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When you think of Leicester Square, you think London, big bright lights. | 0:00:02 | 0:00:05 | |
But, believe it or not, I'm standing in the middle of it right now. | 0:00:05 | 0:00:09 | |
Confused? Well, you won't be for long, | 0:00:09 | 0:00:12 | |
because I'll explain everything and where I am in just a few moments. | 0:00:12 | 0:00:16 | |
Today, I'm with a South London couple who have set their sights | 0:00:34 | 0:00:38 | |
on moving to the peace of the countryside. | 0:00:38 | 0:00:40 | |
However, finding a property they both agree on | 0:00:40 | 0:00:43 | |
proves to be a challenge. | 0:00:43 | 0:00:45 | |
-I am not sure about the beams. -I love it. | 0:00:45 | 0:00:49 | |
We could put a little sitting room for you downstairs, if you want. | 0:00:49 | 0:00:52 | |
Amidst differences of opinion, there are signs of compromise. | 0:00:52 | 0:00:56 | |
Who is going to like this one, I wonder? | 0:00:56 | 0:00:58 | |
-I think it might be me. -Yeah? | 0:00:58 | 0:01:00 | |
I might have to put some beams inside, though. | 0:01:00 | 0:01:02 | |
Today, I'm in Kent, in the village of Penshurst, | 0:01:05 | 0:01:08 | |
and this is the original Leicester Square, | 0:01:08 | 0:01:11 | |
dating back to the 1500s. | 0:01:11 | 0:01:13 | |
Now, the one in London was named after the 2nd Earl of Leicester, | 0:01:13 | 0:01:17 | |
Robert Sidney, and although this was his main residence here in | 0:01:17 | 0:01:21 | |
the village, he built a very grand house in 1636 in London, | 0:01:21 | 0:01:26 | |
where the famous square now sits. | 0:01:26 | 0:01:29 | |
And that is why there are two Leicester Squares, | 0:01:29 | 0:01:33 | |
but this one in Kent was definitely here first. | 0:01:33 | 0:01:37 | |
Sitting in the south-east of England, | 0:01:38 | 0:01:41 | |
Kent is bordered by Surrey and East Sussex. | 0:01:41 | 0:01:43 | |
Its only city is Canterbury, | 0:01:43 | 0:01:45 | |
which is centred on the magnificent cathedral | 0:01:45 | 0:01:48 | |
founded in the sixth century. | 0:01:48 | 0:01:50 | |
Beside historic towns, | 0:01:50 | 0:01:52 | |
30% of the county is covered | 0:01:52 | 0:01:54 | |
by Areas of Outstanding Natural Beauty, | 0:01:54 | 0:01:57 | |
including well preserved villages such as Chilham. | 0:01:57 | 0:01:59 | |
At its centre lies a square | 0:02:01 | 0:02:02 | |
of medieval and Jacobean timber buildings, | 0:02:02 | 0:02:05 | |
many dating from the late 15th century. | 0:02:05 | 0:02:07 | |
Known as the Garden of England, | 0:02:11 | 0:02:13 | |
Kent is celebrated for its fertile ground terrain. | 0:02:13 | 0:02:17 | |
However, its diverse landscape also includes | 0:02:17 | 0:02:19 | |
the wetland of Romney Marsh, | 0:02:19 | 0:02:21 | |
home to the remote church of St Thomas a Becket. | 0:02:21 | 0:02:24 | |
Built to serve a long-vanished farming community, | 0:02:24 | 0:02:27 | |
its timber frame was encased by brickwork in the 1700s, | 0:02:27 | 0:02:31 | |
allowing the church to maintain its lonely marshland vigil. | 0:02:31 | 0:02:34 | |
So, while Kent provides good connections to London, | 0:02:36 | 0:02:39 | |
it's also a place where rural splendour is never far away. | 0:02:39 | 0:02:43 | |
Charles Dickens wrote in his novel The Pickwick Papers, | 0:02:45 | 0:02:49 | |
"Everybody knows Kent. | 0:02:49 | 0:02:52 | |
"Apples, cherries, hops and women." | 0:02:52 | 0:02:55 | |
And he would have known, having lived here. | 0:02:55 | 0:02:57 | |
And so would I, after all, I am a woman and I grew up here. | 0:02:57 | 0:03:01 | |
Now, what's widely known about Kent is that its close proximity | 0:03:01 | 0:03:06 | |
to London means property price tags are above the national figure. | 0:03:06 | 0:03:11 | |
A typical detached property here would cost on average £468,000. | 0:03:11 | 0:03:18 | |
Now, that's well over £135,000 more than the UK as a whole. | 0:03:18 | 0:03:25 | |
So, is it worth it, I hear you ask? | 0:03:25 | 0:03:28 | |
Well, of course, I'm going to say yes. | 0:03:28 | 0:03:30 | |
But so too would today's buyers, who want to move here. | 0:03:30 | 0:03:33 | |
Carl, who works in the building industry, and Debbie, | 0:03:34 | 0:03:37 | |
a business development manager, | 0:03:37 | 0:03:39 | |
met over a decade ago in their hometown of Bromley | 0:03:39 | 0:03:42 | |
in south-east London. | 0:03:42 | 0:03:43 | |
We used to see each other quite a lot in bars | 0:03:43 | 0:03:46 | |
and just got to know each other a bit, I think. | 0:03:46 | 0:03:48 | |
And we probably saw each other every weekend from thereon. | 0:03:48 | 0:03:51 | |
A month, maybe two until we actually... | 0:03:51 | 0:03:55 | |
..started dating, I guess. | 0:03:56 | 0:03:57 | |
Carl has three children from a previous relationship | 0:03:57 | 0:04:00 | |
who are now teenagers. | 0:04:00 | 0:04:01 | |
And nine months ago, | 0:04:01 | 0:04:03 | |
they welcomed their baby daughter Jasmine into the family. | 0:04:03 | 0:04:06 | |
After spending so much of their lives in Bromley, | 0:04:07 | 0:04:10 | |
Debbie and Carl are disillusioned | 0:04:10 | 0:04:12 | |
with the changes they see in the suburb. | 0:04:12 | 0:04:14 | |
It's getting really busy. | 0:04:14 | 0:04:15 | |
They are doing a lot of building work here now. | 0:04:15 | 0:04:17 | |
There's a big development a two-minute walk from here, | 0:04:17 | 0:04:20 | |
and our road is full of more cars trying to park. | 0:04:20 | 0:04:22 | |
That is kind of why I want to get out of Bromley. | 0:04:22 | 0:04:26 | |
For Debbie, Jasmine's arrival has brought into focus | 0:04:26 | 0:04:29 | |
what she holds most dear in her life. | 0:04:29 | 0:04:31 | |
I was very career driven. | 0:04:31 | 0:04:33 | |
I love my job. It has completely changed me, | 0:04:33 | 0:04:36 | |
so that whole career side of things has taken a back burner for now. | 0:04:36 | 0:04:41 | |
They want to begin a new life in rural Kent, | 0:04:41 | 0:04:44 | |
yet remain close enough to family and friends. | 0:04:44 | 0:04:47 | |
I would like to move sort of south of Sevenoaks and Maidstone, | 0:04:47 | 0:04:51 | |
purely because I like the area, | 0:04:51 | 0:04:53 | |
as one of my sisters lives in Maidstone, | 0:04:53 | 0:04:54 | |
the other lives in Sevenoaks, | 0:04:54 | 0:04:56 | |
so sort of somewhere in the middle would be perfect. | 0:04:56 | 0:04:58 | |
Jasmine's arrival has meant that | 0:04:58 | 0:05:00 | |
Debbie and Carl have had to share their sleeping space. | 0:05:00 | 0:05:04 | |
I'm looking forward to having a fifth bedroom | 0:05:04 | 0:05:06 | |
so that we get our bedroom back | 0:05:06 | 0:05:07 | |
and the baby's not waking us up | 0:05:07 | 0:05:09 | |
-every time she moves or coughs or... -Yeah. | 0:05:09 | 0:05:13 | |
Debbie also needs space to look after two horses, | 0:05:13 | 0:05:15 | |
which are currently stabled several miles away. | 0:05:15 | 0:05:18 | |
It would be great to have them right on the doorstep so I don't have to | 0:05:18 | 0:05:21 | |
drive miles up there, | 0:05:21 | 0:05:23 | |
miles back just to feed them or just to check on them every day. | 0:05:23 | 0:05:26 | |
They both agree about the need to move. | 0:05:28 | 0:05:30 | |
However, that might be the only thing the couple see eye to eye on. | 0:05:30 | 0:05:34 | |
-We disagree... -On everything. -..on everything. | 0:05:34 | 0:05:37 | |
-Everything, yeah. -On the style of the house. | 0:05:37 | 0:05:39 | |
I wanted a character house with the beams and... | 0:05:39 | 0:05:42 | |
-The open fireplace. -..open fireplace. | 0:05:42 | 0:05:44 | |
But I don't really like any of that. | 0:05:44 | 0:05:47 | |
I only discovered this... Well, probably a couple of weeks ago. | 0:05:47 | 0:05:50 | |
I quite like the modern look. | 0:05:50 | 0:05:51 | |
I don't mind a farmhouse or an older house, | 0:05:51 | 0:05:54 | |
but it has to have that modern twist. | 0:05:54 | 0:05:56 | |
Carl and Debbie would ideally like to live | 0:06:01 | 0:06:03 | |
within 20 miles of Maidstone, | 0:06:03 | 0:06:05 | |
in the north-west of Kent, | 0:06:05 | 0:06:06 | |
which will keep them within reach of Carl's children in Bromley | 0:06:06 | 0:06:09 | |
and also means they are close to Debbie's parents. | 0:06:09 | 0:06:12 | |
But they do have other needs for their home, | 0:06:12 | 0:06:15 | |
so I'm meeting up with them to learn more about their property wish list. | 0:06:15 | 0:06:18 | |
Well, Debbie and Carl, welcome to Kent. | 0:06:18 | 0:06:21 | |
I've got the impression that you two don't always agree. | 0:06:21 | 0:06:25 | |
-Would that be the fair? -I think that is very fair. -Yeah. | 0:06:25 | 0:06:28 | |
-The five bedrooms is the only thing that we agree on. -Yeah. | 0:06:28 | 0:06:30 | |
And then it all goes wrong, doesn't it, because... | 0:06:30 | 0:06:33 | |
-Yes. -..how many acres of land do you actually want? | 0:06:33 | 0:06:36 | |
Oh, well, there's no acres that are going to be too many, | 0:06:36 | 0:06:39 | |
so as much as you can find us, for me. | 0:06:39 | 0:06:40 | |
-But for Debbie... -Just a couple. Just for the horses. | 0:06:40 | 0:06:43 | |
-Now, as you've got horses... -Yes. -..you know what it's like... | 0:06:43 | 0:06:46 | |
-Absolutely.... -..managing land. | 0:06:46 | 0:06:48 | |
-Yes. -Have you any idea at all? -Not a clue. -Oh. | 0:06:48 | 0:06:52 | |
What else does the house compose of? | 0:06:52 | 0:06:54 | |
Well, for me, I'd like to be in the middle of nowhere, no neighbours. | 0:06:54 | 0:06:58 | |
Debbie likes the idea of having people nearby | 0:06:58 | 0:07:00 | |
in case I'm at work and... | 0:07:00 | 0:07:02 | |
OK. All right. What about the style of the house? | 0:07:03 | 0:07:05 | |
-Are we going to agree on this one? -No. -No. No. | 0:07:05 | 0:07:07 | |
THEY LAUGH | 0:07:07 | 0:07:09 | |
I want a nice character house with the beams and... | 0:07:09 | 0:07:12 | |
-The open fireplace. -..open fireplace. | 0:07:12 | 0:07:14 | |
And I'm not really... | 0:07:14 | 0:07:16 | |
I don't really like the open fireplaces, the open beams. | 0:07:16 | 0:07:19 | |
I... The character house, I don't really like that. | 0:07:19 | 0:07:22 | |
I was thinking of a new show called One Couple, Two Houses. Might work. | 0:07:22 | 0:07:27 | |
You two have been together a long time, there is hope. | 0:07:27 | 0:07:31 | |
Who's going to compromise? | 0:07:31 | 0:07:32 | |
-Me. -Are you? Are you? LAUGHS | 0:07:34 | 0:07:36 | |
-Debbie, is that right? -Yeah. I think so. | 0:07:36 | 0:07:39 | |
Are you happy to take on a little bit of a project? | 0:07:39 | 0:07:42 | |
Absolutely. That's what we done on our current property. | 0:07:42 | 0:07:46 | |
Remind us of your top budget, | 0:07:46 | 0:07:48 | |
because we know that Kent is a very expensive area. | 0:07:48 | 0:07:52 | |
Yes, this is the trouble. So, we said up to 900,000. | 0:07:52 | 0:07:56 | |
Hopefully below that would be good. | 0:07:56 | 0:07:58 | |
I think we should get started, because we have lined up | 0:07:58 | 0:08:01 | |
some rather lovely properties to show you. | 0:08:01 | 0:08:03 | |
-Lovely. -Are you looking forward to it? | 0:08:03 | 0:08:05 | |
-Yes, we are. -Yes. Can't wait. -Absolutely. -Yeah, me too. Come on. | 0:08:05 | 0:08:08 | |
With a maximum budget of £900,000, | 0:08:10 | 0:08:12 | |
Debbie and Carl are divided on whether their five-bedroom | 0:08:12 | 0:08:15 | |
country home will have character or be modern. | 0:08:15 | 0:08:19 | |
Carl would be happy to live in a more remote location, | 0:08:19 | 0:08:21 | |
while Debbie would prefer to be closer to a community. | 0:08:21 | 0:08:25 | |
They are also looking for land for Debbie's horses, | 0:08:25 | 0:08:28 | |
and Carl is hoping for a long term renovation project. | 0:08:28 | 0:08:31 | |
I've got a wide range of beautiful houses to show them. | 0:08:31 | 0:08:35 | |
I'll be asking them to guess the price of each property | 0:08:35 | 0:08:39 | |
before I reveal it. | 0:08:39 | 0:08:40 | |
The final offering will be the Mystery House, | 0:08:40 | 0:08:43 | |
which offers a surprising twist on their requirements and takes their | 0:08:43 | 0:08:47 | |
search in different directions. | 0:08:47 | 0:08:49 | |
Now, I want to ask you about this land. | 0:08:54 | 0:08:57 | |
How many acres in total would you like, Carl? | 0:08:57 | 0:09:00 | |
27. | 0:09:00 | 0:09:03 | |
THEY LAUGH That's the whole of Kent. | 0:09:03 | 0:09:05 | |
-You could buy the county. -Yeah. | 0:09:05 | 0:09:07 | |
What about the maintenance of all this land? | 0:09:07 | 0:09:09 | |
Well, that is why we need the animals. | 0:09:09 | 0:09:11 | |
-We get sheep to cut the grass... -Right, OK. | 0:09:11 | 0:09:13 | |
-Alpacas, I think, can keep the bushes... -OK. Yeah. | 0:09:13 | 0:09:16 | |
-Carl is dreaming. Carl is dreaming a little bit. -He is. | 0:09:16 | 0:09:19 | |
Obviously, having the animals on the land | 0:09:19 | 0:09:22 | |
makes more work, not less, Carl. | 0:09:22 | 0:09:24 | |
Our first house is on the outskirts of the small community of Brenchley. | 0:09:28 | 0:09:32 | |
Nearby is Matfield, | 0:09:33 | 0:09:35 | |
situated in the High Weald Area of Outstanding Natural Beauty. | 0:09:35 | 0:09:39 | |
The village centre lies in a conservation area | 0:09:39 | 0:09:42 | |
and is home to a range of local shops and charming pubs. | 0:09:42 | 0:09:45 | |
Matfield House is an impressive Grade I listed Georgian home, | 0:09:46 | 0:09:50 | |
built in 1728 for a local yeoman farmer and his heiress wife. | 0:09:50 | 0:09:55 | |
The war poet Siegfried Sassoon lived in the village and wrote of | 0:09:56 | 0:10:00 | |
his pleasure at the cricket matches played on the green, | 0:10:00 | 0:10:03 | |
a tradition that continues to this day. | 0:10:03 | 0:10:05 | |
Two miles from Matfield is a substantial Grade II listed property | 0:10:07 | 0:10:11 | |
that lies in a charming setting. | 0:10:11 | 0:10:14 | |
-Oh, wow! -That is nice, isn't it? -Look at that! | 0:10:14 | 0:10:17 | |
-THEY LAUGH -I like it already. -Looks nice. | 0:10:17 | 0:10:20 | |
Yeah. Bit remote, though, isn't it? | 0:10:20 | 0:10:22 | |
Now, who wanted remote, I wonder? | 0:10:23 | 0:10:26 | |
Did you expect us to show you something like this | 0:10:26 | 0:10:28 | |
to start off with? | 0:10:28 | 0:10:29 | |
-No. Not at all. -The barn itself dates back to the 16th century. | 0:10:29 | 0:10:34 | |
-Oh, it is an oldie. -It is. | 0:10:34 | 0:10:36 | |
Now, you've got another barn next door, but this is detached. | 0:10:36 | 0:10:39 | |
-OK. -Well, I am glad you're liking the look from the outside... | 0:10:39 | 0:10:42 | |
-It does look nice. -Yeah. -It is impressive, isn't it? | 0:10:42 | 0:10:44 | |
-Yeah. Very. -Let's see if it's just as impressive inside. | 0:10:44 | 0:10:47 | |
It's an encouraging reaction that I am optimistic will continue | 0:10:48 | 0:10:52 | |
when Carl and Debbie see the inside, which has an upside-down layout. | 0:10:52 | 0:10:57 | |
The ground floor is dedicated to the bedrooms, | 0:10:57 | 0:11:00 | |
but we'll go straight upstairs to explore | 0:11:00 | 0:11:02 | |
the dual aspect sitting room on the first floor. | 0:11:02 | 0:11:05 | |
-Wow. Look at that. -So many beams. -THEY LAUGH | 0:11:05 | 0:11:09 | |
-This is good, I like this. -It's not your average sitting room, is it? | 0:11:09 | 0:11:13 | |
-No, it is not. -It's lovely. -Carl, you are in seventh heaven. | 0:11:13 | 0:11:16 | |
-Yes, you are. -Yeah, yeah. -I like this. | 0:11:16 | 0:11:18 | |
-Got to work on Debbie. -I'm not sure about the beams. | 0:11:18 | 0:11:21 | |
-It is a lot of them. -Carl? -I love it. | 0:11:21 | 0:11:24 | |
We could put a little sitting room downstairs for you, if you want. | 0:11:24 | 0:11:27 | |
-It's a nice big room, isn't it? -Yeah. | 0:11:27 | 0:11:29 | |
The way it has been configured, | 0:11:29 | 0:11:31 | |
you have the most incredible views through all those windows. | 0:11:31 | 0:11:35 | |
That is amazing. It is a lovely room, but still not a fan of beams. | 0:11:35 | 0:11:39 | |
This is not a room for me. | 0:11:39 | 0:11:41 | |
-I love it. Yeah. We'll take it. -THEY LAUGH | 0:11:41 | 0:11:44 | |
You two haven't disappointed me. You know, it's only round one. | 0:11:44 | 0:11:47 | |
It's round one, let's see what you make of the kitchen. | 0:11:47 | 0:11:51 | |
-OK. -All righty. -It's just through here, | 0:11:51 | 0:11:53 | |
so you've got a really good sized study area. | 0:11:53 | 0:11:57 | |
-Yeah. -Nice office space. | 0:11:57 | 0:11:59 | |
Toilet through there. And here is the kitchen, complete with... | 0:11:59 | 0:12:04 | |
-Beams! -THEY LAUGH | 0:12:04 | 0:12:06 | |
What do you think of the actual space in the kitchen? | 0:12:07 | 0:12:09 | |
Yeah, I think it's a good space, isn't it? New kitchen, Carl. | 0:12:09 | 0:12:12 | |
A little bit of a project there for you. | 0:12:12 | 0:12:16 | |
-Yeah. But I mean... -Could you cope with putting in a new kitchen? | 0:12:16 | 0:12:18 | |
-Oh, yeah. Two minutes. -Oh, look at that! | 0:12:18 | 0:12:21 | |
Mr Fixit. It is funny, isn't it, | 0:12:21 | 0:12:24 | |
how certain sort of architectural styles | 0:12:24 | 0:12:26 | |
can have such a profound effect? | 0:12:26 | 0:12:29 | |
-Yeah, yeah, absolutely. -You are warming to it straightaway. | 0:12:29 | 0:12:32 | |
And I... No, I'm not. | 0:12:32 | 0:12:33 | |
Right, well, I haven't won upstairs, have I? | 0:12:33 | 0:12:36 | |
At all. Should we head downstairs to see if the bedrooms win you over? | 0:12:36 | 0:12:41 | |
-Yeah, for sure. -Thank you. | 0:12:41 | 0:12:43 | |
I can see this is going to be quite a battle. | 0:12:43 | 0:12:46 | |
Perhaps they will find common ground when they see the four existing | 0:12:46 | 0:12:50 | |
bedrooms on the ground floor. | 0:12:50 | 0:12:52 | |
Two of them can be found off an inner hallway with plenty of beams, | 0:12:52 | 0:12:56 | |
which will please Carl. | 0:12:56 | 0:12:59 | |
One has an adjoining dressing room, currently used as a study. | 0:12:59 | 0:13:02 | |
Another bedroom and family bathroom are on the opposite side of | 0:13:04 | 0:13:07 | |
the entrance hall, along with a room we have earmarked for our couple. | 0:13:07 | 0:13:11 | |
So here is the master bedroom. Minimal beams. | 0:13:13 | 0:13:16 | |
Yes. Feels a bit more modern downstairs. | 0:13:16 | 0:13:19 | |
-Warming to it? -Mmm... -THEY LAUGH | 0:13:19 | 0:13:22 | |
OK, won't go that far. Tepid. Not warm, Nicki, just tepid. | 0:13:22 | 0:13:25 | |
Well, this might impress you a little bit. | 0:13:25 | 0:13:27 | |
You have got a walk-in wardrobe here. | 0:13:27 | 0:13:29 | |
-OK. -And then behind this door, you've actually got an en-suite. | 0:13:29 | 0:13:32 | |
-Oh, very nice. -Very nice, yeah, yeah. | 0:13:32 | 0:13:35 | |
-Look at that. -Contemporary. -Yes. -You see? | 0:13:35 | 0:13:38 | |
So along the hallway, you've got the other bedrooms. | 0:13:38 | 0:13:40 | |
Then right at the end, you can just see there is a door, | 0:13:40 | 0:13:43 | |
and that's the garage. | 0:13:43 | 0:13:44 | |
-That could be the additional bedroom. -Oh, OK. -A project for you. | 0:13:44 | 0:13:48 | |
-So you're loving the downstairs... -Yeah, I really like downstairs. | 0:13:48 | 0:13:51 | |
Outside, hopefully, is going to cement the deal. | 0:13:51 | 0:13:54 | |
-I'm keeping everything crossed. After you, Carl. -OK, thank you. | 0:13:54 | 0:13:57 | |
Leaving the house from the rear of the entrance hallway, | 0:13:58 | 0:14:01 | |
we cross an extensive stone patio to take in the half-acre garden | 0:14:01 | 0:14:06 | |
which commands truly spectacular views. | 0:14:06 | 0:14:08 | |
So you have this splendid Grade II listed barn with beams. | 0:14:10 | 0:14:14 | |
-Yes. -And then you have this magnificent garden. | 0:14:14 | 0:14:17 | |
However, we can't forget the horses, can we? | 0:14:17 | 0:14:20 | |
Right behind us is just under four acres. | 0:14:20 | 0:14:23 | |
-OK. -I am going to ask you to guess the price of our barn, | 0:14:23 | 0:14:28 | |
and then we're going to discuss the field separately, | 0:14:28 | 0:14:31 | |
-if that's all right. -OK. Yeah, yeah. | 0:14:31 | 0:14:33 | |
-So what are you thinking? -About nine. -885. | 0:14:33 | 0:14:36 | |
-£885,000? -Yeah. -I say probably nine. | 0:14:36 | 0:14:40 | |
-£900,000? -Yeah. | 0:14:40 | 0:14:42 | |
The asking price is £895,000. | 0:14:42 | 0:14:45 | |
-Oh, we were close. -Yeah, yeah. -OK. So that's a jolly good start. | 0:14:45 | 0:14:49 | |
-Yeah. -You sounded quite interested then. | 0:14:49 | 0:14:51 | |
If we were going to add... | 0:14:53 | 0:14:55 | |
..the field at the back, the asking price is £950,000. | 0:14:56 | 0:15:01 | |
-OK. -Obviously there is a premium on that land. | 0:15:01 | 0:15:03 | |
-Yeah. -Do you want to go back inside, reacquaint yourself with the barn? | 0:15:03 | 0:15:07 | |
And then when you've seen enough, | 0:15:07 | 0:15:08 | |
do have a look at that all-important field at the back. | 0:15:08 | 0:15:11 | |
-Thanks, guys. -Thank you. | 0:15:11 | 0:15:13 | |
Coming in under budget, | 0:15:15 | 0:15:16 | |
this Grade II listed barn conversion provides four bedrooms | 0:15:16 | 0:15:20 | |
with a potential to convert the garage into a fifth, | 0:15:20 | 0:15:23 | |
subject to planning consent. | 0:15:23 | 0:15:25 | |
There are plenty of reception areas for the family to spread out in, | 0:15:25 | 0:15:29 | |
along with the option to buy a four acre paddock for Debbie's horses. | 0:15:29 | 0:15:35 | |
When I first saw this property from the outside, I thought, | 0:15:35 | 0:15:38 | |
"It's a barn, there possibly will be some beams." | 0:15:38 | 0:15:41 | |
I just dislike them. I don't like the exposed dark wood. | 0:15:41 | 0:15:45 | |
It makes the rooms darker. | 0:15:45 | 0:15:48 | |
I know Carl loves this place... | 0:15:48 | 0:15:49 | |
..but I am sure there's other places he will love just as much. | 0:15:50 | 0:15:54 | |
I love the character, I love the size, I love the land. | 0:15:54 | 0:15:57 | |
I am a little bit sad that this is a definite no-no, | 0:15:57 | 0:16:01 | |
because I can actually see me being here. | 0:16:01 | 0:16:04 | |
But obviously that would be without Debbie, which won't work. | 0:16:06 | 0:16:09 | |
How would you feel, waking up to that every single day? | 0:16:11 | 0:16:14 | |
-That would be lovely. -Yes. -Part of the dream. -Absolutely. | 0:16:14 | 0:16:18 | |
Well, I am going to have to drag you away, | 0:16:18 | 0:16:20 | |
-because I've got more to show you. -Ooh. | 0:16:20 | 0:16:23 | |
Canterbury is known around the world, | 0:16:30 | 0:16:32 | |
thanks to its religious significance and of course Geoffrey Chaucer's | 0:16:32 | 0:16:36 | |
celebrated Canterbury Tales. | 0:16:36 | 0:16:38 | |
Set on the banks of the River Stour, it has existed for 2,000 years. | 0:16:39 | 0:16:44 | |
A settlement was first recorded in Celtic times, | 0:16:44 | 0:16:47 | |
but in the first century AD | 0:16:47 | 0:16:49 | |
it was captured by the Romans and rebuilt. | 0:16:49 | 0:16:53 | |
Today the river offers a unique way to experience | 0:16:53 | 0:16:56 | |
the city's layers of history. | 0:16:56 | 0:16:58 | |
Keen to discover more about the county they hope to call home, | 0:16:58 | 0:17:01 | |
Debbie and Carl are meeting guide Rob Nye. | 0:17:01 | 0:17:04 | |
So why is it important for you | 0:17:04 | 0:17:05 | |
to keep the history of Canterbury alive? | 0:17:05 | 0:17:08 | |
I believe, personally, that Canterbury | 0:17:08 | 0:17:10 | |
is the pinnacle of history here in England. | 0:17:10 | 0:17:13 | |
I believe it's well worth preserving our heritage. | 0:17:13 | 0:17:15 | |
It's a way into the past. | 0:17:15 | 0:17:18 | |
So, seeing the city by water, | 0:17:18 | 0:17:19 | |
I guess we're going to get a different feel for it. | 0:17:19 | 0:17:22 | |
We're going to see different parts, etc. | 0:17:22 | 0:17:24 | |
Absolutely. You can always tell an old city | 0:17:24 | 0:17:26 | |
if it's got a river running through it. | 0:17:26 | 0:17:27 | |
Because they would have used it to carry the heavy materials | 0:17:27 | 0:17:30 | |
such as stone and things like that, | 0:17:30 | 0:17:31 | |
they wouldn't have had engines and things like that. | 0:17:31 | 0:17:33 | |
So you'd have to have used boats. | 0:17:33 | 0:17:35 | |
The Stour in Canterbury lays claim to being | 0:17:35 | 0:17:38 | |
one of England's most historically rich rivers. | 0:17:38 | 0:17:42 | |
In Roman and medieval times, it was a major transport and trading route, | 0:17:42 | 0:17:46 | |
connecting England with the continent. | 0:17:46 | 0:17:48 | |
Later it powered water mills that helped generate the city's wealth. | 0:17:48 | 0:17:53 | |
So this is the first part of the tour. | 0:17:53 | 0:17:55 | |
No turning back now. | 0:17:55 | 0:17:58 | |
-Welcome to King's Bridge. -King's Bridge. Look at that. -Now... | 0:17:59 | 0:18:03 | |
King's Bridge allegedly received its name after King Henry II | 0:18:03 | 0:18:07 | |
passed over it in 1174, | 0:18:07 | 0:18:11 | |
on his way to offer penance for being responsible for the murder | 0:18:11 | 0:18:14 | |
of Archbishop Thomas Becket. | 0:18:14 | 0:18:17 | |
It was expanded this way in 1769 due to the increase | 0:18:17 | 0:18:20 | |
of horse and carriage traffic. | 0:18:20 | 0:18:22 | |
And in the mornings, | 0:18:22 | 0:18:23 | |
when the delivery drivers go over this bridge, | 0:18:23 | 0:18:26 | |
it becomes the second oldest working road bridge in England. | 0:18:26 | 0:18:29 | |
The bridge does work, though, as a fantastic portal to another world. | 0:18:29 | 0:18:33 | |
As we emerge, the sounds of the high street disappeared. | 0:18:33 | 0:18:35 | |
It's wonderful back here. | 0:18:35 | 0:18:38 | |
So, here we are. We arrive at the tip of the little Franciscan island. | 0:18:38 | 0:18:42 | |
Who were the Franciscans? | 0:18:42 | 0:18:44 | |
The Franciscans, followers of | 0:18:44 | 0:18:46 | |
the patron saint of wildlife and animals, | 0:18:46 | 0:18:48 | |
Francis of Assisi from Italy. | 0:18:48 | 0:18:50 | |
Franciscanos, more commonly known here in England as the Greyfriars - | 0:18:50 | 0:18:54 | |
due to their vow of poverty, | 0:18:54 | 0:18:55 | |
they would often wear the cheapest available cloth, | 0:18:55 | 0:18:57 | |
and friar from the French word for brother, frere. | 0:18:57 | 0:19:00 | |
These "grey brothers". | 0:19:00 | 0:19:02 | |
The Franciscans first arrived in 1224, | 0:19:02 | 0:19:05 | |
when nine missionaries braved the English Channel. | 0:19:05 | 0:19:08 | |
When the Franciscans came to Canterbury, | 0:19:08 | 0:19:10 | |
they weren't treated very well. | 0:19:10 | 0:19:12 | |
In fact, quite a lot of them were mistaken for deserters, | 0:19:12 | 0:19:15 | |
beggars, these poor men in rags. | 0:19:15 | 0:19:17 | |
The soldiers here in Canterbury were used to very expensive, rich, | 0:19:17 | 0:19:20 | |
well-dressed members of the Church. | 0:19:20 | 0:19:23 | |
These poor, grubby Greyfriars, yeah, | 0:19:23 | 0:19:24 | |
they weren't treated very well at all. | 0:19:24 | 0:19:26 | |
So, Rob, what can we see upstream here? | 0:19:26 | 0:19:29 | |
The little chapel just upstream there, the structure, | 0:19:29 | 0:19:32 | |
the base of it dates back to about 1269. | 0:19:32 | 0:19:35 | |
The Franciscans had been in Canterbury for about 50 years or so. | 0:19:35 | 0:19:38 | |
It was mostly used as a bridge and access to the island. | 0:19:38 | 0:19:41 | |
They built a small chapel on top of that | 0:19:41 | 0:19:43 | |
where the Franciscans still worship today. | 0:19:43 | 0:19:45 | |
And downstairs, there is graffiti on the walls | 0:19:45 | 0:19:47 | |
from previous prisoners as well. | 0:19:47 | 0:19:49 | |
Canterbury has been a centre of Christian religion | 0:19:51 | 0:19:54 | |
since the sixth century. | 0:19:54 | 0:19:56 | |
The buildings that lie on the River Stour | 0:19:56 | 0:19:58 | |
stand testament to this heritage. | 0:19:58 | 0:20:00 | |
The Franciscans weren't the only monastic order | 0:20:01 | 0:20:04 | |
to establish a base here. | 0:20:04 | 0:20:06 | |
The Dominicans also set down roots in 1236. | 0:20:06 | 0:20:09 | |
Parts of the order were even involved in the Spanish Inquisition, | 0:20:11 | 0:20:14 | |
and the ones here in Canterbury, | 0:20:14 | 0:20:16 | |
they were quite famous for hunting witches and heretics as well. | 0:20:16 | 0:20:20 | |
Rather prosperous career, though, hunting witches. | 0:20:20 | 0:20:23 | |
Who would have thought, eh? They would dress in black, | 0:20:23 | 0:20:25 | |
a much more expensive colour robe, | 0:20:25 | 0:20:27 | |
and they were known here as the Blackfriars. | 0:20:27 | 0:20:30 | |
Two of their original structures survive. | 0:20:30 | 0:20:34 | |
What are they used for today? | 0:20:34 | 0:20:36 | |
The school here, King's School, they use this one as an art department, | 0:20:36 | 0:20:39 | |
and over here, a secondary assembly hall. | 0:20:39 | 0:20:42 | |
Having journeyed back through nearly | 0:20:42 | 0:20:44 | |
a millennium of Canterbury's history, | 0:20:44 | 0:20:47 | |
it's time to spool forward and return to our house-hunt. | 0:20:47 | 0:20:50 | |
Our next stop is again on the edge | 0:20:55 | 0:20:57 | |
of the High Weald Area of Outstanding Natural Beauty, | 0:20:57 | 0:21:00 | |
a mile from the village of Horsmondem. | 0:21:00 | 0:21:03 | |
With a thriving community for Debbie, | 0:21:03 | 0:21:05 | |
attractive buildings surround a large village green | 0:21:05 | 0:21:08 | |
known as the Heath. | 0:21:08 | 0:21:10 | |
It's home to some useful independent shops, and as well as a pub, | 0:21:10 | 0:21:13 | |
there's a social club open to all local residents. | 0:21:13 | 0:21:17 | |
Set off a quiet lane, we find house number two. | 0:21:17 | 0:21:20 | |
Right, let's see how we get on with our second property. | 0:21:21 | 0:21:24 | |
I feel much more positive about this property. | 0:21:24 | 0:21:27 | |
Doesn't look like there's too many beams in there, does it? | 0:21:27 | 0:21:29 | |
-It doesn't. -So we have a modern property this time. | 0:21:29 | 0:21:32 | |
Who's going to like this one, I wonder? | 0:21:32 | 0:21:33 | |
-I think it might be me. -Yeah? | 0:21:33 | 0:21:36 | |
I might have to put some beams inside, though. | 0:21:36 | 0:21:38 | |
It's only about ten years old, so let's see how we get on this time, | 0:21:38 | 0:21:42 | |
-shall we? -Yeah. Let's. -Come on. | 0:21:42 | 0:21:44 | |
Hopefully, Debbie continues to appreciate the merits | 0:21:46 | 0:21:48 | |
of this contemporary house when she sees inside. | 0:21:48 | 0:21:51 | |
So let's start our tour - massive entrance hall. | 0:21:53 | 0:21:57 | |
You can probably guess it's unfurnished, | 0:21:57 | 0:21:59 | |
but you can put your own mark on it. | 0:21:59 | 0:22:01 | |
But I think it's worth really beginning in the kitchen. | 0:22:01 | 0:22:04 | |
-Yeah. Lovely. -Very nice. -Much nicer than the last one. | 0:22:04 | 0:22:08 | |
-Look at the smile! -Put a couple of beams up there, maybe just to... | 0:22:08 | 0:22:11 | |
No. Yeah, it's lovely. I really like it. Not what I expected, actually. | 0:22:11 | 0:22:15 | |
-It's much more modern. It's nice and big. -Yeah. | 0:22:15 | 0:22:18 | |
Now, I've got to ask you, haven't I, Carl? | 0:22:18 | 0:22:21 | |
-I hate it! -Oh, no. -No, this is still good. | 0:22:21 | 0:22:23 | |
-Does it feel like a family home? -Yeah, absolutely, yes. -It does. | 0:22:23 | 0:22:26 | |
It actually makes me think I haven't got to do too much anyway, | 0:22:26 | 0:22:29 | |
so it is... It's still quite nice. | 0:22:29 | 0:22:32 | |
And then on top of this, | 0:22:32 | 0:22:33 | |
you've actually got a utility room next door, which is... | 0:22:33 | 0:22:35 | |
-Oh, perfect. -..pretty large as well. | 0:22:35 | 0:22:38 | |
Got a pantry behind us. | 0:22:38 | 0:22:40 | |
-OK. -And let's see what's through these doors. | 0:22:40 | 0:22:43 | |
Now, big family, very large sitting room. | 0:22:46 | 0:22:49 | |
-Very large. -Good size, yeah. -Yeah. | 0:22:49 | 0:22:51 | |
From the outside, I thought it would be quite small rooms, but... | 0:22:51 | 0:22:53 | |
-Yeah. -Yes, it's huge. -You could put in an incredible feature. | 0:22:53 | 0:22:58 | |
-You like a fireplace... -Can't have Carl without a project. | 0:22:58 | 0:23:02 | |
-Yeah. I was going to say. -Yeah. | 0:23:02 | 0:23:04 | |
-I like it. -So, also on this floor, you have good-sized study. | 0:23:04 | 0:23:08 | |
-You could make that into another bedroom. -Mm-hmm. | 0:23:08 | 0:23:10 | |
A man cave? | 0:23:10 | 0:23:13 | |
Bedroom. I don't think you heard me on that one, did you? | 0:23:13 | 0:23:16 | |
-Let's head upstairs and look at the bedrooms. -OK. | 0:23:16 | 0:23:20 | |
It's wonderful to see how enthusiastic Debbie is | 0:23:20 | 0:23:23 | |
about this house. | 0:23:23 | 0:23:24 | |
Along with the possible bedroom downstairs, | 0:23:24 | 0:23:27 | |
upstairs provides another four in total, | 0:23:27 | 0:23:29 | |
comprising two doubles and a single for the children, who could all make | 0:23:29 | 0:23:33 | |
use of the stylish family bathroom. | 0:23:33 | 0:23:36 | |
So, with all the children accounted for, | 0:23:37 | 0:23:39 | |
it's time to assess where they would sleep. | 0:23:39 | 0:23:42 | |
Let's hope those positive vibes continue with the bedrooms. | 0:23:43 | 0:23:47 | |
-Nice, big room. -Yeah. -This is the master. | 0:23:47 | 0:23:50 | |
I can't imagine you letting the children have this size. | 0:23:50 | 0:23:54 | |
-With the en suite, you can see the shower there. -Yes. | 0:23:54 | 0:23:56 | |
And plenty of wardrobe space. | 0:23:56 | 0:23:59 | |
Yeah, it's nice. Nice and big. Nice and bright. | 0:23:59 | 0:24:01 | |
-The windows aren't very big, but... -True. -It's still bright, yeah. | 0:24:01 | 0:24:05 | |
-Are we liking this house? -I am. -I think we might be. | 0:24:05 | 0:24:08 | |
-I am, yeah. -Is it giving you everything you want | 0:24:08 | 0:24:12 | |
as, you know, a mum, for the family? | 0:24:12 | 0:24:15 | |
You're going to be here more time than anybody else. | 0:24:15 | 0:24:18 | |
Yeah, I think so. I like... It's a big, big house, isn't it? | 0:24:18 | 0:24:22 | |
There's lots of spaces for everyone. | 0:24:22 | 0:24:24 | |
It is a large property. | 0:24:24 | 0:24:26 | |
But there's also just that little bit more to show you. | 0:24:26 | 0:24:31 | |
A stone patio leads to a large lawn | 0:24:31 | 0:24:34 | |
that gives way to views of the surrounding countryside. | 0:24:34 | 0:24:37 | |
We have got the huge house for the family, tick. | 0:24:37 | 0:24:41 | |
And I can deliver on the land. | 0:24:41 | 0:24:44 | |
In total, you have got about 3.6 acres, total plot itself. | 0:24:44 | 0:24:48 | |
But you've got a paddock here | 0:24:48 | 0:24:50 | |
which you could convert into a menage for the horses. | 0:24:50 | 0:24:53 | |
And then you've got all that land there, | 0:24:53 | 0:24:55 | |
-so plenty for two horses. -Yeah. Lovely. | 0:24:55 | 0:24:58 | |
And then, additionally, and this is the interesting bit, | 0:24:58 | 0:25:00 | |
I think, is the garage. | 0:25:00 | 0:25:03 | |
Would it be worth looking at planning permission | 0:25:03 | 0:25:05 | |
and converting that for the family? | 0:25:05 | 0:25:07 | |
I think it would. | 0:25:07 | 0:25:08 | |
And then you could make that into further bedrooms, | 0:25:08 | 0:25:12 | |
or perhaps the man den. | 0:25:12 | 0:25:13 | |
-There we go. -Is this what you had in mind with the move? | 0:25:13 | 0:25:16 | |
For me, yes, it's quite similar to what I'm thinking. | 0:25:18 | 0:25:21 | |
But can you afford it? | 0:25:21 | 0:25:23 | |
I would expect it to be around £825,000. | 0:25:23 | 0:25:28 | |
Interesting. OK. | 0:25:28 | 0:25:31 | |
-I think about 800. -£800,000? | 0:25:31 | 0:25:34 | |
-Yeah. -Oh... We're miles out, aren't we? | 0:25:34 | 0:25:38 | |
I don't think you're going to like me on this one. | 0:25:38 | 0:25:41 | |
The asking price is... | 0:25:41 | 0:25:42 | |
-..£950,000. -Wow! -Wow, OK. | 0:25:44 | 0:25:47 | |
Because you've got a five bedroom home, you know, | 0:25:47 | 0:25:51 | |
-you've got just under four acres of land... -Yeah, yeah, yeah. | 0:25:51 | 0:25:53 | |
The good news is the owners are aware of your budget | 0:25:53 | 0:25:56 | |
-and are happy to have a conversation with you. -OK. | 0:25:56 | 0:26:00 | |
-Why don't you now mull that over... -Yeah. -OK. | 0:26:00 | 0:26:01 | |
..and then come and find me when you're ready? | 0:26:01 | 0:26:04 | |
-Perfect. -OK. -Thank you. | 0:26:04 | 0:26:05 | |
£50,000 over budget, | 0:26:07 | 0:26:10 | |
this generous modern property | 0:26:10 | 0:26:11 | |
benefits from a countryside setting, | 0:26:11 | 0:26:13 | |
but is also close to a village. | 0:26:13 | 0:26:15 | |
It has the five bedrooms Carl and Debbie are after, | 0:26:15 | 0:26:18 | |
as well as an impressive open-plan kitchen and spacious sitting room. | 0:26:18 | 0:26:23 | |
There are over three acres of land for Debbie's horses. | 0:26:23 | 0:26:26 | |
I think this could well be the house. | 0:26:28 | 0:26:30 | |
It's got the land that we want, it's got the bedrooms that we want. | 0:26:30 | 0:26:33 | |
Potential to do a little project for myself. | 0:26:33 | 0:26:35 | |
And I really think this could be it. | 0:26:35 | 0:26:37 | |
Debbie loved the property, which makes it a lot easier for me. | 0:26:37 | 0:26:41 | |
Not the sort of property I would have picked, | 0:26:41 | 0:26:43 | |
but it doesn't mean I don't like it. | 0:26:43 | 0:26:45 | |
Today, I think I have learned that budget we've got in mind | 0:26:45 | 0:26:48 | |
might need to be pushed up slightly to get exactly what we want. | 0:26:48 | 0:26:51 | |
This house is a thousand times better than the last house. | 0:26:51 | 0:26:55 | |
It is much more my style. | 0:26:55 | 0:26:56 | |
I could really see myself living here. | 0:26:56 | 0:26:59 | |
Look at those happy two smiles, not just one. | 0:26:59 | 0:27:03 | |
That has gone really well, hasn't it? | 0:27:03 | 0:27:05 | |
-Yeah. Absolutely. -Are you surprised you both like it? | 0:27:05 | 0:27:08 | |
A little bit, yeah. | 0:27:08 | 0:27:09 | |
So am I. | 0:27:09 | 0:27:10 | |
THEY LAUGH | 0:27:10 | 0:27:12 | |
We're house-hunting in the Kent countryside | 0:27:22 | 0:27:24 | |
with parents Debbie and Carl from Bromley in south-east London. | 0:27:24 | 0:27:28 | |
Their budget of £900,000 needs to house four children and two horses. | 0:27:28 | 0:27:33 | |
So far, the property style and location has been up for debate. | 0:27:33 | 0:27:37 | |
However, there are signs of unity and awe | 0:27:37 | 0:27:41 | |
when they see our Mystery House. | 0:27:41 | 0:27:43 | |
It is beautiful, isn't it? | 0:27:43 | 0:27:45 | |
-Unbelievable, look at that. -Even with the beams, it's nice. | 0:27:45 | 0:27:48 | |
THEY LAUGH | 0:27:48 | 0:27:49 | |
And it's far from a close shave when I try my hand | 0:27:49 | 0:27:52 | |
at making English cricket bats. | 0:27:52 | 0:27:55 | |
I'm being very, very careful here, aren't I? | 0:27:55 | 0:27:58 | |
I can feel I'm slightly holding back. | 0:27:58 | 0:28:00 | |
-So... -That's how it's meant to be done. | 0:28:00 | 0:28:02 | |
Look at that. | 0:28:02 | 0:28:03 | |
Now, I always like to start the second day of our property search | 0:28:06 | 0:28:09 | |
with a house in the bag. | 0:28:09 | 0:28:11 | |
So today, the Mystery House will have to deliver | 0:28:11 | 0:28:14 | |
above and beyond that beautiful new build | 0:28:14 | 0:28:17 | |
we showed Carl and Debbie yesterday, | 0:28:17 | 0:28:19 | |
in terms of price, space, and, of course, land. | 0:28:19 | 0:28:23 | |
Now, I believe this is going to offer them a little bit of | 0:28:23 | 0:28:27 | |
everything that they're both after and maybe even the odd beam or two. | 0:28:27 | 0:28:31 | |
The Mystery House takes us to the village of Collier Street, | 0:28:34 | 0:28:37 | |
nine miles south-west of Maidstone. | 0:28:37 | 0:28:40 | |
With a population of around 500, | 0:28:40 | 0:28:42 | |
Collier Street doesn't have amenities, | 0:28:42 | 0:28:45 | |
although there is a primary school. | 0:28:45 | 0:28:47 | |
Facing opposite this is the Victorian St Margaret's Church. | 0:28:47 | 0:28:51 | |
Although the substantial properties here were built in the Tudor era, | 0:28:51 | 0:28:55 | |
most date from the 19th century. | 0:28:55 | 0:28:56 | |
The village is in the centre of an important hop-growing area of Kent, | 0:28:58 | 0:29:02 | |
and many oast houses dot the landscape. | 0:29:02 | 0:29:06 | |
Although our Mystery House reflects this heritage, it is semidetached, | 0:29:06 | 0:29:10 | |
set across three floors and unconventional in many ways. | 0:29:10 | 0:29:15 | |
So it might take a while for Debbie and Carl to make sense of it all. | 0:29:15 | 0:29:19 | |
This, I think, is the perfect spot for you to see the Mystery House. | 0:29:22 | 0:29:28 | |
-Where are we looking, here? -That's it. | 0:29:28 | 0:29:30 | |
-Oh, wow! -Really? Oh, wow! -That's lovely. | 0:29:30 | 0:29:32 | |
Is it the whole house, though? | 0:29:32 | 0:29:34 | |
-No. -I thought not. | 0:29:34 | 0:29:35 | |
And that's why it's the Mystery House. | 0:29:35 | 0:29:38 | |
As you can see, it's an oast house, built around the 1860s, | 0:29:38 | 0:29:41 | |
converted last year. | 0:29:41 | 0:29:43 | |
-OK. -You do have neighbours, but they are not side-to-side with you, | 0:29:43 | 0:29:47 | |
they are actually back-to-back. | 0:29:47 | 0:29:49 | |
-OK. -Hopefully, you are going to get the best of both worlds. | 0:29:49 | 0:29:52 | |
Debbie, it does have a few beams. | 0:29:52 | 0:29:55 | |
-OK. -But not too scary. | 0:29:55 | 0:29:57 | |
Carl, it has got the character and the charm and... | 0:29:57 | 0:30:00 | |
Well, I think it has got a real personality as well. | 0:30:00 | 0:30:02 | |
-Definitely. -So I'm hoping, no fights. | 0:30:02 | 0:30:06 | |
Could it be your future home? | 0:30:06 | 0:30:08 | |
Let's see. | 0:30:08 | 0:30:10 | |
We have been so close with their previous houses, | 0:30:10 | 0:30:13 | |
and I am keeping my fingers firmly crossed | 0:30:13 | 0:30:16 | |
that Debbie and Carl will agree on the merits | 0:30:16 | 0:30:18 | |
of this magnificent conversion. | 0:30:18 | 0:30:20 | |
The disadvantage of being in the front is I can't see your faces. | 0:30:22 | 0:30:25 | |
You're hearing me smile, don't worry. | 0:30:25 | 0:30:27 | |
I like that. Hear you smile! | 0:30:27 | 0:30:30 | |
What do you think of the kitchen, though, more importantly? | 0:30:31 | 0:30:33 | |
-It's lovely. -This is good, yeah. -Really nice. | 0:30:33 | 0:30:35 | |
-Nice and light. -Big space. | 0:30:35 | 0:30:37 | |
-Yeah. -And the beams aren't... | 0:30:37 | 0:30:38 | |
-You can live with them. -Not overpowering. | 0:30:38 | 0:30:41 | |
No, they're not. That's the one. Got that modern twist. | 0:30:41 | 0:30:43 | |
-Yeah. -Which I like. | 0:30:43 | 0:30:44 | |
Am I right in thinking it's working for both of you? | 0:30:44 | 0:30:47 | |
-I think so. -OK. OK. OK. On that note... | 0:30:47 | 0:30:50 | |
I'll take you through to the sitting room. | 0:30:50 | 0:30:52 | |
Downstairs cloakroom. | 0:30:52 | 0:30:53 | |
-Yeah. -Up two steps... | 0:30:53 | 0:30:56 | |
-Leads us to our sitting-room. -Oh, nice fireplace. | 0:30:56 | 0:30:59 | |
-Look at that. -Oh, nice, yeah. -You sound slightly surprised. | 0:30:59 | 0:31:01 | |
I am, I am, I really like it. | 0:31:01 | 0:31:03 | |
We have one beam in this room, a bressummer beam, | 0:31:03 | 0:31:05 | |
above the fireplace. | 0:31:05 | 0:31:07 | |
I did spot that. As I walked in. | 0:31:07 | 0:31:08 | |
I actually like the fact I haven't got to do anything to it. | 0:31:08 | 0:31:11 | |
It's all done, which is nice. | 0:31:11 | 0:31:13 | |
I love the character. And that view. | 0:31:13 | 0:31:15 | |
You don't need the TV, you just sit there, looking out there. | 0:31:15 | 0:31:17 | |
That's why you move to the country, isn't it? | 0:31:17 | 0:31:19 | |
-Absolutely. -Absolutely, yeah. | 0:31:19 | 0:31:21 | |
We're happy, aren't we? | 0:31:21 | 0:31:22 | |
We are, let's see what we've got upstairs. | 0:31:22 | 0:31:24 | |
What a result. | 0:31:26 | 0:31:27 | |
Despite the odd beam, | 0:31:27 | 0:31:29 | |
our project-free Mystery House seems to be hitting the mark. | 0:31:29 | 0:31:33 | |
Up on the first floor, | 0:31:33 | 0:31:34 | |
the corridor leads to two guest bedrooms | 0:31:34 | 0:31:37 | |
and a stylish family bathroom. | 0:31:37 | 0:31:39 | |
But that's nothing compared to what lies in wait | 0:31:39 | 0:31:42 | |
for Carl and Debbie in the master. | 0:31:42 | 0:31:45 | |
This property is over three floors. | 0:31:45 | 0:31:48 | |
-OK. -We've got to show you the master bedroom. | 0:31:48 | 0:31:52 | |
It's lovely. Really big. | 0:31:52 | 0:31:53 | |
-Good size, yeah. -Yeah. -Could put the bed just here, couldn't we? | 0:31:53 | 0:31:56 | |
Yeah. Look out into that every morning. | 0:31:56 | 0:31:59 | |
But you really need an en-suite, don't you? | 0:31:59 | 0:32:01 | |
That would be nice. | 0:32:01 | 0:32:02 | |
Do you just want to take a little look up those stairs? | 0:32:02 | 0:32:05 | |
I don't think you're going to be disappointed. | 0:32:05 | 0:32:07 | |
-Oh, wow. -Go on, up you go. | 0:32:07 | 0:32:09 | |
-Oh, wow, look at that. -Wow. | 0:32:10 | 0:32:13 | |
It's so big. | 0:32:13 | 0:32:14 | |
It's beautiful, isn't it? | 0:32:14 | 0:32:16 | |
Unbelievable, look at that. | 0:32:16 | 0:32:18 | |
Even with the beams, it's nice. | 0:32:18 | 0:32:20 | |
I knew you were going to be impressed. | 0:32:20 | 0:32:22 | |
If I showed someone this bathroom and they didn't like it, | 0:32:22 | 0:32:25 | |
I don't think I'd talk to them again. | 0:32:25 | 0:32:26 | |
-It's unbelievable. -It is absolutely beautiful. | 0:32:26 | 0:32:29 | |
-It's a winner, isn't it? -I think this is the house. | 0:32:29 | 0:32:31 | |
-Yeah. -It is a winner. Tremendous. Right. | 0:32:31 | 0:32:33 | |
I'm going to drag you two away now, we've more to show you. | 0:32:33 | 0:32:37 | |
Now their excitement is building, | 0:32:37 | 0:32:39 | |
let's keep that momentum going | 0:32:39 | 0:32:42 | |
and explore the rest of our multilevel mystery property. | 0:32:42 | 0:32:45 | |
Up on the second floor, | 0:32:45 | 0:32:46 | |
two more bedrooms make up the five that our couple requested, | 0:32:46 | 0:32:50 | |
and there's also a shower room. | 0:32:50 | 0:32:51 | |
Outside, there's a small front garden and a garage | 0:32:53 | 0:32:55 | |
with planning permission | 0:32:55 | 0:32:57 | |
for conversion to a one or two bedroom annexe. | 0:32:57 | 0:33:00 | |
The all-important outside space. | 0:33:03 | 0:33:06 | |
You've got an enclosed garden here, | 0:33:06 | 0:33:08 | |
that two acre paddock is included with this property. | 0:33:08 | 0:33:11 | |
-Two acres enough? -Yeah, perfect. | 0:33:11 | 0:33:12 | |
-Yeah, absolutely. -What's going through your mind? | 0:33:12 | 0:33:14 | |
What are your thoughts on the Mystery House? | 0:33:14 | 0:33:16 | |
-I'm really excited about this one. I, um... -Yeah, me too. | 0:33:16 | 0:33:19 | |
The other two, I feel like, are not in the picture. | 0:33:19 | 0:33:21 | |
-Forgotten about them. They've gone. -Really? -Yeah, absolutely. | 0:33:21 | 0:33:25 | |
And even though we've got neighbours, I don't mind. | 0:33:25 | 0:33:27 | |
We're going to have to try and work out a price. | 0:33:27 | 0:33:30 | |
935. | 0:33:30 | 0:33:32 | |
£935,000. | 0:33:32 | 0:33:34 | |
-Right. -I think it's closer to a million. | 0:33:34 | 0:33:37 | |
I think it's around the nine... | 0:33:37 | 0:33:38 | |
985. | 0:33:38 | 0:33:40 | |
Oh, £985,000. | 0:33:40 | 0:33:43 | |
She's got it, hasn't she? | 0:33:43 | 0:33:46 | |
Asking price is... | 0:33:46 | 0:33:47 | |
..£910,000. | 0:33:49 | 0:33:51 | |
Oh, wow, look at that. | 0:33:51 | 0:33:52 | |
-I won. -You won, but more importantly... | 0:33:52 | 0:33:56 | |
-It's better than I thought. -It's just a shave over your budget. | 0:33:56 | 0:33:58 | |
Just a shave. | 0:33:58 | 0:34:00 | |
-Yeah. -And that's without any negotiations. | 0:34:00 | 0:34:01 | |
-Yeah. -You've got some thinking to do, haven't you? | 0:34:01 | 0:34:04 | |
-Yes. -Check out the garage, with all that potential. | 0:34:04 | 0:34:06 | |
-Yeah. -Yeah. -And then let's have another chat. | 0:34:06 | 0:34:09 | |
-Perfect, thank you. Brilliant. -Thank you. | 0:34:09 | 0:34:11 | |
On the market for £10,000 over Debbie and Carl's budget, | 0:34:14 | 0:34:17 | |
this mystery oast house conversion | 0:34:17 | 0:34:19 | |
has really struck a chord with them both. | 0:34:19 | 0:34:22 | |
It has five bedrooms, | 0:34:22 | 0:34:23 | |
including a self-contained master en suite. | 0:34:23 | 0:34:26 | |
Along with generous living areas, | 0:34:26 | 0:34:29 | |
it provides over two acres for Debbie's horses | 0:34:29 | 0:34:31 | |
and perhaps a mini project for Carl. | 0:34:31 | 0:34:34 | |
-Good size. -Yeah, this is certainly for you, isn't it, in here? | 0:34:34 | 0:34:37 | |
If I knock this down, we can get maybe two floors, | 0:34:37 | 0:34:39 | |
little bedroom up there, little sitting area. | 0:34:39 | 0:34:41 | |
-Man cave. -Well, this can be yours, I'll have the house. | 0:34:41 | 0:34:45 | |
Sounds good to me. Let's do it. | 0:34:45 | 0:34:46 | |
I think we both agree on this house. | 0:34:48 | 0:34:51 | |
It's modern, it's got character, | 0:34:51 | 0:34:54 | |
it's got some beams, it's got the land. | 0:34:54 | 0:34:57 | |
It seems to tick both of our boxes perfectly. | 0:34:57 | 0:35:00 | |
I think, as a family, we'd all be really happy here. | 0:35:00 | 0:35:03 | |
The top floor can be the kids' own floor, | 0:35:03 | 0:35:06 | |
just seems to flow really well. | 0:35:06 | 0:35:08 | |
Yes! We have done it. | 0:35:08 | 0:35:11 | |
All three houses, you've seen them all. | 0:35:11 | 0:35:14 | |
-Feeling happy? -Yeah. -Yes, very happy. | 0:35:14 | 0:35:15 | |
-Yeah? -This is...really lovely. | 0:35:15 | 0:35:18 | |
-Yeah. -Really like it. | 0:35:18 | 0:35:20 | |
I think we might have ended on a high. | 0:35:20 | 0:35:21 | |
-I think we have. -Let's go. | 0:35:21 | 0:35:23 | |
Kent's rich, varied history is said to include | 0:35:29 | 0:35:32 | |
the origins of the world's second most popular sport, cricket. | 0:35:32 | 0:35:36 | |
The game is reputed to have originated | 0:35:36 | 0:35:38 | |
amongst children in Kent's Weald | 0:35:38 | 0:35:41 | |
during Saxon or Norman times. | 0:35:41 | 0:35:43 | |
To find out more, I've come to meet local resident Andrew Kember, | 0:35:43 | 0:35:48 | |
who established Salix Cricket Bats in 1990. | 0:35:48 | 0:35:51 | |
The company makes handcrafted bats | 0:35:51 | 0:35:54 | |
out of the finest traditional materials | 0:35:54 | 0:35:57 | |
and they're used by many international players. | 0:35:57 | 0:36:00 | |
Andrew, good to meet you. | 0:36:00 | 0:36:02 | |
Now, you might not know this, but I'm actually from Kent. | 0:36:02 | 0:36:05 | |
And I like to think Kent is the home of cricket. | 0:36:05 | 0:36:08 | |
I think we're pretty safe saying that. | 0:36:08 | 0:36:10 | |
So how did you get into this business, | 0:36:10 | 0:36:11 | |
making some of the best cricket bats in the world? | 0:36:11 | 0:36:14 | |
Really, a love of the game. | 0:36:14 | 0:36:15 | |
Now, I know it's made from willow, and that's about it. | 0:36:15 | 0:36:18 | |
Where does the willow come from? | 0:36:18 | 0:36:19 | |
We tend to use willow from the south-east, | 0:36:19 | 0:36:22 | |
and if we can buy wood from Kent, then perfect. | 0:36:22 | 0:36:25 | |
This is the starting point for us. | 0:36:25 | 0:36:27 | |
Our first job now is to plane the face | 0:36:27 | 0:36:31 | |
and have a look at the quality of the wood, | 0:36:31 | 0:36:33 | |
and start to be able to assess where we're going to put the handle, | 0:36:33 | 0:36:37 | |
which end we think should be the driving end, | 0:36:37 | 0:36:39 | |
what sort of weight we think the bat's going to be | 0:36:39 | 0:36:42 | |
and what shape we think we should make it. | 0:36:42 | 0:36:43 | |
So what's the next process? | 0:36:43 | 0:36:45 | |
Well, the next process is pressing, | 0:36:45 | 0:36:47 | |
-and we can press this piece of wood here. -OK. | 0:36:47 | 0:36:50 | |
Before the face of the willow is pressed | 0:36:50 | 0:36:52 | |
at a pressure of up to 2,000lbs per square inch, | 0:36:52 | 0:36:56 | |
it's sprayed with water to keep the fibres of the wood supple. | 0:36:56 | 0:37:00 | |
So if we start the machine... | 0:37:00 | 0:37:02 | |
Now, what I would like you to do | 0:37:02 | 0:37:05 | |
is just feed the bat between the side rollers | 0:37:05 | 0:37:08 | |
and the face roller. | 0:37:08 | 0:37:10 | |
The pressing process strengthens the willow, | 0:37:12 | 0:37:14 | |
and gives it more rebound when struck by the ball. | 0:37:14 | 0:37:18 | |
The handle is made separately to the bat | 0:37:18 | 0:37:21 | |
out of cane laminated with strips of rubber. | 0:37:21 | 0:37:24 | |
Both the handle and blade of the bat are cut | 0:37:24 | 0:37:27 | |
with the same unique splicing saw. | 0:37:27 | 0:37:30 | |
They are fitted together in a room next door. | 0:37:30 | 0:37:33 | |
If you're able to glue this handle, both sides and the end, | 0:37:33 | 0:37:38 | |
and then I'll pop that in. | 0:37:38 | 0:37:40 | |
I'll let you fit it, though, OK? | 0:37:40 | 0:37:41 | |
So... | 0:37:41 | 0:37:43 | |
How thick do you need it? | 0:37:43 | 0:37:45 | |
That is absolutely perfect. | 0:37:45 | 0:37:47 | |
Great. OK. | 0:37:47 | 0:37:49 | |
So when we put the handle in... | 0:37:49 | 0:37:52 | |
-And then... -I'll get out of the way. | 0:37:52 | 0:37:55 | |
-Is that a good fit? -It's a great fit. | 0:37:58 | 0:38:01 | |
With the handle attached, | 0:38:01 | 0:38:03 | |
the bat is left to set overnight | 0:38:03 | 0:38:04 | |
before the next stage of the process - shaping. | 0:38:04 | 0:38:08 | |
Ah, now, there's a lot of cricket bats in here. | 0:38:08 | 0:38:11 | |
Yes, absolutely. | 0:38:11 | 0:38:13 | |
So many, right. | 0:38:13 | 0:38:15 | |
OK, so, this is a draw knife... | 0:38:15 | 0:38:17 | |
-Yeah. -So we're now going to take the top of the cane off here. | 0:38:17 | 0:38:21 | |
You're measuring those shavings so precisely. | 0:38:23 | 0:38:26 | |
How many cricket bats do you think you've produced | 0:38:26 | 0:38:30 | |
in the 36 years you've been doing this? | 0:38:30 | 0:38:32 | |
-Oh, tens of thousands. -Yeah. | 0:38:32 | 0:38:34 | |
If you draw this towards you, | 0:38:34 | 0:38:37 | |
and then just take a small shaving... | 0:38:37 | 0:38:39 | |
-Yeah. -That's it. | 0:38:39 | 0:38:41 | |
I'm being very, very careful here, aren't I? | 0:38:41 | 0:38:44 | |
I don't want to take too much off, | 0:38:44 | 0:38:46 | |
but I probably need to put a bit more pressure. | 0:38:46 | 0:38:48 | |
It's... A draw knife is such a difficult tool to use. | 0:38:48 | 0:38:53 | |
-But actually, you're going really well. -How's that? | 0:38:53 | 0:38:56 | |
Almost there, but we do need to take a little bit more wood out. | 0:38:56 | 0:38:59 | |
Do you want me to take that last bit? | 0:38:59 | 0:39:01 | |
Go on, then. I don't want to ruin it. | 0:39:01 | 0:39:04 | |
I can feel I'm slightly holding back. | 0:39:04 | 0:39:07 | |
That's how it's meant to be done, look at that. | 0:39:07 | 0:39:10 | |
And then... We're just drawing the knife down in towards the toe. | 0:39:10 | 0:39:15 | |
Try and keep the bat looking... | 0:39:15 | 0:39:17 | |
as fluid lines as we possibly can. | 0:39:17 | 0:39:20 | |
And is there a signature to your cricket bats? | 0:39:20 | 0:39:24 | |
I think the amount of hand work that we do | 0:39:24 | 0:39:27 | |
is probably quite unusual now. | 0:39:27 | 0:39:29 | |
Just looking at the tools that you use, they haven't changed, | 0:39:29 | 0:39:32 | |
have they, in many a year? | 0:39:32 | 0:39:34 | |
Some of the tools here are going to be 100 years or more old. | 0:39:34 | 0:39:37 | |
Andrew then uses a plane to take more weight | 0:39:37 | 0:39:40 | |
from the back of the bat. | 0:39:40 | 0:39:42 | |
And how do you finish off the bat? | 0:39:42 | 0:39:45 | |
Well, at this stage, we will coarse-sand, fine-sand the bats, | 0:39:45 | 0:39:50 | |
they will be polished, we will put binding on the handles. | 0:39:50 | 0:39:53 | |
Once the labels go on, they look like this. | 0:39:53 | 0:39:56 | |
The finished article. | 0:39:56 | 0:39:57 | |
I've got to ask, where does Salix come from? | 0:39:57 | 0:39:59 | |
Is that the family name? | 0:39:59 | 0:40:01 | |
No, Salix is Latin for willow. | 0:40:01 | 0:40:03 | |
So basically if we translate the company, it's willow cricket bats. | 0:40:03 | 0:40:07 | |
Do you know what? I'll let you into a little secret, | 0:40:07 | 0:40:10 | |
this is the first time I've ever held a cricket bat. | 0:40:10 | 0:40:13 | |
-Have a go. -About there? | 0:40:13 | 0:40:16 | |
Yes, absolutely. | 0:40:16 | 0:40:17 | |
And then nicely into line, playing nice and straight. | 0:40:17 | 0:40:21 | |
That feels really good, not too heavy either. | 0:40:21 | 0:40:24 | |
-Great. -Anyone for cricket? | 0:40:24 | 0:40:26 | |
So that's it. | 0:40:31 | 0:40:33 | |
We've shown Carl and Debbie our three houses | 0:40:33 | 0:40:36 | |
and the good news is they are still standing. | 0:40:36 | 0:40:39 | |
But are the gloves still on, | 0:40:39 | 0:40:41 | |
or have they managed to make a joint decision? | 0:40:41 | 0:40:44 | |
Let's go and find out. | 0:40:44 | 0:40:46 | |
When we first met the two of you, | 0:40:51 | 0:40:53 | |
you said that you really don't agree on anything, | 0:40:53 | 0:40:56 | |
apart from the fact you wanted a new home | 0:40:56 | 0:40:58 | |
with five bedrooms for your family. | 0:40:58 | 0:41:01 | |
Have we managed to find you that home? | 0:41:01 | 0:41:05 | |
Absolutely. I like the way the first house, | 0:41:05 | 0:41:07 | |
you teased me a little bit with the beams and the character. | 0:41:07 | 0:41:10 | |
And then the second property was ideally for Debbie, | 0:41:10 | 0:41:13 | |
which I did warm towards. | 0:41:13 | 0:41:14 | |
And then the Mystery House had it all. | 0:41:14 | 0:41:17 | |
From the outside, I was still questioning, | 0:41:17 | 0:41:19 | |
but once we got inside, it was amazing. That modern twist to it. | 0:41:19 | 0:41:24 | |
Yeah, I didn't think about the second house after that. | 0:41:24 | 0:41:27 | |
Yeah, the third house all the way. | 0:41:27 | 0:41:29 | |
They say you know when you step through a door. | 0:41:29 | 0:41:31 | |
Is that how you felt? | 0:41:31 | 0:41:33 | |
-It felt like home? -Absolutely. | 0:41:33 | 0:41:34 | |
Yeah. It was a really nice feeling to the house, I thought. | 0:41:34 | 0:41:37 | |
Yeah, as you stepped in, you turned to that kitchen, that was... | 0:41:37 | 0:41:40 | |
-The sight of it, wasn't it? -Yeah. -Just the kitchen. -Yeah. | 0:41:40 | 0:41:43 | |
So that leads me on to, what happens next? | 0:41:43 | 0:41:46 | |
First thing we need to do is get the children down there, | 0:41:46 | 0:41:48 | |
let them look at it, they've got a decision in there as well, | 0:41:48 | 0:41:51 | |
it's not just us two. | 0:41:51 | 0:41:53 | |
If they give us the green light, then an offer will be put in. | 0:41:53 | 0:41:55 | |
-And you're joint in that decision? -Yes, we are. One thing we agree on. | 0:41:55 | 0:41:59 | |
Yeah, the gloves are off, we're happy. | 0:41:59 | 0:42:01 | |
-Have you surprised yourselves? -Yes. -Agreeing? -Yes. | 0:42:01 | 0:42:03 | |
We have had such a great time showing you around | 0:42:03 | 0:42:06 | |
this beautiful part of Kent. | 0:42:06 | 0:42:08 | |
All the best for the future. | 0:42:08 | 0:42:09 | |
Thank you. Nicki, thank you for taking us to the houses | 0:42:09 | 0:42:12 | |
-and finding our dream house. -Yeah, it's been great. | 0:42:12 | 0:42:15 | |
At the beginning of this house-hunt with Carl and Debbie, | 0:42:18 | 0:42:22 | |
I was worried about... | 0:42:22 | 0:42:23 | |
Well, all sorts of things. | 0:42:23 | 0:42:25 | |
Would we find them a home with everything that they wanted, | 0:42:25 | 0:42:29 | |
that they could agree on, for their budget? | 0:42:29 | 0:42:32 | |
So as you can imagine, | 0:42:32 | 0:42:33 | |
I'm feeling pretty pleased with myself | 0:42:33 | 0:42:35 | |
because I truly believe we've done that | 0:42:35 | 0:42:38 | |
in this gorgeous county that I'm proud to call home. | 0:42:38 | 0:42:43 | |
Debbie and Carl have returned to the Mystery House | 0:42:43 | 0:42:47 | |
and their children have given enthusiastic approval. | 0:42:47 | 0:42:50 | |
Once their Bromley house is sold, | 0:42:50 | 0:42:52 | |
they're hoping it will soon become their new rural home. | 0:42:52 | 0:42:55 | |
We wish them luck. | 0:42:55 | 0:42:58 | |
If you would like to Escape To The Country | 0:42:58 | 0:43:00 | |
in England, Scotland, Wales or Northern Ireland | 0:43:00 | 0:43:03 | |
and would like our help, you can apply online at... | 0:43:03 | 0:43:06 |