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It's Friday and Chelsea may be drawing to a close but your | :00:00. | :00:00. | |
What better place to seek inspiration. | :00:07. | :00:24. | |
We've got tons of great gardening ideas to bring Chelsea one step | :00:25. | :00:26. | |
Welcome back to the 2016 Chelsea Flower Show. | :00:27. | :01:01. | |
The results of the People's Choice Award voted by you have | :01:02. | :01:04. | |
Designer Matthew Wilson is chuffed to bits with the news. He's won it. | :01:05. | :01:14. | |
We will be talking to him later on in the show to get his reaction. | :01:15. | :01:16. | |
It might be the end of the week but it is not the end of the action | :01:17. | :01:18. | |
here at The Chelsea Flower Show, an event supported | :01:19. | :01:20. | |
Tonight we meet a partnership who has put their heart and soul | :01:21. | :01:24. | |
We'll also be exploring the show gardens here tonight. | :01:25. | :01:32. | |
And finding out how they keep their sparkle once | :01:33. | :01:34. | |
The privilege of being allowed on to the gardens in the dark, early in | :01:35. | :01:43. | |
the morning, is something that we enjoy a lot. Yes. Being at the | :01:44. | :01:49. | |
Showground, having it to yourself is just amazing. The thing about | :01:50. | :01:54. | |
Matthew's garden, he was disappointed with his Silver Medal. | :01:55. | :01:58. | |
I really respect the way he stayed here, he's talked to people, he's | :01:59. | :02:02. | |
celebrated his garden. That will mean so much to him, that garden. | :02:03. | :02:08. | |
Getting that award is a big thing here. | :02:09. | :02:09. | |
There is no denying the popularity of orchids, it's estimated that | :02:10. | :02:12. | |
an astonishing 15 million of them are sold every year in this country. | :02:13. | :02:15. | |
James Wong has been to report on this horticultural success story. | :02:16. | :02:34. | |
I grew up in Singapore. A tiny, tropical island, 60 miles north of | :02:35. | :02:42. | |
the equator. There, orchids are everywhere. Particularly the orchids | :02:43. | :02:48. | |
that grow on trees, stuck to their bark and festooned along their | :02:49. | :02:58. | |
branches. The one orchid I was desperate to grow was this one. The | :02:59. | :03:03. | |
problem with my garden is, it was too hot for the orchids. At | :03:04. | :03:10. | |
sea-level, on the equator, it is roasting, packed full of humidity, | :03:11. | :03:17. | |
really highlight levels and most come from regions further north or | :03:18. | :03:20. | |
south of the equator, or if they are on the equator, at high altitude. | :03:21. | :03:24. | |
These are places with cooler temperatures. It never gets | :03:25. | :03:29. | |
particularly cold, but it doesn't get hot, like a permanent English | :03:30. | :03:34. | |
summer. These guys thrive in living rooms across the UK because they are | :03:35. | :03:38. | |
adapted to living room light levels and temperature. For that reason, | :03:39. | :03:45. | |
the moth orchid makes up 75% of orchid sales in the UK. It is an | :03:46. | :03:53. | |
industry worth millions of pounds. The variety that plant breeders have | :03:54. | :03:56. | |
created is staggering. The advent of... Anyone can afford some of the | :03:57. | :04:21. | |
most beautiful orchids on the planet. | :04:22. | :04:28. | |
Their flowers are bilaterally symmetrical, so their left side is a | :04:29. | :04:36. | |
mirror image of their right. They almost appear to be looking at you. | :04:37. | :04:42. | |
Moth orchids can be found in superstores up-and-down the country, | :04:43. | :04:48. | |
just one of thousands of species. We visited a nursery just outside Paris | :04:49. | :04:52. | |
to look at their love affair with these sublime plants. | :04:53. | :05:01. | |
They always have quite a lot of charm. The diversity and colours is | :05:02. | :05:14. | |
quite fantastic. This is one of the reasons why I like orchids, if you | :05:15. | :05:20. | |
look at an orchid, it is something that is peaceful and very nice to | :05:21. | :05:29. | |
look at. Here in Boissy Saint Leger, we have been growing orchids since | :05:30. | :05:36. | |
1786. That exhibition my great-grandfather did in 1897. That | :05:37. | :05:46. | |
is an exhibition in Paris, that is the greenhouses and the chimney | :05:47. | :05:56. | |
still exists. I think that for people who don't know orchid | :05:57. | :06:01. | |
greenhouses, to come in an orchid greenhouse is quite a good feeling. | :06:02. | :06:08. | |
It is a feeling of peace. This year is very particular because it is our | :06:09. | :06:14. | |
130th anniversary and we are still going and now we are almost the | :06:15. | :06:24. | |
oldest firm in the world. This is the pansy orchid. It is very | :06:25. | :06:29. | |
sensitive to water. If you have got water that stays on the flower, then | :06:30. | :06:36. | |
it stains it. You will find orchids anywhere, anywhere where there is | :06:37. | :06:40. | |
green, you will find an orchid. You will find orchids in the woods. You | :06:41. | :06:45. | |
will find orchids in the trees. You will find orchids on the ground. | :06:46. | :06:52. | |
There are 30,000 species, which is enormous. It is really the largest | :06:53. | :07:01. | |
flower family in the world. What is interesting about orchids is that | :07:02. | :07:07. | |
moth orchids will last anywhere from three days to 20 years. Other types | :07:08. | :07:12. | |
of orchids will last anywhere from two to 100 years. This is one of our | :07:13. | :07:22. | |
first hybrids. It was done in 1926. You can make the count. It is about | :07:23. | :07:27. | |
90-years-old. A few years older than me! This is four generation and my | :07:28. | :07:38. | |
daughter will be the fifth one. If I can help her for a few years, I will | :07:39. | :07:47. | |
be very happy. For our 130th anniversary, I decided to do the | :07:48. | :07:52. | |
Chelsea Flower Show, which I don't do very often. When I sort plants | :07:53. | :07:57. | |
out to come to a show, for example, it is like if I did a painting | :07:58. | :08:01. | |
because I choose the plants according to what I am going to want | :08:02. | :08:06. | |
to do. This is probably a plant that I am | :08:07. | :08:12. | |
going to take to Chelsea. It's a spider orchid. Maybe not all of | :08:13. | :08:18. | |
them, otherwise the stand is going to be very spidery! | :08:19. | :08:31. | |
This is the bargely use for the Chelsea Flower Show. It won't float | :08:32. | :08:37. | |
because it is full of holes! It is a very, very nice boat. I am going to | :08:38. | :08:49. | |
do a display with this canoe and some ivy, scraped ivy, which will be | :08:50. | :08:55. | |
mounted in height so that I can present the orchids high and in the | :08:56. | :09:03. | |
boat. Chelsea, we've done four times. This time, I do hope to get | :09:04. | :09:10. | |
my Gold Medal. Silver Gilt is a bad taste! | :09:11. | :09:16. | |
I don't know about Silver Gilt being bad taste. There's a lot of Silver | :09:17. | :09:23. | |
Gilt around here. The most important thing is, you have a Gold this year? | :09:24. | :09:28. | |
Gold is fantastic. I am very proud and very happy to have succeeded. | :09:29. | :09:32. | |
Yeah. That is good taste. Wonderful taste! Very good. Very good taste. | :09:33. | :09:37. | |
I'm very happy to share it with everybody, so it is fantastic. It | :09:38. | :09:41. | |
doesn't surprise me. Your exhibit is stunning. It really is a picture. | :09:42. | :09:46. | |
You have got your wooden boat here. That's right. It comes from Thailand | :09:47. | :09:54. | |
and it's a boat that I brought on my boat trailer. How has it been | :09:55. | :09:59. | |
transporting the plants over here? Has that been a problem? Or easy? It | :10:00. | :10:03. | |
is never a problem. It takes a long time to pack. Very carefully. Once | :10:04. | :10:09. | |
they are packed and together, they don't move, so it is very easy. The | :10:10. | :10:15. | |
spider orchid, that is the weirdest orchid? It is a very impressive | :10:16. | :10:19. | |
flower. Very fine, very easy to grow. So it is a very nice plant to | :10:20. | :10:25. | |
show. Is it really easy to grow? It is, as long as you get light, water | :10:26. | :10:29. | |
when it needs it, no problem. You make it sound so easy. Orchids are | :10:30. | :10:34. | |
easy. The one in the middle has caught my eye? It is a very special | :10:35. | :10:46. | |
plant, which when it matures, when they go straight, they are better | :10:47. | :10:52. | |
than when it goes down. That is when we know we have got a good one! The | :10:53. | :10:58. | |
two parents, one has very straight and the other one has one that goes | :10:59. | :11:05. | |
down. Your father, has he pushed you into doing this or has he drawn you | :11:06. | :11:09. | |
in? You are going to be running the nursery in the future. It is | :11:10. | :11:14. | |
fantastic having the younger generation of nursery women coming | :11:15. | :11:20. | |
through? Yes. How do you feel? I feel really proud about the work | :11:21. | :11:26. | |
that my father does and the other generations. I think he is not | :11:27. | :11:31. | |
pushy, not really. He's just got a passion and it is a passion | :11:32. | :11:33. | |
throughout the family? Yeah, that's right. Can you see yourself in the | :11:34. | :11:38. | |
future coming back and doing a Chelsea exhibit like this? | :11:39. | :11:42. | |
I would be happy to do this by myself, but it would be really hard. | :11:43. | :11:48. | |
He is really good. He is good. The whole family are keeping that | :11:49. | :11:52. | |
tradition going and that is marvellous? I think she will | :11:53. | :11:56. | |
succeed. You have a lot of faith in your daughter and so you should | :11:57. | :12:01. | |
have. Lovely to meet you both. Lovely to meet you. | :12:02. | :12:04. | |
All week we've been inviting guests from beyond the horticultural | :12:05. | :12:06. | |
world to give their take on The Chelsea Flower Show. | :12:07. | :12:08. | |
One person who is no stranger to the international world of design | :12:09. | :12:12. | |
Originally trained as an architect, she's been a trustee of the Victoria | :12:13. | :12:16. | |
and Albert Museum but most of her time is spent | :12:17. | :12:19. | |
as editor in chief of homes and lifestyle magazine, | :12:20. | :12:21. | |
Welcome to Chelsea. Thank you. Are you a frequent visitor? Quite a new | :12:22. | :12:31. | |
visitor. It is only in the last couple of years I have had a garden | :12:32. | :12:35. | |
so I didn't want to tempt myself with things I couldn't take home and | :12:36. | :12:40. | |
do myself. You have spent your entire lifetime immersed in design. | :12:41. | :12:44. | |
How does that affect your approach to gardening? I'm the first one, I | :12:45. | :12:49. | |
call myself an intuitive gardener so I haven't a clue! I don't know any | :12:50. | :12:54. | |
Latin names, but I feel my way through and choose plants because I | :12:55. | :12:58. | |
like the way they look, or their colours, or their textures. | :12:59. | :13:01. | |
Sometimes it means we have disasters. Other times, it is that | :13:02. | :13:05. | |
loose, free-flowing look which is what I favour. I thoroughly approve | :13:06. | :13:11. | |
of that kind of gardening, that is what I do, too! It can seem | :13:12. | :13:15. | |
intimidating, Chelsea, if you don't feel you are a trained gardener, or | :13:16. | :13:19. | |
you don't know all the Latin names. What are you looking for | :13:20. | :13:23. | |
specifically when you come? I really like what I would call very easy, | :13:24. | :13:28. | |
loose gardens, that you feel they could have been there forever and | :13:29. | :13:33. | |
you have stumbled across them. Even though I know this sort of planting, | :13:34. | :13:37. | |
which looks so informal takes hours of preparation, you get that | :13:38. | :13:39. | |
wonderfully optimistic sense that you could have done this, or you | :13:40. | :13:42. | |
could have a go. It is that democratic sense of gardening that I | :13:43. | :13:47. | |
love. The British tend to see gardens as somewhere to garden in. | :13:48. | :13:52. | |
And I know from my travels that isn't true internationally. In a | :13:53. | :13:58. | |
design world, I suspect they are seen more as rooms. Is that | :13:59. | :14:02. | |
something you think is increasing, or that is lacking from our gardens? | :14:03. | :14:06. | |
Absolutely increasing. In the design world, they talk about outdoor | :14:07. | :14:14. | |
living. The idea that you dissolve the back wall of your house to | :14:15. | :14:20. | |
extend your lounge into the outside space, and there are incredible | :14:21. | :14:25. | |
lights and rugs designed for outdoor use. You will be looking for that. | :14:26. | :14:30. | |
Do you think that the design element, because it is not just a | :14:31. | :14:35. | |
gardening show, is well represented at Chelsea? I think so. I guess I'm | :14:36. | :14:40. | |
always coming from that point of view that I don't like gardens that | :14:41. | :14:44. | |
you have to look and keep your hands off. Yeah. Gardens that have got a | :14:45. | :14:49. | |
rugged sense to them, so I have seen some beautiful pathways and there's | :14:50. | :14:57. | |
one that's inspired by Exmoor, that have got these gravel pathways that | :14:58. | :14:59. | |
I think is a wonderful sort of... You are talking about style rather | :15:00. | :15:20. | |
than design. Maybe. Gardening seems freer and you have more room to play | :15:21. | :15:25. | |
and do what you feel. Maybe I have a romantic vision of it. Well, hang | :15:26. | :15:29. | |
onto that romantic vision and take it with you. I would like you to go | :15:30. | :15:34. | |
around Chelsea, look and find the things that interest and inspire | :15:35. | :15:38. | |
you, and tell us about it and take them back home to your garden. Thank | :15:39. | :15:44. | |
you for joining us. I will be very interested to see what you make of | :15:45. | :15:45. | |
the show. Thank you for having me. When you first come to the show, | :15:46. | :15:54. | |
there are so much to take in, but when you have been here all week, | :15:55. | :15:58. | |
you start to see some of these gardens and plants in more detail. I | :15:59. | :16:04. | |
just love this combination here. We have got the spires of a really big | :16:05. | :16:12. | |
plant at the show this year. Then we have the building head -- these | :16:13. | :16:20. | |
nodding heads. These flower in my garden every month of the year. Put | :16:21. | :16:24. | |
them together, and you have a winning combination. These lead | :16:25. | :16:29. | |
details are evident throughout the show. Carol has been in the Great | :16:30. | :16:33. | |
Pavilion, looking at some subtle plants. | :16:34. | :16:40. | |
# you can walk right by me and never know I'm there. | :16:41. | :16:49. | |
I want to find some of those quieter plants, the unloved, the plants | :16:50. | :16:53. | |
hiding away in the shadows, and give them their moment in the limelight. | :16:54. | :17:08. | |
I love these. I have grown it for quite some time in a damp, shady | :17:09. | :17:14. | |
corner of the garden. It is a kind of plant that peoples eyes go to | :17:15. | :17:18. | |
straightaway. It has got red buds and purple flowers, but along comes | :17:19. | :17:25. | |
its most beautiful sister, brand-new this year. The Alison Holland is a | :17:26. | :17:34. | |
delightful plant, green buds opening to white flowers. She is just the | :17:35. | :17:39. | |
sort of plant you can imagine in a dark corner, lightening up the whole | :17:40. | :17:53. | |
place. Sweet Woodruff is the kind of plant that is easy to take for | :17:54. | :17:57. | |
granted. It is often used as a foil for other plans. It makes a | :17:58. | :18:02. | |
wonderful carpet. It has these worlds of green leaves right up the | :18:03. | :18:09. | |
stems, and other top, an almost bouquet of tiny white flowers. It is | :18:10. | :18:13. | |
not just its look that is so appealing, it is also its fragrance. | :18:14. | :18:18. | |
If you tread on it, you get this beautiful smell of new mown hay. But | :18:19. | :18:30. | |
there is one plant that must be the shyest and most retiring in the | :18:31. | :18:36. | |
whole pavilion. Spotty Dottie has become a popular plant in recent | :18:37. | :18:41. | |
times, not because it is a huge ear in the I'd sort of plant, quite the | :18:42. | :18:45. | |
opposite. It is a very subtle beauty. But where are the flowers? | :18:46. | :18:52. | |
First of all, there is no sign of them, and then you look carefully | :18:53. | :18:57. | |
underneath. And here they are, hiding away, out of sight, but | :18:58. | :19:06. | |
utterly beautiful. The whole idea of this is so that pollinating insects | :19:07. | :19:10. | |
can get into those flowers undisturbed. You would never even | :19:11. | :19:24. | |
know it was there. # never even know I'm there. #. | :19:25. | :19:38. | |
Earlier in the week, we met gardener Mark Lane. | :19:39. | :19:40. | |
Mark has had to take a different approach to gardening since his | :19:41. | :19:43. | |
diagnosis with spina bifida, but that hasn't held him back. | :19:44. | :19:45. | |
And this week, he has been exploring some of the gardens | :19:46. | :19:48. | |
People shouldn't be afraid to talk about disability or any illnesses. | :19:49. | :20:07. | |
That is the reason why I am here in this meningitis futures garden. The | :20:08. | :20:13. | |
garden reads from left to right, and is split into three sections. Here | :20:14. | :20:18. | |
on my left, you have the diagnosis. When you are diagnosed with | :20:19. | :20:21. | |
something or you have a long term condition, suddenly you are thrown | :20:22. | :20:25. | |
against the brick wall, this is demonstrated in the garden. In the | :20:26. | :20:30. | |
centre, you have hope and you have someone reaching through the wall. | :20:31. | :20:34. | |
There is help. There are charities out there, and there is someone | :20:35. | :20:37. | |
leaning over the wall with a reaching hand. But the most poignant | :20:38. | :20:42. | |
thing is the bit on the right, and that is the recovery. And there is a | :20:43. | :20:46. | |
wonderful figure of a man with prosthetic legs come in looking out | :20:47. | :20:49. | |
into the world, looking forward because he knows there is somewhere | :20:50. | :21:00. | |
to go beyond his condition. This is the garden that has caught my | :21:01. | :21:04. | |
attention. It is called together, we can. It is a sensory garden. The | :21:05. | :21:07. | |
whole garden is inspired by the works of the deaf percussionist dame | :21:08. | :21:13. | |
Idlib Glennie. It is all about bringing the music and plants | :21:14. | :21:17. | |
together. -- Damon Eveleigh and Glennie. We have the water, we have | :21:18. | :21:22. | |
the alliums like drumsticks. And which you don't CR hidden, tiny | :21:23. | :21:27. | |
microphones inside the water. They bring another element to the whole | :21:28. | :21:35. | |
experience. Music therapy also has a wonderful way of getting you to | :21:36. | :21:39. | |
understand and come to terms with conditions and illnesses, but at the | :21:40. | :21:44. | |
same time be rooted in the place where you are. This is just a | :21:45. | :21:50. | |
wonderful place to be. You just feel so relaxed and calm and tranquil. I | :21:51. | :22:01. | |
am inside the hospice, and this is the garden bed. The important thing | :22:02. | :22:09. | |
about this garden bed is that it can be wheeled outside. So you can go | :22:10. | :22:13. | |
into a garden and have it be surrounded by plants that people | :22:14. | :22:18. | |
will be familiar with in the last moments of their lives. It has very | :22:19. | :22:24. | |
pastoral colours. It has good texture, good form, but it also | :22:25. | :22:27. | |
allows the blue sky to shine through, so you get dappled shade as | :22:28. | :22:31. | |
well while you are lying there in bed. This garden is personally | :22:32. | :22:37. | |
interesting to me, because I am designing a garden at the moment | :22:38. | :22:40. | |
where we are doing the same thing. We are trying to get people who are | :22:41. | :22:46. | |
bedbound outside to enjoy nature and be surrounded by plants and their | :22:47. | :22:49. | |
loved ones and just enjoy themselves. And where better to end | :22:50. | :22:59. | |
down here in the RHS garden green in Great Britain? It is wonderful. We | :23:00. | :23:03. | |
are surrounded by plants of all different colours. It is a | :23:04. | :23:07. | |
kaleidoscope of colours. We have oranges, reds, purples, pinks. It is | :23:08. | :23:11. | |
a feast for the eyes, and it lifts my mood. I am up in the heavens, but | :23:12. | :23:18. | |
actually, I am here, Heaven on Earth, surrounded by all these | :23:19. | :23:19. | |
plants. Now, there has been a lot of | :23:20. | :23:32. | |
discussion and celebration of the fact that growing fruit and veg not | :23:33. | :23:37. | |
only provides you with delicious food, but is inherently a healthy | :23:38. | :23:40. | |
activity, good for you physically and mentally. Over here, we have a | :23:41. | :23:46. | |
representation of a conventional allotment. Bring vegetables to | :23:47. | :23:51. | |
produce as much food as possible. When I was a child, we all did that | :23:52. | :23:56. | |
-- growing vegetables. Modern life is getting more and more crowded. We | :23:57. | :24:01. | |
have less personal space, and it can feel as though there is no | :24:02. | :24:04. | |
opportunity to grow vegetables, even if you would love to. Well, that | :24:05. | :24:09. | |
isn't the case. You really can, and I love this display of how much you | :24:10. | :24:12. | |
can grow and how cleverly you can do it. We have Oakleaf letters. Cut | :24:13. | :24:22. | |
them with a knife and enjoy them. -- lettuce. You can be adventurous. For | :24:23. | :24:30. | |
example, we have wasabi going here. I didn't know you could grow wasabi | :24:31. | :24:33. | |
so easily, so I have learned something. Despite all the talk of | :24:34. | :24:39. | |
the virtues of veg and how much good it does you, don't forget that it | :24:40. | :24:48. | |
can look stunning, to. This looks fantastic. Thank you. Do you think | :24:49. | :24:53. | |
more people will be showing vegetables, or is it too difficult? | :24:54. | :24:57. | |
At Chelsea, it is always difficult. 40 years ago, there were all the | :24:58. | :25:03. | |
seed houses with vegetable displays. But yes, to encourage more people, | :25:04. | :25:07. | |
we would love to see more veg stands. Now, ladies, if you just had | :25:08. | :25:13. | |
to choose one of veg for its eating, as opposed to is growing, which | :25:14. | :25:18. | |
would it be? I have got to say that you can't have any dish without an | :25:19. | :25:24. | |
onion. I like salads. My ideal tea is a nice salad of something strong | :25:25. | :25:30. | |
flavoured with watercress. I am glad you are still getting pleasure from | :25:31. | :25:34. | |
eating as well as growing them so superbly and giving us so much | :25:35. | :25:39. | |
pleasure. We think about vegetables before what we have with it. When I | :25:40. | :25:44. | |
was a child, we add potatoes every single day. Here at Chelsea, there | :25:45. | :25:48. | |
is a stand showing that they come in a huge rioting of shape, colour and | :25:49. | :25:54. | |
science. This is a spud which is Highland burgundy red. Cut that | :25:55. | :25:58. | |
open, and you get that intense colour in the middle. So not only | :25:59. | :26:02. | |
are potatoes good for you, but they look fantastic as well. Chelsea is a | :26:03. | :26:10. | |
floured, but it is also a vegetable show -- it is a flower show, and it | :26:11. | :26:15. | |
is a vegetable show, displaying vegetables so they look as good as | :26:16. | :26:19. | |
they could and also inspiring all of us, wherever we are, to grow them | :26:20. | :26:21. | |
and enjoy them at home. One man making a name for himself in | :26:22. | :26:32. | |
the world of vegetables is Mike Smith of Tom Smith plants. Mike | :26:33. | :26:36. | |
started showing ten years ago and has now reached the dizzy heights of | :26:37. | :26:40. | |
Chelsea Flower Show. We went to see him in his nursery in north Wales. | :26:41. | :26:47. | |
I find it unbelievable that it has only taken seven years to go from | :26:48. | :26:55. | |
entering a small village show it to entering the largest show in the | :26:56. | :26:57. | |
world, Chelsea. Veg, to me, is a thing we started | :26:58. | :27:12. | |
growing when I was a child. Without growing it, we wouldn't be eating. | :27:13. | :27:20. | |
When you start growing vegetables competitively, the passion really | :27:21. | :27:24. | |
gets to you, and we started growing them in the house as well. Here we | :27:25. | :27:33. | |
are. How about that? What do you think? That is what you call a leek, | :27:34. | :27:43. | |
isn't it? Without the two of us working together, Alison and myself, | :27:44. | :27:50. | |
it wouldn't happen. Can you open the door to make sure there is | :27:51. | :27:58. | |
ventilation? Will do. It takes total commitment, a total love of what we | :27:59. | :28:04. | |
are doing, to produce the results. I am the go for, really. I jump every | :28:05. | :28:12. | |
time he says quick march, do this, do that. Grid Europe and the other | :28:13. | :28:19. | |
one as well? It's open. Oh, excellent. We get on well. You can't | :28:20. | :28:27. | |
have two bosses. I know that sounds terribly chauvinist, but you can't | :28:28. | :28:31. | |
have two bosses. I suppose that makes me the boss, not(!). If you | :28:32. | :28:37. | |
have two leaders, you will end up falling out. True. We are not | :28:38. | :28:44. | |
professional, we are amateurs. We are new to this, really. BLEEP! | :28:45. | :29:00. | |
BLEEP. My dad was the local butcher. He was a keen gardener. He came home | :29:01. | :29:07. | |
from work and would go straight into the garden. Unfortunately, I lost my | :29:08. | :29:12. | |
dad when I was 14. He passed away on my 14th birthday of a heart attack, | :29:13. | :29:19. | |
and left a big hole in my life. At that point, I had to look after the | :29:20. | :29:23. | |
garden myself, so I had to get my sleeves rolled up and work to get | :29:24. | :29:35. | |
the garden sorted. Come into our world. We named the business after | :29:36. | :29:43. | |
my dad vomiting tribute to him, as our thank you -- green and it after | :29:44. | :29:49. | |
my dad, in tribute to him. Chelsea is a challenge. Broad beans are not | :29:50. | :29:56. | |
bad. Broad beans are quite an easy vegetable to grow. Peas are more | :29:57. | :30:06. | |
tricky, but we will get there. Fruit is as important as veg. Veg is one | :30:07. | :30:12. | |
thing, but fruit is something else. We grow oranges, lemons, mandarins, | :30:13. | :30:17. | |
lines tangerines. We also have an apricot tree in the back. And those | :30:18. | :30:22. | |
are our apricots growing on the tree. We were asked whether we would | :30:23. | :30:27. | |
like to put an application in for Chelsea, so we did last year. And | :30:28. | :30:32. | |
October came and this large envelope came through the post with RHS on | :30:33. | :30:37. | |
it. Opened the envelope and read it and went oh, my God, we are going to | :30:38. | :30:42. | |
Chelsea! I said, what have you let me in for! | :30:43. | :30:46. | |
It is a dream of Mike's? It is more than a dream. It is something I | :30:47. | :30:58. | |
never thought I would achieve. And just the two of us. And just the two | :30:59. | :31:05. | |
of us. Mike, first-timer at Chelsea, it must be hugely exciting to be | :31:06. | :31:09. | |
here? I still can't believe I'm here. You are here! I know. It is | :31:10. | :31:13. | |
incredible. Your exhibit is looking stunning. What medal did you get? | :31:14. | :31:19. | |
Silver Gilt. You happy with that? Chuffed to bits. You have an | :31:20. | :31:25. | |
interesting relationship with Alison, your wife. There is a | :31:26. | :31:28. | |
division of labour, can I call it that? We work well together. A | :31:29. | :31:36. | |
garden doesn't stop at 5.00. We work together. | :31:37. | :31:37. | |
She knows what I'm thinking. I know what she's thinking. You are saying, | :31:38. | :31:47. | |
go and do that! You are making her run around a bit? She wants to keep | :31:48. | :31:54. | |
fit! Fantastic. You have bought an exhibit here, it is about growing | :31:55. | :31:58. | |
veg in containers. I'm passionate about it. You have shown so many | :31:59. | :32:01. | |
different ways to do it. Run us through a few of them. A galvanised | :32:02. | :32:09. | |
tub. And this is just a tower of peas, nothing could be easier. A lot | :32:10. | :32:13. | |
of people haven't got much space and they might not own their home, too, | :32:14. | :32:18. | |
so they can move pots around with them. Of course they can. You have | :32:19. | :32:24. | |
the greenhouse in there. Do you have to have one of those? That is the | :32:25. | :32:28. | |
last thing you need. You need space. There's vertical space as well. You | :32:29. | :32:35. | |
are trying to... You want to bring youngsters through as well, getting | :32:36. | :32:41. | |
youngsters into it? Very much. It is fun as well. I love showing. I love | :32:42. | :32:45. | |
it. Which is a different standard of plant. Still, people need to have a | :32:46. | :32:52. | |
go. It is just good fun. And what can be better than growing your own | :32:53. | :33:00. | |
stuff? Yes. What else have you got? The leek. What has the response been | :33:01. | :33:09. | |
from the visitors? Unbelieve nl. -- unbelievable. Can they relate to | :33:10. | :33:18. | |
your exhibit? Oh yes. A lot of passionate veg growers get into the | :33:19. | :33:23. | |
nitty-gritty of growing veg. Anybody can do it. It isn't hard. You need | :33:24. | :33:29. | |
time and love. You need Alison to run around as well! She is a bonus! | :33:30. | :33:33. | |
She is here with you? Of course she is. She is hiding! You will come | :33:34. | :33:41. | |
back to Chelsea? Of course I am. Do you need to go for the Gold? It is | :33:42. | :33:47. | |
important. I will have another go. Right now, it's a dream. You feel | :33:48. | :33:52. | |
like you are living the Chelsea dream? Yes. Lovely to see you. No | :33:53. | :33:55. | |
doubt I will see you next year. That would be great. | :33:56. | :33:59. | |
Coming up, we'll be talking to the winner | :34:00. | :34:01. | |
And we'll be exploring the beauty of the gardens here at night. | :34:02. | :34:04. | |
Earlier, we met design expert Michelle Ogundehin, | :34:05. | :34:07. | |
a woman with her finger on the pulse of creative Britain. | :34:08. | :34:10. | |
We sent her into the Chelsea grounds to get her assessment | :34:11. | :34:13. | |
The idea of a perfect garden for me is absolute balancing, the modernity | :34:14. | :34:32. | |
and speed of life. It is somewhere to retreat and relax and engender a | :34:33. | :34:39. | |
sense of wellbeing. So I love gardens that have a healing | :34:40. | :34:45. | |
component to them. This is a glorious super bespoke | :34:46. | :34:52. | |
greenhouse-cum-conservatory, that blurs the boundaries between inside | :34:53. | :34:58. | |
and out, using these huge panels of glass. | :34:59. | :35:09. | |
Then the whole thing is floating on a fish pool. What really works for | :35:10. | :35:20. | |
me here, though, is that you have got this contemporary glass house | :35:21. | :35:24. | |
that could be quite hard and cold, but it's not because it's balanced | :35:25. | :35:30. | |
beautifully by the frothy woodland planting, so the whole thing becomes | :35:31. | :35:39. | |
very calm and meditative which is quite a feat to have pulled off. | :35:40. | :35:44. | |
This is probably my favourite expression of the indoor-out door | :35:45. | :35:49. | |
thing. Here we are using the natural components of a garden to create and | :35:50. | :35:56. | |
colour and craft that outdoor space so you have carved a space for | :35:57. | :36:01. | |
yourself to sit and enjoy this beautiful garden where the plants | :36:02. | :36:06. | |
are woven in amongst the stones. It is just the sort of place that | :36:07. | :36:09. | |
transports me. That is what I like about it. | :36:10. | :36:17. | |
I love this garden because it really is the ultimate expression of the | :36:18. | :36:22. | |
indoor-outdoor concept, the idea of the planted borders sort of right | :36:23. | :36:27. | |
between the lounge space here and then the dining-entertaining space | :36:28. | :36:30. | |
so there is no barrier, boundary between one and the other. You are | :36:31. | :36:37. | |
using all those interiors tricks that you would see inside but the | :36:38. | :36:41. | |
flow of continuous flooring, things like mirroring to reflect the garden | :36:42. | :36:46. | |
back to you. And there's some wonderful contemporary touches like | :36:47. | :36:52. | |
this very strong, graphic, cantilevered pergola and it is | :36:53. | :36:56. | |
softened with this wonderful foliage. It is my dream scenario. | :36:57. | :37:04. | |
When life today is so busy and you are always racing from one place to | :37:05. | :37:09. | |
the other, the idea of coming home to a retreat like this would be | :37:10. | :37:11. | |
glorious. Here at Nigel Cooper's | :37:12. | :37:21. | |
carnivorous plant stand, there is a whole host of weird | :37:22. | :37:24. | |
and wonderful specimens that look This grows in acid bogs in North | :37:25. | :37:36. | |
America. They also grow in my greenhouse. You can grow them on a | :37:37. | :37:42. | |
windowsill or in a porch. As long as they have got lots of water. They | :37:43. | :37:51. | |
need little treatment and they consume flies as their main source | :37:52. | :37:52. | |
of nutrition. Ann-Marie Powell has been hunting | :37:53. | :37:56. | |
down even more here at Chelsea. House plants are making a comeback. | :37:57. | :38:16. | |
Whilst lots of the old classics are returning, there are tonnes of new | :38:17. | :38:24. | |
stuff that you can choose from. Some house plants can really add drama to | :38:25. | :38:35. | |
an interior landscape. Here, this is beautiful. It needs to be kept humid | :38:36. | :38:41. | |
and in the shade. It will reward you year after year with these gigantic | :38:42. | :38:47. | |
elephant-ear-sized leaves. He has some small beauties down here. When | :38:48. | :38:52. | |
you are thinking about plant associations with your interior, | :38:53. | :38:56. | |
think about it as you would outside. Think about colour, texture and | :38:57. | :38:59. | |
growing conditions and put the plants together. | :39:00. | :39:08. | |
I really love the flowers here. That red colour will last for months. | :39:09. | :39:14. | |
You could partner that plant with this one, which is perfect for | :39:15. | :39:19. | |
bathrooms. I know you want to keep your house plants looking good. To | :39:20. | :39:23. | |
clean these leaves, remember a dry cloth. | :39:24. | :39:26. | |
Put these plants in the same place and you will have a wonderful, low | :39:27. | :39:28. | |
maintenance scheme. I know people worry about how much | :39:29. | :39:43. | |
time they have got to look after their house plants so I am pleased | :39:44. | :39:48. | |
with this little self-watering plant pot. Here, we have a ceramic disc, | :39:49. | :39:55. | |
and the roots will regulate its water uptake. That will last for a | :39:56. | :40:00. | |
month. If you are busy, or you have to go away, this self-watering | :40:01. | :40:04. | |
system will make sure you don't have to water your plants for weeks. | :40:05. | :40:16. | |
I have always liked these upside-down planters which make | :40:17. | :40:20. | |
plants grow in a whole new way. They are structural, elegant and fun! | :40:21. | :40:30. | |
I think that cactus are some of the hippiest plants you can get. There | :40:31. | :40:37. | |
is so much variation? They are very cool, as it were. People use them a | :40:38. | :40:44. | |
lot more now and they mainly as well for the structural design. They | :40:45. | :40:47. | |
become part of the layout of your room. The bigger the plant, the more | :40:48. | :40:54. | |
impact it has. Cacti are ideal house plants and they will outlive the | :40:55. | :41:00. | |
owners if they are looked after properly. If you treat these plants | :41:01. | :41:04. | |
well, they will become your companion in your home for the rest | :41:05. | :41:06. | |
of your life. I need a new friend! Some great ideas for house plants | :41:07. | :41:18. | |
there. If you have a steamy bathroom with no direct sunlight, what would | :41:19. | :41:21. | |
you plant in it? There is a clue in the product in front of you. You got | :41:22. | :41:29. | |
it in one. They are perfect for your steamy bathroom. | :41:30. | :41:32. | |
Well, another very popular plant to grow | :41:33. | :41:33. | |
indoors is the colourful Streptocarpus, or the Cape Primrose. | :41:34. | :41:38. | |
We visited Dibley's Nurseries to find out more about this rather | :41:39. | :41:40. | |
I love them because they are such easy plants to grow. They flower for | :41:41. | :41:51. | |
such a long time. There is any colour you could want for. I like to | :41:52. | :41:55. | |
think my family have been instrumental in bringing them to the | :41:56. | :41:59. | |
fore. And turning it into the supermodel of the house plant world. | :42:00. | :42:08. | |
There is all sorts of colours, patterns, speckles, and there are | :42:09. | :42:15. | |
mixtures of yellows, blues, pinks, purples. They are beautiful plants. | :42:16. | :42:21. | |
It all started over 40 years ago when my father was given some | :42:22. | :42:25. | |
plants. I don't have as much input now as I used to. It was once upon a | :42:26. | :42:33. | |
time all me, but now I leave it to the youngsters. My father's always | :42:34. | :42:41. | |
around. If he is not in the greenhouse, he is probably out with | :42:42. | :42:46. | |
the railway, but he always is around here. Coming down and criticising | :42:47. | :42:51. | |
what is going on occasionally as well. That is my job! I was looking | :42:52. | :42:56. | |
at the Chelsea plants. They want some work doing on them. This is our | :42:57. | :43:02. | |
main glasshouse, where we produce all the plants. We will have 50,000 | :43:03. | :43:06. | |
to 60,000 plants here at any one time. We are the biggest growers in | :43:07. | :43:10. | |
this country and we supply the big garden centres throughout the UK. We | :43:11. | :43:14. | |
do mail order into Europe. We sell the plug plants, the starter plants, | :43:15. | :43:19. | |
and we supply throughout the EU. Scandinavia is a big market for us | :43:20. | :43:23. | |
because they have a short summer season, so house plants are very | :43:24. | :43:35. | |
popular over there. They do come from South Africa originally. And | :43:36. | :43:40. | |
the wild varieties are quite different from the hybrid varieties | :43:41. | :43:45. | |
we sell here. I have been to South Africa five times and seen them | :43:46. | :43:53. | |
growing in the wild. They are not outside, but they are growing | :43:54. | :43:57. | |
underneath trees, on trees, under rocks. The Cape Primrose is the | :43:58. | :44:13. | |
common name. I suppose started growing over 40 years ago. It | :44:14. | :44:22. | |
evolved as a hobby and I started growing a few and showing a few, | :44:23. | :44:27. | |
then we started selling a few. When you show them, people think they | :44:28. | :44:31. | |
were very hard to grow because they look so exotic. But they weren't, | :44:32. | :44:38. | |
they were easy to grow. You have your potting compost? Yes. We | :44:39. | :44:43. | |
propagate from leaf cuttings to increase our stock so from one plant | :44:44. | :44:48. | |
and one leaf, you can get several hundred young plants which are | :44:49. | :44:52. | |
identical to the parent plant. From all of these secondary veins, which | :44:53. | :44:57. | |
I have exposed, you will get a young plant growing from each one of | :44:58. | :45:03. | |
these. We will take these leaves and then sow them into the seed tray. | :45:04. | :45:07. | |
Put the leaf a third deep into that and then backfill it. From the | :45:08. | :45:12. | |
cuttings I'm taking now, this is a seed tray that was done probably 12 | :45:13. | :45:18. | |
weeks ago and then what you do is take sections with the compost and | :45:19. | :45:21. | |
the roots all in tact and that can be planted in a small pot and it | :45:22. | :45:23. | |
will create a new plant. So that is how you create a perfect | :45:24. | :45:36. | |
clone to the parent. But if you want to create something new and | :45:37. | :45:38. | |
different, you need to take the pollen from one flower. And then put | :45:39. | :45:47. | |
that on to the stigma of the other plant. Gently dusted onto the | :45:48. | :45:53. | |
stigma, and that will grow into a seed pod which in about three | :45:54. | :45:58. | |
months' time, you can sow the seed, and each seedling will be slightly | :45:59. | :46:01. | |
different, hopefully, to the parent plant. We have bred over 70 | :46:02. | :46:07. | |
different hybrids over the years. And we keep producing more as well. | :46:08. | :46:20. | |
Lyn, what did the judges say? They were really pleased with what we did | :46:21. | :46:24. | |
and they have given us that gold medal. Congratulations, but you are | :46:25. | :46:30. | |
getting used to those. How many now? That is 27 now. I am laughing in | :46:31. | :46:35. | |
admiration, fantastic. You have explained clearly how easy they are | :46:36. | :46:41. | |
to propagate, but I know some people get anxious about general | :46:42. | :46:44. | |
maintenance. Should they have a rest period to allow them to flower, how | :46:45. | :46:49. | |
much water, how much sun and shade? What is the key to growing them | :46:50. | :46:53. | |
happily? Well, they don't need a rest. If they want to flower, let | :46:54. | :46:59. | |
them flower. Feed them a high potassium feed, something like a | :47:00. | :47:02. | |
tomato feed, once a fortnight at a half strength. From March through to | :47:03. | :47:06. | |
October, you will get a nine-month flowering season. And what about | :47:07. | :47:11. | |
watering? Keep them on the dry side. Wait until the compost gets slightly | :47:12. | :47:16. | |
dry and then give them water. Don't leave them sitting in water. You | :47:17. | :47:21. | |
often see people thinking all house plans have to be in a saucer. You | :47:22. | :47:25. | |
can put them in a saucer, but poor any surplus waterway. Finally, in | :47:26. | :47:35. | |
that film, you showed them in deep shade. How much sun will they | :47:36. | :47:39. | |
tolerate? They will take a certain amount, early morning and evening | :47:40. | :47:44. | |
sunlight. But they will not like midday sunshine, so ideally, grow | :47:45. | :47:48. | |
them on an east or west facing windowsill. How hardy are they? They | :47:49. | :47:54. | |
are not frost hardy, but keep them dry and they will go down to quite a | :47:55. | :47:59. | |
cold temperature. So cold greenhouse or reporter be fine. The | :48:00. | :48:05. | |
streptocarpus are looking amazing. Last night, I was as rude as I could | :48:06. | :48:09. | |
be. I summoned all the rudeness in my being about big O'Neills. You | :48:10. | :48:17. | |
did! -- about begonias. I have to say, these are looking fantastic. | :48:18. | :48:22. | |
Well, these are grown for their foliage, not the flowers. You get | :48:23. | :48:27. | |
pinks, purples and Greens all within the foliage. Maybe my taste is | :48:28. | :48:33. | |
maturing. Thank you for bringing us such a fantastic stand. Thank you | :48:34. | :48:34. | |
very much. Huge amounts of energy and materials | :48:35. | :48:37. | |
go into building these gardens and in the past, the whole process | :48:38. | :48:40. | |
of putting on this show has been But for many of the gardens, | :48:41. | :48:43. | |
life doesn't end when the gates The Morgan Stanley garden is going | :48:44. | :49:03. | |
long stock and barrel onto the roof of Great Ormond Street. It was | :49:04. | :49:08. | |
always designed that way. I caught up with Chris earlier. Chris, | :49:09. | :49:17. | |
stunning garden. It has Chelsea garden quality written all over it. | :49:18. | :49:21. | |
It is rich and herbaceous, but more importantly, it is rich and shade | :49:22. | :49:26. | |
loving and herbaceous. This is unusual in show garden terms because | :49:27. | :49:30. | |
it was specifically designed to be on the roof of Great Ormond Street | :49:31. | :49:35. | |
Hospital. Not a lot of sunshine gets there, surrounded by other things, | :49:36. | :49:39. | |
so we had to use a shade loving palates. As well as the plants, | :49:40. | :49:45. | |
because it has a life after, does that change the way you approach the | :49:46. | :49:49. | |
design? It certainly changes the approach, because everything was | :49:50. | :49:54. | |
dictated by the end location. So the amount of shade we have got, the | :49:55. | :49:57. | |
fact that it is in a wind tunnel to provide protection, you need a sense | :49:58. | :50:03. | |
of it sitting back in the garden. You need more resilient plants. | :50:04. | :50:08. | |
There was a great risk, because there was no real compromise of the | :50:09. | :50:13. | |
design to bring it to Chelsea. It was entirely designed for Great | :50:14. | :50:15. | |
Ormond Street, and then we hoped that piece of work would make its | :50:16. | :50:19. | |
way and perform at Chelsea, which we are thrilled with. It is for Great | :50:20. | :50:24. | |
Ormond Street, but it is not for the children, it is for the parents of | :50:25. | :50:28. | |
the children at Great Ormond Street. It is not meant to be accessible and | :50:29. | :50:32. | |
wheelchair friendly, this is a space mainly to relax in and get away from | :50:33. | :50:37. | |
it all. It is primarily aimed at the parents. When you think the children | :50:38. | :50:42. | |
at Great Ormond Street face a very uncertain future, one of the key | :50:43. | :50:45. | |
ways in which they are able to prosper within that hospital is of | :50:46. | :50:50. | |
course the support of their parents. And the pressure that is put on the | :50:51. | :50:54. | |
parents is extraordinary, so we wanted to create a green church, if | :50:55. | :50:59. | |
you like, into which the children could dispatch their parents and | :51:00. | :51:03. | |
say, this is a place to go and recharge, to embolden the spirit and | :51:04. | :51:08. | |
emotions, and then come back onto the ward with a smile and a renewed | :51:09. | :51:13. | |
enthusiasm and determination to cope with the situation. It is the way | :51:14. | :51:19. | |
things are going. We are now understanding the benefits of | :51:20. | :51:22. | |
gardening and health and therapy and recovery. A lot of hospitals and | :51:23. | :51:28. | |
hospices don't have outside space to relax in. It is extraordinary. All | :51:29. | :51:32. | |
the data from around the world them and stressed the health giving | :51:33. | :51:36. | |
properties of green space on whether you can access it or whether you can | :51:37. | :51:40. | |
even see it. One piece of research said there was a 60% reduction in | :51:41. | :51:45. | |
self-induced painkillers if people could see out into a green space. | :51:46. | :51:50. | |
And we as designers need those numbers to be able to say, this is | :51:51. | :51:56. | |
valuable. It is key. Design a green space first, then designed the | :51:57. | :52:02. | |
hospital around it. Absolutely. You're planting has got better and | :52:03. | :52:06. | |
better throughout the week. You have got another gold medal, Chris. It is | :52:07. | :52:11. | |
so nice that this is going to live on at Great Ormond Street. | :52:12. | :52:19. | |
One last result was announced today, and this is the winner of the BBC | :52:20. | :52:30. | |
RHS People's Choice Award. The result was God 's own county, a | :52:31. | :52:35. | |
garden for Yorkshire. I'm here with the designer, Matthew. People | :52:36. | :52:41. | |
obviously love this garden and voted for it in their thousands. What do | :52:42. | :52:47. | |
you think they particularly liked? Well, from talking to people, I | :52:48. | :52:52. | |
think they got the concept of the garden. They love the stained glass | :52:53. | :52:55. | |
and the relationship between the stained glass and the planting. That | :52:56. | :52:59. | |
is not something people will have seen at Chelsea before. I think | :53:00. | :53:05. | |
people like the craftsmanship, starting with the stained glass and | :53:06. | :53:10. | |
also the stonework. And I think they love the planting. I have heard | :53:11. | :53:15. | |
lovely comments about it. The planting has come alive over the | :53:16. | :53:18. | |
last week, not that it wasn't before, but it has noticeably | :53:19. | :53:23. | |
settled in and grown and flowered. This is an aspect of Chelsea that | :53:24. | :53:28. | |
one doesn't really consider. No, but of course you are at the prime | :53:29. | :53:33. | |
growing time across the UK, the third week of May. Plants are | :53:34. | :53:39. | |
growing like the clappers, and here they are getting lots of attention | :53:40. | :53:42. | |
and being watered. It has been a lovely week for whether. I sat here | :53:43. | :53:45. | |
earlier, watching honeybees weaving in and out of the flowers and | :53:46. | :53:48. | |
thinking, wow, four weeks ago this was just a dull, grassy bank. Now I | :53:49. | :53:54. | |
am feeding London's honeybees. New won a silver medal from the judges. | :53:55. | :53:59. | |
I know it was a bit of a disappointment, although you are | :54:00. | :54:02. | |
gracious about it. Does this make up for it? Absolutely. This is such a | :54:03. | :54:08. | |
wonderful thing, because it reinforces all the wonderful | :54:09. | :54:13. | |
comments I had during the week. And it speaks from real gardeners, | :54:14. | :54:16. | |
people watching the programme night after night, day after day, enjoying | :54:17. | :54:22. | |
the gardens and seeing something in this that they find inspirational, | :54:23. | :54:25. | |
aspirational, that they can take home. That is why people voted for | :54:26. | :54:38. | |
it. Well done. Those of you who voted for Matthew have made him one | :54:39. | :54:40. | |
happy man tonight. We've seen how fantastic these | :54:41. | :54:41. | |
gardens look in daytime, but when the sun goes | :54:42. | :54:43. | |
down, the magic doesn't to see the gardens in | :54:44. | :54:45. | |
a completely different light. Toby Buckland has been to find out | :54:46. | :54:49. | |
how the gardens at the show When the sun sets over Chelsea, | :54:50. | :55:06. | |
there is not a cue for all the show gardens to go to bed. Some are | :55:07. | :55:10. | |
designed to impress 24 hours a day. Sure, the life of a show garden | :55:11. | :55:15. | |
might be short, but when darkness falls, they light up the night like | :55:16. | :55:21. | |
fireflies. I like the way this garden is lit, because it is warm, | :55:22. | :55:26. | |
useful and inviting. And best of all, it has a cockpit. The, garden | :55:27. | :55:37. | |
light is a spot lamp. The tradition is to direct it to whatever you want | :55:38. | :55:41. | |
to eliminate, but the beam is as bright as a car head lamp. It can be | :55:42. | :55:47. | |
blinding. This light uses regular spot lamps, but they are directed | :55:48. | :55:52. | |
onto a white wall and the light is bounced to create a lovely, soft | :55:53. | :55:56. | |
glow. There are no shadows, but the light is bright enough to read a | :55:57. | :56:02. | |
book by. Lighting is so transformative, especially when used | :56:03. | :56:07. | |
to pick out individual plants. These, when lit from below, are | :56:08. | :56:12. | |
turned from leather really at plants by date into geographers' maps with | :56:13. | :56:16. | |
yellow rivers cutting through verdant green mountainsides, | :56:17. | :56:21. | |
wonderful. This garden also has LED lights embedded in box hedges. They | :56:22. | :56:26. | |
are like the portholes of planes, exciting, raising a sense of | :56:27. | :56:38. | |
anticipation. Used well with water, garden lighting can be otherworldly | :56:39. | :56:42. | |
and can add another dimension. But designers also use it to focus on | :56:43. | :56:52. | |
their guard and's message. -- on the garden's message. Light can make the | :56:53. | :57:00. | |
mundane seem special. But even here at Chelsea, where perfection is | :57:01. | :57:04. | |
everywhere, it adds another layer, a lair of romance. | :57:05. | :57:15. | |
Although good lighting does look fantastic, turn it off when you go | :57:16. | :57:21. | |
to bed, because it is not so good for what life. -- for wildlife. Joe, | :57:22. | :57:30. | |
this year has been special. What have you noticed? In the last couple | :57:31. | :57:36. | |
of days, some of the gardens, their plants are still growing. Those | :57:37. | :57:40. | |
gardeners who have taken the plants out of the pots are relaxed. It is | :57:41. | :57:45. | |
going to be ashamed to take them away. If I had to put you on the | :57:46. | :57:49. | |
spot, is there any one thing you want to take with you? There is one | :57:50. | :57:58. | |
that holds water and is a bird bath. I have thought about this and what I | :57:59. | :58:02. | |
would take is the Granite Square, the sarcophagus. I would put that in | :58:03. | :58:07. | |
at Longmeadow, and it is only 44 tonnes. You could take it back on | :58:08. | :58:11. | |
the bus! Joe and I are both on the rocks, which is a hint that that is | :58:12. | :58:14. | |
it. We've had a glorious | :58:15. | :58:15. | |
week here at Chelsea, and all good things must come | :58:16. | :58:18. | |
to an end. Tomorrow, the bell will ring | :58:19. | :58:21. | |
at 4 o'clock to mark the famous Chelsea plant sell-off | :58:22. | :58:23. | |
and all the gardens and exhibits bringing about the end of another | :58:24. | :58:25. | |
year here at the most famous Joe and I will be back tomorrow | :58:26. | :58:30. | |
night on BBC Two at 7.30pm to share more of our favourite moments | :58:31. | :58:34. | |
from across the week. Until then, from the 103rd RHS | :58:35. | :58:37. | |
Chelsea Flower Show, it's goodbye! The biggest and bloodiest | :58:38. | :59:15. | |
naval battle... | :59:16. | :59:18. |