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It's not every day that you walk through a field | :00:00. | :00:08. | |
...Or share the ground with over 17 members of the Royal Family... | :00:09. | :00:21. | |
...or finding yourself surrounded by hundreds of the world's top | :00:22. | :00:29. | |
garden designers and plant experts is pretty special too. | :00:30. | :00:31. | |
Here at the the Royal Hospital Gardens there's very | :00:32. | :00:33. | |
Welcome to the 2016 Chelsea Flower Show. | :00:34. | :01:01. | |
And so today marks the opening day of the most famous | :01:02. | :01:04. | |
All week our team from the world of horticulture and garden design | :01:05. | :01:11. | |
will be bringing you the very best of this event supported | :01:12. | :01:14. | |
Being a Monday the show ground was also packed | :01:15. | :01:24. | |
Ladies and gentlemen of the press fought for pole position to capture | :01:25. | :01:28. | |
the scenes as some big names descended upon the show. | :01:29. | :01:30. | |
Coming up on tonight's show we take a trip down memory | :01:31. | :01:34. | |
lane with Chelsea champ, designer Cleve West as he revisits | :01:35. | :01:36. | |
And of course Her Majesty the Queen came today | :01:37. | :01:48. | |
Also we find out how designer Hugo Bugg is bringing some middle | :01:49. | :01:52. | |
this morning very early, I spent some time as the Sun | :01:53. | :02:01. | |
getting a very privileged view of these gardens | :02:02. | :02:04. | |
It's a fine, clear morning, rising over London. I've got Chelsea not | :02:05. | :02:19. | |
quite to myself, I'm sharing it with a few photographers, but the chance | :02:20. | :02:23. | |
to look at all of the show gardens and the weeks of work has come to an | :02:24. | :02:29. | |
end, they are ready. Not yet judged or seen by the world but poised and | :02:30. | :02:31. | |
perfect. What you're looking for at Chelsea | :02:32. | :02:47. | |
is the special, things that immediately hit you. This is the | :02:48. | :02:51. | |
Telegraph Garden designed by Andy Sturgeon. Andy has made a garden | :02:52. | :02:59. | |
with geological power, using vast slabs of triangular stones and yet | :03:00. | :03:07. | |
combine debt with very subtle, gentle almost planting, although its | :03:08. | :03:11. | |
arid. Using a palette that is low-key but never drab makes a | :03:12. | :03:18. | |
culmination that is in chanting. I think this is a really special | :03:19. | :03:29. | |
garden. -- entrancing. This garden, called the antithesis of sarcophagi, | :03:30. | :03:32. | |
which is a man full, by Martin cooked and Gary Breeze looks like an | :03:33. | :03:39. | |
enormous block of granite surrounded by rather drab gravel. -- Martin | :03:40. | :03:45. | |
Cook. It seems like not a lot is going on but then you notice there | :03:46. | :03:48. | |
are tiny and full holes on the side of the block and if you peer through | :03:49. | :03:55. | |
the holes what is revealed is a beautiful garden. -- tiny little | :03:56. | :04:02. | |
holes. The combination of the stone and the garden hidden inside it | :04:03. | :04:06. | |
creates one of the most uplifting things I've ever seen at Chelsea. I | :04:07. | :04:25. | |
think the M garden designed by Cleve West is inspired, I love the | :04:26. | :04:28. | |
way it becomes a modern garden with open space and that takes real | :04:29. | :04:34. | |
skill. Knowing when to stop, knowing when not to fill a space with | :04:35. | :04:38. | |
something is a sign of a master at his peak. Just for a short time at | :04:39. | :04:46. | |
the beginning of this long day I've been able to share these gardens | :04:47. | :04:52. | |
with a kind of innocence. And solely to perfection. -- unsullied. That | :04:53. | :05:04. | |
has been a treat. Obviously those experiences of getting in ahead of | :05:05. | :05:10. | |
the crowd is great, fantastic. What you can't help noticing as well as | :05:11. | :05:15. | |
individual gardens is certain themes and patterns and plants get | :05:16. | :05:20. | |
repeated. They identified a vintage somehow. When you combine them | :05:21. | :05:24. | |
together, the designs and colours, that's how you remember Chelsea in | :05:25. | :05:30. | |
years to come. In terms of colour, what strikes you? Lots of oranges. | :05:31. | :05:36. | |
And Andy has the exotic foxglove, I've forgotten the name. Working | :05:37. | :05:42. | |
against the bronze. They used to be rusty steel but now it is bronze | :05:43. | :05:46. | |
with oranges and purple foliage in front. With a lot of natural | :05:47. | :05:54. | |
planting like we see in the Cleve West garden and quite a few others, | :05:55. | :05:58. | |
I think there is also more colour and more diverse colour. More | :05:59. | :06:05. | |
flowers. They were worried because we had such a cold spring and in the | :06:06. | :06:09. | |
last few years everything has burst into flour and those plants have | :06:10. | :06:14. | |
become available. Lots of people are using pink amid the oranges and | :06:15. | :06:20. | |
blues and purples. It is tricky. Some people have gone for every | :06:21. | :06:25. | |
colour under the sun and its gardens with restricted palettes that really | :06:26. | :06:28. | |
work. There is also a division between very geometric gardens like | :06:29. | :06:40. | |
Hugo Bugg and Andy Sturgeon. And then the other gardens like James | :06:41. | :06:50. | |
Basson. The flow of the space. There is a slight division there. | :06:51. | :06:55. | |
Manipulating space, the division again is pure gardens versus | :06:56. | :06:59. | |
landscape becoming a garden or being drawn from a garden. Naturalistic | :07:00. | :07:03. | |
planting we have talked about is a feature of a number of gardens this | :07:04. | :07:05. | |
year. They have taken their cue | :07:06. | :07:12. | |
from the natural world of flora as Rachel De Thame | :07:13. | :07:14. | |
has been to find out. Although there are gardens here that | :07:15. | :07:21. | |
are definitely manicure, there's also a real sense that nature knows | :07:22. | :07:22. | |
best. I'm standing in your garden and you | :07:23. | :07:37. | |
do feel as though you are surrounded by nature and you have been | :07:38. | :07:44. | |
transported. It has been transported here on many lorries. One of the | :07:45. | :07:49. | |
things at Chelsea is that you expect all of the plants to be perfect and | :07:50. | :07:53. | |
you come here and you have these old man's which are far from perfect, | :07:54. | :08:04. | |
they have been hacked about. -- almonds. It's a risky thing to do to | :08:05. | :08:09. | |
stick a bad tree in the front of a Chelsea garden but it works in the | :08:10. | :08:13. | |
landscape. The more you look the more you see. There are white snail | :08:14. | :08:20. | |
shells up there. It is a little white snail which creeps up the | :08:21. | :08:25. | |
grass to keep cool and you almost think they are flowers in the | :08:26. | :08:28. | |
landscape. I'm so seduced by that natural feel that coming to Chelsea | :08:29. | :08:35. | |
is such a great opportunity to express my passion for the natural | :08:36. | :08:46. | |
look. Sam Opens achieves a spectacularly naturalistic feel with | :08:47. | :08:52. | |
a garden which uses a wonderful mix of plans which are held together | :08:53. | :09:00. | |
with this graph -- grass. You get these highlights of colour which are | :09:01. | :09:06. | |
not native, it has these in the orange and this from South Africa. | :09:07. | :09:09. | |
You don't have to leave British shores to achieve that sort of | :09:10. | :09:22. | |
wonderful naturalness. Catherine, your garden has the most magical | :09:23. | :09:26. | |
atmosphere and I think it is this really naturalistic planting. I just | :09:27. | :09:29. | |
wanted to do something with our British native species. To try to | :09:30. | :09:35. | |
encourage people to perhaps use them in their own garden and appreciate | :09:36. | :09:39. | |
them more. How easy do you think it would be for somebody to recreate | :09:40. | :09:43. | |
this kind of effect in their own garden? I think it would be fairly | :09:44. | :09:49. | |
easy. A lot of the species are plants that are readily available, | :09:50. | :09:56. | |
and this is the native British silver birch which is under planted | :09:57. | :10:00. | |
by native species. It is something to do with the way that you have the | :10:01. | :10:06. | |
whole thing from the canopy, right through, you have the hedging as | :10:07. | :10:12. | |
well. You have wonderful layering of plants which gives it a natural | :10:13. | :10:17. | |
quality. What made you decide to choose this sort of rather natural | :10:18. | :10:20. | |
feel rather than something that was perhaps more manicure and formal? We | :10:21. | :10:30. | |
have a contemporary glasshouse structure, and I wanted to have a | :10:31. | :10:36. | |
contrast with the planting. And you can definitely use planting to do | :10:37. | :10:40. | |
that. It works beautifully. Thank you. | :10:41. | :10:45. | |
Incorporating elements of nature in terms of landscape and planting | :10:46. | :10:49. | |
are central to the garden designed by Cleve West. | :10:50. | :10:54. | |
Some of you will be familiar with Cleve who has notched up five | :10:55. | :11:00. | |
Chelsea golds over the years which include two Best Show Gardens. | :11:01. | :11:06. | |
He may be a familiar face on Main Avenue but this year he has | :11:07. | :11:14. | |
gone back into his past on Exmoor for inspiration. | :11:15. | :11:23. | |
But when I was 14 years old my whole family moved here. | :11:24. | :11:29. | |
Porlock in Exmoor, to run this hotel. | :11:30. | :11:31. | |
I think my fondest memory is the fact we came down here exactly the | :11:32. | :11:43. | |
same time as Fawlty Towers was popular on TV. Basically my dad was | :11:44. | :11:55. | |
Basil Fawlty. It was hilarious. It was quite a culture shock coming to | :11:56. | :11:59. | |
a quiet little village, but on the other side we have lovely | :12:00. | :12:03. | |
countryside to roam in and escape into. I used to hightail into the | :12:04. | :12:09. | |
hills and to the sea and it was perfect. We are in the Woods just up | :12:10. | :12:26. | |
the hill and the atmosphere was powerful and it stayed with me for | :12:27. | :12:32. | |
some time. I used to do athletics and I ran in the hills and I | :12:33. | :12:36. | |
competed at a high level against the likes of Billy Thomson and Linford | :12:37. | :12:39. | |
Christie and obviously I let them win! It has come as quite a shock | :12:40. | :12:44. | |
that I have become a gardener and garden design. I'm trying to evoke a | :12:45. | :12:56. | |
memory. That's the most difficult thing at Chelsea. I've decided I'm | :12:57. | :13:01. | |
going to have oak trees and oak trees are key to the garden. And I | :13:02. | :13:06. | |
will use things like blueberries in the garden, just as a token, but I | :13:07. | :13:11. | |
don't want to try to recreate this, you just can't do it in a 22 metre | :13:12. | :13:20. | |
space. The amazing thing about Exmoor is the diversity. You have | :13:21. | :13:25. | |
rock scapes here and sea views and more land. Valleys and fields, it is | :13:26. | :13:35. | |
so diverse, it's incredible. Stone will play a large part in the | :13:36. | :13:39. | |
garden. Not in a natural way, like you see here, it will be more | :13:40. | :13:44. | |
contrived, so they will form walls and benches and we will have a | :13:45. | :13:53. | |
mixture of rough-hewn stone and sawn stone so there will be a | :13:54. | :13:56. | |
contemporary edge to the whole thing. It's interesting on the way | :13:57. | :14:01. | |
up here, we were passing all sorts of woodland plants like wild garlic | :14:02. | :14:09. | |
and Angelica and those things you associate with woodland. I don't | :14:10. | :14:13. | |
think I was conscious of that in my teenage years. I certainly wasn't | :14:14. | :14:16. | |
learning the names and I wasn't interested in gardening at that | :14:17. | :14:20. | |
time, but seeing it now you read it in a more informed way. It's just a | :14:21. | :14:25. | |
new experience for me, coming up here and being able to read the | :14:26. | :14:33. | |
landscape more clearly. When I was about 18 we moved back to London as | :14:34. | :14:38. | |
a family. I went to a college to do art and physical education, I was | :14:39. | :14:44. | |
fortunate to work in David Hockney's studio for a week and my antilabour | :14:45. | :14:48. | |
round the corner and I spend my lunch times with her and she had a | :14:49. | :14:52. | |
big garden in Chiswick and I got hooked into gardening. The penny | :14:53. | :14:57. | |
dropped at that moment. When my aunt died she left me a small legacy and | :14:58. | :15:03. | |
I was able to support myself to go to the Hampton Court Flower Show and | :15:04. | :15:07. | |
that is what got me on the first rung of the ladder and I'm eternally | :15:08. | :15:10. | |
grateful. It's curious how things work out. This wasn't planned by any | :15:11. | :15:12. | |
stretch of the imagination. I want to try to make a very | :15:13. | :15:25. | |
contemporary space. That acknowledges the memory of living | :15:26. | :15:32. | |
here. We have all the ingredients, the oak trees, stone and water and | :15:33. | :15:37. | |
woodland planting. The trick will be to try to mix them up and make it a | :15:38. | :15:42. | |
modern and contemporary garden, evoking Exmoor without looking like | :15:43. | :15:47. | |
it. It is a bit of an experiment, I am a bit nervous about it. But it is | :15:48. | :15:54. | |
a challenge. And I always enjoy a challenge at Chelsea. I think this | :15:55. | :16:06. | |
is the best piece of work I have ever seen you do. I have been | :16:07. | :16:12. | |
following and admiring you for a long time. Does it feel like a | :16:13. | :16:17. | |
special piece of work to you? I'm sure it's the Best Show Garden I | :16:18. | :16:21. | |
have done at Chelsea. It is personal. It is based on my memories | :16:22. | :16:30. | |
of living near Exmoor and all those memories are confused in this garden | :16:31. | :16:34. | |
in some way, it carries a level of emotion which I think makes a good | :16:35. | :16:38. | |
garden. There are certain things about it which are quite risky. This | :16:39. | :16:45. | |
space for example is very open. A lot of people would have filled it | :16:46. | :16:50. | |
with something. I did have a drawing of a table chairs but quickly took | :16:51. | :16:56. | |
it out because it looked wrong. And these lovely blocks of stone, this | :16:57. | :17:01. | |
stone looks different, white did you choose it compared to natural? It is | :17:02. | :17:06. | |
the same, this rusty looking stone is coloured blue when you cut it in | :17:07. | :17:13. | |
half. Maybe that is why it works. I was nervous about using it. But held | :17:14. | :17:19. | |
my nerve and it looks great, much better than anticipated. And the | :17:20. | :17:26. | |
fence, I love that. Did you always know that is what you wanted? I knew | :17:27. | :17:32. | |
it but it was just finding that weathered timber, that was the | :17:33. | :17:38. | |
difficulty. The planting is not native, you have all kinds of things | :17:39. | :17:42. | |
going on, even though this is based on place. I did not want to recreate | :17:43. | :17:47. | |
Exmoor, I wanted to make a garden that was based on memories but not | :17:48. | :17:53. | |
every creation. I could not better it, I wanted to do something that | :17:54. | :17:56. | |
was just a personal reflection of celebration of the memory. So it is | :17:57. | :18:02. | |
a garden that is personal but clearly other people cannot know | :18:03. | :18:08. | |
that. It is a very self-indulgent garden, I'm sorry for that! But I | :18:09. | :18:13. | |
think it makes a better garden forehead rather than trying to | :18:14. | :18:15. | |
adhere to some of theme that you have got to stick to. It comes from | :18:16. | :18:23. | |
the heart. Well that comes through and if everyone enjoys it as much as | :18:24. | :18:28. | |
I already have, and I look forward to the rest of the week, I think it | :18:29. | :18:32. | |
will give a lot of people a lot of pleasure. Thank you very much. | :18:33. | :18:34. | |
In the build up to this event the press reported | :18:35. | :18:41. | |
that she is the first black female designer at the Chelsea Flower Show, | :18:42. | :18:44. | |
which has raised questions as to how diverse the world | :18:45. | :18:47. | |
I'm joined now by Juliet Sargeant, designer of the Modern Slavery | :18:48. | :18:50. | |
Garden here at the show, and Sue Biggs, Director | :18:51. | :18:53. | |
I cannot believe the first female black designer, that is shocking and | :18:54. | :19:06. | |
also great news. It had not occurred to me, I was just excited to be | :19:07. | :19:11. | |
doing Chelsea. Hopefully it is not once-in-a-lifetime! But a lifetime | :19:12. | :19:16. | |
dream. And then a journalist mentioned this and everyone is | :19:17. | :19:23. | |
talking. So someone had looked into the history of the designers and you | :19:24. | :19:26. | |
are the first like designer. Now the subject has been blown up quite a | :19:27. | :19:31. | |
lot by the press. And as soon, how do you feel about this as far as the | :19:32. | :19:37. | |
RHS is concerned that you mark just a year at ago we sat and talked | :19:38. | :19:41. | |
about how we would like more woman designers. Now there are more women | :19:42. | :19:46. | |
designers and I think it will just take time, Juliet will be a | :19:47. | :19:50. | |
brilliant role model and I hope that we can get more and more. We tried | :19:51. | :19:56. | |
with campaigns to get youngsters of all backgrounds beginning to garden. | :19:57. | :20:01. | |
They will come through and when they watched the television tonight and | :20:02. | :20:04. | |
they see Juliet, they will be inspired. Do you think that there is | :20:05. | :20:13. | |
a barrier between gardening, it is cross gender and appeals to all | :20:14. | :20:17. | |
ages, it is diverse in nature. That is what is so wonderful. But | :20:18. | :20:23. | |
professionally, to attract diversity into gardening and garden design, | :20:24. | :20:31. | |
you think that there is a problem. I think with garden design in | :20:32. | :20:33. | |
particular, it is expensive to train. Private colleges are quite | :20:34. | :20:40. | |
expensive and even if you do not go to one of those you have got to find | :20:41. | :20:44. | |
the funds to do the training and as a garden designer then it is unusual | :20:45. | :20:48. | |
to be able to earn a decent living straightaway. So just putting this | :20:49. | :20:53. | |
out there is a possibility, perhaps there is some economic barrier. | :20:54. | :20:59. | |
There are no barriers to gardening in itself, just the professional | :21:00. | :21:03. | |
side. You're doing stuff, you did a project recently in Brixton, in | :21:04. | :21:08. | |
inner-city areas. On the programme last night it had that amazing | :21:09. | :21:15. | |
coming together in Angell Town to build the basics of the garden. And | :21:16. | :21:19. | |
this garden in Chelsea were going to relocate that together with them. | :21:20. | :21:25. | |
They will all be kids who will have seen how wonderful it is to get your | :21:26. | :21:29. | |
hands in the soil and snow for the first time in their lives what it is | :21:30. | :21:32. | |
like to garden. I'm sure that some of them, and unfortunately Josh is | :21:33. | :21:38. | |
sick today so we will not see him go but I know he's excited about the | :21:39. | :21:42. | |
possibility of horticulture as a career. If we can achieve that they | :21:43. | :21:46. | |
will come through the line of being garden designers, landscape | :21:47. | :21:51. | |
architects, it is coming. It will take time. Great to have you here | :21:52. | :21:55. | |
are Juliet, and very positive news all round. | :21:56. | :21:59. | |
Now with Her Majesty's visit dominating the conversation | :22:00. | :22:01. | |
at Chelsea today, Carol's been in the Great Pavilion picking out | :22:02. | :22:03. | |
plants at the peak of perfection that really are fit for a queen. | :22:04. | :22:18. | |
Everyone is dressed to the nines trying to stand out from the crowd. | :22:19. | :22:25. | |
And I'm not talking about the people, I'm talking about the | :22:26. | :22:31. | |
plants. I want to find those subjects who truly are worthy of | :22:32. | :22:33. | |
regal attention. On parade today, two ladies in | :22:34. | :22:49. | |
waiting from the truly noble family. The family name trips off the | :22:50. | :23:01. | |
tongue. The first is agapanthus. Renowned for growing these beautiful | :23:02. | :23:06. | |
plants. Flowers beloved by the Queen Mother. One of them even called | :23:07. | :23:12. | |
Queen Mum. We have become familiar with them in our gardens but they | :23:13. | :23:18. | |
still retain this exalted status, a very special plant and no wonder. | :23:19. | :23:27. | |
Waiting in the wings are these debutants wearing their best party | :23:28. | :23:35. | |
frocks. Narine, iridescent petals sparkling. They hold their heads | :23:36. | :23:42. | |
high. This is their first time here. You're just not expecting to see | :23:43. | :23:45. | |
them because essentially there are autumn flowering. But somehow | :23:46. | :23:50. | |
Hoyland plans have managed to conjure them into bloom for their | :23:51. | :24:02. | |
first royal performance. And talk about regiments. Pomp and | :24:03. | :24:08. | |
circumstance. Just take a look at these vegetables. This truly is | :24:09. | :24:18. | |
Trooping the Colour. And is this a pyramid, a pillar or a pinnacle of | :24:19. | :24:24. | |
purple pod peas, it certainly puts the Busby bearskin in the shade. | :24:25. | :24:35. | |
Long before you see the brilliant colours of these dutiful hyacinths, | :24:36. | :24:42. | |
you can detect the fragrance wafting around the Great Pavilion. They are | :24:43. | :24:49. | |
the princesses of purple. For me this is the ultimate Royal Gala | :24:50. | :24:55. | |
performance. The like of which we have never seen before. Composed of | :24:56. | :25:00. | |
the Crown Jewels of the floral world. And it makes me feel like a | :25:01. | :25:05. | |
queen. Well I'm joined by radio royalty, DJ | :25:06. | :25:24. | |
and TV presenter Jo Wiley. Lovely to have you here. I love coming here. | :25:25. | :25:29. | |
You're always here, I see you every year. The number of people who ask | :25:30. | :25:36. | |
me if I actually garden. It is like being in an Alice in Wonderland | :25:37. | :25:42. | |
garden. Just having a bit of fun with the Chelsea visitors. I love | :25:43. | :25:50. | |
gardening. People keep asking if I do any gardening. Yes, that is why I | :25:51. | :25:55. | |
come here. What kind of gardening do you do? We have got a big field and | :25:56. | :26:01. | |
the Borders. I have got four children so we have a lot of play | :26:02. | :26:05. | |
areas, a tree house and also a vegetable garden. Different borders | :26:06. | :26:10. | |
all over the place. Would you call that are designed garden, or is it a | :26:11. | :26:19. | |
bit random. It is very random. Areas that are designed but it is just me | :26:20. | :26:23. | |
feeling my way through. I come here for inspiration, many friends are | :26:24. | :26:27. | |
into gardening so I pick their brains. But I'm happiest with the | :26:28. | :26:31. | |
whole day ahead of me to get into the garden and just getting weeding, | :26:32. | :26:39. | |
kicking and chanting. Do you find it distressing? If I wake up in a black | :26:40. | :26:47. | |
mood is as great therapy to go out in the garden. When you're at war | :26:48. | :26:53. | |
with the weeds, and you feel you're winning, that is great. Oh no, not | :26:54. | :26:59. | |
my favourite job! What ages are your children? Seven, 17, 15 and 20 four. | :27:00. | :27:07. | |
My seven-year-old is really good, every year we plant strawberries and | :27:08. | :27:13. | |
raspberries and we have a lot going on in the vegetable garden. She is | :27:14. | :27:17. | |
really good. You produce a lot for the kitchen. I do not cook I'm happy | :27:18. | :27:23. | |
to grow the staff and my 24-year-old daughter at does the cooking. You | :27:24. | :27:30. | |
have got every angle covered. And we have table tennis and a trampoline | :27:31. | :27:32. | |
so the others just play on the trampoline. Sounds like a versatile | :27:33. | :27:39. | |
space, outdoor living to the max. We are outdoors all the time. So how | :27:40. | :27:42. | |
does Chelsea compared to someone like Glastonbury as an event, | :27:43. | :27:50. | |
because you cover a lot of events. I do, this is the Glastonbury of | :27:51. | :27:54. | |
gardening. All kinds of craziness going on! And that sense of | :27:55. | :28:00. | |
occasion, we will just showing off their wares. Whether it is banned on | :28:01. | :28:06. | |
the stage at Glastonbury, you have people here showing their wares and | :28:07. | :28:10. | |
being very creative. I'm not sure it is as cool as you make it sound. I | :28:11. | :28:16. | |
think gardening is underrated, physically it is the hardest thing | :28:17. | :28:21. | |
you can ever do. At the end of the day your bones are aching. Like | :28:22. | :28:27. | |
being on the stage. But you get to hang out with all the rock stars. | :28:28. | :28:34. | |
Cleve West is pretty rock 'n' roll! And I just saw Lily Allen, she is a | :28:35. | :28:44. | |
big gardener. This is the celeb day on the Monday. What are you looking | :28:45. | :28:49. | |
forward to seeing? I just want ideas, I take photographs with my | :28:50. | :28:54. | |
phone and will take it home and see if I can make it work. Have you done | :28:55. | :28:59. | |
things at home that you have seen at Chelsea, and thought you could make | :29:00. | :29:03. | |
it work? I try to make all the Borders like Chelsea Borders. I'm | :29:04. | :29:09. | |
not sure I will have revolving bay trees in the garden any time soon! | :29:10. | :29:16. | |
That is rock 'n' roll for you. That is why I come. I know you will have | :29:17. | :29:21. | |
a good look around. I will go and investigate. Lovely to see you. | :29:22. | :29:26. | |
We've got plenty more coming up on tonight's Chelsea Flower Show, | :29:27. | :29:28. | |
an event supported by M Investments. | :29:29. | :29:30. | |
We'll be bringing you the Royal visit in full, meanwhile a number | :29:31. | :29:33. | |
of exhibits here at the show have gone to great lengths | :29:34. | :29:35. | |
to celebrate the 90th birthday of Her Majesty the Queen. | :29:36. | :29:38. | |
Toby Buckland has been to visit those with a nod | :29:39. | :29:41. | |
The highlight of any mandir Chelsea of course is the visit by Her | :29:42. | :29:58. | |
Majesty The Queen. To celebrate her recent significant birthday | :29:59. | :30:01. | |
exhibitors at the Great Pavilion have laid on so much more than cake | :30:02. | :30:08. | |
and balloons. The atmosphere is buzzing. | :30:09. | :30:13. | |
Commemorative arrangements, even the exhibitors have scrubbed up. But one | :30:14. | :30:19. | |
man has more in common with Her Majesty than most. Sir David, you | :30:20. | :30:29. | |
have got quite a lot in common with the Queen. You recently had your | :30:30. | :30:34. | |
90th birthday. Absolutely, I am a bit older, only about a month. You | :30:35. | :30:39. | |
have worked with roses pretty much all your life. I started as I left | :30:40. | :30:46. | |
school, about 18. And you work everyday, just like the Queen. That | :30:47. | :30:53. | |
is true. You have named quite a few roses for members of the family. | :30:54. | :30:57. | |
What to think she will make this display. I hope that she will like | :30:58. | :31:13. | |
it. It is fit for a queen! So many exhibits make a nod to Her Majesty | :31:14. | :31:16. | |
with planting schemes and the plants contained within them. This is a | :31:17. | :31:22. | |
vintage allotment. Tell me about this scheme. | :31:23. | :31:27. | |
We tried to create an allotment from 1926, the Queen'sbirth year. It was | :31:28. | :31:37. | |
grown for food, they needed potatoes and spinach and things like that to | :31:38. | :31:42. | |
get them some food. It is quite serendipitous in what they ate? They | :31:43. | :31:47. | |
have lovely turnips and of course we just eat the fruit but in those days | :31:48. | :31:50. | |
they used the tops and cooked them like cabbage. Waste not want not? | :31:51. | :32:01. | |
Absolutely. They used to eat the stems, braised, roasted, something | :32:02. | :32:09. | |
like that. Royal references aren't just in the plant names and borders | :32:10. | :32:12. | |
but even on the walls. I love this display. Carpet bedding at its best. | :32:13. | :32:25. | |
This is how sleek, they stopped up roots in Turkistan, so they say. And | :32:26. | :32:29. | |
this plant is a native succulents. You see it growing on the moors and | :32:30. | :32:36. | |
craggy hilltops. Both are extremely drought tolerant. Perfect for | :32:37. | :32:44. | |
something like this. That's it, the great Pavilion is set for the royal | :32:45. | :32:48. | |
arrival. By the looks of it, in a celebratory mood. Covent Garden in | :32:49. | :32:56. | |
central London dates back to medieval times. | :32:57. | :33:01. | |
And was home to the famous produce market supplying flowers, | :33:02. | :33:04. | |
fruit and veg to the UK. The original site of the flower | :33:05. | :33:07. | |
market in Covent Garden was a fashionable piazza | :33:08. | :33:09. | |
where Londoners would come to buy their fruit and vegetables. | :33:10. | :33:13. | |
This square that was also home to a variety of entertainment | :33:14. | :33:16. | |
But as time passed London got busier and busier and the demands | :33:17. | :33:21. | |
on the crowded streets surrounding the market grew. | :33:22. | :33:35. | |
Home to over 200 businesses and supplying three quarters | :33:36. | :33:39. | |
of London's florists, the new site is a busy | :33:40. | :33:41. | |
and thriving enterprise, selling a huge array of produce | :33:42. | :33:43. | |
from daffodils to pansies, chrysanthemums to orchids. | :33:44. | :33:45. | |
For decades this market has been supplying cut flowers, | :33:46. | :33:47. | |
foliage and plants to Chelsea, and this year they're putting | :33:48. | :33:52. | |
on their own exhibit for the first time. | :33:53. | :33:57. | |
While the capital was still snoozing, Adam Frost stepped | :33:58. | :33:59. | |
out to discover more about this very busy market. | :34:00. | :34:07. | |
Whilst London sleeps the whole world of horticulture stirs down by the | :34:08. | :34:13. | |
Thames. Wow. Unbelievable. I feel a bit like | :34:14. | :34:34. | |
Charlie Walker into Charlie and the chocolate factory. -- walking into. | :34:35. | :34:42. | |
I can't believe it's four o'clock in the morning and all this is going | :34:43. | :34:46. | |
on. This is the new Covent Garden flower market and it is like Mecca | :34:47. | :34:52. | |
for London florists, 75% of London florists come here. You can see why, | :34:53. | :34:56. | |
it's not only massive but has everything you can imagine. Gypsy | :34:57. | :35:00. | |
Ophelia from Ecuador, hydrangeas from Colombia. Sweet peas from | :35:01. | :35:06. | |
England. They literally come from all over the world. You must live in | :35:07. | :35:18. | |
a slightly different universe to the rest of the us. Monday morning is | :35:19. | :35:24. | |
half past 12 in the morning, Tuesday Wednesday, and on Saturday it's | :35:25. | :35:29. | |
three o'clock. We have a lie in! Where do all of these bits and | :35:30. | :35:32. | |
pieces come from? These come from South America. They are grasses from | :35:33. | :35:41. | |
Canada. They are from Peru. When would this be cut? Last Tuesday. And | :35:42. | :35:47. | |
it would have been sent over the weekend for today. About a week | :35:48. | :35:53. | |
really. Just under a week. Why do you do this job? The main reason is | :35:54. | :35:59. | |
that I love pretty things, flowers are pretty and we also get a lot of | :36:00. | :36:03. | |
pretty women in here! Best things about the job. If you're single it's | :36:04. | :36:09. | |
the best place to come. But I'm not here just to look at the flowers, I | :36:10. | :36:16. | |
have come to meet Ming Veevers Carter. She creates floral designs | :36:17. | :36:21. | |
for weddings, parties, events, the whole shebang. Not only in the UK | :36:22. | :36:25. | |
but across the world. Do you come here a lot? Four times a week if I | :36:26. | :36:31. | |
can. Every day is different. The colours and the smell and the people | :36:32. | :36:37. | |
and history. It's an amazing place. Here you are doing something at the | :36:38. | :36:42. | |
Chelsea Flower Show. We have been asked by new Covent Garden market to | :36:43. | :36:48. | |
do a display for them. The key behind every great florist is the | :36:49. | :36:52. | |
market and these guys support every single florist and it is the first | :36:53. | :36:56. | |
time they have ever displayed and the first time we have ever done | :36:57. | :37:00. | |
anything. This is the plan? This is the plan. This side shows the flower | :37:01. | :37:07. | |
market in itself, the buckets as you can see on the stands. Of course. | :37:08. | :37:13. | |
There is a whole wall of buckets and it shows the strength and support | :37:14. | :37:17. | |
that the market gives the florists. The buckets in here come into a core | :37:18. | :37:24. | |
and then burst out in colour on the other side. This is green and white | :37:25. | :37:30. | |
and simple and on the other side,... It's the Queen's head! Because the | :37:31. | :37:35. | |
Queen opened the flower market in 1975 and it's her 90th birthday so | :37:36. | :37:39. | |
it will be in really strong colours, we are going for fashionable colours | :37:40. | :37:45. | |
right now, yellows and oranges. And purples and blues. That looks as | :37:46. | :37:48. | |
though it layers back all the way through to the other side. Yes, so | :37:49. | :37:53. | |
from this site you can't actually see any of the buckets but when you | :37:54. | :37:56. | |
come from the other side you can't see the green either, so you have to | :37:57. | :38:01. | |
go all around. To get the full experience. I am going to see it, I | :38:02. | :38:03. | |
can't wait. Naman Ojha. It really does look | :38:04. | :38:32. | |
fantastic. You showed me the pictures, but this is blowing me | :38:33. | :38:38. | |
away. It's not just how it looks but it smells fantastic. It smells | :38:39. | :38:43. | |
amazing. It is beautiful. How did you find it? It was fantastic. As we | :38:44. | :38:48. | |
said before, the whole of the Chelsea Flower Show is like one big | :38:49. | :38:53. | |
family. Everyone has been helpful, the team we have is amazing. It's | :38:54. | :38:59. | |
been a real pleasure. No sleep but a real pleasure. How many days have | :39:00. | :39:03. | |
you done? We have been here since Monday. I don't even know what day | :39:04. | :39:10. | |
it is today! Seven days! You get a bit punch-drunk, don't you? Give me | :39:11. | :39:13. | |
an idea of the flowers you have used. Purple gladioli, red roses, | :39:14. | :39:29. | |
peonies, carnations are making a comeback. And sweet peas obviously | :39:30. | :39:38. | |
for the smell. Orchids, to show the international market. And tonnes of | :39:39. | :39:45. | |
freesia. It's just like my Thai! That is where I got the inspiration. | :39:46. | :39:50. | |
Bless you. Any difficult things in the build? Building the structure, | :39:51. | :39:55. | |
that was the most complicated thing because we had to really plan out a | :39:56. | :40:00. | |
lot before we put the flowers in. It's all about the mechanics behind | :40:01. | :40:04. | |
the scenes. Making sure the flowers last and making sure that we could | :40:05. | :40:08. | |
see the colours from a distance. So you get those layers. Any of the | :40:09. | :40:14. | |
plants being replaced in the week? We will replace about a third, not | :40:15. | :40:18. | |
every day but we will come in every morning and evening and check | :40:19. | :40:21. | |
everything and water it and spray it and gave it a lot of love and care | :40:22. | :40:27. | |
and have a chat. Then we will put it to bed. It is fantastic, the colours | :40:28. | :40:33. | |
and sent, I'm sure you will enjoy the week. I bet the Queen really | :40:34. | :40:38. | |
loved it. I hope so. We did it in her honour and we want to wish her a | :40:39. | :40:43. | |
happy birthday. That's lovely. It wasn't just royalty here at the show | :40:44. | :40:45. | |
today. Monday is press day and the show | :40:46. | :40:47. | |
ground was deluged with special guests all celebrating | :40:48. | :40:51. | |
the world of gardening. about gardening is radio DJ and TV | :40:52. | :40:57. | |
presenter Jo Whiley. Earlier today she took a tour | :40:58. | :41:04. | |
of the ground to find out One of the reasons I love coming to | :41:05. | :41:17. | |
Chelsea is because I'm a keen gardener, people might not expect | :41:18. | :41:20. | |
that but I'm like Mike pie and so are many people who come here, you | :41:21. | :41:25. | |
see things you like and I'm the person always taking photos and I | :41:26. | :41:29. | |
hot foot it back home and tried to buy the plans straightaway and it's | :41:30. | :41:33. | |
a wonderful process, and you spend the rest of the year seeing if those | :41:34. | :41:36. | |
plants actually look as good as they do at Chelsea. The chances are they | :41:37. | :41:46. | |
don't. What I love about this garden is the colouring. I love the copper, | :41:47. | :41:52. | |
the tones of the planting. The deep violet and black tones, that | :41:53. | :41:55. | |
contrast beautifully with soft greens and also there is a distance | :41:56. | :41:59. | |
to the garden, the way you can go on a journey. I can see it happening | :42:00. | :42:01. | |
for a very long time. You would not expect a garden to be | :42:02. | :42:16. | |
inside this massive slab of rock, that is the kind of thing I would | :42:17. | :42:20. | |
happily have in my garden, right down at the end for the kids to | :42:21. | :42:24. | |
climb on, they would have a trampoline at the bottom so they | :42:25. | :42:27. | |
could bounce off without hurting themselves and then inside there | :42:28. | :42:32. | |
would be this amazing garden. This is what I always say about | :42:33. | :42:35. | |
gardening, it is rock 'n' roll and good for the soul, it is all of | :42:36. | :42:45. | |
those things. This garden is great because it's an escape from | :42:46. | :42:48. | |
everything else that's going on out there and that is what gardening is | :42:49. | :42:53. | |
for me. It is kind of therapy. If I'm really stressed I will retreat | :42:54. | :42:56. | |
to my garden and I will start weeding and digging and at the end I | :42:57. | :42:59. | |
will feel better. This garden is very much like that, beautiful | :43:00. | :43:05. | |
running water and it smells gorgeous and it has herbs all over the place | :43:06. | :43:09. | |
and it is therapeutic and that is what gardening is funny, it's my | :43:10. | :43:14. | |
therapy, I guess. One thing gardening teaches you is patience, | :43:15. | :43:18. | |
and it's the whole relationship you have with the garden, Prince Charles | :43:19. | :43:23. | |
spoke about talking to his plans and everyone ridiculed him but now I | :43:24. | :43:26. | |
have been gardening so long that I understand. When the plants are | :43:27. | :43:32. | |
looking me in the eye I end up talking to them, what are you doing | :43:33. | :43:37. | |
here?! It makes me sound mad but maybe other gardeners can relate to | :43:38. | :43:42. | |
what I'm talking about here. It may come as is a prize but I can't | :43:43. | :43:45. | |
listen to music when I'm gardening and I don't want to listen to music, | :43:46. | :43:50. | |
I want to hear the water feature, the birdsong around me. And the | :43:51. | :43:53. | |
humming of the bees as I'm working away. That for me is the alternate | :43:54. | :43:58. | |
soundtrack, just the sound of my garden. -- the ultimate soundtrack. | :43:59. | :44:06. | |
2016 sees the return of some of the younger designers to main | :44:07. | :44:09. | |
avenue and in Friday's programme we'll be looking at their influence | :44:10. | :44:12. | |
One of those young designers is back and going for gold. | :44:13. | :44:17. | |
We caught up with him on a plant pilgrimage to the Middle East. | :44:18. | :44:42. | |
I have been visiting Jordan now for a few years and it is a magical | :44:43. | :44:54. | |
place. Beyond the city the countryside is | :44:55. | :45:03. | |
truly breathtaking stop there is a Mediterranean pine forest in the | :45:04. | :45:07. | |
north-west of Jordan. The limestone/ contained some of the last examples | :45:08. | :45:12. | |
of pine and oak habitat in the Middle East. Due to the underlying | :45:13. | :45:17. | |
limestone any water that falls swiftly drains away. Seeing these | :45:18. | :45:26. | |
incredible fans growing in such a harsh landscape inspired my garden | :45:27. | :45:31. | |
at Chelsea this year. I was fascinated to see how little | :45:32. | :45:35. | |
rainfall this beautiful flora required and I wanted my garden to | :45:36. | :45:41. | |
convey the message that water, so vital for the environment. Look at | :45:42. | :45:46. | |
these red and enemies behind me, I hope mine in the UK can be just | :45:47. | :45:51. | |
right for the show. Out in Jordan there followed by buttercups and | :45:52. | :45:56. | |
poppies and I will grow them in the UK and hopefully one of them will be | :45:57. | :46:02. | |
just right for the show. I walk further into the landscape | :46:03. | :46:06. | |
and another hidden gem is revealed growing in the wild. | :46:07. | :46:11. | |
I just found this lovely looping, the smell is incredible, these are | :46:12. | :46:16. | |
going crazy. I have got to have them for Chelsea but do not know if that | :46:17. | :46:22. | |
is possible. Back to the UK and the nursery and ask them very nicely. | :46:23. | :46:30. | |
This hostile landscape is home to the Bedouin people. | :46:31. | :46:39. | |
I'm intrigued by the traditional cloth that their craft and managed | :46:40. | :46:43. | |
to persuade them to supply me with some of this unique fabric. | :46:44. | :46:51. | |
This is a small village and I'm going to see the fabric being woven | :46:52. | :46:56. | |
for this Chelsea garden. This is my first chance to see the wool | :46:57. | :47:01. | |
close-up in its raw state. Before it is spun and woven. Is that three | :47:02. | :47:13. | |
pieces woven together or one piece? It is ready for weaving. It goes | :47:14. | :47:20. | |
through different phases. They select the right sheep, they wash it | :47:21. | :47:33. | |
and then make it ready for spinning. So this is made from goats and they | :47:34. | :47:40. | |
spin the hair to make the wool and weave it to make these panels. It is | :47:41. | :47:45. | |
a really coarse fabric but really immaculately done. These are around | :47:46. | :47:51. | |
because they're older but they start off black. They just replace | :47:52. | :47:57. | |
sections every year was up some of these are new and some are 20 years | :47:58. | :48:02. | |
old. How long would it take to weave this fabric? I have the fabric I | :48:03. | :48:08. | |
need will not take too long to make. It takes one year to make one metre | :48:09. | :48:17. | |
by 15 metres and we asked for 30 metres by three metres. So quite a | :48:18. | :48:24. | |
few years of work! By my reckoning it would take two and half years to | :48:25. | :48:30. | |
create the fabric I need but luckily, there are numerous ladies | :48:31. | :48:35. | |
in the village all weaving for Chelsea, so we should be OK. With | :48:36. | :48:40. | |
the deal done, we only have the small task of shipping the fabric to | :48:41. | :48:45. | |
Devon and hand waxing it to improve durability for the UK climate. | :48:46. | :48:54. | |
It is the first time I have been in your garden and it is stunning, | :48:55. | :48:57. | |
really very beautiful. You have got though poppies in flower not be in | :48:58. | :49:02. | |
enemies. Not the enemies. We had such a warm December, there were | :49:03. | :49:09. | |
flown in and that was it. You had something to take over and the | :49:10. | :49:12. | |
poppies look great and also you have the Lupin. That is magical, they | :49:13. | :49:18. | |
were planted ages ago. We managed to do it and that is great. The | :49:19. | :49:21. | |
geometry of the garden is quite baffling. What shape are these stone | :49:22. | :49:31. | |
structures? This is associated with water and it is the only equilateral | :49:32. | :49:37. | |
triangle in the whole garden. There is another one hidden inside the | :49:38. | :49:41. | |
water, that is quite a sacred shape associated with water. And that | :49:42. | :49:48. | |
ripple is beautiful, and the reflective quality. Your fabric came | :49:49. | :49:56. | |
good! You talked about it taking years to make. The amount of square | :49:57. | :50:03. | |
metres you wanted. It was a lot. The Bedouin ladieswear weaving it, then | :50:04. | :50:09. | |
we brought it to the UK and had a great team and waxing it. Because we | :50:10. | :50:14. | |
wanted it to be more durable if it rains and also the garden being | :50:15. | :50:18. | |
relocated, we wanted to think about that. And the geometric forms on the | :50:19. | :50:25. | |
boundary, tell us about that. I always wanted a three-dimensional | :50:26. | :50:30. | |
garden. And the same forms and geometry found deep within water | :50:31. | :50:33. | |
particles that I put into the fabric. They have all got a link | :50:34. | :50:40. | |
back to water. And you grow a lot of the plants from seed. Around 80% are | :50:41. | :50:46. | |
native to Jordan. So it has been really challenging, quite a couple | :50:47. | :50:51. | |
of years with this experimental process. I have been working with | :50:52. | :50:55. | |
the nursery manager in Jordan to test what might flower and bringing | :50:56. | :51:01. | |
that knowledge back to the UK and working with the nursery team here. | :51:02. | :51:06. | |
Are you happy? Really pleased, it has been a big challenge for the | :51:07. | :51:10. | |
whole team and I am delighted with how it turned out. I think for any | :51:11. | :51:15. | |
designer be important thing is to be happy with the garden. Thank you | :51:16. | :51:17. | |
very much. Today has been a big day for VIP | :51:18. | :51:19. | |
visitors and none more She arrived here just a few hours | :51:20. | :51:22. | |
ago to take it all in. Sophie Raworth was there | :51:23. | :51:29. | |
to witness her experience Her Majesty The Queen arriving here | :51:30. | :51:46. | |
at the Chelsea Flower Show. This is her 51st visit. She has been coming | :51:47. | :51:51. | |
since before she was Queen, first captured on film in 1947. And she's | :51:52. | :51:57. | |
about to pass through the arch on the Chelsea embankment, the first | :51:58. | :51:59. | |
time in the history of the flower show it has been bedecked with | :52:00. | :52:02. | |
flowers. It has been done in honour of her 90th birthday. | :52:03. | :52:11. | |
The Queen is about to be presented with a bouquet made by a | :52:12. | :52:16. | |
six-year-old girl, herself a keen gardener who grows roses and flowers | :52:17. | :52:22. | |
in her grandmother 's garden. The Queen is now talking to David | :52:23. | :52:28. | |
Austen, the famous Rose grower. He's also years old. And like the Queen | :52:29. | :52:35. | |
he is still working. What did she say about your beautiful roses? She | :52:36. | :52:42. | |
seemed to like them. How did it feel for you to have her here? It is a | :52:43. | :52:52. | |
great honour. Jo Thompson showing that you can | :52:53. | :52:58. | |
Duchess of Cambridge around her garden along with Prince Harry. | :52:59. | :53:02. | |
Prince Harry is of course something of a veteran of Chelsea, he was here | :53:03. | :53:08. | |
last year with his own show garden for his charity. The Duke and | :53:09. | :53:13. | |
Duchess have visited the Chelsea Flower Show for the first time, | :53:14. | :53:16. | |
plenty for them to see including a flower named after their daughter | :53:17. | :53:21. | |
incest Charlotte. The Duke and Duchess of Cambridge, their first | :53:22. | :53:25. | |
time at Chelsea and they are in your garden admiring your lawn! It is | :53:26. | :53:30. | |
priceless, a wonderful moment I will remember for ever. | :53:31. | :53:37. | |
I'm sure this will be a memorable part of the Queen 's visit to the | :53:38. | :53:43. | |
Chelsea Flower Show today, she's about to see this field of poppies, | :53:44. | :53:46. | |
more than 300,000 poppies that have been knitted by people all over the | :53:47. | :53:50. | |
world to honour those who died in conflicts over the past century. | :53:51. | :53:57. | |
Look at you both! I have got tears in my eyes. It has been amazing. She | :53:58. | :54:03. | |
was a bit surprised about what it was and how it came about and 50,000 | :54:04. | :54:08. | |
people involved in putting it together. It is an amazing feeling, | :54:09. | :54:10. | |
she appreciated our work. It's been a very regal day | :54:11. | :54:15. | |
here and the gardens and exhibits This display has been made for us, | :54:16. | :54:31. | |
roses, lily of the valley. It is quite incredible. All the roses | :54:32. | :54:36. | |
making this caution. You could have six of these on your sofa at home! | :54:37. | :54:45. | |
Nigel sleeps on something like this! It is in the spirit of the day. | :54:46. | :54:53. | |
Judging has now taken place and tomorrow Chelsea | :54:54. | :54:55. | |
There will be tears of joy and I suspect some tears of sorrow as | :54:56. | :55:04. | |
well. Across the week we'll be reporting | :55:05. | :55:05. | |
on what medals the gardens and exhibits here were awarded | :55:06. | :55:08. | |
and tomorrow we can bring you the results | :55:09. | :55:10. | |
of the Best Show Garden. That award will be given to one | :55:11. | :55:13. | |
of the gold medal winners here. Today, we've been asking the team | :55:14. | :55:22. | |
to lay their bets on who will The one they think the judges will | :55:23. | :55:37. | |
pick. Explain how they make that decision. There is a points system, | :55:38. | :55:44. | |
as simple as that. You have got I think quite a few gold medals out | :55:45. | :55:49. | |
there and one of those on the points system, will win Best Show Garden. | :55:50. | :55:56. | |
We have got to make some predictions and my problem is I think there are | :55:57. | :56:01. | |
two outstanding gardens. Cleve West and Andy Sturgeon. I think head and | :56:02. | :56:07. | |
shoulders they are above the other gardens and a standout. I think the | :56:08. | :56:12. | |
judging process, whether it comes out in the wash that one is slightly | :56:13. | :56:15. | |
better than the other, I do not know how they will do that. Surely | :56:16. | :56:18. | |
somewhere down the line someone has got to make an order butchery | :56:19. | :56:24. | |
decision, I just like it more. -- an arbitrary decision. I think it could | :56:25. | :56:37. | |
be done on points at the same time, it could go down to a tie. I think | :56:38. | :56:42. | |
it will be Cleve West. I'm prepared to say I think Cleve West will win | :56:43. | :56:48. | |
Best Show Garden. I'm going to write it down. You may be correct. I'm not | :56:49. | :56:58. | |
telling you. I'm not a coward! We might both be right, we could both | :56:59. | :56:59. | |
be wrong. Tomorrow we have all the medal | :57:00. | :57:01. | |
results and Kate Adie reveals her secret | :57:02. | :57:04. | |
passion for plants. Our coverage starts again tomorrow | :57:05. | :57:06. | |
at 3.45 on BBC1 when Nicki Chapman and James Wong will have | :57:07. | :57:09. | |
all the medal results. The biggest and bloodiest | :57:10. | :57:20. | |
naval battle... | :57:21. | :58:03. |