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It's more important than ever to buy | 0:00:02 | 0:00:04 | |
-at the right price and in the right location. -Yes. | 0:00:04 | 0:00:06 | |
From two up, two down, terraces, | 0:00:06 | 0:00:08 | |
to the more unusual and quirky, you can find it all at the auction. | 0:00:08 | 0:00:12 | |
And, of course, with so much choice the key is to not get too carried | 0:00:12 | 0:00:15 | |
away when you buy your home under the hammer. | 0:00:15 | 0:00:19 | |
Buying at auction can be a quick way to purchase property. | 0:00:44 | 0:00:47 | |
But it's very much a case of buyer beware because when the hammer goes down you | 0:00:47 | 0:00:51 | |
have exchanged contracts, you can't just change your mind, and you have to come up with the cash pronto. | 0:00:51 | 0:00:57 | |
So will today's properties be investors' dreams or complete nightmares? | 0:00:57 | 0:01:02 | |
Let's find out. | 0:01:02 | 0:01:04 | |
This mid-terrace house in Derby is crammed with original features and space. | 0:01:04 | 0:01:10 | |
Here you've got the makings of the most wonderful house. | 0:01:10 | 0:01:14 | |
In Kent, this chalet bungalow looks a great buy | 0:01:14 | 0:01:17 | |
but the concrete plot out the back is where the real money is. | 0:01:17 | 0:01:21 | |
We've got ourselves some serious potential. | 0:01:21 | 0:01:24 | |
And I find a quirky property in Southampton, but there's just one quirk too many. | 0:01:24 | 0:01:30 | |
Oh, boy oh, boy, what's that? | 0:01:30 | 0:01:32 | |
All these properties have been sold at auction | 0:01:36 | 0:01:38 | |
and we'll find out who bought them and what they paid for them when they went under the hammer. | 0:01:38 | 0:01:43 | |
Sold. | 0:01:43 | 0:01:45 | |
Today I'm just outside Derby city centre in a place called Five Lamps. | 0:01:47 | 0:01:52 | |
The Five Lamps junction is in a historic residential area | 0:01:52 | 0:01:57 | |
and I'm hoping it's going to throw some light, ha ha, on our property. | 0:01:57 | 0:02:01 | |
Well, a short walk from the city centre is the property | 0:02:01 | 0:02:04 | |
I'm here to see, and it sounds very interesting indeed. | 0:02:04 | 0:02:08 | |
It's a Victorian mid-terrace, it had a guide price of £90,000, which for a four-bedroom house like this is | 0:02:08 | 0:02:14 | |
really good going, and this is one where deceptive is a word that springs to mind... | 0:02:14 | 0:02:20 | |
and I'll show you why. | 0:02:20 | 0:02:21 | |
From the front it doesn't look too big, does it? | 0:02:24 | 0:02:27 | |
But you come inside and oh, boy, what a pleasant surprise it is. | 0:02:27 | 0:02:31 | |
nice hallway there, big front room there which is good to see, | 0:02:31 | 0:02:34 | |
stairs up to your bedrooms, then continuing down this corridor you've | 0:02:34 | 0:02:39 | |
got stairs down to the cellar but I'm just wondering if we've got any treats in store under the carpet. | 0:02:39 | 0:02:46 | |
Oh, wow, look at that. | 0:02:46 | 0:02:50 | |
It's called a Minton floor. | 0:02:50 | 0:02:51 | |
Imagine that cleaned up and how fantastic that would be stretching down the hallway, | 0:02:51 | 0:02:56 | |
The property continues going back. | 0:02:56 | 0:03:00 | |
You've got a sort of rear sitting room there and then through into this massive kitchen. | 0:03:00 | 0:03:04 | |
Now, it's a bit, you know, well, horrible really, but put a really nice | 0:03:04 | 0:03:08 | |
kitchen in here and you've got the makings of a most wonderful house. | 0:03:08 | 0:03:12 | |
Also on the ground floor, behind the kitchen, is a downstairs bathroom | 0:03:12 | 0:03:17 | |
that could easily be converted into a utility area. | 0:03:17 | 0:03:21 | |
Well, up here you've got a bathroom and a loo and a bedroom that way, a large double bedroom there. | 0:03:21 | 0:03:27 | |
It just sums it up really, the space in this house is fantastic. | 0:03:27 | 0:03:30 | |
The landing feels lovely and open, helped by these extremely high ceilings. | 0:03:30 | 0:03:36 | |
Box room there, large double bedroom there, and I think if you wanted to extend the house even more you could | 0:03:36 | 0:03:42 | |
because I know that there is room in the attic to potentially build even more rooms. | 0:03:42 | 0:03:48 | |
I mean it is just a fantastic house. | 0:03:48 | 0:03:50 | |
This truly is a gem of a property and it's not just the space that is selling it, | 0:03:50 | 0:03:56 | |
it's that solid Victorian construction that's a perennial favourite of buyers everywhere. | 0:03:56 | 0:04:03 | |
So, big bedrooms, I mean, I love it. | 0:04:03 | 0:04:06 | |
Nice big windows, lots of light coming in, features, fireplace, just great, get that stripped back. | 0:04:06 | 0:04:12 | |
But you haven't seen the best thing yet. | 0:04:12 | 0:04:14 | |
How about that for a wall of wallpaper? | 0:04:14 | 0:04:18 | |
It's blooming marvellous. | 0:04:18 | 0:04:21 | |
And on the subject of flowers, out back there's a good-size garden that wouldn't really take long to tame. | 0:04:21 | 0:04:28 | |
To get an idea of what the property might be worth | 0:04:33 | 0:04:36 | |
I invited along the auctioneer that sold it to hear his opinion. | 0:04:36 | 0:04:40 | |
It's a lovely house. Super. | 0:04:42 | 0:04:44 | |
Exactly what you'd want from | 0:04:44 | 0:04:46 | |
an old terraced house, it's still got some of its character in it. | 0:04:46 | 0:04:49 | |
Nice feel to it, nice appeal, I like it. | 0:04:49 | 0:04:52 | |
If you want to make it a very nice house, beyond what it is now, then you finish up spending 20,000 on it. | 0:04:52 | 0:04:59 | |
So, let's talk figures. How much could someone make here? | 0:04:59 | 0:05:04 | |
Once renovated, and assuming a reasonably good standard, | 0:05:04 | 0:05:08 | |
I think on today's market it would probably have a ceiling value of about £150,000 to £155,000. | 0:05:08 | 0:05:14 | |
On a single family let I would say you're rental income would be about £550 to £575 a calendar month. | 0:05:14 | 0:05:22 | |
Well, it's a lot of house for that £90,000 guide price. | 0:05:26 | 0:05:30 | |
It would make a lovely family home or a perfect rental machine. | 0:05:30 | 0:05:35 | |
Lots of options. Let's see who went for it at the auction. | 0:05:35 | 0:05:38 | |
Lot 78. How much can I say for this one? Start me where you like. 90? | 0:05:41 | 0:05:46 | |
Put it in. 90 I have, thank you. At £90,000 opening bid. | 0:05:46 | 0:05:49 | |
95, 95, 100, 105. | 0:05:49 | 0:05:55 | |
105, 106? 105 and a half. | 0:05:55 | 0:05:58 | |
106? 106. 107 and a half, 108 is bid. | 0:05:58 | 0:06:03 | |
108,500. | 0:06:03 | 0:06:05 | |
109. 109,500. 111. No? | 0:06:05 | 0:06:11 | |
£111,000. 500 somewhere else? | 0:06:11 | 0:06:14 | |
At £111,000, 500, 12, 114. | 0:06:14 | 0:06:19 | |
114,500. 115. | 0:06:21 | 0:06:25 | |
115,500. 116. | 0:06:25 | 0:06:27 | |
116,500. 120? 120, 120 and a half, | 0:06:27 | 0:06:33 | |
21, and a half, 22, | 0:06:33 | 0:06:38 | |
and a half, 23, | 0:06:38 | 0:06:41 | |
123 and a half, 124. | 0:06:41 | 0:06:44 | |
124,000. 500, sir? | 0:06:44 | 0:06:47 | |
500, £125,000. | 0:06:47 | 0:06:51 | |
No? £125,000 then. 25 and a half. | 0:06:51 | 0:06:56 | |
26, and a half, 27, 127 and a half, | 0:06:56 | 0:07:00 | |
128, 128 five, 129, 129 five, 130. | 0:07:00 | 0:07:07 | |
130,000 against you. No? | 0:07:07 | 0:07:09 | |
130,000 then, once, twice, third time. | 0:07:09 | 0:07:14 | |
Sold at 130. Thank you. | 0:07:14 | 0:07:16 | |
After all that to-ing and fro-ing the property was eventually bought | 0:07:19 | 0:07:23 | |
for £130,000 by Tom, a local businessman. | 0:07:23 | 0:07:28 | |
He paid a hefty £40,000 over the guide price to get it. | 0:07:28 | 0:07:33 | |
-Tom, lovely to meet you. -You too. | 0:07:33 | 0:07:34 | |
-Good house. -Thank you. | 0:07:34 | 0:07:37 | |
So tell me why you wanted to buy it. | 0:07:37 | 0:07:38 | |
Well, to be honest with you, I had a bit of spare money knocking about and the bank interest | 0:07:38 | 0:07:44 | |
rates are pretty rubbish so I thought the best thing was put it in property. | 0:07:44 | 0:07:47 | |
have you had any experience of property? | 0:07:47 | 0:07:49 | |
Well, I bought a house with my brother about two years ago and I rent out rooms there as well. | 0:07:49 | 0:07:56 | |
That kind of went pretty smoothly so I thought I might as well buy another. | 0:07:56 | 0:08:00 | |
What do you do? | 0:08:00 | 0:08:01 | |
I run a recruitment business. | 0:08:01 | 0:08:03 | |
-Oh. -In Derby. We specialise in construction so I thought the two might | 0:08:03 | 0:08:07 | |
marry quite nicely as well because I know the local tradesmen who can do the work. | 0:08:07 | 0:08:12 | |
For any would-be developer connections are all-important. | 0:08:12 | 0:08:16 | |
# Make sure you're connected, the writing's on the wall... # | 0:08:16 | 0:08:20 | |
What was it about this particular house...? | 0:08:20 | 0:08:23 | |
Well, I've always grown up in Victorian period properties | 0:08:23 | 0:08:26 | |
and they've got a special place in my heart really. It caught my eye when I came round. | 0:08:26 | 0:08:32 | |
-It was more of a personal thing? -Yeah, absolutely. | 0:08:32 | 0:08:35 | |
Although I work in the construction industry, new build houses aren't my cup of tea at all, so I'm actually | 0:08:35 | 0:08:40 | |
-drawn towards this kind of property. -So what's the plan for it? | 0:08:40 | 0:08:44 | |
Well, to be honest with you, I haven't really got any 100% plans. | 0:08:44 | 0:08:48 | |
I've got a builder teed up who's going to come in and renovate the property, | 0:08:48 | 0:08:51 | |
and then I'll either rent it out or potentially even more in myself. | 0:08:51 | 0:08:56 | |
Oh, OK. That widens the variety of potential. | 0:08:56 | 0:08:59 | |
Yeah, exactly, yeah. | 0:08:59 | 0:09:01 | |
Yeah, so we'll see how it goes. | 0:09:01 | 0:09:03 | |
# I just don't know what to do with myself. # | 0:09:03 | 0:09:07 | |
Tom, the man without a plan. | 0:09:09 | 0:09:11 | |
But all the same he has clear ideas about what needs to be done to reap the full potential here. | 0:09:11 | 0:09:18 | |
I think all the horrible wallpaper has to come off, | 0:09:18 | 0:09:20 | |
obviously all the nasty carpets are coming up, we'll expose the tiles in the hallway. | 0:09:20 | 0:09:26 | |
Neutral colours, new kitchen, fitted diner in there. | 0:09:26 | 0:09:29 | |
This will become the living room | 0:09:29 | 0:09:32 | |
and we'll have a wet room and just renovate the place. | 0:09:32 | 0:09:37 | |
And outside, are there any plans for that? | 0:09:37 | 0:09:39 | |
It's all right out there really. | 0:09:39 | 0:09:41 | |
They've got a few bushes on the go, they've got an | 0:09:41 | 0:09:44 | |
apple tree coming over the fence, so not a lot to do I think. | 0:09:44 | 0:09:48 | |
Tom's aiming at a six-to-ten-week renovation, and using his | 0:09:48 | 0:09:53 | |
connections in the building trade hopes to do it all on a £10,000 budget. | 0:09:53 | 0:09:57 | |
-So what next for you? -I think for the time being just concentrate on this. | 0:09:59 | 0:10:03 | |
In an ideal world I'd perhaps like to buy you know a house every year or two, build up a bit of portfolio, | 0:10:03 | 0:10:09 | |
but I'm in no major rush, my first priority's to the business, | 0:10:09 | 0:10:14 | |
and this is an accumulation of nest eggs. | 0:10:14 | 0:10:17 | |
Good, well, congratulations. | 0:10:17 | 0:10:19 | |
Thank you very much. | 0:10:19 | 0:10:20 | |
-And we'll either see you or your tenants when we come back! -That's right, yeah. | 0:10:20 | 0:10:24 | |
Well, Tom's certainly got the contacts to sort this place out but | 0:10:24 | 0:10:28 | |
it strikes me that he doesn't quite know what he's going to do yet. | 0:10:28 | 0:10:31 | |
He doesn't know if he's going to live in it, rent it out, | 0:10:31 | 0:10:34 | |
how much he's going to spend, or his time scale. | 0:10:34 | 0:10:37 | |
You can find out what on earth happens later on in the show. | 0:10:37 | 0:10:42 | |
Just outside Maidstone in Kent is the village of Larkfield, | 0:10:46 | 0:10:50 | |
once an important village due to its courthouse and administrative role in county affairs. | 0:10:50 | 0:10:56 | |
Now it's popular with commuters. | 0:10:56 | 0:11:00 | |
Larkfield really grew in the 1970s when the M20 was built right next door, running | 0:11:00 | 0:11:06 | |
from London down to Dover. But the motorway doesn't seem to have diverted much traffic away though. | 0:11:06 | 0:11:12 | |
It's still busy and very loud, which is worth | 0:11:12 | 0:11:15 | |
bearing in mind because this is the property I'm here to see. | 0:11:15 | 0:11:19 | |
It's a chalet bungalow and it's got a guide of 140,000 to 150,000. | 0:11:19 | 0:11:23 | |
As it's so near the road and has a front garden that's seen better days it's not exactly oozing curb appeal. | 0:11:23 | 0:11:31 | |
Let's hope it's better inside. | 0:11:31 | 0:11:33 | |
This corridor goes on for days, and there's just a succession of rooms. | 0:11:33 | 0:11:38 | |
You've got a reception room, another reception room, a bedroom, another | 0:11:38 | 0:11:42 | |
reception room, a bathroom, a toilet and another bedroom. | 0:11:42 | 0:11:46 | |
I think it's fair to say this place is fairly huge. | 0:11:46 | 0:11:49 | |
It's certainly that, with two reception rooms, either of | 0:11:49 | 0:11:53 | |
which could be turned into a dining room or perhaps another bedroom. | 0:11:53 | 0:11:59 | |
Then there are two decent-size bedrooms plus a separate toilet and bathroom. | 0:11:59 | 0:12:04 | |
So it's not short of rooms but the layout is rather poor. | 0:12:04 | 0:12:08 | |
Clearly there is no need for all these individual rooms. | 0:12:08 | 0:12:13 | |
As an example, the only function this room serves is to house this staircase. | 0:12:13 | 0:12:18 | |
Now, the kitchen through here is too small, I would definitely take down | 0:12:18 | 0:12:22 | |
this wall and open up this space, and that is just for starters. | 0:12:22 | 0:12:25 | |
Several of these rooms down here would benefit from being reorganised. | 0:12:25 | 0:12:30 | |
So, come on, let's take down these walls, end the separation and really open this place up. | 0:12:30 | 0:12:36 | |
# Take down these walls... # | 0:12:38 | 0:12:40 | |
It feels a bit more like a hotel corridor than a bungalow. | 0:12:40 | 0:12:43 | |
There should be numbers on each door, room 301, 302, it just needs a complete rethink down here. | 0:12:43 | 0:12:50 | |
# Take down these walls... # | 0:12:50 | 0:12:53 | |
I can't help feeling that the upstairs floor with its two | 0:12:53 | 0:12:56 | |
bedrooms isn't utilising the space as well it could either. | 0:12:56 | 0:13:00 | |
But if you think there's scope to improve inside, well, wait until you get outside. | 0:13:00 | 0:13:06 | |
So, traditional bungalow, lots of rooms, nothing crazy about that, and outside you'll be expecting | 0:13:06 | 0:13:12 | |
maybe a lawn, a patio, some dahlias perhaps. | 0:13:12 | 0:13:15 | |
Well, what you get is this, more concrete than cultivation. | 0:13:15 | 0:13:20 | |
Talk about a concrete jungle, this feels more like a piece of wasteland than a garden. | 0:13:20 | 0:13:25 | |
Or should that be land going to waste? | 0:13:25 | 0:13:28 | |
With those old garages at the bottom I see development opportunities. | 0:13:28 | 0:13:33 | |
The easiest thing to do here would be to apply for planning permission for some more garages, | 0:13:33 | 0:13:38 | |
but with most houses having their own off-road parking I'm not sure that's going to make you a mint. | 0:13:38 | 0:13:43 | |
So what about another property? | 0:13:43 | 0:13:45 | |
There's clearly room and as it's a corner plot | 0:13:45 | 0:13:48 | |
you have a second access point and that is the key. | 0:13:48 | 0:13:52 | |
If you were to build another bungalow it wouldn't overlook any | 0:13:52 | 0:13:55 | |
neighbouring properties and there's plenty of demand in the area. | 0:13:55 | 0:13:58 | |
So there you have it, we've got ourselves some serious potential. How exciting. | 0:13:58 | 0:14:03 | |
# Hey now, they pave paradise to put up a parking lot... # | 0:14:03 | 0:14:06 | |
OK, so it's far from paradise and I'd say a parking lot is not the | 0:14:09 | 0:14:13 | |
best option here, but boy does this look like a developer's paradise. | 0:14:13 | 0:14:19 | |
A flat area of brownfield land with road access plus the bonus of the bungalow as well. | 0:14:19 | 0:14:24 | |
But it is still a gamble. What does the local estate agent think? | 0:14:24 | 0:14:29 | |
In my opinion, best suited on this plot would be another dwelling, | 0:14:33 | 0:14:37 | |
potentially a bungalow. | 0:14:37 | 0:14:38 | |
Alternatively, I think a block of flats would be a good idea. | 0:14:38 | 0:14:43 | |
I do not believe that semi-detached properties would be of benefit at all. | 0:14:43 | 0:14:47 | |
Interesting. | 0:14:47 | 0:14:49 | |
I hadn't thought about flats. Which option would maximize the return? | 0:14:49 | 0:14:54 | |
To build a two-bedroom bungalow on the plot, I would estimate the property to be worth around £175,000. | 0:14:54 | 0:15:01 | |
If you got planning on the plot for flats I would imagine that you would | 0:15:01 | 0:15:05 | |
have an estimate price of between £100,000 and £120,000. | 0:15:05 | 0:15:10 | |
If you got five flats, even with build costs, that could bring in a substantial return. | 0:15:10 | 0:15:16 | |
On top of that there's a potential profit with the existing bungalow. | 0:15:16 | 0:15:20 | |
How much would that be worth once done up? | 0:15:20 | 0:15:23 | |
You would probably look to achieve in and around about £250,000. | 0:15:23 | 0:15:28 | |
When you consider both the land and bungalow were guided at just 140,000 to 150,000, then the bungalow alone | 0:15:28 | 0:15:35 | |
could cover your costs, leaving any development at the back as clear profit. | 0:15:35 | 0:15:41 | |
Well, this bungalow doesn't only hide a wealth of rooms, it also holds a potentially | 0:15:41 | 0:15:46 | |
valuable opportunity to build a whole separate property and I think that is where the real money lies. | 0:15:46 | 0:15:53 | |
Let's see who agreed at the auction. | 0:15:53 | 0:15:55 | |
Over to lot 50 which is a detached chalet bungalow there | 0:15:58 | 0:16:01 | |
on a good corner plot. | 0:16:01 | 0:16:02 | |
Potential there for development there as well, subject to planning. | 0:16:02 | 0:16:06 | |
Start me where you will. £140,000. | 0:16:06 | 0:16:09 | |
I'm on the way at 140. 140. | 0:16:09 | 0:16:11 | |
£140,000, I'm on my way at 140. | 0:16:11 | 0:16:14 | |
140 now. 145, at 145, at 145. | 0:16:14 | 0:16:16 | |
150. At 150. 50 it's with you. | 0:16:16 | 0:16:18 | |
And 160 now make it. | 0:16:18 | 0:16:20 | |
160, it's worth it, 160. | 0:16:20 | 0:16:23 | |
160, standing in a fresh place. | 0:16:23 | 0:16:25 | |
170, now make it. 70 I've got, and now £180,000. | 0:16:25 | 0:16:29 | |
180 I've got. | 0:16:29 | 0:16:30 | |
And 190, 190, 190. 190 I've got. | 0:16:30 | 0:16:34 | |
191, 192, 192 and 193, | 0:16:34 | 0:16:39 | |
193, 193. | 0:16:39 | 0:16:42 | |
Keep with it, 193. 193, yeah, he says yes. 194. | 0:16:42 | 0:16:47 | |
At £193,000 you've got, then 94 I'm looking for. | 0:16:47 | 0:16:50 | |
Are we all done at £193,000? | 0:16:50 | 0:16:52 | |
If so, for the first time at 193,000, second time at 193, | 0:16:52 | 0:16:59 | |
third and final time. If you're all done it's going to be sold for 193,000. | 0:16:59 | 0:17:03 | |
Well done, Sir, it's yours for 193 and that's upside down... | 0:17:03 | 0:17:07 | |
For 193,000, about 40 to 50 above the guide price, the new owners of | 0:17:07 | 0:17:13 | |
the bungalow and land are old friends and locals, Mark and Pete. | 0:17:13 | 0:17:17 | |
They hope this might be the start of a property sideline. | 0:17:17 | 0:17:21 | |
-Guys, congratulations. -Thank you. -I bet you're thrilled you got this on auction day. | 0:17:21 | 0:17:26 | |
-Yeah. -Absolutely. -So who saw the potential in this? | 0:17:26 | 0:17:28 | |
I did, many, many years ago. | 0:17:28 | 0:17:31 | |
I had a girlfriend not living too far away | 0:17:31 | 0:17:33 | |
and used to drive around, and you could see, | 0:17:33 | 0:17:35 | |
-and it just screamed building plot out the back. -Mark, what do you do? | 0:17:35 | 0:17:39 | |
I'm a bricklaying contractor by trade, | 0:17:39 | 0:17:41 | |
so I've got lots of blokes work for me. | 0:17:41 | 0:17:43 | |
But I've been in the building industry most of my life, | 0:17:43 | 0:17:46 | |
so I feel fairly confident. | 0:17:46 | 0:17:47 | |
You know, we work for some fairly idiot people and if they can do it, | 0:17:47 | 0:17:51 | |
then I'm sure me and Pete have a fair crack at it, you know? | 0:17:51 | 0:17:54 | |
-Pete, what do you do? -I'm an architect, I sit on the other side of the fence. | 0:17:54 | 0:17:58 | |
I'm the person that Mark would be swearing about on site... | 0:17:58 | 0:18:01 | |
-and running down, but... -And still will be. | 0:18:01 | 0:18:03 | |
For some time now, these two mates have considered working together and pooling their complimentary skills. | 0:18:05 | 0:18:10 | |
Finally, they've found a project that's right for both of them. | 0:18:10 | 0:18:14 | |
So, Pete, what is it you're going to do to this property to change it? | 0:18:15 | 0:18:19 | |
Essentially, modernise it without it being over-contemporary. | 0:18:19 | 0:18:22 | |
It clearly needs a bathroom, it clearly needs a kitchen. | 0:18:22 | 0:18:25 | |
If we can get a bathroom upstairs as well, | 0:18:25 | 0:18:28 | |
then that will also, you know, be a very positive factor. | 0:18:28 | 0:18:31 | |
Perhaps we'll put in large glass French doors off from the kitchen, | 0:18:31 | 0:18:34 | |
so the place is less focused | 0:18:34 | 0:18:36 | |
on the front of the house where the noisy road is | 0:18:36 | 0:18:38 | |
and more at the back where the garden is. | 0:18:38 | 0:18:41 | |
And that's where your expertise lies. | 0:18:41 | 0:18:43 | |
-Hopefully, we'll find out. -Yeah. | 0:18:43 | 0:18:45 | |
So what's the budget for the work in here, just in this bungalow? | 0:18:45 | 0:18:49 | |
We hope about 30,000, so... | 0:18:49 | 0:18:51 | |
And it's quite a tight budget and we've bought this, primarily, | 0:18:51 | 0:18:56 | |
-knowing there's no profit in it. -Mmm. | 0:18:56 | 0:18:58 | |
The profit's in the back garden where hopefully we'll get planning | 0:18:58 | 0:19:01 | |
and that's where we'll make our money. | 0:19:01 | 0:19:03 | |
This seems to be a win-win situation for Mark and Pete. | 0:19:03 | 0:19:07 | |
They've got the combined skills to modernise the bungalow and maybe make a profit here. | 0:19:07 | 0:19:12 | |
But their skills will be tested by the plot at the back. | 0:19:12 | 0:19:16 | |
The plan is... We're still exploring possibles with local agents | 0:19:16 | 0:19:20 | |
to find out what permutation would yield the best results. | 0:19:20 | 0:19:23 | |
What we're looking at is a chalet bungalow, | 0:19:23 | 0:19:26 | |
which the agents were talking about in terms of 200... | 0:19:26 | 0:19:29 | |
-200-210, but they all seem to be screaming flats. -Had you not thought of that? | 0:19:29 | 0:19:34 | |
We considered it, but we did some initial research with agents, | 0:19:34 | 0:19:38 | |
actually before we went to auction, on it. | 0:19:38 | 0:19:40 | |
And what we'd concluded, rightly or wrongly, was that a chalet bungalow was the right thing to build. | 0:19:40 | 0:19:45 | |
However, yeah, it has thrown a slight curve ball | 0:19:45 | 0:19:48 | |
as now the agents have, sort of, flagged up that, you know, | 0:19:48 | 0:19:51 | |
potentially, flats would be a better route to go. | 0:19:51 | 0:19:54 | |
Well, certainly small, sort of, starter-end of the market. | 0:19:54 | 0:19:57 | |
Tower block it is. | 0:19:57 | 0:19:59 | |
# The only way is up, baby... # | 0:19:59 | 0:20:03 | |
Joking aside, we aren't talking tower block. | 0:20:03 | 0:20:07 | |
More like a two-storey house with, maybe, six apartments. | 0:20:07 | 0:20:10 | |
It would cost more to build, but could bring in more money, so more profit for them. | 0:20:10 | 0:20:16 | |
If they couldn't build, would that scupper their business plans together? | 0:20:16 | 0:20:20 | |
The longer-term goal, if we're honest, this size, | 0:20:20 | 0:20:23 | |
the nature of this, is not where we see ourselves. | 0:20:23 | 0:20:26 | |
In my work, I tend to design a lot of high-end residentials | 0:20:26 | 0:20:29 | |
for wealthy clients who have lovely houses | 0:20:29 | 0:20:32 | |
and have budgets which reflect that. | 0:20:32 | 0:20:34 | |
I think longer term that's where we'd like to be, | 0:20:34 | 0:20:37 | |
-but this is an acorn... -Yeah, got to start somewhere, don't you? | 0:20:37 | 0:20:41 | |
And, hopefully, our intention isn't really to take the money | 0:20:41 | 0:20:45 | |
and go and buy a fancy sports car or anything. | 0:20:45 | 0:20:48 | |
-Buy the sports car in a few year's time. -Hopefully. | 0:20:48 | 0:20:50 | |
Well, they say the beginning of any race or journey is all-important. | 0:20:50 | 0:20:54 | |
With Pete and Mark all revved up and raring to go, let's hope the planners give them the green light. | 0:20:54 | 0:21:00 | |
So Pete and Mark are at the start of a beautiful business relationship, | 0:21:00 | 0:21:05 | |
or are they? | 0:21:05 | 0:21:06 | |
What if they don't get their tower block? | 0:21:06 | 0:21:08 | |
What if the planners say a big "no"? | 0:21:08 | 0:21:10 | |
Will they get the money they want for this place? | 0:21:10 | 0:21:12 | |
Will their friendship survive? | 0:21:12 | 0:21:14 | |
You can find out later on in the show. | 0:21:14 | 0:21:17 | |
'Coming up, in Southampton, | 0:21:18 | 0:21:20 | |
'this bungalow may only have one floor, | 0:21:20 | 0:21:23 | |
'but even that's looking dodgy.' | 0:21:23 | 0:21:26 | |
Clearly, have this whole place treated. | 0:21:26 | 0:21:28 | |
We return to Kent to see if working with a mate makes things any easier. | 0:21:29 | 0:21:34 | |
A few times he's like, "Why don't we do this?" | 0:21:34 | 0:21:36 | |
And I'm like, "No, why don't we do this?" | 0:21:36 | 0:21:38 | |
But first, sometimes you CAN just get carried away. | 0:21:41 | 0:21:46 | |
To be honest, I don't know how much has been spent. | 0:21:46 | 0:21:48 | |
We're back at Five Lamps in Derby | 0:21:50 | 0:21:52 | |
where local businessman, Tom, bought this mid-terrace, | 0:21:52 | 0:21:57 | |
four-bedroom house for £130,000. | 0:21:57 | 0:22:00 | |
Despite paying £40,000 over the guide price, | 0:22:00 | 0:22:03 | |
he wasn't quite sure what he wanted to do with it. | 0:22:03 | 0:22:07 | |
So, what's the plan? | 0:22:07 | 0:22:08 | |
Well, to be honest with you, I haven't got any 100% plans. | 0:22:08 | 0:22:11 | |
I'll either rent it out or, potentially, even move in myself. | 0:22:11 | 0:22:14 | |
It's been five months and though the winter weather's a bit chilly, | 0:22:16 | 0:22:20 | |
let's hope Tom's renovation is something we'll warm to. | 0:22:20 | 0:22:24 | |
Tom's restoration programme certainly shows decisive action here - | 0:22:27 | 0:22:32 | |
the dividing wall's been removed and there's an open-plan area leading through to a new kitchen. | 0:22:32 | 0:22:38 | |
So when we first bought the house, there was a wall here, | 0:22:42 | 0:22:45 | |
which we knocked through, | 0:22:45 | 0:22:47 | |
which creates a much more open-plan space here. | 0:22:47 | 0:22:50 | |
We had a doorway in here, which we thought we may as well get rid of | 0:22:50 | 0:22:54 | |
and it just really lends to a continuity right the way through. | 0:22:54 | 0:22:58 | |
Obviously, it's opened up into a big kitchen which we're pleased with. | 0:22:58 | 0:23:02 | |
The nature of the shape and size of the room | 0:23:02 | 0:23:05 | |
meant we were restricted with how to lay out the units, | 0:23:05 | 0:23:08 | |
but we'd just gone for straight down either side, | 0:23:08 | 0:23:11 | |
obviously, with the Belfast sink and the granite worktops. | 0:23:11 | 0:23:14 | |
Really pleased with the ground floor area. | 0:23:14 | 0:23:16 | |
It's open-plan and it means you can communicate with people regardless of what room they're in. | 0:23:16 | 0:23:21 | |
Upstairs hasn't undergone such a radical transformation. | 0:23:21 | 0:23:27 | |
All the bedrooms have been redecorated though, and painted in cool tomes. | 0:23:27 | 0:23:32 | |
The old fashioned bathroom has been modernised, turning it into a luxurious space. | 0:23:32 | 0:23:38 | |
It's pretty clear now that Tom has made a decision about who's going to live here. | 0:23:40 | 0:23:45 | |
Shortly after buying it there was a fair degree of indecision | 0:23:45 | 0:23:48 | |
about what to do with it, whether to rent it out or to move in myself. | 0:23:48 | 0:23:53 | |
I decided to move in myself, | 0:23:53 | 0:23:54 | |
purely because I fell in love with the property | 0:23:54 | 0:23:57 | |
after a little while of doing it up and that's how I find myself here. | 0:23:57 | 0:24:02 | |
Tom's made every effort to restore this house to its former glory. | 0:24:02 | 0:24:07 | |
We replaced all the picture rails, all the coving, | 0:24:07 | 0:24:10 | |
I put new ceiling roses upstairs and down. | 0:24:10 | 0:24:12 | |
And we really just tried to get all the original door knobs, | 0:24:12 | 0:24:16 | |
just restore everything as much as we could to its former glory. | 0:24:16 | 0:24:20 | |
That included the original floor tiles in the hall, | 0:24:20 | 0:24:24 | |
which adds a touch of Victorian class to the entrance. | 0:24:24 | 0:24:28 | |
But on the more practical level, Tom started from scratch | 0:24:28 | 0:24:32 | |
by re-plastering, re-wiring and re-plumbing the whole house, | 0:24:32 | 0:24:36 | |
a process not without setbacks. | 0:24:36 | 0:24:38 | |
The floor was a big thing - | 0:24:39 | 0:24:41 | |
we had to replace a couple of floor joists, | 0:24:41 | 0:24:45 | |
we had to treat for rising damp with injections and damp-proof slurry, | 0:24:45 | 0:24:49 | |
and then, obviously, plaster over the top and get it decorated. | 0:24:49 | 0:24:55 | |
But it was... You know, it was a fairly big job. | 0:24:55 | 0:24:58 | |
With the project now complete after five months, Tom's happily settled in with his two cats. | 0:24:58 | 0:25:03 | |
Even they must be aware of the restoration. | 0:25:03 | 0:25:07 | |
# What's new pussycat? | 0:25:07 | 0:25:08 | |
# Whoa-oh whoa-oh whoa oh-oh | 0:25:08 | 0:25:11 | |
# What's new pussycat? | 0:25:11 | 0:25:12 | |
# Whoa-oh whoa-oh whoa oh-oh... # | 0:25:12 | 0:25:14 | |
I think I'm most pleased with the bathroom. | 0:25:14 | 0:25:17 | |
It is relatively small, but the finish is fantastic - | 0:25:17 | 0:25:19 | |
we had a great tiler who came in and did some really good work there. | 0:25:19 | 0:25:25 | |
Equally, downstairs, I think has turned out really, really well. | 0:25:25 | 0:25:31 | |
Tom has achieved an impressive renovation, | 0:25:31 | 0:25:34 | |
but even with his connections, I wonder if his original budget was washed down the plug hole. | 0:25:34 | 0:25:41 | |
When we put the £10,000 budget together, | 0:25:41 | 0:25:44 | |
that was with a view to renting the property out. | 0:25:44 | 0:25:47 | |
I haven't got, to be honest with you, I don't know exactly how much | 0:25:47 | 0:25:51 | |
has been spent on it, but it was probably more like 40 or 50. | 0:25:51 | 0:25:54 | |
A bit of an overspend there, then. | 0:25:55 | 0:25:57 | |
When developing, it's important not to get too deeply involved in a property, | 0:25:57 | 0:26:01 | |
if you spend too much you may lose the shirt off your back. | 0:26:01 | 0:26:05 | |
But in Tom's case, his new home is his passion. | 0:26:05 | 0:26:08 | |
So, will this love affair last? | 0:26:08 | 0:26:12 | |
I'm happy living here for the time being. | 0:26:12 | 0:26:16 | |
Obviously things change, but for now, you know, | 0:26:16 | 0:26:19 | |
I like being here and I don't have any plans to sell. | 0:26:19 | 0:26:21 | |
I'm not surprised, but with the renovation costs at £50,000 | 0:26:24 | 0:26:27 | |
added to his purchase price of 130,000, | 0:26:27 | 0:26:33 | |
Tom's total spend is around £180,000. | 0:26:33 | 0:26:37 | |
Time for two local estate agents | 0:26:37 | 0:26:39 | |
to give their verdict on the restoration. | 0:26:39 | 0:26:42 | |
First impressions are fantastic, totally bowled over, | 0:26:43 | 0:26:46 | |
it's a magnificent house. | 0:26:46 | 0:26:47 | |
You know, the finish and the neutral tones, | 0:26:47 | 0:26:50 | |
the nice pastels that he's picked are really nice. | 0:26:50 | 0:26:53 | |
First impressions - the owner's done an excellent job | 0:26:53 | 0:26:55 | |
of combining the original fabric with the finish that works. | 0:26:55 | 0:26:58 | |
By making the ground floor more open-plan, it's got a more contemporary feel to it. | 0:26:58 | 0:27:04 | |
I think this property will sell well, it's got the wow factor. | 0:27:04 | 0:27:07 | |
As soon as you walk in, you fall in love with it. | 0:27:07 | 0:27:09 | |
Has that "wow factor" come at a price? | 0:27:11 | 0:27:13 | |
Remember, Tom spent around £180,000. | 0:27:13 | 0:27:17 | |
What sort of resale figure could he achieve? | 0:27:17 | 0:27:21 | |
In terms of value, | 0:27:21 | 0:27:22 | |
I think the owner's done everything he can to maximize the resale, | 0:27:22 | 0:27:26 | |
but it's unlikely to return above the £200,000 mark. | 0:27:26 | 0:27:28 | |
If we were to put this property on the market, I would start asking £220,000. | 0:27:28 | 0:27:33 | |
I'm happy with either but, as you know, | 0:27:33 | 0:27:35 | |
I'm not here to sell it anywhere, so it doesn't have a massive impact. | 0:27:35 | 0:27:39 | |
Quite a difference in estimates there, | 0:27:39 | 0:27:42 | |
but even if Tom got the lower value, | 0:27:42 | 0:27:45 | |
he could still make £20,000 pre-tax profit. What about rental? | 0:27:45 | 0:27:50 | |
Looking at the rental market, this should let very well at £700 per calendar month. | 0:27:50 | 0:27:55 | |
If we put this property up for rent, | 0:27:55 | 0:27:56 | |
you'd be able to get £700 per calendar month. | 0:27:56 | 0:27:59 | |
Well, if I ever did want to move to a different house, you know, | 0:27:59 | 0:28:02 | |
I'd rather keep hold of houses rather than sell them, so that's interesting to know. | 0:28:02 | 0:28:06 | |
Those sort of returns could give Tom just under a 5% yield. | 0:28:06 | 0:28:11 | |
But for now, he's focusing on enjoying his new home | 0:28:11 | 0:28:15 | |
and hasn't let that big spend overshadow the experience. | 0:28:15 | 0:28:21 | |
Yeah, I've really enjoyed myself. It's been a lot of hard work, | 0:28:21 | 0:28:24 | |
but I would certainly consider doing it in the future. | 0:28:24 | 0:28:28 | |
Well, there's one investment strategy, | 0:28:31 | 0:28:33 | |
which says you should buy property within close proximity of water. | 0:28:33 | 0:28:37 | |
Well, that works for the property I'm here to see | 0:28:37 | 0:28:40 | |
because it's just three miles away from the marina here in Southampton. | 0:28:40 | 0:28:44 | |
Today's property is in Bitterne village. | 0:28:47 | 0:28:49 | |
It's a popular residential area with good schools, shops, | 0:28:49 | 0:28:52 | |
and easy access into the centre of Southampton | 0:28:52 | 0:28:55 | |
with its bars and entertainment area around the harbour. | 0:28:55 | 0:29:00 | |
Well, although the location ticks the boxes, | 0:29:00 | 0:29:03 | |
the kind of property isn't really in most investors' top-five choices, | 0:29:03 | 0:29:08 | |
because it's a bungalow. | 0:29:08 | 0:29:10 | |
Now I personally love bungalows, I was born in one. | 0:29:10 | 0:29:13 | |
They were brought over from India in the 1920s, | 0:29:13 | 0:29:15 | |
the first ones appeared in London and they spread across the country. | 0:29:15 | 0:29:19 | |
Nowadays, developers don't like them | 0:29:19 | 0:29:21 | |
because they don't make the most of the space they sit on. | 0:29:21 | 0:29:24 | |
However, ones like this... You've got to say, it's got character. | 0:29:24 | 0:29:28 | |
The bungalow was guided at £140,000 and certainly looks inviting | 0:29:28 | 0:29:34 | |
with its fairytale turret and red-and-black chequered brickwork, | 0:29:34 | 0:29:38 | |
which has obviously seen better days. | 0:29:38 | 0:29:40 | |
The bow front seems to have had some movement, | 0:29:40 | 0:29:42 | |
but this just seems to add to the unusual charm of the place. | 0:29:42 | 0:29:46 | |
OK, I wonder if the internal layout is as quirky as the outside. | 0:29:46 | 0:29:52 | |
Well, on the face of it, no, it all seems to make sense. | 0:29:52 | 0:29:54 | |
We've got rear sitting room or dining room leading to kitchen, two bedrooms, | 0:29:54 | 0:29:58 | |
bathroom and toilet, and then through | 0:29:58 | 0:30:01 | |
into the front sitting room, the living room area, I suppose. | 0:30:01 | 0:30:04 | |
But... Oh, boy! What's that?! | 0:30:04 | 0:30:06 | |
HE LAUGHS | 0:30:06 | 0:30:08 | |
Now, no prizes here for guessing what... | 0:30:08 | 0:30:12 | |
Oh, my goodness gracious. | 0:30:12 | 0:30:13 | |
THAT is a perfect, perfect example of woodworm. | 0:30:13 | 0:30:21 | |
You can see the holes, but by the time it gets to this stage, | 0:30:21 | 0:30:25 | |
the beetles, which were burrowing their way through the wood have left, leaving powdered wood. | 0:30:25 | 0:30:30 | |
Now you don't know how far that goes, but... | 0:30:30 | 0:30:33 | |
..that could be quite serious. | 0:30:34 | 0:30:36 | |
Clearly, have this whole place treated | 0:30:36 | 0:30:38 | |
and there's going to be a lot of floorboards that need replacing. | 0:30:38 | 0:30:42 | |
So, not a good start. | 0:30:44 | 0:30:46 | |
Up in the loft, someone has gone to the trouble | 0:30:46 | 0:30:49 | |
of attempting an attic conversion, | 0:30:49 | 0:30:51 | |
but they shouldn't have bothered - it's dark, dingy and cramped. | 0:30:51 | 0:30:55 | |
But at least the potential's there. | 0:30:55 | 0:30:58 | |
Well, not a bad-size bedroom, and lots of light pouring in, | 0:31:01 | 0:31:04 | |
but if you're nervous or suspicious about walking under ladders, | 0:31:04 | 0:31:08 | |
this really isn't ideal - | 0:31:08 | 0:31:09 | |
the stairs up to that bodged job of an attic conversion. | 0:31:09 | 0:31:12 | |
But through here to, I guess, the rear sitting room, | 0:31:12 | 0:31:16 | |
a nice old fireplace, which you could probably have some fun with, | 0:31:16 | 0:31:20 | |
but some odd doorways out to various other parts of the property. | 0:31:20 | 0:31:23 | |
And then through to the biggest problem | 0:31:23 | 0:31:25 | |
with this particular bungalow, which is the kitchen. | 0:31:25 | 0:31:28 | |
I think it's in a bit of an extension, | 0:31:28 | 0:31:30 | |
not a particularly nice job. It's clearly totally lacking. | 0:31:30 | 0:31:34 | |
I'd think about maybe extending the bungalow out | 0:31:34 | 0:31:37 | |
because you need to get a better working area in this place | 0:31:37 | 0:31:40 | |
and I don't see how you could do it with the space there is. | 0:31:40 | 0:31:43 | |
Outside there is some of that space available, | 0:31:43 | 0:31:45 | |
so that's a pretty good option. | 0:31:45 | 0:31:47 | |
At the bottom of the untidy garden there's a timber garage that just might need replacing. | 0:31:47 | 0:31:55 | |
But despite its rundown, dishevelled appearance, this bungalow does have character and individuality. | 0:31:55 | 0:32:00 | |
All it needs is some careful attention to make it a lovely home. | 0:32:00 | 0:32:06 | |
So at a guide price of £140,000, | 0:32:08 | 0:32:10 | |
what does a local estate agent make | 0:32:10 | 0:32:14 | |
of this little two-bed in Southampton? | 0:32:14 | 0:32:18 | |
First impressions of this property - | 0:32:18 | 0:32:20 | |
unusual bungalow, very attractive from the outside. | 0:32:20 | 0:32:23 | |
Obviously, you notice it needs a fair bit of work doing to it. | 0:32:23 | 0:32:27 | |
There are numerous rooms, all of which are quite small, | 0:32:27 | 0:32:30 | |
so it might lend itself to being opened out, extended really. | 0:32:30 | 0:32:33 | |
Once this bungalow was renovated and enlarged, | 0:32:33 | 0:32:36 | |
what market could it be aimed at? | 0:32:36 | 0:32:39 | |
I think, possibly, your target buyer is somebody that's downsizing, | 0:32:39 | 0:32:42 | |
particularly the older generation, | 0:32:42 | 0:32:45 | |
even though the types of buyer have changed over the years. | 0:32:45 | 0:32:48 | |
But you do get quite a vast demand for them depending on time of year. | 0:32:48 | 0:32:52 | |
Given its guide price of 140 grand, would an extensive renovation be worthwhile? | 0:32:52 | 0:32:59 | |
The resale value for this property extended, | 0:32:59 | 0:33:02 | |
you're probably looking in excess of £200,000. | 0:33:02 | 0:33:05 | |
If they did a really good job they might be able to touch on around £225,000. | 0:33:05 | 0:33:10 | |
And the rental returns? | 0:33:10 | 0:33:12 | |
Rental valuation for this property per calendar month is around £800. | 0:33:12 | 0:33:16 | |
Well, it's not without its problems, but you know what? | 0:33:21 | 0:33:24 | |
I really like this little bungalow. | 0:33:24 | 0:33:26 | |
Yes, you'd have to sort out that bowing in the front wall and treat it for woodworm, | 0:33:26 | 0:33:31 | |
but get the planning permission for the extension of the kitchen, | 0:33:31 | 0:33:34 | |
and you've got a lovely little home here. | 0:33:34 | 0:33:36 | |
Let's find out who fell in love with it at the auction. | 0:33:36 | 0:33:39 | |
Lot number eight, | 0:33:44 | 0:33:46 | |
£125,000 is the asking start-point. | 0:33:46 | 0:33:50 | |
125, gentleman in the blue jumper, thank you. 125, I have got. | 0:33:50 | 0:33:56 | |
Is there £126,000 in the room? | 0:33:56 | 0:33:59 | |
There is. Thank you, madam, 126. | 0:33:59 | 0:34:02 | |
Now back at 127, sir. | 0:34:02 | 0:34:03 | |
There's a nod at 127. | 0:34:03 | 0:34:05 | |
Now looking for 128. | 0:34:05 | 0:34:07 | |
128 is bid. | 0:34:07 | 0:34:08 | |
129, thank you. Now looking for 130. | 0:34:08 | 0:34:11 | |
Shake of the head. | 0:34:11 | 0:34:12 | |
I have 129 on my right-hand side, | 0:34:12 | 0:34:15 | |
now looking for 130 from somewhere else. | 0:34:15 | 0:34:18 | |
130, the lady does, chatting to her husband, 130. 131? | 0:34:18 | 0:34:23 | |
131 is bid. 132? | 0:34:23 | 0:34:25 | |
132,000. Sir, 133? | 0:34:25 | 0:34:30 | |
133 he does. | 0:34:30 | 0:34:32 | |
Back to you, madam, 134,000. 135? | 0:34:32 | 0:34:38 | |
134,500? No? Shaking his head. It's with you, madam, at £134,000. | 0:34:38 | 0:34:41 | |
New bidder, thank you, at the back. | 0:34:41 | 0:34:45 | |
134,500. | 0:34:45 | 0:34:46 | |
135, madam? | 0:34:46 | 0:34:48 | |
135,000. Last chance to you, sir, if not, I'm selling. | 0:34:48 | 0:34:53 | |
£135,000, then. | 0:34:53 | 0:34:55 | |
Once, 135 twice... | 0:34:55 | 0:34:59 | |
135,000 for the third and the final time. | 0:34:59 | 0:35:03 | |
Well done. | 0:35:03 | 0:35:04 | |
The successful bidders were Julie and her partner Tor. | 0:35:04 | 0:35:09 | |
They got the bungalow for 135,000, 5,000 below its guide price which was pretty good going. | 0:35:09 | 0:35:17 | |
Julie's a former education and charity-sector worker who now trades on the Norwegian stock exchange. | 0:35:17 | 0:35:24 | |
I met up with her to find out about their plans. | 0:35:24 | 0:35:28 | |
-Julie, congratulations. -Thank you. | 0:35:28 | 0:35:30 | |
You've got a sweet little bungalow, haven't you? | 0:35:30 | 0:35:33 | |
-It is a sweet little bungalow. -Why did you want to buy it? | 0:35:33 | 0:35:36 | |
We liked the look of it and we hadn't seen it before we bought it, | 0:35:36 | 0:35:39 | |
but we like the look of it. We... | 0:35:39 | 0:35:41 | |
How do you mean? You haven't seen it... | 0:35:41 | 0:35:43 | |
I know that's breaking the rules, but we... We did it. | 0:35:43 | 0:35:46 | |
We won't do it a second time, but we liked the look of it and it was going at a good price | 0:35:46 | 0:35:50 | |
and we knew the area it was in, so we decided that we would buy it. | 0:35:50 | 0:35:54 | |
The look of it from what? From the picture in the catalogue? | 0:35:54 | 0:35:57 | |
From the catalogue, that's all we knew at the time. | 0:35:57 | 0:35:59 | |
And luckily, very luckily, it's actually a good buy. | 0:35:59 | 0:36:03 | |
So, at what point did you decide you were going to buy it? | 0:36:03 | 0:36:06 | |
-During the auction. -Actually during the auction? | 0:36:06 | 0:36:09 | |
Yes, yes. | 0:36:09 | 0:36:10 | |
We had been looking at another property, which came on later, | 0:36:10 | 0:36:13 | |
but when this one came up | 0:36:13 | 0:36:14 | |
and we realised the price, we thought it was a good buy. | 0:36:14 | 0:36:17 | |
So, did you read the legal pack? | 0:36:17 | 0:36:19 | |
Nope. | 0:36:19 | 0:36:21 | |
So you not only didn't visit, but you didn't know anything about its legal status. | 0:36:21 | 0:36:26 | |
This is breaking all of the rules and I know it's not what you should do, | 0:36:26 | 0:36:29 | |
and it's not we will do a second time, but this time we did, yeah. | 0:36:29 | 0:36:33 | |
Why? | 0:36:33 | 0:36:35 | |
I think we just...got carried away on the enthusiasm of the day, | 0:36:35 | 0:36:39 | |
and we did like the look of it and we did know the area, | 0:36:39 | 0:36:42 | |
so there were some positives in there. | 0:36:42 | 0:36:45 | |
And we knew the price range of the area. | 0:36:45 | 0:36:47 | |
But we know that by doing that, we put ourselves in line | 0:36:47 | 0:36:50 | |
for some really unpleasant surprises, which luckily haven't materialised. | 0:36:50 | 0:36:54 | |
We, sort of... We've got what we expected with it, so that's OK. | 0:36:54 | 0:36:59 | |
# This could be my lucky day... # | 0:36:59 | 0:37:03 | |
Breaking all those auction-buying rules and getting away with it. | 0:37:03 | 0:37:07 | |
While she and her Norwegian partner, Tor, | 0:37:07 | 0:37:10 | |
may have got lucky with their impromptu buying strategy, | 0:37:10 | 0:37:14 | |
they do at least have a plan for their next step. | 0:37:14 | 0:37:17 | |
We have a plan over four or five years to do several houses, | 0:37:17 | 0:37:20 | |
to sell them on and then, actually to arrive at a point | 0:37:20 | 0:37:23 | |
where we will have the house that we want to stay in. | 0:37:23 | 0:37:26 | |
And that might take a little bit longer | 0:37:26 | 0:37:28 | |
if the market freezes for a while, but it's still the same plan. | 0:37:28 | 0:37:31 | |
But for the present their immediate plan | 0:37:31 | 0:37:35 | |
is to renovate the entire bungalow. Including - new windows, electrics, | 0:37:35 | 0:37:39 | |
plumbing and kitchen. | 0:37:39 | 0:37:41 | |
And the bathroom. | 0:37:42 | 0:37:44 | |
By extending into the garden, | 0:37:44 | 0:37:46 | |
they hope to enlarge the bungalow's footprint | 0:37:46 | 0:37:49 | |
from 65 to 100 square metres. | 0:37:49 | 0:37:51 | |
This would allow them to reconfigure the layout of the rear | 0:37:51 | 0:37:54 | |
and put a proper staircase up to that loft room. | 0:37:54 | 0:37:57 | |
All good news so far until... | 0:37:57 | 0:38:01 | |
We will need to take out the front bay window, | 0:38:01 | 0:38:03 | |
the circular bay window, because that's bulging, rebuild that. | 0:38:03 | 0:38:07 | |
Very probably, I think, take that opportunity to change the turret and have a conventional roof. | 0:38:07 | 0:38:14 | |
That's still in the pot, but we think probably that will go. | 0:38:14 | 0:38:18 | |
Don't get rid of the turret. | 0:38:18 | 0:38:20 | |
Everybody loves the turret, but it's whether anybody would buy the house with the turret. | 0:38:20 | 0:38:25 | |
You bought it from the picture. | 0:38:25 | 0:38:26 | |
-True. -And the turret was part of the picture. | 0:38:26 | 0:38:29 | |
We'll wait and see. | 0:38:29 | 0:38:31 | |
I may have got a reprieve for the turret here, | 0:38:32 | 0:38:34 | |
but it looks like Julie has taken a practical approach to solve the problems. | 0:38:34 | 0:38:38 | |
The pair have a budget of 50 grand, which seems reasonably healthy, | 0:38:38 | 0:38:43 | |
but there is one big issue to be resolved, the woodworm. | 0:38:43 | 0:38:47 | |
What are you going to do about them? | 0:38:48 | 0:38:50 | |
Strip out the floorboards, replace them, have the joists checked carefully. | 0:38:50 | 0:38:54 | |
If the joists are damaged too, then sadly, they would have to come out. | 0:38:54 | 0:38:58 | |
We're hoping that that's not the case, and the first opinion | 0:38:58 | 0:39:01 | |
from our structural person is that that isn't the case, | 0:39:01 | 0:39:05 | |
but we don't have a definite on that yet. | 0:39:05 | 0:39:07 | |
We've got a little bit of subsidence going on up there too. | 0:39:07 | 0:39:11 | |
Have you had a structural survey done now? | 0:39:11 | 0:39:13 | |
Yes. It's settlement rather than subsidence, and we are on clay here, | 0:39:13 | 0:39:18 | |
and a bungalow built in 1931 would have quite shallow foundations. | 0:39:18 | 0:39:22 | |
It's not collapsed drains, which is good news. | 0:39:22 | 0:39:24 | |
We are taking off this back part of the house anyway, | 0:39:24 | 0:39:27 | |
so we'll be able to treble check that. | 0:39:27 | 0:39:29 | |
We will have to, obviously, | 0:39:29 | 0:39:31 | |
build that back of the house on stronger foundations | 0:39:31 | 0:39:34 | |
and possibly underpin the door, the front door, | 0:39:34 | 0:39:37 | |
put blocks under there to underpin it. | 0:39:37 | 0:39:40 | |
And that, we hope, will actually solve the problem. | 0:39:40 | 0:39:44 | |
Well, perhaps all of that 50 grand budget will be needed. | 0:39:44 | 0:39:48 | |
They plan to do the work themselves and aim to finish in six months, | 0:39:48 | 0:39:51 | |
though something tells me that could be rather tight. | 0:39:51 | 0:39:54 | |
We'll go for lots of natural light, opening it out, lots of light colours, making it comfortable, | 0:39:54 | 0:40:00 | |
clean, Scandinavian, you know, nice design which will be attractive. | 0:40:00 | 0:40:07 | |
-Well, good luck with it and look after it, it's a lovely place. -Thank you. | 0:40:07 | 0:40:12 | |
So, Julie breaking all the rules buying this place - | 0:40:12 | 0:40:16 | |
not only not visiting it, but also not reading the legal pack. | 0:40:16 | 0:40:21 | |
However, she might have got away with it, | 0:40:21 | 0:40:23 | |
she's got herself a lovely bungalow. | 0:40:23 | 0:40:25 | |
Some ambitious plans, I just hope the turret stays. | 0:40:25 | 0:40:29 | |
Find out how she gets on later in the show. | 0:40:29 | 0:40:32 | |
Time has passed, have our buyers kept to their schedule or have they overrun? | 0:40:35 | 0:40:39 | |
Have the stuck to their budget or has money just slipped through their fingers? | 0:40:39 | 0:40:44 | |
Ha-huh! It's time to find out. | 0:40:44 | 0:40:45 | |
It was just outside Maidstone, Kent, in the village of Larkfield, | 0:40:45 | 0:40:50 | |
where we first met architect, Pete, and his builder mate, Mark. | 0:40:50 | 0:40:54 | |
For their first business venture together, | 0:40:54 | 0:40:57 | |
they'd just bought a rather dilapidated bungalow for £193,000. | 0:40:57 | 0:41:02 | |
It also had the bonus of a potential building plot behind it. | 0:41:02 | 0:41:06 | |
-We bought this, primarily, knowing there was no profit in it. -Mmm. | 0:41:08 | 0:41:12 | |
The profit's in the back garden, where, hopefully, | 0:41:12 | 0:41:14 | |
we'll get planning and that's where we'll make money. | 0:41:14 | 0:41:17 | |
In essence, this was a two-stage project. | 0:41:18 | 0:41:21 | |
The first stage meant doing up the bungalow | 0:41:21 | 0:41:24 | |
while trying to get planning permission to develop the plot at the back. | 0:41:24 | 0:41:27 | |
Seven months on, where have they got to? | 0:41:27 | 0:41:32 | |
Well, there's definitely been massive progress on the bungalow | 0:41:32 | 0:41:35 | |
with a dormer extension added in the roof, | 0:41:35 | 0:41:38 | |
new windows, doors and a lawned front garden. | 0:41:38 | 0:41:43 | |
And inside? Well, the rooms have been modernised | 0:41:46 | 0:41:50 | |
and the new decor creates a less boxy feel. | 0:41:50 | 0:41:54 | |
And they've opened up some areas, most noticeably in the kitchen. | 0:41:57 | 0:42:02 | |
Well, I don't know if you remember when you was here last time, there was actually a wall here. | 0:42:05 | 0:42:10 | |
We decided to take it down to open it up into a family room | 0:42:10 | 0:42:14 | |
or a kitchen/diner, and one of the subtle, little differences | 0:42:14 | 0:42:18 | |
that no-one really notices | 0:42:18 | 0:42:19 | |
is we actually moved the door over, for two reasons - | 0:42:19 | 0:42:22 | |
one, you're having a breakfast bar, so it makes a definite image, | 0:42:22 | 0:42:26 | |
but also to give you room for a sofa. | 0:42:26 | 0:42:28 | |
The addition of patio doors now means you can go straight out | 0:42:32 | 0:42:36 | |
into the small, but adequate, fenced garden. | 0:42:36 | 0:42:40 | |
The two bedrooms are finished off | 0:42:40 | 0:42:42 | |
and central heating has been installed. | 0:42:42 | 0:42:44 | |
So, with a fabulous new bathroom-cum-wet-room, | 0:42:46 | 0:42:50 | |
downstairs is now complete. | 0:42:50 | 0:42:52 | |
OK, the changes we made on the first floor - | 0:42:52 | 0:42:54 | |
firstly, we've created a new bathroom in a dormer roof structure. | 0:42:54 | 0:42:59 | |
In doing so, this also allowed us | 0:42:59 | 0:43:01 | |
to create an airing cupboard on the opposite side. | 0:43:01 | 0:43:03 | |
The room behind me has more or less stayed the same. | 0:43:03 | 0:43:06 | |
We introduced a VELUX window which gives lots of natural light into this bigger landing. | 0:43:06 | 0:43:11 | |
The other thing we did was to shorten the back bedroom. | 0:43:11 | 0:43:14 | |
The door line used to be here, | 0:43:14 | 0:43:15 | |
but we've moved it back onto this line here. | 0:43:15 | 0:43:18 | |
In the back bedroom, we just decorated, | 0:43:18 | 0:43:20 | |
we re-plastered the whole thing. | 0:43:20 | 0:43:22 | |
We also rationalised the storage space, | 0:43:22 | 0:43:24 | |
which gives storage space so it would be great for families and children. | 0:43:24 | 0:43:28 | |
I think the addition of the bathroom on this floor, | 0:43:28 | 0:43:31 | |
along with the skylight, now really makes the space work. | 0:43:31 | 0:43:35 | |
You can see that the whole bungalow has been re-jigged to maximize and enhance the living space. | 0:43:35 | 0:43:40 | |
It shows both good design and build qualities. | 0:43:40 | 0:43:44 | |
We've both played the roles that I guess are our backgrounds. | 0:43:44 | 0:43:47 | |
He's an architect, um, he's not very hands-on. | 0:43:47 | 0:43:51 | |
I've also done my best to roll my sleeves up | 0:43:51 | 0:43:53 | |
and get involved with the build itself. | 0:43:53 | 0:43:55 | |
There's a few times he's like, "Why don't we do this?" | 0:43:55 | 0:43:58 | |
I'm like, "No, why don't we do this?" | 0:43:58 | 0:44:00 | |
And he's like, "Oh, yeah." | 0:44:00 | 0:44:01 | |
But I think that's why the partnership's worked well | 0:44:01 | 0:44:04 | |
because we do have different knowledge fields, and collectively, | 0:44:04 | 0:44:08 | |
have a good span of knowledge. | 0:44:08 | 0:44:09 | |
These guys really have combined their skills, | 0:44:09 | 0:44:13 | |
the A-Team of property development. | 0:44:13 | 0:44:15 | |
So, having successfully completed their first mission | 0:44:17 | 0:44:20 | |
and got the bungalow sorted, | 0:44:20 | 0:44:21 | |
what about that possible development at the back? | 0:44:21 | 0:44:24 | |
With regards to the plot of land, we've, sort of, been advised | 0:44:24 | 0:44:28 | |
that it's better to keep it as a piece of land | 0:44:28 | 0:44:30 | |
that doesn't have planning permission on it | 0:44:30 | 0:44:33 | |
to the point where we sell this property. | 0:44:33 | 0:44:35 | |
After talking to the agents, they've all said, "Flats, flats, flats, flats." | 0:44:35 | 0:44:40 | |
A scheme, which we've taken to the planners - | 0:44:40 | 0:44:42 | |
a five, one-bed apartment block on the land | 0:44:42 | 0:44:44 | |
And the block would resemble a pair of semis in truth, | 0:44:44 | 0:44:47 | |
with four in the main body of the property and one in the roof. | 0:44:47 | 0:44:51 | |
They're not opposed to it, but there will be hurdles. | 0:44:51 | 0:44:53 | |
So it's still in the balance, and at present, there's no certainty | 0:44:55 | 0:44:59 | |
that Pete's plan will ever make it off the drawing board. | 0:44:59 | 0:45:02 | |
Can they afford for it to fail? | 0:45:02 | 0:45:05 | |
Our original budget was about £30,000. | 0:45:05 | 0:45:08 | |
We're currently more like, sort of, mid-60s at the moment. | 0:45:08 | 0:45:12 | |
But we've done a lot more - we planned to come in here and just decorate, | 0:45:12 | 0:45:16 | |
we bought it for the land out back, | 0:45:16 | 0:45:18 | |
so we could turn this one round quickly, | 0:45:18 | 0:45:20 | |
but there were so many options to turn it from a bungalow into a family home. | 0:45:20 | 0:45:25 | |
They paid £193,000 for both the bungalow and the land | 0:45:25 | 0:45:30 | |
and have spent a further £65,000 on the bungalow. | 0:45:30 | 0:45:34 | |
With costs, this means their total outlay is about £260,000. | 0:45:34 | 0:45:39 | |
So can the bungalow alone recoup the investment? | 0:45:39 | 0:45:42 | |
What do two local estate agents think? | 0:45:42 | 0:45:44 | |
I think the changes that have been made to the property are pretty exceptional, | 0:45:46 | 0:45:50 | |
considering what it was like when I first visited. | 0:45:50 | 0:45:53 | |
The changes to upstairs and to include the downstairs bathroom | 0:45:53 | 0:45:57 | |
and upstairs shower room was very wise. | 0:45:57 | 0:45:59 | |
I love it. They've completed the works to a very high standard | 0:45:59 | 0:46:02 | |
and it looks really good. | 0:46:02 | 0:46:03 | |
So, encouraging comments, | 0:46:03 | 0:46:06 | |
but will that translate into a healthy end-value | 0:46:06 | 0:46:09 | |
after Pete and Mark's investment of around £260,000 here. | 0:46:09 | 0:46:14 | |
This property could resell for around £275,000. | 0:46:14 | 0:46:19 | |
In the present market, | 0:46:19 | 0:46:20 | |
I would consider this property would sell at £250,000. | 0:46:20 | 0:46:24 | |
At 250, you know, that would still be acceptable. | 0:46:24 | 0:46:29 | |
We'd still come out of it with a cheap piece of land to build. | 0:46:29 | 0:46:31 | |
Yes, that's good, they're around break-even point before a brick's been laid. | 0:46:31 | 0:46:36 | |
But if they can get the five-apartment plan approved, | 0:46:36 | 0:46:40 | |
what kind of profit could they hope for? | 0:46:40 | 0:46:42 | |
If they got planning permission for apartments, | 0:46:46 | 0:46:48 | |
I'd expect they'd be able to get about five apartments built. | 0:46:48 | 0:46:52 | |
Um, one-beds, of which I would expect them to command a sale price of around about £100,000 to £120,000. | 0:46:52 | 0:46:59 | |
We would like to think that if we could get five on there, | 0:46:59 | 0:47:03 | |
there would be two that were a pure profit, | 0:47:03 | 0:47:06 | |
which would be one each. | 0:47:06 | 0:47:07 | |
And we have said that we would probably... | 0:47:07 | 0:47:10 | |
If we could walk away with one property each, | 0:47:10 | 0:47:13 | |
we would keep them ourselves and rent them | 0:47:13 | 0:47:16 | |
and then re-mortgage them to buy our next piece of land, | 0:47:16 | 0:47:20 | |
so we'd have a constant money source for us. | 0:47:20 | 0:47:22 | |
If that all works they would both be in a good position | 0:47:22 | 0:47:26 | |
to invest in another project together and keep the business partnership going. | 0:47:26 | 0:47:31 | |
So is that the plan? | 0:47:31 | 0:47:32 | |
Yeah. No, I think the experience so far has been a very positive one for both of us. | 0:47:34 | 0:47:39 | |
Almost life-changing, certainly financially, and to just give us another direction in life. | 0:47:39 | 0:47:45 | |
Without a doubt, it's brilliant. | 0:47:45 | 0:47:48 | |
# It's a new dawn | 0:47:48 | 0:47:49 | |
# It's a new day | 0:47:49 | 0:47:51 | |
# It's a new life | 0:47:51 | 0:47:53 | |
# For me | 0:47:53 | 0:47:56 | |
# And I'm feeling good... # | 0:47:56 | 0:47:58 | |
And if they feel good now, just imagine what it will be like | 0:47:58 | 0:48:02 | |
if they get that all-important planning permission. | 0:48:02 | 0:48:06 | |
We're back in Southampton after nearly 18 months | 0:48:14 | 0:48:17 | |
to see how first-time developers, Tor and Julie, | 0:48:17 | 0:48:21 | |
fared renovating their two-bedroom bungalow. | 0:48:21 | 0:48:25 | |
They bought it for £135,000, but hadn't seen the property | 0:48:25 | 0:48:29 | |
or done any homework on it before the auction. | 0:48:29 | 0:48:32 | |
-So you not only didn't visit the property, but you didn't know anything about its legal status? -No. | 0:48:32 | 0:48:38 | |
This is breaking all of the rules and I know it's not what you should do. | 0:48:38 | 0:48:41 | |
Now, outside the most stark, and in my view saddest, change | 0:48:41 | 0:48:47 | |
is the loss of the turret with its gorgeous bay window. | 0:48:47 | 0:48:51 | |
It's been replaced by a conventional pitched roof. | 0:48:51 | 0:48:54 | |
# Give me one good reason... # | 0:48:54 | 0:48:56 | |
The turret in itself was literally falling down | 0:48:58 | 0:49:03 | |
so I could have kicked the walls out. | 0:49:03 | 0:49:06 | |
And there was no foundations under it, so...it just had to go. | 0:49:06 | 0:49:12 | |
# Yeah, we're just waiting | 0:49:12 | 0:49:14 | |
# For the hammer to fall, yeah... # | 0:49:14 | 0:49:16 | |
The solution has taken away some of the charm of this house, | 0:49:17 | 0:49:21 | |
but I can understand the reasoning behind it. | 0:49:21 | 0:49:24 | |
It's been up to Tor to wield his mighty hammer | 0:49:26 | 0:49:28 | |
and almost single-handedly undertake all the repair work. | 0:49:28 | 0:49:32 | |
There are still two rooms at the front, which have been re-plastered | 0:49:37 | 0:49:41 | |
and both sets of windows have been replaced. | 0:49:41 | 0:49:45 | |
Around the back, the property has been hugely extended. | 0:49:45 | 0:49:49 | |
When we first bought it, it was virtually derelict, | 0:49:51 | 0:49:55 | |
it was small, it hadn't really had anything done to it for a long time. | 0:49:55 | 0:49:59 | |
The garden was completely overgrown, | 0:49:59 | 0:50:01 | |
there was a derelict garage in the garden as well. | 0:50:01 | 0:50:04 | |
Our plans expanded as we... | 0:50:04 | 0:50:05 | |
At first we were just going to go for a fairly small extension | 0:50:05 | 0:50:09 | |
and maybe add about 25% on, | 0:50:09 | 0:50:11 | |
but then we realised that we would make more of the house | 0:50:11 | 0:50:15 | |
if we went for larger, so we've double the house and more, | 0:50:15 | 0:50:19 | |
it's now 110 square metres. | 0:50:19 | 0:50:21 | |
We've added on a large extension at the back which provides living, kitchen and dining, | 0:50:21 | 0:50:25 | |
and then we've changed around all the inside, haven't we? | 0:50:25 | 0:50:29 | |
-Yes. All the rooms have been altered so nothing is where it used to be before. -Mmm. | 0:50:29 | 0:50:35 | |
It has been a major job, yes. | 0:50:35 | 0:50:37 | |
Where there were smaller individual rooms | 0:50:38 | 0:50:41 | |
branching off a cramped corridor, | 0:50:41 | 0:50:43 | |
there is now this huge, bright open interior space. | 0:50:43 | 0:50:47 | |
Tor and Julie have tried to bring a taste of Scandinavian luxury | 0:50:48 | 0:50:53 | |
to the south coast of England. | 0:50:53 | 0:50:55 | |
And I'm pretty sure that bath won't be staying there. | 0:50:55 | 0:50:59 | |
Their vision is clear to see - | 0:51:00 | 0:51:01 | |
they've set about creating a unique and spacious open-plan living area. | 0:51:01 | 0:51:08 | |
One of the rooms that warranted serious modernisation was the kitchen, | 0:51:10 | 0:51:15 | |
this is now part of the extension. | 0:51:15 | 0:51:17 | |
Well, we are now in the extension | 0:51:19 | 0:51:23 | |
and the extension has actually doubled the size of the house | 0:51:23 | 0:51:30 | |
and it's the extension that we are the most proud of. | 0:51:30 | 0:51:32 | |
Contemporary look, we really enjoy it, we like it a lot. | 0:51:32 | 0:51:37 | |
We have the new kitchen units, | 0:51:37 | 0:51:40 | |
we have the open-space living room/dining room. | 0:51:40 | 0:51:45 | |
It has come together exactly how we wanted it to and we are very proud of it. | 0:51:45 | 0:51:51 | |
One of the more unique aspects of this development | 0:51:54 | 0:51:57 | |
is that the property is now, effectively, a two-storey bungalow. | 0:51:57 | 0:52:01 | |
There's been considerable development upstairs in the loft. | 0:52:02 | 0:52:06 | |
Tor and Julie plan for this to become a third bedroom with space for an en-suite wet room. | 0:52:06 | 0:52:12 | |
It will add something extra to the bungalow. | 0:52:15 | 0:52:17 | |
I think we've achieved the Scandinavian feel. | 0:52:17 | 0:52:20 | |
It's very open-plan, this large extension is very open-plan. | 0:52:20 | 0:52:23 | |
The rest of the house, too, has that feel to it, or it will when it's finished - | 0:52:23 | 0:52:28 | |
it will be very modern, very contemporary. | 0:52:28 | 0:52:30 | |
Their initial plan was to turn the renovation around in six months, | 0:52:30 | 0:52:34 | |
but here we are nearly a year and a half later, so what happened? | 0:52:34 | 0:52:39 | |
The reason why we made it such a big job | 0:52:39 | 0:52:42 | |
was that we went for permitted development at first, | 0:52:42 | 0:52:47 | |
then we realised that it just doesn't work, | 0:52:47 | 0:52:51 | |
so we decided to go for planning and this is what we ended up with. | 0:52:51 | 0:52:56 | |
# Problems Problems | 0:52:57 | 0:53:00 | |
# Pro-oh-oh-oh-blems... # | 0:53:00 | 0:53:02 | |
Some parts of this property needed urgent attention, | 0:53:04 | 0:53:07 | |
for instance - the floorboards eaten away by woodworm. | 0:53:07 | 0:53:11 | |
Tor's solution to that is very simple. | 0:53:11 | 0:53:15 | |
We will just take out absolutely every single floorboard | 0:53:15 | 0:53:20 | |
and we will just redo the joists. | 0:53:20 | 0:53:23 | |
Put in new joists and just get rid of it that way. | 0:53:23 | 0:53:26 | |
Even with the savings made thanks to Tor's handyman endeavours, | 0:53:26 | 0:53:31 | |
the costs must have spiralled well beyond their initial estimate of 50,000. | 0:53:31 | 0:53:37 | |
We will come in on around 100,000, yeah. | 0:53:37 | 0:53:43 | |
-When it's finished. -When it's finished, yeah. | 0:53:43 | 0:53:45 | |
The roof with the skylights, that is probably close to 10,000, yeah. | 0:53:45 | 0:53:52 | |
They bought the house for £135,000. | 0:53:53 | 0:53:57 | |
So with the projected redevelopment budget of 100,000, that's a lot of ground to catch up. | 0:53:57 | 0:54:03 | |
We invited two local estate agents around to give us their opinions. | 0:54:03 | 0:54:08 | |
This is my second time to the property. | 0:54:11 | 0:54:13 | |
It is a complete transformation. Obviously, it's an ongoing project, | 0:54:13 | 0:54:18 | |
but it's good to see that it's moving ahead. | 0:54:18 | 0:54:20 | |
A few subtle changes here and there - | 0:54:20 | 0:54:22 | |
I've noticed that the circular bay to the front of the property has gone | 0:54:22 | 0:54:26 | |
which is a disappointment because I thought that was a nice feature. | 0:54:26 | 0:54:29 | |
Looking around, the property is fantastic, | 0:54:29 | 0:54:32 | |
although it's not completely finished. | 0:54:32 | 0:54:34 | |
I think, just looking at what they've planned - | 0:54:34 | 0:54:37 | |
I think they've utilised the space really, really well, | 0:54:37 | 0:54:40 | |
the finish and the spec looks really good, lots of light. | 0:54:40 | 0:54:43 | |
I think they've done a fantastic job. | 0:54:43 | 0:54:45 | |
Once this is fully renovated I think the property will probably have a value of around £250,000. | 0:54:45 | 0:54:51 | |
If we were to put this on for sale, | 0:54:51 | 0:54:54 | |
I'd like to see it on between £240,000 and £250,000. | 0:54:54 | 0:54:58 | |
That would be our minimum. | 0:54:58 | 0:55:00 | |
Yeah, that would be our minimum. We would not make a huge profit on that, | 0:55:00 | 0:55:03 | |
but this hasn't really been that much about making a huge profit, | 0:55:03 | 0:55:08 | |
this has been about learning how to do this and I'm pleased with that. | 0:55:08 | 0:55:13 | |
Once completed, this house could still generate some profit for the couple. | 0:55:14 | 0:55:19 | |
What if they were to try renting it? | 0:55:19 | 0:55:22 | |
Once fully renovated, I think it has a rental valuation of around £900 per calendar month. | 0:55:22 | 0:55:28 | |
Once completed, I think rental value-wise, | 0:55:28 | 0:55:31 | |
we would probably put it on the market | 0:55:31 | 0:55:34 | |
at around £900 to £950 per calendar month. | 0:55:34 | 0:55:36 | |
I don't think, at the moment, we're considering renting | 0:55:36 | 0:55:39 | |
because the finish will be very high standard, won't it? | 0:55:39 | 0:55:42 | |
Yeah. We haven't really made any definite decisions about that, | 0:55:42 | 0:55:46 | |
but it doesn't look as if we are going for the rental market. | 0:55:46 | 0:55:50 | |
We will stay in it ourselves for a little while and then we'll sell it on. | 0:55:50 | 0:55:54 | |
Tor and Julie plan to move into the house within the next three weeks and finish off the remaining work. | 0:55:56 | 0:56:02 | |
What are their thoughts on the project now it's nearing completion? | 0:56:02 | 0:56:06 | |
Recently, I've started to feel quite proud about it | 0:56:06 | 0:56:10 | |
and I have enjoyed working, I've enjoyed doing the work. | 0:56:10 | 0:56:14 | |
-We're tired but we're not burned out. -No, not at all. | 0:56:14 | 0:56:17 | |
I've played more of a supporting role, | 0:56:17 | 0:56:19 | |
but still, it's been the two of us as a team and I'm proud of it, | 0:56:19 | 0:56:23 | |
I think we've produced a good house. | 0:56:23 | 0:56:25 | |
I think it's well designed, well built, | 0:56:25 | 0:56:27 | |
people are going to be happy living here in the future | 0:56:27 | 0:56:30 | |
and I think that's... | 0:56:30 | 0:56:31 | |
Yeah, we've put our stamp on this, haven't we? | 0:56:31 | 0:56:34 | |
-Yes, we have. -And that's a good thing. | 0:56:34 | 0:56:35 | |
That's it, but don't despair, there is plenty more out there. | 0:56:37 | 0:56:41 | |
Yes, so join us next time for more Homes Under The Hammer. | 0:56:41 | 0:56:44 | |
-Goodbye. -Goodbye. | 0:56:44 | 0:56:46 | |
Subtitles by Red Bee Media Ltd | 0:56:54 | 0:56:57 |