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Hello and welcome back to the Royal Horticultural Society's Flower Show, | :00:29. | :00:32. | |
Tatton Park for our second programme of highlights from this great | :00:33. | :00:35. | |
It's a really good show. One says that all the time, but I think it's | :00:36. | :00:49. | |
extra good this year. Tatton Park aged a few years ago, but now I | :00:50. | :00:53. | |
think it's back to full strength. The quality across the board and | :00:54. | :00:56. | |
everybody is having a good time. What we have come to expect for the | :00:57. | :01:01. | |
past few years is years, more than any other show. 20 to 25-year-olds | :01:02. | :01:09. | |
wood John Everiss, I followed his career, he had a couple of gardens | :01:10. | :01:13. | |
at Chelsea and he has done a fabulous garden here, and he won | :01:14. | :01:17. | |
best in show in the show gardens category. It isn't just people | :01:18. | :01:23. | |
chucking money at it. This garden, which is based around Crohn's | :01:24. | :01:30. | |
disease and the charity which goes for that it only cost ?6,000. And | :01:31. | :01:38. | |
it's got a gold medal. Everywhere you go, whether it be the show | :01:39. | :01:40. | |
gardens or the Floral Marquee, its quality. | :01:41. | :01:41. | |
Coming up on tonight's show from RHS Tatton Park, an event supported | :01:42. | :01:44. | |
by Bruntwood Properties, we'll be taking a look at the three | :01:45. | :01:47. | |
gardens designed by this year's RHS Young Designer of the Year | :01:48. | :01:50. | |
contenders, and revealing who has won this prestigious award | :01:51. | :01:52. | |
A feature of Tatton which has been here four back-to-back gardens. They | :01:53. | :02:11. | |
reflect the way that most of us garden at home. We will be seeing | :02:12. | :02:15. | |
which one of those has been voted best of the show. | :02:16. | :02:17. | |
Carol Klein plays detective as she uncovers the plants | :02:18. | :02:19. | |
and people making headlines in the Floral Marquee | :02:20. | :02:21. | |
I am sure you have thoughts and opinions, maybe you have been to the | :02:22. | :02:37. | |
show yourself, so get in touch on our Facebook page, or tweet us. Time | :02:38. | :02:45. | |
now to meet the next generation of gardening talent in the RHS Young | :02:46. | :02:47. | |
Designer of the Year competition. This year, the three finalists | :02:48. | :02:53. | |
have been challenged to create a garden office, | :02:54. | :02:55. | |
inspired by the idea First up is Anca Panait | :02:56. | :02:57. | |
from Glasgow, whose woodland-inspired design is called | :02:58. | :03:01. | |
Prospect and Refuge. Earlier, I went to see | :03:02. | :03:02. | |
the finished garden. It does seem remarkable to me that | :03:03. | :03:17. | |
this is Anca Panait's first show garden, because it is amazingly | :03:18. | :03:22. | |
assured. It is based in a woodland, and the idea is it is a retreat from | :03:23. | :03:27. | |
the hurly-burly to create a space where you can work, so the planting | :03:28. | :03:32. | |
reflects the light, dappled shade of woodland, the colours are muted, the | :03:33. | :03:36. | |
touches of what you get from the anemones, with ferns coming under | :03:37. | :03:45. | |
the silver birches. It's a very bright, white half. And then the | :03:46. | :03:49. | |
level changes, and a lovely oak wood, rich and warm, and you come | :03:50. | :03:56. | |
down steps. The inclination is to sit here and think I don't want to | :03:57. | :04:00. | |
do any work, it's too nice! We've got lovely planting, looking out | :04:01. | :04:08. | |
onto crocosmia. But you can go across, and he is your desk. Sit and | :04:09. | :04:13. | |
connect with nature as you work. This would beat any office I've ever | :04:14. | :04:19. | |
been in. There is only one drawback to this garden, and it's quite a | :04:20. | :04:24. | |
serious one. I know for a fact that, if I had to come and work here, I | :04:25. | :04:29. | |
wouldn't get any work done at all. I'd just be enjoying the garden. | :04:30. | :04:35. | |
We'll be walking you through the remaining two young designer | :04:36. | :04:38. | |
The Back to Back garden category is unique to Tatton, | :04:39. | :04:50. | |
Every year, the small gardens may be limited in space, but they always | :04:51. | :04:56. | |
have big ideas, and there is the scope for presenting a wide range of | :04:57. | :05:01. | |
planting concepts. Toby has been to see two of them. | :05:02. | :05:10. | |
The back-to-back gardens really are tiny, just four metres wide by six | :05:11. | :05:18. | |
metres deep, but the peace garden by Matt Campbell is a vivid example of | :05:19. | :05:21. | |
how bright and colourful your garden can be if it's small and it has | :05:22. | :05:28. | |
sunshine. It is inspired by the 1960s, a decade that frankly I don't | :05:29. | :05:32. | |
remember. But I do know it was the time of the peace movement, Bohemian | :05:33. | :05:36. | |
beauty, and the planting is suitably psychedelic, with the most placid | :05:37. | :05:42. | |
yellows combined with pink Luke Evans and lobelia. It's | :05:43. | :05:47. | |
extraordinary. There is a trick that you can take from this garden, which | :05:48. | :05:51. | |
is useful if you like your garden to look bold, bright and beautiful, | :05:52. | :05:54. | |
which is using darker colours to frame the brighter flowers. It is | :05:55. | :05:59. | |
done here with chocolate coloured dahlias which really make the | :06:00. | :06:03. | |
flowers above them pop. It's got what it says on the wall, flower | :06:04. | :06:05. | |
power. This designer has done the garden | :06:06. | :06:20. | |
design equivalent of a garden grabbed by taking two back to backs | :06:21. | :06:33. | |
differently, but inspired by the gardens of Cholmondeley castle. The | :06:34. | :06:36. | |
further north you live in the country, the more it thrives and the | :06:37. | :06:39. | |
brighter its foliage. My favourite of the two is the front garden, god | :06:40. | :06:43. | |
I love the symmetry provided by these box balls. They create a | :06:44. | :06:50. | |
formal hello, along with the frothing Russian sage, the lab and | :06:51. | :06:58. | |
do -- the lavender, it hasn't just got colour, it's got class. | :06:59. | :07:03. | |
What all the Back to Back designers have achieved in such compact spaces | :07:04. | :07:06. | |
is to be truly admired, but it is a competition after all, | :07:07. | :07:09. | |
and only one of them could be awarded the title of RHS Best Back | :07:10. | :07:12. | |
Lara Behr, with the Macmillan Legacy Garden. Lara, congratulations. First | :07:13. | :07:39. | |
garden, gold medal and best back-to-back. How do you feel? I'm | :07:40. | :07:44. | |
thrilled. It's been a lot of hard work but great fun. This garden is | :07:45. | :07:50. | |
serious and important. Run us through the main features. I had to | :07:51. | :07:55. | |
come up for a design for MacMillan Cancer Support for them to | :07:56. | :08:00. | |
demonstrate how important legacy giving is to them. My starting point | :08:01. | :08:05. | |
was the wishing well, because I wanted to portray legacy giving | :08:06. | :08:08. | |
positively, and I remember that excitement as a child when you put a | :08:09. | :08:12. | |
coin in a well and thought, it's really going to come true. The | :08:13. | :08:17. | |
design started there, and then the poles represent the work of | :08:18. | :08:23. | |
Macmillan. They come round to this clay seating area, which is a | :08:24. | :08:26. | |
reflection of the work and comfort and support that MacMillan offer to | :08:27. | :08:31. | |
cancer patients and their families. We have some words from people who | :08:32. | :08:34. | |
have been helped engraved on the copper discs. ! Circuits a cohesive | :08:35. | :08:44. | |
thought process, but beautifully excited -- a cohesive thought | :08:45. | :08:45. | |
process, but beautifully executed. Over in the Floral Marquee, | :08:46. | :08:47. | |
the exhibitors have been pulling out all the stops to impress the judges | :08:48. | :08:49. | |
and public alike with Never one to miss out on the action, | :08:50. | :08:52. | |
Carol has been amongst the crowds, seeking out the heroes and headlines | :08:53. | :08:56. | |
in her Tales from the Tent. This superb display has won best | :08:57. | :09:12. | |
exhibit in the Floral Marquee, and no wonder. It really is exquisite, | :09:13. | :09:21. | |
and what it says to you is, this is late summer, this is Tatton Park. | :09:22. | :09:26. | |
It's packed full of the most glory or -- glorious perennials. And | :09:27. | :09:34. | |
another valiantly deserved gold medal, Sue Beasley. Congratulations, | :09:35. | :09:43. | |
it's your first, isn't it? My thirst in the marquee. But this time you | :09:44. | :09:49. | |
come for both sides, the exhibiting and the garden out. I had a | :09:50. | :09:52. | |
four-year break into the RHS approached me and said, would I | :09:53. | :09:57. | |
consider building another? I said I couldn't because of the timing is | :09:58. | :10:00. | |
overlapping, so they sorted that out, and I was in a meeting | :10:01. | :10:05. | |
thinking, I'm just so tired, I need a sleep, and that's where the idea | :10:06. | :10:09. | |
came from to build a garden with a bet on it. Did it turn out to be a | :10:10. | :10:16. | |
dream or nightmare? Mostly a dream, the occasional nightmare, but it's | :10:17. | :10:19. | |
been wonderful and I'm looking forward to having a chip on it | :10:20. | :10:22. | |
before we break it down and say goodbye to Tatton. -- having a kip | :10:23. | :10:32. | |
on it. What a trip there are other things to celebrate, too. There is a | :10:33. | :10:35. | |
wedding in the family to mark the occasion they have named two new | :10:36. | :10:41. | |
plants, one after their son, Thomas, and the other after his wife, | :10:42. | :10:48. | |
Madison bright. They are gorgeous, and plants are going to be given to | :10:49. | :10:51. | |
all of the guests attending the happy occasion. | :10:52. | :10:59. | |
I'm not new to Tatton, at this Carol Klein is. It is clematis Carol | :11:00. | :11:08. | |
Klein, and it's been introduced here at the show. It's a herbaceous | :11:09. | :11:13. | |
clematis. You can grow its sprawling through shrubs or up some sort of | :11:14. | :11:18. | |
support, and it would be great in a pot, too. It flowers from April | :11:19. | :11:24. | |
right the way to the end of September and, do you know what, | :11:25. | :11:26. | |
just like me, it's very low maintenance. | :11:27. | :11:32. | |
Continuing now with our look at each of the gardens in contention | :11:33. | :11:34. | |
for the RHS Young Designer of the Year award, and Monty's been | :11:35. | :11:37. | |
to cast his discerning eye over the Business and Pleasure garden | :11:38. | :11:40. | |
His office design has been inspired by the rooftop gardens typical | :11:41. | :11:46. | |
Jake has taken inspiration for his garden from a modern space. It's the | :11:47. | :12:09. | |
high line in New York which, if you didn't know, is a park perched atop | :12:10. | :12:13. | |
a redundant railroad, hence the outside of the pond and the | :12:14. | :12:20. | |
naturalistic planting. Jake has cleverly put seating in every | :12:21. | :12:26. | |
corner, and particularly inviting RVs, the boulders, which are likely | :12:27. | :12:31. | |
to sit on. To my mind, the gravel is a bit of a curate's egg. I love the | :12:32. | :12:37. | |
way it's divided into two different sizes, nuggets and horticultural | :12:38. | :12:39. | |
grit demarcate the borders, but the colour is quite minty blue and cold | :12:40. | :12:44. | |
and I can't help but think it would have been warmer if it matched the | :12:45. | :12:49. | |
boulders in the borders. That said, the borders are gorgeous, and they | :12:50. | :12:52. | |
are full of life. I love the way the bees are working this equinox. Just | :12:53. | :12:59. | |
lovely. They also use a clever trick of mounting up the soil, which is | :13:00. | :13:03. | |
good for some lovers like Echinacea. There is also a plant I've never | :13:04. | :13:08. | |
seen initial garden before, this one. It's a plant that happily self | :13:09. | :13:14. | |
sews and it finds its own moisture. Just a lovely thing, a beautiful spy | :13:15. | :13:19. | |
among this froth of colour. For a first time show garden, is a | :13:20. | :13:28. | |
triumph. -- a beautiful spire amongst this froth of colour. That's | :13:29. | :13:38. | |
a lovely garden, and later I'll be reviewing the final contender ahead | :13:39. | :13:41. | |
of the big announcement of the winner at the end of the show. | :13:42. | :13:43. | |
Over in the show gardens, established names continue | :13:44. | :13:45. | |
to return each year, and one such designer has been drawn | :13:46. | :13:47. | |
back by the challenge of creating a garden | :13:48. | :13:49. | |
This is Michael John McGarr's 2101, and it's his vision of how climate | :13:50. | :14:01. | |
change may have impacted our planet over the next century and how | :14:02. | :14:04. | |
Things will be drier and hotter, we will have flash floods, so the | :14:05. | :14:14. | |
bottom areas, we will need plants that can cope with dry and wet. We | :14:15. | :14:19. | |
have this in the corner, and these wonderful cacti, so the planting in | :14:20. | :14:26. | |
containers. In a way, they will replace the box balls, the | :14:27. | :14:28. | |
ornamental plants we grow now. Because we grow will be spikier, | :14:29. | :14:34. | |
they will be non-hardy plants we can grow outside, so things like this | :14:35. | :14:42. | |
dramatic architectural plant. And the wonderful Mexican blue palm. We | :14:43. | :14:47. | |
will be looking for shade, like here with tomatoes, to keep the fruit | :14:48. | :14:51. | |
sweet. At the back of the garden, it's a standout feature, and I'm | :14:52. | :14:52. | |
going in. OK, it is very different in here! | :14:53. | :15:04. | |
We've got great finds again being shaded. These windows are looking | :15:05. | :15:09. | |
out on to the garden, adding different framed views, it is really | :15:10. | :15:14. | |
nicely put together. Michael has got a theme, he has run with it and | :15:15. | :15:16. | |
executed it beautifully. One of the stars of this garden, the | :15:17. | :15:34. | |
cacti, there's been a great rise in the popularity of cacti. Carol | :15:35. | :15:39. | |
decided it was time that these low maintenance exotics got some extra | :15:40. | :15:42. | |
love, and she's over in the Floral Marquee. | :15:43. | :15:50. | |
Cacti are unique plants. They developed over thousands and | :15:51. | :15:57. | |
thousands of years, along with the habitat they come from which is | :15:58. | :16:04. | |
almost invariably hot, dry desert. Some of them are tiny, intra Kate, | :16:05. | :16:10. | |
detailed. Others are giants that can be as big as 20 metres tall. A lot | :16:11. | :16:17. | |
of the plans behind me and me and youngsters, just 45 years old. -- | :16:18. | :16:24. | |
they are mere youngsters. A newcomer to Tatton with an interesting array | :16:25. | :16:31. | |
of plants of William's cactus. How long have you been interested in | :16:32. | :16:35. | |
these plans. I followed my dad in the late 70s, it was his hobby. You | :16:36. | :16:42. | |
must have been a little lad. Six or seven. As a business I've done it | :16:43. | :16:47. | |
for three and a half years. What do you like about them. Just a | :16:48. | :16:52. | |
different shapes, forms, structures, they all have their own character | :16:53. | :16:58. | |
and individuality. Yeah. I love this one, so soft and fluffy. This one is | :16:59. | :17:05. | |
very easy to grow, nice and soft, good for children, like cotton wool. | :17:06. | :17:09. | |
We've got some questions from social media for you. Julian Keely and Emma | :17:10. | :17:16. | |
Hatton would like to know, are there any hardy cacti that can be grown | :17:17. | :17:21. | |
outside all year around in our British climate. Quite a field | :17:22. | :17:28. | |
species, like the great big woolly one at the back. What is that fluff | :17:29. | :17:34. | |
for. To keep it warm during the night like a sleeping bag, doing the | :17:35. | :17:38. | |
day it will lift up to let the heat out. It comes from Peru, 4500 metres | :17:39. | :17:45. | |
so at night time when temperatures are called that one would be very | :17:46. | :17:51. | |
popular and easy to grow. Drew Carpenter asks how often he should | :17:52. | :17:58. | |
water is cactus. Every two weeks between March and October, feed them | :17:59. | :18:01. | |
once a month, make sure that you don't water in winter because that | :18:02. | :18:06. | |
will rot them. Thank you for your lovely stand. I'm really glad you've | :18:07. | :18:10. | |
turned your hobby into a business. Thank you. | :18:11. | :18:21. | |
Now moving from planting where water is scarce to something different. | :18:22. | :18:31. | |
Name Micro has been to see a garden which copes with ways of preventing | :18:32. | :18:35. | |
potential flooding in our front gardens. | :18:36. | :18:43. | |
On a glorious day like this thoughts of flooding are far from my mind but | :18:44. | :18:49. | |
this garden comes into its own when it rains. Incorporating practical | :18:50. | :19:02. | |
ways of how to deal with storm water in garden design is becoming an | :19:03. | :19:06. | |
increasingly popular theme. We saw this at Hampton Court in the urban | :19:07. | :19:11. | |
rain garden. Here, this garden is called Slow the Flow and does | :19:12. | :19:13. | |
exactly that. Hi, John, good to me too. Storm | :19:14. | :19:30. | |
water is a big issue, your take on it? It's a massive issue, we all | :19:31. | :19:37. | |
have to cars, nowhere to park so we pave over the front garden. I've | :19:38. | :19:41. | |
tried to come up with ideas that can be practical and absorb water and | :19:42. | :19:46. | |
also recycle in the garden. The design clearly has details that | :19:47. | :19:51. | |
address these issues. Pretty much everything is permeable, we have | :19:52. | :19:56. | |
gabion walls which led what are true, the poorest driveway, concrete | :19:57. | :20:00. | |
beams that let the water through and a roof which will help 50% of the | :20:01. | :20:05. | |
water evaporate. The water will travel down through these containers | :20:06. | :20:09. | |
and they harvested in a 10,000 metre tag. You can either use it to | :20:10. | :20:14. | |
irrigate your garden or pump it out to the mains. I expected more bog | :20:15. | :20:23. | |
plants, why aren't there any? I didn't want to use them because it | :20:24. | :20:27. | |
is a garden where you can put your own plants, we're not saying it's | :20:28. | :20:33. | |
about training and freely, it is about managing, controlling recycled | :20:34. | :20:35. | |
water around the plants that you have in. It has clearly done that | :20:36. | :20:42. | |
and the judges felt you hit the nail on the head what with you getting a | :20:43. | :20:48. | |
gold medal and best in your category. It has been a real team | :20:49. | :20:51. | |
effort, I have designed it with Peter and my crew, everyone has | :20:52. | :20:55. | |
worked so hard, I am pleased for them, we've worked hard here. You | :20:56. | :21:00. | |
should be really proud, well done, congratulations. | :21:01. | :21:11. | |
Time now to review the third and final contender in the running | :21:12. | :21:14. | |
for the RHS Young Designer of the Year award. | :21:15. | :21:21. | |
It's designed by Ula Bukauskaite and it is called Studio Unwired. The | :21:22. | :21:25. | |
idea is that people can come together and hot desk here but you | :21:26. | :21:32. | |
are looking out onto the garden, it is set in an urban environment, you | :21:33. | :21:35. | |
have this wonderful wild planting, which has been inspired by Ula's | :21:36. | :21:44. | |
homeland and memories of the Baltic landscape where she grew up. I like | :21:45. | :21:48. | |
the way she has arranged this with different layers in the planting, we | :21:49. | :21:53. | |
have the wilderness with pines that have dropped cones on the gravel and | :21:54. | :21:56. | |
some have self seeded. There are also manic you and areas that have | :21:57. | :22:03. | |
been garden, we have these wonderful plants planted in block to add shots | :22:04. | :22:09. | |
of colour as well. But do not manic and areas. The idea that this garden | :22:10. | :22:13. | |
is somewhere to escape and connect with the natural world, something we | :22:14. | :22:18. | |
all love to do. This design feels very accomplished, it is pared down | :22:19. | :22:24. | |
and is quite sophisticated. I think that Ula has done a really good job. | :22:25. | :22:32. | |
Now we've seen all three designs in contention and, earlier, | :22:33. | :22:38. | |
I met Sue Biggs, Director General of the RHS, | :22:39. | :22:40. | |
And delighted to announce that the winner of the R HSE and designer of | :22:41. | :22:58. | |
the year 2017 is Ula. Ula Maria. Many congratulations. Well done, | :22:59. | :23:09. | |
Ula. Congratulations. Ula, when you set out to design this garden did | :23:10. | :23:14. | |
you look to win this award? I didn't. I always wanted to make a I | :23:15. | :23:19. | |
would be proud of, and that would be really a motive to me. I think that | :23:20. | :23:25. | |
is a good way forward with garden design, design something you are | :23:26. | :23:28. | |
happy and proud with. When you vanished it did you think you had | :23:29. | :23:33. | |
something special? I think I have something special because it is | :23:34. | :23:37. | |
personal to me and the concept is driven by my ideas and childhood | :23:38. | :23:41. | |
memories of where I grew up so it's a very personal space. I just hope | :23:42. | :23:47. | |
people will love it as much as I do. This is what I love, it is personal | :23:48. | :23:51. | |
to you and feels fresh and different. Is it a big step in your | :23:52. | :23:57. | |
future garden design career? Definitely, it's the most amazing | :23:58. | :24:00. | |
opportunity to start something new, get your name out there and present | :24:01. | :24:05. | |
what you love to do. I think I have this connection with nature and just | :24:06. | :24:09. | |
working with it is exciting for me. You were on the side for two weeks | :24:10. | :24:13. | |
with the other guys, did you get to know each other. Definitely, we | :24:14. | :24:18. | |
become so close and worked together to achieve the best three gardens we | :24:19. | :24:23. | |
could possibly do. Will you share this with them then? I'll think | :24:24. | :24:29. | |
about that one! I don't blame you for keeping it. Will you be able to | :24:30. | :24:34. | |
relax and enjoy the week. I think so, now everything is done I can | :24:35. | :24:37. | |
relax and talk to people and really show them what the garden is about. | :24:38. | :24:43. | |
Congratulations again, lovely to meet you and to see your great | :24:44. | :24:45. | |
garden. Thank you so much. I do think Ula's garden was the | :24:46. | :25:03. | |
stand out garden that category but the standard was very high. It was | :25:04. | :25:07. | |
the best of three that was superb. I love the way that year after year | :25:08. | :25:12. | |
the General standard at Tatton has been raised by designers of all | :25:13. | :25:18. | |
kinds and the whole show has been lifted up by youth. How good is | :25:19. | :25:22. | |
that. Couldn't agree more, totally. We are running out of time but with | :25:23. | :25:28. | |
God just enough time for our last stop. Earlier Monty and I had fun. | :25:29. | :25:35. | |
Well, I tried. You loved every second of it! We looked at some of | :25:36. | :25:39. | |
the more unusual exhibits at this year's show. Here we go, Monty, this | :25:40. | :25:53. | |
is Bus Stop Boulevard. Are there other things to go and see? Give it | :25:54. | :25:59. | |
a chance, it might be fun. Make me laugh. When you wait for a bus the | :26:00. | :26:04. | |
grass grows and your feet and by the look around the back as well. You | :26:05. | :26:09. | |
begin to rest in places you don't want to rust. Monty, you're famously | :26:10. | :26:15. | |
have a passion for begonias. Everyone knows about it. This is the | :26:16. | :26:19. | |
way to do it, if you're going to do it, do it at a bus stop. If this was | :26:20. | :26:25. | |
the last bus stop in the world I wouldn't grow a begonia! But is it | :26:26. | :26:40. | |
art, Monty? It's the Monty Lisa. A bus stop with a fridge, Monty, what | :26:41. | :26:46. | |
do you fancy. I have a strawberry. This was all going to landfill so | :26:47. | :26:50. | |
you have a fridge, you can pay for it, what you think it is worth, and | :26:51. | :26:59. | |
cut your bus. Good chap. -- catch your bus. There is a very precious | :27:00. | :27:03. | |
plant in here going through a dormant period. | :27:04. | :27:16. | |
Well that brings us to the end of the show and the end of the RHS | :27:17. | :27:24. | |
Shows season but it has been a busy summer. Monty, what has been your | :27:25. | :27:28. | |
highlight. You said it was busy, we've seen a lot of shows but I keep | :27:29. | :27:33. | |
coming back to one at Hampton Court, the autism garden which I loved on | :27:34. | :27:36. | |
lots of different levels, I liked the way it was done and why it was | :27:37. | :27:41. | |
done and I loved the trampoline and the swing. That swing was not only | :27:42. | :27:48. | |
fun, it was beautiful. It was beautiful and I remember you on the | :27:49. | :27:51. | |
swing. For me, not one garden that stands out, lots of quality but the | :27:52. | :27:55. | |
weather at all the shows this summer has been fabulous. It has been hot | :27:56. | :28:00. | |
weather. People have made fun of me for my hat back at Chelsea we got | :28:01. | :28:05. | |
you in a hat or two, didn't we. Let's look at this. I think this is | :28:06. | :28:12. | |
the one. How about that, the new Monty look. How about that. Monty, | :28:13. | :28:19. | |
we finally found you. You've arrived. The real me. I don't think | :28:20. | :28:23. | |
we can take it any further because we'll be out of a job. I reckon we | :28:24. | :28:26. | |
cut a dash. Well, that brings us to the end | :28:27. | :28:33. | |
of the show and the end of our coverage of the RHS | :28:34. | :28:36. | |
Flower Show season. The flower show season | :28:37. | :28:38. | |
here on the BBC may be over for another year, | :28:39. | :28:41. | |
but Gardeners World will be back So, until next time, | :28:42. | :28:43. | |
it's goodbye from all our team | :28:44. | :28:48. |