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There's no doubt that Britain is a nation of very proud gardeners. | 0:00:02 | 0:00:06 | |
Our love of flowers and plants goes back centuries. | 0:00:06 | 0:00:10 | |
But there's a problem. Not everything is rosy in our gardens. | 0:00:10 | 0:00:15 | |
Our iconic plants are under attack from foreign invaders. | 0:00:15 | 0:00:19 | |
Ancient woodlands are at risk of being lost for ever. | 0:00:19 | 0:00:23 | |
And our favourite flowers are disappearing right before our eyes. | 0:00:23 | 0:00:27 | |
So we need you, to help us, in our revival campaign. | 0:00:28 | 0:00:31 | |
We'll be inspiring you to dig deep and celebrate the best of British. | 0:00:33 | 0:00:37 | |
As we reveal the country's most stunning gardens. | 0:00:37 | 0:00:40 | |
And sharing our top gardening tips. | 0:00:42 | 0:00:45 | |
It's time to rediscover our passion for plants. | 0:00:46 | 0:00:50 | |
And breathe new life into our gardens. | 0:00:50 | 0:00:53 | |
The great British daffodil. | 0:01:25 | 0:01:27 | |
Could there be any louder fanfare for the onset of spring | 0:01:27 | 0:01:32 | |
than their golden trumpets and glowing yellow flowers? | 0:01:32 | 0:01:36 | |
This is what most of us think of as being a traditional daffodil. | 0:01:39 | 0:01:43 | |
In actual fact, they're quite modern hybrids. | 0:01:43 | 0:01:47 | |
But it's their popularity that has meant that some of our older | 0:01:47 | 0:01:51 | |
daffodils are in danger of being overlooked | 0:01:51 | 0:01:54 | |
and may disappear completely from our gardens. | 0:01:54 | 0:01:58 | |
I think that it's high time that we give the delightful | 0:01:58 | 0:02:01 | |
daffodil, in all its forms, a new lease of life. | 0:02:01 | 0:02:05 | |
So, join me, as I celebrate this wondrous plant. | 0:02:05 | 0:02:09 | |
On my revival, I'll be discovering some of our most historic | 0:02:15 | 0:02:19 | |
and endangered daffodil varieties. | 0:02:19 | 0:02:22 | |
I rather think it's a living museum. | 0:02:22 | 0:02:24 | |
I take to the streets of Falmouth to paint the town yellow with | 0:02:24 | 0:02:28 | |
some glorious heritage daffodils... | 0:02:28 | 0:02:31 | |
What do you think of mine? | 0:02:31 | 0:02:33 | |
I actually like yours better than I like mine. | 0:02:33 | 0:02:37 | |
..and show you how easy daffs are to grow, as well as creating | 0:02:37 | 0:02:41 | |
one of my very own. | 0:02:41 | 0:02:42 | |
What a treat. I never thought we'd be having children, Alan. | 0:02:43 | 0:02:47 | |
At our age. It's never too late to try. | 0:02:47 | 0:02:49 | |
This is Spetchley Park in Worcestershire, | 0:02:56 | 0:03:00 | |
and it's one of the few places in the country where you can see | 0:03:00 | 0:03:04 | |
heritage daffodils in abundance. | 0:03:04 | 0:03:07 | |
This is the way they ought to be seen. | 0:03:07 | 0:03:10 | |
Spetchley has a really special relationship with the daffodil. | 0:03:10 | 0:03:14 | |
It's part of its history. | 0:03:14 | 0:03:15 | |
Aren't they magnificent? | 0:03:22 | 0:03:25 | |
This daffodil is called Spetchley. It's unique to this place. | 0:03:25 | 0:03:31 | |
It was bred here by Rose Barclay, nee Rose Willmott, | 0:03:31 | 0:03:36 | |
sister of the daffodil fancier, power extraordinaire, | 0:03:36 | 0:03:40 | |
Ellen Willmott. | 0:03:40 | 0:03:41 | |
She's one of my gardening heroines. | 0:03:44 | 0:03:47 | |
She's considered to be one of the finest | 0:03:47 | 0:03:49 | |
horticulturalists of the late 19th century. | 0:03:49 | 0:03:52 | |
But her love for high-end gardening led to bankruptcy | 0:03:52 | 0:03:55 | |
and the sale of her family home. | 0:03:55 | 0:03:58 | |
But all was not lost. | 0:03:58 | 0:03:59 | |
She moved all her daffodils to her sister's garden here at Spetchley. | 0:03:59 | 0:04:03 | |
It makes me feel very special to think that I might be kneeling down | 0:04:07 | 0:04:11 | |
in the midst of the only clump of this daffodil in the entire world. | 0:04:11 | 0:04:16 | |
In order to ensure a future for all the wonderful varieties | 0:04:18 | 0:04:22 | |
of this flower, we need to bring them back to our gardens at home. | 0:04:22 | 0:04:25 | |
To understand the demise of the great British daffodil, | 0:04:27 | 0:04:30 | |
I'm heading to the Tamar Valley in Cornwall, where a thriving cut | 0:04:30 | 0:04:34 | |
flower industry once existed. | 0:04:34 | 0:04:36 | |
Daffodils were farmed, picked and packed in abundance here | 0:04:37 | 0:04:41 | |
until the First World War. | 0:04:41 | 0:04:43 | |
When a large part of the workforce were sent to the front, | 0:04:43 | 0:04:46 | |
the demise continued during the Second World War, | 0:04:46 | 0:04:49 | |
when flower growing fields were taken over for vital | 0:04:49 | 0:04:52 | |
food production, forcing farmers to dig up their daffs | 0:04:52 | 0:04:56 | |
and ditch them in the hedgerows. | 0:04:56 | 0:04:59 | |
Dr Frances Howard is a local daffodil expert. | 0:04:59 | 0:05:02 | |
We've seen so many of these wonderful daffodils just | 0:05:03 | 0:05:06 | |
tumbling down the banks. | 0:05:06 | 0:05:08 | |
Yes, it's exactly where they've been chucked out of the field. | 0:05:08 | 0:05:11 | |
In fact, I rather think it's a living museum. | 0:05:11 | 0:05:14 | |
It is, isn't it? | 0:05:14 | 0:05:15 | |
It tells you the story of what was grown | 0:05:15 | 0:05:17 | |
and also what happened to them. | 0:05:17 | 0:05:19 | |
What's this, Frances? | 0:05:19 | 0:05:20 | |
Well, that'll be a dappled "Bath's Flame". | 0:05:20 | 0:05:22 | |
There are various names for them. | 0:05:22 | 0:05:24 | |
There are "Bacon and Eggs" and "Bacon and Yolk", | 0:05:24 | 0:05:27 | |
and the heritage ones if you can see, | 0:05:27 | 0:05:29 | |
has got single thin papery petals set round like a windmill. | 0:05:29 | 0:05:34 | |
-Yes. -A whirligig. | 0:05:34 | 0:05:35 | |
-With a bit of a twirl to them. -Yes. | 0:05:35 | 0:05:37 | |
And they're light and they dance in the breeze | 0:05:37 | 0:05:40 | |
while if you look at the more recent ones... Yes, look. | 0:05:40 | 0:05:44 | |
Oh, yes, look at that. That's definitely a modern hybrid. | 0:05:44 | 0:05:47 | |
Ha-ha-ha. | 0:05:47 | 0:05:48 | |
It's got thick, over-lapping petals and it's a much more solid thing. | 0:05:48 | 0:05:53 | |
There's something sort of sturdy | 0:05:53 | 0:05:54 | |
and a bit coarse about it compared to these dainty things. | 0:05:54 | 0:05:58 | |
INDISTINCT CHATTER | 0:05:58 | 0:06:01 | |
-Aren't they wonderful, these daffodils? -ALL: They are, yes. | 0:06:01 | 0:06:04 | |
You must have seen a few on your travels. | 0:06:04 | 0:06:07 | |
There's a lot on the path up there. | 0:06:07 | 0:06:08 | |
Have you noticed the difference between any of the daffodils | 0:06:08 | 0:06:11 | |
that have been chucked out? | 0:06:11 | 0:06:12 | |
Yes. Some are blousy and obviously for the market. | 0:06:12 | 0:06:17 | |
Those are exquisite. | 0:06:17 | 0:06:19 | |
-These beautiful dainty ones? -Yeah. | 0:06:19 | 0:06:21 | |
Well, I'm so glad you said that | 0:06:21 | 0:06:22 | |
-cos that's what we're trying to do, persuade everybody. -Brilliant. | 0:06:22 | 0:06:25 | |
So if you're growing daffodils in your own garden, | 0:06:25 | 0:06:28 | |
how about trying a few of these? | 0:06:28 | 0:06:30 | |
-Do you think you can get them? -You definitely can get them, yes, | 0:06:30 | 0:06:33 | |
and the more demand there is, the more supply there'll be. | 0:06:33 | 0:06:36 | |
Well, I would grow those, yeah. | 0:06:36 | 0:06:38 | |
-Well, happy walking and happy daffodils. -Thank you. | 0:06:38 | 0:06:41 | |
-Lovely to meet you, too. -Bye. -ALL: Bye. | 0:06:41 | 0:06:43 | |
Fancy a drink? Is there a bar down here or not? | 0:06:43 | 0:06:46 | |
Ha-ha! | 0:06:46 | 0:06:48 | |
Is that an offer? | 0:06:48 | 0:06:49 | |
The fact that these flowers have survived for so long here | 0:06:51 | 0:06:55 | |
in the hedgerows, demonstrates how low maintenance they are. | 0:06:55 | 0:06:59 | |
They really are such stalwart bulbs. | 0:06:59 | 0:07:01 | |
And there's really no excuse not to grow them. | 0:07:01 | 0:07:04 | |
Well, the daffodils in the hedgerow aren't the only | 0:07:05 | 0:07:07 | |
remnants of what's left of the industry here in the Tamar Valley. | 0:07:07 | 0:07:11 | |
Hiya, Roy. Is this where you packed your daffodils up? | 0:07:15 | 0:07:19 | |
This is where the daffodils used to get packed and bunched. | 0:07:19 | 0:07:22 | |
'Roy Clarke started working on daffodil farms at the age of 14 | 0:07:22 | 0:07:26 | |
'and he's going to give me a glimpse into their intriguing past.' | 0:07:26 | 0:07:30 | |
All the family would bunch. | 0:07:30 | 0:07:32 | |
You'd get anybody out to bunch. Everybody done it. | 0:07:32 | 0:07:34 | |
You could walk down the road and your neighbour, he'd be doing the same, and his missus. | 0:07:34 | 0:07:38 | |
And wherever you went, that's what they'd do. | 0:07:38 | 0:07:40 | |
And what about stuff like this? What are these for? | 0:07:40 | 0:07:42 | |
When they were packed in the boxes, this stem stick would go in the box on the stems. | 0:07:42 | 0:07:46 | |
So if the stems were running that way, it would | 0:07:46 | 0:07:49 | |
-go across like that to keep them in place? -Yep. | 0:07:49 | 0:07:52 | |
You'd have your ink pad and when you were going to send them | 0:07:52 | 0:07:55 | |
you'd give your box a couple of smacks like that where they was | 0:07:55 | 0:07:57 | |
going to, and then there'd be labels that you could tie on as well. | 0:07:57 | 0:08:02 | |
About where they were going? | 0:08:02 | 0:08:04 | |
And do you like daffodils? | 0:08:04 | 0:08:05 | |
-I do, yes. -Have you got them in your garden? | 0:08:05 | 0:08:08 | |
I've got them in the hedges. | 0:08:08 | 0:08:09 | |
I don't need them in my garden. | 0:08:09 | 0:08:12 | |
And herein lies the problem. | 0:08:12 | 0:08:14 | |
We see daffodils in our parks and roundabouts and roadsides | 0:08:14 | 0:08:18 | |
but they've somehow lost their place in our gardens. | 0:08:18 | 0:08:21 | |
I think it's high time we brought them back. | 0:08:21 | 0:08:24 | |
A lot of the daffodils that we saw growing in the Tamar Valley | 0:08:30 | 0:08:34 | |
are represented here at Spetchley, too. | 0:08:34 | 0:08:37 | |
There's such a diversity and I want to introduce you to a few | 0:08:37 | 0:08:41 | |
of them in more detail and tempt you to grow them in your own gardens. | 0:08:41 | 0:08:46 | |
Now, I suppose to everybody this IS a daffodil. | 0:08:52 | 0:08:59 | |
It has outer petals. | 0:08:59 | 0:09:01 | |
It has a long, long trumpet | 0:09:01 | 0:09:04 | |
but in actual fact, this is just one of 25,000-plus daffodils. | 0:09:04 | 0:09:11 | |
There are so many varieties of daffodils, or as we should say, | 0:09:11 | 0:09:14 | |
narcissi, that they've been split into 13 different divisions. | 0:09:14 | 0:09:19 | |
The sort of factors that they took into consideration when | 0:09:19 | 0:09:23 | |
they were deciding on these divisions were things like, | 0:09:23 | 0:09:26 | |
was there a single flower to a stem | 0:09:26 | 0:09:29 | |
or were they multi-headed like these tazettas? | 0:09:29 | 0:09:33 | |
What sort of colour were they? | 0:09:33 | 0:09:35 | |
Were they, perhaps, species daffodils? | 0:09:35 | 0:09:38 | |
Things like this lovely little bulbocodium. | 0:09:38 | 0:09:41 | |
Wild daffodils or their very close relatives? | 0:09:41 | 0:09:46 | |
This is one of my favourite daffodils of all time, | 0:09:46 | 0:09:50 | |
called "Thalia". | 0:09:50 | 0:09:51 | |
It belongs to the triandrus section | 0:09:51 | 0:09:54 | |
and it usually has two or more flowers to each head. | 0:09:54 | 0:09:58 | |
It's the most beautiful daffodil when you see it growing outside. | 0:09:58 | 0:10:03 | |
It mixes and mingles with everything. | 0:10:03 | 0:10:06 | |
It never pushes itself forward | 0:10:06 | 0:10:08 | |
and yet at the same time you always notice it. | 0:10:08 | 0:10:11 | |
I love this, too. This is a jonquill. | 0:10:12 | 0:10:14 | |
Now, unlike some other daffodils which prefer damp heavy soil, | 0:10:16 | 0:10:20 | |
jonquills come from very sunny slopes | 0:10:20 | 0:10:22 | |
and they appreciate good drainage. | 0:10:22 | 0:10:25 | |
They've also got, and I'm sorry you can't enjoy this, | 0:10:25 | 0:10:28 | |
the most exquisite perfume. | 0:10:28 | 0:10:31 | |
Plant it in a sunny, sunny site and it will come back year after year. | 0:10:31 | 0:10:36 | |
Superb in pots, too. | 0:10:36 | 0:10:39 | |
In my campaign, I want to champion all the wonderful older breeds of daffodils | 0:10:39 | 0:10:44 | |
as well as the new and exciting varieties that are currently being created. | 0:10:44 | 0:10:49 | |
Now, daffodil breeders are a race apart. | 0:10:50 | 0:10:54 | |
They're always looking for a new colour, a new shape, a new form. | 0:10:54 | 0:10:58 | |
Just look at this as an example as the sort of thing that people try and do. | 0:10:58 | 0:11:04 | |
This is a split corona. | 0:11:04 | 0:11:06 | |
Instead of the cup or the trumpet just being entire, | 0:11:06 | 0:11:09 | |
it's all taken back in pieces and it lies flat against the petals. | 0:11:09 | 0:11:14 | |
It's one called "Maria Peer". | 0:11:14 | 0:11:17 | |
It was registered in 2006 | 0:11:17 | 0:11:20 | |
so is right at the other end of the spectrum | 0:11:20 | 0:11:22 | |
to the older heritage varieties. | 0:11:22 | 0:11:24 | |
But old or new, these flowers could brighten up any garden, | 0:11:24 | 0:11:29 | |
pot or window box, so get planting. | 0:11:29 | 0:11:32 | |
Now, if you want to get hold of some bulbs | 0:11:35 | 0:11:37 | |
for some of these heritage varieties, | 0:11:37 | 0:11:40 | |
you're going to have to go to a specialist bulb merchant. | 0:11:40 | 0:11:43 | |
There are growers up and down the country | 0:11:44 | 0:11:46 | |
and you can even order online | 0:11:46 | 0:11:48 | |
but I wanted to come and meet one for myself. | 0:11:48 | 0:11:50 | |
What a magical place! | 0:11:52 | 0:11:53 | |
Well, it's a little bit like Ali Baba's cave, really. | 0:11:53 | 0:11:56 | |
All the golden oldies are here so you'll fit in perfectly well. | 0:11:56 | 0:12:00 | |
I'll fit in perfectly! | 0:12:00 | 0:12:02 | |
Alan Street is head nurseryman at Avon Bulbs, in Somerset. | 0:12:02 | 0:12:06 | |
-What?! Ah. Whoo. -Look at this, Carol. | 0:12:07 | 0:12:09 | |
This is one of my favourite things ever in the world. | 0:12:09 | 0:12:13 | |
This is what they did 400 years ago. | 0:12:13 | 0:12:15 | |
Somebody found this in France but isn't that lovely? | 0:12:15 | 0:12:18 | |
It's known as the Queen Anne's double daffodil. | 0:12:18 | 0:12:20 | |
It's perfect. | 0:12:20 | 0:12:21 | |
It's got the six petals on each, er, in rows. | 0:12:21 | 0:12:24 | |
One on top of each other and that never sets seed | 0:12:24 | 0:12:27 | |
because that's sterile. | 0:12:27 | 0:12:28 | |
-So the only way you can do it is vegetatively just by dividing those bulbs? -Yeah. | 0:12:28 | 0:12:33 | |
-And passing them around? -By love. | 0:12:33 | 0:12:35 | |
Yeah. Do you want to pass a few this way? | 0:12:35 | 0:12:37 | |
Of course I will. | 0:12:37 | 0:12:38 | |
'The nursery has won 26 gold medals at Chelsea | 0:12:38 | 0:12:41 | |
'and daffodils have always played a major part.' | 0:12:41 | 0:12:44 | |
I mean, actually, Alan, you're one of the people who's | 0:12:44 | 0:12:48 | |
responsible for this resurgence and interest in this. | 0:12:48 | 0:12:51 | |
I mean, you really believe | 0:12:51 | 0:12:53 | |
that we should all be growing these lovely things. | 0:12:53 | 0:12:55 | |
Well, you can get interested in them if you love them | 0:12:55 | 0:12:57 | |
and I really do love these flowers. | 0:12:57 | 0:12:59 | |
I've been growing them for about 20-30 years now and I've been | 0:12:59 | 0:13:02 | |
showing them up in London at the other flower shows as well. | 0:13:02 | 0:13:05 | |
I mean, but when you look at them, no two flowers are exactly the same | 0:13:05 | 0:13:08 | |
-and I always say their perfection is their imperfection. -Exactly. | 0:13:08 | 0:13:12 | |
Don't you think it's about time people really started growing | 0:13:12 | 0:13:15 | |
these things themselves? | 0:13:15 | 0:13:16 | |
I think when they look at them compared with the modern ones, | 0:13:16 | 0:13:19 | |
these older ones have a charm and a beauty and a grace, I think, which | 0:13:19 | 0:13:22 | |
when people really look at them they will fall in love with them. | 0:13:22 | 0:13:25 | |
They will and once you're smitten that's it, isn't it? | 0:13:25 | 0:13:27 | |
There's no way back then, Carol. | 0:13:27 | 0:13:29 | |
'Alan reckons that for true daffodil lovers there's no greater joy | 0:13:30 | 0:13:34 | |
'than creating a hybrid of your very own. | 0:13:34 | 0:13:37 | |
'So I'm about to try my hand at some daffodil hanky panky with | 0:13:37 | 0:13:41 | |
'the help of a glorious old Tipperary.' | 0:13:41 | 0:13:43 | |
Well, shall we try and get some pollen off it, Carol, | 0:13:43 | 0:13:45 | |
and cross it onto another heritage daffodil? | 0:13:45 | 0:13:48 | |
-What? Ooh. -And make something new and wonderful? | 0:13:48 | 0:13:50 | |
Wow, what a treat. I never thought we'd be having children, Alan. | 0:13:50 | 0:13:54 | |
At our age. It's never too late to try. | 0:13:54 | 0:13:57 | |
-Right, shall we try and get some pollen off it? -Yeah. | 0:13:57 | 0:13:59 | |
I've got a little cotton bud here. | 0:13:59 | 0:14:01 | |
-That looks ideal. -I think there's a little bit of pollen on there. | 0:14:01 | 0:14:03 | |
Yeah, there is. It's definitely sort of yellow on the end. | 0:14:03 | 0:14:06 | |
And I thought we'd put it onto this other heritage one | 0:14:06 | 0:14:09 | |
here from the 19th century, and that one's called Lucipher. | 0:14:09 | 0:14:12 | |
One of my favourites. Just touch that one. The end. | 0:14:12 | 0:14:15 | |
There you go. There, and now it's a virgin flower. | 0:14:15 | 0:14:18 | |
It hasn't been, nothing's happened to it. | 0:14:18 | 0:14:20 | |
If you get that pollen on there. | 0:14:20 | 0:14:22 | |
-And I just dust this onto the stigma in the centre? -Yeah. | 0:14:22 | 0:14:25 | |
And you'd mark this flower so you know that. | 0:14:28 | 0:14:30 | |
I would mark it. I've got a little hood we can put on it. | 0:14:30 | 0:14:32 | |
Do you want to put it on? | 0:14:32 | 0:14:33 | |
Ooh, yes, please. | 0:14:33 | 0:14:34 | |
Well, I can staple it up later. | 0:14:34 | 0:14:36 | |
That's it. That'll stop any insects coming on. | 0:14:38 | 0:14:40 | |
'After you've pollenated your flowers, you should have a ripened | 0:14:40 | 0:14:44 | |
'seed pod ready to sow by June.' | 0:14:44 | 0:14:47 | |
-Are they quite big seeds? -They are. | 0:14:47 | 0:14:49 | |
They're black when they're ripe and they're quite easy to work with. | 0:14:49 | 0:14:53 | |
Do you sow them on the surface of some compost? | 0:14:53 | 0:14:55 | |
A little bit of grit on top of them. | 0:14:55 | 0:14:57 | |
It will germinate next spring when the daffodil leaves come up | 0:14:57 | 0:15:00 | |
but then it will be another three or four growing seasons at least before | 0:15:00 | 0:15:04 | |
they flower so we know what the children, the colour of their eyes. | 0:15:04 | 0:15:06 | |
We know our progeny and we can recognise them instantly. | 0:15:06 | 0:15:10 | |
-How wonderful. -It'll be worth the wait, I'm sure. | 0:15:10 | 0:15:13 | |
'It's a surprisingly low tech way of playing a part in the future | 0:15:13 | 0:15:17 | |
'of the heritage daffodil, plus it's great fun. | 0:15:17 | 0:15:20 | |
'Why not have a go? Who knows what you could create?' | 0:15:20 | 0:15:23 | |
I'm daft about daffodils. | 0:15:31 | 0:15:33 | |
I always have been. | 0:15:33 | 0:15:35 | |
And I can remember buying bunches of them for my mum for Mother's Day | 0:15:35 | 0:15:39 | |
and the delight on her face. | 0:15:39 | 0:15:43 | |
And as a mum, my daughters when they | 0:15:43 | 0:15:45 | |
were really little, they used to bring me bunches of daffodils for Mother's Day. | 0:15:45 | 0:15:50 | |
But they weren't from the shop. | 0:15:50 | 0:15:52 | |
They used to go out into our garden and pick them and bring them inside. | 0:15:52 | 0:15:56 | |
I didn't mind. I just loved it. | 0:15:56 | 0:15:59 | |
That's the thing about daffodils. | 0:15:59 | 0:16:00 | |
They just make you happy. | 0:16:00 | 0:16:02 | |
And I'm going to show you how easy it is to plant your own | 0:16:03 | 0:16:06 | |
here, in the gardens at Spetchley Park. | 0:16:06 | 0:16:09 | |
When I plant bulbs, I don't like to plant them in lines. | 0:16:12 | 0:16:16 | |
I hate that sort of symmetry. | 0:16:16 | 0:16:18 | |
I think the whole idea is that you make them look as informal, | 0:16:18 | 0:16:22 | |
as natural, as if they've always been there. | 0:16:22 | 0:16:25 | |
And the best way to do that is to just get your bulbs... | 0:16:25 | 0:16:30 | |
Having already just loosened this soil. | 0:16:30 | 0:16:33 | |
I've done that with a big fork. | 0:16:33 | 0:16:35 | |
I literally, I don't even look, up in the air and it's very | 0:16:37 | 0:16:41 | |
tempting to move them and straighten them up and put them together | 0:16:41 | 0:16:44 | |
but don't, because this is the way you'll achieve the right effect. | 0:16:44 | 0:16:48 | |
Now, when it comes to planting them the wisdom is that always put twice | 0:16:48 | 0:16:52 | |
the depth of the bulb of soil above the bulb | 0:16:52 | 0:16:56 | |
and the major cause of daffodils not flowering is because they're planted to shallowly. | 0:16:56 | 0:17:02 | |
And then, obviously, you're going to plant them | 0:17:02 | 0:17:05 | |
with the base plate downwards. | 0:17:05 | 0:17:07 | |
And then into the hole... and really firm them in. | 0:17:07 | 0:17:11 | |
You want intimate contact between that bulb and the soil underneath. | 0:17:11 | 0:17:15 | |
I can hardly remember the first time I planted daffodil bulbs. | 0:17:17 | 0:17:21 | |
I must have been very, very small and it must have been with my mum. | 0:17:21 | 0:17:25 | |
She was a keen gardener | 0:17:25 | 0:17:27 | |
but she didn't get much time to garden | 0:17:27 | 0:17:29 | |
but the kind of results she got from doing such a simple thing | 0:17:29 | 0:17:34 | |
as planting these bulbs was so, so worthwhile. | 0:17:34 | 0:17:39 | |
I bet some of those bulbs are still there now. | 0:17:39 | 0:17:41 | |
The best time to plant your bulbs is September or early October - | 0:17:46 | 0:17:50 | |
ideal for daffodils, | 0:17:50 | 0:17:52 | |
and make sure when you buy your bulbs that you test them. | 0:17:52 | 0:17:55 | |
Make sure they're firm and robust and that they've got no roots | 0:17:55 | 0:18:00 | |
coming from the base and then you know that they're completely | 0:18:00 | 0:18:03 | |
dormant but they're full of all that hope and promise. | 0:18:03 | 0:18:06 | |
The daffodils here have been returning year after year | 0:18:12 | 0:18:15 | |
for nearly a century without any special treatment, | 0:18:15 | 0:18:18 | |
so if you choose these beautiful flowers to brighten up your garden, | 0:18:18 | 0:18:22 | |
maintaining them couldn't be easier. | 0:18:22 | 0:18:25 | |
Nothing could be more exquisite than a daffodil in its prime. | 0:18:25 | 0:18:30 | |
It's at this stage that you can pick them and take them indoors | 0:18:30 | 0:18:35 | |
into the kitchen, but don't mix them up with other flowers because | 0:18:35 | 0:18:39 | |
they contain a poison and the other flowers will die and shrivel away. | 0:18:39 | 0:18:43 | |
But when the daffodils themselves have started to | 0:18:43 | 0:18:46 | |
shrivel, it's really vital that you deadhead them. | 0:18:46 | 0:18:51 | |
A lot of people would do it by just nipping off the top like this, | 0:18:51 | 0:18:55 | |
but what I like to do is go right down to the bottom of the stem | 0:18:55 | 0:19:00 | |
and take it off. | 0:19:00 | 0:19:01 | |
That stops the plant expending all its energy producing seed. | 0:19:01 | 0:19:06 | |
Energy that's vital to the formation of those new bulbs and to swell | 0:19:06 | 0:19:11 | |
in the bulbs that are already there, and for that very same reason | 0:19:11 | 0:19:15 | |
don't tie your daffodil leaves up in knots | 0:19:15 | 0:19:19 | |
or be tempted to chop them down. | 0:19:19 | 0:19:21 | |
They're vital in supplying that source of food for your bulbs later on. | 0:19:21 | 0:19:26 | |
If your daffodils have got into congested clumps | 0:19:26 | 0:19:29 | |
and it's started to impair their flowering, then don't be scared, | 0:19:29 | 0:19:33 | |
just dig the whole lot up, divide them up and replant them | 0:19:33 | 0:19:37 | |
with a bit of good compost just a few inches apart. | 0:19:37 | 0:19:41 | |
This is Falmouth in the heart of daffodil growing country. | 0:19:53 | 0:19:58 | |
I want to take my revival campaign to the streets | 0:19:58 | 0:20:01 | |
but the first step is to get hold of some heritage varieties. | 0:20:01 | 0:20:04 | |
'Ron Scamp has been growing heritage daffodils here in Falmouth | 0:20:05 | 0:20:09 | |
'for over 40 years, | 0:20:09 | 0:20:11 | |
'and his beautiful blooms are sure to wow the locals.' | 0:20:11 | 0:20:15 | |
This is a lovely one, isn't it? | 0:20:15 | 0:20:17 | |
Yes. It's beautiful. It's "Bath's Flame", | 0:20:17 | 0:20:19 | |
the one I used to pick as a boy on my uncle's flower farm | 0:20:19 | 0:20:23 | |
in the Tamar Valley. | 0:20:23 | 0:20:25 | |
You are renowned to have the largest collection of daffodils | 0:20:25 | 0:20:28 | |
in the world, bar none, | 0:20:28 | 0:20:30 | |
so that's a sure sign you're pretty keen on them. | 0:20:30 | 0:20:33 | |
Well, yeah, we've got... Very nearly in this patch here | 0:20:33 | 0:20:36 | |
-there's very nearly 3,000 different named varieties... -Wow. | 0:20:36 | 0:20:40 | |
..and we have two acres of unnamed seedlings that we've bred as well. | 0:20:40 | 0:20:46 | |
Whoa. New ones are very exciting, aren't they? | 0:20:46 | 0:20:48 | |
Yeah, I've been known to break into a run | 0:20:48 | 0:20:50 | |
when I've seen something really good, so... | 0:20:50 | 0:20:53 | |
But, yes, that is a very exciting time. | 0:20:53 | 0:20:55 | |
But on the other hand, | 0:20:55 | 0:20:56 | |
you're just as passionate about these old varieties. | 0:20:56 | 0:20:59 | |
They've got a soft spot in my heart. | 0:20:59 | 0:21:02 | |
I really do like the real old-fashioned ones. | 0:21:02 | 0:21:05 | |
I'd love everybody to see this. Can we pick some of these? | 0:21:05 | 0:21:08 | |
Of course, yes. | 0:21:08 | 0:21:09 | |
I know it sounds daft, but I'm not really sure how to do it. | 0:21:09 | 0:21:12 | |
If you're going to pick something for indoor decoration right away, | 0:21:12 | 0:21:16 | |
pick a flower that's fresh open. | 0:21:16 | 0:21:18 | |
Make sure that it's a nice, clean flower and not burnt or aged. | 0:21:18 | 0:21:23 | |
So, inspect it first. | 0:21:23 | 0:21:24 | |
Just finger and thumb. | 0:21:24 | 0:21:27 | |
That's it. | 0:21:27 | 0:21:28 | |
That's absolutely perfect. | 0:21:28 | 0:21:30 | |
'So, armed with some beautiful heritage daffodils, | 0:21:30 | 0:21:33 | |
'it's time to show the people of Falmouth what they're missing. | 0:21:33 | 0:21:36 | |
'In this Cornish seaside town, | 0:21:36 | 0:21:38 | |
'they've got a unique way of heralding the start of spring.' | 0:21:38 | 0:21:42 | |
It looks wonderful! | 0:21:44 | 0:21:45 | |
We organise a day called Paint The Town Yellow Day, | 0:21:45 | 0:21:48 | |
which really gets the community and businesses and schools together, | 0:21:48 | 0:21:51 | |
and we hand out daffodils, decorate shops... | 0:21:51 | 0:21:54 | |
-What better way to do it! -Ah, I mean the daffodil... | 0:21:54 | 0:21:56 | |
What a symbolic flower, isn't it? | 0:21:56 | 0:21:58 | |
Well, the daffodil is so important to Falmouth and to Cornwall, | 0:21:58 | 0:22:02 | |
and we can think of no better flower that really symbolises | 0:22:02 | 0:22:05 | |
colour, vibrancy and, sort of, a uniting spirit | 0:22:05 | 0:22:08 | |
of bringing people together in the town. | 0:22:08 | 0:22:10 | |
Celebrating spring. | 0:22:10 | 0:22:12 | |
Do you want some daffodils?! | 0:22:13 | 0:22:15 | |
'So, along with my fellow daffodil enthusiasts, | 0:22:20 | 0:22:23 | |
'I'm taking to the streets in support of these fabulous flowers.' | 0:22:23 | 0:22:28 | |
I love your daffodil, Constable. What do you think of mine? | 0:22:28 | 0:22:32 | |
Well, I actually like yours better than I like mine. | 0:22:32 | 0:22:35 | |
-What do you think of them? -They're gorgeous. They're really pretty. | 0:22:35 | 0:22:38 | |
'And my heritage daffs seem to be a firm favourite.' | 0:22:38 | 0:22:42 | |
That's "Maximus Superbus". | 0:22:42 | 0:22:44 | |
I do enjoy the ones with different colours in them. | 0:22:44 | 0:22:48 | |
These are the ones I used to know when I was a child. | 0:22:48 | 0:22:51 | |
-Aren't they beautiful?! -Do you like them? -Yes. | 0:22:51 | 0:22:53 | |
Oh, good. | 0:22:53 | 0:22:55 | |
They seem more intimate, more... | 0:22:55 | 0:22:57 | |
"More intimate." I like that! | 0:22:57 | 0:22:59 | |
But they're on the decrease and we want to persuade people... | 0:22:59 | 0:23:03 | |
-Oh, you can persuade me instantly. -Yes? | 0:23:03 | 0:23:05 | |
Next time you're planting daffodils, | 0:23:05 | 0:23:07 | |
-how about trying a few of these heritage varieties? -Lovely. | 0:23:07 | 0:23:09 | |
I've crocheted them, I've stitched them, I've cross-stitched them, | 0:23:09 | 0:23:13 | |
and I'm only going to have a wreath of daffodils on my coffin. | 0:23:13 | 0:23:16 | |
So you've got to die in spring. | 0:23:16 | 0:23:17 | |
I've got to die in spring, so I've missed this year! | 0:23:17 | 0:23:19 | |
-Would you support that whole idea... -Definitely. | 0:23:19 | 0:23:21 | |
-..of us reintroducing these wonderful things? -Oh, definitely. | 0:23:21 | 0:23:24 | |
-Definitely. -And growing them? -Yes, I'd be lost without my daffodils! | 0:23:24 | 0:23:28 | |
And I hope it's many, many years before you have them on your wreath! | 0:23:28 | 0:23:33 | |
'Our heritage daffodils have brightened up everyone's day. | 0:23:33 | 0:23:38 | |
'They're like little rays of sunshine.' | 0:23:38 | 0:23:40 | |
Daffodils? | 0:23:42 | 0:23:44 | |
I don't think even THESE would make her smile, would they? | 0:23:44 | 0:23:47 | |
'The aim of my campaign is to encourage you | 0:23:51 | 0:23:54 | |
'to grow your own heritage daffodils at home. | 0:23:54 | 0:23:57 | |
'So I'm back at Spetchley Park to show YOU | 0:23:57 | 0:24:00 | |
'how you can get the most from your daffodil bulbs.' | 0:24:00 | 0:24:03 | |
Now, you can make more daffodils by growing them from seed, | 0:24:04 | 0:24:08 | |
but it takes quite a long time. | 0:24:08 | 0:24:10 | |
Normally, we buy these dry bulbs, | 0:24:10 | 0:24:12 | |
but instead of just putting them straight into the ground, | 0:24:12 | 0:24:16 | |
there's a way you can make more. | 0:24:16 | 0:24:18 | |
This is a process called chipping. | 0:24:18 | 0:24:20 | |
It has to be one of the most simple ways | 0:24:20 | 0:24:22 | |
of making more bulbs, more plants, that there is. | 0:24:22 | 0:24:25 | |
It's cheap, it's easy and it's such good fun. | 0:24:25 | 0:24:29 | |
All you've got to do is take your dry bulb, | 0:24:29 | 0:24:33 | |
go to the base plate, which is the bit at the bottom of the bulb, | 0:24:33 | 0:24:36 | |
and remove any old roots, | 0:24:36 | 0:24:39 | |
and then just strip a bit of this tunic - | 0:24:39 | 0:24:43 | |
the outside layer - | 0:24:43 | 0:24:44 | |
cos daffodil bulbs are made up of layer upon layer, | 0:24:44 | 0:24:49 | |
just like an onion, of fleshy bits. | 0:24:49 | 0:24:53 | |
So when you've got a clean-looking bulb like that, | 0:24:53 | 0:24:56 | |
take a very, very sharp knife | 0:24:56 | 0:24:59 | |
and just go right across the top | 0:24:59 | 0:25:03 | |
of the nose of the bulb. | 0:25:03 | 0:25:05 | |
You chop its nose off. | 0:25:05 | 0:25:07 | |
Stand it upright, | 0:25:07 | 0:25:09 | |
and take your knife again | 0:25:09 | 0:25:11 | |
and go right through the centre. | 0:25:11 | 0:25:14 | |
Now, I'm chopping that down into four separate bits. | 0:25:14 | 0:25:19 | |
Now, the whole idea is that each piece you're going to make | 0:25:19 | 0:25:23 | |
has got a bit of that base plate, | 0:25:23 | 0:25:25 | |
but it's no good if I just leave it out in the fresh air. | 0:25:25 | 0:25:28 | |
What I've got to do is subject it | 0:25:28 | 0:25:30 | |
to darkness, warmth and moisture. | 0:25:30 | 0:25:34 | |
Take a plastic bag, | 0:25:36 | 0:25:37 | |
grab hold of some of this damp vermiculite. | 0:25:37 | 0:25:40 | |
It's just a sort of mineral rock, | 0:25:40 | 0:25:43 | |
completely inorganic. | 0:25:43 | 0:25:46 | |
It won't supply any kind of nutrient, | 0:25:46 | 0:25:48 | |
any food to this bulb at all. | 0:25:48 | 0:25:50 | |
Seal the bag up. | 0:25:50 | 0:25:52 | |
Put it into your airing cupboard | 0:25:52 | 0:25:54 | |
and wait for about four to six weeks. | 0:25:54 | 0:25:56 | |
You'll want to be looking in there every day | 0:25:56 | 0:25:58 | |
but resist the temptation. | 0:25:58 | 0:26:00 | |
When at last you see | 0:26:00 | 0:26:02 | |
on one of those pieces a new little bulb | 0:26:02 | 0:26:06 | |
forming at the base by this base plate, | 0:26:06 | 0:26:09 | |
that's the stage at which you can | 0:26:09 | 0:26:11 | |
put them into a tray of good compost. | 0:26:11 | 0:26:13 | |
They are going to grow for you. | 0:26:13 | 0:26:16 | |
It's a great way to make more daffodils, | 0:26:16 | 0:26:19 | |
especially when you've only got a few or they're very special. | 0:26:19 | 0:26:22 | |
So, of course, it's ideal for increasing your numbers | 0:26:22 | 0:26:25 | |
of heritage daffodils. | 0:26:25 | 0:26:27 | |
'The best time to do this is when your bulbs are dormant, | 0:26:29 | 0:26:32 | |
'without shoots or roots. | 0:26:32 | 0:26:35 | |
'And when your new bulbs are ready to plant, why not share them? | 0:26:35 | 0:26:38 | |
'Give a couple to a friend or a neighbour | 0:26:38 | 0:26:41 | |
'and get your gardens blooming!' | 0:26:41 | 0:26:43 | |
The Daffodil Society show is an annual event, | 0:26:51 | 0:26:54 | |
showcasing flowers from across the UK. | 0:26:54 | 0:26:58 | |
This year it's being held in Warwickshire, | 0:26:58 | 0:27:00 | |
and in the efforts to have the best blooms, | 0:27:00 | 0:27:03 | |
nothing is left to chance. | 0:27:03 | 0:27:05 | |
Well, the Daffodil Society has been going for over 100 years. | 0:27:05 | 0:27:08 | |
1898 was the start of it. | 0:27:08 | 0:27:10 | |
We want to encourage people to grow it, to enjoy it | 0:27:10 | 0:27:13 | |
and, in this case, today obviously we want people to show it. | 0:27:13 | 0:27:17 | |
Richard Gillings is a previous winner, | 0:27:17 | 0:27:20 | |
and, for him, today is the pinnacle of a whole year's work. | 0:27:20 | 0:27:24 | |
I'm feeling...buzzing. | 0:27:24 | 0:27:25 | |
The adrenaline is going, everything. I love it. | 0:27:25 | 0:27:28 | |
I love every minute of showing my daffodils. | 0:27:28 | 0:27:31 | |
But these daffodil fanciers are a competitive bunch! | 0:27:31 | 0:27:35 | |
-When are you bringing the decent ones out, Alan? -When you've gone! | 0:27:35 | 0:27:38 | |
HE LAUGHS | 0:27:38 | 0:27:41 | |
It's touch and go... | 0:27:42 | 0:27:43 | |
so far. It's touch and go. | 0:27:43 | 0:27:45 | |
I wouldn't like to say. It's like our front room. | 0:27:45 | 0:27:48 | |
Not a lot in it! | 0:27:48 | 0:27:49 | |
In Richard's category, each competitor must show | 0:27:49 | 0:27:52 | |
nine different varieties, | 0:27:52 | 0:27:53 | |
and each variety vase must contain three brilliant blooms. | 0:27:53 | 0:27:57 | |
Perfect flowers are required, | 0:27:57 | 0:28:01 | |
and, to do that, you must grow many hundreds of flowers | 0:28:01 | 0:28:05 | |
and then you've got to present them all looking at the judge, | 0:28:05 | 0:28:08 | |
the flowers saying, "Pick me." | 0:28:08 | 0:28:10 | |
But will they pick Richard for the third year in a row, | 0:28:10 | 0:28:14 | |
or will his biggest rival take the crown? | 0:28:14 | 0:28:18 | |
This is now the time, the moment of truth. | 0:28:18 | 0:28:20 | |
I think he's just pipped me, | 0:28:20 | 0:28:22 | |
because I think my faults look more than his faults, | 0:28:22 | 0:28:26 | |
what I can see, | 0:28:26 | 0:28:28 | |
so I think he's just pipped me. | 0:28:28 | 0:28:30 | |
And Richard's fears are confirmed, | 0:28:30 | 0:28:33 | |
but he's remaining upbeat. | 0:28:33 | 0:28:35 | |
I'll be back next year all guns blazing, | 0:28:36 | 0:28:38 | |
and it'll take another good man to beat me. | 0:28:38 | 0:28:40 | |
And despite his loss, | 0:28:42 | 0:28:44 | |
he's sure you're on to a winner with daffodils. | 0:28:44 | 0:28:47 | |
People should grow daffodils because they're beautiful flowers | 0:28:47 | 0:28:51 | |
and they're easy to grow. | 0:28:51 | 0:28:53 | |
Buy yourself a few bulbs, put them in the garden, | 0:28:53 | 0:28:56 | |
and I can guarantee you'll have a lovely display next year, | 0:28:56 | 0:28:59 | |
but you're not going to beat me! | 0:28:59 | 0:29:02 | |
For too long, these flowers, with all their history, | 0:29:11 | 0:29:15 | |
have remained neglected. | 0:29:15 | 0:29:18 | |
It's time for us all to rally to the call | 0:29:18 | 0:29:21 | |
and join the great British daffodil revival. | 0:29:21 | 0:29:25 | |
'But perhaps one of our greatest daffodil lovers, | 0:29:25 | 0:29:28 | |
'William Wordsworth, should have the final word.' | 0:29:28 | 0:29:30 | |
For oft, when on my couch I lie | 0:29:30 | 0:29:34 | |
In vacant or in pensive mood, | 0:29:34 | 0:29:37 | |
They flash upon that inward eye, | 0:29:37 | 0:29:39 | |
Which is a bliss of solitude; | 0:29:39 | 0:29:42 | |
And then my heart with pleasure fills, | 0:29:42 | 0:29:46 | |
And dances with the daffodils. | 0:29:46 | 0:29:48 | |
Across the series, our revival team | 0:29:51 | 0:29:53 | |
are travelling the length and breadth of Britain | 0:29:53 | 0:29:56 | |
celebrating our gardens, flowers and plants | 0:29:56 | 0:30:00 | |
in all their glory, | 0:30:00 | 0:30:02 | |
with one important mission - | 0:30:02 | 0:30:04 | |
to champion our rich gardening heritage. | 0:30:04 | 0:30:07 | |
Next, Chris Beardshaw is on the blossom campaign trail. | 0:30:08 | 0:30:12 | |
From cherry blossom and magnolia to laburnum and wisteria. | 0:30:17 | 0:30:22 | |
For me, the blossoming of our trees and shrubs | 0:30:22 | 0:30:26 | |
provides the perfect vision of spring. | 0:30:26 | 0:30:29 | |
But blossom doesn't last long, | 0:30:33 | 0:30:36 | |
and, if that's not enough, we're felling and removing | 0:30:36 | 0:30:40 | |
many of our blossoming trees from landscapes and gardens. | 0:30:40 | 0:30:43 | |
I believe it's time for us to stop | 0:30:46 | 0:30:49 | |
and appreciate blossoming trees and shrubs in our gardens, | 0:30:49 | 0:30:54 | |
no matter how fleetingly they're present in our lives. | 0:30:54 | 0:30:58 | |
'On my revival campaign I'll find out how blossoming trees | 0:31:02 | 0:31:05 | |
'are being lost from our streets and gardens.' | 0:31:05 | 0:31:08 | |
It was quite upsetting to look out from my window | 0:31:08 | 0:31:11 | |
to the sound of chain saws. | 0:31:11 | 0:31:12 | |
'I take to my bike on the Blossom Trail in Worcestershire.' | 0:31:14 | 0:31:17 | |
If you have blossom, you're guaranteed fruit to eat. | 0:31:17 | 0:31:22 | |
It literally was life and death. | 0:31:22 | 0:31:24 | |
'And I'll be sharing my top planting tips | 0:31:24 | 0:31:27 | |
'on just how easy it is for all of us to embrace | 0:31:27 | 0:31:30 | |
'blossoming trees and shrubs in our gardens.' | 0:31:30 | 0:31:33 | |
This plant is perfect. | 0:31:33 | 0:31:34 | |
Evenly distributed. | 0:31:34 | 0:31:36 | |
That's going to get off to a great start. | 0:31:36 | 0:31:38 | |
To start my blossom revival campaign, | 0:31:49 | 0:31:52 | |
I'm at Bodnant Gardens near Colwyn Bay in north Wales. | 0:31:52 | 0:31:56 | |
It's an area known for the imposing Snowdonia landscape | 0:31:56 | 0:32:01 | |
and a garden famed for camellias and magnolias, | 0:32:01 | 0:32:06 | |
not to mention the ravishing 55-metre-long laburnum arch. | 0:32:06 | 0:32:11 | |
'With a phenomenal cascade of flowers | 0:32:12 | 0:32:15 | |
'and the spectacular displays of blossom | 0:32:15 | 0:32:17 | |
'that bring these gardens to life every spring, | 0:32:17 | 0:32:20 | |
'it's easy to see why people flock here.' | 0:32:20 | 0:32:22 | |
"Blossom" is a term that was originally used to define | 0:32:22 | 0:32:25 | |
a very specific group of plants, | 0:32:25 | 0:32:28 | |
namely those that generated fruit - | 0:32:28 | 0:32:30 | |
apples, pears, cherries and so on. | 0:32:30 | 0:32:33 | |
But today we use it much more broadly | 0:32:33 | 0:32:36 | |
to encompass flowering trees and shrubs from around the world | 0:32:36 | 0:32:41 | |
in all their kaleidoscopic colour. | 0:32:41 | 0:32:44 | |
Sadly, many of our blossoming trees and shrubs are becoming vulnerable. | 0:32:47 | 0:32:52 | |
They're being replaced in favour of plants that are perceived | 0:32:52 | 0:32:55 | |
as having lower maintenance and a longer season of interest. | 0:32:55 | 0:33:00 | |
'We're in danger of losing, | 0:33:00 | 0:33:02 | |
'not only the visual spectacle it provides every spring, | 0:33:02 | 0:33:05 | |
'but also the biodiversity that the blossom brings to our gardens, | 0:33:05 | 0:33:09 | |
'streets and cities.' | 0:33:09 | 0:33:11 | |
When we think of ornamental blossom trees in the street, | 0:33:18 | 0:33:21 | |
so often the picture that's conjured up is of apples and cherries, | 0:33:21 | 0:33:26 | |
with their fantastic pink, cerise and white petals | 0:33:26 | 0:33:30 | |
enlivening our neighbourhoods. | 0:33:30 | 0:33:32 | |
'But all is not well. | 0:33:34 | 0:33:36 | |
'Cherry blossom trees have shallow, vigorous roots | 0:33:36 | 0:33:39 | |
'and a reputation for causing damage to pavements and roads, | 0:33:39 | 0:33:42 | |
'so they're more likely to be removed | 0:33:42 | 0:33:44 | |
'and replaced with less problematic species, | 0:33:44 | 0:33:47 | |
'and that's even if they're even replaced at all. | 0:33:47 | 0:33:50 | |
'A recent report from Edinburgh Council | 0:33:50 | 0:33:52 | |
'shows around a 20% decline in street trees since the 1990s. | 0:33:52 | 0:33:57 | |
'Gail Bryden lives in Gardner's Crescent in Edinburgh. | 0:33:57 | 0:34:01 | |
'She's passionate about the mature cherry trees on the communal green, | 0:34:01 | 0:34:04 | |
'so when the council came to chop them down she decided to fight back.' | 0:34:04 | 0:34:08 | |
That's right. We used to have ten cherry trees within the Crescent | 0:34:08 | 0:34:11 | |
and now we're down to four and a half, | 0:34:11 | 0:34:13 | |
so it was quite upsetting a couple of months ago | 0:34:13 | 0:34:15 | |
to look out from my window to the sound of chain saws. | 0:34:15 | 0:34:18 | |
How do you go about stopping someone | 0:34:18 | 0:34:20 | |
cutting down, you know, the community's trees? | 0:34:20 | 0:34:23 | |
I came out, phoned the Evening News, the local paper, | 0:34:23 | 0:34:25 | |
who were here within about five minutes, | 0:34:25 | 0:34:28 | |
and from there on in the work stopped. | 0:34:28 | 0:34:30 | |
It was really upsetting, and, actually, some neighbours were in tears. | 0:34:30 | 0:34:33 | |
Erm, it's amazing, the outpouring of emotions towards these trees. | 0:34:33 | 0:34:37 | |
Is the battle won? Are the cherry trees going to stay? | 0:34:40 | 0:34:44 | |
We're in discussions at the moment, so it would be great if they can, | 0:34:44 | 0:34:47 | |
but by no means are they out of the danger just yet. | 0:34:47 | 0:34:50 | |
'Edinburgh Council say that the felling of the trees | 0:34:50 | 0:34:52 | |
'is part of an ongoing project to restore Gardner's Crescent | 0:34:52 | 0:34:56 | |
'to its former 19th-century glory. | 0:34:56 | 0:34:59 | |
'While further felling has been postponed, | 0:34:59 | 0:35:01 | |
'they do plan to replace the trees | 0:35:01 | 0:35:04 | |
'with a variety of blossomless species.' | 0:35:04 | 0:35:07 | |
And when you consider that for as long as we've been creating | 0:35:07 | 0:35:11 | |
sophisticated cities, as Edinburgh is, | 0:35:11 | 0:35:14 | |
we've been populating those cities with green space | 0:35:14 | 0:35:18 | |
and trees of the right scale and proportion. | 0:35:18 | 0:35:21 | |
So why cut down cherry trees like that in their prime | 0:35:21 | 0:35:25 | |
and end up with naked buildings and empty space like that? | 0:35:25 | 0:35:29 | |
It doesn't make any sense. | 0:35:29 | 0:35:31 | |
'When blossom trees are felled in our own areas, emotions can run high, | 0:35:37 | 0:35:41 | |
'but perhaps, as a society, we don't place enough value | 0:35:41 | 0:35:45 | |
'on the fleeting joy that blossom can bring.' | 0:35:45 | 0:35:48 | |
One country that really knows how to celebrate its blossom is Japan. | 0:35:48 | 0:35:54 | |
For centuries, people have picnicked under the sacred sakura, | 0:35:54 | 0:35:59 | |
or cherry tree, in a ritual known as hanami, | 0:35:59 | 0:36:03 | |
and, for me, there's much we could learn | 0:36:03 | 0:36:06 | |
from that ancient Japanese festival. | 0:36:06 | 0:36:08 | |
'Sayaka Kurata is from Edinburgh University's Japanese Society.' | 0:36:12 | 0:36:17 | |
At the hanami festival in Japan, what happens? | 0:36:17 | 0:36:21 | |
What happens in the hanami festival is two things. | 0:36:21 | 0:36:24 | |
One is appreciating the flowers, | 0:36:24 | 0:36:26 | |
and the second thing is the food. | 0:36:26 | 0:36:28 | |
Everyone's having picnic. Everyone enjoying themselves. | 0:36:28 | 0:36:31 | |
I always remember it as something I look forward to. | 0:36:31 | 0:36:34 | |
Every time the cherry blossom starts to bloom, | 0:36:34 | 0:36:37 | |
me and my friends get excited, | 0:36:37 | 0:36:39 | |
tell Mum and Dad, "We shall have to go to hanami | 0:36:39 | 0:36:42 | |
"because we only have two weeks." | 0:36:42 | 0:36:44 | |
It's a very limited time. So it's just something we can't miss. | 0:36:44 | 0:36:49 | |
What is it, do you think, about the blossom that makes it | 0:36:49 | 0:36:52 | |
so special to the Japanese culture and to the hanami festival? | 0:36:52 | 0:36:57 | |
It's to do with cherry blossom being the national flower, | 0:36:57 | 0:37:01 | |
but also it reflects the transience of life, | 0:37:01 | 0:37:05 | |
to how our life...is. | 0:37:05 | 0:37:07 | |
So hanami is seen as a celebration of beginning, | 0:37:07 | 0:37:11 | |
celebration of spring. | 0:37:11 | 0:37:13 | |
'As a society, what's important for us to take from hanami | 0:37:19 | 0:37:23 | |
'is that we must value and cherish our blossom trees. | 0:37:23 | 0:37:27 | |
'Keep a close eye on the blossom trees in YOUR area | 0:37:27 | 0:37:31 | |
'and get planting in your own gardens | 0:37:31 | 0:37:33 | |
'to safeguard the beauty of blossom for future generations, | 0:37:33 | 0:37:37 | |
'or we risk losing the joy it brings for ever.' | 0:37:37 | 0:37:40 | |
Growing up in rural Worcestershire, blossom, for me, | 0:37:48 | 0:37:51 | |
meant the commercial orchards of apples, damsons and cherries. | 0:37:51 | 0:37:56 | |
There was one group of plants that I just simply couldn't grow | 0:37:56 | 0:38:00 | |
in the grounds that I had, and that's the rhododendrons, | 0:38:00 | 0:38:04 | |
the camellias and the magnolias. | 0:38:04 | 0:38:06 | |
So I had to make a pilgrimage to places like this, to Bodnant, | 0:38:06 | 0:38:10 | |
to witness the arrival of spring, | 0:38:10 | 0:38:12 | |
and, I have to say, it's a pilgrimage that's well worth making. | 0:38:12 | 0:38:16 | |
Queen of the spring blossom is the magnolia, | 0:38:18 | 0:38:23 | |
a curious group of plants. | 0:38:23 | 0:38:26 | |
They evolved 75 million years ago, | 0:38:26 | 0:38:29 | |
long before specialised winged pollinating insects, | 0:38:29 | 0:38:34 | |
and this is amongst the finest of examples. | 0:38:34 | 0:38:37 | |
It's Magnolia sieboldii. | 0:38:37 | 0:38:39 | |
It sits glamorous, | 0:38:39 | 0:38:41 | |
defying anyone to not fall in love with it. | 0:38:41 | 0:38:44 | |
'Magnolias are native to the Americas, the Himalayas | 0:38:47 | 0:38:50 | |
'and East Asia, | 0:38:50 | 0:38:52 | |
'but in the wild, many species are under threat. | 0:38:52 | 0:38:55 | |
'So there's more reason than ever | 0:38:55 | 0:38:57 | |
'to plant these stunning icons of spring and summer | 0:38:57 | 0:39:00 | |
'and I'm going to show you how.' | 0:39:00 | 0:39:02 | |
Magnolias are woodland and woodland-edge dwellers | 0:39:07 | 0:39:11 | |
in their native habitat, | 0:39:11 | 0:39:13 | |
and that really is the secret to their success | 0:39:13 | 0:39:16 | |
when they're transferred to a garden. | 0:39:16 | 0:39:18 | |
Underneath the tree canopy here, surrounded by shrubbery, | 0:39:18 | 0:39:22 | |
is absolutely perfect for them. | 0:39:22 | 0:39:24 | |
It provides them with the necessary shelter from cold winds | 0:39:24 | 0:39:28 | |
but also a very rich soil. | 0:39:28 | 0:39:30 | |
The next thing to think about is which magnolia to go for. | 0:39:30 | 0:39:34 | |
Some are very large, | 0:39:34 | 0:39:36 | |
others are much more shrub-like. | 0:39:36 | 0:39:38 | |
This is Magnolia kobus, | 0:39:38 | 0:39:40 | |
which is a kind of halfway house. | 0:39:40 | 0:39:42 | |
But before you buy, | 0:39:42 | 0:39:44 | |
don't be afraid to knock the plant out of the pot, | 0:39:44 | 0:39:47 | |
because if this is healthy, | 0:39:47 | 0:39:50 | |
then you're sure of getting a healthy plant | 0:39:50 | 0:39:52 | |
that establishes and flowers well. | 0:39:52 | 0:39:54 | |
What we're looking for is these succulent roots around the root ball. | 0:39:54 | 0:39:59 | |
Not a woody array that's spiralling around. | 0:39:59 | 0:40:02 | |
Certainly not blackness within the roots, which indicates dying off. | 0:40:02 | 0:40:06 | |
This plant is perfect. Evenly distributed. | 0:40:06 | 0:40:09 | |
That's going to get off to a great start. | 0:40:09 | 0:40:11 | |
But before you plant, think about the hole that you're planting in. | 0:40:11 | 0:40:15 | |
Make it sufficiently large, | 0:40:15 | 0:40:16 | |
three or four times larger than the size of the pot. | 0:40:16 | 0:40:19 | |
Make sure the bottom is well dug over and loose. | 0:40:19 | 0:40:22 | |
As far as depth is concerned, | 0:40:23 | 0:40:24 | |
what we're looking for is a mark | 0:40:24 | 0:40:27 | |
just a little deeper | 0:40:27 | 0:40:30 | |
than the plant was growing in the pot in the nursery. | 0:40:30 | 0:40:33 | |
Put your spade across the surface, and you can see that's perfect. | 0:40:33 | 0:40:36 | |
'Next, add some organic matter or compost | 0:40:38 | 0:40:41 | |
'before filling with soil, firming it in as you go.' | 0:40:41 | 0:40:45 | |
If you don't firm it in, | 0:40:45 | 0:40:46 | |
what happens is that any breeze that's going by | 0:40:46 | 0:40:49 | |
will wag the top of the plant, | 0:40:49 | 0:40:51 | |
and that means the root ball will be moving around. | 0:40:51 | 0:40:53 | |
Now, those roots are trying to get out into the ground. | 0:40:53 | 0:40:56 | |
The more they move, the more they get severed and broken. | 0:40:56 | 0:40:58 | |
A secure plant allows those roots to migrate out | 0:40:58 | 0:41:01 | |
and then the plant establishes very well. | 0:41:01 | 0:41:04 | |
What's generally a good idea | 0:41:06 | 0:41:07 | |
is to give yourself a bit of a mound | 0:41:07 | 0:41:11 | |
around the plant, | 0:41:11 | 0:41:14 | |
and what you're looking for is a kind of doughnut structure. | 0:41:14 | 0:41:18 | |
And that means when it comes to watering the plant in, | 0:41:18 | 0:41:21 | |
which is key to establish it in the early weeks and months, | 0:41:21 | 0:41:25 | |
all the water is kept exactly where you need it - | 0:41:25 | 0:41:27 | |
right on top of that root ball. | 0:41:27 | 0:41:29 | |
And, as far as the timing of planting is concerned, | 0:41:29 | 0:41:33 | |
well, if you're buying a plant in a container, | 0:41:33 | 0:41:36 | |
it doesn't really matter what time of the year you are planting | 0:41:36 | 0:41:38 | |
as long as you keep it well watered. | 0:41:38 | 0:41:40 | |
And, finally, do you want it to branch out | 0:41:40 | 0:41:43 | |
or do you want it to go up as a standard tree? | 0:41:43 | 0:41:46 | |
If you want a standard tree, | 0:41:46 | 0:41:47 | |
you could go in to these buds at the side | 0:41:47 | 0:41:49 | |
and just knock them off with your thumb. | 0:41:49 | 0:41:51 | |
That will encourage upward growth. | 0:41:51 | 0:41:53 | |
But in this case, I definitely want | 0:41:53 | 0:41:55 | |
those really languid and lavish horizontal branches. | 0:41:55 | 0:41:59 | |
Magnolia kobus is a beautiful tree to have in the garden - | 0:42:00 | 0:42:03 | |
well worth planting, | 0:42:03 | 0:42:05 | |
guaranteed of spring blossom. | 0:42:05 | 0:42:07 | |
'The magnolia is undoubtedly one of the greatest | 0:42:12 | 0:42:15 | |
'of our ornamental blossom trees, | 0:42:15 | 0:42:17 | |
'but, of course, blossom didn't evolve purely for its looks. | 0:42:17 | 0:42:21 | |
'It has an important function - fruit production. | 0:42:21 | 0:42:24 | |
'Our orchards have traditionally been based in central and southern England, | 0:42:30 | 0:42:34 | |
'but there's evidence to suggest that long-term climate change | 0:42:34 | 0:42:38 | |
'could affect what we grow and where we can grow it, | 0:42:38 | 0:42:40 | |
'which could pose a threat to our blossoming orchards. | 0:42:40 | 0:42:44 | |
'Here in Coldstream in the Scottish Borders, | 0:42:46 | 0:42:49 | |
'a forward-thinking man is on a mission to secure the future | 0:42:49 | 0:42:52 | |
'of our heritage fruit trees and the blossom they produce.' | 0:42:52 | 0:42:56 | |
Hi, Alec. A gardener's work - never done! | 0:42:56 | 0:42:59 | |
No, I'm afraid not. There's always weeds. | 0:42:59 | 0:43:02 | |
'Alec West happened upon a house with a disused walled garden | 0:43:02 | 0:43:05 | |
'when house-hunting and fell in love with it.' | 0:43:05 | 0:43:07 | |
Garden's looking great, though, and what a wonderful time of year! | 0:43:07 | 0:43:10 | |
It's just an absolute riot of colour, isn't it? | 0:43:10 | 0:43:12 | |
-Lots of blossom. -Yeah. | 0:43:12 | 0:43:14 | |
We looked around and found this place, | 0:43:14 | 0:43:16 | |
and I walked through that gate, | 0:43:16 | 0:43:18 | |
and it was just overgrown, | 0:43:18 | 0:43:20 | |
but I put my hand in the soil and I thought, "Wow!" | 0:43:20 | 0:43:23 | |
And then we found and counted 56 fruit trees. | 0:43:23 | 0:43:27 | |
All the apples were on the ground | 0:43:27 | 0:43:29 | |
and so you could see it was productive. | 0:43:29 | 0:43:31 | |
'Alec's spent the last 18 years reviving this abandoned garden | 0:43:31 | 0:43:36 | |
'and its forgotten fruits. | 0:43:36 | 0:43:38 | |
'He learned how to graft from heritage varieties | 0:43:38 | 0:43:41 | |
'onto modern root stocks and trained the fruit trees as cordons, | 0:43:41 | 0:43:46 | |
'a method that maximises productivity in a limited space.' | 0:43:46 | 0:43:50 | |
So, how brutal are you with them? | 0:43:50 | 0:43:52 | |
How relentless are you with the secateurs? | 0:43:52 | 0:43:55 | |
The tree is under stress because it's on at an angle, | 0:43:55 | 0:43:58 | |
so it's reducing the sap flow, therefore it says, | 0:43:58 | 0:44:02 | |
"I'm going to die. I've got to produce more young." | 0:44:02 | 0:44:05 | |
So it wants to produce a lot of flowers. | 0:44:05 | 0:44:07 | |
If you do it in the summer, it produces more growth, | 0:44:07 | 0:44:12 | |
because it's like... | 0:44:12 | 0:44:13 | |
it's wide awake and you chop its arm off and it goes, "Ow!" | 0:44:13 | 0:44:16 | |
And it puts up more growth. | 0:44:16 | 0:44:18 | |
When it's asleep, it doesn't realise. | 0:44:18 | 0:44:20 | |
When the sap starts to rise in the spring, the sap comes up - | 0:44:20 | 0:44:23 | |
nowhere to go. "Better get some fruit." | 0:44:23 | 0:44:26 | |
And this is the perfect way of growing trees in close proximity. | 0:44:26 | 0:44:29 | |
I mean, there's no better way of growing something like a pear tree | 0:44:29 | 0:44:32 | |
in a small garden in containers, in pots. | 0:44:32 | 0:44:36 | |
'Over the last 50 years, Scotland has seen a steady decline | 0:44:38 | 0:44:42 | |
'in its fruit tree numbers, | 0:44:42 | 0:44:43 | |
'and so Alec's vast collection of over 240 varieties | 0:44:43 | 0:44:47 | |
'of apples, pears, figs and apricots is of real value. | 0:44:47 | 0:44:51 | |
'And he has a unique way of getting around his garden to tend his crops. | 0:44:51 | 0:44:55 | |
'Alec's success in reviving near-extinct fruit varieties | 0:45:03 | 0:45:07 | |
'may well play a part in an uncertain climatic future.' | 0:45:07 | 0:45:11 | |
What do you see is the legacy of a garden like this? | 0:45:11 | 0:45:15 | |
I do believe that if global warming continues | 0:45:15 | 0:45:18 | |
as we expect it will, | 0:45:18 | 0:45:21 | |
that this area will once again become a big fruit-growing area. | 0:45:21 | 0:45:25 | |
Er, and if that's the case, people will be able to come to this garden | 0:45:25 | 0:45:28 | |
and say, "Well, this one works," or, "That one doesn't work." | 0:45:28 | 0:45:31 | |
In a way, it becomes a bit of a fruit museum, if you like. | 0:45:31 | 0:45:35 | |
I think that's very true. I think we need that total diversity. | 0:45:35 | 0:45:39 | |
The more we've got, the better. | 0:45:39 | 0:45:40 | |
So, hopefully, this little garden is a tree bank for this area. | 0:45:40 | 0:45:44 | |
A garden like this is a reminder of the importance of the work | 0:45:47 | 0:45:51 | |
of enthusiasts like Alec. | 0:45:51 | 0:45:54 | |
By planting fruit trees, you're helping save rare heritage varieties | 0:45:54 | 0:45:58 | |
from being lost for ever, | 0:45:58 | 0:46:00 | |
and you'll not only have beautiful blossom in spring | 0:46:00 | 0:46:03 | |
but rich fruits to enjoy later in the year. | 0:46:03 | 0:46:07 | |
In springtime it seems that at Bodnant Garden | 0:46:18 | 0:46:21 | |
everywhere you look is a riot of colour. | 0:46:21 | 0:46:25 | |
But there's one blossoming plant | 0:46:25 | 0:46:27 | |
the timing of which keeps gardeners and visitors alike guessing. | 0:46:27 | 0:46:32 | |
When in full bloom, | 0:46:38 | 0:46:39 | |
Bodnant's world-famous, 55-metre-long laburnum arch | 0:46:39 | 0:46:43 | |
produces a magnificent cascade of golden blooms. | 0:46:43 | 0:46:47 | |
But before the plants peak, gardener Fran Llewellyn | 0:46:47 | 0:46:51 | |
is going to tell me more about this glorious historic feature. | 0:46:51 | 0:46:55 | |
And this was something of a trendsetter when it was planted in the 1880s. | 0:46:55 | 0:46:59 | |
People were allowing laburnums to grow as trees | 0:46:59 | 0:47:01 | |
and no-one had contemplated the idea of strapping them to a structure. | 0:47:01 | 0:47:04 | |
So what was it that instigated that idea? | 0:47:04 | 0:47:06 | |
Well, pergola walkways were really very fashionable | 0:47:06 | 0:47:09 | |
in the 16th and 17th centuries, | 0:47:09 | 0:47:11 | |
and became fashionable again in the Victorian era, | 0:47:11 | 0:47:14 | |
and Henry Pochin was at the forefront of that. | 0:47:14 | 0:47:17 | |
It was his idea to design and plan this fantastic walkway. | 0:47:17 | 0:47:21 | |
Over the years the 48 laburnum trees | 0:47:21 | 0:47:24 | |
have been meticulously trained and shaped | 0:47:24 | 0:47:27 | |
to create this arch, | 0:47:27 | 0:47:29 | |
and it's no mean feat to keep it maintained. | 0:47:29 | 0:47:31 | |
Every winter two specialist gardeners spend five weeks untying each plant | 0:47:31 | 0:47:36 | |
before pruning and retraining new growth into the structure. | 0:47:36 | 0:47:40 | |
I mean, what's curious is that at this end of the archway, | 0:47:40 | 0:47:44 | |
the flowers are starting to come, but why is it just here | 0:47:44 | 0:47:47 | |
and not occurring further up? | 0:47:47 | 0:47:48 | |
This end of the arch gets more sunlight. | 0:47:48 | 0:47:50 | |
It's as simple as that. | 0:47:50 | 0:47:52 | |
So when we see the blossom appearing this end, | 0:47:52 | 0:47:55 | |
we know that we're on the countdown to the laburnum arch. | 0:47:55 | 0:47:58 | |
What do you think Pochin would have made of the display today? | 0:47:58 | 0:48:02 | |
Well, that's the fascinating thing. | 0:48:02 | 0:48:03 | |
I mean, he was a Victorian entrepreneur, a man of great vision, | 0:48:03 | 0:48:07 | |
so to have designed and planted this | 0:48:07 | 0:48:09 | |
when he wouldn't actually have seen what the end result was, | 0:48:09 | 0:48:12 | |
I think he'd be absolutely... he'd be delighted. | 0:48:12 | 0:48:15 | |
There's no doubt that Bodnant is a blossom sanctuary, | 0:48:25 | 0:48:29 | |
but, sadly, this isn't always the case in our own gardens. | 0:48:29 | 0:48:33 | |
But all is not lost. | 0:48:33 | 0:48:34 | |
We can help guarantee the future of blossom | 0:48:34 | 0:48:37 | |
by taking inspiration and planting some of the beauties thriving here. | 0:48:37 | 0:48:41 | |
Enkianthus is a plant that originates from the woodlands | 0:48:41 | 0:48:44 | |
of China and Japan. | 0:48:44 | 0:48:47 | |
It has a species name which tells you everything | 0:48:47 | 0:48:49 | |
you need to know about the shape of the flower. | 0:48:49 | 0:48:51 | |
It's Enkianthus campanulatus, | 0:48:51 | 0:48:54 | |
after campanology, the art of ringing bells. | 0:48:54 | 0:48:57 | |
Well, just look at the shape of the flowers. | 0:48:57 | 0:48:59 | |
A perfect pendant bell. | 0:48:59 | 0:49:01 | |
This is one of those plants that delivers | 0:49:01 | 0:49:03 | |
not just an initial hit of impressive colour during spring. | 0:49:03 | 0:49:07 | |
Come autumn, these leaves turn a fiery bronze. | 0:49:07 | 0:49:11 | |
Spectacular as it is, this shrub is actually very low maintenance | 0:49:18 | 0:49:22 | |
and grows well anywhere the blossoms are warmed by dappled sunlight. | 0:49:22 | 0:49:27 | |
Just ensure it's protected from the wind, | 0:49:27 | 0:49:29 | |
as this way the flowers will persist. | 0:49:29 | 0:49:33 | |
Blossom is not just about an aesthetic treat. | 0:49:33 | 0:49:36 | |
There are other senses to be titillated. | 0:49:36 | 0:49:39 | |
This is a dwarf lilac, | 0:49:39 | 0:49:41 | |
and the fragrance is just so exquisite. | 0:49:41 | 0:49:45 | |
It's sweet and elegant. | 0:49:45 | 0:49:47 | |
It's a shrub which is perfect for a small garden. | 0:49:47 | 0:49:50 | |
It will even tolerate being constrained | 0:49:50 | 0:49:52 | |
within a large container. | 0:49:52 | 0:49:54 | |
And, for me, the best way of exhibiting it is somewhere | 0:49:54 | 0:49:57 | |
where the warmth of the spring sunshine | 0:49:57 | 0:49:59 | |
can really excite the nectaries in the flower, | 0:49:59 | 0:50:02 | |
and also surrounded by other plants that will help to trap and ensnare | 0:50:02 | 0:50:07 | |
that sweet and delicious fragrance. | 0:50:07 | 0:50:10 | |
Nobody said blossom was subtle, | 0:50:14 | 0:50:17 | |
and it doesn't get more garish than this. | 0:50:17 | 0:50:20 | |
Rhododendron 'Amoena'. | 0:50:20 | 0:50:22 | |
Just for the briefest of moments | 0:50:22 | 0:50:25 | |
it is festooned in this wonderful array of blossom. | 0:50:25 | 0:50:29 | |
For a large and statuesque specimen tree, | 0:50:38 | 0:50:42 | |
well, I think it's impossible to beat the glories of this. | 0:50:42 | 0:50:46 | |
It has a common name of the "handkerchief tree", | 0:50:46 | 0:50:49 | |
which I think is a little bit miserly. | 0:50:49 | 0:50:51 | |
Much better to go for the Chinese common name, | 0:50:51 | 0:50:54 | |
which is the "dove tree" - the tree of peace. | 0:50:54 | 0:50:58 | |
The only problem is that, technically, this isn't a blossoming tree. | 0:50:58 | 0:51:01 | |
These white appendages are actually bracts, which is a modified leaf. | 0:51:01 | 0:51:06 | |
The true flower is there. | 0:51:06 | 0:51:09 | |
It's this spherical construction. | 0:51:09 | 0:51:12 | |
It's a tree to plant and be proud of, | 0:51:12 | 0:51:14 | |
perhaps not for you but for your grandchildren. | 0:51:14 | 0:51:17 | |
'Famous for its orchards bursting with blossoming fruit trees | 0:51:27 | 0:51:32 | |
'since medieval times, | 0:51:32 | 0:51:33 | |
'my home county of Worcestershire has developed its very own Blossom Trail. | 0:51:33 | 0:51:38 | |
'But with 60% of England's orchards disappearing since World War II, | 0:51:38 | 0:51:42 | |
'this area has seen a decline in its fruit production. | 0:51:42 | 0:51:46 | |
'I've teamed up with friend and local horticulturalist John Edgeley | 0:51:46 | 0:51:50 | |
'on our bikes to see what's left | 0:51:50 | 0:51:52 | |
'of this once beautiful blossoming landscape.' | 0:51:52 | 0:51:55 | |
It must have been an amazing sight when there was so much orchard. | 0:51:55 | 0:52:00 | |
I mean, the whole landscape must have just been white with flowers. | 0:52:00 | 0:52:03 | |
Yes, and around here, if you look at the old maps, | 0:52:03 | 0:52:05 | |
even in the 1950s it was just orchard still, | 0:52:05 | 0:52:09 | |
all the way from here to Evesham. | 0:52:09 | 0:52:11 | |
'A staggering 90% of the fruit we eat in the UK today is imported, | 0:52:11 | 0:52:16 | |
'which inevitably is bad news for the plight of our blossom.' | 0:52:16 | 0:52:20 | |
Now we're just coming into Bishampton village. | 0:52:20 | 0:52:23 | |
This is an old orchard on your right | 0:52:23 | 0:52:25 | |
and it's being threatened with planning at the moment. | 0:52:25 | 0:52:27 | |
But you can see there's some very old perry pears in the back there. | 0:52:27 | 0:52:32 | |
The lilac's really doing well at the moment. Really spectacular. | 0:52:32 | 0:52:34 | |
Yeah, stunning, isn't it? Yeah. | 0:52:34 | 0:52:36 | |
It really is difficult to overstress | 0:52:38 | 0:52:41 | |
the importance of blossom historically. | 0:52:41 | 0:52:44 | |
May Day, for instance, that wonderful pagan celebration of | 0:52:44 | 0:52:50 | |
the point at which the spring officially starts. | 0:52:50 | 0:52:55 | |
The importance was that if you have blossom, | 0:52:55 | 0:52:58 | |
then you're guaranteed fruit, fruit to eat, | 0:52:58 | 0:53:00 | |
and that means your life can continue. | 0:53:00 | 0:53:03 | |
It literally was life and death. | 0:53:03 | 0:53:05 | |
-New young orchard on our left just coming up. -Oh, yes. | 0:53:05 | 0:53:09 | |
'Thanks to charitable and government initiatives, | 0:53:09 | 0:53:13 | |
'some old orchards ARE now being restored.' | 0:53:13 | 0:53:15 | |
We can come in for a drink now. | 0:53:15 | 0:53:18 | |
'But progress is slow, so we all need to do our bit | 0:53:18 | 0:53:20 | |
'to bring blossom back to the forefront, | 0:53:20 | 0:53:23 | |
'like Lucy Rollett, who's helping the cause | 0:53:23 | 0:53:25 | |
'by reviving the fruit-growing traditions of this area, | 0:53:25 | 0:53:28 | |
'making drinks using local produce, including blossom.' | 0:53:28 | 0:53:32 | |
We've just planted a really small little orchard, | 0:53:32 | 0:53:34 | |
an elderflower orchard, | 0:53:34 | 0:53:36 | |
and then we've moved on to plum drinks as well. | 0:53:36 | 0:53:38 | |
We make a yellow egg plum | 0:53:38 | 0:53:40 | |
because it's part of the Vale of Evesham's culture. | 0:53:40 | 0:53:42 | |
It's something that makes this place unique, | 0:53:42 | 0:53:44 | |
which is what our fruit and veg has to offer, I think, | 0:53:44 | 0:53:47 | |
and keep it going. | 0:53:47 | 0:53:49 | |
Well, after a few miles on the bike, | 0:53:49 | 0:53:51 | |
I can certainly give it my endorsement. It's fantastic. | 0:53:51 | 0:53:53 | |
Thank you. Safe journey home. | 0:53:53 | 0:53:55 | |
'You can support my campaign just by getting out there | 0:53:57 | 0:54:00 | |
'and appreciating the diversity of Britain's blossom. | 0:54:00 | 0:54:04 | |
'Be inspired to plant your own flowering fruit trees, | 0:54:04 | 0:54:07 | |
'which will not only give you blossom but great rewards come harvest time. | 0:54:07 | 0:54:11 | |
'Bodnant Garden is renowned | 0:54:16 | 0:54:18 | |
'for its scenic flowering trees and shrubs, | 0:54:18 | 0:54:21 | |
'but a fear of complicated pruning puts many of us off | 0:54:21 | 0:54:25 | |
'growing these blossoming plants in our own gardens. | 0:54:25 | 0:54:29 | |
'So I'm going to show you a foolproof technique | 0:54:29 | 0:54:31 | |
'to guarantee blossom year after year.' | 0:54:31 | 0:54:33 | |
In common with all woody plants, | 0:54:37 | 0:54:40 | |
spring blossoming plants will need an occasional prune | 0:54:40 | 0:54:44 | |
to keep them in check, | 0:54:44 | 0:54:46 | |
reshape them or encourage flowering. | 0:54:46 | 0:54:48 | |
Now, this one has finished its flowering flush, | 0:54:48 | 0:54:52 | |
so we're not going to lose any flowers, | 0:54:52 | 0:54:55 | |
and we can very clearly see that's this spring's growth. | 0:54:55 | 0:54:59 | |
It's green in colour. Then the wood changes to a much darker brown. | 0:54:59 | 0:55:03 | |
This is last summer's growth, | 0:55:03 | 0:55:06 | |
and the flower would have been carried right there. | 0:55:06 | 0:55:09 | |
Now, in order to get those flowers to perform next spring, | 0:55:09 | 0:55:13 | |
what we do is to trace back to a nice fresh shoot, | 0:55:13 | 0:55:17 | |
like this one, for instance. | 0:55:17 | 0:55:19 | |
Remember, we're trying to trim it back to contain it | 0:55:19 | 0:55:21 | |
whilst not losing the flowers. | 0:55:21 | 0:55:23 | |
So we can go in at this point and if I prune there... | 0:55:23 | 0:55:28 | |
this side shoot will suddenly produce extra growth this summer, | 0:55:28 | 0:55:32 | |
and it's on the end of that growth that next spring | 0:55:32 | 0:55:36 | |
we'll get fabulous blossom. | 0:55:36 | 0:55:37 | |
But if your evergreens have really got out of control, | 0:55:39 | 0:55:42 | |
well, don't worry, because, as you can see from this pruning cut, | 0:55:42 | 0:55:47 | |
a previous gardener has been much more radical. | 0:55:47 | 0:55:50 | |
You really can hit them hard. | 0:55:50 | 0:55:53 | |
Encourage plenty of fresh growth | 0:55:53 | 0:55:55 | |
and what we end up with is a plant that will last generations, | 0:55:55 | 0:56:00 | |
every spring producing the most glorious blossom displays. | 0:56:00 | 0:56:05 | |
In an award-winning communal garden | 0:56:17 | 0:56:19 | |
in Pimlico, central London, | 0:56:19 | 0:56:21 | |
a revival is already under way | 0:56:21 | 0:56:24 | |
for a vibrant blossoming shrub native to North America | 0:56:24 | 0:56:27 | |
that causes a stir every spring. | 0:56:27 | 0:56:30 | |
We're well known, really, for our ceanothus. | 0:56:30 | 0:56:33 | |
We've got a national collection of ceanothus, | 0:56:33 | 0:56:36 | |
some 65, 70 different creatures, | 0:56:36 | 0:56:39 | |
and most of them are in flower right now. | 0:56:39 | 0:56:42 | |
In 1980, local resident Roger Phillips MBE | 0:56:42 | 0:56:46 | |
transformed Eccleston Square's neglected green | 0:56:46 | 0:56:49 | |
into this magnificent garden, | 0:56:49 | 0:56:51 | |
and he's championed blossom ever since. | 0:56:51 | 0:56:54 | |
When I came to tackle the garden, | 0:56:55 | 0:56:57 | |
I experimented with all sorts of different things | 0:56:57 | 0:57:00 | |
and one of the most successful of the plants I planted was ceanothus. | 0:57:00 | 0:57:04 | |
I had planted about six, and from then on, | 0:57:04 | 0:57:07 | |
I went completely mad over ceanothus and they're everywhere. | 0:57:07 | 0:57:12 | |
What I love about ceanothus is the rich blue colours | 0:57:13 | 0:57:16 | |
and a lot of variation in the foliage as well. | 0:57:16 | 0:57:20 | |
They range from really quite dark purpley blues | 0:57:21 | 0:57:25 | |
to delicate Air Force blues. | 0:57:25 | 0:57:28 | |
I mean, actually, I think the white ones are terrific as well. | 0:57:28 | 0:57:32 | |
This is one called 'Millerton Point'. | 0:57:32 | 0:57:34 | |
The blue ones are better, I suppose. | 0:57:34 | 0:57:36 | |
I love the blue ones, but it's great to have a white one as well. | 0:57:36 | 0:57:40 | |
All of them are very happy in dry conditions - | 0:57:40 | 0:57:43 | |
as near as we can get in England to California is what it comes down to. | 0:57:43 | 0:57:48 | |
Yes, here we are in Pimlico, | 0:57:48 | 0:57:50 | |
or you could call it California, England! | 0:57:50 | 0:57:52 | |
'From Roger's infectious passion and enthusiasm for blossom | 0:58:03 | 0:58:07 | |
'to the dazzling array here at Bodnant, | 0:58:07 | 0:58:10 | |
'I hope you're inspired to get behind my blossom campaign.' | 0:58:10 | 0:58:14 | |
Blossoming trees and shrubs, | 0:58:14 | 0:58:17 | |
they mark the passing of the seasons, | 0:58:17 | 0:58:20 | |
and now is the time to seize the opportunity | 0:58:20 | 0:58:23 | |
to plant them throughout our gardens and landscapes. | 0:58:23 | 0:58:28 | |
By doing so, we're guaranteed a display to revel in. | 0:58:28 | 0:58:32 |