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Hello and welcome to the heart of the Cheshire countryside | :00:21. | :00:35. | |
for the Royal Horticultural Society's Flower Show, Tatton Park. | :00:36. | :00:39. | |
It may be the final stop on our flower show journey this summer, | :00:40. | :00:42. | |
but there's still plenty of gardening inspiration | :00:43. | :00:45. | |
Tatton doesn't get the plaudits of Chelsea, but then nothing does. But | :00:46. | :01:02. | |
it has its own atmosphere. There is a charm about the show. I love it. I | :01:03. | :01:07. | |
think it's got a strong identity that has changed over the years and, | :01:08. | :01:11. | |
for me, is bringing through young designers and young plants people | :01:12. | :01:15. | |
and they are cutting their teeth, and it's a great thing. I like the | :01:16. | :01:20. | |
way we are not in the Home Counties but in the north of England, it's | :01:21. | :01:25. | |
proud, it belongs here and that gives its character. So far, so good | :01:26. | :01:29. | |
with the weather. It's always a changeable feast. Over the next half | :01:30. | :01:35. | |
an hour, Carol Klein celebrates the late summer blooms in the Floral | :01:36. | :01:38. | |
Marquee and shares her tips for growing and maintaining those | :01:39. | :01:41. | |
chameleons of colour, hydrangeas. Youth is centre stage at Tatton | :01:42. | :01:46. | |
once again, as young designers and landscapers | :01:47. | :01:49. | |
are challenged to work together to create their first | :01:50. | :01:51. | |
ever show gardens. I'll be reviewing their efforts | :01:52. | :01:53. | |
and revealing the winners in this innovative competition later | :01:54. | :01:56. | |
in the show. It's harvest time at Tatton, | :01:57. | :01:58. | |
as champion growers from across the UK bring their prize | :01:59. | :02:01. | |
produce to the competitive arena that is the Summer Fruit | :02:02. | :02:04. | |
and Vegetable Pavilion. We've got all this for you to enjoy | :02:05. | :02:20. | |
from the RHS flower show Tatton Park, an event supplied by Bruntwood | :02:21. | :02:29. | |
Properties. To share your thoughts, you can do so on Facebook or you can | :02:30. | :02:34. | |
tweet. First, let's turn to the show gardens, and there are three | :02:35. | :02:37. | |
categories, each of which highlights the skills of established as well as | :02:38. | :02:46. | |
new designers. Earlier, Monty, Arit and myself went to take a look at | :02:47. | :02:49. | |
some of the impressive designs in each category. | :02:50. | :02:59. | |
There are six large show gardens this year. Because these are the big | :03:00. | :03:08. | |
set pieces. Each one has its own style and its own story. And this | :03:09. | :03:15. | |
one is the Gabriel Ash Greenhouse Garden, denied by Lilly Gomm. As far | :03:16. | :03:22. | |
as the planting goes, you will immediately notice the tree ferns, | :03:23. | :03:25. | |
which are very present. This is a shady end of the garden, which tree | :03:26. | :03:31. | |
ferns and the like would absolutely love. You have what is fundamentally | :03:32. | :03:37. | |
a green and slightly purplish touch to the colour. The planting moves | :03:38. | :03:46. | |
either side of a large dark pool. You have this black empty space, | :03:47. | :03:52. | |
which gives a feeling of generosity to the garden. It compliments the | :03:53. | :03:57. | |
intensity of the planting. Which is growing in colour, so you've got all | :03:58. | :04:05. | |
of these, you got dahlias, rising to a crescendo with bananas either side | :04:06. | :04:14. | |
of the greenhouse. The garden culminates here in the greenhouse, | :04:15. | :04:19. | |
and it's lovely. It's part conservatory, part potting shed. It | :04:20. | :04:25. | |
just a really good garden space. My guess that most of us would dream of | :04:26. | :04:30. | |
having a greenhouse like this. But there's a poignancy here. Lilly | :04:31. | :04:36. | |
Gomm, the designer, who is young, told me that she sees no chance of | :04:37. | :04:42. | |
owning a house and a garden in which to put a greenhouse. And, for her, | :04:43. | :04:49. | |
like the rest of us, when the show ends, the dream will disappear. | :04:50. | :05:14. | |
This is the Live Garden, one of three conceptual creations in the | :05:15. | :05:21. | |
Future Spaces category. These designs leap ahead in time to | :05:22. | :05:24. | |
promote innovative and exciting possibilities of how we may live in | :05:25. | :05:33. | |
cities in decades to come. Dan, a very ambitious garden with three | :05:34. | :05:38. | |
levels. What was the inspiration? We were thinking that gardens in the | :05:39. | :05:42. | |
future would need to make use of space, so we decided to embark on a | :05:43. | :05:46. | |
rather large adventure of digging up 200 tonnes of soil to create a | :05:47. | :05:50. | |
basement room. We've got the ground level and you got in at the tier for | :05:51. | :05:57. | |
sunbathing and relaxing. -- an upper tier. There are a lot of details | :05:58. | :06:01. | |
which don't come to light straightaway. This table is | :06:02. | :06:06. | |
foldaway, which gives you more space in the communal area. You have some | :06:07. | :06:09. | |
loungers on the top deck to catch some reason. Another detail is there | :06:10. | :06:16. | |
is a light wall in the basement which helps you create different | :06:17. | :06:20. | |
atmospheres and moods because you can change the colours accordingly. | :06:21. | :06:24. | |
The planting, there is a lot of it, but it seems to be in different | :06:25. | :06:30. | |
zones. What is going on with that? We tried to create different | :06:31. | :06:34. | |
atmospheres in different levels, so in the basement there are cool | :06:35. | :06:36. | |
colours and large leaves. In the middle level, there are different | :06:37. | :06:43. | |
colours and foliage, texture and form, representing the eclectic mix | :06:44. | :06:46. | |
and meeting point of the garden. At the top, there are lots of warm | :06:47. | :06:51. | |
colours, which is a beacon for the garden, attracting insects and | :06:52. | :06:54. | |
birds. You have managed to pack a locked into the garden, and I think | :06:55. | :06:58. | |
there is so much for the future we can look at. Well done. Thank you. | :06:59. | :07:07. | |
The size of gardens can vary greatly across the RHS flower show | :07:08. | :07:10. | |
season, but none come smaller or more compact than the final | :07:11. | :07:12. | |
category of gardens here at Tatton - the Back-to-Backs. | :07:13. | :07:15. | |
Inspired by the tiny backyards commonplace across the terraced | :07:16. | :07:18. | |
streets of the north of England, designers have a space measuring | :07:19. | :07:24. | |
just six metres by four metres to work their horticultural magic. | :07:25. | :07:30. | |
So they really test a designer. Small, compact, Bijou, whatever, it | :07:31. | :07:38. | |
doesn't mean there are not great ideas here for you to take home and | :07:39. | :07:40. | |
use in your own space. This design has taken his | :07:41. | :07:54. | |
inspiration from a much yards are garden -- much larger garden. How'd | :07:55. | :07:59. | |
you get a large garden into a small one? You don't, but you can distil | :08:00. | :08:03. | |
those ideas and create something special. James has used a simple | :08:04. | :08:09. | |
technique, putting the paving on a diagonal, which gets rid of the | :08:10. | :08:13. | |
rectangular feel of the space. The borders start breaking into the | :08:14. | :08:16. | |
middle, which makes it much more interesting and helps lead you | :08:17. | :08:19. | |
through with this herbaceous planting either side. This arbour, | :08:20. | :08:28. | |
nicely shaded and surrounded by wonderfully scented plants, like the | :08:29. | :08:30. | |
star jasmine, sweet peas and lavenders. What is nice about this | :08:31. | :08:39. | |
garden for me is that Sam Youd, James's dad, was the head gardener | :08:40. | :08:44. | |
here for many years, and this is his first ever show garden, so it's nice | :08:45. | :08:46. | |
to keep the family connection with Tatton Park itself. This garden is | :08:47. | :08:59. | |
called Relaxation, Meditation and it was conceived after one of the | :09:00. | :09:02. | |
designers, Paul, had been meditating for three years, not solid, he's got | :09:03. | :09:08. | |
gardens to make! The idea is it is in retreat space where you can do | :09:09. | :09:13. | |
some yoga and completely chill out. I think the water feature is a | :09:14. | :09:18. | |
triumph, breaking up that already nicely, and the sound is just right. | :09:19. | :09:23. | |
It could detract from the noise of traffic or noisy neighbours, the | :09:24. | :09:26. | |
planting is generally soft. I think the ponytail grass links the beds | :09:27. | :09:30. | |
nicely together. For me, there is one no-no in the planting, and that | :09:31. | :09:37. | |
is under planting the bamboos with lavender. For me, that doesn't work, | :09:38. | :09:42. | |
but I'm nit-picking now and getting stressed out. I need to relax, chill | :09:43. | :09:44. | |
out and let it wash right over me. If you want a change from the show | :09:45. | :10:00. | |
gardens, you have the Floral Marquee and, at Tatton, it is huge and | :10:01. | :10:03. | |
packed with plants, all at their best, and with a wider variety than | :10:04. | :10:08. | |
at any other time of the year. But there is a direct connection to the | :10:09. | :10:13. | |
gardens, and Carol has been in there, looking at the plant is that | :10:14. | :10:16. | |
the designers of the garden have chosen their planting schemes. | :10:17. | :10:28. | |
I love Tatton, that time of year when all of these late flowering | :10:29. | :10:35. | |
perennials really reach their peak. The whole thing is celebratory, and | :10:36. | :10:39. | |
nothing more so than these North American daisies, plants of the | :10:40. | :10:43. | |
prairies. I suppose the most typical one is this one. Heleniums are | :10:44. | :10:52. | |
gorgeous, I love the way they have got these velvet doorknob centres | :10:53. | :10:54. | |
which become bright yellow. This one is called Mardi Gras, and it | :10:55. | :11:00. | |
certainly reminds you of the carnival. I love the way it used | :11:01. | :11:05. | |
here, with the soft grasses. Outside in the gardens, designers can really | :11:06. | :11:10. | |
show us how to use these plants in our own gardens on a bigger scale. | :11:11. | :11:23. | |
Here, heleniums are used in a quite different way. Big splashes of | :11:24. | :11:31. | |
orange amongst this very green, vernal background. It knits | :11:32. | :11:38. | |
beautifully, but they draw your eye. I love the idea they've been used | :11:39. | :11:41. | |
alongside perennials and other plants to create this lovely, dreamy | :11:42. | :11:47. | |
effect. Any meadow has to have grass at its heart, and here this one | :11:48. | :11:52. | |
melds all of the planting together. Grasses again in this delightful | :11:53. | :12:07. | |
garden. This time, miscanthus. And loads more heleniums, but they are | :12:08. | :12:13. | |
nearly all in bud, and here they form a perfect skirt around these. | :12:14. | :12:21. | |
It is really wild, this. You can grab it from seed easily, and don't | :12:22. | :12:30. | |
these rigid stems really set it off? Especially against the soft tassles. | :12:31. | :12:36. | |
This one has got a soft, gentle, informal sort of look, but there are | :12:37. | :12:44. | |
some cannas which reach truly he-man proportions. | :12:45. | :12:52. | |
Now, that's what you call a magnificent canna. This one is dark, | :12:53. | :13:02. | |
dramatic, almost dangerous. This wonderful present in the border. It | :13:03. | :13:06. | |
makes all that growth in one year. And don't you think it's orange | :13:07. | :13:13. | |
flowers look just like those silk handkerchiefs produced from a | :13:14. | :13:16. | |
magician's sleeve. The whole plant is magical. | :13:17. | :13:28. | |
Providing they've got ample organic matter underneath their roots, these | :13:29. | :13:32. | |
will thrive just about anywhere. I love the way they are used in this | :13:33. | :13:39. | |
Mediterranean setting. You are almost there, on one of those | :13:40. | :13:43. | |
sunbaked slopes. And the combination between these orange and yellow | :13:44. | :13:49. | |
gorgeous flowers with all of this grey foliage is a real winner. The | :13:50. | :13:55. | |
way these plants are used, both in the marquee and out here in the | :13:56. | :13:59. | |
gardens, is so inspiring. It gives you so many ideas about how to make | :14:00. | :14:04. | |
your late summer borders come to light. | :14:05. | :14:11. | |
The Floral Marquee and Carol Klein, a marriage made in heaven. Inside | :14:12. | :14:17. | |
this marquee, a special event is held every year, and one that Tatton | :14:18. | :14:19. | |
Park is very proud to present. It's the glorious summer fruit | :14:20. | :14:23. | |
and vegetable competition, which plays host to some | :14:24. | :14:25. | |
of the most perfectly presented It all seems very sedate in here, | :14:26. | :14:43. | |
but actually the rivalry matches anything you'll find on a football | :14:44. | :14:44. | |
field. Passionate growers from across | :14:45. | :14:46. | |
the country harvest their seasonal crops and bring them to Tatton | :14:47. | :14:48. | |
to take home coveted prizes. Ideally, first prize. The judges are | :14:49. | :15:01. | |
experienced and they will go through all of these wonderful plates, | :15:02. | :15:05. | |
looking for nothing but perfection. Just look at these shall nots. They | :15:06. | :15:11. | |
so nicely laid out with bits of raffia tying the tops. My eye is | :15:12. | :15:14. | |
drawn to this one, and I picked a good one, because it won first | :15:15. | :15:28. | |
prize. I can see why. These cabbages are enormous, they're ridiculous, | :15:29. | :15:34. | |
they would feed a family for weeks! In this category, horticultural | :15:35. | :15:42. | |
societies come together and put out six different plates of fruit, and | :15:43. | :15:47. | |
they're absolutely stunning. Somebody has had a gooseberry! You | :15:48. | :15:53. | |
can't come and eat the fruit! I'm here with the undeniable queen of | :15:54. | :16:01. | |
potatoes. She not only won first in three categories, but also won the | :16:02. | :16:04. | |
best plate of vegetables in the whole show. Lovely to see you again. | :16:05. | :16:09. | |
I have got a social media question from Tim, he says, what went wrong | :16:10. | :16:15. | |
with his potatoes underneath? It could be the food all the nutrients, | :16:16. | :16:19. | |
too much nitrogen will cause lots of leaf. As far as the small potatoes | :16:20. | :16:23. | |
are concerned, it might just be that we have had a very dry seasons so | :16:24. | :16:27. | |
perhaps they needed a bit more water. Fantastic. Congratulations, | :16:28. | :16:32. | |
beautiful displays, I have to say. So, it's not just a lovely fruit and | :16:33. | :16:36. | |
vegetables here, you can also talk to the expert growers and get some | :16:37. | :16:48. | |
fabulous advice. I have got a photograph of myself aged four | :16:49. | :16:53. | |
kneeling in the strawberry beds, stealing those forbidden fruit. And | :16:54. | :16:58. | |
I can remember to this day the smell of the warm earth and the | :16:59. | :17:01. | |
strawberries. However fragile and fleeting those memories are, they do | :17:02. | :17:09. | |
persist, and there's one garden here at Tatton called Remember Me, which | :17:10. | :17:16. | |
uses that to provoke and stimulate the memories of those suffering from | :17:17. | :17:20. | |
dementia. Toby has been along to have a look. This Remember Me garden | :17:21. | :17:35. | |
is so much more than a garden. It is a working space that tells a story. | :17:36. | :17:41. | |
The borders are filled with what you might call granny's favourites, | :17:42. | :17:46. | |
nasturtium, rubbing shoulders with parsley and African marigolds. At | :17:47. | :17:50. | |
the way they are planted together is quite clever. This side of the | :17:51. | :17:56. | |
garden, they're quite coherent, but as you move through the space, the | :17:57. | :18:02. | |
garden becomes a bit more, well, bitty, representing the journey that | :18:03. | :18:07. | |
a dementia sufferer has from initial diagnosis, right through to 24-hour | :18:08. | :18:12. | |
bed care. And that's where these hospital beds come in, they're | :18:13. | :18:17. | |
filled with herbs, includingft, known to help you sleep easier at | :18:18. | :18:22. | |
night. Dementia Gardens need to have a circular design, because if you | :18:23. | :18:26. | |
suffer from the disease, it is important that you find your way | :18:27. | :18:30. | |
back to where you have come from. Any disparity can looked like a | :18:31. | :18:33. | |
chasm, so the colour is very important, if your eyesight is | :18:34. | :18:38. | |
diminishing, as dementia takes hold. But the real genius lies in tackling | :18:39. | :18:42. | |
such an important issue so sensitively. This isn't elected, it | :18:43. | :18:47. | |
is a conversation point, and that's exactly what the best show gardens | :18:48. | :18:58. | |
should be. Hydrangeas are applied that remind me of the past. But the | :18:59. | :19:03. | |
wheel has turned and they're now the height of fashion. Harold Klein has | :19:04. | :19:13. | |
been to find out why. -- Carol. Hydrangeas, you can't ignore them, | :19:14. | :19:15. | |
they charmed you with the volume of their flowers and the soft and | :19:16. | :19:22. | |
beautiful colours. You can grow hydrangeas almost anywhere, up the | :19:23. | :19:26. | |
wall, in your borders, or even if you haven't got a garden, in a pot. | :19:27. | :19:32. | |
As for their colour, in some gardens they're pink, in sum, they're blue. | :19:33. | :19:36. | |
If your soil is on the acid side, they will be blue. If it is on the | :19:37. | :19:41. | |
alkaline side, they will be pink. But don't try and change it, just go | :19:42. | :19:45. | |
with what you've got. Or better still, grow a white one! If there is | :19:46. | :19:50. | |
anything you want to know about hydrangeas, the bloke you've got to | :19:51. | :19:56. | |
go and see is Paul. Hydrangeas used to be thought of as sort of | :19:57. | :20:00. | |
old-fashioned, but you've revolutionised it? Not particularly | :20:01. | :20:04. | |
me, but the breeders have put a lot of work in to bring them up to | :20:05. | :20:07. | |
datelook at that one, it's beautiful. Also, the big, soft | :20:08. | :20:12. | |
flowers, as opposed to something like this, the tight bouquet, what | :20:13. | :20:20. | |
about this one? This one has the semi double flower, it is an | :20:21. | :20:24. | |
absolute cracker. Some of these are famous for having green flowers? | :20:25. | :20:30. | |
Yeah. This one does get a little bit unruly, to say the least, and it can | :20:31. | :20:35. | |
grow from nothing to 6ft in a year! We have got a couple of questions on | :20:36. | :20:39. | |
social media. This one wants to know the best time to take a hydrangea | :20:40. | :20:44. | |
cutting? You can take soft cuttings during the growing season. You would | :20:45. | :20:50. | |
take it in late September, early October. Next question - why might | :20:51. | :20:59. | |
the hydrangeas not be flowering? They are healthy but they have got | :21:00. | :21:04. | |
no flowers? First of all, the key is in the pruning. If you remove too | :21:05. | :21:09. | |
much of the stem, then inadvertently you are taking of the flower buds | :21:10. | :21:12. | |
and throwing them away. Secondly, it could be positioned. They like | :21:13. | :21:17. | |
dappled shade, if you have them into much shade, they might not flower. | :21:18. | :21:20. | |
Number three is actually feeding them far too much. Too much | :21:21. | :21:26. | |
nitrogen? Exactly. You get a big, glorious plant, very little or no | :21:27. | :21:30. | |
flower. Thanks so much, Paul. Glorious, really beautiful. Thank | :21:31. | :21:36. | |
you very much indeed, I'm very proud. Thank you. | :21:37. | :21:43. | |
Over recent years, Tatton has built a reputation as a launch pad | :21:44. | :21:46. | |
for new horticultural talent, a place for young people | :21:47. | :21:48. | |
starting out in the industry to showcase their potential. | :21:49. | :21:50. | |
This status has been solidified with the addition of the RHS | :21:51. | :21:53. | |
Young Planting Designer and Landscape Contractor Competition, | :21:54. | :21:55. | |
Once again, six debutants from the worlds of landscaping | :21:56. | :22:02. | |
and planting have been set the challenge of working | :22:03. | :22:05. | |
together in pairs to build their first show gardens. | :22:06. | :22:13. | |
Earlier, Monty went to take a look at the three finished gardens. | :22:14. | :22:20. | |
This one is Let 'em Grow, an urban retreat by Karl Crowe and Guilio | :22:21. | :22:31. | |
Passarelli. It is almost unlike any front garden you have ever seen. It | :22:32. | :22:37. | |
is packed with plants, immediately making you feel lush and cool. This | :22:38. | :22:41. | |
is a space that is defying the modern urban world and creating its | :22:42. | :22:47. | |
own little space, however small it might be. With a seat halfway down, | :22:48. | :22:54. | |
you look up onto a meadow, there's a little greenhouse which you can also | :22:55. | :22:59. | |
use as a conservatory. It is really full of stuff, and I would almost | :23:00. | :23:03. | |
say slightly too busy in one respect. The paving is a little bit | :23:04. | :23:08. | |
distracting, it's like a busy carpet in a room with lots of other things. | :23:09. | :23:12. | |
If that had been a bit simpler, I would say this would come together | :23:13. | :23:16. | |
in a really extraordinary way. As it is, it's a very special garden. This | :23:17. | :23:30. | |
garden is called Range Rearrange. It Is Another Retreat but this time, it | :23:31. | :23:37. | |
is a rural one. I like the way that it takes a theme and sticks with it. | :23:38. | :23:44. | |
That theme is using flowers as cut flowers to dry, pressed through the | :23:45. | :23:48. | |
glass. The process of trying them is incorporated into the design, and I | :23:49. | :23:53. | |
like the way that the landscaping picks up the faded tones and | :23:54. | :24:01. | |
textures of the dried flowers. And the idea that even with flowers, you | :24:02. | :24:07. | |
can recycle them, there is a use for them after their life within the | :24:08. | :24:14. | |
border. And it goes to show that, as ever, a simple idea done well always | :24:15. | :24:15. | |
makes a good garden. This garden is called Chaos To | :24:16. | :24:37. | |
Coastline. It is made by Ben Poulter and Elliot Hood. I like the way it | :24:38. | :24:40. | |
captures the simplicity of the coast, the planting is simple, you | :24:41. | :24:47. | |
have got wonderful agapanthus, some lavender, and what is particularly | :24:48. | :24:51. | |
good, I like the way that the hard landscaping is very confident. The | :24:52. | :24:57. | |
one thing I think probably is a mistake is this living wall, it | :24:58. | :25:00. | |
doesn't need it, the grasses along the back would have done fine. But | :25:01. | :25:05. | |
that is a minor quibble. There is also a feature which all the best | :25:06. | :25:08. | |
beaches have, which is a shower. Not only does it look very stylish and | :25:09. | :25:13. | |
condiments the rest of the garden, it also actually works! So, if | :25:14. | :25:18. | |
you're feeling rather too hot here in Tatton, this is the place to come | :25:19. | :25:27. | |
and cool off. Sue, we are just in the second year of this landscape | :25:28. | :25:33. | |
plant Association, and it feels like it belongs here at Tatton. It really | :25:34. | :25:36. | |
does, doesn't it? It's brilliant. There is so much about, youth, in | :25:37. | :25:43. | |
horticulture. Everybody you see here is 28 or under. And these three | :25:44. | :25:47. | |
beautiful gardens, they're so talented. Also the fact that they | :25:48. | :25:50. | |
haven't worked together, they don't know each other, quite daunting? | :25:51. | :25:56. | |
Very much so, but we have deliberately done that, to combine | :25:57. | :26:00. | |
two skills, the planting designer and the landscape, because in the | :26:01. | :26:02. | |
future, they will have to work with people they don't know. That is part | :26:03. | :26:09. | |
of the challenge. And this is the place where certainly the likes of | :26:10. | :26:15. | |
myself come to see what's going on? We very deliberately made this the | :26:16. | :26:18. | |
personality for Tatton park, to have this where people could come and be | :26:19. | :26:22. | |
inspired by Jim people who got such talent, and many of them have gone | :26:23. | :26:26. | |
on to design in other, larger shows, for example, at Chelsea. Do you see | :26:27. | :26:30. | |
it as a hierarchy, that people work their way up to Chelsea, or is it | :26:31. | :26:36. | |
enough just to do really well here, because it's Tatton Park and this is | :26:37. | :26:41. | |
where the best young design is? I think for young designers, | :26:42. | :26:44. | |
absolutely. There is nowhere else in this country, from the two | :26:45. | :26:47. | |
competitions we ran for young designers, there is nowhere like | :26:48. | :26:51. | |
this. If you are a young designer, Tatton Park is the show to come to. | :26:52. | :26:54. | |
The time has come when we have to announce the winner of the landscape | :26:55. | :27:00. | |
and the planting. We do indeed. So, here we are, and we're going to | :27:01. | :27:06. | |
start first of all with the RHS Young Landscaper 2017. And it's | :27:07. | :27:14. | |
going to Elliot Hood! Congratulations! Beautiful garden! | :27:15. | :27:25. | |
Congratulations! It was a tough one to choose? Very tough, I'm glad I'm | :27:26. | :27:31. | |
not a judge. Now, equally important... We are delighted to | :27:32. | :27:37. | |
announce that the Young Planting Designer Of The Year goes to Ben | :27:38. | :27:44. | |
Poulter. Many, many congratulations! A beautiful garden. Over the moon, | :27:45. | :27:52. | |
don't know what to say, to be honest. It's been a wicked | :27:53. | :27:54. | |
experience working with them, absolute pleasure. From doing a | :27:55. | :27:58. | |
small, little design, working with Elliott on it, and creating | :27:59. | :28:03. | |
something absolutely incredible. I'm very, very lucky that I've met a | :28:04. | :28:11. | |
good contractor. You know, Joe, I find the quality of the work done by | :28:12. | :28:16. | |
the young designers here at Tatton Park gets better and better, and | :28:17. | :28:19. | |
it's really exciting, it bodes well for the future. It is, it's | :28:20. | :28:23. | |
exciting, the next generation of landscapers and designers working | :28:24. | :28:26. | |
together. You can see it here right now, and it's giving the show its | :28:27. | :28:29. | |
identity, too. Which brings us to tomorrow. | :28:30. | :28:33. | |
Well, that's all we have time for tonight from Tatton Park, | :28:34. | :28:35. | |
but we'll be back tomorrow at 7:30pm on BBC Two, when we'll be putting | :28:36. | :28:38. | |
the spotlight on the new kids on the horticultural block, | :28:39. | :28:41. | |
in the RHS Young Designer of the Year competition. | :28:42. | :28:43. | |
Carol will be investigating why cacti and succulents have | :28:44. | :28:45. | |
become "the" house plants of the flower show season. | :28:46. | :29:23. | |
The BBC Proms celebrates the extraordinary film music | :29:24. | :29:27. |