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We all dream of having
picture-perfect homes... | 0:00:03 | 0:00:05 | |
Wow! I know, right? Oh, my goodness! | 0:00:05 | 0:00:08 | |
Looks great. It's so bright in here. | 0:00:08 | 0:00:10 | |
Ugh. | 0:00:10 | 0:00:11 | |
..but keeping up with the Joneses
is far from easy. | 0:00:11 | 0:00:14 | |
Whoa, whoa, whoa. Do it in order. | 0:00:14 | 0:00:15 | |
It's like dealing with
the Three Stooges. | 0:00:15 | 0:00:17 | |
Oh, she's getting bossy. | 0:00:17 | 0:00:19 | |
How do you find the right builder
for the job? | 0:00:19 | 0:00:21 | |
You love it. | 0:00:21 | 0:00:23 | |
HE LAUGHS | 0:00:21 | 0:00:23 | |
We've scoured Britain... | 0:00:23 | 0:00:25 | |
You ready? I'm ready, babe. | 0:00:25 | 0:00:27 | |
..for pairs of builders.... | 0:00:27 | 0:00:29 | |
A bit posher than your house, mate,
innit? | 0:00:29 | 0:00:31 | |
No, don't know, mate. | 0:00:31 | 0:00:32 | |
..who were willing to pitch against
each other... | 0:00:32 | 0:00:34 | |
Well, they're out of it, anyway,
so what you going to do? | 0:00:34 | 0:00:37 | |
..to try to win work. | 0:00:37 | 0:00:38 | |
Right, first question -
is the kettle on? | 0:00:40 | 0:00:42 | |
Only one pair can get each job. | 0:00:42 | 0:00:44 | |
Yeah, baby! | 0:00:44 | 0:00:46 | |
Another one in the bag, Mickey boy. | 0:00:46 | 0:00:48 | |
But... | 0:00:48 | 0:00:49 | |
THEY LAUGH | 0:00:49 | 0:00:50 | |
..the winners won't be
getting away scot-free. | 0:00:50 | 0:00:53 | |
Ooh! Oh-ho-ho! | 0:00:53 | 0:00:55 | |
The losing pairs... | 0:00:55 | 0:00:57 | |
I'd love to be a househusband. | 0:00:57 | 0:00:58 | |
..will be watching their every move. | 0:00:58 | 0:01:00 | |
Where's the screws gone? | 0:01:00 | 0:01:01 | |
Uh-oh. | 0:01:01 | 0:01:03 | |
HE LAUGHS | 0:01:01 | 0:01:03 | |
I don't like the idea
of this at all, no. | 0:01:03 | 0:01:05 | |
Oh, my word! Oh! | 0:01:05 | 0:01:07 | |
We're kicking off in an historic
market town in Berkshire, | 0:01:11 | 0:01:15 | |
where house prices are more than
double the national average. | 0:01:15 | 0:01:19 | |
We're down south, in Wokingham. | 0:01:20 | 0:01:22 | |
Our southern builders are heading
for this four-bed semi... | 0:01:27 | 0:01:30 | |
Hello. Hello. ..which has been home
to Nazan, | 0:01:30 | 0:01:33 | |
Andrew and their son William
for the last four years. | 0:01:33 | 0:01:36 | |
They have most of the house
exactly as they want it, | 0:01:37 | 0:01:40 | |
but one room is letting
the rest of the place down. | 0:01:40 | 0:01:44 | |
The kitchen is one
of the last rooms left | 0:01:44 | 0:01:47 | |
in our house to be done. | 0:01:47 | 0:01:48 | |
I spend most of my time
preparing food or washing up. | 0:01:48 | 0:01:52 | |
What we don't like currently about
our kitchen is mainly the colour. | 0:01:52 | 0:01:55 | |
Perhaps have a bit more white tones
in it. | 0:01:55 | 0:01:57 | |
It might make it feel lighter
and a bit bigger, | 0:01:57 | 0:02:00 | |
like an open-plan kitchen. | 0:02:00 | 0:02:01 | |
So, how much has Nazan got to give
her dull kitchen a bit of pizzazz? | 0:02:01 | 0:02:06 | |
Our budget for this job is £3,000. | 0:02:06 | 0:02:09 | |
For that, we would like our cupboard
doors to be changed and walls and | 0:02:09 | 0:02:12 | |
skirting boards to be painted, and
like to have that lovely yellow and | 0:02:12 | 0:02:17 | |
green tiles to change, as well.
SHE LAUGHS | 0:02:17 | 0:02:19 | |
Not much money, then. | 0:02:20 | 0:02:21 | |
So, builders, how do we revamp a
kitchen without breaking the bank? | 0:02:21 | 0:02:25 | |
If you're really tight
on the budget, | 0:02:26 | 0:02:28 | |
then using sticky-back plastic
on the doors | 0:02:28 | 0:02:30 | |
and the panels can be one way
of revamping a kitchen into a lovely | 0:02:30 | 0:02:33 | |
glossed finish. But make sure
you get the creases out. | 0:02:33 | 0:02:36 | |
If you need help with your design,
tell the builder. | 0:02:36 | 0:02:38 | |
He can help you achieve what you
want and keep the cost down. | 0:02:38 | 0:02:41 | |
You can renovate old wooden doors
with specialist paint. | 0:02:41 | 0:02:44 | |
It's the perfect way to brighten up
an old kitchen. | 0:02:44 | 0:02:46 | |
Three pairs of builders are pitching
against each other | 0:02:49 | 0:02:51 | |
to try to win the job... | 0:02:51 | 0:02:53 | |
To be fair, I think we missed
the turning there, John. | 0:02:53 | 0:02:55 | |
THEY LAUGH | 0:02:55 | 0:02:57 | |
..if they ever find it. | 0:02:57 | 0:02:59 | |
They all know they're quoting
for a kitchen revamp. | 0:02:59 | 0:03:01 | |
Let's go and win the job. | 0:03:01 | 0:03:03 | |
First up are smooth operators
Martin and Mick. | 0:03:03 | 0:03:06 | |
Hiya. All right? Come on in. | 0:03:06 | 0:03:07 | |
Thank you. | 0:03:07 | 0:03:09 | |
What do they make of the kitchen? | 0:03:09 | 0:03:10 | |
The green's a little bit
overbearing, but... | 0:03:10 | 0:03:12 | |
Each to their own, each to their
own. ..it's clean, tidy. | 0:03:12 | 0:03:15 | |
Building buddies for
the last 15 years, | 0:03:17 | 0:03:20 | |
this pair claim no job is too big. | 0:03:20 | 0:03:23 | |
Having been in the building game
35 years... | 0:03:23 | 0:03:26 | |
we can do your kitchens,
we can do your bathrooms, | 0:03:26 | 0:03:29 | |
we can do your landscaping. | 0:03:29 | 0:03:31 | |
And there's a sure-fire way to get
their creative juices flowing. | 0:03:31 | 0:03:35 | |
Got to have an egg
and bacon sandwich. | 0:03:35 | 0:03:37 | |
And if it's not runny egg... | 0:03:37 | 0:03:38 | |
Is that why you carry a
bib in your motor? | 0:03:38 | 0:03:40 | |
Yeah... You can have the full one? | 0:03:40 | 0:03:41 | |
It's for the old egg banjo, innit? | 0:03:41 | 0:03:43 | |
Oh, is it? It's when the old egg
goes down you. | 0:03:43 | 0:03:45 | |
And while we're on
the subject of food, | 0:03:45 | 0:03:47 | |
what are you going to cook up
for Nazan's kitchen? | 0:03:47 | 0:03:50 | |
I think strip the tiles off and
look at a polished plaster | 0:03:50 | 0:03:53 | |
or something,
just to do something different. | 0:03:53 | 0:03:55 | |
That's still easier than having to
tile all this splashback in
and trim it up. | 0:03:55 | 0:03:58 | |
Polished plaster? | 0:03:58 | 0:03:59 | |
Sounds fancy.
But will it appeal to Nazan? | 0:03:59 | 0:04:02 | |
You may hate it, you may love it. | 0:04:02 | 0:04:04 | |
Have you seen polished plaster
before? | 0:04:04 | 0:04:06 | |
No, I haven't. I can imagine
what it looks like - | 0:04:06 | 0:04:08 | |
quite shiny. We can... Yeah, it
would absolutely transform the room. | 0:04:08 | 0:04:12 | |
And then obviously paint the rest
of the walls. Knock that green out. | 0:04:12 | 0:04:15 | |
The ceiling, walls and everything
like that, we would paint. | 0:04:15 | 0:04:18 | |
There's nothing wrong with these
doors. They're clean... | 0:04:18 | 0:04:21 | |
We can get cupboard paint. | 0:04:21 | 0:04:23 | |
That might work better,
to keep what's here. | 0:04:23 | 0:04:25 | |
What we've done in the past is
actually change cupboard doors | 0:04:25 | 0:04:28 | |
and completely transformed them
by painting them. | 0:04:28 | 0:04:31 | |
We wanted to do that in,
like, a distressed grey. | 0:04:31 | 0:04:33 | |
It's interesting, but, you know,
still be able to change the look, | 0:04:33 | 0:04:36 | |
rather than replacing
just the doors. | 0:04:36 | 0:04:39 | |
Now, for the worktops, our idea is
to actually bring in an oak - | 0:04:39 | 0:04:42 | |
like a solid wood, almost going
the other way. | 0:04:42 | 0:04:44 | |
Keeping the doors and
changing the worktops | 0:04:44 | 0:04:46 | |
and it's more economical
to do it that way. | 0:04:46 | 0:04:48 | |
Yeah, that sounds good. | 0:04:48 | 0:04:50 | |
So Martin and Mick plan
to transform the kitchen | 0:04:50 | 0:04:52 | |
without ripping much out. | 0:04:52 | 0:04:54 | |
They'll keep and paint the cupboards
in a light grey | 0:04:54 | 0:04:56 | |
and replace the worktops
in a modern oak. | 0:04:56 | 0:04:59 | |
Then, rather than re-tile, | 0:04:59 | 0:05:01 | |
they'll put a polished plaster
on the walls. | 0:05:01 | 0:05:04 | |
Certainly sounds more modern, | 0:05:04 | 0:05:06 | |
but Nazan only has £3,000. | 0:05:06 | 0:05:08 | |
Our price is... | 0:05:08 | 0:05:10 | |
3,700. | 0:05:10 | 0:05:12 | |
Ouch! That's way over-budget. | 0:05:12 | 0:05:14 | |
The things that have
pushed the price up - | 0:05:14 | 0:05:16 | |
solid oak worktops and
polished plaster. | 0:05:16 | 0:05:18 | |
It's very labour intensive, | 0:05:18 | 0:05:20 | |
but it gives you a fantastic finish
to it. | 0:05:20 | 0:05:22 | |
When do you think
it will take you to complete? | 0:05:22 | 0:05:24 | |
About a week? | 0:05:24 | 0:05:25 | |
Nazan is keeping her
cards close to her chest... | 0:05:25 | 0:05:27 | |
It's quite a nice kitchen. | 0:05:29 | 0:05:31 | |
..and that's just as well. | 0:05:31 | 0:05:33 | |
Next up against Martin and Mick
are burly bears Simon and John. | 0:05:33 | 0:05:37 | |
Maybe a blind in the window
might be a little bit fresher? | 0:05:37 | 0:05:39 | |
It'd be blinding. Blinding! | 0:05:39 | 0:05:41 | |
Yeah. | 0:05:41 | 0:05:43 | |
Friends for six years, | 0:05:43 | 0:05:45 | |
Simon and John bring with them
a wealth of experience. | 0:05:45 | 0:05:48 | |
Cup of tea and biscuits
is my main skill. | 0:05:48 | 0:05:50 | |
Well, you've got a good skill set,
haven't you? | 0:05:50 | 0:05:53 | |
I'd say plastering, plumbing
and chippy work. | 0:05:53 | 0:05:55 | |
I lend my hand to most other things
in the building trade. | 0:05:55 | 0:05:58 | |
As long as your blades are as sharp
as John, I like to think, eh, John? | 0:05:58 | 0:06:01 | |
JOHN LAUGHS | 0:06:01 | 0:06:02 | |
End of the day, you just want
to go to work, | 0:06:02 | 0:06:04 | |
earn your money, and you have
to have a laugh, don't you? | 0:06:04 | 0:06:07 | |
Yeah. No matter... I cry quite a
bit, though, John, don't I,
to be fair? | 0:06:07 | 0:06:10 | |
But there you go, such is life. | 0:06:10 | 0:06:13 | |
Let's hope he's not upset
by Nazan's kitchen. | 0:06:13 | 0:06:15 | |
We've got to think whether it's
the tile, or painted | 0:06:15 | 0:06:18 | |
with a bit of glass, | 0:06:18 | 0:06:19 | |
but I think brick-effect tile | 0:06:19 | 0:06:21 | |
would make this look really long,
wouldn't it? | 0:06:21 | 0:06:24 | |
Yes, with a nice
light-grey on the walls. | 0:06:24 | 0:06:26 | |
I think so, yeah. | 0:06:26 | 0:06:27 | |
Repaint. Maybe grey, as you say. | 0:06:27 | 0:06:30 | |
But they've got to convince Nazan
that their design idea's the best. | 0:06:30 | 0:06:33 | |
So we've decided obviously
to repaint in a... | 0:06:35 | 0:06:38 | |
Like a light grey.
Like a light grey. | 0:06:38 | 0:06:40 | |
Do all the tiling, like a white
brick-effect brick bond tile. | 0:06:40 | 0:06:45 | |
Yep. | 0:06:45 | 0:06:46 | |
Maybe with a grey grout.
..grey grout in there. | 0:06:46 | 0:06:48 | |
And we think that would be
quite modern. | 0:06:48 | 0:06:50 | |
I think you could go with a bit of a
vinyl wrap on the doors, couldn't
you? Yeah, definitely. | 0:06:51 | 0:06:55 | |
So the doors are the same.
That's a good idea, that is. | 0:06:55 | 0:06:58 | |
So there's 21 doors. | 0:06:58 | 0:06:59 | |
JOHN WHISTLES
That's a lot of work, innit? It is. | 0:06:59 | 0:07:02 | |
We did think, first-off, | 0:07:02 | 0:07:03 | |
about changing the doors, and then
obviously maybe doing a vinyl wrap | 0:07:03 | 0:07:07 | |
over the doors. Whereas we're
concerned that we could change all | 0:07:07 | 0:07:10 | |
the doors and then you still go,
"I'm still not very happy with it." | 0:07:10 | 0:07:13 | |
We just thought maybe you'd be
better off to put that money towards | 0:07:13 | 0:07:15 | |
a new kitchen, really, to be honest
with you. Yeah. | 0:07:15 | 0:07:18 | |
THEY LAUGH | 0:07:18 | 0:07:20 | |
So Simon and John
are also proposing | 0:07:20 | 0:07:22 | |
to keep the original cupboard doors, | 0:07:22 | 0:07:24 | |
but to update them with vinyl wrap, | 0:07:24 | 0:07:27 | |
then re-tile with white bricks and
grey grout and paint the walls in | 0:07:27 | 0:07:30 | |
grey to freshen everything up. | 0:07:30 | 0:07:33 | |
But can they come in under the
£3,000 budget? | 0:07:33 | 0:07:36 | |
That will be 2,300. | 0:07:38 | 0:07:41 | |
Yeah, which is £1,600 labour
and £700 material. | 0:07:41 | 0:07:45 | |
Materials. Yeah. | 0:07:45 | 0:07:47 | |
Well, it's £700
less than Nazan has to spend, | 0:07:47 | 0:07:50 | |
but is it enough of
a kitchen face-lift | 0:07:50 | 0:07:53 | |
to convince her to pick them? | 0:07:53 | 0:07:54 | |
So how long will that
take to complete? | 0:07:54 | 0:07:57 | |
We've allowed four days. Four days. | 0:07:57 | 0:07:59 | |
Nazan's still giving nothing away | 0:07:59 | 0:08:01 | |
and there's one more pitch to go. | 0:08:01 | 0:08:03 | |
BASS-HEAVY MUSIC BLASTS FROM CAR | 0:08:03 | 0:08:05 | |
Bidding against
the other two builders | 0:08:05 | 0:08:07 | |
are dependable duo Gavin and Jimbo. | 0:08:07 | 0:08:09 | |
Yes, that is his stereo. | 0:08:12 | 0:08:14 | |
Hi, I'm Gavin. Hi, Gavin, I'm Naz. | 0:08:14 | 0:08:16 | |
Hello, Naz. Jimbo. | 0:08:16 | 0:08:18 | |
Let's hope he has better
taste in kitchens. | 0:08:18 | 0:08:20 | |
I normally carry him across
the threshold. One second. | 0:08:20 | 0:08:23 | |
HE STRAINS | 0:08:23 | 0:08:24 | |
Too many pies.
Oh, you've put me back out. | 0:08:24 | 0:08:27 | |
Are you whingeing, still? | 0:08:27 | 0:08:28 | |
No. No, no. | 0:08:28 | 0:08:30 | |
Believe it or not, these two have
been buddies on and off | 0:08:30 | 0:08:33 | |
building sites for
the last 23 years. | 0:08:33 | 0:08:35 | |
You tend to meet people... | 0:08:35 | 0:08:38 | |
in this job that you know that
you're going to get on with, | 0:08:38 | 0:08:41 | |
and then you
meet people like Jimbo. | 0:08:41 | 0:08:42 | |
HE LAUGHS | 0:08:42 | 0:08:44 | |
The only thing on a job like this
is that we have to make sure that we | 0:08:44 | 0:08:47 | |
give Jim a good, liberal spraying of
deodorant before we come into | 0:08:47 | 0:08:50 | |
a tight space like this. | 0:08:50 | 0:08:51 | |
Projects that we tackle? I mean,
everything, really. | 0:08:51 | 0:08:54 | |
You do a lot... It seems to go in
runs as well. | 0:08:54 | 0:08:56 | |
Sometimes you'll do kitchen after
kitchen after kitchen, | 0:08:56 | 0:08:59 | |
and then you won't do one for, like,
two, three years, so, there's no... | 0:08:59 | 0:09:02 | |
It is mad. | 0:09:02 | 0:09:04 | |
Well, if you get your pitch right,
you won't be waiting THAT long. | 0:09:04 | 0:09:06 | |
I don't think we dressed properly
for the occasion, James. | 0:09:06 | 0:09:09 | |
Just pop that on. | 0:09:09 | 0:09:11 | |
Hmm. You're here to quote,
not to cook. | 0:09:11 | 0:09:12 | |
Re-tile, was it? Yeah. | 0:09:14 | 0:09:15 | |
I think grey - everything's grey. | 0:09:15 | 0:09:17 | |
Keep the worktops,
but everything grey. | 0:09:17 | 0:09:19 | |
Right. Well, we'll need a shade
of grey what they want - dark? | 0:09:19 | 0:09:22 | |
How many shades of grey, James? | 0:09:22 | 0:09:24 | |
And we'll leave it there. | 0:09:24 | 0:09:25 | |
So, will Nazan think their grey
theme is 50 shades of YAY? | 0:09:25 | 0:09:30 | |
We've got an idea -
replace all the doors. | 0:09:30 | 0:09:32 | |
Grey units. Not
a high-gloss finish... | 0:09:32 | 0:09:34 | |
Right. ..cos that shows up
every mark. | 0:09:34 | 0:09:37 | |
Keeping the worktops. | 0:09:37 | 0:09:38 | |
You know, to change the worktops
to stone and so forth, | 0:09:38 | 0:09:41 | |
that would just blow the budget. | 0:09:41 | 0:09:43 | |
I'm thinking... | 0:09:45 | 0:09:46 | |
Because it's quite a bright room,
quite a big room... Yeah. | 0:09:46 | 0:09:49 | |
I think because of that we can go
a couple of shades darker | 0:09:49 | 0:09:52 | |
with the units,
but keep the walls lighter. | 0:09:52 | 0:09:55 | |
The lighting's fine in there. | 0:09:55 | 0:09:56 | |
Re-white the ceiling. Where you've
got a few cracks around there, | 0:09:56 | 0:09:59 | |
do all the decorating.
We go lighter on the paint. | 0:09:59 | 0:10:01 | |
Yeah. A light grey tile. | 0:10:01 | 0:10:03 | |
So as you go in the room,
it'll be like, "Wow!" | 0:10:03 | 0:10:07 | |
Gavin and Jimbo are proposing to
replace the doors | 0:10:07 | 0:10:10 | |
with a grey satin finish,
add light grey tiles, | 0:10:10 | 0:10:13 | |
but keep the dark worktops. | 0:10:13 | 0:10:16 | |
Then, they'll brighten up the whole
room by painting it a light colour. | 0:10:16 | 0:10:19 | |
But wow factors don't usually come
cheap, so what's the damage? | 0:10:19 | 0:10:23 | |
We worked that out at... | 0:10:23 | 0:10:25 | |
4,350, correct? | 0:10:26 | 0:10:28 | |
Yeah. Which I know is
slightly over your budget. | 0:10:28 | 0:10:31 | |
Slightly?! | 0:10:31 | 0:10:32 | |
That's 1,350 over. | 0:10:32 | 0:10:35 | |
It's a massive overhaul. | 0:10:35 | 0:10:36 | |
You know, it's like an old car. | 0:10:36 | 0:10:38 | |
How far do you go with it?
Or just get a new one. | 0:10:38 | 0:10:40 | |
It's not a car, Jim, it's a kitchen. | 0:10:40 | 0:10:42 | |
They've all pitched, but Nazan
doesn't have to choose any of them. | 0:10:43 | 0:10:47 | |
All right, John, how did you get on
with that one? | 0:10:47 | 0:10:49 | |
We think new kitchen. You quoted
for a new kitchen? No. | 0:10:49 | 0:10:52 | |
We told her that she needs to save
up and buy a new kitchen. | 0:10:52 | 0:10:55 | |
Oh, right. | 0:10:55 | 0:10:56 | |
THEY LAUGH | 0:10:55 | 0:10:56 | |
The builders have done
all they can. | 0:10:56 | 0:10:59 | |
The ball is in Nazan's court. | 0:10:59 | 0:11:01 | |
All the pitches were really good
and very helpful, | 0:11:01 | 0:11:04 | |
but it was really hard
to make a decision. | 0:11:04 | 0:11:06 | |
Nazan can only offer
the job to one pair. | 0:11:06 | 0:11:09 | |
Will it be Simon and John's
kitchen refresh | 0:11:09 | 0:11:13 | |
that came in under budget? | 0:11:13 | 0:11:16 | |
Martin and Mick's polished plaster
and painted doors, | 0:11:16 | 0:11:19 | |
slightly over budget? | 0:11:19 | 0:11:20 | |
Or Gavin and Jimbo's even more
pricey 50 shades of grey design? | 0:11:21 | 0:11:26 | |
PHONE RINGS | 0:11:33 | 0:11:34 | |
Hello? | 0:11:35 | 0:11:37 | |
'Hi, Martin and Mick, this is Naz.' | 0:11:37 | 0:11:39 | |
Hi, Naz, how are you? All right? | 0:11:39 | 0:11:41 | |
I would like to go
with you guys. | 0:11:41 | 0:11:44 | |
Oh, fantastic. Wonderful. | 0:11:44 | 0:11:45 | |
You liked the ideas, then? | 0:11:45 | 0:11:47 | |
Yes, yes, I liked it very much. | 0:11:47 | 0:11:49 | |
Brilliant. See you soon, Naz,
cheers. | 0:11:49 | 0:11:51 | |
We've done it again. | 0:11:51 | 0:11:53 | |
Martin and Mick are in business... | 0:11:53 | 0:11:54 | |
Martin and Mick?
Oh, Martin and Mick. | 0:11:54 | 0:11:57 | |
Yeah, I thought they might get that.
Well done. | 0:11:57 | 0:11:59 | |
..but the losers are a job down. | 0:11:59 | 0:12:01 | |
So, wow factor-wise, I can see
why... Yeah, it's a winner. | 0:12:01 | 0:12:04 | |
..they went with what they're doing. | 0:12:04 | 0:12:06 | |
It was the polished plaster
that done it. | 0:12:06 | 0:12:08 | |
I can't wait to see the end product. | 0:12:08 | 0:12:10 | |
Yep, almost makes losing the job
worth it, doesn't it, lads? | 0:12:10 | 0:12:14 | |
A new kitchen is always exciting,
but it's disruptive. | 0:12:16 | 0:12:19 | |
So, builders, how do we make it
stress-free? | 0:12:19 | 0:12:21 | |
Having a kitchen done, | 0:12:21 | 0:12:23 | |
make sure you pack everything
the way apart from the microwave | 0:12:23 | 0:12:26 | |
and toaster, cos you might have
to live on soup for a week. | 0:12:26 | 0:12:28 | |
Make sure you've got a little brew
station set up. | 0:12:28 | 0:12:30 | |
Because we're going to want a brew. | 0:12:30 | 0:12:32 | |
Treat yourself to some
sealed containers - | 0:12:32 | 0:12:34 | |
it's the best way to keep dust away
from your favourite snacks. | 0:12:34 | 0:12:37 | |
It's day one of the build and Martin
and Mick are wasting no time | 0:12:39 | 0:12:43 | |
ripping out those dull tiles
and dark worktops | 0:12:43 | 0:12:46 | |
under the watchful gaze
of the losing builders. | 0:12:46 | 0:12:49 | |
Oh, righto, John. Oh. | 0:12:49 | 0:12:50 | |
I'm interested to see
what this kitchen's | 0:12:50 | 0:12:52 | |
going to end up looking like. | 0:12:52 | 0:12:53 | |
And before it's in with the new,
it's out with the old. | 0:12:53 | 0:12:56 | |
There he is - Barnacle Bill. | 0:12:58 | 0:12:59 | |
So we've stripped all
the tiles off the wall. | 0:13:00 | 0:13:03 | |
Some of the worktops
are coming out now, | 0:13:03 | 0:13:04 | |
so we're just cutting some of
the easy ones back in first. | 0:13:04 | 0:13:08 | |
Oh, put a bit of oak on there. Yeah. | 0:13:08 | 0:13:10 | |
When we looked at the kitchen, | 0:13:10 | 0:13:12 | |
we just assumed it was a
standard-sized worktop. | 0:13:12 | 0:13:15 | |
This worktop on the back here
which is housing the sink | 0:13:15 | 0:13:18 | |
is actually a little bit deeper. | 0:13:18 | 0:13:20 | |
So that's my boo-boo. | 0:13:20 | 0:13:21 | |
Ooh! | 0:13:21 | 0:13:23 | |
Should have measured that. | 0:13:23 | 0:13:25 | |
So even the pros make mistakes.
They do. | 0:13:25 | 0:13:27 | |
But it's good to admit it. | 0:13:27 | 0:13:28 | |
I'll have to own up to that one, | 0:13:28 | 0:13:30 | |
so I have phoned the worktop company
to get a replacement | 0:13:30 | 0:13:32 | |
and they're going to hopefully swap
one over tomorrow morning. | 0:13:32 | 0:13:35 | |
So that's going to
hold up a little bit. | 0:13:35 | 0:13:37 | |
I bet Mick's well happy with that. | 0:13:37 | 0:13:38 | |
You'd better crack on with
everything else, then, lads. | 0:13:40 | 0:13:43 | |
Mick, have you got a smaller
spanner? Cos mine's way too big? | 0:13:43 | 0:13:47 | |
Yeah, you always do brag. | 0:13:47 | 0:13:48 | |
You're in luck, Martin.
I found your weekend one. | 0:13:52 | 0:13:55 | |
I knew you had a little one. | 0:13:55 | 0:13:57 | |
Gentlemen, please. | 0:14:01 | 0:14:02 | |
It's always good to have a couple of
spanners on the job, anyway, innit? | 0:14:03 | 0:14:06 | |
There's nothing like a harmonious
working relationship, | 0:14:09 | 0:14:13 | |
and this is nothing like a
harmonious working relationship. | 0:14:13 | 0:14:17 | |
Hey, whoa, whoa. | 0:14:17 | 0:14:18 | |
My finger's in there. | 0:14:18 | 0:14:20 | |
Calm down! | 0:14:20 | 0:14:21 | |
It's mad, innit? | 0:14:22 | 0:14:23 | |
I like these two, they're great. | 0:14:23 | 0:14:25 | |
Mick and his apprentice. | 0:14:28 | 0:14:29 | |
Whoa! | 0:14:30 | 0:14:31 | |
They're like a married couple,
ain't they? | 0:14:33 | 0:14:35 | |
HE CACKLES | 0:14:35 | 0:14:37 | |
Old man Mick! | 0:14:37 | 0:14:38 | |
That's it. | 0:14:38 | 0:14:40 | |
Watch the ceiling. That,
he's got to paint anyway. | 0:14:40 | 0:14:42 | |
With the kitchen stripped
of all its old nasties, | 0:14:45 | 0:14:48 | |
a modern look can begin
to take shape. | 0:14:48 | 0:14:51 | |
But in a change to
the original plan, | 0:14:51 | 0:14:53 | |
Nazan has decided to go for tiles
rather than polished plaster. | 0:14:53 | 0:14:57 | |
Aw, I wanted to see the polished
plaster. I wanted to see that. | 0:14:57 | 0:14:59 | |
Yeah. | 0:14:59 | 0:15:01 | |
You are going to get adhesive on
the tiles as they're going on, | 0:15:01 | 0:15:03 | |
but if you clean as much up
while it's wet as possible, | 0:15:03 | 0:15:06 | |
it's going to save you
a massive job. | 0:15:06 | 0:15:08 | |
If you've let it all go off hard,
you're going to have a nightmare. | 0:15:08 | 0:15:11 | |
No, just don't get any adhesive
on the tiles, boys. | 0:15:11 | 0:15:13 | |
Page one tiling. | 0:15:13 | 0:15:15 | |
It's not too difficult, is it?
It's like laying bricks. | 0:15:15 | 0:15:17 | |
Look at Mick.
"It's not too difficult." | 0:15:19 | 0:15:21 | |
And look who's popped in to check
the tiles are straight. | 0:15:23 | 0:15:27 | |
All right, Naz, I've started now,
so what do you think of these tiles? | 0:15:27 | 0:15:30 | |
I don't like it. | 0:15:30 | 0:15:32 | |
Oh, the boss... Oh, hold on.
She doesn't look very happy. | 0:15:32 | 0:15:34 | |
It's good, it's looking good.
HE EXHALES | 0:15:36 | 0:15:38 | |
Oh, you gave me a heart attack then. | 0:15:38 | 0:15:41 | |
Oh, she's poker-faced him,
ain't she? She had him, then. | 0:15:41 | 0:15:44 | |
Proper tucked him.
That was good, that one. | 0:15:44 | 0:15:47 | |
So far, so good. | 0:15:48 | 0:15:50 | |
But there is one thing
niggling Nazan. | 0:15:50 | 0:15:53 | |
Look what you've created! | 0:15:53 | 0:15:54 | |
HE LAUGHS | 0:15:53 | 0:15:54 | |
I've seen a little bit of dust
on a few things. | 0:15:54 | 0:15:57 | |
Giving him a little bit
of a hard time for it. | 0:15:57 | 0:15:59 | |
HE LAUGHS AND SNORTS | 0:15:59 | 0:16:01 | |
Oh, dear. You're going to get dust,
aren't you? | 0:16:01 | 0:16:03 | |
Yeah, it's part of the deal. | 0:16:03 | 0:16:05 | |
What does she want,
no dust anywhere? | 0:16:05 | 0:16:06 | |
"I tell you what,
let's have no dust." | 0:16:06 | 0:16:08 | |
That's a tough old job, that is,
isn't it? | 0:16:08 | 0:16:11 | |
"I'll have my whole kitchen done,
but no dust, please." Yeah. | 0:16:11 | 0:16:13 | |
Just remember what they say - | 0:16:13 | 0:16:15 | |
you have to break a few eggs to make
an omelette, Naz. | 0:16:15 | 0:16:17 | |
I promise... | 0:16:17 | 0:16:18 | |
..that it'll all be clean and tidy
when I leave. | 0:16:20 | 0:16:22 | |
I'm not saying it's going to be
finished, but it'll be tidy! | 0:16:22 | 0:16:25 | |
THEY LAUGH | 0:16:25 | 0:16:26 | |
I think what we're doing is all but
putting a new kitchen in, really. | 0:16:28 | 0:16:32 | |
Exactly what we said.
EXACTLY what we said. | 0:16:32 | 0:16:35 | |
I think it saved a lot of
the expense and the hassle | 0:16:35 | 0:16:38 | |
of ripping everything out | 0:16:38 | 0:16:40 | |
and it's going to feel
like a new kitchen. | 0:16:40 | 0:16:43 | |
When it's all done and dusted,
you mean? | 0:16:43 | 0:16:45 | |
We'll find out just how well the
rest of the refit goes later. | 0:16:45 | 0:16:49 | |
Next job today takes us to a town
that once thrived on coal, | 0:16:55 | 0:16:59 | |
cotton and iron. | 0:16:59 | 0:17:01 | |
House prices here are just over half
the national average. | 0:17:01 | 0:17:05 | |
We're up north in Atherton, Wigan. | 0:17:05 | 0:17:07 | |
This three-bed 1970s semi has been | 0:17:11 | 0:17:14 | |
home to Chris and Joanne Poulton | 0:17:14 | 0:17:16 | |
for the last five years, | 0:17:16 | 0:17:18 | |
but they've never quite | 0:17:18 | 0:17:19 | |
seen eye to eye on the house. | 0:17:19 | 0:17:21 | |
I think it was me who more pushed to
buy this one when we went for it. | 0:17:21 | 0:17:24 | |
It was me who liked it more. | 0:17:24 | 0:17:25 | |
Jo's had issues with certain areas
of the house since day one. | 0:17:25 | 0:17:29 | |
And there's one area in particular
that's a bone of contention. | 0:17:29 | 0:17:32 | |
I don't like the hallway at all. | 0:17:33 | 0:17:35 | |
The banister is awful. | 0:17:35 | 0:17:37 | |
It's an eyesore. | 0:17:38 | 0:17:39 | |
When we first moved in, I found it
a unique feature, quite nice. | 0:17:41 | 0:17:45 | |
It's not just ugly,
it's a health hazard. | 0:17:45 | 0:17:47 | |
It's dangerous. It is dangerous. | 0:17:47 | 0:17:48 | |
It's never good sending someone's
child home with a bruised head when | 0:17:48 | 0:17:51 | |
they've been round your house. | 0:17:51 | 0:17:52 | |
HE LAUGHS | 0:17:52 | 0:17:54 | |
Yeah. | 0:17:52 | 0:17:54 | |
No, it's not. | 0:17:54 | 0:17:56 | |
Chris has given in, so Joanne can
have her new banisters. | 0:17:56 | 0:18:00 | |
But how much have they got to
transform their hallway? | 0:18:00 | 0:18:03 | |
I'm estimating it's going to cost
around about 1,500. 1,500. | 0:18:04 | 0:18:08 | |
And the difficulty is, | 0:18:08 | 0:18:09 | |
we haven't had a price on actually
getting the banister replaced, | 0:18:09 | 0:18:14 | |
so it's purely my guesswork on that. | 0:18:14 | 0:18:17 | |
Let's hope he doesn't get a shock. | 0:18:17 | 0:18:19 | |
If you're on the hunt for builders
but you don't know where to start, | 0:18:19 | 0:18:22 | |
the answer might be
right under your nose. | 0:18:22 | 0:18:25 | |
Speak to your family and friends. | 0:18:25 | 0:18:27 | |
Because, at the end of the day, | 0:18:27 | 0:18:29 | |
it's not just about how the build
turns out at the end, | 0:18:29 | 0:18:32 | |
it's about the process that
you're going through as well. | 0:18:32 | 0:18:35 | |
Don't be frightened to ask for
examples of work or references. | 0:18:35 | 0:18:39 | |
Go with your gut instincts. | 0:18:39 | 0:18:40 | |
If you think that you're going to
get on with them and work well | 0:18:40 | 0:18:43 | |
with them, then use them. | 0:18:43 | 0:18:45 | |
If you think they're a bit shifty,
then don't. | 0:18:45 | 0:18:47 | |
Today's trio are full of beans. | 0:18:49 | 0:18:51 | |
# Sunshine on a rainy day... # | 0:18:51 | 0:18:54 | |
They all know it's a hallway... | 0:18:55 | 0:18:57 | |
Where are we, again?
I don't know, I'm from Liverpool. | 0:18:57 | 0:18:59 | |
..but it's their big banister ideas
that will win them the job. | 0:18:59 | 0:19:03 | |
It should be a good one for you,
this. Yeah. | 0:19:03 | 0:19:04 | |
First in are no-nonsense lads
Mark and Chris. | 0:19:04 | 0:19:08 | |
Hello. Hi, there. Nice to meet you. | 0:19:08 | 0:19:10 | |
Oh, oh! Do you want to dance? | 0:19:10 | 0:19:12 | |
THEY LAUGH | 0:19:10 | 0:19:12 | |
Pals for eight years and
building buddies for three, | 0:19:13 | 0:19:16 | |
they claim to have
the perfect partnership. | 0:19:16 | 0:19:18 | |
What makes us a good team
is the fact that we are | 0:19:18 | 0:19:21 | |
like a married couple, isn't it? | 0:19:21 | 0:19:22 | |
There will be times when, you know -
and I'm sure you're back me - | 0:19:22 | 0:19:25 | |
I will have to put my foot down. | 0:19:25 | 0:19:27 | |
What time do you call this? | 0:19:27 | 0:19:29 | |
Better late than never. | 0:19:29 | 0:19:30 | |
You know, you're building something
for someone else, aren't you? | 0:19:30 | 0:19:33 | |
You know, that's their money,
that's their property? Yeah. | 0:19:33 | 0:19:36 | |
You know.
I think...I think we're good at it. | 0:19:36 | 0:19:38 | |
Time to find out what they think
will win them the hallway job | 0:19:39 | 0:19:43 | |
at Chris and Joanne's. | 0:19:43 | 0:19:44 | |
Total update in here. | 0:19:44 | 0:19:46 | |
Dado off, fresh plaster throughout. | 0:19:46 | 0:19:48 | |
We already know how much
that's going to cost. | 0:19:48 | 0:19:50 | |
Skimmed and painted up.
Yeah. Decorated. | 0:19:50 | 0:19:52 | |
Wrought iron's coming out. | 0:19:53 | 0:19:55 | |
It will be a solid oak handrail
and it will be a solid oak base. | 0:19:55 | 0:19:59 | |
Fine spindles and get all the
spindles pre-painted and slotted in. | 0:19:59 | 0:20:04 | |
Mark and Chris want to replace the
wrought iron swirls with a simple, | 0:20:04 | 0:20:08 | |
traditional look. Will that wow
Joanne and Chris? | 0:20:08 | 0:20:12 | |
We've chosen oak. You know,
it's a better quality material. | 0:20:12 | 0:20:14 | |
Such a lovely material to look at.
Yeah. | 0:20:14 | 0:20:16 | |
The oak is going to set
that apart from any ordinary, | 0:20:16 | 0:20:20 | |
run-of-the-mill stairs. | 0:20:20 | 0:20:21 | |
The format for the newel posts
will be in pine, | 0:20:21 | 0:20:24 | |
but they will be in high-gloss white | 0:20:24 | 0:20:26 | |
with square white pine spindles, | 0:20:26 | 0:20:28 | |
obviously to keep the cost down. | 0:20:28 | 0:20:30 | |
If we was to go in full oak, | 0:20:30 | 0:20:32 | |
I might as well just leave now.
HE LAUGHS | 0:20:32 | 0:20:34 | |
The carpet, I'd really
like the striped carpet | 0:20:35 | 0:20:38 | |
going straight down the
middle with the half-carpet, | 0:20:38 | 0:20:40 | |
so you got the treads still
visible on the sides. Yeah. | 0:20:40 | 0:20:43 | |
Yeah? Cos once that's all
painted up nice, that looks lovely. | 0:20:43 | 0:20:46 | |
We've priced in to carpet
the full stairs and landing. | 0:20:46 | 0:20:50 | |
We'd need to discuss
the actual colours | 0:20:50 | 0:20:52 | |
and the grade of carpet because,
you know... | 0:20:52 | 0:20:55 | |
Yeah. | 0:20:55 | 0:20:57 | |
So Mark and Chris have come up with
a traditional hallway look. | 0:20:57 | 0:21:00 | |
They're going to paint upstairs and
down in a light, neutral colour, | 0:21:00 | 0:21:04 | |
build new banisters out of smart oak | 0:21:04 | 0:21:06 | |
and painted pine spindles. | 0:21:06 | 0:21:08 | |
They'll also add
a striped stair carpet | 0:21:08 | 0:21:11 | |
to complete the look. | 0:21:11 | 0:21:12 | |
Chris and Joanne | 0:21:12 | 0:21:13 | |
only have a £1,500 budget. | 0:21:13 | 0:21:15 | |
We'd be looking at... | 0:21:15 | 0:21:16 | |
..£2,950. | 0:21:19 | 0:21:22 | |
That's nearly double the budget. | 0:21:22 | 0:21:24 | |
But it's not over yet. | 0:21:24 | 0:21:26 | |
Next up are grafters Alex and Chris. | 0:21:28 | 0:21:31 | |
I think we're going to
be a bit lost, mate. | 0:21:31 | 0:21:33 | |
A bit lost? Well, we normally like
to put wrought iron in, | 0:21:33 | 0:21:36 | |
not take it out. | 0:21:36 | 0:21:37 | |
ALEX LAUGHS | 0:21:37 | 0:21:39 | |
Maybe we'll use it for another job! | 0:21:39 | 0:21:40 | |
When it comes to standards, | 0:21:42 | 0:21:43 | |
these building buddies sing
from the same hymn sheet. | 0:21:43 | 0:21:46 | |
The guy that I trained with, | 0:21:46 | 0:21:47 | |
he was a perfectionist
in what he did | 0:21:47 | 0:21:50 | |
and that rubbed off on me and
that's one of the reasons | 0:21:50 | 0:21:53 | |
why me and Chris work so well, | 0:21:53 | 0:21:54 | |
because he's exactly the same. | 0:21:54 | 0:21:56 | |
As we say, we don't do problems,
we only do solutions. | 0:21:56 | 0:21:58 | |
The guy I trained with was
a perfectionist as well - | 0:21:58 | 0:22:01 | |
just happened to be me. So, yeah... | 0:22:01 | 0:22:02 | |
So let's see if Chris and Alex
can come up with | 0:22:05 | 0:22:08 | |
a flawless idea for the hallway. | 0:22:08 | 0:22:10 | |
I'm feeling glass. | 0:22:10 | 0:22:11 | |
Timber handrail and base rail,
and then... Panels. ..glass panel. | 0:22:12 | 0:22:17 | |
With the nice chrome brackets
on them. | 0:22:17 | 0:22:19 | |
If we go glass, it's going to open
it right up. | 0:22:19 | 0:22:21 | |
It's just whether it's going to come
anywhere near budget, | 0:22:21 | 0:22:23 | |
that's the only thing. | 0:22:23 | 0:22:24 | |
A glass staircase to make the
hallway lighter | 0:22:24 | 0:22:27 | |
and brighter. Now, they just need
to sway Chris and Joanne. | 0:22:27 | 0:22:30 | |
We're going to remove the
lovely staircase you've got | 0:22:30 | 0:22:33 | |
at the moment. CHRIS: Barely in.
THEY LAUGH | 0:22:33 | 0:22:35 | |
Get rid of it. | 0:22:35 | 0:22:37 | |
You've got the opportunity to go for
something completely special. | 0:22:37 | 0:22:40 | |
A light oak handrail and base
rail, toughened glass in between. | 0:22:40 | 0:22:43 | |
That's different.
Yeah, it's very different. | 0:22:43 | 0:22:45 | |
Is it kids' fingerprint-proof? | 0:22:45 | 0:22:47 | |
Nothing is kids' fingerprint-proof, | 0:22:47 | 0:22:49 | |
as you fully-well know, | 0:22:49 | 0:22:51 | |
and I fully-well know. | 0:22:51 | 0:22:52 | |
Re-skim. | 0:22:52 | 0:22:54 | |
The coving is looking like
possibly we could take that off. | 0:22:54 | 0:22:57 | |
It's looking a bit dated. | 0:22:57 | 0:22:58 | |
Coving off, OK. | 0:22:58 | 0:23:00 | |
We've priced up for completely
re-skimming | 0:23:00 | 0:23:02 | |
the whole hall stairs and landing. | 0:23:02 | 0:23:04 | |
It'll give you a really
nice surface, then, | 0:23:04 | 0:23:07 | |
to paint it in whatever colours
that you decide. | 0:23:07 | 0:23:10 | |
Chris and Alex want to
give the hallway a wow, | 0:23:10 | 0:23:12 | |
with fresh, clean lines throughout. | 0:23:12 | 0:23:15 | |
They'll skim the '70s ceiling
and walls, | 0:23:15 | 0:23:17 | |
and their big selling point | 0:23:17 | 0:23:19 | |
is an oak banister with toughened
glass instead of spindles. | 0:23:19 | 0:23:23 | |
Doesn't sound cheap,
so what's the damage? | 0:23:23 | 0:23:26 | |
That would be £2,920. OK. | 0:23:26 | 0:23:28 | |
Once again, nearly double the
couple's ideal budget of £1,500. | 0:23:28 | 0:23:33 | |
It sounds like an opening
for their rivals. | 0:23:33 | 0:23:35 | |
Next up is family firm
Tracy and Daryll... | 0:23:39 | 0:23:42 | |
Do not think you should be
measuring, rather than just tapping? | 0:23:42 | 0:23:46 | |
..and Mum's very proud of her son. | 0:23:46 | 0:23:48 | |
The reason that my customers are
happy at the end of the day | 0:23:48 | 0:23:51 | |
is all down to Daryll. | 0:23:51 | 0:23:53 | |
My mum's very motivated
and very driven. | 0:23:53 | 0:23:55 | |
The business wouldn't be the driving
force that it is without her. | 0:23:55 | 0:23:58 | |
You're very good. Aw, thanks. | 0:23:58 | 0:24:01 | |
At the gap at the top...
The one that's not finished? | 0:24:01 | 0:24:03 | |
I knew you'd have the right answer. | 0:24:03 | 0:24:05 | |
Out. OK. | 0:24:06 | 0:24:07 | |
Let's see if Daryll's got the right
answer to win this job. | 0:24:09 | 0:24:12 | |
To start, I think we go
white-on-white with oak spindles. | 0:24:12 | 0:24:16 | |
Yeah. Then, that will be nice | 0:24:16 | 0:24:17 | |
because the oak on the spindles will
match with the floor. | 0:24:17 | 0:24:21 | |
So Tracy and Daryll are suggesting
a white banister and oak spindles. | 0:24:21 | 0:24:25 | |
You can either do a combination of
square oak spindles | 0:24:27 | 0:24:31 | |
and white handrail,
or the other way round. | 0:24:31 | 0:24:33 | |
I think I'd seen an oak handrail
that I like. | 0:24:33 | 0:24:36 | |
And white spindles.
And white spindles, yeah. | 0:24:36 | 0:24:39 | |
Are we going to put
some spots in? We are. | 0:24:39 | 0:24:41 | |
So we're going to change
the lighting? | 0:24:41 | 0:24:42 | |
You want something clean and fresh,
don't you? | 0:24:42 | 0:24:44 | |
Couple of spots up here
and a couple down here. | 0:24:44 | 0:24:46 | |
OK. Yeah, don't you? | 0:24:46 | 0:24:48 | |
Our take on this is bringing the
whole job in with the lighting | 0:24:48 | 0:24:51 | |
as a bit of an extra, within the
budget. Within the budget | 0:24:51 | 0:24:53 | |
We were thinking, get some
nice warm white LEDs. | 0:24:53 | 0:24:56 | |
We can put them so that
they're on dimmers as well. | 0:24:56 | 0:24:59 | |
So that, you know, they don't
have to be mad bright. | 0:24:59 | 0:25:01 | |
It's not something we'd thought
about, that, to be fair, is it?
No, we'd not thought about that. | 0:25:01 | 0:25:05 | |
Tracy and Daryll want to
dazzle with warm, dimmable lighting | 0:25:05 | 0:25:08 | |
that illuminates
the smart oak banister, | 0:25:08 | 0:25:10 | |
supported by white spindles. | 0:25:10 | 0:25:12 | |
They're also going to
decorate throughout. | 0:25:12 | 0:25:15 | |
Chris and Joanne only have
a £1,500 budget, | 0:25:15 | 0:25:17 | |
so what's it going to cost? | 0:25:17 | 0:25:19 | |
Well, the price we've done for you
is to cost everything. | 0:25:19 | 0:25:23 | |
So that's £1,950. | 0:25:23 | 0:25:25 | |
Brilliant, thank you very much. OK? | 0:25:25 | 0:25:27 | |
That's £450 over budget, but it's
still the cheapest of the three. | 0:25:27 | 0:25:32 | |
All three rivals have pitched. | 0:25:32 | 0:25:35 | |
We came in slightly over budget,
but not really much. | 0:25:35 | 0:25:38 | |
We came in slightly
under double the budget. | 0:25:38 | 0:25:40 | |
Did you really? | 0:25:40 | 0:25:41 | |
We went yippee ki-yay. We went
for the wow factor. Went big. | 0:25:41 | 0:25:44 | |
But it's Chris and Joanne's call. | 0:25:44 | 0:25:46 | |
What did you think of all those? | 0:25:46 | 0:25:48 | |
It's tough. I'm not sure at all
which way to go and the moment. | 0:25:48 | 0:25:51 | |
While they decide whether they want
to go with any of them, | 0:25:51 | 0:25:54 | |
the builders wait. | 0:25:54 | 0:25:56 | |
They're all over budget. | 0:25:56 | 0:25:59 | |
Will it be Chris and Alex's clean
lines and toughened glass look? | 0:25:59 | 0:26:03 | |
Tracy and Daryll's oak banisters
with dimmable lighting? | 0:26:03 | 0:26:07 | |
Or Mark and Chris' traditional oak
banister with striped stair carpet? | 0:26:07 | 0:26:11 | |
Only the winners' phone will ring. | 0:26:11 | 0:26:13 | |
PHONE RINGS | 0:26:23 | 0:26:26 | |
Daryll: Hey up. | 0:26:23 | 0:26:26 | |
Hello? | 0:26:26 | 0:26:26 | |
Yes. | 0:26:28 | 0:26:30 | |
Hi, it's Chris and Jo here. | 0:26:30 | 0:26:32 | |
Yes, how are you - you all right? | 0:26:32 | 0:26:33 | |
'Fine.' | 0:26:33 | 0:26:35 | |
So we're just ringing to let you
know that we'd really like it if you | 0:26:35 | 0:26:37 | |
could do our banister for us.
Oh, fantastic - that's brilliant. | 0:26:37 | 0:26:40 | |
Thank you very much. How good
is that? Aw, thank you. | 0:26:40 | 0:26:42 | |
That's really good. | 0:26:42 | 0:26:44 | |
Thanks, guys. 'We'll see you soon.' | 0:26:44 | 0:26:46 | |
OK, thanks. ALL: Bye. | 0:26:46 | 0:26:48 | |
Woo! Get in. Get in there. | 0:26:49 | 0:26:52 | |
That's all right, innit? | 0:26:52 | 0:26:54 | |
Tell you what, we are a good team. | 0:26:54 | 0:26:55 | |
We're all right, aren't we? Yeah. | 0:26:55 | 0:26:57 | |
We're not bad at all, don't you
think? | 0:26:57 | 0:26:59 | |
Yeah, brilliant. | 0:26:59 | 0:27:00 | |
Yeah, give yourselves
a pat on the back. | 0:27:00 | 0:27:03 | |
But the losers are far from happy. | 0:27:03 | 0:27:05 | |
At the end of the day, you know,
you've got to punt for it,
you know... | 0:27:05 | 0:27:09 | |
and we did. | 0:27:09 | 0:27:11 | |
Out of the jobs that
we've not got, | 0:27:11 | 0:27:13 | |
I think that's the one that
I would've really, really liked.
Would've been nice. | 0:27:13 | 0:27:16 | |
They will at least be able to watch
Tracy and Daryll's every move | 0:27:17 | 0:27:20 | |
when they are hard at work later. | 0:27:20 | 0:27:23 | |
If you'd like to get your hallway
done, you'll want to plan ahead. | 0:27:23 | 0:27:27 | |
So, builders, what do we need
to think about? | 0:27:27 | 0:27:29 | |
It's the main part of the house that
someone sees on entering a building, | 0:27:29 | 0:27:34 | |
so, you know, you should make it
very inviting. | 0:27:34 | 0:27:37 | |
There's some really clever
storage ideas, | 0:27:37 | 0:27:39 | |
where you can get the risers
that pull out for drawers. | 0:27:39 | 0:27:41 | |
There's underneath the stairs - you
don't want to lose that storage. | 0:27:41 | 0:27:45 | |
Make sure you clear the area before
we arrive | 0:27:45 | 0:27:47 | |
and use a different entrance,
if you can. | 0:27:47 | 0:27:49 | |
That way, we can crack on
and leave you in peace. | 0:27:49 | 0:27:53 | |
It's day one of the build
and the losers are all-eyes | 0:27:53 | 0:27:57 | |
on Daryll and Tracy. | 0:27:57 | 0:27:59 | |
Let's do it.
This is the one I really wanted. | 0:27:59 | 0:28:01 | |
We were going to do the
nice glass. Glass. Yeah. | 0:28:01 | 0:28:05 | |
The mammoth task of removing all
that textured wallpaper | 0:28:05 | 0:28:09 | |
from the walls and ceilings of two
floors of hallway is underway. | 0:28:09 | 0:28:12 | |
I'm going to run out of steam. | 0:28:12 | 0:28:13 | |
THEY LAUGH | 0:28:15 | 0:28:16 | |
Wallpaper removal -
what a nightmare. | 0:28:19 | 0:28:22 | |
And it's not just the wallpaper
that's coming off - | 0:28:22 | 0:28:25 | |
the dado rail, | 0:28:25 | 0:28:27 | |
the dated coving and the
polystyrene ceiling rose's | 0:28:27 | 0:28:30 | |
days are numbered, too. | 0:28:30 | 0:28:32 | |
It's a massive job, so Daz has roped
in his dad as a bit of extra muscle. | 0:28:33 | 0:28:38 | |
Free labour. When your mum said
I was stripping today, | 0:28:41 | 0:28:44 | |
I was going to put me Speedos on. | 0:28:44 | 0:28:46 | |
Didn't realise she meant this sort
of stripping. | 0:28:46 | 0:28:48 | |
I always fancied myself
as a Chipperfield, or... | 0:28:53 | 0:28:56 | |
Is it a Chipperfield? Chipperfield? | 0:28:56 | 0:28:58 | |
Chippendale. | 0:29:01 | 0:29:02 | |
That's an image that's going to
haunt me for the rest of the day. | 0:29:04 | 0:29:06 | |
Thanks. | 0:29:06 | 0:29:08 | |
And it appears that
Vic is multi-talented. | 0:29:08 | 0:29:10 | |
Look at this - two things at once. | 0:29:10 | 0:29:12 | |
I've got stripping on one hand
and scraping on the other, eh? | 0:29:12 | 0:29:15 | |
Funny how the dads get roped in,
innit? Yeah. | 0:29:15 | 0:29:18 | |
Hey, look at that! | 0:29:18 | 0:29:19 | |
Daz. What have you found?
That's a work of art, that. | 0:29:19 | 0:29:22 | |
Look, we've got a Banksy. | 0:29:22 | 0:29:24 | |
A Banksy. | 0:29:24 | 0:29:25 | |
Yeah! | 0:29:25 | 0:29:26 | |
With the hall stripped
top-to-bottom, | 0:29:27 | 0:29:30 | |
the cable for the spotlight is going
in and the radiator removed | 0:29:30 | 0:29:33 | |
ahead of decorating. | 0:29:33 | 0:29:35 | |
Don't leave it there,
it'll get pinched. | 0:29:35 | 0:29:37 | |
THEY LAUGH | 0:29:37 | 0:29:38 | |
All that's left is that loved
and loathed metal banister. | 0:29:39 | 0:29:42 | |
Everything's going to go great. | 0:29:42 | 0:29:44 | |
Whoever's idea it was
to put this in... | 0:29:44 | 0:29:46 | |
So, basically, the banister is
actually in the way of the screw. | 0:29:51 | 0:29:54 | |
Get your grinder rout, lad.
Get your grinder out. | 0:29:56 | 0:29:58 | |
With the screws not budging, | 0:30:03 | 0:30:05 | |
it's time to bring out the big guns. | 0:30:05 | 0:30:07 | |
Grind it out, lad. Grind it off. | 0:30:07 | 0:30:09 | |
Get the grinder on it. | 0:30:09 | 0:30:10 | |
It takes grinding, drilling,
hammering. | 0:30:12 | 0:30:16 | |
If in doubt, give it a clout. | 0:30:16 | 0:30:17 | |
Hit it. Hit it hard. | 0:30:21 | 0:30:23 | |
The stubborn banister is free. | 0:30:24 | 0:30:26 | |
Here she comes. Hey! | 0:30:27 | 0:30:29 | |
Come on, then,
let's get this out there. | 0:30:29 | 0:30:31 | |
Here we go. | 0:30:31 | 0:30:33 | |
Maybe we're glad we
didn't get it, mate. | 0:30:33 | 0:30:36 | |
It looks like a pain. Yeah. | 0:30:36 | 0:30:38 | |
Yeah, pleased to see that came out. | 0:30:38 | 0:30:39 | |
It was a bit tricky in places. | 0:30:39 | 0:30:40 | |
We had to get the drill and
the grinder in and stuff. | 0:30:40 | 0:30:42 | |
He'll have that saved and stick it
in someone else's house - | 0:30:42 | 0:30:45 | |
you know what he's like. | 0:30:45 | 0:30:46 | |
With the banister gone,
the entire area is plastered. | 0:30:48 | 0:30:52 | |
The hallway will be ready to embrace
its modern new look later. | 0:30:52 | 0:30:55 | |
Back in Wokingham in Berkshire, | 0:31:00 | 0:31:02 | |
Nazan's kitchen refit
is well underway. | 0:31:02 | 0:31:05 | |
Martin's cutting-in brush, look. | 0:31:05 | 0:31:07 | |
Yeah. | 0:31:07 | 0:31:08 | |
Martin and Mick have drafted in
decorator Dave to upcycle | 0:31:10 | 0:31:14 | |
the beech laminate doors. | 0:31:14 | 0:31:16 | |
What I'm using is a shellac varnish, | 0:31:16 | 0:31:18 | |
which really grips into
the actual timber | 0:31:18 | 0:31:22 | |
so the layers of paint will adhere
and not sort of scratch off. | 0:31:22 | 0:31:27 | |
That's what Martin puts on his
nails, isn't it, the old shellacs? | 0:31:27 | 0:31:31 | |
Once the undercoat has dried, | 0:31:31 | 0:31:33 | |
the doors will be painted pale grey. | 0:31:33 | 0:31:36 | |
Pale grey. What colour did we say
we're going to do the kitchen? | 0:31:36 | 0:31:39 | |
And there's good news - | 0:31:39 | 0:31:40 | |
the correct-size worktop
has arrived. | 0:31:40 | 0:31:43 | |
Water and wood don't mix
particularly well. | 0:31:43 | 0:31:46 | |
We're sealing it up. | 0:31:46 | 0:31:47 | |
Mick knows about that. 35 years
in the Merchant Navy. | 0:31:47 | 0:31:50 | |
Water and wood don't mix well.
Arrr. | 0:31:50 | 0:31:53 | |
Mick templates and cuts the worktop | 0:31:53 | 0:31:55 | |
to fit the sink. | 0:31:55 | 0:31:56 | |
He's happy with that, isn't he? | 0:31:56 | 0:31:58 | |
It's always worrying... It looks
great, but it should be in the
kitchen... Yeah. | 0:31:58 | 0:32:02 | |
..not outside on a couple
of workbenches. | 0:32:02 | 0:32:04 | |
The freshly-painted cupboard doors
are on. | 0:32:04 | 0:32:07 | |
They look nice. Very good. | 0:32:07 | 0:32:09 | |
That looks tidy, doesn't it?
It's all going to plan, yeah. | 0:32:09 | 0:32:12 | |
Next, decorator Dave brightens up
the walls in light grey. | 0:32:12 | 0:32:16 | |
The kitchen revamp couldn't be going
any better... | 0:32:16 | 0:32:19 | |
Hold on. | 0:32:19 | 0:32:21 | |
..until... | 0:32:21 | 0:32:22 | |
So there's a bit of an issue
with the sink. | 0:32:22 | 0:32:24 | |
It's been fitted... | 0:32:24 | 0:32:25 | |
..but Naz has decided she's not sure
on it now. | 0:32:26 | 0:32:29 | |
Whoa. Yeah, but she didn't say
a new sink. | 0:32:29 | 0:32:31 | |
Ooh. | 0:32:31 | 0:32:34 | |
What's wrong with the sink, then? | 0:32:34 | 0:32:36 | |
We might have to think about
trying to change it. | 0:32:36 | 0:32:38 | |
She don't like it. What's wrong
with it? It's a sink, isn't it? | 0:32:38 | 0:32:41 | |
Stick to your guns, boys.
You're in charge. | 0:32:41 | 0:32:43 | |
Bit of an issue, obviously,
cos we've cut the worktop now. | 0:32:43 | 0:32:46 | |
It's going to be interesting. | 0:32:46 | 0:32:47 | |
I hope they got one that fits in
the hole they just cut out. | 0:32:47 | 0:32:50 | |
Well, I―I think that's going
to be an issue. | 0:32:50 | 0:32:52 | |
That'll be three bits of worktop,
that'll be. | 0:32:52 | 0:32:53 | |
And while they wait
for a replacement sink, | 0:32:55 | 0:32:57 | |
there's some grouting to be done. | 0:32:57 | 0:32:59 | |
If only Martin could remember
how to mix it. | 0:32:59 | 0:33:02 | |
Has he got a big enough...? Yeah. | 0:33:02 | 0:33:04 | |
..pot there?! | 0:33:04 | 0:33:06 | |
It's deceiving with
this bucket, how much water's in it. | 0:33:06 | 0:33:09 | |
Tell you what, mate, you might as
well chuck it in the washing
machine. That's next. | 0:33:09 | 0:33:12 | |
Mix it in that. | 0:33:12 | 0:33:14 | |
I'll have two sugars with mine. | 0:33:14 | 0:33:17 | |
Well said, Mick. | 0:33:17 | 0:33:18 | |
THEY LAUGH | 0:33:18 | 0:33:20 | |
I can't use that. | 0:33:20 | 0:33:22 | |
What do we call that? | 0:33:22 | 0:33:24 | |
Schoolboy error, John.
Schoolboy error. Schoolboy error. | 0:33:24 | 0:33:26 | |
Schoolboy error. | 0:33:26 | 0:33:28 | |
Mick does his best, but... | 0:33:28 | 0:33:30 | |
Mick's had enough, hasn't he, look.
Arms up. | 0:33:32 | 0:33:34 | |
You sometimes have to admit defeat
there, I think. Yeah. | 0:33:36 | 0:33:40 | |
Right, we've got Chris in now, | 0:33:40 | 0:33:42 | |
he's just come in to change some
sockets and switches for us. | 0:33:42 | 0:33:45 | |
We would advise when you're touching
electrics, bring an electrician in. | 0:33:45 | 0:33:49 | |
Yeah. Top of the food chain,
electricians. | 0:33:49 | 0:33:51 | |
Extra year at college pays off. | 0:33:51 | 0:33:53 | |
Right next to plasterers
and renderers. | 0:33:53 | 0:33:55 | |
It's all coming together. | 0:33:55 | 0:33:57 | |
There's just one small issue
that needs to be resolved - | 0:33:57 | 0:34:00 | |
that sink. | 0:34:00 | 0:34:01 | |
We're going to change it over,
cos Naz doesn't like it, so... | 0:34:01 | 0:34:05 | |
we're going to give her what
she wants. So, sink two - take two. | 0:34:05 | 0:34:09 | |
Do you feel sorry for the boys,
John? Yeah, I do. No. | 0:34:09 | 0:34:11 | |
Of course you do. There's nothing
worse, is there, when you fit
something? | 0:34:13 | 0:34:17 | |
But changing the sink also means
changing the hole in the worktop. | 0:34:17 | 0:34:21 | |
Each sink, obviously, has different
dimensions to it, | 0:34:21 | 0:34:25 | |
different cut-out sizes. | 0:34:25 | 0:34:26 | |
Just make sure that the base unit
below can obviously take the sink. | 0:34:26 | 0:34:31 | |
Oh, dear, chaps. Yeah. | 0:34:31 | 0:34:33 | |
A quick trim of the worktop
and the new sink's in. | 0:34:33 | 0:34:35 | |
Was the other one just a single
drainer, was it, then, single sink? | 0:34:35 | 0:34:38 | |
I don't know. It don't look much
different to me. | 0:34:38 | 0:34:41 | |
Just the finishing touches. | 0:34:41 | 0:34:43 | |
Right, Mick, bit of a sweep up,
tidy up. | 0:34:43 | 0:34:46 | |
Yeah. I've finished
sealing this worktop, | 0:34:46 | 0:34:49 | |
and I think we're about there. | 0:34:49 | 0:34:51 | |
I think she's going to be
over the moon with it. | 0:34:51 | 0:34:53 | |
What do you think? I hope so. | 0:34:53 | 0:34:55 | |
It's as much as we could do without
putting a new kitchen in. | 0:34:55 | 0:34:57 | |
Without changing the whole thing.
Yeah, absolutely. | 0:34:57 | 0:35:00 | |
At the end of the day, as long as
the customer's happy, | 0:35:00 | 0:35:02 | |
that's what's important. | 0:35:02 | 0:35:04 | |
Well, that's what we tell people.
Well, yeah, that's what we tell
people. | 0:35:04 | 0:35:08 | |
A week ago, Nazan's kitchen was
dated and gloomy. | 0:35:08 | 0:35:12 | |
This was always going to be a bit of
a tricky job, this one, | 0:35:12 | 0:35:15 | |
because... It's an old kitchen.
An old kitchen, mate, exactly. | 0:35:15 | 0:35:19 | |
I think they're brave
for doing this. | 0:35:19 | 0:35:21 | |
So what will the losers think
of Martin and Mick's work? | 0:35:21 | 0:35:24 | |
Here we go, John, ready? Here we go.
Cup of tea. Cup of tea. Ching-ching. | 0:35:24 | 0:35:28 | |
That does look proper modern. | 0:35:33 | 0:35:35 | |
That does, yeah. I take it all back. | 0:35:35 | 0:35:37 | |
They've done well,
considering what it was. | 0:35:41 | 0:35:42 | |
Well done, gentlemen, well done.
Fantastic, yeah. | 0:35:42 | 0:35:45 | |
They've painted the cupboards to
make them look new... | 0:35:45 | 0:35:47 | |
The cupboards are really good,
really good. | 0:35:49 | 0:35:51 | |
I'm...I'm amazed they've come out
that well. | 0:35:51 | 0:35:54 | |
I think they've done well,
really well. | 0:35:54 | 0:35:56 | |
The paint guy is the key to this,
isn't he? Yes. | 0:35:56 | 0:35:58 | |
..fitted solid oak worktops... | 0:35:58 | 0:36:01 | |
That looks proper tiling,
doesn't it? Yeah. | 0:36:01 | 0:36:05 | |
..and white metro tiles. | 0:36:05 | 0:36:07 | |
It looks fresher, brighter,
less dated. | 0:36:07 | 0:36:10 | |
Yes, yes. For me,
that was the biggest bugbear. | 0:36:10 | 0:36:14 | |
I think it looks better without
the marble plaster, actually. | 0:36:14 | 0:36:17 | |
There's that new sink and they've
painted the walls a light grey. | 0:36:17 | 0:36:21 | |
So I would say, lads, well done.
Well done, ten out of ten. | 0:36:21 | 0:36:24 | |
Good job, good job. And that is a... | 0:36:24 | 0:36:26 | |
BOTH: Beautiful job. | 0:36:28 | 0:36:29 | |
Seven! I'd go ten out of ten
on that. | 0:36:29 | 0:36:32 | |
I just wanted to say seven. | 0:36:32 | 0:36:34 | |
The losers think they've nailed it. | 0:36:34 | 0:36:36 | |
Martin and Mick are
about to find out | 0:36:36 | 0:36:38 | |
if it gets Nazan's seal of approval. | 0:36:38 | 0:36:40 | |
How's this kitchen, Mick? | 0:36:41 | 0:36:43 | |
This'll be interesting. Will be. | 0:36:43 | 0:36:45 | |
Wasn't completely smooth, was it?
No. | 0:36:45 | 0:36:48 | |
Oh, here she comes. | 0:36:51 | 0:36:53 | |
Let's hope she likes it. | 0:36:55 | 0:36:56 | |
Not a brand-new kitchen,
but it's a brand-new look, | 0:37:00 | 0:37:04 | |
and it looks amazing. | 0:37:04 | 0:37:05 | |
Yeah, see, I told you
we'd make her happy. | 0:37:05 | 0:37:08 | |
It definitely makes
the kitchen much lighter, | 0:37:08 | 0:37:11 | |
and it just feels bigger. | 0:37:11 | 0:37:14 | |
I like the brightness
and the clean look. | 0:37:14 | 0:37:18 | |
Our old kitchen had
yellow and green tiles. | 0:37:18 | 0:37:22 | |
This is now really, really fresh. | 0:37:22 | 0:37:24 | |
Simple colours, nothing too bold
like before, with that green. | 0:37:24 | 0:37:29 | |
I think it all quite worked.
Neutralising the walls as well. | 0:37:29 | 0:37:32 | |
With a few changes along the way, | 0:37:32 | 0:37:35 | |
the final cost was £3,885. | 0:37:35 | 0:37:38 | |
The guys did a really good job,
so thank you, Martin and Mick. | 0:37:39 | 0:37:42 | |
I'm really happy with what we spent, | 0:37:42 | 0:37:44 | |
and definitely worth the money. | 0:37:44 | 0:37:46 | |
She's happy, we're happy.
That's what it's all about. | 0:37:46 | 0:37:49 | |
The customer's got to be happy.
That's all it comes down to. | 0:37:49 | 0:37:52 | |
Get the kettle on, lads.
You deserve it. | 0:37:52 | 0:37:55 | |
In Atherton, Wigan, | 0:37:59 | 0:38:01 | |
Chris and Joanne's hallway
transformation is four days in. | 0:38:01 | 0:38:04 | |
They've gone for green
on the stairway | 0:38:04 | 0:38:06 | |
and a light grey in
the downstairs hall. | 0:38:06 | 0:38:08 | |
I like the grey.
Not sure about green. | 0:38:08 | 0:38:10 | |
Before they can build
the new banister, | 0:38:12 | 0:38:14 | |
they need to remove
the old newel post. | 0:38:14 | 0:38:17 | |
Let's move it.
It's only moving at the top. | 0:38:17 | 0:38:20 | |
Oh, yeah, that's concrete,
isn't it, mate? | 0:38:20 | 0:38:22 | |
Each side. | 0:38:22 | 0:38:24 | |
But it seems the banister
wasn't the only thing reluctant
to leave the house. | 0:38:24 | 0:38:28 | |
A bit of a nightmare,
to be honest. | 0:38:28 | 0:38:30 | |
But Daryll's not giving up. | 0:38:33 | 0:38:35 | |
It's time to get the heavy bar in. | 0:38:35 | 0:38:37 | |
The big boy. | 0:38:37 | 0:38:39 | |
Not the bar again. | 0:38:39 | 0:38:40 | |
It's taken some work, that. | 0:38:41 | 0:38:42 | |
Go on, Daz, and your heavy bar! | 0:38:43 | 0:38:45 | |
They're taking it in turns
hitting it here. Just coming. | 0:38:47 | 0:38:50 | |
Ready? It's coming. | 0:38:50 | 0:38:52 | |
Hey! | 0:38:52 | 0:38:54 | |
Next, all Daryll's got to do
is fit the new one. | 0:38:54 | 0:38:57 | |
Except they're slightly offset,
right? | 0:38:57 | 0:38:58 | |
It's not dropping down low enough. | 0:38:58 | 0:39:00 | |
I think I might have to set a little
bit more off the bottom of it. | 0:39:00 | 0:39:02 | |
At least he's got all the gear. | 0:39:04 | 0:39:06 | |
Here we are - hammer. | 0:39:07 | 0:39:09 | |
With the new newel post in place,
eventually, | 0:39:09 | 0:39:11 | |
it's time to fit the spindles. | 0:39:11 | 0:39:13 | |
That should be the size you need
right the way up, | 0:39:13 | 0:39:16 | |
as long as everything's plumb and
true. | 0:39:16 | 0:39:18 | |
We're basically using this as a
template | 0:39:18 | 0:39:20 | |
to mark and cut the rest of them. | 0:39:20 | 0:39:22 | |
Fortunately, the spindles are less
of a battle | 0:39:24 | 0:39:26 | |
so perfectionist Daryll can
concentrate | 0:39:26 | 0:39:29 | |
on a one forensic detail. | 0:39:29 | 0:39:31 | |
In between each spindle, and where
we've nailed them on, | 0:39:31 | 0:39:34 | |
we just turned it with these very
small little holes, | 0:39:34 | 0:39:36 | |
so I'm using a little bit of an
oak-coloured filler here. | 0:39:36 | 0:39:40 | |
Looking like a top job. | 0:39:40 | 0:39:41 | |
They're only very small pinholes, | 0:39:41 | 0:39:44 | |
but I know they're there, so... | 0:39:44 | 0:39:46 | |
Nice attitude. If I'm not
happy with the job, | 0:39:46 | 0:39:47 | |
then I can't expect the customer to
be. | 0:39:47 | 0:39:49 | |
Got to make sure everything is
right. | 0:39:49 | 0:39:50 | |
He keeps going round finding the
smallest bits | 0:39:50 | 0:39:53 | |
that you wouldn't see and I wouldn't
see, but he'll see it. | 0:39:53 | 0:39:56 | |
It's just when it's right. When I'm
happy that I can walk away. | 0:39:56 | 0:39:59 | |
He usually stops about
half-past-four, when the pubs are
open. | 0:39:59 | 0:40:03 | |
We've taught him well, mate. | 0:40:03 | 0:40:05 | |
It's not quite pub time yet, though, | 0:40:08 | 0:40:11 | |
as the new flooring in the upstairs
hallway and the stairs is being | 0:40:11 | 0:40:14 | |
fitted. | 0:40:14 | 0:40:16 | |
The soft grey tone of the carpet
starts to bring | 0:40:16 | 0:40:18 | |
the whole look together. | 0:40:18 | 0:40:19 | |
It's come out really well. | 0:40:19 | 0:40:20 | |
And now, the finishing touches - | 0:40:22 | 0:40:24 | |
beautifying that new wooden
handrail. | 0:40:24 | 0:40:26 | |
The customer quite likes the natural
oak. | 0:40:26 | 0:40:30 | |
All we're doing here is using some
Danish oil, | 0:40:30 | 0:40:32 | |
and just rubbing that into it to
treat it. | 0:40:32 | 0:40:34 | |
It just really brings the grain out. | 0:40:34 | 0:40:36 | |
Just finishes it off really nicely. | 0:40:36 | 0:40:38 | |
I love Danish oil. It's cracking.
Yeah. | 0:40:38 | 0:40:41 | |
You can see instantly as it goes on | 0:40:41 | 0:40:43 | |
it just gives a really deep, | 0:40:43 | 0:40:45 | |
rich look to the wood. | 0:40:45 | 0:40:47 | |
And with that, the hallway is
finished. | 0:40:47 | 0:40:49 | |
I'm pleased with it anyway.
Hopefully, they will be, too. | 0:40:49 | 0:40:52 | |
Just 11 days ago, Chris and Joanne's
hallway was a '70s throwback... | 0:40:53 | 0:40:58 | |
Yeah, it seemed quite dingy, wasn't
it, before? | 0:40:58 | 0:41:00 | |
So it's... It was dark and horrible. | 0:41:00 | 0:41:02 | |
..with an ornate metal banister | 0:41:02 | 0:41:04 | |
at least one of the homeowners
branded an eyesore. | 0:41:04 | 0:41:07 | |
The wrought iron. Oh, it was
horrible, wasn't it? | 0:41:07 | 0:41:09 | |
Oh, it was. Oh. Yeah. | 0:41:09 | 0:41:11 | |
What will the rivals think of
it now? | 0:41:11 | 0:41:14 | |
Let's do it. | 0:41:15 | 0:41:16 | |
You're walking into a different
house now. Yeah, absolutely. | 0:41:23 | 0:41:26 | |
Absolutely. | 0:41:26 | 0:41:28 | |
Completely transformed
the house. | 0:41:28 | 0:41:30 | |
Daryll, his dad, and an army of
plasterers, electricians, | 0:41:30 | 0:41:33 | |
and decorators have wrestled with
wrought iron | 0:41:33 | 0:41:36 | |
and rebuilt the hallway. | 0:41:36 | 0:41:37 | |
Well done, lads. | 0:41:37 | 0:41:39 | |
Nice. Very nice. | 0:41:39 | 0:41:41 | |
The banister is solid oak, | 0:41:41 | 0:41:42 | |
and the spindles gleaming white. | 0:41:42 | 0:41:44 | |
You don't want to be walking in and
getting depressed | 0:41:45 | 0:41:47 | |
as soon as you walk through the
door, do you? No. | 0:41:47 | 0:41:49 | |
They got the decorators in and the
sparky fitted spotlights. | 0:41:49 | 0:41:53 | |
It's the main area, isn't it? | 0:41:53 | 0:41:54 | |
You know, you walk in, all your
guests come in, that's what they
see. | 0:41:54 | 0:41:57 | |
There's a new carpet on the
landing and stairs. | 0:41:57 | 0:42:00 | |
They've done an amazing job on that. | 0:42:00 | 0:42:02 | |
Looks good. Looks really good. | 0:42:02 | 0:42:04 | |
The losing builders have given it
the thumbs up, | 0:42:04 | 0:42:06 | |
but it's the big moment for
Tracy and Daryll. | 0:42:06 | 0:42:09 | |
I hope they like it. | 0:42:09 | 0:42:10 | |
I so hope they like it. | 0:42:10 | 0:42:12 | |
Time to find out if customers
Chris and Joanne are happy. | 0:42:12 | 0:42:15 | |
Let's hope so. | 0:42:17 | 0:42:18 | |
SHE LAUGHS | 0:42:20 | 0:42:22 | |
No pressure. | 0:42:22 | 0:42:24 | |
Not got the monstrosity
of the iron... | 0:42:24 | 0:42:26 | |
..railings any more. | 0:42:27 | 0:42:29 | |
She looks a bit serious.
Oh, I know, she looks a bit shocked. | 0:42:29 | 0:42:32 | |
That looks miles better, though,
doesn't it? | 0:42:32 | 0:42:35 | |
It does, it's amazing. | 0:42:35 | 0:42:36 | |
It's a complete transformation
from what it was. | 0:42:36 | 0:42:39 | |
Oh, I'm glad they like it. | 0:42:39 | 0:42:40 | |
Oh, yeah, that's great. I'm
really pleased that they're happy. | 0:42:40 | 0:42:42 | |
So pleased,
just for them as a family. | 0:42:42 | 0:42:44 | |
I mean, this - I love this. | 0:42:44 | 0:42:47 | |
He's done a fantastic job. | 0:42:47 | 0:42:49 | |
Really, really pleased with that. | 0:42:49 | 0:42:50 | |
It's a shame we've not got
that metal one now, isn't it? | 0:42:50 | 0:42:53 | |
SHE LAUGHS | 0:42:53 | 0:42:53 | |
I'm so glad to see the back of that. | 0:42:55 | 0:42:56 | |
Can't give it away. No! | 0:42:56 | 0:42:58 | |
THEY LAUGH | 0:42:58 | 0:42:59 | |
It looks bigger, it looks brighter. | 0:42:59 | 0:43:02 | |
It's miles better. | 0:43:02 | 0:43:03 | |
Miles, miles better. | 0:43:03 | 0:43:04 | |
Well done, love. Awesome. | 0:43:04 | 0:43:05 | |
Good lad. | 0:43:05 | 0:43:07 | |
Another very satisfied customer. | 0:43:07 | 0:43:10 |