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Britain has some of the finest gardens anywhere in the world. | 0:00:04 | 0:00:08 | |
For me, it's about getting in amongst the wonderful plants | 0:00:08 | 0:00:11 | |
that flourish in this country and sharing the passion | 0:00:11 | 0:00:14 | |
of the people who tend them. | 0:00:14 | 0:00:15 | |
However, there is another way to enjoy a garden. | 0:00:17 | 0:00:20 | |
And that's to get up above it. | 0:00:24 | 0:00:27 | |
I love ballooning because you get to see the world below | 0:00:30 | 0:00:33 | |
in a whole new light. | 0:00:33 | 0:00:35 | |
From up here, you get a real sense of how the garden | 0:00:35 | 0:00:38 | |
sits in the landscape, how the terrain and the climate | 0:00:38 | 0:00:42 | |
have shaped it, and I want you to share that experience with me. | 0:00:42 | 0:00:46 | |
Today we're in North Wales, in Snowdonia, | 0:01:16 | 0:01:19 | |
and from up here, it magnifies the grandeur of the landscape. | 0:01:19 | 0:01:24 | |
Wherever I look, the countryside changes. | 0:01:30 | 0:01:33 | |
In one direction, the Wales coastline, | 0:01:33 | 0:01:36 | |
in another, forested hillsides and craggy mountains. | 0:01:36 | 0:01:41 | |
Snowdonia sprawls across the Welsh county of Gwynedd, | 0:01:44 | 0:01:48 | |
at the far north-western reaches of Wales. | 0:01:48 | 0:01:51 | |
Snowdonia covers 800 square miles | 0:01:52 | 0:01:56 | |
and this region is home to some truly inspirational gardens. | 0:01:56 | 0:02:02 | |
And I'm visiting two today. The first is two gardens in one - | 0:02:06 | 0:02:11 | |
a formal upper garden | 0:02:11 | 0:02:14 | |
and its wild lower dell. | 0:02:14 | 0:02:16 | |
And another, once a lookout tower protecting the land approaches | 0:02:19 | 0:02:22 | |
to Conwy Castle, which has evolved over centuries of garden design. | 0:02:22 | 0:02:26 | |
Many reasons to visit a garden - | 0:02:28 | 0:02:29 | |
some of them plants, some of them memories. | 0:02:29 | 0:02:32 | |
A garden is an aide-memoire to life. | 0:02:32 | 0:02:34 | |
This is a spectacular landscape with precious gems like these | 0:02:36 | 0:02:40 | |
studding its valleys. | 0:02:40 | 0:02:42 | |
Snowdonia is an ancient landscape, formed nearly 500 million | 0:02:47 | 0:02:52 | |
years ago, the result of volcanic eruptions and glacial erosion. | 0:02:52 | 0:02:56 | |
Today, it's a dramatic landscape, rocky and damp, | 0:02:58 | 0:03:01 | |
not ideal for gardens. But when you fall in love with a place, | 0:03:01 | 0:03:05 | |
Snowdonia's little foibles won't stop | 0:03:05 | 0:03:09 | |
a determined gardener. | 0:03:09 | 0:03:11 | |
So, first to Bodnant, a national treasure nestled in a national park. | 0:03:11 | 0:03:15 | |
When you're up here in a balloon, | 0:03:17 | 0:03:19 | |
you can get a real sense of what Bodnant's about. | 0:03:19 | 0:03:22 | |
That beautiful house, sitting above the garden. | 0:03:22 | 0:03:26 | |
Those formal terraces bleeding down into that beautiful dell. | 0:03:26 | 0:03:31 | |
I have never ever seen the width of that river. It's magnificent. | 0:03:31 | 0:03:36 | |
Those trees just caress the garden | 0:03:38 | 0:03:42 | |
and unite the garden with the landscape. | 0:03:42 | 0:03:44 | |
And I can't wait to get down there. | 0:03:47 | 0:03:50 | |
Bodnant covers 80 acres of valley | 0:04:00 | 0:04:02 | |
leading down to the River Conway. | 0:04:02 | 0:04:04 | |
It's a tricky site for any garden. | 0:04:04 | 0:04:07 | |
It slopes west towards the river, | 0:04:07 | 0:04:09 | |
with the formal gardens laid out on level ground around the house, | 0:04:09 | 0:04:13 | |
and a cascade of planting which leads to the dell at the bottom. | 0:04:13 | 0:04:16 | |
The stream flowing here winds its way out to the river, | 0:04:22 | 0:04:25 | |
about a mile away. | 0:04:25 | 0:04:26 | |
I've been visiting Bodnant since I was a teenager. | 0:04:30 | 0:04:33 | |
And I remember the first time I came here, | 0:04:34 | 0:04:36 | |
I was blown away by the trees, the shrubs, the names, the history. | 0:04:36 | 0:04:41 | |
I thought I knew something when I left college. | 0:04:41 | 0:04:44 | |
I'd never been to a spectacular valley garden before, | 0:04:44 | 0:04:48 | |
and I came here and that illusion was blown away, | 0:04:48 | 0:04:51 | |
cos there was plants I'd never seen, there was names I'd never seen, | 0:04:51 | 0:04:55 | |
there was compositions I'd never seen. | 0:04:55 | 0:04:57 | |
It was just absolutely amazing. | 0:04:57 | 0:05:01 | |
Once a grand, private estate, | 0:05:04 | 0:05:06 | |
the gardens were bequeathed to the National Trust in 1949. | 0:05:06 | 0:05:10 | |
One of the gardeners is Fiona Braithwaite. | 0:05:13 | 0:05:16 | |
So, Fiona, have you always been a gardener? | 0:05:22 | 0:05:25 | |
No. | 0:05:25 | 0:05:26 | |
When I was a growing up, I used to mow my dad's lawn | 0:05:26 | 0:05:30 | |
and do a bit of weeding, | 0:05:30 | 0:05:32 | |
but it wasn't until later on in life that I began to eat, sleep | 0:05:32 | 0:05:37 | |
and drink gardening. Cos I'd worked for the Department for Work | 0:05:37 | 0:05:41 | |
and Pensions for a number of years, and I decided I needed a change. | 0:05:41 | 0:05:47 | |
At that particular time, Bodnant was taking on their first | 0:05:47 | 0:05:51 | |
National Trust careership trainee, and I thought, "This is it for me." | 0:05:51 | 0:05:56 | |
It was a three year course. | 0:05:56 | 0:05:58 | |
Then I applied for the gardening position here and I couldn't believe | 0:05:58 | 0:06:03 | |
that I'd got it, and I've been here now for nearly seven years. | 0:06:03 | 0:06:07 | |
And what's that like? | 0:06:07 | 0:06:09 | |
What's it mean to you, personally? | 0:06:09 | 0:06:11 | |
Oh, it's like the icing on the cake, you know. | 0:06:11 | 0:06:14 | |
Bodnant Garden is amazing. | 0:06:14 | 0:06:17 | |
Everything combined together gives it a whole festival of plants, | 0:06:17 | 0:06:23 | |
colour, texture for the eyes. | 0:06:23 | 0:06:26 | |
It runs seamlessly from the terraces, which are very formal, | 0:06:26 | 0:06:30 | |
right the way down towards the dell, which is 120 feet down, | 0:06:30 | 0:06:35 | |
got the River Hiraethlyn running through it, | 0:06:35 | 0:06:37 | |
beautiful champion trees, fantastic herbaceous, trees, shrubs, bulbs. | 0:06:37 | 0:06:43 | |
You name it, we've got it. | 0:06:43 | 0:06:46 | |
And that's my favourite part of the garden down there. | 0:06:46 | 0:06:49 | |
Oh, I love it! | 0:06:49 | 0:06:50 | |
It's the people, as well, that you work with and the people that | 0:06:50 | 0:06:54 | |
you see every day and engage with, it is an amazing garden. | 0:06:54 | 0:06:58 | |
And what's more amazing than anything else, | 0:06:58 | 0:07:01 | |
-in my opinion, is that view of Snowdonia. -Beautiful. | 0:07:01 | 0:07:05 | |
-Shall we go and have a closer look? -Yeah, let's. | 0:07:05 | 0:07:07 | |
Fiona, just look at that! | 0:07:09 | 0:07:12 | |
Oh, it's an amazing view, isn't it, Christine? | 0:07:12 | 0:07:16 | |
That eternal view is what enticed Henry Pochin to | 0:07:17 | 0:07:20 | |
retire here in 1874. | 0:07:20 | 0:07:23 | |
The Victorians' love of dramatic landscape | 0:07:23 | 0:07:26 | |
was at its peak in the late 19th century, | 0:07:26 | 0:07:29 | |
when Pochin bought Bodnant, | 0:07:29 | 0:07:31 | |
an 80-acre site with a stream running through a deep-sided valley. | 0:07:31 | 0:07:35 | |
Pochin had made his money as an industrial chemist, inventing | 0:07:37 | 0:07:41 | |
the process that turned soap from brown to a more palatable white. | 0:07:41 | 0:07:45 | |
The wealth he amassed allowed him to indulge his passion for plants, | 0:07:46 | 0:07:50 | |
which, together with his imagination, were the ingredients | 0:07:50 | 0:07:53 | |
needed to transform the original house and the modest garden at | 0:07:53 | 0:07:56 | |
Bodnant into a world-class garden, wrested from the crags of Snowdonia. | 0:07:56 | 0:08:03 | |
After only ten years at Bodnant, Pochin died, leaving the garden | 0:08:06 | 0:08:10 | |
to his daughter, Laura. | 0:08:10 | 0:08:12 | |
Along with her husband, the first Lord Aberconway, | 0:08:12 | 0:08:15 | |
she took up the reins. | 0:08:15 | 0:08:17 | |
In 1901, they handed the garden that they'd fallen in love with, | 0:08:17 | 0:08:21 | |
on to their son. | 0:08:21 | 0:08:22 | |
The wealth amassed by Pochin and his son-in-law funded | 0:08:24 | 0:08:27 | |
the Aberconways' plant collecting habit until the Second World War. | 0:08:27 | 0:08:31 | |
So, Fiona, the plant collectors had a big effect on this garden, | 0:08:31 | 0:08:34 | |
-didn't they? -Very much so. | 0:08:34 | 0:08:36 | |
The second Lord Aberconway, who was Henry Duncan McLaren, | 0:08:36 | 0:08:40 | |
he invested very heavily into the plant collectors in the early 1900s. | 0:08:40 | 0:08:45 | |
These were people that were going out to far-flung places, | 0:08:45 | 0:08:50 | |
such as China, America, Australia | 0:08:50 | 0:08:53 | |
and they were bringing plants back from very dangerous areas | 0:08:53 | 0:08:58 | |
and they would risk their lives to collect seed and plants. | 0:08:58 | 0:09:03 | |
They had to be there at the right time and then, of course, | 0:09:03 | 0:09:06 | |
they had to bring them back by ship. And of course you know | 0:09:06 | 0:09:09 | |
-about the Wardian case? -Yeah. | 0:09:09 | 0:09:12 | |
Nathaniel Ward, he was the one who invented that, | 0:09:12 | 0:09:15 | |
and so they were able to bring more plants back, still alive. | 0:09:15 | 0:09:19 | |
Nathaniel Ward's invention revolutionised plant collecting. | 0:09:19 | 0:09:24 | |
The Wardian case is a glass contraption, like a mini greenhouse. | 0:09:24 | 0:09:28 | |
It protected living specimens dug up in remote locations | 0:09:28 | 0:09:31 | |
and allowed them to be easily transported home. | 0:09:31 | 0:09:35 | |
It was a gift for the late Victorian plant hunters | 0:09:35 | 0:09:37 | |
sponsored by the Aberconways. | 0:09:37 | 0:09:39 | |
Men like Frank Kingdon-Ward and George Forest were able to | 0:09:39 | 0:09:43 | |
travel the world, returning to Bodnant with their prize specimens. | 0:09:43 | 0:09:49 | |
Kingdon-Ward headed to the Far East, | 0:09:49 | 0:09:51 | |
returning from Tibet with the first viable seed from the meconopsis, | 0:09:51 | 0:09:55 | |
the Himalayan blue poppy, that still grows freely at Bodnant. | 0:09:55 | 0:09:59 | |
George Forest travelled to China and concentrated | 0:10:01 | 0:10:04 | |
his efforts in Yunnan province, amassing a huge collection | 0:10:04 | 0:10:08 | |
of rhododendrons, which he sent back to his benefactor in Wales. | 0:10:08 | 0:10:12 | |
Now one of the country's national collections of rhododendrons | 0:10:14 | 0:10:18 | |
flourishes at Bodnant. | 0:10:18 | 0:10:19 | |
But as many as 600 different species at times came back to Bodnant, | 0:10:22 | 0:10:26 | |
didn't they, through these collectors? | 0:10:26 | 0:10:28 | |
Well, the head gardeners, | 0:10:28 | 0:10:30 | |
which includes the three generations from the Puddle family - | 0:10:30 | 0:10:35 | |
Frederick, Charles and Martin - in one of their diaries, | 0:10:35 | 0:10:39 | |
they actually said they were excited about opening these cardboard boxes | 0:10:39 | 0:10:45 | |
and packaging and crates, for plants that had never been seen before | 0:10:45 | 0:10:51 | |
in this country and they didn't know how these plants would survive. | 0:10:51 | 0:10:56 | |
What we feel with this garden is phenomenal love. | 0:10:56 | 0:11:00 | |
Mutual respect of the owner and the gardener, the plant collector, | 0:11:00 | 0:11:06 | |
the vision, coming together to make | 0:11:06 | 0:11:09 | |
a very, very spectacular collection of plants, | 0:11:09 | 0:11:12 | |
in such a beautiful setting. | 0:11:12 | 0:11:14 | |
As Henry Duncan McLaren used to say, | 0:11:14 | 0:11:17 | |
design means everything. And then, once you've got the design, | 0:11:17 | 0:11:21 | |
you can actually put in the plants later. | 0:11:21 | 0:11:25 | |
Have the skeleton and then put the muscles. | 0:11:25 | 0:11:27 | |
Where else could you get this | 0:11:27 | 0:11:29 | |
and where else would you want to go? | 0:11:29 | 0:11:31 | |
Of all the plants those intrepid explorers brought back, | 0:11:33 | 0:11:36 | |
I love Bodnant's primula collection. | 0:11:36 | 0:11:39 | |
There are 25 foreign species in the collection here, | 0:11:42 | 0:11:46 | |
gathered in Asia all those years ago. | 0:11:46 | 0:11:48 | |
Flowering in Bodnant's famous collection is | 0:11:49 | 0:11:52 | |
the candelabra primula from Sichuan. | 0:11:52 | 0:11:55 | |
Its cerise flowers create swathes of colour in the wilder | 0:11:55 | 0:11:58 | |
areas of the dell and the shrub borders. | 0:11:58 | 0:12:01 | |
It's a welcome splash of colour in the late spring. | 0:12:01 | 0:12:04 | |
It loves semi-shade and rich, moist conditions | 0:12:06 | 0:12:09 | |
and it doesn't mind if the soil tends towards acidic. | 0:12:09 | 0:12:12 | |
Amongst Bodnant's exotics are examples of Britain's | 0:12:14 | 0:12:18 | |
five native primulas. | 0:12:18 | 0:12:19 | |
You'll find good old common primrose | 0:12:20 | 0:12:22 | |
and cowslips growing freely in the less formal areas of the garden. | 0:12:22 | 0:12:26 | |
Every time I turn a corner in this garden, | 0:12:29 | 0:12:32 | |
there's another surprise. | 0:12:32 | 0:12:34 | |
Now this area of the garden has a very different feel to it, | 0:12:35 | 0:12:38 | |
doesn't it? So how was it created? | 0:12:38 | 0:12:40 | |
Well, this area, where we're standing now, | 0:12:40 | 0:12:43 | |
we're actually in front of the Poem Mausoleum, which was built | 0:12:43 | 0:12:48 | |
by Henry Davis Pochin and it's the final resting place of the family. | 0:12:48 | 0:12:53 | |
But what makes it also my favourite area, | 0:12:53 | 0:12:56 | |
is that when I was training as a starter-off gardener, | 0:12:56 | 0:13:01 | |
I was give this huge project to actually renovate this area. | 0:13:01 | 0:13:07 | |
Tackling an unloved patch of garden | 0:13:08 | 0:13:10 | |
so early in her training has stood Fiona in good stead. | 0:13:10 | 0:13:14 | |
Getting your hands dirty and starting from scratch | 0:13:14 | 0:13:17 | |
is the only way to learn how to plant and where to plant. | 0:13:17 | 0:13:20 | |
There's always stories behind a particular tree | 0:13:22 | 0:13:25 | |
or a particular shrub - | 0:13:25 | 0:13:26 | |
where it's come from, where it's going, how it's been planted, | 0:13:26 | 0:13:30 | |
whether the colour, the texture's right for that area, | 0:13:30 | 0:13:33 | |
the conditions of the soil. | 0:13:33 | 0:13:35 | |
You know, here at Bodnant, we have stiff boulder clay overlying | 0:13:35 | 0:13:39 | |
friable shaley rock that's acidic, but when you look around you, | 0:13:39 | 0:13:43 | |
you think, how on earth can we produce | 0:13:43 | 0:13:47 | |
a garden as beautiful as this over the rock that's only about two | 0:13:47 | 0:13:51 | |
or three inches in some areas, below the surface. | 0:13:51 | 0:13:54 | |
You see, the right plant, right place and it works. | 0:13:54 | 0:13:57 | |
But people spend years mucking about with that. | 0:13:57 | 0:14:00 | |
-Yeah. -Putting the wrong plant in and then it drops dead | 0:14:00 | 0:14:03 | |
and then they say, "Flipping plant." | 0:14:03 | 0:14:04 | |
-They don't say, flipping gardener. -Yes. | 0:14:04 | 0:14:07 | |
There are exceptions to that rule, | 0:14:09 | 0:14:11 | |
but on the whole, gardeners lose plants every season | 0:14:11 | 0:14:14 | |
while they work out what grows best where. | 0:14:14 | 0:14:16 | |
But there's an easy short cut to avoid a bin full of dead plants. | 0:14:16 | 0:14:20 | |
They should go to gardeners, ask them questions, saying, | 0:14:21 | 0:14:24 | |
"What condition have you got here?" | 0:14:24 | 0:14:26 | |
You know, "What condition do your hellebores like? | 0:14:26 | 0:14:29 | |
"Do they like damp or dry conditions and what type of soil?" | 0:14:29 | 0:14:33 | |
And as gardeners, we love talking. | 0:14:33 | 0:14:36 | |
All the time! | 0:14:36 | 0:14:38 | |
-Shall we do some of these hellebores? -Yeah, I suppose we should. | 0:14:38 | 0:14:42 | |
And we're just going to deadhead these hellebores. | 0:14:42 | 0:14:45 | |
They've got hellebore leaf spot. | 0:14:45 | 0:14:47 | |
-Yeah. -So what do you normally do with this stuff | 0:14:47 | 0:14:49 | |
-when you've cut it off? -We'd have to burn that. | 0:14:49 | 0:14:52 | |
You couldn't compost it, otherwise the spores'd invade into the | 0:14:52 | 0:14:56 | |
compost and you'd get it everywhere, so you've got to burn it. | 0:14:56 | 0:14:59 | |
-And it ruins anything that's diseased. -Yes. | 0:14:59 | 0:15:02 | |
Now, you see, I've got a little fancy trick with hellebores. | 0:15:02 | 0:15:05 | |
You know that how they seed down really easy on the soil? | 0:15:05 | 0:15:08 | |
-Yes. -That's not a problem because you just dig them up, | 0:15:08 | 0:15:10 | |
pot them up and then grow them on. | 0:15:10 | 0:15:12 | |
If you take the seed away or you get dried seed, | 0:15:12 | 0:15:15 | |
it'd be a nightmare to germinate. | 0:15:15 | 0:15:17 | |
-Right. -If you sow it just into pure horticultural sand | 0:15:17 | 0:15:21 | |
and keep that really damp, germinates like mustard and cress. | 0:15:21 | 0:15:25 | |
Oh, lovely. | 0:15:25 | 0:15:27 | |
Further down the valley is Bodnant's damp dell, | 0:15:37 | 0:15:40 | |
the highlight of this garden for me. | 0:15:40 | 0:15:43 | |
I work in the dell with a team. | 0:15:44 | 0:15:48 | |
I think it's got the wow factor, you've got the huge champion trees, | 0:15:48 | 0:15:52 | |
but people don't realise how actually large these trees are. | 0:15:52 | 0:15:56 | |
Some species tower up 100 feet above the dell. | 0:15:58 | 0:16:02 | |
Fiona does sometimes have to go home. | 0:16:05 | 0:16:08 | |
But gardens like this attract their own fan club, | 0:16:08 | 0:16:11 | |
and here there's a large team of gardeners and locals who help out. | 0:16:11 | 0:16:16 | |
We have about 30-35 garden volunteers that come in | 0:16:16 | 0:16:21 | |
about one day a week. | 0:16:21 | 0:16:22 | |
We also have the meeters and greeters, | 0:16:22 | 0:16:25 | |
the people that say hello and direct the cars in the car park. | 0:16:25 | 0:16:29 | |
Again, we couldn't do without them. | 0:16:29 | 0:16:31 | |
I think we work all together, as one big family. | 0:16:31 | 0:16:36 | |
And is there that sense of camaraderie | 0:16:36 | 0:16:38 | |
right from the top, all the way down? | 0:16:38 | 0:16:40 | |
Oh, it's got to be, especially in Bodnant Garden. | 0:16:40 | 0:16:43 | |
That's what makes it so special. And just look around you. | 0:16:43 | 0:16:47 | |
You know, working in this area, working in Bodnant Garden, | 0:16:47 | 0:16:52 | |
who could want for more, really? | 0:16:52 | 0:16:54 | |
It is a very special place. | 0:16:54 | 0:16:57 | |
Someone who can't resist the allure of Bodnant is | 0:17:06 | 0:17:09 | |
green-fingered volunteer Phyllis Davies, | 0:17:09 | 0:17:11 | |
who has a family connection with the garden that goes back generations. | 0:17:11 | 0:17:15 | |
Phyllis's father and grandfather were originally Welshmen. | 0:17:17 | 0:17:21 | |
Her family moved to London for work, | 0:17:21 | 0:17:23 | |
but she returned every summer as a child to Bodnant. | 0:17:23 | 0:17:27 | |
To me, this was sort of paradise, if you like, because | 0:17:27 | 0:17:30 | |
it was all green and we had grass and you had trees and you didn't | 0:17:30 | 0:17:35 | |
get too many of them in the East End of London, especially after the war. | 0:17:35 | 0:17:38 | |
It was a different world. | 0:17:38 | 0:17:40 | |
A different world and a world I actually wanted to be part of. | 0:17:40 | 0:17:44 | |
With Wales running through her veins, | 0:17:45 | 0:17:47 | |
at the age of 20, she left London | 0:17:47 | 0:17:49 | |
and returned to her family homeland, living close to Bodnant | 0:17:49 | 0:17:53 | |
where her grandfather had been one of the estate's first volunteers. | 0:17:53 | 0:17:57 | |
He was a local, retired policeman, naturally at home | 0:17:59 | 0:18:02 | |
asking people to keep off the grass and giving them directions. | 0:18:02 | 0:18:06 | |
I don't think that he would actually have been as | 0:18:07 | 0:18:11 | |
chatty to people as we are. | 0:18:11 | 0:18:14 | |
And maybe they weren't to him, I don't know. | 0:18:14 | 0:18:19 | |
He did have a great regard for Bodnant and I think he'd be | 0:18:19 | 0:18:23 | |
quite chuffed actually, to find that, you know, there was | 0:18:23 | 0:18:26 | |
a member of his family that was keeping the tradition going. | 0:18:26 | 0:18:30 | |
I hope so, anyway. | 0:18:31 | 0:18:33 | |
Once her family had grown up and she retired, | 0:18:34 | 0:18:37 | |
Phyllis decided to continue the family tradition volunteering here. | 0:18:37 | 0:18:41 | |
So what do you actually like about the job? | 0:18:43 | 0:18:45 | |
Meeting people. | 0:18:45 | 0:18:47 | |
And you get their different views on, you know, what they like. | 0:18:47 | 0:18:51 | |
And you say, "Did you have a lovely...?" | 0:18:51 | 0:18:53 | |
"Oh, yes, we've had a wonderful time." | 0:18:53 | 0:18:55 | |
And how many years have you been coming? You know, | 0:18:55 | 0:18:57 | |
cos I've seen you over a few years. | 0:18:57 | 0:18:59 | |
-Oh, this is my sixth year. -Sixth year. -Yeah. | 0:18:59 | 0:19:01 | |
Wow, that must be great fun. | 0:19:01 | 0:19:03 | |
Yes, it is great fun. | 0:19:03 | 0:19:04 | |
The 180,000 tourists who visit every year, and the | 0:19:06 | 0:19:09 | |
volunteers who work at Bodnant, all take away a personal memory. | 0:19:09 | 0:19:14 | |
So what does this garden actually mean to you? | 0:19:14 | 0:19:17 | |
It means a lot to me because my grandfather came here, | 0:19:17 | 0:19:21 | |
doing what I'm doing now, | 0:19:21 | 0:19:22 | |
many, many years ago. And so I've grown up coming to the garden. | 0:19:22 | 0:19:27 | |
And although I wasn't born here, I always said that when I was old | 0:19:27 | 0:19:30 | |
enough, I would come and live here, and that's exactly what I've done. | 0:19:30 | 0:19:34 | |
You gain a new understanding of a garden when you work in it | 0:19:34 | 0:19:38 | |
and chat to the visitors. | 0:19:38 | 0:19:39 | |
Phyllis has some lovely tales to tell. | 0:19:39 | 0:19:43 | |
We had one lady who came, who was in a wheelchair, | 0:19:43 | 0:19:45 | |
she was a very elderly lady and we asked her had | 0:19:45 | 0:19:48 | |
she had a lovely time, she said, "Oh, yes." And she said, "When I die, | 0:19:48 | 0:19:52 | |
"which won't be long because I'm 95," she said, "I hope that heaven | 0:19:52 | 0:19:55 | |
will be like this, because..." she said to me, | 0:19:55 | 0:19:58 | |
"..this is Heaven on Earth." | 0:19:58 | 0:20:00 | |
That's what a garden can do to you, it can touch your soul. | 0:20:00 | 0:20:03 | |
The Aberconways left us a wonderful garden to enjoy, | 0:20:05 | 0:20:08 | |
but I often think us ordinary folk should leave our mark, too. | 0:20:08 | 0:20:13 | |
Everyone who's worked hard in a garden like this deserves | 0:20:13 | 0:20:16 | |
a little recognition. | 0:20:16 | 0:20:17 | |
What I really like about this terrace is | 0:20:17 | 0:20:20 | |
the rhythm that's created with these obelisks. | 0:20:20 | 0:20:24 | |
They draw you along. And it's one of your favourite areas, isn't it? | 0:20:24 | 0:20:27 | |
Yes, I love the trellises and I love the urns on the tops. | 0:20:27 | 0:20:30 | |
The rose terraces were carved out of the valley-side in 1905. | 0:20:32 | 0:20:36 | |
They take giant steps down the steep hill with the climbing roses | 0:20:36 | 0:20:40 | |
supported on wooden trellises. | 0:20:40 | 0:20:43 | |
They've been repaired in recent years, | 0:20:43 | 0:20:45 | |
but restoring the urns on top has been too costly. | 0:20:45 | 0:20:49 | |
The Lord Aberconway used to | 0:20:50 | 0:20:52 | |
reside in London, and he used to go to the Ritz Hotel for his tea | 0:20:52 | 0:20:56 | |
or his dinner. And he saw the urns positioned right along the roofline. | 0:20:56 | 0:21:01 | |
And he actually brought the design back to Bodnant and these gardens. | 0:21:01 | 0:21:06 | |
-So he nicked the idea. -Well, let's just say he borrowed the idea. | 0:21:06 | 0:21:09 | |
Borrowed it permanently. | 0:21:09 | 0:21:11 | |
A new urn with a heavenly inscription | 0:21:11 | 0:21:13 | |
engraved on it could be the perfect tribute to the team at Bodnant, | 0:21:13 | 0:21:16 | |
something that celebrates all the gardeners and volunteers here. | 0:21:16 | 0:21:20 | |
Getting people to enjoy gardens | 0:21:25 | 0:21:27 | |
and the landscape is one of my missions in life. | 0:21:27 | 0:21:31 | |
And what a landscape Snowdonia is. | 0:21:31 | 0:21:34 | |
It attracts four and a quarter-million visitors every year. | 0:21:34 | 0:21:38 | |
And at its heart, lies Wales's highest mountain - Snowdon - | 0:21:39 | 0:21:42 | |
a whopping 3,560 feet. | 0:21:42 | 0:21:47 | |
It's a Site of Special Scientific Interest, | 0:21:47 | 0:21:50 | |
home to unique plants and protected species, | 0:21:50 | 0:21:53 | |
as well as to the famous Snowdon Mountain Railway, | 0:21:53 | 0:21:57 | |
managed by Alan Kendall. | 0:21:57 | 0:21:58 | |
Snowdon has always been a magnet for intrepid visitors. | 0:21:59 | 0:22:04 | |
So prior to a railway, you had a thousand people a day in 1850, | 0:22:04 | 0:22:09 | |
walked up it or travelled by donkey or mule or horse. | 0:22:09 | 0:22:14 | |
So it's always been a Mecca for people out to enjoy the outdoors. | 0:22:14 | 0:22:19 | |
When the railway was opened in 1896, | 0:22:19 | 0:22:22 | |
they also opened a very nice hotel and well-to-do people could | 0:22:22 | 0:22:28 | |
come and put Snowdon on their 1896 bucket list. | 0:22:28 | 0:22:32 | |
Queen Victoria's love affair with Britain's highland wildernesses | 0:22:34 | 0:22:38 | |
had removed the fear-factor from the country's crags. | 0:22:38 | 0:22:41 | |
And with a railway running all the way to the summit, | 0:22:41 | 0:22:44 | |
the well-heeled Victorian as well as the day-tripper could now | 0:22:44 | 0:22:47 | |
enjoy the views from Wales' top mountain. | 0:22:47 | 0:22:49 | |
But in 1890, the railway may never have been started, | 0:22:51 | 0:22:54 | |
if the slate industry had not gone into decline, | 0:22:54 | 0:22:57 | |
forcing the local landowner, Ashton Smith, to diversify. | 0:22:57 | 0:23:01 | |
He reckoned that if a thousand people a day | 0:23:04 | 0:23:06 | |
were prepared to walk up it, | 0:23:06 | 0:23:07 | |
then perhaps even more might pay to ride to the summit. | 0:23:07 | 0:23:12 | |
December, 1894, they cut the first sod on the railway. | 0:23:12 | 0:23:16 | |
Official, you know, had an official ceremony and construction started | 0:23:18 | 0:23:22 | |
straightaway with a completion date scheduled for July, 1895. | 0:23:22 | 0:23:27 | |
It was clear that they weren't going to achieve that | 0:23:28 | 0:23:31 | |
because of the amount of time it took to build the viaducts. | 0:23:31 | 0:23:35 | |
By January, 1896, the thing was complete | 0:23:35 | 0:23:39 | |
and the first train was at Easter. | 0:23:39 | 0:23:41 | |
It could all have ended there. | 0:23:43 | 0:23:45 | |
On the inaugural journey, disaster struck one engine, | 0:23:45 | 0:23:48 | |
which ran out of control on descent. | 0:23:48 | 0:23:51 | |
One passenger died. | 0:23:51 | 0:23:53 | |
Thankfully, that was the last rail accident on the mountain, | 0:23:55 | 0:23:58 | |
and nowadays, 350,000 tourists | 0:23:58 | 0:24:01 | |
safely reach Snowdon's summit on foot and by train every year. | 0:24:01 | 0:24:05 | |
Since the Victorians' first attempts, | 0:24:14 | 0:24:16 | |
only small areas of Snowdonia have been tamed. | 0:24:16 | 0:24:19 | |
But those that are, are spectacular. | 0:24:20 | 0:24:23 | |
Much older than the railway or even Bodnant is | 0:24:25 | 0:24:28 | |
Bodysgallen, another stunning valley garden. | 0:24:28 | 0:24:31 | |
It was originally built 800 years ago as a lookout tower | 0:24:31 | 0:24:34 | |
for Conwy Castle across the Conwy estuary. | 0:24:34 | 0:24:37 | |
But it's now a house and a very spectacular garden, | 0:24:37 | 0:24:41 | |
covering 200 acres. | 0:24:41 | 0:24:43 | |
The gardens here flourish despite the terrain. | 0:24:45 | 0:24:48 | |
Harsh rocks and tricky soil never stopped a Victorian gardener | 0:24:48 | 0:24:52 | |
intent on making a fabulous display. | 0:24:52 | 0:24:54 | |
Bodysgallen is really exciting from the ground, | 0:24:55 | 0:24:59 | |
but from up here, you can see the definition of that parterre | 0:24:59 | 0:25:03 | |
far clearer than you can see it when you're down there and intimate. | 0:25:03 | 0:25:07 | |
It's a garden that excites, both from down there and from up here. | 0:25:07 | 0:25:11 | |
It's a wonderful historic estate, now a smart hotel, | 0:25:17 | 0:25:21 | |
but it's really only the grounds that I've come here for. | 0:25:21 | 0:25:24 | |
I'm dead envious of the head gardener, Robert Owen. | 0:25:24 | 0:25:28 | |
What a cracking job he's got. | 0:25:28 | 0:25:30 | |
Robert, how long have you been associated with this garden? | 0:25:32 | 0:25:35 | |
This is my 34th year. | 0:25:35 | 0:25:37 | |
-So you came as a young man? -Yeah. | 0:25:37 | 0:25:39 | |
-A little tiny boy. -Has it changed over the years? | 0:25:39 | 0:25:41 | |
I believe it's better now than it was 30 years ago, yeah. | 0:25:41 | 0:25:45 | |
It's better than when I first saw it, | 0:25:45 | 0:25:47 | |
and I first saw it in about 1979, 1980. | 0:25:47 | 0:25:50 | |
-So you're doing a cracking job. -Thank you. | 0:25:50 | 0:25:53 | |
Historically, what was the role of the head gardener in that period? | 0:25:53 | 0:25:57 | |
Well, 150 years ago, the head gardener would have been responsible | 0:25:57 | 0:26:01 | |
for putting unusual, early, late fruits and vegetables on the table. | 0:26:01 | 0:26:06 | |
For the honorary guests. | 0:26:06 | 0:26:08 | |
Today, my duties are to please the guests of the house | 0:26:08 | 0:26:13 | |
and make sure that this parterre and other parts of the garden | 0:26:13 | 0:26:17 | |
are up to the standard which are expected in a house of this quality. | 0:26:17 | 0:26:22 | |
-So, in many ways, exactly the same roles. -Yeah. | 0:26:22 | 0:26:24 | |
The gardens at Bodysgallen had a slow start. | 0:26:24 | 0:26:28 | |
When the Mostyn family inherited the house in the Tudor period, | 0:26:28 | 0:26:32 | |
they turned the estate over to farming and food production. | 0:26:32 | 0:26:36 | |
Like many important houses, it still has its walled kitchen garden. | 0:26:36 | 0:26:40 | |
But what makes Bodysgallen different are the terraces | 0:26:40 | 0:26:43 | |
and the 200-year-old parterre garden they reveal, | 0:26:43 | 0:26:47 | |
laid out with their gravel paths and formal symmetrical planting. | 0:26:47 | 0:26:51 | |
See, to me, this is fascinating because, you know, | 0:26:53 | 0:26:56 | |
there are lots of parterres around the country, but there are very | 0:26:56 | 0:26:58 | |
few with herbs and there's very few that give you this advantage | 0:26:58 | 0:27:02 | |
of standing above them, because you can't get into the house. | 0:27:02 | 0:27:05 | |
You know, so many of them, you've got to go | 0:27:05 | 0:27:08 | |
upstairs in the house to see, but here you've got this lovely | 0:27:08 | 0:27:11 | |
walkway that drifts you through, and you can see it all and enjoy it. | 0:27:11 | 0:27:15 | |
And it's the millions of years of geology underneath | 0:27:15 | 0:27:18 | |
Snowdonia that dictates how gardens like this develop. | 0:27:18 | 0:27:21 | |
This is a prehistoric glacial and volcanic landscape, | 0:27:23 | 0:27:27 | |
where the glaciers dropped their deposits, and | 0:27:27 | 0:27:30 | |
where the volcanic ash floated down, decreeing what type of soil you get. | 0:27:30 | 0:27:34 | |
And you don't have to be far apart to be working in totally | 0:27:34 | 0:27:37 | |
different conditions. | 0:27:37 | 0:27:38 | |
What's fascinating about this garden is that | 0:27:40 | 0:27:43 | |
we're only five miles away from Bodnant, | 0:27:43 | 0:27:45 | |
that's an acid-based garden, this is a limestone-based garden. | 0:27:45 | 0:27:49 | |
So, you know, what else differs to you, as a horticulturalist? | 0:27:49 | 0:27:55 | |
Well, we work round the limestone in the plants that | 0:27:55 | 0:27:58 | |
we've used, but also it's smaller, it's more compact. | 0:27:58 | 0:28:02 | |
It's got little pockets of gardens, | 0:28:02 | 0:28:05 | |
probably more adapted to what was here probably 1900. | 0:28:05 | 0:28:10 | |
If you think of Bodnant, probably 30 gardeners, we've got three. | 0:28:10 | 0:28:15 | |
-Tee-hee. Slight difference, then. -Yes. | 0:28:15 | 0:28:19 | |
The whole estate here is more than twice | 0:28:19 | 0:28:21 | |
the size of Bodnant, yet Robert | 0:28:21 | 0:28:23 | |
and his colleagues manage all of this with a tenth of the team. | 0:28:23 | 0:28:26 | |
Their job is to preserve, as well as to enhance. | 0:28:28 | 0:28:31 | |
And that's exactly what Robert's done at the bottom of the garden, | 0:28:31 | 0:28:35 | |
a spot visitors rarely reach. | 0:28:35 | 0:28:38 | |
Come on, I want to have a nosy down there. | 0:28:38 | 0:28:41 | |
From the terrace, everything leads downhill | 0:28:42 | 0:28:45 | |
to the vegetable garden and beyond. | 0:28:45 | 0:28:47 | |
It might be a hotel these days, | 0:28:50 | 0:28:52 | |
but the gardens at Bodysgallen Hall still provide the lion's | 0:28:52 | 0:28:55 | |
share of produce for its kitchens and flower vases. | 0:28:55 | 0:28:58 | |
I enjoy this bit of the garden because, you know, | 0:29:01 | 0:29:05 | |
it's all about productivity and this is all used for cutting, isn't it? | 0:29:05 | 0:29:08 | |
Yes, yes. | 0:29:08 | 0:29:09 | |
And presumably, you make lovely arrangements | 0:29:09 | 0:29:11 | |
-up in the house and do all that. -Yep. | 0:29:11 | 0:29:13 | |
It must have been really great in the old days, you know, | 0:29:13 | 0:29:16 | |
the ladies coming down with their baskets, filling them all up | 0:29:16 | 0:29:19 | |
and taking them up there. And good old day lilies. | 0:29:19 | 0:29:22 | |
The best thing to do with a day lily, | 0:29:22 | 0:29:24 | |
apart from arranging it, is eating it. | 0:29:24 | 0:29:26 | |
Mm! | 0:29:29 | 0:29:30 | |
-Lovely? -Yeah. | 0:29:30 | 0:29:32 | |
Just short of a little bit of a dressing, | 0:29:34 | 0:29:36 | |
but apart from that, lovely. | 0:29:36 | 0:29:37 | |
Very good. | 0:29:37 | 0:29:39 | |
How do you mange to, you know, do that with your delphiniums? | 0:29:39 | 0:29:42 | |
I'd have big stakes in and I'd have crisscrossing wire. | 0:29:42 | 0:29:45 | |
Well, the florist on Thursday will cut the taller ones out. | 0:29:45 | 0:29:49 | |
-Right. -But because it's in a walled garden, the winds are not going to... | 0:29:49 | 0:29:54 | |
-So you don't get eddies? -No, no. | 0:29:54 | 0:29:57 | |
Well, OK. So they just stand there erect and splendid. | 0:29:57 | 0:30:00 | |
Yep. It'd have to be a really bad day to knock them down. | 0:30:00 | 0:30:03 | |
Oh, that's beautiful, absolutely beautiful. | 0:30:03 | 0:30:05 | |
Do you enjoy the veggie garden? | 0:30:05 | 0:30:07 | |
Yes, yes, very much so. | 0:30:07 | 0:30:09 | |
The guests love to see home-grown produce going in the house, | 0:30:09 | 0:30:13 | |
for the table. | 0:30:13 | 0:30:15 | |
And you see, it's so beautiful. | 0:30:15 | 0:30:16 | |
But it's the combination of things isn't it, | 0:30:16 | 0:30:19 | |
cos I look at the earth and I see the colour of the soil. | 0:30:19 | 0:30:22 | |
And then your eye's taken up to the house, and it's the same colour. | 0:30:22 | 0:30:26 | |
The detail, it's the lines of the bricks, then picked up with | 0:30:26 | 0:30:31 | |
the lines on the terrace and then you've got the lines | 0:30:31 | 0:30:34 | |
of the hedges, the top of the wall and then the lines of the espaliers. | 0:30:34 | 0:30:38 | |
Very clever. | 0:30:38 | 0:30:39 | |
And the most striking feature is the formal herb parterre. | 0:30:42 | 0:30:46 | |
This is an unusual parterre, planted with herbs, | 0:30:52 | 0:30:55 | |
but here at Bodysgallen, I don't mind that at all! | 0:30:55 | 0:30:59 | |
The deep walls protect the parterre from the coastal | 0:30:59 | 0:31:01 | |
winds of Colwyn Bay, | 0:31:01 | 0:31:03 | |
which means that sun-loving herbs can be grown here most of the year. | 0:31:03 | 0:31:07 | |
The tall fronds of the bronze fennel provide | 0:31:09 | 0:31:11 | |
architectural height among the herb collection. | 0:31:11 | 0:31:14 | |
Bronze fennel is an edible herb, not to be confused | 0:31:16 | 0:31:20 | |
with bulb-forming Florence fennel, which is eaten as a vegetable. | 0:31:20 | 0:31:24 | |
Bronze fennel is all about the aniseed flavour | 0:31:24 | 0:31:27 | |
in its wispy leaves. | 0:31:27 | 0:31:28 | |
Then there's the curry plant. | 0:31:31 | 0:31:32 | |
This is part of the daisy family | 0:31:34 | 0:31:35 | |
and gets its name from the pungent smell of curry drifting up from it, | 0:31:35 | 0:31:39 | |
although it's not what it tastes of. | 0:31:39 | 0:31:42 | |
If you're going to cook with this herb, | 0:31:42 | 0:31:44 | |
use it like you would sage, which is also here. | 0:31:44 | 0:31:47 | |
It wouldn't be a herb garden without it. | 0:31:47 | 0:31:50 | |
This is a Mediterranean herb, | 0:31:50 | 0:31:52 | |
but has put down roots in many cooler climates, and thrives here. | 0:31:52 | 0:31:55 | |
On a hot sunny day like this, | 0:31:57 | 0:31:59 | |
the walled parterre is thick with scents wafting from every corner. | 0:31:59 | 0:32:03 | |
As you descend through the garden rooms at Bodysgallen, | 0:32:09 | 0:32:12 | |
each one takes you nearer to the tree-framed view that brings | 0:32:12 | 0:32:15 | |
back warm memories for me. | 0:32:15 | 0:32:17 | |
I really enjoy bringing tour groups down here, | 0:32:20 | 0:32:22 | |
cos I bring them through the woods and they think, | 0:32:22 | 0:32:24 | |
"What's she up to now?" And we come along here | 0:32:24 | 0:32:26 | |
and all they can see is a green terrace, they don't understand it. | 0:32:26 | 0:32:29 | |
And I come along here and I say, | 0:32:29 | 0:32:31 | |
"Now, why don't you just take a look...at that?" | 0:32:31 | 0:32:36 | |
And all is revealed. Conwy Castle. | 0:32:36 | 0:32:39 | |
And we used to come to Wales, | 0:32:39 | 0:32:41 | |
and my dad every year used to take me to see the smallest house, | 0:32:41 | 0:32:44 | |
and then me mum would buy crab off that guy along the front | 0:32:44 | 0:32:48 | |
and we'd have crab butties. And then we'd have a look at Conwy Castle. | 0:32:48 | 0:32:52 | |
And then we'd wander off up into Snowdonia, and that was our holiday. | 0:32:52 | 0:32:57 | |
But year after year, as little kids, and that's why | 0:32:57 | 0:33:00 | |
I love coming back here and that's why I love that view. | 0:33:00 | 0:33:04 | |
So many reasons to visit a garden - | 0:33:04 | 0:33:06 | |
some of them plants, some of them memories. | 0:33:06 | 0:33:09 | |
A garden is an aide-memoire to life. | 0:33:09 | 0:33:12 | |
I've only got to close my eyes for my personal garden | 0:33:21 | 0:33:24 | |
memories to appear. And at Bodnant, | 0:33:24 | 0:33:27 | |
which according to one visitor is Heaven on Earth, | 0:33:27 | 0:33:30 | |
I'd like to leave a tribute to all the people | 0:33:30 | 0:33:33 | |
who make these memories happen every day. | 0:33:33 | 0:33:35 | |
Replacing one of the weathered rose-trellis urns | 0:33:35 | 0:33:38 | |
would leave a fresh mark in this piece of heaven. | 0:33:38 | 0:33:42 | |
Designer of all things exquisite and wooden, | 0:33:42 | 0:33:44 | |
Andrew John Lloyd has taken up the challenge. | 0:33:44 | 0:33:47 | |
Well, creating this urn has been quite a difficult project. | 0:33:49 | 0:33:54 | |
There are no detailed drawings of this piece available, | 0:33:54 | 0:33:57 | |
so we're having to literally go back to the drawing board | 0:33:57 | 0:34:00 | |
and recreate what the original draughtsman created. | 0:34:00 | 0:34:05 | |
At this stage, things are worked out mathematically to create the jigs | 0:34:05 | 0:34:11 | |
that we're going to have to make to process the making of this urn. | 0:34:11 | 0:34:14 | |
We are using traditional methods to create what is a traditional urn. | 0:34:14 | 0:34:18 | |
So they had to go right back to basics and, | 0:34:20 | 0:34:22 | |
although they're using modern power tools, | 0:34:22 | 0:34:25 | |
the techniques and processes are the same as they were when | 0:34:25 | 0:34:27 | |
Lord Aberconway commissioned all those rose urns half a century ago. | 0:34:27 | 0:34:32 | |
But the materials we're using on this urn are native | 0:34:33 | 0:34:38 | |
to Bodnant Gardens itself. | 0:34:38 | 0:34:39 | |
We're using Douglas fir for the cap, | 0:34:39 | 0:34:42 | |
which has a great durability to weather. | 0:34:42 | 0:34:45 | |
And then, for the main body, we're using oak, | 0:34:45 | 0:34:47 | |
which has a great strength and will give the structure its stability. | 0:34:47 | 0:34:51 | |
Snowdonia has 14 peaks and is rich in wildlife, | 0:35:14 | 0:35:18 | |
but the mountains over there provide the source of raw | 0:35:18 | 0:35:21 | |
materials for the people that live and work there. | 0:35:21 | 0:35:24 | |
Sheep-farming and slate-mining have been | 0:35:27 | 0:35:30 | |
the mainstays of Snowdonia's economy for centuries. | 0:35:30 | 0:35:33 | |
Generation after generation of men would go to | 0:35:34 | 0:35:37 | |
work in the mines, eking out a meagre living. | 0:35:37 | 0:35:41 | |
But when the need for slate went into decline, | 0:35:41 | 0:35:44 | |
the quarries and mines stopped working, and so did the men. | 0:35:44 | 0:35:49 | |
The area suffered a lot of unemployment over the past 60 years. | 0:35:49 | 0:35:53 | |
But community initiatives to help retrain locals are getting | 0:35:53 | 0:35:57 | |
people back into work, as well as helping those that have | 0:35:57 | 0:36:00 | |
wandered away from the straight and narrow. | 0:36:00 | 0:36:03 | |
One such organisation is a garden project run by Tina Hill. | 0:36:04 | 0:36:09 | |
The project is one of the many projects | 0:36:09 | 0:36:11 | |
that are run by a group called Golygfa Gwydyr, which is a local | 0:36:11 | 0:36:15 | |
social enterprise community group, so this is our gardening project. | 0:36:15 | 0:36:18 | |
We have a very formal vegetable garden | 0:36:18 | 0:36:23 | |
and we have potential for a much less formal | 0:36:23 | 0:36:27 | |
but equally important...forest garden. | 0:36:27 | 0:36:29 | |
Tina trains the volunteers in the techniques | 0:36:29 | 0:36:32 | |
needed to run the gardens here, | 0:36:32 | 0:36:34 | |
teaching them everything from basic soil preparation to planting | 0:36:34 | 0:36:38 | |
and harvesting. | 0:36:38 | 0:36:39 | |
The programme aims to give them | 0:36:39 | 0:36:41 | |
the skills to find alternative employment. | 0:36:41 | 0:36:44 | |
We give them opportunities, | 0:36:44 | 0:36:46 | |
we show them what's possible and we'll support them in their choices. | 0:36:46 | 0:36:50 | |
Anthony Sinkinson, a seasonal kitchen worker | 0:36:50 | 0:36:53 | |
in the local hotels, had been unemployed for a while. | 0:36:53 | 0:36:57 | |
With nothing to do all day, he'd got himself into a bit of local bother, | 0:36:57 | 0:37:01 | |
but joining Golygfa Gwydyr has turned his life round. | 0:37:01 | 0:37:05 | |
I started volunteering about five or six months ago. | 0:37:05 | 0:37:09 | |
I was hanging about with the wrong crowd and, you know, | 0:37:09 | 0:37:11 | |
I was doing silly things sometimes and I just wanted to get | 0:37:11 | 0:37:14 | |
away from all that and do something for the community, for myself | 0:37:14 | 0:37:18 | |
and for my daughter and for all of us who are involved in the garden. | 0:37:18 | 0:37:22 | |
It's a scenario that Tina has seen before. | 0:37:22 | 0:37:25 | |
Being a rural area, there's not that much in the way of work. | 0:37:25 | 0:37:29 | |
People want to stay here - they've got a support network here | 0:37:29 | 0:37:32 | |
and it's important for them. | 0:37:32 | 0:37:33 | |
Particularly if you're in that situation where | 0:37:33 | 0:37:36 | |
you're looking for work, it's very easy to get depressed, it's very | 0:37:36 | 0:37:38 | |
easy to get isolated and you need your network of people around you. | 0:37:38 | 0:37:42 | |
Without much large industry left in the area, | 0:37:43 | 0:37:46 | |
employment is seasonal, | 0:37:46 | 0:37:47 | |
based around the ebb and flow of visitors to the area. | 0:37:47 | 0:37:50 | |
You come to rely on tourists and things like that, you know, | 0:37:53 | 0:37:56 | |
cos we are in the middle of nowhere, really, and it's not | 0:37:56 | 0:37:59 | |
like a city, you know, where there are loads of people all the time. | 0:37:59 | 0:38:02 | |
And it's pretty much in the summer, really, where jobs become available. | 0:38:02 | 0:38:07 | |
But then, you know, during the winter, it goes quiet again. | 0:38:07 | 0:38:09 | |
Especially within the cooking industry like working in hotels | 0:38:09 | 0:38:12 | |
and things around here, like. | 0:38:12 | 0:38:13 | |
Anthony's knowledge of fresh vegetables, | 0:38:14 | 0:38:17 | |
learned during his work as a seasonal chef, has paid | 0:38:17 | 0:38:19 | |
dividends when it comes to working at the project's kitchen garden. | 0:38:19 | 0:38:23 | |
When we came here, the place was... | 0:38:23 | 0:38:25 | |
Oh, it was pretty wild, you know, everything was overgrown | 0:38:25 | 0:38:28 | |
and nobody had been here for a good year. | 0:38:28 | 0:38:30 | |
We've just re-dug up all the beds, | 0:38:30 | 0:38:34 | |
we've come in and put new paths down, we've re-done the beds, | 0:38:34 | 0:38:39 | |
put new wood and that down, we've got our own compost bins up | 0:38:39 | 0:38:42 | |
and running, we've got the polytunnel up and going. | 0:38:42 | 0:38:45 | |
We've got tomatoes, peppers, rhubarb, pumpkins. | 0:38:45 | 0:38:50 | |
We've got all sorts going there, yeah. | 0:38:50 | 0:38:52 | |
This place is all about collaboration, team building | 0:38:54 | 0:38:56 | |
and changing life for the better. | 0:38:56 | 0:38:58 | |
That's my kind of gardening. | 0:38:58 | 0:39:00 | |
Since doing this volunteering and that, I've... | 0:39:02 | 0:39:05 | |
I just love it being outside, being in the garden, | 0:39:05 | 0:39:08 | |
learning about the plants | 0:39:08 | 0:39:10 | |
and you know, how they work together and what they do for the environment | 0:39:10 | 0:39:14 | |
and, you know, I've decided now that I want a change of career | 0:39:14 | 0:39:18 | |
and, you know, get a job working in gardens or up in the woods. | 0:39:18 | 0:39:21 | |
It's definitely been a major change in my life, | 0:39:22 | 0:39:24 | |
doing something like this. | 0:39:24 | 0:39:26 | |
It's helped me get away from town and come to somewhere like here and | 0:39:26 | 0:39:31 | |
kind of get me away from people that I was hanging about with and things. | 0:39:31 | 0:39:34 | |
And I've been here a couple of times with my daughter | 0:39:34 | 0:39:37 | |
and my mate's brought his daughter and, you know, | 0:39:37 | 0:39:39 | |
we all get stuck in and just to see the work that we've done now | 0:39:39 | 0:39:43 | |
and everything growing nice-like, is just brilliant, yeah, | 0:39:43 | 0:39:46 | |
and I can't wait for it to grow even more, to be honest, | 0:39:46 | 0:39:48 | |
and start picking what we've grown, like, | 0:39:48 | 0:39:51 | |
and hopefully, you know, sort out the community a bit. | 0:39:51 | 0:39:54 | |
Help the community and...help ourselves. | 0:39:54 | 0:39:56 | |
Henry Pochin and the Aberconways were the wealthy landlords | 0:39:59 | 0:40:02 | |
in North Wales employing large numbers of labourers on the estate. | 0:40:02 | 0:40:06 | |
But a century on, and it's smaller | 0:40:06 | 0:40:08 | |
parcels of land like Golygfa Gwydyr that are providing a way into work. | 0:40:08 | 0:40:12 | |
Here at Bodnant, they now employ one of the project's former volunteers, | 0:40:33 | 0:40:36 | |
who learned skills that he can now develop further | 0:40:36 | 0:40:39 | |
in this grand garden. | 0:40:39 | 0:40:40 | |
Fiona started out with a small patch of land during her | 0:40:43 | 0:40:46 | |
apprenticeship here, | 0:40:46 | 0:40:47 | |
and has worked her way up to become central to the gardening team. | 0:40:47 | 0:40:51 | |
Gardens are hard work. | 0:40:51 | 0:40:53 | |
It's no walk in the park maintaining 80 acres to this standard. | 0:40:53 | 0:40:57 | |
Just look at this rose garden. | 0:40:57 | 0:40:59 | |
It's Phyllis's favourite part of Bodnant | 0:41:00 | 0:41:03 | |
and the perfect spot to celebrate the volunteers' commitment. | 0:41:03 | 0:41:06 | |
For me, this garden's about magic, | 0:41:08 | 0:41:12 | |
because whenever I come here, I wander along the terraces, | 0:41:12 | 0:41:15 | |
and I have to be honest, I tend to rush through there | 0:41:15 | 0:41:18 | |
because it's the magic in the dell that turns me on. | 0:41:18 | 0:41:21 | |
But do you know what also turns me on? | 0:41:21 | 0:41:24 | |
That's your passion. | 0:41:24 | 0:41:26 | |
Now, Andy and his team have made this amazing urn. | 0:41:26 | 0:41:32 | |
And you said to me something earlier | 0:41:32 | 0:41:36 | |
that struck a real chord. | 0:41:36 | 0:41:39 | |
And it was about a visitor. And what does this say in Welsh? | 0:41:39 | 0:41:43 | |
-Nefoedd ar Ddaear. -Which is? | 0:41:43 | 0:41:46 | |
Heaven on Earth. | 0:41:46 | 0:41:48 | |
You and the volunteers, | 0:41:48 | 0:41:50 | |
every single one of you, make this garden. | 0:41:50 | 0:41:54 | |
-What do you think? -I think it's absolutely beautiful. | 0:41:54 | 0:41:56 | |
I think it's grand, isn't it? | 0:41:56 | 0:41:58 | |
I think up it can go. Well done! | 0:41:58 | 0:41:59 | |
Well now it's up there, I think | 0:42:17 | 0:42:19 | |
it looks even better than when it was down here. | 0:42:19 | 0:42:21 | |
I think it looks absolutely beautiful. | 0:42:21 | 0:42:23 | |
-So I think it's a toast to Bodnant. Cheers. -ALL: To Bodnant. | 0:42:23 | 0:42:27 | |
ALL: Cheers! | 0:42:27 | 0:42:29 | |
Hewn from the hillside, wrestled to the ground | 0:42:38 | 0:42:41 | |
and planted so beautifully, Bodnant | 0:42:41 | 0:42:44 | |
and Bodysgallen are Victorian jewels in Snowdonia's crown. | 0:42:44 | 0:42:49 | |
I've visited them both so often I've lost count. | 0:42:49 | 0:42:52 | |
And even now, and every time you come back to this garden, | 0:42:54 | 0:42:59 | |
it's romantic, it's elegant | 0:42:59 | 0:43:02 | |
and there's always something new. | 0:43:02 | 0:43:06 | |
Cos people think they come to a garden once and that's it. | 0:43:06 | 0:43:10 | |
But it isn't. | 0:43:10 | 0:43:11 | |
Every time I come, I know I'm going to leave feeling really happy | 0:43:11 | 0:43:16 | |
and totally in love with the place. | 0:43:16 | 0:43:19 |