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Hello there, and welcome to Beechgrove Garden | 0:00:12 | 0:00:15 | |
on an absolute cracker of a day. | 0:00:15 | 0:00:17 | |
But I have to say, the wow factor today are these rhododendrons. | 0:00:17 | 0:00:22 | |
Here we have polar bear. And I just wish you could be with me, | 0:00:22 | 0:00:25 | |
because the smell is overpowering. It's wonderful. Really looking good. Polar bear. | 0:00:25 | 0:00:30 | |
There's a clivia, just as a contrast, and then over here Lady Alice Fitzwilliam. | 0:00:30 | 0:00:34 | |
Two different plants. | 0:00:34 | 0:00:36 | |
I have a difficulty telling the difference, but I'm not a specialist. | 0:00:36 | 0:00:39 | |
It too has the most wonderful perfume, | 0:00:39 | 0:00:41 | |
and is enjoying this atmosphere in the conservatory. | 0:00:41 | 0:00:44 | |
Other plants that are enjoying it here are our citrus | 0:00:44 | 0:00:46 | |
and our camellias, and I'm going to do some potting of this citrus. | 0:00:46 | 0:00:50 | |
And for a period of the summer, | 0:00:50 | 0:00:53 | |
they will be outside on our new terrace, our summer terrace. | 0:00:53 | 0:00:56 | |
The top layer is where the camellias will go, | 0:00:56 | 0:01:00 | |
and the bottom is where the citrus go for a short time in the summer. | 0:01:00 | 0:01:03 | |
And head gardener Jane and I spent a lovely day out | 0:01:03 | 0:01:06 | |
looking round garden centres to find the pots, | 0:01:06 | 0:01:09 | |
because I was very anxious that we get them with plenty drainage | 0:01:09 | 0:01:12 | |
in the bottom so that they don't have any problem of waterlogging. | 0:01:12 | 0:01:15 | |
We also chose, I thought, a nice Mediterranean colour suitable for the citrus. | 0:01:15 | 0:01:20 | |
And, believe it or not, | 0:01:20 | 0:01:22 | |
I still put in crocs in the bottom of the pot | 0:01:22 | 0:01:25 | |
to cover the holes, to prevent them from getting blocked up. | 0:01:25 | 0:01:29 | |
Now, I understand there has been some work done somewhere, | 0:01:29 | 0:01:33 | |
read a report which talked about ham-fisted pot boys. | 0:01:33 | 0:01:37 | |
Having been a pot boy in my time, I object to that, I can tell you. | 0:01:37 | 0:01:41 | |
Thousands of pots have been dealt in this fashion. | 0:01:41 | 0:01:44 | |
Cover the holes and then a bit of roughage, | 0:01:44 | 0:01:47 | |
and I'm using leaf mould from our garden here just in the bottom. | 0:01:47 | 0:01:51 | |
In the old days when I was probably doing | 0:01:51 | 0:01:54 | |
thousands of pots for chrysanthemums, | 0:01:54 | 0:01:56 | |
it was cow muck that went in the bottom, | 0:01:56 | 0:01:58 | |
a wee bit of encouragement. | 0:01:58 | 0:02:00 | |
Then the compost, remember I was mixing it couple of weeks ago, | 0:02:00 | 0:02:02 | |
two parts ericaceous multipurpose, | 0:02:02 | 0:02:06 | |
two parts John Innes Number Two, and one part grit. | 0:02:06 | 0:02:10 | |
So we're also guarding this business of drainage, | 0:02:10 | 0:02:14 | |
making sure it is a nice open compost. | 0:02:14 | 0:02:17 | |
No extra fertiliser needed at this time, there's plenty in there. | 0:02:17 | 0:02:20 | |
Now we come to the pot itself. | 0:02:20 | 0:02:22 | |
We have a lovely lemon - fruit, flowers | 0:02:22 | 0:02:25 | |
and fruitlets in between as you will always find with these. | 0:02:25 | 0:02:28 | |
Looking a little pale, perhaps, | 0:02:28 | 0:02:30 | |
that's because of the light values in winter. | 0:02:30 | 0:02:32 | |
Now that we're into better weather, fingers crossed, they should be OK. | 0:02:32 | 0:02:36 | |
So, pop it out the pot. | 0:02:36 | 0:02:38 | |
There we have it. Looking quite good. | 0:02:38 | 0:02:40 | |
And I'll take away this rough soil, | 0:02:40 | 0:02:43 | |
stale soil round the top, | 0:02:43 | 0:02:45 | |
and then with my knife I'm inclined to do a little bit of root pruning. | 0:02:45 | 0:02:50 | |
Just run it up just to slacken them off, | 0:02:50 | 0:02:53 | |
encourage them to come away, break, and then we're into the pot. | 0:02:53 | 0:02:59 | |
Level of potting is actually crucial. That would be too low. | 0:02:59 | 0:03:05 | |
I want to leave just about an inch or so. | 0:03:05 | 0:03:09 | |
You prefer 2.5 centimetres? OK. Fair enough. | 0:03:09 | 0:03:12 | |
Needs a bit more. | 0:03:12 | 0:03:14 | |
And then fill up gradually. Get it up to the right height. | 0:03:14 | 0:03:18 | |
Isn't that nice? It's going to be good. | 0:03:18 | 0:03:21 | |
And by the way, I put these here | 0:03:21 | 0:03:23 | |
because when we go back to this business of drainage, its most | 0:03:23 | 0:03:26 | |
important to stand the pot on pot feet when it's on a solid surface. | 0:03:26 | 0:03:29 | |
That too aids the drainage. So there we go. | 0:03:29 | 0:03:34 | |
Meanwhile, whilst I finish this off, | 0:03:34 | 0:03:36 | |
coming up in the rest of the programme... | 0:03:36 | 0:03:38 | |
I'm revelling in 60 hectares of plants with such glorious names | 0:03:41 | 0:03:46 | |
as Shorshar, Keswick codlin and Cornish aromatic | 0:03:46 | 0:03:48 | |
here at the National Fruit Collection in Kent. | 0:03:48 | 0:03:52 | |
And normally you'd find me in a community garden, but this week | 0:03:56 | 0:03:59 | |
I'm in a very different location with a very different challenge. | 0:03:59 | 0:04:02 | |
Well, take a look at this, isn't it a lovely colourful display? | 0:04:10 | 0:04:14 | |
And I wish you could smell it too, | 0:04:14 | 0:04:15 | |
because these are the fragrant garden hyacinths, | 0:04:15 | 0:04:19 | |
or Dutch hyacinths, and you know we've got 17 different varieties here. | 0:04:19 | 0:04:24 | |
But first of all I'd like to start off with these three rows, | 0:04:24 | 0:04:27 | |
which are in fact forced hyacinths from not this Christmas | 0:04:27 | 0:04:31 | |
but the Christmas before, and we wanted to put them | 0:04:31 | 0:04:33 | |
in the garden just to see if we would get a little bit of flower. | 0:04:33 | 0:04:37 | |
Well, it is slightly disappointing. | 0:04:37 | 0:04:39 | |
To me that looks more like a bluebell than hyacinth, | 0:04:39 | 0:04:42 | |
but it does show that you can plant them again. | 0:04:42 | 0:04:45 | |
However, if you want a bedding display with the hyacinths, | 0:04:45 | 0:04:49 | |
basically you have to start from fresh new bulbs to get the flower like this. | 0:04:49 | 0:04:54 | |
I can't mention them all, but starting off here with the two whites, | 0:04:54 | 0:04:58 | |
this is the one that I would pick | 0:04:58 | 0:05:00 | |
because that has a superb head on it, and really is a bright white. | 0:05:00 | 0:05:05 | |
That variety is called Aiolos, | 0:05:05 | 0:05:08 | |
that's I think it's pronounced, anyway. | 0:05:08 | 0:05:11 | |
An unusual colour here. This is Gypsy Queen. | 0:05:11 | 0:05:14 | |
You might like it, you might not. | 0:05:14 | 0:05:16 | |
It is rather unusual because it's a pale apricot orange. | 0:05:16 | 0:05:20 | |
For me, though, I think the best one, | 0:05:20 | 0:05:22 | |
the one that has the most consistent flowering, a real head on it, | 0:05:22 | 0:05:27 | |
is the Delft Blue. Just take a close look at the flower itself. | 0:05:27 | 0:05:32 | |
Bell-shaped blooms, and then these little petals, | 0:05:32 | 0:05:36 | |
they are kind of reflex, so they bend back on themselves | 0:05:36 | 0:05:39 | |
and so you have this full, fragrant flower head, | 0:05:39 | 0:05:43 | |
and then lovely glossy foliage. | 0:05:43 | 0:05:45 | |
And then moving on, I know that George has got his eye on this one. | 0:05:45 | 0:05:49 | |
George loves to show some of his hyacinths, | 0:05:49 | 0:05:51 | |
and this variety is Anna Liza. | 0:05:51 | 0:05:54 | |
Quite an unusual colour. | 0:05:54 | 0:05:57 | |
A lovely pink, and there is a little stripe on it, | 0:05:57 | 0:05:59 | |
so you get lovely little stars. | 0:05:59 | 0:06:02 | |
I'll mention one more. China Pink. A real pale pink. Lovely. | 0:06:02 | 0:06:07 | |
Then we move on to our grape hyacinths. | 0:06:07 | 0:06:11 | |
These are miniature bulbs, and they are fantastic for the rock garden, | 0:06:11 | 0:06:15 | |
lovely in containers. I think that is a beautiful display. | 0:06:15 | 0:06:19 | |
What would want to do is lift some of these | 0:06:19 | 0:06:22 | |
and put them into our wild area. Now, again, what do I pick? | 0:06:22 | 0:06:25 | |
I'm going to go for a favourite which am sure you can see | 0:06:25 | 0:06:28 | |
just in front of me there. That's latifolium. | 0:06:28 | 0:06:30 | |
So, lovely blue heads on the top and then moving down to navy blue. | 0:06:30 | 0:06:36 | |
A lovely contrast of colour. | 0:06:36 | 0:06:38 | |
Big flower heads there, with Blue Magic, | 0:06:38 | 0:06:41 | |
and then if you like pale blue, Valerie Finnis. | 0:06:41 | 0:06:44 | |
But there are whites and there are pinks as well, | 0:06:44 | 0:06:46 | |
so loads of varieties to choose from. | 0:06:46 | 0:06:49 | |
And I'd like to finish off with my layered bulb pots. | 0:06:49 | 0:06:52 | |
I looked at these a few weeks ago because we were five weeks behind with flowering | 0:06:52 | 0:06:56 | |
from last year, but these two bulb pots, this one has been | 0:06:56 | 0:07:00 | |
kept in the sunshine, this one has been in the shade. | 0:07:00 | 0:07:03 | |
And you can see the sun has really helped to bring out these hyacinths. | 0:07:03 | 0:07:07 | |
So at the moment, this one is ahead, | 0:07:07 | 0:07:10 | |
but I'm sure the shady one will soon catch up. | 0:07:10 | 0:07:13 | |
Now, from our lovely spring blooms, we're going to move on to | 0:07:13 | 0:07:17 | |
cut flowers, and we're visiting Glasgow Flower Market. | 0:07:17 | 0:07:20 | |
My name is Lynn Harris. Normally you'll find me as a garden designer | 0:07:34 | 0:07:37 | |
in the community gardens at Beechgrove, | 0:07:37 | 0:07:40 | |
but today I'm wearing a very different hat. | 0:07:40 | 0:07:42 | |
-Morning, Joe. -Morning, Lynn. How are you? -I'm very well, very well. | 0:07:48 | 0:07:51 | |
I've been given a task by Beechgrove. | 0:07:51 | 0:07:54 | |
It's their 35th anniversary this year and they've asked me to do | 0:07:54 | 0:07:58 | |
an anniversary flower arrangement for a dinner. | 0:07:58 | 0:08:00 | |
-Bit tricky in terms of colours. Coral, jade... -Ooh! | 0:08:00 | 0:08:05 | |
-..and emerald. -Right. | 0:08:05 | 0:08:07 | |
So, I'm going to need some help, Joe. | 0:08:07 | 0:08:10 | |
Well, coral is a fun one, because depending who you ask | 0:08:10 | 0:08:13 | |
you'll get different answers about what colour is coral. | 0:08:13 | 0:08:16 | |
Pinky coral? Peachy coral? | 0:08:16 | 0:08:18 | |
-There are roses which you can get which are coral shaded. -What about Jade? | 0:08:18 | 0:08:22 | |
-Well, the difference between jade and other shades of green... -Green jade, blue... | 0:08:22 | 0:08:27 | |
Well, if you look at... Here is green. | 0:08:27 | 0:08:30 | |
Some people ask for thistles as if there are a foliage, | 0:08:30 | 0:08:33 | |
-because you pick up... -And these ones in particular. | 0:08:33 | 0:08:38 | |
Yeah, look. These are the same flower. | 0:08:38 | 0:08:41 | |
These are both varieties of Eryngium, and people think they are blue thistles, | 0:08:42 | 0:08:46 | |
but of course they are not blue thistles. | 0:08:46 | 0:08:48 | |
There are shades of blues, shades of greens. | 0:08:48 | 0:08:50 | |
And you even get them in white, as well. Greeny white. | 0:08:50 | 0:08:54 | |
Again, some people call them white, some people call them green. | 0:08:54 | 0:08:57 | |
Basically, if you want white, we'll call it white, | 0:08:57 | 0:08:59 | |
if you want it green, we'll call it green for you. | 0:08:59 | 0:09:01 | |
What is big for florists? What are they looking for these days? | 0:09:01 | 0:09:05 | |
To be honest with you, it depends what they are asked for. | 0:09:05 | 0:09:08 | |
Carnesias are still popular, roses are still popular. | 0:09:08 | 0:09:10 | |
Lisianthus are always popular, but what changes is colours. | 0:09:10 | 0:09:13 | |
The first thing I'm going to do | 0:09:19 | 0:09:21 | |
is choose the greenery for my arrangement. | 0:09:21 | 0:09:23 | |
What I want to try and do is use as much greenery that could be grown up at Beechgrove. | 0:09:23 | 0:09:28 | |
I've decided to use these Eryngium cos I like the green tip on the end. | 0:09:28 | 0:09:32 | |
I know the blue isn't technically part of the scheme, | 0:09:32 | 0:09:35 | |
but I also need some other colours to balance out the coral and | 0:09:35 | 0:09:40 | |
the emerald, so I'm going to use some cream lisianthus | 0:09:40 | 0:09:43 | |
as a contrast. I was going to use this Viburnum, but in actual fact | 0:09:43 | 0:09:50 | |
it doesn't make as good a cut flower as something like this, | 0:09:50 | 0:09:54 | |
which is a Shamrock Bloom. | 0:09:54 | 0:09:57 | |
Now, for me, that is more emerald than that, | 0:09:57 | 0:10:01 | |
so I'm going to change my mind and I'm going to use Shamrock Blooms. | 0:10:01 | 0:10:06 | |
I actually asked Joe if he could get me some Peonies in, | 0:10:06 | 0:10:09 | |
and this is what they call coral. | 0:10:09 | 0:10:14 | |
Now, I would call it pink. | 0:10:14 | 0:10:16 | |
I'm hoping that when they open up, actually, that they | 0:10:16 | 0:10:18 | |
are going to be a bit more coral on the inside than they are at the moment. | 0:10:18 | 0:10:22 | |
So, fingers crossed for that. And I couldn't not have roses. | 0:10:22 | 0:10:26 | |
And I've spotted these. | 0:10:26 | 0:10:27 | |
I think this one is actually called Miss Piggy, | 0:10:27 | 0:10:30 | |
and this is what I would call coral. | 0:10:30 | 0:10:32 | |
I've spotted a similar rose but a very different shape. | 0:10:32 | 0:10:37 | |
I think I might just have five of these, | 0:10:37 | 0:10:40 | |
and these ones are called vuvuzela. | 0:10:40 | 0:10:43 | |
So that's it, I'm off back home to start making this arrangement. | 0:10:43 | 0:10:46 | |
The first thing I'm about to do is condition the flowers. | 0:10:56 | 0:10:59 | |
I want to strip all the leaves off I don't need, | 0:10:59 | 0:11:02 | |
cut the stems properly and put them in lots of water so that they | 0:11:02 | 0:11:06 | |
stay as fresh as possible until I can get them into an arrangement. | 0:11:06 | 0:11:09 | |
The arrangement I'm making for Beechgrove is for a table arrangement, | 0:11:09 | 0:11:13 | |
so it's going to be quite low. And this is my interpretation of jade. | 0:11:13 | 0:11:17 | |
As you can see I found a couple of other things as well, | 0:11:17 | 0:11:20 | |
so, like the coral it's very subjective what colour jade is, | 0:11:20 | 0:11:24 | |
but because this was flower shaped, because it was nice and low | 0:11:24 | 0:11:28 | |
for the table centre, that's why I have gone with this one. | 0:11:28 | 0:11:31 | |
The next thing is to get the container ready, | 0:11:41 | 0:11:44 | |
so I'm going to take this through to the kitchen and get the oasis all sorted. | 0:11:44 | 0:11:49 | |
I actually soaked it earlier today to make sure it was soaked all the way through, | 0:11:49 | 0:11:53 | |
and in actual fact, I've just noticed that it's not. | 0:11:53 | 0:11:58 | |
So what I'm going to do, which won't take terribly long, | 0:11:58 | 0:12:02 | |
I'm just going to put a couple of little holes in there, | 0:12:02 | 0:12:05 | |
and you might be able to see that there's bubbles coming out. | 0:12:05 | 0:12:09 | |
One of the first things I'm going to do is kind of establish | 0:12:10 | 0:12:14 | |
a height and a width, and the first thing that you always | 0:12:14 | 0:12:17 | |
put into an arrangement is the greenery. | 0:12:17 | 0:12:21 | |
It gives you your basis. | 0:12:21 | 0:12:23 | |
I'm going to put the flowers in blocks, so all the roses will be together | 0:12:23 | 0:12:27 | |
in one colour block, the shamrocks in another colour block, and the peonies. | 0:12:27 | 0:12:33 | |
This is quite a traditional greening up, | 0:12:33 | 0:12:36 | |
but the way I'm going to arrange flowers is a bit more contemporary. | 0:12:36 | 0:12:40 | |
Colour blocking has become quite popular over the last few years | 0:12:40 | 0:12:44 | |
and there's quite a trend within bridal work | 0:12:44 | 0:12:48 | |
for single colour bouquets and single flower bouquets, just all roses. | 0:12:48 | 0:12:54 | |
The only thing I want to do now is just turn it around and see | 0:12:54 | 0:13:00 | |
if I think I need to fill in with any more greenery, | 0:13:00 | 0:13:03 | |
but in actual fact, I don't think I do. | 0:13:03 | 0:13:05 | |
I'm pretty happy with it. | 0:13:07 | 0:13:09 | |
I think it's time it went on its way | 0:13:09 | 0:13:11 | |
to Beechgrove in Aberdeen for their 35th anniversary dinner. | 0:13:11 | 0:13:15 | |
Ho ho ho! Look at that, Jim, is that not splendid? | 0:13:17 | 0:13:20 | |
-Well done, Miss Harris! -Absolute brilliance. | 0:13:20 | 0:13:23 | |
She's excelled herself with the design. | 0:13:23 | 0:13:26 | |
-That would grace any table. -Worthy of the occasion, dear boy. | 0:13:26 | 0:13:29 | |
Whilst you get rid of that, perhaps we should recap on this strawberry cropping. | 0:13:29 | 0:13:33 | |
-Yes, aye. -A couple of years ago we set ourselves the target of trying | 0:13:33 | 0:13:36 | |
to pick fresh strawberries from end of May, June right through to | 0:13:36 | 0:13:40 | |
-the end of the series in September. -And it worked. -And it worked. | 0:13:40 | 0:13:44 | |
The way we did it was we planted runners in February, | 0:13:44 | 0:13:46 | |
they started to fruit at the end of May, June. | 0:13:46 | 0:13:48 | |
Then, of course, we started picking out of doors, | 0:13:48 | 0:13:51 | |
and in the meantime the early fruiters were removed | 0:13:51 | 0:13:55 | |
and a new lot were put in their place | 0:13:55 | 0:13:56 | |
and they fruited all the way through to the autumn. | 0:13:56 | 0:13:59 | |
-Now then... -This is them, isn't it? | 0:13:59 | 0:14:00 | |
Yeah, last autumn we left them here after fruiting | 0:14:00 | 0:14:04 | |
because the intelligence was that they would produce a decent crop | 0:14:04 | 0:14:07 | |
the following spring, and here we are. | 0:14:07 | 0:14:10 | |
The variety is Sonata, and they are coming away nicely. | 0:14:10 | 0:14:13 | |
-They've been fed. -The blossom is on them. | 0:14:13 | 0:14:15 | |
-We can look forward to a... -SMACKS LIPS | 0:14:15 | 0:14:17 | |
-So when will they be ready? -I think in another month. | 0:14:17 | 0:14:20 | |
Maybe less than that. | 0:14:20 | 0:14:22 | |
But once we finish with this lot, we'll take them out, | 0:14:22 | 0:14:25 | |
because I do believe you have a few plans for this. | 0:14:25 | 0:14:28 | |
Well, yes, there's the old controversy about the peach, | 0:14:28 | 0:14:31 | |
whether we take it out or not. | 0:14:31 | 0:14:32 | |
Once it's fruited we should think about getting it out. | 0:14:32 | 0:14:35 | |
I'm happy that we reach that decision, but however, | 0:14:35 | 0:14:38 | |
we may have to discuss it with the distaff site. Moving on... | 0:14:38 | 0:14:42 | |
Moving on, then what we'll do is have some pots of apricots, peaches, nectarines | 0:14:42 | 0:14:46 | |
and things like that which other folks can grow in the patio. | 0:14:46 | 0:14:50 | |
And there's some nice, new dwarf varieties coming on. | 0:14:50 | 0:14:53 | |
That's what we're all about, boy. | 0:14:53 | 0:14:55 | |
-That it. Now, the vine. -Yes, it's a bit late. | 0:14:55 | 0:14:58 | |
Aye, a wee bit slow. But it's starting to come. | 0:14:58 | 0:15:00 | |
In another fortnight that'll be full of leaf | 0:15:00 | 0:15:02 | |
and we'll be ready to thin out the shoots. | 0:15:02 | 0:15:04 | |
We were talking about this cracking cherry. | 0:15:04 | 0:15:06 | |
We want to keep her performing, don't we? | 0:15:06 | 0:15:08 | |
Jim, this was absolutely stonking last year, it was fantastic. | 0:15:08 | 0:15:12 | |
Now, it's two years since it was fed, | 0:15:12 | 0:15:14 | |
so I think it's time it was fed again, and all we need to do | 0:15:14 | 0:15:16 | |
is take back the fabric underneath the gravel, take that fabric back. | 0:15:16 | 0:15:20 | |
There's lots of young roots which are here. | 0:15:20 | 0:15:22 | |
That's where I want to put the compost. | 0:15:22 | 0:15:24 | |
Either fresh compost like that or into this hole here... | 0:15:24 | 0:15:28 | |
-HE STRAINS -G'on yersel! | 0:15:28 | 0:15:30 | |
What I can do is just putting in what I would call slow release, | 0:15:30 | 0:15:33 | |
but you've got different name for it. | 0:15:33 | 0:15:35 | |
It is slow, but it's triggered by temperature. It's temperature release. | 0:15:35 | 0:15:39 | |
So that going into each hole | 0:15:39 | 0:15:40 | |
and then I'd maybe put some of that compost in the top as well. | 0:15:40 | 0:15:43 | |
That will just give it that little boost, because it's now starting | 0:15:43 | 0:15:46 | |
to want to put on lots of leaf and growth, so it needs a wee bit of a feed. | 0:15:46 | 0:15:51 | |
Well now, the pot apples in full flower. | 0:15:51 | 0:15:53 | |
They were fed last year. And you see the difference? | 0:15:53 | 0:15:56 | |
-I wonder if Chris will find as much blossom at Brogdale. -I wonder. | 0:15:56 | 0:16:00 | |
THEY LAUGH | 0:16:00 | 0:16:01 | |
Few experiences gladden the heart, put a positivity in your step | 0:16:12 | 0:16:18 | |
and raise the spirits in quite such a way as standing under | 0:16:18 | 0:16:22 | |
a tree in full blossom. | 0:16:22 | 0:16:25 | |
Suddenly the leaden skies of winter | 0:16:25 | 0:16:29 | |
are transformed into a tapestry of colours. | 0:16:29 | 0:16:32 | |
This is Brogdale Farm in Faversham, Kent, | 0:16:42 | 0:16:45 | |
home to the world's largest collection of temperate fruits, | 0:16:45 | 0:16:48 | |
including apples, cherries, damsons, plums and quince. | 0:16:48 | 0:16:52 | |
And my guide to this national collection of fruit is Mike Roser. | 0:16:52 | 0:16:57 | |
It seems every time I visit Brogdale, | 0:17:00 | 0:17:02 | |
there's a few more trees and bushes and fruit plants being planted. | 0:17:02 | 0:17:06 | |
What's the current status? | 0:17:06 | 0:17:08 | |
Current status, Chris, is that you are in the mature apple orchard here. | 0:17:08 | 0:17:13 | |
2,000, 2,100 cultivars. | 0:17:13 | 0:17:16 | |
This is the mature collection, been here about 36 years. | 0:17:16 | 0:17:19 | |
Plums and cherries. | 0:17:19 | 0:17:20 | |
Looking around there's not too much leaf and bud at the moment, | 0:17:20 | 0:17:23 | |
but nonetheless over 300 varieties of each. | 0:17:23 | 0:17:26 | |
But it's not just about numbers, it's conservation of the diversity | 0:17:26 | 0:17:30 | |
of the genetic resource that we have here. | 0:17:30 | 0:17:32 | |
-This is a working environment. -Very much a working environment. | 0:17:32 | 0:17:35 | |
All the trees are managed as if they were in a commercial orchard. | 0:17:35 | 0:17:38 | |
Yes, remembering of course that it is a collection. | 0:17:38 | 0:17:41 | |
Two trees of every cultivar | 0:17:41 | 0:17:43 | |
and the husbandry will probably be somewhat different. | 0:17:43 | 0:17:47 | |
But nonetheless, all the trees here in the mature apple orchard are M9s. | 0:17:47 | 0:17:52 | |
And what's fascinating for me | 0:17:52 | 0:17:53 | |
is the point at which the collection started to form. | 0:17:53 | 0:17:58 | |
That's the very point at which, as a nation, | 0:17:58 | 0:18:02 | |
we had the broadest possible range of fruit on our tables. | 0:18:02 | 0:18:06 | |
And, of course, if you look round the various counties of Britain, | 0:18:06 | 0:18:10 | |
then certainly there are varieties of apples particularly, pears and plums, | 0:18:10 | 0:18:16 | |
that you would very much associate with those different geographical locations. | 0:18:16 | 0:18:21 | |
Anyone who visits Brogdale is more or less coming to | 0:18:21 | 0:18:23 | |
a delicatessen where they can select a plant of their requirements, | 0:18:23 | 0:18:29 | |
and then they know that it's going to grow in that area. | 0:18:29 | 0:18:32 | |
I love that idea that you can come along here, | 0:18:32 | 0:18:34 | |
and it's almost bespoke gardening. | 0:18:34 | 0:18:36 | |
It's lovely walking up some of these rows with the names - | 0:18:43 | 0:18:46 | |
Robin, Pippin, Red Millet, Seedlings, St Everard... | 0:18:46 | 0:18:51 | |
All sorts of glamorous, very evocative names. It must be possible | 0:18:51 | 0:18:56 | |
because of the breadth of the collection here to almost | 0:18:56 | 0:18:58 | |
chart our relationship with apples. | 0:18:58 | 0:19:01 | |
Well, if you consider within the collection, certainly | 0:19:01 | 0:19:04 | |
if you walk through the first few rows, probably 30 countries | 0:19:04 | 0:19:08 | |
of origin, and the oldest variety in the collection is decio. D-E-C-I-O. | 0:19:08 | 0:19:12 | |
Named after a Roman commander who I think in roundabout 250 A.D. was fighting Attila the Hun. | 0:19:12 | 0:19:18 | |
So there's history to go with all the varieties in one form or another. | 0:19:18 | 0:19:22 | |
And certainly the traditional heritage varieties, | 0:19:22 | 0:19:26 | |
as opposed to what you see on the supermarket shelf now, | 0:19:26 | 0:19:29 | |
have got their place within the collection. | 0:19:29 | 0:19:31 | |
And whether it's historical or whether it's part of their genetic value, | 0:19:31 | 0:19:35 | |
which is extremely important when you look at potential breeding into the future, | 0:19:35 | 0:19:40 | |
the apple collection represents Britain's contribution to | 0:19:40 | 0:19:43 | |
the genetic future for our food products. | 0:19:43 | 0:19:48 | |
Why do you think the apple is so linked with the UK? | 0:19:55 | 0:20:00 | |
What is it about our psyche or our conditions that mean we love the apple? | 0:20:00 | 0:20:05 | |
I think that being where we are in geographical location, | 0:20:05 | 0:20:08 | |
that part of the northern hemisphere in the temperate band, | 0:20:08 | 0:20:11 | |
very conducive to apple growing. | 0:20:11 | 0:20:14 | |
Certainly the cooler nights as you get into summer, | 0:20:14 | 0:20:16 | |
the colouration coming up in terms of how the sugars change, | 0:20:16 | 0:20:20 | |
and you've got this great diversity of product, as well. | 0:20:20 | 0:20:24 | |
So longevity, certainly, of the apple as a fruiting body | 0:20:24 | 0:20:28 | |
later in the season is very, very attractive. | 0:20:28 | 0:20:30 | |
It's always surprising in the cherry orchard just what | 0:20:32 | 0:20:35 | |
extent of orchards there were in this part of the world. | 0:20:35 | 0:20:38 | |
In Kent it was virtually wall-to-wall cherries. | 0:20:38 | 0:20:41 | |
There would have been about 15,000 acres of cherries in Kent. | 0:20:41 | 0:20:45 | |
At millennium, circa 1,000 acres. | 0:20:45 | 0:20:47 | |
-To see them en masse is so unusual now. -Yes, it's absolutely true. | 0:20:47 | 0:20:52 | |
We've got over 320 varieties of cherries, | 0:20:52 | 0:20:55 | |
but of course if you go back to the days when the workers were coming down from London, | 0:20:55 | 0:20:59 | |
and indeed before that, I could have walked, if mum would have allowed me, | 0:20:59 | 0:21:04 | |
from the Medway towns down to Faversham, through Doddington, | 0:21:04 | 0:21:07 | |
toward Lenham, and I'd never have been out of sight of a cherry tree. | 0:21:07 | 0:21:10 | |
That social connect with the migrant workers | 0:21:10 | 0:21:14 | |
coming down from London to harvest may have long since gone, | 0:21:14 | 0:21:18 | |
but one of the lovely things you're doing here at Brogdale is | 0:21:18 | 0:21:21 | |
you are trying to reconnect society with the plants that you grow. | 0:21:21 | 0:21:24 | |
I mean, I can see over here the flowering cherries of the Hanami. | 0:21:24 | 0:21:28 | |
It's just wonderful to see these ornamentals in flower, | 0:21:34 | 0:21:38 | |
and, of course, so much earlier than the commercial varieties. | 0:21:38 | 0:21:41 | |
That's completely true, Chris. Particularly this year. | 0:21:41 | 0:21:44 | |
Brogdale Collections are organising the Hanami, | 0:21:44 | 0:21:47 | |
which is the blessing of the flower festival. Ancient history in Japan, | 0:21:47 | 0:21:52 | |
goes back 1,300 years to the initiation of that ceremony, | 0:21:52 | 0:21:56 | |
which included from the emperors court down to the commoners, | 0:21:56 | 0:21:59 | |
so we're hoping that the Hanami when it happens will bring a lot of people onto the site. | 0:21:59 | 0:22:04 | |
Well, it's just starting, and it really is right on that tipping point | 0:22:04 | 0:22:09 | |
where it starts to take your breath away, doesn't it? | 0:22:09 | 0:22:12 | |
It would be easy to think of somewhere like Brogdale as being | 0:22:17 | 0:22:20 | |
nothing more than a museum piece, a collection of out of date varieties, | 0:22:20 | 0:22:25 | |
but of course it's far more than that. | 0:22:25 | 0:22:27 | |
The orchard we are just passing through now is the mirror image of our mature orchard. | 0:22:27 | 0:22:33 | |
Just planted three years ago. And this represents, if you like, the future. | 0:22:33 | 0:22:38 | |
But it's not only the future that is important here at Brogdale | 0:22:38 | 0:22:41 | |
within the National Fruit Collections, it's the individual, as well | 0:22:41 | 0:22:45 | |
that can do so much for the conservation of that diversity of cultivar. | 0:22:45 | 0:22:50 | |
We can certainly help in the respect that appropriate plant material | 0:22:50 | 0:22:56 | |
can be taken, in general terms, from the collection, | 0:22:56 | 0:23:00 | |
and if you, the gardener, wishes to have certain | 0:23:00 | 0:23:05 | |
varieties in your garden, depending upon your geographical location, | 0:23:05 | 0:23:08 | |
that tree can be built for you over a period of a year. | 0:23:08 | 0:23:12 | |
You know, the biggest problem I have is choosing | 0:23:12 | 0:23:16 | |
which of the 2,100 apples I want to graft and take home with me. | 0:23:16 | 0:23:20 | |
George, you know, I think we've a better day here than they've got in Kent. | 0:23:25 | 0:23:30 | |
I think so. Far more blossom. | 0:23:30 | 0:23:32 | |
This is true. Anyway, this is the big raspberry riddle. | 0:23:32 | 0:23:36 | |
It is. This is Autumn Bliss, along there is Glen Ample. | 0:23:36 | 0:23:40 | |
These over there, they should be away up this height. | 0:23:40 | 0:23:43 | |
These have just recently been cut back. Now, there's nothing in that soil | 0:23:43 | 0:23:47 | |
that you have discovered that gives me any cause for concern. | 0:23:47 | 0:23:50 | |
No, the only thing is that once we get down to two spades' depth, | 0:23:50 | 0:23:53 | |
-I'm into gravel and quite solid. -Fair enough. | 0:23:53 | 0:23:56 | |
Whereas at that other end I'm going down the same depth | 0:23:56 | 0:23:58 | |
and it's still topsoil, so when this was graded, it was all shunted. | 0:23:58 | 0:24:02 | |
There's a bit of variety there, but the fact, I was worried, | 0:24:02 | 0:24:04 | |
you see, this area was maybe water table coming up and damaging | 0:24:04 | 0:24:09 | |
the roots of the raspberry in the winter, because they have not succeeded at all. | 0:24:09 | 0:24:12 | |
There's no sign. So what I thought we would do, sir, is | 0:24:12 | 0:24:16 | |
-I'm going to fill this hole in, now. -Famous for things like that. | 0:24:16 | 0:24:19 | |
But that's beautiful stuff. | 0:24:21 | 0:24:23 | |
There'd be many folk would be potting with less stuff than that! | 0:24:23 | 0:24:27 | |
Don't spill it on the path, George. Come on. | 0:24:27 | 0:24:30 | |
-Be tidy. -Be tidy, be tidy. | 0:24:30 | 0:24:33 | |
Now, if you could lift that bottomless pot. | 0:24:33 | 0:24:36 | |
Because you know when you come up the motorway... | 0:24:36 | 0:24:39 | |
It's a mystery now, eh? You can see right through it. | 0:24:39 | 0:24:41 | |
I'm glad I've got something to do. | 0:24:41 | 0:24:43 | |
So when you see these poly tunnels as you're coming up the road, | 0:24:43 | 0:24:50 | |
they are often full of raspberries, | 0:24:50 | 0:24:53 | |
and the raspberries will be planted in pots. | 0:24:53 | 0:24:57 | |
Now, see? The shoots are coming away on that. | 0:24:57 | 0:25:01 | |
The root system is perfectly healthy, and looking good. | 0:25:01 | 0:25:04 | |
-So we'll put that in there. -Bit of a puzzle, George. | 0:25:04 | 0:25:08 | |
-Top it off. -Top it off. | 0:25:09 | 0:25:11 | |
That should give it a bit of a boost, | 0:25:11 | 0:25:13 | |
because that's fortified compost that's in there. | 0:25:13 | 0:25:16 | |
-We've got some fertiliser. -How much? -Well, a fair bit. | 0:25:16 | 0:25:21 | |
You see... That should do it. | 0:25:21 | 0:25:24 | |
So we'll do the same with the one at the far end, | 0:25:24 | 0:25:26 | |
that's Glen Ample that's at the far end. | 0:25:26 | 0:25:29 | |
Do the same with that. | 0:25:29 | 0:25:31 | |
We'll do another one at this end and we'll see if that works. | 0:25:31 | 0:25:33 | |
And if it doesn't work... we'll think of something else. | 0:25:33 | 0:25:37 | |
-THEY CHUCKLE -I think I'll start collecting stamps. | 0:25:37 | 0:25:42 | |
We've decided to add to our fruit collection a couple of Kiwis. | 0:25:44 | 0:25:48 | |
Both the varieties are self fertile. | 0:25:48 | 0:25:51 | |
One of them is the variety called Jenny, | 0:25:51 | 0:25:53 | |
and that's going to stay in a pot cos it's not particularly hardy, | 0:25:53 | 0:25:57 | |
and the one I'm just potting at the moment is a variety called | 0:25:57 | 0:26:01 | |
Issai. Now this is really hardy. It should be hardy down to -25, | 0:26:01 | 0:26:07 | |
so once it goes on a bit we'll be planting this one outside. | 0:26:07 | 0:26:10 | |
Well, this may be the last time we'll see the over-winter brassicas. | 0:26:12 | 0:26:16 | |
The ones outside there, I've written them off. | 0:26:16 | 0:26:18 | |
They really have over-wintered very, very poorly. | 0:26:18 | 0:26:21 | |
On the cabbage side which we grow from seed ourselves, | 0:26:21 | 0:26:24 | |
Offenham and Advantage look quite good. | 0:26:24 | 0:26:26 | |
We're going to get some nice heads in the next day or two. | 0:26:26 | 0:26:29 | |
Over this side, this was a seedsman's collection of kale, | 0:26:29 | 0:26:32 | |
broccoli, cauliflower and winter cabbage. | 0:26:32 | 0:26:35 | |
The broccoli is stunning. | 0:26:35 | 0:26:37 | |
Just look at that - absolutely gorgeous. | 0:26:37 | 0:26:39 | |
Purple sprouting, called Rudo. It's lovely. | 0:26:39 | 0:26:43 | |
And I've never been a fan of this, because grown outside | 0:26:43 | 0:26:47 | |
you're never sure what it's going to do, but grown inside, it's gorgeous. | 0:26:47 | 0:26:52 | |
The clump of rhubarb we forced earlier is looking | 0:26:56 | 0:26:58 | |
a bit sorry for itself, but this one has got plenty on it. | 0:26:58 | 0:27:01 | |
There's some wonderful fresh stalks there to use. | 0:27:01 | 0:27:04 | |
Now, if you want to keep the rhubarb in the garden going, | 0:27:04 | 0:27:07 | |
now is the time to get down and to take out the flower heads. | 0:27:07 | 0:27:10 | |
These are the flower stalks which are going to eventually | 0:27:10 | 0:27:13 | |
take away all the goodness from the plant. | 0:27:13 | 0:27:16 | |
Now is a good time, too, to plant more varieties, | 0:27:16 | 0:27:18 | |
and what I'm going to do here is plant these ones | 0:27:18 | 0:27:21 | |
in order to extend the season. | 0:27:21 | 0:27:23 | |
Well, conditions are absolutely bang on for planting the sweet peas, aren't they? | 0:27:27 | 0:27:32 | |
Absolutely, and these roots are good on these, Jim. | 0:27:32 | 0:27:35 | |
Yes, they are. Pity the weather isn't the same! | 0:27:35 | 0:27:37 | |
-Yeah, they are one of my favourite cut flowers, I think they're beautiful. -Stunning. | 0:27:37 | 0:27:41 | |
And we'll have quite a display this year, cos it's not just cordons, | 0:27:41 | 0:27:44 | |
we're going to let them scramble in one of the trial beds. | 0:27:44 | 0:27:46 | |
-Are we really? -Mmm. -All over the place. We'll be covered in sweet peas. | 0:27:46 | 0:27:50 | |
Are we celebrating some sort of anniversary? | 0:27:50 | 0:27:53 | |
Well, the seedsmen have used it as a sales point, | 0:27:53 | 0:27:55 | |
-they've said it's the year of...? -The year of the sweet pea. | 0:27:55 | 0:27:58 | |
Well, I'd go for that. Like you, I think it's a cracker. | 0:27:58 | 0:28:01 | |
Yeah, they are good to look at. | 0:28:01 | 0:28:02 | |
Anyway Jim, what are you doing next week? | 0:28:02 | 0:28:05 | |
-Planting tomatoes, indoors, of course. -I'm grovelling in the gravel. | 0:28:05 | 0:28:09 | |
Oh, yes, I think I'm doing that as well. | 0:28:09 | 0:28:12 | |
And I'm also going to be sowing some grass seed. | 0:28:12 | 0:28:15 | |
So, if you'd like any more information about this week's programme, | 0:28:15 | 0:28:18 | |
it's all in the fact sheet, | 0:28:18 | 0:28:19 | |
and easiest way to access that is online. | 0:28:19 | 0:28:22 | |
Don't forget it'll have all the plant names on it, too. | 0:28:22 | 0:28:25 | |
And you can also find us on Twitter and Facebook. | 0:28:25 | 0:28:27 | |
-That's it for this week. Until next time, bye bye. -Bye. -Bye. | 0:28:27 | 0:28:32 | |
Subtitles by Red Bee Media Ltd | 0:28:37 | 0:28:40 |