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Fabulous flowers, luscious lawns, verdant veggie plots and backyards. | 0:00:02 | 0:00:05 | |
What does your garden say about you? | 0:00:05 | 0:00:08 | |
If it's crying out for an overhaul or you simply need help to get started, | 0:00:08 | 0:00:12 | |
then we're here to inspire you. | 0:00:12 | 0:00:14 | |
-We're happy. -Is that a good shot for you? | 0:00:14 | 0:00:17 | |
I'm Chris Beardshaw - passionate horticulturist, | 0:00:17 | 0:00:20 | |
landscape architect and mad-keen cyclist. | 0:00:20 | 0:00:22 | |
I propagated my first seeds when I was four and haven't looked back since. | 0:00:23 | 0:00:28 | |
HE SNEEZES Excuse me. | 0:00:28 | 0:00:30 | |
Is that broad appreciation? | 0:00:30 | 0:00:32 | |
And I'm Colin Donaldson - builder, landscape gardener and mad-keen biker. | 0:00:32 | 0:00:37 | |
For me, it's always been about the property | 0:00:37 | 0:00:40 | |
and the landscape working together. | 0:00:40 | 0:00:42 | |
If there's heavy machinery involved, all the better. | 0:00:42 | 0:00:44 | |
Are you trying to get a tune out of that? | 0:00:44 | 0:00:48 | |
Bah! We're on a mission to help six families transform their gardens. | 0:00:48 | 0:00:52 | |
So let's get up and grow! | 0:00:52 | 0:00:55 | |
Paul Malone is a graphic designer who works in the heart of Belfast. | 0:01:21 | 0:01:25 | |
However, he lives with his Great Dane, | 0:01:25 | 0:01:27 | |
far away from the busyness of Belfast in a converted church near Templepatrick. | 0:01:27 | 0:01:32 | |
Around his home lies two acres of potential, | 0:01:32 | 0:01:36 | |
but at the moment it's fair to say it's a wilderness. | 0:01:36 | 0:01:39 | |
Paul is a self-confessed gardening virgin. | 0:01:39 | 0:01:42 | |
To be honest, I don't know an awful lot about gardening | 0:01:42 | 0:01:45 | |
and I don't pretend to at any stage. | 0:01:45 | 0:01:48 | |
So that's precisely why we, on our first visit, | 0:01:48 | 0:01:51 | |
attempted to ease him into gardening | 0:01:51 | 0:01:54 | |
by building him just a small wildlife pond. | 0:01:54 | 0:01:57 | |
I'm not sure what your definition of small is, Chris, but it looks well. | 0:01:57 | 0:02:01 | |
It's not the finished article, but you've been a busy boy. | 0:02:04 | 0:02:07 | |
I feel it's definitely getting there. | 0:02:07 | 0:02:10 | |
There's a more colour, more green and less brown, which is a good thing. | 0:02:10 | 0:02:14 | |
But, I mean, I think this is a good start. | 0:02:14 | 0:02:16 | |
It's one of the things that we need to now think | 0:02:16 | 0:02:18 | |
a bit more broadly about how you incorporate it within the rest of the site. | 0:02:18 | 0:02:23 | |
At the moment you've got a field. | 0:02:23 | 0:02:24 | |
This isn't a garden, this is a field. | 0:02:24 | 0:02:26 | |
What sort of gardener do I think I'll be? | 0:02:26 | 0:02:29 | |
I hope I'm going to be a keen gardener. | 0:02:31 | 0:02:33 | |
I hope I'm going to be an empty vessel | 0:02:33 | 0:02:36 | |
waiting for all this knowledge and all this experience to come to me. | 0:02:36 | 0:02:40 | |
'Two acres and a virgin - I think we've got a bit of a challenge on here, Chris.' | 0:02:40 | 0:02:44 | |
We need to get to grips with what the possibilities are. | 0:02:44 | 0:02:47 | |
What the potential is for out here. | 0:02:47 | 0:02:49 | |
As long as it's easy to keep and I don't have to | 0:02:49 | 0:02:52 | |
give up the day job to be here every day. | 0:02:52 | 0:02:54 | |
You have to start to distil | 0:02:54 | 0:02:56 | |
what's actually going to work here and what you need on the site. | 0:02:56 | 0:03:00 | |
So let's distil ideas. The second is let's clean the site. | 0:03:00 | 0:03:04 | |
At the moment, you can't look at that. We have to annihilate it. | 0:03:04 | 0:03:07 | |
And then look at that as a blank piece of paper | 0:03:07 | 0:03:10 | |
and find out what we can start to impose on the site. | 0:03:10 | 0:03:13 | |
I love learning about new things. | 0:03:13 | 0:03:15 | |
And this is an exciting project. | 0:03:15 | 0:03:17 | |
So hopefully I can do it justice | 0:03:17 | 0:03:20 | |
and hopefully I'll become a good gardener. | 0:03:20 | 0:03:23 | |
With two acres of scrub facing us, | 0:03:26 | 0:03:29 | |
I'm pleased you volunteered to be the man who went to mow. | 0:03:29 | 0:03:33 | |
I note that you and Paul made a sharp exit there. | 0:03:33 | 0:03:35 | |
No, no, this is called an inspirational visit. | 0:03:35 | 0:03:39 | |
We headed off to the stunning gardens at Greenmount College. | 0:03:39 | 0:03:42 | |
These gardens are laid out in a series of little inspirational packages. | 0:03:44 | 0:03:48 | |
Don't worry about budgets or practicalities or your own knowledge, nothing. | 0:03:48 | 0:03:53 | |
What I'm interested in is your passion. What stimulates you? | 0:03:53 | 0:03:56 | |
There was pretty gardens, there was very well manicured gardens, | 0:04:05 | 0:04:09 | |
there was wild gardens, there was shady gardens. | 0:04:09 | 0:04:11 | |
It just showed me what a garden really can be. | 0:04:11 | 0:04:14 | |
Are you an informal or a formal man? | 0:04:18 | 0:04:21 | |
What is it that does it for you? | 0:04:21 | 0:04:23 | |
I contradict myself. | 0:04:23 | 0:04:26 | |
Being a designer, I love straight lines and organised grids | 0:04:27 | 0:04:31 | |
and things to be in their place, | 0:04:31 | 0:04:32 | |
but for me, that's not a garden. | 0:04:32 | 0:04:35 | |
For me a garden is, it's curves, you know, it's things poking out. | 0:04:35 | 0:04:39 | |
It's different plants being beside each other. | 0:04:39 | 0:04:43 | |
I think the garden Paul wants is still ahead of him. | 0:04:43 | 0:04:46 | |
He talks about what wanting it wild, | 0:04:46 | 0:04:48 | |
but even the wildest gardens need meticulous planning. | 0:04:48 | 0:04:53 | |
This is brilliant because | 0:04:53 | 0:04:55 | |
you've just hit exactly what the problem is with your garden. | 0:04:55 | 0:04:58 | |
Your tendency is to go informal and to be relaxed | 0:04:58 | 0:05:01 | |
and to be a little bit hands off, | 0:05:01 | 0:05:02 | |
but put the structure in it and you have something | 0:05:02 | 0:05:05 | |
which stands up and it's proud of itself. | 0:05:05 | 0:05:08 | |
Today, we've ripped the grass away from this site and it's enabled us | 0:05:14 | 0:05:18 | |
to have a clear vision of what it's all about. | 0:05:18 | 0:05:22 | |
It's such a difference now you've put that mower through. | 0:05:22 | 0:05:25 | |
Well, it's taken this to give us clarity | 0:05:25 | 0:05:28 | |
about what the site is about and really to expose the imperfections. | 0:05:28 | 0:05:31 | |
It's the first time that we've seen the boundaries | 0:05:31 | 0:05:34 | |
and you're right with imperfections, just look at that fence. | 0:05:34 | 0:05:38 | |
It's just hiding the building. | 0:05:38 | 0:05:39 | |
What's the point in having a building like that if you're going to screen it off? | 0:05:39 | 0:05:44 | |
It was a site within a site. Now, it's the whole thing. | 0:05:44 | 0:05:47 | |
Faced with a blank canvas | 0:05:47 | 0:05:49 | |
and a series of rather spasmodic ideas | 0:05:49 | 0:05:51 | |
which is what we found at Paul's site, | 0:05:51 | 0:05:53 | |
there has got to be some discipline. | 0:05:53 | 0:05:57 | |
Some order brought to the ideas. You've got to have a vision | 0:05:57 | 0:06:00 | |
of what this thing is going to be like once it's mature. | 0:06:00 | 0:06:04 | |
I think by leading him bit by bit and getting him to maintain | 0:06:04 | 0:06:09 | |
little areas at the time, | 0:06:09 | 0:06:10 | |
we can maybe pull this one through, but it's a big ask. | 0:06:10 | 0:06:13 | |
-It's got to happen, hasn't it? -It definitely does. | 0:06:13 | 0:06:16 | |
OK, Chris, enough talking about it, we need some of your doodles. | 0:06:18 | 0:06:22 | |
Let's deal with the first things. | 0:06:22 | 0:06:24 | |
I think that the sense of coming in here | 0:06:24 | 0:06:27 | |
and being able to park your vehicle in this zone here | 0:06:27 | 0:06:32 | |
is a real intrusion into the site, because for me this is all garden. | 0:06:32 | 0:06:37 | |
Anything down here is garden. | 0:06:37 | 0:06:39 | |
-OK. -I mean, I think there's a need to put some sort of division there. | 0:06:39 | 0:06:43 | |
So that immediately means that this zone becomes | 0:06:43 | 0:06:47 | |
-A serviceable area. -I can get a car park in there. | 0:06:47 | 0:06:51 | |
You can get a race track in there, not just a car park. | 0:06:51 | 0:06:56 | |
I love the idea of keeping this private | 0:06:56 | 0:06:58 | |
so whenever friends are up or whatever, you can go, | 0:06:58 | 0:07:02 | |
"And here's the garden." | 0:07:02 | 0:07:04 | |
See if you like the next bit. THEY ALL LAUGH | 0:07:04 | 0:07:07 | |
Creating a good design is like playing poker - | 0:07:07 | 0:07:10 | |
never, ever reveal your hand all at once! | 0:07:10 | 0:07:12 | |
The ground floor is kitchen window, clearly that has to be | 0:07:12 | 0:07:15 | |
a view that rewards, if you let me take that fence down. | 0:07:15 | 0:07:19 | |
-What have you got here? -A big shed. -A big shed. | 0:07:19 | 0:07:21 | |
-It wasn't me! -Knock the shed down and look at the view you get. | 0:07:21 | 0:07:25 | |
Great for an evening terrace. | 0:07:25 | 0:07:27 | |
But this becomes a really key area of the garden here. | 0:07:27 | 0:07:30 | |
I reckon up here somewhere there should be a collection space. | 0:07:30 | 0:07:34 | |
That's the punctuation, that's the full stop. | 0:07:34 | 0:07:38 | |
-It's a focal point. -You're beginning to see the zones that we're creating, | 0:07:38 | 0:07:42 | |
and each one will have its own little different type of maintenance. | 0:07:42 | 0:07:45 | |
So what we need to do then | 0:07:45 | 0:07:47 | |
is to think about what happens in these spaces | 0:07:47 | 0:07:49 | |
and the garden has to become more informal. | 0:07:49 | 0:07:51 | |
Then if we can drop some sort of circular lawn in there, | 0:07:51 | 0:07:58 | |
it'll give you the same gain... | 0:07:58 | 0:08:00 | |
-A focal point that way and that way. -Exactly. | 0:08:00 | 0:08:04 | |
I can't tell you how excited I am about this. | 0:08:04 | 0:08:06 | |
That's great cos we thought you'd hate it. | 0:08:06 | 0:08:09 | |
-Concrete it all. -We can go now. | 0:08:09 | 0:08:12 | |
-Drawing it out is easy. -Yeah. | 0:08:13 | 0:08:16 | |
Putting it on the ground and then bringing it to fruition | 0:08:16 | 0:08:18 | |
is entirely different. | 0:08:18 | 0:08:20 | |
It's all very well having this and paying for it, | 0:08:22 | 0:08:24 | |
but Paul has now got to step up to the mark. | 0:08:24 | 0:08:26 | |
We're only here to steer him to make sure he gets what he really wants. | 0:08:26 | 0:08:30 | |
If I could do it half the justice | 0:08:30 | 0:08:32 | |
that it looks as if it could be on paper, | 0:08:32 | 0:08:35 | |
it would be an immense place. | 0:08:35 | 0:08:37 | |
First thing to do is a little marking out and measuring. | 0:08:38 | 0:08:41 | |
-Do we measure down? -Measure centre line of window to corner of building. | 0:08:44 | 0:08:47 | |
6.5. | 0:08:47 | 0:08:50 | |
That's 9.30. | 0:08:51 | 0:08:52 | |
That's six and a half to there. | 0:08:52 | 0:08:55 | |
'There's no doubt the task that lies ahead of Paul is enormous. | 0:08:55 | 0:08:58 | |
'I mean, it's a two-acre field that he's trying to tame.' | 0:08:58 | 0:09:02 | |
I don't know many experienced gardeners | 0:09:02 | 0:09:05 | |
who would be prepared to take it on even in a relatively relaxed way. | 0:09:05 | 0:09:09 | |
I'll run up there with 30 metres. | 0:09:11 | 0:09:13 | |
'I said a little marking and measuring, perhaps that was an understatement!' | 0:09:13 | 0:09:17 | |
We need to bring that one through here. | 0:09:20 | 0:09:23 | |
Do you want some help? | 0:09:23 | 0:09:25 | |
Thank you, sir. | 0:09:26 | 0:09:28 | |
That's the radius of the circle. | 0:09:28 | 0:09:30 | |
'But finally and after a very long day, | 0:09:30 | 0:09:33 | |
'this part of the garden started to take shape.' | 0:09:33 | 0:09:36 | |
And when we returned a few weeks later, | 0:09:38 | 0:09:42 | |
Paul's mission had been to clear the site and cut the grass. | 0:09:42 | 0:09:46 | |
There's a new family member... Which is this. | 0:09:46 | 0:09:50 | |
It's affectionately called Timmy because it's a Westwood, | 0:09:53 | 0:09:56 | |
-so it's Tim Westwood. -'Do you get that?' | 0:09:56 | 0:09:58 | |
'No idea, just smile.' | 0:09:58 | 0:10:00 | |
Everybody laughs at that. | 0:10:00 | 0:10:03 | |
It sounds really bad whenever people talk about my relationship with Timmy, | 0:10:03 | 0:10:07 | |
I actually do know my girlfriend is jealous. | 0:10:07 | 0:10:10 | |
I bet on a summer's evening | 0:10:10 | 0:10:11 | |
-you come out here and stroke Timmy, don't you? -Rub WD 40. | 0:10:11 | 0:10:15 | |
I do feel slightly uneasy about the relationship between Timmy and Paul. | 0:10:15 | 0:10:19 | |
Every now and again it's good to get out of the house | 0:10:19 | 0:10:22 | |
and spend quality time with him. | 0:10:22 | 0:10:24 | |
-Go and caress Timmy! -OK. | 0:10:24 | 0:10:28 | |
'Oh, dear! What have we unleashed? | 0:10:29 | 0:10:33 | |
'We? But what a difference he's made clearing that fence and all that rubbish.' | 0:10:33 | 0:10:38 | |
This is the back door, will be the back door. | 0:10:38 | 0:10:41 | |
And that's the view you get. | 0:10:41 | 0:10:42 | |
You know, it's a limitless view of landscape. | 0:10:42 | 0:10:45 | |
I know we looked over the rubbish the last time | 0:10:45 | 0:10:47 | |
and you could see this, it didn't encompass all of this. | 0:10:47 | 0:10:51 | |
I think the most important step that he made | 0:10:51 | 0:10:54 | |
was just taking those fences and those horrible raised beds | 0:10:54 | 0:10:58 | |
and the awful sheds away. | 0:10:58 | 0:11:00 | |
That's the gate into the front garden | 0:11:00 | 0:11:02 | |
and we'll have a hedge across there, another gate coming through, | 0:11:02 | 0:11:05 | |
a terrace so that you can kind of walk-out of the kitchen door | 0:11:05 | 0:11:09 | |
and come out to that point. | 0:11:09 | 0:11:10 | |
When you sit here you've got the view into a garden here | 0:11:10 | 0:11:13 | |
which is associated with the building, | 0:11:13 | 0:11:16 | |
you've got the view through to the old gate, | 0:11:16 | 0:11:18 | |
and then you've got that view down through the rest of the garden. | 0:11:18 | 0:11:21 | |
-And we can deal with developing all that as time goes on. -OK. | 0:11:21 | 0:11:25 | |
Happy? Do you think we've got enough material? | 0:11:25 | 0:11:28 | |
This is where the real work starts. | 0:11:32 | 0:11:34 | |
Now time for some big toys with big horsepower. | 0:11:34 | 0:11:37 | |
You've ordered in lots of them - and such pretty colours too! | 0:11:37 | 0:11:40 | |
But having never had a garden here, we've got to scrape and level. | 0:11:40 | 0:11:45 | |
It has been tough, I'm not going to pretend it hasn't been, | 0:11:45 | 0:11:49 | |
but all we've done is moved soil and moved bricks and moved sand, you know? | 0:11:49 | 0:11:54 | |
It's important to get the levels right | 0:11:55 | 0:11:57 | |
especially coming out of the house. | 0:11:57 | 0:12:00 | |
And the old rule, it's so much nicer to come out nearly at floor level. | 0:12:00 | 0:12:04 | |
-OK. -It's my old rule. | 0:12:04 | 0:12:07 | |
The old rule that I expect everybody to know. | 0:12:07 | 0:12:09 | |
If you come out on this level, then this whole section of garden | 0:12:09 | 0:12:13 | |
will be at the same level and then we'll step down into that piece of garden there, | 0:12:13 | 0:12:17 | |
so you're on an elevated platform up here. | 0:12:17 | 0:12:20 | |
There's a switch, I think, that's been turned on. | 0:12:20 | 0:12:22 | |
And Paul seems to have a purpose in relation to his garden. | 0:12:22 | 0:12:27 | |
And that's a really important step | 0:12:27 | 0:12:29 | |
because without that, the garden doesn't emerge. | 0:12:29 | 0:12:32 | |
I think he's on a roll. | 0:12:32 | 0:12:35 | |
I'm learning the whole process. | 0:12:35 | 0:12:37 | |
It's OK. | 0:12:42 | 0:12:43 | |
The red lines are roughly the finished level with sand. | 0:12:46 | 0:12:50 | |
The bottom of the red marker will be great, roughly. | 0:12:50 | 0:12:53 | |
We don't want to go any further than that, OK? | 0:12:53 | 0:12:56 | |
Once you've got this whacked, | 0:12:56 | 0:12:58 | |
-we'll spray mark it so we've got more of an accurate... -Have you seen the whacker? | 0:12:58 | 0:13:02 | |
I thought it was a hairdryer. | 0:13:02 | 0:13:05 | |
Are we better pressing it out with our thumbs? | 0:13:07 | 0:13:09 | |
If you get everyone onto the patio, I'll get everyone on to the terrace. | 0:13:13 | 0:13:18 | |
Chris says "terrace". | 0:13:18 | 0:13:20 | |
Terrace every time. | 0:13:20 | 0:13:22 | |
And I say probably terrace too, but today I've been saying patio. | 0:13:22 | 0:13:25 | |
I'll start a terrace, you can start a patio at the other we'll meet in the middle. | 0:13:25 | 0:13:30 | |
The terrace was constructed out of a series of sandstone sets | 0:13:30 | 0:13:34 | |
that Paul had found amongst the rubble once the site was cleared. | 0:13:34 | 0:13:38 | |
That day Paul thought that we were done | 0:13:43 | 0:13:45 | |
ripping up his garden, but he was wrong! | 0:13:45 | 0:13:47 | |
But this isn't ripping up, technically this is fluffing. | 0:13:47 | 0:13:51 | |
What, Chris? | 0:13:51 | 0:13:52 | |
I think once we've run that through a few times that will fluff it up quite nicely. | 0:13:52 | 0:13:57 | |
Because what we want to try and do, Paul, | 0:13:57 | 0:13:59 | |
is get that area of the garden a little bit fluffy so we can seed it. | 0:13:59 | 0:14:04 | |
I'm trying to visualise where there are pegs in the ground, | 0:14:04 | 0:14:08 | |
and then I'll be able to tell the difference between | 0:14:08 | 0:14:11 | |
what is lawn and what's going to be wilder, at a glance. | 0:14:11 | 0:14:14 | |
We will have to annihilate this again. | 0:14:14 | 0:14:16 | |
I believe you'd like to fluff it up. | 0:14:16 | 0:14:18 | |
You talk to any gardener and any gardener will tell you that fluffing is what... | 0:14:18 | 0:14:22 | |
On a cool summer's day, being fluffed is probably the bit that they... | 0:14:22 | 0:14:26 | |
So we're a couple of fluffers? | 0:14:26 | 0:14:27 | |
So, yeah, the idea is to get the garden to the position | 0:14:29 | 0:14:32 | |
where we can then start to get some green coming back. | 0:14:32 | 0:14:36 | |
I'm not sure out of my comfort zone. It's a lack of knowledge. | 0:14:36 | 0:14:40 | |
I like starting a task that I know I'm capable of. | 0:14:40 | 0:14:44 | |
At the minute, I feel I'm slightly out of my depth with landscaping. | 0:14:44 | 0:14:48 | |
You know, I look forward to being a gardener. | 0:14:48 | 0:14:51 | |
I never really want to be a landscaper. | 0:14:51 | 0:14:53 | |
You can stand and, you know, gaze at your naval for as long as you like, | 0:14:53 | 0:14:57 | |
but nothing happens unless you really seize it and do something about it. | 0:14:57 | 0:15:02 | |
Don't get me wrong, I'm not work-shy. | 0:15:02 | 0:15:05 | |
I don't mind getting my hands dirty and moving things and doing stuff. | 0:15:05 | 0:15:11 | |
I have a certain amount of apprehension because it's work that I'm not used to. | 0:15:11 | 0:15:15 | |
OK. So jobs for today. | 0:15:15 | 0:15:19 | |
I want to scruff this up and then you can come in and fluff it. | 0:15:19 | 0:15:23 | |
Scruff it. You're a scruffer now! | 0:15:23 | 0:15:26 | |
Let's have a modicum of decorum here. | 0:15:26 | 0:15:28 | |
This is serious gardening. | 0:15:28 | 0:15:30 | |
-By the end of today, we should have something that looks more garden than field. -OK. | 0:15:30 | 0:15:34 | |
So, Chris, is that you scruffing or fluffing? | 0:15:37 | 0:15:40 | |
Another vital component of a flowery garden has just been delivered. | 0:15:43 | 0:15:47 | |
So far once, Chris, Paul is giving you a lesson on the machine! | 0:15:50 | 0:15:54 | |
This isn't just any old machine, this, of course, is Timmy! | 0:15:54 | 0:15:58 | |
-Has it been ridden by anyone else before? -No. | 0:15:58 | 0:16:01 | |
Be gentle with him! | 0:16:04 | 0:16:05 | |
-Put on the cutter. -OK. | 0:16:07 | 0:16:10 | |
'Chris, don't pull that lever. Oh!' | 0:16:13 | 0:16:16 | |
Paul. I think I've upset Timmy. | 0:16:16 | 0:16:19 | |
Out of gear. | 0:16:24 | 0:16:26 | |
Did you kill Timmy? | 0:16:26 | 0:16:28 | |
He's a bit temperamental. | 0:16:29 | 0:16:31 | |
He just needed a stroke? | 0:16:35 | 0:16:38 | |
After years of Paul parking and driving all over this site, | 0:16:38 | 0:16:43 | |
it really does need a good rotovating. | 0:16:43 | 0:16:46 | |
And are you going to tell him it all needs to be raked by hand? | 0:16:46 | 0:16:50 | |
To leave Paul to rake this, | 0:16:50 | 0:16:53 | |
it would be like leaving him Everest to climb. | 0:16:53 | 0:16:56 | |
He'll do it. I have confidence. | 0:16:56 | 0:16:59 | |
Chris, Paul wants to know what you've been doing with Timmy while he's been raking. | 0:17:06 | 0:17:10 | |
A bit of definition to the shapes really | 0:17:12 | 0:17:16 | |
so that this path will take you round to the pond. | 0:17:16 | 0:17:20 | |
How come you get the dry seat and do you know how it works? | 0:17:24 | 0:17:26 | |
INAUDIBLE | 0:17:28 | 0:17:30 | |
Four seasons in one day, that's normal in Templepatrick. | 0:17:32 | 0:17:35 | |
Wait for the sun to come out. | 0:17:35 | 0:17:37 | |
-How long will that be? -Tomorrow. | 0:17:37 | 0:17:40 | |
Ah, good, just the right weather for some more raking for Paul. | 0:17:40 | 0:17:45 | |
OK, time to give Paul something new to get his teeth into, | 0:17:45 | 0:17:50 | |
laying turf and seeding a new lawn. | 0:17:50 | 0:17:54 | |
You need it to look a bit like the top of a crumble. | 0:17:54 | 0:17:58 | |
-OK. -It's got to have that sort of consistency about it. | 0:17:58 | 0:18:01 | |
And then get your seed, you need a handful per metre square. It sounds very precise | 0:18:01 | 0:18:05 | |
in an area like this. The best thing to do is roughly mark out, | 0:18:05 | 0:18:08 | |
that's a about a metre square that I've just raked there. | 0:18:08 | 0:18:11 | |
And then just roughly mark out... | 0:18:11 | 0:18:13 | |
Well, if you just get used to how much seed is being spread, | 0:18:13 | 0:18:17 | |
you'll find it very easy to gauge it. | 0:18:17 | 0:18:19 | |
And then all you need to do is just give it a shake. | 0:18:19 | 0:18:23 | |
You can see the seeds are pretty evenly distributed. | 0:18:23 | 0:18:26 | |
You might get a cut before winter, but you might not. | 0:18:26 | 0:18:29 | |
Don't worry if you don't. | 0:18:29 | 0:18:30 | |
The manure can go in next and then a layer of topsoil. | 0:18:34 | 0:18:37 | |
I'll throw a scoop in here and then load you with some sha-la-la. | 0:18:37 | 0:18:40 | |
OK. Is that a cocktail? | 0:18:40 | 0:18:43 | |
It's a bit ripe, isn't it? | 0:18:47 | 0:18:48 | |
Your dog is going to love that. | 0:18:51 | 0:18:53 | |
Is that a new aftershave you're wearing? | 0:18:56 | 0:18:59 | |
Here. It's too much that. | 0:19:00 | 0:19:02 | |
It's just pure...shinola! | 0:19:02 | 0:19:03 | |
Sorry, I can't hear. | 0:19:03 | 0:19:05 | |
It's pure...shinola! | 0:19:08 | 0:19:10 | |
You can taste it, can't you? | 0:19:10 | 0:19:12 | |
And of course, the only thing worse than trying to dig it in, | 0:19:17 | 0:19:21 | |
is to be foolish enough to try and rotovate it in or even stand up in it! | 0:19:21 | 0:19:25 | |
Whoa. | 0:19:31 | 0:19:32 | |
If he needs to get his manhole, he can pull the geotextile back. | 0:19:34 | 0:19:37 | |
-Oh, you know it all. -And it will stop the weeds from coming through too. | 0:19:37 | 0:19:41 | |
After all the machinery and ground preparation... | 0:19:41 | 0:19:45 | |
the plants arrive. | 0:19:45 | 0:19:47 | |
One of the great things about a garden like this | 0:19:47 | 0:19:50 | |
is that you can play with the arrangement of the plant materials. | 0:19:50 | 0:19:53 | |
And the good thing about all of these plants is they're easy to maintain. | 0:19:53 | 0:19:58 | |
It's a very informal, it's a very relaxed garden. | 0:19:58 | 0:20:01 | |
So the basic principle is to sort out the rhythm first, that's created by the phormiums. | 0:20:01 | 0:20:07 | |
Then blocks of flower colour with the leucanthemums. | 0:20:07 | 0:20:10 | |
Then think about the way the grasses move. | 0:20:10 | 0:20:14 | |
And then an under carpet of things like the geraniums and the filipendulas. | 0:20:14 | 0:20:19 | |
And the whole thing will just mesh together. | 0:20:19 | 0:20:23 | |
One thing you have to do in spring, when the new shoots start to come through, | 0:20:23 | 0:20:27 | |
just cut everything down to about 15 centimetres in height. | 0:20:27 | 0:20:30 | |
That's the only maintenance you'll do apart from pulling out the odd weed. | 0:20:30 | 0:20:34 | |
-Everything? -Everything. | 0:20:34 | 0:20:37 | |
It's like somebody has made me a colouring book. | 0:20:40 | 0:20:43 | |
They've drawn in the lines and I just have to shade in | 0:20:43 | 0:20:46 | |
the areas as and when I can. | 0:20:46 | 0:20:48 | |
I can see me spending more time out here doing things, | 0:20:48 | 0:20:51 | |
pottering and things cos I want it to look | 0:20:51 | 0:20:54 | |
as good as I think Chris has it in his head. | 0:20:54 | 0:20:57 | |
OK, Chris, time for a recap. | 0:20:58 | 0:21:02 | |
The challenge of this site is tying the spaces together. | 0:21:02 | 0:21:05 | |
The new terrace and planting around the house, | 0:21:05 | 0:21:08 | |
the fine grass avenue, mown lawns through an orchard | 0:21:08 | 0:21:11 | |
and right down reaching off to the wildlife pond. | 0:21:11 | 0:21:14 | |
I would say that Paul has a two-acre field | 0:21:14 | 0:21:17 | |
that we're slowly turning into a two-acre garden. | 0:21:17 | 0:21:20 | |
And what I want to do now is at the opposite end of the garden | 0:21:20 | 0:21:24 | |
-create a fire pit, with a clock face of tree planting. -Say what? | 0:21:24 | 0:21:29 | |
We just need to mark a centre circle | 0:21:29 | 0:21:31 | |
and then put in ring in for the trees and things. | 0:21:31 | 0:21:34 | |
We could just use your feet. | 0:21:34 | 0:21:36 | |
A 12-inch foot! | 0:21:36 | 0:21:38 | |
If we just spin it around. | 0:21:43 | 0:21:46 | |
-I'd put them near that. -That's seven metres. | 0:21:46 | 0:21:48 | |
-I think six. -Really? -And you've got 12 trees. | 0:21:48 | 0:21:53 | |
-OK. -So what you need to do is organise a clock face. | 0:21:53 | 0:21:56 | |
-Or would you like to put in giant numbers? -Numbers, please. | 0:21:56 | 0:22:00 | |
Giant birthday cake numbers. | 0:22:00 | 0:22:03 | |
You can align it perfectly | 0:22:03 | 0:22:04 | |
so that the sun comes through at summer solstice if you want it to. | 0:22:04 | 0:22:08 | |
-Do you want to do that? -I think that would be nice. | 0:22:08 | 0:22:11 | |
What I don't want is for somebody who just says yes all the time | 0:22:11 | 0:22:15 | |
because we're not always right. | 0:22:15 | 0:22:16 | |
36, every three metres. | 0:22:16 | 0:22:19 | |
What? | 0:22:21 | 0:22:23 | |
Isn't it? | 0:22:24 | 0:22:26 | |
I like the way you wander around then, | 0:22:31 | 0:22:33 | |
confidently, when no-one can see, you just go, "Yeah, that's looking great." | 0:22:33 | 0:22:38 | |
That's going to be the most cockeyed compass I've ever seen. | 0:22:38 | 0:22:41 | |
Are they generating any stone out of that? | 0:22:46 | 0:22:48 | |
Can you manage that one all right? | 0:22:52 | 0:22:53 | |
Ah, that's no problem. | 0:22:53 | 0:22:55 | |
Have you seen The Flintstones? | 0:22:55 | 0:22:57 | |
We'll just tell him that's where the sun is setting, shall we? | 0:22:57 | 0:23:01 | |
It will sometime in his lifetime. | 0:23:01 | 0:23:03 | |
What we need is for somebody who asks questions and challenges | 0:23:03 | 0:23:07 | |
because we may have missed something. He lives here. We may have missed a trick. | 0:23:07 | 0:23:11 | |
That stone there is sunset at summer solstice. | 0:23:11 | 0:23:15 | |
So how do you want your seats, do you want them, | 0:23:15 | 0:23:18 | |
one, two, three four on the compass points? | 0:23:18 | 0:23:21 | |
OK. Yeah, perfect. | 0:23:21 | 0:23:23 | |
Do I've a disclaimer here? | 0:23:30 | 0:23:32 | |
Hit it, not me! | 0:23:32 | 0:23:34 | |
How accurate are you with the holes? | 0:23:34 | 0:23:36 | |
-Are you digging exactly where your cane is? -Yeah. | 0:23:36 | 0:23:39 | |
What is he doing? | 0:23:44 | 0:23:46 | |
Are you trying to get a tune out of that? | 0:23:46 | 0:23:48 | |
-What's that all about? -It's like super glue. | 0:23:48 | 0:23:51 | |
-You're digging them in the wrong place. -Why? -They don't line up. | 0:23:51 | 0:23:56 | |
-I'm digging them right on the X. -They don't line through. | 0:23:56 | 0:23:59 | |
You must have limped at this point. | 0:23:59 | 0:24:02 | |
We've got more mess with a digger than a man with a spade. | 0:24:04 | 0:24:08 | |
-'Cane marker - what cane? -Stop grinning at me and look where you're going?' | 0:24:11 | 0:24:15 | |
If you put the fertiliser into your planting hole | 0:24:15 | 0:24:20 | |
all it does is encourage rich growth of root in the planting hole. | 0:24:20 | 0:24:23 | |
It doesn't encourage interaction. | 0:24:23 | 0:24:25 | |
When you start fertilising, do it in a ring that's about a metre outside | 0:24:25 | 0:24:29 | |
of where the canopy is and that will encourage the roots to chase out. | 0:24:29 | 0:24:33 | |
The following year you can do it outside again and again, | 0:24:33 | 0:24:36 | |
and you encourage that constant root growth out from the centre. | 0:24:36 | 0:24:40 | |
This is carpinus betulus fastigiata. | 0:24:40 | 0:24:44 | |
-I'll never remember that. -Which is the upright hornbeam. | 0:24:44 | 0:24:47 | |
Hornbeam is a native plant, but this is an upright form | 0:24:47 | 0:24:51 | |
so it forms a really nice candle-flame shape. | 0:24:51 | 0:24:54 | |
It'll make this inner bit look almost private. | 0:24:54 | 0:24:56 | |
What you're trying to do is create a visual link between | 0:24:56 | 0:24:59 | |
that part of the garden and this part. | 0:24:59 | 0:25:01 | |
And that's what these trees will do. | 0:25:01 | 0:25:03 | |
Create an identity in this part of the garden | 0:25:03 | 0:25:05 | |
where normally you wouldn't have bothered venturing. | 0:25:05 | 0:25:08 | |
Young plants will over time | 0:25:10 | 0:25:12 | |
bring an air of formality to what was once wilderness. | 0:25:12 | 0:25:16 | |
Close mown lawns, wild flower meadows, an orchard, | 0:25:16 | 0:25:21 | |
a wildlife pond and ornamental planting around the house complete the ensemble. | 0:25:21 | 0:25:27 | |
I'm really enjoying it now because there's the direction. | 0:25:28 | 0:25:31 | |
I can see an end goal. I can see what it'll be like. | 0:25:31 | 0:25:34 | |
I want to do this justice so I don't mind spending that time. | 0:25:37 | 0:25:40 | |
It is extra work, but it's enjoyable extra work. | 0:25:40 | 0:25:44 | |
It's important to remember this isn't an instant fix. | 0:25:49 | 0:25:52 | |
It's going to take time for the plants to mature. | 0:25:52 | 0:25:55 | |
But, more importantly, Paul has to feel as though he can live in and around his new garden. | 0:25:55 | 0:26:01 | |
I look forward to sitting down here with a can of beer | 0:26:01 | 0:26:05 | |
and sitting by a fire. I think it'll be amazing. | 0:26:05 | 0:26:08 | |
In two or three years time! | 0:26:08 | 0:26:09 | |
In a garden like this, the fire pit serves not only as a focal point, | 0:26:11 | 0:26:15 | |
but also as a great social space for friends and family, | 0:26:15 | 0:26:19 | |
a chance to sit at the end of the meadows | 0:26:19 | 0:26:22 | |
and look back at the glory of the rest of the garden. | 0:26:22 | 0:26:26 | |
When the sun is starting to set, there's a calm amongst the plants. | 0:26:31 | 0:26:36 | |
With gardeners as well, everything pauses before it gets dark. It's a lovely time of night. | 0:26:36 | 0:26:41 | |
This garden now is on the starting blocks. | 0:26:45 | 0:26:49 | |
Paul has to develop it from now on in | 0:26:49 | 0:26:51 | |
and the structure is set up to enable him to do that. | 0:26:51 | 0:26:54 | |
The only way of dealing with a wilderness site like this was to impose that structure. | 0:26:54 | 0:26:59 | |
It may look quite bold and quite austere initially, | 0:26:59 | 0:27:04 | |
but now Paul can personalise it. | 0:27:04 | 0:27:07 | |
The garden is a series of discreet spaces, you're teased from one space to the next. | 0:27:07 | 0:27:11 | |
You're constantly discovering. | 0:27:11 | 0:27:13 | |
And that sense of being able to deliver different views, | 0:27:13 | 0:27:16 | |
slightly different cameo features as you progress through | 0:27:16 | 0:27:20 | |
keeps us interested in our gardens. | 0:27:20 | 0:27:22 | |
When I go into work and say, "What did you do at the weekend?" | 0:27:26 | 0:27:29 | |
They go, "I went to the pub," or "I played video games." I go, "I've done something." | 0:27:29 | 0:27:34 | |
You've proved to yourself, I think, that you can garden. | 0:27:34 | 0:27:37 | |
And when we came, I don't think there was much confidence | 0:27:37 | 0:27:41 | |
that you could get, you know, a stick to grow. | 0:27:41 | 0:27:43 | |
But look, you've been sowing grass seed over there. | 0:27:43 | 0:27:46 | |
That's better than Wembley. | 0:27:46 | 0:27:49 | |
He's probably a legend in his own living room | 0:27:49 | 0:27:51 | |
when it comes to gardening, but I believe he will take it on board | 0:27:51 | 0:27:55 | |
and get stuck in and really enjoy it. | 0:27:55 | 0:27:59 | |
The space before all this began, it was a field. | 0:27:59 | 0:28:05 | |
But now I refer to it as a garden. | 0:28:09 | 0:28:12 | |
By next spring it should be a really beautiful place. | 0:28:16 | 0:28:20 | |
There's no reason why, by the close of the year, | 0:28:20 | 0:28:26 | |
this garden doesn't feel just like a very special paradise garden, | 0:28:26 | 0:28:30 | |
Paul's piece of paradise. | 0:28:30 | 0:28:32 | |
Page one of the maintenance regime that Colin is going put together for you, will say, | 0:28:36 | 0:28:40 | |
maintenance, crossed out, gardening. | 0:28:40 | 0:28:43 | |
Subtitles by Red Bee Media Ltd | 0:28:57 | 0:29:01 | |
E-mail [email protected] | 0:29:01 | 0:29:04 |