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Fabulous flowers, luscious lawns, veggie plots and backyards. | 0:00:02 | 0:00:06 | |
What does your garden say about you? | 0:00:06 | 0:00:08 | |
If it's crying out for an overhaul, | 0:00:08 | 0:00:11 | |
or you simply need help to get started, then we're here to inspire you. | 0:00:11 | 0:00:14 | |
-We're happy! -We have got to get started. -We're having a chat. -Is that a good shot for you? | 0:00:14 | 0:00:18 | |
I'm Chris Beardshaw, passionate horticulturalist, landscape architect and mad, keen cyclist. | 0:00:18 | 0:00:24 | |
I propagated my first seeds when I was four | 0:00:24 | 0:00:26 | |
and haven't looked back since. | 0:00:26 | 0:00:28 | |
-HE SNEEZES -Excuse me! | 0:00:28 | 0:00:30 | |
Is that broad appreciation? | 0:00:30 | 0:00:32 | |
And I'm Colin Donaldson, builder, landscape gardener | 0:00:32 | 0:00:36 | |
and mad, keen biker. For me, it's always been about the property | 0:00:36 | 0:00:40 | |
and the landscape working together. | 0:00:40 | 0:00:42 | |
If there's heavy machinery involved, then all the better! | 0:00:42 | 0:00:45 | |
Are you trying to get a tune out of that?! | 0:00:45 | 0:00:48 | |
We're on a mission to help six families transform their gardens, | 0:00:48 | 0:00:52 | |
so let's get up and grow. | 0:00:52 | 0:00:54 | |
David and Karen Fitzsimons, and son, Ben, live in busy Bangor. | 0:01:21 | 0:01:24 | |
When we first met the Fitzsimons, | 0:01:24 | 0:01:26 | |
they had a typical 1970s concrete flag front garden. | 0:01:26 | 0:01:30 | |
Which we really enjoyed destroying. | 0:01:30 | 0:01:33 | |
But in fairness, | 0:01:33 | 0:01:34 | |
we also enjoyed putting a new knot garden back, | 0:01:34 | 0:01:38 | |
that's much more in keeping with the arts and crafts style of the house. | 0:01:38 | 0:01:41 | |
It's also full of flowers. | 0:01:44 | 0:01:47 | |
Guys, something good has happened here. | 0:01:47 | 0:01:49 | |
Yes, it certainly has. And all come out in bloom. | 0:01:49 | 0:01:52 | |
It's really brought a bit of life back into the front. | 0:01:52 | 0:01:54 | |
Yes, I think that's the word, it's alive. | 0:01:54 | 0:01:56 | |
She's described it as genius, I think, by the way. | 0:01:56 | 0:01:59 | |
I described it as genius, or you said it was genius? | 0:01:59 | 0:02:02 | |
I very often refer to my own projects. | 0:02:02 | 0:02:04 | |
I wait for compliments and they very rarely arrive. | 0:02:04 | 0:02:07 | |
I think, also, it's worth just highlighting | 0:02:07 | 0:02:10 | |
the fact that this is a very polite response to | 0:02:10 | 0:02:13 | |
the challenges of the front garden. And that is, in a way, why it works. | 0:02:13 | 0:02:18 | |
But I think you can do something entirely different in the back. | 0:02:18 | 0:02:21 | |
You can do something which is dramatic, which is really bold, | 0:02:21 | 0:02:25 | |
so if this has got you looked, then I think we can really push the boat out. | 0:02:25 | 0:02:28 | |
The front garden is busy and noisy, | 0:02:32 | 0:02:33 | |
but the back has a totally different feel. | 0:02:33 | 0:02:36 | |
I think one of the interesting things about this space is | 0:02:36 | 0:02:40 | |
just how a secluded it feels. | 0:02:40 | 0:02:41 | |
And the difference between the front and the back, the back, | 0:02:41 | 0:02:45 | |
-it's just, it is quite nice here, I quite like it. -Yeah. | 0:02:45 | 0:02:47 | |
-It's tranquil, it's quiet. -That was one of the things that lead us to buy it. | 0:02:47 | 0:02:51 | |
Talk to me about the orientation. Where does the sun rise? | 0:02:51 | 0:02:54 | |
-And where does the sun set? -The sun rises in the morning, over here. | 0:02:54 | 0:02:58 | |
And then from about one in the afternoon, | 0:02:58 | 0:03:00 | |
this starts to heat up, the wall in front of us here. | 0:03:00 | 0:03:03 | |
The detail that you've gone into shows that you have | 0:03:03 | 0:03:05 | |
followed the sun around, used the space. | 0:03:05 | 0:03:07 | |
What about style? | 0:03:07 | 0:03:09 | |
What do you want this space to look like? | 0:03:09 | 0:03:11 | |
I think, clean, modern lines. | 0:03:11 | 0:03:13 | |
Really, that is the style of what we want. | 0:03:13 | 0:03:17 | |
Minimalistic, but with texture and interest. | 0:03:17 | 0:03:19 | |
What about flowers? Because all the plants that you have in here, | 0:03:19 | 0:03:22 | |
they're quite masculine plants. | 0:03:22 | 0:03:24 | |
-The beer garden, it's a beer garden. -You're not hankering after your bachelor days, are you? | 0:03:24 | 0:03:29 | |
Just get the Tiki Ball out, and it would be perfect! | 0:03:29 | 0:03:32 | |
Clear all that away and what we're left with is the big, open space. | 0:03:32 | 0:03:36 | |
Clean sheet and start from scratch and work out the best design. | 0:03:36 | 0:03:39 | |
OK, that's great. I've said too much! | 0:03:39 | 0:03:43 | |
It may be a courtyard garden, | 0:03:43 | 0:03:45 | |
but there's plenty of horticultural clutter to clear. | 0:03:45 | 0:03:48 | |
That's not the most comfortable church pew, I don't think! | 0:03:48 | 0:03:52 | |
Just how many pots can one small family amass? | 0:03:52 | 0:03:55 | |
You're going to take somebody's eye out with that. | 0:03:55 | 0:03:59 | |
See, this is a nice garden. We should aim for something like this, don't you think? | 0:04:00 | 0:04:04 | |
-A couple of cowboys did that! -You need a bit of paving in here, David. | 0:04:04 | 0:04:08 | |
-And then put those pots on top of it? -Are you sure these have to go? | 0:04:08 | 0:04:14 | |
Oh, yes. David's courgettes, Carole's vines, it's all going. | 0:04:14 | 0:04:19 | |
-Now is not a good point to say you liked it where it was. -Yeah, OK. | 0:04:19 | 0:04:22 | |
You should have done that first, maybe. | 0:04:22 | 0:04:24 | |
I'll carry your wedding train. Always the bridesmaid. | 0:04:24 | 0:04:27 | |
You said it, Chris! | 0:04:27 | 0:04:28 | |
You don't want to watch me do this. It might take some time. | 0:04:30 | 0:04:33 | |
That's it, David, show it who's the boss! | 0:04:35 | 0:04:38 | |
Yes! | 0:04:44 | 0:04:46 | |
It's much easier to see what we have to play with now that it's all cleared. What are you thinking? | 0:04:47 | 0:04:52 | |
If we can encourage them to adopt that twist so that you're using that | 0:04:52 | 0:04:55 | |
diagonal across the courtyard, I think that could be quite exciting. | 0:04:55 | 0:05:00 | |
The design process here is quite straightforward. | 0:05:00 | 0:05:03 | |
It's about linking the view from the house with the garage wall. | 0:05:03 | 0:05:08 | |
Without making a lot of the garage wall. | 0:05:08 | 0:05:11 | |
And get the eye to turn the corner and maximise | 0:05:11 | 0:05:13 | |
the space. It's a very tight courtyard, just a few square metres. | 0:05:13 | 0:05:17 | |
So what did you get? | 0:05:17 | 0:05:19 | |
I'm getting sort of wild and contemporary and formal and stylish. | 0:05:19 | 0:05:24 | |
Any paving materials, any furniture, | 0:05:24 | 0:05:27 | |
has got to be very contemporary and very minimal. | 0:05:27 | 0:05:30 | |
That would be the way I would go, to just clean up the lines. | 0:05:30 | 0:05:33 | |
The plant is an explosion of everything on the perimeter. | 0:05:33 | 0:05:37 | |
So I've chucked a couple of spanners into the works just to see, | 0:05:37 | 0:05:40 | |
did they really want this simple, minimalist, structured look. | 0:05:40 | 0:05:45 | |
I think it's got to have a very exotic feel, | 0:05:45 | 0:05:48 | |
and almost, it's got to have too much foliage in it. | 0:05:48 | 0:05:51 | |
What we're ending up with is radically different | 0:05:51 | 0:05:53 | |
to what we were told was required. | 0:05:53 | 0:05:56 | |
-Bananas. -Yeah, big waxy, heavy leaves. | 0:05:56 | 0:05:59 | |
Yeah, I think we have to encourage them | 0:05:59 | 0:06:02 | |
to use it as a living space. | 0:06:02 | 0:06:04 | |
I think that is a good idea. | 0:06:04 | 0:06:08 | |
However, it's a slow process and you just bring people along with you. | 0:06:08 | 0:06:13 | |
Yes, that's nice. | 0:06:16 | 0:06:17 | |
And as part of taking them along with us, | 0:06:17 | 0:06:19 | |
a visit to the garden centre to spark some ideas, good and bad. | 0:06:19 | 0:06:24 | |
-Hi, there. -Is this on the shopping list? | 0:06:27 | 0:06:29 | |
Is that the sort of water feature you were thinking about? | 0:06:29 | 0:06:32 | |
It's...it is a feature! | 0:06:32 | 0:06:34 | |
-Wow! Look at this! I feel as if it should rock. -Yes, it's a bit like a boat. | 0:06:35 | 0:06:41 | |
I imagine this is what it's like if you were inside a Bushmills whisky barrel. | 0:06:41 | 0:06:46 | |
Do you like the enclosed foliage feel of a space like this? | 0:06:46 | 0:06:51 | |
-Are your eyes allowed to drift through? -Yes. There's bound to be something here. | 0:06:51 | 0:06:55 | |
It's been interesting to discuss the back garden and our ideas, | 0:06:55 | 0:06:58 | |
because I think whilst we have a feel for the function | 0:06:58 | 0:07:01 | |
and what we would like it to do, | 0:07:01 | 0:07:03 | |
there is a huge amount we have to learn. | 0:07:03 | 0:07:06 | |
I have no concept of planting | 0:07:06 | 0:07:08 | |
and what would work and what wouldn't work. | 0:07:08 | 0:07:10 | |
-Blue pots, these are nice. -I like the green. | 0:07:10 | 0:07:13 | |
-Now, this is the definition of twee. -Look, Colin, a mini-me. | 0:07:16 | 0:07:21 | |
This is like stepping into Sweden in your back garden. | 0:07:21 | 0:07:24 | |
It's got a fondue set and everything. | 0:07:24 | 0:07:26 | |
Yes, but it's bigger than your courtyard. | 0:07:26 | 0:07:28 | |
Oh, that's really comfortable. | 0:07:28 | 0:07:30 | |
This is working. Carol and David seem clear on what | 0:07:30 | 0:07:33 | |
they like and what they don't like. | 0:07:33 | 0:07:35 | |
-It's a jungle, but there's space. -And just immediately, you go... -HE SIGHS | 0:07:35 | 0:07:38 | |
-So, we wanted to see how you felt about that. -Yes. | 0:07:41 | 0:07:47 | |
We had a great day at the Gardening Ireland show. | 0:07:47 | 0:07:50 | |
It was a good opportunity to look around and see. | 0:07:50 | 0:07:54 | |
It gave us lots of ideas. | 0:07:54 | 0:07:56 | |
Back in the garden, time to take out the old raised bed. | 0:07:56 | 0:07:59 | |
Is the term sledgehammer to crack a nut relevant here? | 0:07:59 | 0:08:02 | |
What are you doing to my garden? I like those flagstones. Can you put them back up? | 0:08:02 | 0:08:06 | |
I'll move back. | 0:08:08 | 0:08:10 | |
-Is this your favourite bit, Colin, the destruction? -Yes, it is. | 0:08:12 | 0:08:17 | |
If Colin can knock it down, he will. | 0:08:17 | 0:08:20 | |
What have you got that's draining out of the kitchen? | 0:08:20 | 0:08:23 | |
-Washing machine and the sink. -That is not the washing machine. | 0:08:23 | 0:08:27 | |
-That's the tumble dryer. -No. It's the old oil line. | 0:08:27 | 0:08:32 | |
Yes, that's the old oil line. No dead body. Not yet. | 0:08:32 | 0:08:36 | |
You trying to tell us something, David? | 0:08:36 | 0:08:39 | |
Originally, the longest view in the courtyard was that. | 0:08:39 | 0:08:44 | |
-To that wall. -Yeah, whereas now... | 0:08:44 | 0:08:46 | |
Now, the longest view is actually a diagonal, through there. | 0:08:46 | 0:08:51 | |
Which means that it makes sense to, instead of going with | 0:08:51 | 0:08:54 | |
the geometry, which is that way, to hit it on the angles. | 0:08:54 | 0:08:57 | |
It's interesting to look into a space | 0:08:57 | 0:08:59 | |
where, instead of hitting a dead end, especially a close dead end, | 0:08:59 | 0:09:02 | |
the eyes are encouraged to venture around. | 0:09:02 | 0:09:04 | |
You want to go from one space to the other. | 0:09:04 | 0:09:07 | |
What?! We were happy! | 0:09:07 | 0:09:11 | |
-We were having a chat! -This is design talk. | 0:09:11 | 0:09:14 | |
Is there a skip to fill out there? | 0:09:14 | 0:09:16 | |
Give me 300 off the corner of that wall. | 0:09:18 | 0:09:21 | |
That's the 300 between the 200 and the 400. | 0:09:21 | 0:09:24 | |
Do you want help with this or not? | 0:09:24 | 0:09:26 | |
This is a sunny part of the garden. I think we need to sit here. | 0:09:28 | 0:09:31 | |
It immediately shapes the way that you use the garden, to go in diagonals. | 0:09:31 | 0:09:35 | |
-I just said that. -I didn't hear him. Just thinking about other things. | 0:09:35 | 0:09:40 | |
You can say it much more concisely than I do, that's the thing. | 0:09:40 | 0:09:43 | |
Without waving his arms around as well. | 0:09:43 | 0:09:46 | |
There's a pencil scribble on a bit of paper on a scale plan. | 0:09:47 | 0:09:50 | |
That's transferred onto the ground with a spray line. | 0:09:50 | 0:09:53 | |
And that gives us an opportunity to literally walk the space | 0:09:53 | 0:09:56 | |
and see whether that paper copy when transferred to reality, actually works. | 0:09:56 | 0:10:01 | |
-So, if you can cite it through. -Yeah, it's a lot of pressure. | 0:10:01 | 0:10:05 | |
-It looks good. I think. You look lovely, Colin. -Thanks. | 0:10:05 | 0:10:10 | |
-That's March, now give us April. -Maybe take the T-shirt off. | 0:10:10 | 0:10:16 | |
My garden gnome. | 0:10:16 | 0:10:18 | |
A square, back to that one. | 0:10:22 | 0:10:23 | |
-What do you think, Carol? -I think it looks very complicated. | 0:10:25 | 0:10:29 | |
Do you know what would be worth doing? Just to get David to bring two benches back out | 0:10:36 | 0:10:39 | |
-and put one in here and put another one over there. -Just practice? -Yeah. | 0:10:39 | 0:10:44 | |
Just practise lifting. | 0:10:44 | 0:10:46 | |
I like what you've done with the place. | 0:10:48 | 0:10:51 | |
-This is it. -Finished? -Pink wall, breeze blocks, old seats - it looks well. | 0:10:51 | 0:10:55 | |
Nice and safe, I was going to say I'll take the one on the side. | 0:10:55 | 0:10:59 | |
You can shout at one another across. | 0:10:59 | 0:11:01 | |
What will happen is, you'll step out and there will be virtually no step between | 0:11:01 | 0:11:05 | |
floor level in there and floor level here. All of this is on one level | 0:11:05 | 0:11:08 | |
and then you step down under the stones surface there. | 0:11:08 | 0:11:12 | |
Everything here's raised bed with planting away up here. | 0:11:12 | 0:11:16 | |
Everything behind what we plant is irrelevant. | 0:11:16 | 0:11:19 | |
And you're enclosed in planting. I'm standing in the middle of a planting bed. That comes to here. | 0:11:19 | 0:11:24 | |
This line is a raised bed running straight through. | 0:11:24 | 0:11:27 | |
Herbs planted in here. Planting all the way behind. | 0:11:27 | 0:11:31 | |
And all the way in here. | 0:11:31 | 0:11:34 | |
And to break up this, so it doesn't look like a big ballroom, an area of lawn. | 0:11:34 | 0:11:37 | |
Close mowed, bowling green, quality grass | 0:11:37 | 0:11:40 | |
that you can sit out on and Ben can play out on in the centre, | 0:11:40 | 0:11:43 | |
all flushed through with the paving. | 0:11:43 | 0:11:46 | |
-Fantastic. -Absolutely. | 0:11:46 | 0:11:48 | |
It really extends it into another room of the house that you want to come out and walk and sit. | 0:11:48 | 0:11:54 | |
-I think that's the way you guys like to live. -Absolutely. | 0:11:54 | 0:11:57 | |
Sit inside and see what do you think. See if the object of beauty is... | 0:11:57 | 0:12:01 | |
Such a beautiful object, that is! | 0:12:01 | 0:12:04 | |
-Just out of interest, which object of beauty are you looking at? -THEY LAUGH | 0:12:04 | 0:12:08 | |
You'll cause offence to somebody. | 0:12:08 | 0:12:10 | |
That lovely chair in the middle! | 0:12:10 | 0:12:13 | |
It's really good. It just leads your eye straight out and across. | 0:12:13 | 0:12:17 | |
It really wants you to just go and have a peek and see what else is there. Wonderful. | 0:12:17 | 0:12:23 | |
-Can we build it? -Yes. Work away. | 0:12:23 | 0:12:24 | |
-Very excited. -Excited. | 0:12:24 | 0:12:27 | |
Challenging as well to see what we can do with Colin and Chris | 0:12:27 | 0:12:33 | |
and the ideas they come up with and we can work together to do that. | 0:12:33 | 0:12:37 | |
We are definitely trying to open their minds up to other variations. | 0:12:37 | 0:12:42 | |
The other variation is the exact opposite of what they asked for. | 0:12:42 | 0:12:45 | |
I'm really looking forward to seeing it come together now. | 0:12:45 | 0:12:48 | |
Let's have a bit of a recap, Chris. | 0:12:50 | 0:12:52 | |
OK, we started by creating a simple, welcoming front garden | 0:12:52 | 0:12:56 | |
and then we moved to the back. | 0:12:56 | 0:12:58 | |
The space here allows us to play with angles design-wise | 0:12:58 | 0:13:01 | |
to draw the eye around and make the most of the total space. | 0:13:01 | 0:13:05 | |
It feels a lot bigger. | 0:13:05 | 0:13:07 | |
Even though it's actually a relatively small space, it's taken a lot to clear it. | 0:13:07 | 0:13:11 | |
Now it's clear, we've got a design structure. | 0:13:11 | 0:13:14 | |
Let's let the trusty Declan get on with building it | 0:13:14 | 0:13:17 | |
and see what Carol and David make of an off-the-wall suggestion for planting style. | 0:13:17 | 0:13:22 | |
OK, Chris, I've brought you to the tropical ravine | 0:13:32 | 0:13:35 | |
here in the Botanic, which may seem a bit extreme | 0:13:35 | 0:13:38 | |
considering we're talking about contemporary gardens in Bangor. | 0:13:38 | 0:13:42 | |
It's got everything that I believe they should see. | 0:13:42 | 0:13:45 | |
The ambience, first of all. It's so tranquil. | 0:13:45 | 0:13:48 | |
It's something that I think we need the guys to experience. | 0:13:48 | 0:13:53 | |
What do you make of being down here amongst the plants, | 0:13:56 | 0:14:00 | |
under the canopy with the light filtering through? | 0:14:00 | 0:14:03 | |
It's lovely, I think it feels very protective, very enclosed, but nicely so. | 0:14:03 | 0:14:08 | |
But this isn't what you started to describe | 0:14:08 | 0:14:11 | |
when we sat down and talked about what we might be able to achieve. | 0:14:11 | 0:14:14 | |
We've done a wee trick and brought you to the exact opposite of what | 0:14:14 | 0:14:17 | |
you're asking for, just to really give it to good rattle to see. | 0:14:17 | 0:14:21 | |
You described it being minimal, contemporary and chic. | 0:14:21 | 0:14:25 | |
I feel as though it's quite private and intimate, | 0:14:25 | 0:14:27 | |
yet you can still see the sky is still there. | 0:14:27 | 0:14:30 | |
So there is the light coming through. | 0:14:30 | 0:14:32 | |
That was an important point, you didn't want to loose the openness. | 0:14:32 | 0:14:36 | |
There's not a lot of colour of flowers here. | 0:14:36 | 0:14:39 | |
It's the abundance of green, that very verdant nature | 0:14:39 | 0:14:43 | |
that creates the sense of enclosure the sense of calm, | 0:14:43 | 0:14:46 | |
intimacy that you can reach out and you have to push the plants away. | 0:14:46 | 0:14:49 | |
That's part of the character and the personality | 0:14:49 | 0:14:53 | |
and I think if we can achieve some of that in your garden, then we're on the right route. | 0:14:53 | 0:14:58 | |
The purpose of taking them to the ravine was to just | 0:14:58 | 0:15:00 | |
blow all the cobwebs away and give them something. | 0:15:00 | 0:15:03 | |
"Wow! We didn't think of anything like this." | 0:15:03 | 0:15:05 | |
There's no reason you can't grow things like bananas in Bangor, you know? | 0:15:05 | 0:15:10 | |
Banana plants!? Give me a call. | 0:15:10 | 0:15:16 | |
I was surprised that they were so open to just how intense it was. | 0:15:16 | 0:15:22 | |
-Frankly, I couldn't live in a space like that. -It was the middle of Belfast, | 0:15:22 | 0:15:27 | |
busy-ness going round it, yet it was tranquil, calm, and that was | 0:15:27 | 0:15:32 | |
to do with the planting, the colours, | 0:15:32 | 0:15:35 | |
the...space that was created there, with thinking, "This is just nice." | 0:15:35 | 0:15:40 | |
You can just go... | 0:15:40 | 0:15:41 | |
Much better to start off with a brilliant idea and make it workable, | 0:15:41 | 0:15:44 | |
rather than start with something half-baked and try to make it exciting. It doesn't work. | 0:15:44 | 0:15:49 | |
-Looks like that worked, Chris. -So far, so good. Back in the garden, | 0:15:51 | 0:15:54 | |
Declan's started to put the walls up and the timber framework | 0:15:54 | 0:15:58 | |
to support the decking. | 0:15:58 | 0:16:00 | |
Back from the jungle wilderness. We've managed to change | 0:16:00 | 0:16:03 | |
any idea you had of a formal garden into a crazy, leafy environment. | 0:16:03 | 0:16:08 | |
But the boys have been busy here. | 0:16:08 | 0:16:10 | |
You get a sense now of what it will be like to come out on the same level. That's interesting. | 0:16:10 | 0:16:15 | |
You can see already that that'll be a natural lead in and out of the house. | 0:16:15 | 0:16:19 | |
And if you cast your mind forwards to when the planting comes in | 0:16:19 | 0:16:24 | |
and some high tree-planting, pleached trees, which come across | 0:16:24 | 0:16:27 | |
the top of the garage to break that severe skyline, | 0:16:27 | 0:16:31 | |
then you start to see the similarity between what you can achieve here | 0:16:31 | 0:16:34 | |
and what we've just seen. The other benefit in going to see it | 0:16:34 | 0:16:37 | |
is that Colin and I would have just said, | 0:16:37 | 0:16:39 | |
"It's big, it's green and it's leafy," a lot. | 0:16:39 | 0:16:42 | |
And you would have said, "Great!" | 0:16:42 | 0:16:44 | |
Do you think Declan's noticed I've stopped working? | 0:16:46 | 0:16:49 | |
No, he's in a trance. We need to get on. There's a surprising amount of work to do for such a small space. | 0:16:49 | 0:16:54 | |
This is me getting on with it. | 0:16:54 | 0:16:56 | |
I'll just get my surgeon's gloves on for hands that do dishes | 0:16:56 | 0:16:59 | |
or build decks or finish raised beds. | 0:16:59 | 0:17:02 | |
And another one of our new sayings. "Every home should have a Declan." | 0:17:08 | 0:17:14 | |
Are you trying to come off a board in the house? It's not. | 0:17:18 | 0:17:22 | |
It's got a line through. We'll have to do a slither cos that looks awful from inside. | 0:17:24 | 0:17:29 | |
That's fine. I'd rather see a slither there | 0:17:29 | 0:17:32 | |
because the main focus will be here and you won't be looking at that. | 0:17:32 | 0:17:35 | |
So we'll just slither that. | 0:17:35 | 0:17:37 | |
For everyone else's benefit, what is a slither? | 0:17:37 | 0:17:41 | |
I have no idea. I was just bluffing it. | 0:17:41 | 0:17:44 | |
I know. I thought it would take a while. It's all in the measurement. | 0:17:44 | 0:17:49 | |
If anything, that's going in a bit to your left. My left, sorry. | 0:17:52 | 0:17:58 | |
-Can you move your nose round that way a bit? -No. -There you go. | 0:17:58 | 0:18:02 | |
That's spot-on. | 0:18:03 | 0:18:05 | |
Where you have a space which has to be quite tactile, | 0:18:05 | 0:18:08 | |
which is warm to step out on, | 0:18:08 | 0:18:09 | |
especially if you're bare-foot in the summer, | 0:18:09 | 0:18:12 | |
then decking or its substitutes can work really well. | 0:18:12 | 0:18:15 | |
Decking is looking good, but we may have a wee problem. | 0:18:15 | 0:18:18 | |
-But what space do you leave in them? -Space there. | 0:18:18 | 0:18:21 | |
-That's not far-out. -Perfect. | 0:18:24 | 0:18:26 | |
-Does that expand? -It will in the heat. | 0:18:26 | 0:18:30 | |
Why can Chris not just design something that's straight? | 0:18:33 | 0:18:36 | |
You won't be whingeing when you see the finished result. | 0:18:36 | 0:18:39 | |
I know about the finished result, but we have to get there... | 0:18:39 | 0:18:42 | |
-I just thought you'd like the challenge. -..sometime this year. -'You tell him, Dec!' | 0:18:42 | 0:18:47 | |
-I think it looks too wide. -That's not going to work. -Hmm? | 0:18:52 | 0:18:57 | |
-That's not going to work. That's way, way too wide. -Oops! | 0:18:57 | 0:19:00 | |
That's... The stuff has come pre-set. | 0:19:00 | 0:19:03 | |
That's just a ridiculous expansion joint. You'll lose all sorts of things down there. | 0:19:03 | 0:19:08 | |
Including your high heels. | 0:19:08 | 0:19:10 | |
How would we do that? | 0:19:10 | 0:19:13 | |
-Have you got any high-heeled shoes in there? -Certainly. | 0:19:14 | 0:19:17 | |
Do you normally work in high-heeled shoes? | 0:19:17 | 0:19:20 | |
-Colin's looking for them. We'll have to do a bit of a test here. -What are you trying to do? | 0:19:20 | 0:19:24 | |
-See if they'd fall through the hole. -I'm more thinking what Ben would put through it. | 0:19:24 | 0:19:28 | |
Well, it's your call. | 0:19:28 | 0:19:30 | |
I think we scrap the deck today and do the paving because that will be a circus. | 0:19:30 | 0:19:35 | |
I tell you what. Can we get some biscuits? | 0:19:38 | 0:19:44 | |
-Wee wooden biscuits? -Yeah. -Obviously a technical term. | 0:19:44 | 0:19:46 | |
Not a nice custard cream? | 0:19:46 | 0:19:49 | |
-We just need a three-mil expansion gap. -A beeswing? -Two beeswings. | 0:19:49 | 0:19:54 | |
-Double them up. -Beeswings folded in half. | 0:19:54 | 0:19:56 | |
How quickly can we make the biscuits? | 0:19:56 | 0:19:59 | |
Because we can counter-sink on the edge | 0:19:59 | 0:20:02 | |
and then biscuit all the way through and drill in at 45 degrees. | 0:20:02 | 0:20:05 | |
-About five minutes. -Fine, let's do that, then. | 0:20:05 | 0:20:07 | |
I think it might just work. | 0:20:07 | 0:20:09 | |
Good thinking, Batman. Biscuits all round. | 0:20:09 | 0:20:13 | |
Can you tap that in? And then put that in. | 0:20:13 | 0:20:17 | |
-And those screws through the top? -But that's a much better solution. We should patent that. | 0:20:20 | 0:20:25 | |
-One for Dragon's Den. -Yeah. Do you think? | 0:20:25 | 0:20:29 | |
-What else were you going to put on Dragon's Den? -A slither. -A slither. | 0:20:29 | 0:20:33 | |
Will it be called a beeswing slither? | 0:20:33 | 0:20:36 | |
-Can you make me some slithers, then? -Right away. | 0:20:37 | 0:20:40 | |
-'While Declan makes some slithers and biscuits... -Sounds more like a cooking programme! But it's working. | 0:20:40 | 0:20:45 | |
'Though it's held us up significantly. We need to crack on | 0:20:45 | 0:20:50 | |
'and get the gravel into those beds for drainage.' | 0:20:50 | 0:20:52 | |
If we were to get this square... It's not getting done. | 0:20:52 | 0:20:55 | |
What are the jobs that need doing? I sense a bit of flapping going on. | 0:20:55 | 0:20:59 | |
-No. Let's see. -We know who to blame. | 0:20:59 | 0:21:03 | |
-"Let's see", isn't a team attitude. -I thought he was being a big girl's blouse | 0:21:03 | 0:21:08 | |
because of the amount of work until I came today. | 0:21:08 | 0:21:13 | |
'Big girl's blouse? Our Declan? Really?' | 0:21:13 | 0:21:15 | |
I believe because I want to believe. It doesn't matter whether it's true or not. | 0:21:15 | 0:21:19 | |
Girls, give me a shout if you need your brow mopped. There's a bit of sweat appearing. | 0:21:22 | 0:21:26 | |
If there's thinking to be done, it's over here. | 0:21:26 | 0:21:28 | |
-'You were the one with the pretty gloves on. Just get on with filling the beds. -Yes, sir! | 0:21:28 | 0:21:33 | |
'The raised beds are taking a lot of filling | 0:21:33 | 0:21:35 | |
'with tons and tons of topsoil over the gravel.' | 0:21:35 | 0:21:39 | |
Can you get me a Tesco bag or something? Just to throw that into. | 0:21:41 | 0:21:46 | |
Or any other bag, but like that. | 0:21:46 | 0:21:48 | |
-Other supermarkets are available. -Other bags. That's right. | 0:21:48 | 0:21:52 | |
Come back half an hour later and it's foamed out | 0:21:55 | 0:21:58 | |
like an overblown washing machine. | 0:21:58 | 0:22:01 | |
I'm going to take a break and do some dressmaking with Carol. | 0:22:01 | 0:22:05 | |
Right. We're using your dressmaking skills. | 0:22:05 | 0:22:08 | |
This will stop any soil running in under the deck, | 0:22:08 | 0:22:12 | |
which will inevitably end up in the drains. | 0:22:12 | 0:22:15 | |
'The soil that's going in here will allow the turf to grow in the centre of the deck.' | 0:22:15 | 0:22:20 | |
We tried to get chintz, but the budget didn't stretch. | 0:22:22 | 0:22:27 | |
We did say contemporary. Wouldn't be chintzy. | 0:22:27 | 0:22:30 | |
-Doing a good job there, Colin. -Thank you very little! | 0:22:30 | 0:22:34 | |
Time for another recap, Chris. | 0:22:37 | 0:22:39 | |
After clearing the site, we saw the design potential. | 0:22:39 | 0:22:41 | |
Then we took Carol and David to the ravine for planting inspiration. | 0:22:41 | 0:22:46 | |
Then I came up with that brilliant idea about slithers and biscuits for the composite decking. | 0:22:46 | 0:22:50 | |
Modest as ever. While I did some dressmaking, | 0:22:50 | 0:22:53 | |
filled beds, filled beds and filled beds. | 0:22:53 | 0:22:56 | |
Whinge, whinge, whinge. | 0:22:56 | 0:22:58 | |
Worth it, though. Look at it now. Beds all done and painted. | 0:23:03 | 0:23:06 | |
Deck finished. Lovely cobbled paving down. | 0:23:06 | 0:23:09 | |
David even painted the house | 0:23:09 | 0:23:11 | |
and walls to match my favourite touch, the outside sofas. | 0:23:11 | 0:23:14 | |
Nice to see it now it's all painted. It makes such a difference. | 0:23:17 | 0:23:20 | |
It brings the whole space together, having that unity of the paint. | 0:23:20 | 0:23:24 | |
It just means you get one image instead of lots of little fragments. | 0:23:24 | 0:23:28 | |
And the decking actually is working very well as well. | 0:23:28 | 0:23:31 | |
-It proves that we know what we're talking about. -Somebody does! -Have you done this before? | 0:23:31 | 0:23:36 | |
And then you've just got the planting to get in. | 0:23:36 | 0:23:39 | |
You remember back to the Botanics | 0:23:39 | 0:23:40 | |
and we were standing in that fernery? | 0:23:40 | 0:23:42 | |
That's the feel we're after. So we've got the structure | 0:23:42 | 0:23:46 | |
and the plants will now start to develop | 0:23:46 | 0:23:48 | |
that real kind of oasis feel about it. | 0:23:48 | 0:23:50 | |
By the end of today, once the life goes into it, the plants, | 0:23:50 | 0:23:53 | |
you'll notice a big big change. | 0:23:53 | 0:23:55 | |
Shall we get on with it? Or shall we stand staring at it? | 0:23:55 | 0:23:57 | |
-I've got nice pink gardening gloves for you. -Great. I'll need them. | 0:23:57 | 0:24:01 | |
..are you going to bring me and where are we going to? | 0:24:01 | 0:24:05 | |
-School. First day. -School! | 0:24:05 | 0:24:07 | |
You've got your school uniform on, that's right. | 0:24:07 | 0:24:09 | |
So, Chris, while Ben goes off for his first day at school | 0:24:10 | 0:24:13 | |
on a chilly day, you have us doing a fussy, fiddly job. | 0:24:13 | 0:24:17 | |
Bet we're still here when Ben gets back. | 0:24:17 | 0:24:19 | |
One of the great things about using | 0:24:21 | 0:24:23 | |
limes in this pleached way, this really hardcore trained way, | 0:24:23 | 0:24:27 | |
is that they're so well behaved, and they provide a green foil. | 0:24:27 | 0:24:31 | |
One down, nine to go. | 0:24:31 | 0:24:32 | |
-Daddy, are you nearly finished digging? -It might be some time. | 0:24:32 | 0:24:36 | |
Do you want to come and help me? | 0:24:38 | 0:24:42 | |
-Mummy, that's a bit messy. -It is a little bit messy. | 0:24:42 | 0:24:46 | |
So, still here when Ben's back. At least he's back for the dancing. | 0:24:48 | 0:24:51 | |
-See if you can catch Colin up. -He's caught me! -Got him! | 0:24:52 | 0:24:56 | |
-That's cheating! -I got him! | 0:24:56 | 0:24:59 | |
-You know that humid tropical feel that you get in the Botanics? -Just like today. | 0:25:02 | 0:25:06 | |
It's exactly like today. Which is why we've got the plants | 0:25:06 | 0:25:09 | |
which will create that same atmosphere. So, dense planting with a very eclectic mix. | 0:25:09 | 0:25:13 | |
There's plants here from all over the world. For instance, there's the Musa here, | 0:25:13 | 0:25:17 | |
which is one from the Japanese Highlands. | 0:25:17 | 0:25:21 | |
A banana. This goes up and up and up. Great big, long leaves. | 0:25:21 | 0:25:26 | |
-This is the Bangor banana plant? -This is a wonderful little plant. | 0:25:26 | 0:25:29 | |
Right next to that is a plant from New Zealand. | 0:25:29 | 0:25:32 | |
This New Zealand flax, the Phormiums. | 0:25:32 | 0:25:35 | |
And then the date palm from the Canaries. | 0:25:35 | 0:25:37 | |
So all over the world these plants are coming. | 0:25:37 | 0:25:39 | |
But the basic principle is that they just spill over one another. | 0:25:39 | 0:25:43 | |
And when you sit on the bench here, | 0:25:43 | 0:25:45 | |
you feel as if they're wrapping you up and within a couple of seasons, | 0:25:45 | 0:25:49 | |
you will feel as though you're back in that Temperate House at the Botanics. | 0:25:49 | 0:25:52 | |
-When do we get our first banana fruit? -Who knows? | 0:25:52 | 0:25:56 | |
There's plenty to look at before you get the bananas. You can have the neighbours on | 0:25:56 | 0:26:00 | |
because just nip to the local supermarket | 0:26:00 | 0:26:02 | |
and wire a few bananas on and say, "Look, bananas!" | 0:26:02 | 0:26:05 | |
'Hmm. Bananas in Bangor? Has a nice ring to it, though. | 0:26:05 | 0:26:09 | |
'Is that a sceptic in the garden? | 0:26:09 | 0:26:11 | |
'Here's something that'll grow fine. A bit of turf. | 0:26:11 | 0:26:14 | |
'Wash down the new cobbles. Final touches to the planting. | 0:26:14 | 0:26:17 | |
'Not good for my fingernails. | 0:26:17 | 0:26:20 | |
'And then, finally, washing off the walls.' | 0:26:20 | 0:26:25 | |
Where we're sitting now used to just be concrete. | 0:26:32 | 0:26:35 | |
When we sat with Colin and Chris at the beginning, | 0:26:39 | 0:26:42 | |
we couldn't have imagined that this is what we would have ended up with, | 0:26:42 | 0:26:46 | |
but it very much fits all the needs that we talked about. | 0:26:46 | 0:26:49 | |
Dave and Carol have really embraced | 0:26:53 | 0:26:56 | |
what Chris and I have kind of chucked at them. | 0:26:56 | 0:26:59 | |
Initially, what they were asking for is not what they got. | 0:26:59 | 0:27:02 | |
But what they got I think is what they really wanted. | 0:27:02 | 0:27:06 | |
I think it will completely transform the way that they live | 0:27:09 | 0:27:12 | |
and the way that the family unite | 0:27:12 | 0:27:14 | |
because they'll be able to share all of that space together. | 0:27:14 | 0:27:17 | |
All the spaces are welcoming. They're exciting | 0:27:23 | 0:27:26 | |
and they're vibrant | 0:27:26 | 0:27:28 | |
because there's life now in the garden. | 0:27:28 | 0:27:30 | |
And you just want to be in them. | 0:27:30 | 0:27:33 | |
'This is the very satisfying bit. | 0:27:33 | 0:27:35 | |
'The garden's beautifully planted - it's lush, it's verdant - | 0:27:36 | 0:27:40 | |
'but the space is chic and contemporary. | 0:27:40 | 0:27:44 | |
And yet, at night time, when you've got the outside light on, | 0:27:44 | 0:27:47 | |
it just seems part of that cosiness. | 0:27:47 | 0:27:50 | |
Even in this weather, such colour and brightness at night. | 0:27:54 | 0:27:58 | |
-You want go out there even though it is raining. -You do! Yeah. | 0:27:58 | 0:28:03 | |
That old, grey space outside has now become | 0:28:05 | 0:28:11 | |
a place to grow up in as a house and as a family. It's fantastic. | 0:28:11 | 0:28:16 | |
And when you go back to work, in one word, | 0:28:16 | 0:28:19 | |
how do you describe how you feel about the garden now? | 0:28:19 | 0:28:24 | |
-One word? -One word from me is hard. "Beyond wildest dreams". | 0:28:24 | 0:28:28 | |
Is that three words? That's a phrase. One phrase. Is that OK? | 0:28:28 | 0:28:32 | |
-We'll give you a phrase. -Beyond wildest dreams. Never imagined. | 0:28:32 | 0:28:36 | |
-They're not bad at what they do. -It turns out they know what they're talking about, yes. | 0:28:36 | 0:28:40 | |
Subtitles by Red Bee Media Ltd | 0:28:51 | 0:28:54 | |
E-mail [email protected] | 0:28:54 | 0:28:58 |