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The gates of the 2012 Floral Olympics have closed. The RHS | :00:12. | :00:18. | |
Chelsea Flower Show is over for another year. Before London sees | :00:18. | :00:21. | |
our athletes replace them there's time to look back at some of the | :00:21. | :00:24. | |
magical moments that made this year's events one of the | :00:25. | :00:30. | |
horticultural high points of our year. Coming up this evening: | :00:30. | :00:35. | |
Origin of the species. Tom Hart Dyke traces some of this year's | :00:35. | :00:38. | |
great plants back to their birthplace. They're for sure the | :00:38. | :00:45. | |
Kings and Queens of the deserts. Hugh's views, Hugh Dennis treats us | :00:45. | :00:50. | |
to his own look at the show this year. I have an urge to do that, | :00:50. | :00:54. | |
but I am worried if you push down on the tops somewhere else in the | :00:54. | :01:00. | |
garden something explodes. Diamond debutants, with the Jubilee | :01:00. | :01:03. | |
celebrations around the corner, we meet the new floral arrivals | :01:03. | :01:13. | |
:01:13. | :01:16. | ||
Hello, thank you for joining us as we indulge in one last lingering | :01:16. | :01:20. | |
look at the best bits of Chelsea 2012. In spite of the predictions | :01:20. | :01:25. | |
to the contrary, this has been a vintage year, hasn't it? It's been | :01:25. | :01:31. | |
stunning. Plants bridled by the cold, we have seen plants around us | :01:31. | :01:35. | |
plants shivering and then suddenly the heat came on, winter finished a | :01:35. | :01:40. | |
week and a half ago and everything just burst. The flowers and foliage | :01:40. | :01:45. | |
faced the sun, everyone reracksed - - relaxed. It looks stunning. I | :01:45. | :01:49. | |
think it's a vintage year. I don't think I have ever started the week | :01:49. | :01:54. | |
in tweed and ended - and thermal underwear, you are right, and ended | :01:54. | :01:58. | |
in short sleeves. We had leaves dropping off the trees above us. | :01:58. | :02:02. | |
The heat has come too quick for them. It will all come right in the | :02:02. | :02:06. | |
end. Yes, everything corrects itself. All the plants catch up and | :02:06. | :02:12. | |
it's just perfect. As indeed it has been. The show gardens this year | :02:12. | :02:18. | |
reflected a mix of gardens, stretching back to ancient Persia | :02:18. | :02:25. | |
as Rachel and I discovered. The gardens of Persia emphasised | :02:25. | :02:29. | |
the preciousness of water and that's what Nigel Dunnett has done | :02:29. | :02:37. | |
here. This building at the end here, this | :02:37. | :02:42. | |
was inspired by those little houses you find in Italy and if you look | :02:42. | :02:48. | |
up inside you will see the most wonderful dry stone roof which is | :02:48. | :02:52. | |
rather like an egg made entirely of pieces of sandstone. It's truly | :02:52. | :02:56. | |
beautiful. Here the paving is more smooth. There is a practical angle | :02:56. | :03:00. | |
to this, as would you expect from Nigel, a man involved in the design | :03:00. | :03:06. | |
for the Olympic Park, all these beds here and their plantings allow | :03:06. | :03:10. | |
water to drain through them and into these canals on either side, | :03:10. | :03:14. | |
so they're part of the purification process. Also, a retaining water, | :03:15. | :03:19. | |
which as we know even in a drought is a precious commodity. The | :03:19. | :03:27. | |
planting is interesting. Grasses mixed with perennials but also | :03:27. | :03:37. | |
:03:37. | :03:42. | ||
Here the white variety. In front of me bright orange which contrast | :03:42. | :03:47. | |
markedly with the turqoise bottom of the pond and water and I thought | :03:47. | :03:53. | |
who would put together orange and turqoise and then I will remember, | :03:53. | :03:58. | |
if you forget the name drop, when I last interviewed Claudia Schiffer | :03:58. | :04:08. | |
she was wearing those colours. It's the Claudia Schiffer garden really. | :04:08. | :04:15. | |
Well, this is a little slice of Heaven. It's the Arthritis Research | :04:15. | :04:22. | |
UK Garden designed about -- by Tom Hoblyn. He took inspiration from | :04:22. | :04:32. | |
:04:32. | :04:32. | ||
rennaissance gardens. He has used stone and here it's rough hewn and | :04:33. | :04:37. | |
masculine and smooth along the bench and that side. The planting | :04:37. | :04:41. | |
is so beautiful. It's very much designed to cope with those arid | :04:41. | :04:51. | |
:04:51. | :04:53. | ||
conditions. You have things that are silver leaf. And also little | :04:53. | :05:01. | |
bits of colour. The red poppy. And then at the back those five Cyprus | :05:01. | :05:08. | |
trees and they're balanced on the other side by the oak. This is also | :05:08. | :05:12. | |
a garden about water. You have three different forms. The lovely | :05:12. | :05:15. | |
still pool here with stepping stones. | :05:15. | :05:19. | |
You have the cascade at the very back. I think best of all, just | :05:19. | :05:24. | |
look at this, water shoots leaping across that box hedge with the | :05:24. | :05:29. | |
hedging as a background. Again, they just pop through the jets of | :05:29. | :05:34. | |
water in the back of the seating and they're lit, so at night they | :05:34. | :05:37. | |
really shine. It's a fabulous garden to look at, it's even better | :05:37. | :05:47. | |
:05:47. | :06:00. | ||
the history in a garden, it begins with the ancient, this well head | :06:00. | :06:06. | |
but mixes ancient with modern. Here sits this well head on cobbles in | :06:06. | :06:10. | |
this forecourt with a lime tree, a good old-fashioned touch. As we | :06:10. | :06:15. | |
move forward, we start to get a touch more modern. Cleve says this | :06:15. | :06:21. | |
garden is geometical and it seems to mix all kinds of periods which | :06:21. | :06:25. | |
have been covered in 250 years. We come to a sunk area in the centre, | :06:25. | :06:32. | |
which has at each corner the most magnificent topiary spesmans on the | :06:32. | :06:38. | |
site this year. These are like great chessmen erupting among beds | :06:38. | :06:42. | |
of border perennials. Then two formal and old-fashioned gate piers | :06:42. | :06:51. | |
here, sitting attop them flaming stone with this wonderful rusted | :06:51. | :06:55. | |
ornate gate. Interests a -- there is a modern touch. At the foot of | :06:55. | :06:59. | |
the gate post you have skwruting out this wonderful channel | :06:59. | :07:05. | |
depositing water water and it runs down either side of this central | :07:05. | :07:15. | |
:07:15. | :07:17. | ||
path. They seem to be the signature of Chelsea 2012. These are made of | :07:17. | :07:21. | |
wonderful cobbled sets. It's a wonderful mixture of 250 years of | :07:21. | :07:29. | |
old and new. Of the 16 large show gardens, nine | :07:29. | :07:33. | |
were awarded gold this year which gives you some idea of the standard | :07:33. | :07:39. | |
of execution. One of them went to Mr BeardShaw. Chris, I have been | :07:39. | :07:43. | |
looking at this all week and today it was go up those steps and I have | :07:43. | :07:50. | |
and it's magical! It's like those wonderful twisted tree paintings. | :07:50. | :07:54. | |
Great craftsmanship and planting. You are pleased? Thrilled and this | :07:55. | :07:58. | |
idea of this path leading you on, you don't really know where you are | :07:58. | :08:03. | |
going, it's encouraging you to explore. That's reminiscent of a | :08:03. | :08:08. | |
philosophy that teachers have back at Furzey with adults with learning | :08:08. | :08:11. | |
disabilities. They don't take them on face value. They allow them to | :08:11. | :08:16. | |
settle and encourage exploration of their own personalities to find out | :08:16. | :08:21. | |
how horticultural can mesh in to their requirements. Everybody is | :08:21. | :08:25. | |
best at something, and what they seem to do is find out what you or | :08:26. | :08:29. | |
I and people there are best at and produce something like this. To | :08:29. | :08:37. | |
watch this over the week it's changed. Amazing. Full bud at the | :08:37. | :08:44. | |
beginning of the week, now fading. This is coming on. It's the | :08:44. | :08:47. | |
choreography. That reminded me about Monday and the stars and | :08:47. | :08:53. | |
celebrities who turn up here at this choreographied vent all glam - | :08:53. | :08:58. | |
- event all glamorous. You wonder how many have come to be seen and | :08:58. | :09:02. | |
get their faces in the paper and how many are keen and interested | :09:02. | :09:05. | |
gardeners? One who was was Hugh Dennis and he gave us his take on | :09:05. | :09:15. | |
:09:15. | :09:24. | ||
gardens. I like the kind of British obsession with gardens. | :09:24. | :09:30. | |
This is the Cleve West garden. He is a garden designer, not as many | :09:31. | :09:40. | |
of you probably imagine a suburb of Cleve, he is an actual man. I like | :09:40. | :09:45. | |
this topiarised yew, I believe it is. I have a touring do that with | :09:45. | :09:49. | |
one of the tops but I am worried if you push down somewhere else in the | :09:49. | :09:54. | |
garden something explodes. These gates, I think, are from a | :09:54. | :09:59. | |
salvage yard and they're absolutely beautiful. They have a slight | :09:59. | :10:02. | |
Mediterranean feel, Middle Eastern almost. They absolutely make this | :10:02. | :10:12. | |
:10:12. | :10:24. | ||
little bit like a purple and green microphone, but mostly they look | :10:24. | :10:30. | |
like an enormous psychedelic dandelion clock, I think. Just | :10:30. | :10:40. | |
:10:40. | :10:42. | ||
beautiful. That brings back memories, we had a | :10:43. | :10:48. | |
massive yucca in our garden and I used to ride my bike obsessively | :10:48. | :10:55. | |
around the track which went past this tree and most days I fell off | :10:55. | :11:01. | |
into it, it was right on the corner and it's essentially like nature's | :11:01. | :11:05. | |
upturned knife block. I wouldn't have one in the garden now, | :11:05. | :11:15. | |
:11:15. | :11:26. | ||
That's what it is, holy vegetables. It seems to be easy to grow a | :11:26. | :11:35. | |
massively long parsnip than carrot, wonder why that is? Those leeks | :11:35. | :11:41. | |
look like things you would feed into a machine-gun, don't they? | :11:41. | :11:44. | |
They're fantastic. Not as fantastic as this, which is a Formula One car | :11:44. | :11:49. | |
made entirely out of hedge. You have to think, you know, with all | :11:49. | :11:52. | |
the advances in Formula One technology that's probably a bit of | :11:52. | :11:55. | |
a mistake. If you leave this car standing for too long it actually | :11:55. | :12:01. | |
roots, does it? Every 26 laps it has to come in for a prune. I am | :12:01. | :12:05. | |
freaked out by the hedge people. They're ever so slightly like | :12:05. | :12:15. | |
:12:15. | :12:18. | ||
something out of Dr Who. This is Arnie Maynard's garden. | :12:18. | :12:28. | |
This walkway is fantastic. It's copper beech. Fantastic. There is a | :12:28. | :12:38. | |
:12:38. | :12:39. | ||
big conflict in our garden between kind of herbicious and planted | :12:39. | :12:43. | |
borders and grass at the end of which is a massive football goal. | :12:43. | :12:46. | |
Both bits have to be there, you know. I am sort of on the football | :12:46. | :12:51. | |
side of it, mostly. Well, Hugh was visiting in the | :12:51. | :12:56. | |
daylight but as evening descends, Chelsea takes on a new magical | :12:56. | :13:03. | |
quality. Everything falls silent. The time we gardeners love, we | :13:03. | :13:07. | |
arrive, quiet contemplation and that's the best time of day. It's | :13:07. | :13:10. | |
extraordinary, you can know a garden so intimately during | :13:10. | :13:14. | |
daylight hours and just after dusk, just as the sun's gone, especially | :13:14. | :13:20. | |
if there is sa good moon in the sky or designers use subtle lights for | :13:20. | :13:23. | |
architecture or plants it takes on a magical feeling and it really has | :13:23. | :13:28. | |
a connection with the emotions, not just the gardens, it's like the | :13:28. | :13:31. | |
great pavilion as well. I was in there at 2.00am and there was just | :13:31. | :13:34. | |
me and a lonely blackbird who thought it was dawn because the | :13:34. | :13:38. | |
lights were on. The smell in there is just intensified. It's paradise | :13:38. | :13:42. | |
t really is. As the sun goes down we come inside, shut the door and | :13:42. | :13:46. | |
that's it, thank you and good night garden until tomorrow. We should go | :13:46. | :13:51. | |
out more and investigate, not great flood lights, but a little bit of | :13:52. | :13:55. | |
something as you say, just to highlight it and appreciate this | :13:55. | :13:58. | |
magical new world. That's definitely the key. It's all about | :13:58. | :14:01. | |
placing your light in a subtle way so that you almost don't know there | :14:01. | :14:09. | |
are lights in the garden and then you get the maximum effect. A light | :14:09. | :14:15. | |
goes off at 10.30pm and I go out to see them on. It's imagine came. We | :14:15. | :14:20. | |
have lots more memories to share with you, still to come: | :14:20. | :14:23. | |
Royal recollections. James Alexander Sinclair talks to | :14:23. | :14:27. | |
exhibitor who is played host to the Royal party this year. The Queen | :14:27. | :14:33. | |
was in your garden? That's right. She seemed to know what she was on | :14:33. | :14:39. | |
about, which is nice. Mary berry invites us on her own tour of the | :14:39. | :14:49. | |
:14:49. | :14:53. | ||
show. Oh, gosh, it's a myriad of Great Pavilion is the diverse mix | :14:53. | :14:59. | |
of plants. You can see restios and Japanese maples next to each other. | :14:59. | :15:03. | |
The temptation to travel the horticultural world got the better | :15:03. | :15:06. | |
of Tom Hart Dyke earlier this week, when he had the opportunity to soak | :15:06. | :15:16. | |
:15:16. | :15:22. | ||
up some of the Pavilion's great exceedingly fantastic place to see | :15:22. | :15:25. | |
a wide range of plants that have evolved so successfully in their | :15:26. | :15:35. | |
:15:36. | :15:36. | ||
native habitats. These are commonly called air | :15:36. | :15:40. | |
plants and are a hugely diverse family from Florida all the way | :15:40. | :15:46. | |
down to central and South America. The most iconic example of | :15:46. | :15:52. | |
adaptation to air plants is that they grow as not parasites, they | :15:52. | :15:56. | |
simply use the host as anchorage for good light, air and drainage. | :15:56. | :16:02. | |
The good thing about a particular type of air plant, this old man's | :16:02. | :16:07. | |
beard or Spanish moss, is that it has no roots at all. It simply uses | :16:07. | :16:12. | |
its leaves to absorb the moisture and nutrients through special pores. | :16:12. | :16:18. | |
It's one of the most successfully adapted plant to a wide range p | :16:18. | :16:25. | |
conditions. Hats off to the air plant. | :16:25. | :16:31. | |
The cacti in particular are very adaptable to a wide range of | :16:31. | :16:36. | |
conditions. Instead of leaves they have spines, reducing their surface | :16:36. | :16:40. | |
area. They also have curious structures at the base of the | :16:40. | :16:44. | |
spines all areoles, where the new growth, flowers and spines come | :16:44. | :16:50. | |
from. At the base of that it's very furry. They absorb moisture from | :16:50. | :16:53. | |
the air. The moisture drips down the side of the cactus onto the | :16:53. | :16:58. | |
soil. The roots absorb this moisture. The other important thing | :16:58. | :17:03. | |
to mention about cacti are their curious shapes, which acts as a | :17:03. | :17:08. | |
reservoir in times of drought. There is no doubt to me, the cacti | :17:08. | :17:18. | |
:17:18. | :17:19. | ||
are for sure the kings and queens of the deserts. | :17:19. | :17:26. | |
This picture plant has a fabulous mechanism for survival. It grows on | :17:26. | :17:30. | |
very poor, nutrient deficient soils. They produce modified leaves full | :17:30. | :17:34. | |
of water and enzymes. When the fly gets close to the plant ah, tracted | :17:34. | :17:39. | |
by the very meaty colours here, the insect will land sideways on the | :17:39. | :17:45. | |
edge of the lip of the picture. It's a very slippery lip. It's like | :17:45. | :17:51. | |
an ice-skating rink. It tries to scabl as it falls into the pitcher. | :17:51. | :18:00. | |
In there are water, and digestive enzymes. Flies, bugs and even frogs | :18:00. | :18:05. | |
are absorbed into the plant itself. They need to do this because they | :18:05. | :18:12. | |
live on such poor soils. In 1998, I saw a rat's tail sticking out the | :18:12. | :18:22. | |
:18:22. | :18:29. | ||
end of this particular variety. Commonwealth will Join Together to | :18:29. | :18:34. | |
celebrate Her Majesty the Queen's Diamond Jubilee. On Monday, as she | :18:34. | :18:38. | |
made her customary visit to the show ground there was a feeling of | :18:38. | :18:42. | |
celebration in the air. James Alexander-Sinclair was on hand to | :18:42. | :18:45. | |
soak up the atmosphere. The gardens are ready, the hard | :18:45. | :18:49. | |
work is done. The flowers are prim ped. The rain has gone and the sun | :18:49. | :18:55. | |
has gone out. The atmosphere changes to one of anticipation, as | :18:55. | :18:58. | |
we wait patiently and quietly for the arrival of the patron, Her | :18:58. | :19:07. | |
Majesty the Queen. Since 1816 the society has received | :19:07. | :19:12. | |
royal patronage from the reigning monarch. Her Majesty follows in the | :19:12. | :19:20. | |
footsteps of Queen Victoria and her father King George VI. | :19:20. | :19:25. | |
This year is Her Majesty's 48th advise ut to the show. This time, | :19:25. | :19:30. | |
in honour of her Diamond Jubilee, the society have created a special | :19:30. | :19:35. | |
garden just for her. Then it's off to the Great Pavilion. | :19:35. | :19:40. | |
Once inside Her Majesty talks to children from the Knightsbridge | :19:40. | :19:45. | |
schools garden before making her way through Raymond Evison's | :19:45. | :19:51. | |
clematis stand. What did she like? Loved this. We put out a call to | :19:51. | :19:57. | |
the school where the children gave us their smelly trainers and we | :19:57. | :20:01. | |
made them smell better. She spent some time with the orchid society | :20:01. | :20:06. | |
of Great Britain having a special interest in one of the flowers. | :20:06. | :20:12. | |
same orchid was in her wedding bouquet. That's the one? That is it. | :20:12. | :20:15. | |
Back outside and onto the show gardens, where Her Majesty took | :20:15. | :20:20. | |
time to speak to the designersment The Queen was on your garden? | :20:20. | :20:23. | |
That's right. Did she take any cuttings? No, she seemed to know | :20:23. | :20:29. | |
what she was on about, which was nice. She enjoyed your bubbles. | :20:29. | :20:35. | |
did. She wondered if I put soap in it. I thought that was a great idea. | :20:35. | :20:38. | |
This year when we're all celebrating the Diamond Jubilee, it | :20:38. | :20:46. | |
feels extra special. To commemorate the Queen's 60 | :20:46. | :20:51. | |
glorious years, the RHS launched a new Diamond Jubilee award, the | :20:51. | :20:56. | |
accolade goes to the best exhibit in the great paiflion. This year it | :20:56. | :21:02. | |
went to this one, greated by H W Hyde and son for their lilies. The | :21:02. | :21:06. | |
celebrations didn't stop there as many nurserymen arrived at Chelsea | :21:06. | :21:09. | |
with a plethora of new plants bearing a royal title. Carol Klein | :21:09. | :21:17. | |
was there to greet them. There's no doubt Chelsea's gone | :21:17. | :21:23. | |
Jubileetastic. It's a great opportunity to discover new plants, | :21:23. | :21:31. | |
bred especially for the Diamond Jubilee. What better flower to | :21:31. | :21:36. | |
celebrate the Diamond Jubilee than a rose. What a beautiful rose too! | :21:36. | :21:43. | |
This is a modern classic rose, one of a brand new series, which | :21:43. | :21:48. | |
combines all the qualities of the old roses, that sense of romance | :21:48. | :21:52. | |
and softness, with the robustness and solidity that you come to | :21:52. | :21:57. | |
expect from modern roses. The rose itself is called the Queen's | :21:57. | :22:04. | |
Jubilee rose. It's got shiny green foliage and the most gorgeous | :22:04. | :22:07. | |
scented flowers. It's a real belter! This rose is not just for | :22:07. | :22:13. | |
Chelsea. It's going to be planted all along the Jubilee greenway, so | :22:13. | :22:17. | |
people will be able to enjoy it this year and it will go on giving | :22:17. | :22:27. | |
:22:27. | :22:28. | ||
them pleasure for years to come. I was lucky enough to be sent a few | :22:28. | :22:34. | |
sample seeds of this brand new variety of sweetpea. It's called, | :22:34. | :22:38. | |
of course, Diamond Jubilee, and it really is one of the most beautiful | :22:38. | :22:46. | |
sweetpeas I've seen. It's got these pale pink flowers, this gorgeous | :22:46. | :22:52. | |
picotee edge. Though the flowers have a delicate fragility, the | :22:52. | :22:56. | |
plants themselves are robust. They give long stemmed stalks with maybe | :22:56. | :23:03. | |
four or five flowers to each stem. The colours -- the colour's divine, | :23:03. | :23:07. | |
but when you lean over and smell, there's the most beautiful perfume. | :23:07. | :23:17. | |
What more could you want? With sweetpeas and roses, it's all about | :23:17. | :23:23. | |
flowers, but on this stand there's hardly a flower in site. Here it's | :23:23. | :23:28. | |
foliage that's important and what foliage it is - dark, dramatic, | :23:28. | :23:35. | |
truly exciting. And there's one new introduction, it's Diamond Queen. | :23:35. | :23:42. | |
There are lots of queens at Chelsea this year. Here's a fragrant one. | :23:42. | :23:48. | |
It's hosta fragrant Queen and it's got delightful lily-like pale lilac | :23:48. | :23:53. | |
flowers full of scent. Of course, the real reason you grow hostas is | :23:53. | :23:59. | |
for their magnificent foliage. In this case, big vair gaited, heart- | :23:59. | :24:05. | |
shaped leaves. One of the problems with growing hostas is that they're | :24:06. | :24:12. | |
very prone to attack by slugs. But in this case, off with their heads! | :24:12. | :24:15. | |
It's always refreshing to hear other gardeners' views and get | :24:15. | :24:18. | |
their take on Chelsea. Cookery writer and broadcaster Mary Berry | :24:18. | :24:23. | |
joined us on Wednesday to share her passion for gardening. Mary loves | :24:23. | :24:27. | |
roses. So there was a certain predictability about her route | :24:27. | :24:34. | |
around the show. Oh, gosh, it's a myriad of | :24:34. | :24:43. | |
different plants and colours. Oh, here's a friend. We've grown these | :24:43. | :24:50. | |
now for three years. They are wonderful smell, lovely for picking, | :24:50. | :24:54. | |
healthy foliage. We prune them in March really hard, took everything | :24:54. | :24:58. | |
out as thin as a pencil. They're looking very good now. But here | :24:58. | :25:08. | |
:25:08. | :25:09. | ||
they are in bloom - what a joy. I just love this because you can | :25:09. | :25:15. | |
see how big the actual hostas grow. There are miniature ones, there are | :25:15. | :25:25. | |
:25:25. | :25:26. | ||
big ones. I go for the big ones because I like a big show. I have | :25:26. | :25:30. | |
great success with hostas, but what I really want to know about are | :25:30. | :25:33. | |
hardy freesias. There is a new range of prepared freesias, which | :25:33. | :25:38. | |
means that they've been given the cold treatment, because freesias | :25:38. | :25:42. | |
are a native of South Africa, so they can be grown. The biggest | :25:42. | :25:46. | |
problem is drainage. They like good, well drained soil and they need the | :25:47. | :25:51. | |
cold period. Best to plant in the Autumn time. Let them sit in the | :25:51. | :25:54. | |
cold soil over winter, then they'll germinate in spring and the new | :25:54. | :25:58. | |
growth will start to come through. Oh, I can't wait to order some. | :25:58. | :26:07. | |
will be exciting. Thanks for your advice. You're welcome. | :26:07. | :26:12. | |
This is my favourite garden. It's got wonderful structure. This would | :26:12. | :26:16. | |
be lovely throughout all seasons. I like the way they've grown their | :26:16. | :26:21. | |
roses. I like the idea that you can weave Hazel into a nice dome. I | :26:21. | :26:28. | |
might have a go at making them. I've had such a wonderful day. This | :26:28. | :26:32. | |
must be the place Chelsea ever. I've got lots of new ideas, all my | :26:32. | :26:42. | |
:26:42. | :26:43. | ||
questions answered and I can't wait to get in the garden this weekend. | :26:43. | :26:46. | |
You know, she even brought me lavender shortbread. It was | :26:46. | :26:49. | |
delicious Mary. Thank you very much. It's been a week of memorable | :26:49. | :26:53. | |
moments, something we've all come to expect from Chelsea. So, as this | :26:53. | :26:58. | |
year's flowers begin to fade, let's capture those moments just once | :26:59. | :27:08. | |
:27:09. | :27:09. | ||
Apology for the loss of subtitles for 60 seconds | :27:09. | :28:09. | |
on from those memories, yet move on we must. The excitement for Chelsea | :28:09. | :28:14. | |
2013 is already starting to build as the royal horticultural prepares | :28:14. | :28:17. | |
to celebrate the centenary of the to celebrate the centenary of the | :28:17. | :28:19. | |
very first official show. Before then, there's a host of other | :28:19. | :28:24. | |
gardening shows to enjoy, Gardners' World Live kicks off at the | :28:24. | :28:27. | |
National Exhibition Centre in June. I'm building a small allotment | :28:27. | :28:31. |