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There's no doubt that Britain is a nation of very proud gardeners. | 0:00:02 | 0:00:06 | |
Our love of flowers and plants goes back centuries. | 0:00:06 | 0:00:09 | |
But there's a problem. Not everything is rosy in our gardens. | 0:00:09 | 0:00:15 | |
Our iconic plants are under attack from foreign invaders. | 0:00:15 | 0:00:19 | |
Ancient woodlands are at risk of being lost forever. | 0:00:19 | 0:00:23 | |
And our favourite flowers are disappearing right before our eyes. | 0:00:23 | 0:00:27 | |
So we need you to help us in our revival campaign. | 0:00:27 | 0:00:33 | |
We'll be inspiring you to dig deep and celebrate the best of British. | 0:00:33 | 0:00:37 | |
As we reveal the country's most stunning gardens. | 0:00:37 | 0:00:42 | |
And sharing our top gardening tips. | 0:00:42 | 0:00:46 | |
It's time to rediscover our passion for plants. | 0:00:46 | 0:00:50 | |
And bring new life into our gardens. | 0:00:50 | 0:00:53 | |
There's one flower that can give you almost every colour under the sun. | 0:01:30 | 0:01:35 | |
It takes its name from the Greek for rainbow | 0:01:36 | 0:01:39 | |
and with over 300 varieties and thousands of cultivars, | 0:01:39 | 0:01:43 | |
it's one of the most diverse garden plants we have. | 0:01:43 | 0:01:47 | |
It's one of my absolute favourites | 0:01:47 | 0:01:50 | |
but it's not getting the attention it deserves. | 0:01:50 | 0:01:53 | |
British gardeners were once the pioneers of cultivating | 0:01:53 | 0:01:57 | |
the glorious iris but today collections are diminishing | 0:01:57 | 0:02:01 | |
and the range of irises available is in decline. | 0:02:01 | 0:02:05 | |
If we only grow the same familiar varieties and don't seek out | 0:02:05 | 0:02:08 | |
those which are a little bit more unusual we risk losing them forever. | 0:02:08 | 0:02:13 | |
On my revival, I'll uncover one woman's mission to save | 0:02:19 | 0:02:22 | |
a unique collection of heritage irises. | 0:02:22 | 0:02:25 | |
It's this one. It's just beginning to open. | 0:02:25 | 0:02:28 | |
I'll be getting creative with some floral art. | 0:02:28 | 0:02:31 | |
I'm feeling slightly terrified. | 0:02:31 | 0:02:34 | |
Very out of my depth! | 0:02:34 | 0:02:36 | |
And showing you how to choose the right iris for your garden. | 0:02:36 | 0:02:39 | |
And they're quite variable in flower | 0:02:39 | 0:02:41 | |
but they often have these rather large flattened flowers. | 0:02:41 | 0:02:44 | |
In fact, that's about the largest iris flower I've seen. | 0:02:44 | 0:02:47 | |
The sheer variety of types and colours of iris are what's | 0:03:02 | 0:03:06 | |
really captured my imagination about these wonderful plants | 0:03:06 | 0:03:09 | |
and I've come here to Marwood Hill Gardens just outside Barnstaple | 0:03:09 | 0:03:13 | |
in North Devon where they have a national collection of Japanese iris | 0:03:13 | 0:03:17 | |
including this beautiful ensata called moonlight waves. | 0:03:17 | 0:03:21 | |
The Japanese iris or iris ensata is renowned for its stunning | 0:03:23 | 0:03:27 | |
purple colours and its delicate elegant appearance. | 0:03:27 | 0:03:31 | |
Irises are so exquisite, it's really worth taking the time to | 0:03:32 | 0:03:36 | |
look at how that flower is composed. | 0:03:36 | 0:03:38 | |
Every single part, it comes in threes. | 0:03:38 | 0:03:41 | |
So you've got the falls here which are these large rounded petals - | 0:03:41 | 0:03:44 | |
in fact, they're sepals - | 0:03:44 | 0:03:46 | |
and then here in the middle, we've got the standards. | 0:03:46 | 0:03:48 | |
Now in a bearded iris, these tend to stick upright | 0:03:48 | 0:03:51 | |
but here they're quite small and lay flatter. | 0:03:51 | 0:03:54 | |
And then you've got these style arms, again in threes. | 0:03:54 | 0:03:57 | |
It really is a thing of great beauty. | 0:03:57 | 0:04:00 | |
Irises are basically split into two groups - | 0:04:02 | 0:04:05 | |
the bearded and the beardless. | 0:04:05 | 0:04:07 | |
An iris beard comes in the form of tufts of fine hairs | 0:04:08 | 0:04:11 | |
that can be found on the lower petal of the flower | 0:04:11 | 0:04:14 | |
and bearded irises are the more common plant that we're used | 0:04:14 | 0:04:18 | |
to seeing in beds and borders in the UK. | 0:04:18 | 0:04:21 | |
I became familiar with irises really from a very young age | 0:04:21 | 0:04:24 | |
because my father used to grow those little reticulata irises | 0:04:24 | 0:04:28 | |
in our rock garden and then as I got older, I discovered the whole full | 0:04:28 | 0:04:33 | |
range of irises, and for me, | 0:04:33 | 0:04:36 | |
they have that really sort of languid quality - | 0:04:36 | 0:04:39 | |
The way the flower's shaped, that real elegance, | 0:04:39 | 0:04:42 | |
the beauty of the foliage | 0:04:42 | 0:04:44 | |
and I now cannot imagine having a garden without irises. | 0:04:44 | 0:04:48 | |
I think we should all be growing many more of the rare | 0:04:50 | 0:04:53 | |
and interesting varieties | 0:04:53 | 0:04:55 | |
because if we don't, they could be lost from our gardens completely. | 0:04:55 | 0:04:59 | |
To get my revival campaign under way, I'm heading to Gloucestershire | 0:05:05 | 0:05:09 | |
to visit a lady whose passion for irises is renowned. | 0:05:09 | 0:05:12 | |
It's lovely to meet you, too | 0:05:12 | 0:05:13 | |
and I've been so excited to come and see your irises. | 0:05:13 | 0:05:16 | |
I can't tell you. | 0:05:16 | 0:05:17 | |
Anne Milner owns the National Collection of Bliss Irises, | 0:05:17 | 0:05:21 | |
all of which are varieties of bearded iris that were | 0:05:21 | 0:05:23 | |
cultivated by early 20th century iris enthusiast Arthur Bliss. | 0:05:23 | 0:05:29 | |
What was it about irises particularly that grabbed you initially? | 0:05:29 | 0:05:32 | |
Well, I didn't know anything about irises at all | 0:05:32 | 0:05:35 | |
and I was doing some family history research with my cousin, who offered | 0:05:35 | 0:05:39 | |
me a couple of her irises that she said came from Uncle Arthur. | 0:05:39 | 0:05:42 | |
I had no idea who Uncle Arthur was and we did some research on both | 0:05:42 | 0:05:47 | |
him and his irises and gradually built the collection from there. | 0:05:47 | 0:05:51 | |
And it turns out to have been Arthur Bliss, doesn't it - | 0:05:51 | 0:05:54 | |
who is incredibly important in terms of... | 0:05:54 | 0:05:56 | |
Yes. In the development of irises in the 1920s. | 0:05:56 | 0:05:59 | |
Arthur Bliss became famous for breeding around 170 different | 0:06:01 | 0:06:05 | |
varieties of bearded iris and Anne has some family artefacts | 0:06:05 | 0:06:08 | |
that she's inherited from her great uncle. | 0:06:08 | 0:06:12 | |
So this is a very handsome group. Who have we got here? | 0:06:12 | 0:06:15 | |
Well, this is Arthur with a couple of his brothers | 0:06:15 | 0:06:17 | |
and sister with his mother. | 0:06:17 | 0:06:18 | |
He was the eldest son. | 0:06:18 | 0:06:21 | |
Now who's this gorgeous baby in a wonderful bonnet? | 0:06:21 | 0:06:25 | |
This is his niece, Phyllis. | 0:06:25 | 0:06:26 | |
And when she was about ten, used to help him in the garden. | 0:06:26 | 0:06:28 | |
Wonderful. And in fact this letter says "My dear Phyllis". | 0:06:28 | 0:06:32 | |
And this is a letter to her as an adult. | 0:06:32 | 0:06:35 | |
He was giving her a book on genetics. | 0:06:35 | 0:06:37 | |
He was explaining that he uses genetics to breed his irises, | 0:06:37 | 0:06:41 | |
which is something that other people weren't really doing at that time. | 0:06:41 | 0:06:45 | |
Recognition for Arthur's work all began when the owner of a large | 0:06:45 | 0:06:48 | |
nursery took an interest in one particular Bliss iris. | 0:06:48 | 0:06:52 | |
He saw an iris that Arthur hadn't particularly | 0:06:52 | 0:06:55 | |
thought of as very special, which was called Dominion, which has | 0:06:55 | 0:07:00 | |
very rich velvety falls and is a very special iris because of that. | 0:07:00 | 0:07:04 | |
It is a very beautifully shaped iris and is a very good breeder. | 0:07:04 | 0:07:09 | |
So have you got any Dominion in the garden? | 0:07:09 | 0:07:11 | |
I do have Dominion but the rain last night destroyed the two flowers which were left | 0:07:11 | 0:07:15 | |
but there is one bud which I'm hoping will come out sometime today. | 0:07:15 | 0:07:20 | |
-Only needs one bud! Let's go and see. -Absolutely. | 0:07:20 | 0:07:23 | |
Anne has made it her mission to recover as many Bliss irises as | 0:07:24 | 0:07:28 | |
she can find and they're all cared for in her gorgeous garden borders. | 0:07:28 | 0:07:34 | |
So where is this elusive Dominion? | 0:07:34 | 0:07:36 | |
This one's Dominion and look - it's just beginning to come out. | 0:07:36 | 0:07:39 | |
You can see the richness of the velvety falls. | 0:07:39 | 0:07:41 | |
It's really sort of inky black, isn't it? It's a beautiful colour. | 0:07:41 | 0:07:44 | |
It's so intense. | 0:07:44 | 0:07:45 | |
Well, you can see why that was so eye-catching at the time. | 0:07:45 | 0:07:48 | |
Now how many irises did Bliss develop? | 0:07:48 | 0:07:50 | |
-About 170. -And you've got how many here? | 0:07:50 | 0:07:53 | |
And I've got about 40 here. 35-40, something like that. | 0:07:53 | 0:07:55 | |
-And you've been collecting for how long? -20 years. -Whoo! | 0:07:55 | 0:07:58 | |
So that's about one and a half, two a year. | 0:07:58 | 0:08:00 | |
So it's quite slow, isn't it? | 0:08:00 | 0:08:02 | |
Very slow. Actually finding one that has been in a garden | 0:08:02 | 0:08:05 | |
since that time with its name attached is very, very hard. | 0:08:05 | 0:08:09 | |
So Anne certainly has her work cut out but she still seems | 0:08:10 | 0:08:14 | |
incredibly committed to preserving Great Uncle Arthur's irises. | 0:08:14 | 0:08:19 | |
With so many new varieties on offer, why is it important, do you think, | 0:08:19 | 0:08:22 | |
we keep growing these old irises? | 0:08:22 | 0:08:24 | |
I think it's because a lot of people still like the traditional shapes. | 0:08:24 | 0:08:28 | |
They grow very well in traditional gardens. | 0:08:28 | 0:08:30 | |
They stand up well to disease, on the whole. | 0:08:30 | 0:08:33 | |
Is there anything that you don't yet have that would really, | 0:08:33 | 0:08:36 | |
that you'd really love to acquire? | 0:08:36 | 0:08:38 | |
The one that I would really love to have would be Phyllis Bliss | 0:08:38 | 0:08:41 | |
because that was named for his little niece. | 0:08:41 | 0:08:44 | |
And she always asked him to name an iris after her. | 0:08:44 | 0:08:47 | |
So that one would be the icing on the cake? | 0:08:47 | 0:08:49 | |
Yes, it would be. It would absolutely be the icing on the cake. | 0:08:49 | 0:08:52 | |
Bearded irises may be the most common garden irises | 0:08:57 | 0:09:00 | |
but here at Marwood Hill Gardens, it's the beardless Japanese | 0:09:00 | 0:09:03 | |
irises that are blooming today. | 0:09:03 | 0:09:06 | |
There are so many fabulous irises that you can plant at home, | 0:09:06 | 0:09:10 | |
so here's a few of my favourites. | 0:09:10 | 0:09:12 | |
The Japanese have been breeding iris ensata for many centuries. | 0:09:22 | 0:09:26 | |
It's called the Japanese iris, although it's also | 0:09:26 | 0:09:28 | |
found in China and Siberia and they're quite variable in flower | 0:09:28 | 0:09:32 | |
but they often have these rather large flattened flowers. | 0:09:32 | 0:09:35 | |
In fact, that's about the largest iris flower I've seen. | 0:09:35 | 0:09:38 | |
And it's got these drooping standards | 0:09:38 | 0:09:41 | |
so you get this very soft effect. | 0:09:41 | 0:09:44 | |
Although you also can find them looking like this which is | 0:09:44 | 0:09:48 | |
obviously much closer to the original species and again, | 0:09:48 | 0:09:51 | |
it's got these beautifully drooping falls | 0:09:51 | 0:09:53 | |
and then the standards are tiny. | 0:09:53 | 0:09:55 | |
They just stick up here like little ears. | 0:09:55 | 0:09:58 | |
And you can see that bright golden yellow signal just directing | 0:09:58 | 0:10:02 | |
pollinating insects just right up to the nectar there. | 0:10:02 | 0:10:06 | |
So they like to have their feet nice and damp in consistently damp | 0:10:06 | 0:10:11 | |
soil that's nice and rich as well, but not in the water itself. | 0:10:11 | 0:10:15 | |
Not in still water. | 0:10:15 | 0:10:17 | |
The most important thing to remember is that it has to be acidic soil | 0:10:17 | 0:10:20 | |
if you really want them to thrive. | 0:10:20 | 0:10:23 | |
If you're new to irises, | 0:10:29 | 0:10:31 | |
then I recommend you start with an iris sibirica. | 0:10:31 | 0:10:34 | |
They're absolutely beautiful to start with. | 0:10:34 | 0:10:37 | |
They make incredibly good garden plants and they're just not fussy. | 0:10:37 | 0:10:42 | |
So although they like quite moist soil, they'll also grow | 0:10:42 | 0:10:45 | |
just in a normal border. | 0:10:45 | 0:10:46 | |
I mean, I grow mine on London clay. They're perfectly happy. | 0:10:46 | 0:10:51 | |
And they also just give so much. You have these lovely flowers. | 0:10:51 | 0:10:55 | |
Almost like butterflies. They just flutter on the top. | 0:10:55 | 0:10:57 | |
Now this one - which is not actually that typical of iris sibirica - | 0:10:57 | 0:11:01 | |
has these wonderful sort of wavy edges to the falls | 0:11:01 | 0:11:04 | |
and that beautiful signal there in the middle of the flower. | 0:11:04 | 0:11:08 | |
And these flowers appear any time from sort of end of May right | 0:11:08 | 0:11:11 | |
through to the middle of June and then of course when it | 0:11:11 | 0:11:14 | |
finishes flowering and you often get maybe ten of them on this sort of | 0:11:14 | 0:11:18 | |
branching stems, then you've got the foliage and it makes this big clump | 0:11:18 | 0:11:22 | |
of very elegant slender leaves which are beautiful in their own right. | 0:11:22 | 0:11:27 | |
Iris pseudacorus is one of our two native irises in the UK. | 0:11:31 | 0:11:36 | |
It's called the yellow flag iris and it has these beautiful - | 0:11:36 | 0:11:39 | |
quite small but really, they make an impact - | 0:11:39 | 0:11:42 | |
these strong yellow flowers. | 0:11:42 | 0:11:45 | |
In fact, it flowers a little bit earlier than the ensatas | 0:11:45 | 0:11:47 | |
that are elsewhere in this part of the garden | 0:11:47 | 0:11:50 | |
and you can see this one's just beginning to go over. | 0:11:50 | 0:11:53 | |
Now this is one that likes really damp soil. | 0:11:53 | 0:11:56 | |
In fact, it will even grow in shallow water at the edge of a large | 0:11:56 | 0:11:59 | |
pond or perhaps down by a stream. | 0:11:59 | 0:12:03 | |
I think it's a magnificent iris but it's not one for the faint-hearted. | 0:12:03 | 0:12:07 | |
When I was retraining in horticulture, | 0:12:22 | 0:12:25 | |
my tutor was very keen on me drawing the flowers | 0:12:25 | 0:12:28 | |
because he said it's the way that you really look at them and get to know them. | 0:12:28 | 0:12:32 | |
And I want everyone to fall in love with irises, | 0:12:32 | 0:12:34 | |
to appreciate their exquisite beauty, | 0:12:34 | 0:12:36 | |
so what better way than setting up an iris art school? | 0:12:36 | 0:12:39 | |
'This class is run by botanical artists Christine Grey-Wilson | 0:12:41 | 0:12:44 | |
'and Isobel Bartholomew here at the beautiful Redgrave | 0:12:44 | 0:12:48 | |
'and Lopham Nature Reserve in Diss. Irises were the inspiration for impressionists such artists as | 0:12:48 | 0:12:53 | |
'Claude Monet and Vincent Van Gogh | 0:12:53 | 0:12:56 | |
'and today it's my turn with some expert tutorage, of course.' | 0:12:56 | 0:13:00 | |
You've got your three curved fall petals here. | 0:13:00 | 0:13:04 | |
There's a little anther in there too. | 0:13:04 | 0:13:06 | |
Now, in this one, these standards here are absolutely huge. | 0:13:06 | 0:13:09 | |
The fall here has lovely colours. | 0:13:09 | 0:13:11 | |
And it's got a sort of thick-piled carpet. | 0:13:11 | 0:13:14 | |
I'm feeling slightly terrified. Very out of my depth. | 0:13:16 | 0:13:20 | |
Just plot it out so it's kind of that much by that much. | 0:13:20 | 0:13:25 | |
Plonk it on there and see how you fit it on. | 0:13:25 | 0:13:27 | |
Go from sort of there down so you sort of start there. | 0:13:27 | 0:13:30 | |
OK, back to the drawing board. Basically. | 0:13:30 | 0:13:34 | |
'Well, if at first you don't succeed...' | 0:13:34 | 0:13:36 | |
You think you know what it looks like and so you just think, | 0:13:36 | 0:13:39 | |
"Well, there's a fall here and one here," but actually you really | 0:13:39 | 0:13:45 | |
do have to keep looking at it so you don't miss anything. | 0:13:45 | 0:13:51 | |
'This is turning out to be pretty tough. | 0:13:52 | 0:13:55 | |
'I wonder how my classmates are faring with their flowers.' | 0:13:55 | 0:13:58 | |
Have you done this before loads of times? | 0:13:58 | 0:14:01 | |
-Never. -Oh, please tell me you have! You'll make me feel much better. | 0:14:01 | 0:14:04 | |
Do you grow them? | 0:14:04 | 0:14:06 | |
I do, yes. | 0:14:06 | 0:14:07 | |
And did you know that they flower, | 0:14:07 | 0:14:09 | |
that different varieties flower throughout the year, | 0:14:09 | 0:14:11 | |
so you can be enjoying something similar to that all year round? | 0:14:11 | 0:14:15 | |
That would be good because most of mine | 0:14:15 | 0:14:18 | |
seem to flower at a similar time so they're there | 0:14:18 | 0:14:20 | |
and then they're gone and you're left with the leaves. | 0:14:20 | 0:14:23 | |
The iris is wonderful. | 0:14:24 | 0:14:26 | |
Yes. | 0:14:26 | 0:14:27 | |
Because it's almost like a ballet dancer, you know, it's got poise | 0:14:27 | 0:14:30 | |
and elegance and, you know, it's got a lot about it. | 0:14:30 | 0:14:33 | |
-Are you actually enjoying it? -I am, it's very therapeutic, actually. | 0:14:33 | 0:14:36 | |
Well, there you are. That's the main thing. | 0:14:36 | 0:14:38 | |
'Well, back to task. | 0:14:38 | 0:14:39 | |
'It's time for me to add some colour.' | 0:14:39 | 0:14:41 | |
It's a lot more difficult than I thought. | 0:14:41 | 0:14:45 | |
But, you know, it's sort of coming, and actually the veining helps to really | 0:14:45 | 0:14:49 | |
bring those falls to life. | 0:14:49 | 0:14:54 | |
'I think that I'm just about finished though it's far from being a Monet.' | 0:14:59 | 0:15:03 | |
You've done beautifully. | 0:15:03 | 0:15:06 | |
-You've got lovely graded washes, which are not always easy. -I have? | 0:15:06 | 0:15:09 | |
You should be proud of it. | 0:15:09 | 0:15:11 | |
-Well, it's a start. -Yes. | 0:15:11 | 0:15:12 | |
-It's a good start. -Yes. | 0:15:12 | 0:15:14 | |
'I'm keen to see Christine's work to know how an expert paints an iris.' | 0:15:14 | 0:15:18 | |
What do you feel about irises, particularly? | 0:15:18 | 0:15:21 | |
I mean, obviously you must draw all sorts of flowers | 0:15:21 | 0:15:24 | |
but what do you feel? | 0:15:24 | 0:15:25 | |
I'm very, very fond of irises. | 0:15:25 | 0:15:27 | |
They have tremendous movement | 0:15:27 | 0:15:28 | |
and this extraordinary sort of dancing quality to them. | 0:15:28 | 0:15:31 | |
And the fact that they're not out for very long. | 0:15:31 | 0:15:33 | |
I tend to agree with you. | 0:15:33 | 0:15:35 | |
It makes them something extra special to look forward to. | 0:15:35 | 0:15:37 | |
Yes, definitely, yes. | 0:15:37 | 0:15:39 | |
For me, I don't think anything quite beats the beauty of that | 0:15:39 | 0:15:43 | |
flower in your garden, but I have to say doing this has made me | 0:15:43 | 0:15:47 | |
really look at it and enjoy it on a completely different level. | 0:15:47 | 0:15:53 | |
With some irises flowering only for a short time, the answer is to | 0:15:59 | 0:16:02 | |
plant them in combination with other things so you extend that season | 0:16:02 | 0:16:06 | |
of interest, and here at Marwood Hill Gardens they combine their beautiful | 0:16:06 | 0:16:11 | |
Japanese irises with perennials like these lovely astilbes. | 0:16:11 | 0:16:17 | |
And if you'd like to have your own Japanese iris | 0:16:17 | 0:16:20 | |
display in your garden I've got some must-have planting tips | 0:16:20 | 0:16:23 | |
that will create the most wonderful summer display. | 0:16:23 | 0:16:27 | |
I've found a great spot here to plant up some of these | 0:16:36 | 0:16:39 | |
beautiful Japanese iris. | 0:16:39 | 0:16:41 | |
Just down here by the stream, and this soil has already been | 0:16:41 | 0:16:45 | |
prepped because Iris ensata likes really nice rich soil. | 0:16:45 | 0:16:52 | |
It's quite a greedy feeder. | 0:16:52 | 0:16:55 | |
So it's got plenty of well-rotted manure in there | 0:16:55 | 0:16:58 | |
and you can also continue to feed them. | 0:16:58 | 0:17:01 | |
You can mulch, as well, to make sure they get all the nutrients | 0:17:01 | 0:17:05 | |
they need. | 0:17:05 | 0:17:07 | |
Now, there's already a beautiful back drop of these rodgersias, | 0:17:07 | 0:17:11 | |
these great, big leaves and plumes of flowers, which I think | 0:17:11 | 0:17:15 | |
is stunning and I want to pick up on that with some astilbe. | 0:17:15 | 0:17:21 | |
There's one in here already and I'm going to add another couple to that. | 0:17:21 | 0:17:26 | |
There's one, and another one here, | 0:17:27 | 0:17:31 | |
and again those plume-like flowers will really be a good contrast | 0:17:31 | 0:17:37 | |
to the leaves of the iris, | 0:17:37 | 0:17:39 | |
which have that really strong vertical accent. | 0:17:39 | 0:17:45 | |
And the trick when you're combining plants like this is to make | 0:17:45 | 0:17:50 | |
sure that they all like similar conditions. | 0:17:50 | 0:17:52 | |
So these astilbes go in. | 0:17:52 | 0:17:56 | |
That one there. | 0:17:59 | 0:18:00 | |
Let's settle it in. | 0:18:05 | 0:18:07 | |
So we're now going to have a really nice clump of that here. | 0:18:07 | 0:18:10 | |
So now I'm going to see where I'm going to position the iris to | 0:18:10 | 0:18:14 | |
look good with that. | 0:18:14 | 0:18:16 | |
I've got three in here. This one, lovely one here - Moonlight Wave. | 0:18:16 | 0:18:22 | |
Beautiful. That sort of lovely fresh colouring. And we've got this one. | 0:18:22 | 0:18:29 | |
Crested Surf, and we'll see if I've got room for one more. | 0:18:29 | 0:18:35 | |
Rolling Seas. There's a definite nautical theme developing here. | 0:18:37 | 0:18:41 | |
We're just a couple of miles from the sea so that's very appropriate. | 0:18:41 | 0:18:44 | |
So I think I'm going to put that white back there with | 0:18:44 | 0:18:47 | |
the rodgersias behind, and we'll have maybe this lovely | 0:18:47 | 0:18:52 | |
sort of powder blue there, and then I'm going to put the other one, | 0:18:52 | 0:18:56 | |
a sort of softer colour, I think just in the front here. | 0:18:56 | 0:19:01 | |
And then always step back and have a look before you do anything | 0:19:04 | 0:19:07 | |
too much and go too far. | 0:19:07 | 0:19:08 | |
Yep, happy with that. | 0:19:08 | 0:19:09 | |
'Once you've decided where they're going to go, aim to plant the irises | 0:19:10 | 0:19:14 | |
'to a similar depth to what they were in their pots | 0:19:14 | 0:19:17 | |
'and then firm the soil around the root ball as you go.' | 0:19:17 | 0:19:21 | |
I like that but I think I'm also going to dock through some primulas. | 0:19:21 | 0:19:26 | |
Those gorgeous candelabra primulas over here. There we are. | 0:19:26 | 0:19:30 | |
Absolutely stunning. | 0:19:30 | 0:19:34 | |
I love the way that you get these | 0:19:34 | 0:19:37 | |
sort of whirls of flowers going up the stem. | 0:19:37 | 0:19:40 | |
There we go, and that will sort of perk up as it settles in. | 0:19:40 | 0:19:44 | |
'When combining plants together you can be creative with | 0:19:45 | 0:19:48 | |
'the use of form and colour. | 0:19:48 | 0:19:50 | |
'It's really up to you.' | 0:19:50 | 0:19:53 | |
And it's very important to water even in this damp soil | 0:19:53 | 0:19:56 | |
because you're just settling that soil around the roots. | 0:19:56 | 0:20:00 | |
Making sure there are no gaps in there. | 0:20:00 | 0:20:04 | |
Yeah. Done. | 0:20:08 | 0:20:10 | |
'And when those irises begin to bulk up this bed will look spectacular.' | 0:20:11 | 0:20:16 | |
Next on my revival I'm on my way to Gloucestershire to discover | 0:20:23 | 0:20:27 | |
how many varieties are readily available to you and me. | 0:20:27 | 0:20:31 | |
'Simon Burbage is the manager here at Lechlade Gardening Centre.' | 0:20:32 | 0:20:35 | |
Simon. | 0:20:35 | 0:20:37 | |
-Hello. -Yes, just the man I'm looking for. -How are you? | 0:20:37 | 0:20:39 | |
Very well indeed, thank you. I've come to look at the irises. | 0:20:39 | 0:20:42 | |
-Right. -You've actually got a really good variety of irises here. | 0:20:42 | 0:20:45 | |
You've got foetidissima. You've got something variegated. Braithwaite. | 0:20:45 | 0:20:49 | |
That's actually one of my absolute favourites but I often go to | 0:20:49 | 0:20:52 | |
a garden centre and there are three, maybe four different varieties. Now, why is that? | 0:20:52 | 0:20:56 | |
The reason why, to be perfectly honest, is supply and demand. | 0:20:56 | 0:20:59 | |
Erm, we're obviously a garden centre | 0:20:59 | 0:21:01 | |
with thousands of different types of plants. | 0:21:01 | 0:21:04 | |
We can't obviously sell every single variety | 0:21:04 | 0:21:07 | |
so we tend to pick a dozen of the best. | 0:21:07 | 0:21:10 | |
Get them in when they're flowering. | 0:21:10 | 0:21:11 | |
So they need to be in flower to sell. | 0:21:11 | 0:21:14 | |
That's very interesting. So you're talking about having a sales | 0:21:14 | 0:21:17 | |
period for an iris of about three or four weeks. | 0:21:17 | 0:21:19 | |
-At the most. -And do you have customers that come in | 0:21:19 | 0:21:22 | |
and say, "I'd like this variety and this variety and this variety?" | 0:21:22 | 0:21:25 | |
We absolutely do, yeah, we do. | 0:21:25 | 0:21:27 | |
Unfortunately it's very difficult for us to get hold of them | 0:21:27 | 0:21:30 | |
because again we have to cater for the masses, | 0:21:30 | 0:21:32 | |
so specific customer orders are a bit tricky. | 0:21:32 | 0:21:34 | |
So where does the modern gardener go | 0:21:38 | 0:21:41 | |
if they want to find more unusual irises? | 0:21:41 | 0:21:44 | |
Well, to the internet, of course, which has spawned | 0:21:44 | 0:21:48 | |
quite a cottage industry. | 0:21:48 | 0:21:51 | |
'Clare Kneen is an iris enthusiast who's managed to turn her | 0:21:51 | 0:21:55 | |
'horticultural hobby into a thriving online business that offers | 0:21:55 | 0:21:59 | |
'some of the rarer more elusive varieties of iris.' | 0:21:59 | 0:22:03 | |
Well, I've always liked irises. | 0:22:03 | 0:22:05 | |
They were in the garden when I grew up and then | 0:22:05 | 0:22:08 | |
when I had my own house I've had irises in the garden ever | 0:22:08 | 0:22:11 | |
since and I just got more and more and more. | 0:22:11 | 0:22:14 | |
-It's easy, isn't it? -Very easy. -They draw you in, don't they? | 0:22:14 | 0:22:17 | |
How was it that you then sort of progressed from there, | 0:22:17 | 0:22:20 | |
from just being a lover of irises to | 0:22:20 | 0:22:22 | |
sort of properly collecting them and then selling them? | 0:22:22 | 0:22:25 | |
Well, as you know, bearded irises you need to dig them | 0:22:25 | 0:22:28 | |
and split them to get them to flower well and I ended up with | 0:22:28 | 0:22:30 | |
so many I had to find somewhere else for the irises, | 0:22:30 | 0:22:34 | |
and then I used to sell them for charity, and then | 0:22:34 | 0:22:36 | |
I decided that I had so many I could make some money for myself. | 0:22:36 | 0:22:41 | |
So what do you think of my revival, | 0:22:41 | 0:22:43 | |
this campaign to not only to get people to grow more irises | 0:22:43 | 0:22:46 | |
but just for them to be more available? | 0:22:46 | 0:22:49 | |
I think everyone should be growing irises in their garden | 0:22:49 | 0:22:51 | |
and you can have an iris in flower all the way through the year | 0:22:51 | 0:22:54 | |
if you pick a selection of different irises. | 0:22:54 | 0:22:57 | |
'Clare grows the bulk of her irises in a field close to her own | 0:22:58 | 0:23:01 | |
'garden, and because the majority have now finished flowering, | 0:23:01 | 0:23:04 | |
'there's plenty of work to be done.' | 0:23:04 | 0:23:06 | |
Anything that's being sold needs to be dug up and sent out, and | 0:23:06 | 0:23:11 | |
anything else that I want to move needs to be moved at the same time. | 0:23:11 | 0:23:15 | |
That's got plenty of shoots on it. | 0:23:17 | 0:23:19 | |
That's got shoots, so although this rhizome is old, that's going to give me more new plants. | 0:23:19 | 0:23:23 | |
So do you know how many different irises you've got now? | 0:23:23 | 0:23:26 | |
The last time I counted I got to 200 and stopped. | 0:23:26 | 0:23:29 | |
How many years has it taken you to get that collection together? | 0:23:29 | 0:23:32 | |
Oh, I've been growing them for 15 years. | 0:23:32 | 0:23:35 | |
Plans for lots more? | 0:23:35 | 0:23:37 | |
Plans for more, yes. I keep seeing new ones that I love. | 0:23:37 | 0:23:39 | |
It's great to know that there are people like Clare out there | 0:23:41 | 0:23:45 | |
who share my love for irises and are ensuring that the whole | 0:23:45 | 0:23:49 | |
range are thriving and available to all of us. | 0:23:49 | 0:23:53 | |
There are more than 150 different irises | 0:24:02 | 0:24:05 | |
here at Marwood Hill Gardens and it's wonderful to be able to | 0:24:05 | 0:24:08 | |
compare and contrast them, which really makes you hungry for more. | 0:24:08 | 0:24:14 | |
And if you're going to join my iris revival | 0:24:16 | 0:24:18 | |
and grow them at home, one of the key plant care tips to ensure you | 0:24:18 | 0:24:22 | |
get the best from many irises is division. | 0:24:22 | 0:24:26 | |
Now, ideally you would divide bearded irises | 0:24:33 | 0:24:35 | |
every three-to-five years, | 0:24:35 | 0:24:37 | |
and it's important because if you don't they just become these | 0:24:37 | 0:24:41 | |
really congested clumps and they don't flower terribly well. | 0:24:41 | 0:24:44 | |
You get the sort of flower round the edge | 0:24:44 | 0:24:46 | |
but in the middle there's not very much happening. | 0:24:46 | 0:24:48 | |
I don't want to damage the rhizomes | 0:24:48 | 0:24:50 | |
and I don't want to damage too much of the root. | 0:24:50 | 0:24:54 | |
But I think that will sort of start to come away now. | 0:24:54 | 0:24:59 | |
Now, I'm just going to shake off as much of the soil as I can. | 0:25:02 | 0:25:07 | |
I'm just looking to find the sort of bits of rhizome that are still | 0:25:07 | 0:25:13 | |
productive that I want to keep. | 0:25:13 | 0:25:15 | |
You've got all the old rhizomes here in the middle and then | 0:25:15 | 0:25:19 | |
the newer ones are always down like sort of satellites at the end. | 0:25:19 | 0:25:24 | |
So you just simply now divide them. | 0:25:24 | 0:25:26 | |
Now, you can do it in various ways. | 0:25:26 | 0:25:28 | |
You can use a sharp knife. You can use secateurs. | 0:25:28 | 0:25:31 | |
You can also sometimes just snap the pieces off. | 0:25:31 | 0:25:33 | |
So I'm going to look here. | 0:25:33 | 0:25:34 | |
This is where the root is on this bit. In fact it's starting to fall apart. | 0:25:34 | 0:25:38 | |
Now I'm just going to cut a bit more of that off. I don't think we need all that. | 0:25:38 | 0:25:41 | |
And just tidy this bit up here and do the same with all these sections. | 0:25:41 | 0:25:47 | |
So I'm only looking for the bits here that have some root on them. | 0:25:47 | 0:25:51 | |
There we are. | 0:25:51 | 0:25:52 | |
So we've now got several pieces and this, you discard. | 0:25:52 | 0:25:56 | |
You can compost it, and then I'm also going to cut down the leaves because | 0:25:56 | 0:26:00 | |
when we replant it you don't want them to be rocking about on the soil | 0:26:00 | 0:26:04 | |
because you don't plant these deeply. The wind can catch these and | 0:26:04 | 0:26:07 | |
you get wind rock so I'm just going to cut them down to about six inches | 0:26:07 | 0:26:11 | |
or so and traditionally that's done in a sort of mitre shape. | 0:26:11 | 0:26:14 | |
Some people like to trim the roots a little bit just to tidy them up. | 0:26:14 | 0:26:18 | |
I don't always bother | 0:26:18 | 0:26:19 | |
but that's exactly what you're looking for to replant. | 0:26:19 | 0:26:23 | |
Right now, the best thing is if you can go ahead, | 0:26:24 | 0:26:28 | |
I'll just take those bits off, and replant these straight away. | 0:26:28 | 0:26:32 | |
And I've got the perfect spot for these beauties. | 0:26:32 | 0:26:36 | |
A rhizome is effectively a modified stem and it's a storage organ | 0:26:39 | 0:26:44 | |
for all the nutrients that's needed to produce the new flowers. | 0:26:44 | 0:26:49 | |
So place the rhizome there. | 0:26:49 | 0:26:51 | |
So just try and get the heights right so it's going to just | 0:26:51 | 0:26:54 | |
sit proud of the soil and just put those roots down around it. | 0:26:54 | 0:26:59 | |
These need a really good baking by the sun in order to flower well. | 0:26:59 | 0:27:03 | |
So again I just scoop out a little bit higher in the middle | 0:27:03 | 0:27:08 | |
so it sits proud and that rhizome goes on there. | 0:27:08 | 0:27:12 | |
Again just lift it up a bit. Cover the roots. | 0:27:12 | 0:27:15 | |
Firm it in but make sure the soil doesn't cover | 0:27:18 | 0:27:21 | |
the top of the rhizome. | 0:27:21 | 0:27:23 | |
Right, four down, a few more to go. | 0:27:23 | 0:27:28 | |
When it comes to ensata irises there's one man in Hampshire | 0:27:36 | 0:27:40 | |
who's gone to great lengths to bring a little bit of East Asia | 0:27:40 | 0:27:43 | |
to his own garden. | 0:27:43 | 0:27:45 | |
I'm besotted by Japan and their gardening tradition | 0:27:47 | 0:27:49 | |
and I like very, very much these ensata irises. | 0:27:49 | 0:27:52 | |
These rather fine blooms that come up rather | 0:27:52 | 0:27:55 | |
mysteriously in a range of different colours | 0:27:55 | 0:27:58 | |
and last a very short period of time. | 0:27:58 | 0:28:00 | |
Really, maybe three days each flower. It's very ephemeral somehow. | 0:28:00 | 0:28:04 | |
Rupert Nabarro first visited Japan over 20 years ago and has since | 0:28:04 | 0:28:09 | |
striven to grow ensata irises along the river banks here at Bere Mill. | 0:28:09 | 0:28:14 | |
Rupert's garden is also home to many other iris varieties that | 0:28:14 | 0:28:18 | |
flower at different stages throughout the season, | 0:28:18 | 0:28:21 | |
creating interest all summer long. | 0:28:21 | 0:28:23 | |
I particularly like these beardless Japanese ones | 0:28:23 | 0:28:27 | |
but that's not the end of the story. | 0:28:27 | 0:28:29 | |
There's an enormous variety which cover a wide | 0:28:29 | 0:28:31 | |
range of times of year, different sizes and colours | 0:28:31 | 0:28:34 | |
and I would just encourage people to go for it themselves. | 0:28:34 | 0:28:39 | |
It's incredibly rewarding. | 0:28:39 | 0:28:41 | |
For me, nothing else quite has the magic that an iris | 0:28:51 | 0:28:54 | |
brings to a garden. | 0:28:54 | 0:28:56 | |
The range of different types, and I feel that we really don't | 0:28:56 | 0:29:00 | |
want to lose any of those for future generations. | 0:29:00 | 0:29:03 | |
So if you've been inspired, | 0:29:03 | 0:29:05 | |
and you've never grown irises before, I suggest that this year you | 0:29:05 | 0:29:08 | |
seek out perhaps some of the more unusual ones and plant them, | 0:29:08 | 0:29:11 | |
and I guarantee it will be the start of a lifelong passion. | 0:29:11 | 0:29:16 | |
Across the series our revival team are travelling the length | 0:29:22 | 0:29:25 | |
and breadth of Britain celebrating our gardens, | 0:29:25 | 0:29:28 | |
flowers and plants in all their glory with one important mission - | 0:29:28 | 0:29:35 | |
to champion our rich gardening heritage. | 0:29:35 | 0:29:39 | |
Next, Toby Buckland wants to get us all growing grasses. | 0:29:39 | 0:29:43 | |
When most of us think about grass in our gardens we think | 0:29:55 | 0:29:59 | |
about pushing a mower or pulling unwanted weeds out from the borders. | 0:29:59 | 0:30:03 | |
We rarely think of grasses as a way of giving colour | 0:30:03 | 0:30:06 | |
and structure to our gardens but we should, and we can. | 0:30:06 | 0:30:10 | |
'Once popularised by the Victorians, grasses soon fell by the wayside | 0:30:10 | 0:30:16 | |
'but it's time to get us all growing them again.' | 0:30:16 | 0:30:22 | |
Ornamental grasses will give your garden a wow factor and with | 0:30:22 | 0:30:28 | |
none of the watering or maintenance the less robust plants demand. | 0:30:28 | 0:30:32 | |
And contrary to popular belief, the grass on the other side | 0:30:32 | 0:30:35 | |
doesn't have to be greener. | 0:30:35 | 0:30:38 | |
On my revival campaign, the botanical names of grasses prove | 0:30:41 | 0:30:45 | |
a bit of a mouthful. | 0:30:45 | 0:30:47 | |
Helictotrichon sempervirens. Yeah, saphirsprudel. | 0:30:47 | 0:30:53 | |
'So I lead the public in a rebranding exercise.' Yeah, yeah. | 0:30:53 | 0:30:57 | |
Toby's tufted, I think we'll put a line through. | 0:30:57 | 0:31:00 | |
SHE LAUGHS | 0:31:00 | 0:31:01 | |
'And I'll give you my top tips on how to create dramatic displays | 0:31:01 | 0:31:04 | |
'using grasses.' | 0:31:04 | 0:31:07 | |
Do you know what? I think that's looking pretty good. | 0:31:07 | 0:31:10 | |
I've come to Scampston Hall near Malton in North Yorkshire to | 0:31:28 | 0:31:31 | |
start my revival because it's gorgeous and demonstrates perfectly | 0:31:31 | 0:31:35 | |
what can be achieved with ornamental grasses in a contemporary garden. | 0:31:35 | 0:31:42 | |
Grasses make up some 20% of the garden design | 0:31:43 | 0:31:47 | |
and in these borders they work really hard. | 0:31:47 | 0:31:49 | |
Not only providing elegance and line but also colour and texture. | 0:31:49 | 0:31:54 | |
When I was a trainee gardener it was shrubs, shrubs, shrubs | 0:31:56 | 0:32:00 | |
and more shrubs. | 0:32:00 | 0:32:01 | |
All function and no fun, so when I heard about ornamental | 0:32:01 | 0:32:04 | |
grasses it was like a breath of fresh air. | 0:32:04 | 0:32:07 | |
I just couldn't get enough of them. | 0:32:07 | 0:32:10 | |
I scoured nurseries for new plants, visited botanic gardens to try | 0:32:10 | 0:32:13 | |
and get a handle on their unfamiliar names. | 0:32:13 | 0:32:16 | |
Now when I'm setting out a garden, I mean, I wouldn't, | 0:32:16 | 0:32:19 | |
I couldn't, be without ornamental grasses. | 0:32:19 | 0:32:23 | |
They are the most beautiful and versatile of plants | 0:32:24 | 0:32:28 | |
and I want everyone to celebrate them in their gardens. | 0:32:28 | 0:32:31 | |
Not many grasses have managed to make a name for themselves | 0:32:36 | 0:32:39 | |
part from perhaps bamboo and the once revered pampas grass. | 0:32:39 | 0:32:43 | |
The pampas grass was a 1970s sensation. | 0:32:43 | 0:32:47 | |
This was a grass that had everything. | 0:32:47 | 0:32:50 | |
It was shrubby and evergreen, low-maintenance, | 0:32:50 | 0:32:52 | |
and compared to the ubiquitous privet, groovy. | 0:32:52 | 0:32:56 | |
If you had a pampas in your garden you'd made it | 0:32:56 | 0:32:59 | |
but this wasn't the first time these plants had been a fashion statement. | 0:32:59 | 0:33:03 | |
A century earlier, the Victorians were particularly taken with the big showy varieties. | 0:33:03 | 0:33:08 | |
I think it's time grasses came back into fashion again. | 0:33:08 | 0:33:13 | |
I'm really excited to be visiting Kew Gardens, where they | 0:33:13 | 0:33:16 | |
share my passion for grasses and house a historic collection. | 0:33:16 | 0:33:21 | |
Records of those grasses can be found here at the herbarium. | 0:33:23 | 0:33:26 | |
'I've asked taxonomist Maria Voronstova to show me | 0:33:28 | 0:33:31 | |
'some of the celebrities of the grass world.' | 0:33:31 | 0:33:35 | |
This is really amazing. Have a look at this. | 0:33:35 | 0:33:39 | |
This is a Darwin specimen. | 0:33:39 | 0:33:42 | |
My God. "C Darwin, 1833." | 0:33:42 | 0:33:46 | |
He wrote this. This is actually his handwriting. South America. | 0:33:46 | 0:33:50 | |
HMS Beagle. | 0:33:50 | 0:33:52 | |
It's the first time this species was collected and discovered | 0:33:52 | 0:33:55 | |
and described. | 0:33:55 | 0:33:57 | |
Agrostis magellanica. | 0:33:57 | 0:33:58 | |
So how does it work? So, taxonomic record-keeping, | 0:33:58 | 0:34:01 | |
what is it about? | 0:34:01 | 0:34:03 | |
So people go out there and they collect plants. | 0:34:03 | 0:34:06 | |
Then taxonomists study those plants, | 0:34:06 | 0:34:09 | |
create a classification system, | 0:34:09 | 0:34:11 | |
and that creates the basic record of Earth's diversity. | 0:34:11 | 0:34:14 | |
This knowledge is then used by scientists, horticulturalists, | 0:34:14 | 0:34:19 | |
conservationists. | 0:34:19 | 0:34:20 | |
We're still discovering new species today. | 0:34:20 | 0:34:22 | |
Any new modern ones you can show me? | 0:34:22 | 0:34:24 | |
SHE LAUGHS | 0:34:24 | 0:34:25 | |
So here's an amazing little grass from Madagascar. | 0:34:25 | 0:34:28 | |
OK. | 0:34:28 | 0:34:30 | |
It's called Andropogon itremoensis and I'm proud to say that | 0:34:30 | 0:34:33 | |
I've named it. | 0:34:33 | 0:34:35 | |
I pressed it to make the herbarium specimen. | 0:34:35 | 0:34:38 | |
This is the notes I made in the field. | 0:34:38 | 0:34:40 | |
In the beginning I didn't realise there was anything special about | 0:34:40 | 0:34:43 | |
it, and after a few weeks of research I realised that this species didn't | 0:34:43 | 0:34:46 | |
have a scientific name and it would actually be really amazing if it | 0:34:46 | 0:34:49 | |
was ever brought into horticulture and grown in a botanic garden. | 0:34:49 | 0:34:52 | |
People don't understand grasses. | 0:34:52 | 0:34:55 | |
They think they're all homogenous but they are quite different. | 0:34:55 | 0:34:58 | |
Yours is very delicate. | 0:34:58 | 0:34:59 | |
Charles, he obviously had an eye for the fluffy and... | 0:34:59 | 0:35:03 | |
THEY LAUGH | 0:35:03 | 0:35:04 | |
And the ornamental. | 0:35:04 | 0:35:06 | |
But anything that is recognisable as a garden grass? | 0:35:06 | 0:35:09 | |
We have everything in the collection pretty much, | 0:35:09 | 0:35:11 | |
so everybody knows pampas. | 0:35:11 | 0:35:13 | |
Oh, there's no mistaking that. Look at that. | 0:35:15 | 0:35:19 | |
Cortaderia selloana is the Latin name. | 0:35:19 | 0:35:22 | |
These are the earliest collections from Brazil. | 0:35:22 | 0:35:25 | |
So, this one was given to Kew in 1894 and collected a lot earlier | 0:35:25 | 0:35:30 | |
than that and this set, basically the first-ever scientific | 0:35:30 | 0:35:35 | |
record of this plant and where it grew. | 0:35:35 | 0:35:38 | |
I think if people knew more about diversity they would break away from | 0:35:38 | 0:35:42 | |
the usual things that everyone has in their gardens and go for...this! | 0:35:42 | 0:35:47 | |
'As well as the dried specimens there is also a wonderful living | 0:35:49 | 0:35:53 | |
'collection looked after by botanical horticulturalist Michelle Cleave. | 0:35:53 | 0:35:59 | |
'The Victorians loved them | 0:35:59 | 0:36:01 | |
'and there's been a grass garden here since the 19th century, so I want | 0:36:01 | 0:36:05 | |
'to get to the bottom of why they're no longer popular in our gardens.' | 0:36:05 | 0:36:08 | |
The Victorians loved naturalistic gardening, didn't they? | 0:36:08 | 0:36:12 | |
Was that an antithesis of the industrialisation of the Victorian world? | 0:36:12 | 0:36:17 | |
Yes, it certainly was, I think. | 0:36:17 | 0:36:19 | |
They really did champion gardening in a different way. Using natives. | 0:36:19 | 0:36:23 | |
Using plants from different places like North America and Europe, | 0:36:23 | 0:36:27 | |
and much more free-flowing movement. | 0:36:27 | 0:36:30 | |
Why do you think grasses fell out of fashion in the post-Victorian era? | 0:36:30 | 0:36:34 | |
I think maybe the ones that they used perhaps were a little bit | 0:36:34 | 0:36:37 | |
thuggish and as fashion being what it is, other things came into play. | 0:36:37 | 0:36:44 | |
'The collection is incredible, with grasses popular with | 0:36:45 | 0:36:49 | |
'the Victorians planted alongside more modern varieties. | 0:36:49 | 0:36:53 | |
'Some 550 in total.' This is a Victorian favourite? | 0:36:53 | 0:36:56 | |
Yes, it is. And it's Phalaris arundinacea. | 0:36:56 | 0:36:59 | |
Gardener's Garters. | 0:36:59 | 0:37:01 | |
Why is it called that? | 0:37:01 | 0:37:03 | |
I guess maybe linking in with the other common name, Ribbon Grass. | 0:37:03 | 0:37:06 | |
Maybe the ribbons on the garters to hold up the stockings. | 0:37:06 | 0:37:10 | |
Foxtail Barley from North America. | 0:37:10 | 0:37:13 | |
Beautiful, long, purple, pink awns, just fabulous in the wind. | 0:37:13 | 0:37:16 | |
It really is like a barley, isn't it? | 0:37:16 | 0:37:19 | |
And I think that's been around since the Victorian times as well. | 0:37:19 | 0:37:23 | |
This was one of my mum's favourite grasses, this one. | 0:37:23 | 0:37:26 | |
The Quaking Grass. | 0:37:26 | 0:37:27 | |
This is very naturalistic. Would the Victorians have used this? | 0:37:27 | 0:37:30 | |
I don't think so. Maybe not flamboyant enough. | 0:37:30 | 0:37:32 | |
THEY LAUGH | 0:37:32 | 0:37:34 | |
Do you think my campaign's worthwhile? | 0:37:37 | 0:37:39 | |
Yeah, I think they certainly shouldn't be part of any sort of fashion. | 0:37:39 | 0:37:41 | |
They should be a main staple of our palette of plants that we grow. | 0:37:41 | 0:37:46 | |
'Seeing the history of grasses laid out in front of me is | 0:37:48 | 0:37:51 | |
'so inspiring and makes me | 0:37:51 | 0:37:53 | |
'even more determined to get everyone to fall in love with them again.' | 0:37:53 | 0:37:57 | |
I can't help but think that if more of us embraced this wonderful | 0:37:57 | 0:38:00 | |
group of plants, our gardens could be so much better. | 0:38:00 | 0:38:04 | |
There are so many different grasses out there with different shapes, | 0:38:13 | 0:38:16 | |
sizes and colours and suitable for all sorts of growing conditions. | 0:38:16 | 0:38:21 | |
Here are some ideal for planting at home. | 0:38:21 | 0:38:26 | |
Not all plants look good in the rain and gardeners certainly don't. | 0:38:33 | 0:38:37 | |
However, there are exceptions and this is one of them. | 0:38:37 | 0:38:41 | |
Stipa Gigantea gold fontaene. It's got two heights. | 0:38:41 | 0:38:44 | |
The foliage forms a clump that comes up to your knee | 0:38:44 | 0:38:47 | |
and the flowers get up to 2½ metres. | 0:38:47 | 0:38:50 | |
This is eight, ten feet tall. This is a grass for sun and space. | 0:38:50 | 0:38:55 | |
But look at that, even in the rain it sparkles beautifully. | 0:38:56 | 0:39:00 | |
That's better. | 0:39:03 | 0:39:06 | |
Now, there is a grass for every part of the garden and every situation. | 0:39:06 | 0:39:10 | |
For shade, one of my favourites is the hakone grass. | 0:39:10 | 0:39:14 | |
Hakonechloa macra 'Aureola'. | 0:39:14 | 0:39:16 | |
Great for pots, but plant it in the ground | 0:39:16 | 0:39:19 | |
and it lives for absolutely ages, turning into a bean bag-sized | 0:39:19 | 0:39:23 | |
boulder, covered in this lovely yellow foliage. | 0:39:23 | 0:39:27 | |
It deciduously bounces back again in the spring. | 0:39:27 | 0:39:31 | |
But you can see from the range of grasses here there's all | 0:39:31 | 0:39:33 | |
sorts of different colours, and what I love about the blood grass | 0:39:33 | 0:39:37 | |
is this colouring of the leaves. It needs sun to bring it out, | 0:39:37 | 0:39:41 | |
so the brighter the light this is in, the darker those leaves will be. | 0:39:41 | 0:39:49 | |
Festuca 'Elijah Blue', and its foliage, as you can see, is this | 0:39:49 | 0:39:53 | |
sort of aqua blue and it really shimmers in the sunshine. | 0:39:53 | 0:39:58 | |
A lovely little plant for a bright spot. Great in gravel gardens. | 0:39:58 | 0:40:01 | |
Forms sort of cushions of foliage that are evergreen | 0:40:01 | 0:40:05 | |
so it looks good all year round. | 0:40:05 | 0:40:07 | |
If you're after something tropical-looking | 0:40:07 | 0:40:10 | |
and fabulous at the back of the border, | 0:40:10 | 0:40:12 | |
zebra grass is the one. | 0:40:12 | 0:40:14 | |
It has these striped markings on its foliage. Wonderful in drifts, | 0:40:14 | 0:40:19 | |
brilliant as a clump on its own, as a specimen plant | 0:40:19 | 0:40:22 | |
and like all miscanthus, it has hollow stems so insects can | 0:40:22 | 0:40:26 | |
overwinter inside them and that means it's good for wildlife, too. | 0:40:26 | 0:40:29 | |
Grasses can create such an impact, | 0:40:35 | 0:40:37 | |
particularly when they're planted en masse like here at Scampston Hall. | 0:40:37 | 0:40:42 | |
Although set between the original 18th-century walls, | 0:40:42 | 0:40:46 | |
today's grass garden is a more modern addition. | 0:40:46 | 0:40:48 | |
I met with head gardener Paul Smith to find out more. | 0:40:48 | 0:40:51 | |
Do you know, I've never been in a garden that I've wanted to | 0:40:51 | 0:40:54 | |
dive into so much. | 0:40:54 | 0:40:56 | |
And it was Piet Oudolf, the grass grower and trail blazer, that designed this? | 0:40:56 | 0:41:01 | |
He did, yes. | 0:41:01 | 0:41:03 | |
So this is one of, you know | 0:41:03 | 0:41:04 | |
it's almost a real signature piece of design for him. | 0:41:04 | 0:41:07 | |
World-renowned designer Piet Oudolf made this drifts-of-grass area the centrepiece of the garden. | 0:41:10 | 0:41:14 | |
It's made up of only two elements - | 0:41:14 | 0:41:16 | |
a lawn and swathes of purple moor grass. | 0:41:16 | 0:41:20 | |
This is molinia caerulea, a deciduous grass that grows tall with | 0:41:20 | 0:41:24 | |
closely packed stems, creating lots of movement as it | 0:41:24 | 0:41:27 | |
catches in the breeze. | 0:41:27 | 0:41:29 | |
-Now this is a native grass, isn't it? -It's North Yorkshire. | 0:41:29 | 0:41:32 | |
Would you have planted it if it was grown in Lancashire, Paul? | 0:41:32 | 0:41:34 | |
That's the big question. | 0:41:34 | 0:41:36 | |
Well, probably but we wouldn't make a big thing of it! | 0:41:36 | 0:41:39 | |
Tell me about the season of interest because how much colour | 0:41:39 | 0:41:42 | |
and interest is this molinia going to give you? | 0:41:42 | 0:41:44 | |
The grass is going to start growing about the middle of June | 0:41:44 | 0:41:47 | |
and of course it will change as the season goes on | 0:41:47 | 0:41:50 | |
and it has a real purple sheen to this and the whole thing will | 0:41:50 | 0:41:55 | |
go oaty-brown colour and it runs right through till | 0:41:55 | 0:41:58 | |
the middle of February so when everything else is bedded out | 0:41:58 | 0:42:01 | |
in a traditional garden, we've got all that winter interest as well. | 0:42:01 | 0:42:05 | |
I mean, this just shows how creative you can be with grasses | 0:42:05 | 0:42:08 | |
and I think more people could grow them | 0:42:08 | 0:42:10 | |
and experiment with grasses in their gardens. | 0:42:10 | 0:42:12 | |
You can nearly get 12 months out of the year in ornamental grasses | 0:42:12 | 0:42:15 | |
so that alone is a reason for growing them. | 0:42:15 | 0:42:18 | |
Part of the problem with grasses is the perception is that | 0:42:24 | 0:42:28 | |
they're boring and the long Latin names aren't very inviting, either. | 0:42:28 | 0:42:32 | |
So to gauge public opinion of these wonderful plants, | 0:42:32 | 0:42:35 | |
I'm seeing if they have any takers at a car-boot sale. | 0:42:35 | 0:42:39 | |
You don't want those flowers, mate. You want grasses. | 0:42:39 | 0:42:42 | |
Grasses are where it's at. | 0:42:42 | 0:42:45 | |
I ask a neighbouring car-booter for some selling tips. | 0:42:45 | 0:42:48 | |
What do you think my chances are of selling grasses here, then? | 0:42:48 | 0:42:52 | |
Very remote. | 0:42:52 | 0:42:53 | |
Ten years ago, they were very, very popular but nowadays anything | 0:42:53 | 0:42:58 | |
with a bit of colour, like that colour there - people love that. | 0:42:58 | 0:43:01 | |
Do you shout at people as they're coming past and beckon them in, | 0:43:01 | 0:43:04 | |
or do you let the products do the talking? | 0:43:04 | 0:43:06 | |
No. Products do the talking. | 0:43:06 | 0:43:07 | |
-OK. But mine aren't saying much. That's my problem, is it? -Yeah! | 0:43:07 | 0:43:10 | |
Colour is all very well but what people don't realise is that | 0:43:12 | 0:43:15 | |
ornamental grasses can also give you colour and - | 0:43:15 | 0:43:18 | |
if you select the right combination - they'll perform all year round. | 0:43:18 | 0:43:23 | |
I'll have to work that into my sales pitch. Here goes. | 0:43:23 | 0:43:27 | |
Madam! Excuse me. Can I interest you in any grasses? | 0:43:27 | 0:43:32 | |
This is evergreen. Stay with you all year round, this one. | 0:43:32 | 0:43:35 | |
Five quid. Yeah, all right, then. | 0:43:35 | 0:43:37 | |
And you are my first customer. Thank you! | 0:43:37 | 0:43:41 | |
We're up and running over here now. | 0:43:41 | 0:43:44 | |
Ah! It's great to get my first sale | 0:43:44 | 0:43:46 | |
but the Latin names are proving problematic. | 0:43:46 | 0:43:48 | |
Helictotrichon sempervirens. | 0:43:48 | 0:43:53 | |
Yeah...saphirsprudel. | 0:43:53 | 0:43:55 | |
They just aren't catchy and don't grab people's attention. | 0:43:55 | 0:43:59 | |
This used to be called stipa arundinacea. That's its Latin name. | 0:43:59 | 0:44:03 | |
Then it's changed its name to oryzopsis | 0:44:03 | 0:44:06 | |
and then it went to um...anemanthele which is a horrendous Latin name. | 0:44:06 | 0:44:10 | |
But as the market gets busier, I do engage more people. | 0:44:10 | 0:44:14 | |
I'd like one of those, actually. | 0:44:14 | 0:44:15 | |
Oh, yeah - lovely and this is a winner. | 0:44:15 | 0:44:17 | |
I'll give you both of those for seven quid. | 0:44:17 | 0:44:19 | |
That's very nice of you. | 0:44:19 | 0:44:21 | |
And soon I'm on a roll. | 0:44:22 | 0:44:25 | |
These are great for shade. | 0:44:25 | 0:44:27 | |
I think we'll have one. | 0:44:27 | 0:44:28 | |
-Come on, five quid. -All right, then. | 0:44:29 | 0:44:32 | |
Get it in the ground. | 0:44:32 | 0:44:34 | |
I'm thrilled that people have started to take | 0:44:34 | 0:44:36 | |
an interest in grasses but it wasn't easy | 0:44:36 | 0:44:38 | |
and the tricky Latin names are a bit of stumbling block. | 0:44:38 | 0:44:42 | |
So I've hatched another plan. | 0:44:42 | 0:44:44 | |
I'm hitting the airwaves at BBC Radio Gloucestershire, | 0:44:48 | 0:44:51 | |
inviting the public to come up with inspirational common names. | 0:44:51 | 0:44:55 | |
Their Latin names are so rubbish. | 0:44:57 | 0:45:00 | |
Deschampsia cespitosa. | 0:45:00 | 0:45:02 | |
Sounds like a disease. | 0:45:02 | 0:45:03 | |
Well, it's a tropical disorder, isn't it? That's not it. | 0:45:03 | 0:45:06 | |
But this one's even worse. Anemanthele lessoniana. | 0:45:06 | 0:45:10 | |
OK, so this is where you guys come in. | 0:45:10 | 0:45:12 | |
If you can come up with a common name that Toby can then | 0:45:12 | 0:45:16 | |
brand about and just change the face of these grasses, | 0:45:16 | 0:45:19 | |
do get in contact now. | 0:45:19 | 0:45:20 | |
Jethro from Cirencester has already phoned in to say | 0:45:20 | 0:45:23 | |
he likes the name the "whisky grass" because it grows half cut! | 0:45:23 | 0:45:26 | |
But the whisky grass, actually... | 0:45:26 | 0:45:28 | |
Well, it is in fact a grass that does turn bronze in the Autumn. | 0:45:28 | 0:45:31 | |
-LISTENER: -'I think he said it was from New Zealand | 0:45:31 | 0:45:34 | |
-'and it was pretty easy to grow.' -Yep. 'And -I thought, why don't we call it the Easy Kiwi.' | 0:45:34 | 0:45:38 | |
The Easy Kiwi. | 0:45:38 | 0:45:40 | |
A few of the names I've had in for the Deschampsia, um...spiky tufticus. | 0:45:40 | 0:45:46 | |
That says exactly how it grows | 0:45:46 | 0:45:48 | |
because it is a tufty little number, this one. | 0:45:48 | 0:45:51 | |
Positive reaction from the listeners is brilliant | 0:45:53 | 0:45:56 | |
and there are some great ideas coming in. | 0:45:56 | 0:45:58 | |
-How about "whispering grass"? -Ooh, I like that. | 0:45:58 | 0:46:01 | |
-"Perennial chillax". -Ooh! | 0:46:01 | 0:46:04 | |
Chillax is a great word. | 0:46:04 | 0:46:05 | |
That is very good. | 0:46:05 | 0:46:07 | |
But some suggestions are frankly better than others. | 0:46:07 | 0:46:10 | |
"Toby's tufted" - I think I'll put a line through. | 0:46:10 | 0:46:12 | |
Ha-ha-ha! | 0:46:12 | 0:46:14 | |
I'll put a line firmly through that one. | 0:46:14 | 0:46:16 | |
-I like "champagne grass". -Oh, now! | 0:46:16 | 0:46:18 | |
I just...I love champagne. Malcolm in Stroud, hello to you. | 0:46:18 | 0:46:22 | |
"Paradise grass" because there is nothing better than lying | 0:46:22 | 0:46:25 | |
out in the garden on a summer's day. | 0:46:25 | 0:46:28 | |
Toby, best of luck with this. Thank you for coming in today. | 0:46:28 | 0:46:30 | |
That's Toby Buckland there. | 0:46:30 | 0:46:32 | |
Well, that went well. We've got some runners and riders there. | 0:46:32 | 0:46:35 | |
I like "spiky tufticus" and also "champagne grass" for that one. | 0:46:35 | 0:46:40 | |
But the name I like the most for the old Anemanthele lessoniana is | 0:46:40 | 0:46:45 | |
"whisky grass". | 0:46:45 | 0:46:47 | |
Yep, from now henceforth, I shall call this the whisky grass. | 0:46:47 | 0:46:52 | |
Time will tell if my new names catch on | 0:46:54 | 0:46:56 | |
but it seems that people are really on board with my campaign. | 0:46:56 | 0:46:59 | |
Grasses are used so creatively at Scampston Hall, | 0:47:06 | 0:47:09 | |
they're like living sculptures giving rhythm to the borders, | 0:47:09 | 0:47:13 | |
or they're mingled in with other flowers. | 0:47:13 | 0:47:15 | |
But if you want a border where grass is top of the bill, | 0:47:15 | 0:47:20 | |
I've got something for you. | 0:47:20 | 0:47:22 | |
If you dot a few grasses in amongst your existing plants, | 0:47:31 | 0:47:35 | |
you can make any garden seem more fresh and modern. | 0:47:35 | 0:47:37 | |
But if you increase proportion to say 50 or 75% grasses, | 0:47:37 | 0:47:43 | |
you get something completely different. | 0:47:43 | 0:47:45 | |
It always pays to set out your plants first. | 0:47:45 | 0:47:49 | |
Always put the big specimens into position to give you | 0:47:49 | 0:47:54 | |
the shape you're after - | 0:47:54 | 0:47:56 | |
create the backbone, if you like and this is a real cracker. | 0:47:56 | 0:48:00 | |
It's called miscanthus malepartus. It's a feather grass. | 0:48:00 | 0:48:03 | |
They're good for specimens as well as grown in drifts. | 0:48:03 | 0:48:07 | |
Now this one is topped with almost tickle-stick-like flowers. | 0:48:07 | 0:48:11 | |
They have a blackcurrant red tint to them | 0:48:11 | 0:48:13 | |
when they first open but dry to a sparkling silver. | 0:48:13 | 0:48:17 | |
It goes at the back. | 0:48:17 | 0:48:21 | |
Next up, I've got one of my favourite grasses. | 0:48:21 | 0:48:24 | |
It's called panicum heavy metal. | 0:48:26 | 0:48:29 | |
That gunmetal grey is really cracking | 0:48:29 | 0:48:31 | |
and they have these dark purple flowers. | 0:48:31 | 0:48:34 | |
It comes up to shoulder high | 0:48:34 | 0:48:37 | |
and is just the job for planting down the middle of a border. | 0:48:37 | 0:48:41 | |
For maximum impact, use fewer varieties but repeat them | 0:48:41 | 0:48:45 | |
down the length of the space. | 0:48:45 | 0:48:47 | |
Now with really big grasses like the miscanthus, you can either | 0:48:47 | 0:48:51 | |
plant them singly or maybe three to a metre. | 0:48:51 | 0:48:54 | |
As they get smaller down to waist height, you go to about five a metre | 0:48:54 | 0:48:58 | |
and the little tiddlers that just come up to your shins, | 0:48:58 | 0:49:01 | |
you get 5-7 every square metre of ground. | 0:49:01 | 0:49:05 | |
If you're after a specimen grass, you can't beat calamagrostis. | 0:49:05 | 0:49:09 | |
This one is called acutiflora overdam. | 0:49:09 | 0:49:13 | |
It has a lovely yellow tint to the foliage | 0:49:13 | 0:49:16 | |
and it's called season grass giving colour and interest through autumn. | 0:49:16 | 0:49:19 | |
It grows to shoulder height | 0:49:19 | 0:49:21 | |
so just the job right in the middle of the heavy metal panicums. | 0:49:21 | 0:49:25 | |
To tie it all together, I've tried Deschampsia cespitosa or | 0:49:26 | 0:49:30 | |
should I say champagne grass. | 0:49:30 | 0:49:32 | |
And for the edges, a carexal sedge called frosted curls. | 0:49:32 | 0:49:38 | |
So botanically they're not strictly grasses, | 0:49:38 | 0:49:41 | |
however, they behave and look like them. | 0:49:41 | 0:49:44 | |
If you're the type of gardener that hates mowing the lawn | 0:49:44 | 0:49:47 | |
and going round with the edging shears, | 0:49:47 | 0:49:49 | |
let this grass grow long up into the leaves of the carex | 0:49:49 | 0:49:52 | |
and then occasionally come and mow the whole lot down. | 0:49:52 | 0:49:56 | |
You know what? I think that's looking pretty good. | 0:49:56 | 0:49:59 | |
And once you're happy with the layout, get the grasses planted | 0:49:59 | 0:50:03 | |
and add a few flowers as a finishing touch. | 0:50:03 | 0:50:06 | |
I've always liked yarrows or achilleas. | 0:50:08 | 0:50:11 | |
They tend to flop but the grasses act like supports for them. | 0:50:11 | 0:50:16 | |
Everyone loves echinaceas and finally because I love them | 0:50:16 | 0:50:19 | |
so much, a couple of sedums just fills out the front of the border. | 0:50:19 | 0:50:25 | |
And when you stand back | 0:50:25 | 0:50:26 | |
and look at this you think - ooh, there's quite a few flowers in there | 0:50:26 | 0:50:29 | |
but that's because the grasses haven't really got going. | 0:50:29 | 0:50:31 | |
Now this is a border that is mostly grasses, | 0:50:31 | 0:50:34 | |
and because it's mostly grasses it has an incredibly long season | 0:50:34 | 0:50:39 | |
and to all intents and purposes, it will look after itself. | 0:50:39 | 0:50:43 | |
There are a staggering 10,000 species of grass found all over | 0:50:55 | 0:50:59 | |
the globe, so no-one can say there isn't a grass for them. | 0:50:59 | 0:51:03 | |
If you're after something a little more exotic, | 0:51:03 | 0:51:06 | |
this is the place to come. The home of a modern-day plant hunter. | 0:51:06 | 0:51:11 | |
Nick Macer travels the world in search of unusual | 0:51:11 | 0:51:14 | |
and striking plants and grasses, then grows them here | 0:51:14 | 0:51:17 | |
at his nursery garden in Gloucestershire. | 0:51:17 | 0:51:20 | |
-Hello, Nick. -Hello, Toby. | 0:51:20 | 0:51:23 | |
Tell me about your plant hunting? | 0:51:23 | 0:51:24 | |
Yeah, yeah. It's something I do every year. | 0:51:24 | 0:51:26 | |
I used to do a lot of Mexico but recently China, Vietnam | 0:51:26 | 0:51:30 | |
and the last couple of years, I've been in north-east India. | 0:51:30 | 0:51:33 | |
Are grasses a big part of what you do? | 0:51:33 | 0:51:35 | |
Is it something you're always on the lookout for? | 0:51:35 | 0:51:38 | |
I'm on the lookout for everything, frankly | 0:51:38 | 0:51:39 | |
and there's always an interesting grass to be found. | 0:51:39 | 0:51:42 | |
This whole place has a really exotic look to it and I can't help | 0:51:42 | 0:51:44 | |
but think it's this sort of softness, the abundance that grasses give. | 0:51:44 | 0:51:48 | |
I think grasses go with everything. | 0:51:48 | 0:51:51 | |
They are a lovely linear contrast to all sorts of other form | 0:51:51 | 0:51:55 | |
and I wouldn't be without them. | 0:51:55 | 0:51:58 | |
Nick gives me a tour of his nursery and shows me | 0:51:58 | 0:52:00 | |
some of his more exotic grasses. | 0:52:00 | 0:52:03 | |
-That's actually eragrostis curvula. -Ooh! | 0:52:03 | 0:52:06 | |
That was collected in South Africa. | 0:52:06 | 0:52:08 | |
When these come out they are like... well, it's like mist, in fact. | 0:52:08 | 0:52:11 | |
It's incredibly fine. | 0:52:11 | 0:52:13 | |
And then this billows out to the point where you can't | 0:52:13 | 0:52:15 | |
actually get though here. | 0:52:15 | 0:52:17 | |
This is chionochloa rubra, the red tussock grass from New Zealand. | 0:52:19 | 0:52:24 | |
It covers many of the mountains. | 0:52:24 | 0:52:26 | |
With a bit of winter cold, they can go really orange. | 0:52:26 | 0:52:28 | |
Orange-tinted. | 0:52:28 | 0:52:30 | |
Ooh, I like the look of this. Is this miscanthus nepalensis? | 0:52:33 | 0:52:37 | |
It is, yeah. | 0:52:37 | 0:52:39 | |
We grew it on from seed we collected in North Vietnam, | 0:52:39 | 0:52:41 | |
right on the Chinese border. | 0:52:41 | 0:52:43 | |
I don't think I've ever seen a grass present such a strong gold colour. | 0:52:43 | 0:52:48 | |
Nick's nursery is fascinating. | 0:52:48 | 0:52:50 | |
Each wild grass is unique with natural variations not | 0:52:50 | 0:52:54 | |
seen in grasses that have been propagated or cloned commercially. | 0:52:54 | 0:52:58 | |
Because I grow the green one and this is lovely. | 0:52:58 | 0:53:00 | |
This is just a sort of natural mutation. A natural thing? | 0:53:00 | 0:53:03 | |
Yeah, yeah, yeah, and that's the great thing about going to the wild. | 0:53:03 | 0:53:06 | |
That is one of the most important points | 0:53:06 | 0:53:08 | |
because the amount of genetic difference out in the wild is huge. | 0:53:08 | 0:53:13 | |
Plants you buy in your average garden centre, | 0:53:13 | 0:53:15 | |
so many of them are micro-propagated nowadays. | 0:53:15 | 0:53:18 | |
If a plant is divided over and over, | 0:53:18 | 0:53:20 | |
-you may get one clone in cultivation. -Yeah. | 0:53:20 | 0:53:24 | |
But you're bringing in seed variation | 0:53:24 | 0:53:26 | |
and every plant has got its own characteristic. Yeah. | 0:53:26 | 0:53:30 | |
So right there is a good reason for people to grow grasses | 0:53:30 | 0:53:34 | |
and to get grasses that have been brought in by plant hunters. | 0:53:34 | 0:53:37 | |
It's fantastic to see these exotic plants thriving on British soil. | 0:53:37 | 0:53:42 | |
It just goes to show how adaptable grasses are | 0:53:42 | 0:53:45 | |
and what natural variety there is out there. | 0:53:45 | 0:53:48 | |
There's one particular grass that's loved and loathed in equal measure | 0:53:52 | 0:53:56 | |
but many people don't even know that it's a member of the grass family - | 0:53:56 | 0:54:01 | |
bamboo. | 0:54:01 | 0:54:02 | |
As with all grasses, there are many varieties, from ground huggers | 0:54:02 | 0:54:05 | |
to towering tree-like specimens | 0:54:05 | 0:54:09 | |
and I'm going to show you how to get the best out of it in your garden. | 0:54:09 | 0:54:12 | |
Basically, there are two types of bamboos - | 0:54:20 | 0:54:23 | |
there are those that have clump-forming roots that stay | 0:54:23 | 0:54:25 | |
relatively tame and then there are the runners that spread | 0:54:25 | 0:54:30 | |
almost endlessly and they do that on these roots and along them the buds | 0:54:30 | 0:54:35 | |
break and come up as new "culms" - is the technical word - | 0:54:35 | 0:54:40 | |
or bamboo canes and a plant like this can spread two, three, four, five metres | 0:54:40 | 0:54:45 | |
in a single season. | 0:54:45 | 0:54:47 | |
If you're going to have a running bamboo, you need to contain | 0:54:47 | 0:54:51 | |
the roots and you do it with this stuff. | 0:54:51 | 0:54:53 | |
Plastic root barrier. | 0:54:54 | 0:54:56 | |
Lots of different types of this stuff but essentially it is | 0:54:56 | 0:55:01 | |
a 75cm-deep piece of plastic that you bury down into the soil. | 0:55:01 | 0:55:07 | |
It doesn't need a base, because bamboo doesn't root deeply. | 0:55:07 | 0:55:11 | |
Make sure the edges overlap by a couple of feet | 0:55:11 | 0:55:13 | |
and tape them together so the roots can't get between. | 0:55:13 | 0:55:16 | |
Now the bamboo I've got here is a really lovely thing. | 0:55:18 | 0:55:22 | |
It's a phyllostachys aurea. | 0:55:22 | 0:55:24 | |
What I always do is just set the bamboo a little bit deeper | 0:55:26 | 0:55:30 | |
than it was in its pot. | 0:55:30 | 0:55:31 | |
Just the bottom couple of inches. | 0:55:31 | 0:55:34 | |
I find that they tend to like that. | 0:55:34 | 0:55:36 | |
It keeps the root ball a bit moist. | 0:55:36 | 0:55:38 | |
Add a bit more compost. | 0:55:38 | 0:55:39 | |
Because if you feed them, you get just magnificently tall canes | 0:55:42 | 0:55:46 | |
and they come up nice and thick as well. | 0:55:46 | 0:55:49 | |
And the final job, once you've given the plant a good water-in, | 0:55:49 | 0:55:53 | |
is to trim down the plastic. | 0:55:53 | 0:55:56 | |
Leave it a few centimetres proud of the soil surface, | 0:55:56 | 0:56:00 | |
because the roots grow along sideways and then go up and over. | 0:56:00 | 0:56:05 | |
But if you leave the plastic high, there's less likelihood | 0:56:05 | 0:56:08 | |
that that will happen and if they do, well, it's not the end of the world. | 0:56:08 | 0:56:11 | |
Just go along with a pair of secateurs and snip them off | 0:56:11 | 0:56:14 | |
to keep them confined. Like any new plant, | 0:56:14 | 0:56:16 | |
it's going to need to be kept watered, particularly in | 0:56:16 | 0:56:19 | |
its first year and one thing to make bamboo look more elegant is a bit of pruning. | 0:56:19 | 0:56:23 | |
Now in early spring before the new shoots starts to grow, | 0:56:23 | 0:56:26 | |
trim out any old tired culms as close to the ground as you can possibly go. | 0:56:26 | 0:56:32 | |
You make the plant more airy | 0:56:32 | 0:56:34 | |
and you get more rustle as the culms move around in the breeze. | 0:56:34 | 0:56:38 | |
So there you have it. | 0:56:38 | 0:56:39 | |
A bamboo plant that is contained and won't take over your garden. | 0:56:39 | 0:56:44 | |
Someone who shares my passion for grasses is David Matzdorf, | 0:56:55 | 0:56:59 | |
who's found a creative and striking way of growing them | 0:56:59 | 0:57:02 | |
at his eco-friendly home in North London. | 0:57:02 | 0:57:05 | |
So I've got two gardens. | 0:57:06 | 0:57:08 | |
The front garden here, which is a bit of a tropical rainforest | 0:57:08 | 0:57:11 | |
impression and then once you get on the roof, it's a bit | 0:57:11 | 0:57:13 | |
more like a sort of Mexican hillside style. | 0:57:13 | 0:57:16 | |
I've discovered that the only place really sunny enough to get | 0:57:16 | 0:57:20 | |
other smaller grasses to thrive is up on the green roof. | 0:57:20 | 0:57:23 | |
I grow a wild variety of stuff up here | 0:57:26 | 0:57:28 | |
but the grasses have a texture all of their own. | 0:57:28 | 0:57:31 | |
Some of them have been very successful, some of them | 0:57:31 | 0:57:33 | |
have been way too successful. | 0:57:33 | 0:57:35 | |
I optimistically thought that the shallow soil | 0:57:35 | 0:57:37 | |
and the shade conditions would control this very invasive | 0:57:37 | 0:57:41 | |
grass which is Phalaris arundinacea picta. | 0:57:41 | 0:57:44 | |
Clearly it didn't. It's gone mad. | 0:57:44 | 0:57:46 | |
If you choose grasses which have nicely textured flowers, | 0:57:48 | 0:57:51 | |
some have different coloured leaves, | 0:57:51 | 0:57:53 | |
you can get some really good contrast effects. | 0:57:53 | 0:57:55 | |
I'd love to coach more people to do green roofs on their houses, sheds, garages. | 0:57:56 | 0:58:00 | |
There are all sorts of really significant ecological benefits | 0:58:00 | 0:58:04 | |
but also, it's really nice up here. | 0:58:04 | 0:58:05 | |
It's like having a different kind of garden. | 0:58:05 | 0:58:07 | |
I hope my revival has got you thinking about grasses | 0:58:12 | 0:58:15 | |
in a new light. | 0:58:15 | 0:58:17 | |
We have after all been growing them in the UK for hundreds of years | 0:58:17 | 0:58:20 | |
and all the time, new varieties and creative ways of using them | 0:58:20 | 0:58:24 | |
have been developed. | 0:58:24 | 0:58:26 | |
They're not just the plant of the now - | 0:58:26 | 0:58:28 | |
grasses are the plant of the future. | 0:58:28 | 0:58:31 |