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Welcome to the RHS Chelsea Flower Show an event supported by M&G | :00:37. | :00:42. | |
Investments. Over the past 100 year, the ground of the Royal Hospital | :00:42. | :00:48. | |
London have been be sieged, dug up, redesigned an restored over and over | :00:48. | :00:53. | |
again. For a world famous horticultural hoo-ha. This floral | :00:54. | :00:58. | |
furore is caused by the Chelsea Flower Show, the crowning Helen | :00:59. | :01:03. | |
Glover ry and the place serious designers aspire to exhibit. But | :01:03. | :01:05. | |
just getting to the gates isn't enough. Here it is about the | :01:05. | :01:10. | |
winning, not the taking part, because every exhibiter wants to | :01:10. | :01:19. | |
leave with one of these. A covet ed Chelsea gold. It is a very special | :01:19. | :01:24. | |
centenary medal today but who struck gold in Chelsea's 100th year? Coming | :01:24. | :01:32. | |
up on the medal winning Chelsea. The Wizards of Oz, Flemings Nursery | :01:32. | :01:37. | |
revealed the inspiration behind their final show garden. The most | :01:37. | :01:42. | |
important criteria is to connecting people back with the beauty of | :01:42. | :01:47. | |
nature. Goldfinger, Carol meets the | :01:47. | :01:52. | |
exhibitors in the Great Pavilion who always grow for gold We have had 63 | :01:52. | :01:58. | |
gold medals. 63?63. And a sport of gardening. Linford | :01:58. | :02:03. | |
Christie takes a run round the gardens and shares his passions for | :02:03. | :02:11. | |
plants. Aren't these beautiful? Well, you could have cut the air | :02:11. | :02:15. | |
with sectors this morning as Chelsea's centenary results were | :02:15. | :02:19. | |
revealed. Nicki Chapman and James Alexander Sinclair leapt out of | :02:19. | :02:27. | |
their beds to be first to hear the exciting news. We are hear first | :02:27. | :02:31. | |
thing, and why? It is the most important day of the week because it | :02:31. | :02:34. | |
is medals day at the RHS Chelsea Flower Show. | :02:34. | :02:37. | |
There are people out there biting their nails to the quick in | :02:37. | :02:41. | |
anticipation but they might get one of these. Or will it be one of | :02:41. | :02:48. | |
these? Fingers cross, I will take Main Avenue. And I will do the art | :02:48. | :02:55. | |
San. -- the arty San. | :02:55. | :03:05. | |
:03:05. | :03:36. | ||
I don't want to look at it. CHEERING AND APPLAUSE | :03:36. | :03:46. | |
:03:46. | :03:52. | ||
Awesome. Well done mate. We have been awarded best in category. | :03:52. | :04:02. | |
:04:02. | :04:03. | ||
you. That is a class six underreaction as you would expect. | :04:03. | :04:13. | |
Silver medal. Fantastic, thank you very much indeed. | :04:13. | :04:23. | |
:04:23. | :04:29. | ||
-- classic. What a morning, a whopping ten out | :04:29. | :04:34. | |
of 15 show gardens won gold. That is more gold medals in this category | :04:34. | :04:38. | |
than ever before. Gold is of course the highest medal that can be | :04:38. | :04:43. | |
awarded followed by Silver-Gilt, silver and bronze. All the exhibits | :04:43. | :04:47. | |
are judged on their own merits, so in theory every one has a chance to | :04:47. | :04:53. | |
leaf here with a gold. Chelsea maybe seven brating its | :04:53. | :04:58. | |
centenary but rewind to 2013 and golds were a rarity, only one was | :04:58. | :05:02. | |
awarded across the whole show back then, and it went to John Wood, for | :05:02. | :05:08. | |
his rock garden. How things have changed. 100 years | :05:08. | :05:13. | |
and it is a gold rush. We went to take a closer look at three gardens | :05:13. | :05:23. | |
:05:23. | :05:26. | ||
When I first saw this garden I was in no doubt it would get a gold | :05:26. | :05:31. | |
medal. It sings out. The plants are beautifully put together. As you | :05:31. | :05:38. | |
would expect from plants man Roger plait who has grown them to | :05:38. | :05:43. | |
perfection in a difficult Chelsea year. All his gardens have a | :05:43. | :05:46. | |
signature theme of beautiful planting but a lovely comfortable | :05:46. | :05:50. | |
feel about then that the visitors to the show love. It is one of those | :05:50. | :05:54. | |
gardens you want to take home and have in your own space. He has taken | :05:54. | :05:58. | |
onboard the theme, but he has done it very well, without having to | :05:58. | :06:02. | |
force the issue too much, so we are going 100 years back, this wall and | :06:03. | :06:07. | |
the win we do The Ivy growing through it. It is dating back to | :06:07. | :06:11. | |
1913, plants like the rhodendrons and the maples giving plenty of | :06:11. | :06:16. | |
structure. I love the Myrtles. Anchoring the oak summer house to | :06:16. | :06:22. | |
the ground, and they are reflected by the since us the. When it comes | :06:22. | :06:27. | |
to colour, he has got rose, and tell fin yums and those wonderful | :06:27. | :06:32. | |
glorious plants that we like to use, and this lovely flower. I know he | :06:32. | :06:37. | |
wanted that in flower, but it hasn't come good. It hasn't affected the | :06:37. | :06:42. | |
medal. At the front we have this rusty steel sculpture which is | :06:42. | :06:47. | |
echoed in the plants. So, Roger has done it again, and he | :06:47. | :06:54. | |
has made a beautiful garden, a well deserved gold. | :06:54. | :07:00. | |
Stunning informal planting there from Roger, if you retired of | :07:00. | :07:04. | |
gardens that are slabs and square, then this one will appeal too. I | :07:04. | :07:08. | |
spoke to the designer who said the trouble with small gardens is very | :07:08. | :07:16. | |
difficult to do curves in them. They have managed to succeed here, this | :07:16. | :07:21. | |
is the east village garden. It is inspired by the Queen Elizabeth | :07:21. | :07:25. | |
Olympic Park which is being turned over to housing. It is in the Leigh | :07:25. | :07:29. | |
valley, famous as a growing place, before it became the Olympic Park | :07:29. | :07:34. | |
and village. This is dominated by a wonderfully sins youly curving | :07:34. | :07:41. | |
stream down the middle. Mar re-Louise told me the secret is to | :07:41. | :07:46. | |
use small paving unit, which is why the path is made up of small brick | :07:46. | :07:52. | |
s, but I love the construction, from that curving sort of fan shape at | :07:52. | :07:57. | |
the top which is glazed and with the round seat, so the stream comes down | :07:57. | :08:01. | |
with this black lining and these copper spouts, which disgorge their | :08:01. | :08:06. | |
load into a series of fan shaped shelves down here, running right | :08:06. | :08:11. | |
down past this fabulous planting of lily, stark white trumpets standing | :08:11. | :08:15. | |
up in the middle. Contrasting with the water. Rhodendrons from ex | :08:15. | :08:19. | |
Britain and all the water making its way down and disappear ing through a | :08:19. | :08:23. | |
hole in the ground. This is not a garden that is going to go down the | :08:23. | :08:30. | |
plug hole in a hurry. Back in 2011 Robert got a | :08:30. | :08:34. | |
Silver-Gilt Medal at Chelsea, and I have to say, I doubted the judges | :08:34. | :08:38. | |
decision there too, we were worried we wouldn't see him for a while. He | :08:38. | :08:42. | |
is back with a bang. This is a stunning garden, gave the judges no | :08:42. | :08:48. | |
choice, a gold medal throughout. And what he has done is create a | :08:48. | :08:51. | |
minimalist contemporary stylish garden here, this L shaped deck | :08:51. | :08:55. | |
wrapping round, and in the water countering acting and wrapping round | :08:55. | :08:59. | |
the other side. What he tried to do with the planting is show what you | :08:59. | :09:03. | |
can do with native plant, you don't have to go wild, you can manicure | :09:03. | :09:08. | |
them and make them sit beautifully in a contemporary space. So we have | :09:08. | :09:13. | |
the field maple hedge on that side, on that boundary and here we have | :09:13. | :09:18. | |
the multi-stemmed trees erupting out of this border. In this central | :09:18. | :09:22. | |
sunken space, I love these box mounds, he calls them pillow, they | :09:22. | :09:26. | |
have been clipped into this shape. It was an accident. Back at the | :09:26. | :09:30. | |
nursery they got frosted and they got cut hard back, and that gave the | :09:30. | :09:34. | |
inspiration to a lot of the shape throughout the garden. So it has | :09:35. | :09:41. | |
been picked up over here, on this boundary, these have been routed out | :09:41. | :09:48. | |
of plywood board and we have this sculpture churl element. A pergola | :09:48. | :09:52. | |
here, and sculpture churl element of polished concrete ball, so this | :09:52. | :09:57. | |
year, he has come back, with a vengeance, got himself a well | :09:57. | :10:02. | |
deserved gold medal. Great gardens. We are asking all of | :10:02. | :10:12. | |
:10:12. | :10:13. | ||
our presenters their memories of It goes back a long way. Rock | :10:13. | :10:18. | |
gardens were all the rage, so for me it was the rock bank, the huge | :10:18. | :10:24. | |
boulders and cascading waterfall, I remember that vividly, that must be | :10:24. | :10:29. | |
late 60s, 70s. Give your aim way.I don't mind. She was carried in. I | :10:29. | :10:36. | |
was tiny, a babe in arms, and also the marquee, that flapping of the | :10:36. | :10:42. | |
canvas, like a big sailing ship, sail. Are there bit yous Gou to | :10:42. | :10:47. | |
every year that are favourite spots? Yes, I try and do it all. And then | :10:47. | :10:50. | |
it is too much and you can't take it in, but I still love to go and see | :10:51. | :10:56. | |
the plant, I think that is just, being able to compare one Iris with | :10:56. | :11:01. | |
another, and look at all this the tulip s and taking that colour and | :11:01. | :11:06. | |
look at things in debail -- detail. Fantastic. You regard it as a living | :11:06. | :11:10. | |
plant catalogue, if you want to choose your tulips, they are all | :11:10. | :11:14. | |
there, I don't like that, I like that. From a catalogue you don't get | :11:14. | :11:19. | |
that. You can see them in the flesh so to speak, they give you lists and | :11:19. | :11:23. | |
you tick off the ones you want. Mine isle always so full of ticks of all | :11:23. | :11:29. | |
the things I would like the buy. They have a nifty idea. You don't | :11:29. | :11:37. | |
pay till autumn then you get the bill! "Did I have all those? " | :11:37. | :11:41. | |
a garden in 2008. That was an extraordinary expense. It was a | :11:41. | :11:48. | |
small forward none the far corner over there. -- garden in it was an | :11:48. | :11:53. | |
eye opener, I truly appreciated what goes into making a garden. You know | :11:53. | :11:57. | |
the logistics, the preparation, the research, the whole thing getting, | :11:57. | :12:03. | |
keeping your team together heartache. Absolutely. But I was | :12:03. | :12:08. | |
incredibly proud of it, I knew how much, body and soul had gone into | :12:08. | :12:12. | |
that little garden We have some footage, we have dug it up, of Carol | :12:12. | :12:22. | |
:12:22. | :12:24. | ||
taking a look round Rachel's 2008 She has used roses in an innovative | :12:24. | :12:30. | |
way. She has built terraces made of slate and inspired by paddy field, | :12:30. | :12:34. | |
these wonderful tier, one-on-one, it is a beautiful idea to copy if you | :12:34. | :12:41. | |
have a small garden, when you love growing roses, I think it works | :12:41. | :12:45. | |
wonderfully. It is lovely to ea it again. Look, I brought my medal.A | :12:45. | :12:51. | |
silver medal. It is there. Lovely to share your memories. Well Linford | :12:51. | :12:54. | |
Christie is to stranger to winning gold but you are more likely to find | :12:54. | :12:58. | |
him potting up in the greenhouse these days, than warming up on the | :12:58. | :13:02. | |
track. He has been coming to Chelsea for 15 years for inspiration, he | :13:02. | :13:12. | |
allowed us to tag along as he set I am here because I am trying to be | :13:12. | :13:16. | |
inspired. I try to come twice a year. First day of course, I look | :13:16. | :13:21. | |
round an see what is going on, the last day when you can buy the plant, | :13:21. | :13:28. | |
I have a new garden, totally blank canvas, it is a lot of straight if | :13:28. | :13:33. | |
my fence. I want, I think it is nice, there is a lot of things I | :13:33. | :13:40. | |
would like in my garden. I love the garden It is a family garden so it | :13:40. | :13:44. | |
is created for family that want a garden, but they have got kids, they | :13:44. | :13:50. | |
have kids that are about 12, 13, 14, just at that moment when gardening | :13:50. | :13:53. | |
stops being cool and you have to be 60 plus to garden. But they want | :13:53. | :13:57. | |
their kids to understand not only about nature but they want to | :13:57. | :14:01. | |
understand where their food comes from. So it is breaking it into | :14:01. | :14:06. | |
three simple spaces. We have a lawn area, a beehive and fruit trees that | :14:06. | :14:10. | |
carry back over the garden, cooking area, and then at the back you have | :14:10. | :14:16. | |
the big old table, it is under to spend time together and put their | :14:16. | :14:19. | |
mobile phones down and maybe talk to each other. It is about getting the | :14:20. | :14:23. | |
kids understanding nature, if they understand nature, they will | :14:23. | :14:29. | |
understand more about the world, and understand more about the world, and | :14:29. | :14:32. | |
what is going on. That is true. Isn't it amazing the buzz going on | :14:32. | :14:36. | |
here. Considering it is not top story the public as yet. There is so | :14:36. | :14:40. | |
many people, all these are members of the RHS, these are people really | :14:40. | :14:43. | |
interested in gardening. It is amazing. | :14:44. | :14:48. | |
I think every garden should have a bit of sculpture in it. That is my | :14:48. | :14:58. | |
:14:58. | :15:03. | ||
kind of thing. Me and the kids! I'm a lawnmower man! Love it. I've cut | :15:03. | :15:07. | |
the grass and put some stripes in it. That's me. Aren't these | :15:07. | :15:14. | |
beautiful? If I move from here to there, the weather changes because | :15:14. | :15:21. | |
I'm going over to Trinidad and Tobago. It's really nice. There's | :15:21. | :15:29. | |
lots of things here that reminds me of when I was in the West Indies. | :15:29. | :15:34. | |
You are responsible for this, I take it? Yes. I did the design and | :15:34. | :15:39. | |
everything. It was inspired by one of our most famous artists. I tried | :15:39. | :15:44. | |
to incorporate a little of where we came from and where we are now with | :15:44. | :15:52. | |
the various tropical flowers that we grow. I see you have got a gold. | :15:52. | :16:02. | |
:16:02. | :16:15. | ||
Yes. Is that a real gold?It is! impression. What did you make of it | :16:15. | :16:19. | |
this year? I thought it was quite good. There seems to be a lot more | :16:19. | :16:24. | |
new things and different ideas than previous years. It refreshes itself | :16:24. | :16:30. | |
every year. You have been coming quite a while. How keen are you? | :16:30. | :16:34. | |
absolutely love it. It's nice to come along and get ideas and get | :16:34. | :16:39. | |
inspiration, and see what people do. And see things that you normally | :16:39. | :16:43. | |
think wouldn't be achievable. You get here and you realise they can be | :16:43. | :16:48. | |
achieved. So it raises your aspirations. What got you into | :16:48. | :16:54. | |
gardening in the first place? accident. When I was very young, my | :16:54. | :16:59. | |
father used to grow tomatoes and sweetcorn is. My job was to pick the | :16:59. | :17:04. | |
caterpillars of the tomato plants. Not a good job! Do you still grow | :17:04. | :17:14. | |
:17:14. | :17:19. | ||
veg? No.It put you off for life? did! At one point, I was told that | :17:19. | :17:23. | |
if I looked after the garden, they would sell me the house. And I did. | :17:23. | :17:28. | |
I looked at all the books, tried to learn the Latin names, went to the | :17:28. | :17:32. | |
garden centre. If you know the Latin names, it makes you look like you | :17:32. | :17:42. | |
:17:42. | :17:43. | ||
know what you are talking about. what have you got? Allsorts.Are you | :17:43. | :17:48. | |
as disciplined a garden as you are an athlete? I think you have to be. | :17:48. | :17:54. | |
In athletics, you have to be patient. You have to be, and if you | :17:54. | :17:57. | |
are patient, the race will run quite smoothly. It is the same thing. If | :17:57. | :18:02. | |
you put a plant in the garden, you've got to water it and be | :18:02. | :18:06. | |
patient, and you get the end result. One thing that would never crossed | :18:06. | :18:11. | |
my mind is that you need patience in athletics. Is that where you need | :18:11. | :18:16. | |
the training plan, not to rush things, to be patient? Jedinak yes, | :18:16. | :18:21. | |
because if you rush a race, you will never run as fast as you would like | :18:21. | :18:28. | |
to. With your stride pattern, you have got to wait patiently for one | :18:28. | :18:34. | |
likes to hit the ground, for your stride to come through. You are one | :18:34. | :18:44. | |
:18:44. | :18:46. | ||
of the fastest man on no legs. Do you still run? No. I am about three | :18:46. | :18:51. | |
stone heavier than I used to be. They do say that gardening is a | :18:51. | :18:57. | |
great way of keeping fit. We welcome you from the world of athletics to | :18:57. | :19:05. | |
the world of gardening. Cheers!At the heart of the Chelsea show stands | :19:05. | :19:08. | |
the Great Pavilion. This canvas covered plant carnival has seen its | :19:08. | :19:17. | |
fair share of medals over the years. In petals are an appetite for | :19:18. | :19:26. | |
insects to be a success. This year, this gentleman wanted to bank is | :19:26. | :19:36. | |
:19:36. | :19:39. | ||
dub-dash his 15th RHS Gold. Is this your highest gold today? Yes, it is. | :19:39. | :19:43. | |
You are knee deep in them. They looked absolutely stunning. What do | :19:43. | :19:50. | |
they live? What do they live off? -- what did they eat? They are all | :19:50. | :19:57. | |
coniferous. The largest ones are big enough to catch mice and rats, in | :19:57. | :20:03. | |
some cases. Incredible. Which ones, over the years, have you been able | :20:03. | :20:08. | |
to really rely on bringing to Chelsea? The best one has been the | :20:08. | :20:12. | |
big green one at the back there. It is very reliable. It is an old | :20:12. | :20:17. | |
plant, about 30 years old. It is a stunner. And your personal | :20:17. | :20:26. | |
favourite? This one here. It is named after my wife. And this one | :20:26. | :20:31. | |
here, the monkey cup, is named after my daughter. It adds a different guy | :20:31. | :20:38. | |
mention. And are they easy to grow? They do not look easy to grow. | :20:38. | :20:45. | |
do not look easy. One of these is an easy one, you can do well in your | :20:45. | :20:51. | |
kitchen and garden with this one. This one will take a temperature as | :20:51. | :20:59. | |
low as -20. They are a off than they look. -- a lot tougher than they | :20:59. | :21:06. | |
look. Hope to see you next year. Out of 113 nurseries competing for | :21:06. | :21:11. | |
medals here, this year, 60 21 gold. For some, it will not be there | :21:12. | :21:18. | |
first, and almost certainly will not be their last. Carol Klein went to | :21:18. | :21:24. | |
take a look at a closer look at plants grown not by green fingers | :21:24. | :21:34. | |
:21:34. | :21:44. | ||
dynasty, the family engaged in growing these beautiful flowers. | :21:44. | :21:52. | |
When was the first year that blondes exhibited at Chelsea? The first time | :21:53. | :21:57. | |
was in 1948. My father started Chelsea off, and we have been there | :21:57. | :22:04. | |
ever since. Since then, we have had 63 gold medals. 63? That is | :22:04. | :22:14. | |
:22:14. | :22:19. | ||
tulips. Which one do you choose? If you want to start with a winner, how | :22:20. | :22:25. | |
about something like this orange sun. It is a Darwin hybrid, and they | :22:25. | :22:30. | |
are known for being long-lasting. I grow nearly all my tulips in big, | :22:30. | :22:36. | |
clay pots, but that is because I have such heavy, solid soil, but | :22:36. | :22:39. | |
tulips really don't like it. They prefer something that is free | :22:39. | :22:44. | |
draining and always out in the sun. If you grow them in pots, they will | :22:44. | :22:54. | |
:22:54. | :22:58. | ||
thrive and give you the most favourite at Chelsea, and this | :22:58. | :23:04. | |
year's Gold Medal makes it the full 20. It is particularly poignant | :23:04. | :23:08. | |
because Peter died earlier this year, so the whole stand is a | :23:08. | :23:14. | |
tribute to him. It is based on a medieval abbey, a wonderfully | :23:14. | :23:20. | |
romantic setting, with his incredibly romantic Rosing foot -- | :23:20. | :23:30. | |
:23:30. | :23:30. | ||
roses. Peter Beal is known for producing beautiful shrub roses, and | :23:30. | :23:36. | |
I roses that go up in the air, like these climbers. There are true | :23:36. | :23:40. | |
climbers and there are rumblings roses. Things like this rambling | :23:40. | :23:45. | |
Rector. If you have got the room, you have got the space. If there is | :23:45. | :23:50. | |
a host, you can just let them go, climb up into the trees and do their | :23:50. | :23:57. | |
thing. If you have to keep them slightly within bones, remember that | :23:57. | :24:04. | |
they flourish on old wood. They call this stumping. You take your | :24:04. | :24:14. | |
:24:14. | :24:14. | ||
secateurs and go right the way along and cut off the old flowers. Johnnie | :24:15. | :24:19. | |
Walker has been growing daffodils since he was a lad in short | :24:19. | :24:26. | |
trousers, and this is his 20th Gold Medal consecutively at Chelsea. How | :24:26. | :24:32. | |
do you achieve something like that? Jonny knows his plans intimately. He | :24:32. | :24:36. | |
knows them -- he grows them beautifully and displays them | :24:36. | :24:40. | |
meticulously, whether it is something simple and straightforward | :24:40. | :24:48. | |
like Golden Joy, or something glorious and voluptuous. Winning | :24:48. | :24:51. | |
gold at Chelsea is all about devotion. It is about loving your | :24:52. | :25:01. | |
:25:02. | :25:08. | ||
plants and wanting to show them off medal winning Chelsea Flower Show. | :25:08. | :25:15. | |
Coming up, designer Ann-Marie Powell takes a look at the small gardens | :25:15. | :25:22. | |
with big ideas. I think this is a wonderful space, and I am not | :25:22. | :25:25. | |
surprised it won a gold. We talk to the designer who has won Chelsea's | :25:25. | :25:34. | |
most prestigious garden award. Congratulations to Peter! And a | :25:35. | :25:39. | |
Welsh stand up of approval. Rob Brydon explains why he is passionate | :25:39. | :25:43. | |
about Chelsea. The first year, it was something that never appealed to | :25:43. | :25:49. | |
me. I came, and it was wonderful! There is nothing in the garden more | :25:49. | :25:55. | |
British than a carefully clipped hope you read. As a nation, we have | :25:55. | :26:00. | |
been boxing clever with our garden snips for years, and it is always a | :26:00. | :26:05. | |
regular sight at Chelsea. It was top television news in the 1920s and | :26:05. | :26:15. | |
:26:15. | :26:16. | ||
caused quite a stir! Clipped bushes and topiary made a neat show. | :26:16. | :26:21. | |
the excitement for topiary took off at the very first Chelsea show in | :26:21. | :26:26. | |
1913, mostly because of the man called, and you are not going to | :26:26. | :26:30. | |
believe this, Mr Cutbush. To celebrate 100 years of clipped art | :26:31. | :26:35. | |
at the show, Chelsea is replicating what his stand would have looked | :26:35. | :26:45. | |
:26:45. | :26:46. | ||
like. Tell us about this man. amazing. He was a real slogan. He -- | :26:46. | :26:54. | |
he was a real great man. His slogan was, cut bushes! All you need are | :26:54. | :26:59. | |
individual oak barrels, cuts down the grass, and there they are. The | :26:59. | :27:04. | |
art bit was the actual plant itself. Is it true that you used to be a | :27:04. | :27:11. | |
hairdresser? It is true! It is a short shift, cutting hair to cutting | :27:11. | :27:18. | |
bushes. I John Wood and shapes on this side. What do you call that | :27:18. | :27:26. | |
snake thing? It is a cloud proof hedge. It is contrast it with all | :27:26. | :27:29. | |
these horizontal lines that are much more formal, just to get the | :27:29. | :27:35. | |
contrast. When it comes to doing shapes, things like the anchor or | :27:35. | :27:39. | |
the peacock, what sort of time are we talking about to create those? | :27:39. | :27:46. | |
depends if you have a multi-stem or a single stem. The single stems are | :27:46. | :27:52. | |
much longer and much classier. You have just the one. With multi-stems, | :27:52. | :27:57. | |
you have lots, and they race up. This is a man who really has fun. Do | :27:57. | :28:03. | |
you go out and clipped people's hedges? Absolutely, yes! That is | :28:03. | :28:07. | |
more exciting because you go into a garden and nobody has put a stamp on | :28:07. | :28:12. | |
that garden, so you have the opportunity to do at interesting | :28:12. | :28:18. | |
things with it. And what does it suggest? Congratulations on this | :28:18. | :28:26. | |
medal. It is a fascinating thing. There is so much water culture or | :28:26. | :28:32. | |
history in the Great Pavilion. There really is nothing like it, and that | :28:32. | :28:37. | |
is why people come back year after year. People come back all the time. | :28:37. | :28:41. | |
Hilliers nursery is one of them. They have walked away with gold | :28:41. | :28:46. | |
every year since 1947, and they hope the centenary show will be no | :28:46. | :28:56. | |
:28:56. | :29:02. | ||
149 years old, so we are half a century old than Chelsea Flower | :29:02. | :29:08. | |
Show. Hillier was founded in 1864. It started down on Winchester high | :29:08. | :29:13. | |
Street, at a small florist and seed shop, and it has grown into what it | :29:13. | :29:20. | |
is today. At this stage in the game, the most important thing is | :29:20. | :29:24. | |
getting the job done, getting that exhibit built, and actually walking | :29:24. | :29:29. | |
away from it feeling that you did the best you possibly could, and it | :29:29. | :29:37. | |
is a showstopper. Hillier has introduced new plants over the | :29:37. | :29:43. | |
years, and also, we have changed the way we grow and sell. Container | :29:43. | :29:47. | |
growing in the past 30 years has become the way that people buy | :29:47. | :29:53. | |
plants. They want something that looks good when they buy it. They | :29:53. | :29:58. | |
want it to make an instant impact in their garden, so maybe, rather than | :29:58. | :30:03. | |
sending a group of men out with spades to lift and root ball a tree, | :30:03. | :30:08. | |
and then actually lift it onto a lorry, you grow it in a pot in the | :30:08. | :30:12. | |
first place, in the right compost, under irrigation, and then it is | :30:12. | :30:22. | |
:30:22. | :30:28. | ||
much easier to move by machine. You reduce your manhandling. The most | :30:28. | :30:30. | |
important person in the exhibit is Ricky, he is responsible for the | :30:30. | :30:39. | |
preparation of all the plant material for the show. | :30:39. | :30:44. | |
Also the cornice, they look They are better than they were last year | :30:44. | :30:49. | |
because of the later season. I never rely on specific plants because you | :30:49. | :30:55. | |
never foe what they are going to go. However, at the 11th hour, they are | :30:55. | :30:59. | |
always surprises. -- there are. And sometimes there is something that | :30:59. | :31:02. | |
Ricky's just brought along to the show, because it happened to be | :31:02. | :31:08. | |
looking good at the moment, and that ends up being the one which steals | :31:08. | :31:12. | |
ends up being the one which steals that particular Chelsea Flower Show. | :31:12. | :31:16. | |
When it comes to designing any planting scheme for a garden, | :31:16. | :31:20. | |
everybody thinks about flowers but in fact in a garden, you know, most | :31:20. | :31:25. | |
of the colour comes from foliage. It is the enduring factor, particularly | :31:25. | :31:29. | |
in that middle layer of the planting picture, you have trees up there and | :31:29. | :31:32. | |
you have got this stuff down here, which is, that is the part of the | :31:33. | :31:37. | |
garden, the small shrubs where we spend most of our time messing | :31:37. | :31:41. | |
round, the pit we look at in the middle is the bit that goes flat and | :31:41. | :31:46. | |
green half way through the year. In most cases, you add more foliage | :31:46. | :31:53. | |
interest in that layer and you will bring your planting the livful | :31:53. | :31:58. | |
-- life. We try do something different every year, so a start | :31:58. | :32:04. | |
with a theme and build on it. This year it is more adventurous, I am | :32:04. | :32:09. | |
using contemporary accessory, I intend to use whacky planting | :32:09. | :32:15. | |
combination, people like the soft pinks andly lacks and the feel -- | :32:15. | :32:18. | |
lilac, and the feel good colours but some times we do colour, which is | :32:18. | :32:24. | |
what I like to think of as a bit risky, so we put hot orange and pink | :32:24. | :32:27. | |
together, with red foliage and shots of blue coming through it. That is | :32:27. | :32:32. | |
something that I really want to play with this year. Our theme is risk, | :32:32. | :32:36. | |
and I want to take a few risks with and I want to take a few risks with | :32:36. | :32:43. | |
colour. Hillafter -- Hillier are in the | :32:43. | :32:50. | |
Guinness boobg of of world records as holders of the most consecutive | :32:50. | :32:53. | |
gold medals at Chelsea Flower Show. It is important we maintain our | :32:53. | :32:59. | |
record and somewhere along the line it would be nice to have our 68th | :32:59. | :33:02. | |
consecutive gold. Who knows? Maybe the exhibit won't deserve it and | :33:02. | :33:07. | |
that is the way you have to look at I want I just hope at the end of the | :33:07. | :33:10. | |
day we believe it is a great day we believe it is a great | :33:10. | :33:16. | |
exhibit. Congratulations on your gold, you | :33:16. | :33:22. | |
have your 68 now, consecutive. have. A lot of people say don't you | :33:22. | :33:26. | |
just ex pict expect it? No, you don't. It is always a bit | :33:26. | :33:31. | |
nail-biting and no more so than this year, because it has been a | :33:31. | :33:33. | |
challenging spring for everybody, you know, I think it is remarkable | :33:33. | :33:38. | |
that the show looks as good as it does. Your stand looks astonishing, | :33:38. | :33:44. | |
you brought the colour in in your furnishing and dare I say your | :33:44. | :33:49. | |
apparel. I say you should dress to match your plans. You have! Looking | :33:49. | :33:54. | |
at the silver birches, they just about brush the top of the Great | :33:54. | :34:00. | |
Pavilion. They do indeed. These trees have come into leaf | :34:00. | :34:04. | |
beautifully, because round the show, you know a lot of trees are | :34:04. | :34:07. | |
reluctant to put on foliage this year, and we guessed the height of | :34:07. | :34:11. | |
these, you see them on the tree line on the nursery, you think, yes, that | :34:11. | :34:16. | |
will fit, no problem, then when they come off the lorry in here and you | :34:16. | :34:19. | |
walk them up right and put them in position, there was a few worrying | :34:19. | :34:23. | |
moments as to whether or not they were going to make it. We will have | :34:23. | :34:28. | |
to take the top out and will they look dreadful? You can't do that, | :34:28. | :34:31. | |
and I don't think the lads would have been too appreciative if I | :34:31. | :34:35. | |
wanted to send them home. We have favourite, there are plants that | :34:35. | :34:38. | |
come back every year, that is lovely to see, because they are old friends | :34:38. | :34:42. | |
in a way, but you do seem to have to find a new and novel way of putting | :34:42. | :34:46. | |
them together. Is that what the challenge is for you? It is. Chelsea | :34:46. | :34:51. | |
happens in the third week in May, so there are the things which are | :34:51. | :34:58. | |
performing at this time like aazaleas and maples, so you are | :34:58. | :35:02. | |
reinventing it by finding different colour combinations and in a way | :35:02. | :35:07. | |
that is what it is like in the garden. Choosing the sort of | :35:07. | :35:10. | |
familiar readily available plants and putting them together in the | :35:10. | :35:15. | |
right way for best effect. Why is Chelsea so special for you? Well, | :35:16. | :35:19. | |
Chelsea, I don't know what it is about Chelsea. It is sort of an | :35:19. | :35:24. | |
event during the year, which I think sort of reinvigorates your interest | :35:24. | :35:32. | |
and passion for horticultural. Horticulture, sometimes you get | :35:32. | :35:37. | |
jaded, thinking "Why do I do this? "You walk in and when there is no | :35:37. | :35:41. | |
stopping it and the plant also roll in and it has to happen within a | :35:41. | :35:44. | |
week, I suppose it is that adrenaline kick that makes it | :35:45. | :35:51. | |
happen. Many congratulations.Thank you. It is true to say the large | :35:51. | :35:57. | |
show gardens a tract most of the attention on medals day. The 19 | :35:57. | :36:02. | |
smaller gardens still pack a punch. An Marinos more than most the | :36:02. | :36:08. | |
stresses of planning and designing a compact space. She has been there, | :36:08. | :36:13. | |
got the T-shirt and clinched a gold in 2010. So we sent her out to see | :36:13. | :36:19. | |
what she thought of the line up this year. The small gardens are so | :36:19. | :36:23. | |
important, because they give us the ideas that are easily transferable | :36:23. | :36:29. | |
into our own gardens at home. Chelsea has two categories of small | :36:29. | :36:39. | |
:36:39. | :36:40. | ||
garden, there is fresh and artisan. The design here has made use of | :36:40. | :36:45. | |
every single inch of space. We have this tier of planting. The attention | :36:45. | :36:51. | |
to detail is lovely. These beautiful mounds of moss and the trickle of | :36:51. | :36:59. | |
water cascading through the space. There are some wonderful specimens | :36:59. | :37:04. | |
in this place, the heart of garden, marking the entrance into the tea | :37:04. | :37:14. | |
house. Isn't this garden absolutely joyful? | :37:14. | :37:19. | |
After the long winter that we have had, a bit of colour like this is so | :37:19. | :37:23. | |
very welcome. The message is the importance of clean water to | :37:23. | :37:28. | |
communities in India. You might be wondering what that is? | :37:28. | :37:32. | |
But it's a really clever rain water harvesting store, now when I was | :37:32. | :37:35. | |
younger I spent a good six months in India, living with an Indian family, | :37:35. | :37:40. | |
and this garden takes me straight back there. I am not surprised it | :37:40. | :37:49. | |
won a gold. Now the fresh garden category is a | :37:49. | :37:54. | |
relative new category at Chelsea of small gardens. It celebrates | :37:54. | :38:01. | |
innovative, new and fresh in garden design spheres, I love this gold | :38:01. | :38:06. | |
medal winning garden. The mindfullness garden. It is an | :38:06. | :38:10. | |
explosion of vitality, and just here, through this tube, you have an | :38:10. | :38:15. | |
encryption on slate, which is all about all the busyness of life round | :38:15. | :38:20. | |
you, but within that finding a moment of silence, a treat. | :38:20. | :38:30. | |
Something my boyfriend would not believe I just said! | :38:30. | :38:40. | |
:38:40. | :38:42. | ||
Now as an avid Tweeter I love this garden by Halffleet. Every time you | :38:42. | :38:46. | |
tweet RHS Chelsea on the garden it controls the panel, allowing you a | :38:46. | :38:51. | |
sneak into the wonderful planting behind. Now this the planting style | :38:51. | :38:55. | |
is very exhuberant, frothy and fluffy, very very Chelsea, but when | :38:55. | :39:01. | |
these screens open, we have the very lush Verdant tropical planting that | :39:01. | :39:07. | |
lies beyond. Now this garden is not only my | :39:07. | :39:10. | |
favourite garden and exhibit of the show, but it won the best fresh | :39:10. | :39:12. | |
garden in its category, and a gold medal. | :39:12. | :39:17. | |
The garden is called after the fire. We have all of the sticks coming up | :39:17. | :39:21. | |
out of the ground, creating such a sense of energy, and you can almost | :39:21. | :39:25. | |
feel the blaze that would have been burning through here. This exploring | :39:25. | :39:29. | |
the regeneration of nature and its incredible about to do so, so | :39:30. | :39:34. | |
beautifully. I love the texture and the contrast and the Thierriness of | :39:34. | :39:39. | |
the whole space. This wonderful, the fresh, the creative, its innovative | :39:40. | :39:45. | |
and it does encompass everything the fresh gardens are all about. I | :39:45. | :39:49. | |
wonder what the judges back in 1913 would have made of the fresh garden | :39:49. | :39:53. | |
category. Love them or hate them, this show has never shied away from | :39:53. | :40:00. | |
controversy and big ideas. It recognises young talent. This year | :40:00. | :40:05. | |
20-year-old Jack Dunckley is making his debut. This is his first Chelsea | :40:05. | :40:09. | |
garden called Juxtaposition. Lovely to see you Nice to be here.You were | :40:09. | :40:14. | |
14 and now you are here, living the dream at Chelsea Very happy.How do | :40:14. | :40:18. | |
you feel? Brilliant. Amazing. Tell us about the garden This is | :40:18. | :40:22. | |
Juxtaposition, it is based on two different sides. On this side, very | :40:22. | :40:30. | |
lush, so we have steamy tropical planting, there is thing things like | :40:30. | :40:37. | |
lilies, tropical plants. It looks bold and Jungly. On the other side? | :40:37. | :40:45. | |
A contrast, we have a desert with love lovely yucca, off set by sand. | :40:45. | :40:50. | |
The spiky forms and space between them. You can feel the dry arid | :40:50. | :40:56. | |
desert. In contrast to the other.I love the screen, the way you have | :40:56. | :41:05. | |
divided it They are perspex.They look like they have holes in them | :41:05. | :41:09. | |
They are just printed. You have a Silver-Gilt. How chuffed do you | :41:09. | :41:13. | |
feel? Amazing from my first time here it is a great achievement. | :41:13. | :41:18. | |
is lovely to see you, next year, what do you think? Main Avenue? | :41:18. | :41:23. | |
would love to be, I would love to go to Main Avenue, if you know any | :41:23. | :41:27. | |
sponsors. I will send them your way. Well done, you have done a great | :41:27. | :41:33. | |
job. John Van Hage was the youngest garden designer to win gold and Best | :41:33. | :41:38. | |
In Show in 1991 with his Forgotten Pavillion garden. He was 25. So | :41:38. | :41:43. | |
Jack, you have are more years to top that. Chelsea has nurtured new | :41:43. | :41:49. | |
talent. It has the power to whip non-gardening types into a | :41:49. | :41:55. | |
horticultural frenzy. Rob Brydon is no exception. Yesterday, I asked him | :41:55. | :42:01. | |
why he loves Chelsea. : Rob, you are becoming a regular, how long have | :42:01. | :42:04. | |
you been coming? We were trying to do the math, our fifth year. | :42:04. | :42:09. | |
being? . Me and my career, or my wife as she is also known. We loved | :42:09. | :42:15. | |
it. The first year, it was something that had never appealed to me. And I | :42:15. | :42:19. | |
came and you go wow. Blew you away? Yes, so I keep this Monday free, | :42:19. | :42:25. | |
because I want to come. So gardens like this, this lovely stream going | :42:25. | :42:31. | |
down the middle, is this your sort of garden? This is the sort of thing | :42:31. | :42:36. | |
we like, love a bit of water. I like the kind of wild feel, you know, of | :42:36. | :42:40. | |
lots of flowers, not being too neatly arranged but lots of things | :42:40. | :42:46. | |
popping up. There are lovely trees we are only doing under. What appear | :42:46. | :42:52. | |
-- appeals to me is good line, like these curves, but within them, the | :42:52. | :42:57. | |
trees you have to dodge round. the lines seem natural, the curve, | :42:57. | :43:00. | |
they are mimicking nature, they are gorgeous, last year we were here, | :43:00. | :43:05. | |
and we were looking and there was somebody did a lot with dry stone | :43:05. | :43:10. | |
wall. We liked that. We were wanting to revamp our garden so we took a | :43:10. | :43:15. | |
few of the ideas, and we had this wonderful designer, Ross Alan came | :43:15. | :43:19. | |
in and he has put some, this great, it is like a piece of art, because | :43:19. | :43:24. | |
it is a big section of dry stone wall at the bottom of the garden. It | :43:24. | :43:29. | |
has water coming out at the bottom. And just, it sounds silly, but you | :43:29. | :43:33. | |
can look at the dry stone wall like you would a piece of art, it is | :43:33. | :43:36. | |
fascinating to look at. When you get the softness of the planting round | :43:36. | :43:41. | |
it. It is fantastic. This is great to hear. A busy man, stand up all | :43:41. | :43:46. | |
over the country, apart from film and television work, you find the | :43:46. | :43:50. | |
garden great solace Relaxing, more and more as you get older. I am sure | :43:51. | :43:55. | |
people will identify with it. To be able to go and sit out surrounded by | :43:55. | :44:00. | |
nature, but also close to the fridge, is, you know, that is the | :44:00. | :44:05. | |
ideal isn't it. Do I take it from this that these hands are quite | :44:05. | :44:10. | |
soft? I don't know what I am doing. People ask me what is your favourite | :44:10. | :44:16. | |
plant. We have some allium, I love those. In fact, I am going to ask | :44:16. | :44:21. | |
him to bring more, I have spotted alliums here, beyond that and a | :44:21. | :44:28. | |
daffodil I am lost. When people say what is Rob Brydon like, I will say | :44:28. | :44:34. | |
he knows his onions. I got into trouble in the pavilion. A lady came | :44:34. | :44:43. | |
up to me From the National Association of Flower arranging. | :44:43. | :44:53. | |
said we were rude arrangement. We were rude about Nikki's version. So | :44:53. | :44:57. | |
we love your arrangement. We love this one here, a fabulous | :44:57. | :45:01. | |
arrangement in a sieve. Isn't that gorgeous. There is a bit of mint in | :45:01. | :45:11. | |
:45:11. | :45:11. | ||
there. Thank you, Judith Blackmore flower School. Over in the Great | :45:11. | :45:18. | |
Pavilion, gold-medal winning -- gold-medal winning nurseries are | :45:18. | :45:21. | |
competing to win the Best In Show. It is called the Diamond Jubilee | :45:21. | :45:30. | |
Award. Toby has taken a look at why one exhibit over all the others have | :45:30. | :45:33. | |
taken the prize. The Diamond Jubilee Award is given for the best display | :45:34. | :45:38. | |
in the Great Pavilion. The winner is chosen by the moderators and | :45:38. | :45:43. | |
chairman. This year, the display that scooped up the honours is quite | :45:43. | :45:53. | |
:45:53. | :46:02. | ||
and alliums, have created a stand of beauty, which is something the | :46:02. | :46:09. | |
judges look for, as is plant quality. But it was the wow factor | :46:09. | :46:13. | |
that clinched it for the Dutchman. The design of the plant is based on | :46:13. | :46:20. | |
a film set. This is like a lighting gantry, but where there should be | :46:20. | :46:26. | |
lamps, Amaryllis Hang. That is quite a brave move, because Amaryllis are | :46:27. | :46:31. | |
usually plant bulbs that look up at you. It is a great way to compare | :46:31. | :46:35. | |
all the different varieties, of which there are new ones coming out | :46:35. | :46:39. | |
every year. The days when Amaryllis were just white or pillar box red | :46:39. | :46:45. | |
are long gone. There are so many types. You have got bicolour forms | :46:45. | :46:55. | |
:46:55. | :46:57. | ||
like apple blossom. You even have doubles like white and green nymphs. | :46:57. | :47:01. | |
Each one kept hydrated by a top up of water down the stem every night | :47:01. | :47:09. | |
when the visitors have gone home. It is the alliums that are particularly | :47:09. | :47:15. | |
stunning. They are displayed in square boxes, breaking away from the | :47:15. | :47:20. | |
northern -- the normal way, which is in circular tubs. I love this layer | :47:20. | :47:25. | |
cake effect of one flower on top of the other. That is not natural. | :47:25. | :47:32. | |
Alliums grow in drifts. But still, the explosion of petals and the | :47:32. | :47:37. | |
natural beauty just shines through. The effect is one of effortless | :47:37. | :47:41. | |
perfection, but the work that goes into getting alliums species that | :47:41. | :47:46. | |
flower at different times during the summer all out at once is just | :47:46. | :47:50. | |
incredible. That, combined with the innovative design and the sheer | :47:50. | :47:54. | |
plant perfection, is the reason why the Diamond Jubilee Award is so | :47:54. | :48:02. | |
richly deserved. A lot of happy faces, and a lot of happy faces on | :48:02. | :48:07. | |
the gardens. Ten gold medals. Such as Chris Beardshaw. Chris Beardshaw | :48:07. | :48:12. | |
got the goals, as you would expect. He has been trying for gold for | :48:12. | :48:19. | |
several years. Nigel has done it this year. Christopher Bradley-Hole | :48:19. | :48:27. | |
as well. He is a legendary garden designer. Cutting edge. The British | :48:27. | :48:32. | |
should be crowd of him. He has combined Japanese garden designed | :48:32. | :48:39. | |
with a fantastic garden. It has grown on me big time, that garden. | :48:39. | :48:44. | |
Another wonderful garden from Sweden there. I is the modernists of it, | :48:44. | :48:50. | |
but also it has softness. It is his kind of palate as well. A few | :48:51. | :48:58. | |
oranges in with the blues and greys. We also have this wasteland. People | :48:58. | :49:03. | |
are calling at the shopping trolley garden. Lots of recycled materials. | :49:03. | :49:13. | |
:49:13. | :49:13. | ||
A great garden theme. There is a bath cut in half. And Adam Frost.He | :49:13. | :49:18. | |
is a fantastic garden. He has 100 square metres of plants in there. He | :49:18. | :49:24. | |
was really worried about it, but it has come good. The apple tree has | :49:24. | :49:28. | |
held onto its blossom. For the last eight years, Australia has been | :49:29. | :49:35. | |
represented in the show gardens by Flemings Nursery. Sadly, 2013 is to | :49:35. | :49:37. | |
be their very last year, but they are determined to go out with a | :49:37. | :49:43. | |
billabang. The owner chose Phillip Johnson to design his final garden. | :49:43. | :49:52. | |
He looked to nature for inspiration for sustainable ideas. Last month, | :49:52. | :49:56. | |
we caught up with them in Philip's garden, as they prepared to set off | :49:57. | :50:06. | |
:50:07. | :50:09. | ||
pinnacle of horticulture throughout the world. It is the Olympics, the | :50:09. | :50:16. | |
Ashes, the Academy Awards for horticulture. We get a lot of media | :50:16. | :50:20. | |
back here in Australia for building one garden in London. The reason we | :50:20. | :50:24. | |
have done it is to really showcase the Australian horticultural | :50:24. | :50:29. | |
industry back here in Australia. Over the last eight years, I have | :50:30. | :50:33. | |
been fortunate enough to work with some of the best designers this | :50:33. | :50:38. | |
trade has got to offer. In 2013, I have the pleasure of working with a | :50:38. | :50:48. | |
:50:48. | :50:49. | ||
young, up and coming landscape designer called Phillip Johnson. | :50:49. | :50:53. | |
What is amazing about our Chelsea garden is the inspiration I had is | :50:53. | :50:58. | |
actually my own garden here in limbo, just of Melbourne. I wake up | :50:58. | :51:02. | |
in the morning, I have this beautiful misty valley to look down | :51:02. | :51:12. | |
:51:12. | :51:13. | ||
into. When I design a landscape, the most important criteria now is | :51:13. | :51:19. | |
connecting people back with the beauty of nature. I find that when | :51:19. | :51:23. | |
people walk around one of our incredible habitats, they respond to | :51:23. | :51:27. | |
the issues that are affecting this world. They want to make the right | :51:27. | :51:31. | |
decision. They want to source sustainable products. They want to | :51:31. | :51:37. | |
be off the grid from power. We have used a whole range of sustainably | :51:37. | :51:42. | |
sourced materials. Our stone has come locally from quarries. Our | :51:42. | :51:48. | |
timber is sustainably sourced from throughout Australia. I am fully | :51:48. | :51:52. | |
self-sufficient from water. What waterfalls, I am capturing. The | :51:52. | :51:55. | |
driveway run-off, the roof water, is all stored and reused on this | :51:55. | :52:03. | |
property. 2013 will see the end of the Flemings' involvement at the | :52:03. | :52:06. | |
Chelsea Flower Show. This is our ninth garden and we thought we would | :52:06. | :52:12. | |
go out with a bang. Phil Johnson has designed a garden that is | :52:12. | :52:22. | |
:52:22. | :52:23. | ||
absolutely, quintessentially edge of the river, so when the rains | :52:23. | :52:27. | |
return and the river floods, these billabongs on the edge of the river | :52:27. | :52:33. | |
are punished. They come back to life. They are full and rich in | :52:33. | :52:37. | |
biodiversity. Then the dry season returns, and they slowly dry out. | :52:37. | :52:41. | |
Another thing I love about this billabong is it is a natural | :52:41. | :52:45. | |
swimming pool, so no salt or chemicals are being used in this | :52:45. | :52:49. | |
system. That is something I am trying to inspire around the world, | :52:49. | :52:55. | |
how we need to work against using chemicals in these environments, | :52:55. | :53:00. | |
because it works against nature. What really excites me about the | :53:00. | :53:05. | |
garden this year is the Australian natives. The whole palette is as you | :53:05. | :53:15. | |
:53:15. | :53:15. | ||
would find here, just in our natural environment. We have these most | :53:15. | :53:19. | |
beautiful Dicksonia antarctica, or the soft tree fern. We have the | :53:19. | :53:23. | |
rough tree fern, cyathea australis as well. Some of these tree ferns | :53:23. | :53:28. | |
are in excess of 200 years old, so I have designed my landscape around | :53:28. | :53:38. | |
:53:38. | :53:38. | ||
these incredible plants. Is there a better way to end the Chelsea | :53:38. | :53:45. | |
experience, or our involvement in it, and taking a natural bush | :53:45. | :53:49. | |
environment garden to demonstrate, or to show the rest of the world... | :53:49. | :53:57. | |
How beautiful this country is? amazing. I couldn't wish to a better | :53:57. | :54:02. | |
finish to our involvement at Chelsea. | :54:02. | :54:05. | |
Wes Fleming and the Australian team awoke to the incredible news that | :54:05. | :54:10. | |
not only have they won gold, but they have won a special Centenary | :54:10. | :54:20. | |
:54:20. | :54:30. | ||
Q? Incredulous! Could you believe it? I could not believe it. After | :54:30. | :54:34. | |
nine years, I did not think it could be possible for an Australian garden | :54:34. | :54:39. | |
to win Best In Show. We were blown away. What is wonderful to see is | :54:40. | :54:44. | |
that this is basically your own back garden. It is like my own home in | :54:44. | :54:50. | |
Victoria. I can't believe you live in surroundings about this. Tell us | :54:50. | :54:55. | |
about this studio. Our studio is extraordinary. My mother lived in | :54:55. | :55:02. | |
London years ago. She met my father at the airport after returning. They | :55:02. | :55:07. | |
got engaged that evening, and he gave her a flower. We worked with | :55:07. | :55:11. | |
the geometry of that flower. have even managed to bring the sound | :55:12. | :55:18. | |
of the frogs. I the sound of frogs. One late night in my garden, I had a | :55:18. | :55:24. | |
candle, -- a camcorder, and I was recording the frogs to bring to | :55:24. | :55:31. | |
Chelsea. It is just beautiful for people to hear the experience in | :55:31. | :55:35. | |
Britain. Mad as a box of frogs! Is this really going to be your last | :55:35. | :55:42. | |
Chelsea? Yes, it is, unfortunately. I am going to miss it, but it is | :55:42. | :55:47. | |
time. With what we have achieved over here, raising our profile and | :55:47. | :55:52. | |
the industry's profile... But we have to move on. We have to use what | :55:52. | :55:57. | |
we have learned back home to improve our own environment. We are going to | :55:57. | :56:01. | |
miss you so much. You have brought a breath of fresh air and a degree of | :56:01. | :56:07. | |
warmth to the show, where we desperately need it. And this one is | :56:07. | :56:12. | |
so reminiscent of Australia, the real Australia. This seems to me to | :56:12. | :56:18. | |
be your homeland brought here. is. I heard some people in the crowd | :56:18. | :56:24. | |
before saying, this isn't Australia. I had to pull them up. I had to say, | :56:24. | :56:28. | |
this area is like where we live, a Western Australia and wildflower | :56:28. | :56:34. | |
meadow. Given its modern twist, we have this snake, the billabong, | :56:34. | :56:41. | |
which rises and falls with the rainfall. It is a natural pool. And | :56:41. | :56:45. | |
the sustainability is very good. Absolutely. We harness the water off | :56:46. | :56:49. | |
your rooftop to sustain the billabong. The timber is sustainable | :56:49. | :56:54. | |
use sourced. We capture power when the sun comes out. We sourced the | :56:54. | :56:59. | |
rocks local to the UK. We did not bring them across from Australia. We | :57:00. | :57:05. | |
worked with your remarkable stone from throughout the UK. Wonderful to | :57:05. | :57:09. | |
see the rock. I am going to put this back in your hands. I know you do | :57:09. | :57:16. | |
not want to lose it. Nine years of cure Antipodean pleasure. What a | :57:16. | :57:20. | |
fantastic end to an emotional, roller-coaster day here at Chelsea. | :57:20. | :57:24. | |
What do you think of the winning gardens? You can have your say by | :57:24. | :57:29. | |
voting to your favourite show garden at the RHS People's choice award. To | :57:29. | :57:35. | |
take part, go to our website and follow the link to the RHS. We will | :57:35. | :57:42. | |
announce the results on Saturday on BBC Two at 7pm. That is all from | :57:42. | :57:48. | |
tonight's Chelsea. We will be back tomorrow on BBC1. Joe and I will be | :57:48. | :57:55. |