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Hello, welcome to Gardners' World. And tonight's programme is a full | :02:39. | :02:43. | |
hour-long. I'll be working here at Longmeadow, then I'm off to | :02:43. | :02:47. | |
Birmingham to join the rest of the team at Gardners' World Live. Along | :02:47. | :02:51. | |
with Carol, Joe and Rachel, I'll be bringing you the very best of the | :02:51. | :02:56. | |
show. There are show gardens with great ideas to take home. | :02:56. | :02:59. | |
Particularly love this mound where there's a tunnel going through | :03:00. | :03:03. | |
underneath and it's covered with wild flowers. Children just love it. | :03:03. | :03:07. | |
A floral marquee packed with inspirational planting combinations. | :03:07. | :03:16. | |
How about this one, great big black holly hocks, contrast so | :03:16. | :03:21. | |
beautifully with this salvia. It's really dramatic. And there might be | :03:21. | :03:24. | |
time for some shopping. Before I head off to Birmingham, I'm making | :03:24. | :03:30. | |
sure that my roses flower for as long as possible. I'm keeping my | :03:30. | :03:35. | |
tomatoes growing on the straight and narrow and potting up some | :03:35. | :03:45. | |
:03:45. | :03:49. | ||
I'm starting off by planting a number of different dahlias. | :03:49. | :03:53. | |
Dahlias weren't fashionable for a long time, but I love them. They | :03:53. | :03:58. | |
give a fantastic range of colour and texture from July right through | :03:58. | :04:08. | |
:04:08. | :04:13. | ||
doesn't really have any flowers at all, at least not in this garden, | :04:13. | :04:18. | |
because it's not hot enough. But it is an astonishing plant for foliage | :04:18. | :04:25. | |
and texture. This is a species dahlia. It's a tree dahlia. It | :04:25. | :04:30. | |
grows five metres tall. Here it will grow as tall as this hedge. I | :04:30. | :04:38. | |
will put one on the other side. That will give real structure. | :04:38. | :04:43. | |
This plant is a dahlia in its pure wild form. Its flowers are very | :04:44. | :04:49. | |
small and they're only produced if we have a long, hot summer. But | :04:49. | :04:53. | |
nevertheless, hundreds of incredible flowers of every shade | :04:53. | :04:59. | |
and form are all bred from this original plant. | :04:59. | :05:04. | |
Of course, dahlias are fascinating plants, because they were | :05:04. | :05:08. | |
introduced from Central America by the Spanish, at the same time as | :05:08. | :05:12. | |
potatoes and tomatoes. They were thought of as a food plant. People | :05:12. | :05:16. | |
bought them over to eat the Tubeers. You can eat them. They won't kill | :05:16. | :05:21. | |
you, but they're horrible apparently. I haven't tried. It | :05:21. | :05:24. | |
wasn't until the 18th century that people started to grow them and | :05:24. | :05:33. | |
breed from them. There's a Swedish man And ers Dahl, who started work | :05:33. | :05:41. | |
on them and they were named after him, zaila. So it was -- the | :05:41. | :05:50. | |
dahlias we love are bred from this type, which was a potential food | :05:50. | :05:54. | |
crop. Frost will blacken and kill this back. The Tubeers we have to | :05:54. | :06:02. | |
protect. They're fed by the foliage and storing up goodness. Then I | :06:02. | :06:06. | |
will lift that later on because I can't overwinter them in this | :06:06. | :06:10. | |
garden. It is amazing to think that what we grow here would have been | :06:10. | :06:15. | |
laid eyes upon by those Spanish adventurers, when they found the | :06:15. | :06:17. | |
new world. This is one of these original links | :06:17. | :06:27. | |
:06:27. | :06:43. | ||
dahlias in this form, which are plants created from large and | :06:43. | :06:46. | |
healthy tubers, which go into the ground and bulk out and produce a | :06:46. | :06:50. | |
mass of flowers, completely predictable, because they'll be | :06:51. | :06:54. | |
from named varieties. They will give colour right from July through | :06:54. | :06:58. | |
to November. I've got a small selection here that will work well | :06:58. | :07:02. | |
in The Jewel Garden. Some of them will be very familiar. This one, | :07:02. | :07:09. | |
for example, is the bishop of Land aff. I remember when people were | :07:09. | :07:14. | |
snoby about dahlias, "We don't like dahlias, but we like the bishop of | :07:14. | :07:18. | |
course." It is good. It has chocolatey stems and a Ferny | :07:18. | :07:25. | |
foliage. The flowers are a simple intense red with a yellow interior. | :07:25. | :07:28. | |
The combination works well in itself and as part of a border. | :07:28. | :07:34. | |
Another one I particularly like is this one Arabian Knight. That's got | :07:34. | :07:41. | |
green foliage, much more robust, but very intense wine-coloured, | :07:41. | :07:45. | |
slightly in-curving flowers. Both of them superb for The Jewel Garden. | :07:45. | :07:49. | |
I'm going to take this to The Jewel Garden to plant out. If I can get | :07:49. | :07:59. | |
:07:59. | :08:16. | ||
dahlias and various places to put them. The important thing is they | :08:16. | :08:21. | |
work in with the garden, but also work for dahlias. I have a few | :08:21. | :08:25. | |
obvious spots that I can plonk them in. I know the colour is going to | :08:25. | :08:28. | |
work because I picked them right. I've left that area for a dahlia. I | :08:28. | :08:34. | |
will balance it on the other side. When choosing suitable places for | :08:34. | :08:39. | |
dahlias, the soil's got to be good. They like rich soil. They respond | :08:39. | :08:44. | |
much better to a well composted, nice rich, well-drained soil. If | :08:44. | :08:49. | |
you've got a sandy condition, beef it up with compost. And also, they | :08:49. | :08:53. | |
want sunshine, but not scorching heat. Well scorching bright | :08:53. | :08:57. | |
sunshine any way because the flowers can fade. The final thing | :08:57. | :09:02. | |
about their positioning is dead heading. Because, you do want to be | :09:02. | :09:06. | |
able to get to the plant to dead head it regularly. By regularly, I | :09:06. | :09:10. | |
mean every two, three days. If you don't dead head them, they put | :09:10. | :09:13. | |
their energy into producing seed and then you lose flowers as a | :09:13. | :09:18. | |
result. You keep dead heading dahlias, they go on and on | :09:18. | :09:21. | |
producing more flowers. So I need to be able to reach it. About the | :09:21. | :09:26. | |
furthest I can get at is in there. Other than that, most of them will | :09:26. | :09:31. | |
be along the edge. So, if I put that one there, and | :09:31. | :09:37. | |
make that the first I plant. Planting them is simplicity itself. | :09:37. | :09:44. | |
Pop them in the ground. The main thing to do is plant them the same | :09:44. | :09:50. | |
depth they are in the pot, so the tubers are buried. Chuck that out, | :09:50. | :09:54. | |
there you see, a nice root structure, a healthy, good dahlia | :09:54. | :10:01. | |
plant. Also make sure there's enough room for it to grow. Most | :10:01. | :10:06. | |
dahlias get to between three foot and six foot tall. They need room | :10:06. | :10:14. | |
for height and also to spread. Let's pop that in the ground. Now | :10:14. | :10:18. | |
I'm not quite ready to go to the show yet, but earlier this week, | :10:19. | :10:28. | |
:10:29. | :10:37. | ||
Joe went along for a preview in the pressure is really on. The show | :10:38. | :10:42. | |
opens in a couple of days and this marquee will be packed full of | :10:42. | :10:46. | |
visitors. Now the exhibitors are putting final touchs to their | :10:46. | :10:50. | |
stands and detail is everything. But why go to such extraordinary | :10:50. | :10:59. | |
lengths to make your stand, well, stand out? The best stands will win | :10:59. | :11:04. | |
a prestigious RHS medal, but for these plants people is a medal the | :11:04. | :11:09. | |
icing on the cake or the cake itself? How important is a medal to | :11:09. | :11:13. | |
you? Does it matter? The medal, anybody that says a medal isn't | :11:13. | :11:17. | |
important is fibbing a little bit. At the end of the day, if the | :11:17. | :11:20. | |
public love it, then that's what it's about. They're always | :11:20. | :11:25. | |
important. It's recognition of what you've done over the past six | :11:25. | :11:28. | |
months. I come to a show like this, I want to go away with the best | :11:28. | :11:31. | |
medal I can. It's not always possible because sometimes you just | :11:31. | :11:39. | |
don't have the plants available. Wow, you have a stream in your | :11:39. | :11:43. | |
exhibit here, running through the middle. That's incredible amount of | :11:43. | :11:48. | |
work, with the moss on the rocks. It looks like it's been here for | :11:48. | :11:57. | |
years. We always put a lot of attention into the displays. We | :11:57. | :12:01. | |
want to put together plant combinations that you can achieve | :12:01. | :12:05. | |
at home. And we want to show the right growing conditions to grow | :12:05. | :12:08. | |
the plants. Have you won golds at Gardners' World Live before? | :12:09. | :12:12. | |
have. We have a lot of loyal customers. They actually get us | :12:12. | :12:17. | |
almost as excited as we do when we win a Gold Medal. Let's hope it's | :12:17. | :12:27. | |
gold this year and let's hope that the stream swings it. I hope so! | :12:27. | :12:30. | |
Now Mike, you're always at this show. You are, of course, | :12:30. | :12:34. | |
Birmingham City Council, so it's local to you. You got a silver at | :12:34. | :12:39. | |
Chelsea with a similar display. You had feed back from the judges, | :12:39. | :12:43. | |
how have you tweaked that to get a better medal? One of the things | :12:43. | :12:47. | |
they raised was an issue over a tree Fern, which we made to look as | :12:47. | :12:51. | |
if it had just collapsed. We thought the best thing to do was | :12:51. | :12:55. | |
take it out all together. What does gold or silver gilt mean to you and | :12:55. | :12:58. | |
to everybody who works on it and the council in general? I think | :12:58. | :13:02. | |
it's a reflection on everybody who works within the organisation, but | :13:03. | :13:06. | |
ultimately, we would like a Gold Medal. Of course, wouldn't we all! | :13:06. | :13:12. | |
We would! Exhibitors are always looking for new ways to attract | :13:12. | :13:18. | |
attention to their stands. Frank, who has travelled from Germany, | :13:18. | :13:28. | |
:13:28. | :13:36. | ||
uses Origami baskets to display his I've never quite known the | :13:36. | :13:40. | |
difference between the two. flowers and become more of a shrug. | :13:40. | :13:46. | |
The other is more of a tree form. As simple as that? Simple as that. | :13:46. | :13:50. | |
You haven't got a medal from the RHS yet, what would it mean to get | :13:50. | :13:55. | |
a bronze or even a silver? It would mean a lot, definitely. We'd be | :13:55. | :14:05. | |
:14:05. | :14:09. | ||
some of these guys and seeing how much work goes into these exhibits. | :14:09. | :14:14. | |
It's about business, of course, it's about pride, but what's | :14:14. | :14:17. | |
running through all these exhibits here is the passion, the passion | :14:17. | :14:27. | |
:14:27. | :14:37. | ||
for plants and the passion for basil is suffering, I'll tell you | :14:37. | :14:42. | |
why. It's because of moles. There's moles get in here in the bed, | :14:42. | :14:48. | |
rummage around and -- and very often they collapse when I hit a | :14:48. | :14:53. | |
mole hole. He comes in, hits the wood at the edge and turns right or | :14:53. | :14:57. | |
left and runs down under the basil. In the morning, when I come in, | :14:57. | :15:01. | |
it's as though someone's been pulling the basil out. That darn | :15:01. | :15:06. | |
mole is uprooting it. It's never getting a chance to grow properly. | :15:06. | :15:11. | |
I don't want to kill the mole. I like the idea of them. But I really | :15:11. | :15:21. | |
:15:21. | :15:31. | ||
tomatoes. I do this about once a week, looking to take outside | :15:31. | :15:35. | |
shoots. Side shoots on tomatoes are actually very clear. You have a | :15:35. | :15:41. | |
leaf and the main stem and the side shoot grows in the gap between the | :15:41. | :15:46. | |
stem and the leaf at 45 degrees. There's a good example. You can | :15:46. | :15:50. | |
just usually just flick them off like that with your fingers and | :15:50. | :15:53. | |
pull it off. Keep a sharp knife with you, if it doesn't want to | :15:53. | :15:58. | |
come, cut it cleanly, rather than ripping the stem. The reason you do | :15:58. | :16:03. | |
that is because when you're growing a cordon, you want just one stem | :16:03. | :16:07. | |
going up, foliage and then truss of fruit. If you have side shoots, | :16:07. | :16:12. | |
it's trying to become a bush. Those side shoots are very vigorous. | :16:12. | :16:16. | |
Although they can bear fruit, they don't bear as much fruit as if the | :16:16. | :16:22. | |
stem is controlled. Now, if you look here, at the back, I've left a | :16:22. | :16:26. | |
side shoot. That's no more than about ten days old. It's already | :16:26. | :16:32. | |
bigger and stronger than the stem that it's shooting sideways off. | :16:32. | :16:35. | |
It's developing its own side shoots. You can see that's a problem that | :16:35. | :16:40. | |
compounds and very quickly you can risk breaking the main stem. It's | :16:40. | :16:43. | |
falling. The whole thing becomes unruly. So I will cut that O I | :16:43. | :16:47. | |
won't attempt to break that with my fingers. Using a sharp knife, get | :16:47. | :16:57. | |
:16:57. | :17:04. | ||
across sooner or later. This tomato plant seems to have lost its leader. | :17:04. | :17:11. | |
It has stopped at about a foot high. I love just about to pinch of that | :17:11. | :17:18. | |
side shoot. If I leave it to grow, it will become the leader. The | :17:18. | :17:23. | |
great thing about tomatoes is they are tough and they will regenerate. | :17:23. | :17:32. | |
If you break one, met the next side shoot that forms below the break- | :17:32. | :17:38. | |
point form past it and there is your new stem. When you grow | :17:38. | :17:43. | |
tomatoes as cordons, that is supported by a straight cane or | :17:43. | :17:48. | |
poll, it is important to tie them up regularly. Use the soft twine. | :17:48. | :17:53. | |
You do not want to cut into the tender growing to sue. If you do | :17:53. | :18:00. | |
not tie them up regularly, they bend and it is hard to straighten | :18:00. | :18:07. | |
them. I have snapped a really beautiful plant in two. It is a | :18:07. | :18:15. | |
regular job. The family vegetable garden is starting to provide | :18:15. | :18:22. | |
produce for the table. It is based on a four bed quotation. One for | :18:22. | :18:28. | |
carrots and celery, another potatoes, a third brassicas, and | :18:28. | :18:35. | |
the last has peas and beans. As for the beans themselves, they have | :18:35. | :18:41. | |
been a fantastic harvest. I like to eat broad beans when they are young. | :18:41. | :18:50. | |
That is a lovely sized board been! They are really delicious. -- broad | :18:50. | :18:56. | |
bean. You can still get the best from it. The secret is to peel it. | :18:56. | :19:03. | |
Like that! I think that is too big to cook and eat like that. If you | :19:03. | :19:12. | |
parboil it, it has a leathery skin. Peel it off, puree it, add a bit of | :19:12. | :19:17. | |
oil, add garlic and pepper and it makes a really nice dip. Even the | :19:17. | :19:27. | |
:19:27. | :19:40. | ||
big ones, without the skin, they autumn and winter should be planned. | :19:40. | :19:45. | |
If you have not planted cabbage seeds, it is not too late. Once the | :19:45. | :19:49. | |
young plants are sturdy, lift and transplant them to their final | :19:49. | :19:59. | |
growing position. Now, this bed in the new vegetable garden is for | :19:59. | :20:04. | |
brassica. At the cabbages in here. It has had a bit of a compost as | :20:04. | :20:07. | |
the dressing. Before you plant cabbage, it is important to make | :20:07. | :20:13. | |
sure the soil is firm. If you know you're going to plant them, tread | :20:13. | :20:20. | |
it down with your feet. Firm it down like that. What we want to do | :20:20. | :20:26. | |
is get the roots really firmly established. It makes a big | :20:26. | :20:35. | |
difference to the stability. These have grown well. Take a couple of | :20:36. | :20:43. | |
plants out. Where we have a weedy one, we can ditch it. That is fine. | :20:43. | :20:52. | |
Do not let these dried out to match. Make a hole, get this in. Put it in | :20:52. | :20:58. | |
deep and as firm as possible so the roots are anchoring it in. These | :20:59. | :21:03. | |
plants of big and heavy and they can topple over. If it is firm they | :21:03. | :21:09. | |
will not be stressed by moving around too much. I find this really | :21:09. | :21:14. | |
exciting. We are planting cabbages for the winter - a product of a | :21:14. | :21:20. | |
little packet of seeds we had. That continuity is great. As well as the | :21:21. | :21:24. | |
pleasure of knowing they are going to be well-grown and we're eating | :21:24. | :21:31. | |
them fresh from the garden. You can also see how the runner beans I put | :21:31. | :21:37. | |
in a week or two back have mostly germinated and are growing well. | :21:37. | :21:42. | |
Where they have not germinated, I can move the second one to fill a | :21:42. | :21:48. | |
gap. The one thing to watch out for, in summer, with cabbages or | :21:48. | :21:53. | |
brassica or any kind, is the cabbage white butterfly. As soon as | :21:53. | :22:00. | |
you see that, you know it is laying its eggs. Caterpillars will eat | :22:00. | :22:05. | |
your brassica. Net it as soon as you plant them or just keep an eye | :22:05. | :22:12. | |
on it. If you see caterpillars, knock them off. If you do that | :22:12. | :22:16. | |
every day there is no problem at all. You do need to be around and | :22:16. | :22:26. | |
:22:26. | :22:32. | ||
you need to do it at least every good moments, bad moments, good | :22:32. | :22:37. | |
bits and bad bits that you can always correct it. There is always | :22:37. | :22:42. | |
next year. With a show garden it has to be perfect, dead right on | :22:42. | :22:48. | |
the day. Rachel has been to see the show gardens at Gardeners' World | :22:48. | :22:58. | |
:22:58. | :23:06. | ||
Live as they get ready for the gardens are always the big draw | :23:06. | :23:10. | |
with visitors. Gardeners' World Live may not have the class for the | :23:10. | :23:16. | |
budget of Chelsea. It does have masses of really good inspirational | :23:16. | :23:21. | |
ideas that would work in any garden. In his garden There is an | :23:21. | :23:25. | |
attractive painted, metal seat which doubles up as a plant support | :23:25. | :23:31. | |
with plants going over the arch. In this instance it is a honeysuckle. | :23:31. | :23:37. | |
Here is an obelisk with a sweet pea threaded through it. This wonderful | :23:37. | :23:43. | |
fragrance will surround you. That is one really good tip. Let me see | :23:43. | :23:53. | |
:23:53. | :24:03. | ||
suggesting you should have the supermarket trolley in your garden | :24:03. | :24:06. | |
but you could use an old wheelbarrow or a series of broken | :24:06. | :24:11. | |
buckets and give them a second life housing a mini garden, planted with | :24:11. | :24:19. | |
succulence and featuring lots of Heidi holes for insects. This | :24:19. | :24:23. | |
garden proves that sometimes the very best thing you can do is let | :24:23. | :24:29. | |
natured get the upper hand. If you can have a wild space like this | :24:29. | :24:33. | |
summer in the garden, not only will wildlife benefit because you're | :24:33. | :24:37. | |
creating all these habitats, things like leaving a loch where it has | :24:37. | :24:45. | |
fallen, children just love it. You do not need plastic toys, you can | :24:45. | :24:50. | |
have fun in the garden. This Mount, with the tunnel underneath, it is | :24:51. | :24:56. | |
covered in flowers. It looks beautiful, benefits wildlife and | :24:56. | :25:06. | |
:25:06. | :25:09. | ||
this is where we nurture the next by all means enjoyed the gardens as | :25:09. | :25:13. | |
a whole. Take the opportunity to explore the nooks and crannies to | :25:13. | :25:23. | |
:25:23. | :25:27. | ||
see what might work in your own home nowadays, this fits the bill | :25:27. | :25:31. | |
perfectly. I think my top tip from this garden is, if you have to have | :25:31. | :25:37. | |
the building of any sort, whether it is a shed for your tools or the | :25:37. | :25:41. | |
Home Office, make it as attractive as it can be. There is no place to | :25:41. | :25:47. | |
hide it. If you can bring the plant right up to the structure, like | :25:47. | :25:52. | |
these, so much the better. The show has not opened and I have found | :25:52. | :26:02. | |
:26:02. | :26:11. | ||
brose season. It has been quite early this year. Hopefully they | :26:11. | :26:16. | |
will last a long time. The worry with early flowers of any kind is | :26:16. | :26:21. | |
they will be over early. We need to keep the flowering going as long as | :26:21. | :26:29. | |
possible and keep them healthy. I pruned this one on March 11th. It | :26:29. | :26:37. | |
is a galloper. I like all roses. I liked them for their style, | :26:37. | :26:41. | |
voluptuousness, beautiful. This is single flowering. It will not | :26:41. | :26:48. | |
produce any more, even if you cut them off. They will produce hips. | :26:48. | :26:58. | |
:26:58. | :26:58. | ||
At the back, we have got the climbing rose. She is repeat | :26:58. | :27:02. | |
flowering. It is well worth dead- heading or the old flowers and that | :27:02. | :27:09. | |
will stimulate more. If we take a flower head which is going or gone | :27:09. | :27:17. | |
up over, that one is one, the petals are all falling off. With | :27:17. | :27:23. | |
secateurs prune right back to a junction and take that off. That | :27:23. | :27:30. | |
will stimulate more growth and more flowers from beyond that point. Go | :27:30. | :27:36. | |
back as far as you need. Sometimes you have to take off the great long | :27:36. | :27:40. | |
stem. Dead-heading is a form of pruning. If you see it like that, | :27:40. | :27:46. | |
there is a logic to it. I pruned my roses hard and late to their only | :27:46. | :27:53. | |
just coming into flower. Two are looking particularly good. This has | :27:53. | :28:03. | |
lovely compact, pink flowers. This one manages to combine | :28:03. | :28:07. | |
voluptuousness and elegance. As neither needs dead-heading, all I | :28:07. | :28:13. | |
need do is simply enjoy them. Mike early-flowering species roses do | :28:13. | :28:19. | |
need attention right now. This rose has completely finished flowering. | :28:19. | :28:24. | |
It was covered with a mass of primrose yellow, a single, very | :28:24. | :28:30. | |
charming flowers. One of my favourites. It has completely | :28:30. | :28:35. | |
finished. It would be a very good time to prune it. Early flowering | :28:35. | :28:40. | |
roses and species roses are like ramblers. They make their flowers | :28:40. | :28:48. | |
on of what they produce in the previous summer. All the New Grove | :28:48. | :28:55. | |
-- the new growth will provide next year's flowers. If I prune now, it | :28:55. | :28:58. | |
will have flowers. It will help me control where the flowers are on | :28:58. | :29:04. | |
the bush. If I leave it, the flowers will get higher and higher | :29:04. | :29:11. | |
and the base will get barer and bearer. It is a good idea to | :29:11. | :29:16. | |
rejuvenate the shrub. You will get new growth from the base. Buchan | :29:16. | :29:22. | |
clear the tangle. The wood is getting cold. We can give it a | :29:22. | :29:31. | |
fresh start at the base. That comes out. I would like to get this done, | :29:31. | :29:37. | |
partly because it is crowded and tangled and it is old wood. You can | :29:37. | :29:43. | |
see it has lost its shape. Because I want to get new growth coming | :29:43. | :29:53. | |
from the base, you take the oldest first. There we go! It is all the | :29:53. | :30:00. | |
same, whether it is radical pinning -- pruning or dead-heading. It is | :30:00. | :30:05. | |
about preparing them for looking magnificent next year. There are a | :30:05. | :30:10. | |
number of other jobs are want to get down before I go to the show. | :30:10. | :30:14. | |
Now high-summer is nearly here, do remember to give your containers a | :30:14. | :30:18. | |
regular watering, even if it has been raining. It is also a good | :30:18. | :30:25. | |
idea to feed them regular -- regularly as well. I'm giving these | :30:25. | :30:34. | |
liquid seaweed. However, do not be tempted to feed lavender plants. | :30:34. | :30:39. | |
That will encourage soft, sappy growth with all sorts of problems | :30:39. | :30:44. | |
as a result. Give them a regular water, treat them rough and they | :30:44. | :30:54. | |
:30:54. | :30:58. | ||
in flower now is agapanthus. It's great to see the colour of the bulb | :30:58. | :31:02. | |
that you're getting. Agapanthus flower best when the roots are | :31:02. | :31:06. | |
tightly constricted. But even they need repotting from time to time. | :31:06. | :31:15. | |
They need good drainage, so mix a peat free compost 50/50 with grit. | :31:15. | :31:19. | |
Pack them into the container. And if you do have to divide them, | :31:19. | :31:24. | |
which is a good idea to do every four or five years, put them in a | :31:25. | :31:30. | |
pot just the next size up - there's a lovely bee. He's come by my nose. | :31:30. | :31:35. | |
That likes it. Put them in a pot a bit bigger. Don't be worried if | :31:35. | :31:41. | |
they don't flower the next year. They may take a year or two to get | :31:41. | :31:45. | |
sufficiently constricted. If you're growing chilli plants move them to | :31:45. | :31:49. | |
the hottest spot you've got. They do like harsh conditions. I use | :31:49. | :31:54. | |
terracotta pots, partly because they look good, but also because | :31:54. | :31:58. | |
they're porous. Don't put them in too big a pot. You want the plants | :31:58. | :32:03. | |
to grow under a bit of stress as that way they don't produce too | :32:03. | :32:09. | |
much foliage, but lots of fruit. Use a free-draining compost. | :32:09. | :32:14. | |
A little tip about chillies and peppers, never water them after 4pm. | :32:14. | :32:19. | |
That way they go to bed dry and that reduces the risk of any fungal | :32:19. | :32:28. | |
infection. OK, it's showtime. I'll get dressed, | :32:28. | :32:32. | |
get cleaned up ready to go to the show. I must gather some plants to | :32:32. | :32:37. | |
take with me. I have a few tomatoes here. I want to bring a few bits | :32:37. | :32:47. | |
:32:47. | :33:02. | ||
and pieces for the bring and buy there, see you later. Good boy. No, | :33:02. | :33:12. | |
:33:12. | :33:37. | ||
no, wait there. Hello you two. How are you doing? | :33:37. | :33:40. | |
How's it going? Nice to see you. I've just got here, dumped my | :33:40. | :33:45. | |
plants and haven't seen anything at all. You have been here for ages. | :33:45. | :33:49. | |
And the show gardens are excellent. Really good things to see. I've | :33:49. | :33:54. | |
been in the floral marquee mainly and the standard is very high. | :33:54. | :34:01. | |
it? I'm itching to go in. Did you bring any plants? I bought a plant | :34:01. | :34:06. | |
on the train. It wasn't easy. I brought some cash as well. Good, so | :34:06. | :34:10. | |
you can buy plenty and take even more home. People are here already | :34:10. | :34:13. | |
and they're carrying all sorts of interesting looking bags. Let's | :34:13. | :34:23. | |
:34:23. | :34:23. | ||
join them. That's fantastic. It's clematis, | :34:23. | :34:27. | |
isn't it? Yes. How many have you brought? Four. Are you taking them | :34:27. | :34:34. | |
to our stand? Yes, course I am. What are you looking for? Foxgloves. | :34:34. | :34:44. | |
:34:44. | :34:45. | ||
Do you know what it is? No. It's an astrantia. My wife did. It's | :34:45. | :34:52. | |
beautiful. You have brought these for the bring and buy? I have. I | :34:52. | :35:01. | |
have about 40 of these. I have a big streptocarpus that needs | :35:01. | :35:04. | |
dividing. It's wonderful. Is this for the bring and buy? Yes. What | :35:04. | :35:09. | |
are you looking out for? I don't know. Inspiration. Gardners' World | :35:09. | :35:19. | |
:35:19. | :35:21. | ||
Live, you can bet your life you Now the place is filling up fast. | :35:21. | :35:26. | |
People are pouring in. Before it gets too full, I want to look round | :35:26. | :35:33. | |
myself. There's one garden in particular that I want to see. | :35:33. | :35:38. | |
This is a show garden called the Spirit of Longmeadow. It's the | :35:38. | :35:41. | |
first time that I've seen it. It's quite an odd thing. It's like | :35:41. | :35:46. | |
catching sight of yourself on the corner of the street. You do a | :35:46. | :35:50. | |
double take and say "I know that person." It's awful live like the | :35:50. | :35:55. | |
one that I've got back at home. Yet, there's no one bit of it that | :35:55. | :36:00. | |
is exactly the same, but it has absolutely caught the basic | :36:00. | :36:02. | |
essentials of Longmeadow. Of course, essentials of Longmeadow. Of course, | :36:02. | :36:07. | |
it's quite simple. It is formal structure, you have the paths, just | :36:07. | :36:11. | |
like we've got and the mixture of stone and brick. Then the hornbeam | :36:11. | :36:16. | |
hedges and the limes behind. I say they're cracking limes, much better | :36:16. | :36:20. | |
than my own in the garden. In amongst that formal structure, you | :36:20. | :36:25. | |
have planting that is allowed to just go free. So you've got | :36:25. | :36:30. | |
vegetables, mixed in with anuals, with grasses, with perennials. | :36:30. | :36:36. | |
We've got bulbs - all working at once. Things like this geranium, | :36:36. | :36:40. | |
running through, sprawling and climbing with those incredible | :36:40. | :36:44. | |
magenta flowers. The chocolate cosmos, they have got one ahead of | :36:44. | :36:49. | |
us with that. Ours hasn't yet flowered. As well as The Jewel | :36:49. | :36:53. | |
Garden, we have hostas from the damp garden. We have the Hazel | :36:53. | :36:57. | |
wigwams, very typical. We use them in the vegetable garden and the | :36:57. | :37:01. | |
flower garden. They as a wonkiness that I like very much indeed. | :37:01. | :37:04. | |
A lot of these plants you can buy at the show. Some of them will be | :37:04. | :37:08. | |
at the bring and buy stall. Bring some plants along, then you can | :37:08. | :37:12. | |
exchange them, perhaps, for a piece of Longmeadow. Come any way, come | :37:12. | :37:17. | |
and see all the gardens and get a glimpse into Longmeadow, but here | :37:17. | :37:27. | |
:37:27. | :37:33. | ||
packed with plants, but for me, it's in the floral marquee where | :37:33. | :37:38. | |
you can see plants in their full glory. This year, there are some | :37:38. | :37:48. | |
:37:48. | :37:54. | ||
particularly exciting combinations combination, but on this stand, | :37:55. | :38:00. | |
it's used in a really refreshing and different kind of way. You've | :38:01. | :38:04. | |
got this wonderful combination of plants, different textures, | :38:04. | :38:08. | |
different sizes and they're all mingling together. So you come up | :38:09. | :38:16. | |
from this glorious one with dark blue Bratz with ak yum, a native | :38:16. | :38:26. | |
:38:26. | :38:27. | ||
plant this. (echium) It's exquisite with the aquilegia. You feel as | :38:27. | :38:31. | |
though everything is jostling together. They're all doing it | :38:31. | :38:36. | |
happily, viing for your attention. Over here, how about this for | :38:37. | :38:42. | |
attention catching? Here the whole idea is contrast. These big black | :38:42. | :38:47. | |
poppies, peony flowered poppies, contrasting beautifully with this | :38:47. | :38:56. | |
glorious salvia. Look at those brachs. This layer makes a sort of | :38:56. | :39:02. | |
carpet from which arises these great big black holly hocks. It's | :39:02. | :39:09. | |
really dramatic, a real contrast. The combinations on this stand are | :39:09. | :39:13. | |
very refined. I think it's exquisite. You've come down from | :39:14. | :39:21. | |
this glorious acer, classic plant with these big, dark leaves, into | :39:21. | :39:24. | |
this libertia. What an unusual one too. Normally they have green stems. | :39:25. | :39:29. | |
Here they're dark and they make this lovely contrast with those | :39:29. | :39:35. | |
white three-petaled flowers. Across the little path to this, what can | :39:35. | :39:45. | |
you call it, ethereal plant. It's a North American woodlander. It | :39:45. | :39:52. | |
adores a shady site. Then flowing through this lovely soft line is a | :39:52. | :39:59. | |
plant you could never describe as being a fairy -like plant it's a | :39:59. | :40:06. | |
bit of I thug really. It ramps and rambles all over the show. But the | :40:06. | :40:10. | |
brilliant thing is how two such different plants can emphasise the | :40:10. | :40:19. | |
quality of their partner. Combining plants isn't just about | :40:19. | :40:25. | |
the way they look, it's about the way they feel, their texture and | :40:25. | :40:32. | |
the wonderful scents that they emitt, as you wander along this | :40:32. | :40:38. | |
stand with the melee of beautiful herbs, you could also of on a | :40:38. | :40:48. | |
:40:48. | :40:50. | ||
Mediterranean slope, drinking in those aromas. | :40:50. | :40:54. | |
It's easy enough buying plants, but the magic begins when you get them | :40:54. | :40:58. | |
home and put them together. This is just such a wonderful arrangement | :40:58. | :41:04. | |
with these flat heads of akilla. And the spikes of purple saflya. | :41:04. | :41:12. | |
The whole thing goes together so wonder thri -- wonderfully well. | :41:12. | :41:16. | |
It's set off by this scintillating dahlia. That's a really bold | :41:16. | :41:22. | |
statement. You're not always dependent on | :41:22. | :41:27. | |
scent or colour for combinations, occasionally you can do something | :41:27. | :41:33. | |
with just one colour. Gertrude Jekyll said green is also a colour. | :41:33. | :41:37. | |
This stand proves that. Look at these marvellous differences in | :41:37. | :41:44. | |
texture, glorious leaves on this euphorbia. How about this, really | :41:44. | :41:50. | |
prickly, offensive, it's quite violent, this plant, it's a | :41:50. | :41:56. | |
relative of tomatoes and potatoes. And the shiny texture of this one | :41:56. | :42:00. | |
there. The whole ground floor of this stand is just decked with | :42:00. | :42:08. | |
Ferns and impatiens, all manner of plants. When your eyes finally | :42:09. | :42:16. | |
moves up to the paddle-shaped leaves of the banana, you realise | :42:16. | :42:20. | |
it's also all about scale. Whatever it is that excites you about the | :42:20. | :42:22. | |
relationship between plants, whether it's their colour, their | :42:22. | :42:27. | |
scent or their scale, you'll find so many brilliant examples of all | :42:27. | :42:37. | |
:42:37. | :42:46. | ||
were putting their finishing touches to them. Have they changed | :42:46. | :42:50. | |
much? I was here yesterday. It's so interesting to see, now they're | :42:50. | :42:55. | |
looking pristine and perfect, and the judging of course. This got a | :42:55. | :42:59. | |
gold. Tony Smith has a raft of gold medals over the year. He gets a | :42:59. | :43:03. | |
narrative and he refines it down and he ends up with these amazing | :43:03. | :43:08. | |
gardens, like this. This one is about grass and man's | :43:08. | :43:12. | |
interpretation of the word and relationship with the word. We have | :43:12. | :43:15. | |
natural grass, plastic grass and rice in the bowl in the middle, | :43:15. | :43:19. | |
which is a form of grass. He follows that narrative through. | :43:19. | :43:22. | |
It's very good. There are ideas you could take home as well. This idea | :43:23. | :43:27. | |
of digging down and having a lower level, I really like. That would | :43:27. | :43:34. | |
work. The quality of the build is just fan tafrtic. It is immaculate. | :43:34. | :43:41. | |
We better go and see some more, hey. Rachel was on Yvonne Matthews' | :43:41. | :43:46. | |
garden earlier in the week. She's a regular at Gardners' World Live, | :43:46. | :43:49. | |
renowned for zany designs and bright colours. For me, this design | :43:49. | :43:53. | |
is a bit safer than her usual, but the judges obviously liked it, as | :43:53. | :44:00. | |
they gave her a Silver-Gilt. Congratulations, Chris, great | :44:00. | :44:10. | |
:44:10. | :44:11. | ||
garden, but what exactly is a bother? In my world it's someone | :44:11. | :44:14. | |
who messes things up? A bother is someone who doesn't exist any more | :44:14. | :44:18. | |
really. They used to be a group of about a dozen men who worked around | :44:18. | :44:23. | |
the High Wycombe area, making chair legs for the chair industry, for | :44:23. | :44:28. | |
the Windsor chair industry. Why did you want to create a garden around | :44:28. | :44:34. | |
that concept? I was commissioned to come up a shore garden around a man | :44:34. | :44:40. | |
you'll worker. I was stumped. I was in a local wood at Bolton Abbey. I | :44:40. | :44:44. | |
came across Richard in the wood. I saw his setting, how beautiful it | :44:44. | :44:48. | |
was, the lovely planting, the canvas and tools. Now I thought | :44:48. | :44:53. | |
he's my kind of man you'll worker. You won gold and you won Best in | :44:53. | :44:56. | |
Show in a small garden category. Congratulations. Are you here all | :44:56. | :45:06. | |
:45:06. | :45:17. | ||
gardens because it's a real garden. It's partly the hard landscaping, | :45:17. | :45:20. | |
which uses the good contrast of different materials, but not so | :45:20. | :45:24. | |
many that the whole thing becomes a muddle. I love the simplicity of | :45:24. | :45:29. | |
this pond. And then the planting, you have this pallet of rich | :45:29. | :45:34. | |
purples and bright acid greens, a bit of grey-green as well. That | :45:34. | :45:40. | |
combination of shrub, some of them everygreens, grasses, perennials, | :45:40. | :45:46. | |
roses. It works on so many levels. It won a rich live deserved civil | :45:46. | :45:52. | |
guilt medal. The designer of this garden, | :45:52. | :45:56. | |
Rebecca Govier, was aiming for a dream-like quality in her garden. | :45:56. | :46:00. | |
She's succeeded brilliantly, not only in the landscaping, but in the | :46:00. | :46:06. | |
planting, which is a wonderful pallet of soft mofz and silvery | :46:06. | :46:10. | |
foliage. It has unusual plants, this euphorbia, called white swan, | :46:10. | :46:14. | |
you don't see very often on show gardens. There's height in the | :46:14. | :46:20. | |
planting too. These lovely ones, which are tall, but they're airy. | :46:20. | :46:25. | |
You get a sense of transparency that. Height is picked up in the | :46:25. | :46:30. | |
wonderful stems of the trees, which are reflected in the shadows on the | :46:30. | :46:34. | |
wall. The garden won a silver medal for Rebekah, which is a result. | :46:34. | :46:44. | |
:46:44. | :46:47. | ||
This is her first time showing a saw it yesterday. I'm delighted | :46:47. | :46:51. | |
that it won a Gold Medal and Best in Show. But do you think the | :46:51. | :46:55. | |
visitors will be confused by why this type of garden has won that | :46:55. | :46:59. | |
accolade? Yes, possibly. It's because this is so realistic. I | :46:59. | :47:04. | |
feel like I'm back being a cub at the scout camp. It all feels so | :47:04. | :47:12. | |
authentic here. That is hard to achieve with wild flowers and this | :47:12. | :47:15. | |
bivouwac. It's the execution that has won the gold and Best in Show. | :47:16. | :47:20. | |
I'm impressed by the show gardens this year. This kind of range from | :47:20. | :47:30. | |
:47:30. | :47:36. | ||
the conceptual to this is fantastic. chatting to a few exhibitors in the | :47:37. | :47:41. | |
flower marquee as they put finishing touches to the stands. | :47:41. | :47:48. | |
The judges have spoken and awarded medals. This got the gold and best | :47:48. | :47:53. | |
exhibit. All the hard work paid off. Birmingham City Council will be | :47:53. | :48:03. | |
:48:03. | :48:18. | ||
delighted and they were awarded a change the blue one for a brown one. | :48:18. | :48:26. | |
The that will be very generous of you. Thank you. Anyone bringing me | :48:26. | :48:36. | |
:48:36. | :48:37. | ||
some plants? Fantastic! Really good for us to have you have cronies | :48:37. | :48:47. | |
:48:47. | :48:54. | ||
from seed yourself? Yes. -- grown bees. That is generous. Fabulous! | :48:54. | :49:03. | |
What a well-grown plant. It is one I bought last year. I decided I | :49:03. | :49:09. | |
would save the seeds. I have four plants. It is really beautiful. It | :49:09. | :49:16. | |
is only an annual. I did not want to lose it because it was so pretty. | :49:17. | :49:21. | |
Those colours are gorgeous together. That goes wonderfully with your | :49:21. | :49:31. | |
:49:31. | :49:32. | ||
jumper, doesn't care? Just the job! So, you have bought lots of gifts. | :49:32. | :49:39. | |
-- brought. Have you raise these yourself? This one especially. You | :49:40. | :49:44. | |
tip cuttings from a plant you bought last year and have grown | :49:44. | :49:53. | |
them on. What are you looking for? Something different. This is a | :49:53. | :49:59. | |
cutting I took in April, March. It will grow into quite a substantial | :49:59. | :50:09. | |
:50:09. | :50:12. | ||
shrub with incredible blue flowers. Lovely! These are geraniums. It is | :50:12. | :50:18. | |
a geranium that will die after it has flowered but it is gigantic. | :50:18. | :50:25. | |
Huge! I am impressed with these. They're really quite difficult. | :50:25. | :50:33. | |
They are difficult. I lost a few. They were tiny. Thank you their | :50:33. | :50:42. | |
match follows. They will get snapped up. -- very much for those. | :50:42. | :50:49. | |
I was looking at the East. I am a horrible people who cuts my plants | :50:49. | :50:57. | |
and uses them in flower arranging. That is a gorgeous colour! What do | :50:57. | :51:01. | |
you think would be a fair contribution? I will give you a | :51:01. | :51:11. | |
fiver for it. That is absolutely wonderful. Thank you very much | :51:11. | :51:16. | |
indeed. I could be here all day. People are coming and going the | :51:16. | :51:24. | |
whole time. To choose the right plants from Longmeadow, I need to | :51:24. | :51:34. | |
:51:34. | :51:54. | ||
browse around the flower marquee. I have come with a purpose. There are | :51:54. | :51:59. | |
four beds which need planting out. We want the Jewel Garden to drift | :51:59. | :52:03. | |
away to the edge so it becomes looser. Those are the plants I am | :52:03. | :52:13. | |
:52:13. | :52:29. | ||
right for that piece of the garden. When you are choosing plants, | :52:29. | :52:35. | |
listen to your gut. If a plant feels as if it will be the right | :52:35. | :52:42. | |
thing in the right place, it almost certainly will. The small flowers, | :52:42. | :52:45. | |
and the weight it tangles in through the cornflowers. Exactly | :52:45. | :52:51. | |
that feeling of looseness, abandoned and beauty all coming | :52:51. | :53:01. | |
:53:01. | :53:09. | ||
together. The right plant in the exactly the feel and kind of plants | :53:09. | :53:17. | |
award for those bottom beds. They are tall, elegant. These small | :53:17. | :53:21. | |
flowers are on strong stems so they can mingle without crowding each | :53:21. | :53:26. | |
other out. If you are trying to create a gentle, drifting look, it | :53:26. | :53:31. | |
is important not to get too cluttered. You need plants with | :53:31. | :53:39. | |
height and elegance. These worked beautifully. I'm going to get some | :53:39. | :53:46. | |
grasses. That one is going on my shopping list. You have any? Yes, I | :53:46. | :53:53. | |
do. Are they as big as the show plants? They will be. They are | :53:54. | :54:03. | |
�6.50 each. That is 20 quid. That will cover it. Well done! 50 pence | :54:03. | :54:13. | |
:54:13. | :54:25. | ||
Exactly the right thing. What alike about grasses in a border, if you | :54:25. | :54:31. | |
choose the right ones, they provide a sifting feel. You can see through | :54:31. | :54:39. | |
them. This one is perfect. I want some of those. I can put them near | :54:39. | :54:47. | |
the front of the border then behind, above and through, I can have more | :54:47. | :54:52. | |
colour. We have not got this at Longmeadow at the moment. It is | :54:52. | :55:00. | |
almost the perfect grass. This is very adaptable. It will grow really | :55:00. | :55:04. | |
tall. I love this layered sensation, that will Ide drives through them, | :55:04. | :55:14. | |
:55:14. | :55:15. | ||
it dodges pass them. -- eye drifts through them. I will definitely get | :55:15. | :55:24. | |
that. Three each please. That is brilliant. Thank you very much | :55:25. | :55:34. | |
:55:35. | :55:44. | ||
more, I cannot carry any more. I need to get back to Longmeadow and | :55:44. | :55:54. | |
:55:54. | :56:00. | ||
lookout for a good plant. There is lots of shopping in the bring and | :56:00. | :56:10. | |
:56:10. | :56:20. | ||
takers? This is my tomato plant, grown from seed. It is a heritage | :56:20. | :56:26. | |
tomato. Are you interested? It has a very funny name. It is a little | :56:26. | :56:31. | |
bit stripy and it is very good for cooking. Get mummy and Daddy to | :56:31. | :56:38. | |
cook it for you. Stuff it with something and Phuket. That is for | :56:38. | :56:47. | |
you. -- cook it. Are you bringing a plant? Yes. It is a deja Tardis. I | :56:47. | :56:55. | |
did not have time to put label on it. I have just brought my plant on | :56:55. | :57:02. | |
the train. You have seen it all over Chelsea this year. It is from | :57:02. | :57:09. | |
my garden. I have loved it, nurtured it, potted it on. Where | :57:09. | :57:19. | |
:57:19. | :57:21. | ||
does it like to grow? In the sand. Good drainage. He drives a hard | :57:21. | :57:31. | |
:57:31. | :57:33. | ||
bargain. Lovely! That is a bit snazzy. Are you bringing that? That | :57:33. | :57:43. | |
is lovely. Thank you their match. What Pink is it? -- very much. The | :57:43. | :57:48. | |
parent plant is well over 50 years old. It was growing in my mother in | :57:48. | :57:57. | |
laws garden when I was 15. My plant looked ill last year. I took some | :57:57. | :58:06. | |
cuttings and that is one of ah of them. What colour of the flowers? | :58:06. | :58:15. | |
They are white and purple. How much is that? About 50 quid. I will give | :58:15. | :58:25. | |
:58:25. | :58:26. | ||
you that. Is that all right? Put it in the bucket. There are endless | :58:26. | :58:32. | |
retail opportunities at Gardeners' World Live. Hello. Can I just ask | :58:32. | :58:39. | |
you about your roses? You certainly can. Are they the same variety? | :58:39. | :58:48. | |
That is beautiful. I think it is a lovely rose. We had two standard to | :58:48. | :58:58. | |
go with it. Very beautiful. When rhubarb first comes up after the | :58:58. | :59:04. | |
winter, it is really nice. Then it does not really do much after that. | :59:04. | :59:11. | |
They have been and spindly. Next winter, dig it up and chop it in | :59:11. | :59:19. | |
great chunks. Even that will grow again. What have you got? It is not | :59:19. | :59:26. | |
just these. I have brought loads and loads of vegetable seeds. I | :59:26. | :59:31. | |
have got peace for flowers and that covers the flowers. That is | :59:31. | :59:38. | |
beautiful. It is a lovely idea. it is beautiful! I can smell it | :59:38. | :59:44. | |
from here. It is a beautiful rose. It is a modern roads with an old- | :59:44. | :59:48. |