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-Hello. -As a nation, we are obsessed with property. | 0:00:02 | 0:00:05 | |
-And no-one more so than Lucy and I. -Absolutely. | 0:00:05 | 0:00:09 | |
It's a topic that keeps dinner party guests talking into the small hours. And everybody has an opinion. | 0:00:09 | 0:00:15 | |
And it's our opinion that the best place to buy your property is under the hammer. | 0:00:15 | 0:00:20 | |
The auction catalogue can give you clues about a property, | 0:00:45 | 0:00:49 | |
but it's not until you look inside that you know whether it's going to be a goldmine or a money pit. | 0:00:49 | 0:00:55 | |
It's up to you to dig beneath the surface of your investment. | 0:00:55 | 0:00:59 | |
So let's see what's coming up on today's show. | 0:00:59 | 0:01:03 | |
In Stoke-on-Trent, the bad news is the kitchen's pretty tiny. | 0:01:04 | 0:01:09 | |
The good news, though, is that is a stud partition wall. | 0:01:09 | 0:01:14 | |
'This block of bedsits in London needs to go back to basics.' | 0:01:14 | 0:01:20 | |
Rip all this out and just give it back a bit of soul. | 0:01:20 | 0:01:24 | |
'And remember this 400-year-old listed house in Wiltshire? | 0:01:24 | 0:01:28 | |
'We returned to see the hidden gems uncovered after its remarkable restoration.' | 0:01:28 | 0:01:35 | |
'All these properties were sold at auction and we see who bought them and what they paid | 0:01:36 | 0:01:41 | |
'when they went under the hammer.' | 0:01:41 | 0:01:44 | |
I'm in Stoke-on-Trent today on the border of Fenton and Longton. | 0:01:46 | 0:01:51 | |
It's mainly residential here with terraced houses that used to be home to workers at the famous potteries. | 0:01:51 | 0:01:57 | |
An interesting one as not only does the property have two addresses, | 0:01:57 | 0:02:02 | |
you seem to get a lot of property for your money. | 0:02:02 | 0:02:05 | |
You've got a commercial unit. You've got two flats. | 0:02:05 | 0:02:08 | |
You've got a workshop and outdoor space, all for a guide price of just 45,000 quid plus. | 0:02:08 | 0:02:15 | |
Better take a look inside. | 0:02:15 | 0:02:17 | |
Well, you can see from the signage outside that this used to be a furniture shop. | 0:02:17 | 0:02:21 | |
There isn't much space to store furniture, but this would work quite well as a commercial unit | 0:02:21 | 0:02:27 | |
because there's a double aspect with the main road there and other windows there, | 0:02:27 | 0:02:32 | |
so there's lots of display area. So we like that. One thing we're not so keen on is that. Look at that. | 0:02:32 | 0:02:38 | |
That's a manhole cover. Imagine the smells that'll come out of that if this is active as a sewer. | 0:02:38 | 0:02:44 | |
You can get special covers to go on there which would seal it which you'd definitely have to do. | 0:02:44 | 0:02:50 | |
You could put in a loo, so that the people who worked here wouldn't have to go next door to use the toilet. | 0:02:50 | 0:02:56 | |
So if you're thinking about using this as a commercial unit, great. | 0:02:56 | 0:03:00 | |
To convert it into anything else, you'll need planning permission. Let's see the rest of the property. | 0:03:00 | 0:03:07 | |
Above the corner shop is one of the two flats offered as part of this auction lot. | 0:03:07 | 0:03:13 | |
Upstairs, good-sized flat. But it isn't making the most of the space with the layout. | 0:03:13 | 0:03:19 | |
You've got this corridor over there. | 0:03:19 | 0:03:22 | |
Decent-sized bedroom. And you've got the bathroom and the loo. But it's not quite working for me. | 0:03:22 | 0:03:28 | |
This room, though, is quite a good size, if you ignore some of the strange fitted furniture. | 0:03:28 | 0:03:34 | |
But this is where it starts to go horribly wrong. This is the kitchen and it is a complete disaster. | 0:03:34 | 0:03:40 | |
It's narrow. It's falling to pieces! | 0:03:40 | 0:03:44 | |
The good news, though, is that is a stud partition wall. | 0:03:44 | 0:03:48 | |
So it wouldn't take much to take that out, make this an open kitchen-living area, and job done. | 0:03:48 | 0:03:55 | |
Like the shelves, there are some aspects to this flat that are odd. | 0:03:55 | 0:04:00 | |
The main bedroom has no natural light. | 0:04:00 | 0:04:04 | |
And there's a blocked-up doorway in the partition wall to the bathroom. | 0:04:04 | 0:04:08 | |
Definitely a re-think needed here, I'd say. | 0:04:08 | 0:04:12 | |
The second flat is on two levels at the back of the property. So what condition will this one be in? | 0:04:12 | 0:04:18 | |
In contrast, the layout of this flat I really like. | 0:04:18 | 0:04:22 | |
You've got the bedroom upstairs. You've got the living room here. | 0:04:22 | 0:04:26 | |
And hallelujah, a decent kitchen. It's not huge but I like the layout. | 0:04:26 | 0:04:31 | |
And these particular units will be fairly serviceable. You've got a loo and a bathroom at the back. | 0:04:31 | 0:04:37 | |
And you've got your own private access, an exterior door, which is exactly what you need. | 0:04:37 | 0:04:43 | |
Creating separate entrances to both flats makes this lot a potentially rewarding prospect. | 0:04:43 | 0:04:50 | |
By blocking up a few doorways, you could give each flat its own entrance, separate from the shop. | 0:04:50 | 0:04:56 | |
And there's more. | 0:04:56 | 0:04:58 | |
Well, what a fantastic bonus this is! Out in the rear yard, you've got this additional building. | 0:04:59 | 0:05:05 | |
It's obviously some kind of a workshop. But it's on two storeys. | 0:05:05 | 0:05:09 | |
And I don't think it'd be too hard to get planning permission to convert that into a maisonette. | 0:05:09 | 0:05:15 | |
And even better, out the back here, look, lots of building materials. | 0:05:15 | 0:05:19 | |
Now, if you were to try and get things like this, you'd have to go to an architectural salvage yard. | 0:05:19 | 0:05:25 | |
This is great news if you need another brick in the wall. | 0:05:25 | 0:05:29 | |
# All in all it's just another brick in the wall... # | 0:05:29 | 0:05:33 | |
Well, I really like this property. | 0:05:33 | 0:05:36 | |
So much potential which could hopefully be realised without spending too much. | 0:05:36 | 0:05:41 | |
But converting the workshop into a liveable building would take a bit more time and money. | 0:05:41 | 0:05:47 | |
At the moment you can't even get up to the first floor without a ladder. | 0:05:47 | 0:05:51 | |
What will a local estate agent think of it? | 0:05:51 | 0:05:55 | |
For the flat and the shop, the main area of improvement is cosmetic. | 0:05:55 | 0:06:00 | |
There seems to be a problem with the roof in the upper bedroom. | 0:06:00 | 0:06:04 | |
And the rear outbuilding needs complete renovation. | 0:06:04 | 0:06:08 | |
At a guide price of 45,000, how much could this be worth once renovated? | 0:06:08 | 0:06:13 | |
I'd estimate the resale value of the property, once it's been converted, in the region of £90,000 to £95,000. | 0:06:14 | 0:06:22 | |
If this project was done well and each area decorated individually, | 0:06:22 | 0:06:26 | |
I think they could fetch more. And there's the rental option. | 0:06:26 | 0:06:30 | |
Separate flats, each earning perhaps £300 to £350 per month. | 0:06:30 | 0:06:35 | |
And depending on what you did with the building at the rear, whether it's living accommodation or retail, | 0:06:35 | 0:06:41 | |
again, similar sort of values. | 0:06:41 | 0:06:44 | |
Well, oatcakes are a traditional food in this part of north Staffordshire. | 0:06:45 | 0:06:51 | |
And in terms of this property, there are so many options, I think you can have your oatcake and eat it. | 0:06:51 | 0:06:58 | |
Let's see what happened at the auction. | 0:06:58 | 0:07:01 | |
A two-storey retail unit. | 0:07:04 | 0:07:06 | |
40, I'm bid. Thank you. At £40,000. | 0:07:07 | 0:07:10 | |
Can we say 45? 45. Thank you. At 45. 50. | 0:07:10 | 0:07:14 | |
55. 60. | 0:07:14 | 0:07:17 | |
Oh, a new bidder. £60,500. | 0:07:17 | 0:07:21 | |
61? 61. | 0:07:21 | 0:07:24 | |
61 and a half. 62. | 0:07:24 | 0:07:27 | |
62 and a half. 63. | 0:07:27 | 0:07:30 | |
And a half. 64. | 0:07:30 | 0:07:32 | |
65. Do you want to go 66, sir? 66. | 0:07:32 | 0:07:36 | |
67. 68. 69. | 0:07:36 | 0:07:42 | |
70. 71. | 0:07:42 | 0:07:44 | |
72. | 0:07:46 | 0:07:48 | |
73. | 0:07:48 | 0:07:50 | |
Bid seated at 73. I'm selling. | 0:07:50 | 0:07:52 | |
£73,000 then for the first time. | 0:07:52 | 0:07:56 | |
At £73,000 for the second time. | 0:07:57 | 0:08:01 | |
At £73,000, third and final time. | 0:08:01 | 0:08:06 | |
You bought it. Well done. | 0:08:07 | 0:08:10 | |
'The guide price was 45,000, but husband and wife Paul and Wendy paid 73,000. | 0:08:10 | 0:08:16 | |
'They're full-time developers and landlords, so they're no strangers to auctions | 0:08:16 | 0:08:22 | |
'and have other properties in the Stoke area.' | 0:08:22 | 0:08:26 | |
-Paul, Wendy, good to meet you both. Tell me why you wanted to buy it. -It's got a lot of potential. | 0:08:26 | 0:08:32 | |
You've got a shop front and it's set up for two flats at the minute. | 0:08:32 | 0:08:36 | |
-Plus you've got the outside building at the back. -Yes. It struck me - the place has so many options. -Yeah. | 0:08:36 | 0:08:42 | |
-What's your experience in this? -We've been developing property full-time for six years. | 0:08:42 | 0:08:49 | |
-Oh, wow! -Part-time for 16. -What kind of stuff? | 0:08:49 | 0:08:53 | |
Mainly commercial. But when the commercial property market dried up, we started buying residential. | 0:08:53 | 0:08:59 | |
'As they already have 33 industrial units and 11 residential properties, | 0:08:59 | 0:09:04 | |
'they must know what to look for in a building.' | 0:09:04 | 0:09:08 | |
Good value for money. Um... | 0:09:08 | 0:09:11 | |
Something you can sort of turn round and make it a little bit different. | 0:09:11 | 0:09:17 | |
-So what was it about this place that you liked, Wendy? -Well, the size and the little building at the back. | 0:09:17 | 0:09:23 | |
That's going to be a little one-bedroom maisonette... | 0:09:23 | 0:09:28 | |
-Right. -Hopefully. Yeah. It's got a lot of character. | 0:09:28 | 0:09:32 | |
-Plus, Paul looked at it 25 years ago. -What? -Yes. -He looked at this 25 years ago. | 0:09:32 | 0:09:37 | |
-12 grand. -He couldn't afford it, so we came back cos it was back on the market. | 0:09:37 | 0:09:42 | |
'Paul eventually got what he wanted. He just had to wait 25 years and pay an extra 61,000. | 0:09:42 | 0:09:48 | |
'It can't just have been nostalgia that made him want it.' | 0:09:48 | 0:09:52 | |
-Good income potential. -Very good. Off the whole site, we reckon we'd get over 13,000 a year. | 0:09:52 | 0:09:58 | |
-Really? Talk me through the numbers. -We weren't really interested in the front shop. | 0:09:58 | 0:10:04 | |
-So whatever we can get for that, it's just a bit of a bonus. -You're going to keep that as a shop unit? | 0:10:04 | 0:10:10 | |
-Yeah. -OK. -And let that, we thought about 30 quid a week. Yeah? And then you've got the two flats. | 0:10:10 | 0:10:16 | |
The downstairs one is a bit small. It's got a very small bedroom. So maybe about 300 a month? | 0:10:16 | 0:10:22 | |
The upstairs one, it's a bit bigger, about 325. The back one, when that's all done, about 350 a month. | 0:10:22 | 0:10:29 | |
-Right. -So in total just over 13 grand a year. | 0:10:29 | 0:10:32 | |
'That's good. Before they can make that sort of money, there's a bit of work to do. | 0:10:32 | 0:10:38 | |
'Upstairs, they will remove the wall between the kitchen and the lounge to create a kitchen-living room. | 0:10:38 | 0:10:44 | |
'And re-arrange the bathroom so the bedroom wall can be opened up to allow some light in. | 0:10:44 | 0:10:50 | |
'In the downstairs flat, the ceiling needs insulating and fireproofing. | 0:10:50 | 0:10:54 | |
'They will brick up an entrance door to separate the flats and tidy the place up. | 0:10:54 | 0:10:59 | |
'The shop is also going to have the ceiling done. | 0:10:59 | 0:11:03 | |
'Because that drain only has a fresh water pipe running through it, a loo will be built in the back. | 0:11:03 | 0:11:09 | |
'And all the wiring will be renewed. And that still leaves the workshop.' | 0:11:09 | 0:11:13 | |
Downstairs, as you go in, we'll put a new set of stairs in. | 0:11:13 | 0:11:18 | |
Kitchen area... So downstairs you've got a lounge-diner again. | 0:11:18 | 0:11:22 | |
Then upstairs you've got obviously a toilet and your bathroom's separate. | 0:11:22 | 0:11:26 | |
-There'll be fitted wardrobes because obviously you'll be limited on space. -It's all going to be fitted. | 0:11:26 | 0:11:33 | |
-We have done one of those before and it was smaller. -It turned out OK? -It was beautiful. | 0:11:33 | 0:11:38 | |
'I can't wait to see what they do with that workshop area. I bet they've sorted the budget.' | 0:11:38 | 0:11:44 | |
We were just going to convert the two flats. The outbuilding was initially going to be just repaired | 0:11:44 | 0:11:51 | |
and just rent it out as a lock-up. | 0:11:51 | 0:11:53 | |
So we thought then the entire area for 7,000. But since we're going to do what we're going to do outside, | 0:11:53 | 0:12:00 | |
we reckon about 17 in total. | 0:12:00 | 0:12:02 | |
OK. And a kind of timescale? | 0:12:02 | 0:12:04 | |
-Eight weeks. -Eight weeks to do all that? | 0:12:04 | 0:12:07 | |
-Yeah. -It'll be done. -You sound pretty certain about that. -It'll be done. | 0:12:07 | 0:12:12 | |
Well, I don't know about oatcakes, but Wendy and Paul are certainly two smart cookies. | 0:12:12 | 0:12:18 | |
And they've got exactly the right idea to sort this place out, to turn it into a money-making machine. | 0:12:18 | 0:12:25 | |
Still, there is a lot of work to be done to sort it out. | 0:12:25 | 0:12:29 | |
And can Paul really get it completed in just eight weeks? | 0:12:29 | 0:12:32 | |
You can find out later in the show. | 0:12:32 | 0:12:35 | |
I'm in an area of south-east London known as Hither Green. | 0:12:37 | 0:12:41 | |
Snugly tucked between vibrant Lewisham and trendy Blackheath, | 0:12:41 | 0:12:45 | |
Hither Green often attracts a more mature resident whose partying days are over. Why? | 0:12:45 | 0:12:51 | |
Well, much of the area was developed by one Archibald Corbett, a Scot with a hard line in temperance, | 0:12:51 | 0:12:58 | |
who decided that no pubs be built in the neighbourhood, thus saving the Victorians from temptation. | 0:12:58 | 0:13:04 | |
Now, over a century on, his legacy lives. | 0:13:04 | 0:13:07 | |
The area is up and coming, but perhaps a tad sleepy. | 0:13:07 | 0:13:12 | |
# There's a place I call Sleepy Hollow | 0:13:12 | 0:13:20 | |
# Where I go when you're not around... # | 0:13:20 | 0:13:25 | |
But fear not. You don't need to go far for a more exciting pace of life. | 0:13:25 | 0:13:31 | |
Lewisham has bars aplenty. And from Hither Green train station, you can get into London in 15 minutes. | 0:13:31 | 0:13:38 | |
Hither Green is split into two halves by the railway line. | 0:13:38 | 0:13:42 | |
And property to the north, nearer Blackheath, is 15% more expensive | 0:13:42 | 0:13:46 | |
than the south side, bordering Catford. | 0:13:46 | 0:13:49 | |
Now, the property I'm here to see today is on the south side, but only just. | 0:13:49 | 0:13:54 | |
And as I was hoping, it's on a lovely Victorian street. It's a three-bedroomed mid-terrace. | 0:13:54 | 0:14:00 | |
It's got a guide price of only 170,000 to 180,000. It's here. Let's have a look around. | 0:14:00 | 0:14:07 | |
I'm aware this property has been let as bedsits. And it was owned by a housing trust for 15 years. | 0:14:09 | 0:14:15 | |
But as soon as you walk in, that's exactly what it feels like. | 0:14:15 | 0:14:20 | |
More like an office than a home. | 0:14:20 | 0:14:22 | |
Through here into the reception room, it's a nice size but utterly characterless. | 0:14:22 | 0:14:27 | |
You've got woodchip wallpaper, cheap carpets. | 0:14:27 | 0:14:30 | |
The fireplace has been boarded up. I wonder if it's still inside or it's been sold on? | 0:14:30 | 0:14:35 | |
Got lovely high ceilings. Original sashes and that is great to see. | 0:14:35 | 0:14:40 | |
But it just feels to me this house has been smothered by practicality. | 0:14:40 | 0:14:44 | |
Firstly, I would rip all this out and just give it back a bit of soul. | 0:14:44 | 0:14:49 | |
# I'm a soul man | 0:14:49 | 0:14:51 | |
# I'm a soul man... # | 0:14:53 | 0:14:55 | |
In the hall, there are some features that have survived - beautiful spindles and some lovely cornicing. | 0:14:55 | 0:15:02 | |
The second reception room has been stripped back to its bare bones. | 0:15:02 | 0:15:06 | |
There's also a lurid but useful downstairs loo. And then there's the kitchen. | 0:15:06 | 0:15:12 | |
The kitchen is at the rear of the property. It's HUGE! | 0:15:12 | 0:15:17 | |
It's larger than the back garden. But it just feels like a shell. | 0:15:17 | 0:15:22 | |
Maybe that's not such a bad thing. You've got central heating. It's all been well maintained. | 0:15:22 | 0:15:28 | |
You've got here what they call in the trade a blank canvas. | 0:15:28 | 0:15:33 | |
# You can do anything you want to do | 0:15:33 | 0:15:36 | |
# It's not wrong What I sing is true | 0:15:36 | 0:15:40 | |
# You can do anything you want to do | 0:15:40 | 0:15:42 | |
# Do what you want to... # | 0:15:42 | 0:15:46 | |
Upstairs, there are three good-sized bedrooms and bathroom which doesn't look bad. | 0:15:46 | 0:15:51 | |
There's a separate loo. But you could knock down the wall and make a useful family bathroom. | 0:15:51 | 0:15:57 | |
With a lick of paint, it's certainly a canvas that could be turned into a masterpiece, | 0:15:57 | 0:16:03 | |
all for a guide price of 170,000 to 180,000. | 0:16:03 | 0:16:06 | |
I've been working out how much you could end up spending here | 0:16:06 | 0:16:10 | |
to bring this house back to its former glory. Straight away, I'd get rid of these horrible fire doors. | 0:16:10 | 0:16:16 | |
Reclaimed Victorian panel doors will set you back at least 100 quid each. | 0:16:16 | 0:16:20 | |
And with ten doors in this house, that's a tidy grand. | 0:16:20 | 0:16:24 | |
You'd certainly want at least one, nice big fireplace in keeping with the period of the house. | 0:16:24 | 0:16:30 | |
That could cost you around £800 cheapest. I'd also look to get some nice cornicing re-instated. | 0:16:30 | 0:16:37 | |
And plaster moulding, you're looking at over £7 per metre for that. | 0:16:37 | 0:16:41 | |
So there's several thousand quid gone and I've not even started on the kitchen and the bathroom. | 0:16:41 | 0:16:47 | |
You can do all of this on a budget by being clever and shopping around. | 0:16:47 | 0:16:51 | |
But once you get started, it can be very hard to stop. | 0:16:51 | 0:16:55 | |
# Can't stop Addicted to the shindig | 0:16:55 | 0:16:57 | |
# Chop top, he says "I'm gonna win big" | 0:16:57 | 0:17:00 | |
# Choose not a life of imitation | 0:17:00 | 0:17:02 | |
# Distant cousin to the reservation... # | 0:17:02 | 0:17:05 | |
Budgets like this have a habit of sucking you in, plus the contents of your wallet at the same time. | 0:17:05 | 0:17:11 | |
To see if it's worth that, I asked a local estate agent to have a look. | 0:17:11 | 0:17:16 | |
There's some work that needs doing in the property. | 0:17:17 | 0:17:21 | |
The bathrooms could be... It'd be nice to put a new bathroom in, to decorate the property throughout. | 0:17:21 | 0:17:28 | |
Original doors, if you're able to source those. Maybe consider sanding and varnishing the floors | 0:17:28 | 0:17:34 | |
to bring it back to its original period style. | 0:17:34 | 0:17:37 | |
If renting it out, you needn't go to town on the period features or install a new kitchen and bathroom. | 0:17:37 | 0:17:44 | |
A bit of general tidying would probably do. | 0:17:44 | 0:17:49 | |
To rent this property as one dwelling, it should value at £1,100 to £1,200 per month. | 0:17:49 | 0:17:54 | |
The guide price at auction was between 170,000 to 180,000. | 0:17:54 | 0:18:00 | |
If the property were renovated, how much could it be worth? | 0:18:00 | 0:18:04 | |
I think the value of this property could be worth round about 275,000 to 280,000. | 0:18:04 | 0:18:10 | |
That's good. Depending on the cost of restoring this place, there's potential for profit. | 0:18:10 | 0:18:17 | |
This house in Hither Green doesn't exactly shout, "Come hither!" | 0:18:17 | 0:18:21 | |
But it doesn't need much work to bring it up to a liveable standard and for those with deeper pockets, | 0:18:21 | 0:18:27 | |
it's a chance to restore a beautiful Victorian home. Get it for near the guide price and it's a great buy. | 0:18:27 | 0:18:33 | |
Let's see who thought so at the auction. | 0:18:33 | 0:18:36 | |
Mid-terrace house. Bidding on the phone. Somebody start me at £150,000? | 0:18:41 | 0:18:47 | |
150, may I say? Thank you. 150 I'm bid. | 0:18:47 | 0:18:49 | |
180 I'm bid now. Gentleman there with the black coat. | 0:18:49 | 0:18:53 | |
87. 88. 89. | 0:18:53 | 0:18:56 | |
89. 90. | 0:18:56 | 0:18:58 | |
96. 97? 97. 98? | 0:18:58 | 0:19:01 | |
97 on my right, first time. | 0:19:01 | 0:19:04 | |
-Second time. It's going to go. -Keep going. | 0:19:04 | 0:19:08 | |
Hello, Douglas. You've been very quiet. 198. 99. 200? | 0:19:08 | 0:19:13 | |
199 there on the right. First time at 199. 200 could be his limit. | 0:19:13 | 0:19:18 | |
200. 201? 201. Still there. | 0:19:18 | 0:19:21 | |
Nice and strong. 202. Two and three. Three and four. | 0:19:21 | 0:19:26 | |
Four and five. Five and six. | 0:19:26 | 0:19:28 | |
Six and seven. Seven and eight. | 0:19:28 | 0:19:31 | |
Eight and nine. First time at 209... | 0:19:31 | 0:19:34 | |
Second time at 209. Come on, just one more. 210. Thank you. 11, sir? | 0:19:36 | 0:19:40 | |
11. 12. Just one more? | 0:19:40 | 0:19:43 | |
211 against the lady here in the green. Yours once again, sir. Hanging in there. | 0:19:45 | 0:19:50 | |
211 for the first time. | 0:19:50 | 0:19:52 | |
Second time. Third and last time. At £211,000. Last chance. | 0:19:52 | 0:19:58 | |
I think we're there. 211, your bid, sir. Well done. 211. Thank you. | 0:19:58 | 0:20:03 | |
'With the help of his dad, the winning bidder was Tom. | 0:20:03 | 0:20:07 | |
'He got the house for 211,000, 31 grand above the upper guide price. | 0:20:07 | 0:20:12 | |
'Tom works for a PR company and he's also an actor. | 0:20:12 | 0:20:16 | |
'He almost lost the property when he got stage fright at the auction!' | 0:20:16 | 0:20:21 | |
My dad said to me, "Don't bid straight away. Let people get going." | 0:20:21 | 0:20:25 | |
Then he said, "Going once, twice." I realised I hadn't bid anything. | 0:20:25 | 0:20:29 | |
The first time I was like, "Yes." I had no idea what I was doing. | 0:20:29 | 0:20:34 | |
-When you first clapped eyes on this house, what did you think? -I was buying a flat and that fell through. | 0:20:34 | 0:20:40 | |
And my mum... Because I always wanted a Victorian house, but I didn't think I could afford it. | 0:20:40 | 0:20:46 | |
My mum emailed me the website link for the auction and I drove up and looked outside. | 0:20:46 | 0:20:52 | |
I fell in love with it. I thought there was no way I could afford it. | 0:20:52 | 0:20:57 | |
But the guide price was in my region, but I couldn't go too much further. I just couldn't believe it. | 0:20:57 | 0:21:03 | |
Is the way the property market is at the moment allowed you to get more for your money? | 0:21:03 | 0:21:10 | |
Yes. I got this house for the same price as the flat I was looking at, a one-bedroom flat, six months ago. | 0:21:10 | 0:21:16 | |
'That's not bad. The financial downturn has done Tom a favour. | 0:21:16 | 0:21:21 | |
'He's got a three-bedroom house instead of a one-bedroom flat. What more could he want?' | 0:21:21 | 0:21:27 | |
I would've loved it if there'd been more original features. | 0:21:27 | 0:21:31 | |
But now I see it as a challenge to try and put them back in. | 0:21:31 | 0:21:35 | |
-So what sort of features are you looking at to put back? -Skirting boards. Coving. Fireplaces. | 0:21:35 | 0:21:41 | |
I'll need to get somebody to look in and see if I can put fireplaces in. | 0:21:41 | 0:21:45 | |
Probably change the kitchen later on as it's fine. And get all the floorboards up, bring it all back. | 0:21:45 | 0:21:52 | |
So how do you think you'll feel living in this house as it is? It's in a pretty raw state at the moment. | 0:21:52 | 0:21:58 | |
I am really excited, to be honest. I don't really care about the state because it's my house. | 0:21:58 | 0:22:04 | |
I feel like it's my house so I don't care. | 0:22:04 | 0:22:07 | |
Also this year is the first year that I'm doing Christmas for my family, so they're all staying with me. | 0:22:07 | 0:22:14 | |
I've got Grandma, Mum and Dad and maybe my brother. | 0:22:14 | 0:22:18 | |
-They're coming to you? -I've got four weeks to get it ready for them. | 0:22:18 | 0:22:23 | |
My grandma can't stay in here. I'll have to do something snazzy with one room. | 0:22:23 | 0:22:28 | |
'Four weeks to get a room fit enough for Grandma will take some doing! | 0:22:28 | 0:22:33 | |
'With all this work to do, I hope he's a dab hand at DIY.' | 0:22:33 | 0:22:36 | |
I think my dad's expecting a lot of phone calls. Mum gets the phone calls if I cook. | 0:22:36 | 0:22:43 | |
-I think with Dad, it's going to be, "How do I sand the whatever?" -"And can you lend me...?" | 0:22:43 | 0:22:49 | |
In fact, he's bringing his tools today as I haven't got anything. | 0:22:49 | 0:22:54 | |
-So I rang my dad and he's brought hammers and... -So you don't have a hammer, a screwdriver? | 0:22:54 | 0:23:00 | |
I have a screwdriver and um... What else do I have? I have a screwdriver... | 0:23:00 | 0:23:05 | |
And sanding paper for a sander that I borrowed off my dad, but I gave the sander back. | 0:23:05 | 0:23:11 | |
# If I had a hammer | 0:23:11 | 0:23:13 | |
# I'd hammer in the morning | 0:23:13 | 0:23:16 | |
# I'd hammer in the evening | 0:23:16 | 0:23:19 | |
# All over this land... # | 0:23:19 | 0:23:22 | |
'A screwdriver and some sandpaper is a start but I think he'll need to buy a few more tools. | 0:23:22 | 0:23:28 | |
'Let's hope the budget can take a hammering.' | 0:23:28 | 0:23:32 | |
I've got enough to do the living room, this room and a bathroom. | 0:23:32 | 0:23:36 | |
And I'll sand the floors myself by hand, so... Well, with a machine, not by hand. | 0:23:36 | 0:23:41 | |
-Yes, that would hurt! -With a machine. | 0:23:41 | 0:23:44 | |
And then all the other stuff like tiling floors, tiling the kitchen and stuff, | 0:23:44 | 0:23:50 | |
that's a longer-term job, but I'd imagine 20 grand overall. | 0:23:50 | 0:23:53 | |
I'm delighted for Tom. He really loves this house. And I'm just so pleased he's going to do it justice. | 0:23:53 | 0:23:59 | |
So will we find a changed man when we return? Will Tom be a DIY disaster or a renovating revelation? | 0:23:59 | 0:24:07 | |
Find out later on in the show. | 0:24:07 | 0:24:09 | |
'Coming up - when we last saw this listed house in Wiltshire, it needed some TLC. | 0:24:10 | 0:24:16 | |
'Later on, you can see how it's been restored. | 0:24:16 | 0:24:20 | |
'In London, the new owner of this place grapples with a new enemy - woodchip.' | 0:24:21 | 0:24:26 | |
I've employing somebody to do the living room and dining room as I can't face it any more. | 0:24:26 | 0:24:31 | |
'Have those Stoke properties lived up to their buyers' high hopes?' | 0:24:32 | 0:24:37 | |
-A good income potential. -Very good. | 0:24:37 | 0:24:40 | |
# Just the two of us We can make it if we try | 0:24:42 | 0:24:47 | |
# Just the two of us... | 0:24:47 | 0:24:49 | |
# Just the two of us... # | 0:24:49 | 0:24:51 | |
Paul and Wendy bought a lot, and I mean a lot, a shop, two flats and a workshop in Fenton, Stoke-on-Trent. | 0:24:51 | 0:24:58 | |
They paid £73,000. But could they have paid less? | 0:24:58 | 0:25:03 | |
Paul looked at this property 25 years ago when he was looking at buying. And he couldn't afford it. | 0:25:04 | 0:25:11 | |
Well, they've got it now. And it looks like they've been busy. | 0:25:11 | 0:25:16 | |
-# Ain't no stopping us now -That's right | 0:25:16 | 0:25:19 | |
# We're on the move | 0:25:19 | 0:25:21 | |
# We've got the groove... # | 0:25:21 | 0:25:23 | |
The shop and flats have undergone a complete makeover. | 0:25:23 | 0:25:27 | |
# We've got the groove | 0:25:27 | 0:25:29 | |
# Ooh ooh ooh ooh | 0:25:29 | 0:25:31 | |
# Ain't no stopping us now We're on the move | 0:25:31 | 0:25:37 | |
# On the move Yeah, yeah, yeah, yeah | 0:25:37 | 0:25:41 | |
# Ain't no stopping us now We've got the groove | 0:25:41 | 0:25:45 | |
# Yeah Yeah, yeah, yeah... # | 0:25:46 | 0:25:50 | |
And the outbuilding is absolutely unrecognisable. | 0:25:50 | 0:25:54 | |
# And if you're trying to make it, they only push you aside | 0:25:54 | 0:25:58 | |
# They really don't have nowhere to go... # | 0:25:58 | 0:26:02 | |
Well, this is the studio apartment. | 0:26:08 | 0:26:10 | |
The shoe box, as we call it. I'm quite pleased with it. Nice job. | 0:26:10 | 0:26:15 | |
Basically in here, we got the chimney breast out to give us more room. | 0:26:15 | 0:26:21 | |
And more and more space. | 0:26:21 | 0:26:23 | |
We had the stairs made, again to give us more space. | 0:26:23 | 0:26:27 | |
And then basically upstairs we've got the en-suite, | 0:26:27 | 0:26:31 | |
which initially we were going to put the full width of the building. | 0:26:31 | 0:26:35 | |
But we've managed to make it a bit smaller, so we get a storage area. | 0:26:35 | 0:26:40 | |
And then back down here... The kitchen's worked out well. Again, fairly compact. | 0:26:40 | 0:26:45 | |
You've got room for a small fridge-freezer in there and a washing machine. | 0:26:45 | 0:26:51 | |
It's quite modern. There's quite a good feel to it. It's turned out really well. I'm very proud of it. | 0:26:51 | 0:26:57 | |
This transformation has continued throughout the property. | 0:27:00 | 0:27:05 | |
One of the rooms we're really pleased with is this one. | 0:27:10 | 0:27:13 | |
When we purchased the property, there was lots of wood cladding, very dark, built-in cupboards. | 0:27:13 | 0:27:19 | |
We've taken all those out and injected a bit of colour. | 0:27:19 | 0:27:23 | |
And then on this side of the room, originally, there was a studded wall about here. | 0:27:23 | 0:27:29 | |
And the other side was a galley kitchen, very tight and very dark. | 0:27:29 | 0:27:33 | |
So we've taken the wall down to open the room up and fitted a new kitchen. | 0:27:33 | 0:27:39 | |
The partition wall between one of the bedrooms and a bathroom has been removed, | 0:27:39 | 0:27:46 | |
giving the bedroom a window and natural light. The downside is that the shower is also in the bedroom. | 0:27:46 | 0:27:53 | |
Sunshine and showers - a meteorologist would love it. | 0:27:53 | 0:27:57 | |
The room next door is now a small toilet area. | 0:27:57 | 0:28:00 | |
# Ain't no stopping us now | 0:28:00 | 0:28:04 | |
# We're gonna tell you, we're gonna show you | 0:28:04 | 0:28:09 | |
# Ain't no stopping us now... # | 0:28:09 | 0:28:12 | |
And the second flat has been finished in a similar style. | 0:28:12 | 0:28:16 | |
In the yard area, we built an outside toilet for the shop, there's no room in the shop, | 0:28:19 | 0:28:24 | |
out of all the reclaimed bricks and everything. | 0:28:24 | 0:28:28 | |
The yard worked out very well. | 0:28:28 | 0:28:30 | |
We've split it up into sections for each property, so they've all got storage for the bins. | 0:28:30 | 0:28:36 | |
# Just the two of us We can make it if we try | 0:28:36 | 0:28:40 | |
# Just the two of us... | 0:28:40 | 0:28:43 | |
# Just the two of us... # | 0:28:43 | 0:28:46 | |
This was a major project which not everyone could have handled. | 0:28:47 | 0:28:52 | |
It's looking good. The rooms are much lighter. | 0:28:52 | 0:28:55 | |
But I imagine they went over their original budget of 7,000 to 10,000? | 0:28:55 | 0:29:00 | |
We have gone a little over budget. It's coming in between 25,000 and 26,000 on the renovation. | 0:29:00 | 0:29:06 | |
The budget went out the window, really, with the shoe box at the back. A lot more expenditure there. | 0:29:06 | 0:29:13 | |
A lot more structural work than we expected. | 0:29:13 | 0:29:16 | |
When we first took the roof off, a lot of the timbers had gone. | 0:29:16 | 0:29:21 | |
The brickwork had all perished as the roof had been open for years. | 0:29:21 | 0:29:25 | |
So the walls had to come down so far and be re-built. Basically you could just lift the bricks off the top. | 0:29:25 | 0:29:31 | |
-There was nothing holding them together. -I think once you start, you do get a little bit carried away. | 0:29:31 | 0:29:38 | |
But it's a good investment. That's how we look at it. We do things right. | 0:29:38 | 0:29:43 | |
-Yeah. -And then hopefully you haven't got to go back and do anything else. -Keeps all the maintenance down. | 0:29:43 | 0:29:49 | |
The couple have already rented out the shop to a theatrical costumier's for £120 per calendar month. | 0:29:49 | 0:29:57 | |
To check that they're on track with the other three apartments, | 0:29:57 | 0:30:01 | |
I asked two local estate agents to come and have a look. | 0:30:01 | 0:30:05 | |
They've done a really good job. I can't believe how different it is. | 0:30:09 | 0:30:15 | |
They've done quite a good job. | 0:30:15 | 0:30:17 | |
They've not skimped on the renovation costs | 0:30:17 | 0:30:20 | |
and they've used the space sensibly. | 0:30:20 | 0:30:22 | |
They've all got separate entrances. I can't believe the outbuilding is the same building. | 0:30:22 | 0:30:29 | |
He's done a really nice job on that. | 0:30:29 | 0:30:31 | |
The only negative is that there's a shower in the bedroom and it doesn't seem very private. | 0:30:31 | 0:30:37 | |
I'm not sure about having the shower in the bedroom. Bit unusual. | 0:30:37 | 0:30:41 | |
But there weren't many other places that that could go. | 0:30:41 | 0:30:45 | |
Other than problems with the shower, it all sounds very positive. | 0:30:45 | 0:30:49 | |
So will they be showered with money? | 0:30:49 | 0:30:51 | |
I would estimate the rental figures on these two flats at £300 per calendar month. | 0:30:51 | 0:30:57 | |
And on the studio flat, with its extra parking, about 325? | 0:30:57 | 0:31:02 | |
The two flats in the main building, we would rent it at around 325. | 0:31:02 | 0:31:07 | |
And we'd rent the studio flat at 295 a month. | 0:31:07 | 0:31:10 | |
Paul and Wendy bought the property for 73,000 and spent about £26,000 on the work. | 0:31:10 | 0:31:18 | |
Will they be happy with the rental figures? | 0:31:18 | 0:31:21 | |
First, the studio flat for £295 to £325 per month. | 0:31:21 | 0:31:26 | |
-Oh, I'm a bit disappointed in that one. -We'll get more than that. | 0:31:26 | 0:31:31 | |
What about the other two flats at between £300 and £325 per month? | 0:31:31 | 0:31:37 | |
I thought the upstairs flat we might have got a little bit more for because of the higher spec. | 0:31:37 | 0:31:43 | |
-But we'll see what kind of interest we get. -Yes. | 0:31:43 | 0:31:47 | |
So the estate agents estimate a very impressive yield of 12% to 13%, including the rental from the shop. | 0:31:47 | 0:31:53 | |
That makes it a fantastic investment even at those rates. | 0:31:53 | 0:31:59 | |
They could make a pre-tax profit of £100,000 to £155,000 if they sold the properties | 0:31:59 | 0:32:05 | |
either as a whole or individually. | 0:32:05 | 0:32:08 | |
-We'll keep it as a rental property. -Yeah. | 0:32:08 | 0:32:11 | |
Whatever they do here, they've done a great job. And remember, they did it in only nine weeks. | 0:32:11 | 0:32:18 | |
Now, it was over two years ago that I first went to the quiet Wiltshire village of Calne, | 0:32:21 | 0:32:27 | |
where I found an opportunity to step even further back in time. | 0:32:27 | 0:32:31 | |
Up for auction is one of those properties | 0:32:31 | 0:32:35 | |
that when you see it in the auction catalogue, you go, "Yes!" | 0:32:35 | 0:32:39 | |
It's a two-bedroomed, end-terrace cottage. It's Grade 2 listed. | 0:32:39 | 0:32:43 | |
And it gets better because it's got a guide price of just £95,000. | 0:32:43 | 0:32:47 | |
Well, I know something that you don't. And that's the fact that this cottage has recently been bought | 0:32:47 | 0:32:54 | |
and was immediately thrown back into the auction. | 0:32:54 | 0:32:58 | |
That sets alarm bells ringing. What could possibly be wrong with it? | 0:32:58 | 0:33:03 | |
Doing your research is vital when considering auction properties. | 0:33:03 | 0:33:08 | |
And that means more than just reading the legal pack. | 0:33:08 | 0:33:12 | |
Issues like the property's previous sales history can be a barometer to gauge exactly what you're getting. | 0:33:12 | 0:33:20 | |
There is always a certain sense of anticipation when you open the door of a property like this. | 0:33:20 | 0:33:26 | |
What are you going to find inside? Well, actually, quite a pleasant surprise. It's got character. | 0:33:26 | 0:33:32 | |
Oh, but dear! Oh, but dear oh dear! | 0:33:32 | 0:33:35 | |
It's also got rising damp. | 0:33:35 | 0:33:38 | |
Now, properties like this... You can feel it on there. | 0:33:38 | 0:33:41 | |
It's not going to be easy to sort that out unless you get involved in some major renovation work. | 0:33:41 | 0:33:48 | |
It's probably rising from the floor, which... Yes, it's a solid floor. | 0:33:48 | 0:33:52 | |
But you could decide, "I'm going to live with that for the character of the place, so who cares?" | 0:33:52 | 0:33:59 | |
But some nice touches. Look at that. | 0:33:59 | 0:34:01 | |
Original wood built into the walls. | 0:34:01 | 0:34:05 | |
Not original gas fire built into the other side. So we'd want to get something more characterful there. | 0:34:05 | 0:34:11 | |
Not a bad-sized room. I love the flagstone floor. I don't like the fact that it's got two doors, | 0:34:11 | 0:34:18 | |
which in a small room isn't good at all. Stairs up to the bedrooms and then through to the kitchen. | 0:34:18 | 0:34:25 | |
Oh, dear! | 0:34:27 | 0:34:29 | |
Oh, dear. | 0:34:29 | 0:34:31 | |
Oh, dear. Not a lot of head room in here then. | 0:34:31 | 0:34:35 | |
What a surprise! | 0:34:35 | 0:34:38 | |
This is the kitchen. It is absolutely tiny. Not only tiny, but you know, I mean, I'm six foot, | 0:34:38 | 0:34:44 | |
and I can't even get in here. | 0:34:44 | 0:34:46 | |
So a big problem. | 0:34:46 | 0:34:48 | |
Practical things just like these units here. Look. There's a normal base unit. There's a top unit. | 0:34:48 | 0:34:54 | |
Not much working space there, really, is there? | 0:34:54 | 0:34:58 | |
So, in terms of doing something with this space, firstly, you'll need a bespoke kitchen built for you. | 0:34:58 | 0:35:04 | |
Forget all these standard units. | 0:35:04 | 0:35:06 | |
And secondly, if you're going to try and increase its head height, | 0:35:06 | 0:35:10 | |
the only thing I can see is to dig down. And that will cause all sorts of problems. | 0:35:10 | 0:35:16 | |
It's a listed building, you'll have to get involved in tanking it, talk to the neighbours to check it's OK. | 0:35:16 | 0:35:22 | |
Not good. So not an easy problem to solve. | 0:35:22 | 0:35:25 | |
These are the sort of problems that would scare off some developers. | 0:35:29 | 0:35:33 | |
They prefer an easy and speedy profit. And you won't get that with this little cottage. | 0:35:33 | 0:35:39 | |
It's going to be difficult to renovate. | 0:35:39 | 0:35:42 | |
Well, the adventure continues as you go upstairs. But um... Oh, dear. That's not good. | 0:35:45 | 0:35:52 | |
Clearly some kind of rot and also woodworm, | 0:35:53 | 0:35:56 | |
although the woodworm have actually left. | 0:35:56 | 0:36:00 | |
The thing is with a property like this, any problems like that are just not that easy to fix | 0:36:00 | 0:36:06 | |
as this wood needs to be done and put back together by a specialist. | 0:36:06 | 0:36:10 | |
So in a normal house, that would be bad. In this place, it's probably even worse. But what a surprise! | 0:36:10 | 0:36:16 | |
Up through to the main bedroom. | 0:36:16 | 0:36:19 | |
And compared to the kitchen, look at the ceiling height here. Again, all these old beams built into the wall. | 0:36:19 | 0:36:25 | |
It's got a lovely, lovely feel to it. But practically, not so sure. | 0:36:25 | 0:36:29 | |
Got a bathroom there. Second bedroom there. But the only way to access them is through those stairs. | 0:36:29 | 0:36:36 | |
So, really, not ideal. And I don't know how you get round that. | 0:36:36 | 0:36:41 | |
I've had a good look round and there's really nothing wrong with this property. | 0:36:41 | 0:36:47 | |
The roof's good. Well, it's not falling down. There's some damp and it does have a few cracks. | 0:36:47 | 0:36:53 | |
But then so would you after 400 years. | 0:36:53 | 0:36:57 | |
Well, you either hate these kind of quirky properties or you love them. | 0:36:57 | 0:37:02 | |
You're either willing to put up with the kind of work that's going to be involved in doing this place up | 0:37:02 | 0:37:08 | |
or you're not. It's got problems. The tiny kitchen with that low roof. | 0:37:08 | 0:37:12 | |
And just the amount of work you'll have to do, given that this is a Grade 2 listed building as well. | 0:37:12 | 0:37:18 | |
But have I found anything that's particularly scary about this place? No. Do I love it? Yes. | 0:37:18 | 0:37:24 | |
Who else fell in love with it when it went to auction? Let's find out. | 0:37:24 | 0:37:29 | |
Right, OK. Next one, please, is lot number 11. | 0:37:29 | 0:37:31 | |
Start me at £100,000? Someone save my breath. I'm selling lot 11. | 0:37:31 | 0:37:35 | |
There we are. 100 put me in? 100 I've got. OK, round the corner I'll go. At £100,000. 102? | 0:37:35 | 0:37:41 | |
At 102. 104. At £104,000, back right. At 104. 106 in the middle? Yes, 106. | 0:37:41 | 0:37:47 | |
8 now say? At £106,000. | 0:37:47 | 0:37:50 | |
108. Now 10 if you will? At £108,000. Pretty little cottage. | 0:37:50 | 0:37:54 | |
110 I've got. OK. 112. 114 to you, sir? 114. | 0:37:54 | 0:37:58 | |
OK. At £114,000. The bid is there. Against you at the back. 115. 116 to you, sir. 116. | 0:37:58 | 0:38:04 | |
116 on the wall for the first time. | 0:38:04 | 0:38:08 | |
Anybody else for 117? 116 then for the second time. Are you all done? | 0:38:08 | 0:38:13 | |
Third and last time. You're finished. | 0:38:13 | 0:38:15 | |
It's yours, sir. And your number is 98. | 0:38:15 | 0:38:18 | |
'The new owner is professional carpenter, Glyn. He bought the little cottage because of its age | 0:38:18 | 0:38:25 | |
'and also its name, The Pippin. But this is no pipsqueak of a project. | 0:38:25 | 0:38:29 | |
'I couldn't wait to find out what Glyn had in mind.' | 0:38:29 | 0:38:33 | |
I just... I've got a feel for old buildings. | 0:38:33 | 0:38:36 | |
During my working life, it's the old buildings that I've enjoyed working on. | 0:38:36 | 0:38:42 | |
-As an apprentice, I worked at Ashton Court in Bristol, a big stately home. -Yes. -That's a fascinating job. | 0:38:42 | 0:38:49 | |
'The interior is where a lot of thought is needed. | 0:38:49 | 0:38:53 | |
'For upstairs, Glyn wants to source some ancient oak to replace the bathroom's stud partition | 0:38:53 | 0:38:59 | |
'that was put up in the 1970s and build a new wall using the same methods as the rest of the cottage. | 0:38:59 | 0:39:05 | |
'He'll separate the two bedrooms without blocking off the stairway. | 0:39:05 | 0:39:09 | |
'He thinks he could split the stairs, so that each bedroom can be accessed separately. | 0:39:09 | 0:39:14 | |
'It all sounds very clever. So what about downstairs?' | 0:39:14 | 0:39:18 | |
With the kitchen, obviously, | 0:39:18 | 0:39:21 | |
I shall hand-build that. You know, get the units in proportion to the size of the room. | 0:39:21 | 0:39:27 | |
Try and make it all workable. | 0:39:27 | 0:39:30 | |
# I will try to fix you... # | 0:39:30 | 0:39:34 | |
'Glyn knows exactly what's involved with repairing this little cottage. | 0:39:35 | 0:39:39 | |
'But he has no idea of how much it will cost. | 0:39:39 | 0:39:44 | |
'But by doing the work himself, he hopes to keep the expense down. | 0:39:44 | 0:39:48 | |
'He has over 30 years' experience as a skilled carpenter, so there's not much he hasn't seen before. | 0:39:48 | 0:39:54 | |
'It's an enormous project, but one that Glyn is in no rush to complete.' | 0:39:54 | 0:39:59 | |
So what's the longer-term plan for you and this place then? | 0:40:00 | 0:40:05 | |
-I intend to live here. -For the foreseeable future? -For the foreseeable future, yeah. | 0:40:05 | 0:40:11 | |
As far as the work goes, it'll be like doing a custom car, a classic car. | 0:40:11 | 0:40:17 | |
It'll be putting the time in for no returns. Art for art's sake, really. | 0:40:17 | 0:40:23 | |
-That's a lovely analogy. Yeah, it's like a classic car. -A labour of love definitely. | 0:40:23 | 0:40:28 | |
'Well, that was the spring of 2007 and when we returned three months later, | 0:40:28 | 0:40:34 | |
'Glyn's labour of love had only just started. | 0:40:34 | 0:40:37 | |
'But now, two years on, due to his patience and skilful endeavour, the job is finished. | 0:40:37 | 0:40:42 | |
'See how Glyn returned this 400-year-old cottage to its former glory later in the show.' | 0:40:42 | 0:40:49 | |
# I will try to fix you... # | 0:40:49 | 0:40:52 | |
Time to return to our properties and uncover the truth. | 0:40:58 | 0:41:02 | |
-Are they a triumph of engineering or a house of cards? -Let's find out. | 0:41:02 | 0:41:06 | |
Actor, PR man and dog lover Tom | 0:41:07 | 0:41:10 | |
bought this three-bedroom, mid-terraced house in London for 211,000. | 0:41:10 | 0:41:15 | |
It needed a lot of work to bring it back to its former glory. | 0:41:15 | 0:41:19 | |
Tom wanted to do much of it himself but his toolkit wasn't up to much. | 0:41:19 | 0:41:25 | |
I have sanding paper for a sander I borrowed. But I gave the sander back, so I've just got the paper. | 0:41:25 | 0:41:32 | |
Well, despite that, it looks like Tom's been getting to grips with it. | 0:41:34 | 0:41:38 | |
# Work, work You know you gotta work, work | 0:41:38 | 0:41:42 | |
# I got the goods and I want you | 0:41:43 | 0:41:45 | |
# Put your boots on, baby Get to | 0:41:45 | 0:41:48 | |
# Work, work You know you gotta work, work... | 0:41:48 | 0:41:52 | |
# I tend to get what I want So are you starting to see... # | 0:41:53 | 0:41:56 | |
It must have been tough turning this bedsit into a home | 0:41:56 | 0:42:01 | |
with just a screwdriver and a piece of sandpaper. How did he do it? | 0:42:01 | 0:42:05 | |
When my dad comes, he brings his toolkit and I nick one more thing. | 0:42:05 | 0:42:10 | |
So when he takes his toolkit home, I've kept one more item. I've probably got about six things now. | 0:42:10 | 0:42:16 | |
But it's amazing what you can do without any tools. So the cupboard in the dining room that I removed, | 0:42:16 | 0:42:23 | |
I took it down with a claw hammer. So I banged the doors off and knocked it out. You don't need tools, really. | 0:42:23 | 0:42:30 | |
Probably not the best way of doing things, but the work is coming along. | 0:42:30 | 0:42:35 | |
I have plastered every room, the landing, top of the stairs, front bedroom, middle bedroom. | 0:42:35 | 0:42:41 | |
I'm plastering the living room and the dining room. | 0:42:41 | 0:42:45 | |
I've done the floorboards, I removed the pins, the carpet, lino, wood. | 0:42:45 | 0:42:49 | |
Wait a minute. Slow down. Carpet, lino, wood, I understand. But what are those pins you mentioned? | 0:42:49 | 0:42:55 | |
Staple. Um... The bane of my life. | 0:42:57 | 0:43:01 | |
And goes in with the rest. | 0:43:01 | 0:43:03 | |
I have pulled out now around 5,000 or 6,000 of these pins because there's 55 per plank. | 0:43:03 | 0:43:11 | |
There's about 25 planks per room. I've done the hallway, landing, bedroom, living room, dining room. | 0:43:11 | 0:43:18 | |
And I'm starting on the back bedroom. So by the time I've finished, it'll be around 7,000 of these. | 0:43:18 | 0:43:24 | |
The pins held the original carpet down. So has he done anything else? | 0:43:24 | 0:43:29 | |
I've knocked the bathroom wall through in the toilet through to the main bathroom. | 0:43:29 | 0:43:35 | |
I plastered all the ceilings as well and totally redid the back garden. And I'll be doing the front as well. | 0:43:35 | 0:43:42 | |
For a man with no tools, Tom's certainly been busy. And those pins aren't the only things he's tackled. | 0:43:42 | 0:43:48 | |
Woodchip is the worst creation on the planet. | 0:43:48 | 0:43:52 | |
And anyone that looks at a house that has woodchip, avoid it like the plague. | 0:43:52 | 0:43:58 | |
It took me just over a fortnight to strip the woodchip out of the main bedroom at the front. | 0:43:58 | 0:44:04 | |
And because it's an old house and the walls are a little bit crumbly, | 0:44:04 | 0:44:08 | |
as you took the woodchip off, it took half the wall with it, so I had a constant battle with woodchip. | 0:44:08 | 0:44:15 | |
It took two weeks to do that bedroom. Hallway and landing, three, maybe four weeks. | 0:44:15 | 0:44:20 | |
And I'm employing somebody to do the living room and the dining room. | 0:44:20 | 0:44:24 | |
It's been worth all that to return this house to the bare basics. | 0:44:24 | 0:44:29 | |
It gives Tom a chance to install some original features if he can track them down. | 0:44:29 | 0:44:34 | |
In terms of putting features back and things, internet, reclamation yards. | 0:44:34 | 0:44:40 | |
Which I thought would be cheap, but they're expensive. So it's a case of finding the thing that you like, | 0:44:40 | 0:44:46 | |
saving up for it and getting it. So the fireplace - saved up for that. | 0:44:46 | 0:44:50 | |
Researched on the internet, went and found it. It was kind of a reclamation fireplace centre. | 0:44:50 | 0:44:57 | |
It's worth shopping around for those period features as prices vary wildly. | 0:44:57 | 0:45:02 | |
My original budget was probably 15 to 20 in my head. I think it's going to work out a lot more in the end. | 0:45:02 | 0:45:08 | |
But then I've probably spent about 7,000 so far. | 0:45:08 | 0:45:14 | |
So I've kind of done the basics for seven. But the kitchen will obviously take sort of five or six. | 0:45:14 | 0:45:20 | |
The bathroom's going to take two. I reckon it's going to be at least 30 grand. | 0:45:20 | 0:45:26 | |
The house originally cost Tom 211,000. | 0:45:26 | 0:45:29 | |
And he's spent 7,000 so far. He's saving money by doing most of the work himself and borrowing tools. | 0:45:29 | 0:45:36 | |
To see if he's going in the right direction, | 0:45:36 | 0:45:39 | |
I asked two local estate agents for their opinions. | 0:45:39 | 0:45:43 | |
Well, it looks like the vendor's kept the original features. | 0:45:43 | 0:45:48 | |
He's made the place much more open. | 0:45:48 | 0:45:51 | |
He seems to have done a nice job. | 0:45:51 | 0:45:54 | |
I think the changes that have been made so far are really positive. | 0:45:54 | 0:45:58 | |
Making the bathroom bigger will make the property much more modern | 0:45:58 | 0:46:02 | |
and appeal to a wider spectrum of buyers. | 0:46:02 | 0:46:05 | |
If Tom carries on the way he's going with the renovation, | 0:46:06 | 0:46:10 | |
will an attractive period building bring in an attractive rent? | 0:46:10 | 0:46:15 | |
I think this property should rent for around £1,200 per calendar month. | 0:46:15 | 0:46:20 | |
The rental for this property would be in the region of 1,200 per month. | 0:46:20 | 0:46:24 | |
That's pretty good. | 0:46:24 | 0:46:26 | |
That's pretty good. | 0:46:26 | 0:46:28 | |
I'm glad he's pleased. He's doing a grand job. Hopefully that will be reflected in the market value. | 0:46:28 | 0:46:34 | |
I think he's going along the right lines in terms of ways of decorating and improving the property. | 0:46:34 | 0:46:40 | |
I think we're working around about 325,000. | 0:46:40 | 0:46:44 | |
If this property was renovated to a high specification, they could achieve somewhere in the early 300s. | 0:46:44 | 0:46:50 | |
I'd recommend an asking price of 310,000. | 0:46:50 | 0:46:53 | |
310 and 325? That's brilliant. | 0:46:53 | 0:46:57 | |
I'm well chuffed with that. | 0:46:57 | 0:47:00 | |
That's awesome! | 0:47:00 | 0:47:02 | |
Awesome indeed. If Tom spends all his £15,000 budget, | 0:47:03 | 0:47:07 | |
the overall outlay will be around £226,000. | 0:47:07 | 0:47:11 | |
That's potential pre-tax profit of 76,000 to 91,000, minus usual expenses. | 0:47:11 | 0:47:18 | |
Not bad for a property auction novice. | 0:47:18 | 0:47:21 | |
So, what advice can Tom pass on to those who hope to follow his lead? | 0:47:21 | 0:47:27 | |
Get a right set of pliers cos it makes all the difference to get nails out the floor. | 0:47:27 | 0:47:32 | |
-If you use normal pliers, they don't work. But if you use the curved end ones, they work. -What a gem! | 0:47:32 | 0:47:39 | |
It was back in the spring of 2007 when I first visited a 400-year-old cottage called The Pippin | 0:47:46 | 0:47:53 | |
in the village of Calne in Wiltshire. | 0:47:53 | 0:47:55 | |
Although some might say it was looking pretty good for its age, | 0:47:55 | 0:48:00 | |
time had taken its toll and it was in need of a lot of tender loving care from a skilled craftsman. | 0:48:00 | 0:48:06 | |
Step forward professional carpenter Glyn. He paid £116,000 to turn it into his new home | 0:48:06 | 0:48:13 | |
and was under no illusions about what he'd taken on. | 0:48:13 | 0:48:18 | |
-I'll put in a lot of hours. -A labour of love. -A labour of love definitely. | 0:48:19 | 0:48:24 | |
When we first returned three months later, Glyn had made a start | 0:48:24 | 0:48:29 | |
and was discovering all sorts of things about the cottage's history. | 0:48:29 | 0:48:34 | |
While I was doing the fireplace, I was pulling out... | 0:48:35 | 0:48:39 | |
These were very sooty. These pieces haven't really been cleaned up yet. | 0:48:39 | 0:48:44 | |
But I've got a letter, a letter to Mother from the son. | 0:48:44 | 0:48:49 | |
Um... And they're all dated 1878, 1879. | 0:48:49 | 0:48:55 | |
I've got a North Somerset and Wilts Guardian. | 0:48:55 | 0:48:58 | |
A hymn sheet and various other pieces of paper. | 0:48:58 | 0:49:02 | |
Clearly the cottage had a fascinating past. But what about its future? | 0:49:02 | 0:49:08 | |
Well, two years on and we're back. | 0:49:08 | 0:49:11 | |
And just look at it now. | 0:49:12 | 0:49:15 | |
Glyn has resurrected the old inglenook fireplace and uncovered | 0:49:24 | 0:49:29 | |
and, where necessary, replaced the oak beams. | 0:49:29 | 0:49:33 | |
The walls have been traditionally plastered with lime and horsehair | 0:49:35 | 0:49:40 | |
and painted using lime or clay paints. So this doesn't just look authentic, it is authentic. | 0:49:40 | 0:49:46 | |
And remember the tiny kitchen? Glyn hasn't only made the most of the space, | 0:49:53 | 0:49:59 | |
he's utilised all the bits and pieces he could find. | 0:49:59 | 0:50:03 | |
The kitchen, I replaced the broken flags on the floor. | 0:50:03 | 0:50:08 | |
And I replaced a couple of joists. | 0:50:08 | 0:50:11 | |
They're all oak joists now to the original sizes | 0:50:11 | 0:50:15 | |
because a couple of them were broken and collapsing. | 0:50:15 | 0:50:18 | |
And it's just a question of design, really. | 0:50:18 | 0:50:22 | |
I'm making the best use of the space. | 0:50:22 | 0:50:26 | |
I've got a drop-leaf, gate-leg table there or half of it. | 0:50:26 | 0:50:31 | |
The other half didn't get wasted. | 0:50:31 | 0:50:35 | |
I built the bathroom cabinet, the towel rail, the toilet roll holder and the light pull with that. | 0:50:35 | 0:50:43 | |
# Let's go round again | 0:50:44 | 0:50:47 | |
# Maybe we'll turn back the hands of time | 0:50:47 | 0:50:52 | |
# Let's go round again One more time... # | 0:50:52 | 0:50:56 | |
Recycling, re-using or re-working is the name of the game for Glyn. | 0:50:56 | 0:51:02 | |
The kitchen cupboards and worktops were old units he found locally and adapted to fit the space. | 0:51:02 | 0:51:08 | |
This approach continues throughout the cottage. | 0:51:08 | 0:51:12 | |
Well, the upstairs, um... I mean, this bedroom in particular, | 0:51:18 | 0:51:22 | |
I haven't done an awful lot, really, well, apart from re-plastering and painting. | 0:51:22 | 0:51:29 | |
This is the original banister, original stairs. | 0:51:29 | 0:51:33 | |
I stripped back and cleaned out the timber work. | 0:51:33 | 0:51:38 | |
This electric cupboard there was made from an old chest of drawers that was left here. | 0:51:38 | 0:51:44 | |
I hand-made the window shutters, again out of reclaimed material. | 0:51:44 | 0:51:48 | |
It's easier for me to make shutters than it is curtains. | 0:51:48 | 0:51:53 | |
This clever combination of adapting old wooden furniture | 0:51:53 | 0:51:58 | |
and restoring what was already here works brilliantly. | 0:51:58 | 0:52:01 | |
It keeps true to how the old cottage would have evolved naturally over the years. | 0:52:01 | 0:52:07 | |
Do you remember that drop-leaf table in the kitchen that Glyn cut in half? | 0:52:11 | 0:52:17 | |
Well, this bathroom - originally, it was part of the bedroom. | 0:52:17 | 0:52:21 | |
And this was the bedroom fireplace | 0:52:21 | 0:52:24 | |
that had been knocked about and blocked up. | 0:52:24 | 0:52:28 | |
I've designed and made a bath panel with access to the taps | 0:52:28 | 0:52:33 | |
and access for storage at the other end. | 0:52:33 | 0:52:37 | |
Um... Again this is recycled. This is the other half of the kitchen table. | 0:52:37 | 0:52:42 | |
The towel rail, light pull and toilet roll holder are part of that table. | 0:52:42 | 0:52:47 | |
So Glyn has brought his carpentry skills to the fore. | 0:52:47 | 0:52:51 | |
Everywhere you look, there's something he's created especially for the cottage. | 0:52:51 | 0:52:56 | |
He's made it his home, but at the same time has been sympathetic to this Grade 2 listed property. | 0:52:56 | 0:53:03 | |
It now looks much more as you'd expect for a 400-year-old cottage called The Pippin. | 0:53:03 | 0:53:09 | |
So what's it been like doing all that work? | 0:53:13 | 0:53:18 | |
Well, we agreed at the outset that it was a labour of love. | 0:53:18 | 0:53:22 | |
And it's been that, you know. An awful lot of labour. | 0:53:22 | 0:53:26 | |
But I've enjoyed it. It's been good. | 0:53:26 | 0:53:28 | |
As it is Grade 2 listed, there were certain things Glyn couldn't change. | 0:53:28 | 0:53:33 | |
Bizarrely, one of them was the 1970s' windows. | 0:53:33 | 0:53:36 | |
But for the interior, that was no great hardship for Glyn. | 0:53:36 | 0:53:39 | |
He was determined to restore it in a traditional manner, but the colour of the house was slightly different. | 0:53:39 | 0:53:46 | |
The outside of the house, it's been a problem, | 0:53:46 | 0:53:51 | |
because...well, the paint hadn't gone quite the same colour as I wanted it to. | 0:53:51 | 0:53:57 | |
The colour I had in mind was more conservative. | 0:53:57 | 0:54:01 | |
But now I see the orange compared to what I wanted and I've learned to live with that. | 0:54:01 | 0:54:07 | |
As with the uncertainty over the colour of the exterior, | 0:54:08 | 0:54:13 | |
he's also unsure what his final budget will turn out to be. | 0:54:13 | 0:54:18 | |
He thinks he's spent around £10,000 but isn't sure. | 0:54:18 | 0:54:22 | |
So does a traditional cottage cut it in the modern property market? | 0:54:22 | 0:54:26 | |
What do two local estate agents think? | 0:54:26 | 0:54:29 | |
Glyn bought The Pippin for £116,000 at auction. | 0:54:34 | 0:54:38 | |
With a budget of around £10,000 plus costs, he's probably spent around 130,000. | 0:54:38 | 0:54:45 | |
So has this labour of love blossomed into a good investment? | 0:54:45 | 0:54:49 | |
I think this property has been restored very well. | 0:54:49 | 0:54:53 | |
He's maintained all the inherent charm and expanded on that, really. | 0:54:53 | 0:54:57 | |
The cottage has been done up with a lot of care | 0:54:57 | 0:55:01 | |
and it shows right the way through. | 0:55:01 | 0:55:03 | |
He's used the plaster, which is a lime-based plaster, which gives a nice feel to it. | 0:55:03 | 0:55:09 | |
It's very cosy. And yes, I think it will be a pleasure to be in here. | 0:55:09 | 0:55:14 | |
Having bought the cottage for 116,000 and with an estimated outlay of no more than 10,000, | 0:55:15 | 0:55:22 | |
has Glyn spent around £130,000 wisely? | 0:55:22 | 0:55:26 | |
I would market this property in the region of 145 to just under 150. | 0:55:26 | 0:55:32 | |
We would be asking for this property a figure of 145,000 with a view to achieve in excess of 140,000. | 0:55:32 | 0:55:39 | |
That could see a profit of £10,000 to £15,000 for Glyn. What does he think about that? | 0:55:39 | 0:55:45 | |
That's about what I was expecting. | 0:55:45 | 0:55:47 | |
Well, a small profit but a fantastic home. | 0:55:48 | 0:55:53 | |
Glyn has put in an awful lot of work to restore the cottage. Has it turned out the way he hoped? | 0:55:53 | 0:55:59 | |
Yes, it's been good fun. | 0:55:59 | 0:56:01 | |
It's the second oldest dwelling in Calne and the most famous of modern times now as well | 0:56:01 | 0:56:07 | |
thanks to your programme, so... | 0:56:07 | 0:56:10 | |
Oh, the power of television! | 0:56:10 | 0:56:13 | |
# Fame, fame, fame, fame, fame | 0:56:13 | 0:56:16 | |
# Fame... # | 0:56:16 | 0:56:18 | |
But famous or not, there's no disguising the fact that Glyn has done a fantastic job here. | 0:56:18 | 0:56:24 | |
The cottage should be set for another 400 years at least. | 0:56:24 | 0:56:28 | |
Who knows? Perhaps we'll be back in another few centuries to see how it fares. | 0:56:28 | 0:56:35 | |
-That's it for today's show. -Join us next time for more thrills and spills on Homes Under The Hammer. | 0:56:37 | 0:56:43 | |
-See you then. -Goodbye. -Goodbye. | 0:56:43 | 0:56:45 |