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With her can-do attitude, | 0:00:02 | 0:00:03 | |
love of simple gardens and decades of experience, | 0:00:03 | 0:00:06 | |
Charlie Dimmock is one of Britain's best-loved gardeners. | 0:00:06 | 0:00:09 | |
Looking good, boys. | 0:00:09 | 0:00:11 | |
But the new kids on the gardening block are the Rich brothers. | 0:00:11 | 0:00:15 | |
We will be the brothers that change people's perceptions of gardeners. | 0:00:15 | 0:00:19 | |
Winners of multiple medals at the Chelsea Flower Show... | 0:00:19 | 0:00:22 | |
-Oh! Good turn. -Amazing, isn't it? | 0:00:22 | 0:00:24 | |
..the boys have become known for their dramatic outdoor spaces. | 0:00:24 | 0:00:28 | |
Now these two different generations of gardening are going head-to-head. | 0:00:29 | 0:00:34 | |
I know they've got a gold medal, but I can come up with a few ideas. | 0:00:34 | 0:00:38 | |
They're meeting frustrated garden owners across the country... | 0:00:38 | 0:00:42 | |
-Not a lot going on, is there? -Not a lot. | 0:00:42 | 0:00:44 | |
I don't know what to do with it. | 0:00:44 | 0:00:46 | |
..and will each pitch them a design, based on their needs... | 0:00:46 | 0:00:49 | |
-You look confused. -I am! Go for it. -..and budget. | 0:00:49 | 0:00:52 | |
-Doesn't look like it could be our garden. -The winner... -Charlie's! | 0:00:52 | 0:00:56 | |
-Yeah! -Awesome. | 0:00:56 | 0:00:58 | |
..brings their design to life. | 0:00:58 | 0:01:00 | |
-Hold on, hold on! -Sweet as a nut. | 0:01:00 | 0:01:02 | |
And the loser has to help them build it. | 0:01:02 | 0:01:05 | |
Keep working, keep working, boys. | 0:01:05 | 0:01:06 | |
Whoa, whoa, whoa. Easy. | 0:01:06 | 0:01:08 | |
This is what happens... | 0:01:08 | 0:01:11 | |
Just get on with it! Some time today would be good! | 0:01:11 | 0:01:13 | |
..when different styles collide... | 0:01:13 | 0:01:15 | |
I think your brother's throwing the toys out of his pram. | 0:01:15 | 0:01:18 | |
Are we doing this? | 0:01:18 | 0:01:19 | |
..to turn garden dreams into reality. | 0:01:19 | 0:01:23 | |
Wow! This is brilliant. | 0:01:23 | 0:01:25 | |
Oh, my goodness. | 0:01:25 | 0:01:26 | |
Wow! | 0:01:26 | 0:01:28 | |
-Look at that. -Oh, my God! | 0:01:28 | 0:01:31 | |
Wow! | 0:01:31 | 0:01:33 | |
It's time for Charlie and the Rich brothers to find out which garden | 0:01:40 | 0:01:43 | |
they're going to compete over today. | 0:01:43 | 0:01:45 | |
This is Andrew and Dawn from Norfolk. | 0:01:45 | 0:01:47 | |
-Yeah. -All right. -And you've heard of low-maintenance, | 0:01:47 | 0:01:51 | |
but then, there's this. | 0:01:51 | 0:01:52 | |
-But where? How...? -Look at that. | 0:01:52 | 0:01:54 | |
Andrew and Dawn moved into their bungalow in Norfolk a year ago | 0:01:58 | 0:02:01 | |
and it's not difficult to see why they've called in the services | 0:02:01 | 0:02:04 | |
of the Garden Rescue team. | 0:02:04 | 0:02:06 | |
We bought the house partly because of the garden. | 0:02:08 | 0:02:10 | |
We thought, "Great, no lawn to mow, no beds to weed, fantastic." | 0:02:10 | 0:02:14 | |
But we hadn't been here very long | 0:02:14 | 0:02:16 | |
-when we realised it was really dull. -Yes. | 0:02:16 | 0:02:19 | |
-That looks like gravel, gravel, gravel. -Bit of paving. | 0:02:19 | 0:02:22 | |
-Slabs. Gravel. -Yeah. -And one key plant. | 0:02:22 | 0:02:25 | |
Oh, no, two... Two and a half. | 0:02:25 | 0:02:27 | |
We're not really gardeners. | 0:02:32 | 0:02:34 | |
I do like to do a bit of "lady of the manor" gardening, | 0:02:34 | 0:02:36 | |
which is a bit of sort of deadheading, cut flowers, | 0:02:36 | 0:02:38 | |
you know, that's about my lot, really. | 0:02:38 | 0:02:40 | |
We want to be able to potter, | 0:02:40 | 0:02:42 | |
-but we want it to look nice at the same time. -Yeah. | 0:02:42 | 0:02:45 | |
Whilst the current garden may not be particularly enticing, | 0:02:45 | 0:02:48 | |
there was a very important reason for the move. | 0:02:48 | 0:02:50 | |
I was diagnosed with MS a couple of years ago. | 0:02:52 | 0:02:55 | |
It affects my legs, my hands and my feet, and also fatigue, as well. | 0:02:55 | 0:03:00 | |
And one of the nice things about when we downsized to a bungalow | 0:03:01 | 0:03:04 | |
was that it's going to be more manageable for me. | 0:03:04 | 0:03:06 | |
Andrew loves pottering in the garden, | 0:03:06 | 0:03:08 | |
but he does have a condition which means he can't spend | 0:03:08 | 0:03:10 | |
an extended length of time working in the garden, | 0:03:10 | 0:03:12 | |
so things to make it easier for him, maybe like raised beds, | 0:03:12 | 0:03:15 | |
stuff like that. | 0:03:15 | 0:03:17 | |
Yeah, it would be nice to have some raised beds. | 0:03:17 | 0:03:19 | |
It will save me getting on my hands and knees | 0:03:19 | 0:03:21 | |
and save pains in my legs. | 0:03:21 | 0:03:23 | |
The garden needs to be flat, so, in years to come, | 0:03:23 | 0:03:26 | |
it will be a very functional garden for whatever lies ahead. | 0:03:26 | 0:03:31 | |
The garden needs to be a safe place for Andrew and Dawn to potter in, | 0:03:31 | 0:03:35 | |
but one that doesn't require too much maintenance. | 0:03:35 | 0:03:38 | |
It's not the smallest of gardens, | 0:03:38 | 0:03:40 | |
so how much money do the designers have to play with? | 0:03:40 | 0:03:43 | |
Budget's £2,500. | 0:03:44 | 0:03:46 | |
It's a decent-sized garden, so that budget will be quite stretched. | 0:03:46 | 0:03:50 | |
They've got some slab areas there, some patios, | 0:03:50 | 0:03:52 | |
so I think if we can use it, we should. But I think, altogether, | 0:03:52 | 0:03:55 | |
it's just really bringing the life into the garden | 0:03:55 | 0:03:57 | |
and then just making sure it's really usable | 0:03:57 | 0:03:59 | |
-and functional for Andrew, as well. -Yeah. | 0:03:59 | 0:04:01 | |
This garden is going to require some ingenuity from the designers. | 0:04:01 | 0:04:05 | |
So, they head to Norfolk to see what they're up against. | 0:04:07 | 0:04:10 | |
Wow. | 0:04:13 | 0:04:15 | |
Slightly bare. | 0:04:15 | 0:04:16 | |
It looked bare on the photos, but now I'm here, it REALLY looks bare. | 0:04:17 | 0:04:21 | |
And, look, all the shapes of the paving. | 0:04:21 | 0:04:23 | |
Square, you've got... Those ones over there. | 0:04:23 | 0:04:26 | |
-These caterpillar ones. -Yeah. Oh... -Maltese cross. | 0:04:26 | 0:04:29 | |
Yeah. And Andrew's condition | 0:04:29 | 0:04:30 | |
means that this garden is definitely not safe. | 0:04:30 | 0:04:33 | |
I mean, the amount of level changes and dips... | 0:04:33 | 0:04:35 | |
And trip hazards, I've tripped over twice already | 0:04:35 | 0:04:37 | |
and we've only walked about ten foot into the garden! | 0:04:37 | 0:04:40 | |
It definitely needs a bit of rescuing, doesn't it? | 0:04:40 | 0:04:42 | |
It's not really got any character, has it? | 0:04:42 | 0:04:44 | |
-It needs a bit of personality, this garden. -And definitely some green. | 0:04:44 | 0:04:48 | |
-And some green. -Well, we're going to have a little look inside, | 0:04:48 | 0:04:50 | |
-leave you out here. -What, for me to be inspired out here? | 0:04:50 | 0:04:53 | |
Let us know if you find anything new and interesting. | 0:04:53 | 0:04:55 | |
I'll check the shed out. There might be something in there | 0:04:55 | 0:04:57 | |
-that'll give me a hint. -Paving stones. | 0:04:57 | 0:05:00 | |
Whilst Charlie's left outside, the Rich brothers head inside | 0:05:00 | 0:05:04 | |
to see if they can spot some clues that will highlight | 0:05:04 | 0:05:07 | |
Andrew and Dawn's taste. | 0:05:07 | 0:05:08 | |
Well, instantly calm and therapeutic. | 0:05:08 | 0:05:11 | |
It is, yes. That's the colour of the blue, isn't it? | 0:05:11 | 0:05:14 | |
Blue covers, blue walls, blue lampshade. | 0:05:14 | 0:05:17 | |
-Lowers it down. -It does, doesn't it? -The heart rate lowering already. | 0:05:17 | 0:05:20 | |
Yes. I feel like these tie in quite nicely, don't they, actually... | 0:05:20 | 0:05:22 | |
-Yeah. -..with that slightly washed-out look? | 0:05:22 | 0:05:25 | |
-It's got that beach-hut feeling, hasn't it? -Yeah. | 0:05:25 | 0:05:27 | |
It's also rather calm outside, as the couple join Charlie | 0:05:27 | 0:05:30 | |
to discuss their own vision for the garden. | 0:05:30 | 0:05:34 | |
Andrew, what do YOU want from the garden? | 0:05:34 | 0:05:37 | |
I think a tranquil setting, | 0:05:37 | 0:05:39 | |
and nice entertaining area. | 0:05:39 | 0:05:42 | |
We'd like to socialise, so barbecues, | 0:05:43 | 0:05:46 | |
sitting in the sunshine, when the sun is shining. | 0:05:46 | 0:05:50 | |
And, Dawn, for you? | 0:05:50 | 0:05:52 | |
Probably more on the contemporary side and structural plants and... | 0:05:52 | 0:05:56 | |
Yeah, I mean, the garden... The plants you have got here | 0:05:56 | 0:05:59 | |
are very architectural, and really, I mean, that conifer's fabulous. | 0:05:59 | 0:06:03 | |
And something that looks nice from the house. | 0:06:03 | 0:06:05 | |
-Yes, because you've got quite a lot of windows... -On this side, yeah. | 0:06:05 | 0:06:08 | |
And then look at that. | 0:06:08 | 0:06:09 | |
I feel like that's something we should be orbiting round. | 0:06:09 | 0:06:12 | |
-It's pretty in your face. -Yeah. -It's quite a contemporary one, as well. | 0:06:12 | 0:06:15 | |
Yeah, I think if we were to give them something | 0:06:15 | 0:06:17 | |
that maybe had a little bit of a modern touch, | 0:06:17 | 0:06:19 | |
-they wouldn't be adverse to that, would they, really? -Yeah. | 0:06:19 | 0:06:22 | |
Then we've got, you know, the end of that house there, | 0:06:22 | 0:06:25 | |
and a little bit overlooked there, so a bit of height. | 0:06:25 | 0:06:28 | |
So, you want to enclose it, make it more intimate? | 0:06:28 | 0:06:31 | |
-Yes. -Yeah. -And make it more inviting to come out. | 0:06:31 | 0:06:34 | |
At the moment, it feels to me that you probably just come out | 0:06:34 | 0:06:37 | |
-to go to the shed. -Exactly. -That's about it. -Yeah, exactly. | 0:06:37 | 0:06:40 | |
-Yeah, yeah, you don't sort of feel the need to sit in it. -Yeah. | 0:06:40 | 0:06:43 | |
Andrew and Dawn would also like to leave an area of the garden | 0:06:43 | 0:06:46 | |
for parking their caravan in. | 0:06:46 | 0:06:48 | |
This is welcome news to the designers. | 0:06:48 | 0:06:51 | |
With a slightly reduced area to transform, | 0:06:51 | 0:06:53 | |
the £2,500 budget can be stretched a little further. | 0:06:53 | 0:06:57 | |
With that in mind, the designers head to their drawing boards. | 0:06:57 | 0:07:01 | |
Charlie and the Rich brothers will compete against each other | 0:07:03 | 0:07:06 | |
to come up with a design | 0:07:06 | 0:07:08 | |
that will work within Andrew and Dawn's budget. | 0:07:08 | 0:07:11 | |
The couple will then have to choose a winner, and whoever loses | 0:07:12 | 0:07:15 | |
will have to help the winner build the garden. | 0:07:15 | 0:07:18 | |
The £2,500 will be used to cover the cost of the materials, | 0:07:20 | 0:07:24 | |
while the labour will be supplied by Charlie, | 0:07:24 | 0:07:26 | |
the Rich brothers and their team of landscapers. | 0:07:26 | 0:07:29 | |
It's time for the designers to pitch their ideas. | 0:07:36 | 0:07:39 | |
-Hello. -Hi. | 0:07:39 | 0:07:41 | |
-Hi. -OK. | 0:07:41 | 0:07:42 | |
So, this is our design. | 0:07:42 | 0:07:44 | |
-Oh, wow. -So... | 0:07:46 | 0:07:47 | |
The most important thing that we could give you was a levelled garden, | 0:07:47 | 0:07:51 | |
so it's really user-friendly, nice and safe, | 0:07:51 | 0:07:54 | |
get rid of as many trip hazards as possible. | 0:07:54 | 0:07:56 | |
So, it's based on these rectangles | 0:07:56 | 0:07:58 | |
and altogether makes a very kind of unified space | 0:07:58 | 0:08:01 | |
that will have a very calming and relaxing feeling. | 0:08:01 | 0:08:04 | |
-Yeah. -What we want to do | 0:08:04 | 0:08:05 | |
is to keep the original paving slabs where they are | 0:08:05 | 0:08:08 | |
and that will help us kind of save budget | 0:08:08 | 0:08:10 | |
for other aspects of the garden. | 0:08:10 | 0:08:11 | |
And we're going to connect them with a wooden deck, | 0:08:11 | 0:08:14 | |
and wood's lovely and warming | 0:08:14 | 0:08:15 | |
and that's just going to create this large, open space | 0:08:15 | 0:08:18 | |
for entertaining or just relaxing. | 0:08:18 | 0:08:20 | |
Keeping and levelling the two existing square patio areas | 0:08:22 | 0:08:25 | |
is a shrewd move from the Rich brothers. | 0:08:25 | 0:08:28 | |
So, what has Charlie got planned for the space? | 0:08:28 | 0:08:31 | |
Oh. Wow. | 0:08:33 | 0:08:34 | |
So, design-wise, | 0:08:34 | 0:08:36 | |
I've gone for quite a dynamic ray of paving | 0:08:36 | 0:08:40 | |
which is going to be a big entertainment space. | 0:08:40 | 0:08:44 | |
So, I'm reusing your rectangular slabs, | 0:08:44 | 0:08:47 | |
but then, because I didn't want it to look like a car park, | 0:08:47 | 0:08:51 | |
I've broken it up using, like, a bound gravel. | 0:08:51 | 0:08:54 | |
It's got a soft, golden colour, | 0:08:54 | 0:08:56 | |
but it is a hard and level surface to walk on. | 0:08:56 | 0:08:59 | |
It draws you up to this area here | 0:08:59 | 0:09:02 | |
which is big enough to get a nice, big table on it, | 0:09:02 | 0:09:05 | |
and then, this is a built-in timber bench, so you can sit there, | 0:09:05 | 0:09:09 | |
so you haven't got to get the furniture out of the shed. | 0:09:09 | 0:09:11 | |
You'll think, "Oh, I'll just take the coffee out and sit outside." | 0:09:11 | 0:09:15 | |
Charlie also wants to re-use the existing slabs, | 0:09:16 | 0:09:19 | |
but to lay them in a dynamic new shape, | 0:09:19 | 0:09:21 | |
which is a radical change from how they're arranged now. | 0:09:21 | 0:09:24 | |
But how will the designers give their patio areas | 0:09:24 | 0:09:27 | |
the privacy that the couple have asked for? | 0:09:27 | 0:09:29 | |
Most importantly is this area here | 0:09:31 | 0:09:32 | |
which would be in that corner of the garden. | 0:09:32 | 0:09:35 | |
So, we wanted to put a simple grid of pear trees. | 0:09:35 | 0:09:38 | |
And first and foremost, this is great for privacy, | 0:09:38 | 0:09:41 | |
but also really lovely sculptural elements, | 0:09:41 | 0:09:43 | |
so you've got an elegant single stem | 0:09:43 | 0:09:45 | |
and the crown will come about two metres and then | 0:09:45 | 0:09:47 | |
this lovely dense canopy. | 0:09:47 | 0:09:49 | |
And then also surrounding the garden, we wanted to provide you | 0:09:49 | 0:09:52 | |
with a thick layer of these shrubs, | 0:09:52 | 0:09:53 | |
so that's what creates this kind of green screen that separates | 0:09:53 | 0:09:56 | |
-where you're going to be sitting to where the caravan is. -Yeah. -Yeah. | 0:09:56 | 0:09:59 | |
To make the garden a lot more intimate, | 0:09:59 | 0:10:02 | |
I've got quite a few trees in this gravel area, | 0:10:02 | 0:10:05 | |
which I'm retaining around the edges, | 0:10:05 | 0:10:07 | |
but also making you use the garden | 0:10:07 | 0:10:10 | |
round the other way, | 0:10:10 | 0:10:12 | |
so you don't look that way. | 0:10:12 | 0:10:13 | |
-Yes. -You look this way. | 0:10:13 | 0:10:15 | |
And then you have the view of the planting. | 0:10:15 | 0:10:19 | |
So, you're looking away from your shed. Nothing against your shed... | 0:10:19 | 0:10:23 | |
..but it's not a thing of beauty, | 0:10:23 | 0:10:25 | |
and I know you're thinking of putting the caravan there. | 0:10:25 | 0:10:28 | |
The couple are giving little away | 0:10:29 | 0:10:30 | |
about which of the very different designs they prefer. | 0:10:30 | 0:10:34 | |
Will those extra touches designed to make gardening easier | 0:10:34 | 0:10:37 | |
for Andrew swing their decision? | 0:10:37 | 0:10:39 | |
So, as you can see, from this visual here, that's the decking. | 0:10:39 | 0:10:42 | |
And then, we've given you a raised bed here. | 0:10:42 | 0:10:45 | |
So, we're going to leave the existing raised bed, | 0:10:45 | 0:10:47 | |
but we're going to give you a timber raised bed here, | 0:10:47 | 0:10:49 | |
so the decking links really nicely with the raised bed, | 0:10:49 | 0:10:51 | |
it's really usable. You know, you guys can get your hands dirty, | 0:10:51 | 0:10:54 | |
-really get using it, and it's really easy to maintain, as well. -Yeah. | 0:10:54 | 0:10:58 | |
We've got a couple of raised beds here. | 0:10:58 | 0:11:00 | |
So, they're going to be high enough | 0:11:00 | 0:11:03 | |
that they're what I'd call "perching" height. | 0:11:03 | 0:11:06 | |
And then, this is a wall of timber with planters on, | 0:11:06 | 0:11:10 | |
so that will be quite easy to maintain. | 0:11:10 | 0:11:13 | |
Now, planting wise, we can put lots of colourful bedding plants in it, | 0:11:13 | 0:11:17 | |
but if you want it just to look good all year, | 0:11:17 | 0:11:19 | |
we can put lots of evergreens in. | 0:11:19 | 0:11:21 | |
So, ivies and succulents. | 0:11:21 | 0:11:24 | |
That way, if you forget to water them, not a problem. | 0:11:24 | 0:11:27 | |
They'll put up with it. | 0:11:27 | 0:11:29 | |
With the pitches over... | 0:11:29 | 0:11:31 | |
-I'll leave you to think about it. -Thank you. -Thank you. | 0:11:31 | 0:11:34 | |
..all the designers can do now is wait. | 0:11:34 | 0:11:37 | |
Andrew and Dawn can only choose one design, but which will it be? | 0:11:37 | 0:11:41 | |
-I don't know. It's really difficult. -Tough choice, yeah. | 0:11:42 | 0:11:45 | |
-There's elements of both. -Both of them, yes. | 0:11:45 | 0:11:47 | |
-The trees are lovely. -Yes. -Absolutely lovely. | 0:11:47 | 0:11:50 | |
And I like the idea of walking out onto the two textures. | 0:11:50 | 0:11:52 | |
We've kept the paving areas the same, but obviously lifted them up, | 0:11:52 | 0:11:56 | |
levelled them. We've linked them together with a nice deck. | 0:11:56 | 0:11:59 | |
Whereas I've gone with the shape to draw them out, | 0:11:59 | 0:12:02 | |
so it starts narrow and then widens out to this area, | 0:12:02 | 0:12:05 | |
which is my entertaining area. | 0:12:05 | 0:12:07 | |
-Ah. -Ah. -I think the first thing that struck me | 0:12:07 | 0:12:11 | |
was just a complete change of perspective. | 0:12:11 | 0:12:13 | |
And I liked the bench and the screen, | 0:12:13 | 0:12:15 | |
just some of the quirky elements. | 0:12:15 | 0:12:17 | |
Yours sounds a lot more angular and diagonal, | 0:12:17 | 0:12:20 | |
whereas ours is just a bit more simple, slightly more geometric, | 0:12:20 | 0:12:23 | |
almost like four rectangles, in a way. | 0:12:23 | 0:12:25 | |
You do simple well, you two, don't you? | 0:12:25 | 0:12:27 | |
So, will Andrew and Dawn choose Charlie's angular patio | 0:12:27 | 0:12:30 | |
with purpose-built outdoor seating | 0:12:30 | 0:12:32 | |
and bespoke vertical planter? | 0:12:32 | 0:12:34 | |
Or the Rich brothers' sheltered geometric design, | 0:12:36 | 0:12:39 | |
with decking and two patios, raised beds and pear trees? | 0:12:39 | 0:12:43 | |
Here they are. | 0:12:45 | 0:12:46 | |
It's time for the couple to reveal their decision. | 0:12:46 | 0:12:49 | |
-Hello. -Hiya. | 0:12:49 | 0:12:50 | |
ALL: Hey. | 0:12:50 | 0:12:52 | |
Well, our choice is... | 0:12:54 | 0:12:56 | |
-Yay! -Yes! | 0:12:57 | 0:12:59 | |
It's those dynamic diagonals. Oooh! | 0:12:59 | 0:13:04 | |
The diagonal feel of it was, I think, what swayed me. | 0:13:04 | 0:13:07 | |
Oh, good. I've got so many little projects for you boys! | 0:13:07 | 0:13:12 | |
The dynamic diva is elated to win this one, | 0:13:13 | 0:13:16 | |
but it sounds like it's the doleful duo | 0:13:16 | 0:13:19 | |
that will be doing all the hard graft. | 0:13:19 | 0:13:21 | |
It's early morning in Norfolk. | 0:13:25 | 0:13:27 | |
With so much paving to get done, | 0:13:27 | 0:13:29 | |
Charlie has sent the landscaping team on ahead to get cracking. | 0:13:29 | 0:13:32 | |
Whilst Scott and Andy waste no time in removing the walls | 0:13:35 | 0:13:38 | |
from the old raised bed, | 0:13:38 | 0:13:39 | |
project manager Guy and head landscaper Scott | 0:13:39 | 0:13:42 | |
need to get to grips with the unusual layout. | 0:13:42 | 0:13:45 | |
This is an interesting design that Charlie's come up with. | 0:13:45 | 0:13:48 | |
-Yeah, it is, isn't it? -And it's all about the angles. | 0:13:48 | 0:13:51 | |
She's got a pivot point, basically, in that corner | 0:13:51 | 0:13:53 | |
and then she's running loads of lines across the garden. | 0:13:53 | 0:13:57 | |
And we're going to be reusing quite a lot of the slabs. | 0:13:57 | 0:14:00 | |
-OK. I like that idea. -Which is great. | 0:14:00 | 0:14:02 | |
Less wheelbarrowing out to the skip, which is what we like. | 0:14:02 | 0:14:05 | |
Absolutely, absolutely. | 0:14:05 | 0:14:06 | |
But first, they've got to pull the slabs up. | 0:14:07 | 0:14:10 | |
And there are a lot of them. | 0:14:10 | 0:14:11 | |
Any slabs in good nick are saved and given a thorough jet wash, | 0:14:17 | 0:14:21 | |
revealing a lovely sandy colour. | 0:14:21 | 0:14:23 | |
The concrete path, which runs along the back of the house, | 0:14:24 | 0:14:27 | |
is being broken up and will later be replaced by a new, wider path. | 0:14:27 | 0:14:31 | |
Meanwhile, Scott and Guy test their geometry skills | 0:14:32 | 0:14:35 | |
by marking out the new patio and flowerbeds. | 0:14:35 | 0:14:38 | |
So, we've made a bit of progress, now. We got the lines sprayed out. | 0:14:38 | 0:14:42 | |
We're trying not to walk on them, | 0:14:42 | 0:14:43 | |
otherwise they'll slowly disappear and we have to do them again. | 0:14:43 | 0:14:46 | |
So, we're almost ready to start putting the hardcore base | 0:14:46 | 0:14:49 | |
for the new patio. So, we're good to go. | 0:14:49 | 0:14:51 | |
Andy's moved on to making a new step outside the back door, | 0:14:55 | 0:14:58 | |
reusing blocks from the old raised bed. | 0:14:58 | 0:15:01 | |
This is the only level change in the new garden, | 0:15:02 | 0:15:05 | |
and a wide, simple step will be easiest for Andrew to manage. | 0:15:05 | 0:15:08 | |
The cleaned-up slabs are re-laid on top, | 0:15:13 | 0:15:15 | |
but there aren't enough left to do the large, main patio, as well, | 0:15:15 | 0:15:19 | |
so Charlie has ordered some new slabs in the same colour, | 0:15:19 | 0:15:22 | |
which Scott is laying. | 0:15:22 | 0:15:23 | |
And with almost 100 slabs to lay, | 0:15:26 | 0:15:28 | |
he's understandably getting a bit fed up. | 0:15:28 | 0:15:31 | |
Scott, how is it going? | 0:15:32 | 0:15:34 | |
-DEADPAN: -Brilliant. Absolutely ecstatic. | 0:15:34 | 0:15:36 | |
-LAUGHTER -Yeah, it's going really well, yeah. | 0:15:36 | 0:15:39 | |
-No, we are getting there. -I can tell you mean that. | 0:15:39 | 0:15:41 | |
It's a real mission, but we're getting there. | 0:15:41 | 0:15:44 | |
The cement needs time to dry before the slabs can be walked on, | 0:15:44 | 0:15:48 | |
so the team packs up for the day, leaving them to dry overnight. | 0:15:48 | 0:15:51 | |
First thing next morning, Charlie, Harry and David arrive. | 0:15:57 | 0:16:01 | |
-Well, we have the sunshine. That's a good thing. -It is a good thing. | 0:16:01 | 0:16:04 | |
-It's on our side. -Now, you know I occasionally nag you. | 0:16:04 | 0:16:08 | |
-Does she? -No, don't think so. | 0:16:08 | 0:16:10 | |
I'm going to be right on your case today, | 0:16:10 | 0:16:11 | |
because all the projects you're doing, if you're slow, | 0:16:11 | 0:16:14 | |
you're going to hold me up, | 0:16:14 | 0:16:16 | |
because I can't do my jobs unless you finish yours. | 0:16:16 | 0:16:19 | |
Sounds like power. | 0:16:19 | 0:16:21 | |
I don't want to move that fast. | 0:16:21 | 0:16:23 | |
So, you've heard of living walls? | 0:16:23 | 0:16:25 | |
-Yes. -You're going to be making a living gate. | 0:16:25 | 0:16:27 | |
-Nice. -And then you're going to be making some bench seats | 0:16:27 | 0:16:31 | |
-and some tables, yeah? -Nice. | 0:16:31 | 0:16:33 | |
-OK. -So, we've got an awful lot to do. -Sounds like a fun day. | 0:16:33 | 0:16:37 | |
Get going. | 0:16:37 | 0:16:38 | |
In the garden, the team's back at work. | 0:16:41 | 0:16:44 | |
The patio is ready to walk on, but will the boss like what she sees? | 0:16:44 | 0:16:48 | |
Well, the landscape team have done a really good job. | 0:16:48 | 0:16:52 | |
You can see the shape of the garden coming through now. | 0:16:52 | 0:16:55 | |
So, we've got this paving that leads out into the garden. | 0:16:55 | 0:16:58 | |
And you're going to get to this end and sit down | 0:16:58 | 0:17:01 | |
and sort of look back at the sort of planting area. | 0:17:01 | 0:17:04 | |
So, we're going to have a pathway over there | 0:17:04 | 0:17:07 | |
to get you in and out of the garden, raised beds over here. | 0:17:07 | 0:17:10 | |
So, I'm quite pleased with what they've managed to achieve. | 0:17:10 | 0:17:14 | |
Scott can now cut the long, straight line | 0:17:17 | 0:17:19 | |
that will give the patio its distinct shape... | 0:17:19 | 0:17:21 | |
..with David following behind removing the offcuts. | 0:17:24 | 0:17:27 | |
It's definitely a very satisfying job. | 0:17:27 | 0:17:29 | |
Ooh, that was a good one. | 0:17:31 | 0:17:33 | |
Beautiful. | 0:17:33 | 0:17:35 | |
Andy's bringing in the base layer | 0:17:37 | 0:17:39 | |
for the areas at the side of the patio and the path by the house. | 0:17:39 | 0:17:42 | |
With the hard landscaping jobs being taken care of, | 0:17:44 | 0:17:46 | |
Charlie can turn her attention to the evergreen planting. | 0:17:46 | 0:17:50 | |
Andrew and Dawn already have a few conifers, | 0:17:50 | 0:17:53 | |
which are perfect for a low-maintenance garden, | 0:17:53 | 0:17:55 | |
and she's decided to introduce some more. | 0:17:55 | 0:17:58 | |
Conifers are becoming a bit of a feature of this garden. | 0:17:59 | 0:18:02 | |
They've gone out of favour slightly over the last ten, 20 years. | 0:18:02 | 0:18:07 | |
There are some glorious ones out there. | 0:18:07 | 0:18:09 | |
One thing you've got to remember with conifers - | 0:18:09 | 0:18:11 | |
if you are clipping them, as a general rule, | 0:18:11 | 0:18:14 | |
you shouldn't cut back hard into this dead wood section, | 0:18:14 | 0:18:18 | |
because they won't regenerate. | 0:18:18 | 0:18:20 | |
So, if you are cutting a hedge, | 0:18:20 | 0:18:21 | |
you want to be clipping in this green section here. | 0:18:21 | 0:18:24 | |
And that way it will keep them nice and neat and compact, | 0:18:24 | 0:18:27 | |
or you go for ones that are really slow growing like this one, | 0:18:27 | 0:18:31 | |
and it's got this really lovely shape and texture to it. | 0:18:31 | 0:18:35 | |
Conifers used to be a staple feature in British gardens, | 0:18:40 | 0:18:43 | |
but have become less fashionable in recent years, | 0:18:43 | 0:18:45 | |
in part due to the notorious Leyland cypress, | 0:18:45 | 0:18:49 | |
which grows very tall, very quickly. | 0:18:49 | 0:18:51 | |
However, with more than 500 species of conifer to choose from, | 0:18:51 | 0:18:55 | |
including pines, yew and pencil cypress, | 0:18:55 | 0:18:58 | |
they shouldn't all be dismissed. | 0:18:58 | 0:19:00 | |
At his Norfolk garden, Foggy Bottom, | 0:19:04 | 0:19:07 | |
conifer expert and champion Adrian Bloom | 0:19:07 | 0:19:09 | |
has been growing them for 50 years. | 0:19:09 | 0:19:12 | |
Despite a lot of criticism from a lot of people | 0:19:13 | 0:19:15 | |
who perhaps don't understand conifers, | 0:19:15 | 0:19:17 | |
I felt that they were worth sticking with and getting to understand, | 0:19:17 | 0:19:22 | |
because there's so much variety, which most people don't realise. | 0:19:22 | 0:19:25 | |
So, I've always felt there's this need to stand up, if you like, | 0:19:25 | 0:19:29 | |
for conifers as a plant you can use in most gardens. | 0:19:29 | 0:19:33 | |
It's important to check a conifer's rate of growth before you plant it, | 0:19:36 | 0:19:40 | |
as this can vary greatly depending on the type. | 0:19:40 | 0:19:44 | |
There are many slow-growing varieties. | 0:19:44 | 0:19:46 | |
Others can be kept in check by annual pruning, | 0:19:46 | 0:19:49 | |
and there are also dwarf varieties to choose from. | 0:19:49 | 0:19:52 | |
Two really good plants for the smaller garden. | 0:19:52 | 0:19:55 | |
There's this one, | 0:19:55 | 0:19:58 | |
which is Chamaecyparis pisifera. How about that? | 0:19:58 | 0:20:01 | |
There's one called "Sungold", the threadleaf cypress, | 0:20:01 | 0:20:03 | |
that's the other name for it. | 0:20:03 | 0:20:05 | |
But that's golden most of the year, | 0:20:05 | 0:20:07 | |
so you can keep that pruned and keep it pretty small, too. | 0:20:07 | 0:20:09 | |
And then Juniperus "Blue Star", this one here, | 0:20:09 | 0:20:12 | |
and these will turn a brilliant blue in the summer. | 0:20:12 | 0:20:15 | |
Whilst conifers are renowned for giving year-round colour, | 0:20:16 | 0:20:19 | |
some varieties change shade, | 0:20:19 | 0:20:21 | |
either in the summer or winter months. | 0:20:21 | 0:20:24 | |
Blues and golds are the most popular colours, | 0:20:24 | 0:20:26 | |
and even some well-known types can come in unexpected hues. | 0:20:26 | 0:20:30 | |
This is just the ordinary Christmas tree, the Norway spruce. | 0:20:30 | 0:20:34 | |
And this was a form that was found in Sweden that had red shoots. | 0:20:34 | 0:20:38 | |
And these don't last for long, mind you, | 0:20:38 | 0:20:41 | |
but what a tremendous colour and transformation that is | 0:20:41 | 0:20:43 | |
at this time of the year. | 0:20:43 | 0:20:45 | |
Some of the more striking conifers may grow quite large, | 0:20:49 | 0:20:52 | |
and if you don't want to get rid of those, | 0:20:52 | 0:20:54 | |
Adrian has an enterprising suggestion for maintaining them. | 0:20:54 | 0:20:58 | |
This is one of the Korean pines, | 0:20:58 | 0:21:00 | |
and like this one, | 0:21:00 | 0:21:01 | |
which has not been pruned at all, | 0:21:01 | 0:21:03 | |
this would have taken up so much space had it gone to the ground, | 0:21:03 | 0:21:07 | |
if you can imagine that just as a ball. | 0:21:07 | 0:21:09 | |
But by starting to trim this several years ago now, | 0:21:09 | 0:21:12 | |
I trimmed up from the base, | 0:21:12 | 0:21:13 | |
opened it up, and you can then see through it. | 0:21:13 | 0:21:16 | |
And I always like to sort of peak into another part of the garden, | 0:21:16 | 0:21:19 | |
and that allows you to do that. | 0:21:19 | 0:21:21 | |
In fact, it's such a useful technique | 0:21:24 | 0:21:26 | |
that Charlie is employing it back in the garden. | 0:21:26 | 0:21:29 | |
What you want to do before you start cutting the stems | 0:21:31 | 0:21:34 | |
is just pull the stem down to see what shape it's going to give you. | 0:21:34 | 0:21:39 | |
Now, this one's crossing over, so I'm going to take that one out. | 0:21:39 | 0:21:42 | |
And what you've got to be careful of | 0:21:42 | 0:21:44 | |
is that you don't leave a stump which is going to rock back, | 0:21:44 | 0:21:47 | |
but that you don't cut it back so hard | 0:21:47 | 0:21:49 | |
that you go into that ridge there, because that's the tree's | 0:21:49 | 0:21:53 | |
natural way of growing over and then sealing up that stump, | 0:21:53 | 0:21:57 | |
so it stops disease getting in. | 0:21:57 | 0:21:59 | |
Cut it just here. | 0:22:00 | 0:22:02 | |
Before the new conifers can be planted, | 0:22:09 | 0:22:12 | |
the hard landscaping needs to be finished. | 0:22:12 | 0:22:14 | |
At the end of the patio, | 0:22:16 | 0:22:17 | |
Charlie's designed a fixed bench and potting table, | 0:22:17 | 0:22:20 | |
and she's given the job of building those to Harry and David. | 0:22:20 | 0:22:24 | |
Charlie's got us making the bench within the garden, | 0:22:25 | 0:22:27 | |
and this is what it will look like. | 0:22:27 | 0:22:29 | |
So, the garden was made up of a lot of slabs, originally, | 0:22:29 | 0:22:31 | |
so it's really important to try and re-use them. | 0:22:31 | 0:22:33 | |
So, we're going to create these slab towers, | 0:22:33 | 0:22:35 | |
and they're going to be the legs to the bench, | 0:22:35 | 0:22:37 | |
and then we're going to have a timber top. So, quite simple. | 0:22:37 | 0:22:39 | |
It's all about recycling materials that were already in the garden. | 0:22:39 | 0:22:42 | |
I know, Charlie's being clever on this one, isn't she? | 0:22:42 | 0:22:45 | |
And I think that's what's so nice, | 0:22:45 | 0:22:46 | |
it's that it's a very simple construction method. | 0:22:46 | 0:22:48 | |
All we're doing is we're layering these slabs up, | 0:22:48 | 0:22:51 | |
and we're using these spacers, which are 50 millimetres, because | 0:22:51 | 0:22:55 | |
if it was just mortar, it might kind of tend just to lean one way. | 0:22:55 | 0:22:59 | |
But by using these spacers, | 0:22:59 | 0:23:00 | |
it's going to create this lovely, uniform gap straight up. | 0:23:00 | 0:23:03 | |
And it's going to be a lovely little feature. | 0:23:03 | 0:23:05 | |
And what we're going to do then, in between those spacers, | 0:23:05 | 0:23:07 | |
we're just going to put in some of the mortar. | 0:23:07 | 0:23:10 | |
And it's important to not put too much in. | 0:23:10 | 0:23:11 | |
Make it just a little bit higher than the spacer. | 0:23:11 | 0:23:13 | |
Keep it away from the edges, | 0:23:13 | 0:23:15 | |
because that's going to give that shadow gap, the idea | 0:23:15 | 0:23:17 | |
that it's hovering, which will look really cool. | 0:23:17 | 0:23:19 | |
-Right, go on, then. -Got to get it square. | 0:23:19 | 0:23:21 | |
-We'll have this done in no time, won't we? -Yeah. | 0:23:24 | 0:23:27 | |
That'll be music to Charlie's ears. | 0:23:27 | 0:23:29 | |
And she can keep an eye on the brothers' progress | 0:23:34 | 0:23:36 | |
from the corner of the garden, | 0:23:36 | 0:23:38 | |
where she's getting creative with cement. | 0:23:38 | 0:23:42 | |
Now, I wanted to put some containers in the garden, | 0:23:42 | 0:23:44 | |
because containers really add quite a lovely feel. | 0:23:44 | 0:23:49 | |
I fancied a nice stone trough or two, but budget said no, | 0:23:49 | 0:23:54 | |
so I'm making my own. | 0:23:54 | 0:23:56 | |
And this is called hypertufa. | 0:23:56 | 0:23:59 | |
And it sort of recreates a synthetic version, | 0:23:59 | 0:24:02 | |
or a home-made version, of tufa rock. | 0:24:02 | 0:24:05 | |
So, I've got two measures of cement, | 0:24:05 | 0:24:08 | |
three measures of peat-free potting compost, | 0:24:08 | 0:24:14 | |
and then three perlites, which you'll get at the garden centre. | 0:24:14 | 0:24:18 | |
It's funny stuff. It's for adding aeration to compost or soil. | 0:24:18 | 0:24:23 | |
It's very, very light. | 0:24:23 | 0:24:24 | |
It almost feels like polystyrene, but it's not. | 0:24:24 | 0:24:27 | |
So, three of those. It's like making a great big cake! | 0:24:27 | 0:24:31 | |
And just like cake, this mixture won't work without moisture. | 0:24:33 | 0:24:37 | |
It's one of those things - not too much water... | 0:24:39 | 0:24:42 | |
..but just enough. So, a little bit at a time. | 0:24:44 | 0:24:47 | |
And if you don't get the consistency right, | 0:24:50 | 0:24:53 | |
hypertufa can be prone to cracking. | 0:24:53 | 0:24:55 | |
I think that is...almost there. | 0:24:56 | 0:25:00 | |
It's got to be... | 0:25:02 | 0:25:04 | |
..wet enough that it forms a ball, | 0:25:05 | 0:25:10 | |
but not so wet that it's sloppy. | 0:25:10 | 0:25:13 | |
I think that's about it. Look at that. | 0:25:13 | 0:25:15 | |
It can be moulded into any shape, so is perfect for containers, | 0:25:18 | 0:25:22 | |
and even garden ornaments, if you're feeling artistic. | 0:25:22 | 0:25:25 | |
Charlie is simply using a couple of cardboard boxes for her trough. | 0:25:25 | 0:25:30 | |
The best thing is that when finished, it's very light, | 0:25:32 | 0:25:35 | |
and much easier to move around the garden than a real stone trough. | 0:25:35 | 0:25:40 | |
But first, it has to dry, so here's one Charlie made earlier. | 0:25:40 | 0:25:43 | |
So, it's a case of getting the cardboard off, | 0:25:46 | 0:25:51 | |
and then using a wire brush just to soften the edges off. | 0:25:51 | 0:25:56 | |
This is obviously going to take some time. | 0:25:59 | 0:26:01 | |
Come back...later. | 0:26:01 | 0:26:03 | |
The surface of the path and the patio edges are now being laid. | 0:26:10 | 0:26:15 | |
Charlie has chosen hoggin, | 0:26:15 | 0:26:16 | |
which is a mixture of gravel, sand and clay, | 0:26:16 | 0:26:19 | |
that binds together firmly when compacted, | 0:26:19 | 0:26:21 | |
and yet allows water to drain through. | 0:26:21 | 0:26:24 | |
It adds a warm and pleasant texture to the space, | 0:26:24 | 0:26:26 | |
which is vital if you have large areas | 0:26:26 | 0:26:28 | |
of paving or gravel in your garden. | 0:26:28 | 0:26:30 | |
-That is perfect. Look at that. -Yeah. Charlie will be... | 0:26:35 | 0:26:39 | |
Charlie's very impressed! Slap on the back! Well done! | 0:26:39 | 0:26:42 | |
It's quite cool, isn't it? I like it. | 0:26:42 | 0:26:43 | |
And it works so nice with the patio. | 0:26:43 | 0:26:45 | |
Yeah, and we've just got to do the table over there, | 0:26:45 | 0:26:47 | |
-that's got to be higher. -We've got it down to a T now, | 0:26:47 | 0:26:49 | |
-so it's easy. -Oh, OK, then. | 0:26:49 | 0:26:51 | |
I might not even bring the level with this one. | 0:26:51 | 0:26:54 | |
That's asking for trouble! | 0:26:54 | 0:26:56 | |
Charlie's managed to remove the cardboard from her hypertufa trough, | 0:27:01 | 0:27:05 | |
and is ready to add some plants in the form of alpines. | 0:27:05 | 0:27:09 | |
Alpines are really neglected in the garden. | 0:27:10 | 0:27:13 | |
They make great container plants, | 0:27:13 | 0:27:16 | |
but also, they're very good in borders, | 0:27:16 | 0:27:18 | |
because they're very low-maintenance, | 0:27:18 | 0:27:20 | |
so at the front of a border, | 0:27:20 | 0:27:21 | |
as long as they have got sunlight and free-draining soil, | 0:27:21 | 0:27:25 | |
they're very happy. | 0:27:25 | 0:27:26 | |
So, that sedum there is going to sort of tumble over the edge, there. | 0:27:26 | 0:27:31 | |
Another thing I like about alpines | 0:27:31 | 0:27:33 | |
is they make some really nice shapes, like a hummock. | 0:27:33 | 0:27:36 | |
And in a container, to show them off, | 0:27:36 | 0:27:40 | |
it's better to have less rather than lots. | 0:27:40 | 0:27:42 | |
And then the odd rock in there, as well, really sets them off well. | 0:27:42 | 0:27:46 | |
David is making progress with the slab pedestals for the table. | 0:27:51 | 0:27:56 | |
Or so he thinks. | 0:27:56 | 0:27:57 | |
-Go that way a little bit more. -What do you mean? The whole thing? | 0:28:00 | 0:28:02 | |
-The tower? -The last three you can just shunt. | 0:28:02 | 0:28:05 | |
Yeah, does that look good from there? | 0:28:06 | 0:28:08 | |
It's slightly leaning that way. | 0:28:08 | 0:28:10 | |
Like leaning? Or just needs to, like, hit over? | 0:28:10 | 0:28:14 | |
It looks like your pancake stack is staggering sideways. | 0:28:14 | 0:28:18 | |
I leave you for a little bit, and look what happens. | 0:28:18 | 0:28:21 | |
Despite a valiant attempt to correct the lean... | 0:28:26 | 0:28:29 | |
..there's only one thing for it. | 0:28:31 | 0:28:33 | |
Hopefully, Harry is getting on better | 0:28:39 | 0:28:42 | |
with the wooden seat for the bench. | 0:28:42 | 0:28:44 | |
These are second-hand scaffolding boards, | 0:28:44 | 0:28:46 | |
and, compared to a brand-new scaffolding board, | 0:28:46 | 0:28:49 | |
they're about half-price. | 0:28:49 | 0:28:50 | |
And just by sanding it down a little bit, it creates this lovely, | 0:28:50 | 0:28:53 | |
almost new appearance, so a great top to the bench. | 0:28:53 | 0:28:57 | |
All we've done here is we've created two little brackets on the ends, | 0:28:57 | 0:29:00 | |
and that this slots over the legs, so it gets us a lovely tight fit. | 0:29:00 | 0:29:05 | |
Scaffolding boards are great for garden structures, | 0:29:07 | 0:29:10 | |
because they're made for outdoor use. | 0:29:10 | 0:29:12 | |
Due to health-and-safety rules, | 0:29:12 | 0:29:14 | |
scaffolding companies have to change their boards regularly, | 0:29:14 | 0:29:17 | |
but often there is still plenty of life left in them, | 0:29:17 | 0:29:20 | |
and they should last a good few years. | 0:29:20 | 0:29:22 | |
Right. Watch your head. | 0:29:25 | 0:29:26 | |
With the table pedestals corrected, | 0:29:28 | 0:29:30 | |
the brothers attach the scaffolding board top. | 0:29:30 | 0:29:33 | |
The two Scotts are also working with wood. | 0:29:44 | 0:29:47 | |
They're constructing the framework for the first raised bed | 0:29:47 | 0:29:50 | |
for David to attach the side to. | 0:29:50 | 0:29:51 | |
Not only are scaffolding boards perfect for the tops of benches, | 0:29:55 | 0:29:58 | |
they're also really well suited to making raised beds. | 0:29:58 | 0:30:01 | |
And again, really simple construction. | 0:30:01 | 0:30:02 | |
Just putting the upright bits into the soil, nice and firm, | 0:30:02 | 0:30:05 | |
then we face them with the scaffolding boards. | 0:30:05 | 0:30:07 | |
They've got that nice, rustic appearance, we'll keep that. | 0:30:07 | 0:30:10 | |
We're not going to sand them. Then, nice little detail, | 0:30:10 | 0:30:12 | |
the guys have sunk the uprights a bit lower than the fascia, | 0:30:12 | 0:30:15 | |
because what they are going to do is put a bit of capping on there. | 0:30:15 | 0:30:18 | |
You know you said aged and rustic-looking? | 0:30:18 | 0:30:21 | |
-Yeah. -I've changed my mind. | 0:30:21 | 0:30:23 | |
I'm going to paint the fronts of them. | 0:30:23 | 0:30:25 | |
You change your mind like you change your socks, Charlie. | 0:30:25 | 0:30:28 | |
Yeah. Once a week! | 0:30:28 | 0:30:29 | |
So, I'm going to actually paint this, I think, | 0:30:29 | 0:30:31 | |
-and then leave the top capping... -Rustic. -..rustic. | 0:30:31 | 0:30:35 | |
So, I just think... | 0:30:35 | 0:30:37 | |
I don't mind rustic, but I don't want it too rustic. | 0:30:37 | 0:30:39 | |
-Too late to go against you anyway. -Yeah. -You can have your way. | 0:30:39 | 0:30:42 | |
I told you I was going to nag you, so hurry up and finish that end, | 0:30:42 | 0:30:45 | |
because I want to start painting. | 0:30:45 | 0:30:46 | |
And then there's another raised bed to do there. | 0:30:46 | 0:30:48 | |
No good smiling at me and laughing, Harry! | 0:30:48 | 0:30:51 | |
Get on. | 0:30:51 | 0:30:52 | |
HE YAWNS | 0:30:52 | 0:30:54 | |
Oh, well... | 0:30:54 | 0:30:56 | |
Blimey. | 0:30:57 | 0:30:59 | |
Hopefully, it will dry a little darker. | 0:31:01 | 0:31:04 | |
CHUCKLING | 0:31:04 | 0:31:05 | |
Don't! Stop it! | 0:31:05 | 0:31:07 | |
You wait, when David and Harry see this, | 0:31:08 | 0:31:11 | |
-they'll think I've lost my marbles. -It's purple! | 0:31:11 | 0:31:14 | |
It looked much darker on the sample. | 0:31:14 | 0:31:17 | |
-Oh, yeah. -I think it's going to dry down. -What have you done, Charlie? | 0:31:17 | 0:31:21 | |
Oh, shut up. Get on! | 0:31:21 | 0:31:23 | |
-HE PUFFS -Mad. | 0:31:23 | 0:31:25 | |
Purple planting beds weren't on Charlie's original plan, | 0:31:25 | 0:31:30 | |
so she's no idea what Andrew and Dawn will make of them, | 0:31:30 | 0:31:34 | |
but there's no going back now. | 0:31:34 | 0:31:36 | |
They might grow to love it. | 0:31:36 | 0:31:38 | |
With the brothers' jobs mounting up, | 0:31:41 | 0:31:43 | |
they get the two Scotts to finish the raised beds for them so they can | 0:31:43 | 0:31:47 | |
move on to the next task. | 0:31:47 | 0:31:49 | |
In her design, Charlie incorporated a vertical planting screen, | 0:31:49 | 0:31:53 | |
which will be easily accessible for Andrew. | 0:31:53 | 0:31:56 | |
It will also help to mask the shed, | 0:31:56 | 0:31:58 | |
but because the couple will still need to get into the shed, | 0:31:58 | 0:32:02 | |
Charlie's cleverly decided to put the screen on hinges, like a gate. | 0:32:02 | 0:32:07 | |
So, I'm out here constructing Charlie's living gate | 0:32:07 | 0:32:09 | |
and as you can see from the plan, | 0:32:09 | 0:32:10 | |
it's simply just like a gate, a few gaps we can hang planters on, | 0:32:10 | 0:32:14 | |
and it's quite a simple construction. | 0:32:14 | 0:32:16 | |
I'm laying it out at the moment. We've got these timbers here, | 0:32:16 | 0:32:19 | |
creating a framework, and then cut these | 0:32:19 | 0:32:22 | |
scaffolding boards to size. | 0:32:22 | 0:32:24 | |
So, just spacing them out evenly | 0:32:24 | 0:32:26 | |
and there is also going to be this cross timber, as well. | 0:32:26 | 0:32:30 | |
This is to make it quite structurally sound. | 0:32:31 | 0:32:34 | |
What that does is it transfers the weight from the top end down to the | 0:32:34 | 0:32:36 | |
bottom end where the hinges are, | 0:32:36 | 0:32:39 | |
so the strongest point will get most of the weight. | 0:32:39 | 0:32:42 | |
Then it's also really important | 0:32:42 | 0:32:44 | |
to get things like this square, so using a set square | 0:32:44 | 0:32:47 | |
means that you can get your 90 degrees really easily. | 0:32:47 | 0:32:50 | |
It just means that, you know, you've got security in knowing | 0:32:50 | 0:32:52 | |
that when you put it up between the posts, it's going to fit. | 0:32:52 | 0:32:56 | |
Meanwhile, Harry is planting up the containers | 0:33:05 | 0:33:07 | |
that will hang from the screen. | 0:33:07 | 0:33:09 | |
Not only did Charlie want them to be a lovely floral display, | 0:33:09 | 0:33:12 | |
lots of colour, but she actually wanted them to be edible, | 0:33:12 | 0:33:16 | |
so a little bit of fun. | 0:33:16 | 0:33:17 | |
The pansy or viola here has edible flowers | 0:33:17 | 0:33:20 | |
and it's got this lovely kind of, I think, | 0:33:20 | 0:33:24 | |
like a peppery, lettuce taste. | 0:33:24 | 0:33:27 | |
And dianthus, also known as pinks, | 0:33:27 | 0:33:30 | |
they are quite subtle but there's a slight hint of cloves. | 0:33:30 | 0:33:34 | |
And these calendula or marigolds, with their lovely yellowy flowers, | 0:33:34 | 0:33:38 | |
sometimes with a hint of red, | 0:33:38 | 0:33:40 | |
are also great additions to salad, and these petals... | 0:33:40 | 0:33:43 | |
..a little bit of pepper again. | 0:33:47 | 0:33:48 | |
And this is just bog-standard lettuce, | 0:33:48 | 0:33:50 | |
but I think I've tried all the rest | 0:33:50 | 0:33:52 | |
of them, so I might as well sneak one leaf off. | 0:33:52 | 0:33:55 | |
Delicious. No hint of pepper at all. | 0:33:57 | 0:33:59 | |
Not all flowers are safe to eat, | 0:34:01 | 0:34:03 | |
so make sure you do your research before adding petals to your plate. | 0:34:03 | 0:34:07 | |
As the final touches are added to the raised beds, | 0:34:13 | 0:34:15 | |
all the hard landscaping is finally complete | 0:34:15 | 0:34:18 | |
and the landscapers take a well-earned break. | 0:34:18 | 0:34:20 | |
There's no rest for Charlie, though, | 0:34:23 | 0:34:25 | |
because she's keen to start placing the plants, | 0:34:25 | 0:34:27 | |
which will begin to bring this garden to life. | 0:34:27 | 0:34:29 | |
Right, so, is anyone feeling strong? | 0:34:31 | 0:34:34 | |
David, you're the only person in the garden. | 0:34:35 | 0:34:38 | |
So, that Cordyline, do you fancy moving that | 0:34:38 | 0:34:41 | |
and popping it about here? | 0:34:41 | 0:34:43 | |
Break up the line. | 0:34:43 | 0:34:44 | |
Time-wise, we are a bit tight now. | 0:34:44 | 0:34:46 | |
-Don't worry, I'm here. -Good-oh. | 0:34:46 | 0:34:48 | |
-So, cherry tree... -Yeah? | 0:34:48 | 0:34:51 | |
there. | 0:34:51 | 0:34:52 | |
HE GROANS | 0:34:52 | 0:34:54 | |
Yeah. | 0:35:00 | 0:35:02 | |
I'm popping in this little conifer here. | 0:35:05 | 0:35:07 | |
This one I would recommend to anyone. | 0:35:07 | 0:35:10 | |
Picea Glauca Albertaina Conica. | 0:35:10 | 0:35:14 | |
After ten years, | 0:35:14 | 0:35:16 | |
it's still only a metre high, | 0:35:16 | 0:35:19 | |
and it keeps this wonderful pyramidal Christmas-tree shape. | 0:35:19 | 0:35:24 | |
You don't have to do anything to it at all. | 0:35:24 | 0:35:26 | |
So, I'm basically leaving this flowerbed empty | 0:35:32 | 0:35:35 | |
so Dawn and Andrew can plant what they want in there. | 0:35:35 | 0:35:39 | |
It's just a great height to sit and work and not so wide | 0:35:39 | 0:35:42 | |
that you can't reach the centre. | 0:35:42 | 0:35:44 | |
Harry is also planting conifers in the form of very elegant cypresses. | 0:35:50 | 0:35:55 | |
Better get that upright. | 0:35:55 | 0:35:57 | |
The trees Charlie's chosen will add much-needed height | 0:35:59 | 0:36:02 | |
and vertical axis to the garden, | 0:36:02 | 0:36:04 | |
screening out the houses at the back as they grow, | 0:36:04 | 0:36:07 | |
and David has the tallest. | 0:36:07 | 0:36:08 | |
So, I'm just about to plant this Sorbus or rowan, | 0:36:10 | 0:36:13 | |
found a lot down in the valleys back in Wales, you know, | 0:36:13 | 0:36:16 | |
a good old hometown tree. | 0:36:16 | 0:36:17 | |
You've got these leaves which are really delicate | 0:36:17 | 0:36:20 | |
and then they've got the flowers, they'll come out. | 0:36:20 | 0:36:22 | |
Obviously, you get some really vivid red berries | 0:36:22 | 0:36:24 | |
and then some gorgeous autumn colour, as well, so it's got a natural | 0:36:24 | 0:36:27 | |
but also quite ornamental presence in the garden. | 0:36:27 | 0:36:29 | |
With the height taken care of, | 0:36:31 | 0:36:33 | |
Charlie starts on the low-level planting beds, | 0:36:33 | 0:36:36 | |
and she's chosen plants which will spread out, | 0:36:36 | 0:36:38 | |
covering the ground and preventing weeds from growing, | 0:36:38 | 0:36:41 | |
another must in a low-maintenance garden. | 0:36:41 | 0:36:43 | |
So, these conifers come in all shapes and sizes. | 0:36:45 | 0:36:48 | |
This one's a juniper, so it's nice and flat. | 0:36:48 | 0:36:51 | |
It's Green Carpet, so it's really good for ground cover | 0:36:51 | 0:36:54 | |
but it's also just going to sort of spill over | 0:36:54 | 0:36:57 | |
and break up the hard lines. | 0:36:57 | 0:36:59 | |
Then, in contrast, we've got blue spruce | 0:37:00 | 0:37:03 | |
and then I've interplanted with sort of blue and purple colours, | 0:37:03 | 0:37:08 | |
so the Festuca and the ground cover of the Ajuga | 0:37:08 | 0:37:12 | |
which will create a mat underneath the conifers | 0:37:12 | 0:37:15 | |
and actually sort of highlight them and make them show out more. | 0:37:15 | 0:37:19 | |
The team's on the home stretch. | 0:37:24 | 0:37:26 | |
Oh, beautiful. | 0:37:26 | 0:37:28 | |
-Perfect. -Made-to-measure. | 0:37:28 | 0:37:30 | |
Charlie has raided Andrew and Dawn's shed | 0:37:31 | 0:37:33 | |
and has found some containers which she's putting to good use | 0:37:33 | 0:37:37 | |
as a last-minute finishing touch, | 0:37:37 | 0:37:39 | |
and there's just one final thing to place. | 0:37:39 | 0:37:41 | |
Charlie, where do you want this super-light alpine planter? | 0:37:41 | 0:37:44 | |
It's not 100% dried out yet, that's why it's still a bit heavy. | 0:37:44 | 0:37:47 | |
Um, I reckon maybe on the step there, but I'm not 100% sure. | 0:37:47 | 0:37:51 | |
Let's try it there. | 0:37:51 | 0:37:52 | |
And I can safely say, "No, I don't like it there." It could go there. | 0:37:58 | 0:38:02 | |
And the other way round. | 0:38:05 | 0:38:06 | |
And then back that way a bit. | 0:38:08 | 0:38:10 | |
HE GROANS | 0:38:10 | 0:38:12 | |
Yeah, OK, I think that's all right. | 0:38:12 | 0:38:14 | |
-Do we think that's...? -Oh, I love that. -You like that, do you? | 0:38:14 | 0:38:17 | |
Don't get me to move that again. | 0:38:17 | 0:38:19 | |
Right, I think that's it. | 0:38:19 | 0:38:21 | |
We did it! Woohoo! | 0:38:21 | 0:38:23 | |
Before they called Charlie and the Rich brothers, | 0:38:27 | 0:38:29 | |
Andrew and Dawn's drab and depressing garden, | 0:38:29 | 0:38:32 | |
with its hodgepodge collection of paving and gravel, | 0:38:32 | 0:38:35 | |
was in dire need of attention. | 0:38:35 | 0:38:37 | |
But now, after a £2,500 face-lift, | 0:38:43 | 0:38:46 | |
it's been given a new lease of life. | 0:38:46 | 0:38:48 | |
The dynamic angular paving gives the garden a new structure and purpose | 0:38:51 | 0:38:55 | |
and cost £750. | 0:38:55 | 0:38:57 | |
The permanent benches are a thrifty addition, | 0:38:59 | 0:39:01 | |
made with recycled slabs and scaffolding boards, costing £100. | 0:39:01 | 0:39:05 | |
The colourful and accessible raised beds, | 0:39:09 | 0:39:11 | |
which will enable Andrew to potter to his heart's content, | 0:39:11 | 0:39:14 | |
cost a total of £150. | 0:39:14 | 0:39:17 | |
The living vertical screen is a novel and useful addition | 0:39:19 | 0:39:23 | |
to the garden and it's packed full of edibles. | 0:39:23 | 0:39:25 | |
It came in at £160. | 0:39:25 | 0:39:28 | |
Charlie's gone conifer crazy in this garden | 0:39:31 | 0:39:33 | |
and spent £300 on these structural, easy-to-care-for evergreens. | 0:39:33 | 0:39:37 | |
She's also included a cherry tree at £75 | 0:39:39 | 0:39:42 | |
and a host of grasses and bedding plants which totalled £500. | 0:39:42 | 0:39:47 | |
So, step down... | 0:39:49 | 0:39:50 | |
Every penny of the £2,500 budget has been maximised | 0:39:50 | 0:39:53 | |
to give Andrew and Dawn a safe, calm, usable space. | 0:39:53 | 0:39:58 | |
Now, it's the moment of truth for Charlie. | 0:39:58 | 0:40:01 | |
You can look now, if you like. | 0:40:02 | 0:40:04 | |
Are you ready? | 0:40:04 | 0:40:06 | |
Oh, wow. | 0:40:06 | 0:40:08 | |
Look at that. That is lovely. | 0:40:08 | 0:40:10 | |
Oh, yes. Oh, look at the colour on there! | 0:40:10 | 0:40:14 | |
-You like it? -I love it. | 0:40:14 | 0:40:16 | |
-Love it. -Yeah. -I'm so glad you said that! | 0:40:16 | 0:40:18 | |
I am so glad with the colour. | 0:40:18 | 0:40:20 | |
When it came out the pot, I was a bit horrified, | 0:40:20 | 0:40:24 | |
-but it's gone nice and dark. -It dried. It's dried. | 0:40:24 | 0:40:27 | |
Charlie took a bit of a leap going for a bright colour, | 0:40:27 | 0:40:30 | |
-but it definitely brightens up the space. -I agree. | 0:40:30 | 0:40:32 | |
So, we've got this nice big step when you come out... | 0:40:32 | 0:40:35 | |
-Yeah. -..the door. | 0:40:35 | 0:40:37 | |
And then, you step down onto a nice hard surface. | 0:40:37 | 0:40:40 | |
Yes, yes, lovely. | 0:40:40 | 0:40:42 | |
That is really nice. | 0:40:42 | 0:40:44 | |
We have your raised beds here, so we've left space for you to potter, | 0:40:44 | 0:40:49 | |
so you can sit on the edge, Andrew. | 0:40:49 | 0:40:51 | |
-Oh, look at the cherry tree, as well. -I know, it's just lovely. | 0:40:51 | 0:40:54 | |
And it's going to fill that whole space there, so... | 0:40:54 | 0:40:58 | |
Gorgeous tree. You know, it's going to look beautiful. | 0:40:58 | 0:41:00 | |
-It looks gorgeous in flower, doesn't it? -Yeah. | 0:41:00 | 0:41:03 | |
-Great shape. -It does sort of make you want to go | 0:41:03 | 0:41:06 | |
-down that way, doesn't it? -Draws you down. -Definitely, yes. | 0:41:06 | 0:41:09 | |
I love the re-use of the slabs. | 0:41:09 | 0:41:11 | |
They work really well, don't they? | 0:41:11 | 0:41:12 | |
Yeah, gives it lovely lines. | 0:41:12 | 0:41:14 | |
-The ridged effect. Absolutely lovely. -Really nice. | 0:41:14 | 0:41:17 | |
Charlie coming up with that little idea, it's really smart, I love it. | 0:41:17 | 0:41:20 | |
It's quite different, as well, isn't it? | 0:41:20 | 0:41:22 | |
-It's quite architectural, isn't it? -Yeah. | 0:41:22 | 0:41:25 | |
So, have a perch on... | 0:41:25 | 0:41:27 | |
..your reclaimed seat. | 0:41:28 | 0:41:30 | |
-Fantastic. -Lovely, yes. | 0:41:30 | 0:41:33 | |
-Just the right height. -That is just so nice. | 0:41:33 | 0:41:35 | |
It's lovely looking back, isn't it? | 0:41:35 | 0:41:37 | |
That's what we liked right from the start, that different perspective. | 0:41:37 | 0:41:41 | |
And then the boys have been really busy on your edible wall. | 0:41:41 | 0:41:46 | |
OK, so the plants we've got in there, | 0:41:47 | 0:41:50 | |
you can eat all the petals on that. | 0:41:50 | 0:41:52 | |
Oh, pretty food, OK. | 0:41:52 | 0:41:54 | |
Pretty food, but of course... | 0:41:54 | 0:41:55 | |
Oh, wow, look at that! | 0:41:56 | 0:41:58 | |
It swings open so you've got access to get to the shed door. | 0:41:58 | 0:42:03 | |
-Very clever. -Yes, very clever. | 0:42:03 | 0:42:06 | |
Oh, handy work, Dave. | 0:42:06 | 0:42:08 | |
A little bit of me, bit of you. | 0:42:08 | 0:42:10 | |
Teamwork comes off, doesn't it? | 0:42:10 | 0:42:11 | |
They'll have petals galore in their salad now. | 0:42:11 | 0:42:14 | |
And how have you found it, Andrew, walking about on it? | 0:42:14 | 0:42:16 | |
Absolutely fine, yes, good and level. | 0:42:16 | 0:42:18 | |
No tripping up. | 0:42:18 | 0:42:20 | |
No, because there were a few trip hazards before. | 0:42:20 | 0:42:23 | |
Definitely, yes. | 0:42:23 | 0:42:25 | |
And with the raised beds, | 0:42:25 | 0:42:26 | |
it's going to make it really nice and easy for me for the gardening, | 0:42:26 | 0:42:30 | |
-so it's going to make a big, big difference, yes. -Beautiful. | 0:42:30 | 0:42:34 | |
So, has Charlie delivered everything Andrew and Dawn were hoping for? | 0:42:38 | 0:42:41 | |
I think it's transformed the garden. | 0:42:43 | 0:42:46 | |
Yeah, the architectural plants I love. | 0:42:46 | 0:42:48 | |
Love the conifers, love the cherry tree. | 0:42:48 | 0:42:51 | |
It just makes you feel like you want to be out here more. | 0:42:54 | 0:42:56 | |
Even sitting in the house and looking out at the garden, | 0:42:56 | 0:42:59 | |
it's so much more inviting. | 0:42:59 | 0:43:01 | |
It was barren before but now it looks fabulous. | 0:43:01 | 0:43:04 |