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If you turn your back on the town, take the village track, | 0:00:11 | 0:00:15 | |
follow the unmade road, you'll find something absolutely extraordinary - | 0:00:15 | 0:00:19 | |
the hidden houses of Wales. | 0:00:19 | 0:00:21 | |
In this series, I'll be turning back the clock. | 0:00:21 | 0:00:25 | |
I'll be stepping over the threshold of some incredible places, | 0:00:25 | 0:00:31 | |
seeking out scandal-packed histories. | 0:00:31 | 0:00:35 | |
Bricks and mortar? They're never going to be the same again. | 0:00:35 | 0:00:39 | |
In this episode, we'll be visiting a house | 0:00:42 | 0:00:45 | |
that symbolises the rags-to-riches story of a local Welsh boy done good. | 0:00:45 | 0:00:50 | |
It's somewhere where you go, and your family are around you. It's a sanctuary, isn't it? | 0:00:50 | 0:00:54 | |
'A house that's been put back together in the wrong way...' | 0:00:54 | 0:00:57 | |
200 years ago, when you come back from the supermarket, that's what would have faced you. | 0:00:57 | 0:01:03 | |
'..and is now a haven after a storm of adversity.' | 0:01:03 | 0:01:07 | |
I believe that I helped him through | 0:01:07 | 0:01:09 | |
because he knew that I was there for him, and that he wasn't alone. | 0:01:09 | 0:01:12 | |
-GEARS CRUNCH -Argh! | 0:01:26 | 0:01:28 | |
So, here I am back in the Morris Minor | 0:01:32 | 0:01:34 | |
and travelling round a part of Wales I actually don't know well at all. | 0:01:34 | 0:01:39 | |
Flintshire is the border country between North Wales and England. | 0:01:39 | 0:01:43 | |
And in fact, you look around now | 0:01:43 | 0:01:47 | |
and it's home to more than a handful of perma-tanned Premier League footballers. | 0:01:47 | 0:01:51 | |
But, go back 200, 300 years... | 0:01:51 | 0:01:54 | |
and this place was very much THE place to be. | 0:01:54 | 0:01:59 | |
Shall I risk third? | 0:02:00 | 0:02:02 | |
Third. Yes! | 0:02:02 | 0:02:04 | |
Soughton House dates from the 18th century, | 0:02:15 | 0:02:17 | |
and is magnificently placed on the hills | 0:02:17 | 0:02:20 | |
overlooking the Dee Estuary, about five Welsh miles away from Chester. | 0:02:20 | 0:02:24 | |
Dramatically structurally refurbished ten years ago, | 0:02:26 | 0:02:29 | |
Soughton House is now the home of David McLean and his second wife, Ruth. | 0:02:29 | 0:02:33 | |
David McLean's is a household name as he used to own and run | 0:02:33 | 0:02:38 | |
one of the biggest construction companies in Wales. | 0:02:38 | 0:02:41 | |
Gosh. Little bit Southfork, dare I say it. | 0:02:45 | 0:02:49 | |
There's something a bit flat and a bit American to that entrance. | 0:02:49 | 0:02:54 | |
But it's difficult in this day and age, I think. | 0:02:54 | 0:02:57 | |
200 years ago, you'd have had a football team of under gardeners | 0:02:57 | 0:03:01 | |
who could rake the gravel and lick the grass. | 0:03:01 | 0:03:03 | |
Ooh, look at that! Blimey! | 0:03:10 | 0:03:12 | |
Now, I am actually momentarily blinded by the car rather than the house, | 0:03:12 | 0:03:18 | |
because the house is something of a patchwork. | 0:03:18 | 0:03:23 | |
Look at me, arriving not in a blaze of glory but a blaze of gravel! | 0:03:33 | 0:03:37 | |
-I know, we could hear you coming! -I bet you could! | 0:03:37 | 0:03:39 | |
I'm very, very pleased to find I've actually managed to stop in front of your incredibly beautiful car. | 0:03:39 | 0:03:45 | |
Don't fancy doing a swap, do you? Like for like. | 0:03:45 | 0:03:47 | |
-It is quite nice, but... -Almost identical. -Almost! I don't think so. | 0:03:47 | 0:03:52 | |
But it is... I mean, that's such a stunner | 0:03:52 | 0:03:54 | |
you forget to look at the house, but the house is extremely interesting. | 0:03:54 | 0:03:57 | |
But it's not giving much away, is it? | 0:03:57 | 0:04:00 | |
So there's a sense that the house is sort of holding its cards very closely. | 0:04:00 | 0:04:04 | |
-What about inside? Is that where the history starts to unfold? -I think that's where you'll understand it. | 0:04:04 | 0:04:10 | |
It is absolutely fascinating! So, how old is the... | 0:04:23 | 0:04:27 | |
Oh, does that explain it, 1685? Are we looking at 1685? | 0:04:27 | 0:04:31 | |
Do you know, we're curious, we don't know. | 0:04:31 | 0:04:33 | |
-It was here when we came. -It was here when we came. | 0:04:33 | 0:04:36 | |
But this is a very interesting space. It doesn't feel terribly old. | 0:04:36 | 0:04:40 | |
We've traced the house back to the 17th century, | 0:04:40 | 0:04:43 | |
and we thought, "Well, this fireplace perhaps didn't belong to this house | 0:04:43 | 0:04:47 | |
"and that's come later or somebody's put it in." | 0:04:47 | 0:04:50 | |
It would be nice to know more about it, and you're here, so you must know more about it! | 0:04:50 | 0:04:55 | |
I'm here. Definitely, I want to start getting under the skin of it, | 0:04:55 | 0:04:59 | |
cos I think the other thing, as well, is it's a house that has obviously continued to be in use, | 0:04:59 | 0:05:04 | |
and every person in it has done something different to it. | 0:05:04 | 0:05:08 | |
-I mean, things like the staircase. Was the staircase always there? -No. | 0:05:08 | 0:05:12 | |
It wasn't? | 0:05:12 | 0:05:14 | |
The staircase has been cut. You can see the markers where there have been rails. We suspect it's smaller. | 0:05:14 | 0:05:20 | |
Yeah. Meanwhile, of course, the current lord of the manor is there enshrined. | 0:05:20 | 0:05:26 | |
I assume that's you? It's not YOU! | 0:05:26 | 0:05:28 | |
If it is you, I'd sue. | 0:05:28 | 0:05:31 | |
-It doesn't look anything like you. -It was bought. | 0:05:31 | 0:05:35 | |
-For my birthday. -A special birthday. And he wore his favourite shirt. | 0:05:35 | 0:05:39 | |
That shirt, I still have it, and it's gotta be 20 years old! | 0:05:39 | 0:05:42 | |
What is really nice is the fact that it's a historical thing to do, | 0:05:42 | 0:05:48 | |
but it's not, cos it's actually... | 0:05:48 | 0:05:50 | |
You look very modern, you look very welcoming, | 0:05:50 | 0:05:53 | |
you're looking straight at the door and kind of saying, | 0:05:53 | 0:05:55 | |
"Welcome and come in," and that's the sense I get from this house - | 0:05:55 | 0:05:58 | |
that it's got a lot of very, very fascinating history that we need to unpick. | 0:05:58 | 0:06:03 | |
Soughton House is David's reward for years of hard work. | 0:06:07 | 0:06:12 | |
Brought up by his grandmother | 0:06:14 | 0:06:16 | |
in a village just two miles down the road, | 0:06:16 | 0:06:18 | |
his is a success story of a local boy done good. | 0:06:18 | 0:06:23 | |
It was Jane, my eldest daughter, who said, "Have you had a look at this?" | 0:06:28 | 0:06:32 | |
And I said, "No, not really," and she said, "Time you moved on from where you are," and... | 0:06:32 | 0:06:37 | |
So one day I was driving back from work | 0:06:37 | 0:06:39 | |
and I just decided to pull in, and it was one of those places. | 0:06:39 | 0:06:43 | |
You must have seen it... | 0:06:43 | 0:06:45 | |
I've seen it many times, where you go somewhere | 0:06:45 | 0:06:48 | |
and you have a feeling for a place. It just feels like home. | 0:06:48 | 0:06:53 | |
Because your story is quite romantic in a way - it almost reads a bit like a Victorian novel. | 0:06:57 | 0:07:01 | |
You start with very little, you work very hard as a bricklayer. | 0:07:01 | 0:07:05 | |
You build a big company and you buy somewhere like this. | 0:07:05 | 0:07:08 | |
It's a very rags-to-riches story. | 0:07:08 | 0:07:11 | |
Yes, something very satisfying about actually building something. | 0:07:11 | 0:07:17 | |
Because it's there, for ever. | 0:07:17 | 0:07:19 | |
One thing I'm wondering is | 0:07:19 | 0:07:22 | |
whether you ever felt that you were saving this place. | 0:07:22 | 0:07:27 | |
Well, saved it, maybe that is the right word. | 0:07:27 | 0:07:29 | |
I've never looked at it as being saving it. | 0:07:29 | 0:07:33 | |
I think for anybody else to have done it at the time, | 0:07:33 | 0:07:37 | |
maybe the cost would have been prohibitive. | 0:07:37 | 0:07:39 | |
The thrill is finding something that has been undisturbed and then almost bringing it back to life. | 0:07:39 | 0:07:45 | |
It's almost that Sleeping Beauty moment. | 0:07:45 | 0:07:48 | |
Are you the Prince Charming that kissed the Sleeping Beauty awake again? | 0:07:48 | 0:07:52 | |
It is a fantastic house. It's a lovely house to live in. | 0:07:52 | 0:07:54 | |
At the end of the day, | 0:07:54 | 0:07:56 | |
if you look at what it was and what it's turned out to be, | 0:07:56 | 0:08:00 | |
I think I've done a nice job on it, | 0:08:00 | 0:08:02 | |
within the very...kind of budget that I have. | 0:08:02 | 0:08:05 | |
Today, Soughton House sits in 70 acres of lush pasture, | 0:08:20 | 0:08:25 | |
but its exact origins are difficult to determine. | 0:08:25 | 0:08:30 | |
The date 1695 has been found on a stone in the wall of one of the out buildings. | 0:08:30 | 0:08:36 | |
The sacred heart hinting at a Roman Catholic past. | 0:08:36 | 0:08:41 | |
But after David's huge renovation, | 0:08:41 | 0:08:43 | |
it's difficult to know what's original and what's not. | 0:08:43 | 0:08:46 | |
It's an historical conundrum. | 0:08:46 | 0:08:49 | |
OK. So what's so intriguing up here? | 0:08:50 | 0:08:54 | |
I mean, it's only when we stripped the roof that we found... | 0:08:54 | 0:08:57 | |
-Ah! Look at that! -This is where we found this coving. | 0:08:57 | 0:09:00 | |
Obviously, we've taken it off cos we had to take the roof off totally. | 0:09:00 | 0:09:04 | |
Now, that is amazing. | 0:09:04 | 0:09:06 | |
There's actually a cornice, a dentil cornice, | 0:09:06 | 0:09:09 | |
so it's a cornice with little blocks on it that look like teeth. | 0:09:09 | 0:09:12 | |
And then, this triangular shape with the panelling in it. | 0:09:12 | 0:09:17 | |
The whole thing would have curved very elegantly up to an apex. | 0:09:17 | 0:09:21 | |
-Did the staircase actually come up here? -I think it did. | 0:09:21 | 0:09:25 | |
This is the first time I feel I've met the original house completely, | 0:09:25 | 0:09:30 | |
because everything else has been behind so many different layers, | 0:09:30 | 0:09:34 | |
but you've even got the original paintwork colour there. | 0:09:34 | 0:09:37 | |
That's absolutely typical for the 18th century. How incredibly fascinating. | 0:09:37 | 0:09:43 | |
-Right, let's go. -I feel terribly excited by this! -Do you want to go down first? -What's at the bottom? | 0:09:43 | 0:09:48 | |
-Nothing. -Shall I take the first bullet? | 0:09:48 | 0:09:50 | |
So, this house was originally built in the Georgian era, probably around 1720. | 0:09:52 | 0:09:58 | |
But we do know Welsh families had been living here way before then, | 0:09:59 | 0:10:04 | |
because this was medieval prime real estate, | 0:10:04 | 0:10:07 | |
close to a major shipping port | 0:10:07 | 0:10:10 | |
and situated a few miles away from Chester. | 0:10:10 | 0:10:13 | |
Very sought-after, very peaceful. | 0:10:13 | 0:10:16 | |
But, all of that was about to change, | 0:10:17 | 0:10:21 | |
because in 1277, | 0:10:21 | 0:10:23 | |
Edward I invaded and conquered Wales. | 0:10:23 | 0:10:27 | |
Which meant, of course, suddenly Wales was under English control, | 0:10:27 | 0:10:31 | |
but it also meant, suddenly the floodgates were open | 0:10:31 | 0:10:35 | |
and virile, young English blades | 0:10:35 | 0:10:38 | |
could take a crack at those wealthy Welsh heiresses. | 0:10:38 | 0:10:43 | |
First across the border were the Conwys, | 0:10:44 | 0:10:47 | |
Englishmen descended from Sir William Coniers, | 0:10:47 | 0:10:50 | |
the high constable of England. | 0:10:50 | 0:10:52 | |
The Conwys wanted to get seriously integrated with Welsh polite society | 0:10:54 | 0:10:59 | |
and what better way than by luring some seriously loaded heiresses up the aisle? | 0:10:59 | 0:11:05 | |
Good plan! | 0:11:05 | 0:11:07 | |
So, the Conwy stallions galloped all over North Wales, | 0:11:07 | 0:11:11 | |
with one of them ending up here at Soughton. | 0:11:11 | 0:11:14 | |
And his name? James Conwy. | 0:11:15 | 0:11:17 | |
And so began the Conwys' reign at Soughton House, | 0:11:18 | 0:11:22 | |
which would last for over three centuries. | 0:11:22 | 0:11:24 | |
James Conwy had married its sole heiress. | 0:11:24 | 0:11:28 | |
Guess what? The lad did rather well. | 0:11:28 | 0:11:30 | |
There's probably always been a grand house here, | 0:11:32 | 0:11:36 | |
but by the time David and Ruth arrived, | 0:11:36 | 0:11:38 | |
the current house built in the splendour of the Georgian period | 0:11:38 | 0:11:42 | |
had fallen on hard times. | 0:11:42 | 0:11:44 | |
This wasn't so much a renovation as a total rebuild. | 0:11:45 | 0:11:49 | |
David had to start almost from scratch. | 0:11:49 | 0:11:53 | |
His only guide was the house's original foundations. | 0:11:53 | 0:11:57 | |
I can imagine that this is the one and only time in this house's history | 0:12:02 | 0:12:07 | |
it's ever had a yoga room! | 0:12:07 | 0:12:09 | |
Yeah, but I think the house has got a feeling to it | 0:12:09 | 0:12:13 | |
and this room is quite spiritual, I think. | 0:12:13 | 0:12:17 | |
Does David do this? | 0:12:17 | 0:12:18 | |
No. I have actually persuaded him to try meditation, | 0:12:18 | 0:12:22 | |
and he has meditated, which is a miracle! | 0:12:22 | 0:12:25 | |
How did you two meet? | 0:12:25 | 0:12:27 | |
I ended up going to work in David's business, and that's how we met. | 0:12:27 | 0:12:31 | |
-And that was how long ago? -Oh, gosh, we've been together for 13 years. | 0:12:31 | 0:12:36 | |
-Cos what's the age difference between you? -21 years. | 0:12:36 | 0:12:41 | |
-So that's quite... -My daughters, or step-daughters, are my age. | 0:12:41 | 0:12:46 | |
-That's cool, though. -Yeah! | 0:12:46 | 0:12:48 | |
-That means you can kind of swap clothes. -I'm the trendy grandma. | 0:12:48 | 0:12:52 | |
Wow! That's cool, being a trendy grandma. | 0:12:52 | 0:12:55 | |
One of the things which I think is extraordinary about David's story and your story here | 0:12:55 | 0:13:00 | |
is the fact that he has physically built so much of this. | 0:13:00 | 0:13:02 | |
He's driven, he's proud of what he does, and the house is our home, | 0:13:02 | 0:13:09 | |
and I think because he's put so much into it personally, that... | 0:13:09 | 0:13:13 | |
it would make it difficult for us to move on, anyway! | 0:13:13 | 0:13:17 | |
Quietly every now and again, he does admit to the fact that you are very important - | 0:13:17 | 0:13:21 | |
actually, I'm beginning to suspect - quite dominant in certain areas of the way the house feels. | 0:13:21 | 0:13:26 | |
Yeah. I mean, that is one thing that he's always said that, you know, | 0:13:26 | 0:13:32 | |
I've made our house a home. | 0:13:32 | 0:13:34 | |
So, how come your portrait's not in the hall? | 0:13:34 | 0:13:38 | |
My portrait is hidden somewhere else! | 0:13:38 | 0:13:41 | |
Oh, I see, so it's your portrait getting old? | 0:13:41 | 0:13:44 | |
-Up in the attic? -It's not quite a portrait! -Oh, I see! | 0:13:44 | 0:13:48 | |
Well, the only candidates are this or, I suppose, this. | 0:13:48 | 0:13:54 | |
I feel slightly indecent loafing around their art collection trying to figure it out, | 0:13:54 | 0:13:58 | |
so back to architecture. | 0:13:58 | 0:14:01 | |
We've already established that this house has been changed beyond recognition, | 0:14:02 | 0:14:07 | |
but I'm intrigued and want to work out what's new and what's old. | 0:14:07 | 0:14:12 | |
-But that wall there is what happens to the wall up in the attic with the panelling. -Yes. | 0:14:16 | 0:14:21 | |
That comes down there, | 0:14:21 | 0:14:23 | |
so that wall will have had some kind of panelling to match what's up there. | 0:14:23 | 0:14:29 | |
Originally, there would have been four of these, completely open. | 0:14:31 | 0:14:35 | |
And they would have looked down in to... Down on to the staircase. | 0:14:35 | 0:14:39 | |
It would've been very grand. | 0:14:39 | 0:14:41 | |
And that wasn't there. We found that in the attic. | 0:14:41 | 0:14:44 | |
So that was up in the attic, I think, on the wall. | 0:14:44 | 0:14:47 | |
It fits almost perfectly. | 0:14:47 | 0:14:50 | |
Because it's a hallway, there'd be a series of symbols | 0:14:50 | 0:14:53 | |
that will actually be welcoming people to your home, | 0:14:53 | 0:14:57 | |
but in a very clever, Roman, Greek neo-classical language | 0:14:57 | 0:15:01 | |
to show off how cultivated and how civilised and how intellectual you were. | 0:15:01 | 0:15:06 | |
Let me find a piece of paper. I want to show you what I mean, cos I think it's fascinating. | 0:15:06 | 0:15:11 | |
So, since I have an idea of how the house might have looked, | 0:15:11 | 0:15:15 | |
I felt an artist's impression coming on. | 0:15:15 | 0:15:19 | |
Ah! | 0:15:20 | 0:15:21 | |
This is what I reckon | 0:15:21 | 0:15:26 | |
that that little bedroom at the bottom of the stairs | 0:15:26 | 0:15:29 | |
where we came down from the attic would look like. | 0:15:29 | 0:15:32 | |
What I've done here is show what the arcade would look like open. | 0:15:32 | 0:15:36 | |
Up here you've got a plaque showing a classical goddess | 0:15:36 | 0:15:40 | |
that's particularly associated with one of the pursuits the family did a lot. | 0:15:40 | 0:15:45 | |
If they hunted a lot it would be Diana. | 0:15:45 | 0:15:47 | |
If they drank a lot... it might be Bacchus. | 0:15:47 | 0:15:52 | |
-That, Lady Ruth... -Wow! | 0:15:52 | 0:15:54 | |
When you come back from the supermarket with a boot full of provisions, | 0:15:54 | 0:15:59 | |
200 years ago, that's what would have faced you. | 0:15:59 | 0:16:02 | |
You should not have drawn it. | 0:16:02 | 0:16:05 | |
I can see David knocking down and starting again! | 0:16:05 | 0:16:08 | |
No, no, no, no, definitely not! | 0:16:08 | 0:16:10 | |
I have a horrible feeling I may have started something! | 0:16:10 | 0:16:14 | |
So this really was a spectacular house. | 0:16:17 | 0:16:21 | |
Back then, it was all about having a jaw-dropping entrance. | 0:16:21 | 0:16:24 | |
Today, convenience is queen of the castle | 0:16:24 | 0:16:26 | |
and most female visitors to Soughton wouldn't give the columns a second glance, | 0:16:26 | 0:16:30 | |
but check out this walk-in wardrobe. | 0:16:30 | 0:16:33 | |
-Ooh! Look at this! The inner sanctum! -Yes, this is the inner sanctum indeed! | 0:16:36 | 0:16:41 | |
So if you're not in the yoga room, you're in here being Carrie Bradshaw?! | 0:16:41 | 0:16:44 | |
Yeah, I do get told off for spending a lot of time in here. | 0:16:44 | 0:16:47 | |
-You are well-organised, though. -Yes, I like to display them, because I love them! | 0:16:47 | 0:16:52 | |
When you travel, does David take his evening bag collection with him? | 0:16:52 | 0:16:56 | |
Not allowed, no, we travel with one little suitcase each, | 0:16:56 | 0:17:00 | |
and I'm not allowed to bring back an extra bag. | 0:17:00 | 0:17:04 | |
I love the idea of me trying to dictate to Mrs Llewelyn-Bowen | 0:17:04 | 0:17:07 | |
she could only bring one suitcase | 0:17:07 | 0:17:09 | |
when she's normally got 12 steamer trunks and we're just staying the night! | 0:17:09 | 0:17:13 | |
-Well, I do send things home. -Very good! | 0:17:13 | 0:17:15 | |
What was this space originally? | 0:17:15 | 0:17:17 | |
I think this was a dressing room, | 0:17:17 | 0:17:18 | |
because there was a door there, there was a fireplace here, | 0:17:18 | 0:17:22 | |
and its proximity to the master bedroom. | 0:17:22 | 0:17:26 | |
What you've done here is you've revived the way | 0:17:26 | 0:17:30 | |
that this little corner of the house was used in 1810, 1820. | 0:17:30 | 0:17:34 | |
It would have been quite glamour puss, I think! | 0:17:34 | 0:17:37 | |
What I am slightly intrigued about is, where is the famous T-shirt? | 0:17:37 | 0:17:41 | |
-Which famous T-shirt? Oh! -From the portrait! | 0:17:41 | 0:17:43 | |
Oh, it's not here, this is shirt shirts. | 0:17:43 | 0:17:45 | |
-This dressing room is my dressing room. -What's this, then?! | 0:17:45 | 0:17:49 | |
-David is allowed...that bit. -That. You're spoiling that man! -I am! | 0:17:49 | 0:17:54 | |
-We'll never be able to release him into the wild! -He's not self-sufficient! -No! | 0:17:54 | 0:17:58 | |
Enough about the shoes and the clothes. | 0:17:58 | 0:18:01 | |
Back to the history. | 0:18:01 | 0:18:03 | |
By 1720, the latest Conwy, Edward, | 0:18:03 | 0:18:06 | |
was a high-flying legal eagle in London. | 0:18:06 | 0:18:10 | |
Basically, Soughton is his country pile and back then, big was most decidedly beautiful. | 0:18:10 | 0:18:16 | |
Whether it was your country pile or your carriage or your wig, you wanted it enormous. | 0:18:16 | 0:18:22 | |
And Edward wants to increase what he's got. | 0:18:22 | 0:18:24 | |
So, he decides to buy back his grandmother's estate next door, | 0:18:25 | 0:18:31 | |
which had been mortgaged to a wealthy neighbour. | 0:18:31 | 0:18:33 | |
Just one problem - the neighbour doesn't want to sell it back. | 0:18:33 | 0:18:38 | |
So, Edward decides to take him to court. | 0:18:38 | 0:18:43 | |
Edward is the legal brain. What could possibly go wrong for Edward? | 0:18:43 | 0:18:48 | |
What's he actually risking - is he risking money or is he risking prestige? | 0:18:49 | 0:18:54 | |
He's risking prestige through risking his estate. | 0:18:54 | 0:18:57 | |
The key thing here is that | 0:18:57 | 0:18:59 | |
money is important, but the basis of wealth is land. | 0:18:59 | 0:19:02 | |
Would it have been a real local war? | 0:19:02 | 0:19:05 | |
Are we looking at something that was quite aggressive and violent, | 0:19:05 | 0:19:09 | |
or did they have to get on with life? Was this a common thing to happen? | 0:19:09 | 0:19:12 | |
This was a common thing to happen and there were really two great popular strategies | 0:19:12 | 0:19:17 | |
in the early 18th century for extending your estate. | 0:19:17 | 0:19:20 | |
There was strategic alliance and there was aggressive litigation, | 0:19:20 | 0:19:23 | |
so you could take a wealthy heiress to church or you could take her father to court. | 0:19:23 | 0:19:27 | |
After ten years of expensive High Court wrangling, Edward lost the case | 0:19:31 | 0:19:36 | |
and, in order to cover the costs, was forced to sell most of his estate, | 0:19:36 | 0:19:40 | |
but he just about managed to hang onto Soughton House. | 0:19:40 | 0:19:45 | |
Nearly 300 years later, history was to repeat itself. | 0:19:48 | 0:19:51 | |
The Flintshire-based house builder David McLean Holdings | 0:19:51 | 0:19:55 | |
could have debts reaching around £100 million. | 0:19:55 | 0:19:58 | |
In October 2008, | 0:19:58 | 0:20:00 | |
David's massively successful business went to the wall | 0:20:00 | 0:20:04 | |
and over 200 people lost their jobs. | 0:20:04 | 0:20:08 | |
Overnight, house sales just dried up. | 0:20:08 | 0:20:11 | |
The banks took fright and refused to lend any more money. | 0:20:11 | 0:20:16 | |
The now infamous credit crunch had claimed one of its biggest victims in Wales. | 0:20:17 | 0:20:23 | |
History is around us. History is always around us. | 0:20:23 | 0:20:26 | |
How did that feel, that point when all of that suddenly evaporated? | 0:20:26 | 0:20:32 | |
It's one you can't really explain - how do you feel? | 0:20:32 | 0:20:35 | |
I think your mind is in turmoil to start with. | 0:20:35 | 0:20:37 | |
Nobody tells you. You've got people who work for you who, all of a sudden, are working for the bank. | 0:20:37 | 0:20:43 | |
And they don't know what to say to you, | 0:20:43 | 0:20:46 | |
you don't know what to say to them, | 0:20:46 | 0:20:49 | |
and then after a small period of time someone just said, | 0:20:49 | 0:20:52 | |
"Well, you might as well go home." | 0:20:52 | 0:20:54 | |
Going back to the fateful night, | 0:20:54 | 0:20:56 | |
you're the only one that can really help him - what on Earth do you say? | 0:20:56 | 0:21:02 | |
Yeah. Well, I think, it was a very difficult year | 0:21:02 | 0:21:05 | |
and in the midst of it, we actually got married at the end of July. | 0:21:05 | 0:21:09 | |
So that, for us, was like a reinforcement of our relationship. | 0:21:09 | 0:21:15 | |
But when it actually happened, I was just there | 0:21:15 | 0:21:17 | |
and I believe that I helped him through, | 0:21:17 | 0:21:21 | |
because he knew I was there for him and that he wasn't alone. | 0:21:21 | 0:21:25 | |
And, uh, he had so many letters and phone calls. | 0:21:25 | 0:21:32 | |
People were thinking of him | 0:21:32 | 0:21:34 | |
and not just thinking that he had, | 0:21:34 | 0:21:37 | |
you know, taken his business down on purpose | 0:21:37 | 0:21:41 | |
and taken his money and run away with it. | 0:21:41 | 0:21:43 | |
Surely, at that point, you suddenly realise how important it is that at least you've still got this place. | 0:21:47 | 0:21:54 | |
Did you look at the house and think, "At least I've got this. This is a safe haven"? | 0:21:54 | 0:21:58 | |
Yes, I was glad I'd paid my mortgage off, as people do. | 0:21:58 | 0:22:04 | |
It's somewhere where you go, and your family are around you, | 0:22:04 | 0:22:08 | |
you know, it's a sanctuary, isn't it? | 0:22:08 | 0:22:11 | |
You see front doors. | 0:22:11 | 0:22:12 | |
I mean, that door's been there for a long, long time. | 0:22:12 | 0:22:16 | |
It leaks, but not a lot, but it's stood the test of time. | 0:22:16 | 0:22:22 | |
Well, if only history could say the same about us - | 0:22:22 | 0:22:25 | |
we've stood the test of time, we leak, | 0:22:25 | 0:22:27 | |
-but, you know, we deserve to be there. -You've got it! You've got it! | 0:22:27 | 0:22:31 | |
-It's like an assault course! -Yes. | 0:22:33 | 0:22:35 | |
'They do say that out of adversity comes opportunity. | 0:22:35 | 0:22:39 | |
'The credit crunch may have claimed David's business, | 0:22:39 | 0:22:41 | |
'but it's also driven him to think creatively | 0:22:41 | 0:22:45 | |
'about how he runs Soughton House.' | 0:22:45 | 0:22:47 | |
And then this is the walled garden. | 0:22:48 | 0:22:51 | |
What's nice, of course, is you obviously keep a large gardening staff. | 0:22:52 | 0:22:56 | |
Look at this! You've got half a dozen gardeners at your beck and call! | 0:22:56 | 0:23:00 | |
We've talked about what happened to my business, | 0:23:00 | 0:23:03 | |
and obviously we used to have some part-time gardeners, and things change. | 0:23:03 | 0:23:07 | |
We've always had a full-time gardener. | 0:23:07 | 0:23:09 | |
And then I saw this article in the paper, | 0:23:09 | 0:23:11 | |
"Desperate shortage of allotments." | 0:23:11 | 0:23:14 | |
So we turned it into allotments. | 0:23:14 | 0:23:16 | |
To actually encourage the community into it is a very, very good idea, | 0:23:21 | 0:23:26 | |
-cos otherwise this would turn ruinous. Absolutely ruinous. -Very quickly, as well. -Yeah. | 0:23:26 | 0:23:30 | |
I was just saying what a pretty allotment you've got! | 0:23:34 | 0:23:37 | |
-Very lucky, aren't we? -You are very, very lucky. | 0:23:37 | 0:23:39 | |
We'll forgive you your Wellingtons. You know you're the wrong side of the border here?! | 0:23:39 | 0:23:44 | |
-I know, but you've got to support them, haven't you? -Yes, poor... | 0:23:44 | 0:23:48 | |
Let's support the poor old English, bless them, they can't help it! | 0:23:48 | 0:23:52 | |
By 1780, the Conwys' lack of a male heir | 0:23:57 | 0:24:00 | |
meant that this prime piece of real estate was ripe for a new owner. | 0:24:00 | 0:24:05 | |
This time the owner came from a rather unlikely background. | 0:24:06 | 0:24:11 | |
Just like David McLean, the Howards had risen from next to nothing. | 0:24:11 | 0:24:17 | |
They'd started off life as innkeepers, | 0:24:17 | 0:24:19 | |
but had made so much money they were able to buy their way into the Soughton dynasty, | 0:24:19 | 0:24:24 | |
which might go some way to explain the errant fireplace. | 0:24:24 | 0:24:29 | |
This over mantle was never here. This was brought in. | 0:24:29 | 0:24:33 | |
As far as the Howards are concerned, it's another way of making them feel basically a little bit posher, | 0:24:33 | 0:24:39 | |
cos they've got no... They've got no history, have they? | 0:24:39 | 0:24:42 | |
They start off in trade, they accumulate capital, then they buy land. | 0:24:42 | 0:24:46 | |
The end of the 18th century is what we now call the Industrial Revolution. | 0:24:46 | 0:24:50 | |
We have to presume that they're speculating, | 0:24:50 | 0:24:53 | |
putting money into ventures that produce more money. | 0:24:53 | 0:24:56 | |
That immediately goes into land and then they're trying to buy the kind of heritage, | 0:24:56 | 0:25:01 | |
the prestige that something like this would say to the world. | 0:25:01 | 0:25:04 | |
It's really all about buying dead men's shoes, isn't it? | 0:25:04 | 0:25:07 | |
-Dead men's over mantles! -Yes! | 0:25:07 | 0:25:09 | |
The Howards sell up in 1916, | 0:25:12 | 0:25:15 | |
a date that signals the sad demise of this once-great house. | 0:25:15 | 0:25:20 | |
By 1999, it's a mere shadow of its former self. | 0:25:20 | 0:25:25 | |
-Come down! -Look at this! This is very lux! | 0:25:27 | 0:25:30 | |
Had it not been for David and Ruth, | 0:25:30 | 0:25:33 | |
it probably would have gone to rack and ruin, but just look at it now. | 0:25:33 | 0:25:38 | |
It's very, very grand and spoiling! | 0:25:38 | 0:25:42 | |
-Is this your own work? -If only! | 0:25:42 | 0:25:45 | |
Why A Midsummer Night's Dream? | 0:25:45 | 0:25:47 | |
We just wanted something totally different. | 0:25:47 | 0:25:50 | |
And it just is lovely to have a flowing story, I think. | 0:25:50 | 0:25:54 | |
Kind of a narrative. | 0:25:54 | 0:25:56 | |
You've built all this, but this is actually to replace... | 0:25:56 | 0:26:00 | |
-The existing house. -Because there was a bit this big... | 0:26:00 | 0:26:03 | |
The house... Those walls are exactly where the foundations are, | 0:26:03 | 0:26:07 | |
because I built from the existing foundations back up again. | 0:26:07 | 0:26:11 | |
We literally drew it as we were going and that's how... This is how it's turned out. | 0:26:11 | 0:26:16 | |
You feel like you're outside even though it's an indoor pool. | 0:26:16 | 0:26:19 | |
Again, there's another portrait of you! | 0:26:19 | 0:26:22 | |
-I'm standing here and looking behind... -And there you are! | 0:26:22 | 0:26:25 | |
-Do you swim? -Unfortunately, I haven't brought my kecks with me. | 0:26:25 | 0:26:29 | |
-You don't want to swim? -Well, we have got a steam room. -No. | 0:26:29 | 0:26:32 | |
I'm not doing skinny dipping either, that's for sure! | 0:26:32 | 0:26:35 | |
Having got to know this house, I think it has a very strong character to it. | 0:26:50 | 0:26:54 | |
It's almost like another member of the family. | 0:26:54 | 0:26:57 | |
Do you feel proud of what you've done? | 0:26:57 | 0:26:59 | |
We are custodians of the house, really, | 0:26:59 | 0:27:01 | |
and to have come and spent time here and lived here and left our mark, | 0:27:01 | 0:27:06 | |
I think that's quite important. | 0:27:06 | 0:27:08 | |
Are you going to be here in five years? | 0:27:08 | 0:27:10 | |
I mean, is it time for you two to make a change? | 0:27:10 | 0:27:13 | |
We will ultimately move on. | 0:27:13 | 0:27:16 | |
It's a home for a family, really. | 0:27:16 | 0:27:20 | |
Do you think you'll want to then come back, once someone else has been tinkering around with it? | 0:27:20 | 0:27:26 | |
-We have to leave the portrait! -You could have that portrait. -Shall we leave it? | 0:27:26 | 0:27:30 | |
That portrait is not moving, it so sits here! | 0:27:30 | 0:27:33 | |
In the long history of Soughton House, | 0:27:47 | 0:27:49 | |
in the first decade of the 21st century, I reckon | 0:27:49 | 0:27:52 | |
it's going to be known as the house that Dave built, | 0:27:52 | 0:27:55 | |
or at least the house that Dave saved, | 0:27:55 | 0:27:57 | |
that Dave restored, that Dave revivified with his own hands. | 0:27:57 | 0:28:02 | |
And his portrait, albeit in that particularly jaunty striped T-shirt, | 0:28:02 | 0:28:07 | |
will be part of the picture gallery of personalities that have built Soughton House. | 0:28:07 | 0:28:13 | |
All of them creating their own fortunes, | 0:28:13 | 0:28:16 | |
whether it's by business, | 0:28:16 | 0:28:19 | |
by land, by marriage or, in David's case, by brick. | 0:28:19 | 0:28:23 | |
But the critical thing is that all of them have seen that place as home. | 0:28:23 | 0:28:29 | |
Which makes me think that in many ways, this is kind of a shrine | 0:28:29 | 0:28:34 | |
to that energy that drives someone to become a self-made man. | 0:28:34 | 0:28:39 | |
Subtitles by Red Bee Media Ltd | 0:28:49 | 0:28:52 | |
E-mail [email protected] | 0:28:52 | 0:28:56 |