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With her can-do attitude, love of simple gardens, | 0:00:02 | 0:00:04 | |
and decades of experience, | 0:00:04 | 0:00:06 | |
Charlie Dimmock is one of Britain's best loved gardeners. | 0:00:06 | 0:00:09 | |
Looking good, boys. | 0:00:09 | 0:00:11 | |
But the new kids on the gardening block are the Rich brothers. | 0:00:11 | 0:00:15 | |
We want to be the brothers that change people's perceptions of gardens. | 0:00:15 | 0:00:19 | |
Winners of multiple medals at the Chelsea flower show... | 0:00:19 | 0:00:21 | |
-Look at it turn. -It's amazing. | 0:00:21 | 0:00:24 | |
..the boys have become known for their dramatic outdoor spaces. | 0:00:24 | 0:00:28 | |
Now, these two different generations of gardening are going head-to-head. | 0:00:30 | 0:00:34 | |
I know they've got a gold medal, but I can come up with a few ideas. | 0:00:34 | 0:00:38 | |
They're meeting frustrated garden owners across the country... | 0:00:38 | 0:00:42 | |
-Not a lot going on, is there? -Not a lot! | 0:00:42 | 0:00:45 | |
I don't know what to do. | 0:00:45 | 0:00:46 | |
..and will each pitch them a design based on their needs... | 0:00:46 | 0:00:49 | |
-You look confused. -I am. Go for it! | 0:00:49 | 0:00:51 | |
-..and budget. -It doesn't look like it could be our garden. | 0:00:51 | 0:00:54 | |
-The winner... -Charlie! -Yeah, awesome! | 0:00:54 | 0:00:57 | |
..brings their design to life. | 0:00:57 | 0:01:00 | |
-Hold on, hold on. -Sweet as a nut. | 0:01:00 | 0:01:02 | |
And the loser has to help them build it. | 0:01:02 | 0:01:05 | |
Keep working, keep working, boy. | 0:01:05 | 0:01:06 | |
Whoa, whoa, whoa, easy! | 0:01:06 | 0:01:09 | |
This is what happens... | 0:01:09 | 0:01:10 | |
Just get on with it! Sometime today would be good. | 0:01:10 | 0:01:13 | |
..when different styles collide... | 0:01:13 | 0:01:15 | |
I think your brother is throwing the toys out of his pram. | 0:01:15 | 0:01:18 | |
-Yes. -Right, are we doing this? | 0:01:18 | 0:01:20 | |
..to turn garden dreams into reality. | 0:01:20 | 0:01:22 | |
Wow! | 0:01:22 | 0:01:24 | |
Oh, my goodness. | 0:01:25 | 0:01:27 | |
-Wow! -Look at that! | 0:01:27 | 0:01:29 | |
Oh, my God! | 0:01:29 | 0:01:31 | |
Wow! | 0:01:31 | 0:01:32 | |
It's time for Charlie and the Rich brothers to get cracking | 0:01:42 | 0:01:45 | |
on this week's garden challenge. | 0:01:45 | 0:01:48 | |
This is Gareth. | 0:01:48 | 0:01:50 | |
And, not stating the obvious, he is a professional musician. | 0:01:50 | 0:01:53 | |
I'm not even sure what instrument that is! | 0:01:53 | 0:01:56 | |
I think it's a bassoon, so, yeah... | 0:01:56 | 0:01:59 | |
And he's in Merseyside, and this is his garden. | 0:01:59 | 0:02:04 | |
And it's his first garden. | 0:02:04 | 0:02:06 | |
He's done a little bit of gardening in it and really quite enjoys it. | 0:02:06 | 0:02:10 | |
But doesn't really know where to go. | 0:02:10 | 0:02:12 | |
For the first time, Gareth, | 0:02:14 | 0:02:15 | |
a bassoonist in the Royal Liverpool Philharmonic Orchestra, | 0:02:15 | 0:02:18 | |
has a garden he can finally call his own. | 0:02:18 | 0:02:21 | |
However, his new plot in Oxton, Birkenhead, | 0:02:21 | 0:02:24 | |
is leaving him a little uninspired. | 0:02:24 | 0:02:26 | |
I've never had a garden before, so I've bought a lawn mower, | 0:02:26 | 0:02:30 | |
and that's about as far as I've got, really. | 0:02:30 | 0:02:32 | |
The idea of doing a garden overwhelms me | 0:02:32 | 0:02:35 | |
because I have no idea of what would work and what wouldn't work. | 0:02:35 | 0:02:38 | |
And what's possible within the space I've got. | 0:02:38 | 0:02:41 | |
But there's a problem with the garden, | 0:02:45 | 0:02:47 | |
leaving half of it unusable. | 0:02:47 | 0:02:50 | |
The main issues around the garden is the fact that it slopes downwards, | 0:02:50 | 0:02:54 | |
and also to the sides. | 0:02:54 | 0:02:56 | |
The patio area is useful, but I find the lawn is not used at all. | 0:02:56 | 0:02:59 | |
It's basically dead space. | 0:02:59 | 0:03:01 | |
The one thing you can't really see from these pictures, | 0:03:01 | 0:03:04 | |
but he did mention, is the garden, sort of, | 0:03:04 | 0:03:06 | |
suddenly slopes off down this corner. | 0:03:06 | 0:03:09 | |
I think that can be really exciting sometimes, | 0:03:09 | 0:03:11 | |
to have a small garden with a drastic level change. | 0:03:11 | 0:03:14 | |
Quite interesting to come up with a creative solution. | 0:03:14 | 0:03:17 | |
-Yes, it makes you do something different, doesn't it? -Yes. | 0:03:17 | 0:03:20 | |
Different could be just what the doctor ordered, | 0:03:20 | 0:03:23 | |
because there's stiff competition from the neighbours, | 0:03:23 | 0:03:26 | |
who open their gardens to the public once a year. | 0:03:26 | 0:03:29 | |
The pressure's on. | 0:03:29 | 0:03:30 | |
But, will he ever be able to work out how to use that mower? | 0:03:30 | 0:03:34 | |
The village I live in on the Wirral | 0:03:34 | 0:03:36 | |
has a secret gardens event every year, | 0:03:36 | 0:03:38 | |
where lots of the houses open their gardens to the public | 0:03:38 | 0:03:41 | |
and you can look round them. | 0:03:41 | 0:03:42 | |
And I realised my garden wasn't quite up to scratch, really. | 0:03:42 | 0:03:45 | |
And that's not the only request. | 0:03:46 | 0:03:48 | |
Gareth's living room is on the second floor of his house, | 0:03:48 | 0:03:51 | |
so the garden will often be looked down on from there. | 0:03:51 | 0:03:54 | |
It's really important the design looks good from above, | 0:03:54 | 0:03:57 | |
because you're always looking down on it from the living room, | 0:03:57 | 0:03:59 | |
and from the bedrooms. | 0:03:59 | 0:04:01 | |
Clearly, Gareth wants something with the wow factor, | 0:04:01 | 0:04:04 | |
so he isn't holding back on the budget. | 0:04:04 | 0:04:06 | |
In my budget I've got about £4,000, | 0:04:10 | 0:04:13 | |
which I've saved really hard for, | 0:04:13 | 0:04:15 | |
and I wanted to put that much in | 0:04:15 | 0:04:17 | |
because I really view it as an extra room, really. | 0:04:17 | 0:04:20 | |
And budget, £4,000. | 0:04:20 | 0:04:22 | |
-Very nice. -Yes, I've got a smile on my face for that. -That's good. | 0:04:22 | 0:04:26 | |
I'm very proud of how I've got the house so far, | 0:04:26 | 0:04:29 | |
and I want the garden to live up to the same idea of the house. | 0:04:29 | 0:04:32 | |
Not necessarily in a retro way, | 0:04:32 | 0:04:34 | |
but a kind of cool designed area is what I'm looking for really. | 0:04:34 | 0:04:38 | |
To me that's a really cool brief. | 0:04:38 | 0:04:40 | |
I mean, giving us a bit of scope to be creative. | 0:04:40 | 0:04:42 | |
And, kind of, give him some amazing entertaining space. | 0:04:42 | 0:04:46 | |
-And show off, maybe. -Show off with something a bit different. -Yes. | 0:04:46 | 0:04:50 | |
To get a better idea of the job, the designers head to Oxton | 0:04:55 | 0:04:58 | |
to meet Gareth and see the garden for themselves. | 0:04:58 | 0:05:01 | |
Now, this house is like an upside-down house, yes? | 0:05:03 | 0:05:06 | |
Where in sort of day-time, you're living in the middle floor. | 0:05:06 | 0:05:10 | |
So you're looking down on the garden. | 0:05:10 | 0:05:12 | |
It's not just important from the ground level. | 0:05:12 | 0:05:14 | |
You're going to view it from the garden, | 0:05:14 | 0:05:16 | |
and also from upstairs, and that's where we're going, check it out upstairs. | 0:05:16 | 0:05:19 | |
And I'll have a chat with Gareth and see what he's got in mind. | 0:05:19 | 0:05:23 | |
The brothers head inside to see what they can discover | 0:05:26 | 0:05:29 | |
about Gareth's style and taste. | 0:05:29 | 0:05:31 | |
Lovely and open in here, isn't it? | 0:05:35 | 0:05:37 | |
Yeah, stunning space, really beautiful. | 0:05:37 | 0:05:40 | |
Kind of, like, nicely laid out and the furniture... | 0:05:40 | 0:05:42 | |
Danish furniture, you've got to love it. | 0:05:42 | 0:05:45 | |
Yeah, it's minimal, isn't it? Clean, really good lines. | 0:05:45 | 0:05:48 | |
And these windows are incredible. | 0:05:48 | 0:05:50 | |
To have two massive windows like this looking down to the garden | 0:05:50 | 0:05:53 | |
makes that really important. | 0:05:53 | 0:05:55 | |
It seems Gareth has a fondness for a certain colour. | 0:05:55 | 0:05:58 | |
-It's nice and smart in here, isn't it? -Yeah, really cool. | 0:05:58 | 0:06:02 | |
I picked up on the orange in the living room, the blinds, | 0:06:02 | 0:06:05 | |
but it's a running theme, isn't it? | 0:06:05 | 0:06:06 | |
Yes, we've got the microwave, the telephone, the blinds... | 0:06:06 | 0:06:09 | |
As well as the retro theme, there's definitely a hint of industrialism. | 0:06:11 | 0:06:14 | |
The metal splash back there, | 0:06:14 | 0:06:15 | |
-and that cage there, very industrial indeed. -Yes. | 0:06:15 | 0:06:18 | |
Meanwhile outside Charlie is getting straight to the heart of the matter. | 0:06:19 | 0:06:24 | |
Now, tell me about your garden. This is your first garden, isn't it? | 0:06:24 | 0:06:28 | |
It is, it's the first house I've ever owned with a garden, | 0:06:28 | 0:06:30 | |
so it's all very new to me, really. | 0:06:30 | 0:06:32 | |
And who uses the garden? | 0:06:32 | 0:06:34 | |
I use it, friends come over, especially in the summer, | 0:06:34 | 0:06:37 | |
-for barbecues, that sort of thing. -Hang out, chill. | 0:06:37 | 0:06:39 | |
-Yeah, exactly. -What else do we need to consider about the garden? | 0:06:39 | 0:06:42 | |
The main living accommodation is on the first floor, | 0:06:42 | 0:06:45 | |
so you're always looking down at the garden. | 0:06:45 | 0:06:47 | |
OK, so that's your main hanging out area in the day time? | 0:06:47 | 0:06:50 | |
Yeah, so a bit of structure would be good. | 0:06:50 | 0:06:52 | |
The Californian blocks, the flowery blocks, | 0:06:52 | 0:06:55 | |
do you love them or hate them? | 0:06:55 | 0:06:56 | |
It's either, either normally. | 0:06:56 | 0:06:58 | |
I must say I love them, I think they're really cool | 0:06:58 | 0:07:01 | |
in a kind of retro way. | 0:07:01 | 0:07:02 | |
-Yes, so out they're in? -Yes, that's the idea, isn't it, I think. | 0:07:02 | 0:07:06 | |
So, you'd like to keep those, or have something with those. | 0:07:06 | 0:07:09 | |
Yes, something about them would be good, I think. | 0:07:09 | 0:07:12 | |
A little bird tells me that the garden might be open to the public. | 0:07:12 | 0:07:15 | |
Well, Oxton every year does have a secret gardens event, | 0:07:15 | 0:07:18 | |
where people open their gardens to the public. | 0:07:18 | 0:07:20 | |
It's partly what inspired me to have a look at my own garden, really, | 0:07:20 | 0:07:23 | |
so it might be something I could consider. | 0:07:23 | 0:07:26 | |
-A bit nerve-racking, though, isn't it? -Definitely, yes! | 0:07:26 | 0:07:29 | |
Are there any plants that you would really, sort of, like? | 0:07:29 | 0:07:33 | |
Any types of plants you like? | 0:07:33 | 0:07:35 | |
Yes, I like colours, I like herbaceous planting, | 0:07:35 | 0:07:38 | |
but I also like straight lines and structure. | 0:07:38 | 0:07:41 | |
So, we're saying extension of the house, big entertainment area, | 0:07:41 | 0:07:46 | |
definitely like the Californian blocks, | 0:07:46 | 0:07:48 | |
and maybe make it so cool that you can open it to the public. | 0:07:48 | 0:07:53 | |
Yes, that sounds perfect. | 0:07:53 | 0:07:55 | |
The rival designers waste no more time and set to work | 0:07:58 | 0:08:01 | |
to come up with some show-stopping designs to win Gareth over. | 0:08:01 | 0:08:05 | |
Each of them will come up with a design to suit the brief | 0:08:05 | 0:08:08 | |
and the budget. | 0:08:08 | 0:08:09 | |
Then Gareth will have to choose one design over the other, | 0:08:11 | 0:08:14 | |
and the loser will help the winner build the garden. | 0:08:14 | 0:08:17 | |
The £4,000 will be used to buy all the materials for the new garden, | 0:08:19 | 0:08:22 | |
but on top of that, Charlie and the Rich brothers, | 0:08:22 | 0:08:25 | |
along with their usual team of landscapers, | 0:08:25 | 0:08:27 | |
will provide the labour. | 0:08:27 | 0:08:29 | |
It's time for the trio to pitch their ideas. | 0:08:33 | 0:08:36 | |
-Hello. -Hello. | 0:08:38 | 0:08:40 | |
Charlie kicks off, offering up a modern style, | 0:08:40 | 0:08:43 | |
and remembering that it's a space to be viewed from above. | 0:08:43 | 0:08:46 | |
I've tried to give you a garden that has got some of the features in it, | 0:08:46 | 0:08:51 | |
but keeping it quite contemporary, | 0:08:51 | 0:08:53 | |
and with a good form to it from above. | 0:08:53 | 0:08:57 | |
So, this is your renewed patio. | 0:08:57 | 0:09:01 | |
I am going with slabs, white slabs, | 0:09:01 | 0:09:03 | |
that will make it look quite sleek and contemporary. | 0:09:03 | 0:09:07 | |
But the boys come out fighting, too. | 0:09:08 | 0:09:11 | |
They propose a garden that matches the interior of Gareth's home. | 0:09:11 | 0:09:15 | |
We wanted to make sure that we gave you a garden that complimented | 0:09:15 | 0:09:18 | |
the interior of your house because it's beautiful. | 0:09:18 | 0:09:20 | |
We wanted to make sure that the outside did the inside justice. | 0:09:20 | 0:09:24 | |
-OK. -So, it's really cool, stylish, it's very unique. | 0:09:24 | 0:09:26 | |
We haven't forgotten that it's a garden that will be looked down upon | 0:09:26 | 0:09:30 | |
not just be within, so we wanted to make sure we mimic the clean lines | 0:09:30 | 0:09:34 | |
and the structure, and, kind of, | 0:09:34 | 0:09:36 | |
the functionality of the furniture in your house. | 0:09:36 | 0:09:38 | |
And provide that when you're looking down on it. | 0:09:38 | 0:09:41 | |
Charlie has a winning plan for addressing that slope at the far end | 0:09:43 | 0:09:47 | |
of the garden. | 0:09:47 | 0:09:49 | |
But this is a deck that basically sails out over the dip. | 0:09:49 | 0:09:56 | |
So, you'll be able to sit on the edge and dangle your feet. | 0:09:56 | 0:10:00 | |
Because this area here, I'm going to go for a jungle feel. | 0:10:00 | 0:10:03 | |
Lots of really dramatic plants. | 0:10:03 | 0:10:07 | |
Um... Arundo donax, fatsias... | 0:10:07 | 0:10:10 | |
and you can sit there in the evening. | 0:10:10 | 0:10:13 | |
But the brothers also have an ingenious idea, | 0:10:15 | 0:10:18 | |
an equally knockout feature | 0:10:18 | 0:10:20 | |
which will address the level issue in the garden. | 0:10:20 | 0:10:23 | |
We didn't want to do the ordinary. | 0:10:23 | 0:10:24 | |
We wanted to do something really cool, really different. | 0:10:24 | 0:10:27 | |
And extremely unique. | 0:10:27 | 0:10:28 | |
So what we've done is we've put in, sat down into the land, | 0:10:28 | 0:10:32 | |
this cube self-contained unit | 0:10:32 | 0:10:34 | |
that's level inside, but the land works around it. | 0:10:34 | 0:10:36 | |
It's made out of Cor-Ten steel, | 0:10:36 | 0:10:38 | |
so it's like steel that's been allowed to rust and oxidise, | 0:10:38 | 0:10:42 | |
so it's got a really textured, orange, bright, vibrant finish. | 0:10:42 | 0:10:45 | |
So it's going to be really cool, really different, and memorable. | 0:10:45 | 0:10:48 | |
Brilliant. | 0:10:48 | 0:10:50 | |
The brothers may have played their ace card, | 0:10:50 | 0:10:53 | |
but Charlie's also thinking outside the box. | 0:10:53 | 0:10:56 | |
She knows just how much Gareth loves those Californian blocks. | 0:10:56 | 0:11:00 | |
These sections here are feature walls. | 0:11:00 | 0:11:04 | |
Using your Californian blocks, but upright. | 0:11:04 | 0:11:07 | |
To create some interest. | 0:11:07 | 0:11:11 | |
So, you want to go down because you won't be able to see | 0:11:11 | 0:11:13 | |
this bit of the garden, it'll draw you down. | 0:11:13 | 0:11:16 | |
And just to add a bit more colour, | 0:11:16 | 0:11:18 | |
I've put some glass blocks in between, | 0:11:18 | 0:11:21 | |
and then we're going to uplight them at night. | 0:11:21 | 0:11:24 | |
-Wow. -So that will... Especially this one here, | 0:11:24 | 0:11:27 | |
so that will be drawing you down to this entertainment area. | 0:11:27 | 0:11:32 | |
But drawing for a second time on Gareth's love of the colour orange, | 0:11:32 | 0:11:36 | |
the brothers have one final card left to play. | 0:11:36 | 0:11:39 | |
What we'd like to use in here is a grass called Molinia | 0:11:40 | 0:11:43 | |
and in the summer it's this lovely, kind of, green. | 0:11:43 | 0:11:45 | |
Then as autumn comes it turns vivid orange. | 0:11:45 | 0:11:48 | |
You know, the perennials, we would like to choose | 0:11:48 | 0:11:51 | |
things like Persicaria and Helinium, | 0:11:51 | 0:11:54 | |
which are, like, perennials, which have this red tone. | 0:11:54 | 0:11:57 | |
-OK. -So, the whole garden is going to have that warmth to it. | 0:11:57 | 0:12:01 | |
-Brilliant. -I don't know whether it says cool, but it does say fun. | 0:12:01 | 0:12:04 | |
No, it does. | 0:12:04 | 0:12:06 | |
Gareth can only choose one design, so whose will it be? | 0:12:06 | 0:12:10 | |
See you in a bit. | 0:12:10 | 0:12:12 | |
Will he opt for the Rich brothers' weathered steel box | 0:12:15 | 0:12:18 | |
that's set into the slope, and their vibrant array of orange plants, | 0:12:18 | 0:12:22 | |
or will he go for Charlie's suspended deck | 0:12:22 | 0:12:25 | |
and a revamped Californian blocks? | 0:12:25 | 0:12:27 | |
-How was that? -Yeah, good. | 0:12:28 | 0:12:30 | |
So, what was your nod back to the '70s retro feel? | 0:12:30 | 0:12:34 | |
We've made this, like, steel box that, kind of, sits in the garden. | 0:12:34 | 0:12:38 | |
So we just sat that box in there and just create this level inside. | 0:12:38 | 0:12:42 | |
Then everything else just works off that. | 0:12:42 | 0:12:44 | |
Wow! That's really cool cool! | 0:12:44 | 0:12:47 | |
-Hopefully. -I think I understand. | 0:12:47 | 0:12:49 | |
But will Gareth think it's as cool? | 0:12:51 | 0:12:53 | |
I love the way that it's on really different levels, | 0:12:53 | 0:12:56 | |
so you're out the door, then you're down a level, | 0:12:56 | 0:12:59 | |
then you're onto a different level. I think that'll look amazing. | 0:12:59 | 0:13:02 | |
I also like the orange nature of the planting, the way that's going to, | 0:13:02 | 0:13:07 | |
sort of, offset against the colour of the steel. | 0:13:07 | 0:13:10 | |
See, I used the Californian blocks as structural uprights | 0:13:10 | 0:13:15 | |
with some glass and then uplit them. | 0:13:15 | 0:13:18 | |
Oh, that sounds cool, as well. | 0:13:18 | 0:13:20 | |
In Charlie's design, I love the actual planting and lighting. | 0:13:20 | 0:13:23 | |
So it's going to be really hard to decide which one to pick. | 0:13:23 | 0:13:27 | |
Time for the moment of truth. | 0:13:27 | 0:13:29 | |
Gareth is ready to reveal the winner. | 0:13:29 | 0:13:32 | |
-Come on! -All right, all right. | 0:13:34 | 0:13:36 | |
Very, very hard decision, | 0:13:40 | 0:13:41 | |
because both designs were absolutely awesome. | 0:13:41 | 0:13:43 | |
But, after much deliberation, the design I've chosen is... | 0:13:43 | 0:13:48 | |
Yeah! | 0:13:54 | 0:13:56 | |
Woo! Cheers, Gareth. So, what made you go for this one? | 0:13:57 | 0:14:00 | |
What swung it was the steel square box feature, | 0:14:00 | 0:14:05 | |
utilising part of the garden that doesn't get used. | 0:14:05 | 0:14:09 | |
I just thought it was so innovative and would look amazing from the top, | 0:14:09 | 0:14:12 | |
and also be a really useful space. | 0:14:12 | 0:14:15 | |
So, the Rich brothers have emerged the victors this time. | 0:14:15 | 0:14:18 | |
But, with a transformation on this scale | 0:14:18 | 0:14:20 | |
it will take the know-how of all three gardeners | 0:14:20 | 0:14:23 | |
to make this unusual project a success. | 0:14:23 | 0:14:25 | |
It's early morning in Oxton, and project manager Bowen, | 0:14:30 | 0:14:34 | |
along with his team Lee, Andy, and Steve, have arrived to get cracking, | 0:14:34 | 0:14:39 | |
whilst the brothers are away finalising their choice of plants. | 0:14:39 | 0:14:42 | |
Here we go. | 0:14:42 | 0:14:44 | |
We've got this big Cor-Ten steel box, | 0:14:44 | 0:14:47 | |
which we're going to sit into the ground. | 0:14:47 | 0:14:49 | |
-Great stuff. -Then we get it stripped off and levelling. | 0:14:49 | 0:14:53 | |
-Digger in? -Yeah, digger in. -Let's crack on. | 0:14:53 | 0:14:57 | |
Meanwhile, outside on the road, the materials are starting to arrive. | 0:14:59 | 0:15:03 | |
Steel's here. We'll need all hands on deck to get this off. | 0:15:04 | 0:15:08 | |
Weathered steel, sometimes known as Cor-Ten steel, has been oxidised | 0:15:08 | 0:15:12 | |
to create a striking and protective rust-like surface. | 0:15:12 | 0:15:16 | |
Orange in colour, it has extra resistance to the elements, | 0:15:16 | 0:15:20 | |
meaning low-maintenance costs, | 0:15:20 | 0:15:22 | |
and therefore it's perfect for long lasting outdoor structure. | 0:15:22 | 0:15:26 | |
They've weathered all the outside for us. | 0:15:26 | 0:15:29 | |
What with, real weather? | 0:15:29 | 0:15:30 | |
-Yeah, real weather. -You use real weather to weather it? -Imported. | 0:15:30 | 0:15:33 | |
Next job is to dismantle and recycle those Californian blocks | 0:15:34 | 0:15:38 | |
to create some steps down into the garden. | 0:15:38 | 0:15:40 | |
But will they be able to salvage any? | 0:15:40 | 0:15:43 | |
You'll get an odd one, but you won't get many, | 0:15:43 | 0:15:45 | |
because they're so weak. | 0:15:45 | 0:15:48 | |
It's not looking good so far. | 0:15:48 | 0:15:51 | |
Is that one? | 0:15:51 | 0:15:52 | |
Just put that on the grass. | 0:15:54 | 0:15:55 | |
And finally, one block salvaged, | 0:15:55 | 0:15:58 | |
let's hope they can save enough for the brothers' plans. | 0:15:58 | 0:16:01 | |
California, here we come! | 0:16:01 | 0:16:03 | |
Meanwhile, the digger's arrived. | 0:16:06 | 0:16:08 | |
What's the problem? | 0:16:08 | 0:16:10 | |
But it appears that all is not well. | 0:16:10 | 0:16:12 | |
-Oh, no. -We'll be all right. -Can we get through? | 0:16:12 | 0:16:15 | |
It doesn't seem to want to start. | 0:16:17 | 0:16:19 | |
It's flat-lining. | 0:16:24 | 0:16:26 | |
Quick! | 0:16:28 | 0:16:29 | |
Bowen takes control and searches for another machine. | 0:16:31 | 0:16:34 | |
What's the verdict, Bowen? | 0:16:36 | 0:16:38 | |
But sadly it doesn't look like one's available for another three hours. | 0:16:38 | 0:16:42 | |
I'm trying every company. | 0:16:42 | 0:16:44 | |
You can't have it all. We've got sunshine. | 0:16:44 | 0:16:46 | |
Meanwhile, the boys get on with some other jobs. | 0:16:50 | 0:16:53 | |
After a long wait, the search is over and in comes digger number two. | 0:16:59 | 0:17:04 | |
Or does it? | 0:17:04 | 0:17:06 | |
Fingers crossed, crack into it this afternoon, | 0:17:06 | 0:17:09 | |
it'll be a long, hard night, and you never know, we might get it done. | 0:17:09 | 0:17:13 | |
-Straighten that up. -It ain't going. -No. | 0:17:20 | 0:17:23 | |
Straighten this up, mate. Straighten that back. | 0:17:25 | 0:17:28 | |
And, before long, it's mission aborted for digger number two. | 0:17:30 | 0:17:34 | |
Although, clearly spirits are still high, but don't try this at home. | 0:17:45 | 0:17:49 | |
We're here, we're here! | 0:17:49 | 0:17:52 | |
32 slabs. | 0:18:00 | 0:18:01 | |
And it's back to that paving. | 0:18:03 | 0:18:05 | |
At least there's something to be getting on with. | 0:18:05 | 0:18:08 | |
Meanwhile outside, digger number three has come to save the day. | 0:18:12 | 0:18:16 | |
If the team don't manage to get this one in, | 0:18:16 | 0:18:18 | |
they'll be almost a day behind schedule. | 0:18:18 | 0:18:21 | |
Let's hope their luck changes. | 0:18:21 | 0:18:22 | |
Unfortunately, it's 20 millimetres wider than the door frame, | 0:18:27 | 0:18:30 | |
so we're not actually going to get this one in, either. | 0:18:30 | 0:18:33 | |
Third time lucky has not quite been so lucky yet. | 0:18:33 | 0:18:36 | |
-We've had no luck today, have we? -No, we've had some bad luck today. | 0:18:36 | 0:18:39 | |
A decision has been made. | 0:18:41 | 0:18:42 | |
It's off with that door frame, thanks to Steve. | 0:18:42 | 0:18:45 | |
But are their fortunes about to change? | 0:18:45 | 0:18:48 | |
755! | 0:18:48 | 0:18:50 | |
Whoa, whoa, whoa! Something's rubbing! | 0:18:55 | 0:18:57 | |
Something's rubbing somewhere. | 0:18:57 | 0:18:59 | |
And it's over the threshold finally. | 0:19:02 | 0:19:04 | |
A digger has made it through to the garden. | 0:19:04 | 0:19:07 | |
Right, sun's come out, let's dig. | 0:19:08 | 0:19:10 | |
At last the levelling can begin. | 0:19:12 | 0:19:14 | |
Who knew one small digger, or the lack of one, | 0:19:14 | 0:19:17 | |
could cause so many problems? | 0:19:17 | 0:19:19 | |
And finally they can make a start on constructing the star feature | 0:19:26 | 0:19:29 | |
of the brothers' design, the weathered steel box. | 0:19:29 | 0:19:32 | |
With all the setbacks, there's still a long way to go, | 0:19:34 | 0:19:37 | |
and the question is, will the team have done enough | 0:19:37 | 0:19:40 | |
before the designers arrive? | 0:19:40 | 0:19:41 | |
And it's time for the brothers to divvy up the tasks ahead. | 0:19:46 | 0:19:49 | |
Right, guys, I think we all thought it was going to be a bit of hassle | 0:19:51 | 0:19:54 | |
getting the weathered steel in. | 0:19:54 | 0:19:56 | |
Turns out that was a breeze, but everything else decided to go wrong. | 0:19:56 | 0:20:00 | |
No, it's thumbs up from now on, yeah? | 0:20:00 | 0:20:04 | |
-Yes. -Plain sailing! -Oh, good. | 0:20:04 | 0:20:07 | |
What we'll do... Obviously, the main focus in that garden is the weathered steel. | 0:20:07 | 0:20:10 | |
But there are some California blocks that Gareth loved, | 0:20:10 | 0:20:12 | |
so we'll think how we're going to use them. | 0:20:12 | 0:20:14 | |
And it is quite a small garden, | 0:20:14 | 0:20:15 | |
but we've got lots of lovely native trees and shrubs. | 0:20:15 | 0:20:18 | |
So it's going to feel quite wooded, quite native, | 0:20:18 | 0:20:21 | |
so it's going to be perfect. | 0:20:21 | 0:20:22 | |
So, small and perfect, yeah? | 0:20:22 | 0:20:24 | |
Yes, Charlie. | 0:20:24 | 0:20:25 | |
THEY CHUCKLE | 0:20:25 | 0:20:27 | |
Tall but perfect. | 0:20:27 | 0:20:28 | |
Let's hope they're happy with progress so far. | 0:20:30 | 0:20:33 | |
-Wow! Isn't this looking good? -Yeah. -It's fab. | 0:20:34 | 0:20:38 | |
I don't know why I'm so surprised. | 0:20:38 | 0:20:41 | |
Neither do I. | 0:20:41 | 0:20:42 | |
You can already see how the new patio | 0:20:42 | 0:20:44 | |
has made a massive difference to the garden. Putting down these new, | 0:20:44 | 0:20:47 | |
modern, contemporary slabs has made a big difference compared to that | 0:20:47 | 0:20:50 | |
orange-and-pink Battenburg mismatched slabs | 0:20:50 | 0:20:52 | |
that were here before. And it really links nicely with the interior, | 0:20:52 | 0:20:55 | |
and I feel like it really draws you out into the new dining space. | 0:20:55 | 0:20:58 | |
The Californian blocks made up a kind of wall by here, | 0:20:58 | 0:21:02 | |
which almost disconnected the upper terrace from the lower terrace. | 0:21:02 | 0:21:05 | |
We got rid of that, which allows that to flow down. | 0:21:05 | 0:21:08 | |
But, also, Gareth loved those Californian blocks, | 0:21:08 | 0:21:10 | |
so we wanted to re-use them. | 0:21:10 | 0:21:12 | |
So we've got this raised planter on the upper terrace. | 0:21:12 | 0:21:14 | |
And we're also using them as the risers for the steps. | 0:21:14 | 0:21:17 | |
And these are going to sit in here, like that, | 0:21:19 | 0:21:23 | |
and create a lovely little transition space | 0:21:23 | 0:21:25 | |
from the top terrace into the lower area. | 0:21:25 | 0:21:28 | |
And here, we're going to have a gravel path that leads down into | 0:21:28 | 0:21:31 | |
the main feature in the garden. | 0:21:31 | 0:21:33 | |
Gareth put a lot of focus and effort into the design of his house. | 0:21:33 | 0:21:36 | |
And we really wanted to emphasise this outdoor room in the garden. | 0:21:36 | 0:21:40 | |
And I think the weathered-steel box does it perfectly. | 0:21:40 | 0:21:43 | |
What we wanted to create was this quite immersive space, | 0:21:43 | 0:21:45 | |
so the top terrace, lovely and hot. | 0:21:45 | 0:21:47 | |
This lower terrace, we want to introduce birch | 0:21:47 | 0:21:50 | |
and hawthorn and hazel. So it's going to be this, like, | 0:21:50 | 0:21:53 | |
slightly wooded feeling and a lovely dappled space to go and sit. | 0:21:53 | 0:21:57 | |
There's two sides of it up at the moment. | 0:21:57 | 0:21:59 | |
Imagine having the other two - it'll really close you off. | 0:21:59 | 0:22:02 | |
Inside, it's not just going to be gravel. | 0:22:02 | 0:22:04 | |
We'll have pockets of plants, we're going to have benches, | 0:22:04 | 0:22:06 | |
and we're going to have a tree, as well. | 0:22:06 | 0:22:08 | |
So it's just going to be a garden within a garden, pretty much. | 0:22:08 | 0:22:11 | |
Meanwhile, Charlie's starting work on an unusual project for the fence. | 0:22:11 | 0:22:15 | |
All gardens have boundaries, | 0:22:16 | 0:22:18 | |
whether it's a hedge or a fence. | 0:22:18 | 0:22:21 | |
The thing about fences is they are not a thing of beauty. | 0:22:21 | 0:22:23 | |
And you can go, sort of, one of two ways. | 0:22:23 | 0:22:25 | |
You can either make it disappear, which Gareth has done down there - | 0:22:25 | 0:22:28 | |
he's painted it, sort of, a black colour, | 0:22:28 | 0:22:30 | |
so you see the plants but you don't see the fence. | 0:22:30 | 0:22:33 | |
Or you embrace it and make it pop, which is what I'm going to do here. | 0:22:33 | 0:22:38 | |
I'm going along the route of Mondrian, | 0:22:38 | 0:22:43 | |
the artist, the blocks of colour. | 0:22:43 | 0:22:45 | |
And we're going to use oranges and yellows and make it really vibrant. | 0:22:45 | 0:22:50 | |
And it sort of lends itself, | 0:22:50 | 0:22:51 | |
because it's already got these bits of timber. | 0:22:51 | 0:22:54 | |
But I might need to put a few more in, so... | 0:22:54 | 0:22:57 | |
I'm thinking, one about there. | 0:22:57 | 0:22:59 | |
But it's important to choose the right colours | 0:23:00 | 0:23:03 | |
if it's going to be a true work of art. | 0:23:03 | 0:23:06 | |
Think about this. Three colours. | 0:23:06 | 0:23:08 | |
One, two... | 0:23:08 | 0:23:09 | |
Cos they can't be the same, can they? | 0:23:10 | 0:23:13 | |
Meanwhile, Andy is getting creative | 0:23:13 | 0:23:15 | |
with those recycled Californian blocks... | 0:23:15 | 0:23:18 | |
..whilst Bowen's lining the steps so weeds can't poke through. | 0:23:20 | 0:23:23 | |
Now, Andy needs to saw some blocks in half - carefully - | 0:23:25 | 0:23:28 | |
because they only just managed to salvage enough. | 0:23:28 | 0:23:31 | |
And it's not long before... | 0:23:37 | 0:23:38 | |
..a step. | 0:23:40 | 0:23:41 | |
Meanwhile, Steve is cracking on | 0:23:44 | 0:23:46 | |
constructing the key feature of the garden. | 0:23:46 | 0:23:48 | |
This garden's going really well. We've started welding | 0:23:48 | 0:23:51 | |
the weathered steel together, so the box is actually being created. | 0:23:51 | 0:23:54 | |
As you can see down here, | 0:23:54 | 0:23:55 | |
they're just putting the other corner on, as well. | 0:23:55 | 0:23:57 | |
So you really start to feel the space. | 0:23:57 | 0:23:59 | |
You get an idea of it. It's going to feel nice and enclosed, | 0:23:59 | 0:24:02 | |
nice and cosy, | 0:24:02 | 0:24:04 | |
and it's just something quite different. I really like it. | 0:24:04 | 0:24:06 | |
At the far end of the garden, Harry's addressing crowd control. | 0:24:07 | 0:24:12 | |
What I'm doing here is I'm removing this hypericum, | 0:24:12 | 0:24:14 | |
because it's grown too close to the salvia, | 0:24:14 | 0:24:16 | |
and it's kind of crowding it out. | 0:24:16 | 0:24:18 | |
So we're going to transplant it. | 0:24:18 | 0:24:19 | |
And this salvia's absolutely stunning. | 0:24:19 | 0:24:22 | |
It's got a gorgeous scent | 0:24:22 | 0:24:23 | |
and a beautiful kind of scarlet-red flower. | 0:24:23 | 0:24:26 | |
And this space is very, kind of, wild. | 0:24:26 | 0:24:28 | |
We've got geraniums, crocosmia, Welsh poppy, bluebells, | 0:24:28 | 0:24:32 | |
and forget-me-nots. We want this space to feel quite undefined, | 0:24:32 | 0:24:35 | |
quite natural. But we're also going to introduce a few of our own | 0:24:35 | 0:24:39 | |
perennials down here, and shrubs. | 0:24:39 | 0:24:41 | |
It's going to have a sense of unity, but still lovely and wild. | 0:24:41 | 0:24:45 | |
If I can get it out... | 0:24:46 | 0:24:48 | |
Wow! | 0:24:52 | 0:24:54 | |
Charlie's numbering each of the panels | 0:24:54 | 0:24:56 | |
to show which colours she intends to paint them. | 0:24:56 | 0:25:00 | |
So, ones. | 0:25:00 | 0:25:02 | |
Ooh, hello, hello. Ooh, one. | 0:25:06 | 0:25:09 | |
One. | 0:25:09 | 0:25:10 | |
Two. One. One. | 0:25:10 | 0:25:12 | |
One. That's a definite one there. | 0:25:14 | 0:25:17 | |
What have you gone and done? | 0:25:18 | 0:25:20 | |
It'll all be fine. Don't worry. | 0:25:21 | 0:25:23 | |
It's just going to be white and black. | 0:25:23 | 0:25:25 | |
Love it. If it's urban grey, Charlie, we're happy. | 0:25:25 | 0:25:28 | |
Well, I can mix the black and white together | 0:25:28 | 0:25:30 | |
-and get urban grey, if you want. -Ooh, yeah! Now we're talking. | 0:25:30 | 0:25:33 | |
At one point, it seemed a long way off but, thankfully, | 0:25:40 | 0:25:43 | |
the weathered-steel box is really starting to take shape. | 0:25:43 | 0:25:47 | |
Meanwhile, the Californian blocks are being put to yet more good use, | 0:25:52 | 0:25:56 | |
in the shape of a raised bed. | 0:25:56 | 0:25:58 | |
And the brothers are bringing in some trees | 0:26:00 | 0:26:02 | |
that will sit inside the steel box. | 0:26:02 | 0:26:05 | |
I'm bringing in some of the birch trees, placing them in the garden, | 0:26:09 | 0:26:12 | |
and you can see how it instantly transforms the space. | 0:26:12 | 0:26:14 | |
It's uplifted it, given it a lot of vertical height. | 0:26:14 | 0:26:17 | |
One of the key points of bringing the trees in | 0:26:17 | 0:26:19 | |
is to help screen off the houses back there. | 0:26:19 | 0:26:21 | |
And these trees are key, as well, | 0:26:21 | 0:26:23 | |
because this box is quite flat, | 0:26:23 | 0:26:26 | |
and it just kind of carries your eye through to the back wall. | 0:26:26 | 0:26:29 | |
But what these trees do is they add a bit of vertical height. | 0:26:29 | 0:26:31 | |
And when Gareth's up in his living room, looking down on the garden, | 0:26:31 | 0:26:34 | |
they're going to create a lovely little natural screen that's going | 0:26:34 | 0:26:37 | |
to filter his view through to the houses | 0:26:37 | 0:26:39 | |
and altogether make it a really nice, intimate, | 0:26:39 | 0:26:42 | |
quite immersive space. | 0:26:42 | 0:26:44 | |
At the other end of the garden, | 0:26:46 | 0:26:48 | |
it looks like Charlie's still enjoying her painting. | 0:26:48 | 0:26:50 | |
-I'm going to leave those four for you. -No problemo. | 0:26:51 | 0:26:54 | |
-Dare I start another colour? -Yes. | 0:26:54 | 0:26:57 | |
Woohoo! | 0:26:57 | 0:26:59 | |
The excitement! Another colour. | 0:26:59 | 0:27:02 | |
I'm so enjoying this job. | 0:27:02 | 0:27:05 | |
Now that the steel box has been securely welded together, | 0:27:05 | 0:27:08 | |
the next job is to pin it down. | 0:27:08 | 0:27:10 | |
All I'm doing now is I'm staking them | 0:27:13 | 0:27:15 | |
from the bottom with a steel rod. | 0:27:15 | 0:27:17 | |
As you can see, the inside of these boxes are still silver, | 0:27:17 | 0:27:20 | |
whereas the outside has been pre-rusted. | 0:27:20 | 0:27:22 | |
So, over time, this is going to rust and compliment | 0:27:22 | 0:27:25 | |
and be exactly the same as the outside. | 0:27:25 | 0:27:27 | |
-More pegs for you, sir. -Thank you very much. | 0:27:28 | 0:27:30 | |
There you go. And also, that patina, | 0:27:30 | 0:27:33 | |
that rust is the secret behind why it's used so much in industry | 0:27:33 | 0:27:37 | |
and in architecture. What it's doing is | 0:27:37 | 0:27:40 | |
it's reacting with the oxygen within the atmosphere. | 0:27:40 | 0:27:42 | |
And that's creating a rust. | 0:27:42 | 0:27:43 | |
But what weathered steel has - the make up of it | 0:27:43 | 0:27:45 | |
has the ability to control that rusting process. | 0:27:45 | 0:27:48 | |
So, as opposed to something like mild steel... | 0:27:48 | 0:27:50 | |
What that does is that reacts, | 0:27:50 | 0:27:52 | |
rusts, then starts to flake, and it starts to degrade down. | 0:27:52 | 0:27:55 | |
Whereas weathered steel controls that and you get this kind of | 0:27:55 | 0:27:58 | |
soft, powdery rust on the surface. | 0:27:58 | 0:28:00 | |
And that will continue for two to three years. | 0:28:00 | 0:28:02 | |
Then after that, it'll stabilise. And that means you've got | 0:28:02 | 0:28:05 | |
this continual rust on it, continual protection. | 0:28:05 | 0:28:08 | |
What's so good about the weathered steel is you don't need to paint it, | 0:28:08 | 0:28:11 | |
whereas normal steel, like a mild steel, you will have to paint it, | 0:28:11 | 0:28:14 | |
and that's something you have to repeat. | 0:28:14 | 0:28:16 | |
You'll have to constantly repeat to protect it. | 0:28:16 | 0:28:18 | |
That's why weathered steel is a perfect option. | 0:28:18 | 0:28:21 | |
That's good, cos I'm fed up with painting. | 0:28:21 | 0:28:23 | |
Outside, the rest of the team are starting to think about seating | 0:28:28 | 0:28:32 | |
for the steel box. | 0:28:32 | 0:28:34 | |
Lee and Andy are constructing a simple timber structure. | 0:28:34 | 0:28:36 | |
Meanwhile, the trees that will go inside the steel box need planting. | 0:28:42 | 0:28:46 | |
To do that, the brothers are cutting holes for them | 0:28:46 | 0:28:48 | |
in the weed-resistant membrane. | 0:28:48 | 0:28:50 | |
And with the holes dug, the trees can finally go in. | 0:28:52 | 0:28:56 | |
That's gorgeous. | 0:29:04 | 0:29:05 | |
Cos you've actually got branches coming out over a little bit. | 0:29:05 | 0:29:08 | |
Outside, Lee is finishing off that seating. | 0:29:10 | 0:29:13 | |
For extra strength, he's gluing the legs into place and then screwing in | 0:29:13 | 0:29:16 | |
the fixings, skilfully ensuring that the screws themselves are invisible. | 0:29:16 | 0:29:21 | |
There's more to positioning these trees than first meets the eye. | 0:29:25 | 0:29:28 | |
The brothers are attempting to create a woodland | 0:29:28 | 0:29:31 | |
at the end of Gareth's garden. | 0:29:31 | 0:29:33 | |
It's really important to think about the positioning of trees and shrubs in your garden. | 0:29:34 | 0:29:38 | |
What me and Harry wanted to do in this garden is replicate a woodland. | 0:29:38 | 0:29:41 | |
And if you're wandering through a woodland, you get different layers | 0:29:41 | 0:29:44 | |
of vegetation. So, first off, you have your canopy layer. | 0:29:44 | 0:29:46 | |
That'll be the trees. So the birch here are creating that. | 0:29:46 | 0:29:49 | |
And we've positioned them to act as a nice screen from the houses, | 0:29:49 | 0:29:52 | |
onlooking windows, but also to give that nice bit of dappled shade. | 0:29:52 | 0:29:56 | |
And beneath the canopy layer you then have the shrub layer. | 0:29:56 | 0:29:59 | |
So we've got hawthorn and we've got hazel for that. | 0:29:59 | 0:30:02 | |
They're going to act, again, to obscure views, | 0:30:02 | 0:30:05 | |
those natural screens, | 0:30:05 | 0:30:06 | |
but help to divide the space a little bit more than the trees are. | 0:30:06 | 0:30:09 | |
Then below that, you'd have the field layer, which is the planting. | 0:30:09 | 0:30:12 | |
And we've got things like foxgloves and ferns. | 0:30:12 | 0:30:14 | |
So with the trees, shrubs and the planting, | 0:30:14 | 0:30:17 | |
hopefully Gareth will be transported into a British woodland. | 0:30:17 | 0:30:20 | |
Charlie's Mondrian-style fence is coming along beautifully. | 0:30:23 | 0:30:27 | |
Wow! | 0:30:27 | 0:30:29 | |
Apparently I've got to do a dab now, whatever that is. | 0:30:35 | 0:30:38 | |
Dab of paint. Fish. | 0:30:38 | 0:30:40 | |
But apparently it's something like that. | 0:30:40 | 0:30:43 | |
An elephant?! | 0:30:45 | 0:30:46 | |
Show me. | 0:30:47 | 0:30:48 | |
I feel like Harry'd be better suited to this. | 0:30:48 | 0:30:51 | |
Going on what Charlie did, is it, like, a...? | 0:30:53 | 0:30:56 | |
-That's it. -Let's have a look. | 0:30:56 | 0:30:58 | |
-There you go. -I don't know. | 0:30:58 | 0:31:00 | |
-I'm not street enough. -Neither am I. -Oh, dear. | 0:31:00 | 0:31:03 | |
Charlie's wall will certainly make a big statement in Gareth's garden, | 0:31:05 | 0:31:09 | |
but will it curry favour with the residents of Oxton? | 0:31:09 | 0:31:13 | |
Once a year, the residents of this village-like community of Birkenhead | 0:31:17 | 0:31:22 | |
come together to reveal their secrets, | 0:31:22 | 0:31:24 | |
including what exactly it is that lies behind their high stone walls. | 0:31:24 | 0:31:29 | |
Jade Little is one of the organisers of their Secret Gardens event. | 0:31:30 | 0:31:34 | |
Secret Gardens is a community event that takes place every year. | 0:31:34 | 0:31:38 | |
It's been running for 17 years now. | 0:31:38 | 0:31:40 | |
And it's to promote the conservation area. | 0:31:40 | 0:31:42 | |
We have 20 gardens open each year. | 0:31:42 | 0:31:45 | |
Lots of entertainment for families to come to. | 0:31:45 | 0:31:48 | |
And it's just a wonderful event, particularly when the sun's shining. | 0:31:48 | 0:31:52 | |
It's very much a community-inspired affair. | 0:31:52 | 0:31:56 | |
People in the village love their gardens. | 0:31:56 | 0:31:58 | |
And it was realised that... | 0:31:58 | 0:32:01 | |
Let them show them off, | 0:32:01 | 0:32:02 | |
let people come in and see what these gardens are like. | 0:32:02 | 0:32:05 | |
And it was also an opportunity | 0:32:05 | 0:32:06 | |
to have an event that brought the community together | 0:32:06 | 0:32:09 | |
and also to make money for local charities. | 0:32:09 | 0:32:12 | |
It doesn't matter what size your garden is - | 0:32:12 | 0:32:15 | |
everyone is welcome to take part. | 0:32:15 | 0:32:17 | |
We've got modern properties and period properties. | 0:32:18 | 0:32:20 | |
We welcome everybody to offer their garden for Secret Gardens. | 0:32:20 | 0:32:24 | |
One of those couples, Tom and Ruth, | 0:32:26 | 0:32:29 | |
have a very popular garden that visitors flock to. | 0:32:29 | 0:32:32 | |
When we open our garden to the public, | 0:32:32 | 0:32:34 | |
it seems to just make all of our hard work worthwhile. | 0:32:34 | 0:32:39 | |
People come in. | 0:32:39 | 0:32:41 | |
They're astounded by what they see. | 0:32:41 | 0:32:43 | |
They ask questions. | 0:32:43 | 0:32:44 | |
They tell us about their gardens and what they're going to do, | 0:32:45 | 0:32:49 | |
and what they hope to do. | 0:32:49 | 0:32:50 | |
A lot of it is that it does give people ideas, | 0:32:50 | 0:32:53 | |
even very simple things, like we have... On a couple of walls, | 0:32:53 | 0:32:57 | |
we've got mirrors. People have gone away from here saying, | 0:32:57 | 0:33:00 | |
"Oh, yeah, we must get a mirror and put it on the wall." | 0:33:00 | 0:33:04 | |
-It's small things, in the main. -Mm. | 0:33:04 | 0:33:06 | |
Not all the gardens are large. | 0:33:11 | 0:33:13 | |
Ann and Phil also love inviting people into their smaller space. | 0:33:13 | 0:33:18 | |
It's not a competition for the best-kept garden. | 0:33:18 | 0:33:23 | |
Because that's quite a daunting prospect for most people. | 0:33:23 | 0:33:26 | |
They would worry about too many weeds | 0:33:26 | 0:33:29 | |
or the paths weren't clear and so on. | 0:33:29 | 0:33:31 | |
The garden just has to reflect the house and garden together, | 0:33:31 | 0:33:35 | |
the relationship between the property and the garden. | 0:33:35 | 0:33:40 | |
They should do a garden that reflects their interests, | 0:33:40 | 0:33:43 | |
and who they are. | 0:33:43 | 0:33:45 | |
Certainly, I would recommend it. | 0:33:45 | 0:33:47 | |
My advice to anyone who's opening their garden for the first time is, | 0:33:49 | 0:33:52 | |
enjoy the day. | 0:33:52 | 0:33:54 | |
Because the visitors are lovely. | 0:33:54 | 0:33:55 | |
They ask lots of questions | 0:33:55 | 0:33:57 | |
and they're extremely complimentary about everybody's garden. | 0:33:57 | 0:34:00 | |
So, relax, have a glass of wine in your garden and enjoy the day. | 0:34:00 | 0:34:04 | |
Around the corner, back in Gareth's garden, | 0:34:06 | 0:34:09 | |
they're a long way off relaxing. | 0:34:09 | 0:34:11 | |
Look what I've got here for you, boys. | 0:34:11 | 0:34:13 | |
Oh, dream! | 0:34:13 | 0:34:14 | |
-One for there. -I'll hold that for you. | 0:34:15 | 0:34:17 | |
-Not quite sure what this bit does. -Nice. | 0:34:17 | 0:34:20 | |
That's going to be dowelled into that. Other way, Andy. Like that. | 0:34:21 | 0:34:25 | |
-Something... -Nice. -..like that. | 0:34:26 | 0:34:28 | |
There's a really lovely detail here, as well, that you can see. | 0:34:28 | 0:34:31 | |
What Lee's done is he's just notched a little bit out of the first | 0:34:31 | 0:34:35 | |
bit of timber that you sit on. | 0:34:35 | 0:34:36 | |
That's instead of just attaching them as two separate things. | 0:34:36 | 0:34:39 | |
It makes them, kind of, join as one. There's some secret screwing here, | 0:34:39 | 0:34:42 | |
so they've screwed a hole, let the screw go in, | 0:34:42 | 0:34:44 | |
and glued it in so it holds it nice and tight. | 0:34:44 | 0:34:47 | |
But it does give the appearance it's been notched out and it's just fitting in nice and snug. | 0:34:47 | 0:34:50 | |
Before long, the postholes have been dug | 0:34:58 | 0:35:00 | |
and the seats are dropped into position. | 0:35:00 | 0:35:02 | |
And Andy's giving it a test run - | 0:35:05 | 0:35:07 | |
just to check that it works, of course. | 0:35:07 | 0:35:09 | |
The weathered-steel box isn't the only metal in this space. | 0:35:10 | 0:35:14 | |
Tying in with the industrial theme, | 0:35:14 | 0:35:16 | |
the brothers are using offcuts of steel | 0:35:16 | 0:35:18 | |
as dividers down at the end of the garden. | 0:35:18 | 0:35:20 | |
These pieces of metal are offcuts from a steel fabrication company. | 0:35:24 | 0:35:28 | |
What they've done is they've laser-cut out these shapes, | 0:35:28 | 0:35:30 | |
but that's left this really ornamental framework. | 0:35:30 | 0:35:33 | |
They're not rusted at the moment. | 0:35:33 | 0:35:35 | |
But over time, they will weather and they will rust, | 0:35:35 | 0:35:37 | |
same as the weathered steel. So that'll link in nicely. | 0:35:37 | 0:35:40 | |
And I think it'll accentuate that industrial feeling in the garden. | 0:35:40 | 0:35:43 | |
Charlie's almost finished that wall, although it has been a team effort. | 0:35:44 | 0:35:49 | |
Lee's been a demon on the carpentry, as ever. | 0:35:49 | 0:35:51 | |
Meanwhile, the more delicate planting is being arranged. | 0:35:55 | 0:35:58 | |
The work of the Garden Rescue team isn't far from done. | 0:36:00 | 0:36:04 | |
And finally, Charlie gets to do some gardening at last! | 0:36:07 | 0:36:11 | |
So, we've reused the Californian blocks | 0:36:12 | 0:36:15 | |
to make this little raised planter. | 0:36:15 | 0:36:17 | |
I mean, these really do say retro '70s. | 0:36:17 | 0:36:21 | |
Thought about painting them | 0:36:21 | 0:36:23 | |
but I didn't know whether that might be a step too far. | 0:36:23 | 0:36:26 | |
But what I am going to do is pick up the colours of that wall | 0:36:26 | 0:36:29 | |
in the planting here. So, we've got the black of the ophiopogon, | 0:36:29 | 0:36:34 | |
and then I'm going to use some French and African marigolds. | 0:36:34 | 0:36:39 | |
In the '70s, you used to see these in rows | 0:36:39 | 0:36:42 | |
all the way round people's front gardens. | 0:36:42 | 0:36:45 | |
So it's got that real, sort of, retro feel. | 0:36:45 | 0:36:48 | |
And if he doesn't like them, they only last a year, | 0:36:48 | 0:36:50 | |
so he can plant something else instead. | 0:36:50 | 0:36:52 | |
So, now, I don't know whether to do them random. | 0:36:55 | 0:37:00 | |
I fancy quite doing them in blocks. | 0:37:00 | 0:37:03 | |
What do you think? So when you look down on it, | 0:37:03 | 0:37:05 | |
it does look like my fence over there. | 0:37:05 | 0:37:07 | |
I'll have one like that, and one like that. | 0:37:07 | 0:37:10 | |
I have to say, this planting is totally opposite | 0:37:10 | 0:37:14 | |
to the very tasteful, elegant woodland feel | 0:37:14 | 0:37:17 | |
of the bottom half of the garden. | 0:37:17 | 0:37:21 | |
But it's quite fun. | 0:37:21 | 0:37:23 | |
They may have got off to a difficult start but, with a change of luck, | 0:37:34 | 0:37:38 | |
Gareth's garden is nearly ready for its reveal. | 0:37:38 | 0:37:40 | |
There's one last job - compacting the bound gravel | 0:37:44 | 0:37:47 | |
with a wacker plate to form a practical and long-lasting surface. | 0:37:47 | 0:37:50 | |
And then the final touch - | 0:37:54 | 0:37:56 | |
an upcycled oak table for Gareth to rest a cold drink upon | 0:37:56 | 0:38:00 | |
on a long summer's evening. | 0:38:00 | 0:38:02 | |
Before Gareth called on the help of Charlie and the Rich brothers, | 0:38:05 | 0:38:08 | |
his garden was nothing more than an empty, sloping, | 0:38:08 | 0:38:12 | |
blank space, devoid of character. | 0:38:12 | 0:38:14 | |
Now his garden has had a £4,000 makeover. | 0:38:16 | 0:38:19 | |
And the brothers have spent every penny | 0:38:19 | 0:38:22 | |
on creating a stylish and totally unique space | 0:38:22 | 0:38:24 | |
that makes a stunning extension to Gareth's home. | 0:38:24 | 0:38:28 | |
Charlie transformed the dull wooden fence by creating a colourful | 0:38:30 | 0:38:34 | |
Mondrian-style art feature at a cost of £60. | 0:38:34 | 0:38:38 | |
As well as keeping some of the existing planting | 0:38:39 | 0:38:41 | |
at the end of the garden, the brothers invested £335 | 0:38:41 | 0:38:44 | |
in additional trees and herbaceous plants | 0:38:44 | 0:38:47 | |
to create a secluded woodland feel. | 0:38:47 | 0:38:50 | |
The team salvaged some of Gareth's treasured Californian blocks, | 0:38:53 | 0:38:57 | |
transforming them into raised beds and decorative steps, | 0:38:57 | 0:39:00 | |
topped with offcuts of the limestone paving. | 0:39:00 | 0:39:02 | |
And last but certainly not least, costing £2,250, | 0:39:08 | 0:39:13 | |
the boys spent over half their budget on the weathered-steel box, | 0:39:13 | 0:39:17 | |
a stunning and unique addition to Gareth's garden | 0:39:17 | 0:39:20 | |
that totally transforms the space. | 0:39:20 | 0:39:23 | |
It's time to find out if the Rich brothers have delivered. | 0:39:26 | 0:39:29 | |
Right, so, me and Dave love your house, | 0:39:31 | 0:39:35 | |
and we loved everything about it. So we did feel a little bit of pressure | 0:39:35 | 0:39:39 | |
in creating a garden that is going to match that | 0:39:39 | 0:39:42 | |
and, obviously, a space that you're going to love. | 0:39:42 | 0:39:44 | |
We know you love that industrial look, definitely a bit of orange. | 0:39:44 | 0:39:48 | |
So, open your eyes and have a look at your garden. | 0:39:48 | 0:39:51 | |
What do you think? | 0:39:56 | 0:39:58 | |
It's awesome. I can't believe it. | 0:39:58 | 0:40:00 | |
This doesn't look like the same garden. | 0:40:00 | 0:40:02 | |
It's absolutely amazing. | 0:40:02 | 0:40:03 | |
It has changed a lot, hasn't it? | 0:40:03 | 0:40:05 | |
Thank you so much. It's absolutely incredible. | 0:40:05 | 0:40:09 | |
Well, that's a good result. | 0:40:09 | 0:40:11 | |
What do you think about the box? | 0:40:11 | 0:40:14 | |
-The steel box. -I love it. | 0:40:14 | 0:40:15 | |
Cos I... You told me about it and I visualised it but I had no idea, | 0:40:17 | 0:40:21 | |
actually, what it was going to look like, and it's amazing. | 0:40:21 | 0:40:24 | |
I love the way it goes... Like, this is totally open, | 0:40:24 | 0:40:27 | |
and it goes down into a whole new space. | 0:40:27 | 0:40:30 | |
-Yes. -It's like a usable space, as well. | 0:40:30 | 0:40:32 | |
It's absolutely... Oh, my goodness. | 0:40:32 | 0:40:33 | |
-THEY CHUCKLE -Yeah, look at that. | 0:40:33 | 0:40:37 | |
It does look pretty cool, I have to say. I think he likes it. | 0:40:40 | 0:40:43 | |
Charlie's created you a Mondrian... | 0:40:44 | 0:40:46 | |
That's... It's brilliant. | 0:40:46 | 0:40:49 | |
-Do you want to have a little wander down? -Yeah, absolutely. Awesome. | 0:40:49 | 0:40:51 | |
You've totally used my retro Californian blocks. | 0:40:53 | 0:40:56 | |
Yes, we used them on the step. We've also used them in a little planter | 0:40:56 | 0:40:59 | |
-over there. -Amazing. -Go down and have a look at the woodland area. | 0:40:59 | 0:41:02 | |
Down here is the woodland understory planting. | 0:41:03 | 0:41:06 | |
So, we've kept some of the things that you had. | 0:41:06 | 0:41:09 | |
-Yes. -Because you loved that kind of wild, unkempt look. -Definitely. | 0:41:09 | 0:41:12 | |
We've just introduced a few foxgloves and ferns, | 0:41:12 | 0:41:15 | |
things like filipendula that will grow up. | 0:41:15 | 0:41:16 | |
-They're kind of woodland understory planting. -Yeah. | 0:41:16 | 0:41:19 | |
So it should be really, really cool. | 0:41:19 | 0:41:20 | |
I think it looks so private, as well, | 0:41:20 | 0:41:22 | |
-the way you put a tree in the corner makes the whole thing really intimate. -Yeah. | 0:41:22 | 0:41:26 | |
The trees have added so much to this garden. | 0:41:26 | 0:41:28 | |
It kind of gives it that really cosy feeling. | 0:41:28 | 0:41:31 | |
Can you see yourself using this space to entertain in the evenings? | 0:41:33 | 0:41:37 | |
Definitely. You've made the whole thing so private, as well. | 0:41:37 | 0:41:40 | |
It's brilliant. | 0:41:40 | 0:41:42 | |
It does give an extra, totally fresh, new area | 0:41:42 | 0:41:49 | |
to the house. | 0:41:49 | 0:41:50 | |
-It was £4,000. -It was, yes. -Do you think it's money well spent? | 0:41:50 | 0:41:54 | |
Definitely. It's like a whole new room of my house. | 0:41:54 | 0:41:58 | |
-It's absolutely brilliant. -Do you think it complements... | 0:41:58 | 0:42:01 | |
Is it your favourite room now? | 0:42:01 | 0:42:03 | |
Yes, it's much better than any I could think of, yeah. | 0:42:03 | 0:42:06 | |
-It's brilliant. -The million-dollar question, | 0:42:06 | 0:42:08 | |
something that's been looming all day... | 0:42:08 | 0:42:10 | |
We know you wanted to open it to the public. | 0:42:10 | 0:42:13 | |
Is that something you would be willing to do now you see it? | 0:42:13 | 0:42:16 | |
I think so, yeah. I'll have to get on to the authorities | 0:42:17 | 0:42:20 | |
but, yeah, I reckon. I think people would love to see it, yes. | 0:42:20 | 0:42:23 | |
£4,000 was a lot of money to spend. So once the dust has settled, | 0:42:25 | 0:42:30 | |
is Gareth still happy with the end results? | 0:42:30 | 0:42:33 | |
The garden has surpassed my expectations. | 0:42:33 | 0:42:36 | |
Now I think it's my favourite room of the house. | 0:42:36 | 0:42:38 | |
I'm most looking forward to seeing how the garden evolves | 0:42:39 | 0:42:42 | |
over the next year, | 0:42:42 | 0:42:44 | |
and possibly seeing if I could open it to the village. | 0:42:44 | 0:42:47 |