Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello and welcome to the Royal Horticultural Society's | :00:31. | :00:32. | |
It's the night before the world's most prestigious flower show | :00:33. | :00:38. | |
officially opens and it's chaos here! | :00:39. | :00:43. | |
For the past three weeks hundreds of people have been working around | :00:44. | :00:46. | |
the clock to transform these eleven acres in central London | :00:47. | :00:51. | |
into a global event that is Chelsea, an event supported by | :00:52. | :00:53. | |
It's still a working building site here but tonight we'll be | :00:54. | :00:58. | |
navigating our way around the pandemonium to give | :00:59. | :01:01. | |
you an exclusive first look at what's at the show this year. | :01:02. | :01:09. | |
The designers are up against it, they've got until 7am tomorrow | :01:10. | :01:14. | |
morning to completely finished their gardens. Still lots to see come | :01:15. | :01:20. | |
including... Dermot Gavin's British eccentric's garden. Which is all | :01:21. | :01:26. | |
singing, all dancing commitments, twirls. -- Diarmuid Gavin. Can we | :01:27. | :01:32. | |
see it later? I could, but there are some abracadabra words and I've | :01:33. | :01:36. | |
forgotten them. We want to see it working, Diarmuid! Next door we have | :01:37. | :01:46. | |
got Sam Dubai, 27, he won young design of the year in 2014 at Tatton | :01:47. | :01:51. | |
Park. He's created a lovely, relaxing, soothing space. Nothing | :01:52. | :01:57. | |
moves here. Very peaceful across the way here as well. This is the | :01:58. | :02:02. | |
biggest show garden at Chelsea this year, Matthew Wilson's a garden for | :02:03. | :02:05. | |
Yorkshire. He's even managed to bring a bit of York Minster with | :02:06. | :02:10. | |
him. Some structure, isn't it? Is completely flat and what we once | :02:11. | :02:14. | |
called the Brockbank, there used to be a bank here. Whether these | :02:15. | :02:19. | |
gardens are ready or not, we'll be taking a look at more of the | :02:20. | :02:22. | |
incredible designs on Main Avenue later. | :02:23. | :02:32. | |
the annual riot of colour in the Great Pavilion and previewing | :02:33. | :02:37. | |
some big changes taking place inside this year and someone's | :02:38. | :02:39. | |
parked a train in there - more on that later. | :02:40. | :02:41. | |
Now before we kick off tonight's preview, here's our handy | :02:42. | :02:44. | |
guide to where everything is on the Chelsea showground. | :02:45. | :02:46. | |
The show is packed into 11 acres of parkland between | :02:47. | :02:48. | |
the Royal Hospital to the north, famously the home of | :02:49. | :02:51. | |
the Chelsea Pensioners, and the Chelsea embankment | :02:52. | :02:52. | |
the Chelsea Pensioners, and the Chelsea Embankment | :02:53. | :02:54. | |
The main thoroughfares between the two are Royal Hospital Way | :02:55. | :02:58. | |
and Main Avenue where you'll find 17 large show gardens going | :02:59. | :03:01. | |
The jewel in Chelsea's crown is the Great Pavilion, | :03:02. | :03:04. | |
which is home to 103 exhibitors this year. | :03:05. | :03:06. | |
Then there's the small garden category. | :03:07. | :03:07. | |
The Fresh gardens are to the north of the Great Pavilion | :03:08. | :03:14. | |
Whilst the Artisan gardens over in Ranelagh Gardens celebrate | :03:15. | :03:17. | |
So there you have it? the Chelsea Flower Show in a nutshell. | :03:18. | :03:23. | |
And I'm here on Main Avenue on one of the show gardens with six time | :03:24. | :03:26. | |
How has it been, how has the whole process of bringing a show garden to | :03:27. | :03:37. | |
Chelsea for the first time since 2012 been? That's right, it's been | :03:38. | :03:41. | |
tougher than ever, I made it really hard for the landscape is this year, | :03:42. | :03:44. | |
there is some massive construction in here with big pieces of stone. | :03:45. | :03:48. | |
This time last week I thought we were never going to finish. There | :03:49. | :03:52. | |
has been a lack of sleep going on. I'm extremely tired and so while the | :03:53. | :03:56. | |
guys who built this, they've put in some really long days. The result is | :03:57. | :04:00. | |
fantastic. I'm so pleased with it. Talk us through the idea behind it. | :04:01. | :04:06. | |
You can see at the back here these big bronze plates, they really | :04:07. | :04:09. | |
represent a mountain range, I wanted to capture the idea of the massive | :04:10. | :04:13. | |
geological events that shape our planet, really. We've got the | :04:14. | :04:16. | |
mountains running through the spine, then the rocky gorge that flows | :04:17. | :04:24. | |
through. I've used all this limestone, Jurassic limestone, it's | :04:25. | :04:28. | |
all ancient. Boulders. Portuguese limestone. I wanted to give it this | :04:29. | :04:32. | |
sense of a judge drama. There are even fossils. Night over year, | :04:33. | :04:39. | |
fossils all of these homes bits of stone. -- ammonites here. Other than | :04:40. | :04:49. | |
the floral things come there are plants that have never been here | :04:50. | :04:53. | |
before. I wanted to go for this arid landscape, everything you see here | :04:54. | :04:58. | |
is Mediterranean climate, not from the Mediterranean, but from South | :04:59. | :05:01. | |
America, California, Western Australia. All around the actual | :05:02. | :05:06. | |
Mediterranean. I've brought them together to create this habitat that | :05:07. | :05:09. | |
doesn't exist anywhere in the world but looks like. Some of these things | :05:10. | :05:13. | |
I have never heard of before, I'd researched and found these things, | :05:14. | :05:16. | |
in the South of France and all over the place. To make your life more | :05:17. | :05:20. | |
difficult. Even the trees have come from South America, Pavoni, some of | :05:21. | :05:24. | |
them, that one for example, if we'd had bad weather would have had a | :05:25. | :05:29. | |
really tough time. It was a real gamble, when we brought it in from | :05:30. | :05:33. | |
Spain a few weeks ago we had some really cold nights, Frost even. It | :05:34. | :05:36. | |
started to look really sad, it really sulked and I started to get | :05:37. | :05:40. | |
really worried to add to the stress. It came to the show, into London, | :05:41. | :05:46. | |
and it perked up. Like the whole garden, it's stunning, is it | :05:47. | :05:50. | |
finished? It's finished. Couple of dead leaves I noticed but it's | :05:51. | :06:00. | |
finished. Well done. This is Charlie's second garden in a row. | :06:01. | :06:05. | |
He's back for more. Did a fantastic garden last year. He hasn't been | :06:06. | :06:10. | |
judged yet which is why I'm wearing these Chelsea standard issue blue | :06:11. | :06:14. | |
shoe coverings. He's bought a really wild garden this year. 20 of | :06:15. | :06:19. | |
structure, minimalist, Cubist design. -- plenty of structure. We | :06:20. | :06:27. | |
have these Cubist hornbeam hedges which create a lovely courtyard | :06:28. | :06:34. | |
feel. We stand from one level down to the other. Beautiful peonies in | :06:35. | :06:38. | |
the middle, everything feels so familiar, very English in a way, but | :06:39. | :06:41. | |
it isn't once you start looking in detail at the plants. He realise | :06:42. | :06:44. | |
there is something more Australian perhaps. This box hedging and in all | :06:45. | :06:51. | |
the way down and going around to the bottom level was all clicked on | :06:52. | :06:57. | |
site, I saw one guy doing it, so meticulously, it creates a really | :06:58. | :07:02. | |
strong structure. Lovely to see you again. Your planting looks familiar, | :07:03. | :07:08. | |
but you see plants like that amongst alliums. We've got acacia... You are | :07:09. | :07:16. | |
playing around, on a theme. The Melbourne climate is fantastic, you | :07:17. | :07:20. | |
can grow a lot of plants, the real world you would grow them on gravel, | :07:21. | :07:24. | |
have irrigation through the lot, you could grow them here. You don't have | :07:25. | :07:29. | |
harsh Frost 's. It can get hot in summer but it's not that baking heat | :07:30. | :07:35. | |
Sydney can get. It's nice to relax in, it really is very relaxing. I | :07:36. | :07:39. | |
get a lot of support from my own garden getting home from a busy | :07:40. | :07:43. | |
week, it relaxes me, that is the feeling I wanted to create. It is | :07:44. | :07:46. | |
your second time, has it been easier? Much more stressful because | :07:47. | :07:49. | |
you have the fear of the unknown first time round, now you know what | :07:50. | :07:53. | |
to expect and what you need to do to deliver. Pressure building. You got | :07:54. | :07:56. | |
silvergilt last year, what would Gold mean this year? We put so much | :07:57. | :08:02. | |
work into this garden, we get here first, leave last every day. Showing | :08:03. | :08:07. | |
the Brits up, is that what it is good, we does want to do well, | :08:08. | :08:10. | |
highly competitive. Well done, Charlie. | :08:11. | :08:13. | |
Chelsea is arguably the most prestigious stage in the world | :08:14. | :08:15. | |
for garden designers to showcase their incredible talent, | :08:16. | :08:19. | |
but with only a limited number of plots available each year, | :08:20. | :08:22. | |
and a rigorous selection process, just making it through the gates | :08:23. | :08:25. | |
We're here on Jo Thompson's garden which is almost finished | :08:26. | :08:32. | |
but the journey for Jo and the other designers to get here started before | :08:33. | :08:35. | |
Someone who can explain how designers make it into this | :08:36. | :08:40. | |
exclusive Chelsea club in the first place is RHS judge | :08:41. | :08:43. | |
Can anyone design a garden and come to Chelsea? They can really, all you | :08:44. | :08:52. | |
need first and foremost is a really good idea and a very good team | :08:53. | :08:55. | |
because nobody 's designs and makes one of these gardens on their own, | :08:56. | :08:59. | |
it's a combination of designers, landscapers, engineers, specialists, | :09:00. | :09:02. | |
all sorts of things. That is the first thing you need. Talking of | :09:03. | :09:06. | |
designers, Mr Swift, you did your last show in 2012, how conjugated | :09:07. | :09:11. | |
was it getting in? You have to submit a lot of drawings so the | :09:12. | :09:15. | |
judging selection panel knows what he will deliver. You have to do | :09:16. | :09:22. | |
visuals like this, plans, elevations, get into a lot of detail | :09:23. | :09:26. | |
later about how it's going to be constructed, the garden, it's a lot | :09:27. | :09:29. | |
of work you need to know what you are doing because they have to know | :09:30. | :09:32. | |
you are going to create a fabulous show garden. You need quite a lot of | :09:33. | :09:36. | |
money behind you as well. You do need some money. Some gardens are | :09:37. | :09:42. | |
built on what is probably a shoestring by Chelsea Tams, on | :09:43. | :09:46. | |
others' money tends to be no object. Money doesn't always govern the | :09:47. | :09:52. | |
quality of the garden. Often we packed gardens on small budgets that | :09:53. | :09:58. | |
have won gold medals. The average price is ?250,000, incredible how | :09:59. | :10:01. | |
much money you can spend. Large, mature trees cost a lot of money. | :10:02. | :10:05. | |
You've got transportation, lots of stone being cut, lots of extras for | :10:06. | :10:12. | |
plants. Everybody working on the garden overnight somewhere | :10:13. | :10:15. | |
potentially. The costs escalate. A big team around you. 17 show gardens | :10:16. | :10:20. | |
this year, you are one of the people who decided which ones would come, | :10:21. | :10:24. | |
how did you decide? You're looking for really good designs, good | :10:25. | :10:28. | |
designers, a mixture. We are making a show for the public to come and | :10:29. | :10:32. | |
enjoy so you don't want to walk down main Avenue and see the same thing | :10:33. | :10:35. | |
again and again, you are looking for a mix of styles, some classical, | :10:36. | :10:39. | |
some modern, a mixture of old experienced designers and young, new | :10:40. | :10:43. | |
faces. The most important thing is that we are here to create a show | :10:44. | :10:47. | |
everyone will enjoy and people will learn from. Once you've got past the | :10:48. | :10:52. | |
selection panel as it were that is one the hard work really starts from | :10:53. | :10:56. | |
the designer to build the garden. November- May, months of hard work. | :10:57. | :11:01. | |
After all those months of planning and preparation and pain, our | :11:02. | :11:05. | |
magnificent 17th finally arrived at Chelsea in early May to start the | :11:06. | :11:10. | |
enormous task of turning these gardens into reality. | :11:11. | :11:13. | |
I joined this year's intake as they started the mammoth task | :11:14. | :11:16. | |
of building the gardens in the pouring rain! | :11:17. | :11:23. | |
This is Main Avenue and it's all about mud, rain and beautiful trees. | :11:24. | :11:32. | |
It's hard to believe in less than two weeks this place is going to be | :11:33. | :11:35. | |
transformed into spectacular show gardens. | :11:36. | :11:44. | |
There are 17 show gardens here in total, with some of the biggest | :11:45. | :11:51. | |
names in garden design working very, hard to get them ready. -- very, | :11:52. | :11:57. | |
very hard. I've got this kind of dry climate in going on which is pretty | :11:58. | :12:00. | |
hard to imagine. In the rain and mud, looked at us! This is the stage | :12:01. | :12:04. | |
in the game where it's just a big hole in the ground and I'm wondering | :12:05. | :12:08. | |
what on earth I was thinking. The pressure I felt this year more than | :12:09. | :12:12. | |
any other year has been immense, for the last two months I've been not | :12:13. | :12:17. | |
liking it at all. Most exhausting thing about being here in fact isn't | :12:18. | :12:22. | |
the build, it isn't the plant, it is dying, it's the perpetual threat of | :12:23. | :12:26. | |
death. There are so many vehicles, so many huge things the sky. I'm | :12:27. | :12:32. | |
thinking something is going to get me, something is going to get me! | :12:33. | :12:36. | |
Perfect Chelsea weather, isn't it, pouring with rain? Every year you | :12:37. | :12:41. | |
wonder why you do it, you are in the mud and the rain. I am now stuck. | :12:42. | :12:43. | |
LAUGHTER The top comes off. The top goes up, | :12:44. | :12:55. | |
maybe there will be a Chelsea pension doing a way for something. | :12:56. | :12:57. | |
Or you? I won't be doing that. It's all a bit up in the air at the | :12:58. | :13:06. | |
moment but one of my favourite things is this really bad tree. You | :13:07. | :13:10. | |
come to Chelsea and seek perfection and you've got this tree that looks | :13:11. | :13:13. | |
like it's been through a storm in the South of France. Rennie got keen | :13:14. | :13:18. | |
on his chainsaw and whacked a few branches off. That is the look. | :13:19. | :13:28. | |
Seven days later and a lot has changed. Not least, the weather. You | :13:29. | :13:41. | |
have got your first show garden here. Huge amounts of work. Your | :13:42. | :13:44. | |
husband Rob is going to be inside where you normally are. I'm really | :13:45. | :13:48. | |
stupid to have started to do this, the show garden and inside, | :13:49. | :13:56. | |
absolutely totally bonkers. Do you know, with this planting palette, | :13:57. | :14:00. | |
the urgency is really celebrated as soon as it is out to rain, so we're | :14:01. | :14:03. | |
doing a rain dance, we're very happy. You've got rain coming | :14:04. | :14:09. | |
tomorrow. A few more dances and you'll be all right. | :14:10. | :14:18. | |
It's a smart garden, like a smart home but a smart garden. You can | :14:19. | :14:24. | |
water your garden whilst you are on the tube somewhere. Get your phone | :14:25. | :14:28. | |
out... I forgot, what can I do? I can do it from my phone. | :14:29. | :14:36. | |
How is this going? We've had three problems, water problems. We're | :14:37. | :14:44. | |
there now, nearly. It's been the hardest job I've ever done. | :14:45. | :14:48. | |
You're getting married a month after Chelsea. Yes. What has been the most | :14:49. | :14:54. | |
stressful? Chelsea. First show garden, how was it going? | :14:55. | :15:05. | |
It's been amazing. Horrendous. Fantastic. I mean, I've never been | :15:06. | :15:11. | |
so scared. It is the best flower show in the world, to have a space, | :15:12. | :15:19. | |
MySpace... Is just amazing. -- my space. | :15:20. | :15:27. | |
And here we are in the finished garden. You must be delighted. I am | :15:28. | :15:36. | |
thrilled to bits. My plans look like a little Jules. They are standing to | :15:37. | :15:39. | |
attention, smiling, they are flowering. When I came up here, they | :15:40. | :15:45. | |
won't open. The foxgloves were closed. They are now flowering. | :15:46. | :15:51. | |
Things like the flax over there. They are like little butterflies. | :15:52. | :15:55. | |
You have been in the great Pavilion many times before, but it is | :15:56. | :15:59. | |
wonderful that there are so many women this year. It is really great, | :16:00. | :16:04. | |
at last, that we can actually show how skilled -- our skills. There are | :16:05. | :16:12. | |
some beautiful gardens here. This herb garden, herbs that you have | :16:13. | :16:15. | |
grown and nurtured like babies, tell me a bit about some of them. In this | :16:16. | :16:26. | |
area, you have chamomile, thyme, all of them are edible. You could make | :16:27. | :16:31. | |
tea from the chamomile. You can use it in cooking. It is the bees and | :16:32. | :16:37. | |
the butterflies that will come. If you're sitting here, there is | :16:38. | :16:41. | |
something to watch. I am moving from one foot to the other on this | :16:42. | :16:46. | |
because it is your reflexology path. And it really does work. It is not | :16:47. | :16:51. | |
so good to stand still on. I should keep moving around. It is fantastic, | :16:52. | :16:57. | |
so I wish you every bit of luck with your first garden. Thank you. | :16:58. | :17:01. | |
Now tomorrow is not only the big opening day, | :17:02. | :17:03. | |
it's also judgement day for the designers and exhibitors. | :17:04. | :17:05. | |
The RHS will carry out their forensic examination | :17:06. | :17:10. | |
of all exhibits to decide what medals to award - | :17:11. | :17:12. | |
will it be gold, silver gilt, silver or bronze? | :17:13. | :17:16. | |
We'll be revealing those all-important results | :17:17. | :17:17. | |
But there's one designer on Main Avenue who can relax | :17:18. | :17:24. | |
tomorrow because they've created this year's RHS feature garden, | :17:25. | :17:26. | |
Its aim is to inspire us Brits to green up our grey spaces | :17:27. | :17:33. | |
and its designer has always been known to add a splash | :17:34. | :17:35. | |
Hello. Greening Grey Britain. This is the second year of the | :17:36. | :17:52. | |
initiative. What it is -- what is it about? We are paving over our | :17:53. | :17:57. | |
gardens and green spaces at a rate of knots. One in gardens is paved | :17:58. | :18:05. | |
over. And one in three doesn't have a single plant. The idea is to | :18:06. | :18:09. | |
inspire people to put plants in the garden and enjoy it. Health and | :18:10. | :18:13. | |
horticultural happiness, that is what it is about. So, make a space | :18:14. | :18:20. | |
for plants. Absolutely. You have lots of illustrations of how to get | :18:21. | :18:23. | |
fronts in your front garden. What is going on here in this container? Is | :18:24. | :18:30. | |
it a shared? It is supposed to represent a garage. It has been | :18:31. | :18:34. | |
taken over as a potting shed. It is a little bit of solace to get in | :18:35. | :18:39. | |
there aren't pots on plants. If you haven't got a garden, you can grow | :18:40. | :18:44. | |
vegetables or flowers anywhere. Look at my tomatoes. They work | :18:45. | :18:48. | |
beautifully with the bright orange paint. Everyone has walls or fences. | :18:49. | :18:57. | |
We had the RHS apprentices make these. They have been with us all | :18:58. | :19:00. | |
week, the youngsters, so we can teach them about how to do the show | :19:01. | :19:05. | |
and bring them on for the future. I have loved it. They have been | :19:06. | :19:10. | |
wonderful. What do you think of my completely over the top Roses? I'm | :19:11. | :19:15. | |
glad you said that. It is a crazy colour. I can't get close enough. | :19:16. | :19:20. | |
Are they scented? Completely centred and gigantic. I am delighted because | :19:21. | :19:32. | |
they are so tall. -- scented. It is not about private space, it is about | :19:33. | :19:36. | |
community is coming together. Yes, there are initiatives going on | :19:37. | :19:41. | |
across the country. It is about plants and people growing together | :19:42. | :19:44. | |
with horticulture. And you went to see a garden in south London, didn't | :19:45. | :19:47. | |
you? Yes. Let's see how you got on. The heart of urban London bustling | :19:48. | :19:50. | |
with commuters, traffic There are pockets of communal green | :19:51. | :19:54. | |
around here but like much of inner city Britain, | :19:55. | :19:58. | |
it's all a bit, well, Housing estates built 50 years ago | :19:59. | :20:17. | |
are struggling to keep up with what is a radically different world. | :20:18. | :20:22. | |
People have lost control of communal spaces. Change is coming. I am here | :20:23. | :20:34. | |
in Angell Town to find out how residents are doing their bit for | :20:35. | :20:37. | |
Greening Grey Britain and bringing the community together. Simon works | :20:38. | :20:48. | |
to promote green spaces in urban areas. I think the garden has been a | :20:49. | :20:53. | |
very good thing for the community. It has worked as a tool for | :20:54. | :20:56. | |
well-being. We have changed areas in the estate that might not have been | :20:57. | :21:01. | |
looked after previously so well, and they can look beautiful. You have | :21:02. | :21:05. | |
some local residents involved. I understand one of them is close to | :21:06. | :21:10. | |
his home. Josh. He is a youngster who lives opposite our food garden. | :21:11. | :21:15. | |
He is employed to look after the flower garden that we have here. | :21:16. | :21:22. | |
Hello, Josh. How are you doing? IQ you will be looking after this for | :21:23. | :21:26. | |
the next few months - what does it mean to you? I'm not going to lie. | :21:27. | :21:32. | |
It is a good opportunity for my career. I am also a chef, so we are | :21:33. | :21:36. | |
growing herbs. It is a positive thing. How does it make you feel? | :21:37. | :21:42. | |
While doing this, I meditate. I think about nothing. It is really | :21:43. | :21:48. | |
relaxed, and I feel like I have done something good. It is a really good | :21:49. | :22:02. | |
thing. I think the project brings life to the community. You can come | :22:03. | :22:06. | |
and sit down in the summer, have a cup of tea, do a bit of gardening. | :22:07. | :22:11. | |
This is just a fantastic idea for an area like this. It is going to be | :22:12. | :22:20. | |
wonderful. To see people coming out of their houses, talking to each | :22:21. | :22:23. | |
other, getting their hands dirty, it's an absolute pleasure. It's just | :22:24. | :22:32. | |
fantastic, the RHS going into inner-city areas. Plants and people | :22:33. | :22:36. | |
coming together. It makes such a difference. It is so simple - plants | :22:37. | :22:45. | |
grow, people grow, communities grow. In terms of longevity, what is the | :22:46. | :22:50. | |
plan? It is fully supported, and the RHS are involved in the ongoing | :22:51. | :22:54. | |
maintenance of the whole thing. You have some exciting news, I hear. I | :22:55. | :23:00. | |
have. This whole garden is being donated to the Angell Town a state | :23:01. | :23:03. | |
and will be looked after by the residents. It will go straight from | :23:04. | :23:10. | |
here to there? Absolutely. They are starting preparation at Angell Town, | :23:11. | :23:13. | |
so that will be going on while the show is open. Who will look after | :23:14. | :23:18. | |
it? There is a whole bunch of people, but there is this amazing | :23:19. | :23:22. | |
guy called Josh. We saw him in the film. IKEA Josh is coming tomorrow | :23:23. | :23:27. | |
to the Chelsea Flower Show, but he has a serious project on his hands - | :23:28. | :23:31. | |
he is making a bouquet of flowers for the Queen. He is. He will | :23:32. | :23:38. | |
remember it for the rest of his life. Absolutely. We will see that | :23:39. | :23:42. | |
tomorrow. The garden is looking fantastic, Anne-Marie, but it is | :23:43. | :23:46. | |
time we got this garden finished. What are you doing chatting to me? | :23:47. | :23:48. | |
Get on with it! Just behind Anne-Marie's garden is | :23:49. | :24:04. | |
the great Pavilion. I was lucky enough to witness first-hand the | :24:05. | :24:06. | |
massive challenges involved in putting it all together. But first, | :24:07. | :24:11. | |
they had to put the tent up. Imagine pitching this one. | :24:12. | :24:30. | |
The famous great Pavilion, a massive space to fill, but the exhibitors | :24:31. | :24:37. | |
don't have much time to do that. They have just days to get | :24:38. | :24:47. | |
everything in here looking perfect. Sarah Eberle,. It is all about the | :24:48. | :24:59. | |
plans. If I place the plans and the judges come in on Monday and they | :25:00. | :25:04. | |
haven't blossomed,... This one is wonderful. Lots of filling gaps. | :25:05. | :25:11. | |
Labelling of things. We are getting on well. | :25:12. | :25:21. | |
What are you doing here? I am giving these a quick clean and getting it | :25:22. | :25:25. | |
looking its best. Do you have any favourites? This | :25:26. | :25:36. | |
one, pop C. -- Popsy. Does it always seemed like | :25:37. | :25:55. | |
a mad rush? Yes. The weather is not helping, really. The irises look | :25:56. | :26:03. | |
incredible. Two weeks ago you would not have thought we could do irises | :26:04. | :26:07. | |
here. Suddenly, everything just grew. Perfect timing. Hope so. So | :26:08. | :26:13. | |
much hard work has gone into everything here at the Great Per | :26:14. | :26:17. | |
billion, but it all seems to be coming together. -- pavilion. | :26:18. | :26:24. | |
One man had a bigger challenge than most because he decided to bring in | :26:25. | :26:28. | |
not just a complete train carriage but also some track. | :26:29. | :26:34. | |
Why have you done at? It is the display I thought I would like to | :26:35. | :26:40. | |
see, and I have not seen it in 12 years, so I thought I would do it | :26:41. | :26:44. | |
myself. I wanted to create something with drama that would create a wow | :26:45. | :26:57. | |
factor. I worked out that the train lived at Battersea, 1.7 kilometres | :26:58. | :27:00. | |
away, but I had not checked that the bridge could take the load. It was | :27:01. | :27:04. | |
five hours down various motorways and it came in the depths of the | :27:05. | :27:09. | |
night. It was an emotional moment when I saw the carriage. Doesn't she | :27:10. | :27:14. | |
look fantastic? It has a specific purpose, doesn't it? On the other | :27:15. | :27:18. | |
side of here is a very much British setting. You get on there, walk | :27:19. | :27:22. | |
through the carriage, and you look at through these windows and it is | :27:23. | :27:26. | |
like being in Malaysia or something, a tropical feel. We are so pleased. | :27:27. | :27:33. | |
The important part of the display is that it is celebrating plant | :27:34. | :27:38. | |
collectors, famous people, and also plant champions, like the man who | :27:39. | :27:42. | |
studied ferns for 53 years. It celebrates the English part of | :27:43. | :27:47. | |
things. You get on the luxurious train, walk past the vintage | :27:48. | :27:51. | |
luggage, art deco crockery, and all of a sudden you are wrote in a | :27:52. | :27:55. | |
jungle. It will be great. Crucially, the public will be able to take that | :27:56. | :27:59. | |
journey themselves and walk through the carriage. Absolutely, that is | :28:00. | :28:05. | |
terrible -- terribly important. Coming up, I will be catching up | :28:06. | :28:10. | |
with Der McGavin to find out more about his eccentric garden design. | :28:11. | :28:15. | |
But first, one plants woman who knows her way around the great | :28:16. | :28:17. | |
Pavilion better than most. one plants woman who knows her way | :28:18. | :28:27. | |
around the Great Pavilion better than most is Gold medal | :28:28. | :28:31. | |
winner Carol Klein. With first-hand experience | :28:32. | :28:33. | |
of the Olympian effort needed to produce plant perfection, | :28:34. | :28:35. | |
she's been to pick out the exhibits she thinks has medal | :28:36. | :28:38. | |
winning potential. The Olympics may be taking place in | :28:39. | :28:42. | |
30 this year, but for the gardening world, they are right here at | :28:43. | :28:47. | |
Chelsea. In the pavilion, it is a race to the finish line. Winning a | :28:48. | :28:54. | |
gold medal is as good as it gets. But to reach that incredible | :28:55. | :28:57. | |
standard, people have to work for years and years. The plants, when | :28:58. | :29:03. | |
they appear, have to be at the very peak of perfection. | :29:04. | :29:11. | |
Just like some Olympic events, there are standards here which are | :29:12. | :29:19. | |
extremely specialised. This stand is all about bearded irises. They are | :29:20. | :29:26. | |
utterly beautiful. Timing is everything, otherwise that gold | :29:27. | :29:30. | |
medal is lost. Every one of these flowers has to have its petals | :29:31. | :29:35. | |
unfolded beautifully. The buds have to be wrapped tight. There must be | :29:36. | :29:41. | |
no old flowers anywhere but if you look at each one, it must present | :29:42. | :29:48. | |
itself in the best possible way, and all just as those judges come | :29:49. | :29:58. | |
through the door. Many of the stands here are a team effort, and I don't | :29:59. | :30:03. | |
just mean all the people who bind together to produce these exhibits - | :30:04. | :30:10. | |
the plants themselves have to work together perfectly and support each | :30:11. | :30:14. | |
other. It may very well be that poppies would normally flower at a | :30:15. | :30:18. | |
different time from foxgloves, but everything has to coincide if that | :30:19. | :30:27. | |
wonderful gold medal this to be won. -- gold medal is to be won. | :30:28. | :30:32. | |
If you're going to go for gold you have to be prepared to dive in at | :30:33. | :30:39. | |
the deep end, exactly what Hillyers have done with this phenomenal | :30:40. | :30:43. | |
display. They know everything there is about winning gold, they've won | :30:44. | :30:48. | |
70 consecutively at the Chelsea flower show. This year the garden | :30:49. | :30:55. | |
has been designed by Sarah. If she wins gold for this she will be the | :30:56. | :30:59. | |
first designer to win gold in every single Gardening category. -- Sarah | :31:00. | :31:08. | |
Eberle. Hillier has bought 10,000 plants to Chelsea and of those three | :31:09. | :31:13. | |
and a half thousand were selected that are here on the stand. Each one | :31:14. | :31:19. | |
of them is at its very, very best. Let's hope they all get their moment | :31:20. | :31:21. | |
of glory and win a gold medal. Now one exhibitor that's also been | :31:22. | :31:30. | |
inspired by the world of sport is Birmingham City Council who never | :31:31. | :31:33. | |
fail to wow visitors and judges alike with their elaborate | :31:34. | :31:36. | |
displays of bedding plants. This year is no different | :31:37. | :31:38. | |
but there is a twist! They've teamed up with Birmingham | :31:39. | :31:43. | |
artist Willard Wigan, who made his name creating | :31:44. | :31:46. | |
the world's smallest sculptures that literally fit within | :31:47. | :31:48. | |
the eye of a needle. This show stopper of an exhibit took | :31:49. | :31:59. | |
some planning, as we went to find out. | :32:00. | :32:03. | |
There's a reputation of the city of being quite a concrete industrial | :32:04. | :32:09. | |
city. We think we're a very horticultural city. We believe we | :32:10. | :32:15. | |
are one of the best local authorities for horticulture not in | :32:16. | :32:16. | |
the UK but worldwide, why not? We produce around two and a half | :32:17. | :32:28. | |
million plants per year. From our tree nurseries. We take around 5000 | :32:29. | :32:35. | |
down to Chelsea. We've always tried to do something different at | :32:36. | :32:38. | |
Chelsea, every display we've done has been completely different to the | :32:39. | :32:43. | |
year before. We take the same plants, bedding displays, the | :32:44. | :32:46. | |
majority of plants are bedding displays. We have to think of a | :32:47. | :32:50. | |
different way of displaying those. This year's seem, we are really keen | :32:51. | :32:55. | |
to do something about activity, we're doing a lot of work in parks | :32:56. | :32:59. | |
about getting people active. We call it one small step. We've got a | :33:00. | :33:05. | |
wicker figure of Mo Farah and Usain Bolt. Usain Bolt we've picked his | :33:06. | :33:11. | |
trainers, running shoes, and got representation of those in carpet | :33:12. | :33:15. | |
bedding. This year we've been able to get involved with somebody, that | :33:16. | :33:19. | |
is adding a completely new dimension to the display. We're not just | :33:20. | :33:24. | |
displaying flowers but actual pieces of art. My name is Willard Wigan, | :33:25. | :33:31. | |
micro-sculptor, I create the smallest sculptures in the world, I | :33:32. | :33:39. | |
can put it in the eye of a needle. I started off as a five-year-old | :33:40. | :33:42. | |
building furniture for an. And houses for ants. When I started | :33:43. | :33:49. | |
school I realise they had a bit of a problem, I was told I was nothing. | :33:50. | :33:54. | |
So I so I'm now exhibiting what they say | :33:55. | :34:02. | |
is nothing but when they see, it will be the biggest nothing they've | :34:03. | :34:03. | |
ever seen. I'm winning something to the Chelsea | :34:04. | :34:13. | |
flower show nobody has ever seen before. We're going to have | :34:14. | :34:19. | |
microscopes specially made with the sculptures inside. They will see a | :34:20. | :34:24. | |
microscopic flower. In the eye of a needle. They will see the four | :34:25. | :34:29. | |
seasons. They will see a hummingbird taking nectar from a flower. There | :34:30. | :34:34. | |
are so many things happening in the world today, we need to see some | :34:35. | :34:35. | |
beauty. This is one of the mock-ups of one | :34:36. | :34:49. | |
of the needles. My needle. I've never had something made so big for | :34:50. | :34:53. | |
something so small. This is where we turn plans into reality, the three | :34:54. | :34:57. | |
needles of the focal point will be the main thing people will see, it's | :34:58. | :35:01. | |
the bit that brings the two elements together. | :35:02. | :35:07. | |
Your iconic hummingbird one, we've recreated it out of fibreglass, then | :35:08. | :35:14. | |
sprayed it with car paint. That's beautiful. We've got a light at the | :35:15. | :35:20. | |
back. On the day if you look even better still especially when the | :35:21. | :35:23. | |
light is shining through to give it that luminous type of effect. What | :35:24. | :35:27. | |
we're hoping for, especially in the tent, you get atmosphere, that the | :35:28. | :35:32. | |
hummingbird will slightly bounce. It looked like it's really moving. I | :35:33. | :35:38. | |
like the way everything is coming together. It's nice to have | :35:39. | :35:43. | |
something big to represent something very small. My mother used to say | :35:44. | :35:47. | |
you can say something really big or something really small. They are | :35:48. | :35:52. | |
doing a condiment, complement each other. It's big against small. Going | :35:53. | :35:59. | |
to the Chelsea flower show will be the first time for me. I think I'm | :36:00. | :36:04. | |
going to go for the smallest gold-medal ever made in the eye of a | :36:05. | :36:06. | |
needle. The exhibit looks fantastic, Darren. | :36:07. | :36:15. | |
You've done Birmingham proud again. That's what we aim to do, we want to | :36:16. | :36:21. | |
put them in on the map. Finished? Nearly, bit of turfing. Never | :36:22. | :36:27. | |
finished. How many plants have you got? About four and a half thousand | :36:28. | :36:32. | |
on display today. How many people did it take? The team that came down | :36:33. | :36:37. | |
was about ten coming in on various days. Ten. It's a huge effort, I can | :36:38. | :36:44. | |
see. I can see Usain Bolt up there, Mo Farah. My favourite bit, these | :36:45. | :36:51. | |
trainers. Steve spent over a week planting goes. They are his little | :36:52. | :36:55. | |
baby. Tributes to him. Are they a replica of a real power? Exactly the | :36:56. | :37:00. | |
same is one of Usain Bolt's trainers. We have the needle P's | :37:01. | :37:08. | |
everywhere. And the hummingbird. And sporting stuff. -- we have the | :37:09. | :37:12. | |
needle eyes. With Willard is adding a whole different | :37:13. | :37:22. | |
dimension. Have you enjoyed it? This is fantastic and I was surprised to | :37:23. | :37:26. | |
see how big it was and how fantastic, the presentation is | :37:27. | :37:30. | |
amazing. I've got the smallest ruptures in the world to | :37:31. | :37:36. | |
representing is deliberately something so big and amazing. -- | :37:37. | :37:40. | |
smallest sculptures. When they look through the microscope they will be | :37:41. | :37:43. | |
in for a surprise, they will see they are in there, through the | :37:44. | :37:48. | |
binocular microscope they will see a seesaw in there with two little | :37:49. | :37:51. | |
girls on a seesaw in the eye of a needle. How many have you got around | :37:52. | :37:56. | |
the exhibit? Eight so far. When the public come they will see some thing | :37:57. | :38:00. | |
quite special. They can have a look and see how it relates. They can see | :38:01. | :38:05. | |
the big stuff and little stuff. It's a little representing big. And | :38:06. | :38:10. | |
saying something big with something small. It's a collaboration. | :38:11. | :38:18. | |
Synchronicity of Birmingham City Council, myself, the whole thing. | :38:19. | :38:22. | |
It's a beautiful thing, so nice to have you here, you've done a | :38:23. | :38:25. | |
brilliant job I have to say, good luck with it. | :38:26. | :38:32. | |
Many of these gardens have wonderful concepts behind them on Main Avenue | :38:33. | :38:38. | |
comment like the daily's mathematics garden. It tells the story of the | :38:39. | :38:42. | |
germination of a seed. It begins right here in this beautiful water | :38:43. | :38:48. | |
bowl, its wonderful for text, really mesmerising. It starts here, then | :38:49. | :38:54. | |
along here this curved bench full of mathematical equations, that is the | :38:55. | :38:59. | |
stem and it leads all the way to the back of the garden. This platform. | :39:00. | :39:03. | |
The flower. Based on sunflowers, great big flowers. It's a garden | :39:04. | :39:08. | |
that has been planted with Mediterranean plants, the sort you | :39:09. | :39:14. | |
would find in South African, tick Africa, the us Britton South Africa, | :39:15. | :39:20. | |
Australia. It's about how mathematics underpins life. Look at | :39:21. | :39:25. | |
these tiny little leads, somehow the plants knows each leaf has to get | :39:26. | :39:29. | |
bigger and bigger as it spirals out in order to maximise the amount of | :39:30. | :39:35. | |
light it can get. The mathematics of life. All very complicated. | :39:36. | :39:39. | |
Something we'll be explaining a lot more later in the week. | :39:40. | :39:42. | |
The small gardens here at the Chelsea Flower Show, | :39:43. | :39:46. | |
an event supported by M Investments, never fail to inspire | :39:47. | :39:49. | |
They may be small but they certainly pack a punch. | :39:50. | :39:52. | |
Their accessible size and planting schemes make these the place to go | :39:53. | :39:55. | |
They are still working on them. They'll definitely be finished, | :39:56. | :40:04. | |
don't worry! The Fresh Gardens form one half | :40:05. | :40:05. | |
of the small gardens and their designs really do split | :40:06. | :40:10. | |
opinion, some see them as a work of art whilst others | :40:11. | :40:13. | |
find them unfathomable! Toby Buckland has been to take | :40:14. | :40:15. | |
a first look at some of the fresh gardens set to cause a stir this | :40:16. | :40:18. | |
year , seven designs in the conceptual | :40:19. | :40:31. | |
fresh garden category this year. -- there are seven designs. Perplexed, | :40:32. | :40:39. | |
some are mysterious, some at first glance are just confusing, but I | :40:40. | :40:43. | |
love the fresh garden category, because when they work they are so | :40:44. | :40:49. | |
engaging. This garden by Martin Crook and Gary Breeze is certainly | :40:50. | :40:53. | |
that it's called the antithesis of sarcophagi. It is what was a 44 | :40:54. | :40:59. | |
tonne block of granite. It's got grooves carved down the side but the | :41:00. | :41:04. | |
magic is inside. In the centre is a woodland planting of anemones, ferns | :41:05. | :41:08. | |
and foxgloves, looks like it's acres. It looks huge gangster | :41:09. | :41:13. | |
mirrors reflecting the light and making the view seem incredibly | :41:14. | :41:17. | |
long. The idea behind it is that one day there will be an apocalypse. | :41:18. | :41:21. | |
This garden, like an embryo, will crack open and reseeds the planet. | :41:22. | :41:30. | |
The meaning of the garden is quite steep. What it says is, mother | :41:31. | :41:36. | |
nature will prevail. Even if the human race does not. | :41:37. | :41:41. | |
This is the World Vision garden by Chelsea regular John Warland. When I | :41:42. | :41:47. | |
first saw it I thought, my gosh, that rats will be difficult to mow. | :41:48. | :41:52. | |
That is the point. Challenges of cutting grass are such a western | :41:53. | :41:57. | |
privilege problem. This garden is about the devastating effects of the | :41:58. | :42:01. | |
Ebola virus on children in Sierra Leone, had their world turned upside | :42:02. | :42:04. | |
down. And the ground torn away from under their feet. That is a case of | :42:05. | :42:13. | |
the fresh garden is that surely divide opinion. They are meant to be | :42:14. | :42:16. | |
thought-provoking. This year the crop is particularly magical. | :42:17. | :42:22. | |
None more magical than this, Ibn connections. This is an unusual | :42:23. | :42:31. | |
fresh garden design because it's a true garden. Yes, there are two | :42:32. | :42:34. | |
categories in fresh, conceptual gardens and show gardens, I designed | :42:35. | :42:39. | |
this with Paul Robinson and we've created an urban space you can sit | :42:40. | :42:43. | |
and enjoy with friends, come together and kind of relaxed in a | :42:44. | :42:48. | |
nice environment. It has a wonderful sense of enclosure with these | :42:49. | :42:51. | |
benches and raised beds, but it's the size of a few car parking | :42:52. | :42:55. | |
spaces. It really is quite small and the idea is these little parks will | :42:56. | :42:59. | |
be broken up after the show and put into areas within London. It'll be | :43:00. | :43:05. | |
subdivided? So people can enjoy the space, this is just the launch of | :43:06. | :43:09. | |
the idea, it's about bringing premium quality green spaces to | :43:10. | :43:12. | |
London. These small spaces face in on each other, I suppose it's to | :43:13. | :43:16. | |
bring different parts of the community together. The outside of | :43:17. | :43:20. | |
the garden is undulating and unknown, a bit uncertain and | :43:21. | :43:24. | |
isolated, not very attractive. Inside its like there a party going | :43:25. | :43:29. | |
on, bright colours, glitter in the paving, kind of these cute little | :43:30. | :43:32. | |
boots. Which make you feel safe and happy. Correction that | :43:33. | :43:37. | |
booths. Bees are drawn to colour, so are we. We used orange, organic, | :43:38. | :43:46. | |
natural things to paint the trees. They will hopefully act as beacons | :43:47. | :43:51. | |
to draw people into these urban spaces. I love the orchids. It's a | :43:52. | :43:58. | |
hardy garden orchid especially bread for the show. Last year, I always | :43:59. | :44:04. | |
have to ask, you got silver last year. What do you think you'll get | :44:05. | :44:08. | |
this year? I would be happy with silver and above, the charity has a | :44:09. | :44:13. | |
day called Silver Sunday, so anything silver and above would be | :44:14. | :44:17. | |
great. Good luck, you deserve it, leave. | :44:18. | :44:20. | |
Completing the Small Garden category are the Artisans down | :44:21. | :44:25. | |
It's the perfect setting for these evocative designs which champion | :44:26. | :44:28. | |
traditional craftsmanship - they're real life picture postcards. | :44:29. | :44:30. | |
Earlier Rachel de Thame went for a sneak preview | :44:31. | :44:32. | |
the Artisan gardens have traditionally always evoked a bygone | :44:33. | :44:52. | |
era, very much the emphasis is on Kraft, but this year there is a | :44:53. | :44:57. | |
definite change. -- emphasis on craft. The gardens have a very | :44:58. | :45:04. | |
symbolic meaning, so much so they are looking rather fresh. This one, | :45:05. | :45:09. | |
the garden bed, caught my eye immediately. You have a hospital | :45:10. | :45:13. | |
bed. It's about how a patient might lie in bed and then see the garden. | :45:14. | :45:19. | |
You are working with cut flowers on a garden, quite unusual, isn't it? | :45:20. | :45:24. | |
Very own usual, the garden is all about bringing the outside in and | :45:25. | :45:27. | |
inside out and connecting with nature. I'm trying to bring the | :45:28. | :45:31. | |
wonderful delphinium, lovely forget-me-not drawing everything | :45:32. | :45:32. | |
from the garden into the bed. Peter has designed a garden called | :45:33. | :45:47. | |
Together We Can, and he has worked with the profoundly deaf | :45:48. | :45:51. | |
percussionist Evelyn Glennie to create a garden that is 50% musical | :45:52. | :45:55. | |
instrument. Sounds are created by all sorts of natural material, from | :45:56. | :46:00. | |
the water which flows into the seesaw is and they knock on to a | :46:01. | :46:04. | |
block of wood when they come back up. A lot of native plants, the | :46:05. | :46:15. | |
ragged robin, familiar things. Then some colourful plants that are far | :46:16. | :46:19. | |
from native. It all makes for a very thought-provoking dubbing. | :46:20. | :46:31. | |
Ishihara has combined his love of plants with a love of classic cars | :46:32. | :46:37. | |
this year. It is a front garden and it is perfect for illustrating | :46:38. | :46:42. | |
exactly what you can do with that space. There are key plants from | :46:43. | :46:48. | |
Japanese Gardens, some bonsai and of course the Moss, which is always | :46:49. | :46:55. | |
impeccably placed. That is just three of the six artists and gardens | :46:56. | :47:02. | |
to whet your appetite. If you feel like the lines might be a bit | :47:03. | :47:05. | |
blurred with the fresh garden, all the attention to detail and Crossman | :47:06. | :47:11. | |
ship is still there, it is just provided -- and craftsmanship is | :47:12. | :47:12. | |
still there, it is just... Across the week here | :47:13. | :47:18. | |
on the BBC our team will be covering every corner of the Chelsea | :47:19. | :47:20. | |
showground to bring you all the sights, sounds and in-depth | :47:21. | :47:23. | |
analysis of this year's event. And I'm pleased to reveal that | :47:24. | :47:25. | |
joining us is Garden designer In 2012, he created a spectacular | :47:26. | :47:39. | |
seven story Garden Tower. After three years away, the show man is | :47:40. | :47:43. | |
back in time. It is clear he has lost none of his gusto. Dermot, | :47:44. | :47:56. | |
welcome. I am thinking of all the last little bits and pieces that | :47:57. | :47:59. | |
need done. The sun is shining. You are here. You are nice. It is nice | :48:00. | :48:08. | |
to be home. At first sight, this garden is not like you. It is very | :48:09. | :48:12. | |
traditional looking British planting, but it is not all that | :48:13. | :48:20. | |
meets the eye. It is an arts and crafts garden, but we are very | :48:21. | :48:31. | |
definite about what we wanted. They wanted to celebrate tradition, and I | :48:32. | :48:36. | |
wanted to bring a little bit of me into it. So you turn to... Heath | :48:37. | :48:46. | |
Robinson. He was famous for coming up with complicated designs for | :48:47. | :48:51. | |
machines that that simple things. And I took inspiration from his | :48:52. | :48:54. | |
madcap way of thinking and imagine the type of garden he may design. | :48:55. | :49:00. | |
Explain. Once I had the idea for Heath Robinson, I knew what this | :49:01. | :49:06. | |
garden could be. I knew how it could perform, in a way, and how it could | :49:07. | :49:11. | |
thrill me, and hopefully entertain people to see it. Perform is exactly | :49:12. | :49:16. | |
what we are talking about, because these they trees, for example... | :49:17. | :49:23. | |
They move. There is a box. There are lots of them. We have faced sequence | :49:24. | :49:34. | |
of events. They come up and down to the Choon of In An English Country | :49:35. | :49:39. | |
Garden. How have you got this to work? -- to the tune of. You can see | :49:40. | :49:55. | |
the Clippers, there. There are eight different synchronised movements | :49:56. | :49:58. | |
which last 20 or 30 seconds at a time, just to daylight, to | :49:59. | :50:06. | |
entertain, to get kids interested in garden and inspire them. What will | :50:07. | :50:10. | |
you say to people who say, great fun, but it is a bit of a gimmick. | :50:11. | :50:15. | |
Is it for serious horticulture lists? I hope so. It -- the only | :50:16. | :50:27. | |
plan is to make people smile. Can we go for a bit longer? This is | :50:28. | :50:33. | |
absolutely fantastic. From automation to technology of a | :50:34. | :50:40. | |
different kind. Here on the LG Smart garden many features can be | :50:41. | :50:43. | |
controlled by my phone. I can control the lights, the water | :50:44. | :50:49. | |
feature, and even the outdoor TV. Maybe this is the future of | :50:50. | :50:54. | |
gardening - who knows? We will be covering every corner of the Chelsea | :50:55. | :50:59. | |
showground to bring you all the sights, sounds and in-depth analysis | :51:00. | :51:03. | |
of this year's event was I am pleased to reveal that joining as is | :51:04. | :51:07. | |
garden makeover designer Danny Clark, otherwise known as the | :51:08. | :51:14. | |
Instant Garden Or. This garden will -- this garden will be full -- this | :51:15. | :51:20. | |
garden has varied interest. She likes Doctor Who and computer games. | :51:21. | :51:25. | |
I plan to create a garden to reflect all this. That is awesome. Look | :51:26. | :51:35. | |
behind you. That is where... That is the landing pad for the Tardis. When | :51:36. | :51:42. | |
you walk out from those doors, you will down the steps and you | :51:43. | :51:46. | |
disappear into this whole, and then you go into another dimension. It is | :51:47. | :51:52. | |
fantastic. -- you disappear into this hole. It is a real privilege to | :51:53. | :52:02. | |
be here. What are you most excited about seeing? It is the show | :52:03. | :52:06. | |
gardens. Normally, I am in the back row looking over someone's shoulder | :52:07. | :52:10. | |
to look at the gardens, but now I can see them up close and personal. | :52:11. | :52:17. | |
You can walk on them. Are you looking forward to getting onto the | :52:18. | :52:21. | |
gardens? That is what I am looking for. I cannot believe I'm here. You | :52:22. | :52:29. | |
are going to take ideas and show people at home how they can do that, | :52:30. | :52:33. | |
is that right? It is about taking some of this magic and transferring | :52:34. | :52:38. | |
that into people's backyards. Lots of people think it is not accessible | :52:39. | :52:43. | |
for them. We all have a budget, haven't we? Hopefully, I can | :52:44. | :52:47. | |
translate what is going on here and show people a cheaper way of doing | :52:48. | :52:52. | |
it. You are on every day at 3:45pm, starting tomorrow. I'll be here. | :52:53. | :52:57. | |
Don't be late. I'll be here if you are here. | :52:58. | :53:02. | |
Now for the first time ever, the grounds directly in front | :53:03. | :53:04. | |
of the Royal Hospital will be dominated by a spectacular | :53:05. | :53:07. | |
installation of 300,000 knitted poppies. | :53:08. | :53:09. | |
This stunning sea of red will honour lives lost in the past 100 years | :53:10. | :53:13. | |
The team behind the project arrived on site all the way | :53:14. | :53:20. | |
I went along to see the poppies arriving and lend a helping hand. | :53:21. | :53:44. | |
The team here are hard at work, but there is one woman I need to talk | :53:45. | :53:50. | |
about. Glyn Berry, who lives in Melbourne, is the woman who came up | :53:51. | :53:54. | |
with the whole project. Hello. Hard at work. Yes, very hard at work. -- | :53:55. | :54:03. | |
Lynne Berry. What was the inspiration for this? I | :54:04. | :54:08. | |
think we started at the same time as the Tower of London poppies. Both of | :54:09. | :54:21. | |
our Fathers, my sister and I, worked in the -- our father served in the | :54:22. | :54:28. | |
war. There were contributions from around 50,000 people around the | :54:29. | :54:33. | |
world, from China, Malaysia, Singapore, Britain, New Zealand. All | :54:34. | :54:39. | |
over the place - America, Canada, everywhere. Bid you imagine it | :54:40. | :54:42. | |
getting quite as big? Not in a million years. The fact that the | :54:43. | :54:48. | |
Tower of London happened in the middle of the making of this for us, | :54:49. | :54:52. | |
because that is when it went viral worldwide, it really inspire people | :54:53. | :54:57. | |
to contribute more. That is one of the reasons it grew to the size it | :54:58. | :55:02. | |
was. I have stories from people all over the world talking about their | :55:03. | :55:06. | |
family's service and sacrifice, and how amazing this has been for them | :55:07. | :55:10. | |
to be able to share in some way with the whole of the world. It is a | :55:11. | :55:15. | |
living memorial. It is. And people are still sharing, which is just | :55:16. | :55:20. | |
fantastic. It is really special. I'd better let you get on. Or I should | :55:21. | :55:24. | |
help you get on. Stop talking, get planting! | :55:25. | :55:31. | |
And this is what it looks like this evening. They have almost finished | :55:32. | :55:36. | |
laying out all those poppies. It is really spectacular. I think it will | :55:37. | :55:40. | |
be a real draw this year at Chelsea. This is our base for the week was we | :55:41. | :55:45. | |
have a great view. Joining as is Monty Don. Lovely to see you. I am | :55:46. | :55:56. | |
getting used to this. You have had a quick look around. I try not to | :55:57. | :56:00. | |
analyse think too much when I come to Chelsea. Certain things come | :56:01. | :56:06. | |
through. More disparity this year, just more different things going on | :56:07. | :56:09. | |
in the show gardens. Certain parts leap out at you. Pines seem to be | :56:10. | :56:15. | |
everywhere, a lot of triangles. A couple of gardens are real respect a | :56:16. | :56:25. | |
killer. We will talk a lot -- really spectacular. We will talk a lot | :56:26. | :56:30. | |
about those. The small gardens are fantastic. The variety and | :56:31. | :56:36. | |
diversity, I have only really seen the first garden but I haven't been | :56:37. | :56:41. | |
to the Artisan. I hear they are all coming together at the last minute. | :56:42. | :56:45. | |
They have until 7am tomorrow, remember. How are you doing quiz -- | :56:46. | :56:52. | |
I was speaking to people, and they said, it will be fine we should be | :56:53. | :57:00. | |
finished by tomorrow. When you look at the big show gardens, you are in | :57:01. | :57:07. | |
awe. We all are. The small ones, you admire, and you think, maybe I can | :57:08. | :57:14. | |
aspire to that. It is tricky to use a very small space without putting | :57:15. | :57:18. | |
too many ideas in and making it cluttered. I will be here tomorrow | :57:19. | :57:24. | |
morning at five o'clock looking at these gardens. Rather you than me! | :57:25. | :57:29. | |
Someone else will be here a little bit later than that - the Queen. She | :57:30. | :57:34. | |
has come virtually every year since the 1940s, before she was Queen. We | :57:35. | :57:39. | |
have footage of her in 1947. There are some one of tributes this year. | :57:40. | :57:43. | |
There is a floral gate that people will see when they arrive. It is a | :57:44. | :57:49. | |
special year, and her birthday is a special event. That is all part of | :57:50. | :57:53. | |
it. I love the gate, a beautiful touch will stop lots to look forward | :57:54. | :57:59. | |
to. And that brings us to the end of our exclusive preview. Our coverage | :58:00. | :58:03. | |
kicks off tomorrow at 3:45pm with a bumper show of 45 minutes on BBC One | :58:04. | :58:08. | |
with Nicky Chapman and James. We will bring you all the news and | :58:09. | :58:12. | |
excitement of the opening day's events. Sophie and I will bring you | :58:13. | :58:16. | |
exclusive coverage of the Queen's visit to the show, and we will catch | :58:17. | :58:22. | |
up with special VIPs at 7:30pm on BBC One. On BBC Two, Joe and I will | :58:23. | :58:27. | |
give our initial analysis of Bishop's finished gardens and | :58:28. | :58:31. | |
exhibits. For now, from all of us, it is goodbye for now. -- all of the | :58:32. | :58:45. | |
show's finished gardens. | :58:46. | :58:48. |