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Hello and welcome to Gardeners' World, and it does seem incredible | 0:00:02 | 0:00:07 | |
that we have been bringing you the programme since the late 1960s, | 0:00:07 | 0:00:11 | |
although I don't think we're looking too bad for our age. | 0:00:11 | 0:00:15 | |
And what better place to celebrate our golden jubilee than here | 0:00:15 | 0:00:19 | |
at Gardeners' World Live, | 0:00:19 | 0:00:21 | |
surrounded by fabulous plants and inspirational gardens? | 0:00:21 | 0:00:24 | |
So join us for our big birthday bash. | 0:00:24 | 0:00:28 | |
CHEERING | 0:00:28 | 0:00:31 | |
On tonight's programme, Joe is looking around a garden that might | 0:00:33 | 0:00:36 | |
bring back a lot of memories, especially if you had crazy paving. | 0:00:36 | 0:00:40 | |
Alan Titchmarsh and I look back on five decades | 0:00:46 | 0:00:50 | |
guiding the nation's gardeners. | 0:00:50 | 0:00:51 | |
And we've all had our say, but you have made your decision. | 0:00:55 | 0:00:58 | |
Mary Berry reveals the winner of our Golden Jubilee Plant. | 0:00:58 | 0:01:02 | |
We're having a bit of a party, | 0:01:03 | 0:01:05 | |
so join us as we celebrate Gardeners' World's 50th anniversary. | 0:01:05 | 0:01:10 | |
THEY PLAY GARDENERS' WORLD THEME | 0:01:14 | 0:01:20 | |
50 years have passed and the world is a very different place than | 0:01:42 | 0:01:46 | |
it was from those early programmes from Oxford Botanic Gardens. | 0:01:46 | 0:01:49 | |
But, you know, the fundamentals of gardening have not changed so much. | 0:01:49 | 0:01:54 | |
It still is basically about growing things and loving your garden. | 0:01:55 | 0:02:01 | |
And every Friday, that's exactly what Percy helped us to do, | 0:02:01 | 0:02:05 | |
and what we still try and do week in, week out. | 0:02:05 | 0:02:09 | |
To inform, inspire and enthuse you | 0:02:09 | 0:02:13 | |
to get out there and enjoy your own garden. | 0:02:13 | 0:02:17 | |
And, of course, the same things apply here at Gardeners' World Live, | 0:02:17 | 0:02:22 | |
which is why we're all here today. | 0:02:22 | 0:02:24 | |
I'm in the very appropriately named Nostalgia Garden, | 0:02:55 | 0:02:58 | |
because this is set entirely in the late '60s, from the petrol pumps, | 0:02:58 | 0:03:04 | |
which are measured out in shillings and pence, the logos, | 0:03:04 | 0:03:07 | |
every texture and feel of it brings back a flood of memories. | 0:03:07 | 0:03:11 | |
And for me, even the little white Alison, | 0:03:11 | 0:03:14 | |
just a small little bedding plant, | 0:03:14 | 0:03:17 | |
has associations of the greenhouse that it was grown in, | 0:03:17 | 0:03:20 | |
the fact that it was heated with an old Victorian solid fuel stove | 0:03:20 | 0:03:24 | |
and we took those plants, grew them in a wooden seed box, | 0:03:24 | 0:03:28 | |
and then they would be wheeled up in a wooden wheelbarrow - | 0:03:28 | 0:03:31 | |
I remember it well, it was painted green - | 0:03:31 | 0:03:33 | |
and planted out along with pelargoniums, with that musty smell. | 0:03:33 | 0:03:37 | |
I can smell the late '60s just looking at them. | 0:03:37 | 0:03:41 | |
Now, the person responsible for designing all this is | 0:03:42 | 0:03:45 | |
the designer Paul Stone. | 0:03:45 | 0:03:47 | |
Was it a problem, | 0:03:54 | 0:03:55 | |
putting all this together, finding all the elements? | 0:03:55 | 0:03:58 | |
It was a fascinating project, Monty, because, you know, | 0:03:58 | 0:04:01 | |
there was quite a bit of information out there. | 0:04:01 | 0:04:04 | |
I started with people who were nurserymen in that period. | 0:04:04 | 0:04:07 | |
They gave me lots of advice, even lots of things to show. | 0:04:07 | 0:04:10 | |
So, for example, you can see | 0:04:10 | 0:04:12 | |
the metal cans that I'm showing the plants being sold in. | 0:04:12 | 0:04:15 | |
That's where we were in those days. | 0:04:15 | 0:04:18 | |
50 years ago, horticulture was going through a big change, | 0:04:18 | 0:04:21 | |
and so was society, because the post-war austerity was ending. | 0:04:21 | 0:04:25 | |
People were buying houses, they had gardens, and they were | 0:04:25 | 0:04:29 | |
starting to look for things to put in them that weren't just food. | 0:04:29 | 0:04:33 | |
Aubrieta and mesembryanthemums, you know, | 0:04:33 | 0:04:36 | |
you don't see many of those around these days. | 0:04:36 | 0:04:38 | |
So all of a sudden, a whole new world was out there | 0:04:38 | 0:04:41 | |
for people to stock their garden up with. | 0:04:41 | 0:04:44 | |
And it does seem to me that there was a lot more colour | 0:04:44 | 0:04:46 | |
that suddenly was introduced. | 0:04:46 | 0:04:48 | |
Primary colours were much more popular then than now, | 0:04:48 | 0:04:51 | |
and we've got lots of comparative elements of interest in the garden, | 0:04:51 | 0:04:55 | |
where we're looking at what people | 0:04:55 | 0:04:57 | |
think of as popular roses in the 1960s | 0:04:57 | 0:05:00 | |
against current ones. | 0:05:00 | 0:05:03 | |
Well, Paul, everybody is going to love it. Congratulations. | 0:05:03 | 0:05:06 | |
Thanks, Monty. | 0:05:06 | 0:05:08 | |
Now, here at Gardeners' World Live, | 0:05:15 | 0:05:17 | |
a very contemporary exhibition is of beautiful borders, | 0:05:17 | 0:05:21 | |
and this one here marks one of the rising stars of Gardeners' World. | 0:05:21 | 0:05:25 | |
Namely... | 0:05:25 | 0:05:27 | |
Nigel the Dog. | 0:05:27 | 0:05:29 | |
It's got the colours of his coat, it's got the rounds that represent | 0:05:29 | 0:05:32 | |
his tennis balls, and the curved shape of a bone, and it's good fun. | 0:05:32 | 0:05:37 | |
BARKING | 0:05:37 | 0:05:39 | |
During the last 50 years, gardening fashions have changed, | 0:05:49 | 0:05:54 | |
but there are some plants that have not only maintained | 0:05:54 | 0:05:57 | |
their popularity, but in a lot of cases have increased it. | 0:05:57 | 0:06:02 | |
This lovely stand, Barnsdale, with our | 0:06:02 | 0:06:06 | |
perennial favourite, Geoff Hamilton, in the centre of it, | 0:06:06 | 0:06:09 | |
is displaying all sorts of these plants. | 0:06:09 | 0:06:12 | |
But the one that's most outstanding has to be these achilleas. | 0:06:12 | 0:06:16 | |
Nowadays, there are all sorts of exciting achilleas on offer. | 0:06:16 | 0:06:20 | |
They have lots of different coloured flowers, | 0:06:20 | 0:06:23 | |
and some of them even have different foliage. | 0:06:23 | 0:06:26 | |
Achillea Moonshine has silvery foliage, | 0:06:26 | 0:06:29 | |
accompanied by the most gorgeous lemon flowers. | 0:06:29 | 0:06:33 | |
If you look at the flowers, first of all, | 0:06:33 | 0:06:35 | |
you're just aware of these flat heads, but look more closely. | 0:06:35 | 0:06:39 | |
They're actually composed of a myriad of tiny little daisies. | 0:06:39 | 0:06:43 | |
They belong to the family asteraceae, the daisy family, | 0:06:43 | 0:06:47 | |
the biggest flowering family in the world. | 0:06:47 | 0:06:50 | |
And each of these tiny daisies is full of pollen and nectar, | 0:06:50 | 0:06:54 | |
making them incredibly attractive to butterflies | 0:06:54 | 0:06:58 | |
and any pollinating insects. | 0:06:58 | 0:07:00 | |
What makes them attractive to us is that they're so easy to grow. | 0:07:00 | 0:07:04 | |
Just give them a sunny site and decently drained soil, | 0:07:04 | 0:07:07 | |
and they'll go on and on for years. | 0:07:07 | 0:07:10 | |
Achilleas have probably become even more fashionable than | 0:07:10 | 0:07:13 | |
they were 50 years ago, because they've really moved with the times, | 0:07:13 | 0:07:18 | |
and they reflect our interest in naturalistic planting | 0:07:18 | 0:07:22 | |
and prairie planting. | 0:07:22 | 0:07:24 | |
They really do mix and mingle with other perennials and grasses | 0:07:24 | 0:07:27 | |
beautifully well. | 0:07:27 | 0:07:29 | |
Everybody ought to have a go. | 0:07:29 | 0:07:32 | |
Once upon a time, for most of us, gardening was all about flowers. | 0:07:40 | 0:07:44 | |
That was our main interest. That's what we wanted to do. | 0:07:44 | 0:07:48 | |
But in recent years, | 0:07:48 | 0:07:50 | |
foliage has become much more important to us gardeners, | 0:07:50 | 0:07:54 | |
and this stand typifies that kind of interest. | 0:07:54 | 0:07:57 | |
These are heucheras in their glory. | 0:07:57 | 0:08:01 | |
At one time, this was the only kind of heuchera you could get, | 0:08:01 | 0:08:04 | |
forms of Heuchera sanguinea with little dainty red flowers, | 0:08:04 | 0:08:08 | |
and even then, although the foliage was lovely, | 0:08:08 | 0:08:11 | |
they were really grown for their flowers. | 0:08:11 | 0:08:14 | |
And when you look at this stand, you can hardly believe | 0:08:14 | 0:08:16 | |
they're all the same plant. | 0:08:16 | 0:08:18 | |
Some of them have big, bold leaves. | 0:08:19 | 0:08:21 | |
Some of them have different texture. | 0:08:21 | 0:08:23 | |
Lots of them have different shapes, and some of them have | 0:08:23 | 0:08:27 | |
totally different colours, things that were unheard of 50 years ago. | 0:08:27 | 0:08:32 | |
They all prefer to be grown in dappled shade, | 0:08:32 | 0:08:35 | |
and they make wonderful ground cover between shrubs or under trees. | 0:08:35 | 0:08:40 | |
As long as they're on the dryish side, | 0:08:40 | 0:08:42 | |
during the winter they'll keep their leaves too, but it's in | 0:08:42 | 0:08:45 | |
the full glory of summer's show | 0:08:45 | 0:08:47 | |
that they really make their best display. | 0:08:47 | 0:08:49 | |
From foliage to the most floriferous of flowers, | 0:08:58 | 0:09:01 | |
foxgloves and hollyhocks. | 0:09:01 | 0:09:04 | |
Think of a cottage garden. | 0:09:04 | 0:09:07 | |
Immediately your mind springs to hollyhocks growing | 0:09:07 | 0:09:10 | |
by the front door. | 0:09:10 | 0:09:11 | |
They used to be immensely popular, but their popularity | 0:09:11 | 0:09:15 | |
has waned in recent years because lots of them have had rust. | 0:09:15 | 0:09:19 | |
It's very prevalent amongst almost all hollyhocks. | 0:09:19 | 0:09:23 | |
But now along comes the halo series, | 0:09:23 | 0:09:26 | |
which are far less likely to develop rust. | 0:09:26 | 0:09:29 | |
They have lots of species, hollyhocks, | 0:09:29 | 0:09:32 | |
in their genetic make-up, and this | 0:09:32 | 0:09:35 | |
has made them less susceptible to the disease, | 0:09:35 | 0:09:38 | |
and what a delight they are. | 0:09:38 | 0:09:39 | |
Just look at these colours. | 0:09:39 | 0:09:41 | |
They almost remind you of toffees and sweeties of all descriptions. | 0:09:41 | 0:09:46 | |
And each of them has this very dark centre. | 0:09:46 | 0:09:49 | |
I love the colours. | 0:09:49 | 0:09:51 | |
I think they're really arty and they would be | 0:09:51 | 0:09:53 | |
so easy to incorporate into a modern garden. | 0:09:53 | 0:09:57 | |
Although hollyhocks are a perennial favourite, | 0:09:57 | 0:09:59 | |
they're actually biennials. | 0:09:59 | 0:10:01 | |
That means in their first year from seed, they'll just make | 0:10:01 | 0:10:05 | |
a big rosette, and in the second year, | 0:10:05 | 0:10:07 | |
they'll produce these tall stems | 0:10:07 | 0:10:10 | |
of beautiful flowers. | 0:10:10 | 0:10:12 | |
Sadly, after that, they'll die, but by then, | 0:10:12 | 0:10:14 | |
you'll have planted your next batch of seed. | 0:10:14 | 0:10:17 | |
Because who wouldn't want to have hollyhocks in their garden? | 0:10:17 | 0:10:21 | |
They've always been perennial favourites and I'm sure, | 0:10:21 | 0:10:24 | |
like so many plants in the Floral Marquee, | 0:10:24 | 0:10:27 | |
they're going to go on being just as popular for decades to come. | 0:10:27 | 0:10:31 | |
David Stevens has been designing gardens for nearly as long | 0:10:42 | 0:10:46 | |
as Gardeners' World's been on air and is the proud owner | 0:10:46 | 0:10:49 | |
of 11 Chelsea gold medals, so he's the perfect man to design | 0:10:49 | 0:10:53 | |
a space that reflects the changing trends in our own back gardens. | 0:10:53 | 0:10:58 | |
Well, I've been designing gardens now almost 50 years. | 0:11:02 | 0:11:06 | |
I started in the mid-1960s, and I've designed all kinds of gardens. | 0:11:06 | 0:11:09 | |
Gardens for the rich and famous, gardens for people, | 0:11:09 | 0:11:13 | |
because the majority of clients really are people that want | 0:11:13 | 0:11:17 | |
a lovely garden created for them, but they may not have the expertise. | 0:11:17 | 0:11:20 | |
The show organisers asked me to design this garden for the BBC | 0:11:24 | 0:11:28 | |
and for Gardeners' World, obviously, with the 50-year timespan. | 0:11:28 | 0:11:31 | |
Well, that made me scratch my head a little, it really did. | 0:11:31 | 0:11:34 | |
But I thought in the end, we'd come up with five vignettes, | 0:11:34 | 0:11:37 | |
five miniature gardens that would trace the development from | 0:11:37 | 0:11:40 | |
the '60s right the way through to the noughties. | 0:11:40 | 0:11:42 | |
And the '60s gardens, people tend to forget, | 0:11:42 | 0:11:44 | |
it was a time of austerity, and there were no garden centres, | 0:11:44 | 0:11:48 | |
so people used materials that were very much to hand. | 0:11:48 | 0:11:50 | |
They nearly always had a vegetable plot still growing from | 0:11:50 | 0:11:54 | |
the war years. The classic shed was always there. | 0:11:54 | 0:11:57 | |
Annual plants dominated, bright colour, | 0:11:57 | 0:12:01 | |
and really vibrant schemes. | 0:12:01 | 0:12:02 | |
One of the great things about the early gardens in the 1960s | 0:12:05 | 0:12:09 | |
was that wonderful material - crazy paving. | 0:12:09 | 0:12:12 | |
And here it is, in all its glory. Now, it's not so easy to lay. | 0:12:12 | 0:12:18 | |
It actually takes a lot of care. | 0:12:18 | 0:12:19 | |
There are a lot of shapes to fit together. | 0:12:19 | 0:12:21 | |
Each one of those has got to be pointed in, so what may look | 0:12:21 | 0:12:24 | |
like a pretty unassuming material really takes a bit of skill. | 0:12:24 | 0:12:28 | |
In the '70s, things started to change. | 0:12:35 | 0:12:38 | |
Garden centres came along, | 0:12:38 | 0:12:39 | |
and with garden centres came a huge choice of materials, | 0:12:39 | 0:12:42 | |
both of paving and the plants, | 0:12:42 | 0:12:44 | |
and planting, that got a lot more diverse. | 0:12:44 | 0:12:47 | |
Heathers and conifers came in. | 0:12:47 | 0:12:49 | |
Hardy perennials started to come in, so you had a backbone of | 0:12:49 | 0:12:52 | |
shrubs and the herbaceous plants started to soften that all up. | 0:12:52 | 0:12:55 | |
And how about that wonderful material screen block walling? | 0:12:58 | 0:13:03 | |
Now, again, people are pulling them down by the thousands these days, | 0:13:03 | 0:13:07 | |
but in the '70s, wow, that was the thing to have. | 0:13:07 | 0:13:10 | |
In the 1980s, there was change again. | 0:13:18 | 0:13:21 | |
The outside room really came in, so the garden lost the grass, | 0:13:21 | 0:13:25 | |
more hard landscaping, room for sitting and dining, | 0:13:25 | 0:13:28 | |
built-in barbecues, soft planting, | 0:13:28 | 0:13:31 | |
but very much somewhere to relax, entertain, and not work too hard. | 0:13:31 | 0:13:36 | |
People often underestimate really what the contractor does. | 0:13:41 | 0:13:43 | |
It's not just the designer. | 0:13:43 | 0:13:45 | |
And Peter Dowle and I go back a long way. | 0:13:45 | 0:13:48 | |
In fact, I worked with his dad before then. | 0:13:48 | 0:13:49 | |
I think the '80s for me, it sums up the use of perhaps | 0:13:51 | 0:13:56 | |
bolder plants, the strong purples of the Heuchera Palace Purple. | 0:13:56 | 0:14:00 | |
Having said that, towards the latter part of the decade, | 0:14:00 | 0:14:03 | |
there was a definite resurgence in cottage gardens, | 0:14:03 | 0:14:06 | |
and this is reflected with this one here, | 0:14:06 | 0:14:08 | |
with the mixture of delphiniums, the catmint, | 0:14:08 | 0:14:10 | |
this lovely pink penstemon. | 0:14:10 | 0:14:12 | |
All in all, I think the '80s was a really exciting decade. | 0:14:12 | 0:14:15 | |
In the 1990s, the decking and gravel. Remember? | 0:14:20 | 0:14:24 | |
So things are changing, things are moving on, | 0:14:24 | 0:14:26 | |
and from the outside room, | 0:14:26 | 0:14:28 | |
we move into something much more relaxed and much softer. | 0:14:28 | 0:14:32 | |
One of the classics, of course, was the foxglove. | 0:14:37 | 0:14:40 | |
Fabulous to watch when the bees enter it. | 0:14:40 | 0:14:42 | |
You can hear almost vibrating as they open the flower. | 0:14:42 | 0:14:45 | |
Another stalwart of the '90s, of course, was the lupin. | 0:14:45 | 0:14:48 | |
Great spires of white flowers, will always remain a classic. | 0:14:48 | 0:14:52 | |
Towards the latter part of the '90s, | 0:14:52 | 0:14:53 | |
it is loosely termed prairie planting, | 0:14:53 | 0:14:56 | |
where you are using grasses for movements, | 0:14:56 | 0:14:59 | |
the introduction of colour, and lots of forms. | 0:14:59 | 0:15:02 | |
You've got this beautiful one here. This is the Stipa tenuissima. | 0:15:02 | 0:15:05 | |
It's a very soft, floaty grass. | 0:15:05 | 0:15:07 | |
Always a popular group of plants, | 0:15:07 | 0:15:09 | |
and I think they will remain in our gardens for decades to come. | 0:15:09 | 0:15:13 | |
The 2000s really bring us up to date. | 0:15:15 | 0:15:18 | |
Gardens have become fashion statements. | 0:15:18 | 0:15:20 | |
Design is the order of the day. | 0:15:20 | 0:15:22 | |
Hard, crisp materials, but very soft herbaceous planting around it, | 0:15:22 | 0:15:27 | |
with grasses coming to the fore. | 0:15:27 | 0:15:29 | |
Again, something that wasn't used in the earlier days. | 0:15:29 | 0:15:31 | |
Show gardens, and I always call them ideas factories | 0:15:34 | 0:15:37 | |
for the public, because the public are the people that really | 0:15:37 | 0:15:39 | |
gain from the shows, and of course Gardeners' World | 0:15:39 | 0:15:42 | |
has traced that development all the way through it's 50 years as well. | 0:15:42 | 0:15:45 | |
So has it brought back memories, | 0:15:50 | 0:15:51 | |
going through this process of designing and making these gardens? | 0:15:51 | 0:15:54 | |
Not half, and it's lovely, people just walking past, | 0:15:54 | 0:15:57 | |
saying, "I remember that decade." And it brings back specific times | 0:15:57 | 0:16:00 | |
-in people's lives. -But for you? -Yes, it has. | 0:16:00 | 0:16:02 | |
I started landscaping in the '60s and each decade's taken us into | 0:16:02 | 0:16:04 | |
a different fashion or different materials or different plants. | 0:16:04 | 0:16:07 | |
The first garden in the 1960s, it's so nostalgic. | 0:16:07 | 0:16:10 | |
My next-door neighbour had exactly this garden. | 0:16:10 | 0:16:13 | |
I remember. Crazy paving. | 0:16:13 | 0:16:15 | |
They were just all broken paving slabs, basically. | 0:16:15 | 0:16:18 | |
And, of course, it was always a riot of colour. | 0:16:18 | 0:16:20 | |
-We've even got Norman down the back there. -Yeah, yeah, I can see that. | 0:16:20 | 0:16:24 | |
-But here we are in the '70s. -Yes. -This is the birth of garden design. | 0:16:24 | 0:16:27 | |
Exactly. In the '70s, the garden centres came in | 0:16:27 | 0:16:29 | |
and all of these materials started to appear, | 0:16:29 | 0:16:32 | |
and often too many materials, so gardens did get a bit busy. | 0:16:32 | 0:16:35 | |
This wonderful block wall as well. | 0:16:35 | 0:16:37 | |
Californian screen block walls were the business, weren't they? | 0:16:37 | 0:16:39 | |
-The preformed pond. -Little fibreglass pond. | 0:16:39 | 0:16:41 | |
And you always saw the edge, | 0:16:41 | 0:16:43 | |
-cos you couldn't disguise the flipping thing. -Yeah, yeah, sure. | 0:16:43 | 0:16:46 | |
OK, now, this is when I started landscaping professionally, | 0:16:46 | 0:16:49 | |
laying Yorkstone and doing all these little brick patios, | 0:16:49 | 0:16:52 | |
built-in seating, and railway sleepers. | 0:16:52 | 0:16:55 | |
-Indeed. -Very popular material. -And you must have a built-in barbecue. | 0:16:55 | 0:16:59 | |
-Yeah, yeah, sure. OK, now, this is the '90s. -It is. | 0:16:59 | 0:17:01 | |
And there was a huge explosion of television programmes, | 0:17:01 | 0:17:04 | |
Ground Force, Home Front in the Garden, | 0:17:04 | 0:17:07 | |
and design was really playing a big part in gardening. | 0:17:07 | 0:17:10 | |
It was. Decking, gravel, clean lines, and more design, | 0:17:10 | 0:17:13 | |
setting things at an angle. People hadn't thought of that. | 0:17:13 | 0:17:15 | |
But in a little small garden, the diagonal is the longest line. | 0:17:15 | 0:17:18 | |
-Makes the garden look bigger. -Here we are. | 0:17:18 | 0:17:20 | |
This is the modern-day garden, pretty much, | 0:17:20 | 0:17:22 | |
and it's gone back to rectilinear. | 0:17:22 | 0:17:24 | |
-Very much so. -Working with the boundary. | 0:17:24 | 0:17:26 | |
Could be a little roof garden in the centre of Birmingham | 0:17:26 | 0:17:29 | |
or Manchester or London. Perfect. | 0:17:29 | 0:17:30 | |
So if there is one plant that has endured all 50 years | 0:17:30 | 0:17:35 | |
of these gardens, what would it be? | 0:17:35 | 0:17:37 | |
It's a good question, isn't it, really? | 0:17:37 | 0:17:39 | |
But I think one of my favourites is this beautiful delphinium. | 0:17:39 | 0:17:43 | |
Spires that just come up, | 0:17:43 | 0:17:45 | |
they'll look good in an architectural garden, | 0:17:45 | 0:17:47 | |
they'll look good in a cottage garden, | 0:17:47 | 0:17:49 | |
they'll even look good in a wild garden. We should grow them more. | 0:17:49 | 0:17:52 | |
You know, we've looked back 50 years. | 0:17:52 | 0:17:54 | |
What about looking forward 50 years? | 0:17:54 | 0:17:56 | |
What do you think is going to happen to our gardens? | 0:17:56 | 0:17:58 | |
Well, we're moving on, but I think... | 0:17:58 | 0:17:59 | |
You know, I've seen that great film Avatar. | 0:17:59 | 0:18:01 | |
I'm a freak for that sort of stuff. | 0:18:01 | 0:18:03 | |
But think of the special effects in there. | 0:18:03 | 0:18:05 | |
These wonderful fibreoptics and the lighting. | 0:18:05 | 0:18:07 | |
The English are mad on plants and quite rightly so, | 0:18:07 | 0:18:10 | |
but I think that's going to mix with technology, computer graphics, | 0:18:10 | 0:18:13 | |
special effects, and I think that will bring | 0:18:13 | 0:18:15 | |
a totally different dimension to the garden and take us on | 0:18:15 | 0:18:18 | |
-through the next 50 years. -Exciting times. We're going to have | 0:18:18 | 0:18:21 | |
to go back to garden design college for all of that stuff. | 0:18:21 | 0:18:24 | |
I've forgotten all that stuff already. | 0:18:24 | 0:18:26 | |
Still to come, Alan Titchmarsh and I will be discussing what | 0:18:37 | 0:18:40 | |
it's like to have the best job in television. | 0:18:40 | 0:18:44 | |
Joe will be discovering the brightest new talent here at | 0:18:44 | 0:18:48 | |
Gardeners' World Live, and we shall be announcing the winner of | 0:18:48 | 0:18:52 | |
our Gardeners' World Golden Jubilee Plant. | 0:18:52 | 0:18:55 | |
Through changing horticultural fashions, | 0:19:01 | 0:19:04 | |
there's been one constant on Gardeners' World. | 0:19:04 | 0:19:07 | |
The role of head gardener. | 0:19:07 | 0:19:09 | |
From plants women and vegetable experts | 0:19:12 | 0:19:15 | |
to gold-winning designers, Gardeners' World has been presented | 0:19:15 | 0:19:19 | |
by some of Britain's best-loved and most knowledgeable gardeners. | 0:19:19 | 0:19:24 | |
But despite half a century on air, | 0:19:24 | 0:19:26 | |
only a handful can claim to be the nation's head gardener. | 0:19:26 | 0:19:31 | |
Good afternoon and welcome once again to our gardening club. | 0:19:31 | 0:19:35 | |
Already a familiar face on the BBC's Gardening Club, | 0:19:35 | 0:19:38 | |
Percy Thrower was our first main presenter, and started | 0:19:38 | 0:19:42 | |
the tradition of presenting the show | 0:19:42 | 0:19:44 | |
from his own garden. | 0:19:44 | 0:19:46 | |
September. The sun is still shining. | 0:19:46 | 0:19:48 | |
He wanted to teach everyone the correct way to garden. | 0:19:48 | 0:19:52 | |
One, two buds like that. | 0:19:52 | 0:19:54 | |
When Percy left, Arthur Billet carried on. | 0:19:55 | 0:19:58 | |
He was joined by Peter Seabrook and they became a presenting duo. | 0:19:58 | 0:20:02 | |
I leave you, I think, | 0:20:03 | 0:20:05 | |
Arthur, to go and get ready for spraying roses, | 0:20:05 | 0:20:07 | |
because I'm going to go into the greenhouse and have | 0:20:07 | 0:20:09 | |
a look at one or two annuals that need to be sown. | 0:20:09 | 0:20:12 | |
But just catch a sight of that. Isn't it magnificent? | 0:20:12 | 0:20:15 | |
Next up was Geoff Hamilton, who was to hold the role for 17 years. | 0:20:15 | 0:20:20 | |
My asparagus bed's really looking good, even at this time of the year. | 0:20:20 | 0:20:24 | |
Geoff wanted to be less of a teacher, | 0:20:24 | 0:20:27 | |
more of a friend sharing tips and experiences. | 0:20:27 | 0:20:30 | |
When you are digging, take it nice and easy | 0:20:30 | 0:20:33 | |
and just as soon as you feel a little bit tired, | 0:20:33 | 0:20:37 | |
go and have a cup of tea. | 0:20:37 | 0:20:39 | |
And he also wasn't afraid to share his failures. | 0:20:39 | 0:20:42 | |
But there's one lot of plants that are an unmitigated disaster | 0:20:42 | 0:20:46 | |
in my garden, and that's the garden pinks. | 0:20:46 | 0:20:50 | |
He was a true pioneer for the organic movement. | 0:20:50 | 0:20:53 | |
The organic plot, well, it speaks for itself. | 0:20:53 | 0:20:56 | |
So it certainly is a viable alternative. | 0:20:56 | 0:20:59 | |
But if there's one thing Geoff will be remembered for, | 0:20:59 | 0:21:02 | |
it's his penny-saving gardening tips. | 0:21:02 | 0:21:05 | |
I saw one of these in an upmarket garden centre and just copied it, | 0:21:05 | 0:21:10 | |
and that is the plastic ball from a lavatory cistern. | 0:21:10 | 0:21:15 | |
Alan Titchmarsh picked up the baton in the late 1990s. | 0:21:15 | 0:21:19 | |
A new beginning, a new gardener and a new garden. | 0:21:19 | 0:21:22 | |
This is Barleywood in Hampshire. | 0:21:22 | 0:21:26 | |
Alan had a keen eye for design. | 0:21:26 | 0:21:29 | |
This is outside my writing pavilion and I've taken two hours a day | 0:21:29 | 0:21:32 | |
every day this week to make this, and I'm dead chuffed with it. | 0:21:32 | 0:21:35 | |
But he also started trends too. | 0:21:35 | 0:21:38 | |
Over this plank bridge to the deck area | 0:21:38 | 0:21:41 | |
that we started last week by laying these joists. | 0:21:41 | 0:21:45 | |
And that brings us to the current holder of the title, Monty Don. | 0:21:45 | 0:21:49 | |
I'm very proud to be leading gardening's longest-running series. | 0:21:49 | 0:21:53 | |
Do you know, it's now in its 36th year. | 0:21:53 | 0:21:56 | |
He was filled with ideas for his first garden at Berryfields. | 0:21:56 | 0:22:00 | |
One of the things I would like to see is a really big pond in there | 0:22:00 | 0:22:03 | |
which will pull in lots and lots of wildlife. | 0:22:03 | 0:22:05 | |
When Monty fell ill, Toby Buckland stepped into his shoes | 0:22:05 | 0:22:09 | |
in a new garden, Greenacre. | 0:22:09 | 0:22:11 | |
I passionately believe that gardening is for everybody. | 0:22:11 | 0:22:15 | |
There is no right or wrong way to do it and you don't need | 0:22:15 | 0:22:18 | |
a lot of money or a lot of space to do it either. | 0:22:18 | 0:22:20 | |
We're all born gardeners | 0:22:20 | 0:22:22 | |
and we're all born good gardeners at that. | 0:22:22 | 0:22:24 | |
When Monty returned, like his predecessors, | 0:22:24 | 0:22:27 | |
he welcomed us into his own garden at Longmeadow. | 0:22:27 | 0:22:30 | |
This is a new chapter for Gardeners' World | 0:22:30 | 0:22:33 | |
but, obviously, it's my home, and we've been here 20 years | 0:22:33 | 0:22:37 | |
and my wife Sarah and I have made this garden during that period. | 0:22:37 | 0:22:41 | |
And, of course, we can't forget Monty's able assistants, | 0:22:41 | 0:22:45 | |
his dogs Nigel and Nellie. | 0:22:45 | 0:22:48 | |
MONTY DON: Being the nation's head gardener is a wonderful privilege | 0:22:49 | 0:22:52 | |
but the opportunity to meet a predecessor is extremely rare. | 0:22:52 | 0:22:57 | |
Alan, I didn't know about a meeting that Geoff had with Percy, | 0:22:57 | 0:23:02 | |
which was actually captured on television, the only time | 0:23:02 | 0:23:06 | |
that the two main presenters of Gardeners' World | 0:23:06 | 0:23:08 | |
had actually talked about it over 30 years ago, | 0:23:08 | 0:23:10 | |
so I think it's about time we shared our experiences. | 0:23:10 | 0:23:13 | |
-We have an anniversary? -Yeah, we do. | 0:23:13 | 0:23:15 | |
-So you took over from Geoff? -Mmm. | 0:23:15 | 0:23:18 | |
What was the job description to you? | 0:23:18 | 0:23:20 | |
Well, it was just the anchor man of Gardener's World | 0:23:20 | 0:23:22 | |
which was a great responsibility. | 0:23:22 | 0:23:24 | |
Having watched Percy Thrower when I was a boy, it was, | 0:23:24 | 0:23:27 | |
"Crumbs, really? Me?" It was that. | 0:23:27 | 0:23:29 | |
And the other sadness was, of course, | 0:23:29 | 0:23:32 | |
I was due to take over from Geoff the following Easter. | 0:23:32 | 0:23:34 | |
Geoff died in the previous August. | 0:23:34 | 0:23:36 | |
I had to leap in and do the last six programmes. | 0:23:36 | 0:23:38 | |
Aside from the fact that he was a friend and I'd lost a mate, | 0:23:38 | 0:23:42 | |
to pick up the reigns of his programme was really difficult | 0:23:42 | 0:23:46 | |
for that first section, which was autumn. | 0:23:46 | 0:23:48 | |
I sort of managed to get through somehow and keep the viewers there. | 0:23:48 | 0:23:52 | |
I thought when I started the following February, | 0:23:52 | 0:23:54 | |
"Right, it's got to be me now. | 0:23:54 | 0:23:56 | |
"I can't pretend to be Geoff," and that was quite scary. | 0:23:56 | 0:23:58 | |
Sort of hold your nose and jump. | 0:23:58 | 0:24:00 | |
You probably found it was the same. | 0:24:00 | 0:24:01 | |
Well, I was going to say, | 0:24:01 | 0:24:03 | |
that obviously the circumstances in which you took over from Geoff | 0:24:03 | 0:24:06 | |
were incredibly difficult, | 0:24:06 | 0:24:09 | |
but taking over from you wasn't easy. | 0:24:09 | 0:24:12 | |
You know, because half the audience at least doesn't want you. | 0:24:12 | 0:24:15 | |
They want what they knew and they loved | 0:24:15 | 0:24:18 | |
and so you do have to say, "Well, I can't be you. I've got to be me. | 0:24:18 | 0:24:21 | |
"I'm not quite sure what that means or how I do it | 0:24:21 | 0:24:24 | |
"but I'm going to try." | 0:24:24 | 0:24:25 | |
-And you find your way, don't you? -Yes. -It's only by doing it... | 0:24:25 | 0:24:28 | |
I remember every February when we'd start again, we'd turn up, | 0:24:28 | 0:24:32 | |
tiny production crew, half a dozen of you, | 0:24:32 | 0:24:34 | |
and say, "How do we do this?" | 0:24:34 | 0:24:36 | |
Exactly. | 0:24:36 | 0:24:37 | |
At the end of it you think, | 0:24:37 | 0:24:39 | |
"Oh, yeah, probably can remember how to do this." | 0:24:39 | 0:24:41 | |
-Of course, you and I do this from our own homes... -Mmm. | 0:24:41 | 0:24:45 | |
..and we know that that's sort of an interesting set-up. | 0:24:45 | 0:24:48 | |
Well, it cuts two ways, doesn't it? | 0:24:48 | 0:24:50 | |
One, it's yours and therefore you can be totally owning of it | 0:24:50 | 0:24:53 | |
cos it is yours, but, of course, then the world and his wife, | 0:24:53 | 0:24:56 | |
X million are coming in every week and you are sharing it. | 0:24:56 | 0:25:00 | |
The great thing is they don't leave any footprints. | 0:25:00 | 0:25:02 | |
No, I remember the story of Percy Thrower opening up his garden | 0:25:02 | 0:25:05 | |
to the public for the church fete, that sort of thing, | 0:25:05 | 0:25:08 | |
and 10,000 cars came. | 0:25:08 | 0:25:11 | |
-In a day? -Yeah. | 0:25:11 | 0:25:13 | |
The motorways were blocked and police were diverted | 0:25:13 | 0:25:16 | |
-and so on and so forth. -But you still get that joy of sharing it. | 0:25:16 | 0:25:19 | |
You must get pleasure. | 0:25:19 | 0:25:21 | |
I always used to start the programme with plant of the week, | 0:25:21 | 0:25:23 | |
something that was flowering in my garden, and I'd go around | 0:25:23 | 0:25:26 | |
and it's, "Come and look at this. Isn't this great?" | 0:25:26 | 0:25:28 | |
That's the thing that you did brilliantly | 0:25:28 | 0:25:32 | |
and I always try and do. | 0:25:32 | 0:25:34 | |
When you and I go out in the morning, | 0:25:34 | 0:25:36 | |
-you're looking for that little gem that celebrates that day. -Mmm. | 0:25:36 | 0:25:39 | |
I'm always thinking, why don't we just go and look at that | 0:25:39 | 0:25:42 | |
or just revel in it, just be there? | 0:25:42 | 0:25:45 | |
But, of course, television is a great driver. It needs stories. | 0:25:45 | 0:25:49 | |
And I think also what one has to be aware of | 0:25:49 | 0:25:51 | |
is styles of television move on. | 0:25:51 | 0:25:53 | |
Percy was a tremendously good broadcaster. | 0:25:53 | 0:25:55 | |
-He had this way with him. He had this sort of ease. -Yes. | 0:25:55 | 0:25:58 | |
-AS PERCY THROWER: -Good evening. | 0:25:58 | 0:26:01 | |
You couldn't do that now. People need it that bit faster. | 0:26:01 | 0:26:04 | |
And yet gardening is, of its nature, not rapid. | 0:26:04 | 0:26:07 | |
I guess all this leads to... | 0:26:07 | 0:26:08 | |
The point is where do you think it's going? | 0:26:08 | 0:26:11 | |
Do you think Gardeners' World will go on for another 50 years? | 0:26:11 | 0:26:14 | |
I hope to goodness that Gardeners' World continues because | 0:26:14 | 0:26:18 | |
a lot of fuss is made about climate change, global warming, | 0:26:18 | 0:26:21 | |
looking after the planet. | 0:26:21 | 0:26:23 | |
Gardeners' World, along with other gardening programmes, | 0:26:23 | 0:26:26 | |
is the figurehead leaning out the front of the ship, | 0:26:26 | 0:26:29 | |
often rather scantily-clad... | 0:26:29 | 0:26:30 | |
-Speak for yourself, Alan. -It's the vanguard movement. | 0:26:30 | 0:26:34 | |
Looking after that little bit outside your door | 0:26:34 | 0:26:37 | |
is the best you can do. | 0:26:37 | 0:26:39 | |
You think, "How can I make a difference?" | 0:26:39 | 0:26:41 | |
You can make a difference here and there. | 0:26:41 | 0:26:42 | |
It makes you feel good. You can eat it. | 0:26:42 | 0:26:45 | |
Yes, there are frustrations, but, for me, | 0:26:45 | 0:26:47 | |
it's the stuff of life and it's desperately, desperately important. | 0:26:47 | 0:26:51 | |
-Thank you very much indeed. -Pleasure. -Thanks. | 0:26:51 | 0:26:53 | |
Nice to see you again. | 0:26:53 | 0:26:55 | |
For 25 years, Gardeners' World Live | 0:27:09 | 0:27:11 | |
has featured many experienced designers and exhibitors, | 0:27:11 | 0:27:15 | |
but what's nice about this show | 0:27:15 | 0:27:17 | |
is it encourages plenty of emerging talent too. | 0:27:17 | 0:27:20 | |
Now, there are ten beautiful borders here this year. | 0:27:26 | 0:27:28 | |
I like the way they've laid it out and there's real variety here, | 0:27:28 | 0:27:31 | |
which is what we want, | 0:27:31 | 0:27:32 | |
and this is where some recent graduates do their thing | 0:27:32 | 0:27:36 | |
and they're quite experimental. | 0:27:36 | 0:27:38 | |
I was drawn to this one. This one is called 50 Years of Colour. | 0:27:38 | 0:27:41 | |
What strikes me is that 50 years go, | 0:27:41 | 0:27:44 | |
I don't think you'd see colour combinations like this, | 0:27:44 | 0:27:47 | |
but we've become more adventurous about putting colours together. | 0:27:47 | 0:27:51 | |
So, here we've got fabulous oranges of things like the primulas. | 0:27:51 | 0:27:55 | |
We've got the astilbes. | 0:27:55 | 0:27:56 | |
A lovely dianthus here, this pink dianthus. | 0:27:56 | 0:28:00 | |
And they are sort of melded together by the green | 0:28:00 | 0:28:02 | |
and all those different foliage textures bringing them together. | 0:28:02 | 0:28:06 | |
Now, long-term, this planting wouldn't really work. | 0:28:06 | 0:28:09 | |
We've got plants that like moisture | 0:28:09 | 0:28:11 | |
next to plants that need a drier soil, but, as a bedding scheme | 0:28:11 | 0:28:14 | |
and for a show like this, well, it feels as if it's of its time. | 0:28:14 | 0:28:18 | |
All the gardens along this avenue are made by | 0:28:27 | 0:28:30 | |
members of the Association of Professional Landscapers | 0:28:30 | 0:28:33 | |
and their brief is to design | 0:28:33 | 0:28:35 | |
ingenious solutions for small spaces. | 0:28:35 | 0:28:38 | |
Now, last year Martin Lyons won Best Beautiful Border | 0:28:48 | 0:28:52 | |
and this year he's done a garden here, so he's really stepped up. | 0:28:52 | 0:28:56 | |
Now, his background is landscaping | 0:28:56 | 0:28:58 | |
so he's a landscaper-turned-designer, | 0:28:58 | 0:29:00 | |
a little bit like myself, and he's created a great little garden here. | 0:29:00 | 0:29:04 | |
The finishing is immaculate, as you'd expect, and he's walked off | 0:29:04 | 0:29:07 | |
with the Best Construction award, which is really nice. | 0:29:07 | 0:29:10 | |
It's a classic outdoor room. | 0:29:10 | 0:29:12 | |
We've got two seating areas, an outdoor kitchen in the middle, | 0:29:12 | 0:29:15 | |
but I really like the Japanese moss wall art effect on the back. | 0:29:15 | 0:29:21 | |
That's very, very successful. | 0:29:21 | 0:29:22 | |
Now, the planting has been beautifully put together. | 0:29:22 | 0:29:25 | |
If you like purple and silver | 0:29:25 | 0:29:27 | |
then it's definitely going to be a garden for you. | 0:29:27 | 0:29:29 | |
I think Martin's got a wonderful future ahead of him. | 0:29:29 | 0:29:31 | |
Maybe we'll see him at Chelsea one day. | 0:29:31 | 0:29:34 | |
He's definitely an emerging talent. | 0:29:34 | 0:29:36 | |
Many of the exhibitors in the floral marquee | 0:29:50 | 0:29:52 | |
have gone out of their way to help us celebrate our golden jubilee, | 0:29:52 | 0:29:57 | |
but one exhibitor in particular has gone that extra mile | 0:29:57 | 0:30:02 | |
to put the icing on the cake. | 0:30:02 | 0:30:04 | |
Peonies are amazing because of the sheer size and beauty of the flower | 0:30:11 | 0:30:14 | |
and there are just so many colours, so many shapes, even, | 0:30:14 | 0:30:18 | |
and, of course, they're fragrant too. | 0:30:18 | 0:30:21 | |
In fact, I love peonies so much, I now have over 6,000 in my nursery. | 0:30:21 | 0:30:26 | |
But the truth is, my love of gardening started a long time ago. | 0:30:26 | 0:30:30 | |
My grandfather taught me an awful lot about horticulture | 0:30:30 | 0:30:34 | |
and gardening and, in particular, exhibiting and showing, | 0:30:34 | 0:30:37 | |
but he used to show me how to sow seeds, | 0:30:37 | 0:30:40 | |
how to grow the vegetables with the chrysanthemums, | 0:30:40 | 0:30:42 | |
how to pinch them out, | 0:30:42 | 0:30:44 | |
how to curl the petals to get the perfect bloom just for showing. | 0:30:44 | 0:30:48 | |
An awful lot of what I learned from him I use today with my peonies, | 0:30:48 | 0:30:53 | |
but, of course, the biggest thing he left me with | 0:30:53 | 0:30:55 | |
was his love of gardening and his passion. | 0:30:55 | 0:30:58 | |
My after-school job was watering the hanging baskets | 0:30:58 | 0:31:01 | |
at our local garden centre and I absolutely loved it, | 0:31:01 | 0:31:04 | |
even though I got drenched every single day. | 0:31:04 | 0:31:07 | |
But it meant that I got to spend time in the nursery with the plants | 0:31:07 | 0:31:10 | |
and with people who loved the plants. | 0:31:10 | 0:31:12 | |
So when the time came to choose A-levels, I really wanted to | 0:31:12 | 0:31:16 | |
study horticulture and botany, but my careers advisors, teachers, said | 0:31:16 | 0:31:20 | |
that really I needed to do something that was a bit more sensible | 0:31:20 | 0:31:23 | |
in terms of a future career, so I ended up studying law | 0:31:23 | 0:31:27 | |
but, fundamentally, it wasn't what I wanted to do. | 0:31:27 | 0:31:30 | |
I was always looking for ways to grow plants and be outside and | 0:31:30 | 0:31:34 | |
so I was delighted about ten years ago | 0:31:34 | 0:31:36 | |
when I got the opportunity to buy this nursery. | 0:31:36 | 0:31:40 | |
This is a peony Red Charm. I absolutely love it. | 0:31:47 | 0:31:51 | |
It's got a really deep blood-red colour. | 0:31:51 | 0:31:54 | |
When it gets older and more mature, the flower turns to deep purple, | 0:31:54 | 0:31:57 | |
and it can get huge. | 0:31:57 | 0:31:58 | |
This one's about to shatter, but you can see how big it really gets. | 0:31:58 | 0:32:02 | |
It's quite early to flower, | 0:32:02 | 0:32:04 | |
but it's definitely a stunner and definitely one for the garden. | 0:32:04 | 0:32:08 | |
This is a patio peony called Madrid. | 0:32:08 | 0:32:11 | |
It's one of my favourites. | 0:32:11 | 0:32:12 | |
It's a gorgeous soft pink with a crimson ruffle round the top | 0:32:12 | 0:32:15 | |
and it's gorgeously scented. | 0:32:15 | 0:32:18 | |
It's ideal for containers and pots. | 0:32:18 | 0:32:20 | |
Ideal for balconies even, because it doesn't get too big. | 0:32:20 | 0:32:24 | |
It doesn't have a very big root ball, | 0:32:24 | 0:32:26 | |
so you can keep it in a container much more successfully | 0:32:26 | 0:32:29 | |
than some of other varieties, but they are covered in flower. | 0:32:29 | 0:32:31 | |
Masses of flower. Maybe 20, 30 heads on each plant. | 0:32:31 | 0:32:34 | |
So if you've got a small patio and you really want to inject | 0:32:34 | 0:32:36 | |
a bit of glamour, this is the peony to have. | 0:32:36 | 0:32:40 | |
This is another firm favourite of mine. | 0:32:40 | 0:32:42 | |
This is a peony Krinkled White. | 0:32:42 | 0:32:44 | |
It's a really solid and reliable peony. | 0:32:44 | 0:32:47 | |
It doesn't get too tall. | 0:32:47 | 0:32:49 | |
With these lovely crinkled white flowers, very delicate. | 0:32:49 | 0:32:52 | |
Flowers for a very long time in peony terms, a couple of weeks. | 0:32:52 | 0:32:57 | |
So, here we have Lady Alexandra Duff in its soft bud form | 0:32:57 | 0:33:02 | |
and that's really if you were going to pick it as a cut flower, | 0:33:02 | 0:33:05 | |
that's when you'd want to pick it, when it's as soft as a marshmallow, | 0:33:05 | 0:33:08 | |
because you've then got just a day or so before it opens. | 0:33:08 | 0:33:11 | |
And then you have these huge semi-double flowers. | 0:33:11 | 0:33:15 | |
Beautifully pink cerise colour on the outside | 0:33:15 | 0:33:19 | |
with flairs of white petals in the centre. | 0:33:19 | 0:33:22 | |
The first thing to think about when planting the peony | 0:33:29 | 0:33:32 | |
is where are you going to put it | 0:33:32 | 0:33:34 | |
and anywhere will do, provided it's in full sun. | 0:33:34 | 0:33:36 | |
The other thing that you need to think about is the soil. | 0:33:36 | 0:33:39 | |
Any kind of soil will be fine. | 0:33:39 | 0:33:41 | |
Peonies are not too fussy, but it must be free draining. | 0:33:41 | 0:33:44 | |
They just won't tolerate having wet feet over the winter. | 0:33:44 | 0:33:47 | |
People often plant their peonies too deep. | 0:33:47 | 0:33:50 | |
The thing to remember is to make sure it's not more than an inch, | 0:33:50 | 0:33:53 | |
inch-and-a-half below the surface. | 0:33:53 | 0:33:55 | |
Any deeper and your peony will just never flower. | 0:33:55 | 0:33:58 | |
One of the few things you'll have to do, | 0:33:58 | 0:34:00 | |
certainly with some of the herbaceous peonies, | 0:34:00 | 0:34:03 | |
is to make sure you put a plant support in or stake them. | 0:34:03 | 0:34:06 | |
Some of the heads are just so big they just fall over, | 0:34:06 | 0:34:09 | |
so you will need to support some of them. | 0:34:09 | 0:34:11 | |
To celebrate the golden jubilee of Gardeners' World, | 0:34:16 | 0:34:19 | |
we've decided to build a big birthday cake. | 0:34:19 | 0:34:22 | |
It's a three-tiered structure made out of peonies. | 0:34:22 | 0:34:26 | |
One of the ideas is that the peony flowers, with all of the petals, | 0:34:26 | 0:34:30 | |
is going to mimic the look of icing on the cake, | 0:34:30 | 0:34:32 | |
so we're using over 3,000 peony heads in this cake, | 0:34:32 | 0:34:36 | |
all different colours. It's going to be a riot. | 0:34:36 | 0:34:39 | |
So, in order to pull off this idea of mine, | 0:34:39 | 0:34:41 | |
I've enlisted the help of my dad. | 0:34:41 | 0:34:42 | |
Dad worked behind the scenes mostly, building most of the exhibits | 0:34:42 | 0:34:46 | |
and he's here making up the basis of the cake. | 0:34:46 | 0:34:49 | |
We've only got three days to build this exhibit | 0:34:49 | 0:34:51 | |
that's seven feet tall and eight feet wide. | 0:34:51 | 0:34:54 | |
I'm feeling a little bit nervous and apprehensive, | 0:34:54 | 0:34:56 | |
but I know that we'll pull it off. We always do. | 0:34:56 | 0:34:59 | |
So, Alec, did you pull it off? | 0:35:11 | 0:35:14 | |
Well, Carol, I think we just about got away with it, didn't we? | 0:35:14 | 0:35:17 | |
Well, I don't know about that. It looks magnificent. | 0:35:17 | 0:35:19 | |
We're very pleased. We had a few hiccups on the way. | 0:35:19 | 0:35:22 | |
We had to stabilise it. | 0:35:22 | 0:35:23 | |
It was the leaning tower of cake at one point | 0:35:23 | 0:35:25 | |
and the hot weather we've had the last couple of days | 0:35:25 | 0:35:27 | |
has really put the peonies under pressure. | 0:35:27 | 0:35:29 | |
But they've responded brilliantly well under your expert care. | 0:35:29 | 0:35:32 | |
I just want to say thank you on behalf of everybody. | 0:35:32 | 0:35:35 | |
What a wonderful way to celebrate 50 years. | 0:35:35 | 0:35:38 | |
So it's not just about looking back to the last 50 years of gardening. | 0:35:47 | 0:35:51 | |
Gardening is all about looking to the future as well | 0:35:51 | 0:35:54 | |
and there are all sorts of newcomers around the floral marquee. | 0:35:54 | 0:35:58 | |
Here's one in plant form. | 0:35:58 | 0:36:00 | |
It's an absolutely gorgeous triteleia called Foxy | 0:36:00 | 0:36:05 | |
and it's brand-new, first time at the show. | 0:36:05 | 0:36:08 | |
I just adore these beautifully disposed flowers, | 0:36:08 | 0:36:12 | |
each on its own slender, wiry stem | 0:36:12 | 0:36:15 | |
and I love the colour, don't you? | 0:36:15 | 0:36:18 | |
They come from California, | 0:36:18 | 0:36:20 | |
so you can imagine the sort of conditions they adore - | 0:36:20 | 0:36:23 | |
hot, dry, sunny - | 0:36:23 | 0:36:25 | |
but they're not tender. They'll go on from year to year. | 0:36:25 | 0:36:28 | |
Plant them in the spring, up they'll come with these glorious flowers. | 0:36:28 | 0:36:32 | |
Well, I'll tell you what, if this is the shape of the future, | 0:36:32 | 0:36:35 | |
we've got lots to look forward to. | 0:36:35 | 0:36:38 | |
Well, Robert, you're hardly a newcomer, but over the years | 0:36:44 | 0:36:47 | |
you've introduced me and loads of other people | 0:36:47 | 0:36:50 | |
to all sorts of new plants. What's new here this year? | 0:36:50 | 0:36:54 | |
We've got a pink snowbell tree - Styrax japonicus Pink Chimes | 0:36:54 | 0:36:58 | |
from Japan and China, where it's a woodlander. | 0:36:58 | 0:37:00 | |
It grows very much the same place you'd find a Japanese maple. | 0:37:00 | 0:37:03 | |
A small tree. | 0:37:03 | 0:37:05 | |
Tens of thousands of delicate pink flowers which are actually fragrant. | 0:37:05 | 0:37:08 | |
I don't know if you can get that. | 0:37:08 | 0:37:10 | |
Ooh, it's exquisite. It's sort of orangery, isn't it? | 0:37:10 | 0:37:13 | |
An established plant fills the whole area with perfume. A lovely thing. | 0:37:13 | 0:37:17 | |
In the autumn, it's followed by really pretty fruits. | 0:37:17 | 0:37:21 | |
They're like jade pearls, like the most lovely earrings. | 0:37:21 | 0:37:23 | |
-They'd suit you actually. -Ooh, great! | 0:37:23 | 0:37:26 | |
We've also got a chocolaty foliage form, | 0:37:26 | 0:37:29 | |
Styrax japonicus Purple Dress. | 0:37:29 | 0:37:32 | |
That's out of this world. | 0:37:32 | 0:37:34 | |
Chocolaty foliage and the palest of palest pink, little white flowers | 0:37:34 | 0:37:37 | |
which again have the really nice fruits in the autumn. | 0:37:37 | 0:37:40 | |
It's so beautiful. | 0:37:40 | 0:37:41 | |
Do you know what? | 0:37:41 | 0:37:43 | |
Your whole stand is just packed with treasures and I'll tell you what, | 0:37:43 | 0:37:46 | |
over the years to come, | 0:37:46 | 0:37:48 | |
I hope you'll be introducing us to lots more new plants. | 0:37:48 | 0:37:51 | |
I'm certainly planning to. | 0:37:51 | 0:37:53 | |
This is one of the gardens designed by the members | 0:38:14 | 0:38:16 | |
of the Association of Professional Landscapers | 0:38:16 | 0:38:18 | |
and it is a really cool space. | 0:38:18 | 0:38:20 | |
If you set the scene, it's for a couple that love their bars | 0:38:20 | 0:38:23 | |
and trendy night clubs and they want to bring a little bit of that home. | 0:38:23 | 0:38:27 | |
But they also love this passion for reclaimed materials | 0:38:27 | 0:38:30 | |
and this angle that works all the way through, | 0:38:30 | 0:38:32 | |
imagine that going into the house and this movement that's created. | 0:38:32 | 0:38:36 | |
But above me is simple scaffold boards with scaffold poles | 0:38:36 | 0:38:40 | |
and that, then, is picked up in this lovely table. | 0:38:40 | 0:38:43 | |
And then you look at the deck, it's all reclaimed boards, | 0:38:43 | 0:38:45 | |
but that runs all the way through and then, bang, | 0:38:45 | 0:38:48 | |
you're down into another space, and the angle works well. | 0:38:48 | 0:38:51 | |
But here's the bar. Lovely little element of surprise. | 0:38:51 | 0:38:54 | |
Somewhere to cook. | 0:38:54 | 0:38:55 | |
Imagine that party and it all calms down at the end of the day | 0:38:55 | 0:38:58 | |
and you move to the back of the garden. | 0:38:58 | 0:39:00 | |
This big industrial steel holds up this deck that sits over planting. | 0:39:00 | 0:39:05 | |
Talking about the planting, it's simple but it's clever. | 0:39:05 | 0:39:09 | |
It's shrubs and it's herbaceous, but there's herbs in there | 0:39:09 | 0:39:12 | |
and there's even some veggies in there. | 0:39:12 | 0:39:14 | |
I love the way that they're growing veg in hessian sacks. | 0:39:14 | 0:39:16 | |
Even the thyme wall grows up. | 0:39:16 | 0:39:18 | |
Beautiful scent to walk past, | 0:39:18 | 0:39:20 | |
but also you can pick that and use that in your cooking. | 0:39:20 | 0:39:23 | |
Do you know, at the end of the day, I wouldn't mind coming home to this. | 0:39:23 | 0:39:27 | |
From party animals to a garden for wildlife. | 0:39:33 | 0:39:37 | |
This space is designed to provide | 0:39:37 | 0:39:39 | |
both food and shelter for wildlife species. | 0:39:39 | 0:39:43 | |
The plants have been very carefully selected to give | 0:39:43 | 0:39:45 | |
a long run of pollen and nectar. | 0:39:45 | 0:39:48 | |
One particularly useful plant is this, | 0:39:48 | 0:39:51 | |
centranthus ruber, and it's absolutely loved by our native | 0:39:51 | 0:39:55 | |
hummingbird hawk-moth. | 0:39:55 | 0:39:57 | |
Over on this side of the garden | 0:39:57 | 0:39:58 | |
are some nicely constructed wildlife hotels. | 0:39:58 | 0:40:01 | |
This whole upcycling idea really reminds me | 0:40:01 | 0:40:04 | |
of the late, great Geoff Hamilton | 0:40:04 | 0:40:06 | |
and how he made do and mended everything he possibly could. | 0:40:06 | 0:40:10 | |
I think the other great thing about this front garden is that | 0:40:10 | 0:40:13 | |
it's gravelled, so it's free draining and gets away from | 0:40:13 | 0:40:16 | |
all of those problems that so many urban front gardens have. | 0:40:16 | 0:40:19 | |
This garden puts a real smile on my face. | 0:40:28 | 0:40:30 | |
I feel like I've arrived in a fairy tale. | 0:40:30 | 0:40:33 | |
It reminds me, I suppose, | 0:40:33 | 0:40:34 | |
of my grandparents, and that's what the designer's done. | 0:40:34 | 0:40:36 | |
He's took his inspiration from time spent with his grandfather | 0:40:36 | 0:40:39 | |
and the lay-out's lovely. | 0:40:39 | 0:40:41 | |
You've got the lupins, the delphiniums, geraniums, | 0:40:41 | 0:40:43 | |
but also the lavender which comes up the path, | 0:40:43 | 0:40:46 | |
and that's quite a clever idea. | 0:40:46 | 0:40:49 | |
As you walk up, you brush the edge and the scent comes up. | 0:40:49 | 0:40:52 | |
I looked at the materials and first of all I thought, | 0:40:52 | 0:40:55 | |
"Maybe he's over-egged it," but you look closer and no. | 0:40:55 | 0:40:58 | |
Because he's used the colour in the paving, | 0:40:58 | 0:41:00 | |
picked it up in the paving detail in the front, | 0:41:00 | 0:41:02 | |
and then you come in and I've got a brown in the stone, | 0:41:02 | 0:41:05 | |
but it's picked up in the rock, | 0:41:05 | 0:41:06 | |
so it actually starts to pull it all together, | 0:41:06 | 0:41:09 | |
and he's even got a little tucked away space in the corner | 0:41:09 | 0:41:11 | |
where you could just sit and enjoy a bit of time with the kids. | 0:41:11 | 0:41:15 | |
This garden manages to cleverly put together modern design with | 0:41:20 | 0:41:24 | |
plenty of wildlife plants, wildlife species. | 0:41:24 | 0:41:27 | |
Now, looking round the garden, there's a particular flow and | 0:41:27 | 0:41:30 | |
continuity to the planting. | 0:41:30 | 0:41:32 | |
There's umbels all over the place. | 0:41:32 | 0:41:33 | |
One that I note over here is Angelica Vicar's Mead. | 0:41:33 | 0:41:37 | |
You don't see it grown very often, but it's a lovely umbel | 0:41:37 | 0:41:40 | |
and that theme runs across the site. | 0:41:40 | 0:41:42 | |
And this works so well, this transition out of aquatic planting | 0:41:42 | 0:41:47 | |
into more meadow planting over on the other side. | 0:41:47 | 0:41:49 | |
The colours and textures pull it all together. | 0:41:49 | 0:41:51 | |
Now, this island in the centre of the garden | 0:41:51 | 0:41:54 | |
is all about looking after people, | 0:41:54 | 0:41:56 | |
but tucked away in the floor here | 0:41:56 | 0:41:59 | |
are these cleverly designed recliners which simply pop up. | 0:41:59 | 0:42:03 | |
What nicer way to relax on a summer's day, | 0:42:03 | 0:42:06 | |
in a modern landscape, | 0:42:06 | 0:42:08 | |
surrounded by plants suitable for wildlife? | 0:42:08 | 0:42:11 | |
Now these gardens are of such a high standard, | 0:42:11 | 0:42:13 | |
I'm sure in the next few years we'll be seeing these designers | 0:42:13 | 0:42:16 | |
and these contractors at RHS Chelsea. | 0:42:16 | 0:42:19 | |
Let's step away from the celebrations for a moment | 0:42:31 | 0:42:34 | |
and have a look at some good old garden design. | 0:42:34 | 0:42:37 | |
Claudia de Yong set out to create a romantic garden | 0:42:37 | 0:42:40 | |
but she ended up with a bit of a ruin. | 0:42:40 | 0:42:43 | |
Frances Tophill went off to meet her to find out how she got here. | 0:42:43 | 0:42:47 | |
Inspiration for a garden design can come from anywhere, | 0:42:53 | 0:42:56 | |
whether it's literature or art or countries that you've visited. | 0:42:56 | 0:43:00 | |
Award-winning garden designer Claudia de Yong | 0:43:00 | 0:43:02 | |
has a passion for ruins and castles. | 0:43:02 | 0:43:05 | |
Beeston Castle stands on a rocky crag high over Cheshire. | 0:43:12 | 0:43:16 | |
Its stone walls have lasted more than 700 years. | 0:43:16 | 0:43:20 | |
So, we've come to Beeston Castle to get inspiration | 0:43:23 | 0:43:25 | |
for your Gardeners' World Live Show Garden. | 0:43:25 | 0:43:28 | |
But what is it about this place that means so much to you? | 0:43:28 | 0:43:31 | |
This castle is absolutely stunning. | 0:43:31 | 0:43:33 | |
The setting, the romance, the history. | 0:43:33 | 0:43:36 | |
It's built upon this wonderful hill surrounded by trees, all around it. | 0:43:36 | 0:43:40 | |
These round turrets we have here with this archway and the stone, | 0:43:40 | 0:43:44 | |
if you look at the walls, | 0:43:44 | 0:43:45 | |
-you've all got the same size stone in them... -Yeah. | 0:43:45 | 0:43:47 | |
..and that's the sort of feeling I'm going to recreate | 0:43:47 | 0:43:50 | |
in my turrets at the Show Garden. | 0:43:50 | 0:43:52 | |
I mean, castles aren't places you typically think of | 0:43:58 | 0:44:00 | |
as being particularly planty, | 0:44:00 | 0:44:02 | |
especially Show Garden quality plants, | 0:44:02 | 0:44:05 | |
so how are you getting the inspiration? | 0:44:05 | 0:44:07 | |
No, exactly, I mean, | 0:44:07 | 0:44:08 | |
not everybody will want to recreate this sort of look, obviously. | 0:44:08 | 0:44:11 | |
I mean, it's very wild and things growing out from rocks | 0:44:11 | 0:44:14 | |
and all the rest of it. | 0:44:14 | 0:44:16 | |
But just looking at the plants we've got here, | 0:44:16 | 0:44:18 | |
I mean, we've got some of the trees, | 0:44:18 | 0:44:19 | |
I'm going to be using rowan tree, sorbus, | 0:44:19 | 0:44:21 | |
which is down there in the middle, | 0:44:21 | 0:44:22 | |
which has fantastic red berries for the birds. | 0:44:22 | 0:44:25 | |
But also the red was apparently to ward off the witches | 0:44:25 | 0:44:28 | |
so we've got that mystery again, that intrigue going on | 0:44:28 | 0:44:31 | |
with all the sort of history of the castle. | 0:44:31 | 0:44:34 | |
And then we've got some dog roses | 0:44:34 | 0:44:35 | |
just jutting out over there on both sides. | 0:44:35 | 0:44:38 | |
And we're going to have roses | 0:44:38 | 0:44:40 | |
in our Show Garden as well. | 0:44:40 | 0:44:41 | |
They won't be dog roses but they'll be beautifully scented roses | 0:44:41 | 0:44:45 | |
which will give that sort of romantic feel again. | 0:44:45 | 0:44:48 | |
So you're taking the species but using cultivars | 0:44:48 | 0:44:50 | |
-and refined versions of those plants? -Exactly, exactly. | 0:44:50 | 0:44:54 | |
-Wow, look at that view. -Isn't it stunning? | 0:45:00 | 0:45:04 | |
360 degrees. | 0:45:04 | 0:45:06 | |
It's just amazing. | 0:45:06 | 0:45:07 | |
And then the whole thing's surrounded by this beautiful wall. | 0:45:07 | 0:45:10 | |
I'm recreating something like this, to a degree. | 0:45:10 | 0:45:14 | |
You know, it's that wonderful, mysterious sort of romantic feel. | 0:45:14 | 0:45:19 | |
Yeah. And I can see those walls being reclaimed by nature. | 0:45:19 | 0:45:23 | |
I always find it incredible how nature finds a way of coming in. | 0:45:31 | 0:45:34 | |
You just would not expect to see a birch growing in the rock | 0:45:34 | 0:45:38 | |
-up this high. -Isn't it wonderful? | 0:45:38 | 0:45:40 | |
I'm going to have a birch in my garden | 0:45:40 | 0:45:42 | |
a river birch next to the water, | 0:45:42 | 0:45:43 | |
but just looking at that coming out of the crack. | 0:45:43 | 0:45:46 | |
And all these ferns in all these little cracks here, | 0:45:46 | 0:45:48 | |
-really delicate. -I know, and it just softens everything, doesn't it? | 0:45:48 | 0:45:51 | |
Otherwise this would just be sterile. | 0:45:51 | 0:45:53 | |
A very underrated plant, I think, the ivy, | 0:45:53 | 0:45:55 | |
-which is fantastically... -It is. -..good for wildlife. | 0:45:55 | 0:45:58 | |
I'm going to be having ivy in my Show Garden, | 0:45:58 | 0:46:00 | |
a lot of the walls will be covered in ivy. | 0:46:00 | 0:46:02 | |
But I just think it's a wonderful underrated plant for wildlife. | 0:46:02 | 0:46:06 | |
Is that a big passion of yours, then, wildlife? | 0:46:06 | 0:46:07 | |
It is, I absolutely adore wildlife. I mean, if we can bring... | 0:46:07 | 0:46:10 | |
The more and more wildlife into our gardens, the better. | 0:46:10 | 0:46:13 | |
And I'm going to be growing a lot of plants | 0:46:13 | 0:46:15 | |
which are absolutely wonderful for bees in the Show Garden | 0:46:15 | 0:46:18 | |
to attract nature. | 0:46:18 | 0:46:19 | |
So all this wonderful stuff that you've shown me | 0:46:27 | 0:46:30 | |
-will be at Birmingham NEC, are you excited? -I'm so excited, | 0:46:30 | 0:46:33 | |
all the months of planning have finally come to fruition. | 0:46:33 | 0:46:35 | |
-I'm sure it will look lovely. -Thank you so much. | 0:46:35 | 0:46:38 | |
Well, here we are in Romance In The Ruins garden | 0:46:46 | 0:46:49 | |
and, Claudia, I mean, | 0:46:49 | 0:46:50 | |
you've really encapsulated that whole romance feeling. | 0:46:50 | 0:46:53 | |
How did you go about it? | 0:46:53 | 0:46:54 | |
I mean, you know, trying to recreate these tumbling stones and ruins, | 0:46:54 | 0:46:58 | |
-that must have been some feat. -It was quite a feat, | 0:46:58 | 0:47:01 | |
choosing the stone to start with was quite something. | 0:47:01 | 0:47:04 | |
You know, finding the right stone to build the towers with. | 0:47:04 | 0:47:06 | |
Well, you've done it really, really well. | 0:47:06 | 0:47:08 | |
And I also love the way that you've also planted | 0:47:08 | 0:47:11 | |
-within the stone as well. -In the little pockets? Yes. | 0:47:11 | 0:47:14 | |
That's it, you've put little ferns and then there's like a, | 0:47:14 | 0:47:17 | |
is it a buddleia? | 0:47:17 | 0:47:19 | |
A buddleia coming out of the top of the tower. | 0:47:19 | 0:47:21 | |
When we went to Beeston Castle, | 0:47:21 | 0:47:22 | |
we noticed that there were little trees, | 0:47:22 | 0:47:24 | |
like, silver birches and things | 0:47:24 | 0:47:26 | |
coming out of the top of the turrets. So I thought, "Why not? | 0:47:26 | 0:47:29 | |
"Let's try a buddleia on the top." | 0:47:29 | 0:47:30 | |
Absolutely, and then you've got all these plants | 0:47:30 | 0:47:33 | |
-and wonderful ivy as well. -Little ivies, some big ivies, | 0:47:33 | 0:47:36 | |
really trying to get that feel into this garden. | 0:47:36 | 0:47:39 | |
And how have you sort of aged the stone? | 0:47:39 | 0:47:41 | |
Well, that's quite interesting. | 0:47:41 | 0:47:43 | |
A very good friend of mine, on this site, | 0:47:43 | 0:47:45 | |
had a very nice recipe of cow manure, milk and water, | 0:47:45 | 0:47:49 | |
so I wouldn't get too close to my towers. | 0:47:49 | 0:47:51 | |
No, I'll stay this way where the scent is a lot better. | 0:47:51 | 0:47:53 | |
-Especially when the wind blows. -Yes, exactly. -Yeah. | 0:47:53 | 0:47:55 | |
And, of course, you've brought in wildlife, haven't you, | 0:47:55 | 0:47:57 | |
-into this garden? -I have. I mean, wildlife is very important. | 0:47:57 | 0:48:00 | |
It's important to everybody and especially to me. | 0:48:00 | 0:48:03 | |
And this garden offers so much for wildlife, for bees, | 0:48:03 | 0:48:06 | |
butterflies, there's everything here. | 0:48:06 | 0:48:09 | |
I've even introduced a few little creatures around, | 0:48:09 | 0:48:11 | |
which I'd like people to spot. | 0:48:11 | 0:48:13 | |
-I can, I can see a few from where I'm sitting. -Yes. | 0:48:13 | 0:48:16 | |
And then, of course, you've got the wonderful rowan tree as well. | 0:48:16 | 0:48:19 | |
Exactly, I mean, rowan is a very important tree, | 0:48:19 | 0:48:21 | |
gets found a lot actually around the area of the castles I've visited | 0:48:21 | 0:48:26 | |
and it offers so much for wildlife and we forget about that, | 0:48:26 | 0:48:28 | |
we always think of plants and flowers for our insects | 0:48:28 | 0:48:32 | |
but we forget about the trees. | 0:48:32 | 0:48:33 | |
And, of course, rowan's got that wonderful magical, | 0:48:33 | 0:48:36 | |
-mystical thing, hasn't it? -It has, yes. -About keeping the evil | 0:48:36 | 0:48:38 | |
-and that sort of thing away. -Keeping evil away, yes. | 0:48:38 | 0:48:40 | |
Well, I mean, by doing that, | 0:48:40 | 0:48:42 | |
you've already created this most beautiful, romantic stage. | 0:48:42 | 0:48:46 | |
I mean, I just want to come here with someone who I love | 0:48:46 | 0:48:49 | |
and just be surrounded by the romance, | 0:48:49 | 0:48:52 | |
the sound of the water, the scent, the flowers. | 0:48:52 | 0:48:56 | |
It's just a beautiful garden. | 0:48:56 | 0:48:57 | |
That's lovely to hear because that's the feeling I wanted to create. | 0:48:57 | 0:49:01 | |
I just had this vision of people even getting married in here, | 0:49:01 | 0:49:04 | |
you know, walking down as if it was an aisle. | 0:49:04 | 0:49:07 | |
I mean, there's even an old font in the middle of the walkway here, | 0:49:07 | 0:49:11 | |
under the scented roses which would be lovely. | 0:49:11 | 0:49:13 | |
Well, you've certainly created that and it is a beautiful garden. | 0:49:13 | 0:49:17 | |
Thank you so much. Thank you. | 0:49:17 | 0:49:19 | |
A lot of Gardeners' World Live this year celebrates its history, | 0:49:32 | 0:49:35 | |
but there's one section that's all about looking to the future. | 0:49:35 | 0:49:39 | |
Meal In A Wheelbarrow challenges schoolchildren to get planting, | 0:49:46 | 0:49:50 | |
and over 40 schools have put their favourite recipe in a barrow. | 0:49:50 | 0:49:54 | |
This one's called Afternoon Tea. | 0:49:57 | 0:49:59 | |
There's some strawberries there, there's some chamomile, some mint. | 0:49:59 | 0:50:03 | |
I might make myself a cuppa. | 0:50:03 | 0:50:05 | |
At Our Lady of Fatima School, | 0:50:05 | 0:50:07 | |
they've created a Golden Anniversary Salad. | 0:50:07 | 0:50:10 | |
You seem to have crammed this barrow full of food. | 0:50:10 | 0:50:14 | |
Adele, what did you enjoy about this project? | 0:50:14 | 0:50:17 | |
Well, everyone pitched in to help, | 0:50:17 | 0:50:19 | |
each year did their bit planning | 0:50:19 | 0:50:22 | |
and helping to water the wheelbarrow | 0:50:22 | 0:50:24 | |
and make sure everything was OK with it. | 0:50:24 | 0:50:27 | |
Rhys, tell me about some of the things you've planted. | 0:50:27 | 0:50:30 | |
-We have got carrots, mixed salad leaves... -Mm-hm. | 0:50:30 | 0:50:34 | |
-..courgettes... -Mm-hm. | 0:50:34 | 0:50:36 | |
..dwarf sunflowers, | 0:50:36 | 0:50:37 | |
nasturtiums, | 0:50:37 | 0:50:39 | |
garlic and onion, and I think that's it. | 0:50:39 | 0:50:42 | |
Cesca, your recipe has a special name. | 0:50:42 | 0:50:45 | |
It's the Golden Anniversary Salad of our school | 0:50:45 | 0:50:49 | |
because we've had 50 years that our school has been opened. | 0:50:49 | 0:50:53 | |
-Mm-hm. -And it's like Gardeners' World today | 0:50:53 | 0:50:55 | |
because it's 50 years old as well. | 0:50:55 | 0:50:58 | |
50 years, I think, is a real cause for celebration, don't you? | 0:50:58 | 0:51:02 | |
-ALL: -Yes! | 0:51:02 | 0:51:03 | |
Victoria School have concocted a barrow | 0:51:07 | 0:51:10 | |
inspired by a pizza with toppings. | 0:51:10 | 0:51:13 | |
Girls, we've got a wonderful display here | 0:51:13 | 0:51:15 | |
of all these things that you've planted. | 0:51:15 | 0:51:17 | |
I can see you've got some tomatoes, you've got some oregano, | 0:51:17 | 0:51:20 | |
you've got some chillies, and these gorgeous little models of you all. | 0:51:20 | 0:51:23 | |
Habiba, I can see a model of you there. Do you like pizza? | 0:51:23 | 0:51:26 | |
-Yeah. -Great. | 0:51:26 | 0:51:28 | |
And Becky, what did you enjoy? | 0:51:28 | 0:51:31 | |
I like... | 0:51:31 | 0:51:33 | |
..growing seeds. | 0:51:35 | 0:51:37 | |
-You like growing the plants from seed, Becky? -Yeah! | 0:51:37 | 0:51:40 | |
Kate, tell me, what have you and the students got out of this project? | 0:51:40 | 0:51:43 | |
The children have really enjoyed learning about where our food | 0:51:43 | 0:51:46 | |
comes from, and they can actually take the chillies | 0:51:46 | 0:51:48 | |
and the oregano and actually put that on their pizza. | 0:51:48 | 0:51:51 | |
So, that's our next thing, | 0:51:51 | 0:51:52 | |
we can make some yummy pizzas, it's very exciting. | 0:51:52 | 0:51:54 | |
I want to come and have pizza with you guys! | 0:51:54 | 0:51:56 | |
-ALL: -Yay! | 0:51:56 | 0:51:58 | |
Over the last few months, | 0:52:18 | 0:52:20 | |
all the Gardeners' World presenters have put forward the one plant | 0:52:20 | 0:52:24 | |
that they think has had the biggest impact on gardening | 0:52:24 | 0:52:27 | |
over the last 50 years. | 0:52:27 | 0:52:29 | |
Now, having seen all these ten plants, you have had a chance | 0:52:29 | 0:52:35 | |
to vote on which single one you think is our Golden Jubilee Plant. | 0:52:35 | 0:52:40 | |
Now, in a minute or two, | 0:52:40 | 0:52:42 | |
Mary Berry is going to announce which one of those has been chosen, | 0:52:42 | 0:52:47 | |
but before we start, here's a reminder | 0:52:47 | 0:52:50 | |
of what these ten plants were. | 0:52:50 | 0:52:52 | |
Back in March, I kicked things off by proposing bedding plants. | 0:52:53 | 0:52:57 | |
Next was Nick Bailey, who championed dahlias. | 0:52:57 | 0:53:01 | |
Rachel's favourite was aquilegia vulgaris, | 0:53:03 | 0:53:05 | |
Whilst Mark Lane's choice was echinacea. | 0:53:05 | 0:53:10 | |
Joe Swift nominated Stipa gigantia, | 0:53:10 | 0:53:14 | |
and chillies were chosen by Frances Tophill. | 0:53:14 | 0:53:17 | |
Flo Headlam picked the climbing jasmine, | 0:53:17 | 0:53:21 | |
whilst Alan Power plumped for the Japanese maple. | 0:53:21 | 0:53:25 | |
Adam Frost chose the rose, | 0:53:25 | 0:53:28 | |
and finally, Carol's Jubilee Plant was Geranium 'Rozanne'. | 0:53:28 | 0:53:34 | |
CHEERING AND APPLAUSE | 0:53:34 | 0:53:37 | |
Hello! | 0:53:39 | 0:53:40 | |
Well, I've got a very, very special guest here for you, | 0:53:42 | 0:53:45 | |
who is going to announce the winner of our Golden Jubilee Plant. | 0:53:45 | 0:53:51 | |
Which you have all voted for, and I can only hope you voted for | 0:53:51 | 0:53:55 | |
the one I put forward, if you've got any sense! But we will find out. | 0:53:55 | 0:53:59 | |
Before we do, Mary, we've got all ten plants here, | 0:53:59 | 0:54:02 | |
chosen by a team over there, sitting waiting expectantly. | 0:54:02 | 0:54:06 | |
If you had to choose three for your garden, | 0:54:06 | 0:54:10 | |
which would you choose and why? | 0:54:10 | 0:54:12 | |
Well, here are the ten in front of me. | 0:54:14 | 0:54:17 | |
First of all, I would certainly choose the rose. | 0:54:17 | 0:54:20 | |
I would go for smell, I would look at the foliage, | 0:54:20 | 0:54:23 | |
so it's beautifully green and that means it's disease-free. | 0:54:23 | 0:54:27 | |
So, the rose would be one. | 0:54:27 | 0:54:29 | |
Geranium, that is called Rozanne, | 0:54:29 | 0:54:33 | |
I just had such success with. I know it's new, | 0:54:33 | 0:54:36 | |
but it flowers and it flowers until the frost comes again, and it | 0:54:36 | 0:54:41 | |
covers a lot of space as well, and not too fussy about the ground. | 0:54:41 | 0:54:45 | |
And then, of course, bedding plants, because you can put them anywhere. | 0:54:45 | 0:54:49 | |
I mean, something like pelargoniums, you need a window box and it will | 0:54:49 | 0:54:52 | |
fill it, and with care, they will flower and flower. | 0:54:52 | 0:54:56 | |
OK, which plant has been chosen by the British people | 0:54:56 | 0:55:01 | |
as the most influential plant of the last 50 years? | 0:55:01 | 0:55:05 | |
Shall we see? | 0:55:06 | 0:55:08 | |
I'm delighted to reveal that | 0:55:12 | 0:55:15 | |
the winner of the Gardeners' World Golden Jubilee Plant is... | 0:55:15 | 0:55:20 | |
..the rose. | 0:55:21 | 0:55:23 | |
CHEERING | 0:55:23 | 0:55:26 | |
And that was nominated by Adam Frost. | 0:55:26 | 0:55:28 | |
Adam, come up here, come on. | 0:55:28 | 0:55:30 | |
Here we go. | 0:55:30 | 0:55:32 | |
Thank you! | 0:55:32 | 0:55:33 | |
-Well... -Hang on a minute. | 0:55:33 | 0:55:36 | |
Thank you. | 0:55:36 | 0:55:38 | |
-I'm not going to congratulate you... -I was going to kiss you! | 0:55:38 | 0:55:41 | |
Oh, well, we can... | 0:55:41 | 0:55:42 | |
Tell me, what was it about the rose | 0:55:44 | 0:55:46 | |
that you think has been so influential? | 0:55:46 | 0:55:48 | |
I think in reality, it's come with us for the 50 years, | 0:55:48 | 0:55:51 | |
it's dipped a couple of times in fashion, you know, | 0:55:51 | 0:55:53 | |
but it's been there, it's been thereabouts, | 0:55:53 | 0:55:55 | |
and also for me, it's the plant that we celebrate so much with, | 0:55:55 | 0:55:59 | |
we mark so many important occasions in our lives with roses. | 0:55:59 | 0:56:03 | |
And it's got me out of an awful lot of trouble with Mrs Frost | 0:56:03 | 0:56:06 | |
over the years as well! | 0:56:06 | 0:56:07 | |
So, you know, I think that's why, mate. | 0:56:07 | 0:56:09 | |
I don't think I can say anything more after that, can I? No. | 0:56:09 | 0:56:13 | |
Well, listen, let's have a big round of applause, | 0:56:13 | 0:56:16 | |
not so much for Adam, but for roses all over the country. | 0:56:16 | 0:56:21 | |
Roses! | 0:56:21 | 0:56:22 | |
CHEERING AND APPLAUSE | 0:56:22 | 0:56:25 | |
Happy golden jubilee, Gardeners' World. | 0:56:34 | 0:56:37 | |
Happy 50th anniversary. | 0:56:37 | 0:56:39 | |
Happy 50th birthday. | 0:56:39 | 0:56:40 | |
50 years, who'd have thought it? | 0:56:42 | 0:56:44 | |
I've learnt so much from watching Gardeners' World, | 0:56:44 | 0:56:47 | |
in particular Monty Don, so happy birthday. | 0:56:47 | 0:56:50 | |
Happy 50th birthday. | 0:56:50 | 0:56:51 | |
You share it with some stellar company - | 0:56:51 | 0:56:53 | |
Sgt Pepper, the Summer of Love, Radio 2! | 0:56:53 | 0:56:57 | |
Happy 50th anniversary to Gardeners' World. | 0:56:57 | 0:56:59 | |
I never have you off! | 0:56:59 | 0:57:01 | |
With lots of love from me, Joanna Lumley. | 0:57:03 | 0:57:05 | |
That nearly rhymed. | 0:57:05 | 0:57:06 | |
A very happy golden jubilee. | 0:57:10 | 0:57:12 | |
Thank you for inspiring me over the years, even as a very small child. | 0:57:12 | 0:57:15 | |
Happy 50th anniversary. | 0:57:15 | 0:57:17 | |
Happy golden jubilee to Gardeners' World. | 0:57:20 | 0:57:23 | |
You don't need any pruning at all. Congratulations! | 0:57:23 | 0:57:25 | |
Thank you, Gardeners' World, for being who you are. | 0:57:25 | 0:57:28 | |
OVERLAPPING CHATTER | 0:57:34 | 0:57:39 | |
Can I just say one thing? | 0:57:39 | 0:57:42 | |
Personally, I feel incredibly proud to have been part of | 0:57:42 | 0:57:45 | |
Gardeners' World, and as well as being passionate gardeners, | 0:57:45 | 0:57:49 | |
I know that we love it and we are really lucky to take part in it. | 0:57:49 | 0:57:52 | |
It creates this space in millions of people's lives | 0:57:52 | 0:57:57 | |
that is true and decent and peaceful, | 0:57:57 | 0:58:01 | |
and at times like this, that really matters. | 0:58:01 | 0:58:04 | |
Long may it last. | 0:58:04 | 0:58:05 | |
So, to the next 50 years! | 0:58:05 | 0:58:06 | |
-ALL: -The next 50 years! Cheers! | 0:58:06 | 0:58:09 | |
Well, that's it from Gardeners' World Live. | 0:58:13 | 0:58:16 | |
I'll see you next week back at Longmeadow, | 0:58:16 | 0:58:18 | |
but of course, the show still goes on. | 0:58:18 | 0:58:21 | |
-Cheers! -Cheers, love! | 0:58:21 | 0:58:23 | |
Cheers! | 0:58:23 | 0:58:25 | |
Cheers, there we go. | 0:58:26 | 0:58:28 |