property | 0:26:20 | 0:26:23 | |
'are the main reception rooms.' | 0:26:23 | 0:26:25 | |
Now, this used to be the main living area of the house, | 0:26:25 | 0:26:30 | |
with the fireplace, you've got double aspect. | 0:26:30 | 0:26:33 | |
But this is the real asset downstairs, I think. | 0:26:33 | 0:26:37 | |
-This summer room. -Oh, yes, it's lovely. -Yes. Lovely. | 0:26:37 | 0:26:40 | |
You can see this has been added on a little bit later, | 0:26:40 | 0:26:44 | |
but it's just so well done. | 0:26:44 | 0:26:47 | |
Yes, absolutely lovely. Lovely room. | 0:26:47 | 0:26:49 | |
You don't feel as though you're in an extension, as such. | 0:26:49 | 0:26:53 | |
-Really beautiful. -It's been done so nicely. | 0:26:53 | 0:26:55 | |
But this room is the advantage of being at the end of this cul-de-sac | 0:26:55 | 0:26:59 | |
because really, I think, you've got the prime views here. | 0:26:59 | 0:27:02 | |
Best location, I would think. | 0:27:02 | 0:27:04 | |
Nods of approval all round for the well-proportioned ground floor | 0:27:04 | 0:27:09 | |
with countryside views. | 0:27:09 | 0:27:11 | |
Let's see what they make of | 0:27:11 | 0:27:12 | |
the three-bedroom accommodation upstairs. | 0:27:12 | 0:27:16 | |
Over the reception room sit two doubles, | 0:27:16 | 0:27:18 | |
one of which is currently used as a study, | 0:27:18 | 0:27:21 | |
and both benefitting from extensive views and built-in wardrobes. | 0:27:21 | 0:27:25 | |
There's also a well-appointed family bathroom. | 0:27:25 | 0:27:28 | |
Then, across the front of the upper floor, | 0:27:28 | 0:27:32 | |
is the largest bedroom - the master en-suite. | 0:27:32 | 0:27:34 | |
-It's a nice sized master, isn't it? -It's very big. -Yeah, very big. | 0:27:34 | 0:27:38 | |
So the master looks out onto the courtyard and the garden, | 0:27:38 | 0:27:42 | |
and there are some views. But the real views are to be had in here. | 0:27:42 | 0:27:47 | |
That is an en-suite, isn't it?! | 0:27:47 | 0:27:49 | |
That is! Oh... | 0:27:49 | 0:27:52 | |
Well, I mean, you have got lovely views. | 0:27:52 | 0:27:54 | |
-Bath, glass of wine, views. -What more can you want? | 0:27:54 | 0:27:57 | |
What more is there to say? | 0:27:57 | 0:27:59 | |
Yeah, lovely. | 0:27:59 | 0:28:00 | |
Well, let's go and see more of those views outside, I think. | 0:28:00 | 0:28:04 | |
The space and views on offer here seem to be convincing our couple, | 0:28:06 | 0:28:10 | |
but there's even more outside. | 0:28:10 | 0:28:12 | |
An upper-storey addition to the large double garage | 0:28:12 | 0:28:15 | |
could be used as a writing den for Jonathan | 0:28:15 | 0:28:18 | |
or a sewing space. | 0:28:18 | 0:28:20 | |
Wraparound and varied grounds provide tranquil spots | 0:28:20 | 0:28:24 | |
from which to soak up the surroundings. | 0:28:24 | 0:28:25 | |
The garden also features flower beds, | 0:28:25 | 0:28:28 | |
a vegetable patch, orchard | 0:28:28 | 0:28:31 | |
and a part-share in a one-acre paddock. | 0:28:31 | 0:28:33 | |
Can you imagine sitting here looking out onto those views? | 0:28:35 | 0:28:39 | |
-Very nice indeed. -They are lovely. | 0:28:39 | 0:28:41 | |
Really lovely. | 0:28:41 | 0:28:43 | |
And there's not a pylon in sight. | 0:28:43 | 0:28:45 | |
The scenery will change as the seasons pass. | 0:28:45 | 0:28:48 | |
It's really nice. | 0:28:49 | 0:28:51 | |
Something that won't change, though, | 0:28:51 | 0:28:53 | |
is there's no risk of things being built | 0:28:53 | 0:28:58 | |
on this bit of land here | 0:28:58 | 0:28:59 | |
because what the owner of this house, along with his neighbours, | 0:28:59 | 0:29:02 | |
what they've done is they've bought that bit of land | 0:29:02 | 0:29:06 | |
and a third of an acre goes to each house, | 0:29:06 | 0:29:09 | |
and so they've sort of ensured that no-one can build on it. | 0:29:09 | 0:29:12 | |
So to protect the view. | 0:29:12 | 0:29:14 | |
I think the grandkids would quite like this. | 0:29:14 | 0:29:17 | |
Shall we talk price? | 0:29:17 | 0:29:18 | |
How much do you think this property is on the market for? | 0:29:18 | 0:29:21 | |
Er, 510. | 0:29:21 | 0:29:23 | |
-Diana? -I'll say 505. | 0:29:24 | 0:29:27 | |
It is an immaculate house. | 0:29:27 | 0:29:30 | |
Top end again, absolute top end, I would say. | 0:29:30 | 0:29:33 | |
Jonathan was spot-on. | 0:29:33 | 0:29:35 | |
It is on the market for £510,000. | 0:29:35 | 0:29:39 | |
Very good value for money, I think. | 0:29:39 | 0:29:40 | |
It's a really lovely house for that money. | 0:29:40 | 0:29:42 | |
-Do you want to have another look around? -Yes, I'd like to. | 0:29:42 | 0:29:45 | |
-There's so much to explore. -Yep. | 0:29:45 | 0:29:47 | |
-And I'll meet you in a bit. -Lovely. Thank you very much. | 0:29:47 | 0:29:49 | |
Although this recently built detached stone house | 0:29:53 | 0:29:55 | |
would require a stretch of the budget, | 0:29:55 | 0:29:58 | |
our couple have said they'd be willing to do so | 0:29:58 | 0:30:01 | |
for the right property. | 0:30:01 | 0:30:02 | |
A large kitchen-diner is perfect for getting the whole family together | 0:30:02 | 0:30:06 | |
and the sun room means they could enjoy the country setting | 0:30:06 | 0:30:09 | |
whatever the weather. | 0:30:09 | 0:30:11 | |
There are three good-sized bedrooms, including a master en suite, | 0:30:11 | 0:30:15 | |
plus an annexe that could be used for writing or sewing, | 0:30:15 | 0:30:19 | |
and the house is located on the edge of a thriving and popular village. | 0:30:19 | 0:30:23 | |
-So, this is the field. -Yeah. -Actually, it's lovely, isn't it? | 0:30:23 | 0:30:26 | |
-It is lovely. -Look up at the house now. | 0:30:26 | 0:30:28 | |
Yeah, the house looks lovely. | 0:30:28 | 0:30:30 | |
-The house looks lovely. -And the view. | 0:30:30 | 0:30:32 | |
I think the stone house property is really lovely. | 0:30:33 | 0:30:37 | |
So comfortable, so well finished, inside and out. | 0:30:37 | 0:30:41 | |
The location is lovely, presented just superbly with the views. | 0:30:41 | 0:30:46 | |
Really, really spectacular views. | 0:30:46 | 0:30:49 | |
On the edge of the village and the village itself looked really nice. | 0:30:49 | 0:30:52 | |
This house is lovely and everything about the spec is good quality | 0:30:52 | 0:30:57 | |
and the extension is perfect. | 0:30:57 | 0:31:00 | |
It's a very, very comfortable house, | 0:31:00 | 0:31:03 | |
but probably not what we're looking for. | 0:31:03 | 0:31:06 | |
Perhaps something a little bit more of a challenge, | 0:31:06 | 0:31:09 | |
a little bit more quirky. | 0:31:09 | 0:31:11 | |
There isn't a job that needs to be done, to be perfectly honest. | 0:31:11 | 0:31:14 | |
Just probably looking for a retirement home | 0:31:14 | 0:31:17 | |
with something to do, something to take up my time. | 0:31:17 | 0:31:20 | |
It feels like a family home and everything has been done to it. | 0:31:20 | 0:31:24 | |
If I were moving in with the family, | 0:31:24 | 0:31:27 | |
with our two sons as they were younger, it would have been perfect. | 0:31:27 | 0:31:30 | |
-It is a nice house, isn't it? -It is, really nice. | 0:31:32 | 0:31:35 | |
-Shall we hit the road? -Yes. -Lovely. | 0:31:35 | 0:31:37 | |
Diana and Jonathan from Burgess Hill, West Sussex | 0:31:46 | 0:31:50 | |
have a budget of £500,000 to find their dream home | 0:31:50 | 0:31:54 | |
near the coast of west Dorset. | 0:31:54 | 0:31:56 | |
We've already shown them some tantalising property, | 0:31:56 | 0:32:00 | |
but there's still more to look at and our Mystery House | 0:32:00 | 0:32:03 | |
may just confound expectations. | 0:32:03 | 0:32:06 | |
-What a surprise. -I take it all back, it's really bright. | 0:32:07 | 0:32:10 | |
Plus, I get back to basics with a pair of printmakers | 0:32:11 | 0:32:14 | |
who left London life for the rural delights of Dorset. | 0:32:14 | 0:32:18 | |
It's caveman technology. It's not that difficult, really. | 0:32:18 | 0:32:21 | |
We have two more properties to view today - | 0:32:23 | 0:32:25 | |
later on we'll be visiting our Mystery House, which gives me | 0:32:25 | 0:32:29 | |
the opportunity to show Diana and Jonathan something | 0:32:29 | 0:32:32 | |
they'd never have gone to see themselves. | 0:32:32 | 0:32:34 | |
But first, we have another house to look at | 0:32:34 | 0:32:37 | |
and this one really makes the most of being by the coast. | 0:32:37 | 0:32:41 | |
For our next house, we are walking distance from the sea | 0:32:42 | 0:32:45 | |
in the historic market town of Bridport. | 0:32:45 | 0:32:48 | |
Used as the basis for Port Bredy in Thomas Hardy's fictional Wessex, | 0:32:49 | 0:32:53 | |
it has a lively arts scene as well as a broad selection | 0:32:53 | 0:32:56 | |
of shops and services. | 0:32:56 | 0:32:59 | |
Within the town's boundary, | 0:32:59 | 0:33:00 | |
West Bay features spectacular cliff walks and sandy beaches. | 0:33:00 | 0:33:04 | |
Once known as Bridport Harbour, would-be sailor Jonathan | 0:33:05 | 0:33:09 | |
could whet his nautical appetite at the attractive marina. | 0:33:09 | 0:33:13 | |
The next house enjoys this magnificent coastal outlook | 0:33:13 | 0:33:16 | |
from less than a mile away. We're starting our tour at the rear | 0:33:16 | 0:33:20 | |
of the property, where the seaside setting is really maximised. | 0:33:20 | 0:33:25 | |
Now, as you both do want to live by the coast, | 0:33:25 | 0:33:30 | |
here is a house by the sea. | 0:33:30 | 0:33:33 | |
Bringing you in this way, you really get to appreciate the views | 0:33:33 | 0:33:37 | |
-which is what you're after and what you have requested. -Yes. | 0:33:37 | 0:33:40 | |
What do you think about the house itself? | 0:33:40 | 0:33:42 | |
A good size, nice windows. | 0:33:42 | 0:33:44 | |
Immediately, I see those big glass doors, | 0:33:44 | 0:33:47 | |
which is showing us the view again and making the most of it. | 0:33:47 | 0:33:50 | |
-Let's go in. -Lovely, thank you. | 0:33:51 | 0:33:53 | |
Built in 1936, | 0:33:55 | 0:33:57 | |
this seaside home was given a two-storey extension to the front | 0:33:57 | 0:34:01 | |
by the current owners in 2013. | 0:34:01 | 0:34:04 | |
A conservatory entrance to the side of the property takes us through | 0:34:04 | 0:34:08 | |
to this newer section of the home and the large kitchen-diner. | 0:34:08 | 0:34:13 | |
A really good size. | 0:34:13 | 0:34:14 | |
Really nice. | 0:34:14 | 0:34:15 | |
Bright. I like the fixtures and fittings. | 0:34:15 | 0:34:17 | |
-They look good. -Loads of colours. | 0:34:17 | 0:34:19 | |
It has been nicely done. | 0:34:19 | 0:34:22 | |
Would this kind of space work for you in the way you live? | 0:34:22 | 0:34:24 | |
-Yes. -Yes, definitely. | 0:34:24 | 0:34:27 | |
And this is a big area, too. | 0:34:27 | 0:34:28 | |
-Yes, I think this is quite a flexible space. -Really nicely done. | 0:34:28 | 0:34:32 | |
This is the front of the house - | 0:34:32 | 0:34:33 | |
-let's go to the view side of the house. -Lovely. | 0:34:33 | 0:34:37 | |
Back at the rear of the property, | 0:34:37 | 0:34:39 | |
past a useful downstairs cloakroom, the spacious reception room | 0:34:39 | 0:34:42 | |
has sliding patio doors to soak up the setting. | 0:34:42 | 0:34:45 | |
This used to be two rooms. | 0:34:45 | 0:34:47 | |
It works well as a big room, really. | 0:34:47 | 0:34:49 | |
A really good-sized room, log-burning stove. | 0:34:49 | 0:34:52 | |
It's lovely, isn't it? | 0:34:52 | 0:34:53 | |
Nice, bright and the views are really gorgeous. | 0:34:53 | 0:34:57 | |
Huge, huge doors. | 0:34:57 | 0:34:59 | |
-It feels like a lovely Dorset picture, doesn't it? -Yes. | 0:34:59 | 0:35:03 | |
Let's go higher because of course that sea view can only get better. | 0:35:03 | 0:35:07 | |
Jonathan and Diana barely dared to wish for a view of the sea, | 0:35:10 | 0:35:14 | |
but the one on offer from this immaculate detached home | 0:35:14 | 0:35:17 | |
is certainly winning them over. | 0:35:17 | 0:35:19 | |
Upstairs, there are four bedrooms - | 0:35:19 | 0:35:22 | |
the two smallest rooms are located in the top floor | 0:35:22 | 0:35:25 | |
of the front extension, both with single beds. | 0:35:25 | 0:35:28 | |
Then, to the rear of the property, | 0:35:28 | 0:35:30 | |
a large double enjoys that coastal outlook. | 0:35:30 | 0:35:34 | |
The family bathroom provides a roll-top bath and separate shower. | 0:35:34 | 0:35:38 | |
And then, also to the rear of the property, | 0:35:38 | 0:35:40 | |
bedroom number four is the master en suite. | 0:35:40 | 0:35:44 | |
You could have next door as a master, | 0:35:44 | 0:35:46 | |
but this had the space for the en suite. | 0:35:46 | 0:35:48 | |
Yes, and you've got the view. | 0:35:48 | 0:35:50 | |
It's lovely. | 0:35:50 | 0:35:52 | |
That's what this house is about - | 0:35:52 | 0:35:54 | |
-that picture. -Yes. | 0:35:54 | 0:35:56 | |
And lovely big windows to show it off. | 0:35:56 | 0:35:59 | |
If that's what you want, this is the place to go for. | 0:35:59 | 0:36:02 | |
We asked for a sea view, but didn't think you would find it. | 0:36:02 | 0:36:05 | |
How you did it, I don't know. | 0:36:05 | 0:36:07 | |
And you've got the hills as well, so you've got everything. | 0:36:07 | 0:36:10 | |
Nicely decorated. I like the colours and it means no decorating. | 0:36:10 | 0:36:14 | |
Yes. I'm really impressed. | 0:36:14 | 0:36:16 | |
It's lovely. Really, really lovely. | 0:36:16 | 0:36:18 | |
Yes. | 0:36:18 | 0:36:20 | |
The appeal of this home seems to be growing stronger and stronger. | 0:36:20 | 0:36:24 | |
Outside to the front of the property is a block-paved driveway | 0:36:24 | 0:36:28 | |
with parking for several cars. | 0:36:28 | 0:36:31 | |
A garage is found at the rear and is reached via a service road. | 0:36:31 | 0:36:35 | |
What's more, it has planning permission to be redeveloped, | 0:36:35 | 0:36:39 | |
so could provide options for their creative pastimes. | 0:36:39 | 0:36:42 | |
There's also a greenhouse and small vegetable patch | 0:36:42 | 0:36:45 | |
as well as a raised terrace and an ample lawn | 0:36:45 | 0:36:48 | |
from which to enjoy the views across to the bay. | 0:36:48 | 0:36:51 | |
I think this garden is a bit of a blank canvas for you. | 0:36:53 | 0:36:56 | |
Absolutely, and, actually, not a bad place to be working, is it? | 0:36:56 | 0:37:00 | |
-No. -It needs work doing. | 0:37:00 | 0:37:02 | |
But the view's still here, it's lovely. | 0:37:02 | 0:37:04 | |
You strike me as people that want to do a little something. | 0:37:04 | 0:37:07 | |
I like messing around in the garden and creating new ones, | 0:37:07 | 0:37:11 | |
so this would be a nice one to create. | 0:37:11 | 0:37:13 | |
-What do you think of the overall proposition, then? -I like it. | 0:37:13 | 0:37:16 | |
I think the house is very nice. | 0:37:16 | 0:37:18 | |
And we've got the location, of course, | 0:37:18 | 0:37:20 | |
which is again what we asked for. | 0:37:20 | 0:37:22 | |
Close to West Bay, so... | 0:37:22 | 0:37:24 | |
How much is this property on the market for? | 0:37:24 | 0:37:27 | |
How much is that sea view going to cost you? | 0:37:27 | 0:37:30 | |
Again, it's going to be top-end. | 0:37:30 | 0:37:32 | |
-An optimistic 515. -OK. | 0:37:32 | 0:37:35 | |
Still some gardening to be done - | 0:37:37 | 0:37:39 | |
I'm going to be really optimistic | 0:37:39 | 0:37:41 | |
and go for 495. | 0:37:41 | 0:37:43 | |
You both are being very optimistic. | 0:37:45 | 0:37:48 | |
It is actually on the market for £540,000. | 0:37:48 | 0:37:52 | |
Is it really? | 0:37:52 | 0:37:54 | |
I know I've been naughty by going over budget, but you did say | 0:37:54 | 0:37:57 | |
that you might have a little bit extra over the half a million, | 0:37:57 | 0:38:01 | |
and there is always room to negotiate - | 0:38:01 | 0:38:03 | |
540 is the guide price. | 0:38:03 | 0:38:05 | |
-OK, yes. -Go and have another look around. | 0:38:05 | 0:38:08 | |
Lovely, thank you very much. | 0:38:08 | 0:38:10 | |
I think they love the sea view | 0:38:12 | 0:38:14 | |
and I'm so pleased they like the house, too. | 0:38:14 | 0:38:16 | |
It's not a bad situation to be in, | 0:38:16 | 0:38:18 | |
to have more than one house that you like. | 0:38:18 | 0:38:22 | |
Now it's just about which location you prefer. | 0:38:22 | 0:38:25 | |
The asking price of this detached coastal home may be over budget, | 0:38:26 | 0:38:31 | |
but it does fulfil that dream of a sea view. | 0:38:31 | 0:38:33 | |
There's a total of four bedrooms - that's one more than requested, | 0:38:33 | 0:38:38 | |
so plenty of scope for hobby rooms. The property has a large | 0:38:38 | 0:38:42 | |
kitchen-diner as well as a good-sized reception room with space | 0:38:42 | 0:38:46 | |
to entertain the whole family. The gardens give Jonathan options | 0:38:46 | 0:38:50 | |
for a project and the garage could potentially | 0:38:50 | 0:38:54 | |
be turned into a writer's den. | 0:38:54 | 0:38:57 | |
The first impression was a nice, big, bright, light, airy house. | 0:38:57 | 0:39:01 | |
Really attractive. South-facing, walking distance to the sea. | 0:39:01 | 0:39:05 | |
Location - absolutely lovely. | 0:39:05 | 0:39:08 | |
The views out southwards really does take the eye. | 0:39:08 | 0:39:12 | |
Good guest rooms, that's for sure. | 0:39:12 | 0:39:14 | |
And then at the back of the house, the other bedroom, good size, | 0:39:14 | 0:39:17 | |
would make an ideal sewing room for Di. | 0:39:17 | 0:39:20 | |
We don't generally use a garage for a car - | 0:39:20 | 0:39:23 | |
maybe we could use that as a writing area. | 0:39:23 | 0:39:26 | |
Something to look at. | 0:39:26 | 0:39:27 | |
The garden itself needs quite a lot of work doing on it. | 0:39:27 | 0:39:29 | |
To do it to the right standard, | 0:39:29 | 0:39:31 | |
you would be looking at quite a lot of money. | 0:39:31 | 0:39:33 | |
I would be very tempted to see what price we can buy the house for. | 0:39:33 | 0:39:38 | |
I would hope there would be room for negotiation | 0:39:38 | 0:39:41 | |
because I'm definitely interested, yeah. | 0:39:41 | 0:39:44 | |
It's definitely up there. You've made life difficult for us! | 0:39:44 | 0:39:47 | |
I'm afraid I will need to drag you both away from the gorgeous view | 0:39:49 | 0:39:54 | |
as we still have the Mystery House to go. | 0:39:54 | 0:39:56 | |
-OK. -Our property hunt is not over. | 0:39:56 | 0:39:57 | |
-Thank you very much. -Let's see what else you've got up your sleeve. | 0:39:57 | 0:40:00 | |
Dorset's beautiful land and seascapes have long been a source | 0:40:05 | 0:40:09 | |
of artistic inspiration. Turner was a frequent visitor, | 0:40:09 | 0:40:13 | |
painting several sunsets at Poole Harbour, while the brush | 0:40:13 | 0:40:16 | |
of Constable captured rain clouds over Weymouth Bay | 0:40:16 | 0:40:20 | |
along with many pastoral scenes. | 0:40:20 | 0:40:22 | |
It's a draw that continues to this day. | 0:40:22 | 0:40:25 | |
A decade ago, creative couple Cameron Short and Janet Tristram | 0:40:25 | 0:40:29 | |
chucked in their London lives and careers in advertising and retail | 0:40:29 | 0:40:33 | |
to move to the county and pursue more artistic paths. | 0:40:33 | 0:40:37 | |
Settling in Thorncombe, | 0:40:37 | 0:40:39 | |
they turned abandoned premises into a home and studio for themselves | 0:40:39 | 0:40:43 | |
and their three young daughters. | 0:40:43 | 0:40:46 | |
Now working as handmade printmakers, | 0:40:46 | 0:40:48 | |
they're building a reputation for uniquely captivating work | 0:40:48 | 0:40:52 | |
inspired by their Dorset setting and local folklore. | 0:40:52 | 0:40:56 | |
I want to find out about the appeal of the area... | 0:40:56 | 0:40:58 | |
-Hello. -Hello, Sonali. | 0:40:58 | 0:41:00 | |
..and why it's such an attractive location for those | 0:41:00 | 0:41:03 | |
seeking creative fulfilment. | 0:41:03 | 0:41:05 | |
What persuaded you to move away from London? | 0:41:05 | 0:41:09 | |
Many people wanting to get into this business would have been tempted | 0:41:09 | 0:41:13 | |
to stay there. What made you come to Dorset? | 0:41:13 | 0:41:15 | |
Yeah, well, I got to a stage in my career as a copywriter | 0:41:15 | 0:41:19 | |
where I'd just kind of had enough. | 0:41:19 | 0:41:21 | |
It was a difficult start because I was trying to obviously | 0:41:21 | 0:41:24 | |
earn a living - I was working on a building site at the time | 0:41:24 | 0:41:28 | |
to make ends meet - knowing that I just had to, if I wanted to, | 0:41:28 | 0:41:31 | |
make the break into being a block printer, | 0:41:31 | 0:41:34 | |
I knew I had to do the work. | 0:41:34 | 0:41:35 | |
So I'd be carving away, whittling at night, thinking about designs. | 0:41:35 | 0:41:39 | |
And we found our way, through trial and error, but the things | 0:41:39 | 0:41:43 | |
that we do as a family, naturally, are imbued into the imagery. | 0:41:43 | 0:41:48 | |
So it might be the walks we do, the animals we see in the area. | 0:41:48 | 0:41:53 | |
So we're starting to find that we have | 0:41:53 | 0:41:55 | |
a rich narrative in our own life that we mix in with our maybe | 0:41:55 | 0:42:00 | |
slightly nostalgic love of England as well. | 0:42:00 | 0:42:04 | |
All that stuff does lend itself beautifully to creating imagery. | 0:42:04 | 0:42:08 | |
Our life in the countryside now does influence our work. | 0:42:08 | 0:42:11 | |
There's a lot that I get stirred by, even now. | 0:42:11 | 0:42:14 | |
And the pace of life suits us, it's very relaxed, | 0:42:14 | 0:42:18 | |
people are very friendly, | 0:42:18 | 0:42:20 | |
so we feel very much at home here. | 0:42:20 | 0:42:22 | |
Janet and Cameron now create designs that they work onto cushions, | 0:42:24 | 0:42:28 | |
lampshades, wallpaper and furniture, as well as limited edition prints. | 0:42:28 | 0:42:32 | |
But it's about more than simply creating | 0:42:33 | 0:42:36 | |
aesthetically pleasing objects - | 0:42:36 | 0:42:37 | |
there's a depth of statement contained within. | 0:42:37 | 0:42:41 | |
Tell me about this one. | 0:42:41 | 0:42:42 | |
Ode To The Ash. Well, that particular print... | 0:42:42 | 0:42:45 | |
I heard about the crisis with ash dieback | 0:42:45 | 0:42:48 | |
and I wanted to do something that celebrated the tree, | 0:42:48 | 0:42:53 | |
and maybe educated people when they looked at it | 0:42:53 | 0:42:55 | |
about how important the tree had been in our history and our culture. | 0:42:55 | 0:42:59 | |
Cameron's really using storytelling, | 0:42:59 | 0:43:03 | |
and there's certain vignettes within the overall design, | 0:43:03 | 0:43:06 | |
so you can kind of lose yourself in what is a repeat pattern. | 0:43:06 | 0:43:10 | |
For instance, if it was in a child's room, | 0:43:10 | 0:43:12 | |
they can daydream away looking at the little bits and pieces | 0:43:12 | 0:43:15 | |
within the image. | 0:43:15 | 0:43:17 | |
The process starts by carving away the parts of the design | 0:43:17 | 0:43:20 | |
that will remain ink-free into a lino-covered wood block. | 0:43:20 | 0:43:24 | |
It's caveman technology. It's not that difficult, really. | 0:43:25 | 0:43:28 | |
A tacky, linseed-based ink is applied to a plain glass surface | 0:43:29 | 0:43:33 | |
and rolled out until it's the texture of suede. | 0:43:33 | 0:43:35 | |
Just push the ink. | 0:43:35 | 0:43:37 | |
Really nice. | 0:43:37 | 0:43:39 | |
There's something very therapeutic about this. | 0:43:39 | 0:43:42 | |
Next, the ink is transferred from the glass | 0:43:43 | 0:43:46 | |
to the carved wood block with the roller. | 0:43:46 | 0:43:48 | |
It's a manual process that creates natural imperfections. | 0:43:48 | 0:43:51 | |
You know that it's been done by hand | 0:43:51 | 0:43:53 | |
because each print is going to be unique, not totally perfect, | 0:43:53 | 0:43:57 | |
but that's what gives it its life. | 0:43:57 | 0:44:00 | |
Now for Cameron and Janet's early 20th century proofing press | 0:44:00 | 0:44:03 | |
-to be put into action. -You've got the handle here, | 0:44:03 | 0:44:06 | |
which will move the cylinder across the bed of the press | 0:44:06 | 0:44:09 | |
and apply the pressure, | 0:44:09 | 0:44:10 | |
and this thing here that you can alter the pressures. | 0:44:10 | 0:44:13 | |
The paper is carefully laid over the inked block. | 0:44:13 | 0:44:16 | |
Once it's down, you can't move it. Don't even breathe. | 0:44:16 | 0:44:19 | |
And protective felts are put on top before adjusting the pressure. | 0:44:19 | 0:44:24 | |
About there should do it. | 0:44:24 | 0:44:26 | |
Then the cylinder is brought across the design, | 0:44:26 | 0:44:28 | |
a little like a mechanical rolling pin. | 0:44:28 | 0:44:31 | |
-Just roll it across gently, like this. -Give it some welly! -Yeah. | 0:44:31 | 0:44:34 | |
We probably did that a bit quickly, but it's not going to matter. | 0:44:34 | 0:44:37 | |
-Sorry. -That's OK. | 0:44:37 | 0:44:39 | |
Finally, the felts and paper are peeled back, | 0:44:39 | 0:44:41 | |
revealing the image. | 0:44:41 | 0:44:43 | |
-There we go. -Oh, my gosh. | 0:44:43 | 0:44:45 | |
You see nightjars, moths and a lantern. | 0:44:45 | 0:44:49 | |
My gosh, I want to take that home and frame it. | 0:44:49 | 0:44:51 | |
-You can. -May I? | 0:44:51 | 0:44:52 | |
-Of course you can, yes. -Thank you. | 0:44:52 | 0:44:55 | |
What a wonderful memento of the natural details true artists | 0:44:55 | 0:44:58 | |
like Cameron and Janet observe in their surroundings. | 0:44:58 | 0:45:02 | |
Stepping into their world has given me a fresh insight | 0:45:02 | 0:45:05 | |
into the creative energy that Dorset has to offer. | 0:45:05 | 0:45:08 | |
What do you think I have up my sleeve for the mystery property? | 0:45:17 | 0:45:22 | |
Oh... I really don't know. You've surprised us so far. | 0:45:22 | 0:45:26 | |
I can only think, although we said we would prefer not to, | 0:45:26 | 0:45:31 | |
perhaps you've got a thatched property... | 0:45:31 | 0:45:33 | |
So remind me why you don't like thatched. | 0:45:33 | 0:45:36 | |
We didn't want the upkeep of a thatched. | 0:45:36 | 0:45:39 | |
And normally they're very small and not light and airy. | 0:45:39 | 0:45:44 | |
You might end up loving the mystery! | 0:45:44 | 0:45:46 | |
They have ALL been a mystery! | 0:45:46 | 0:45:47 | |
THEY LAUGH | 0:45:47 | 0:45:48 | |
But they've all been... what we asked for, haven't they? | 0:45:48 | 0:45:53 | |
Yes, yes. | 0:45:53 | 0:45:54 | |
For the Mystery House, you're going to... | 0:45:54 | 0:45:57 | |
I've... I know you're going to pull something out | 0:45:57 | 0:46:00 | |
that is really going to throw the spanner in the works, | 0:46:00 | 0:46:02 | |
-and we're going to be making a big decision, aren't we? -Yeah. | 0:46:02 | 0:46:07 | |
We shall find out very soon. | 0:46:07 | 0:46:09 | |
The mystery offering takes us back to Morcombelake, | 0:46:14 | 0:46:17 | |
just a short drive from the seaside village of Charmouth. | 0:46:17 | 0:46:20 | |
Known as the gateway to the Jurassic Coast, | 0:46:21 | 0:46:24 | |
there's a gently shelving beach below striking cliffs, | 0:46:24 | 0:46:27 | |
often yielding fossils. | 0:46:27 | 0:46:29 | |
Amenities include cafes and eateries, medical services, | 0:46:30 | 0:46:34 | |
a post office and a traditional butcher's. | 0:46:34 | 0:46:37 | |
Our Mystery House nestles in the surrounding countryside | 0:46:38 | 0:46:41 | |
of Morcombelake, a couple of miles away. | 0:46:41 | 0:46:43 | |
THEY LAUGH | 0:46:44 | 0:46:48 | |
How did we know?! | 0:46:48 | 0:46:50 | |
But how pretty is that? | 0:46:50 | 0:46:51 | |
And you did know, didn't you? | 0:46:51 | 0:46:54 | |
-Yeah. -So I'm afraid my Mystery House wasn't as much of a mystery | 0:46:55 | 0:46:59 | |
as it should've been, because you completely guessed. | 0:46:59 | 0:47:02 | |
Oh... But how pretty is that? | 0:47:02 | 0:47:04 | |
And what a lovely setting. | 0:47:04 | 0:47:07 | |
-Wow. -Actually, it looks really nice. | 0:47:07 | 0:47:09 | |
It's a really nice house. | 0:47:09 | 0:47:11 | |
-I know you said no thatched. -Yeah. | 0:47:11 | 0:47:13 | |
I wanted you to give this a chance, | 0:47:13 | 0:47:15 | |
because those fears you have about a thatched, being perhaps pokey... | 0:47:15 | 0:47:19 | |
-Yeah, yeah. -It doesn't really apply. | 0:47:19 | 0:47:21 | |
-Yeah. -It looks so lovely. -Yeah, it does. | 0:47:21 | 0:47:24 | |
-I love the round bits on the end. -Yeah. | 0:47:24 | 0:47:26 | |
Oh, it's gorgeous, let's give it a go. | 0:47:26 | 0:47:28 | |
-Shall we? -Yeah, absolutely. | 0:47:28 | 0:47:30 | |
-You're up for trying it? BOTH: -Absolutely. | 0:47:30 | 0:47:33 | |
That's all I wanted to know. | 0:47:33 | 0:47:35 | |
A great reaction to the exterior | 0:47:36 | 0:47:38 | |
of our rather cheeky mystery proposition. | 0:47:38 | 0:47:41 | |
Built in the 17th century from cob stone and brick, | 0:47:41 | 0:47:44 | |
the porched front door of this Grade II listed thatched cottage, | 0:47:44 | 0:47:48 | |
takes us via a hallway into a decidedly spacious reception room. | 0:47:48 | 0:47:52 | |
This is the main living room. | 0:47:54 | 0:47:57 | |
-Very light and bright. -Very! -What a pleasant surprise. | 0:47:57 | 0:48:00 | |
I take it all back, it's really bright, yeah. | 0:48:00 | 0:48:03 | |
-Higher ceilings, I think, than usual on a cottage. -Yes. | 0:48:03 | 0:48:07 | |
And I like the way they're painted in, rather than left dark. | 0:48:07 | 0:48:11 | |
It brightens it up. | 0:48:11 | 0:48:12 | |
Good-sized windows, so that you can see the sun's really coming in. | 0:48:12 | 0:48:16 | |
Was it what you expected? | 0:48:16 | 0:48:18 | |
From a thatched place, no. | 0:48:18 | 0:48:20 | |
-No. -It's much brighter, much lighter. | 0:48:20 | 0:48:23 | |
This is the older part of the house. | 0:48:23 | 0:48:25 | |
-Let's take you through into the newer part. -OK. | 0:48:25 | 0:48:28 | |
"New" is a comparative concept in this charming period property. | 0:48:29 | 0:48:33 | |
Extended in 1949, | 0:48:33 | 0:48:35 | |
in order to provide a plumbed kitchen and WC, | 0:48:35 | 0:48:38 | |
the space has been sympathetically refitted by the current owners. | 0:48:38 | 0:48:43 | |
This is the relatively newer part of the house, the kitchen. | 0:48:43 | 0:48:46 | |
Oh, isn't that lovely? It's really light. | 0:48:46 | 0:48:49 | |
So many windows, you couldn't ever call this dark and dingy, could you? | 0:48:49 | 0:48:52 | |
No. It's a good size, a good-sized table in here. | 0:48:52 | 0:48:55 | |
Really, really surprised, really pleasantly surprised. | 0:48:55 | 0:48:57 | |
It hasn't got straw falling off everywhere! No. | 0:48:57 | 0:49:00 | |
And the floor's all nicely done. | 0:49:00 | 0:49:03 | |
It's a lovely country kitchen. | 0:49:03 | 0:49:05 | |
-I'm causing problems, aren't I? -Yes. -Giving you too many choices. | 0:49:05 | 0:49:08 | |
You are, you're definitely causing us problems. | 0:49:08 | 0:49:11 | |
-Shall we go and explore the upstairs? -Lovely. -Oh, yes, please. | 0:49:11 | 0:49:15 | |
Despite Diana and Jonathan's professed wariness of thatched cottages, | 0:49:15 | 0:49:19 | |
the proportions of our charming mystery offering are persuading them | 0:49:19 | 0:49:24 | |
that "period" doesn't have to mean "pokey". | 0:49:24 | 0:49:27 | |
Off the kitchen, there is also a utility and cloakroom, | 0:49:27 | 0:49:30 | |
as well as a snug with cast iron stove. | 0:49:30 | 0:49:33 | |
An original curved elm staircase | 0:49:33 | 0:49:35 | |
takes us up to the three-bedroom accommodation. | 0:49:35 | 0:49:38 | |
A good-sized double is set under the eaves, | 0:49:39 | 0:49:42 | |
as is a similarly characterful twin room. | 0:49:42 | 0:49:46 | |
There's also a family bathroom, | 0:49:46 | 0:49:48 | |
and then the third and largest of the bedrooms. | 0:49:48 | 0:49:51 | |
-This is the master. -Ah-ha. | 0:49:51 | 0:49:53 | |
-Gosh, it's all so nice. -It's bright. -Yeah. | 0:49:53 | 0:49:56 | |
You can lie in bed and look out at the lovely view. | 0:49:56 | 0:50:00 | |
And this room has a wet room. | 0:50:00 | 0:50:01 | |
Oh, I thought it was just wardrobe space, how nicely done. | 0:50:01 | 0:50:05 | |
It's totally different from my experiences | 0:50:05 | 0:50:08 | |
of thatched cottages, you know, | 0:50:08 | 0:50:10 | |
which have always had small windows | 0:50:10 | 0:50:13 | |
and everywhere's dark inside the house. | 0:50:13 | 0:50:15 | |
It's really, really different. | 0:50:15 | 0:50:17 | |
-Mm. -Mm. | 0:50:17 | 0:50:19 | |
-Crumbs! -THEY LAUGH | 0:50:19 | 0:50:22 | |
-Let's go back downstairs and outside. -OK. | 0:50:22 | 0:50:25 | |
-Because we need to discuss the price. -OK, right. -Lovely. | 0:50:25 | 0:50:28 | |
I'm glad to have confounded their expectations of thatched cottages | 0:50:29 | 0:50:33 | |
with this bright and spacious Mystery House. | 0:50:33 | 0:50:37 | |
And outside there's a lot more to show them, | 0:50:37 | 0:50:39 | |
with a third of an acre of mainly south-facing, secluded grounds, | 0:50:39 | 0:50:43 | |
surrounded by countryside. | 0:50:43 | 0:50:46 | |
There's a rotating summerhouse, and a well appointed timber cabin, | 0:50:46 | 0:50:50 | |
perhaps offering a peaceful spot to sit sewing | 0:50:50 | 0:50:53 | |
or writing that latest crime thriller. | 0:50:53 | 0:50:56 | |
How could we not see a Dorset thatched when we're in Dorset? | 0:50:56 | 0:51:01 | |
And it's beautiful, it's such a pretty house, | 0:51:01 | 0:51:05 | |
and inside does not disappoint. | 0:51:05 | 0:51:07 | |
So it's charmed you both? | 0:51:07 | 0:51:09 | |
-It has. -Yeah, it has. -Absolutely, absolutely. | 0:51:09 | 0:51:11 | |
So how much is this charming property on the market for? | 0:51:11 | 0:51:15 | |
Oh, dear... | 0:51:15 | 0:51:16 | |
I'm going to go for... | 0:51:16 | 0:51:20 | |
520. | 0:51:20 | 0:51:21 | |
OK... I can't believe it's anywhere near our price range. | 0:51:23 | 0:51:28 | |
Again, top end, but I'd say 525. | 0:51:28 | 0:51:31 | |
You've hit the nail on the head. | 0:51:31 | 0:51:32 | |
Oh, well done. | 0:51:32 | 0:51:34 | |
It is on the market for £525,000. | 0:51:34 | 0:51:38 | |
The good news is, if you are interested, | 0:51:38 | 0:51:41 | |
the owners are willing to take offers, so I think it's attainable, | 0:51:41 | 0:51:45 | |
-it's achievable. -Yeah, yeah. -Have another look around. | 0:51:45 | 0:51:48 | |
-OK, lovely. -OK, lovely. | 0:51:48 | 0:51:50 | |
Talk about it and have a think about whether | 0:51:50 | 0:51:52 | |
this kind of country-style property is you. | 0:51:52 | 0:51:56 | |
-Lovely, thank you very much. -Thank you. | 0:51:56 | 0:51:58 | |
-I'll meet you in a bit. -Thank you. -Thank you. | 0:51:58 | 0:52:00 | |
Well...our Mystery House tour has been very successful. | 0:52:00 | 0:52:04 | |
I'm so, so pleased. | 0:52:04 | 0:52:06 | |
With an asking price somewhat above budget, but room for negotiation, | 0:52:09 | 0:52:13 | |
this thatched Grade II listed cottage | 0:52:13 | 0:52:15 | |
has unexpectedly fulfilled Diana and Jonathan's property wish list. | 0:52:15 | 0:52:20 | |
Packed with original features, such as fireplaces | 0:52:20 | 0:52:23 | |
and a timber staircase, | 0:52:23 | 0:52:25 | |
there are three bedrooms, including an en suite. | 0:52:25 | 0:52:28 | |
The large grounds are set in beautiful countryside, | 0:52:28 | 0:52:31 | |
and there's a choice of versatile outbuildings. | 0:52:31 | 0:52:34 | |
I like the idea of two single beds. | 0:52:34 | 0:52:36 | |
Yeah. Be ideal for our grandchildren. They'd love it. | 0:52:36 | 0:52:39 | |
Isn't it lovely? | 0:52:39 | 0:52:40 | |
The first thing you see is a really beautiful-looking house, | 0:52:41 | 0:52:47 | |
white with blue frames - looks so pretty. | 0:52:47 | 0:52:51 | |
I think I'm far more open now, in my views of thatches, | 0:52:51 | 0:52:54 | |
of thatched houses. | 0:52:54 | 0:52:56 | |
Because of inside, some of the old timbers | 0:52:56 | 0:52:59 | |
really are just so beautiful. | 0:52:59 | 0:53:01 | |
A nice, big garden. Set in countryside. | 0:53:01 | 0:53:05 | |
Really surprised, pleasantly surprised. | 0:53:05 | 0:53:07 | |
It was really pretty. | 0:53:07 | 0:53:10 | |
Unexpectedly so. | 0:53:10 | 0:53:12 | |
So really pleased with it. | 0:53:12 | 0:53:14 | |
Really bright, big rooms. I could easily live in them. | 0:53:14 | 0:53:18 | |
It was... It was a lovely, lovely house. | 0:53:18 | 0:53:21 | |
We could certainly see ourselves sitting in the grounds, | 0:53:21 | 0:53:23 | |
having a glass of wine, catching the sun till it went down. | 0:53:23 | 0:53:27 | |
It's really given us something to think about. | 0:53:27 | 0:53:29 | |
We've seen some fabulous properties, all very different, | 0:53:29 | 0:53:34 | |
all meeting what we asked for, | 0:53:34 | 0:53:36 | |
so we've now got to make a decision of which one. | 0:53:36 | 0:53:38 | |
We'd better get going, because we have SO MUCH to discuss. | 0:53:42 | 0:53:46 | |
-Yeah. -Where are you both going to live? | 0:53:46 | 0:53:49 | |
Choices, choices, choices. | 0:53:53 | 0:53:55 | |
It's time to find out if Jonathan and Diana | 0:53:55 | 0:53:57 | |
have been able to make a decision about which property to go for. | 0:53:57 | 0:54:02 | |
I'm pretty confident at least one of them is still in the running. | 0:54:02 | 0:54:05 | |
-Hello. -Hello. -Hello. | 0:54:12 | 0:54:14 | |
I thought it would be lovely to have our chat here on Charmouth Beach, | 0:54:14 | 0:54:19 | |
-as this could be one of your local beaches. -Yes. | 0:54:19 | 0:54:22 | |
I'd say it's been a successful house hunt, wouldn't you? | 0:54:22 | 0:54:25 | |
-Absolutely. -Definitely, definitely. | 0:54:25 | 0:54:28 | |
All of our properties had pretty much everything on your wish list. | 0:54:28 | 0:54:32 | |
Really, you liked them all, | 0:54:32 | 0:54:33 | |
-you would have been happy in all of them. -Yep. -Yep. | 0:54:33 | 0:54:35 | |
So now it's just down to just a feeling, perhaps. | 0:54:35 | 0:54:39 | |
What do we do now? What do YOU do now? | 0:54:39 | 0:54:40 | |
We've had a chat. And we've had a heart-and-head... | 0:54:40 | 0:54:45 | |
-Mm-hm? -..confrontation. | 0:54:45 | 0:54:47 | |
THEY LAUGH | 0:54:47 | 0:54:48 | |
What we've decided is that we'd like to make an offer | 0:54:48 | 0:54:52 | |
-on the house by the sea. -Yeah? | 0:54:52 | 0:54:56 | |
And if the offer isn't accepted, | 0:54:56 | 0:54:59 | |
then we'd go for the house on the hill. | 0:54:59 | 0:55:01 | |
Wow, that sounds like a grand plan. | 0:55:01 | 0:55:04 | |
Yep, yep. We phoned the estate agent about our house | 0:55:04 | 0:55:07 | |
and we've reduced the price and we said we need it gone, because... | 0:55:07 | 0:55:10 | |
-Yes. -..we want to go, that's it. | 0:55:10 | 0:55:12 | |
We said, "By six o'clock tonight would be fine." | 0:55:12 | 0:55:14 | |
THEY LAUGH | 0:55:14 | 0:55:15 | |
You want to be in a position to move quickly. | 0:55:15 | 0:55:18 | |
Yes, we said reduce the price, just do it. | 0:55:18 | 0:55:21 | |
-Mm. -Yeah. So, yeah, we're really, really pleased | 0:55:21 | 0:55:24 | |
that we've actually found somewhere and in such a lovely place. | 0:55:24 | 0:55:28 | |
Well, I'm just so pleased for you. | 0:55:28 | 0:55:30 | |
-Two houses that you would be very happy in. -Yeah, yeah. | 0:55:30 | 0:55:35 | |
So you're almost leaving it down to fate? | 0:55:35 | 0:55:37 | |
That's brilliant news, cos I think what's been really evident | 0:55:37 | 0:55:40 | |
from the whole property search is just how happy you are in this area. | 0:55:40 | 0:55:44 | |
-Mm. -And how it just feels like the right place for you both. -Yeah. | 0:55:44 | 0:55:48 | |
I feel very at home here already and I can't wait to move. | 0:55:48 | 0:55:51 | |
And, with either property, you've got the best of both worlds - | 0:55:51 | 0:55:55 | |
-you've got countryside and you've got the sea. -Yes. -Yeah. | 0:55:55 | 0:55:58 | |
-So... -Perfect. -..you can't go wrong. | 0:55:58 | 0:56:01 | |
We couldn't have asked for more and we're just delighted. | 0:56:01 | 0:56:04 | |
We had high hopes, but they were met over and above. | 0:56:04 | 0:56:08 | |
-I'm so pleased for you both. -So thank you. -Thank you. | 0:56:08 | 0:56:10 | |
I can't wait to hear what happens. | 0:56:10 | 0:56:12 | |
-Thank you very much. -Thank you. | 0:56:12 | 0:56:15 | |
So I want a phone call, please, as soon as there is some movement, | 0:56:15 | 0:56:19 | |
-as soon as you have some news. -Yep. -You will have one, yeah. | 0:56:19 | 0:56:22 | |
-The very best of luck. -Thank you very much. -Thank you. | 0:56:22 | 0:56:25 | |
I do love it when a plan comes together | 0:56:29 | 0:56:32 | |
and this plan has a backup plan. | 0:56:32 | 0:56:34 | |
How lovely that Jonathan and Diana absolutely love | 0:56:34 | 0:56:37 | |
not just one, but two of our properties, | 0:56:37 | 0:56:40 | |
and I'm so looking forward to hearing the end of this story | 0:56:40 | 0:56:43 | |
and finding out where they'll be starting their new life | 0:56:43 | 0:56:46 | |
here in Dorset. See you next time on Escape To The Country. | 0:56:46 | 0:56:49 | |
Jonathan and Diana put in their offer on the house by the sea | 0:56:51 | 0:56:55 | |
and it was accepted. | 0:56:55 | 0:56:56 | |
They're all packed up and ready to fulfil their dream | 0:56:56 | 0:56:59 | |
of living near the Dorset coast in the very near future. | 0:56:59 | 0:57:03 | |
If you'd like to escape to the country in England, Scotland, | 0:57:03 | 0:57:07 | |
Northern Ireland or Wales and need our help, | 0:57:07 | 0:57:10 | |
please apply online at... | 0:57:10 | 0:57:12 |