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gardeners permission to relax. After years of tailing and | :00:22. | :00:28. | |
cultivating it's time to give our garden as bit of slack and welcome | :00:28. | :00:33. | |
back a touch of the world. Many exhibitors are showing a natural | :00:34. | :00:40. | |
decide of garden, we are showing off Britain's bountiful wildlife. | :00:41. | :00:50. | |
:00:51. | :00:51. | ||
Coming up, Adam Frost follows in the footsteps of poet John Clare, | :00:51. | :00:58. | |
the inspiration behindlies 2012 show garden. When you get away from | :00:58. | :01:05. | |
the roads and people and the peace and just that connection with | :01:05. | :01:11. | |
nature, how do you encans late that in a garden? Wild about Mary - | :01:11. | :01:15. | |
cookery writer and judge Mary Berry introduces us to her passion, | :01:15. | :01:18. | |
gardening. These have culture a wonderful scent. Stunning self- | :01:18. | :01:25. | |
seeders, Carol Klein seeks out the Great Pavilion flowers that need no | :01:25. | :01:29. | |
help in spreading. Hello and welcome to the RHS | :01:29. | :01:34. | |
Chelsea Flower Show. Tonight the plants of Chelsea take centre stage, | :01:34. | :01:40. | |
particularly those that provide a vital wildlife Lorder. The plight | :01:40. | :01:44. | |
of our poinating insects has become a cause of constant concern in | :01:44. | :01:51. | |
recent years, so tonight we provide a guide to the flowers they favour | :01:51. | :02:01. | |
which we can all grow in our gardens. Understand this regal year | :02:01. | :02:07. | |
I'm not sure that crown will fit the bill. But it is fun. Old Bexley | :02:07. | :02:12. | |
Floral Arrangement Society, a family effort apparently. It is | :02:12. | :02:17. | |
lined with roses. And the leaves on the cushion are skeletonised. | :02:17. | :02:20. | |
didn't notice the leaves on the cushion. That's beautiful. It's a | :02:20. | :02:30. | |
:02:30. | :02:34. | ||
lovely piece of work. It wouldn't attract much wildlife, which is | :02:34. | :02:39. | |
what we are concentrating on today. Plants with nectar is the thing. | :02:39. | :02:46. | |
is. It is staggering just how much of our native wild flower meadow | :02:46. | :02:55. | |
has been lost. Since 1930, 97% of our wild flower meadows in England | :02:55. | :03:01. | |
and Wales have gone. And that, it is just extraordinary. And the | :03:01. | :03:05. | |
great thing act insect and wildlife in general is they are opportunists | :03:05. | :03:10. | |
and if we put them there, they come. They are still there. All you have | :03:10. | :03:16. | |
to do is create a bit of your own and off you go. It is not just | :03:16. | :03:22. | |
about native flower species. The exotics can supplement them in some | :03:22. | :03:29. | |
circumstances. Any flowers with nectar and pollen are good. One | :03:29. | :03:33. | |
designer celebrating the beauty of the unspoilt countryside is Adam | :03:33. | :03:37. | |
Frost. His garden is in Northampton share. He walks the peasant walks | :03:37. | :03:43. | |
of John Clare. Adam's been soaking up the atmosphere of Clare's home | :03:43. | :03:47. | |
in the village of Helston as part of his research. | :03:47. | :03:54. | |
I was inspired not only by John Clare's poetry but more by we've | :03:54. | :03:58. | |
got these five or six well known local walks. It is this diverse | :03:58. | :04:00. | |
countryside. That's I think what inspired me. | :04:00. | :04:06. | |
Sweet tiny flower of darkly hue, lone dweller in the pathless shade. | :04:06. | :04:16. | |
:04:16. | :04:31. | ||
How much I love thy pensive blue of so beautiful, it lifts the spirits | :04:31. | :04:37. | |
doesn't it? Even today, absolutely pouring down but there is something | :04:37. | :04:41. | |
so calm and peaceful about this place. It's the colours. It's the | :04:41. | :04:47. | |
uprights. It's the, it's the leaving the field and going into | :04:47. | :04:50. | |
the and wood. A change of atmosphere. Your head spins and | :04:50. | :04:57. | |
there's all sorts of ideas that come out of something so simple as | :04:57. | :05:02. | |
a wood with bluebells. John Clare lived just down the road from here, | :05:02. | :05:10. | |
so as a kid I think he would have come up into these woods and played. | :05:10. | :05:15. | |
I've brought my children up here. We walked in the bottom end of this | :05:15. | :05:22. | |
wood. You more or less come to the beech trees and it is a sea of | :05:22. | :05:25. | |
bluebells with little white amen mis. | :05:25. | :05:29. | |
-- athen mis. I love the way these canopys of | :05:29. | :05:35. | |
beech trees are stunning. They create the dappled shade which is | :05:35. | :05:41. | |
lovely. They lead down to these strong stems of the beech. At | :05:41. | :05:49. | |
Chelsea I think I will replace the beech with the hornbeam. The stems | :05:49. | :05:55. | |
are slightly greyer but you are going to get that lovely feathery | :05:55. | :06:02. | |
feel and soft texture. At Chelsea what I want to do along the back of | :06:02. | :06:07. | |
the garden is create an Avenue along the back. But as you leave | :06:07. | :06:11. | |
the Avenue and drift back into the garden you will get that change of | :06:11. | :06:17. | |
light as if you were coming to the edge of a wood. And then you escape | :06:17. | :06:24. | |
into the field and hopefully that's what I'm trying to achieve it it is | :06:24. | :06:27. | |
all about atmosphere. There are so many plants which grow | :06:27. | :06:33. | |
natively in our country that we can use in our gardens. At Chelsea like | :06:33. | :06:37. | |
the bluebells, though I can't use these because they'll be long gone, | :06:37. | :06:41. | |
there is things like campanulas, digitalis, ferns. All the things | :06:41. | :06:46. | |
that grow wildly but we can use them to capture a bit of this | :06:46. | :06:54. | |
atmosphere in my Chelsea garden. What I want people to do the, when | :06:54. | :07:00. | |
they come to Chelsea and they see this planting that's native driven, | :07:00. | :07:06. | |
I want people to realise that that is what they've got outside their | :07:06. | :07:10. | |
back door. I want people to open their gate, go out in the | :07:10. | :07:15. | |
countryside and explore. And maybe explain to their kids how important | :07:15. | :07:25. | |
:07:25. | :07:36. | ||
of your hornbeam alley. It has really worked. This is woodland | :07:36. | :07:40. | |
fraying out. This was the feel I was trying to achieve. When your | :07:40. | :07:48. | |
eyes adapt to the wood and you come into the open space down to the | :07:48. | :07:54. | |
brook. Down to the dyke. But you've adapted it into a garden. You've | :07:54. | :08:01. | |
given the gardener some pleasure, a champagne cooler in the stone wall! | :08:01. | :08:09. | |
There's condensation on bottle the cool wall. We'll open one. | :08:09. | :08:14. | |
like this, underneath this robust oak shelter a roof of clover. | :08:14. | :08:21. | |
Inspired by one of his poems, but in reality you could do that. | :08:21. | :08:27. | |
Compost it once a year. Even your accoutrements like your barbecue | :08:27. | :08:33. | |
have become a fire pit. It is about a space that people can use. Though | :08:33. | :08:38. | |
it is inspired by those walks it is bringing it home. Nature is outside | :08:38. | :08:43. | |
your back door. The countryside come stpwoos the garden. That is | :08:43. | :08:47. | |
our connection with nature isn't it, outside our back door for most of | :08:47. | :08:51. | |
us, or it should be. You've formalised the brook with this | :08:51. | :08:59. | |
wonderful stone edging and dirty great boulders. You know when you | :08:59. | :09:06. | |
are walking out and suddenly you come into a stream and you find | :09:06. | :09:10. | |
something to get that step over. Gardens like this are important | :09:10. | :09:13. | |
wildlife corridors, like country hedgerows, leading wildlife on. | :09:13. | :09:17. | |
Exactly. And we should have more all the time. Again, you think | :09:17. | :09:22. | |
about the whole thing is inspired by John Clare. He was questioning | :09:22. | :09:32. | |
:09:32. | :09:34. | ||
at the time that we were taking away those habitats. Yes. And we | :09:34. | :09:39. | |
are still doing it today. So some things true then are still true | :09:39. | :09:41. | |
nowadays. Congratulations on the gold medal. Well deserved. The | :09:41. | :09:43. | |
inspiration Adam's taken from our native countryside is echoed on the | :09:43. | :09:51. | |
opposite of Main Avenue in a garden designed by Professor Nigel Dunnett. | :09:51. | :09:55. | |
Nigel taken time out to design a garden that showcases different | :09:55. | :10:00. | |
styles of meadow planting, as Chris has been discovering. | :10:00. | :10:04. | |
How has your experience at the Olympic Park influenced what you've | :10:04. | :10:07. | |
achieved here? It is almost the other way round, because this | :10:07. | :10:11. | |
garden is full of my typical style of planting, which we've applied in | :10:11. | :10:16. | |
the London Olympic Park Particular over the 2012 gardens, half a mile | :10:16. | :10:19. | |
of these mixed naturalistic perennial plantings. What's | :10:20. | :10:24. | |
different about these is we worked with the habitat types, from | :10:24. | :10:28. | |
woodland and shade through to bright sun and meadows and woodland | :10:28. | :10:35. | |
edge. So we are looking at woodland here. It is beautiful with | :10:35. | :10:42. | |
aquilegias. Native grasses. We pint up with adding a other things in -- | :10:42. | :10:51. | |
pe pep it up with adding other things. I've used the lily | :10:51. | :10:57. | |
throughout. The pale pink wild form coming up through grass. When you | :10:57. | :11:03. | |
have those ephemeral plants it really excites. To have these | :11:03. | :11:09. | |
emerging through the lower layer really gives you drama. And the | :11:09. | :11:15. | |
canallals are bounded by narrow -- canals are bounded with narrow | :11:15. | :11:22. | |
strips We have what we call our bio-Swale mix. This is a zero run- | :11:22. | :11:26. | |
off garden. It is capturing all the rainwater through the Swale which | :11:26. | :11:31. | |
is fill up with water. The water can go down slowly into the ground. | :11:31. | :11:35. | |
It cleans the water like a reed bed and we get lovely clear water in | :11:35. | :11:39. | |
the central pools. I love the way you take a principle which is | :11:39. | :11:45. | |
evident out in nature, in the wild, and cleanse it and refine it and | :11:45. | :11:53. | |
make it garden worthy. I call them evokations of nature. I look to | :11:53. | :11:56. | |
dramatic and beautiful vegetation in different parts of the world and | :11:56. | :12:00. | |
adapt it. For example this more dry meadow with the white form of the | :12:00. | :12:04. | |
Lily coming through is a really nice example. We have native wild | :12:04. | :12:11. | |
flowers, lots of grass, but the white lilies are special. I've seen | :12:11. | :12:15. | |
the martagon lilies staining whole hillsides pink and white in | :12:15. | :12:19. | |
southern Europe through the sheer numbers. Most people see lilies in | :12:19. | :12:23. | |
pots but in the wild they can be so dramatic. There is so much | :12:23. | :12:27. | |
potential to be artistic with plants and to produce visual | :12:27. | :12:31. | |
spectacles. For me, I like to think that some of the things we are | :12:31. | :12:34. | |
working with, particularly in the Olympic Park, people's jaws are | :12:34. | :12:37. | |
going to drop at the spectacle of it. They are certainly dropping | :12:37. | :12:41. | |
here at Chelsea Flower Show. It's a stunning garden. Congratulations. | :12:42. | :12:46. | |
If you do have a ticket to the Games this summer do make time to | :12:46. | :12:51. | |
view Nigel's work first hand. Mary Berry is one of our most | :12:51. | :12:54. | |
respected cookery writers, with over 70 best-selling books to her | :12:54. | :12:59. | |
name. Many of you will know her as a judge on the BBC's Great British | :12:59. | :13:06. | |
Bake Off but what you may not know is Mary is also a passionate | :13:06. | :13:09. | |
gardener. She's tend her garden in Buckinghamshire for 22 years. She | :13:10. | :13:19. | |
invited us to brave the weather for our own private tour. | :13:19. | :13:24. | |
I wasn't interested in gardening until the children had grown up a | :13:24. | :13:30. | |
bit. As they grew up and spent more time at school, I had a bit of time | :13:30. | :13:40. | |
:13:40. | :13:40. | ||
on my hands. I enjoyed it. I like to have in the garden all different | :13:40. | :13:48. | |
areas. Some formal, some informal. I love the pond. In the evening the | :13:48. | :13:55. | |
idea is to come with a glass in hand and have the sun setting, but | :13:55. | :13:59. | |
nearly always I'm just pulling out the odd weed around or deadheading | :13:59. | :14:04. | |
or something. Spring is a yellow time. There is | :14:04. | :14:11. | |
the marigold. The primulas, I picked up these seedlings and dug | :14:11. | :14:18. | |
them out and nurtured them and brought them back. They are doing | :14:18. | :14:24. | |
quite well. The pink is coming through. One ar rum lily, I have | :14:24. | :14:29. | |
not had success with them. We tried to build them in the water and had | :14:29. | :14:33. | |
half logs and earth but the ducks sit on the top of them. I've moved | :14:33. | :14:37. | |
them up the bank a bit and I'm hoping they will get going. As the | :14:37. | :14:41. | |
year goes on, we have in the borders lovely soft colours. I like | :14:42. | :14:45. | |
soft colours. The one thing I cannot stand is orange. | :14:45. | :14:49. | |
You are not going to change me. I wouldn't wear an orange jumper | :14:49. | :14:59. | |
:14:59. | :15:00. | ||
either. Here's the meadow. This is a real | :15:00. | :15:07. | |
cast to the formal part of the garden -- contrast to the formal | :15:07. | :15:10. | |
part of the garden. It's a very pleasant place to be. Lots of | :15:10. | :15:16. | |
wildlife here. And we have the path going across and the path coming up. | :15:16. | :15:23. | |
A few wild roses. In summer it's almost up to my waist. It looks | :15:23. | :15:29. | |
very beautiful as the winds blue and the sun is on it. Very paefplt | :15:29. | :15:39. | |
:15:39. | :15:43. | ||
is to have something to pick. These make a lovely mixture, these tulips. | :15:43. | :15:48. | |
This egrow when you put them in water, they seem to get taller. | :15:48. | :15:58. | |
:15:58. | :16:04. | ||
These have such a wonderful scent. I think this is lovely, the proper | :16:04. | :16:12. | |
name I can't say, I call it Japonica. I usually snip it off | :16:12. | :16:21. | |
there and have five or six in a tall vase, it looks wonderful. | :16:21. | :16:28. | |
I feel totally at home here in the herb garden. I have lovely bay and | :16:28. | :16:35. | |
then I use all sorts of sages. I suppose I use chives more than | :16:35. | :16:41. | |
anything else. Then we've got the marjoram here, golden and plain. | :16:41. | :16:46. | |
And many thymes. I never use a dried herb noi, just fresh herbs | :16:46. | :16:56. | |
from the garden. I really like a garden which is | :16:56. | :17:02. | |
full of colour and tidy. And it's just the same in the kitchen. I | :17:02. | :17:05. | |
like a tidy kitchen. I like things to look good. I think you could say | :17:05. | :17:15. | |
:17:15. | :17:18. | ||
Mary, it was a rotten day, rotten weather, but a wonderful garden. | :17:18. | :17:23. | |
is. It's a great joy to us. Favourite spot? I like by the pond. | :17:23. | :17:29. | |
On that day it was raining so hard. I've enjoyed renewing the marginal | :17:29. | :17:36. | |
plants. We've got lovely primula at the moment and arum lilies not too | :17:36. | :17:40. | |
successful. Now you've moved it up the bank a bit, I reckon it might | :17:40. | :17:44. | |
be more successful. You need to keept ducks off it. Ducks and | :17:44. | :17:47. | |
gardens don't go together.. They were sitting right on the top. | :17:47. | :17:54. | |
There are you! I think you'll be OK with that. I shall tend it well. | :17:54. | :18:00. | |
The wildlife is ofg -- obviously important, we're featuring wildlife | :18:00. | :18:05. | |
guard nds, it means something to you. We have a meadow. Sadly, there | :18:05. | :18:10. | |
are not very glamorous plnts in it, because it is all going back to | :18:10. | :18:18. | |
grasses. We're not replanting it. After many years of that it goes | :18:18. | :18:27. | |
back to grasses, doesn't it? I have exactly the same on talk down and | :18:27. | :18:33. | |
Cricklade mixture. I also put in yellow rattle, which weakens grass. | :18:33. | :18:37. | |
Generally you don't scatter seed on grass to make a meadow because it's | :18:37. | :18:42. | |
just beaten by the grass, but you can scatter yellow rattle seed | :18:42. | :18:47. | |
among it to weaken the grass. This wasn't intended to be a dlinic, but | :18:47. | :18:53. | |
I'm happy to turn it into one! try that. It's a semi-parasite. It | :18:53. | :18:57. | |
weakens the grass and you get the yellow flowers as well. When it's | :18:57. | :19:02. | |
clear I can plant more interesting things. Can you put in some plugs | :19:02. | :19:07. | |
in. Especially near the edge so everybody can admire it. Yes. You | :19:07. | :19:12. | |
must have a good kitchen garden. We saw the herb there's. On that day, | :19:12. | :19:17. | |
very, very wot, very little growing. But now every row is ready to come | :19:17. | :19:22. | |
up. I always plant in the vegetable garden things that we enjoy eating. | :19:22. | :19:27. | |
The herb garden is a huge joy. I hate dried herbs. Now you have them | :19:27. | :19:30. | |
all the year round in the garden. It's been a delight to talk to you. | :19:30. | :19:34. | |
What are you doing back there? Lavender biscuits. Oh, I say! | :19:34. | :19:37. | |
Especially made for you. Bless your heart, this will be eaten within | :19:37. | :19:43. | |
about 15 seconds now. Nts and the lavender I put in was just the leaf. | :19:43. | :19:49. | |
I chop today exceedingly finely and into a shortbread biscuit. That's a | :19:49. | :19:53. | |
fair reck pence for gardening advice, baking advice. We look | :19:53. | :19:58. | |
forward to see you on our screens soon. We're sending Mary out to | :19:58. | :20:02. | |
find the answers to her questions. We'll catch up with you later. | :20:02. | :20:05. | |
Thank you very much, Mary Berry. Mary was talking about it as well, | :20:05. | :20:09. | |
we prop gait plants madly, we take cuttings of this and shoots of that | :20:09. | :20:13. | |
and root them. Some plants don't need us involved at all. They're | :20:13. | :20:18. | |
very good at self-seeding. They spread themselves everywhere, | :20:18. | :20:22. | |
sometimes where you don't want them. Carol's been finding out the most | :20:22. | :20:28. | |
successful self-seeders. There are myriad different ways | :20:28. | :20:32. | |
that plants have evolved to distribute their seeds, depending | :20:32. | :20:36. | |
on the prevailing conditions and their situation. As kids we're all | :20:36. | :20:40. | |
used to doing that familiar thing where you blow away the dandelion | :20:40. | :20:47. | |
clock. First of all the flower is polinated and it closes in and | :20:47. | :20:52. | |
inside here lots is going on. That seed is set. Finally, when it's | :20:52. | :20:58. | |
ripe and on a dry, sunny day, the clock emerges and at the perfect | :20:58. | :21:08. | |
:21:08. | :21:10. | ||
further. In the case of lupins, when the flowers have fallen the | :21:10. | :21:17. | |
seed pod swells, gets really dry and crisp. On a hot, sunny day, the | :21:17. | :21:23. | |
whole thing twists and explodes. Other legumes, plants in the pea | :21:23. | :21:29. | |
family, use the same method. A lot of them are very familiar to us. | :21:29. | :21:39. | |
:21:39. | :21:49. | ||
Sweetpeas, peas themselves and is the euphorbia. If you happen to | :21:49. | :21:54. | |
be nearby, you can sometimes hear their seeds as they are catapoulted | :21:54. | :22:04. | |
:22:04. | :22:04. | ||
into the air. In some cases, third parties are employed. Strawberries, | :22:04. | :22:09. | |
for instance use birds, animals to distribute their seed. Strawberries | :22:10. | :22:17. | |
belong to the rose family. There are so many members of the family | :22:17. | :22:22. | |
that we're familiar with including giums. In their case, the seed has | :22:22. | :22:29. | |
no capsule at all. It's completely open. But what it does have is a | :22:30. | :22:36. | |
velcro mechanism, so an animal or huemon or bird walks by, the seeds | :22:36. | :22:42. | |
attach themselves and are carried off. Any plant that lives in or | :22:42. | :22:46. | |
beside water is liable to have evolved with that water and use it | :22:46. | :22:52. | |
to spread its seed. The coconut is a perfect example. These huge seeds | :22:52. | :22:57. | |
will tumble into the sea and be swept away to land up on a distant | :22:57. | :23:00. | |
shore and make yet another coconut palm. | :23:00. | :23:06. | |
Of course, not many of us have coconuts in our garden, but we do | :23:06. | :23:11. | |
have water and in it we grow plants like water lilies which employ | :23:11. | :23:21. | |
exactly the same method to move their seeds around. As gardeners we | :23:21. | :23:25. | |
grow lots of plants from seed. But occasionally plants take it upon | :23:25. | :23:30. | |
themselves to join in. And it's those self-seeders that can make | :23:30. | :23:34. | |
all the difference between a monotonous gathering and a | :23:34. | :23:42. | |
deplorious garden party. Tonight we're looking at the | :23:42. | :23:43. | |
benefit of wildflowers in the benefit of wildflowers in the | :23:43. | :23:47. | |
gardens. It's clear that one huge benefit is because of the | :23:47. | :23:52. | |
polinating insects they attract. One insect often seen as a cut | :23:52. | :23:56. | |
above the rest is the bumblebee. One man who knows all about them is | :23:56. | :24:01. | |
Dr Ben Darvill from the Bumblebee Conservation Trust. So bumblebees | :24:01. | :24:05. | |
as distinct from honeybees? honeybees maybe people wouldn't | :24:05. | :24:09. | |
notice in their gardens. They're small and brown and not distinctive. | :24:09. | :24:13. | |
Bumblebees are the stripey things we love to see on our irises | :24:13. | :24:16. | |
amongst other things. These are the ones we're looking for. These are | :24:16. | :24:20. | |
the ones we need to take care of. Why? Why are they so important? | :24:20. | :24:22. | |
Why? Why are they so important? They polinate a huge variety of | :24:22. | :24:27. | |
different things. They help the flowers produce seeds or fruit. In | :24:27. | :24:32. | |
the garden that gives us seed. In farmland something like 84% of | :24:32. | :24:34. | |
Europe's crops need bees to polinate them. Yeah, they're very | :24:34. | :24:38. | |
important. Why are they in danger then? Are they in danger? They are | :24:39. | :24:45. | |
I'm afraid. There have been huge declines across the UK, we've lost | :24:45. | :24:49. | |
two species and many species are seriously in decline. How many do | :24:49. | :24:54. | |
we have all together? There are 24 species. But most people will | :24:54. | :24:58. | |
struggle to see more than six or seven in the garden. The others are | :24:58. | :25:01. | |
very rare. There are far fewer flowers in the countryside than | :25:01. | :25:05. | |
there used to be. You have watching this programme millions who would | :25:05. | :25:11. | |
like to do something about it. What can we do to redress the balance? | :25:11. | :25:13. | |
Masses. Gardens cover a vast area Masses. Gardens cover a vast area | :25:13. | :25:17. | |
in the UK. Well over a million acres. If everybody in the UK did a | :25:17. | :25:21. | |
bit to help bees it would make a significant difference. It's about | :25:21. | :25:24. | |
planting the right flowers. It's very important that people choose | :25:24. | :25:29. | |
appropriately. How can we find out? I can list a few, but the easier | :25:29. | :25:35. | |
thing would be for people to go onto our website. We have a brand | :25:35. | :25:39. | |
new app, which allows people to choose the plants in their gardens | :25:39. | :25:43. | |
already that are good for bees, find out a score for their garden | :25:43. | :25:46. | |
and get further recommendations to make it even better. These are | :25:46. | :25:49. | |
plants rich in nectar and in pollen. That's right and flowering | :25:49. | :25:54. | |
throughout the year as well, so that the bees are left without | :25:54. | :25:58. | |
anything to feed from. Thank you Ben. We're answering the call of | :25:58. | :26:04. | |
the wild tonight. This year's event supported by M&G Investments boast | :26:04. | :26:09. | |
a host of exhibits promosting the importance of wildlife friendly | :26:09. | :26:12. | |
gardens. Still to come: A meadow in minutes, the turf that does all | :26:12. | :26:20. | |
your hard work for you. Towering ambition - Diarmuid Gavin | :26:20. | :26:25. | |
tells us how his plant rich pyramid could inspire cities to go green. | :26:25. | :26:29. | |
From here I can see what you had for breakfast. From here a lot of | :26:29. | :26:32. | |
people would see their own breakfast. And Mary's mission, | :26:32. | :26:35. | |
we'll find out if cookery writer Mary Berry has had a great day out | :26:35. | :26:39. | |
at Chelsea. Oh, gosh, it's a myriad of | :26:39. | :26:46. | |
different plants and colours. There's been lots of interest in | :26:46. | :26:51. | |
the painted pots we showed yesterday. The RHS are auctioning | :26:51. | :26:55. | |
these online. Go to their website, in aid of their schools gardening | :26:55. | :26:59. | |
campaign. Here are three of them. The one on the left is the top | :26:59. | :27:06. | |
price at the moment at �285. That's Judi Dench's pot. The middle is �82, | :27:06. | :27:10. | |
that's Mary Berry. One on the right is mine, at the moment at �200. | :27:11. | :27:14. | |
Mary's is nicer than mine. Go online and bid for a pot. It's all | :27:14. | :27:18. | |
in the cause of getting children gardening. What's all this about | :27:18. | :27:22. | |
you and a taxi with a garden in the back? I came out of the hotel the | :27:22. | :27:27. | |
other morning, I was greeted by a floral bounty that was a black cab. | :27:27. | :27:31. | |
I thought it was going to be the outside, but inside was like | :27:31. | :27:36. | |
walking into a glass house, it had tomatoes, strawberries and potted | :27:36. | :27:39. | |
plants and little he isian cushions. It was just extraordinary. Why? | :27:40. | :27:45. | |
you know, I think it's all part of the black cab in bloom. It's urban | :27:45. | :27:51. | |
greening. I have to say the cushions were a bit itchy. I don't | :27:51. | :27:59. | |
recommend he isian. One man who was advocating the benefits of wildlife | :27:59. | :28:04. | |
gardening in the 1980s was the late Geoff Hamilton. He encouraged | :28:04. | :28:10. | |
viewers to create outdoor spaces to attract polinating insects. After | :28:10. | :28:17. | |
his death in 1996 his son Nick took over his gardens at Barnsdale. We | :28:17. | :28:24. | |
caught up with him a few weeks ago. He spoke about the ethos that's | :28:24. | :28:34. | |
:28:34. | :28:39. | ||
When my father was setting up the gardens here his ethos was very | :28:39. | :28:49. | |
:28:49. | :28:50. | ||
much to be organic and therefore to be wildlife friendly. It had had a | :28:50. | :28:53. | |
hippie image before then. That's something that he definitely wasn't. | :28:53. | :28:56. | |
He was somebody, I know for a fact from talking to lots of people, he | :28:56. | :29:00. | |
was somebody that if he told people that this was the thing to do on | :29:00. | :29:02. | |
the television, that they'd all rush out first thing Saturday | :29:02. | :29:08. | |
morning and doing it. The 39 individual gardens and features | :29:08. | :29:12. | |
that are created here were created very much with wildlife in mind. | :29:12. | :29:15. | |
Obviously we've gardened over the years on organic principles. This | :29:15. | :29:20. | |
is one of the last ones that my father created. This is the | :29:20. | :29:24. | |
wildlife pond and stream, created to encourage people how to attract | :29:24. | :29:31. | |
to encourage people how to attract wildlife into a garden. It evokes | :29:31. | :29:34. | |
great memories of my father. This was something he really enjoyed | :29:35. | :29:39. | |
doing. He didn't enjoy digging the pond very much I have to say. But | :29:39. | :29:42. | |
it was something that summed him up and has done everything that he | :29:42. | :29:49. | |
ever want today to do. It's nice when a plan comes together. Now the | :29:49. | :29:52. | |
great stream project continues. You'll remember last week I | :29:52. | :29:56. | |
finished off the stream and the pond and I got the water moving too. | :29:56. | :29:59. | |
The sound of running water in the garden really does make a | :29:59. | :30:05. | |
difference. I love it. Water is essential in any sort of garden and | :30:05. | :30:09. | |
particularly a wildlife garden, because obviously, everything that | :30:09. | :30:15. | |
lives needs water. It creates part of the whole ecosystem of a | :30:15. | :30:25. | |
:30:25. | :30:27. | ||
wildlife environment. It's created in 1996, one of the first | :30:28. | :30:35. | |
things my father planted in here was the classic bog garden plant, | :30:35. | :30:40. | |
the marsh marigold. It is fantastically inspirational with | :30:41. | :30:47. | |
the bright yellow cups, which is suitable for insects. It has | :30:47. | :30:56. | |
gradually started to work its way into the pond. | :30:56. | :31:00. | |
This is our wildlife garden, which is situated right at the very top | :31:00. | :31:05. | |
of the gardens here at Barnsdale and has been designed not only to | :31:05. | :31:09. | |
be of interest 12 months of the year but more importantly to be | :31:09. | :31:13. | |
sustainable for wildlife through the 12 months. Things like this | :31:13. | :31:20. | |
winter box have finished flowering now. The usage now has been tone | :31:20. | :31:27. | |
over by the pulmonaria and the euphorbia, so the wildlife have | :31:27. | :31:33. | |
something else to move to. There is no doubt that if you conserve and | :31:33. | :31:37. | |
maintain that delicate balance of wildlife in the garden you will | :31:37. | :31:41. | |
solve your pest problems without having to lift a finger. At Chelsea | :31:41. | :31:46. | |
this year we are looking to bring a little piece of Barnsdale to | :31:46. | :31:51. | |
Chelsea and also to try and focus on that wildlife aspect. We'll be | :31:51. | :31:56. | |
using a lot of plants that attract wildlife. Certainly the more nectar | :31:56. | :32:03. | |
plants. We are looking at hissup, geraniums, the campanulas and the | :32:03. | :32:08. | |
bell flower. Chelsea being the most prestigious show in the world, it | :32:08. | :32:14. | |
is a fantastic window to take Barnsdale to. Barnsdale is the most | :32:14. | :32:17. | |
fantastic place to be in the world, so what better combination can I | :32:17. | :32:26. | |
have? Good to hear Geoff's voice again. | :32:26. | :32:31. | |
Your dad's work still goes on. Absolutely. He will never die will | :32:31. | :32:36. | |
he? That wildlife and organic element at Barnsdale it is shot | :32:36. | :32:41. | |
through the place. Very much so Alan. We've been organic for 25 | :32:41. | :32:46. | |
years and we need the wildlife to do a lot of the work for us. It | :32:46. | :32:51. | |
doesn't enable us to sit back and take it easily. We have it very | :32:51. | :32:55. | |
much as a running through throughout the garden. What are the | :32:55. | :32:59. | |
difficulties of running a garden and a nursery. You are selling the | :32:59. | :33:01. | |
plants and keeping the garden looking good. It's a double | :33:01. | :33:07. | |
pressure in a way. It is. I love it. I can Potter about in the nursery | :33:07. | :33:11. | |
and then I'm in the garden. The biggest problem I find is that | :33:11. | :33:14. | |
we'll never ever grow everything we have in the garden. People see | :33:14. | :33:19. | |
something in the garden and then want it. We spend a lot of time | :33:19. | :33:23. | |
directing them to other nurseries, like here at Chelsea. You must be | :33:23. | :33:28. | |
heartened by this whole urban greening thing. There is always an | :33:28. | :33:30. | |
opportunity isn't there? I think there is. People don't quite | :33:31. | :33:34. | |
realise what benefit they have themselves. They bring the fields | :33:34. | :33:38. | |
and the surrounding area into their own garden and it does enlighten | :33:38. | :33:43. | |
your life. It's fantastic to see the insects buzzing about and the | :33:43. | :33:47. | |
other wildlife that it brings. about the plants you would | :33:47. | :33:55. | |
recommend. You have a lovely little stand, a jewel stand. Picks out a | :33:55. | :34:01. | |
couple you think ech wildlife garden should have. The valerian, | :34:01. | :34:07. | |
that's a fantastic pollinator for insects, as is the white robin. It | :34:07. | :34:12. | |
is the white form of the ragged robin and very good pollinating | :34:12. | :34:18. | |
plants for the insects. But it is not just about that but the other | :34:18. | :34:25. | |
wildlife. The firns and the heuch actions give cover. And you can't | :34:25. | :34:30. | |
choose the wildlife, it chooses you. Exactly. Without the pest you don't | :34:30. | :34:33. | |
get the predator, which are the ones we want It's a balance between | :34:34. | :34:38. | |
the two. Lovely to see you and to remember Geoff. | :34:38. | :34:43. | |
Alys Fowler has been here too. She's been visiting the show today. | :34:43. | :34:46. | |
Alys's own gardening style is always in tune with her natural | :34:46. | :34:49. | |
surroundings so Chris caught up with her to find out what was | :34:49. | :34:53. | |
inspiring her about this year's cheap. | :34:53. | :34:57. | |
I have completely fall no-one love with the Korean garden. For me that | :34:57. | :35:01. | |
planting plan is exquisite and it had so many things I really wasn't | :35:01. | :35:06. | |
aware of, so it is exciting to see new stuff. There is huge variety in | :35:06. | :35:10. | |
subtle flower there is, which is great for wildlife. It is going to | :35:10. | :35:15. | |
give that diverse delivery of nectar. And it is all native. I | :35:15. | :35:22. | |
guess across the gardens in general there's been so much, a really | :35:22. | :35:25. | |
relaxed planting style. There is so much that's good for wildlife. It | :35:25. | :35:29. | |
is quite a joy to see all the gardens buzzing with insects. | :35:29. | :35:33. | |
difficult for people visiting the show, when they look at a bloom to | :35:33. | :35:38. | |
think, well, is that going to be great for wildlife or not? What | :35:38. | :35:43. | |
broad rules should we be applying? Simple flowers. Stay clear of | :35:43. | :35:48. | |
anything that is double. Anything that repeat flowers or has a strong | :35:48. | :35:51. | |
presence. If the bees are visiting it, it is probably a good indicator | :35:51. | :35:57. | |
that they like it. It is about creating a matrix, not just one | :35:57. | :36:02. | |
level of floral interest. Have trees, climbers and shrubs. That | :36:02. | :36:07. | |
increases the insects activity. insects are essentially the base of | :36:07. | :36:11. | |
the food chain. They perform not only poll ination but they are | :36:11. | :36:17. | |
above that level. Get the insnects and every else comes to behind. | :36:17. | :36:22. | |
When you have all the others, the birds and the bats, they help | :36:22. | :36:27. | |
control your pest problems. It works to your benefit to get this | :36:27. | :36:30. | |
insects The message many exhibitors are | :36:31. | :36:33. | |
keen to get across this year is that a nectar-rich meadow doesn't | :36:34. | :36:37. | |
have to stretch for acres. They can start in your own back garden. It's | :36:37. | :36:40. | |
just a question of deciding what particular flower mixes you want to | :36:40. | :36:43. | |
sow. To help you decide, Alys has been to meet students from Capel | :36:43. | :36:52. | |
Manor College who are staging a beginner's guide to meadows. Hello | :36:52. | :36:59. | |
Tom. I believe you are a student at Capel Manor. That's right: There is | :36:59. | :37:06. | |
something special about this turf? Yes, all of these plants tract bats. | :37:06. | :37:13. | |
How will this bring a bat to your garden? It brings in the moths that | :37:13. | :37:17. | |
the bats like the eat. Fantastic. And this bit here is something | :37:17. | :37:23. | |
that's familiar to me. You've used rubble? All repsycheled from | :37:23. | :37:27. | |
brownfield sites. Will it self colonise with annuals, and we've | :37:27. | :37:31. | |
put some perennials as well. Will it look after itself. Have a patio | :37:31. | :37:36. | |
that I took up and underneath was a huge amount of rubble. I did pretty | :37:36. | :37:41. | |
much the same thing. What flowers have you got in there? Thymes and | :37:41. | :37:49. | |
Nigella and a bit of flax. It is a really simple, elegant solution. | :37:49. | :37:55. | |
love the contrast between the urban gritty waste and these delicate | :37:55. | :38:03. | |
pretty wild flowers. If you want your own slice of urban meadow, all | :38:03. | :38:08. | |
you need to do is pick the right mixes. These mixes here have been | :38:08. | :38:13. | |
chosen for their long-flowering interest. They are a mixture of | :38:13. | :38:23. | |
:38:23. | :38:23. | ||
native and non-natives. Native poppies, toad flax and lots of | :38:23. | :38:26. | |
cosmos. You begin to realise how long the flourg period is going to | :38:26. | :38:32. | |
be. There is more and more flowers coming up and each mix is a | :38:32. | :38:36. | |
different colour scheme. This is a riotous pastel. This is going to | :38:36. | :38:41. | |
turn into a lot of hot pinks. There's a really beautiful kind of | :38:41. | :38:45. | |
rich yellow version. The wonderful thing about these is that they've | :38:45. | :38:49. | |
been specifically designed for garden soil, so you don't have to | :38:49. | :38:56. | |
impoverish your soil. All you need is a patch and you too can sow | :38:56. | :38:58. | |
something fantastic for wildlife and to give you a long period of | :38:58. | :39:05. | |
colour. What I love here is a spied hear already decided to move in. | :39:05. | :39:08. | |
Two weeks ago, John Wilson had no idea he was coming to Chelsea. | :39:08. | :39:15. | |
Today he's standing here with a prestigious gold medal. What's | :39:15. | :39:21. | |
story, John? I got a phone call just over two weeks ago saying they | :39:21. | :39:26. | |
had a cancellation at Chelsea and Iowa on the waiting list. Would I | :39:26. | :39:32. | |
be able to fill in? You don't say no, do you? I said yes and | :39:32. | :39:36. | |
immediately got on with preparing for Malvern the following week and | :39:36. | :39:41. | |
where I was all last week. So effectively I had about one week to | :39:41. | :39:48. | |
get ready for this. It is a Jew ill of a stand, this. Thank you. Ferns | :39:48. | :39:53. | |
it seems to me are so useful in the garden, the damp, shady spots. | :39:53. | :40:00. | |
gaits no other plant will do. The bits that no other plants will | :40:00. | :40:05. | |
do. All firms love moisture and shade, but there are a lot of | :40:05. | :40:11. | |
varieties that are tolerate drier conditions and some sun. There is | :40:11. | :40:15. | |
hardly anywhere apart from those areas that are in full sun that are | :40:15. | :40:20. | |
not suitable for tern ferns But when you plant them, dig in plenty | :40:20. | :40:25. | |
of organic stuff. Your own garden compost, well-rotted manure or leaf | :40:25. | :40:29. | |
mould. That's the stuff they love. I ger you gave Joe one for his | :40:29. | :40:35. | |
garden? No, I sold him one. Good man. There's a nurseryman! | :40:35. | :40:39. | |
Congratulations. Thank you. Tonight we've been taking a look at | :40:39. | :40:44. | |
the benefits of wild flower meadows. However, if you do want to create | :40:44. | :40:47. | |
one in your garden, remember they do take a bit of time - until now. | :40:47. | :40:51. | |
I say that because some of the meadows you see at Chelsea this | :40:51. | :40:54. | |
week are created from strips of wild flower turf. These roll out | :40:54. | :40:56. | |
meadows have been produced by Yorkshire-based turf grower Stephen | :40:56. | :41:06. | |
:41:06. | :41:13. | ||
Fell, who earlier this month agreed 25 years now. What we are trying to | :41:13. | :41:17. | |
do for our customeres is truce a nice attractive roll they can lay | :41:17. | :41:21. | |
out in their gardens. I wanted to be able to do the same thing with | :41:21. | :41:27. | |
wild flowers. We've moved some to which technology to move across to | :41:27. | :41:30. | |
growing wild flowers that can be rolled out in somebody's garden or | :41:30. | :41:34. | |
a roof garden. Well people typically try to establish a wild | :41:34. | :41:39. | |
flower area in their garden, often that soil will be too fertile. Wild | :41:39. | :41:43. | |
flower seed takes a long time to germinate. The danger is there are | :41:43. | :41:49. | |
other seeds and roots or rhizomes for previous vegetation which will | :41:49. | :41:54. | |
overtake that and establish before the flowers get going. We've got | :41:54. | :42:01. | |
nettles taking over, ground sell, which will spread very fast, as it | :42:01. | :42:07. | |
seeds prolificly. Cleavers, docks and vigorous rye grasses. You can | :42:07. | :42:10. | |
imagine a poor wild flower plant here trying to survive. It doesn't | :42:10. | :42:17. | |
have a chance. Growing wild flower turf on a mat | :42:17. | :42:22. | |
gives us huge advantage, that it is going to suppress vegetation from | :42:22. | :42:28. | |
coming you through. This is how we start growing wild flower turf. We | :42:28. | :42:32. | |
lay down a plastic sheet to stop the roots growing into the soil. | :42:32. | :42:40. | |
And then we have a layer of felt from re cycled textiles. We have a | :42:40. | :42:44. | |
substraight of green waste compost and recycled brick. Having got this | :42:44. | :42:49. | |
level, we put the seed on at just the right seed rate. | :42:49. | :42:54. | |
It is important to keep that seed moist so that it can germinate | :42:54. | :42:59. | |
rapidly. We have specialist irrigation to keep it damp, but | :42:59. | :43:05. | |
equally we must be careful not to overdo it. Wild flowers don't like | :43:05. | :43:09. | |
waterlogged conditions. Once the wild flower turf has grown to a | :43:09. | :43:14. | |
stage of maturity that we can sell sit, we cut into it rolls and put | :43:14. | :43:19. | |
it on to a palate. When you look at it you might think it doesn't look | :43:19. | :43:23. | |
exciting, but looking into it there are lots of small plants. That's | :43:23. | :43:33. | |
:43:33. | :43:37. | ||
good time to put wild flower-type turf down. Growing wild flowers and | :43:37. | :43:41. | |
having them flowering in time for Chelsea is very challenging, so we | :43:41. | :43:45. | |
need to bring them in where it is warmer. We have various mixtures | :43:45. | :43:48. | |
flowering probably six weeks earlier than they would normally. | :43:48. | :43:51. | |
It is really interesting that once we open the doors we get a whole | :43:52. | :43:57. | |
range of pollinating insects, not only bees and bumblebees but | :43:57. | :44:01. | |
hoverflys, butterflies and a range of other insects. | :44:01. | :44:06. | |
At Chelsea I hope the effect we have is that people can see they | :44:06. | :44:10. | |
can bring wildlife to small areas. That it can be attractive and it | :44:10. | :44:15. | |
doesn't need to be complicated. They don't need to know a lot about | :44:15. | :44:19. | |
plants and flowers. They can lay down this and sit back and enjoy | :44:19. | :44:24. | |
this and let the insects enjoy it as well. | :44:24. | :44:28. | |
One designer making the headlines this week is Diarmuid Gavin. His | :44:28. | :44:33. | |
pyramid garden takes urban Greening to a new level. Quite literally. | :44:33. | :44:39. | |
The garden was created in a you Rica moment. He was walking to the | :44:39. | :44:43. | |
Royal Hospital grounds. We caught up with him a couple of weeks ago | :44:43. | :44:53. | |
:44:53. | :44:57. | ||
main is contemporary architecture. I quite like scaffolding. You saw | :44:57. | :45:01. | |
Albert bridge covered in scaffolding and it seemed to be | :45:01. | :45:05. | |
stepping up on different layers. I've always wanted to do a hanging | :45:05. | :45:09. | |
gardens of Babylon to show how people in an urban environment, | :45:09. | :45:13. | |
where space is limited could possibly garden on top of each | :45:13. | :45:20. | |
other that. Seemed to be the answer. I can see the shark from here. | :45:20. | :45:27. | |
Very similar. Wu then you have the more sober architect churl | :45:27. | :45:32. | |
inspiration, this amazing park that is built on an old railway line in | :45:32. | :45:35. | |
an urban environment like this, that snakes through the city and | :45:35. | :45:41. | |
this new building, that's covered in an urban forest in the centre of | :45:41. | :45:45. | |
Milan. All these things go into inform different steps, different | :45:45. | :45:48. | |
decisions that you make when creating this tower that reaches | :45:48. | :45:58. | |
:45:58. | :45:59. | ||
upwards. I hope that Chelsea, that people come to Chelsea will enjoy | :45:59. | :46:03. | |
it. It's kind of provocative. When you do something so big, you're | :46:03. | :46:08. | |
making a big statement, for me oddly enough it's not about going | :46:08. | :46:12. | |
big, it's about doing something different, pushing boundaries and | :46:12. | :46:15. | |
exploring possibilities. The message is: Can we in the future, | :46:15. | :46:22. | |
plan in an innovative way to have gardens in an increasingly | :46:22. | :46:25. | |
urbanised society? Can we make every use of our space and resource | :46:25. | :46:29. | |
to create gardens that make the most use of light, to create guard | :46:29. | :46:33. | |
thans are on top of each other, quite as simple as this, when you | :46:33. | :46:36. | |
water one on the top it drips through everything, to allow plants | :46:36. | :46:43. | |
to go up and hang down, to create escapes for people. It only becomes | :46:43. | :46:49. | |
valid and becomes a garden if it drips with plants. If you can be on | :46:49. | :46:53. | |
that structure and it feels like you're floating in a garden in the | :46:53. | :47:03. | |
air, I hope it will look structured but dreamy and very, very green. | :47:03. | :47:09. | |
Alliums and hostas, Silver Birchs and rhododendrons, a swing and | :47:09. | :47:17. | |
saflding, it's gardening Scotty, but not as we know it. Ladies have | :47:17. | :47:22. | |
been shrieking as they come down the steel shoot to escape, it is of | :47:22. | :47:30. | |
course, Diarmuid Gavin's magic peer mud. But what is it -- pyramid. But | :47:30. | :47:34. | |
what's it all about? There must be a serious point. There is. It's | :47:34. | :47:37. | |
exploring the notion of a multistory garden in an | :47:37. | :47:40. | |
increasingly urban society. Lots of people live in cities like London. | :47:40. | :47:44. | |
There's not a lot of green space. It's an experiment in garden, lots | :47:44. | :47:47. | |
of different people garden on top of each other. You reckon this | :47:47. | :47:53. | |
could work on say, a tower block? Well, it's a scaffolding pyramid | :47:53. | :48:00. | |
that could be permanent in a plaza. We've created by a 60 by 60 metre | :48:00. | :48:04. | |
space, 576 square metres of usable garden space. If there's enough | :48:04. | :48:08. | |
light, yeah, I don't see why not. Let's look at some of it. This is a | :48:08. | :48:14. | |
fabulous swing seat. I'm reluctant to leave that. Past the shed. | :48:14. | :48:18. | |
practical garden sheds. We have lots of water butts and sheds. We | :48:18. | :48:22. | |
want to show sustainable gardening. This is a terrace, the meet-and- | :48:22. | :48:24. | |
greet area where everybody who gardens here would come together. | :48:25. | :48:34. | |
How many floors all together? floors. Wow. Residents, members | :48:34. | :48:38. | |
club, I'm in the a member, am I allowed in? You're an honorary | :48:38. | :48:47. | |
member. Oh, look! Oriental style Pavilion. It's rustic in nature and | :48:47. | :48:51. | |
then we have this circular opening leading into a secret garden. | :48:51. | :48:55. | |
walk into a secret garden. It is magical. You said it was and indeed | :48:55. | :48:59. | |
it is. You disappear from one area into another. It's a garden that | :49:00. | :49:06. | |
keeps you moving. It does. I love the tree top bamboo walk. Those | :49:06. | :49:12. | |
ones, I can't believe we've kept on coming up. The black ones start | :49:12. | :49:16. | |
from here. This shady plant and then rhododendrons. Walk up around | :49:16. | :49:24. | |
the pink shed to Another Level. Look at it! There's a pond here. | :49:24. | :49:27. | |
The roof of the shed collects water. It's used in the washing machine. | :49:27. | :49:30. | |
Do you your washing as you're gardening and you hang it out to | :49:30. | :49:37. | |
dry, like most people don't. Good drying day. Very good, isn't it? | :49:37. | :49:45. | |
really is your washing! It is. On the floor floor, Rosemary, thyme, | :49:45. | :49:51. | |
good light levels up here. We have a Victorian style greenhouse and | :49:51. | :49:54. | |
these old industrial containers used to plant the fruit and veg. | :49:55. | :50:00. | |
And still we go. Which level are we on? Four, about to go to five, | :50:00. | :50:10. | |
:50:10. | :50:11. | ||
which is men's hosery. Oh, thank you! And vegetables. Going up. | :50:11. | :50:15. | |
You wash your clothes down below and your body and abluegss up here | :50:15. | :50:22. | |
then. -- ablutions up here then. The water is collected fed to a | :50:22. | :50:27. | |
barrel down below and used for the fruit and vegetables. I could have | :50:27. | :50:33. | |
stayed here instead of a hotel. Magical. Are we going up? Yes, up | :50:34. | :50:39. | |
and up. Two more. Great vantage points here. Across the river. | :50:39. | :50:43. | |
Absolutely. From here I can see what you had for breakfast. From | :50:43. | :50:46. | |
here a lot of people would see their own breakfast. | :50:46. | :50:51. | |
You're very high. It's rather fitting that on top of | :50:51. | :50:58. | |
your pyramid is a plant and it's a fabulous birch, wonderful peeling | :50:58. | :51:03. | |
bark. It's heritage. It has fantastic bark and yeah, we wanted | :51:03. | :51:07. | |
to crown it with a plant and it's in a bed of bell lowing | :51:07. | :51:11. | |
Mediterranean style planting, where there's full sun. There could not | :51:11. | :51:15. | |
be a better day to see this. It's wonderful. The London skyline | :51:15. | :51:19. | |
around us, the bridge is there and all into London and Battersea Power | :51:19. | :51:23. | |
Station. Well done mate, it's a lovely job. Congratulations. | :51:23. | :51:27. | |
Everybody enjoys this. We've enjoyed today hugely, the company | :51:27. | :51:31. | |
of Mary Berry, who was right down there looking at it. She's been in | :51:31. | :51:34. | |
the show ground. I hope she's had a good time and discovered some | :51:34. | :51:39. | |
exciting things because as far as I'm concerned, Mary Berry is the | :51:39. | :51:49. | |
:51:49. | :51:49. | ||
cherry on top of my cake. I've just come in the gates and I'm | :51:49. | :51:53. | |
so excited. I've been looking forward to this day so much. It | :51:53. | :51:57. | |
really gives me inspiration for my planting. I get lots of new ideas | :51:57. | :52:06. | |
and I have one or two questions to ask some of the growers. | :52:06. | :52:13. | |
Gosh, it's a myriad of different plants and colours. | :52:13. | :52:20. | |
Oh, here's a friend, we've grown these for three years. They are | :52:20. | :52:25. | |
wonderful smell, lovely for picking, healthy foliage. We prune them in | :52:25. | :52:29. | |
March, really hard, took everything out as thin as a pencil. They're | :52:29. | :52:31. | |
looking very good now. But here they are in bloom. | :52:31. | :52:41. | |
:52:41. | :52:43. | ||
What a joy. I just love this because you can | :52:43. | :52:48. | |
see how big the actual hostas grow. There are little miniature ones, | :52:48. | :52:58. | |
:52:58. | :53:04. | ||
big ones. I always go for the big but what I want to know about are | :53:04. | :53:07. | |
hardy freesias. There is a new range of prepared freesias which | :53:07. | :53:11. | |
means they've been given the cold treatment, because freesias are a | :53:11. | :53:16. | |
native of South Africa, from the cape province. So they can be grown. | :53:16. | :53:20. | |
The biggest problem is drainage. They like well drained soil and | :53:20. | :53:23. | |
they need the cold period. Best to plant in the Autumn time. Let them | :53:23. | :53:26. | |
sit in the cold soil over the winter, then they'll germinate in | :53:26. | :53:30. | |
spring and the new growth will start to come through. Oh, I can't | :53:30. | :53:40. | |
:53:40. | :53:41. | ||
wait to order some. It will be exciting. Thank you. You're welcome. | :53:41. | :53:45. | |
This is my favourite garden. It's got wonderful structure. I think | :53:45. | :53:50. | |
this would be lovely throughout all seasons. I like the way they've | :53:50. | :53:54. | |
grown their roses. I like the idea that you can weave Hazel into a | :53:54. | :53:59. | |
nice dome. I might have a go at making those. | :53:59. | :54:04. | |
I've had such a wonderful day. This must be the best Chelsea ever! I've | :54:04. | :54:08. | |
got lots of new ideas, all my questions answered and I can't wait | :54:08. | :54:18. | |
to get in the garden this weekend. Last year at Chelsea the RHS in | :54:18. | :54:22. | |
conjunction with the writer and broadcaster Sarah Raven launched | :54:22. | :54:26. | |
their perfect for polinators initiative. There you are. And I am. | :54:26. | :54:30. | |
It's a campaign destined to help gardeners identify plants | :54:30. | :54:34. | |
specifically good for wildlife. 12 months have gone by, so has that | :54:34. | :54:41. | |
initiative been successful? We're joined by Helen Bostock. | :54:41. | :54:44. | |
Successful? Incredibly. We can't believe the response that we've had | :54:44. | :54:47. | |
believe the response that we've had from everybody. The message is | :54:47. | :54:51. | |
definitely getting out there. plants are leaving the garden | :54:51. | :54:54. | |
centres. They are. We know that the plant centre at Wisley, we've | :54:54. | :54:58. | |
doubled the sales in the plants on the list. We've been working with | :54:58. | :55:03. | |
all sorts of members in the trade, public guard nds, gardening | :55:03. | :55:06. | |
societies, really to raise awareness about it. I think you | :55:06. | :55:11. | |
have. The big sign there is put on banks of plants which are good for | :55:11. | :55:14. | |
bees. They get the buzzing sign. The large labels on the pots | :55:14. | :55:21. | |
identify them. As do the smaller dangling labels which have a little | :55:21. | :55:25. | |
logo in the bottom corner, which says it's good for bees and it's a | :55:25. | :55:31. | |
perfect polinator. So, it's working. What's the way forward? Well, the | :55:31. | :55:35. | |
whole idea of the list is that it continues to evolve and grow and so | :55:35. | :55:40. | |
what we've been doing is well, as we speak, ourent moll jists are | :55:40. | :55:50. | |
:55:50. | :55:50. | ||
working on a new cat Goring -- our entomologiss are working on a new | :55:50. | :55:55. | |
cat Goring -- gat gory of lists. Rather than by season, we'll do it | :55:55. | :55:58. | |
by garden condition. Whether it's a wet garden, chalky, whatever | :55:58. | :56:04. | |
there'll be a list for you. We'll be announcing that on July 4 at RHS | :56:04. | :56:07. | |
Hampton Court Flower Show. Good for you. We'll do our bit. It's nice to | :56:07. | :56:11. | |
know we can bring them back in. Hopefully tonight we've given you a | :56:11. | :56:15. | |
small insight into the importance of our wildflower heritage and how | :56:15. | :56:20. | |
we can all do something to preserve it like growing a few of these in | :56:20. | :56:28. | |
# I grew up fast and wild # I never felt right in a garden so | :56:28. | :56:32. | |
# I never felt right in a garden so different from me. | :56:32. | :56:37. | |
# I just never belonged # I just longed to be gone | :56:37. | :56:47. | |
# So the garden one day set me free # I hitched ride with the wind | :56:47. | :56:56. | |
# I just let him desire where we go # When a flower grows wild | :56:56. | :57:04. | |
# It can always survive # Wildflowers don't care where they | :57:04. | :57:07. | |
grow # Just a wild rambling rose seeking | :57:07. | :57:13. | |
mysteries untold # No regret for the path that I | :57:13. | :57:16. | |
chose # When a flower grows wild | :57:16. | :57:26. | |
:57:26. | :57:28. | ||
# It can always survive # Wildflowers don't care where they | :57:28. | :57:34. | |
grow # Lots and lots of flowers. This | :57:34. | :57:36. | |
Lots and lots of flowers. This weather's been great. When I sat | :57:36. | :57:41. | |
down here on Monday, these were in tight bud. Look at them now. It's | :57:41. | :57:44. | |
not surprising. All of these plants, several weeks of chill at the | :57:44. | :57:47. | |
beginning of the month and they've just become so turgid, so excited | :57:47. | :57:53. | |
now the sun's come out. They've all gone pop. It's a lovely thing this | :57:53. | :57:58. | |
Siberian iris, so beautifully Ben silled, very good for any garden. | :57:58. | :58:01. | |
Beautiful colour. It's the sort of thing you wish you could paint. | :58:01. | :58:05. | |
only one had the talent. There we are. We've come to the end of our | :58:05. | :58:09. | |
coverage from RHS Chelsea Flower Show this evening. Tomorrow we're | :58:09. | :58:13. | |
back looking at the trends coming out of Chelsea this week. Nicki and | :58:13. | :58:18. | |
I will be back tomorrow lunch time on BBC within. Digital viewers can | :58:18. | :58:23. |