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If you turn your back on the town, take the village track, | 0:00:11 | 0:00:14 | |
follow the unmade road, you'll find something absolutely extraordinary. | 0:00:14 | 0:00:19 | |
The hidden houses of Wales. | 0:00:19 | 0:00:21 | |
In this series, I'll be turning back the clock. | 0:00:23 | 0:00:25 | |
I'll be stepping over the threshold of some incredible places, | 0:00:25 | 0:00:31 | |
seeking out scandal-packed histories. | 0:00:31 | 0:00:35 | |
Bricks and mortar are never going to be the same again. | 0:00:35 | 0:00:39 | |
In this episode, we'll be visiting a house whose previous owner fought in the civil war. | 0:00:42 | 0:00:46 | |
Well, he was actually wounded during the skirmish outside Caernarfon, | 0:00:46 | 0:00:51 | |
taken prisoner and he died about two days later. | 0:00:51 | 0:00:55 | |
Where sci-fi superheroes battle with the Sealed Knot. | 0:00:55 | 0:00:59 | |
My Cromwellians seem to be beating your stormtrooper! | 0:00:59 | 0:01:03 | |
Go on, stormy! Get 'em! | 0:01:03 | 0:01:04 | |
And where past residents may still be hanging around. | 0:01:04 | 0:01:09 | |
I heard a very definite loud voice, very loud. | 0:01:09 | 0:01:12 | |
-It was a loud, shrill sort of... -"Urrgh!" | 0:01:12 | 0:01:15 | |
I'm looking for a hidden house now that has so much to say for itself. | 0:01:36 | 0:01:41 | |
Although to be honest, I think it's nothing like as chatty as its owner. | 0:01:41 | 0:01:46 | |
Talhenbont is a 17th century house nestling in 75 acres of woodland, | 0:01:46 | 0:01:52 | |
with views of one of North Wales' most picturesque coastlines, the Llyn peninsula. | 0:01:52 | 0:01:57 | |
It's now the family home of Gillian and Roger Goode. | 0:01:57 | 0:02:01 | |
Bowling along the drive, there's something quite imposing | 0:02:04 | 0:02:09 | |
about all of this woodland and about this drive | 0:02:09 | 0:02:12 | |
which would make me feel that as you swung round the corner... | 0:02:12 | 0:02:16 | |
Yes, look. | 0:02:16 | 0:02:17 | |
There would be something rather.. | 0:02:17 | 0:02:20 | |
I don't know, rather stern about this house. | 0:02:20 | 0:02:24 | |
Although, there's an enormous amount of effort been made | 0:02:24 | 0:02:28 | |
to make it feel cosy and homey. | 0:02:28 | 0:02:32 | |
Yeah, I think it's rather nice to take a foreboding manor house | 0:02:38 | 0:02:42 | |
and make it homey with chintz curtains. | 0:02:42 | 0:02:45 | |
Greetings. I'm being savaged by an ancestral beast. | 0:02:50 | 0:02:54 | |
-How nice to meet you! -How do you do? -Welcome to the hall. | 0:02:54 | 0:02:57 | |
-My son, Paul, my husband, Roger, and Cassandra. -Hello, Cassandra. | 0:02:57 | 0:03:02 | |
-Comes to life after midnight. -Bit wooden, isn't she?! | 0:03:02 | 0:03:06 | |
This is the tale of an Essex family | 0:03:08 | 0:03:11 | |
who fell in love with the good life. | 0:03:11 | 0:03:14 | |
Gill Goode was a glamorous Knightsbridge salon hairdresser, | 0:03:16 | 0:03:19 | |
and husband Roger, a city accountant. | 0:03:19 | 0:03:21 | |
But in 1969, they and their three children | 0:03:23 | 0:03:26 | |
swapped '60s suburbia for Talhenbont, | 0:03:26 | 0:03:30 | |
a run-down estate in North Wales. | 0:03:30 | 0:03:32 | |
Bought for the surprisingly small sum of £80,000, | 0:03:34 | 0:03:39 | |
the Goodes had a vision to convert its five outbuildings | 0:03:39 | 0:03:42 | |
into luxury holiday cottages, | 0:03:42 | 0:03:44 | |
and then use the income to renovate Talhenbont itself. | 0:03:44 | 0:03:48 | |
Over 30 years later, and it's been transformed. | 0:03:50 | 0:03:54 | |
That's mostly down to the irrepressible Gillian. | 0:03:54 | 0:03:58 | |
This is extremely grand, isn't it? | 0:03:58 | 0:04:02 | |
-I love your warm welcome. -This is the court room. | 0:04:02 | 0:04:05 | |
Sheriff of the county used to reside here, | 0:04:05 | 0:04:07 | |
and he used to hold court for the vagabonds and rogues. | 0:04:07 | 0:04:11 | |
Now what about the dead animal thing? | 0:04:11 | 0:04:13 | |
-Ah. They were presents. -When did you hunt those? | 0:04:13 | 0:04:16 | |
No, they were presents for Roger's birthday and they've all got names. | 0:04:16 | 0:04:19 | |
-Yes. -I'm sure they have. -That's Roland the ram. | 0:04:19 | 0:04:22 | |
-Roland the ram. -And Dennis the deer. This is Roger's mother on the wall. | 0:04:22 | 0:04:26 | |
-Oh, right! -Looking very posh. | 0:04:26 | 0:04:29 | |
I think that is absolutely sensational. | 0:04:29 | 0:04:31 | |
Anyone else would have taken their glasses off | 0:04:31 | 0:04:34 | |
-but obviously not... -I've got the glasses, the jewellery and the dress all upstairs. | 0:04:34 | 0:04:39 | |
At Christmas time she has a moustache on and a bow. | 0:04:39 | 0:04:42 | |
It's very, very grand here. | 0:04:42 | 0:04:44 | |
Roger, Roger! Roger! | 0:04:44 | 0:04:47 | |
Are you giving him sympathy or something? | 0:04:47 | 0:04:51 | |
I'm just thinking, there you are in this great big manor house, | 0:04:51 | 0:04:54 | |
miles away from people with this firebrand! | 0:04:54 | 0:04:57 | |
-I know. -You don't take anything seriously. -No, life is a laugh. | 0:04:57 | 0:05:01 | |
You do and I think that is what's so brilliant about this place. | 0:05:01 | 0:05:04 | |
You're not going to be put down by all of this sort of scary history. | 0:05:04 | 0:05:10 | |
You're going to make this place your own. | 0:05:10 | 0:05:13 | |
-Absolutely, have done for 32 years. -Good for you. | 0:05:13 | 0:05:15 | |
The house came with 75 acres of woodland. | 0:05:19 | 0:05:23 | |
But unbeknown to them, it also came with | 0:05:29 | 0:05:31 | |
a lifetime of backbreaking restoration. | 0:05:31 | 0:05:35 | |
So what were you faced with when you first saw this room? | 0:05:36 | 0:05:40 | |
-Because it looks immaculate now, but was it this crisp? -Oh, no. | 0:05:40 | 0:05:45 | |
The panelling was all mouldy, half of it was on the floor. | 0:05:45 | 0:05:50 | |
The window sills, they were all rotten. | 0:05:50 | 0:05:53 | |
So I brought two very elderly carpenters in | 0:05:53 | 0:05:55 | |
and they worked for three months in this room | 0:05:55 | 0:06:00 | |
-and they totally did a wonderful job. -Did you enjoy doing this | 0:06:00 | 0:06:06 | |
as much as you enjoyed doing some of the other rooms? | 0:06:06 | 0:06:08 | |
I enjoyed every single room to its utmost. | 0:06:08 | 0:06:13 | |
-So you like having a different look? -I love interior design. | 0:06:13 | 0:06:16 | |
-I'm getting that. -I love it. | 0:06:16 | 0:06:19 | |
I love every room to say something different when you walk in it. | 0:06:19 | 0:06:23 | |
-What did you want this room to say? -I'm old, | 0:06:23 | 0:06:26 | |
I'm full of character. Should have said that about myself! | 0:06:26 | 0:06:29 | |
I'm old, I'm full of character, I'm warm and friendly | 0:06:29 | 0:06:34 | |
but I have a tremendous grandeur about me. And that's what the fabric should say. | 0:06:34 | 0:06:38 | |
-It is sounding more like you. -Thank you! | 0:06:38 | 0:06:40 | |
The house, the furnishings, the grounds - | 0:06:45 | 0:06:48 | |
they're all a total reflection of Gillian's effusive character. | 0:06:48 | 0:06:53 | |
But now, on the verge of a big birthday, she feels it's time to move on | 0:06:53 | 0:06:58 | |
and so Talhenbont is up for sale. | 0:06:58 | 0:07:01 | |
The estate won't be passed down to her children, | 0:07:01 | 0:07:05 | |
as the Goodes want to use the proceeds of the sale to fund their retirement. | 0:07:05 | 0:07:10 | |
Youngest son, Paul, gave up a career in recruitment in London to return home | 0:07:10 | 0:07:14 | |
in the hope of keeping Talhenbont in the family. | 0:07:14 | 0:07:19 | |
You came with your parents from Essex. | 0:07:23 | 0:07:27 | |
You came to North Wales when you were three, | 0:07:27 | 0:07:30 | |
and you've completely immersed yourself, haven't you? | 0:07:30 | 0:07:33 | |
-Yeah. -You've become totally naturalised. You speak Welsh. | 0:07:33 | 0:07:36 | |
-Yup. -Do you see yourself as being Welsh? -Totally Welsh. | 0:07:36 | 0:07:39 | |
I'm a Welsh boy through and through. | 0:07:39 | 0:07:42 | |
Having lived here since I was three years old, | 0:07:42 | 0:07:45 | |
I went to school in the local village, in Llanystymdwy. | 0:07:45 | 0:07:49 | |
Welsh is my first language, so I consider myself completely Welsh. | 0:07:49 | 0:07:53 | |
You would love to take on what your parents started, | 0:07:53 | 0:07:57 | |
bring it further into the 21st century. | 0:07:57 | 0:07:59 | |
Make it commercial, make it viable. | 0:07:59 | 0:08:01 | |
That inherently is why I came back from London, | 0:08:01 | 0:08:04 | |
was to set something up and eventually take over the estate. | 0:08:04 | 0:08:09 | |
Mum and Dad wanting to decide to move back to Essex | 0:08:09 | 0:08:14 | |
was a bit of a drawback. | 0:08:14 | 0:08:16 | |
Um...it was upsetting, but you know, we've learnt to move from that. | 0:08:16 | 0:08:21 | |
It just seems so strange to me that she's wanting to move away, | 0:08:21 | 0:08:25 | |
you know, to what? | 0:08:25 | 0:08:27 | |
To something small, to something quiet, to something suburban, | 0:08:27 | 0:08:30 | |
-these don't seem like words to describe her. -No. | 0:08:30 | 0:08:34 | |
She's a big personality. The house seems full, every room seems full. | 0:08:34 | 0:08:39 | |
Her spirit is around the whole house, it doesn't seem empty. | 0:08:39 | 0:08:43 | |
Gill's decision to turn her back on the house she rescued is an odd one. | 0:08:45 | 0:08:50 | |
There isn't an inch of Talhenbont | 0:08:50 | 0:08:52 | |
that hasn't absorbed her life-giving DNA. | 0:08:52 | 0:08:55 | |
It's difficult to know what to do with a house like this... | 0:08:59 | 0:09:02 | |
'She and husband, Roger, have tried to right some of the wrongs | 0:09:02 | 0:09:05 | |
'committed to Talhenbont by previous owners.' | 0:09:05 | 0:09:09 | |
This is interesting, all this panelling. | 0:09:09 | 0:09:12 | |
yes, this was added by one of the previous owners, | 0:09:12 | 0:09:15 | |
but just this wall here. | 0:09:15 | 0:09:18 | |
We've subsequently added all those down there, and at the far end. | 0:09:18 | 0:09:22 | |
So you had to do quite a lot of rationalising what was already here. | 0:09:26 | 0:09:30 | |
People had modernised it over the years, | 0:09:30 | 0:09:33 | |
-but it wasn't very well thought-out. -Yes. | 0:09:33 | 0:09:37 | |
We've tried to turn it back to the original. | 0:09:37 | 0:09:39 | |
Look at this! This feels very Gillian in here. | 0:09:50 | 0:09:54 | |
It was our daughter's bedroom from the age of nine to about 19. | 0:09:54 | 0:10:00 | |
-Yeah. But who chose the wallpaper? -My wife did! | 0:10:00 | 0:10:04 | |
-Who lives here? -We live here. -You live here. -We live here, yes! | 0:10:08 | 0:10:12 | |
In this room in particular, I feel as if I've walked into | 0:10:12 | 0:10:16 | |
much more of a Hollywood-style boudoir. | 0:10:16 | 0:10:19 | |
That's mainly for Gillian I think, the credit for the decorations. | 0:10:19 | 0:10:23 | |
-Do you leave those decisions to her? -We do it together, | 0:10:23 | 0:10:26 | |
but usually she chooses what we're going to have! | 0:10:26 | 0:10:29 | |
Brilliant. So where do you hang out? Where's your inner sanctum? | 0:10:29 | 0:10:33 | |
Is it the greenhouse? | 0:10:33 | 0:10:34 | |
Look at that on the stairs! | 0:10:36 | 0:10:39 | |
Make sure Roger gets all the words right? She's never far away, is she? | 0:10:39 | 0:10:42 | |
Look, she's scampering away! Quick! Catch her! | 0:10:42 | 0:10:46 | |
That's nice. You're never alone in a house like this, are you? | 0:10:46 | 0:10:50 | |
-That's right, that's right! -'Poor Roger.' | 0:10:50 | 0:10:52 | |
But they make a wonderful team, | 0:10:52 | 0:10:54 | |
and like all wonderful teams, only one person's in charge. | 0:10:54 | 0:10:58 | |
-Wow, look at this. -This is the lounge. | 0:11:02 | 0:11:05 | |
This is very, very grand, isn't it? | 0:11:05 | 0:11:08 | |
-Look at this fireplace! -When we moved here, | 0:11:08 | 0:11:10 | |
the fireplace was totally blocked up | 0:11:10 | 0:11:13 | |
and there was just a tiny little fire in the middle here. | 0:11:13 | 0:11:16 | |
So Roger and I got sledge hammers and we knocked it all out. | 0:11:16 | 0:11:20 | |
But if you look over with a torch over the rim inside, | 0:11:20 | 0:11:23 | |
you'll see it goes back in depth as much again. | 0:11:23 | 0:11:26 | |
It was absolutely massive. | 0:11:26 | 0:11:28 | |
You see, fascinating though all that is, | 0:11:28 | 0:11:31 | |
I'm still reeling at the vision of you with a sledge hammer. | 0:11:31 | 0:11:34 | |
What on earth did you wear? Clutch bag at least? | 0:11:34 | 0:11:37 | |
No, white stiletto heels. Don't forget, I'm an Essex girl. | 0:11:37 | 0:11:41 | |
-You're giving all Essex girls such a good name. -I know! | 0:11:41 | 0:11:45 | |
-Can I point out my bit of Latin on there? -Go on. -Non nobis nati. | 0:11:45 | 0:11:49 | |
-Which means? -We were not born for ourselves. | 0:11:49 | 0:11:52 | |
-And is that your coat of arms? -No. | 0:11:52 | 0:11:54 | |
But I could have my own somewhere. I could make it up myself. | 0:11:54 | 0:11:59 | |
What's through here? C'mon, continue the tour. | 0:11:59 | 0:12:01 | |
-The dining room. -But I tell you what... | 0:12:01 | 0:12:04 | |
If we go anywhere near the dungeon, come and get me | 0:12:04 | 0:12:06 | |
-if I'm not out in five minutes. All right? -Come on, darling, with me. | 0:12:06 | 0:12:10 | |
Talhenbont was built in 1607 by William Vaughn | 0:12:20 | 0:12:24 | |
for his new wife, Anne. | 0:12:24 | 0:12:26 | |
William must have been pretty proud of his new home, | 0:12:26 | 0:12:29 | |
because he put his name above the door. | 0:12:29 | 0:12:32 | |
A few years later, after his untimely death, | 0:12:35 | 0:12:38 | |
his wife and young son face a very tumultuous time in Welsh history. | 0:12:38 | 0:12:43 | |
It's the 1640s and in most of Great Britain, there's a civil war. | 0:12:45 | 0:12:49 | |
In Wales, everyone's kind of biding their time a little bit more. | 0:12:49 | 0:12:53 | |
Trying to see what the outcome will be. | 0:12:53 | 0:12:55 | |
Trying to work out exactly which course to hang their hat on. | 0:12:55 | 0:12:59 | |
After the sad demise of her first husband, Anne remarries. | 0:12:59 | 0:13:04 | |
And her new beau William Lloyd would take Talhenbont | 0:13:04 | 0:13:08 | |
right to the centre of Oliver Cromwell's civil war, | 0:13:08 | 0:13:10 | |
by declaring his support for parliament. | 0:13:10 | 0:13:13 | |
He becomes an incredibly energetic part | 0:13:13 | 0:13:17 | |
of the icily efficient Cromwellian New Model Army. | 0:13:17 | 0:13:22 | |
And yes, you'd be correct in thinking that the soldier on the right is a woman. | 0:13:23 | 0:13:28 | |
No, women didn't fight in Cromwell's army, | 0:13:28 | 0:13:30 | |
she's the soldier on the left's wife, OK? | 0:13:30 | 0:13:34 | |
It was William Lloyd's connection to the war | 0:13:36 | 0:13:39 | |
that's led to a local legend about Talhenbont. | 0:13:39 | 0:13:42 | |
Local folklore is so funny, because this is the story of Cromwell's horses, | 0:13:42 | 0:13:47 | |
that you get so often. | 0:13:47 | 0:13:49 | |
That Cromwell somehow keeps his horses in a house and it gets wrecked. | 0:13:49 | 0:13:53 | |
Did he actually do that? | 0:13:53 | 0:13:54 | |
I don't think that is actually the case. | 0:13:54 | 0:13:58 | |
It's a case of two stories becoming mixed up. | 0:13:58 | 0:14:03 | |
Because the owner of the house, William Lloyd, did support parliament. | 0:14:03 | 0:14:07 | |
And then in 1648, when there was a skirmish just outside Caernarfon, | 0:14:07 | 0:14:11 | |
he was in charge of 20 horses | 0:14:11 | 0:14:13 | |
which were actually garrisoned at Caernarfon Castle. | 0:14:13 | 0:14:17 | |
But I think that the two stories have intermixed | 0:14:17 | 0:14:20 | |
and they think the horses were actually here. | 0:14:20 | 0:14:22 | |
And what eventually happened to William Lloyd? | 0:14:22 | 0:14:24 | |
He was actually captured, | 0:14:24 | 0:14:27 | |
he was wounded during the skirmish outside Caernarfon. | 0:14:27 | 0:14:30 | |
Wounded about eight times apparently and taken prisoner. | 0:14:30 | 0:14:33 | |
And because his wounds were left untended, he died two days later. | 0:14:33 | 0:14:36 | |
Violent death seems to stalk the owners of Talhenbont. | 0:14:36 | 0:14:41 | |
There is also the tale of the mistress and her lover. | 0:14:41 | 0:14:44 | |
But I'll stop there, | 0:14:44 | 0:14:46 | |
because I know someone who can tell that one so much better than I can. | 0:14:46 | 0:14:50 | |
-So this is the...? -The butler's quarters. | 0:14:50 | 0:14:54 | |
Now, this is the story. The squire, he goes off to Chester, | 0:14:54 | 0:14:59 | |
gets to the gates, forgets his sword. | 0:14:59 | 0:15:02 | |
Comes rushing back to the house here. | 0:15:02 | 0:15:04 | |
All the maids are twitting and laughing and he said "Where's my wife?" | 0:15:04 | 0:15:09 | |
"Don't know, sir, don't know." | 0:15:09 | 0:15:11 | |
And in such a temper he flew up the stairs here to the butler's quarters, | 0:15:11 | 0:15:14 | |
because he had an idea. | 0:15:14 | 0:15:16 | |
And underneath the eves there lay the butler with his wife. | 0:15:16 | 0:15:21 | |
He gets his sword out and rams the butler through the guts, | 0:15:21 | 0:15:25 | |
and he lays dying halfway down the stairs. | 0:15:25 | 0:15:28 | |
And my lady lays dying on the floor here. | 0:15:28 | 0:15:30 | |
And the maids that have worked throughout the house told me 30 years ago | 0:15:30 | 0:15:35 | |
when they were made to scrub the floorboards, | 0:15:35 | 0:15:38 | |
the blood stains came back the next day. | 0:15:38 | 0:15:41 | |
So actually, the blood stains could be anywhere. | 0:15:41 | 0:15:45 | |
This red spot probably doesn't count does it? | 0:15:45 | 0:15:47 | |
It's a bit of fluff! | 0:15:47 | 0:15:49 | |
Look how broad that board is there. | 0:15:49 | 0:15:52 | |
Oh, these boards are 1600. | 0:15:52 | 0:15:55 | |
It is extraordinary to know that these have survived a civil war. | 0:15:55 | 0:16:00 | |
We can't be sure if this gruesome butler story is true or not, | 0:16:00 | 0:16:05 | |
but going back to what we do know. | 0:16:05 | 0:16:08 | |
William Lloyd's death in the civil war | 0:16:08 | 0:16:11 | |
meant that the ownership of the house reverted to Anne's son from her first marriage, | 0:16:11 | 0:16:15 | |
and so the Vaughns remained in charge of Talhenbont for the next hundred years. | 0:16:15 | 0:16:21 | |
By 1800, the Vaughns had built Talhenbont | 0:16:24 | 0:16:29 | |
into one biggest estates in North Wales, | 0:16:29 | 0:16:31 | |
eventually covering over 1600 acres. | 0:16:31 | 0:16:36 | |
Luckily for Gill, it's a little bit smaller now. | 0:16:36 | 0:16:39 | |
So how much garden have you got? | 0:16:40 | 0:16:43 | |
We've got here about 75 acres. So, six acres of formal garden. | 0:16:43 | 0:16:48 | |
And 70 acres of woodland. | 0:16:48 | 0:16:51 | |
Nothing prepares me for that. | 0:16:51 | 0:16:53 | |
That is extraordinary. | 0:16:57 | 0:16:59 | |
Stunning. | 0:16:59 | 0:17:02 | |
And you've done all of this? | 0:17:02 | 0:17:05 | |
Yes, with the help of some labourers. | 0:17:05 | 0:17:07 | |
Yeah. | 0:17:07 | 0:17:09 | |
So what was here? | 0:17:12 | 0:17:14 | |
It was just thick woodland. | 0:17:14 | 0:17:17 | |
And when we first came here, | 0:17:17 | 0:17:18 | |
I stood down by the river and looked up at the place and thought, | 0:17:18 | 0:17:22 | |
"Ooh, terraces and steps down the middle." | 0:17:22 | 0:17:25 | |
-Why did you want to move to the country, though? -Roger did. | 0:17:28 | 0:17:31 | |
But Roger had always looked in, I think it was | 0:17:31 | 0:17:34 | |
The Telegraph on a Thursday, large places for sale. | 0:17:34 | 0:17:37 | |
And he had the opportunity to leave his firm, | 0:17:37 | 0:17:41 | |
and he said "Come on, let's do something different." | 0:17:41 | 0:17:44 | |
So I said, "Fine, OK, let's go." | 0:17:44 | 0:17:46 | |
So we did. With three young children, we came here and started digging. | 0:17:46 | 0:17:50 | |
You know what, though, if you move, there'll be one thing | 0:17:50 | 0:17:53 | |
-that'll never ever forgive you for moving. -What? | 0:17:53 | 0:17:56 | |
-That house. -Well. | 0:17:56 | 0:17:57 | |
You know, you have created this. This is planet Gillian. | 0:17:57 | 0:18:01 | |
And it's a very, very lovely place to be. | 0:18:01 | 0:18:03 | |
I don't want to see you in Essex. I want to see you here forever. | 0:18:03 | 0:18:09 | |
This is so you. | 0:18:09 | 0:18:10 | |
Could you do a bit of gardening for me, please? | 0:18:10 | 0:18:13 | |
Because it's getting a bit too much now. | 0:18:13 | 0:18:15 | |
Actually, I don't do digging, | 0:18:17 | 0:18:20 | |
but I do know of a couple of Cromwellian soldiers and a Stormtrooper | 0:18:20 | 0:18:23 | |
who could probably be put to better use. | 0:18:23 | 0:18:27 | |
Now, you're going to have to bear with me on this one. | 0:18:27 | 0:18:30 | |
Sorry, but I'm afraid my Cromwellians seem to be beating your Stormtrooper. | 0:18:33 | 0:18:37 | |
Go on, Stormy, get 'em! | 0:18:37 | 0:18:40 | |
Oliver Cromwell 1, Darth Vader 0. | 0:18:40 | 0:18:44 | |
This is what Paul Goode, | 0:18:45 | 0:18:47 | |
the self-appointed would-be successor to the Talhenbont estate, | 0:18:47 | 0:18:51 | |
has done to prove his business credentials. | 0:18:51 | 0:18:54 | |
He's created a paintballing centre | 0:18:54 | 0:18:57 | |
with a sci-fi spin - good business these days, apparently - | 0:18:57 | 0:19:00 | |
on land adjoining the Talhenbont estate. | 0:19:00 | 0:19:03 | |
Having got to know and love your mother's taste in garden design, | 0:19:09 | 0:19:13 | |
I can see where all this comes from. | 0:19:13 | 0:19:15 | |
But instead of gnomes, you've got Stormtroopers and paintballing. | 0:19:15 | 0:19:19 | |
Having been brought up on Talhenbont since the age of 3, | 0:19:19 | 0:19:23 | |
having 100 acres of woodland to play around with as a kid | 0:19:23 | 0:19:28 | |
gives you a lot of inspiration further on in life, | 0:19:28 | 0:19:30 | |
and I think that's where a lot of my inspiration came from. | 0:19:30 | 0:19:33 | |
Speaking absolutely frankly and very, very baldly, | 0:19:33 | 0:19:36 | |
the sale of the house isn't going very well, is it? | 0:19:36 | 0:19:39 | |
-It isn't, really. -How long has it been on the market? -Five, six years. | 0:19:39 | 0:19:43 | |
If the house was situated in one of the home counties, | 0:19:43 | 0:19:46 | |
it would have been snapped up very quickly. | 0:19:46 | 0:19:49 | |
So we have to appreciate the geography of where we're at. | 0:19:49 | 0:19:52 | |
Does she really, really want to move, do you think? | 0:19:52 | 0:19:56 | |
I think she really does. | 0:19:56 | 0:19:59 | |
At her, age she does want some form of retirement. | 0:19:59 | 0:20:03 | |
Talhenbont is now on the market. | 0:20:07 | 0:20:10 | |
Offers in excess of two million are welcome, by the way. | 0:20:10 | 0:20:14 | |
But buyers with the energy to take on a project like this are hard to find. | 0:20:14 | 0:20:19 | |
You're moving on. | 0:20:27 | 0:20:29 | |
But you are having a bit of trouble selling the house, aren't you? | 0:20:29 | 0:20:33 | |
-We are indeed. -There is an option to bring your children in on this one. | 0:20:33 | 0:20:37 | |
What's holding you back about saying, "I tell you what, guys, | 0:20:37 | 0:20:40 | |
let's form a new dynasty. You know, you take it over from us"? | 0:20:40 | 0:20:45 | |
Well, I would like the money. That is so important. | 0:20:45 | 0:20:50 | |
I would have loved to have been in a position to say, | 0:20:50 | 0:20:53 | |
"Here you are, kids. Take it over, run it and I'll keep an eye on it once a year." | 0:20:53 | 0:20:57 | |
But basically we have to retire on what we've created. | 0:20:57 | 0:21:01 | |
It's not the first time that Talhenbont has been on the market. | 0:21:04 | 0:21:07 | |
When the Vaughn male line came to an end, | 0:21:09 | 0:21:12 | |
the estate ended up in the very incapable hands of the Mostyns, | 0:21:12 | 0:21:16 | |
who bankrupted the place. | 0:21:16 | 0:21:18 | |
In 1884, the estate was parcelled up and put under the hammer. | 0:21:21 | 0:21:26 | |
The house minus its vast lands | 0:21:26 | 0:21:28 | |
caught the eye of its next-door neighbour, | 0:21:28 | 0:21:31 | |
a man with the rather splendid name of Owen Jones Ellis-Nanney. | 0:21:31 | 0:21:35 | |
Ellis-Nanney Senior was by all accounts an amiable fella, | 0:21:37 | 0:21:41 | |
well-liked by everybody. | 0:21:41 | 0:21:42 | |
And at the ripe and rather randy old age of 53, | 0:21:42 | 0:21:46 | |
he decided he needed an heir. | 0:21:46 | 0:21:48 | |
So he got himself a 23-year-old child bride, | 0:21:48 | 0:21:51 | |
the daughter and heiress of a local banker, | 0:21:51 | 0:21:54 | |
and it was actually her money that allowed him to buy Talhenbont. | 0:21:54 | 0:22:00 | |
So Ellis-Nanney Senior became squire, and his new wife did indeed produce an heir - | 0:22:00 | 0:22:06 | |
Hugh Ellis-Nanney who, after inheriting Talhenbont, | 0:22:06 | 0:22:10 | |
would take his place in British history | 0:22:10 | 0:22:12 | |
as the man who lost to Lloyd George, | 0:22:12 | 0:22:15 | |
the only Welshman to ever become Prime Minister. | 0:22:15 | 0:22:19 | |
You'd anticipate him as the sitting squire to then be the local MP. | 0:22:19 | 0:22:24 | |
That's the way it's happened for generations. | 0:22:24 | 0:22:27 | |
But actually he comes second to Lloyd George. How did that happen? | 0:22:27 | 0:22:31 | |
Well, it was 1890, | 0:22:33 | 0:22:35 | |
and a kind of groundswell of Welsh national feeling | 0:22:35 | 0:22:39 | |
was beginning to speed up. | 0:22:39 | 0:22:42 | |
When it came time for the election, he didn't want to stand. | 0:22:42 | 0:22:45 | |
-But they couldn't find anybody else to do it. -So he's doing this through duty. | 0:22:45 | 0:22:49 | |
Privately he'd much rather not. He was very pleased that he lost? | 0:22:49 | 0:22:53 | |
Yeah, I'm sure he was. | 0:22:53 | 0:22:54 | |
Lloyd George wins that election by...circumstances, to a certain extent. | 0:22:54 | 0:23:00 | |
I mean, he is getting a lot of votes there, | 0:23:00 | 0:23:03 | |
but the fact that he actually wins is a very close-run thing? | 0:23:03 | 0:23:07 | |
It was close-run, but the fact that it happened at all | 0:23:07 | 0:23:10 | |
was a miracle of the times. | 0:23:10 | 0:23:11 | |
The fact that he was even standing was a miracle of times. Yeah. | 0:23:11 | 0:23:14 | |
But as Lloyd George's fortunes blossomed, | 0:23:16 | 0:23:22 | |
Talhenbont's declined. | 0:23:22 | 0:23:24 | |
And by the time Gillian and Roger got their hands on it, | 0:23:26 | 0:23:29 | |
the house was a shadow of its former self. | 0:23:29 | 0:23:32 | |
Talhenbont's empire-building squires would have been furious. | 0:23:32 | 0:23:38 | |
And Gillian thinks that some of those former residents may still be hanging around! | 0:23:40 | 0:23:45 | |
She's had various encounters in the house, | 0:23:45 | 0:23:48 | |
and believes the spirits like a bit of string music. | 0:23:48 | 0:23:51 | |
She's got a photograph that was taken whilst a friend played guitar in the Tudor bedroom upstairs | 0:23:51 | 0:23:56 | |
that appears to show a spirit orb or two. | 0:23:56 | 0:23:58 | |
Luckily for us, our Lloyd George expert, Twm Morys, | 0:23:58 | 0:24:01 | |
is also an accomplished plucker, | 0:24:01 | 0:24:03 | |
so we've asked him to stick around to entertain the spirits. | 0:24:03 | 0:24:08 | |
-You've seen one ghost. -Yes, definitely. | 0:24:08 | 0:24:10 | |
-And it was a ghost of a lady... -In housekeeper's uniform. | 0:24:10 | 0:24:13 | |
In a housekeeper's uniform. | 0:24:13 | 0:24:15 | |
I walked in the door at 11 o'clock one night | 0:24:15 | 0:24:18 | |
and I thought, am I seeing things? | 0:24:18 | 0:24:20 | |
No, I'm not seeing things. | 0:24:20 | 0:24:23 | |
I tell you, I wasn't spooked when I saw her, | 0:24:23 | 0:24:25 | |
but the hair stood up on the back of my head. | 0:24:25 | 0:24:29 | |
Come on, let's go. I think leave your orbs down here. | 0:24:29 | 0:24:32 | |
I'll leave the orbs down here and we'll go. | 0:24:32 | 0:24:35 | |
As well as Twm and his harp, | 0:24:35 | 0:24:37 | |
I've also asked a North Wales ghost-busting group to come along | 0:24:37 | 0:24:41 | |
and see whether there's anyone there. | 0:24:41 | 0:24:44 | |
HARP PLAYS | 0:24:45 | 0:24:47 | |
First reactions? Anything compelling? | 0:24:54 | 0:24:57 | |
-I have picked up a name. Deborah. -Anything else? Have you felt anything? | 0:24:57 | 0:25:02 | |
I heard a very definite loud voice, very loud. | 0:25:02 | 0:25:04 | |
-It was a loud, shrill sort of... -HE GROANS | 0:25:04 | 0:25:07 | |
Yeah, like a moan. | 0:25:07 | 0:25:09 | |
Could it be sort of Welsh? | 0:25:09 | 0:25:12 | |
-Have you felt anything in this room? -No. -OK! | 0:25:17 | 0:25:21 | |
I think this is a very sort of cosy room. | 0:25:23 | 0:25:25 | |
I'm just seduced by the curtains, | 0:25:25 | 0:25:27 | |
so I'm operating on a very superficial level here. | 0:25:27 | 0:25:31 | |
Now, what about orbage? | 0:25:31 | 0:25:32 | |
The light is certainly perfect for orbs. | 0:25:32 | 0:25:35 | |
It's good orb-light. | 0:25:35 | 0:25:36 | |
Semi-darkness. We've got the infra-red camera. | 0:25:36 | 0:25:38 | |
Is there a band called the Orb? | 0:25:38 | 0:25:40 | |
Locally, there's quite a big deal about the fact that, | 0:25:40 | 0:25:44 | |
in the 20th century, people haven't stayed here for very long. | 0:25:44 | 0:25:49 | |
Apart from Milady Gillian, who's been here over 30 years. | 0:25:49 | 0:25:52 | |
She seems to be being encouraged to stay, rather than repelled. | 0:25:52 | 0:25:57 | |
I think they like you, and I feel as well that, | 0:25:57 | 0:25:59 | |
because you're outward and bubbly and a very confident person, | 0:25:59 | 0:26:05 | |
they love...they know that they can come around you. | 0:26:05 | 0:26:08 | |
They like that as well. | 0:26:08 | 0:26:10 | |
I recognise that they're here. | 0:26:10 | 0:26:11 | |
And if I feel that somebody is in the room, | 0:26:11 | 0:26:14 | |
it is generally on this side I feel it. | 0:26:14 | 0:26:16 | |
So if there is somebody around and I know they want to talk to me, | 0:26:16 | 0:26:19 | |
I'll talk to them. | 0:26:19 | 0:26:21 | |
But yes, I go around cursing and swearing all over the place, | 0:26:21 | 0:26:24 | |
so I'm afraid they're used to an Essex girl here. | 0:26:24 | 0:26:27 | |
Well, there we are. | 0:26:27 | 0:26:28 | |
Even the spirits can't get a word in edgeways! | 0:26:28 | 0:26:31 | |
Contact with any of Talhenbont's former residents failed to materialise. | 0:26:31 | 0:26:37 | |
Whether spiritual or historical, | 0:26:37 | 0:26:41 | |
Talhenbont's past has been a pleasure to enjoy. | 0:26:41 | 0:26:44 | |
But it's its future that remains shrouded in mystery. | 0:26:46 | 0:26:51 | |
You want to move back to Essex. | 0:26:51 | 0:26:54 | |
You don't. You want to stay here, | 0:26:54 | 0:26:57 | |
and you...you see yourself as actually, you know, | 0:26:57 | 0:27:01 | |
wanting continue to occupy this space, don't you? | 0:27:01 | 0:27:04 | |
I do, yeah. The passion is there to take it on. | 0:27:04 | 0:27:08 | |
I think when something runs through your veins as much as | 0:27:08 | 0:27:11 | |
Talhenbont does within the whole family, | 0:27:11 | 0:27:13 | |
you know, a concerted effort will be made to... | 0:27:13 | 0:27:18 | |
-See what you can do? -To see what we can do. | 0:27:18 | 0:27:20 | |
The bottom line is the next couple of years will be crucial, | 0:27:20 | 0:27:23 | |
because there is a bit of a Sword of Damocles hanging over the place. | 0:27:23 | 0:27:27 | |
No-one really knows what it will be, if it will be, | 0:27:27 | 0:27:31 | |
-this time next year. -Correct, absolutely correct. | 0:27:31 | 0:27:34 | |
-Who knows what's round the corner? -I've got a tip for you. | 0:27:34 | 0:27:37 | |
-One word - heiress. -Heiress? | 0:27:37 | 0:27:39 | |
-Go on, go and find one. -Right. -Oh, yeah. Marry money! | 0:27:39 | 0:27:44 | |
-Marry money. -Of course! That's the answer. | 0:27:44 | 0:27:47 | |
Marry gold. And I don't mean washing-up gloves. | 0:27:47 | 0:27:50 | |
Absolutely, you're absolutely right. Wonderful idea. | 0:27:50 | 0:27:53 | |
Go on, sir. Heiress. They're out there. Find one. | 0:27:53 | 0:27:56 | |
Yes, go for it. Go for it. Brilliant. | 0:27:56 | 0:27:58 | |
I'm really beginning to think that actually Gillian protests too much. | 0:28:10 | 0:28:15 | |
I don't think she ever wants to leave this place at all, | 0:28:15 | 0:28:19 | |
and I don't think that Talhenbont Hall, | 0:28:19 | 0:28:21 | |
and indeed its astral plane inhabitants, want to see her go. | 0:28:21 | 0:28:25 | |
Because I think this place has really enjoyed | 0:28:25 | 0:28:27 | |
being the background to her larger-than-life lifestyle, | 0:28:27 | 0:28:31 | |
and I actually do believe that these old stones have loved | 0:28:31 | 0:28:37 | |
the veneer of 20th century glamour that Gillian's given them. | 0:28:37 | 0:28:41 | |
Subtitles by Red Bee Media Ltd | 0:28:46 | 0:28:48 | |
E-mail [email protected] | 0:28:48 | 0:28:51 |