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Welcome to Escape To The Country. | 0:00:02 | 0:00:03 | |
Now, from within this rather dramatic coastline behind me came | 0:00:03 | 0:00:06 | |
the essential building blocks used in the reconstruction of London | 0:00:06 | 0:00:09 | |
following the Great Fire of 1666. | 0:00:09 | 0:00:12 | |
And with that claim to fame, it's fitting, then, | 0:00:12 | 0:00:14 | |
that over a century ago a local writer here | 0:00:14 | 0:00:17 | |
should have described it as "A peninsula carved by time | 0:00:17 | 0:00:21 | |
"from a single stone." | 0:00:21 | 0:00:23 | |
But who said it and where was he talking about? | 0:00:23 | 0:00:25 | |
Well, join me in just a moment and I'll tell you. | 0:00:25 | 0:00:28 | |
Today our house-hunting couple want to escape the searing heat | 0:00:44 | 0:00:48 | |
of the Southern Hemisphere and enjoy the charms of rural England. | 0:00:48 | 0:00:52 | |
Wow, this is more like it. This is a real country kitchen. | 0:00:52 | 0:00:55 | |
But whether our properties measure up remains to be seen. | 0:00:55 | 0:00:59 | |
Your thoughts, sir? | 0:00:59 | 0:01:01 | |
Er, it's compact! | 0:01:01 | 0:01:03 | |
Is that Australian for small? | 0:01:04 | 0:01:06 | |
Well, today I'm in Dorset and more specifically | 0:01:12 | 0:01:15 | |
I'm in the heart of one of the old quarries here | 0:01:15 | 0:01:17 | |
on the Isle of Portland that local legend Thomas Hardy found so inspiring. | 0:01:17 | 0:01:22 | |
Now, they've been excavating this stuff since the 17th century. | 0:01:22 | 0:01:27 | |
The beautiful fine-grained Portland stone. | 0:01:27 | 0:01:30 | |
Sir Christopher Wren used it in his rebuilding of St Paul's Cathedral | 0:01:30 | 0:01:33 | |
following the Great Fire of London back in 1666 | 0:01:33 | 0:01:37 | |
and since then, well, it's adorned some of the most important | 0:01:37 | 0:01:40 | |
architectural landmarks, not just in Britain, but also around the world. | 0:01:40 | 0:01:43 | |
Amongst them, Buckingham Palace, the Port of Liverpool Building, | 0:01:43 | 0:01:47 | |
Manchester's Central library. | 0:01:47 | 0:01:48 | |
Even the exterior of the United Nations in New York. | 0:01:48 | 0:01:52 | |
Now, whilst today there are still a few quarries operating here, | 0:01:52 | 0:01:55 | |
this one has carved out a new lease of life | 0:01:55 | 0:01:59 | |
celebrating the heritage of this part of the coast | 0:01:59 | 0:02:01 | |
in a very creative and artistic way. | 0:02:01 | 0:02:04 | |
I'll be back here later on, finding out a little more about how they've done it, | 0:02:04 | 0:02:09 | |
but in the meantime, well, here's a taste | 0:02:09 | 0:02:11 | |
of what the rest of Dorset has to offer. | 0:02:11 | 0:02:13 | |
Dorset takes pride of place along England's south coast, | 0:02:15 | 0:02:19 | |
with Devon to the west and Hampshire to the east. | 0:02:19 | 0:02:22 | |
It's a county with 100 miles of stunning heritage coastline, | 0:02:22 | 0:02:25 | |
made up of long pebbly beaches and vertical cliffs which, | 0:02:25 | 0:02:29 | |
when battered by the sea, reveal a unique geological record | 0:02:29 | 0:02:33 | |
of the Earth, dating back 185 million years. | 0:02:33 | 0:02:37 | |
Beaches such as Charmouth are a haven for fossil hunters both young and old. | 0:02:37 | 0:02:43 | |
Unspoiled by cities and motorways, the county's many villages | 0:02:44 | 0:02:47 | |
retain a character and charm of days gone by. | 0:02:47 | 0:02:50 | |
Abbotsbury, a mile inland from the coast, is one of the most | 0:02:50 | 0:02:54 | |
visited, with many buildings dating back to the 16th century, | 0:02:54 | 0:02:58 | |
overlooked by a medieval chapel built by the monks of a now ruinous abbey. | 0:02:58 | 0:03:03 | |
Many of Dorset's pretty towns are fringed by the coast. | 0:03:03 | 0:03:07 | |
Lyme Regis is known for its curved harbour wall, The Cobb, | 0:03:07 | 0:03:11 | |
and was the setting for Jane Austen's novel Persuasion. | 0:03:11 | 0:03:15 | |
With Dorset's rich cultural heritage and array of natural landmarks, | 0:03:15 | 0:03:20 | |
some millions of years in the making, | 0:03:20 | 0:03:22 | |
there's no doubt this county is a compelling choice for those | 0:03:22 | 0:03:25 | |
seeking that picture perfect image of the English countryside. | 0:03:25 | 0:03:29 | |
Now, if you follow those quality-of-life surveys, | 0:03:33 | 0:03:36 | |
you may notice that Dorset regularly gets a mention | 0:03:36 | 0:03:39 | |
as one of the best places to live | 0:03:39 | 0:03:41 | |
in the UK, but - no surprise - that appeal does come at a cost. | 0:03:41 | 0:03:46 | |
Currently, the average price of a detached property here is some £410,000. | 0:03:46 | 0:03:52 | |
That's £80,000 above the national average. | 0:03:52 | 0:03:56 | |
And if you talk to the locals, well, they'll tell you | 0:03:56 | 0:03:58 | |
that Dorset can provide a higher life expectancy. | 0:03:58 | 0:04:02 | |
Maybe that's why many people choose to retire here. | 0:04:02 | 0:04:05 | |
Whatever the truth of it, well, word has clearly got out, | 0:04:05 | 0:04:09 | |
because today's buyers, well, they've decided to travel from | 0:04:09 | 0:04:12 | |
the other side of the world just to live here. | 0:04:12 | 0:04:15 | |
Alan and Gwenda are from Queensland, Australia, | 0:04:16 | 0:04:19 | |
and have arrived in a chilly UK to begin their property hunt in earnest. | 0:04:19 | 0:04:23 | |
They've been together for more than 50 years. | 0:04:24 | 0:04:26 | |
We met at a local what they called a record hop. | 0:04:26 | 0:04:29 | |
I went with my sister to the record hop and met Alan there | 0:04:29 | 0:04:33 | |
and he asked to take us home so it had to be with my sister | 0:04:33 | 0:04:36 | |
so we both went home with him at that stage. | 0:04:36 | 0:04:39 | |
From thereon, we just knew from the first week we went out | 0:04:39 | 0:04:42 | |
that we'd be together. | 0:04:42 | 0:04:44 | |
Love at first sight, I can still remember that night. | 0:04:44 | 0:04:47 | |
Gwenda's a very soft, gentle, generous, loving person. | 0:04:47 | 0:04:51 | |
Great mother and a great wife. | 0:04:51 | 0:04:54 | |
Gwenda's late grandfather was a British Merchant Navy officer | 0:04:54 | 0:04:58 | |
who settled in Australia in the 1920s. | 0:04:58 | 0:05:01 | |
Although Gwenda and Alan have holidayed in the UK, | 0:05:01 | 0:05:04 | |
it's always been her desire to return to her ancestral homeland | 0:05:04 | 0:05:08 | |
on a more permanent basis. | 0:05:08 | 0:05:10 | |
The first trip to England, I felt so at home, as though I'd come home. | 0:05:10 | 0:05:15 | |
Every time we come here we're comfortable here. | 0:05:15 | 0:05:17 | |
One of their first trips to the UK involved a stop off in Dorset | 0:05:18 | 0:05:22 | |
and they were immediately struck by the county's beauty. | 0:05:22 | 0:05:25 | |
We were driving a little back road cos we chose to do the back roads, | 0:05:25 | 0:05:29 | |
and we came across a scene that just made us stop | 0:05:29 | 0:05:33 | |
and we got out of the car and just lent over the gate | 0:05:33 | 0:05:37 | |
between two hedges and just looked down over the countryside | 0:05:37 | 0:05:40 | |
and just thought, "This is just beautiful." | 0:05:40 | 0:05:43 | |
That was probably the first time we thought, | 0:05:43 | 0:05:45 | |
"Yes, it'd be nice to live here." | 0:05:45 | 0:05:47 | |
Until he retired five years ago, Alan worked | 0:05:47 | 0:05:50 | |
in the Australian music industry, | 0:05:50 | 0:05:52 | |
spending long periods away from home. | 0:05:52 | 0:05:55 | |
Gwenda was a lab technician before retiring to help look after | 0:05:55 | 0:05:59 | |
their six grandchildren in Brisbane. | 0:05:59 | 0:06:01 | |
With our grandchildren now almost all grown up | 0:06:02 | 0:06:04 | |
and finished school, I don't have the responsibilities | 0:06:04 | 0:06:07 | |
I used to have, or we used to have, looking after them, | 0:06:07 | 0:06:10 | |
and I think now that we've both retired, | 0:06:10 | 0:06:13 | |
we can now fulfil our lifelong dream of coming to live in the UK | 0:06:13 | 0:06:17 | |
and just doing what we would like to do for a while. | 0:06:17 | 0:06:21 | |
As Queensland's summer temperatures often exceed 30 degrees Celsius, | 0:06:22 | 0:06:27 | |
they're looking forward to cooler climes to enjoy their hobbies | 0:06:27 | 0:06:31 | |
which, for Alan, includes walking. | 0:06:31 | 0:06:33 | |
To go into the countryside here is much different | 0:06:33 | 0:06:36 | |
to going into the Australian bush. | 0:06:36 | 0:06:38 | |
It's softer, more gentle, easier. | 0:06:38 | 0:06:41 | |
I'm hoping where we're going we'll just be able to get out | 0:06:43 | 0:06:45 | |
and enjoy that walk and enjoy the country. | 0:06:45 | 0:06:48 | |
If I came to live in England, the weather would be a lot cooler | 0:06:48 | 0:06:52 | |
and I'd probably get more into knitting and crocheting | 0:06:52 | 0:06:54 | |
cos it's a bit hot in Australia at the summertime of the year. | 0:06:54 | 0:06:58 | |
So after 52 years of marriage but with long periods | 0:06:59 | 0:07:03 | |
spent apart from each other, this move to the UK countryside | 0:07:03 | 0:07:06 | |
is a chance for them to enjoy new-found freedom during their golden years. | 0:07:06 | 0:07:10 | |
It's a lifestyle change now. | 0:07:10 | 0:07:12 | |
To be here means that we're together, | 0:07:12 | 0:07:15 | |
we can go and do whatever we'd like, when we like, as we like. | 0:07:15 | 0:07:19 | |
Alan and Gwenda would like us to concentrate our property search | 0:07:23 | 0:07:26 | |
in the villages around the county town of Dorchester. | 0:07:26 | 0:07:29 | |
I'm meeting up with them on a rather wet spring morning | 0:07:29 | 0:07:33 | |
to find out what they're looking for in their English country home. | 0:07:33 | 0:07:36 | |
Welcome to Dorset. Where do we start with you two, then? | 0:07:37 | 0:07:41 | |
Coming all the way from Australia to the less-than-warm | 0:07:41 | 0:07:45 | |
climate of Dorset at the moment. | 0:07:45 | 0:07:47 | |
-Why here? -We're looking for the best of both worlds. | 0:07:47 | 0:07:50 | |
We're looking to spend six months of the hot weather | 0:07:50 | 0:07:53 | |
out of Australia here and six months of the beautiful winter | 0:07:53 | 0:07:56 | |
around 26 degrees Celsius every day in Australia. | 0:07:56 | 0:08:00 | |
So give us an idea of the sort of property | 0:08:00 | 0:08:03 | |
that you are thinking of, because the property market here | 0:08:03 | 0:08:06 | |
clearly is very different to what you're used to in Australia. | 0:08:06 | 0:08:10 | |
And I think that is what attracts us to the properties here. | 0:08:10 | 0:08:13 | |
They look very quaint. | 0:08:13 | 0:08:15 | |
We've had the big house and we got a big unit we live in now, | 0:08:15 | 0:08:19 | |
but I think I want something a bit smaller and a bit more cosy. | 0:08:19 | 0:08:22 | |
With a small garden. | 0:08:22 | 0:08:24 | |
How much space are we after, in terms of bedrooms | 0:08:24 | 0:08:27 | |
and reception rooms and that sort of thing? | 0:08:27 | 0:08:30 | |
We would like at least three bedrooms | 0:08:30 | 0:08:33 | |
and room for an office for Alan. | 0:08:33 | 0:08:35 | |
What you call a reception room here, which would be a lounge room for us. | 0:08:35 | 0:08:40 | |
-Yeah. -We've talked about a big country-style kitchen, | 0:08:40 | 0:08:43 | |
a good country-style kitchen. | 0:08:43 | 0:08:45 | |
Open plan into the dining room so that we've got that space. | 0:08:45 | 0:08:48 | |
For me, I'd like a garage, definitely, for the car. | 0:08:48 | 0:08:52 | |
Are you keen on being within a community, within a village? | 0:08:52 | 0:08:55 | |
We don't want to be remote. We actually like people! | 0:08:55 | 0:08:59 | |
THEY ALL LAUGH Good, good! | 0:08:59 | 0:09:01 | |
Now, give us an idea of how much you're planning to spend on this. | 0:09:01 | 0:09:06 | |
We'd be looking at investing somewhere in the vicinity of about 450,000. | 0:09:06 | 0:09:10 | |
-Tops. -450,000 British pounds? -That's it. | 0:09:10 | 0:09:14 | |
Right, well, look. The sun is coming out. | 0:09:14 | 0:09:17 | |
It's not quite 26 degrees, Alan, but you don't really want that, do you? | 0:09:17 | 0:09:19 | |
-No. -I don't, I want it like this. | 0:09:19 | 0:09:21 | |
Well, let's go and see if we can spend your money | 0:09:21 | 0:09:24 | |
and find you a toehold in Dorset. | 0:09:24 | 0:09:25 | |
-Thank you. -Let's go. | 0:09:25 | 0:09:27 | |
After you. | 0:09:27 | 0:09:28 | |
With a maximum budget of £450,000, Alan and Gwenda would like | 0:09:30 | 0:09:35 | |
a cottage-style property with a country kitchen. | 0:09:35 | 0:09:38 | |
It should provide them with three bedrooms, | 0:09:38 | 0:09:40 | |
along with an office and garage for Alan. | 0:09:40 | 0:09:43 | |
The garden should be manageable | 0:09:43 | 0:09:45 | |
and they'd like to be close to a thriving community. | 0:09:45 | 0:09:47 | |
We've scoured the rural property market for a rich mix | 0:09:47 | 0:09:50 | |
of delightful Dorset country homes to show them, | 0:09:50 | 0:09:53 | |
but I won't reveal the price of each one until after the tour. | 0:09:53 | 0:09:57 | |
Lastly, the mystery house will offer our Antipodean pair | 0:09:57 | 0:10:01 | |
something they won't be used to, but will hopefully love. | 0:10:01 | 0:10:04 | |
So, in considering the properties that we might show you, | 0:10:06 | 0:10:10 | |
are there any things that you don't want? | 0:10:10 | 0:10:12 | |
-We do have a bit of a reservation about thatched roofs. -Yeah. | 0:10:14 | 0:10:18 | |
Because we're not familiar with them in Australia, | 0:10:18 | 0:10:21 | |
we don't have them there, so... But that's not ruling it out, though. | 0:10:21 | 0:10:24 | |
We need to learn a lot more about them. | 0:10:24 | 0:10:27 | |
It's certainly part and parcel of the architectural landscape here. | 0:10:27 | 0:10:31 | |
Property one is located in the village of Sutton Poyntz, | 0:10:35 | 0:10:38 | |
just outside the seaside town of Weymouth. | 0:10:38 | 0:10:41 | |
Tucked away beneath the chalky Dorset Downs, | 0:10:41 | 0:10:44 | |
there's a popular gastropub and a historic mill pond. | 0:10:44 | 0:10:48 | |
In 1908, a serious fire broke out in the village, | 0:10:48 | 0:10:52 | |
but by the time the fire brigade arrived, | 0:10:52 | 0:10:55 | |
almost a quarter of a mile of buildings were alight. | 0:10:55 | 0:10:57 | |
Work on restoration of the village began in 1962, | 0:10:57 | 0:11:01 | |
and today it retains much of its traditional character. | 0:11:01 | 0:11:04 | |
Our first house is situated on the village outskirts. | 0:11:04 | 0:11:08 | |
There we are. That's what I thought we would start with. | 0:11:10 | 0:11:12 | |
-What do you think? -Oh, I love the colour. | 0:11:12 | 0:11:14 | |
-I love the stone colour. -Nice, really nice. | 0:11:14 | 0:11:17 | |
Now, the reason I thought this one would be of interest is because, | 0:11:17 | 0:11:20 | |
built in 2004, | 0:11:20 | 0:11:22 | |
it looks as if the builders have just finished it, to be honest. | 0:11:22 | 0:11:25 | |
Given the way you want to use your new home, | 0:11:25 | 0:11:28 | |
being able to lock up and leave and know that it's well cared for, | 0:11:28 | 0:11:32 | |
I think this is quite a good option. | 0:11:32 | 0:11:34 | |
I think it's been done really sympathetically to the area, | 0:11:34 | 0:11:37 | |
-for a new build. -Good, right, then, let's make a start. | 0:11:37 | 0:11:40 | |
Let's see what you think. Good. | 0:11:40 | 0:11:41 | |
This contemporary architect-designed property has an interior | 0:11:41 | 0:11:45 | |
that's modern and manageable. | 0:11:45 | 0:11:48 | |
There we are, Alan. Straight into the kitchen. Your thoughts, sir? | 0:11:48 | 0:11:52 | |
-Er, it's compact. It's compact. -THEY LAUGH | 0:11:52 | 0:11:55 | |
Is that Australian for small? | 0:11:55 | 0:11:57 | |
No, it's compact. No, seriously, it's good. | 0:11:57 | 0:11:59 | |
-It's got everything you'd want. It's modern. -I like it. | 0:11:59 | 0:12:02 | |
I like the size of it, yeah. Plenty of bench space. | 0:12:02 | 0:12:05 | |
There's not a lot to be done, from what I can see so far. | 0:12:05 | 0:12:08 | |
I don't want to give you a project, you see. | 0:12:08 | 0:12:10 | |
No, we definitely don't want a project! | 0:12:10 | 0:12:12 | |
-You will not give me a project! -I won't. Believe you, me, I won't. | 0:12:12 | 0:12:16 | |
Come on, let's have a look at the rest of it. | 0:12:16 | 0:12:18 | |
It might not be the old-style country kitchen they were after, | 0:12:18 | 0:12:22 | |
but Alan and Gwenda seem open to the idea of a more practical option. | 0:12:22 | 0:12:25 | |
The combined living and dining room is to the rear of the property. | 0:12:25 | 0:12:29 | |
And I suppose there's no getting away from the compact theme | 0:12:29 | 0:12:33 | |
in the living room. | 0:12:33 | 0:12:34 | |
-It's true. It's quite small, isn't it? -It is. | 0:12:34 | 0:12:38 | |
It's nice, but it's...cosy. | 0:12:38 | 0:12:41 | |
I mean, what they've done here... | 0:12:41 | 0:12:43 | |
This, believe it or not, was a solid wall. | 0:12:43 | 0:12:45 | |
I think rather clearly they've put in this glazed bifold door | 0:12:45 | 0:12:49 | |
arrangement, so the whole thing would open up to give you | 0:12:49 | 0:12:53 | |
more of a kind of family entertaining space. | 0:12:53 | 0:12:55 | |
It's a house that lends itself to be minimalistic, isn't it, really? | 0:12:55 | 0:12:58 | |
-You know, don't want it over cluttered. -Over cluttered. -Yeah. | 0:12:58 | 0:13:01 | |
I'm beginning to sense that cosy might mean too small, | 0:13:01 | 0:13:05 | |
but the wall between the kitchen and living room could be removed, | 0:13:05 | 0:13:09 | |
opening up the ground floor, | 0:13:09 | 0:13:11 | |
or they could build a conservatory at the rear, subject to consent. | 0:13:11 | 0:13:15 | |
Upstairs, the three bedrooms are arranged off a main landing | 0:13:15 | 0:13:18 | |
and include a bright double with skylights and walk-in wardrobe, | 0:13:18 | 0:13:22 | |
along with a single currently used as a music room. | 0:13:22 | 0:13:25 | |
There's also a three-piece family bathroom | 0:13:25 | 0:13:28 | |
and then finally the master. | 0:13:28 | 0:13:30 | |
We're thinking this would be yours cos it's got the shower en suite. | 0:13:30 | 0:13:33 | |
All the rooms have got really good built-in storage. | 0:13:33 | 0:13:36 | |
This one being no exception. | 0:13:36 | 0:13:38 | |
-It's very nice, it's well done. -Yeah, I like the colour scheme. | 0:13:38 | 0:13:42 | |
Yeah. So what's the bottom line at the end of it all? | 0:13:42 | 0:13:45 | |
Let's go to the garden and then I'll give you lowdown. | 0:13:45 | 0:13:47 | |
Go on, mate, after you. | 0:13:47 | 0:13:49 | |
To the side of the property there's a single garage for Alan's car. | 0:13:51 | 0:13:55 | |
The pleasant, south-facing garden at the back | 0:13:55 | 0:13:59 | |
is largely laid to lawn, with planted beds which would be easy to | 0:13:59 | 0:14:03 | |
maintain when Alan and Gwenda are away travelling. | 0:14:03 | 0:14:06 | |
Is this the sort of thing that you regard as manageable? | 0:14:06 | 0:14:09 | |
-Definitely, yes. It's a perfect space, yes. -Exactly. | 0:14:09 | 0:14:12 | |
Let's cut to the chase. Madam, make me an offer on the first one. | 0:14:12 | 0:14:17 | |
I'd go about £400,000. | 0:14:17 | 0:14:19 | |
£400,000. Alan? | 0:14:19 | 0:14:21 | |
I think on the size of it I'd be talking somewhere around the 350 to 360. | 0:14:21 | 0:14:25 | |
This is currently on the market for £425,000. | 0:14:25 | 0:14:31 | |
Right. Way out. | 0:14:31 | 0:14:32 | |
Well, you were way out. You weren't far off, to be fair. | 0:14:32 | 0:14:35 | |
And, look, you know, | 0:14:35 | 0:14:38 | |
you are tackling a completely different property market | 0:14:38 | 0:14:40 | |
to what you're used to, so I'm going to forgive you any errors there. | 0:14:40 | 0:14:44 | |
Go and have a wander around and I will come and find you later on. | 0:14:44 | 0:14:47 | |
-Thank you. -Off you go. | 0:14:47 | 0:14:49 | |
See what you might do... with your change. | 0:14:49 | 0:14:52 | |
Under budget by £25,000, our first offering is a modern stone-built | 0:14:54 | 0:14:59 | |
property with a clean, contemporary interior and simple layout. | 0:14:59 | 0:15:03 | |
It gives them their three bedrooms, a manageable garden, | 0:15:03 | 0:15:07 | |
and it's located in a very desirable Dorset village. | 0:15:07 | 0:15:11 | |
I liked the look of it from the outside. | 0:15:11 | 0:15:13 | |
I liked the house from the outside, it looks lovely. | 0:15:13 | 0:15:16 | |
Inside, it doesn't disappoint. It's a lovely home. | 0:15:16 | 0:15:20 | |
The space inside the house, my thoughts on that | 0:15:20 | 0:15:24 | |
at this point in time are that, for me, it's a little tight. | 0:15:24 | 0:15:28 | |
This whole area into the lounge room needs to be open. | 0:15:28 | 0:15:32 | |
You've got those beautiful doors leading on to what, | 0:15:32 | 0:15:35 | |
there could be a fantastic conservatory built there. | 0:15:35 | 0:15:38 | |
So where it feels close and closed at the moment, | 0:15:38 | 0:15:42 | |
it could in real terms be opened up | 0:15:42 | 0:15:44 | |
and made to feel three to four times bigger than it is. | 0:15:44 | 0:15:48 | |
-There we are. All done? -We are, yes. | 0:15:50 | 0:15:53 | |
Now, then. You're used to cold beer, aren't you, in Australia? | 0:15:53 | 0:15:57 | |
We are. | 0:15:57 | 0:15:58 | |
Let me introduce you to the warm stuff. Come on, let's have lunch. | 0:15:58 | 0:16:01 | |
Come on, let's go. | 0:16:01 | 0:16:03 | |
When they move to rural Dorset, | 0:16:08 | 0:16:10 | |
Gwenda and Alan are keen to find volunteering opportunities as | 0:16:10 | 0:16:14 | |
a way to discover new pursuits, get involved in their local community | 0:16:14 | 0:16:18 | |
and immerse themselves in country living. | 0:16:18 | 0:16:20 | |
To gain an insight into the historic houses | 0:16:20 | 0:16:23 | |
and farming life in Britain, we've sent them to Kingston Maurward, | 0:16:23 | 0:16:26 | |
a handsome 18th-century property built for the then Prime Minister | 0:16:26 | 0:16:30 | |
William Pitt's cousin George Pitt, | 0:16:30 | 0:16:33 | |
and set in a glorious 750-acre estate. | 0:16:33 | 0:16:36 | |
The Grade I-listed building houses an agricultural college | 0:16:36 | 0:16:40 | |
and an animal park, | 0:16:40 | 0:16:41 | |
along with beautifully landscaped Grade II-listed gardens. | 0:16:41 | 0:16:45 | |
Gwenda and Alan have come to meet Luke Rake, the principle here, | 0:16:45 | 0:16:48 | |
to learn more about the estate | 0:16:48 | 0:16:50 | |
and find out what volunteering opportunities there are today. | 0:16:50 | 0:16:53 | |
We're hoping you can give us some history about this home behind us. | 0:16:54 | 0:16:57 | |
Absolutely. | 0:16:57 | 0:16:58 | |
The house was built in 1720, originally in brick, | 0:16:58 | 0:17:01 | |
and the building that you see behind us at the moment | 0:17:01 | 0:17:04 | |
clearly isn't covered in brick. | 0:17:04 | 0:17:06 | |
It's covered in Portland stone which was quarried locally. | 0:17:06 | 0:17:09 | |
The reason for that is that King George III in the 1790s | 0:17:09 | 0:17:12 | |
felt that brick was not fashionable enough and so, | 0:17:12 | 0:17:15 | |
to maintain patronage, the owner of the house at the time | 0:17:15 | 0:17:17 | |
very quickly clad what is now a very familiar white stone. | 0:17:17 | 0:17:21 | |
Not only do we have this amazing house, | 0:17:21 | 0:17:23 | |
but we have a literary connection with Thomas Hardy. | 0:17:23 | 0:17:26 | |
So Thomas Hardy lived on the estate. | 0:17:26 | 0:17:28 | |
His family were raised on the estate and he worshipped in the church | 0:17:28 | 0:17:31 | |
just about 400 metres from where we're standing now here. | 0:17:31 | 0:17:34 | |
And tell me, what opportunities are there for the locals to become | 0:17:34 | 0:17:37 | |
involved in any, say, volunteering activities with the college? | 0:17:37 | 0:17:40 | |
There's quite a few. The gardens that we'll see today are immense. | 0:17:40 | 0:17:44 | |
You know, we've got 30 acres of formal gardens | 0:17:44 | 0:17:46 | |
as well as the 750 acres of the estate. | 0:17:46 | 0:17:49 | |
So we actually have quite a lot of people that come in locally | 0:17:49 | 0:17:52 | |
to help and support the college in a whole range of ways. | 0:17:52 | 0:17:54 | |
The animal park is also an area that welcomes volunteers. | 0:17:55 | 0:17:59 | |
It's one of only 19 sites in England accredited | 0:17:59 | 0:18:02 | |
by the Rare Breeds Survival Trust to keep and promote rare breeds. | 0:18:02 | 0:18:07 | |
Head animal park technician Barbara manages the animal park | 0:18:08 | 0:18:12 | |
and is passionate about conservation. | 0:18:12 | 0:18:14 | |
Gwenda and Alan are meeting her to learn about some of the native breeds at risk. | 0:18:15 | 0:18:19 | |
Could you tell us about this breed of sheep here behind us? | 0:18:20 | 0:18:23 | |
Yes, Portland sheep are very, very hardy, but because they only produce | 0:18:23 | 0:18:28 | |
usually one lamb and they're quite small in size, | 0:18:28 | 0:18:32 | |
the sheep and the lambs, | 0:18:32 | 0:18:34 | |
they went out of popularity and nearly became extinct. | 0:18:34 | 0:18:38 | |
-That would have been sad, wouldn't it? -Oh! It would have been tragic. | 0:18:39 | 0:18:42 | |
It would be really sad to lose some of England's finest animals | 0:18:42 | 0:18:48 | |
simply because they're not large enough for today's commercial market. | 0:18:48 | 0:18:52 | |
So, yes, we're expecting lambs from these and, at the moment, | 0:18:52 | 0:18:57 | |
we've got a Manx Loaghtan sheep, which are also rare breed sheep, | 0:18:57 | 0:19:01 | |
they're chocolate brown. | 0:19:01 | 0:19:03 | |
They've just started popping out lambs. | 0:19:03 | 0:19:06 | |
-Oh, wow. -In fact, we had a set of twins last night! | 0:19:06 | 0:19:09 | |
Another Manx Loaghtan ewe here recently had triplets | 0:19:10 | 0:19:13 | |
but sadly she rejected one of them, called Benji. | 0:19:13 | 0:19:16 | |
Barbara and the staff here are now hand-rearing him | 0:19:17 | 0:19:20 | |
and Gwenda and Alan are going to get a chance to feed him | 0:19:20 | 0:19:23 | |
and one of his little friends, too. | 0:19:23 | 0:19:25 | |
And you have a bottle each. | 0:19:27 | 0:19:29 | |
And the little ridge there, if you keep that at the top | 0:19:30 | 0:19:34 | |
when they start sucking on the bottle, | 0:19:34 | 0:19:37 | |
that lets the air escape, | 0:19:37 | 0:19:39 | |
so that they don't take air into their tummy, | 0:19:39 | 0:19:41 | |
or they squash the teat flat. | 0:19:41 | 0:19:43 | |
-Just like with little babies. -Right. | 0:19:43 | 0:19:45 | |
-Right, Gwenda, I think you'd rather like little Benji. -I think so, too. | 0:19:46 | 0:19:51 | |
-Oh, that's sweet. -There we go. | 0:19:52 | 0:19:54 | |
Now, if he stays there... | 0:19:54 | 0:19:56 | |
-Over this way. -You just show it to him, he'll go for it. | 0:19:56 | 0:20:00 | |
-All right, let's just... -That's it. | 0:20:00 | 0:20:02 | |
-Oh, there you go. -Oh, yes. -He's off a treat. | 0:20:04 | 0:20:07 | |
As you can see, he's doing very well | 0:20:09 | 0:20:11 | |
even though he hasn't got his mum with him. | 0:20:11 | 0:20:13 | |
Oh, hello! | 0:20:15 | 0:20:17 | |
-Says, "Me too, me too." -And how old is he? | 0:20:17 | 0:20:19 | |
He is now...nearly two weeks old. | 0:20:19 | 0:20:23 | |
Oh, lovely. | 0:20:24 | 0:20:26 | |
Now it's Alan's turn. | 0:20:28 | 0:20:31 | |
-Alan, you've got a more feisty one. -Have I? Good. | 0:20:31 | 0:20:34 | |
-Who's hungry? -This is Benson. | 0:20:35 | 0:20:37 | |
-Hello, Benson. -So you've got... | 0:20:38 | 0:20:40 | |
Hang on, hang on. | 0:20:40 | 0:20:43 | |
He's got a lot more fleece on him. | 0:20:43 | 0:20:46 | |
Yes, yes. | 0:20:46 | 0:20:48 | |
This one's how old? | 0:20:48 | 0:20:49 | |
This one's most probably three weeks old. | 0:20:49 | 0:20:52 | |
Beautiful experience, thank you very much. | 0:20:54 | 0:20:56 | |
-Yes, thanks, Barbara. -Thanks a lot. -Thanks, Benson. | 0:20:56 | 0:20:59 | |
You were just perfect, weren't you? Eh? Just perfect. | 0:20:59 | 0:21:03 | |
From one perfect experience to, I hope, another | 0:21:09 | 0:21:12 | |
as we continue our property search in the village of Martinstown. | 0:21:12 | 0:21:16 | |
Around four miles from the county town of Dorchester, | 0:21:17 | 0:21:20 | |
the village has a range of amenities | 0:21:20 | 0:21:22 | |
and many of the houses are built from locally quarried Purbeck stone. | 0:21:22 | 0:21:26 | |
In July 1955, Martinstown was the scene of | 0:21:26 | 0:21:29 | |
one of the most extreme rainstorms ever recorded in the UK, | 0:21:29 | 0:21:33 | |
when 28 centimetres of rain fell in less than 24 hours. | 0:21:33 | 0:21:38 | |
Today, though, there's no sign of rain | 0:21:38 | 0:21:40 | |
as we explore our next property - | 0:21:40 | 0:21:42 | |
a cottage right in the heart of this pretty Dorset village. | 0:21:42 | 0:21:45 | |
Well, for our second one, I thought we'd go for something that was | 0:21:45 | 0:21:48 | |
a little bigger and a little older. | 0:21:48 | 0:21:51 | |
First impressions? | 0:21:51 | 0:21:52 | |
-Looks great. -It does, looks lovely. -Looks great. | 0:21:52 | 0:21:55 | |
And this one is full of the sort of character | 0:21:55 | 0:21:58 | |
-that I think you're looking for. -I think you've got it. | 0:21:58 | 0:22:02 | |
-If I'm right! Shall we get inside and see? -Let's go. -Yes. | 0:22:02 | 0:22:05 | |
The original part of this end-of-terrace cottage | 0:22:06 | 0:22:09 | |
dates to the 1800s and is packed full of period features. | 0:22:09 | 0:22:13 | |
Right, then, is this the sort of... | 0:22:13 | 0:22:16 | |
..cosy charm you were thinking of? | 0:22:16 | 0:22:18 | |
-Yes, definitely. -Oh, my God. This is fabulous, isn't it? | 0:22:19 | 0:22:22 | |
What would your family make of this if you shipped them over from Oz? | 0:22:22 | 0:22:26 | |
I think they'd all want to come and stay for ever. | 0:22:26 | 0:22:29 | |
It could be a problem getting rid of them! Getting rid of them! | 0:22:29 | 0:22:33 | |
Good, I get the feeling that we are definitely on better tracks. | 0:22:33 | 0:22:36 | |
-Appealing, yes. -Yeah. -OK. | 0:22:36 | 0:22:39 | |
Whereas the sitting room dates to Georgian times, | 0:22:40 | 0:22:43 | |
the dining room is a Victorian addition, | 0:22:43 | 0:22:46 | |
complete with another brick-built fireplace. | 0:22:46 | 0:22:48 | |
Beyond that lies the kitchen in a further extension. | 0:22:48 | 0:22:52 | |
-There you go. -Wow, this is more like it. This is a real country kitchen. | 0:22:52 | 0:22:56 | |
-Yeah? -Not quite what I'd been picturing. | 0:22:56 | 0:22:59 | |
Oh, really? How does it differ? | 0:22:59 | 0:23:02 | |
-Probably a little bigger, a bit more bench space. -OK. | 0:23:02 | 0:23:06 | |
And a view out from the sink, a view out the window. | 0:23:06 | 0:23:09 | |
That, I can't change. | 0:23:09 | 0:23:11 | |
I can, however, offer you some double doors out to the garden, | 0:23:11 | 0:23:14 | |
which might do the same thing. | 0:23:14 | 0:23:16 | |
-OK. -This wasn't always the kitchen. | 0:23:16 | 0:23:17 | |
The original kitchen still exists out the back | 0:23:17 | 0:23:20 | |
as more now of a utility space, | 0:23:20 | 0:23:23 | |
-but it also has another oven and hob out there. -Oh, OK. | 0:23:23 | 0:23:27 | |
The benefits of a larger footprint downstairs | 0:23:27 | 0:23:30 | |
in this extended property are also mirrored upstairs. | 0:23:30 | 0:23:33 | |
There are four bedrooms - two at the front of the house, | 0:23:35 | 0:23:38 | |
one in use as a twin - | 0:23:38 | 0:23:40 | |
and a smaller single providing an option for Alan's office. | 0:23:40 | 0:23:44 | |
There's also a tongue-and-groove panelled bathroom, | 0:23:44 | 0:23:47 | |
and finally the master. | 0:23:47 | 0:23:48 | |
So this one we've kept till last | 0:23:48 | 0:23:51 | |
cos I think this would be the one you'd go for, really. | 0:23:51 | 0:23:55 | |
Not least because it's got the shower en suite through there. | 0:23:55 | 0:23:58 | |
It's a good-sized room. | 0:23:59 | 0:24:01 | |
A bit of character to it. | 0:24:01 | 0:24:02 | |
-Nice light coming through the window there. -Plenty of light. | 0:24:02 | 0:24:05 | |
Yeah, and actually you can overlook the front door of the pub! | 0:24:05 | 0:24:09 | |
THEY ALL LAUGH | 0:24:09 | 0:24:12 | |
So if he's not back by 11 o'clock and you're in bed reading, | 0:24:12 | 0:24:15 | |
you'll know when he's coming home. | 0:24:15 | 0:24:17 | |
-When he's coming, yeah. OK. -It looks good. | 0:24:17 | 0:24:19 | |
This room is quite, quite good. | 0:24:19 | 0:24:21 | |
With more enthusiastic reactions to this house than our first, | 0:24:23 | 0:24:27 | |
there's just the outside space left to explore. | 0:24:27 | 0:24:30 | |
The cottage-style walled garden has been well cared for | 0:24:30 | 0:24:34 | |
and stocked with flour and shrub borders and fruit trees. | 0:24:34 | 0:24:37 | |
There's also a Victorian-style greenhouse along with | 0:24:37 | 0:24:40 | |
a garage with power that Alan will no doubt be keen to call his own. | 0:24:40 | 0:24:45 | |
Well, as you can see, the garden is absolutely charming. | 0:24:47 | 0:24:51 | |
It's certainly a bit more garden than you've got at the moment, | 0:24:51 | 0:24:54 | |
-Alan, in your apartment. -It's much bigger than we've got! | 0:24:54 | 0:24:57 | |
We've got no garden, so yes. | 0:24:57 | 0:24:58 | |
So let's talk about the money on this one, shall we, Alan? | 0:24:58 | 0:25:01 | |
Well, I think I would say it's somewhere between | 0:25:01 | 0:25:04 | |
£440,000 to £450,000. | 0:25:04 | 0:25:08 | |
Yeah. Gwenda? | 0:25:08 | 0:25:09 | |
-I was thinking about 415,000. -415? | 0:25:09 | 0:25:14 | |
-Ah, that's an optimistic start! -Yes. | 0:25:14 | 0:25:17 | |
Well, on this occasion, your roles are slightly reversed | 0:25:17 | 0:25:21 | |
because you, sir, are pretty much spot on. | 0:25:21 | 0:25:24 | |
This is on the market for offers in excess of 450, | 0:25:24 | 0:25:28 | |
although I think 450 would do it. | 0:25:28 | 0:25:31 | |
Go and have a good explore of it and I will come and find you | 0:25:31 | 0:25:34 | |
-a little bit later on. -OK. -Thank you very much. -Off you go. | 0:25:34 | 0:25:37 | |
At the top of their budget, | 0:25:40 | 0:25:42 | |
our second house is a characterful stone cottage | 0:25:42 | 0:25:44 | |
with period features throughout. | 0:25:44 | 0:25:47 | |
It comes with two reception rooms and a separate country kitchen. | 0:25:47 | 0:25:51 | |
Four bedrooms provide space for visiting family and, | 0:25:51 | 0:25:54 | |
as requested, it gives them a garden that's easy to maintain | 0:25:54 | 0:25:57 | |
and a central village location. | 0:25:57 | 0:26:00 | |
It's more the style of house that we've had in our minds | 0:26:01 | 0:26:04 | |
to look at over here. | 0:26:04 | 0:26:06 | |
It's certainly up there. | 0:26:06 | 0:26:08 | |
The location is brilliant, it's really lovely. | 0:26:08 | 0:26:12 | |
I like the fact that it's very close to Dorchester. | 0:26:12 | 0:26:16 | |
The whole village looks like a lovely little village to live in. | 0:26:16 | 0:26:20 | |
-Well, guys, all done? -All done. Yes, thank you. | 0:26:21 | 0:26:23 | |
-Just having a little snoop around. -I bet you were. | 0:26:23 | 0:26:26 | |
I've got you in here with your name writ large across the door - | 0:26:26 | 0:26:29 | |
-"Alan's Cave". -I don't have to build a bar in there, though. | 0:26:29 | 0:26:33 | |
-It's right there, mate. -Well, why don't we? -Shall we? | 0:26:33 | 0:26:35 | |
It's the end of the day, isn't it? Come on. | 0:26:35 | 0:26:38 | |
It's day two of our Dorset house hunt, | 0:26:46 | 0:26:49 | |
seeking out the perfect English country home | 0:26:49 | 0:26:51 | |
for Gwenda and Alan from the coast of Queensland in Australia. | 0:26:51 | 0:26:55 | |
They've got £450,000 | 0:26:55 | 0:26:57 | |
to bag them a character home with a country kitchen. | 0:26:57 | 0:27:01 | |
Still to come, our mystery house is a slice of history | 0:27:01 | 0:27:04 | |
wrapped up in an overwhelmingly charming package. | 0:27:04 | 0:27:07 | |
It does give me that coming-home feel. | 0:27:07 | 0:27:10 | |
It's everything that I've imagined that an English home would be like. | 0:27:10 | 0:27:14 | |
And I'll be seeing how ancient Dorset Stone | 0:27:14 | 0:27:17 | |
has been transformed into rather striking artwork. | 0:27:17 | 0:27:21 | |
It really has that sort of primeval feel to it, doesn't it? | 0:27:21 | 0:27:25 | |
It looks like a great big sort of squid, almost. | 0:27:25 | 0:27:28 | |
Well, the clock is definitely ticking through the final hours | 0:27:32 | 0:27:35 | |
of our property search here with Alan and with Gwenda. | 0:27:35 | 0:27:38 | |
In just a few days' time, they're booked on flights back | 0:27:38 | 0:27:40 | |
to Australia unless, of course, we can find them a reason to stay. | 0:27:40 | 0:27:45 | |
Now, so far, that has proved elusive, | 0:27:45 | 0:27:47 | |
but can our mystery house finally seal the deal? | 0:27:47 | 0:27:51 | |
Architecturally and historically, I think it's a Dorset classic | 0:27:51 | 0:27:56 | |
with a twist they probably aren't really expecting. | 0:27:56 | 0:27:59 | |
But will it be enough to make them change those flights? | 0:27:59 | 0:28:02 | |
Well, we'll just have to wait and see. | 0:28:02 | 0:28:05 | |
So, guys, one more house to come. | 0:28:08 | 0:28:10 | |
The mystery house. | 0:28:10 | 0:28:12 | |
I think it could possibly be a thatched cottage. | 0:28:12 | 0:28:15 | |
-Do you, now? -Yeah. | 0:28:15 | 0:28:17 | |
Why do you think that? | 0:28:17 | 0:28:18 | |
Because that's one thing we said we weren't sure about. | 0:28:18 | 0:28:22 | |
You'll want to change our minds. | 0:28:22 | 0:28:24 | |
Well, it is Dorset and it is famous for its thatched cottages, | 0:28:24 | 0:28:29 | |
so would it be the end of the world if it was a thatch? | 0:28:29 | 0:28:33 | |
-Oh, no, no. -No, we're over it. -Definitely not. | 0:28:33 | 0:28:35 | |
Well, that's good to hear as we make our way to our mystery house, | 0:28:37 | 0:28:40 | |
located in the village of Cattistock. | 0:28:40 | 0:28:43 | |
Architecturally, the village is an attractive mix of | 0:28:43 | 0:28:47 | |
brick, stone and thatched cottages. | 0:28:47 | 0:28:50 | |
The local parish church with its high tower | 0:28:50 | 0:28:52 | |
is one of the finest 19th-century examples in Dorset. | 0:28:52 | 0:28:56 | |
Our mystery house, meanwhile, | 0:28:56 | 0:28:58 | |
is a real period gem right in the heart of the village. | 0:28:58 | 0:29:02 | |
What do you think of that, Alan? | 0:29:02 | 0:29:04 | |
I think from the outside it looks absolutely beautiful and striking. | 0:29:04 | 0:29:07 | |
-Gwenda? -I would agree. It is beautiful. | 0:29:07 | 0:29:10 | |
It's a lovely little thatched cottage. | 0:29:10 | 0:29:13 | |
I know you've got some reservations about that. You're not alone. | 0:29:13 | 0:29:16 | |
Many people do. As you can see, | 0:29:16 | 0:29:17 | |
the rest of the village has got plenty of thatched properties in it. | 0:29:17 | 0:29:20 | |
It is organic, it does need a bit of work, but the thatcher lives just up there, | 0:29:20 | 0:29:23 | |
so you've got no excuse for not having it well looked after. | 0:29:23 | 0:29:27 | |
Dating to 1740, this classic Grade II-listed stone cottage | 0:29:29 | 0:29:33 | |
was built 30 years before Captain Cook arrived in Australia | 0:29:33 | 0:29:37 | |
and is by far the oldest property I've shown Alan and Gwenda. | 0:29:37 | 0:29:40 | |
It was originally two cottages. | 0:29:41 | 0:29:43 | |
An entrance dining hall leads into one of two sitting rooms. | 0:29:43 | 0:29:47 | |
-This is nice, isn't it? -Yes. -It is. Yes. | 0:29:47 | 0:29:51 | |
That broadening smile, Alan, tells me everything I needed to know. | 0:29:51 | 0:29:55 | |
-This is lovely. -It's got some really nice features. | 0:29:55 | 0:29:59 | |
The beams are gorgeous. | 0:29:59 | 0:30:00 | |
Can you see the way they're worked at their ends? | 0:30:00 | 0:30:03 | |
This chamfering and the little bit of detailing. | 0:30:03 | 0:30:06 | |
I mean, when you think about that empathy with England | 0:30:06 | 0:30:09 | |
that you talked about, Gwenda, and the love of the old country, | 0:30:09 | 0:30:13 | |
if you will, and tapping into your kind of ancestral past | 0:30:13 | 0:30:16 | |
and your great-grandfather and so on, I mean, | 0:30:16 | 0:30:19 | |
does a building like this help you kind of realise that ambition? | 0:30:19 | 0:30:23 | |
It does give me that coming-home feel. | 0:30:23 | 0:30:26 | |
It's everything that I've imagined that an English home would be like, yes. | 0:30:26 | 0:30:31 | |
Both Alan and Gwenda seem smitten by this slice of traditional English architecture. | 0:30:33 | 0:30:38 | |
The historic features continue to pack a punch | 0:30:38 | 0:30:41 | |
in the second sitting room, located the other side of the hallway | 0:30:41 | 0:30:44 | |
and currently set up as a library. | 0:30:44 | 0:30:46 | |
But we're exploring the kitchen, just beyond that library space. | 0:30:46 | 0:30:50 | |
Right, Gwenda. | 0:30:50 | 0:30:52 | |
-This is it, huh? -Talk to me. | 0:30:52 | 0:30:56 | |
It's a nice kitchen, but not a lot of bench space. | 0:30:56 | 0:30:59 | |
-By that, you mean worktop space. -Worktop space, yes, yes. -Yes, yes. | 0:30:59 | 0:31:03 | |
-OK. -Where could we improve that? | 0:31:03 | 0:31:06 | |
Well, they've got a dresser here. | 0:31:06 | 0:31:08 | |
You could also think about putting something across there | 0:31:08 | 0:31:12 | |
if you so wished. Mm-hmm. | 0:31:12 | 0:31:14 | |
If you didn't go for the table. | 0:31:14 | 0:31:16 | |
So it's not your massive farmhouse kitchen. | 0:31:16 | 0:31:19 | |
However, I myself... | 0:31:19 | 0:31:21 | |
Easy for me to say, but I myself can forgive it that | 0:31:21 | 0:31:24 | |
because of what's going on next door and the rest of the property. | 0:31:24 | 0:31:28 | |
Although the kitchen is on the cosy side, there's also | 0:31:28 | 0:31:32 | |
a utility room for all the white goods, and a downstairs washroom. | 0:31:32 | 0:31:35 | |
Upstairs, there are three double bedrooms, all in the eaves | 0:31:37 | 0:31:40 | |
and all featuring exposed stonework. | 0:31:40 | 0:31:42 | |
There's also a small study area and a functional family bathroom. | 0:31:44 | 0:31:49 | |
-Now, you can see why I've kept this one until last. -Oh! -Oh, yes. | 0:31:50 | 0:31:55 | |
-It's beautiful, isn't it? -It's worth just taking it all in, really. | 0:31:55 | 0:32:00 | |
It's got so many fascinating and quirky features. | 0:32:00 | 0:32:04 | |
I think this one really does recommend itself | 0:32:04 | 0:32:06 | |
because it's got the space, it's got the history, | 0:32:06 | 0:32:08 | |
it's got the location and, you know, I think it's somewhere you would be | 0:32:08 | 0:32:12 | |
really proud to kind of share with your visiting friends and family. | 0:32:12 | 0:32:16 | |
Oh, definitely! | 0:32:16 | 0:32:17 | |
With the age and character of our mystery cottage clearly | 0:32:17 | 0:32:20 | |
hitting the mark, we braved the elements | 0:32:20 | 0:32:22 | |
to explore what's on offer outside. | 0:32:22 | 0:32:25 | |
Set out in a courtyard style, the garden is to the rear | 0:32:25 | 0:32:28 | |
with an oval-shaped lawn surrounded by mature borders. | 0:32:28 | 0:32:31 | |
Accessed from the garden is an artist's studio, | 0:32:32 | 0:32:35 | |
which could make an excellent home office for Alan. | 0:32:35 | 0:32:38 | |
But there's a trade-off with our mystery house, | 0:32:40 | 0:32:43 | |
as there is no garage for his car. | 0:32:43 | 0:32:46 | |
So that's it, that's what's on offer with our mystery house. | 0:32:48 | 0:32:51 | |
I think we'd all agree, a really interesting property. | 0:32:51 | 0:32:55 | |
So there is one more bit to discuss. | 0:32:55 | 0:32:57 | |
What do you think that is, Gwenda? | 0:32:57 | 0:33:00 | |
This is going to be at the top of our budget, if not over. | 0:33:00 | 0:33:04 | |
About 465. | 0:33:04 | 0:33:06 | |
£465,000. | 0:33:06 | 0:33:08 | |
I'd come in just under that, £455,000. | 0:33:08 | 0:33:12 | |
This could be yours for 425,000. | 0:33:12 | 0:33:17 | |
-Wow, that's quite a price. -Really? -And open to offers. | 0:33:17 | 0:33:20 | |
-Open to offers. -Is that right? -Go on, then. Off you go. | 0:33:20 | 0:33:23 | |
Our mystery house is yours for a bit. Can't give it away! | 0:33:23 | 0:33:28 | |
Much as I'd like to! | 0:33:28 | 0:33:30 | |
Our mystery house may be topped with thatch, | 0:33:32 | 0:33:35 | |
but it's £25,000 under budget, | 0:33:35 | 0:33:38 | |
giving Gwenda and Alan a strong option | 0:33:38 | 0:33:41 | |
for their classic country home. | 0:33:41 | 0:33:43 | |
There are two sitting rooms to choose from, | 0:33:43 | 0:33:45 | |
and three bedrooms upstairs. | 0:33:45 | 0:33:47 | |
The courtyard garden is manageable | 0:33:47 | 0:33:49 | |
and it's situated in the heart of a lovely Dorset village. | 0:33:49 | 0:33:53 | |
It is beautiful. It's been very, very well maintained. | 0:33:53 | 0:33:57 | |
It's got real street appeal. | 0:33:57 | 0:33:59 | |
One of the things we are concerned about is that | 0:33:59 | 0:34:01 | |
there's no car accommodation. | 0:34:01 | 0:34:03 | |
The rooms are a good size, the whole thing flows well from room to room. | 0:34:03 | 0:34:08 | |
It'd be a perfect little house to come to Dorset | 0:34:08 | 0:34:11 | |
to live in for the winter in a perfect little village. | 0:34:11 | 0:34:15 | |
Well, it's a shame to leave the very welcoming confines | 0:34:20 | 0:34:24 | |
of our mystery house and come out to this horrible wet weather, | 0:34:24 | 0:34:27 | |
but leave it we must because we need to get you to somewhere | 0:34:27 | 0:34:30 | |
where you can settle down, relax, | 0:34:30 | 0:34:32 | |
and think about all the properties we've shown you. | 0:34:32 | 0:34:34 | |
-OK. -Sounds good. | 0:34:34 | 0:34:36 | |
And I'm going to catch up with you and find out if we've sold one. | 0:34:36 | 0:34:38 | |
-Come on. Let's go. -OK. | 0:34:38 | 0:34:40 | |
Ugh, yuck! | 0:34:40 | 0:34:41 | |
Stretching away from Dorset's southernmost tip, | 0:34:45 | 0:34:49 | |
the Isle of Portland is attached to the mainland | 0:34:49 | 0:34:52 | |
by the beautiful Chesil Beach. | 0:34:52 | 0:34:54 | |
The island's famous Portland stone has been quarried since Roman times | 0:34:54 | 0:34:59 | |
and the pale limestone has not only been used to build | 0:34:59 | 0:35:02 | |
many iconic landmarks in London, but numerous others further afield. | 0:35:02 | 0:35:06 | |
Tout Quarry, perched high up, overlooking Chesil Beach, | 0:35:07 | 0:35:11 | |
opened in 1750 and operated until 1982. | 0:35:11 | 0:35:15 | |
I've come to meet Ralph Stone, | 0:35:15 | 0:35:17 | |
an 18th-generation quarryman who's spent his working life here, | 0:35:17 | 0:35:21 | |
and his name gives a clue as to his long family history. | 0:35:21 | 0:35:25 | |
So when did you actually start work in the quarry, then? | 0:35:25 | 0:35:28 | |
-1959. -How old were you then? -15. | 0:35:28 | 0:35:30 | |
-15! -I was an apprentice quarryman for five years. | 0:35:30 | 0:35:34 | |
But how did you go about knowing where to mine the best stone from? | 0:35:34 | 0:35:38 | |
You're presented with the quarry, the face, if you like, | 0:35:38 | 0:35:41 | |
and because of our experience, | 0:35:41 | 0:35:43 | |
the joints we work by, the gully there has a big open gully... | 0:35:43 | 0:35:47 | |
-So there's this vertical fissure... -Vertical fissure, yeah. | 0:35:47 | 0:35:51 | |
-That's a joint. -That's a joint - well, the main joint. | 0:35:51 | 0:35:53 | |
And all the other joints emanate from the gullies and then you | 0:35:53 | 0:35:56 | |
sort of attack it the best way you can to earn the most out of it. | 0:35:56 | 0:35:59 | |
But how much of that was done by hand and how much of it by machine? | 0:35:59 | 0:36:02 | |
These days you'd just get a massive bit of equipment in, wouldn't you, presumably? | 0:36:02 | 0:36:06 | |
-Every little bit was done by hand. -Wow. -Every little bit, yeah. | 0:36:06 | 0:36:09 | |
I mean, having been a quarryman all your life, Ralph, | 0:36:09 | 0:36:12 | |
when you go to London and you see some of the buildings both... | 0:36:12 | 0:36:15 | |
..well, old and new that are adorned with Portland stone, | 0:36:15 | 0:36:18 | |
it must sort of pique your pride a bit. | 0:36:18 | 0:36:21 | |
It certainly does. To see something like St Paul's Cathedral, | 0:36:21 | 0:36:24 | |
it's really special and I feel to myself, "Yeah, we made that." | 0:36:24 | 0:36:27 | |
For me, Portland stone fits in character of buildings, yes, it does. | 0:36:27 | 0:36:32 | |
In 1983, a year after the quarry work stopped, | 0:36:32 | 0:36:37 | |
new life was breathed into the 44-acre site | 0:36:37 | 0:36:40 | |
when it was turned into a sculpture park to preserve the memory | 0:36:40 | 0:36:43 | |
of the quarry and showcase Portland stone. | 0:36:43 | 0:36:47 | |
Artist Hannah Sofaer is the creative director | 0:36:47 | 0:36:49 | |
of the Portland Sculpture Quarry And Trust, | 0:36:49 | 0:36:52 | |
and continues to develop the park. | 0:36:52 | 0:36:54 | |
She now also works in partnership with the Dorset Wildlife Trust. | 0:36:54 | 0:36:58 | |
I'm meeting her by a carving called Still Falling | 0:36:58 | 0:37:01 | |
by world-famous sculptor Antony Gormley, | 0:37:01 | 0:37:04 | |
creator of the Angel Of The North. | 0:37:04 | 0:37:06 | |
It depicts a figure falling through time. | 0:37:06 | 0:37:09 | |
And why did he pick this particular rock face? | 0:37:09 | 0:37:12 | |
Well, it's the best on the island, a section of geological time. | 0:37:12 | 0:37:17 | |
You can just read it from the very top to the point where he's carved. | 0:37:17 | 0:37:22 | |
And the section where he's carved his figure, | 0:37:22 | 0:37:25 | |
how old is that particular bed? | 0:37:25 | 0:37:27 | |
That's going back to 150 million years | 0:37:27 | 0:37:31 | |
of whit bed, the good carving stone, and building stone. | 0:37:31 | 0:37:35 | |
So that's where our Portland stone comes from, | 0:37:35 | 0:37:37 | |
-that whit bed that's 150 million years old. -Yeah. | 0:37:37 | 0:37:41 | |
This section has been left behind where the rest | 0:37:41 | 0:37:44 | |
of the quarry has been quarried away and restacked, | 0:37:44 | 0:37:47 | |
so this becomes an original land surface | 0:37:47 | 0:37:51 | |
which hasn't been touched for millions of years. | 0:37:51 | 0:37:55 | |
How many carvings are here now in the park itself? | 0:37:55 | 0:37:58 | |
There are over 60 pieces of work that have been commissioned. | 0:37:58 | 0:38:02 | |
Gormley was one of the first artists to be inspired | 0:38:02 | 0:38:05 | |
by the scale and space of this amazing quarry. | 0:38:05 | 0:38:10 | |
And you're still creating work here, presumably. | 0:38:10 | 0:38:13 | |
We are, but very carefully because now it's a SSSI - | 0:38:13 | 0:38:18 | |
it's a Site of Special Scientific Interest - | 0:38:18 | 0:38:20 | |
and we've saved this quarry. | 0:38:20 | 0:38:22 | |
The sculpture helped to save it. | 0:38:22 | 0:38:24 | |
Hannah's going to give me a tour of the site and show me some more | 0:38:25 | 0:38:28 | |
of the commissioned work that brought the quarry back to life. | 0:38:28 | 0:38:32 | |
Well, Hannah, this is definitely an eye-catcher. | 0:38:32 | 0:38:34 | |
What's that all about, that funny cone shape? | 0:38:34 | 0:38:37 | |
It's called A Window. | 0:38:37 | 0:38:38 | |
It's created light in the centre that keeps changing, | 0:38:38 | 0:38:41 | |
it plays with the light in the quarry. | 0:38:41 | 0:38:44 | |
It's really, really beautiful. | 0:38:44 | 0:38:45 | |
So on a sunnier day than this, that would really sort of | 0:38:45 | 0:38:48 | |
-come to life and get into its own space, I suppose. -Absolutely. | 0:38:48 | 0:38:52 | |
There's a range of artwork here. | 0:38:54 | 0:38:56 | |
Some of which takes inspiration from Dorset's prehistory. | 0:38:56 | 0:38:59 | |
-So what have we got here, Hannah? -It's called The Fallen Fossil. | 0:39:00 | 0:39:04 | |
It's a negative and a positive, like it's fallen out of the rock bed. | 0:39:04 | 0:39:08 | |
And it really has that sort of primeval feel to it, doesn't it? | 0:39:08 | 0:39:13 | |
It looks like a great big sort of squid, almost. | 0:39:13 | 0:39:16 | |
It's a brilliant piece of work. | 0:39:16 | 0:39:18 | |
It looks like it could literally fit back in again. | 0:39:18 | 0:39:20 | |
The Memory Stones installation is another one | 0:39:20 | 0:39:23 | |
that's just been created. | 0:39:23 | 0:39:25 | |
It's really a stone circle which is actually in line | 0:39:25 | 0:39:28 | |
with the solstice and the equinoxes | 0:39:28 | 0:39:31 | |
and the way the Earth travels around the Sun. | 0:39:31 | 0:39:34 | |
-It's been carefully, you know, mathematically, drawn up. -Amazing. | 0:39:34 | 0:39:38 | |
So it's constantly changing, just as the rock around us | 0:39:38 | 0:39:42 | |
has constantly changed over millions of years. | 0:39:42 | 0:39:44 | |
Yes. It's very, very beautiful. | 0:39:44 | 0:39:46 | |
Very magical. This quarry is very, very special. | 0:39:46 | 0:39:49 | |
It's so impressive to walk around this site | 0:39:49 | 0:39:52 | |
and admire how its natural bedrock has been used | 0:39:52 | 0:39:55 | |
for centuries in buildings all over Dorset and beyond. | 0:39:55 | 0:39:58 | |
Well, property wise this week we've taken Alan and Gwenda on | 0:40:02 | 0:40:06 | |
a magical history tour that started in the 21st century | 0:40:06 | 0:40:09 | |
and ended in the mid-18th | 0:40:09 | 0:40:11 | |
at our wonderful mystery house, but have we done enough | 0:40:11 | 0:40:14 | |
to persuade them to swap a life down under for a slice of Dorset? | 0:40:14 | 0:40:18 | |
Well, let's go and ask them. | 0:40:18 | 0:40:20 | |
We've given you three, I think, quite interesting properties | 0:40:26 | 0:40:29 | |
here in Dorset to consider | 0:40:29 | 0:40:31 | |
that might encourage you to finally make the move. | 0:40:31 | 0:40:34 | |
Have we managed it? | 0:40:34 | 0:40:35 | |
You've certainly given us a lot to think about | 0:40:35 | 0:40:38 | |
in these beautiful properties. | 0:40:38 | 0:40:39 | |
So, Alan, if you had to choose between the three, | 0:40:39 | 0:40:42 | |
which one would be your favourite? | 0:40:42 | 0:40:44 | |
Ah, definitely the mystery house. | 0:40:44 | 0:40:45 | |
-I mean, by a country mile. -By a country mile? | 0:40:45 | 0:40:48 | |
-By a country mile. -And we travelled some of those! -True. | 0:40:48 | 0:40:52 | |
-So, for you, Gwenda, is that the same? -It is, yes. Yes. | 0:40:52 | 0:40:56 | |
It's almost ticked all the boxes that we're looking for, so... | 0:40:56 | 0:41:00 | |
You say we've ALMOST ticked all of those boxes. What's missing, then? | 0:41:00 | 0:41:04 | |
One of our prerequisites was car accommodation | 0:41:04 | 0:41:07 | |
because we need that, so I'd like to follow up with the agent | 0:41:07 | 0:41:12 | |
and see if we can... | 0:41:12 | 0:41:14 | |
There's room in the back to be able to put a car in, | 0:41:14 | 0:41:16 | |
but can you actually go through the fence? | 0:41:16 | 0:41:19 | |
We've got to be able to lock it up, know it's secure, whereas | 0:41:19 | 0:41:22 | |
you can't leave a car sitting out in the street for six months. | 0:41:22 | 0:41:25 | |
Yeah. No, fair enough. | 0:41:25 | 0:41:27 | |
So you're going to go back and talk to the agent, | 0:41:27 | 0:41:29 | |
find out a little more, Alan. | 0:41:29 | 0:41:30 | |
But if you are reassured by the answers | 0:41:30 | 0:41:34 | |
he gives you to the questions you pose, | 0:41:34 | 0:41:36 | |
you might delay your flights and stick around a little longer? | 0:41:36 | 0:41:40 | |
I'll open negotiations now and commence talking | 0:41:40 | 0:41:43 | |
and we'll see where it goes from there. | 0:41:43 | 0:41:46 | |
So, guys, very best of luck. Let us know how you get on. | 0:41:46 | 0:41:50 | |
It's been a real pleasure. | 0:41:50 | 0:41:51 | |
Thank you, we've really enjoyed the time spent with you here, | 0:41:51 | 0:41:54 | |
and thanks very much for the time you've put in. | 0:41:54 | 0:41:57 | |
-Oh! -Thank you. -Pleasure. | 0:41:57 | 0:41:58 | |
Now, when most people escape to the country, | 0:42:04 | 0:42:07 | |
it usually means a car journey of a few hours | 0:42:07 | 0:42:09 | |
followed by a truck full of their belongings, | 0:42:09 | 0:42:12 | |
but for Alan and Gwenda, well, their escape to the country | 0:42:12 | 0:42:15 | |
is going to mean a journey of some 10,000 miles | 0:42:15 | 0:42:19 | |
from the other side of the world and the rather exotic surroundings | 0:42:19 | 0:42:22 | |
of Australia's Sunshine Coast to this - Dorset's Jurassic Coast. | 0:42:22 | 0:42:28 | |
Now, as we said, they'll be flying back in just a few days' time. | 0:42:28 | 0:42:32 | |
Let's just hope they've bought a return! | 0:42:32 | 0:42:34 | |
I'll see you next time. | 0:42:34 | 0:42:36 | |
Gwenda and Allen did make an offer on the mystery house, | 0:42:39 | 0:42:42 | |
which was unfortunately not accepted, | 0:42:42 | 0:42:44 | |
so their Dorset property search continues | 0:42:44 | 0:42:47 | |
and we wish them the very best of luck. | 0:42:47 | 0:42:49 | |
If you would like to escape to the country in England, | 0:42:49 | 0:42:53 | |
Northern Ireland, Scotland or Wales, | 0:42:53 | 0:42:55 | |
and need our help, you can apply online. | 0:42:55 | 0:42:57 |