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Good evening from the grounds of the Royal Hospital here in London. | :00:31. | :00:34. | |
We're coming to the end of our coverage of the Royal Horticultural | :00:34. | :00:39. | |
Society's 2013 Chelsea Flower Show. The event, supported by M&G | :00:39. | :00:42. | |
Investments, celebrated its 100th year this year. And tonight we're | :00:42. | :00:45. | |
taking a look back at a week that's combined glorious nostalgia with | :00:45. | :00:51. | |
contemporary style. Coming up this evening: By Royal Appointment. We | :00:51. | :00:54. | |
look at the garden designed for a prince with a very special message | :00:54. | :01:04. | |
:01:04. | :01:06. | ||
in mind. I haven't heard of Lesotho. A 30% of people there have HIV, and | :01:06. | :01:10. | |
people they need our help. Medal medley. We look back at the big | :01:10. | :01:20. | |
:01:20. | :01:21. | ||
And going native. Andy Sturgeon looks at the British wild flowers | :01:21. | :01:28. | |
wowing the crowds in this year's Great Pavilion. | :01:28. | :01:35. | |
I think it it's the Great Pavilion which is at blown away more than | :01:35. | :01:40. | |
anything this year. Looking at the flowers in there, the spectacle is | :01:40. | :01:45. | |
sensational, even for a hardened old gardener like me been an | :01:46. | :01:51. | |
incredibly hard spring. It's always amazing in there. I was talking to | :01:51. | :01:56. | |
the growers, and they have had the worst in 25 years, ever since they | :01:56. | :02:00. | |
have been coming. Some of them are fleecing their exhibits at night | :02:01. | :02:06. | |
because temperatures are dropping at night. Talking to a herb grower, | :02:06. | :02:09. | |
she said a lot of these nurseries haven't had a sale to speak of | :02:09. | :02:14. | |
since last June. A rotten summer last year, a long winter, late | :02:14. | :02:20. | |
spring. Their livelihoods depend on it. If you have a local nursery, | :02:20. | :02:25. | |
police support them. The sun will come out in the next few weeks, and | :02:25. | :02:29. | |
they need your support. But we do need some more of this in the | :02:29. | :02:32. | |
garden, I think. Over the years, Chelsea has received huge support | :02:32. | :02:35. | |
from the Royal Family. In the early years, Queen Mary and King George | :02:35. | :02:38. | |
were regular visitors and Her Majesty, the Queen has attended the | :02:38. | :02:44. | |
show 48 times since her Coronation. This year, as part of the centenary | :02:44. | :02:47. | |
celebrations, the Queen's grandson, HRH Prince Harry commissioned the | :02:47. | :02:52. | |
designer Jinny Blom to create a garden for his charity Sentebale. | :02:52. | :02:55. | |
The charity supports projects in Lesotho, an African country that | :02:55. | :03:00. | |
has been devastated by the AIDS virus. Earlier in the week, Jinny | :03:00. | :03:09. | |
told me why it was so important. Share his Lesotho translated to | :03:09. | :03:18. | |
Chelsea. Up to the Grand Hyatt here. This is our laser good | :03:18. | :03:22. | |
interpretation of the pavilion of the round houses in Lesotho. | :03:23. | :03:28. | |
Beautiful stone. A lot of hard landscaping but when you go to | :03:28. | :03:33. | |
Lesotho, the contrast between raw rock and mountain and the grass | :03:33. | :03:38. | |
LANs is very extreme. So I wanted to express that very clearly. It's | :03:38. | :03:43. | |
a plateau country and this is our platter with a house on top and a | :03:43. | :03:46. | |
house is very important to me, because that is the symbol of what | :03:46. | :03:50. | |
is lost if you lose your family. The idea of having a circling arms | :03:50. | :03:56. | |
of a home of. What the physical evidence of the water lilies. | :03:56. | :04:02. | |
perimeter is nature, and the outside is the house, the mountains, | :04:02. | :04:08. | |
which creates their dislocation from the rest of the world and from | :04:08. | :04:14. | |
Aida which can help it and, in the middle, marooned, a very fragile | :04:14. | :04:21. | |
piece of technology. Modern laser cutting, everything we have at our | :04:21. | :04:27. | |
disposal and this is Lesotho mud. My friends' children run around, | :04:27. | :04:31. | |
children's footprints in the middle, beating down the earth and that's | :04:31. | :04:35. | |
how it would be done. Lots of publicity from the Prince Harry | :04:35. | :04:40. | |
about this garden. It cannot make a difference? What do you hope it | :04:40. | :04:46. | |
will achieve? Would make a difference? I'm really hoping it | :04:46. | :04:51. | |
does. I had not heard of a Lesotho. Its landlocked, its tiny, 1.8 | :04:51. | :04:56. | |
million people, a 30% of people have HIV, and it can be stopped in | :04:56. | :05:00. | |
one generation with the right drugs and they are available thanks to | :05:00. | :05:04. | |
the United Nations. I think if people now know Lesotho, its its | :05:04. | :05:10. | |
own country, Kingdom, twinned with Wales, we have a long relationship | :05:10. | :05:16. | |
with it, royal involvement, we can help it, and if this lets people | :05:16. | :05:19. | |
know it's a beautiful place to visit, walk around, and people need | :05:19. | :05:29. | |
:05:29. | :05:31. | ||
our help. Raising awareness is so good for that. Well, Jinny won a | :05:31. | :05:34. | |
Silver Gilt medal and lots of other people, not just Chelsea exhibitors | :05:35. | :05:40. | |
have been trying to win funding for the campaign for school gardening, | :05:40. | :05:49. | |
by painting garden gnomes. Elton John, with his glasses, to Lilly | :05:49. | :05:55. | |
Allen, on the left of Elton John, Rachel over there. You have done | :05:55. | :06:01. | |
yaws over there. Yes, with my little Arsenal kit and everything. | :06:01. | :06:10. | |
That has got to go to a proper fan of. I like your one. This chap here. | :06:10. | :06:16. | |
I made a spade out of cardboard. did you make that yourself? I did. | :06:16. | :06:23. | |
I got paint absolutely everywhere. Covered in it! I like the colours. | :06:23. | :06:32. | |
Some of them are still available. This is in New Zealand Maori. He is | :06:32. | :06:36. | |
doing the hacker. She was doing it yesterday in the Showground and she | :06:36. | :06:42. | |
emptied a place in minutes. This is the prize specimen for me. Lawrence | :06:42. | :06:49. | |
Llewellyn Bowen. This has gone now. What a work of art. Don't you think | :06:49. | :06:53. | |
that's wonderful? The it's wonderful. Thanks to everybody who | :06:53. | :06:58. | |
contributed. Go to the website if you want to bid for the ones which | :06:58. | :07:01. | |
are left. On Tuesday, as is customary at Chelsea, it was time | :07:01. | :07:05. | |
for the RHS to hand out this year's medals. And, again, as usual Nicki | :07:05. | :07:15. | |
:07:15. | :07:15. | ||
Apology for the loss of subtitles for 56 seconds | :07:15. | :08:11. | |
I don't want to look at it. You have been at awarded the best | :08:11. | :08:20. | |
in category. Thank you. Thank you! Thank you. That's a classic and a | :08:20. | :08:25. | |
reaction there. By silver medal, fantastic. Thank you very much | :08:25. | :08:35. | |
:08:35. | :08:53. | ||
It was a fifth gold medal for Australian nursery Flemings. And | :08:53. | :08:56. | |
for owner Wes Fleming and designer Phillip Johnson, the only thing | :08:56. | :08:59. | |
that could top that was winning Best In Show for the very first | :08:59. | :09:03. | |
time. Just before I went to chat to them, Nicki arrived with the news | :09:03. | :09:11. | |
they had been waiting for. Great to see both. We need to see | :09:11. | :09:21. | |
:09:21. | :09:36. | ||
A can you believe it? No, I really couldn't, Allen. After nine years I | :09:36. | :09:42. | |
didn't think it would be possible for an Australian garden to be Best | :09:42. | :09:49. | |
In Show. We are blown away. This is basically your own back garden. You | :09:49. | :09:55. | |
us, in Victoria. Tell us about the studio of yours. A it's | :09:55. | :09:59. | |
extraordinary. My mother lives in London 50 years ago. Wrote love- | :09:59. | :10:06. | |
letters to my father, written at the airport, they got engaged to | :10:06. | :10:11. | |
that night, so we worked on that and brought all that to life. | :10:11. | :10:18. | |
everybody is a marking on, the sound of the frogs. I love the | :10:18. | :10:24. | |
sound of the frogs. One late night in my garden, I had a camera, | :10:24. | :10:29. | |
recording the frogs. So I could bring them to Chelsea. And we did | :10:29. | :10:39. | |
:10:39. | :10:39. | ||
that. I told Her Majesty about that story. A mad as a box of frogs. Is | :10:39. | :10:45. | |
this going to be all last Chelsi? Yes, unfortunately. It's something | :10:45. | :10:50. | |
I'm going to miss dramatically. What we have achieved, raising our | :10:50. | :10:57. | |
profile, we have to move on. We have do you is what we have learnt | :10:57. | :11:04. | |
back home to try to improve things. We are going to miss you so much | :11:04. | :11:08. | |
because you are abroad, not only at fresh air, but a warmth to the show. | :11:08. | :11:12. | |
This is the one which is most redolent of the real Australia. | :11:12. | :11:18. | |
We've had a barbecue areas etc. But, from our point of view, this seems | :11:18. | :11:22. | |
to be your home and brought her. heard some Australian saying, this | :11:23. | :11:28. | |
isn't Australia. I had to say, I have to correct you. This area is | :11:28. | :11:34. | |
where we live. This is a Western Australia wild flower meadow. I | :11:34. | :11:39. | |
don't know where they live. going to put this back in your | :11:39. | :11:48. | |
hands. Congratulations. Thanks for giving us nine years of pleasure. | :11:48. | :11:54. | |
She Shane to see him go. I had a big hug with him. It's the end of | :11:54. | :11:59. | |
an era. They bring a breath of fresh air every year. 30 years ago, | :11:59. | :12:05. | |
Alan, was the beginning of an era. Yes, we have some footage of you. | :12:05. | :12:10. | |
have Alan Titchmarsh with me. Alan, you have designed a garden yourself. | :12:10. | :12:15. | |
What are the ideas you have? It's a small garden. Most of us have up | :12:15. | :12:23. | |
tiny plots and this is only 38 ft long, but it works well with a keen | :12:23. | :12:29. | |
gardener and small children as well. Hopefully, by using this kind of | :12:29. | :12:37. | |
idea, we might get the children to Those small children have now got | :12:38. | :12:42. | |
small children of their own. That dates me. You are a pioneer. Ahead | :12:42. | :12:47. | |
of your time, family Gardens, vegetables, everything. Where | :12:47. | :12:53. | |
Reilly, 30 years later, everything follows. A you did look a in 1970s | :12:53. | :12:58. | |
football manager, frankly. I still have got a tie. Never throw away | :12:58. | :13:04. | |
tie away. Let's not talk about her. It's not my favourite subject. | :13:04. | :13:09. | |
We're halfway through our look back over Chelsea 2013. They are moving | :13:09. | :13:12. | |
swiftly on before he hits me. There's plenty more memories still | :13:12. | :13:14. | |
to come. Breaking the habit. Actress Judy Parfitt, alias Call | :13:14. | :13:21. | |
The Midwife's Sister Monica Joan, picks up some top Chelsea tips. | :13:21. | :13:26. | |
Could I grow as standard rose in a pot? Water is the secret. Water, | :13:26. | :13:31. | |
water, water. Bringing the inside out. Joe takes a look at alfresco | :13:31. | :13:34. | |
rooms. And right plant, right place. Andy Sturgeon's looks at native | :13:34. | :13:44. | |
:13:44. | :13:44. | ||
plants for different garden Has to be one of the most familiar | :13:44. | :13:50. | |
and striking of Alan natives. If you have a shady spot and a garden, | :13:50. | :13:59. | |
it's an ideal choice. Chelsea has always attracted a wealth of exotic | :13:59. | :14:02. | |
exhibitors with floral offerings that stretch from the tip of South | :14:02. | :14:05. | |
Africa to the deserts of Arizona. But that doesn't mean our own | :14:05. | :14:08. | |
native flowers, which are just as varied and beautiful as their | :14:08. | :14:10. | |
exotic cousins, have been forgotten. Andy Sturgeon visited the Great | :14:10. | :14:20. | |
:14:20. | :14:21. | ||
Pavilion earlier this week to look at native plants to suit any garden. | :14:21. | :14:25. | |
The foxglove has to be one of the most familiar and striking of our | :14:25. | :14:31. | |
natives. They are woodland flowers and happy amongst the trees so it | :14:31. | :14:34. | |
the other shady spot in your garden, they are the ideal choice. The | :14:34. | :14:38. | |
interesting thing about these foxgloves is they have been | :14:38. | :14:42. | |
selected from nature. They have not been bred, so their colours have | :14:42. | :14:45. | |
resulted from the choices that the pollinating insects have made. And | :14:45. | :14:49. | |
all these different colours, there's always going to be a native | :14:49. | :14:59. | |
:14:59. | :15:07. | ||
There is a shade and then there is deep shade. This is the large leaf | :15:07. | :15:10. | |
to read nettle. It will put up with the difficult conditions, under | :15:10. | :15:16. | |
trees, in any soil, it will spread a bit, but the flower is so exotic, | :15:16. | :15:26. | |
:15:26. | :15:38. | ||
particular one will actually grow in the sunshine and don't be fooled by | :15:38. | :15:48. | |
:15:48. | :15:49. | ||
appearances because it is not as delicate as it looks. If you can | :15:49. | :15:51. | |
replicate a limestone cliff with water running through it, it is your | :15:51. | :16:00. | |
ideal planned! Sometimes the name tells you all you need to know. This | :16:00. | :16:04. | |
is a common plant found in our damp is a common plant found in our damp | :16:04. | :16:07. | |
meadows so if you have got some moist soil in your garden and some | :16:07. | :16:12. | |
sunshine, this is a great little plant. It is subtle and | :16:12. | :16:17. | |
sophisticated. I love it, it is so good I even used it in my own garden | :16:17. | :16:27. | |
:16:27. | :16:29. | ||
here last year at Chelsea. The Marsh Marigold also has a name that will | :16:29. | :16:34. | |
give us some clues as to where it is happy because the first part of its | :16:34. | :16:40. | |
name means wet or boggy and this plant has to have its feet wet at | :16:40. | :16:45. | |
all times. If you haven't got room for a pond, it is perfectly happy in | :16:45. | :16:55. | |
:16:55. | :16:59. | ||
a container. Some plants just aren't that fussy. Aquilegia has never | :16:59. | :17:09. | |
:17:09. | :17:36. | ||
fallen out of fashion and one of the reasons is it will grow almost | :17:36. | :17:38. | |
anywhere and suits almost any situation. A herbaceous garden, a | :17:38. | :17:40. | |
gravel garden, it somehow looks right almost anywhere. This British | :17:40. | :17:49. | |
native is a prolific self seed so you will probably find it will | :17:49. | :17:59. | |
:17:59. | :18:20. | ||
choose where it wants to grow for You never know who you will run into | :18:20. | :18:23. | |
at Chelsea, and earlier in the week I ran into Edward Cates, a man who | :18:23. | :18:25. | |
has been coming here even longer than me. When did you first come to | :18:25. | :18:28. | |
Chelsea? 1951.We have got a picture of one of your gardens, in 1952, and | :18:28. | :18:31. | |
this is an enormous great water worn limestone. Yes, from the Isle of | :18:31. | :18:34. | |
Purbeck. How long did you have to make it? About two weeks. We used a | :18:34. | :18:44. | |
lot of crowbars. You got a gold medal. That is correct. It was a lot | :18:44. | :18:54. | |
:18:54. | :18:56. | ||
of fun. I am 82 now. That bodes well for a generation of gardeners. | :18:56. | :19:05. | |
activity. Congratulations. I like it that you are taking your gold medal | :19:05. | :19:12. | |
away again! He didn't trust you with it! BBC One viewers will know her as | :19:12. | :19:15. | |
Sister Monica Joan in Sunday night's hit drama Call The Midwife. However | :19:15. | :19:18. | |
actress Judy Parfitt took time out from her religious duties this week | :19:18. | :19:21. | |
to visit us here at Chelsea. Judy was looking for tips from the | :19:21. | :19:31. | |
:19:31. | :19:50. | ||
experts for her immaculate courtyard Oh, roses. The scent, my passion. | :19:50. | :19:55. | |
Michael, hello. Could I grow a standard rose in a pot? How big | :19:55. | :20:04. | |
would the pot have to be? Yes, as big as possible, something like 18 | :20:04. | :20:08. | |
inches square. Roses like to feed and potting compost that you buy in | :20:08. | :20:15. | |
a garden centre has food for about six weeks and then nothing. Water, | :20:15. | :20:23. | |
water, water. James, hello, I am so fascinated by these beautiful shapes | :20:23. | :20:28. | |
you have here. When I try and do something like that, it gets | :20:28. | :20:33. | |
scorched on the end. The reason is because you are doing it on a sunny | :20:33. | :20:43. | |
:20:43. | :20:48. | ||
day and the sunshine is trying out the edge of the leaf. Thank you. One | :20:48. | :20:50. | |
of the particular reasons I wanted to visit the flower show this year | :20:50. | :20:55. | |
was I am looking for a piece of sculpture for my garden and | :20:55. | :21:05. | |
:21:05. | :21:07. | ||
something here might fit the bill. I am totally in love with your horse | :21:07. | :21:15. | |
and I want it desperately. This piece would take about five days to | :21:15. | :21:21. | |
put together and another three days of preparation. I have a courtyard | :21:21. | :21:25. | |
garden, and I will tell everyone you did it, and maybe you will give it | :21:25. | :21:35. | |
:21:35. | :21:37. | ||
to me. It was worth a try. It is quite wonderful! This is heaven. The | :21:37. | :21:47. | |
:21:47. | :21:54. | ||
only thing that could make it better is a nice glass of fizz. Cheers! | :21:54. | :21:57. | |
couldn't get herself that sculpture but she got herself a glass of | :21:57. | :22:05. | |
bubbly. She was enchanting company. I have always been a fan and it was | :22:05. | :22:12. | |
lovely not to have my illusions dashed. I met her briefly and she | :22:12. | :22:16. | |
was adorable. In the late 1960s there was a | :22:16. | :22:19. | |
metamorphosis in garden design, as the notion of the outdoor room | :22:19. | :22:22. | |
became a popular concept. The idea of creating an extra room outside | :22:22. | :22:25. | |
was also reflected at Chelsea, primarily through the work of the | :22:25. | :22:27. | |
influential designer John Brookes. Today the trend for outdoor living | :22:27. | :22:30. | |
can still be found in the show gardens as I discovered earlier this | :22:30. | :22:36. | |
week. The idea of the outdoor room is on the rise, but here in the | :22:36. | :22:41. | |
seeds of change garden, the gardener has pretty much created an entire | :22:41. | :22:47. | |
house complete with dining room, kitchen, pantry, outdoor classroom | :22:47. | :22:52. | |
and playground as well. When I am designing a garden, I always think | :22:52. | :22:57. | |
about where I am going to put the seating area and work off that. I | :22:57. | :23:02. | |
like to be generous with space as well, like this one here. You have | :23:02. | :23:09. | |
got a vantage point across the garden, you don't just feel like you | :23:09. | :23:14. | |
are stuck on the back of the house. This is a kitchen area complete with | :23:14. | :23:20. | |
bespoke garden you. You might be able to go to the shop and buy one, | :23:20. | :23:23. | |
but think about integrating it into the space rather than an | :23:23. | :23:31. | |
afterthought. He has built into the walls these lovely bits of timber | :23:31. | :23:41. | |
:23:41. | :23:45. | ||
and drilled holes in them so it doesn't feel like the sterile space. | :23:45. | :23:51. | |
This garden is absolutely exquisite, and it is tiny. The entire garden is | :23:51. | :23:58. | |
five metres by seven metres and it has this lovely little tatami room, | :23:58. | :24:03. | |
which takes its name from the tatami mat I am sitting on. In here you | :24:03. | :24:08. | |
would meet some important people and make some important decisions while | :24:08. | :24:13. | |
looking out on the landscape beyond. If, like me, you don't know anyone | :24:13. | :24:17. | |
important, you can have the whole place to yourself. I could sit here | :24:17. | :24:24. | |
all day. It is lovely to have some time to | :24:24. | :24:28. | |
yourself, but we all have to be a bit more outward facing and | :24:29. | :24:33. | |
communicates with the larger world around us and that is what this | :24:33. | :24:38. | |
garden communicates, it has a dual personality where everything is | :24:38. | :24:43. | |
structured and open so the public can see you. Over here, it is a | :24:43. | :24:52. | |
different story. It is lovely in here. You come down three steps and | :24:52. | :24:58. | |
you are into a sunken garden, a very secluded and private place. Rather | :24:58. | :25:03. | |
than overlooking the plants, you feel like they are overlooking you | :25:03. | :25:07. | |
and that is a good tip, to get plants to eye level so you are | :25:07. | :25:12. | |
looking through them. The idea of an outdoor room is not particularly | :25:12. | :25:16. | |
new, but there are many different interpretations of that concept here | :25:16. | :25:25. | |
at Chelsea. Well that's nearly it for another year. But before we go | :25:25. | :25:29. | |
there's time to fuse the past with the present - join us as we enjoy | :25:29. | :25:32. | |
nature at its most perfect from this year's show accompanied by the music | :25:32. | :25:42. | |
:25:42. | :25:42. | ||
Apology for the loss of subtitles for 56 seconds | :25:42. | :27:03. | |
that delighted the crowds back in 100 years? More to the point, next | :27:03. | :27:08. | |
year? I want to see experimentation, adventurous design | :27:08. | :27:15. | |
is going out there, heading for a gold medal, knowing where they will | :27:15. | :27:19. | |
head and pleasing their sponsors. I want to see some interesting design | :27:19. | :27:25. | |
that is pushing the boundaries a bit more. Surprisingly people a bit. | :27:25. | :27:32. | |
Taking risks. Also, can I make a plea for getting rid of graph paper | :27:32. | :27:37. | |
and having some curves? Sometimes the most outlandish thing is having | :27:37. | :27:42. | |
a diagonal rather than a square, but don't get me wrong, these are the | :27:42. | :27:47. | |
most talented designers on earth, but I agree with you entirely - | :27:47. | :27:54. | |
let's see something that surprises us a bit. We have got to think | :27:54. | :28:03. | |
forward 100 years from now and the next bicentenary, what will garden | :28:03. | :28:08. | |
design be like then? We don't know, but next year, curves, gentlemen. | :28:08. | :28:12. | |
Make it shapely. It's time to say goodbye to the 2013 RHS Chelsea | :28:12. | :28:15. | |
Flower Show. We've had a glorious week, as we always do. There's just | :28:15. | :28:22. | |
time to say join us next year when we'll be doing it all again. Alas, | :28:22. | :28:27. |