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With her can-do attitude, love of simple gardens | 0:00:02 | 0:00:04 | |
and decades of experience... | 0:00:04 | 0:00:06 | |
Hello! | 0:00:06 | 0:00:07 | |
..Charlie Dimmock is one of Britain's best-loved gardeners... | 0:00:07 | 0:00:10 | |
Looking good, boys. | 0:00:10 | 0:00:11 | |
..but the new kids on the gardening block are the Rich brothers. | 0:00:11 | 0:00:15 | |
We want to be the brothers | 0:00:15 | 0:00:16 | |
that change people's perceptions of gardens. | 0:00:16 | 0:00:19 | |
Winners of multiple medals at the Chelsea Flower Show... | 0:00:19 | 0:00:22 | |
-Oh, good turn. -Amazing, isn't it? | 0:00:22 | 0:00:24 | |
..the boys have become known for their dramatic outdoor spaces. | 0:00:24 | 0:00:28 | |
Now these two different generations of gardening are going head-to-head. | 0:00:29 | 0:00:34 | |
I know they've got a gold medal, but I can come up with a few ideas. | 0:00:34 | 0:00:38 | |
They're meeting frustrated garden owners across the country... | 0:00:38 | 0:00:42 | |
The photos made it look tiny. | 0:00:42 | 0:00:44 | |
-It is, isn't it? -I'm sure you've seen larger. | 0:00:44 | 0:00:46 | |
I don't know what to do with it. | 0:00:46 | 0:00:48 | |
..and will each pitch them a design based on their needs... | 0:00:48 | 0:00:51 | |
Wow! | 0:00:51 | 0:00:52 | |
..and budget. | 0:00:52 | 0:00:53 | |
That looks really exciting. | 0:00:53 | 0:00:54 | |
It doesn't look like it could be our garden. | 0:00:54 | 0:00:56 | |
The winner... | 0:00:56 | 0:00:57 | |
Ta-da! | 0:00:57 | 0:00:58 | |
Whoo! | 0:00:58 | 0:00:59 | |
..brings their design to life... | 0:00:59 | 0:01:01 | |
Hold on, hold on! | 0:01:01 | 0:01:03 | |
Sweet as a nut. | 0:01:03 | 0:01:04 | |
..and the loser has to help them build it. | 0:01:04 | 0:01:06 | |
Oh, I'm getting irritated now - we're sort of faffing around. | 0:01:06 | 0:01:09 | |
This is what happens... | 0:01:09 | 0:01:11 | |
Does he ever get irritating? | 0:01:11 | 0:01:12 | |
All the time. | 0:01:12 | 0:01:14 | |
..when different styles collided... | 0:01:14 | 0:01:16 | |
Who chose these? | 0:01:16 | 0:01:17 | |
One, two, three. | 0:01:17 | 0:01:19 | |
This looks like your design. | 0:01:19 | 0:01:21 | |
Yeah! | 0:01:21 | 0:01:22 | |
..to turn garden dreams into reality. | 0:01:22 | 0:01:25 | |
Wow. | 0:01:25 | 0:01:26 | |
Open your eyes. | 0:01:26 | 0:01:28 | |
Whoa! It's amazing. | 0:01:28 | 0:01:31 | |
It's beautiful. | 0:01:31 | 0:01:32 | |
Today, Charlie and the Rich brothers are competing over a garden | 0:01:38 | 0:01:41 | |
that has to work for two different generations. | 0:01:41 | 0:01:44 | |
So, this is a really lovely story. | 0:01:44 | 0:01:47 | |
It's the family home and garden. | 0:01:47 | 0:01:49 | |
Jackie grew up there, but Jackie and Neil have gone away, | 0:01:49 | 0:01:53 | |
have come back now to live with Dad, Mervyn... | 0:01:53 | 0:01:56 | |
Nice. | 0:01:56 | 0:01:58 | |
..and they bought the house off him | 0:01:58 | 0:02:00 | |
-to look after him in his old age. -Nice. | 0:02:00 | 0:02:03 | |
Yeah, this is where I actually grew up, I got married from here... | 0:02:03 | 0:02:07 | |
..and it's always... I've always been very sentimental about it. | 0:02:08 | 0:02:13 | |
Once they decided to move back in with 88-year-old dad Mervyn, | 0:02:13 | 0:02:17 | |
Jackie and Neil sent the builders in for several months | 0:02:17 | 0:02:20 | |
to give the house a much-needed face-lift. | 0:02:20 | 0:02:23 | |
Dad's got his own little sitting-room and his own stairs | 0:02:24 | 0:02:27 | |
so that he can go up and down. | 0:02:27 | 0:02:29 | |
So he's got his own independence, | 0:02:29 | 0:02:31 | |
but we're the other side of the wall, that we can look after him. | 0:02:31 | 0:02:35 | |
It's only been a week since the house was finished, | 0:02:35 | 0:02:38 | |
but now it's almost done, | 0:02:38 | 0:02:40 | |
the garden is starting to look rather dated by comparison. | 0:02:40 | 0:02:44 | |
Although there's lots of memories, it looks a bit boring, | 0:02:44 | 0:02:46 | |
she wants something that says, "Come and sit in me, | 0:02:46 | 0:02:50 | |
"isn't this lovely space?" | 0:02:50 | 0:02:51 | |
Is the garden for Mervyn as well? | 0:02:51 | 0:02:53 | |
Yes, Mervyn loves the garden, | 0:02:53 | 0:02:55 | |
so we've got to think about the three of them, | 0:02:55 | 0:02:57 | |
-it's not just... -Not just those two. -..Jackie and Neil. | 0:02:57 | 0:03:00 | |
Jackie's dad, Mervyn, has lived here for more than 40 years. | 0:03:00 | 0:03:05 | |
I used to love the garden, cos I was into the birds, as well. | 0:03:05 | 0:03:09 | |
I had tame blackbirds come and sit by the side of me. | 0:03:09 | 0:03:13 | |
Actually, he's still around here now - | 0:03:13 | 0:03:16 | |
I know it's him because he's got a white spot on his side. | 0:03:16 | 0:03:19 | |
It'd be nice to have somewhere for Dad to be able to come out | 0:03:19 | 0:03:22 | |
and sit down and relax. | 0:03:22 | 0:03:24 | |
Unfortunately, right now, the garden doesn't suit anyone's needs. | 0:03:24 | 0:03:29 | |
Apart from a treasured magnolia tree, | 0:03:29 | 0:03:32 | |
it's become a collection point for leftover building materials, | 0:03:32 | 0:03:35 | |
and Jackie's eclectic mix of garden ornaments. | 0:03:35 | 0:03:40 | |
-There is a lot of clutter. -Yeah! | 0:03:40 | 0:03:43 | |
And when you've got nice features like this magnolia tree, | 0:03:43 | 0:03:46 | |
you don't need to do too much, do you? | 0:03:46 | 0:03:49 | |
The work on the house | 0:03:49 | 0:03:51 | |
has left a serious dent in Neil and Jackie's finances, | 0:03:51 | 0:03:54 | |
so they only have a limited budget for the garden. | 0:03:54 | 0:03:57 | |
-Do you want the really good news? -Oh, is it budget? | 0:03:57 | 0:03:59 | |
THEY LAUGH | 0:03:59 | 0:04:00 | |
How did you know I was going there? | 0:04:00 | 0:04:03 | |
-It's not vast... -OK. -..but you've got a good structure. | 0:04:03 | 0:04:08 | |
-Am I selling this to you? -Yeah. -Yeah! -OK! | 0:04:08 | 0:04:11 | |
£2,000. | 0:04:11 | 0:04:12 | |
-OK. -That's not too bad. | 0:04:12 | 0:04:14 | |
I think, for them, it's got to be, you know, | 0:04:14 | 0:04:17 | |
that there's light at the end of the tunnel - | 0:04:17 | 0:04:20 | |
-you have had the builders up to here, we want our garden back. -Yeah. | 0:04:20 | 0:04:25 | |
-NEIL: -I'm not daunted if other people are doing the work. | 0:04:25 | 0:04:28 | |
We couldn't undertake it ourselves, definitely not. | 0:04:28 | 0:04:31 | |
-No. -It just wouldn't happen. | 0:04:31 | 0:04:32 | |
So, that's the challenge. | 0:04:32 | 0:04:34 | |
Now it's time for Charlie and the boys to battle it out | 0:04:34 | 0:04:37 | |
for the right to make over the garden. | 0:04:37 | 0:04:39 | |
So they're heading straight for Hereford. | 0:04:40 | 0:04:43 | |
They want to know more about how this garden can cater | 0:04:43 | 0:04:46 | |
for Jackie, Neil and Mervyn's different tastes and needs. | 0:04:46 | 0:04:51 | |
Except for a new conservatory, | 0:04:51 | 0:04:53 | |
all the building work has now been completed. | 0:04:53 | 0:04:56 | |
Wow, look at this! | 0:04:57 | 0:04:58 | |
Big old windows. | 0:04:58 | 0:05:00 | |
Really big doors, yeah. | 0:05:00 | 0:05:01 | |
Would be nice to accentuate the views out, | 0:05:01 | 0:05:04 | |
I think really capture the garden from the inside. | 0:05:04 | 0:05:07 | |
Or do you want to see the whole garden at once? | 0:05:07 | 0:05:09 | |
Maybe break it up a bit? | 0:05:09 | 0:05:10 | |
Break it up, some planting, some shrubs. | 0:05:10 | 0:05:12 | |
Something so you're not looking at that hedge. | 0:05:12 | 0:05:14 | |
I have to say that the garden sort of... | 0:05:14 | 0:05:16 | |
doesn't seem to have any character to it, really, does it? | 0:05:16 | 0:05:19 | |
No, it's a lot of lawn... and that's about it. | 0:05:19 | 0:05:22 | |
But that... It's that big lawn, planting around the edge - | 0:05:22 | 0:05:26 | |
must have taken ages to think of that(!) | 0:05:26 | 0:05:29 | |
Where do they come up with this stuff?! | 0:05:29 | 0:05:32 | |
Now the garden's been critiqued, | 0:05:32 | 0:05:34 | |
the boys want to see what Jackie has done | 0:05:34 | 0:05:36 | |
with the inside of the house... | 0:05:36 | 0:05:38 | |
It's got a very clean feeling, but quite feminine, isn't it? | 0:05:38 | 0:05:41 | |
-So light, as well. -Really light. | 0:05:41 | 0:05:43 | |
Look, you can tell Jackie loves her flowers, look at this, | 0:05:43 | 0:05:46 | |
look at the seat! | 0:05:46 | 0:05:47 | |
..while Charlie wants to learn more | 0:05:47 | 0:05:49 | |
about the couple's decision to move back in with Dad. | 0:05:49 | 0:05:52 | |
So you used to live here as a child - | 0:05:52 | 0:05:54 | |
-so this was the family home. -Yes. | 0:05:54 | 0:05:56 | |
So there must be lots of memories. | 0:05:56 | 0:05:57 | |
Oh, there are a lot of memories, and I think... | 0:05:57 | 0:06:01 | |
that's what has made it so emotional - | 0:06:01 | 0:06:03 | |
even the first day when the builders came | 0:06:03 | 0:06:06 | |
and started to knock part of it down... | 0:06:06 | 0:06:10 | |
and I didn't realise actually how much that was going to affect me. | 0:06:10 | 0:06:13 | |
But it's been exciting at the same time. | 0:06:13 | 0:06:15 | |
-And worth it in the end. -Oh, yes. | 0:06:15 | 0:06:17 | |
It's been really worthwhile, now. | 0:06:17 | 0:06:19 | |
This is nice, isn't it? | 0:06:19 | 0:06:20 | |
Isn't that lovely? Quite contemporary. | 0:06:20 | 0:06:22 | |
It's quite architectural, as well, | 0:06:22 | 0:06:24 | |
so I can almost see that as a kind of slab. | 0:06:24 | 0:06:26 | |
-Yes, like a nice sawn stone or something. -Love that. | 0:06:26 | 0:06:29 | |
If you grew up in this garden, there must be things here | 0:06:29 | 0:06:33 | |
that you definitely want to keep. | 0:06:33 | 0:06:35 | |
Yeah, I mean, | 0:06:35 | 0:06:37 | |
obviously the magnolia tree. | 0:06:37 | 0:06:39 | |
I would hate anybody to take the magnolia tree down. | 0:06:39 | 0:06:41 | |
I think anyone would be bonkers | 0:06:41 | 0:06:43 | |
-to come in and go, "Right, that's got to go." -Yeah. | 0:06:43 | 0:06:47 | |
And even a little wall which came down | 0:06:47 | 0:06:50 | |
when the builders had to dig foundations and stuff out, | 0:06:50 | 0:06:54 | |
but you put it back for me. | 0:06:54 | 0:06:56 | |
OK, which was that? | 0:06:56 | 0:06:57 | |
This little one here. | 0:06:57 | 0:06:59 | |
Just along the edge, there? | 0:06:59 | 0:07:00 | |
The one out of breeze blocks?! | 0:07:00 | 0:07:04 | |
Yes, yeah! | 0:07:04 | 0:07:06 | |
-Why... -You know, that's what the builders said! | 0:07:06 | 0:07:09 | |
Such a nice vista through that door, isn't there? | 0:07:09 | 0:07:11 | |
That's going to be the conservatory as well. | 0:07:11 | 0:07:13 | |
I reckon that's going to be the focal area. | 0:07:13 | 0:07:15 | |
Yeah, I think we'll put something there | 0:07:15 | 0:07:17 | |
that's really going to be beautiful to look at. | 0:07:17 | 0:07:19 | |
Yeah, so let's focus on that, | 0:07:19 | 0:07:21 | |
and give them a nice little display | 0:07:21 | 0:07:22 | |
so they can sit back and look outside. | 0:07:22 | 0:07:24 | |
Is there a sort of feel that... | 0:07:24 | 0:07:26 | |
I mean, there's lots of plants here, | 0:07:26 | 0:07:28 | |
but is there a feel that you want to go for? | 0:07:28 | 0:07:30 | |
Yes, I like a garden that... | 0:07:30 | 0:07:34 | |
I sort of walk into and think, "Ooh, what's over there?" | 0:07:34 | 0:07:37 | |
-OK. -"What's hidden?" -Or it takes me somewhere. | 0:07:37 | 0:07:41 | |
-There is an awful lot of bits and bobs about. -Junk? | 0:07:41 | 0:07:45 | |
-Now, -I -didn't say that, Jackie. | 0:07:45 | 0:07:47 | |
She is renowned for her junk collecting. | 0:07:47 | 0:07:49 | |
I have a bit odd tastes now and again with old bits of pieces. | 0:07:49 | 0:07:54 | |
-She looked at me, then! -No! | 0:07:54 | 0:07:55 | |
THEY LAUGH | 0:07:55 | 0:07:56 | |
This is a tricky one for the designers. | 0:07:58 | 0:08:01 | |
Jackie and Neil say they want a new garden, | 0:08:01 | 0:08:04 | |
but Jackie in particular is clearly emotionally attached to the old one. | 0:08:04 | 0:08:08 | |
So, without delay, Charlie and the Rich brothers | 0:08:12 | 0:08:14 | |
start formulating their ideas. | 0:08:14 | 0:08:17 | |
They both have to come up with a design | 0:08:17 | 0:08:19 | |
that they hope will deliver the perfect garden | 0:08:19 | 0:08:21 | |
for Jackie, Neil and Mervyn. | 0:08:21 | 0:08:23 | |
The family will then choose a winner, | 0:08:24 | 0:08:26 | |
and the losing designer has to swallow their pride | 0:08:26 | 0:08:30 | |
and muck in to help build it. | 0:08:30 | 0:08:31 | |
It's time for the pitch. | 0:08:34 | 0:08:35 | |
Charlie appreciates how big a role this garden has played | 0:08:36 | 0:08:39 | |
in Jackie's life... | 0:08:39 | 0:08:41 | |
but the boys have seen how the remodelled house | 0:08:41 | 0:08:44 | |
reflects their desire to look to the future - | 0:08:44 | 0:08:47 | |
and Neil and Jackie are very excited. | 0:08:47 | 0:08:50 | |
-Oh! -Keep calm, keep calm! | 0:08:51 | 0:08:54 | |
THEY LAUGH | 0:08:54 | 0:08:55 | |
Did you want to do the pitch for me? | 0:08:55 | 0:08:58 | |
So, this is our design. | 0:08:58 | 0:08:59 | |
Oh, wow. | 0:08:59 | 0:09:01 | |
So we know one thing you really wanted to do | 0:09:01 | 0:09:03 | |
was to be able to break the garden up, | 0:09:03 | 0:09:04 | |
-cos, at the moment, you can kind of see everything. -Yeah. | 0:09:04 | 0:09:07 | |
So we wanted to create individual rooms | 0:09:07 | 0:09:09 | |
and maybe create that journey between them as well. | 0:09:09 | 0:09:11 | |
So give the garden a purpose, you have to travel around it. | 0:09:11 | 0:09:14 | |
And we wanted to reflect the interior, so keep it quite modern, | 0:09:14 | 0:09:17 | |
quite contemporary, a little bit quirky, in a way. | 0:09:17 | 0:09:20 | |
And one of the ways we've done that is through the paving line. | 0:09:20 | 0:09:24 | |
-Oh, wow. -Yes! | 0:09:24 | 0:09:25 | |
So your magnolia, | 0:09:25 | 0:09:27 | |
I wanted to highlight that focal point even more. | 0:09:27 | 0:09:32 | |
So I've put a lovely seat, | 0:09:32 | 0:09:34 | |
circular seat, underneath it, | 0:09:34 | 0:09:36 | |
and then I was going to use your leftover paviours | 0:09:36 | 0:09:39 | |
to pave under there, | 0:09:39 | 0:09:41 | |
to tie your patio area in with underneath the seating. | 0:09:41 | 0:09:46 | |
So, picking up on the timber theme, | 0:09:46 | 0:09:48 | |
I'm going to have some upright organ pipe posts, | 0:09:48 | 0:09:52 | |
and they're going to be dotted around in the borders, | 0:09:52 | 0:09:56 | |
-to give some height and structure there. -Brilliant. | 0:09:56 | 0:09:59 | |
What we wanted to do was bring the planting | 0:09:59 | 0:10:01 | |
-so it kind of hugs the paving. -Yeah. | 0:10:01 | 0:10:03 | |
So, you know, you've got nature coming up to you. | 0:10:03 | 0:10:06 | |
So it's a nice way of softening this quite contemporary feel. | 0:10:06 | 0:10:08 | |
And in the evening, the sun comes round to there... | 0:10:08 | 0:10:11 | |
Yeah. It'll be a really special spot, yeah. | 0:10:11 | 0:10:14 | |
The Rich brothers have gambled on spending all the budget in one area, | 0:10:14 | 0:10:18 | |
which means they can invest in some feature plants... | 0:10:18 | 0:10:21 | |
We've focused on giving you a specimen acer tree, | 0:10:21 | 0:10:24 | |
and then two cornus shrubs. | 0:10:24 | 0:10:26 | |
What's so good about these two cornus shrubs is going to give - | 0:10:26 | 0:10:28 | |
it's got berries, so, again, it's going to attract birds | 0:10:28 | 0:10:31 | |
into that little space | 0:10:31 | 0:10:32 | |
and it's going to be a very natural little haven. | 0:10:32 | 0:10:35 | |
-Dad would like that as well. -He'd love it. -Yes, definitely. | 0:10:35 | 0:10:38 | |
..but Charlie has redesigned the whole garden... | 0:10:38 | 0:10:41 | |
You've got lovely planting here, | 0:10:41 | 0:10:43 | |
but I wanted to sort of really glam it up by using things like iris, | 0:10:43 | 0:10:49 | |
agapanthus, alliums. | 0:10:49 | 0:10:52 | |
I've also got some obelisks, made of timber or willow, | 0:10:52 | 0:10:56 | |
with some really lovely clematis | 0:10:56 | 0:10:58 | |
to give you a bit more vertical height to the garden. | 0:10:58 | 0:11:01 | |
..and she's about to reveal her trump card. | 0:11:01 | 0:11:05 | |
And with all your lovely bits and bobs... | 0:11:05 | 0:11:09 | |
-Junk. -Not junk, or tat! | 0:11:09 | 0:11:12 | |
We can use those to create focal points around the garden. | 0:11:12 | 0:11:15 | |
-It looks really good. -It's lovely. | 0:11:15 | 0:11:17 | |
-It's covered everything. -Yeah? | 0:11:17 | 0:11:19 | |
I think so. | 0:11:19 | 0:11:21 | |
The pitch is over. | 0:11:21 | 0:11:23 | |
Now it's up to Jackie and Neil. | 0:11:23 | 0:11:25 | |
I like the way the lawn's separated, | 0:11:25 | 0:11:27 | |
it just takes the squareness away from it. | 0:11:27 | 0:11:29 | |
That we've always had before. | 0:11:29 | 0:11:31 | |
-The arches would really frame, out through the kitchen. -Yeah. | 0:11:31 | 0:11:35 | |
-I love it. -I do, too. | 0:11:36 | 0:11:38 | |
Jackie got very, very excited when she saw mine. | 0:11:38 | 0:11:41 | |
-Oh. -She was like - she did the pitch for me, basically. | 0:11:41 | 0:11:44 | |
-Didn't even crack a smile, did she, with ours? -No. | 0:11:44 | 0:11:47 | |
No, I think you've won this one. | 0:11:47 | 0:11:49 | |
This is just hugely different, though. | 0:11:49 | 0:11:51 | |
-DAVID: -We created two rooms. | 0:11:51 | 0:11:53 | |
Were yours curves? | 0:11:53 | 0:11:54 | |
-Yes. -Straight lines. | 0:11:54 | 0:11:56 | |
-No! -Straight to the point. -Yeah. | 0:11:56 | 0:11:59 | |
This is lovely. | 0:11:59 | 0:12:01 | |
It's hidden away. | 0:12:01 | 0:12:02 | |
I would never even have thought of doing something like that. | 0:12:02 | 0:12:05 | |
I think Jackie, when it comes to it, | 0:12:05 | 0:12:07 | |
she's going to be, "No," she likes all her knick-knacky... | 0:12:07 | 0:12:10 | |
I don't know, the kitchen is so contemporary, I'm not sure. | 0:12:10 | 0:12:13 | |
It'll be quite interesting, cos I think both designs are so different. | 0:12:13 | 0:12:16 | |
Mm. | 0:12:16 | 0:12:17 | |
For me, I can picture Dad sat there. | 0:12:17 | 0:12:21 | |
That... | 0:12:21 | 0:12:22 | |
That would just make such a difference. | 0:12:22 | 0:12:25 | |
This is a really tough decision, I don't know what we're going to do. | 0:12:25 | 0:12:28 | |
Yeah. | 0:12:28 | 0:12:29 | |
I like them both! | 0:12:29 | 0:12:31 | |
Only one of the designs can win, | 0:12:32 | 0:12:34 | |
so will Jackie and Neil plump for | 0:12:34 | 0:12:36 | |
the Rich brothers' private seating area, | 0:12:36 | 0:12:39 | |
statement acers and elegant patio... | 0:12:39 | 0:12:41 | |
..or Charlie's two rooms | 0:12:42 | 0:12:44 | |
with a circular seat around Jackie's lovely magnolia tree? | 0:12:44 | 0:12:48 | |
It's decision time. | 0:12:49 | 0:12:51 | |
-Hello. -Hi, guys. | 0:12:51 | 0:12:53 | |
Hey. | 0:12:53 | 0:12:54 | |
So, it was genuinely really, really difficult. | 0:12:54 | 0:12:58 | |
But the one we've chosen is... | 0:12:58 | 0:13:01 | |
THEY CHEER | 0:13:01 | 0:13:03 | |
-Awesome! -Way to go! -Nice. Amazing! | 0:13:03 | 0:13:06 | |
So, what swung it for you? | 0:13:06 | 0:13:07 | |
In fairness, your design did everything we wanted, | 0:13:09 | 0:13:12 | |
but this one was probably something | 0:13:12 | 0:13:13 | |
we would never have done for ourselves, so we thought | 0:13:13 | 0:13:16 | |
-we'd push our boundaries. -Wouldn't have thought about it. | 0:13:16 | 0:13:18 | |
And maybe make the decision to try something different. | 0:13:18 | 0:13:21 | |
Well, there you go! | 0:13:21 | 0:13:23 | |
Sorry, Charlie. | 0:13:23 | 0:13:25 | |
Oh, I have no problems with that at all! | 0:13:25 | 0:13:29 | |
So the boys' bold design has won - | 0:13:30 | 0:13:33 | |
and what's more, Charlie now has to follow their orders | 0:13:33 | 0:13:36 | |
as all three of them work together | 0:13:36 | 0:13:38 | |
to build Jackie and Neil's dream garden. | 0:13:38 | 0:13:41 | |
It's day one of the build. | 0:13:44 | 0:13:46 | |
The Rich brothers are off-site, | 0:13:46 | 0:13:48 | |
pulling together their planting plans, | 0:13:48 | 0:13:50 | |
and have left project manager Paul and landscapers Andy and Lee | 0:13:50 | 0:13:54 | |
to start prepping the site. | 0:13:54 | 0:13:55 | |
The most complicated part of the boys' design | 0:13:57 | 0:14:00 | |
is the secluded patio area at the far end of the plot, | 0:14:00 | 0:14:03 | |
and it's even more complicated if you've left the plan in the pub. | 0:14:03 | 0:14:08 | |
We've got one slight problem here. | 0:14:08 | 0:14:09 | |
-What's that? -Where did we leave the plan last night? | 0:14:09 | 0:14:13 | |
-Be honest. -While we were having a chat... | 0:14:13 | 0:14:14 | |
-In the pub. -Yeah. | 0:14:14 | 0:14:16 | |
-We've left it in the pub. -In the pub. | 0:14:16 | 0:14:19 | |
And it's now on the front of the Hereford Times, apparently. | 0:14:19 | 0:14:22 | |
THEY LAUGH | 0:14:22 | 0:14:24 | |
We've got to scrub all this out now. | 0:14:25 | 0:14:27 | |
Fortunately, one of the landscapers has a copy, | 0:14:27 | 0:14:30 | |
so the boys can start marking out. | 0:14:30 | 0:14:32 | |
In the Rich brothers' design, the seating area has a fractured style, | 0:14:34 | 0:14:38 | |
where the planting is interspersed with paviours, | 0:14:38 | 0:14:40 | |
and it requires meticulous planning. | 0:14:40 | 0:14:44 | |
With a £2,000 budget, | 0:14:44 | 0:14:46 | |
the brothers have asked Paul to keep an eye on anything | 0:14:46 | 0:14:49 | |
that can be reused from the old garden... | 0:14:49 | 0:14:52 | |
This turf's coming out nice, | 0:14:52 | 0:14:53 | |
so I think we should save as much as we can. | 0:14:53 | 0:14:56 | |
..and, as soon as the turf comes up, he's on the phone to the bosses. | 0:14:56 | 0:15:00 | |
The turf is coming out really nice, really nice soil. | 0:15:00 | 0:15:04 | |
We're just thinking about stockpiling it | 0:15:04 | 0:15:06 | |
in part of the garden because... | 0:15:06 | 0:15:09 | |
I don't know, I think it might be a shame to get rid of it | 0:15:09 | 0:15:11 | |
and I don't know if we can do something with it. | 0:15:11 | 0:15:14 | |
You know like we have done previously? | 0:15:14 | 0:15:17 | |
'Yes, perfect, nice one.' | 0:15:17 | 0:15:18 | |
All right. Well, look forward to seeing you later. | 0:15:18 | 0:15:22 | |
So far, the team have been blessed with perfect gardening weather. | 0:15:22 | 0:15:26 | |
And they've attracted an audience. | 0:15:27 | 0:15:30 | |
All of Jackie's family have turned out to watch the transformation. | 0:15:30 | 0:15:34 | |
And it's very tiring watching people work. | 0:15:36 | 0:15:38 | |
At least this way Jackie can keep an eye on where her money's going, | 0:15:42 | 0:15:45 | |
and she's very excited about the latest delivery. | 0:15:45 | 0:15:49 | |
I want to see the slabs. | 0:15:49 | 0:15:51 | |
They've been here, on the drive, | 0:15:51 | 0:15:53 | |
and I've been so good not opening the packaging and having a look. | 0:15:53 | 0:15:57 | |
Oh, are they coming? Is the first one in? | 0:15:57 | 0:15:59 | |
Oh, yes. | 0:15:59 | 0:16:00 | |
Oh, brilliant. | 0:16:02 | 0:16:03 | |
Now they are not plain, boring concrete. | 0:16:03 | 0:16:07 | |
While the tiles get laid under Mervyn's expert supervision... | 0:16:07 | 0:16:11 | |
..Charlie and the Rich brothers have arrived out front | 0:16:13 | 0:16:16 | |
and are planning their next move. | 0:16:16 | 0:16:18 | |
-So this garden is not the biggest budget... -No. | 0:16:18 | 0:16:21 | |
..but I definitely think - it's a little section of the garden, | 0:16:21 | 0:16:24 | |
but I think it's going to be really fun. | 0:16:24 | 0:16:26 | |
I think it comes down to being slightly smaller budget, | 0:16:26 | 0:16:28 | |
we need to give them as much as we can. | 0:16:28 | 0:16:30 | |
Yeah, cos one of the things I was thinking about, | 0:16:30 | 0:16:32 | |
cos we're getting rid of some of that turf and some of the soil | 0:16:32 | 0:16:35 | |
for the slabbing and the planting, | 0:16:35 | 0:16:36 | |
there's going to be quite a lot of stuff left over. | 0:16:36 | 0:16:39 | |
The boys want to focus on the seating area, | 0:16:39 | 0:16:41 | |
and have tasked Charlie with finding a home for Jackie's collection. | 0:16:41 | 0:16:44 | |
So I think reusing some of that quirkiness that we love... | 0:16:44 | 0:16:47 | |
She's got some really lovely things - | 0:16:47 | 0:16:49 | |
one or two things I would like to just move aside - | 0:16:49 | 0:16:52 | |
but there some really lovely things she's got. | 0:16:52 | 0:16:54 | |
-You do love your quirk. -I do, I like all my knick-knacks. | 0:16:54 | 0:16:58 | |
So I can do what ever I want with the ornaments | 0:16:58 | 0:17:00 | |
and put them wherever I want? | 0:17:00 | 0:17:01 | |
You do what ever you want with those quirky bits, it's fine. | 0:17:01 | 0:17:04 | |
Just not in our little area. | 0:17:04 | 0:17:05 | |
Also, there's a little bit of budget left over, and we were thinking... | 0:17:05 | 0:17:09 | |
Well, we've got this little idea | 0:17:09 | 0:17:11 | |
-of coming up with a cool little screen for them. -Oh, OK. | 0:17:11 | 0:17:13 | |
Something that's going to blur the lines slightly, | 0:17:13 | 0:17:15 | |
but be a bit transparent so you don't lose the views of the garden. | 0:17:15 | 0:17:18 | |
Ooh, getting very arty, aren't we? | 0:17:18 | 0:17:20 | |
-Yeah - arty, not farty. That's key. -I stood next to you, I know. | 0:17:20 | 0:17:24 | |
Out front, the boys' plants have arrived. | 0:17:28 | 0:17:31 | |
They've invested over half of the two grand budget | 0:17:32 | 0:17:35 | |
on trees, shrubs and perennials to bring the seating area to life. | 0:17:35 | 0:17:39 | |
We've got a nice array of plants here, haven't we? | 0:17:39 | 0:17:41 | |
A very natural kind of feeling. | 0:17:41 | 0:17:42 | |
Beautiful, really nice. All the foliage complements each other. | 0:17:42 | 0:17:45 | |
-Look at this! -They're going to be lovely. | 0:17:45 | 0:17:47 | |
It's quite a nice relationship cos they're both luscious and green. | 0:17:47 | 0:17:50 | |
Yeah. I think acer's beautiful, it's got... | 0:17:50 | 0:17:53 | |
You can overdo it with the red ones sometimes, | 0:17:53 | 0:17:55 | |
the one in the garden is not necessarily my taste. | 0:17:55 | 0:17:57 | |
But this here with that kind of more natural green colouring, | 0:17:57 | 0:18:00 | |
and then the autumn colour as well, it's going to be great, isn't it? | 0:18:00 | 0:18:03 | |
The cirsium looks beautiful now, doesn't it? | 0:18:03 | 0:18:05 | |
-Beautiful colour, isn't it? -Especially with the chives. -Yeah. | 0:18:05 | 0:18:08 | |
But there's a lot of landscaping to finish before any of them can go in. | 0:18:08 | 0:18:12 | |
Meanwhile, Charlie's in amongst Jackie's knick-knacks. | 0:18:15 | 0:18:19 | |
Jackie and Neil have got all sorts around here. | 0:18:19 | 0:18:22 | |
Lots of bits and bobs. | 0:18:22 | 0:18:24 | |
These could be handy... | 0:18:24 | 0:18:26 | |
for the other end of the garden. | 0:18:26 | 0:18:28 | |
Bit of Zen. | 0:18:28 | 0:18:29 | |
THEY CHIME | 0:18:29 | 0:18:31 | |
So much nice stuff around there! | 0:18:34 | 0:18:36 | |
Ooh, hello. | 0:18:38 | 0:18:39 | |
Make a bit of a water feature. | 0:18:41 | 0:18:44 | |
Oh, look at these, look at these! | 0:18:44 | 0:18:45 | |
Ooh! | 0:18:45 | 0:18:47 | |
I like that. | 0:18:47 | 0:18:48 | |
Cor, that's fab, isn't it? | 0:18:49 | 0:18:52 | |
Three of them. | 0:18:52 | 0:18:53 | |
Over in the seating area, Harry's straight onto the patio. | 0:18:55 | 0:18:59 | |
It's a really good tip to clean the underbelly of the paving slab | 0:18:59 | 0:19:02 | |
before laying it. It's great for two reasons - | 0:19:02 | 0:19:04 | |
the first, get rid of all the cutting dust and dirt, | 0:19:04 | 0:19:07 | |
and the second, it really allows it to bond with the mortar. | 0:19:07 | 0:19:10 | |
I would say that paving really highlights that twisted willow. | 0:19:12 | 0:19:16 | |
Suddenly it's gone, "Bing!" | 0:19:16 | 0:19:19 | |
Next door, David is working on the garden's big recycling project. | 0:19:19 | 0:19:23 | |
He's had an idea on how to use the turf from the patio area. | 0:19:23 | 0:19:27 | |
He and Charlie are creating a contoured mound. | 0:19:28 | 0:19:31 | |
If your grass is in good condition, | 0:19:37 | 0:19:39 | |
contouring is a great way to add a natural feature to a lawn. | 0:19:39 | 0:19:42 | |
Whether it's a circular seat, | 0:19:44 | 0:19:46 | |
a grass amphitheatre or even Teletubby-style mounds | 0:19:46 | 0:19:49 | |
for the kids to roll down. | 0:19:49 | 0:19:51 | |
If you've got the space, you can even create a giant man-made hill. | 0:19:51 | 0:19:56 | |
In Hereford, David's arranging the old turf in an arc | 0:19:59 | 0:20:03 | |
to add another dimension to the new seating area | 0:20:03 | 0:20:07 | |
and keeping the best turf for laying over the top. | 0:20:07 | 0:20:11 | |
It's surprising the amount of turf we will need to cover this. | 0:20:11 | 0:20:15 | |
-Yeah. Don't forget we need it down there as well. -Yeah. | 0:20:15 | 0:20:18 | |
Now the patio's finished, | 0:20:18 | 0:20:20 | |
Harry's also letting his creative side run wild | 0:20:20 | 0:20:23 | |
and he's hoping to convince Neil and Jackie to go for the idea. | 0:20:23 | 0:20:27 | |
I don't like to ask. | 0:20:27 | 0:20:29 | |
It does look a little bit mad at the moment. | 0:20:29 | 0:20:31 | |
We know that, Neil, you said that | 0:20:31 | 0:20:33 | |
you wanted to have a bit of sculptural elements | 0:20:33 | 0:20:35 | |
a slight boundary. | 0:20:35 | 0:20:37 | |
-Yes. -And we've come up with a little idea of using these steel rods | 0:20:37 | 0:20:41 | |
and looking at the twisted willow there, | 0:20:41 | 0:20:43 | |
-you can see how everything is quite organic in shape. -Yeah. | 0:20:43 | 0:20:46 | |
And this is quite malleable. | 0:20:46 | 0:20:47 | |
We can bend this and create those kind of lovely serpentine curves. | 0:20:47 | 0:20:50 | |
Then the other idea is to grow some clematis up there. | 0:20:50 | 0:20:53 | |
I really like it's because it's different, it's a little bit odd. | 0:20:53 | 0:20:57 | |
But with something growing through, I think it will look great. | 0:20:57 | 0:21:00 | |
-Yeah, brilliant. -Great. | 0:21:00 | 0:21:02 | |
Right from the conservatory as well, it's brilliant. | 0:21:02 | 0:21:05 | |
Phew! I thought it might have been too far for you. | 0:21:05 | 0:21:07 | |
-Never too far, is it? -No, no, no. -Not with quirky. | 0:21:07 | 0:21:10 | |
We've got more quirky stuff, don't worry. | 0:21:10 | 0:21:13 | |
Time will tell whether it works. | 0:21:13 | 0:21:16 | |
But by adding a bespoke piece, | 0:21:16 | 0:21:18 | |
Harry's hoping to give this garden some real personality. | 0:21:18 | 0:21:21 | |
Using sculpture is one of the most effective ways | 0:21:23 | 0:21:27 | |
to make your mark on a garden. | 0:21:27 | 0:21:29 | |
Classical statues in a formal garden can reflect wealth and status. | 0:21:29 | 0:21:33 | |
Whilst quirky, thought-provoking pieces | 0:21:35 | 0:21:37 | |
suggest an artistic sensibility. | 0:21:37 | 0:21:39 | |
But sculpture can also enhance the experience within a garden. | 0:21:41 | 0:21:44 | |
Contrasting stone or metal against soft landscaping | 0:21:49 | 0:21:53 | |
can accentuate the features of both. | 0:21:53 | 0:21:55 | |
Whilst a carefully positioned piece makes a great focal point | 0:21:56 | 0:22:00 | |
or exciting discovery hidden around a corner. | 0:22:00 | 0:22:03 | |
And you don't have to own a Henry Moore to make an impact. | 0:22:04 | 0:22:08 | |
Simple, elegant bird cages hanging from a pergola | 0:22:08 | 0:22:12 | |
can be just as effective. | 0:22:12 | 0:22:14 | |
Back in Hereford, having had the clients' approval, | 0:22:14 | 0:22:17 | |
Harry's cracking on. | 0:22:17 | 0:22:19 | |
So I'm just pushing the steel rods into a tanalised stake, | 0:22:19 | 0:22:24 | |
and that's great because they'll last for 15, maybe 20 years, | 0:22:24 | 0:22:27 | |
so it gives it a lovely base and a strong, firm anchor point | 0:22:27 | 0:22:32 | |
for where we can start curving them off | 0:22:32 | 0:22:34 | |
and creating a lovely little sculpture. | 0:22:34 | 0:22:36 | |
Steel is a very pliable metal | 0:22:36 | 0:22:38 | |
so it's easy to manipulate and, at less than £2 for each rod, | 0:22:38 | 0:22:42 | |
it's a dirt cheap way to add structure to the garden. | 0:22:42 | 0:22:45 | |
So, at the moment, this is just kind of going to nowhere | 0:22:47 | 0:22:50 | |
but what we want to do is to put the acer in this bed so that it gives it | 0:22:50 | 0:22:54 | |
a kind of bookend. So you won't see the sharp edges, | 0:22:54 | 0:22:57 | |
it'll kind of disperse into the tree | 0:22:57 | 0:23:00 | |
and hopefully soften it. | 0:23:00 | 0:23:01 | |
So we want to bend it from the top? | 0:23:03 | 0:23:04 | |
Yeah, the key to them is to have them as level as possible. | 0:23:04 | 0:23:07 | |
At the moment, they're all going up that way. | 0:23:07 | 0:23:09 | |
Or even make sure the ending is more level. | 0:23:09 | 0:23:12 | |
So both of them kink up there, don't they? | 0:23:12 | 0:23:15 | |
Whilst the bosses indulge themselves, | 0:23:15 | 0:23:17 | |
Charlie has been left with the less glamorous job of trimming | 0:23:17 | 0:23:20 | |
the turf of David's mound. | 0:23:20 | 0:23:22 | |
It might look laborious but this is actually quite therapeutic. | 0:23:22 | 0:23:26 | |
I'm basically skimming the bottom of the turf | 0:23:26 | 0:23:29 | |
so that they're an even thickness. | 0:23:29 | 0:23:31 | |
So when it comes to re-laying them, it's much quicker. | 0:23:31 | 0:23:35 | |
Back in the day, when I was doing my turfing course, | 0:23:35 | 0:23:42 | |
we used to drop the turf into a wooden box, a frame, | 0:23:42 | 0:23:46 | |
and then use a turfing knife to cut them off, | 0:23:46 | 0:23:48 | |
so every turf was the same depth | 0:23:48 | 0:23:51 | |
so it was easy to get a nice, clean finish. | 0:23:51 | 0:23:54 | |
But it's not long before the boys have another job for her. | 0:23:56 | 0:24:00 | |
One of the challenges with a new garden | 0:24:00 | 0:24:02 | |
is to make it work with the new extension. | 0:24:02 | 0:24:05 | |
A patio now runs the length of the property. | 0:24:05 | 0:24:08 | |
So, to soften part of it, the boys have designed | 0:24:09 | 0:24:12 | |
a long flowerbed and they want Charlie to take care of it. | 0:24:12 | 0:24:16 | |
So this is my bit of the garden, is it? | 0:24:16 | 0:24:18 | |
Yeah, this is your part of the garden, your planting bed. | 0:24:18 | 0:24:20 | |
What we wanted to do is to kind of blend this lawn area into | 0:24:20 | 0:24:22 | |
the existing patio, which will kind of have a nice relationship | 0:24:22 | 0:24:25 | |
with the rest of the garden when it's planted up, | 0:24:25 | 0:24:28 | |
have a nice view from the kitchen. | 0:24:28 | 0:24:29 | |
So it's just going to make the most of what is kind of | 0:24:29 | 0:24:32 | |
an unfinished little space of the garden. | 0:24:32 | 0:24:35 | |
With the planting areas around the patio prepped, | 0:24:49 | 0:24:52 | |
the boys are bringing in the first of the statement acers. | 0:24:52 | 0:24:55 | |
To offset the existing magnolia tree, the boys are using shrubs | 0:24:57 | 0:25:00 | |
and trees to make the seating area feel secluded and private. | 0:25:00 | 0:25:05 | |
It needs to straighten up a little bit. | 0:25:05 | 0:25:06 | |
Full-size acers like this one can cost hundreds of pounds. | 0:25:06 | 0:25:10 | |
You can buy them at a fraction of the size for around £20, | 0:25:10 | 0:25:14 | |
but they only grow 12 inches a year, | 0:25:14 | 0:25:16 | |
so it's a long wait to get something like this. | 0:25:16 | 0:25:19 | |
Oh, that looks nice from here. That branch is perfect, isn't it? | 0:25:19 | 0:25:22 | |
-Yeah. That kind of links them both, doesn't it? -It does, yeah. | 0:25:22 | 0:25:26 | |
But now the first trees are in, | 0:25:26 | 0:25:28 | |
the boys are rethinking the sculpture. | 0:25:28 | 0:25:31 | |
Bend that down to like there, somewhere, however you do that. | 0:25:31 | 0:25:34 | |
If you do a bit more, it'll drop then. | 0:25:37 | 0:25:39 | |
-That second bend there needs to come in to the steel a bit more. -OK. | 0:25:40 | 0:25:44 | |
Over on the other side of the garden, | 0:25:44 | 0:25:46 | |
Charlie is making her own claim for the Turner Prize. | 0:25:46 | 0:25:49 | |
Don't throw the baby out with the bathwater. | 0:25:49 | 0:25:52 | |
CLANGING | 0:25:55 | 0:25:57 | |
Oh, that was loud. | 0:25:57 | 0:25:58 | |
Across from the acer, the boys are adding large corner shrubs. | 0:25:59 | 0:26:03 | |
So we've got three. | 0:26:03 | 0:26:05 | |
We've got two dogwoods and one Japanese maple and these are | 0:26:05 | 0:26:08 | |
quite dappled and they act as that really lovely natural screening. | 0:26:08 | 0:26:12 | |
-Should we get it out and put it in? -Let's try it. | 0:26:12 | 0:26:14 | |
Ready? I'll hold it and you pull. | 0:26:14 | 0:26:16 | |
Good work, boss. | 0:26:18 | 0:26:19 | |
-Good strength. -It's light. | 0:26:19 | 0:26:21 | |
-Beautiful. -Yeah. | 0:26:23 | 0:26:25 | |
And these are going to look great, aren't they? | 0:26:25 | 0:26:27 | |
The cornus can grow more than ten feet tall, | 0:26:27 | 0:26:30 | |
so will balance out the acer on the other side of the patio. | 0:26:30 | 0:26:33 | |
But whilst the boys' backs are turned, | 0:26:36 | 0:26:38 | |
something strange is emerging from Charlie's flowerbed. | 0:26:38 | 0:26:42 | |
Like that. | 0:26:42 | 0:26:44 | |
Like that. For a bit of organ piping. | 0:26:44 | 0:26:46 | |
And then that's going to be a birdbath. | 0:26:46 | 0:26:49 | |
So Merv can clean it really easily. | 0:26:49 | 0:26:51 | |
So we've got a bit to go on top there. | 0:26:51 | 0:26:53 | |
And then we've got a bit of a water feature here, | 0:26:53 | 0:26:55 | |
which I'm going to plant up with an arum lily | 0:26:55 | 0:26:58 | |
and put a hosta draped over the side. | 0:26:58 | 0:27:00 | |
So it should look really sweet. | 0:27:00 | 0:27:02 | |
I do love this timber. | 0:27:02 | 0:27:06 | |
The first trees may have gone in, but there's still a lot to do | 0:27:06 | 0:27:09 | |
and the turf seat is yet to be finished. | 0:27:09 | 0:27:11 | |
Oh. Good for some, isn't it? | 0:27:11 | 0:27:13 | |
At least Charlie's not lying back on this. | 0:27:13 | 0:27:16 | |
I tell you what, done a good job here. | 0:27:16 | 0:27:18 | |
Well, it seems like it. | 0:27:18 | 0:27:20 | |
It's nice. It balances the tree really nicely. | 0:27:20 | 0:27:22 | |
It does. It's a nice, little feature, isn't it? | 0:27:22 | 0:27:24 | |
It's like a little drop-down chair. | 0:27:24 | 0:27:26 | |
On that note, don't go back. | 0:27:26 | 0:27:28 | |
-Flipping hell. -Charlie, Dave's lying back again. | 0:27:28 | 0:27:31 | |
I want to stargaze. It's not quite dark. | 0:27:31 | 0:27:32 | |
We've got to teach this youngster... | 0:27:32 | 0:27:34 | |
By the time we've finished this garden, it WILL be dark, | 0:27:34 | 0:27:37 | |
so get on. | 0:27:37 | 0:27:38 | |
It may be a long way off, but the ultimate aim of the boys' design | 0:27:47 | 0:27:51 | |
is to create a private outdoor room | 0:27:51 | 0:27:53 | |
that's separate to the rest of the garden. | 0:27:53 | 0:27:56 | |
Turning a plot into a series of rooms enables the garden owner | 0:27:56 | 0:28:00 | |
to create different spaces with their own purpose and mood. | 0:28:00 | 0:28:04 | |
One of the best examples of this is York Gate, | 0:28:08 | 0:28:11 | |
a one-acre garden in Leeds that was built after the war. | 0:28:11 | 0:28:14 | |
Here, yew and beech hedges separate the space into smaller gardens. | 0:28:15 | 0:28:20 | |
The garden itself, because of the use of rooms, | 0:28:21 | 0:28:24 | |
has many different themes within it. | 0:28:24 | 0:28:26 | |
We have a white and silver garden, a kitchen garden. | 0:28:26 | 0:28:30 | |
Behind me, we have the canal borders with some very distinctive topiary. | 0:28:30 | 0:28:35 | |
We also have a small woodland garden | 0:28:35 | 0:28:37 | |
and even a miniature pinetum as well, | 0:28:37 | 0:28:40 | |
so you can see you can fit a lot into a small space. | 0:28:40 | 0:28:43 | |
We've got 14 different compartments, | 0:28:43 | 0:28:45 | |
each with their own flavour. | 0:28:45 | 0:28:47 | |
The way that the rooms are set out is that they | 0:28:47 | 0:28:50 | |
flow into one another so different vistas and focal points are captured | 0:28:50 | 0:28:55 | |
as you walk around the garden. | 0:28:55 | 0:28:57 | |
You have a great sense of being enclosed within the space, | 0:28:57 | 0:29:00 | |
but it's not too claustrophobic. | 0:29:00 | 0:29:02 | |
A good example of a small but effective garden room | 0:29:04 | 0:29:07 | |
is the fern walk. | 0:29:07 | 0:29:08 | |
So early in the season, you have lots of erythroniums, | 0:29:08 | 0:29:11 | |
dog tooth violets and then that's followed by | 0:29:11 | 0:29:14 | |
all the lush fern foliage. | 0:29:14 | 0:29:15 | |
As you walk around the garden, | 0:29:17 | 0:29:19 | |
you catch glimpses of the adjoining rooms | 0:29:19 | 0:29:22 | |
to the room you're currently in, and it gives a great sense | 0:29:22 | 0:29:25 | |
of journey through the space so you can say, "Oh, what's over there? | 0:29:25 | 0:29:29 | |
"That's an interesting focal point." | 0:29:29 | 0:29:30 | |
But then you arrive at the focal point | 0:29:30 | 0:29:32 | |
and then you're in another room | 0:29:32 | 0:29:34 | |
and something else catches your attention. | 0:29:34 | 0:29:36 | |
With the different garden rooms, | 0:29:36 | 0:29:38 | |
each have their own distinctive feel, | 0:29:38 | 0:29:40 | |
but that means they've got their own distinctive collection of plants. | 0:29:40 | 0:29:44 | |
So one minute, we could be working the veg garden, | 0:29:44 | 0:29:48 | |
the next minute, you could be maintaining the topiary. | 0:29:48 | 0:29:52 | |
You could be looking after the waterlilies, | 0:29:52 | 0:29:54 | |
staking in the herbaceous borders. | 0:29:54 | 0:29:56 | |
We've got alpine troughs, a small succulent house, | 0:29:56 | 0:29:59 | |
so the variety is really quite immense. | 0:29:59 | 0:30:01 | |
Back in Hereford, | 0:30:05 | 0:30:07 | |
Charlie's determined to create some interesting views of her own. | 0:30:07 | 0:30:11 | |
Did you want a hand? | 0:30:11 | 0:30:13 | |
-I think we're done, actually. -Oh, are you sure? | 0:30:13 | 0:30:15 | |
CHARLIE LAUGHS | 0:30:15 | 0:30:17 | |
Why I oughtta! | 0:30:17 | 0:30:18 | |
-That's a good-looking hand. -Isn't it good? | 0:30:18 | 0:30:20 | |
You found that in the back of the shed somewhere? | 0:30:20 | 0:30:22 | |
Well, you scratch my back... | 0:30:22 | 0:30:24 | |
Actually, I'll scratch my own actually. | 0:30:24 | 0:30:26 | |
-Oh. -Oh, that's nice. | 0:30:26 | 0:30:29 | |
-That's really nice. -What do we do with that? | 0:30:29 | 0:30:32 | |
Do we just have to put it in like that? | 0:30:32 | 0:30:34 | |
No! Help! Help! | 0:30:34 | 0:30:35 | |
Buried too deep! | 0:30:35 | 0:30:37 | |
THEY LAUGH | 0:30:37 | 0:30:38 | |
It's time to get serious. | 0:30:42 | 0:30:44 | |
With the statement trees all in, the boys are keen to start planting. | 0:30:44 | 0:30:49 | |
But first, the top layer of the new turf seat needs to go on. | 0:30:49 | 0:30:54 | |
Just laying on the new turf now on the mound. | 0:30:54 | 0:30:56 | |
It's quite tricky cos it's a curve, so you have to keep altering it | 0:30:56 | 0:30:58 | |
and then filling in the triangles. | 0:30:58 | 0:31:00 | |
But as long as you've got a sturdy knife with you, a good sharp edge, | 0:31:00 | 0:31:03 | |
you know, little bit rough, | 0:31:03 | 0:31:05 | |
then all you do is you just fold one under the other, | 0:31:05 | 0:31:09 | |
cut down the line, and then they pair up really nicely. | 0:31:09 | 0:31:13 | |
When laying new turf, it's really important | 0:31:13 | 0:31:15 | |
to keep it watered to start with. | 0:31:15 | 0:31:16 | |
It's very prone to drying out, especially at the edges, | 0:31:16 | 0:31:20 | |
so as long as you keep it watered until it starts rooting | 0:31:20 | 0:31:22 | |
then it should be fine. | 0:31:22 | 0:31:23 | |
With this, definitely won't be able to get a mower up it | 0:31:27 | 0:31:29 | |
if you want to get a clean cut | 0:31:29 | 0:31:30 | |
so I'd recommend maybe just some shears, something like that. | 0:31:30 | 0:31:33 | |
It's quite nice to leave it a little bit shaggy, little bit long | 0:31:33 | 0:31:36 | |
so if you're lying back in it, it'll be a lot more cosy. | 0:31:36 | 0:31:39 | |
The brothers have given Charlie free rein | 0:31:39 | 0:31:42 | |
to create some new quirky features for Jackie, | 0:31:42 | 0:31:45 | |
but I'm not sure what they'll make of this one. | 0:31:45 | 0:31:47 | |
Right then, Lee... | 0:31:47 | 0:31:49 | |
CHARLIE GIGGLES | 0:31:49 | 0:31:51 | |
Hmm! This may or may not work, eh? | 0:31:51 | 0:31:54 | |
What I'm thinking is cutting the top off the head | 0:31:54 | 0:31:59 | |
and then planting it up. | 0:31:59 | 0:32:01 | |
I mean, Jackie loves her quirky stuff, but... | 0:32:01 | 0:32:04 | |
I mean, it was only £20 | 0:32:04 | 0:32:06 | |
and, if it works, it's going to look fantastic, | 0:32:06 | 0:32:11 | |
Or it'll be going straight into the skip. | 0:32:11 | 0:32:14 | |
OK? All right, then. | 0:32:14 | 0:32:16 | |
Up for a challenge, you know that. | 0:32:16 | 0:32:18 | |
This is one of the wackiest things yet. | 0:32:18 | 0:32:21 | |
-But we'll give it a go. -They'll be putting it in the skip. | 0:32:21 | 0:32:25 | |
CHARLIE LAUGHS | 0:32:27 | 0:32:28 | |
It's all right, don't worry! Bye! | 0:32:30 | 0:32:31 | |
-What did I hear? -Nothing. | 0:32:31 | 0:32:33 | |
-All right. -Nothing. | 0:32:33 | 0:32:35 | |
- What's that behind you there? - Nothing. | 0:32:35 | 0:32:37 | |
What's that? Sorry? | 0:32:37 | 0:32:38 | |
While Lee decapitates Charlie's mannequin, | 0:32:42 | 0:32:45 | |
the boys have moved on to planting between the slabs. | 0:32:45 | 0:32:48 | |
They've been laid in a staggered fashion so they can be interplanted | 0:32:50 | 0:32:54 | |
with perennials and grasses that will grow over the edges | 0:32:54 | 0:32:57 | |
and add to the intimate feel of the space. | 0:32:57 | 0:33:00 | |
Next door, Charlie's mannequin is ready for a new hairstyle. | 0:33:04 | 0:33:08 | |
I'm going to plant it up with some carex. | 0:33:08 | 0:33:10 | |
This is Frosted Curls, a bit like curly hair. | 0:33:10 | 0:33:13 | |
And then some sempervivums, or houseleeks. | 0:33:13 | 0:33:16 | |
These were called houseleeks because they used to use them | 0:33:16 | 0:33:19 | |
to plug up the holes in the roof, hence "house leaks". | 0:33:19 | 0:33:23 | |
Or they are also known as hens and chickens. | 0:33:23 | 0:33:26 | |
These are your hens and these are the baby chickens. | 0:33:26 | 0:33:29 | |
And they're really easy to propagate from, | 0:33:29 | 0:33:32 | |
so all these bits, or chickens, that have fallen off, | 0:33:32 | 0:33:35 | |
I'm going to make into cuttings | 0:33:35 | 0:33:37 | |
that I'm going to put in the top over here. | 0:33:37 | 0:33:40 | |
Like so. Won't that look cute? | 0:33:40 | 0:33:43 | |
Don't know whether this will look cute. | 0:33:43 | 0:33:45 | |
I think the hair first. | 0:33:45 | 0:33:47 | |
It's a bit... | 0:33:47 | 0:33:48 | |
Does that look like bed hair? | 0:33:54 | 0:33:56 | |
A bit like... Argh! | 0:33:56 | 0:33:58 | |
CHARLIE WHISPERS INDISTINCTLY | 0:33:58 | 0:34:00 | |
What does that look like, then, Lee? | 0:34:01 | 0:34:04 | |
Very good. Like she's got a fascinator on. | 0:34:04 | 0:34:06 | |
What are we going to call it? Bob? | 0:34:06 | 0:34:09 | |
-Bob. -Bob. | 0:34:09 | 0:34:10 | |
These gaps in the paving are looking quite harsh at the moment, | 0:34:12 | 0:34:15 | |
so what were going to do, we're going to use Alchemilla mollis | 0:34:15 | 0:34:17 | |
to really soften those edges. | 0:34:17 | 0:34:19 | |
It's a great plant, really hardy, and it self-seeds freely, | 0:34:19 | 0:34:23 | |
so it's great for filling up space. | 0:34:23 | 0:34:25 | |
Has a lovely yellow flower in the summer | 0:34:25 | 0:34:27 | |
and that's what helps itself seed, but if you cut that off | 0:34:27 | 0:34:30 | |
then you'll help reduce its spread. | 0:34:30 | 0:34:33 | |
Alchemilla really is bombproof. | 0:34:33 | 0:34:35 | |
It puts up with most soil conditions, | 0:34:35 | 0:34:37 | |
very happy in sun or shade. | 0:34:37 | 0:34:38 | |
And also, a nice little tip - if you cut it back in August then | 0:34:38 | 0:34:41 | |
these new, green shoots and leaves come out and it keeps on going. | 0:34:41 | 0:34:45 | |
An interesting fact where the name alchemilla comes from | 0:34:49 | 0:34:54 | |
is it originates from the word alchemy, | 0:34:54 | 0:34:57 | |
and that's due to the fact that | 0:34:57 | 0:34:59 | |
if you get water droplets on the leaves | 0:34:59 | 0:35:03 | |
then they rest as little spherical balls, | 0:35:03 | 0:35:05 | |
kind of like mercury or quicksilver | 0:35:05 | 0:35:07 | |
and this was thought to have healing or magic properties. | 0:35:07 | 0:35:10 | |
CHARLIE GROANS | 0:35:10 | 0:35:11 | |
It's time for Bob to find a home in the garden. | 0:35:11 | 0:35:16 | |
CHARLIE LAUGHS | 0:35:16 | 0:35:18 | |
Dun-dun-DUN! | 0:35:18 | 0:35:20 | |
So, we've nicknamed it Bob. | 0:35:20 | 0:35:21 | |
-Yeah. -And where would you like Bob to be positioned? | 0:35:21 | 0:35:26 | |
Centre stage. Right in the middle. | 0:35:26 | 0:35:28 | |
-Right in the middle. -I think you did a great job. | 0:35:28 | 0:35:30 | |
It looks like it's got a fringe coming down. | 0:35:30 | 0:35:32 | |
Off the catwalk in Milan. | 0:35:32 | 0:35:34 | |
Yeah. It's a fascinator. | 0:35:34 | 0:35:36 | |
That'll become the new thing now for fashion. | 0:35:36 | 0:35:39 | |
Macabre. | 0:35:39 | 0:35:40 | |
So do you really want it down there? | 0:35:40 | 0:35:42 | |
-No. I think we'll leave it out for now. -See! Leave it out for now. | 0:35:42 | 0:35:46 | |
-I do like it. -I think you did a great... | 0:35:46 | 0:35:48 | |
You couldn't actually have done any better with that. | 0:35:48 | 0:35:50 | |
I'll just have the head, I'm all over that. | 0:35:50 | 0:35:52 | |
You want me to plant it that deep in the ground. | 0:35:52 | 0:35:55 | |
Up to the neck, the neck will be fine. | 0:35:55 | 0:35:58 | |
But Charlie is determined to convince the boys. | 0:35:58 | 0:36:01 | |
And I think she's got to be side on. | 0:36:01 | 0:36:03 | |
Bob's sort of doing that. | 0:36:03 | 0:36:05 | |
-Nice. I like that. -Come hither. | 0:36:05 | 0:36:07 | |
Poor lady. She's got a muddy face, hasn't she? | 0:36:07 | 0:36:09 | |
Now they're getting carried away. | 0:36:12 | 0:36:14 | |
Do you want it laying down in the...? Ooh! | 0:36:15 | 0:36:17 | |
Oh, you've done it now. | 0:36:17 | 0:36:19 | |
-I think you should draw a face on it. -No! | 0:36:22 | 0:36:24 | |
Can we get a picture of Charlie's face and put it on there? | 0:36:24 | 0:36:26 | |
No, stop it. Right, go on, push off. | 0:36:26 | 0:36:29 | |
A less divisive feature is the turf mound, which is just about done. | 0:36:31 | 0:36:36 | |
Finally, I'm just giving this turf a good bashing. | 0:36:36 | 0:36:38 | |
That's just to make sure | 0:36:38 | 0:36:39 | |
that the roots make contact with the soil beneath. | 0:36:39 | 0:36:41 | |
The boys have focused more than half of the two-grand budget | 0:36:43 | 0:36:47 | |
on planting for the seating area and Charlie's bed by the extension, | 0:36:47 | 0:36:51 | |
and it's now heads down to get them filled. | 0:36:51 | 0:36:54 | |
What we've tried to do with this planting scheme is to create | 0:36:54 | 0:36:57 | |
a very naturalistic character. | 0:36:57 | 0:36:58 | |
Not one plant stands out from the rest | 0:36:58 | 0:37:01 | |
but instead they all kind of fuse together | 0:37:01 | 0:37:03 | |
in a very understated, simple way. | 0:37:03 | 0:37:05 | |
Harry and David are employing a muted colour scheme, | 0:37:06 | 0:37:09 | |
blending vibrant cirsium | 0:37:09 | 0:37:11 | |
with tall, flowing penstemons | 0:37:11 | 0:37:14 | |
and the elegant pink skyrocket, | 0:37:14 | 0:37:16 | |
the tiarella, to give the garden the calming, soothing feel that Jackie, | 0:37:16 | 0:37:20 | |
Neil and Mervyn are all looking for. | 0:37:20 | 0:37:23 | |
What's really lovely about this space is that you've got | 0:37:23 | 0:37:26 | |
the magnolia, you've got the holly, you've got the twisted willow | 0:37:26 | 0:37:29 | |
and then it drops down to the dogwood and the acer | 0:37:29 | 0:37:31 | |
and that really does create this lovely, dappled space | 0:37:31 | 0:37:33 | |
so when you're sitting in here, it feels very relaxed. | 0:37:33 | 0:37:36 | |
This garden has been the product of hard work and lots of imagination, | 0:37:39 | 0:37:44 | |
a blend of art, recycling and ingenious design | 0:37:44 | 0:37:49 | |
and, as the last of the plants and knick-knacks go in, it's done. | 0:37:49 | 0:37:54 | |
Just a few days ago, Neil, Jackie and Mervyn's garden | 0:37:59 | 0:38:03 | |
was stuck in the past. | 0:38:03 | 0:38:04 | |
Although it held precious memories for the family, | 0:38:06 | 0:38:09 | |
they wanted something that looked to the future. | 0:38:09 | 0:38:12 | |
Now, thanks to the boys' design, | 0:38:14 | 0:38:16 | |
it's the perfect garden for their new life together. | 0:38:16 | 0:38:20 | |
To make the two-grand budget work, | 0:38:21 | 0:38:23 | |
the boys have focused the money on the key area of the garden | 0:38:23 | 0:38:27 | |
that Jackie and Neil wanted to change. | 0:38:27 | 0:38:30 | |
At its heart is a new secluded seating area | 0:38:30 | 0:38:34 | |
based around the boys' staggered patio. | 0:38:34 | 0:38:36 | |
Coming in at just short of £500, | 0:38:37 | 0:38:41 | |
it's been interplanted with subtle shades | 0:38:41 | 0:38:43 | |
that will grow and spill over the edges. | 0:38:43 | 0:38:45 | |
The boys spent more than half the budget on new trees, | 0:38:47 | 0:38:50 | |
shrubs and perennials to add privacy. | 0:38:50 | 0:38:52 | |
And Harry spent just £50 | 0:38:54 | 0:38:56 | |
creating a home-made steel sculpture | 0:38:56 | 0:38:59 | |
that echoes the lines of the willow tree. | 0:38:59 | 0:39:02 | |
To break up the long lawn, Dave has added a new zero-budget feature, | 0:39:02 | 0:39:07 | |
a circular turf mount to highlight the magnolia tree. | 0:39:07 | 0:39:11 | |
And, thanks to Charlie, | 0:39:12 | 0:39:14 | |
Jackie's love for the unusual is still a big part of the garden... | 0:39:14 | 0:39:18 | |
in the shape of a new birdbath, | 0:39:18 | 0:39:21 | |
and Bob the mannequin. | 0:39:21 | 0:39:23 | |
When they contacted Garden Rescue, | 0:39:31 | 0:39:34 | |
Jackie and Neil were looking for a space | 0:39:34 | 0:39:36 | |
that reflected the new interior of the house, | 0:39:36 | 0:39:39 | |
whilst being a calming spot for them and dad Mervyn. | 0:39:39 | 0:39:42 | |
I have to say, Bob the mannequin could either be a fantastic hit | 0:39:43 | 0:39:48 | |
or a complete no. | 0:39:48 | 0:39:51 | |
It's time to find out if they got what they paid for. | 0:39:51 | 0:39:55 | |
Are you guys excited? | 0:39:55 | 0:39:57 | |
-Yes. -Very, actually, yes. And nervous. | 0:39:57 | 0:40:00 | |
Right. Three, two, one, open your eyes. | 0:40:00 | 0:40:03 | |
Oh, hey... | 0:40:04 | 0:40:05 | |
-Oh, look at this. -That's lovely. | 0:40:05 | 0:40:08 | |
That looks really good, doesn't it? | 0:40:08 | 0:40:10 | |
-Yeah. -That's Charlie's little area. | 0:40:10 | 0:40:12 | |
There's a bit of quirk there. | 0:40:12 | 0:40:14 | |
Smiling. Smiling. Smiling's good. | 0:40:14 | 0:40:17 | |
You did mention that we couldn't out-quirk you... | 0:40:17 | 0:40:20 | |
and we had a go. | 0:40:20 | 0:40:21 | |
THEY LAUGH | 0:40:21 | 0:40:22 | |
How strange is that? | 0:40:23 | 0:40:24 | |
-That is really good. -Have we out-quirked you? | 0:40:27 | 0:40:30 | |
I love it. That's brilliant. | 0:40:30 | 0:40:32 | |
Jackie likes it. | 0:40:32 | 0:40:33 | |
Neil looks a little perplexed, but he is smiling. | 0:40:33 | 0:40:37 | |
Well, my best bit in the garden. | 0:40:37 | 0:40:39 | |
You're meant to be able to lie back on this. | 0:40:39 | 0:40:41 | |
They've done it so you can do a bit of stargazing. Look at that. | 0:40:41 | 0:40:44 | |
Different heights as well. | 0:40:44 | 0:40:46 | |
I did catch him sleeping on this earlier. | 0:40:46 | 0:40:47 | |
-I was. I had a little nap. -It definitely has been tested. | 0:40:47 | 0:40:50 | |
-JACKIE: -I'm not going to test it now because I won't get back up. | 0:40:50 | 0:40:54 | |
-What do you think about the slabbing? -Oh, it's amazing. | 0:40:54 | 0:40:57 | |
I'm not sure anybody was going to be allowed to walk on this. | 0:40:57 | 0:40:59 | |
-You're fine to walk on it. -Thank you. | 0:40:59 | 0:41:02 | |
What do you think of the acer? | 0:41:02 | 0:41:04 | |
It's stunning. That is beautiful. | 0:41:04 | 0:41:06 | |
It's a big tree, isn't it? | 0:41:06 | 0:41:08 | |
I think it's great the way the boys have kept | 0:41:08 | 0:41:11 | |
a lot of things that remind Jackie of growing up here. | 0:41:11 | 0:41:15 | |
What do you think of the sculpture? | 0:41:15 | 0:41:17 | |
It's amazing. | 0:41:17 | 0:41:19 | |
-Get the plants growing along it, it'll be great. -Yeah. | 0:41:19 | 0:41:22 | |
It'll definitely soften over time. | 0:41:22 | 0:41:24 | |
The way it moves in the wind, we quite like. | 0:41:24 | 0:41:27 | |
The wire sculpture is very subtle. | 0:41:27 | 0:41:30 | |
You sort of see it but you don't sort of see it. | 0:41:30 | 0:41:33 | |
It's very clever. | 0:41:33 | 0:41:35 | |
So you grew up in this garden and it's changed now since then. | 0:41:35 | 0:41:39 | |
How do you feel about that? | 0:41:39 | 0:41:41 | |
A bit emotional about it, actually. | 0:41:41 | 0:41:44 | |
Yeah. Mum would have loved this. | 0:41:44 | 0:41:46 | |
It's just absolutely lovely. | 0:41:46 | 0:41:48 | |
Thank you very much. | 0:41:48 | 0:41:50 | |
It's happy tears, it really is. | 0:41:50 | 0:41:51 | |
I have to say I think it's lovely. | 0:41:58 | 0:42:00 | |
For you, what element do you think works the best? | 0:42:00 | 0:42:04 | |
Definitely the mannequin. | 0:42:04 | 0:42:06 | |
Oh, all right, all right. | 0:42:06 | 0:42:08 | |
I'm chuffed to bits with it all. It looks great. | 0:42:08 | 0:42:10 | |
I really love the sculpture, the metal rods. | 0:42:10 | 0:42:13 | |
I think it's just something you just don't ever think of. | 0:42:13 | 0:42:15 | |
The planting is my favourite bit. | 0:42:15 | 0:42:18 | |
It just has a nice feeling to it. | 0:42:18 | 0:42:20 | |
Has that kind of woodlandy, dappled kind of gentle, isn't it? | 0:42:20 | 0:42:25 | |
THEY CHEER | 0:42:26 | 0:42:27 | |
And it looks like dad Mervyn is a fan, too. | 0:42:29 | 0:42:32 | |
It's something that goes with the house now, doesn't it? | 0:42:33 | 0:42:36 | |
-Yeah. -You know, it's in keeping with the house. | 0:42:36 | 0:42:38 | |
So do the family think it's £2,000 well spent? | 0:42:38 | 0:42:42 | |
-They told me it was 5,000. -LAUGHTER | 0:42:42 | 0:42:45 | |
For £2,000, | 0:42:45 | 0:42:47 | |
it's not a huge amount of money in doing a whole garden in one go, | 0:42:47 | 0:42:50 | |
but, for us at the time, it was a lot of money to put towards it | 0:42:50 | 0:42:53 | |
-and it's worth every penny. -It is. | 0:42:53 | 0:42:56 | |
They've done a fantastic job. | 0:42:56 | 0:42:57 | |
-We couldn't have done something like this. -We couldn't have dreamt it. | 0:42:57 | 0:43:01 |