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With her can-do attitude, love of simple gardens | 0:00:02 | 0:00:04 | |
and decades of experience... | 0:00:04 | 0:00:06 | |
-Hello! -..Charlie Dimmock is one of Britain's best-loved gardeners. | 0:00:06 | 0:00:09 | |
Looking good, boys! | 0:00:09 | 0:00:12 | |
But the new kids on the gardening block are the Rich brothers. | 0:00:12 | 0:00:15 | |
We want to be the brothers that change people's perceptions | 0:00:15 | 0:00:18 | |
of gardens. | 0:00:18 | 0:00:19 | |
Winners of multiple medals at the Chelsea Flower Show... | 0:00:19 | 0:00:22 | |
-Oh, wow. -Oh, good turn. -It's amazing, isn't it? | 0:00:22 | 0:00:24 | |
..the boys have become known for their dramatic outdoor spaces. | 0:00:24 | 0:00:29 | |
Now these two different generations of gardening are going head-to-head. | 0:00:29 | 0:00:34 | |
I know they've got a gold medal, but I can come up with a few ideas. | 0:00:34 | 0:00:38 | |
They're meeting frustrated garden owners across the country... | 0:00:38 | 0:00:42 | |
The photos made it look tiny. It is, isn't it? | 0:00:42 | 0:00:45 | |
-I'm sure you've seen larger. -I don't know what to do with it. | 0:00:45 | 0:00:48 | |
..and will each pitch them a design based on their needs... | 0:00:48 | 0:00:51 | |
-Wow! -..and budget. -It looks really exciting. | 0:00:51 | 0:00:55 | |
-It doesn't look like it could be our garden. -The winner... -Ta-dah! | 0:00:55 | 0:00:58 | |
THEY CHEER ..brings their design to life... | 0:00:58 | 0:01:01 | |
-Hold on, hold on! -Sweet as a nut. | 0:01:01 | 0:01:04 | |
..and the loser has to help them build it. | 0:01:04 | 0:01:07 | |
Oh, I'm getting irritated now with the faffing around. | 0:01:07 | 0:01:10 | |
This is what happens... | 0:01:10 | 0:01:11 | |
-Does he ever get irritating? -All the time. | 0:01:11 | 0:01:14 | |
..when difference styles collide... | 0:01:14 | 0:01:16 | |
-Who chose these? -One, two, three! | 0:01:16 | 0:01:18 | |
This looks like your design. | 0:01:18 | 0:01:20 | |
Yeah! | 0:01:20 | 0:01:22 | |
..to turn garden dreams into reality. | 0:01:22 | 0:01:25 | |
-Wow! -Open your eyes. | 0:01:25 | 0:01:27 | |
Wow. It's amazing. | 0:01:27 | 0:01:30 | |
It's beautiful. | 0:01:30 | 0:01:32 | |
So, whose garden will Charlie and the Rich brothers | 0:01:38 | 0:01:40 | |
be battling over today? | 0:01:40 | 0:01:42 | |
It's time to find out. | 0:01:42 | 0:01:44 | |
-What we got then? -Right. | 0:01:44 | 0:01:46 | |
Stan and Gloria have sent these in from Faversham, | 0:01:46 | 0:01:49 | |
and they're a lovely couple | 0:01:49 | 0:01:51 | |
that have lived in this beautiful flint cottage for 14 years. | 0:01:51 | 0:01:55 | |
-Yeah. -It's very pretty, isn't it? -Mm. | 0:01:55 | 0:01:58 | |
Stan and Gloria's family home | 0:01:58 | 0:02:00 | |
is a barn that was converted into cottages 120 years ago. | 0:02:00 | 0:02:05 | |
And it was a case of love at first sight. | 0:02:05 | 0:02:08 | |
We walked down the drive and we just turned the corner | 0:02:08 | 0:02:11 | |
and saw the house, and I just thought, | 0:02:11 | 0:02:14 | |
"Yeah, I really love this. I could live here. | 0:02:14 | 0:02:17 | |
"Yes. This is the one. This is the place." | 0:02:17 | 0:02:19 | |
There's just something magical about it. | 0:02:19 | 0:02:22 | |
And they cherish their front garden just as much as their home. | 0:02:22 | 0:02:26 | |
It was a very sort of natural garden, and, you know, | 0:02:26 | 0:02:30 | |
we'd like nothing more on a summer's evening | 0:02:30 | 0:02:32 | |
sitting outside with a glass of wine. | 0:02:32 | 0:02:35 | |
But two years ago, disaster struck. | 0:02:36 | 0:02:39 | |
My goodness. Look at that. | 0:02:39 | 0:02:42 | |
After a period of heavy rain, | 0:02:42 | 0:02:44 | |
a 200-year-old retaining wall on the border of their property collapsed. | 0:02:44 | 0:02:49 | |
A landslide followed, | 0:02:49 | 0:02:51 | |
sweeping their cherished garden into the woods below. | 0:02:51 | 0:02:55 | |
Took out the whole front garden and the whole driveway, | 0:02:55 | 0:02:58 | |
and that took about ten mature trees with it as well. | 0:02:58 | 0:03:01 | |
We realised that we had had quite a... | 0:03:01 | 0:03:05 | |
An extensive... | 0:03:05 | 0:03:07 | |
-Well, a catastrophic sort of collapse. -Yeah. | 0:03:07 | 0:03:09 | |
It changed everything. | 0:03:09 | 0:03:13 | |
Almost all of Gloria's beloved plants | 0:03:13 | 0:03:16 | |
and much-loved weeping willow were gone. | 0:03:16 | 0:03:20 | |
Over the last two years, | 0:03:20 | 0:03:21 | |
the wall has been rebuilt and the driveway replaced. | 0:03:21 | 0:03:26 | |
But with the exception of a few shrubs, | 0:03:26 | 0:03:28 | |
the front garden is now just a barren wasteland. | 0:03:28 | 0:03:32 | |
I think the garden looks stark and raw now. | 0:03:32 | 0:03:35 | |
There's too much tarmac. | 0:03:35 | 0:03:37 | |
I've lost heart, I think. I think that's the thing. | 0:03:37 | 0:03:40 | |
Gloria and Stan are now desperate to bring their garden | 0:03:45 | 0:03:48 | |
back to its former glory. | 0:03:48 | 0:03:51 | |
My dream would be to have that lovely feeling | 0:03:51 | 0:03:54 | |
when you sort of come round the corner and see the house. | 0:03:54 | 0:03:57 | |
It is such a nice spot, | 0:03:57 | 0:03:59 | |
and to be able to use it again would be very special. | 0:03:59 | 0:04:04 | |
But with much of the couple's time and money | 0:04:04 | 0:04:06 | |
going into the building work, | 0:04:06 | 0:04:08 | |
there's little left over for the garden. | 0:04:08 | 0:04:11 | |
The budget that we have for this is £1,500. | 0:04:11 | 0:04:16 | |
But the old front garden will be a hard act to follow, | 0:04:16 | 0:04:19 | |
so pleasing Gloria and Stan won't be easy. | 0:04:19 | 0:04:24 | |
Considering the history of this garden, | 0:04:24 | 0:04:25 | |
I'm pretty sure they're not going to be wanting any water features, | 0:04:25 | 0:04:28 | |
-are they, Charlie? -Is that pointed at me? | 0:04:28 | 0:04:31 | |
-Maybe. -Hey? -THEY LAUGH | 0:04:31 | 0:04:33 | |
This is a seriously demanding project, | 0:04:37 | 0:04:41 | |
and Charlie and the boys will now compete for the chance | 0:04:41 | 0:04:45 | |
to restore Gloria and Stan's garden to its former glory. | 0:04:45 | 0:04:50 | |
So, they're heading to Kent | 0:04:50 | 0:04:51 | |
to see the house and garden in the flesh. | 0:04:51 | 0:04:54 | |
They're on the lookout for clues and ideas, | 0:04:54 | 0:04:57 | |
something special that will give them an edge. | 0:04:57 | 0:05:00 | |
-Ah. -Yes, this is... -Wow. | 0:05:00 | 0:05:03 | |
You can see where the builders have been. | 0:05:03 | 0:05:05 | |
-Yeah, you definitely see... -Yeah, right there. | 0:05:05 | 0:05:07 | |
-It looks like it was quite a pretty garden at one point. -Yeah. -Cute. | 0:05:07 | 0:05:11 | |
-And it's a bit of a tricky space. There's no boundaries. -Yeah. | 0:05:11 | 0:05:14 | |
I think just probably best to keep it natural | 0:05:14 | 0:05:16 | |
-and kind of work with nature. -Stop stealing my ideas, you! | 0:05:16 | 0:05:19 | |
-Let's go and find them, shall we? -Yeah. | 0:05:19 | 0:05:21 | |
Charlie wants to find out from Gloria and Stan | 0:05:24 | 0:05:27 | |
what their old garden was like. | 0:05:27 | 0:05:29 | |
So, you just walked out and... | 0:05:29 | 0:05:31 | |
-Yes, it's gone. -..it was gone. | 0:05:31 | 0:05:33 | |
-Were you like, "Oh!" -Yeah. -We were. We couldn't believe it. | 0:05:33 | 0:05:36 | |
Well, it was a bit of a shock. | 0:05:36 | 0:05:38 | |
You know, just didn't realise it had gone. | 0:05:38 | 0:05:40 | |
But the boys want to see inside the house | 0:05:42 | 0:05:45 | |
to see whether there's anything particular about the couple's taste | 0:05:45 | 0:05:48 | |
that might give them some clues. | 0:05:48 | 0:05:51 | |
-Oh, wow. Oh, lovely and cosy in this room, isn't it? -Yeah. | 0:05:51 | 0:05:54 | |
-Some lovely details. Look at the beams. -Yeah. | 0:05:54 | 0:05:56 | |
-Really cottage-y, isn't it? -It's super cottage-y. | 0:05:56 | 0:05:59 | |
The boys are famous for their contemporary designs, | 0:05:59 | 0:06:02 | |
but there's nothing modern about this house. | 0:06:02 | 0:06:04 | |
Gloria and Stan love their period details. | 0:06:04 | 0:06:07 | |
Then they've got lovely detail on the window, that lead diamond shape. | 0:06:07 | 0:06:10 | |
Yeah, it's on the cupboards over there as well. | 0:06:10 | 0:06:12 | |
Yeah, so maybe that's a nice thing to tie back in with the garden. | 0:06:12 | 0:06:15 | |
So, to get it back looking beautiful... | 0:06:15 | 0:06:18 | |
-Would mean an awful lot. -Mm. -It would mean a lot. -Yeah. | 0:06:18 | 0:06:21 | |
Inside, the boys have spotted another reason why the front garden | 0:06:21 | 0:06:26 | |
is so important to Gloria and Stan. | 0:06:26 | 0:06:28 | |
Look outside. It's beautiful. | 0:06:28 | 0:06:29 | |
Oh, it's a gorgeous view out the window, isn't it? Really nice. | 0:06:29 | 0:06:32 | |
I don't want to cut those views out, so... | 0:06:32 | 0:06:34 | |
-Important to keep them. -Yeah. | 0:06:34 | 0:06:36 | |
And what do you want from the garden? | 0:06:40 | 0:06:42 | |
Something low-maintenance, enhance nature, | 0:06:42 | 0:06:45 | |
that's compatible with the cottage. | 0:06:45 | 0:06:47 | |
That sort of wow factor where a garden kind of framed the house, | 0:06:47 | 0:06:50 | |
if you know what I mean. | 0:06:50 | 0:06:52 | |
-Easy then. -Spot on. -Good. -THEY LAUGH | 0:06:52 | 0:06:54 | |
Do you think you could do that, Charlie? | 0:06:54 | 0:06:56 | |
-Oh, the boys are good. -THEY LAUGH | 0:06:56 | 0:07:00 | |
It's all smiles now, | 0:07:01 | 0:07:02 | |
but restoring this big front garden to its former beauty for just £1,500 | 0:07:02 | 0:07:07 | |
won't be easy. | 0:07:07 | 0:07:09 | |
And after two years of building hell, | 0:07:09 | 0:07:12 | |
Gloria and Stan will be very anxious about the results. | 0:07:12 | 0:07:16 | |
So, Charlie and the Rich brothers get straight to work. | 0:07:19 | 0:07:22 | |
They each have to come up with a winning design | 0:07:26 | 0:07:29 | |
and then present it to Gloria and Stan, | 0:07:29 | 0:07:32 | |
who will choose which one gets built. | 0:07:32 | 0:07:34 | |
But the loser doesn't get off lightly, | 0:07:34 | 0:07:36 | |
as they have to help the winner build the garden. | 0:07:36 | 0:07:39 | |
Charlie seemed to be on the couple's wavelength, | 0:07:43 | 0:07:46 | |
and her wealth of experience could give her an edge... | 0:07:46 | 0:07:49 | |
especially as this kind of traditional garden | 0:07:49 | 0:07:52 | |
is new territory for the boys. | 0:07:52 | 0:07:55 | |
It's time to see if they've done their homework | 0:07:55 | 0:07:58 | |
and can upset the odds. | 0:07:58 | 0:08:00 | |
So, this is your patio as it is. | 0:08:00 | 0:08:02 | |
-At the moment, you go up the steps here, don't you? -Yeah. | 0:08:02 | 0:08:05 | |
-So, I'm basically taking those steps away... -Yeah. | 0:08:05 | 0:08:08 | |
..enhancing the planting you've got | 0:08:08 | 0:08:09 | |
and then you will just slope up onto the grass, | 0:08:09 | 0:08:14 | |
rather than steps. | 0:08:14 | 0:08:16 | |
-Oh, right. -So, we'll grade it up. -Yeah. | 0:08:16 | 0:08:18 | |
And this is a Gothic seat, almost like a throne. | 0:08:18 | 0:08:22 | |
It's a Gothic chair for one person. | 0:08:22 | 0:08:25 | |
The design is very natural, very organic shapes, | 0:08:26 | 0:08:29 | |
and it's split into three areas. | 0:08:29 | 0:08:32 | |
Here we've got a main seating area | 0:08:32 | 0:08:34 | |
which is surrounded by beautiful cottage-style perennial planting, | 0:08:34 | 0:08:37 | |
and then around the outside we've got this longer grass, | 0:08:37 | 0:08:39 | |
more of a natural meadow. | 0:08:39 | 0:08:41 | |
Both sides have remembered the couple love sitting | 0:08:42 | 0:08:46 | |
in their old front garden, | 0:08:46 | 0:08:48 | |
but Charlie has only put in a seat for one. | 0:08:48 | 0:08:51 | |
Where's Stan going to go? | 0:08:52 | 0:08:54 | |
Improving the view of the garage and tarmac drive | 0:08:56 | 0:09:00 | |
was the next challenge. | 0:09:00 | 0:09:01 | |
So, one of the main features in the garden | 0:09:01 | 0:09:04 | |
is this living willow fence. | 0:09:04 | 0:09:06 | |
It really blocks off the tarmac that you've got around... | 0:09:06 | 0:09:08 | |
-Yes, it softens it all. -Yes, exactly. So... | 0:09:08 | 0:09:10 | |
It's a natural screen. | 0:09:10 | 0:09:11 | |
So, I've got across here, this is a feature | 0:09:13 | 0:09:15 | |
and it's a chestnut post and rail fence with a gate, | 0:09:15 | 0:09:20 | |
a hobbit gate. | 0:09:20 | 0:09:22 | |
Gloria and Stan lost ten trees in the landslide, | 0:09:22 | 0:09:26 | |
so both designers are keen to put some back. | 0:09:26 | 0:09:29 | |
We really wanted to capture this native British woodland feel, | 0:09:29 | 0:09:32 | |
and you know, choosing these small trees and shrubs is really | 0:09:32 | 0:09:35 | |
going to give you this long season | 0:09:35 | 0:09:37 | |
and it's going to have blossom, autumn interest. | 0:09:37 | 0:09:41 | |
It's going to attract birds and wildlife. | 0:09:41 | 0:09:44 | |
I've got several different trees that are very beautiful, | 0:09:44 | 0:09:50 | |
so I've got a multi-stemmed birch here | 0:09:50 | 0:09:53 | |
so you'll get, with the sun setting over there, | 0:09:53 | 0:09:56 | |
you'll get the bark highlighted in the evening sun. | 0:09:56 | 0:09:58 | |
It looks beautiful. | 0:09:58 | 0:10:00 | |
Gloria and Stan are understandably nervous | 0:10:00 | 0:10:04 | |
and have some questions. | 0:10:04 | 0:10:05 | |
What height do the trees grow to? | 0:10:05 | 0:10:07 | |
-Well, they're all small ones... -Oh, right. OK. -Yeah. | 0:10:07 | 0:10:09 | |
..cos I didn't want to lose the light. | 0:10:09 | 0:10:11 | |
How high are the...? | 0:10:14 | 0:10:15 | |
-The fence? -The fencing, yeah. | 0:10:15 | 0:10:17 | |
Probably be about no bigger than me. I'm not the biggest man, but... | 0:10:17 | 0:10:20 | |
Something that's not going to be imposing. | 0:10:20 | 0:10:22 | |
Their time is up. | 0:10:22 | 0:10:25 | |
It's now down to Gloria and Stan. | 0:10:25 | 0:10:27 | |
-I do like Charlie's planting. -Yeah. | 0:10:27 | 0:10:30 | |
I think the way she explained the gate thing there, | 0:10:30 | 0:10:33 | |
it's a sort of quite a natural beauty. | 0:10:33 | 0:10:36 | |
You lead through the gate up to actual tarmac. | 0:10:36 | 0:10:39 | |
Yeah. And it is hidden. | 0:10:39 | 0:10:41 | |
With the boys' one, it's a complete change. | 0:10:41 | 0:10:43 | |
I like the idea of seating, | 0:10:43 | 0:10:45 | |
somewhere to sit and make more use of the garden. | 0:10:45 | 0:10:50 | |
-But I particularly like this. -The willow. | 0:10:50 | 0:10:53 | |
-Yeah. -Yeah. | 0:10:53 | 0:10:54 | |
-It's difficult. -It is. It's very difficult, isn't it? | 0:10:54 | 0:10:58 | |
After two years of disappointment, not surprisingly, | 0:10:58 | 0:11:02 | |
Gloria and Stan are having trouble deciding. | 0:11:02 | 0:11:05 | |
-I mean, I like both of them. -Well... | 0:11:05 | 0:11:08 | |
We're not going to argue about it. | 0:11:08 | 0:11:10 | |
..it's going to have to be up to you. | 0:11:10 | 0:11:13 | |
Well, only one design can win, so who's it going to be? | 0:11:13 | 0:11:18 | |
Will they go for Charlie's sloping woodland, | 0:11:18 | 0:11:21 | |
hobbit gate and Gothic seat | 0:11:21 | 0:11:23 | |
or the boys' curved path and seating area, | 0:11:23 | 0:11:26 | |
meadow grass and willow screen? | 0:11:26 | 0:11:29 | |
Well, it's been a very, very difficult decision. | 0:11:31 | 0:11:35 | |
I'm sorry we've taken so long. | 0:11:35 | 0:11:36 | |
No problem. | 0:11:36 | 0:11:38 | |
But in the end, we've decided to go with... | 0:11:38 | 0:11:41 | |
SHE SINGS FANFARE | 0:11:43 | 0:11:45 | |
CHEERING | 0:11:45 | 0:11:48 | |
-Woo! -Great decision. | 0:11:48 | 0:11:49 | |
-So, thank you both very much. -Oh, it's lovely. Thank you. -Yeah. | 0:11:49 | 0:11:52 | |
Absolutely thrilled. | 0:11:52 | 0:11:53 | |
-Oh, good. -Thank you. | 0:11:53 | 0:11:55 | |
I like the living hedge, | 0:11:55 | 0:11:57 | |
-cos I thought that was very natural for the... -Yes, yeah. | 0:11:57 | 0:11:59 | |
For the garden, yeah. | 0:11:59 | 0:12:00 | |
It would be nice to sit here with a glass of wine in the summer | 0:12:00 | 0:12:03 | |
-and look over onto the trees in the hills over there... -Yes. | 0:12:03 | 0:12:06 | |
-..so, yes. -We'll hold you to that. | 0:12:06 | 0:12:09 | |
You're very welcome to come back. | 0:12:09 | 0:12:11 | |
So, against the odds, the Rich brothers have won. | 0:12:13 | 0:12:16 | |
But there's no doubt they'll need Charlie's help with this one. | 0:12:16 | 0:12:20 | |
They might be in charge, but with such a big garden | 0:12:20 | 0:12:23 | |
and small budget, her wealth of experience could be crucial. | 0:12:23 | 0:12:27 | |
It's the first day of the build. | 0:12:36 | 0:12:39 | |
With the boys away making final touches to the design, | 0:12:39 | 0:12:42 | |
project manager Kate and landscapist Adam and Scott | 0:12:42 | 0:12:46 | |
are preparing the site. | 0:12:46 | 0:12:48 | |
With the ground in a terrible state, | 0:12:51 | 0:12:53 | |
almost all of the plot needs to be dug up, | 0:12:53 | 0:12:56 | |
so to save time, Kate has hired Scott | 0:12:56 | 0:12:58 | |
a new toy for the day. | 0:12:58 | 0:13:01 | |
So, we're using the digger to grade our soil to make it nice and level. | 0:13:01 | 0:13:06 | |
It may use up £250 of our £1,500 budget, | 0:13:06 | 0:13:12 | |
but it would take an army days to do the same job, | 0:13:12 | 0:13:15 | |
so it's worth it. | 0:13:15 | 0:13:16 | |
And actually it's quite good soil, so I'm quite pleased about that. | 0:13:19 | 0:13:22 | |
But the guys have to be careful. | 0:13:24 | 0:13:26 | |
Two years of building has changed the plot completely, | 0:13:26 | 0:13:30 | |
and there are unexpected surprises hidden underground. | 0:13:30 | 0:13:33 | |
Hang on. | 0:13:33 | 0:13:35 | |
-That is the old oil pipe... -Right. | 0:13:37 | 0:13:41 | |
..I reckon, so that would've been the power for the old pump. | 0:13:41 | 0:13:44 | |
Yeah. | 0:13:44 | 0:13:46 | |
-I've got to be really careful when we come through here. -Yeah. | 0:13:46 | 0:13:50 | |
One of the selling points of the Rich brothers' design | 0:13:51 | 0:13:55 | |
was a new path and seating area, | 0:13:55 | 0:13:57 | |
and Scott and Adam have to figure out | 0:13:57 | 0:14:00 | |
where the circle goes. | 0:14:00 | 0:14:02 | |
To create the circle, you put a peg at the centre point | 0:14:02 | 0:14:05 | |
and work out how big you want your arch. | 0:14:05 | 0:14:08 | |
And then just follow our line around with our string line | 0:14:08 | 0:14:11 | |
from the centre point. | 0:14:11 | 0:14:13 | |
The Rich brothers want the centre point | 0:14:13 | 0:14:14 | |
to be the place where Gloria and Stan | 0:14:14 | 0:14:16 | |
will have the best view. | 0:14:16 | 0:14:19 | |
But the circle needs to be just big enough | 0:14:19 | 0:14:21 | |
for a table and chairs. | 0:14:21 | 0:14:23 | |
Once it's marked out, the soil is levelled | 0:14:24 | 0:14:28 | |
and the base layer of aggregate can start going down. | 0:14:28 | 0:14:31 | |
Good work. We're nearly there now. | 0:14:41 | 0:14:43 | |
One of the issues with Stan and Gloria's plot | 0:14:44 | 0:14:47 | |
is that the narrow drive is on a steep slope, | 0:14:47 | 0:14:50 | |
so every time there's a delivery, everyone has to stop, | 0:14:50 | 0:14:55 | |
walk up the drive and carry it back to the site. | 0:14:55 | 0:14:59 | |
But now the bulk of the plants are here, | 0:14:59 | 0:15:02 | |
Kate has spotted a problem. | 0:15:02 | 0:15:04 | |
An area for planting on the boys' design is at the moment | 0:15:04 | 0:15:09 | |
covered in tarmac. | 0:15:09 | 0:15:10 | |
David is on his way, but she needs his help now | 0:15:12 | 0:15:14 | |
to get to the bottom of it. | 0:15:14 | 0:15:16 | |
-Hi, David. It's Kate. -'Hey, Kate. How are you?' | 0:15:16 | 0:15:19 | |
Yeah, pretty good. | 0:15:19 | 0:15:22 | |
Do you remember on your design they've got the garage | 0:15:22 | 0:15:25 | |
and quite a lot of tarmac, | 0:15:25 | 0:15:27 | |
and originally you had some planting in that area? | 0:15:27 | 0:15:31 | |
'Yes, yeah. I do. You don't want to dig in there, do you?' | 0:15:31 | 0:15:34 | |
We don't want to do that, no. | 0:15:34 | 0:15:35 | |
Maybe we could get three planters | 0:15:35 | 0:15:38 | |
and then get some plants to go in those planters. | 0:15:38 | 0:15:40 | |
'It'd look lovely. It would blend in with everything, wouldn't it?' | 0:15:40 | 0:15:43 | |
Yeah, I think so. Definitely. | 0:15:43 | 0:15:45 | |
'Any natural material I think would look really nice.' | 0:15:45 | 0:15:47 | |
That's all very well, assuming we have the money for planters. | 0:15:47 | 0:15:52 | |
That's the last of them, I think. | 0:15:54 | 0:15:56 | |
With so much still to do, the team could do with some support. | 0:16:01 | 0:16:05 | |
Charlie's here, but where are the boys? | 0:16:05 | 0:16:09 | |
It is their design, after all. | 0:16:09 | 0:16:11 | |
There's David, but where's Harry? | 0:16:12 | 0:16:15 | |
-Oh! -And what time do you call this? | 0:16:15 | 0:16:18 | |
-Where is your other half? -You're here! -Oh, yeah. Very funny. | 0:16:18 | 0:16:21 | |
-Where's Harry? -The not-so-better half, he's ill, unfortunately. | 0:16:21 | 0:16:24 | |
-Oh, no. -Bit of an upset belly, but don't worry. | 0:16:24 | 0:16:27 | |
-I'll let you in on a secret here. I pretty much did this design. -OK. | 0:16:27 | 0:16:30 | |
Harry just coloured in the plants. So, it's fine. | 0:16:30 | 0:16:32 | |
-Can I quote you on that one, huh? -No. | 0:16:32 | 0:16:35 | |
I think he's just seen the weather forecast. | 0:16:35 | 0:16:37 | |
The BBC say it's going to start raining about midday. | 0:16:37 | 0:16:39 | |
-Let's get going. -Coats and get going, yeah. | 0:16:39 | 0:16:42 | |
With Harry out, it's not just a question of reduced manpower. | 0:16:43 | 0:16:48 | |
Without his brother, the pressure is on David to run the show. | 0:16:48 | 0:16:53 | |
He's going to really need Charlie's help to carry it off. | 0:16:53 | 0:16:56 | |
We're really looking forward to this garden | 0:16:56 | 0:16:58 | |
mainly because of those living willow structures. | 0:16:58 | 0:17:00 | |
Oh, you like playing with the willow withies. | 0:17:00 | 0:17:02 | |
-It's like gardening Meccano or something, isn't it? -Yeah. | 0:17:02 | 0:17:05 | |
It's going to be good fun. | 0:17:05 | 0:17:06 | |
-Right, so, I mean, the key areas. We've got the willow. -Yes. | 0:17:06 | 0:17:09 | |
Hard standing gravel area. | 0:17:09 | 0:17:11 | |
That's going to be key to get in position, | 0:17:11 | 0:17:13 | |
-and all the soft landscaping can work around that. -All right. | 0:17:13 | 0:17:15 | |
And Charlie has also spotted the area on the design | 0:17:15 | 0:17:18 | |
that was worrying Kate. | 0:17:18 | 0:17:20 | |
Now, this bit here then. | 0:17:20 | 0:17:21 | |
Yeah, so, this bit on the original design | 0:17:21 | 0:17:23 | |
was to dig in so we can put some nice natural screening | 0:17:23 | 0:17:25 | |
for the garage, but there's a lot of tarmac, | 0:17:25 | 0:17:28 | |
there's a lot of drains and there's a retaining wall. | 0:17:28 | 0:17:31 | |
-That'd be a no then. -Yes. -How are going to cover this up? | 0:17:31 | 0:17:34 | |
So, we're going to have to try and find something to up-cycle | 0:17:34 | 0:17:37 | |
and make into planters. | 0:17:37 | 0:17:38 | |
-Uh-huh. -There's loads of things that Gloria and Stan like, | 0:17:38 | 0:17:41 | |
so there's a few things to keep and work around. | 0:17:41 | 0:17:43 | |
And maybe we can transplant them somewhere else, | 0:17:43 | 0:17:45 | |
move them in the garden, maybe. | 0:17:45 | 0:17:47 | |
I think for me, if I get the plants out | 0:17:47 | 0:17:50 | |
that we want to save for Gloria and Stan | 0:17:50 | 0:17:51 | |
and then move some of the other ones into key places... | 0:17:51 | 0:17:55 | |
And I will work on the hard standing here | 0:17:55 | 0:17:57 | |
-for the path and the gravel area. -OK. | 0:17:57 | 0:17:59 | |
Oh. It's good hard work. | 0:17:59 | 0:18:00 | |
-Cos that's going to really set up the design, isn't it? -Yes. | 0:18:00 | 0:18:02 | |
-Right. -Think that's everything. | 0:18:02 | 0:18:05 | |
Whilst David takes control of the hard landscaping, | 0:18:13 | 0:18:18 | |
Charlie is performing surgery on Gloria's flowerbeds. | 0:18:18 | 0:18:23 | |
In the boys' design, there's no room for the existing shrubs, | 0:18:23 | 0:18:26 | |
so Charlie has found a new place for them | 0:18:26 | 0:18:29 | |
in a different part of the property. | 0:18:29 | 0:18:30 | |
Whenever you're transplanting a mature shrub like this, | 0:18:32 | 0:18:36 | |
get as much root ball as you possibly can, | 0:18:36 | 0:18:39 | |
prepare the hole really well | 0:18:39 | 0:18:42 | |
and always cut the shrub back by a good two thirds. | 0:18:42 | 0:18:47 | |
Up on the top deck, the path is taking shape. | 0:18:50 | 0:18:54 | |
This hardcore is great as a base | 0:18:54 | 0:18:56 | |
because there's really good variation size of stone. | 0:18:56 | 0:18:58 | |
So, as you can see, we've got some big ones | 0:18:58 | 0:19:00 | |
and then we've got the smaller ones down to the dust, | 0:19:00 | 0:19:02 | |
and this really helps it bind down as a solid surface. | 0:19:02 | 0:19:05 | |
So, what you don't really want to be using | 0:19:05 | 0:19:07 | |
is things like pea shingle or just normal gravel, | 0:19:07 | 0:19:09 | |
cos that will always stay loose. | 0:19:09 | 0:19:12 | |
Once the aggregate is down, | 0:19:12 | 0:19:14 | |
a layer of gravel crumb will be added on top. | 0:19:14 | 0:19:18 | |
The challenge with the path is to make it rustic enough | 0:19:18 | 0:19:21 | |
to fit with the style of the garden without the high-maintenance issues | 0:19:21 | 0:19:24 | |
of an informal gravel or shingle path. | 0:19:24 | 0:19:28 | |
Time will tell whether David can pull it off. | 0:19:28 | 0:19:30 | |
Meanwhile, Charlie is on an impossible mission. | 0:19:38 | 0:19:41 | |
David has asked her to bring life to the bare garage walls. | 0:19:41 | 0:19:44 | |
Is there any money in the budget for containers? | 0:19:44 | 0:19:47 | |
-Honest answer? -Mm. -No. | 0:19:47 | 0:19:49 | |
-How about trellis? -No. | 0:19:49 | 0:19:53 | |
OK. Well, that's really not | 0:19:53 | 0:19:54 | |
the answers I wanted there, Kate, really. | 0:19:54 | 0:19:56 | |
I was thinking a couple of yeses would be handy. | 0:19:56 | 0:19:58 | |
I'd love to say, "Yes. Just go and get what you want. | 0:19:58 | 0:20:01 | |
"We've got loads of money," but we haven't. | 0:20:01 | 0:20:03 | |
-Make do and mend. -OK. | 0:20:03 | 0:20:06 | |
I'm sure you can come up with something fantastic. | 0:20:06 | 0:20:08 | |
-Oh, OK. -OK? | 0:20:08 | 0:20:10 | |
-Bye! -That's going to challenge me a little. | 0:20:10 | 0:20:12 | |
In the main part of the garden, the aggregate's pressed and ready, | 0:20:18 | 0:20:22 | |
but there's no sign of the top layer of gravel, | 0:20:22 | 0:20:25 | |
so David is turning his attention to the front of the plot. | 0:20:25 | 0:20:29 | |
Quite heavy, these turfs, aren't they? | 0:20:29 | 0:20:31 | |
Right. | 0:20:31 | 0:20:32 | |
Before the landslide, | 0:20:32 | 0:20:34 | |
Gloria and Stan's front garden had a magical feel to it | 0:20:34 | 0:20:37 | |
and David is planning to bring it back | 0:20:37 | 0:20:39 | |
with a new wild flower meadow. | 0:20:39 | 0:20:42 | |
So, David, why have you used meadow turf in this design? | 0:20:42 | 0:20:44 | |
I'm just intrigued to know why you've chosen this. | 0:20:44 | 0:20:47 | |
Ah, two genius reasons. | 0:20:47 | 0:20:48 | |
-So, one of them is it's just really natural. -Yeah. | 0:20:48 | 0:20:50 | |
And the other one is it's really healthy for the budget. | 0:20:50 | 0:20:52 | |
-It's a lot cheaper than planting. -Yeah. | 0:20:52 | 0:20:55 | |
And what's so nice about this stuff | 0:20:55 | 0:20:56 | |
-is that you can tailor it to your own needs. -Right. | 0:20:56 | 0:20:58 | |
So, lots of companies do different mixes, | 0:20:58 | 0:21:00 | |
which is really cool. | 0:21:00 | 0:21:02 | |
This turf is a 60/40 grass to plants mix. | 0:21:02 | 0:21:06 | |
It may not look like much now, | 0:21:06 | 0:21:08 | |
but in just a few months, this area of the garden | 0:21:08 | 0:21:10 | |
will be alive with wild flowers. | 0:21:10 | 0:21:13 | |
-I think that looks good to me. -Little stamp in. | 0:21:13 | 0:21:17 | |
A little roll out and a little push in | 0:21:17 | 0:21:19 | |
and that's good to go. | 0:21:19 | 0:21:20 | |
So, what have you got hidden around here, Stan? | 0:21:22 | 0:21:24 | |
We've got some... | 0:21:24 | 0:21:25 | |
Meanwhile, in the back garden, Stan's got a surprise for Charlie. | 0:21:25 | 0:21:29 | |
-They are quite heavy, aren't they? -Yes. | 0:21:31 | 0:21:34 | |
-They are not falling apart. -Need to carry them. | 0:21:34 | 0:21:36 | |
Yeah. Off we go. Slowly. | 0:21:36 | 0:21:39 | |
Stan has three of these old wooden troughs | 0:21:39 | 0:21:43 | |
and they're all in good condition. | 0:21:43 | 0:21:45 | |
They might just be what Charlie is looking for. | 0:21:45 | 0:21:47 | |
Somewhere around here looks good, Stan. | 0:21:47 | 0:21:49 | |
Yeah, fine. OK. Just...be nice to put it down. | 0:21:49 | 0:21:53 | |
There you go. | 0:21:53 | 0:21:54 | |
Now, you better leave, | 0:21:54 | 0:21:55 | |
because I'm going to be very brutal to it now. | 0:21:55 | 0:21:57 | |
-Oh, no. -THEY LAUGH | 0:21:57 | 0:22:00 | |
But she's going to need landscaper Adam's help. | 0:22:00 | 0:22:03 | |
-Adam. -Yes? | 0:22:03 | 0:22:05 | |
Now, I know you know this is a planter... | 0:22:05 | 0:22:07 | |
-Indeed. -..but it's not quite the type of planter I want. | 0:22:07 | 0:22:10 | |
-Right. -OK? | 0:22:10 | 0:22:12 | |
-You're getting me worried now. -Right. It's a bit too narrow. -OK. | 0:22:12 | 0:22:15 | |
-So, I reckon a metre by a metre. -Yeah. | 0:22:15 | 0:22:17 | |
-Is it just brute force and ignorance? -Yeah. | 0:22:17 | 0:22:19 | |
they've been nailed together, | 0:22:19 | 0:22:21 | |
-so I reckon give it a good whack with a hammer. -A big, good whack. | 0:22:21 | 0:22:24 | |
-That was easy. Next. -We like this job. | 0:22:27 | 0:22:30 | |
I'll swap ends. I'll hold it. | 0:22:30 | 0:22:33 | |
Careful. Not too much enthusiasm, Charlie. | 0:22:38 | 0:22:40 | |
Don't forget you're going to re-use these. | 0:22:40 | 0:22:43 | |
The idea is that the timber from the troughs | 0:22:43 | 0:22:46 | |
can be recycled into new planters, | 0:22:46 | 0:22:48 | |
but at this rate, they may not be usable. | 0:22:48 | 0:22:51 | |
-There we go. -That's one way to do it. | 0:22:53 | 0:22:55 | |
The challenge with this garden is to restore it to its former glory | 0:23:05 | 0:23:09 | |
after it was catastrophically destroyed two years ago, | 0:23:09 | 0:23:12 | |
but even the most devastated gardens have amazing powers of recuperation. | 0:23:12 | 0:23:17 | |
This is the Salutation Garden on the Kent coast. | 0:23:24 | 0:23:29 | |
It may look spectacular now, | 0:23:29 | 0:23:32 | |
but just three years ago, this idyllic space | 0:23:32 | 0:23:34 | |
was almost wiped out by a title surge | 0:23:34 | 0:23:37 | |
down the English Channel. | 0:23:37 | 0:23:38 | |
We had about 12 hours notice, | 0:23:38 | 0:23:41 | |
so very little time to protect anything other than the house. | 0:23:41 | 0:23:45 | |
And only the next day could we count the cost. | 0:23:45 | 0:23:48 | |
When the tide retreated, | 0:23:48 | 0:23:50 | |
the whole site was left with sea water damage in the garden, | 0:23:50 | 0:23:53 | |
but it wasn't over yet. | 0:23:53 | 0:23:55 | |
The flood was followed by the wettest winter | 0:23:55 | 0:23:59 | |
that we had recorded. | 0:23:59 | 0:24:00 | |
There was irreparable damage. | 0:24:00 | 0:24:03 | |
It uprooted trees, it relocated herbaceous plants. | 0:24:03 | 0:24:06 | |
It pulled out probably hundreds of tonnes of soil. | 0:24:06 | 0:24:10 | |
It's incredible that water is far more powerful | 0:24:10 | 0:24:13 | |
than I think anyone ever gives it credit for. | 0:24:13 | 0:24:16 | |
Around 15,000 plants were destroyed. | 0:24:16 | 0:24:20 | |
It took months for it to properly sink in - | 0:24:20 | 0:24:22 | |
the emotional loss from the plants. | 0:24:22 | 0:24:25 | |
I think when you face a garden that's been devastated, | 0:24:25 | 0:24:28 | |
it's important not to rush too quickly, | 0:24:28 | 0:24:31 | |
actually, into making mistakes. | 0:24:31 | 0:24:34 | |
Steve and his team took stock of what had happened | 0:24:34 | 0:24:37 | |
and tried to look at it positively. | 0:24:37 | 0:24:40 | |
There were lots of bits of the garden, actually, | 0:24:40 | 0:24:43 | |
that we were living with because I could rely on those bits | 0:24:43 | 0:24:46 | |
to perform every year. | 0:24:46 | 0:24:47 | |
All of a sudden, we're faced with not a blank canvas, | 0:24:47 | 0:24:52 | |
but half of the planting missing from the main borders. | 0:24:52 | 0:24:55 | |
It was an opportunity to reinvent and build on old ideas. | 0:24:55 | 0:25:00 | |
But when they started to replant, | 0:25:03 | 0:25:05 | |
the saltwater had done more than just uproot the garden. | 0:25:05 | 0:25:09 | |
The entire ecology of the soil is upset, | 0:25:09 | 0:25:12 | |
and that's the place to start. | 0:25:12 | 0:25:14 | |
Lots of hours digging | 0:25:14 | 0:25:16 | |
incorporating lots of bulky organic material, manure. | 0:25:16 | 0:25:21 | |
That was the key to begin with for us. | 0:25:21 | 0:25:24 | |
And after lots of hard work and perseverance, | 0:25:24 | 0:25:27 | |
Steve and his team continued to rebuild the grounds, | 0:25:27 | 0:25:30 | |
making it the charming garden it is today. | 0:25:30 | 0:25:33 | |
In Gloria and Stan's garden, | 0:25:37 | 0:25:39 | |
the retaining wall that collapsed two years ago has been rebuilt, | 0:25:39 | 0:25:43 | |
so whilst Adam works on her new planters, | 0:25:43 | 0:25:47 | |
the couple have asked Charlie to give them some advice | 0:25:47 | 0:25:50 | |
on what to do with it. | 0:25:50 | 0:25:51 | |
My goodness. That's a wall and a half, isn't it? | 0:25:51 | 0:25:54 | |
But this must be a fabulous sun trap. | 0:25:54 | 0:25:57 | |
Yeah, it does catch the sun. | 0:25:57 | 0:25:58 | |
Gloria and Stan's plot is on a giant slope, | 0:25:58 | 0:26:02 | |
and on one side, the new wall is more than ten-foot high. | 0:26:02 | 0:26:06 | |
This will be a nice warm wall and very, very protected, | 0:26:06 | 0:26:09 | |
so things like Mediterranean plants, you know, like grapevines, | 0:26:09 | 0:26:13 | |
-kiwi fruit. -Yeah. | 0:26:13 | 0:26:14 | |
I mean, it would also be a really great spot | 0:26:14 | 0:26:17 | |
for a little propagator. | 0:26:17 | 0:26:18 | |
-Like a little lean-to greenhouse. -Yeah, yeah. -Yeah. | 0:26:18 | 0:26:21 | |
-And it would be a great place to sit. -I think that sounds excellent. | 0:26:21 | 0:26:24 | |
So, what we're going to need, Charlie, | 0:26:24 | 0:26:26 | |
is for you to come back next year and do all this, sort it out. | 0:26:26 | 0:26:29 | |
-THEY LAUGH -We'll see on that one! | 0:26:29 | 0:26:31 | |
I've got enough to do up there! | 0:26:31 | 0:26:33 | |
Upstairs in the front garden, | 0:26:35 | 0:26:36 | |
there's still no sign of the top layer of gravel, | 0:26:36 | 0:26:39 | |
so David is cracking on. | 0:26:39 | 0:26:40 | |
Right. That's the first one. | 0:26:42 | 0:26:44 | |
-Right. Looking good. Right. -Your turn. -Let's have a go. | 0:26:44 | 0:26:47 | |
Gloria and Stan were unhappy | 0:26:47 | 0:26:49 | |
with their view of the new tarmac drive, | 0:26:49 | 0:26:52 | |
so in keeping with the house, | 0:26:52 | 0:26:54 | |
the boys are proposing a living fence | 0:26:54 | 0:26:56 | |
made from willow saplings. | 0:26:56 | 0:26:58 | |
-Pretty solid. -Lovely, lovely. | 0:27:00 | 0:27:02 | |
The idea is that the willow roots down into the earth | 0:27:04 | 0:27:07 | |
like a normal tree, and because it's flexible, it can be interwoven. | 0:27:07 | 0:27:12 | |
-Watch out. -Ah! | 0:27:12 | 0:27:14 | |
They're also good for going, "Go faster! Go faster!" | 0:27:14 | 0:27:19 | |
-Slave driver over there. -Place me some more plants! | 0:27:19 | 0:27:22 | |
-More plants. Right. -Hurry up. | 0:27:22 | 0:27:24 | |
-Right. -They are great, these, aren't they? -They are, yes. | 0:27:24 | 0:27:27 | |
-Getting whipped into shape now. -Hey! They're fun. | 0:27:27 | 0:27:31 | |
Meanwhile, fresh from the workshop, Adam has got a present for Charlie. | 0:27:32 | 0:27:37 | |
Charlie, what do you reckon? | 0:27:37 | 0:27:39 | |
Oh, not bad. | 0:27:39 | 0:27:41 | |
Not bad. Is it square? | 0:27:41 | 0:27:43 | |
-Should be. -SHE LAUGHS | 0:27:43 | 0:27:45 | |
-I was teasing you! Teasing you. -As best I can with the old timber. | 0:27:45 | 0:27:47 | |
-Oh, that's good. That's quite chunky, isn't it? -Yeah. | 0:27:47 | 0:27:51 | |
David and Scott have planted the willow | 0:27:51 | 0:27:54 | |
at ten-centimetre intervals and in a crisscross pattern. | 0:27:54 | 0:27:58 | |
They are then fastened with another piece of willow | 0:27:58 | 0:28:00 | |
and then interwoven at the top. | 0:28:00 | 0:28:02 | |
Two more reasons why we've chosen these living willow screens | 0:28:05 | 0:28:08 | |
is because one, they're really, really natural, | 0:28:08 | 0:28:10 | |
so they blend in really well with the natural landscape | 0:28:10 | 0:28:12 | |
and the garden, but also to link with the leaded diamond fashion | 0:28:12 | 0:28:16 | |
on the window that you can see there. | 0:28:16 | 0:28:18 | |
And that just really helps link house and garden. | 0:28:18 | 0:28:20 | |
Come early May, this willow will start to leaf and fill the spaces. | 0:28:20 | 0:28:25 | |
Been through the rain, but the rain does not bother me. | 0:28:25 | 0:28:28 | |
Oh. | 0:28:28 | 0:28:31 | |
-That doesn't bother me. It's OK. -HE LAUGHS | 0:28:31 | 0:28:34 | |
The willow fence will be a new feature | 0:28:34 | 0:28:36 | |
to help mask the big tarmac driveway, | 0:28:36 | 0:28:39 | |
but one thing Gloria and Stan loved about their old garden | 0:28:39 | 0:28:42 | |
was the trees... | 0:28:42 | 0:28:44 | |
so David has made them a key part of his design. | 0:28:48 | 0:28:51 | |
-Just around there would be perfect. Really nice. -Yeah. | 0:28:53 | 0:28:56 | |
The yellow really picks up the yellow of the lawn. | 0:28:56 | 0:28:58 | |
-The yellow of the daffodils... -OK. -..that's what were going for. | 0:28:58 | 0:29:01 | |
Are you going for a Welsh theme with mountain ash, daffodils? | 0:29:01 | 0:29:05 | |
Pretty much just trying to invade England with Wales, yeah. | 0:29:05 | 0:29:07 | |
-But isn't he gorgeous? -Good tree. -Love this tree. | 0:29:07 | 0:29:11 | |
It may not be that big now, | 0:29:11 | 0:29:12 | |
but mountain ash can grow to more than 12 metres tall | 0:29:12 | 0:29:16 | |
so will eventually be a key feature in this natural landscape. | 0:29:16 | 0:29:20 | |
People get worried about putting trees in their garden | 0:29:20 | 0:29:22 | |
and think they're going to take over, | 0:29:22 | 0:29:24 | |
-but there's a good selection that don't get too huge. -Yeah. | 0:29:24 | 0:29:26 | |
He's a good little small tree. Loads of interest on him. | 0:29:26 | 0:29:29 | |
Berries, blossom and beautiful autumn colour. | 0:29:29 | 0:29:33 | |
-Right there then? -Whoa, whoa, whoa. Easy. -BOTH: -Easy, tiger. | 0:29:33 | 0:29:37 | |
Cos I don't want him to be too symmetrical | 0:29:39 | 0:29:42 | |
in between the two willow structures. | 0:29:42 | 0:29:44 | |
-Right. -I think it's going to require me looking from that way. | 0:29:44 | 0:29:47 | |
-All right, then. I'll let you. -Right. | 0:29:47 | 0:29:50 | |
We have got to finish this garden today, you know, sir. | 0:29:50 | 0:29:53 | |
A little bit to the left, if you can. | 0:29:55 | 0:29:57 | |
-Left. Your left, my left? -Your right. | 0:29:57 | 0:30:00 | |
-I know. -You're never right. -I'm always right! | 0:30:00 | 0:30:03 | |
Your left then, quickly. | 0:30:03 | 0:30:06 | |
-Up. -That is... | 0:30:06 | 0:30:08 | |
-Nice. I think that looks... Yeah. -Yeah? | 0:30:08 | 0:30:09 | |
-Are you happy with that? -Oh, I'm ecstatic. | 0:30:09 | 0:30:12 | |
Perfect then. | 0:30:12 | 0:30:14 | |
-This one is set. -Think that looks nice. Yeah. | 0:30:14 | 0:30:16 | |
Yeah, keep digging. | 0:30:16 | 0:30:18 | |
And with that, David goes back to willow weaving, | 0:30:20 | 0:30:24 | |
leaving Charlie with the digging. | 0:30:24 | 0:30:26 | |
When you're planting quite mature specimens, | 0:30:29 | 0:30:33 | |
it's worth making the hole a bit bigger than you really need | 0:30:33 | 0:30:36 | |
so that the soil is nice and loose, and then firming it in. | 0:30:36 | 0:30:41 | |
We're about halfway through the day. | 0:30:41 | 0:30:44 | |
We're not really halfway through the garden. | 0:30:44 | 0:30:46 | |
Well, not as far as I think. | 0:30:46 | 0:30:48 | |
I think there's too much enjoyment and chatting going on | 0:30:48 | 0:30:52 | |
between Scott and David and not enough weaving | 0:30:52 | 0:30:57 | |
in both ways - willow and working. | 0:30:57 | 0:31:00 | |
Whilst the boss weaves away, Charlie's not hanging about. | 0:31:00 | 0:31:05 | |
With the £1,500 budget pushed to the limit, | 0:31:05 | 0:31:08 | |
David tasked her with creating | 0:31:08 | 0:31:10 | |
a dirt-cheap feature for the garage wall, | 0:31:10 | 0:31:13 | |
and now her three planters are in place, | 0:31:13 | 0:31:15 | |
she's prepping them for planting. | 0:31:15 | 0:31:17 | |
So, I'm just putting some bonded fibre in the bottom | 0:31:17 | 0:31:20 | |
because there's quite big gaps at the bottom | 0:31:20 | 0:31:22 | |
and the compost will just wash through. | 0:31:22 | 0:31:25 | |
But even at a metre square, | 0:31:34 | 0:31:35 | |
they're not covering much of the wall | 0:31:35 | 0:31:38 | |
so she's come up with an ingenious solution - | 0:31:38 | 0:31:41 | |
using some spare willow to add height. | 0:31:41 | 0:31:45 | |
And I think that looks pretty darn good. | 0:31:45 | 0:31:48 | |
Even if I am blowing my own trumpet. | 0:31:49 | 0:31:51 | |
And when it's plants in there, woohoo! | 0:31:51 | 0:31:54 | |
With the willow fence complete, | 0:31:58 | 0:32:00 | |
David has moved on to the two main planting beds | 0:32:00 | 0:32:03 | |
near the front door. | 0:32:03 | 0:32:04 | |
-Bring more grasses there for me, please, Charlie. -More grasses. | 0:32:04 | 0:32:07 | |
Yes, please. | 0:32:07 | 0:32:09 | |
Here the boys have designed an ornamental meadow, | 0:32:12 | 0:32:15 | |
with beautiful trees underplanted with an array of colourful flowers. | 0:32:15 | 0:32:19 | |
We've got a really natural planting scheme at the moment. | 0:32:19 | 0:32:23 | |
It's predominantly grass. 50% grass, 50% perennial plants. | 0:32:23 | 0:32:28 | |
So, it's a good thing just to get the grasses first, space them out, | 0:32:28 | 0:32:30 | |
see how they want to work. | 0:32:30 | 0:32:32 | |
And then the perennials, | 0:32:32 | 0:32:33 | |
like this achillea, I can just dot in the middle. | 0:32:33 | 0:32:35 | |
If you have the space, | 0:32:35 | 0:32:36 | |
a beautifully planted front garden can improve the look | 0:32:36 | 0:32:40 | |
of any property and even add value to it. | 0:32:40 | 0:32:42 | |
When designing front gardens, | 0:32:46 | 0:32:48 | |
landscape designer Jacquetta Menzies believes it's possible | 0:32:48 | 0:32:51 | |
to make them practical and attractive. | 0:32:51 | 0:32:54 | |
Access, | 0:32:54 | 0:32:56 | |
generally for front gardens, | 0:32:56 | 0:32:58 | |
is the most important thing. | 0:32:58 | 0:33:01 | |
The striking thing about this particular garden | 0:33:01 | 0:33:03 | |
is its steepness. | 0:33:03 | 0:33:05 | |
Have it lit to have handrails. Use stainless steel touches. | 0:33:05 | 0:33:09 | |
I think stainless steel brings light into the garden. | 0:33:09 | 0:33:12 | |
Carefully consider your planting, making it gorgeous and appealing. | 0:33:12 | 0:33:18 | |
Even in the smallest garden, I think you can do that with shrubs. | 0:33:18 | 0:33:22 | |
In this steep garden, | 0:33:22 | 0:33:24 | |
raised terraces were made to create several level beds. | 0:33:24 | 0:33:28 | |
They make it practical and beautiful, but useful as well. | 0:33:28 | 0:33:31 | |
Having your vegetables in your front garden | 0:33:34 | 0:33:36 | |
means that you go past them every single day. | 0:33:36 | 0:33:39 | |
Your vegetables are getting so much more care and attention, | 0:33:39 | 0:33:43 | |
but the overall effect is | 0:33:43 | 0:33:44 | |
it must be an attractive and welcoming space. | 0:33:44 | 0:33:47 | |
In Faversham, the planting is well underway, | 0:33:53 | 0:33:57 | |
but the rain that Charlie predicted has arrived. | 0:33:57 | 0:34:00 | |
Weather is a bit damp. | 0:34:09 | 0:34:10 | |
Haven't got my partner in crime with me, but it's all right. | 0:34:10 | 0:34:14 | |
I've got to hold on, haven't I? | 0:34:14 | 0:34:17 | |
I think that's an understatement - "A bit damp." | 0:34:17 | 0:34:20 | |
It is absolutely chucking it. | 0:34:20 | 0:34:23 | |
And there's still a lot to do. | 0:34:27 | 0:34:30 | |
Many of the plants that David has ordered are yet to flower, | 0:34:31 | 0:34:35 | |
so to help inject some colour, he's asked Charlie and Kate | 0:34:35 | 0:34:38 | |
to transplant some of Gloria's blooming spring flowers. | 0:34:38 | 0:34:43 | |
We got some bluebells and some primulas. | 0:34:43 | 0:34:47 | |
They will only have got trashed, so they will establish. | 0:34:47 | 0:34:50 | |
They probably won't do very well next year, | 0:34:50 | 0:34:52 | |
but the following year, they'll be fine. | 0:34:52 | 0:34:55 | |
And I have to say, these are the not English bluebells. | 0:34:55 | 0:35:01 | |
They're the Spanish bluebells. | 0:35:01 | 0:35:04 | |
But you know, they're colourful. | 0:35:04 | 0:35:07 | |
They're free. And when the budget is the budget it is, we need free. | 0:35:07 | 0:35:11 | |
KATIE LAUGHS | 0:35:11 | 0:35:14 | |
David's focusing on where the money has been spent - | 0:35:14 | 0:35:17 | |
the rest of the new trees. | 0:35:17 | 0:35:19 | |
We've got this cherry, we've got a birch, | 0:35:19 | 0:35:21 | |
we've got hawthorn - all really British native trees. | 0:35:21 | 0:35:23 | |
But he needs an experienced hand to help establish them. | 0:35:35 | 0:35:40 | |
-Charlie, how do you use these things? -Oh, them. Bit of a... | 0:35:40 | 0:35:44 | |
Is it a crisscross-y version...? Is it...? | 0:35:44 | 0:35:46 | |
They're a bit of a faff, those ones, aren't they? | 0:35:46 | 0:35:48 | |
SHE GRUNTS | 0:35:48 | 0:35:50 | |
A bit like getting over to you is a bit of a faff. | 0:35:50 | 0:35:53 | |
Is it the wrong way around? Ah. Maybe that... | 0:35:53 | 0:35:55 | |
I mean, I don't... | 0:35:55 | 0:35:56 | |
-Is that meant to go around the tree or...? -I... | 0:35:56 | 0:35:59 | |
-No. I would suggest that's around the tree. -OK, cool. | 0:35:59 | 0:36:01 | |
-That's around the tree... -Oh, this is going to be a hassle. | 0:36:01 | 0:36:04 | |
..so tie the tree to the stake and not the stake to the tree. | 0:36:04 | 0:36:08 | |
A stake protects a young tree from wind damage | 0:36:08 | 0:36:11 | |
and supports it during the critical early growth period. | 0:36:11 | 0:36:15 | |
Cos with a tree tie you want the tree to rock a bit | 0:36:17 | 0:36:21 | |
but not too much. | 0:36:21 | 0:36:22 | |
What happens is that rock actually causes the strength | 0:36:22 | 0:36:27 | |
-to build up in it. -Yeah. | 0:36:27 | 0:36:28 | |
And if you have it too rigid, when you take them off they just go... | 0:36:28 | 0:36:32 | |
Cool. I'm happy. | 0:36:32 | 0:36:33 | |
With the plants starting to go in, | 0:36:36 | 0:36:38 | |
the team are on the home stretch... with one major issue - | 0:36:38 | 0:36:43 | |
the path is still not finished. | 0:36:43 | 0:36:46 | |
But just when she's starting to despair, Kate spots a white van. | 0:36:46 | 0:36:51 | |
It was touch and go if it was going to get here. | 0:36:51 | 0:36:53 | |
It's the finishing touch for our seating area. | 0:36:53 | 0:36:57 | |
Without having this, this gravel crumb, | 0:36:57 | 0:36:59 | |
they would've just had a seating area of hardcore | 0:36:59 | 0:37:03 | |
and really wouldn't have looked very nice. | 0:37:03 | 0:37:04 | |
-Dan, we need some others. Come on. -SHE LAUGHS | 0:37:04 | 0:37:08 | |
But it still needs to get from the van to the path. | 0:37:13 | 0:37:16 | |
Yay! | 0:37:18 | 0:37:20 | |
As the boys barrow on, | 0:37:27 | 0:37:29 | |
Charlie has stolen a few plants to flower up her new planters. | 0:37:29 | 0:37:34 | |
I'm planting this up with a mixture of perennials | 0:37:37 | 0:37:40 | |
and shrubs and also some bulbs, | 0:37:40 | 0:37:44 | |
and then we've got some little anemones and some grape hyacinths. | 0:37:44 | 0:37:50 | |
These are the white ones. | 0:37:50 | 0:37:51 | |
You normally see the blue ones, but this is a bit more than usual. | 0:37:51 | 0:37:54 | |
And the boss is impressed. | 0:37:54 | 0:37:56 | |
-These are looking great, Charlie. -I'm really pleased with them. | 0:37:56 | 0:37:59 | |
-They're quite sweet, aren't they? -Yeah, they're really nice. | 0:37:59 | 0:38:02 | |
-And I'd like to put an order in for two more, please. -Uh... | 0:38:02 | 0:38:05 | |
Just outside the house it'd be nice to put a few of these in | 0:38:05 | 0:38:07 | |
-to add height and structure. -Hold on, hold on. | 0:38:07 | 0:38:10 | |
You said two a minute ago. How come we're up to a few all of a sudden? | 0:38:10 | 0:38:12 | |
-I'm pretty sure a few is two. -No, a few is a couple. | 0:38:12 | 0:38:15 | |
-A couple is two. -A couple is two. | 0:38:15 | 0:38:17 | |
A few is a couple and a couple is two. Ah! | 0:38:17 | 0:38:19 | |
Well, on that bombshell, away you go. | 0:38:19 | 0:38:21 | |
THEY LAUGH | 0:38:21 | 0:38:23 | |
The team are into the final phase... | 0:38:30 | 0:38:32 | |
We've just got the planting to finish | 0:38:32 | 0:38:35 | |
-and then it's just tidy, tidy. -Yeah. | 0:38:35 | 0:38:37 | |
..and David doesn't waste another minute | 0:38:38 | 0:38:41 | |
in laying the top coat of decorative gravel. | 0:38:41 | 0:38:44 | |
It's also a really easy material to use and lay. | 0:38:46 | 0:38:49 | |
It's great for creating curves | 0:38:49 | 0:38:51 | |
because you don't have to be cutting slabs or paviers. | 0:38:51 | 0:38:54 | |
The rain is really coming down now, | 0:38:54 | 0:38:57 | |
and with Gloria and Stan desperate to see the new garden, | 0:38:57 | 0:39:00 | |
David's big reveal is in danger of being a bit of a wash-out. | 0:39:00 | 0:39:05 | |
But the team remain undaunted, | 0:39:05 | 0:39:08 | |
and as the final touches go in, | 0:39:08 | 0:39:11 | |
the rather soggy new garden is finished. | 0:39:11 | 0:39:14 | |
Two years ago, Stan and Gloria's beloved front garden was swept away, | 0:39:23 | 0:39:28 | |
and even after extensive rebuilding, | 0:39:28 | 0:39:30 | |
all that was left was a barren wasteland. | 0:39:30 | 0:39:33 | |
Now after a £1,500 makeover, | 0:39:36 | 0:39:39 | |
Harry and David's design has restored its magic. | 0:39:39 | 0:39:43 | |
But the real test is what the clients think. | 0:39:43 | 0:39:47 | |
They're coming, they're coming, they're coming. | 0:39:47 | 0:39:50 | |
-The eyes are closed. -Round the corner this way. | 0:39:50 | 0:39:52 | |
Keep coming. Don't worry. You're nowhere near anything. | 0:39:52 | 0:39:54 | |
This garden has turned out really sweet. | 0:39:54 | 0:39:58 | |
Open your eyes. | 0:39:58 | 0:40:00 | |
-Wow. -Oh, wow. | 0:40:00 | 0:40:02 | |
-Oh, it looks absolutely beautiful. -Fantastic. | 0:40:02 | 0:40:05 | |
-Is it kind of what you imagined or...? -Better. | 0:40:05 | 0:40:07 | |
-Better. Oh, good! That's a great one. -Oh, it's absolutely... | 0:40:07 | 0:40:11 | |
Charlie put a little bit of her little touch in there | 0:40:11 | 0:40:13 | |
-with the willow as well. -Oh, I love that. | 0:40:13 | 0:40:15 | |
-Oh, it looks really nice cos it takes of all this tarmac. -So good. | 0:40:15 | 0:40:18 | |
We've got a weeping birch. We've got a hawthorn. | 0:40:18 | 0:40:21 | |
-Yep. -We've got a mountain ash there. | 0:40:21 | 0:40:24 | |
-Oh, that's... -And then there's a cherry just through there as well. | 0:40:24 | 0:40:27 | |
And this is the wild... | 0:40:27 | 0:40:28 | |
-So, this is the wild flower meadow. -Yeah, yeah. -Yeah. | 0:40:28 | 0:40:31 | |
So, that's not looking amazing at the moment... | 0:40:31 | 0:40:33 | |
-It will come. -..but in a couple of months... -Yeah. | 0:40:33 | 0:40:36 | |
-Take it all in. -Yeah. That's... | 0:40:36 | 0:40:38 | |
-And you can really see the willow there, can't you, as well? -Yeah. | 0:40:38 | 0:40:40 | |
-Look at that. -Gorgeous. Looks amazing. | 0:40:40 | 0:40:43 | |
-That is great. -Beautiful. -Can you imagine yourself in this space? | 0:40:43 | 0:40:46 | |
-Yeah. -Yeah. -In a word. -No, yeah. | 0:40:46 | 0:40:49 | |
Does it have that kind of woodland feel, the magic that it had before? | 0:40:49 | 0:40:52 | |
-Yep. -Yep. It's completely different... -It's better. | 0:40:52 | 0:40:54 | |
-..but, yeah. -I'm glad it's completely different | 0:40:54 | 0:40:56 | |
because it feels like a fresh start again, you know what I mean? | 0:40:56 | 0:41:00 | |
David is relieved that, even in the wet, | 0:41:00 | 0:41:03 | |
Stan and Gloria can see what their new garden will be. | 0:41:03 | 0:41:06 | |
That went well. | 0:41:06 | 0:41:07 | |
Ah, it did, yeah. It went really, really, well. | 0:41:07 | 0:41:10 | |
Loved it. Tell you what, they loved the planters as well. | 0:41:10 | 0:41:13 | |
-Did they? -They loved the bit of willow there. | 0:41:13 | 0:41:15 | |
Really, really cool. | 0:41:15 | 0:41:16 | |
-I did say I'd give you a big hug. -Yeah, and a kiss! Whoa! | 0:41:16 | 0:41:19 | |
-Not washing this cheek! -There you go! | 0:41:19 | 0:41:21 | |
-GLORIA: -Yeah, I felt quite emotional when we came around the corner | 0:41:23 | 0:41:26 | |
and sort of just that wow factor. | 0:41:26 | 0:41:29 | |
-In fact, it's more so, I think. -Oh, yeah. | 0:41:29 | 0:41:32 | |
And it's going to look just magical. | 0:41:32 | 0:41:34 | |
-It'll be a garden for the future. -Absolutely. | 0:41:34 | 0:41:37 | |
And just a few weeks later with a dose of sun, | 0:41:37 | 0:41:41 | |
David and Harry's design is really coming to life. | 0:41:41 | 0:41:44 | |
The boys eked out the £1,500 budget to maximum effect. | 0:41:45 | 0:41:51 | |
Now it's dry, the path and seating area has a natural, rustic surface - | 0:41:51 | 0:41:56 | |
ideal for Gloria and Stan to sit and enjoy a glass of wine | 0:41:56 | 0:42:00 | |
whilst taking in the views. | 0:42:00 | 0:42:02 | |
The couple love the natural woodland look, | 0:42:04 | 0:42:07 | |
so the boys spent just over £600 | 0:42:07 | 0:42:09 | |
on cherry, birch and mountain ash trees... | 0:42:09 | 0:42:12 | |
and a wild meadow lawn that cost just £200. | 0:42:18 | 0:42:22 | |
Charlie's new planters are the bonus feature, | 0:42:25 | 0:42:28 | |
made from Stan's old troughs that were recycled, topped with willow | 0:42:28 | 0:42:32 | |
and planted with perennials and bulbs. | 0:42:32 | 0:42:35 | |
But the real star is the living willow fence. | 0:42:39 | 0:42:43 | |
At just £100, it breaks up the space, | 0:42:43 | 0:42:46 | |
obscures the view of the tarmac | 0:42:46 | 0:42:48 | |
and will grow into a stunning sculptural feature. | 0:42:48 | 0:42:52 | |
-I think it was absolutely worth every penny. -Yep, yep. | 0:42:52 | 0:42:56 | |
And it's been just an amazing experience. | 0:42:56 | 0:42:59 | |
If it had been left to us, it would've just been a lawn, | 0:42:59 | 0:43:02 | |
so the fact that we've got what is a real garden | 0:43:02 | 0:43:05 | |
is such a surprise. | 0:43:05 | 0:43:08 |