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I'm constantly taken aback by the huge variety of property styles in Britain - | 0:00:02 | 0:00:05 | |
from characterful timber-framed cottages to grand townhouses. | 0:00:05 | 0:00:09 | |
But sometimes, the insides don't live up to | 0:00:09 | 0:00:12 | |
the expectations on the outside. | 0:00:12 | 0:00:15 | |
So we've gathered together the most talented interior designers | 0:00:15 | 0:00:18 | |
who think they could be the next big thing to show us how it's done. | 0:00:18 | 0:00:22 | |
But it's not as easy as it looks. | 0:00:22 | 0:00:23 | |
Ah! | 0:00:23 | 0:00:25 | |
I feel really sick. | 0:00:25 | 0:00:27 | |
Across three knockout episodes, a group of designers | 0:00:27 | 0:00:30 | |
will compete for one place in the finals week. | 0:00:30 | 0:00:33 | |
Ta-da! | 0:00:33 | 0:00:35 | |
It looks amazing, it looks exactly how I wanted it. | 0:00:35 | 0:00:37 | |
Love it, love it, love it. | 0:00:37 | 0:00:39 | |
Judging them, two industry experts - Daniel Hopwood... | 0:00:39 | 0:00:43 | |
What I'm looking for is talent that can be nurtured. | 0:00:43 | 0:00:46 | |
..and Sophie Robinson. | 0:00:46 | 0:00:48 | |
I want the designers to impress me with their creativity. | 0:00:48 | 0:00:51 | |
They'll be scrutinising presentation skills... | 0:00:51 | 0:00:54 | |
That's not the way to present to somebody. | 0:00:54 | 0:00:57 | |
..artistic flair... | 0:00:57 | 0:00:59 | |
-Have you ever seen that done before? -No, it's weird. | 0:00:59 | 0:01:01 | |
..and how well they deliver their brief. | 0:01:01 | 0:01:04 | |
-A pretty amazing transformation. -Absolutely beautiful. | 0:01:04 | 0:01:07 | |
In the finals, the best will face giants of the design world - | 0:01:07 | 0:01:11 | |
Oliver Heath... | 0:01:11 | 0:01:12 | |
Oh, my word! | 0:01:12 | 0:01:13 | |
..Orla Kiely... | 0:01:13 | 0:01:15 | |
It does look quite rough. | 0:01:15 | 0:01:16 | |
..and Kelly Hoppen. | 0:01:16 | 0:01:18 | |
I want perfection. | 0:01:18 | 0:01:19 | |
But only one can be crowned winner | 0:01:19 | 0:01:22 | |
of The Great Interior Design Challenge. | 0:01:22 | 0:01:25 | |
In this first round heat, | 0:01:34 | 0:01:35 | |
four rooms seriously in need of some creativity. | 0:01:35 | 0:01:38 | |
This time, our amateur designers will work in one bedroom each | 0:01:39 | 0:01:43 | |
in these modernist apartments in south London. | 0:01:43 | 0:01:46 | |
Each designer has their own distinctive style. | 0:01:46 | 0:01:49 | |
-Colours. -Theatrical. | 0:01:49 | 0:01:51 | |
Scandinavian. | 0:01:51 | 0:01:52 | |
Oriental sensation. | 0:01:52 | 0:01:53 | |
But working to a client's brief won't be straightforward. | 0:01:53 | 0:01:57 | |
Oh, no, I'm panicking! | 0:01:57 | 0:01:59 | |
Shall we just scrap the whole thing? | 0:01:59 | 0:02:01 | |
-I'm a bit stressed. -Crikey! | 0:02:01 | 0:02:03 | |
They'll need to impress to keep their place in the competition. | 0:02:03 | 0:02:06 | |
Ahh! | 0:02:06 | 0:02:07 | |
I'm not very happy with it. | 0:02:07 | 0:02:09 | |
I think that's really rather dreadful. | 0:02:09 | 0:02:11 | |
-Because, of the four amateur designers... -Weey! | 0:02:11 | 0:02:14 | |
..only three will make it through to the next round. | 0:02:14 | 0:02:17 | |
The designer that we are saying goodbye to is... | 0:02:17 | 0:02:20 | |
The setting for this design battle | 0:02:25 | 0:02:26 | |
is one of my favourite buildings in London. | 0:02:26 | 0:02:29 | |
Because there's far more to it than meets the eye. | 0:02:29 | 0:02:32 | |
The 1930s were a decade of innovation and optimism in Britain, | 0:02:33 | 0:02:36 | |
with cultural influences, including architecture, | 0:02:36 | 0:02:39 | |
coming in from continental Europe and America. | 0:02:39 | 0:02:42 | |
But, in Peckham, South London, | 0:02:42 | 0:02:44 | |
a very British experiment was taking place. | 0:02:44 | 0:02:46 | |
Two pioneering doctors established a health centre | 0:02:48 | 0:02:51 | |
in this modernist building, | 0:02:51 | 0:02:52 | |
promoting wellbeing and leisure like never before. | 0:02:52 | 0:02:55 | |
It's now been converted into apartments, | 0:02:55 | 0:02:58 | |
and our designers must transform a bedroom each. | 0:02:58 | 0:03:01 | |
OK, so, everything is going to be white. | 0:03:08 | 0:03:12 | |
The designers have been working on a brief from their homeowner | 0:03:12 | 0:03:15 | |
for the past week. | 0:03:15 | 0:03:17 | |
The brief is quite different to my normal style. | 0:03:17 | 0:03:21 | |
I've really got to go out of my comfort zone. | 0:03:21 | 0:03:24 | |
-Basically, all the layout is going to stay the same. -OK. | 0:03:24 | 0:03:28 | |
Obviously, I need to fit into the client's criteria, | 0:03:28 | 0:03:31 | |
but hopefully I can get away with some twists. | 0:03:31 | 0:03:35 | |
They've each got a small team to help them, | 0:03:35 | 0:03:37 | |
including a builder and a decorator. | 0:03:37 | 0:03:40 | |
So, the mirror sits on the ply... | 0:03:40 | 0:03:42 | |
-Yeah. -..with the concrete surround... | 0:03:42 | 0:03:44 | |
You make it, I'll fix it. | 0:03:44 | 0:03:46 | |
Quietly confident, but who knows, they might hate it! | 0:03:46 | 0:03:51 | |
And they also have a budget of £1,000 and three days. | 0:03:52 | 0:03:55 | |
And for my next trick... | 0:03:57 | 0:03:58 | |
I'm feeling a little bit apprehensive and nervous, | 0:03:58 | 0:04:01 | |
but I just hope the homeowner likes what I have planned. | 0:04:01 | 0:04:04 | |
First up is a 62-year-old theatre director and actress Sharon | 0:04:06 | 0:04:10 | |
whose home in Sheffield reflects her taste for the dramatic. | 0:04:10 | 0:04:14 | |
When I go round other people's houses, they are usually quite safe. | 0:04:14 | 0:04:19 | |
And I just think you've just got to go for it, really. | 0:04:19 | 0:04:22 | |
The room Sharon is working in started off as a plain white box, | 0:04:22 | 0:04:26 | |
which judges Sophie and Daniel checked out before work began. | 0:04:26 | 0:04:29 | |
Oh, what a wonderful light-filled room! | 0:04:31 | 0:04:34 | |
At the moment, bright white walls, very masculine, | 0:04:34 | 0:04:37 | |
hard edged furniture. This couldn't be further | 0:04:37 | 0:04:40 | |
from what the homeowners asked for in the brief. | 0:04:40 | 0:04:43 | |
Sharon has been asked to give the room | 0:04:43 | 0:04:45 | |
a colourful 1920s Bloomsbury-inspired scheme. | 0:04:45 | 0:04:48 | |
The thing with this Bloomsbury look is it's quite soft. | 0:04:48 | 0:04:51 | |
I imagine lots of fabrics, patterned wallpapers. | 0:04:51 | 0:04:55 | |
The thing is, in a concrete building, | 0:04:55 | 0:04:58 | |
is the designer going to make that look really work? | 0:04:58 | 0:05:00 | |
Sharon's hoping the building can take vibrant floral wallpaper | 0:05:00 | 0:05:05 | |
and a bright colour scheme, | 0:05:05 | 0:05:07 | |
which she pitched to her client Kate before work began. | 0:05:07 | 0:05:11 | |
The scheme is based on Bloomsbury. | 0:05:11 | 0:05:14 | |
The modern furniture, I'm going to paint in a particular style, | 0:05:14 | 0:05:18 | |
but I'll show you. | 0:05:18 | 0:05:19 | |
The judges are scrutinising every part of the pitch | 0:05:19 | 0:05:23 | |
and will be ranking all the designers on how well they do. | 0:05:23 | 0:05:26 | |
And after 10 minutes, Sharon hasn't even got out her mood boards. | 0:05:26 | 0:05:30 | |
What sort of colours have you got in mind? | 0:05:30 | 0:05:33 | |
Now I can reveal my mood board. | 0:05:33 | 0:05:35 | |
Oh, look, that's a beautiful blue. | 0:05:36 | 0:05:39 | |
-The main colour for the walls is the green. -Yeah. | 0:05:39 | 0:05:42 | |
-And the chest of drawers? -Probably more of the dusky coral. | 0:05:42 | 0:05:46 | |
I love it, Sharon, I really do. | 0:05:46 | 0:05:48 | |
-I wasn't expecting to be so taken with it straight away. -Really? | 0:05:48 | 0:05:52 | |
-But I really am. -Oh, good. -I really am. | 0:05:52 | 0:05:54 | |
-That's really exciting. -What I was envisaging... | 0:05:54 | 0:05:57 | |
I think a Bloomsbury-inspired theme is a lovely brief, | 0:05:57 | 0:06:00 | |
but that colour scheme, I don't know, | 0:06:00 | 0:06:03 | |
it seems a bit of an odd choice. | 0:06:03 | 0:06:04 | |
Yeah, and I'm not sure it's going to work. | 0:06:04 | 0:06:07 | |
The judges may not be sold on the colour scheme, | 0:06:07 | 0:06:11 | |
but Sharon's got other worries - moving the wardrobe. | 0:06:11 | 0:06:15 | |
-The back's hanging off. -Yeah, the back is coming off, isn't it? -Yeah. | 0:06:15 | 0:06:18 | |
Yeah, that's going to be quite tricky to move. | 0:06:18 | 0:06:21 | |
At the moment, if we move it, it will be in bits. | 0:06:21 | 0:06:24 | |
If I can't move the wardrobe, I'm going home. | 0:06:24 | 0:06:27 | |
I definitely like making a list. | 0:06:32 | 0:06:34 | |
Our second designer is 28-year-old Holly, | 0:06:34 | 0:06:37 | |
who runs a doggie day-care centre from her colourful London home. | 0:06:37 | 0:06:41 | |
A lot of my inspiration comes from films that I love. | 0:06:41 | 0:06:44 | |
Particularly Jurassic Park, I love the tropical theme, | 0:06:44 | 0:06:47 | |
it's nice and bright and colourful. | 0:06:47 | 0:06:50 | |
Holly's updating a once-cluttered 11-year-old's bedroom. | 0:06:50 | 0:06:54 | |
-It's quite a tight space. -Yes, you could say it's cosy, couldn't you? | 0:06:54 | 0:06:58 | |
There's a lot of demand on kids' bedrooms, | 0:06:58 | 0:07:00 | |
not just for sleeping, but for all their bits and pieces. | 0:07:00 | 0:07:04 | |
Holly's young client wants a more grown-up room with a retro theme. | 0:07:04 | 0:07:08 | |
We've got sorbet pastel shades, mid-century modern, | 0:07:09 | 0:07:13 | |
-modern geometrics. -So everything, really. | 0:07:13 | 0:07:15 | |
Yes, she's hitting all the major trends, I love it. | 0:07:15 | 0:07:18 | |
Holly's using a multicoloured circle motif throughout the room | 0:07:18 | 0:07:23 | |
with handcrafted accessories... | 0:07:23 | 0:07:25 | |
See what you think. | 0:07:25 | 0:07:26 | |
..which she needed client Bea and mum Emma | 0:07:26 | 0:07:29 | |
to sign off before work started. | 0:07:29 | 0:07:32 | |
The main backdrop of the room is going to be white | 0:07:32 | 0:07:34 | |
and then I'm going to paint | 0:07:34 | 0:07:36 | |
this kind of circular mural on that wall there. | 0:07:36 | 0:07:39 | |
-Does that sound good, Bea? -Yeah. -OK. | 0:07:39 | 0:07:42 | |
We've got a couple of accessories I'm going to make for you. | 0:07:42 | 0:07:44 | |
I'm going to do a marquee light with your name and I'm going to use | 0:07:44 | 0:07:48 | |
five of these lampshades, all in different colours. | 0:07:48 | 0:07:52 | |
I've got you a new bed. | 0:07:52 | 0:07:54 | |
-The bed is a single bed, is it? -It is a single bed, yeah. -OK. | 0:07:54 | 0:07:58 | |
-Happy, Bea? -Definitely. | 0:07:58 | 0:08:00 | |
-That's great, Holly. -Brill. -Yeah, brilliant. | 0:08:00 | 0:08:02 | |
What's very clever, by painting the walls with those round circles, | 0:08:02 | 0:08:05 | |
she can introduce all those different colours. | 0:08:05 | 0:08:08 | |
You don't think lots of bubbles on the wall looks silly? | 0:08:08 | 0:08:10 | |
No, they look fun, I like that, it won't look silly. | 0:08:10 | 0:08:14 | |
Holly's first major job is to remove the built-in bed, | 0:08:15 | 0:08:19 | |
revealing a problem underneath. | 0:08:19 | 0:08:21 | |
I pulled the bed up. | 0:08:21 | 0:08:23 | |
This is what we've got. | 0:08:23 | 0:08:24 | |
Yeah, we thought there was going to be two types of carpet going on. | 0:08:24 | 0:08:28 | |
I think what I'm going to do is have a very light laminate on it. | 0:08:28 | 0:08:32 | |
So it will change flooring, | 0:08:32 | 0:08:34 | |
but because it's part of the dressing area, it should look OK. | 0:08:34 | 0:08:39 | |
This has kind of thrown the budget into turmoil. | 0:08:39 | 0:08:43 | |
I'm not sure I should touch this. | 0:08:45 | 0:08:47 | |
Our third designer is 38-year-old former textile sales assistant | 0:08:47 | 0:08:52 | |
Frankie, who's got somewhat conflicting tastes. | 0:08:52 | 0:08:55 | |
My style is crossing between minimal and very ornate. | 0:08:55 | 0:09:00 | |
You don't just clash them, you have to find the harmony. | 0:09:00 | 0:09:04 | |
It's like a rhythm. | 0:09:04 | 0:09:06 | |
Frankie is working in a room that was tatty, | 0:09:06 | 0:09:09 | |
doubling up as a guest bedroom-cum-study. | 0:09:09 | 0:09:12 | |
Oh, you can tell this is a spare bedroom. | 0:09:12 | 0:09:15 | |
Oh, yes, it's got the second bedroom syndrome, hasn't it? | 0:09:15 | 0:09:18 | |
It's doing everything. | 0:09:18 | 0:09:19 | |
And what Frankie's clients want it to do | 0:09:19 | 0:09:22 | |
is be practical with a minimal Japanese feel. | 0:09:22 | 0:09:24 | |
It's going to be interesting to see how the designer can pull this | 0:09:24 | 0:09:28 | |
together as a scheme and make it look cohesive and interesting. | 0:09:28 | 0:09:31 | |
Frankie has embraced the Japanese brief, | 0:09:33 | 0:09:35 | |
with muted colours and decorative fabrics, | 0:09:35 | 0:09:38 | |
which he had to get the OK for from his client Andy. | 0:09:38 | 0:09:42 | |
Here's something I'd like to show you. | 0:09:42 | 0:09:45 | |
-OK. -This is vintage Japanese fabric. | 0:09:45 | 0:09:50 | |
All the way from Kyoto. | 0:09:50 | 0:09:52 | |
You know, it takes you back to when you see | 0:09:52 | 0:09:54 | |
all those magnificent geisha walking on the street. | 0:09:54 | 0:09:57 | |
It looks really interesting. | 0:09:57 | 0:09:59 | |
We're going to cover all your furniture | 0:09:59 | 0:10:03 | |
-in this natural Irish linen. -OK. | 0:10:03 | 0:10:05 | |
If you can cover a chair, so you can cover furniture as well. | 0:10:05 | 0:10:09 | |
And then right inside, a panel, we're going to do some padding | 0:10:09 | 0:10:13 | |
and then you can put your personal note with a pin. | 0:10:13 | 0:10:17 | |
-OK. -So, it's kind of multifunctional as well. -Yeah. | 0:10:17 | 0:10:21 | |
I think that was such a lovely presentation, | 0:10:21 | 0:10:23 | |
-all those beautiful fabrics. -Oh, hang on a minute. | 0:10:23 | 0:10:26 | |
You're being seduced by the kimonos. | 0:10:26 | 0:10:28 | |
Remember, those homeowners were after, I think, | 0:10:28 | 0:10:31 | |
the Japanese version of Bauhaus. | 0:10:31 | 0:10:32 | |
Yes, they did ask for something very minimal and utilitarian, | 0:10:32 | 0:10:36 | |
and they got something highly decorative. | 0:10:36 | 0:10:38 | |
Part of Frankie's decorative design involves breaking up | 0:10:41 | 0:10:45 | |
the existing chest of drawers to create a new storage feature. | 0:10:45 | 0:10:49 | |
-These cabinets, I'd like that to be chopped. -OK. | 0:10:49 | 0:10:54 | |
-So the top section is going to be here. -Right. | 0:10:54 | 0:10:59 | |
That would be covered in the kimono fabric and the Irish linen. | 0:10:59 | 0:11:04 | |
This is probably more work for you and the decorator than it is for me. | 0:11:04 | 0:11:07 | |
The final designer is 42-year-old Jane, | 0:11:11 | 0:11:14 | |
who, at home in Yorkshire, likes a modern aesthetic. | 0:11:14 | 0:11:18 | |
My ideal house would be in LA, with huge windows, | 0:11:18 | 0:11:21 | |
but that's not going to happen. | 0:11:21 | 0:11:23 | |
The room Jane is working in was an understated | 0:11:23 | 0:11:26 | |
and rather plain master bedroom. | 0:11:26 | 0:11:29 | |
Oh, what a lovely airy room. | 0:11:29 | 0:11:31 | |
You've got this enormous wardrobe, | 0:11:31 | 0:11:33 | |
which I have to say is rather ghastly. | 0:11:33 | 0:11:35 | |
But they clearly need the storage. | 0:11:35 | 0:11:38 | |
Jane's homeowner wants to keep the room simple, | 0:11:38 | 0:11:41 | |
but inject some Scandinavian style. | 0:11:41 | 0:11:44 | |
Looking in this room, they've got a lovely bed. | 0:11:45 | 0:11:48 | |
There are a few eclectic pieces | 0:11:48 | 0:11:49 | |
and you don't want to lose that personality. | 0:11:49 | 0:11:51 | |
There's your personality. That's a brilliant gallery wall. | 0:11:51 | 0:11:54 | |
But that gives me an indication that this homeowner does have | 0:11:54 | 0:11:57 | |
quite a strong sense of style. | 0:11:57 | 0:11:59 | |
Jane's come up with a pared-down Scandi look in greys and whites, | 0:12:01 | 0:12:05 | |
broken up with natural and industrial accessories... | 0:12:05 | 0:12:09 | |
This...is my thoughts. | 0:12:09 | 0:12:12 | |
..which she ran past her homeowner Kate earlier. | 0:12:12 | 0:12:16 | |
That is the wardrobe that I've got for you. | 0:12:16 | 0:12:19 | |
-So hopefully you're happy with that. -OK. | 0:12:19 | 0:12:22 | |
I'm just thinking, because obviously it looks smaller than | 0:12:22 | 0:12:25 | |
-the wardrobe we've got now, which is full of clothes. -OK. | 0:12:25 | 0:12:29 | |
Food for thought. | 0:12:29 | 0:12:31 | |
Now, the bedside table. | 0:12:31 | 0:12:34 | |
-I've sourced a tree trunk. -Oh, great. | 0:12:34 | 0:12:37 | |
And I'm going to put casters on that. | 0:12:37 | 0:12:39 | |
I really like that. | 0:12:39 | 0:12:40 | |
This is the exact flooring, which took a lot of the budget. | 0:12:40 | 0:12:44 | |
Is there any way of painting these white, | 0:12:44 | 0:12:47 | |
or do they have to stay this colour? | 0:12:47 | 0:12:49 | |
-The trouble with that is we haven't got any white paint. -OK. | 0:12:49 | 0:12:52 | |
That's not in budget. | 0:12:52 | 0:12:54 | |
-Not really, I'm afraid. -That's fine, I just thought I'd ask. | 0:12:55 | 0:12:58 | |
I felt, with Jane, that she's not been very amenable. | 0:12:59 | 0:13:02 | |
That design isn't working hard to answer the homeowner's problems. | 0:13:02 | 0:13:06 | |
She is offering us rubber-stamped Scandinavian design, | 0:13:06 | 0:13:10 | |
rather than using that type of design | 0:13:10 | 0:13:12 | |
to solve the problems of the room. | 0:13:12 | 0:13:15 | |
And there's one problem that Jane's homeowner definitely wants sorted. | 0:13:18 | 0:13:23 | |
Jane seems to think that the wardrobe being smaller will be OK | 0:13:23 | 0:13:26 | |
cos there's shelves next to it. | 0:13:26 | 0:13:28 | |
But I'm not sure that piles of jumpers and T-shirts | 0:13:28 | 0:13:31 | |
is going to look that good there. | 0:13:31 | 0:13:32 | |
If the wardrobe we've got now had new doors, I'd feel a lot better | 0:13:32 | 0:13:36 | |
about things cos then I know we've got that storage there. | 0:13:36 | 0:13:39 | |
So, the wardrobe will stay. But there's more to negotiate. | 0:13:39 | 0:13:42 | |
Can I talk to you about the floor? | 0:13:42 | 0:13:45 | |
I'm worried that it will look like it is in here | 0:13:45 | 0:13:47 | |
-and I hate the floor in here. -It won't look like this, I promise you. | 0:13:47 | 0:13:50 | |
It's a lot nicer. If you go with the white floor - and it's your call... | 0:13:50 | 0:13:54 | |
-It'll be too white. -..it's going to look like a white box. | 0:13:54 | 0:13:56 | |
Yeah, that's a good point. | 0:13:56 | 0:13:58 | |
-We're OK to do two coats in one day? -Yeah. | 0:14:03 | 0:14:06 | |
Work is well under way. | 0:14:06 | 0:14:08 | |
But the judges are now calling all the designers | 0:14:08 | 0:14:11 | |
for some early surprise feedback. | 0:14:11 | 0:14:13 | |
-Jane, the judges want to see you. -Do they? | 0:14:13 | 0:14:16 | |
For what? | 0:14:16 | 0:14:18 | |
Maybe kind of like a criminal check? | 0:14:18 | 0:14:21 | |
Sophie and Daniel watched how they presented their schemes to their clients, | 0:14:23 | 0:14:27 | |
and now they're going to judge them on how well they did. | 0:14:27 | 0:14:30 | |
At this stage, it's not their design being scrutinised, | 0:14:32 | 0:14:35 | |
but their ability to articulate ideas, | 0:14:35 | 0:14:37 | |
their mood boards and their drawings. | 0:14:37 | 0:14:40 | |
I feel like I'm walking to an execution. | 0:14:40 | 0:14:43 | |
With just three places in the next round, | 0:14:43 | 0:14:45 | |
where they're ranked now really matters. | 0:14:45 | 0:14:48 | |
Designers, we've asked you out here because we are here to judge you | 0:14:48 | 0:14:52 | |
on your presentation and grade you from first to fourth. | 0:14:52 | 0:14:56 | |
I'm going to start with you, Holly. | 0:14:59 | 0:15:01 | |
Your presentation was very comprehensive - | 0:15:01 | 0:15:03 | |
sketches, plans, products, samples. | 0:15:03 | 0:15:07 | |
However, there was a lot of emphasis on the products | 0:15:07 | 0:15:09 | |
rather than helping your client visualise the room in the 360. | 0:15:09 | 0:15:14 | |
OK. | 0:15:14 | 0:15:15 | |
Sharon, what rapport you have with your homeowner. | 0:15:15 | 0:15:18 | |
And you really led on the charm. | 0:15:18 | 0:15:20 | |
But when you started to describe your project, you should have | 0:15:20 | 0:15:23 | |
picked up your presentation board and used it as your tool. | 0:15:23 | 0:15:27 | |
-Yes. -Jane, I thought your board was really strong visually, | 0:15:27 | 0:15:30 | |
you got loads of images on there that clearly portrayed | 0:15:30 | 0:15:33 | |
the look you are going for. However, you were quite negative. | 0:15:33 | 0:15:37 | |
There were lots of excuses made. | 0:15:37 | 0:15:39 | |
And that wasn't really upping the feeling with your client. | 0:15:39 | 0:15:43 | |
Oh, Frankie, what a lovely storyteller you are! | 0:15:44 | 0:15:48 | |
It was a great introduction. | 0:15:49 | 0:15:51 | |
But we were worried about the big issues that you have | 0:15:51 | 0:15:54 | |
when dealing with a second bedroom | 0:15:54 | 0:15:56 | |
that has lots of different jobs to do, and you didn't cover that. | 0:15:56 | 0:15:59 | |
So, I bet you'd like to know how you've done against one another. | 0:16:01 | 0:16:06 | |
-In first place, well done, Frankie. -Thank you. | 0:16:08 | 0:16:12 | |
In second place... | 0:16:13 | 0:16:15 | |
is Holly. | 0:16:15 | 0:16:16 | |
In third place... | 0:16:18 | 0:16:19 | |
is Sharon. | 0:16:19 | 0:16:21 | |
Which means that in fourth place is Jane. | 0:16:22 | 0:16:26 | |
A bit miffed, really. | 0:16:28 | 0:16:30 | |
I'm a bit of a worrier, that's my nature, | 0:16:31 | 0:16:34 | |
and I just need to try and not to be too negative. | 0:16:34 | 0:16:37 | |
Well, I came first, which has come as a complete surprise. | 0:16:37 | 0:16:42 | |
So far, so good. | 0:16:42 | 0:16:43 | |
A boost for Frankie, then. | 0:16:46 | 0:16:48 | |
But all our designers would do well | 0:16:48 | 0:16:50 | |
to draw inspiration from the building around them, | 0:16:50 | 0:16:53 | |
constructed in a spirit of confidence and optimism. | 0:16:53 | 0:16:56 | |
It might not look like it, but this building was designed 80 years ago, | 0:16:57 | 0:17:00 | |
when the Modernist movement was just taking off in Britain. | 0:17:00 | 0:17:03 | |
This ideology rejoiced in overturning tradition for a brighter future. | 0:17:03 | 0:17:08 | |
Architects built this fascination with the new into their designs, | 0:17:08 | 0:17:12 | |
such as here - the sharp horizontal and vertical lines of the concrete structure. | 0:17:12 | 0:17:16 | |
Dr Scott Williamson and his wife Innes Pearse commissioned | 0:17:18 | 0:17:21 | |
the construction of the Pioneer Health Centre. | 0:17:21 | 0:17:24 | |
Local families paid a shilling a week to use facilities | 0:17:24 | 0:17:27 | |
such as a gym, a swimming pool, even a cafe. | 0:17:27 | 0:17:30 | |
And while they enjoyed their leisure time, | 0:17:30 | 0:17:32 | |
they were observed by a team of doctors who passionately believed | 0:17:32 | 0:17:35 | |
in promoting a healthy lifestyle, not just in curing disease. | 0:17:35 | 0:17:39 | |
Sharon's feeling fighting fit now she's got the wardrobe out | 0:17:40 | 0:17:44 | |
and her bold, Bloomsbury colour scheme going up. | 0:17:44 | 0:17:46 | |
It won't look as green as it's cabbage looking at the moment. | 0:17:46 | 0:17:50 | |
The undeniably green walls will be contrasted with coral pink | 0:17:50 | 0:17:54 | |
and electric blue on the furniture. | 0:17:54 | 0:17:57 | |
I think I'll mix some white in. | 0:17:57 | 0:17:59 | |
Sharon's not used to toning down her style. | 0:18:02 | 0:18:05 | |
At home, she makes all the design decisions. | 0:18:05 | 0:18:08 | |
I decided to go for something very bold on the walls. | 0:18:08 | 0:18:11 | |
I don't get much of an opinion. | 0:18:11 | 0:18:14 | |
I'd certainly have it a bit quieter, a bit more reserved. | 0:18:14 | 0:18:17 | |
I have to introduce you to Scarlet here. She's a lamp. | 0:18:17 | 0:18:21 | |
I'm a risk taker. I don't do normal things. | 0:18:21 | 0:18:25 | |
I think we hold ourselves back far too often. | 0:18:25 | 0:18:27 | |
That is a challenging space. It's long and thin. | 0:18:29 | 0:18:32 | |
And she's giving it more challenges | 0:18:32 | 0:18:35 | |
by painting it really strong colours. | 0:18:35 | 0:18:38 | |
In that room, it's just a bit too much. | 0:18:38 | 0:18:40 | |
Frankie's walls are far more subtle, | 0:18:44 | 0:18:46 | |
with an £18 a roll basketweave wallpaper. | 0:18:46 | 0:18:50 | |
He's also busy making a blind, edged in kimono silk. | 0:18:52 | 0:18:55 | |
I love those fabrics. | 0:18:56 | 0:18:58 | |
Do you think they suit the homeowner's taste | 0:18:58 | 0:19:02 | |
in minimal Japanese design? | 0:19:02 | 0:19:04 | |
If you only use minimal, you'd get really bored of it one day. | 0:19:04 | 0:19:08 | |
That's why I came up with the idea | 0:19:08 | 0:19:10 | |
of a splashing of that magnificent geisha outfit. | 0:19:10 | 0:19:14 | |
You've set quite high expectations. | 0:19:15 | 0:19:18 | |
Frankie has high expectations at home in Epsom too. | 0:19:21 | 0:19:25 | |
When you do things right, when you do it beautifully, | 0:19:25 | 0:19:30 | |
it makes you so happy. | 0:19:30 | 0:19:32 | |
Creating things is a passion. | 0:19:32 | 0:19:35 | |
If I won this competition, we're going to buy loads and loads | 0:19:35 | 0:19:39 | |
and loads of champagne. Back to the reality! | 0:19:39 | 0:19:42 | |
Frankie's reality right now isn't a happy place. | 0:19:44 | 0:19:47 | |
Still hasn't arrived? | 0:19:47 | 0:19:49 | |
Oh, crikey! | 0:19:49 | 0:19:51 | |
The Irish linen which he plans to cover | 0:19:53 | 0:19:55 | |
most of his furniture in hasn't turned up. | 0:19:55 | 0:19:57 | |
What? It went back to the depot? | 0:19:57 | 0:20:00 | |
I don't know what to do really, at the moment. | 0:20:00 | 0:20:03 | |
I'll have to think about an alternative. | 0:20:04 | 0:20:08 | |
It's like a Swiss cheese. | 0:20:12 | 0:20:13 | |
Things are going better in Holly's room. | 0:20:13 | 0:20:16 | |
The walls are half pink and half white. | 0:20:16 | 0:20:19 | |
And circles are cropping up everywhere. | 0:20:19 | 0:20:22 | |
I've literally spray mounted a little bit of bubble wrap | 0:20:23 | 0:20:27 | |
and then I press it here. | 0:20:27 | 0:20:29 | |
It just goes to prove there's other things you can do with bubble wrap | 0:20:29 | 0:20:33 | |
other than just popping. | 0:20:33 | 0:20:35 | |
You're a good boy, aren't you? | 0:20:36 | 0:20:38 | |
A confident designer, Holly is keen to shine in the competition. | 0:20:38 | 0:20:42 | |
Before working with dogs, she was a PA. | 0:20:42 | 0:20:45 | |
I'm quite proficient with time management. | 0:20:45 | 0:20:48 | |
But I'm also really good at handling last-minute changes. | 0:20:48 | 0:20:51 | |
I don't have any formal interior design training, | 0:20:51 | 0:20:54 | |
but I really like making stuff. | 0:20:54 | 0:20:57 | |
I like to draw and sew, and I really enjoy actually doing it as well. | 0:20:57 | 0:21:01 | |
I mean, seriously, it's like an episode of Blue Peter in there. | 0:21:02 | 0:21:05 | |
There's pots of glitter, there's bags of plaster. | 0:21:05 | 0:21:09 | |
Well, you know, her client is a young girl. | 0:21:09 | 0:21:12 | |
But I also know she's quite sophisticated, | 0:21:12 | 0:21:14 | |
so that may not quite work for her. | 0:21:14 | 0:21:16 | |
There's more heavy-duty work going on in Jane's Scandinavian room, | 0:21:20 | 0:21:23 | |
with the wardrobe dismantled | 0:21:23 | 0:21:25 | |
and the controversial floor being laid. | 0:21:25 | 0:21:27 | |
It looks classy. I like it. | 0:21:27 | 0:21:30 | |
-Thank God! -SHE LAUGHS | 0:21:30 | 0:21:33 | |
To give her design an industrial edge, | 0:21:34 | 0:21:37 | |
Jane's making a concrete mirror frame in a home-made mould. | 0:21:37 | 0:21:41 | |
Oh, fabadoosh! | 0:21:41 | 0:21:42 | |
I like getting messy and making things. | 0:21:42 | 0:21:45 | |
Jane's used to getting hands-on at home too, | 0:21:46 | 0:21:49 | |
as she's spent the last 13 years doing up her house. | 0:21:49 | 0:21:53 | |
I'm forever learning new skills. | 0:21:53 | 0:21:56 | |
You know, you get a week's holiday | 0:21:56 | 0:21:58 | |
and you end up doing DIY instead of going somewhere. | 0:21:58 | 0:22:02 | |
I think it's an ongoing project for life. | 0:22:02 | 0:22:05 | |
The drying time will probably be a minimum of 48 hours. | 0:22:07 | 0:22:12 | |
Hopefully it will have time to set. | 0:22:12 | 0:22:16 | |
Fingers crossed. | 0:22:16 | 0:22:18 | |
No pressure. | 0:22:18 | 0:22:20 | |
They've come to the right place for pressure. | 0:22:21 | 0:22:24 | |
As well as their schemes, Sophie and Daniel want to test | 0:22:24 | 0:22:27 | |
all the designers on how well they think on their feet. | 0:22:27 | 0:22:30 | |
-A surprise challenge. -Right... | 0:22:31 | 0:22:33 | |
They want to compare their creativity | 0:22:33 | 0:22:36 | |
by getting them to upcycle the same item. | 0:22:36 | 0:22:39 | |
It's a vintage tennis racket. | 0:22:40 | 0:22:42 | |
Which you've got to do something with that is part of the room | 0:22:43 | 0:22:46 | |
or is a nice stand-alone piece. | 0:22:46 | 0:22:49 | |
Be innovative, be creative. | 0:22:49 | 0:22:50 | |
-Right. -Make it into something new and a new interior design product. | 0:22:50 | 0:22:54 | |
-I'll leave that with you. -Ughhh! | 0:22:54 | 0:22:55 | |
Um, I'm going to put my head in the vice. | 0:22:55 | 0:22:59 | |
Our amateurs believe they have what it takes | 0:22:59 | 0:23:02 | |
to be professional designers. | 0:23:02 | 0:23:04 | |
So this will test them to the max. | 0:23:04 | 0:23:06 | |
It is very Bloomsbury. | 0:23:06 | 0:23:08 | |
So I should be able to do something creative with it. | 0:23:08 | 0:23:11 | |
I'll have to do, otherwise I shouldn't be here, should I? | 0:23:11 | 0:23:14 | |
I've literally no idea. | 0:23:14 | 0:23:16 | |
The judges will see the items they produce later on. | 0:23:16 | 0:23:19 | |
And what they think of them will help them decide | 0:23:19 | 0:23:22 | |
which designer will leave the competition. | 0:23:22 | 0:23:24 | |
It's the end of day one | 0:23:28 | 0:23:30 | |
and a chance for the designers to size up their rivals. | 0:23:30 | 0:23:33 | |
I'm thinking about curtains, I am the mad curtain woman. | 0:23:33 | 0:23:36 | |
It's a bit scary. | 0:23:36 | 0:23:37 | |
It's like, oh, no, they're really good, | 0:23:37 | 0:23:39 | |
I wanted them to be really rubbish. | 0:23:39 | 0:23:41 | |
I'm taking them back to the hotel. | 0:23:41 | 0:23:42 | |
-Are you going to sew them back at the hotel? -Yeah. -Oh, bless you. | 0:23:42 | 0:23:46 | |
-THEY LAUGH -How about you? | 0:23:46 | 0:23:48 | |
I'm confident. On the end of day one, everything is on schedule. | 0:23:48 | 0:23:52 | |
I think I've actually got a little bit more done. | 0:23:52 | 0:23:54 | |
It's been a ridiculous day. | 0:23:54 | 0:23:56 | |
It's totally ridiculous. | 0:23:56 | 0:23:58 | |
I've spent the whole day chasing after these fabrics. | 0:23:58 | 0:24:02 | |
Not making much of a progress. | 0:24:02 | 0:24:04 | |
-Thank you, thank you. -Tomorrow will be a good day. | 0:24:04 | 0:24:07 | |
As Frankie's team are clocking off, he's heading back to the hotel | 0:24:07 | 0:24:10 | |
for more work, putting together a twig lampshade he's designed. | 0:24:10 | 0:24:14 | |
Tonight, I won't be able to sleep. | 0:24:14 | 0:24:17 | |
If I'm going to spend all that time | 0:24:17 | 0:24:18 | |
worrying about it, I might just, you know, do something. | 0:24:18 | 0:24:21 | |
It's the start of the second day. | 0:24:29 | 0:24:32 | |
We've seen concrete moulded, painted furniture | 0:24:32 | 0:24:35 | |
and an abundance of craft. | 0:24:35 | 0:24:36 | |
Our designers still have a lot more work to do. | 0:24:36 | 0:24:39 | |
Tomorrow, one designer will leave the competition. | 0:24:39 | 0:24:42 | |
I've been worrying a lot, but once I start making things | 0:24:42 | 0:24:46 | |
and ticking them off my list, then I'll feel more positive. | 0:24:46 | 0:24:50 | |
I've not slept one single wink. | 0:24:50 | 0:24:53 | |
I'm just hoping the adrenaline that kept me awake last night | 0:24:53 | 0:24:56 | |
keeps me going today. | 0:24:56 | 0:24:58 | |
I think I'll be able to get everything done, fingers crossed. | 0:24:58 | 0:25:01 | |
Ask me again a bit later on. | 0:25:01 | 0:25:03 | |
I went to bed about four o'clock. | 0:25:03 | 0:25:07 | |
Absolutely exhausted. | 0:25:07 | 0:25:09 | |
The only way is going forward. | 0:25:09 | 0:25:11 | |
Thank you. | 0:25:15 | 0:25:16 | |
Forward for Frankie includes a very welcome delivery. | 0:25:16 | 0:25:19 | |
All the time waiting for this and finally it's here. | 0:25:19 | 0:25:22 | |
Now he can begin covering all that furniture. | 0:25:26 | 0:25:29 | |
Starting with the wardrobe doors. | 0:25:29 | 0:25:31 | |
The solution is spray glue. | 0:25:32 | 0:25:35 | |
Hopefully, when the glue dries, the fabric will just stick on it. | 0:25:35 | 0:25:39 | |
It's a big job. | 0:25:39 | 0:25:41 | |
I have to act as fast as I can because I'm running out of my time. | 0:25:41 | 0:25:46 | |
I'm concerned Frankie won't get it all done. | 0:25:46 | 0:25:49 | |
That's a really big project he's set himself | 0:25:49 | 0:25:51 | |
and I don't think he'll have time to do it well. | 0:25:51 | 0:25:53 | |
Holly is not worried about time, she's crafting up a storm. | 0:25:55 | 0:25:59 | |
This is so much fun. | 0:26:00 | 0:26:02 | |
Turning a piece of MDF into a speech bubble chalkboard. | 0:26:02 | 0:26:06 | |
Chalk paste is quite expensive, so you can make it by mixing | 0:26:06 | 0:26:10 | |
plaster of Paris with paint and a little bit of water. | 0:26:10 | 0:26:14 | |
So I'm just going to put this on. | 0:26:14 | 0:26:16 | |
I'm going to have this picture frame hanging down from the ceiling | 0:26:17 | 0:26:20 | |
and it's going to be kind of like a selfie booth. | 0:26:20 | 0:26:23 | |
And then that's where the chalkboard speech bubble is going, | 0:26:23 | 0:26:26 | |
on the wall behind, so that she can change the captions. | 0:26:26 | 0:26:29 | |
All those things that Holly's making, | 0:26:29 | 0:26:31 | |
they're probably just a little bit kiddie for her young client | 0:26:31 | 0:26:35 | |
because the request was for something rather sophisticated. | 0:26:35 | 0:26:38 | |
I agree with you, I think maybe she's just throwing too much at it | 0:26:38 | 0:26:42 | |
and it's all getting a bit too gimmicky. | 0:26:42 | 0:26:44 | |
Gimmicks won't wash now, | 0:26:46 | 0:26:48 | |
as the designers all face a visit from their homeowners | 0:26:48 | 0:26:51 | |
to check up on progress around this midway stage. | 0:26:51 | 0:26:54 | |
It's an anxious moment, as any unexpected changes at this point | 0:26:54 | 0:26:58 | |
could seriously impact the designs. | 0:26:58 | 0:27:00 | |
As far as any changes is concerned, it's just not an option now. | 0:27:01 | 0:27:06 | |
To make changes now would be really, really silly. | 0:27:06 | 0:27:09 | |
For Sharon, it's the first time | 0:27:11 | 0:27:13 | |
her client has seen her bold colour scheme. | 0:27:13 | 0:27:15 | |
-A little unsure about the blue. -OK. -With the green. | 0:27:18 | 0:27:21 | |
But when the wallpaper's on, it's got both the colours in. | 0:27:21 | 0:27:26 | |
It'll make so much difference. | 0:27:26 | 0:27:28 | |
I am a little bit worried about those colours. | 0:27:28 | 0:27:31 | |
And a little alarmed by the blue. | 0:27:31 | 0:27:34 | |
It's what we discussed, that it needed to be bold. | 0:27:34 | 0:27:38 | |
I'm really hoping that the overall effect | 0:27:38 | 0:27:40 | |
is all going to pull together and gel. | 0:27:40 | 0:27:43 | |
The curtains are blue, the headboard is blue, | 0:27:43 | 0:27:45 | |
but I think, when they're dressed, she's going to really like it. | 0:27:45 | 0:27:49 | |
No such colour worries for Holly, | 0:27:50 | 0:27:52 | |
who is taking her visit in her stride. | 0:27:52 | 0:27:55 | |
You're going to have mirrors, you're going to have a big lamp, | 0:27:55 | 0:27:58 | |
so that's literally going to be like a walk-in sort of closet area. | 0:27:58 | 0:28:02 | |
No, no worries or concerns at this point, | 0:28:02 | 0:28:04 | |
so that's really, really good. | 0:28:04 | 0:28:07 | |
Slightly less relaxed is Jane. | 0:28:07 | 0:28:10 | |
-Wow! -Hello. -Hello, Jane. | 0:28:11 | 0:28:13 | |
After fraught negotiations with her client, | 0:28:13 | 0:28:16 | |
she needs approval on the new floor and wardrobe. | 0:28:16 | 0:28:19 | |
-The floor looks good, actually. -I like it, I think it works. | 0:28:19 | 0:28:23 | |
-And the wardrobe looks great. -Good. | 0:28:23 | 0:28:26 | |
You've done such a great job. | 0:28:26 | 0:28:29 | |
-See you later. -Thank you, bye! | 0:28:29 | 0:28:32 | |
Hopefully I'll sleep tonight now, then. | 0:28:32 | 0:28:34 | |
My only concern is that the room is very white. | 0:28:34 | 0:28:39 | |
All-white walls, white wardrobe, it's white. | 0:28:39 | 0:28:42 | |
Pleasing their homeowners is not the only challenge our designers face. | 0:28:43 | 0:28:47 | |
They've also got just 24 hours to prove their creativity | 0:28:47 | 0:28:51 | |
and originality by upcycling a vintage tennis racket. | 0:28:51 | 0:28:54 | |
How inventive they are with it | 0:28:55 | 0:28:57 | |
could affect who goes through to the next round. | 0:28:57 | 0:29:00 | |
Frankie knows he must do something radical | 0:29:00 | 0:29:03 | |
if he is to impress the judges. | 0:29:03 | 0:29:04 | |
I am thinking...for that, you sort of turn... | 0:29:04 | 0:29:09 | |
so they can put their cup of tea or whatever they want. | 0:29:09 | 0:29:13 | |
Yeah. | 0:29:13 | 0:29:14 | |
What an ingenious idea! | 0:29:14 | 0:29:16 | |
And being able to tuck it away means the joke isn't always on display. | 0:29:16 | 0:29:20 | |
Oh, I think it's a bit of a waste of time. | 0:29:20 | 0:29:22 | |
There's already a side table there for your cup of tea. | 0:29:22 | 0:29:24 | |
I don't really see the point. | 0:29:24 | 0:29:26 | |
I like it, like it. | 0:29:26 | 0:29:28 | |
Right, I'm starting getting excited now. | 0:29:28 | 0:29:30 | |
The clock is ticking and we've got the clock. | 0:29:33 | 0:29:36 | |
Jane is risking money from her budget | 0:29:36 | 0:29:38 | |
and has bought a clock mechanism from a local shop for £12. | 0:29:38 | 0:29:42 | |
I'm going to feed this through there and turn it into a clock | 0:29:42 | 0:29:47 | |
and hang it on the wall. | 0:29:47 | 0:29:49 | |
This is like...shaky-shaky. | 0:29:51 | 0:29:54 | |
Turning it into a clock is a smart idea | 0:29:54 | 0:29:56 | |
and shows a good level of reinvention. | 0:29:56 | 0:29:58 | |
Yeah, she's changed the use of the tennis racket, | 0:29:58 | 0:30:01 | |
it could look quite quirky. | 0:30:01 | 0:30:02 | |
Ahh! Fantastic. Oh-ooh! | 0:30:02 | 0:30:05 | |
Right, super-duper. | 0:30:05 | 0:30:06 | |
Sharon seems to have failed to grasp the importance of the challenge. | 0:30:06 | 0:30:11 | |
She's turning it into a simple photo frame. | 0:30:11 | 0:30:13 | |
I'm actually looking for a photo of vintage tennis players | 0:30:13 | 0:30:18 | |
that's appropriate to the era of the building, around the 1930s. | 0:30:18 | 0:30:23 | |
Her homeowner has come up trumps | 0:30:23 | 0:30:25 | |
with a black-and-white photo of a gym class on the roof. | 0:30:25 | 0:30:28 | |
Right, that's that done. | 0:30:28 | 0:30:31 | |
It's a beautiful object as it is, and Sharon can clearly see that. | 0:30:31 | 0:30:34 | |
But it's an upcycle challenge and she's done nothing with it. | 0:30:34 | 0:30:37 | |
Holly has also come up with a plan for a frame, | 0:30:41 | 0:30:43 | |
though her idea is much more ambitious. | 0:30:43 | 0:30:46 | |
I have made the racket into sort of an oval-shaped photo frame, | 0:30:46 | 0:30:50 | |
but then what I decided to do is to get mum and daughter | 0:30:50 | 0:30:54 | |
to do a paint handprint, like one on top of the other. | 0:30:54 | 0:30:58 | |
Amazing, love it. | 0:30:59 | 0:31:00 | |
I've also used bits of the racket and made those into drawer knobs | 0:31:00 | 0:31:04 | |
for my little vanity table, which I think will look really cool. | 0:31:04 | 0:31:08 | |
What Holly has done with that tennis racket handle, | 0:31:08 | 0:31:10 | |
chopping it up and turning it into a little drawer knob, | 0:31:10 | 0:31:13 | |
I think is genius. | 0:31:13 | 0:31:14 | |
But what she's done with that racket head, don't get me started. | 0:31:14 | 0:31:18 | |
It's dreadful, I wish she hadn't bothered. | 0:31:18 | 0:31:21 | |
That's what the judges think of the individual items. | 0:31:22 | 0:31:25 | |
But what really matters is how they look | 0:31:25 | 0:31:27 | |
when integrated into the finished room schemes. | 0:31:27 | 0:31:30 | |
A spirit of invention was also integral to the Pioneer Health Centre when it was built. | 0:31:33 | 0:31:38 | |
But in post-war Britain, it didn't last long. | 0:31:38 | 0:31:41 | |
The experiment came to an end in the 1950s | 0:31:41 | 0:31:44 | |
and the building was converted first into a leisure centre | 0:31:44 | 0:31:46 | |
and then into smart new apartments in the 1990s. | 0:31:46 | 0:31:49 | |
The upper apartments even came complete with a step ladder | 0:31:51 | 0:31:55 | |
up to a private roof terrace. | 0:31:55 | 0:31:56 | |
But back in the building's heyday, | 0:31:58 | 0:32:00 | |
this space up at the top was a key part of the health centre. | 0:32:00 | 0:32:03 | |
Aerobics and dance, even rollerblading took place | 0:32:03 | 0:32:07 | |
out here in the fresh air and wide-open space. | 0:32:07 | 0:32:10 | |
Today, residents are encouraged to use the original swimming pool | 0:32:12 | 0:32:15 | |
and this newly built tennis court, | 0:32:15 | 0:32:17 | |
preserving just a little bit of the building's pioneering spirit. | 0:32:17 | 0:32:21 | |
Instead of sporting endeavours, | 0:32:25 | 0:32:26 | |
our designers are fighting to win a place in the next round. | 0:32:26 | 0:32:30 | |
For Jane, her chances depend on | 0:32:31 | 0:32:33 | |
her being able to bring enough interest to her pared-back scheme. | 0:32:33 | 0:32:36 | |
Weey! | 0:32:36 | 0:32:38 | |
So she's braving the wind to make candlesticks out of copper pipe. | 0:32:38 | 0:32:42 | |
While inside, her room still looks pretty white. | 0:32:42 | 0:32:46 | |
I know you've got these wardrobes in, | 0:32:46 | 0:32:48 | |
they look a bit bland to me at the moment. | 0:32:48 | 0:32:50 | |
What are you going to do to jazz these up? | 0:32:50 | 0:32:52 | |
I'm going to make some bespoke candles out of the salvaged wood, | 0:32:52 | 0:32:56 | |
which is beautiful, it's got the bark on the outside of it. | 0:32:56 | 0:32:59 | |
Wow. Right, brill. | 0:33:03 | 0:33:05 | |
So... | 0:33:05 | 0:33:07 | |
Oh! | 0:33:07 | 0:33:08 | |
Here we go. | 0:33:10 | 0:33:12 | |
Meanwhile, Sharon is relying on busy floral wallpaper | 0:33:12 | 0:33:16 | |
to unify her bold colours. | 0:33:16 | 0:33:17 | |
-I love it, it just makes it look really special. -Yeah. | 0:33:17 | 0:33:21 | |
And it now ties everything in, so we don't look like I've lost the plot. | 0:33:21 | 0:33:25 | |
There's been concerns all along about Sharon's colour scheme, | 0:33:25 | 0:33:28 | |
but I like a designer who's bold with colour, | 0:33:28 | 0:33:31 | |
and it might just be coming together. | 0:33:31 | 0:33:33 | |
Happy with her own progress, | 0:33:34 | 0:33:36 | |
Sharon takes a moment to have a nosy at one of her rivals. | 0:33:36 | 0:33:39 | |
I see you're finishing your mural. It's very space age. | 0:33:40 | 0:33:44 | |
Well, it's meant to be kind of like '60s mod. | 0:33:44 | 0:33:47 | |
She's still got to put paint on the wardrobes, | 0:33:47 | 0:33:50 | |
so I now feel a little bit better about my time management. | 0:33:50 | 0:33:54 | |
'I feel really calm, which I didn't expect to do' | 0:33:54 | 0:33:58 | |
at seven o'clock this morning. | 0:33:58 | 0:33:59 | |
Things definitely aren't calm back in Holly's room. | 0:34:01 | 0:34:05 | |
It turns out that the bed I've ordered doesn't come with a mattress. | 0:34:05 | 0:34:11 | |
I just think, in these situations, there's no point in panicking | 0:34:11 | 0:34:15 | |
cos I'm here to win, not to panic. | 0:34:15 | 0:34:17 | |
The mattress may end up being the least of her worries, | 0:34:17 | 0:34:21 | |
as her builder thinks constructing the bed itself | 0:34:21 | 0:34:24 | |
is a bigger job than she thinks. | 0:34:24 | 0:34:25 | |
I am concerned I'm not going to get the bed up tonight. | 0:34:25 | 0:34:28 | |
-I'm just going to do as much of it as I can. -You're going to do it? | 0:34:28 | 0:34:31 | |
Don't you worry about it. | 0:34:31 | 0:34:32 | |
Frankie is also under time pressure. | 0:34:38 | 0:34:40 | |
He's only upholstered part of the wardrobe and a shelf. | 0:34:40 | 0:34:43 | |
And as Andy's partner Hannah comes to check on progress, | 0:34:43 | 0:34:46 | |
there's still a lot to do. | 0:34:46 | 0:34:48 | |
Oh, wow. | 0:34:48 | 0:34:50 | |
-I've got faith in you. -Thank you. I really much appreciate your trust. | 0:34:51 | 0:34:56 | |
I won't let you down. | 0:34:56 | 0:34:57 | |
I hope he's going to manage to finish it all | 0:34:57 | 0:35:00 | |
without killing himself. | 0:35:00 | 0:35:02 | |
The visit has made Frankie realise how ambitious he's been. | 0:35:03 | 0:35:07 | |
I've got that panel and then the divider, | 0:35:08 | 0:35:11 | |
plus the valance still to match, really. | 0:35:11 | 0:35:16 | |
I'll be all right, I'm just like a ship | 0:35:17 | 0:35:20 | |
right in the middle of the storm. | 0:35:20 | 0:35:23 | |
That's why, you know, I'm struggling with the whole thing. | 0:35:23 | 0:35:28 | |
Frankie's left himself with lots of decorative fabric work still to do. | 0:35:31 | 0:35:35 | |
But soft silks and linens are a far cry from the building's | 0:35:35 | 0:35:39 | |
original construction materials. | 0:35:39 | 0:35:41 | |
The man who designed the building, Owen Williams, | 0:35:41 | 0:35:43 | |
was an engineer, not an architect. | 0:35:43 | 0:35:45 | |
So he came to the project with very different sensibilities. | 0:35:45 | 0:35:48 | |
He specialised in industrial structures and he was an expert in | 0:35:48 | 0:35:51 | |
reinforced concrete, a material used rarely as boldly as this in Britain. | 0:35:51 | 0:35:56 | |
The building is symmetrical, made up of four rectangular blocks | 0:35:58 | 0:36:02 | |
grouped around this central swimming pool. | 0:36:02 | 0:36:04 | |
Originally, the whole inside would have been open-plan, | 0:36:04 | 0:36:07 | |
the only walls made out of glass. | 0:36:07 | 0:36:09 | |
This was absolutely crucial to Dr Williamson, | 0:36:09 | 0:36:12 | |
he compared the whole building to a biologist's telescope. | 0:36:12 | 0:36:15 | |
Tomorrow, the designers will be under the microscope, | 0:36:17 | 0:36:21 | |
and as day two draws to a close, | 0:36:21 | 0:36:23 | |
they are all concerned about the competition. | 0:36:23 | 0:36:26 | |
My biggest worry tomorrow is the concrete mirror. | 0:36:26 | 0:36:31 | |
It could crack, so that's going to be very nerve-racking. | 0:36:31 | 0:36:34 | |
It's getting a bit late, the sun has gone down. I'm pretty tired. | 0:36:36 | 0:36:40 | |
But I'm still 100 percent confident that everything will get finished. | 0:36:40 | 0:36:43 | |
I don't want it to end tomorrow. I deserve to be still here. | 0:36:43 | 0:36:48 | |
I said I wouldn't cry, it sounds really pathetic, | 0:36:49 | 0:36:53 | |
but it's a lot of hard work to get to this point. | 0:36:53 | 0:36:56 | |
For the second time running, Frankie plans to take work into the night. | 0:36:57 | 0:37:02 | |
Unfortunately, it's still going to be a very late night for me. | 0:37:02 | 0:37:07 | |
I just have to keep going. | 0:37:07 | 0:37:10 | |
It's the start of day three, and our designers have just got | 0:37:15 | 0:37:18 | |
a few hours left to finish off their schemes, | 0:37:18 | 0:37:21 | |
and nobody wants to be the one that's going home. | 0:37:21 | 0:37:24 | |
The curtain rail, still lots to do, lists and lists. | 0:37:24 | 0:37:27 | |
But I'm secretly confident. | 0:37:27 | 0:37:29 | |
I'm so tired because another late night. | 0:37:29 | 0:37:33 | |
It's becoming more of a physical challenge. | 0:37:33 | 0:37:37 | |
Pretty tired, but I can't wait to see it all come together. | 0:37:37 | 0:37:40 | |
I feel incredibly relaxed today. | 0:37:41 | 0:37:44 | |
I don't know if it's a good thing or a bad thing. | 0:37:44 | 0:37:47 | |
She may be feeling relaxed, | 0:37:50 | 0:37:52 | |
but there's nothing calm about her colours. | 0:37:52 | 0:37:54 | |
The dressing table and drawers are coral pink. | 0:37:54 | 0:37:58 | |
And she's finishing off her bright blue curtains. | 0:37:58 | 0:38:01 | |
Well, trying to. | 0:38:01 | 0:38:02 | |
Unfortunately, I've not got my glasses. | 0:38:04 | 0:38:06 | |
Being old, I can't see to thread my needle. | 0:38:06 | 0:38:09 | |
No, I can't see it. | 0:38:12 | 0:38:13 | |
They're for driving. | 0:38:21 | 0:38:23 | |
Oh! | 0:38:24 | 0:38:25 | |
-How is Sharon's colourful scheme looking? -It's coming together. | 0:38:28 | 0:38:31 | |
She's definitely been bold and confident with her colour choices. | 0:38:31 | 0:38:34 | |
But there are some spatial planning issues. | 0:38:34 | 0:38:37 | |
She's put a book case against a wardrobe and has lost, | 0:38:37 | 0:38:40 | |
oh, I'd say about half a square metre of space. | 0:38:40 | 0:38:43 | |
And when you think that these flats are probably £5,000 a metre, | 0:38:43 | 0:38:47 | |
I'm not so happy about that. | 0:38:47 | 0:38:49 | |
With just a few hours to go, | 0:38:51 | 0:38:52 | |
Frankie is adding padded panels to his wardrobe doors. | 0:38:52 | 0:38:56 | |
But his fastidiousness is threatening to hold him back. | 0:38:59 | 0:39:02 | |
They're slightly off the line. | 0:39:04 | 0:39:07 | |
Which I won't allow that. | 0:39:07 | 0:39:10 | |
So I'd rather unpick them and do it again. | 0:39:10 | 0:39:13 | |
Frankie is doing an awful lot, isn't he? | 0:39:13 | 0:39:16 | |
Well...it is a concern, because he's got an ambitious project, | 0:39:16 | 0:39:20 | |
but what's more he is such a perfectionist. | 0:39:20 | 0:39:23 | |
And I hope he fully realises the constraints of time. | 0:39:23 | 0:39:27 | |
And it's time that Jane needs | 0:39:29 | 0:39:31 | |
to add texture to her pared-back Scandi scheme, | 0:39:31 | 0:39:34 | |
with a £90 copper light. | 0:39:34 | 0:39:36 | |
Oh, it's amazing! | 0:39:36 | 0:39:38 | |
I love it, I love it, I love it. | 0:39:38 | 0:39:41 | |
I've obviously got good taste. | 0:39:41 | 0:39:43 | |
Oh, wowsers. Awesome. | 0:39:45 | 0:39:47 | |
She's made concrete tea-light holders to match the mirror. | 0:39:47 | 0:39:52 | |
Hopefully it's completely set | 0:39:52 | 0:39:55 | |
and has had time over the last couple of days to dry out. | 0:39:55 | 0:39:58 | |
Well, fingers crossed, that's worked well. I'm happy with that. | 0:39:58 | 0:40:03 | |
That's a good omen that we're going to be all right | 0:40:03 | 0:40:05 | |
with the concrete mirror frame. | 0:40:05 | 0:40:08 | |
Jane had to revise her scheme, so how is her second scheme shaping up? | 0:40:09 | 0:40:12 | |
It's looking very bright and white in there. | 0:40:12 | 0:40:16 | |
But she's got the wood-effect floor down, which I have to say | 0:40:16 | 0:40:19 | |
was a good choice, it does add a bit of warmth to that room. | 0:40:19 | 0:40:23 | |
Holly is adding warmth with hands-on craft projects. | 0:40:23 | 0:40:26 | |
But she seems to have forgotten about | 0:40:26 | 0:40:28 | |
the elephant, or bed, in the room. | 0:40:28 | 0:40:30 | |
So, while she busies herself with the fluffier stuff... | 0:40:30 | 0:40:34 | |
Yes! | 0:40:34 | 0:40:35 | |
..she's handed the bed back to her builder. | 0:40:35 | 0:40:37 | |
This bed has been somewhat sprung on me, last minute. | 0:40:37 | 0:40:42 | |
Has Holly proved as crafty as she looked? | 0:40:43 | 0:40:46 | |
Our concern all along has been, is she doing a bit too much, | 0:40:46 | 0:40:50 | |
and is that little bedroom going to look rather cluttered? | 0:40:50 | 0:40:53 | |
Our designers have had three days and £1,000 to transform their rooms. | 0:40:53 | 0:40:57 | |
They've been tested on their client presentation skills | 0:40:57 | 0:41:00 | |
and had to show that they can think fast | 0:41:00 | 0:41:03 | |
to create an original piece which will be judged in the final room. | 0:41:03 | 0:41:07 | |
Now, their time is nearly up. | 0:41:08 | 0:41:10 | |
The obsession with straight lines has gone right out of the window. | 0:41:12 | 0:41:15 | |
With concerns all round about Sharon's colour choices, | 0:41:15 | 0:41:18 | |
she's now got minutes left to tie it all together | 0:41:18 | 0:41:21 | |
and prove she can pull off the bold scheme. | 0:41:21 | 0:41:24 | |
I'm panicking, I can't move this though. | 0:41:24 | 0:41:26 | |
The relaxation she felt at the start of the day has evaporated. | 0:41:26 | 0:41:31 | |
Give me the box with the rings. Ah! | 0:41:31 | 0:41:33 | |
I know this sounds really stupid, but if you come across a panda... | 0:41:35 | 0:41:39 | |
Your goal is to give it your best. | 0:41:48 | 0:41:50 | |
And I'm really proud of what I've achieved over the last 48 hours. | 0:41:50 | 0:41:54 | |
Sharon's brief was to create an artistic, Bloomsbury-inspired look | 0:41:54 | 0:41:59 | |
for a master bedroom. | 0:41:59 | 0:42:00 | |
Three days ago, this room was a white box. | 0:42:02 | 0:42:04 | |
Now, it's awash with colour and pattern. | 0:42:11 | 0:42:14 | |
Sharon has painted the furniture in striking shades, | 0:42:14 | 0:42:17 | |
changed the layout to create a library area, | 0:42:17 | 0:42:20 | |
added handmade soft furnishings | 0:42:20 | 0:42:23 | |
and dark-blue curtains. | 0:42:23 | 0:42:25 | |
I feel it couldn't have worked better, colour-wise. | 0:42:26 | 0:42:28 | |
If I'd pulled that back, | 0:42:28 | 0:42:30 | |
it wouldn't have had the dramatic effect it's got now. | 0:42:30 | 0:42:33 | |
I think, as a colour scheme, it really works. | 0:42:38 | 0:42:40 | |
This green punching it up with that electric blue. | 0:42:40 | 0:42:43 | |
It is a lot darker in here, but you know what, this is a bedroom, | 0:42:43 | 0:42:46 | |
and I find this really relaxing, | 0:42:46 | 0:42:49 | |
it's like the room's giving you a lovely hug at night. | 0:42:49 | 0:42:52 | |
She's put the shelving here and the wardrobe finishes here. | 0:42:52 | 0:42:57 | |
So we've got a whole square metre of space lost in that corner. | 0:42:57 | 0:43:02 | |
Now, if she'd stuck this on wheels, | 0:43:02 | 0:43:05 | |
so you could push this back when you're not using it, | 0:43:05 | 0:43:09 | |
then I would have been really impressed. | 0:43:09 | 0:43:11 | |
As well as judging the overall designs, | 0:43:11 | 0:43:14 | |
Sophie and Daniel are looking out for | 0:43:14 | 0:43:16 | |
how well the upcycled tennis rackets fit into the finished schemes. | 0:43:16 | 0:43:20 | |
It's a picture frame. | 0:43:20 | 0:43:22 | |
I mean, the homeowner did want to have photographs through the room | 0:43:22 | 0:43:25 | |
and I was loving and admiring these and thinking, | 0:43:25 | 0:43:28 | |
maybe there could be a few more. Well, they've got it. | 0:43:28 | 0:43:31 | |
How happy each homeowner is with the finished room | 0:43:31 | 0:43:34 | |
will also inform the judges' decision. | 0:43:34 | 0:43:36 | |
She'll like it. | 0:43:37 | 0:43:38 | |
Here we are, your new boudoir. | 0:43:40 | 0:43:42 | |
Ohh! | 0:43:43 | 0:43:44 | |
Utter transformation. | 0:43:46 | 0:43:49 | |
I was concerned about this blue yesterday. | 0:43:49 | 0:43:51 | |
But it's pulled together. | 0:43:51 | 0:43:52 | |
I think the pink drawers, that's kind of a pastel-y pink, | 0:43:53 | 0:43:59 | |
and that was something I didn't want. | 0:43:59 | 0:44:02 | |
But, you know, this is gorgeous. | 0:44:02 | 0:44:04 | |
As his deadline approaches, | 0:44:06 | 0:44:07 | |
Frankie has finally finished his wardrobe doors. | 0:44:07 | 0:44:11 | |
I'm not very happy with it, to be honest with you. | 0:44:11 | 0:44:14 | |
I hate to do it to you - you mustn't forget the blind. | 0:44:14 | 0:44:18 | |
After huge delays getting his fabric, | 0:44:18 | 0:44:20 | |
it's now a race to the finish. | 0:44:20 | 0:44:22 | |
That to the top. | 0:44:28 | 0:44:29 | |
Absolutely crazy. | 0:44:29 | 0:44:32 | |
Oh, my God. | 0:44:35 | 0:44:36 | |
I just need to straighten that lantern. | 0:44:36 | 0:44:40 | |
It was a tiny bit of regret I hadn't done it quite neatly | 0:44:42 | 0:44:46 | |
as my standard. | 0:44:46 | 0:44:49 | |
But the whole look is there. | 0:44:49 | 0:44:52 | |
The room now is absolutely beautiful. | 0:44:52 | 0:44:55 | |
Frankie's task was to create a minimal look | 0:44:57 | 0:45:00 | |
for a multipurpose spare room. | 0:45:00 | 0:45:02 | |
Three days ago, it was somewhere you'd rather just shut the door on. | 0:45:03 | 0:45:07 | |
Now, it's a streamlined and tranquil bedroom. | 0:45:14 | 0:45:17 | |
Frankie has divided the room into sleeping and working areas. | 0:45:17 | 0:45:21 | |
He's upholstered the wardrobes and shelves. | 0:45:23 | 0:45:25 | |
He's used kimono silk on the blind | 0:45:26 | 0:45:29 | |
and the back panel of his unique drawer design. | 0:45:29 | 0:45:32 | |
I hope the judges now are not going to look at small details. | 0:45:34 | 0:45:38 | |
I just hope they can look at all the positive things I've done. | 0:45:38 | 0:45:41 | |
I just think, you know, my first impressions are lovely, clean lines, | 0:45:45 | 0:45:49 | |
this very pared-back and very minimally styled, | 0:45:49 | 0:45:53 | |
and the fabrics are just little hints of them, | 0:45:53 | 0:45:55 | |
they're not too much of them. | 0:45:55 | 0:45:57 | |
But I have to say, Sophie, something went dreadfully wrong | 0:45:57 | 0:46:01 | |
with these doors and he's not been able to get the finish he wanted. | 0:46:01 | 0:46:05 | |
Let's just check that drawer. | 0:46:05 | 0:46:07 | |
That's not going to work, is it? | 0:46:08 | 0:46:09 | |
If you want to get a certain coloured pair of socks out, | 0:46:09 | 0:46:13 | |
you're not going to find them, are you? | 0:46:13 | 0:46:15 | |
Time to see what the judges make of the tennis racket cup-holder, | 0:46:15 | 0:46:19 | |
now it's in the finished room. | 0:46:19 | 0:46:21 | |
I do like the idea that he's built this piece here. | 0:46:21 | 0:46:24 | |
Just like in Japan, you know how rooms have sliding doors | 0:46:24 | 0:46:27 | |
and they turn into something else and bedrooms become living rooms. | 0:46:27 | 0:46:30 | |
And that he's done that here as well. | 0:46:30 | 0:46:33 | |
My clients were really looking forward to my design. | 0:46:36 | 0:46:40 | |
I hope I haven't messed it up. | 0:46:40 | 0:46:42 | |
Right, your new guest bedroom. | 0:46:42 | 0:46:44 | |
-It's lovely. -It's got a calm feeling, hasn't it? | 0:46:47 | 0:46:50 | |
-It's really calm. -What do you make of his linen? | 0:46:50 | 0:46:52 | |
-There's a lot of linen going on. -There is a lot of linen. | 0:46:52 | 0:46:55 | |
A few glitches, maybe. There's just things not quite finished. | 0:46:55 | 0:46:59 | |
But I think the style is really lovely. | 0:46:59 | 0:47:01 | |
It's the moment of truth for Jane. | 0:47:04 | 0:47:06 | |
Time to remove her concrete mirror frame from its mould. | 0:47:06 | 0:47:10 | |
This bit is moving. | 0:47:10 | 0:47:11 | |
But this bit is not. | 0:47:11 | 0:47:13 | |
It's cracked there and there. That's what it was supposed to look like. | 0:47:25 | 0:47:29 | |
Shall we just scrap the whole thing? | 0:47:29 | 0:47:32 | |
The frameless mirror is a big blow to Jane, | 0:47:32 | 0:47:34 | |
as having battled so hard with her homeowner, | 0:47:34 | 0:47:37 | |
she's now almost out of time to get her Scandi look right. | 0:47:37 | 0:47:40 | |
Unbelievable. Everything's gone wrong. | 0:47:40 | 0:47:43 | |
Oh, deary me! | 0:47:55 | 0:47:57 | |
Well done, it looks great. | 0:47:57 | 0:47:59 | |
I feel shellshocked. | 0:48:01 | 0:48:02 | |
The concrete mirror maybe was a bit overambitious. | 0:48:02 | 0:48:06 | |
Fair play, it hasn't worked. | 0:48:06 | 0:48:08 | |
Life's too short to worry about it. | 0:48:08 | 0:48:11 | |
Jane was asked to create a simple Scandinavian-style bedroom. | 0:48:11 | 0:48:16 | |
Three days ago, this room was unremarkable. | 0:48:16 | 0:48:19 | |
Now, it feels fresh and bright. | 0:48:26 | 0:48:29 | |
There are elements of nature in the bark candles, | 0:48:29 | 0:48:32 | |
bedside table and shelving. | 0:48:32 | 0:48:34 | |
While Jane has added an industrial edge with concrete tea-light holders | 0:48:34 | 0:48:38 | |
and copper accessories. | 0:48:38 | 0:48:40 | |
And there's ample storage. | 0:48:40 | 0:48:42 | |
I think the judges will think, overall, | 0:48:42 | 0:48:45 | |
I've got the look that I was after. | 0:48:45 | 0:48:47 | |
I've tried to be creative and put my character in there. | 0:48:47 | 0:48:52 | |
It's light and bright, isn't it? | 0:48:55 | 0:48:57 | |
She's picked up on this theme of nature | 0:48:57 | 0:49:00 | |
and bark going through the room, from the shelf here, | 0:49:00 | 0:49:03 | |
bedside tables, which is an old tree trunk on rollers, | 0:49:03 | 0:49:07 | |
-to the handles. -I love these. -Quite cool, aren't they? | 0:49:07 | 0:49:09 | |
These are really cool. | 0:49:09 | 0:49:11 | |
I know the homeowner asked for something quite pared back | 0:49:11 | 0:49:14 | |
and well organised, but I am left feeling like it's a bit empty. | 0:49:14 | 0:49:18 | |
One thing that I really loved about this room before it got redesigned | 0:49:18 | 0:49:21 | |
was the adorable collection of pictures and prints | 0:49:21 | 0:49:24 | |
which she'd arranged on this big wall here, | 0:49:24 | 0:49:26 | |
which I must admit I'm a bit disappointed to see that dismantled. | 0:49:26 | 0:49:30 | |
I know, they've put the pictures over the bed head, | 0:49:30 | 0:49:32 | |
so you're never going to see them cos when you sit in bed | 0:49:32 | 0:49:35 | |
you're looking at a blank white wall. | 0:49:35 | 0:49:36 | |
One thing you can see from the bed is Jane's upcycled tennis racket. | 0:49:36 | 0:49:41 | |
I quite like that. She's painted the strings in black with the handle, | 0:49:41 | 0:49:44 | |
so it fits in with her scheme, so she's thought about | 0:49:44 | 0:49:47 | |
integrating it and turned it into something useful. | 0:49:47 | 0:49:50 | |
I think the homeowner will be happy. | 0:49:52 | 0:49:55 | |
I'm so glad it's not a white floor, | 0:49:55 | 0:49:58 | |
and I think she'll agree when she sees it. | 0:49:58 | 0:50:00 | |
-Come in. -Ohh! | 0:50:02 | 0:50:04 | |
Wow, it looks totally different. | 0:50:07 | 0:50:09 | |
It's very white. That's going to take a lot of getting used to. | 0:50:10 | 0:50:14 | |
Yeah, it's definitely a big wall. | 0:50:15 | 0:50:17 | |
I think it's probably 90 percent there. | 0:50:17 | 0:50:21 | |
Finally, Holly must finish her room. | 0:50:25 | 0:50:27 | |
It's literally going to come together | 0:50:27 | 0:50:29 | |
within the last few minutes. I'm a bit stressed. | 0:50:29 | 0:50:32 | |
She must bring all the different arts and crafts elements together. | 0:50:32 | 0:50:36 | |
Lean them on the corner of the bed for now. | 0:50:36 | 0:50:39 | |
I'm going to get these curtains on here in 60 seconds. | 0:50:39 | 0:50:42 | |
-Where are the screws that go in this...? -They are... | 0:50:42 | 0:50:45 | |
They were on the side. Somebody's moved them. | 0:50:45 | 0:50:47 | |
Got them, got them. | 0:50:47 | 0:50:49 | |
Lights on, please. | 0:50:51 | 0:50:54 | |
Done. | 0:50:54 | 0:50:55 | |
All of the kind of craft projects | 0:51:00 | 0:51:02 | |
and all of the sort of personal touches and everything, | 0:51:02 | 0:51:06 | |
I've prioritised that and I stand by that. | 0:51:06 | 0:51:08 | |
Holly's brief was to create a retro but fresh teenage bedroom. | 0:51:08 | 0:51:13 | |
Three days ago, the room was cluttered, with no distinct style. | 0:51:14 | 0:51:18 | |
Now, Holly has made the most of the space by creating zones. | 0:51:23 | 0:51:27 | |
She's tied the room together with pastel shades | 0:51:27 | 0:51:30 | |
and a recurring circle motif. | 0:51:30 | 0:51:32 | |
She's filled the room with crafty touches, | 0:51:32 | 0:51:35 | |
like bespoke lighting, the selfie booth and hand-printed cushions. | 0:51:35 | 0:51:39 | |
I think I've achieved the look I wanted for the room. | 0:51:41 | 0:51:43 | |
Overall, I'm fairly confident. | 0:51:43 | 0:51:45 | |
My first impression is this looks quite well organised. | 0:51:49 | 0:51:52 | |
This is sort of the dressing area here. | 0:51:52 | 0:51:55 | |
-That's part of the selfie area too. -Yeah. | 0:51:55 | 0:51:57 | |
Oh, you look so gorgeous. | 0:51:57 | 0:52:00 | |
It certainly feels light and uplifting | 0:52:00 | 0:52:02 | |
and it's not that sunny out there right now, | 0:52:02 | 0:52:04 | |
but this room feels very bright and light. | 0:52:04 | 0:52:06 | |
I think her colours are spot-on | 0:52:06 | 0:52:08 | |
and this mural on the wall is a total triumph. I love it. | 0:52:08 | 0:52:11 | |
I wouldn't say it's a total triumph, I wouldn't get that excited. | 0:52:11 | 0:52:14 | |
She's also said she wanted it to feel very '60s, | 0:52:14 | 0:52:16 | |
and actually it doesn't feel '60s enough. | 0:52:16 | 0:52:20 | |
I was a bit worried that this room was going to look overly handmade. | 0:52:20 | 0:52:24 | |
On balance, I think she's got it right. | 0:52:24 | 0:52:27 | |
One of Holly's many handmade projects | 0:52:27 | 0:52:29 | |
was the all-important tennis racket upcycle. | 0:52:29 | 0:52:32 | |
-Having seen what she's done with the handles... -They're genius. | 0:52:32 | 0:52:35 | |
They're brilliant, really neat. | 0:52:35 | 0:52:37 | |
Not so happy with what happened to the head of the racket. | 0:52:37 | 0:52:39 | |
-I think that's really rather dreadful. -It is a bit, isn't it? | 0:52:39 | 0:52:43 | |
I think the homeowner will really like all the colour schemes | 0:52:44 | 0:52:48 | |
and all the little personal, quirky touches. | 0:52:48 | 0:52:50 | |
Come in, Bea. Come in, Emma. | 0:52:50 | 0:52:52 | |
Oh, wow! | 0:52:53 | 0:52:55 | |
-Are you speechless? -Yeah. | 0:52:55 | 0:52:57 | |
-It's just so much bigger. -Yeah. -It's really odd. | 0:52:57 | 0:53:01 | |
And what do you think about the bed, cos you've moved from a double bed | 0:53:01 | 0:53:04 | |
into a single, is that all right when you have your friends over? | 0:53:04 | 0:53:07 | |
I think it's going to be a change, | 0:53:07 | 0:53:09 | |
but I think it will be a nice change. | 0:53:09 | 0:53:11 | |
Rooms viewed, there's no more they can do but wait to see | 0:53:13 | 0:53:17 | |
which one of them will leave the competition. | 0:53:17 | 0:53:19 | |
I want to stay and go through to the next round | 0:53:19 | 0:53:22 | |
cos I want to do it all again. | 0:53:22 | 0:53:24 | |
It means a lot because it's who I am. | 0:53:24 | 0:53:27 | |
And for the judges to appreciate it would be unbelievable. | 0:53:27 | 0:53:32 | |
If I do go through, it will be wonderful | 0:53:32 | 0:53:35 | |
because I've been waiting for that door to open | 0:53:35 | 0:53:38 | |
for a very, very, very long time. | 0:53:38 | 0:53:42 | |
I'd absolutely love to get through to the last round. | 0:53:42 | 0:53:45 | |
It's been absolutely fantastic, so much fun. | 0:53:45 | 0:53:47 | |
So, judges, have our designers been as pioneering as this building? | 0:53:49 | 0:53:53 | |
I think what's really impressed me, from quite simple, generic spaces, | 0:53:53 | 0:53:57 | |
we've got four very individual room schemes. | 0:53:57 | 0:53:59 | |
Holly really put a lot of crafty, original ideas into that scheme. | 0:53:59 | 0:54:03 | |
My concern, really, in terms of answering the brief, | 0:54:03 | 0:54:06 | |
I felt that perhaps it was a little childish, | 0:54:06 | 0:54:08 | |
and this is a sophisticated 11-year-old, soon to be a teenager, | 0:54:08 | 0:54:12 | |
and there are elements that are a bit too kiddie. | 0:54:12 | 0:54:14 | |
Both homeowners loved it. | 0:54:14 | 0:54:17 | |
-Oh! -Oh! -That's a great reward for someone who worked jolly hard. | 0:54:17 | 0:54:21 | |
Sharon was asked for a modern take on the Bloomsbury set. | 0:54:21 | 0:54:23 | |
Were you impressed with her scheme? | 0:54:23 | 0:54:25 | |
I was really impressed by her colours, | 0:54:25 | 0:54:28 | |
a really nice, unusual combination. | 0:54:28 | 0:54:30 | |
But she also placed a bookcase beside a wardrobe | 0:54:30 | 0:54:34 | |
and lost quite a lot of space between the two. | 0:54:34 | 0:54:37 | |
And in flats this small, that's a major faux pas. | 0:54:37 | 0:54:41 | |
Her homeowner wasn't entirely convinced about the dusky pink. | 0:54:41 | 0:54:45 | |
I was quite suspicious that might happen. | 0:54:45 | 0:54:47 | |
Jane's homeowner wanted a natural room with Scandi simplicity, | 0:54:47 | 0:54:51 | |
but she was not really impressed by that entire wall | 0:54:51 | 0:54:54 | |
and corner that had nothing in it. | 0:54:54 | 0:54:55 | |
Absolutely, it a was very clean and simple space, | 0:54:55 | 0:54:58 | |
but at moments it was just a little bit too sparse. | 0:54:58 | 0:55:01 | |
The whole idea with the Scandi theme is lack of colour. | 0:55:01 | 0:55:04 | |
But where there's a lack of colour, | 0:55:04 | 0:55:05 | |
you've got to really ramp up the texture. | 0:55:05 | 0:55:08 | |
She had elements there - concrete, copper, linen - | 0:55:08 | 0:55:10 | |
but none of them were really working next to one another, | 0:55:10 | 0:55:13 | |
they were just dotted around the room. | 0:55:13 | 0:55:14 | |
Frankie's client asked for a minimalist guest bedroom-cum-office. | 0:55:14 | 0:55:19 | |
Well, it wasn't quite minimalist, | 0:55:19 | 0:55:20 | |
but they certainly got a Japanese aesthetic. | 0:55:20 | 0:55:23 | |
And what he was really good at doing was unifying that space. | 0:55:23 | 0:55:26 | |
So it had a sense of calmness. | 0:55:26 | 0:55:29 | |
And yet at the same time entertained. | 0:55:29 | 0:55:31 | |
The homeowner quite liked the decorative elements. | 0:55:31 | 0:55:34 | |
She wasn't quite convinced by the finish. | 0:55:34 | 0:55:36 | |
There were lots of bits that weren't finished. | 0:55:36 | 0:55:38 | |
Maybe he was overambitious in what he could achieve in the time. | 0:55:38 | 0:55:41 | |
I think, for a designer who's all about fabric, | 0:55:41 | 0:55:44 | |
it was a very disappointing finish. | 0:55:44 | 0:55:46 | |
When the Pioneer Health Centre was built, | 0:55:52 | 0:55:54 | |
it was the most radical building in the country, bar none. | 0:55:54 | 0:55:57 | |
So I hope some of its spirit rubbed off on you. | 0:55:57 | 0:56:00 | |
It did produce rather generic box rooms. | 0:56:00 | 0:56:03 | |
But you guys have completely transformed them, well done. | 0:56:03 | 0:56:07 | |
And with all of you, I've seen a huge amount of making, | 0:56:07 | 0:56:10 | |
creativity and original design. | 0:56:10 | 0:56:13 | |
One of you though has to go home this time. | 0:56:13 | 0:56:17 | |
The judges have made their decision | 0:56:17 | 0:56:19 | |
and the designer we're saying goodbye to is... | 0:56:19 | 0:56:21 | |
..Jane. | 0:56:25 | 0:56:26 | |
-It's all right. -Sorry, love. It's very tough. -It's fine. | 0:56:30 | 0:56:33 | |
Obviously it's a bit sad, but I'm quite relieved | 0:56:33 | 0:56:36 | |
because I can get my life back. | 0:56:36 | 0:56:38 | |
It's not the end, I've got some brilliant advice off the judges | 0:56:38 | 0:56:41 | |
and it's a start, I think. | 0:56:41 | 0:56:44 | |
An amazing start. | 0:56:44 | 0:56:46 | |
You've done such a brilliant job. | 0:56:46 | 0:56:48 | |
Sadly, we've had to let go of Jane | 0:56:48 | 0:56:51 | |
because she didn't master the Scandinavian style. | 0:56:51 | 0:56:54 | |
She should have taken it by the scruff of its neck, | 0:56:54 | 0:56:57 | |
wrestled it down and showed who's in charge. | 0:56:57 | 0:57:00 | |
Oh, Sharon, it's brilliant. | 0:57:00 | 0:57:03 | |
Getting through is such a relief. | 0:57:03 | 0:57:05 | |
That's definitely inspired me to really up my game now next time. | 0:57:05 | 0:57:09 | |
Sharon produced a bold colour scheme | 0:57:09 | 0:57:11 | |
which tells me that she has got confidence. | 0:57:11 | 0:57:15 | |
-It's a proper lady's room now. -It is, isn't it? | 0:57:15 | 0:57:17 | |
However, she needs to work on the layout | 0:57:17 | 0:57:19 | |
to really maximise the impact of her scheme. | 0:57:19 | 0:57:22 | |
What do you think? | 0:57:22 | 0:57:23 | |
Yeah, I think it's a massive change from the room before. | 0:57:23 | 0:57:27 | |
Like you just moved the room out and put a new one in. | 0:57:27 | 0:57:30 | |
I'm a bit speechless, really excited, | 0:57:30 | 0:57:32 | |
can't wait to do it all again. Can't wait to come up with some new ideas. | 0:57:32 | 0:57:36 | |
Holly was in her element. | 0:57:36 | 0:57:38 | |
But what's going to happen | 0:57:38 | 0:57:40 | |
when she gets a much more sophisticated brief? | 0:57:40 | 0:57:43 | |
Can she deliver that? | 0:57:43 | 0:57:45 | |
Well done. | 0:57:46 | 0:57:47 | |
'The timing is my biggest concern.' | 0:57:47 | 0:57:50 | |
I feel I let myself down a little bit. | 0:57:50 | 0:57:53 | |
What really excites me about Frankie is he took a rather ordinary brief | 0:57:53 | 0:57:57 | |
and seriously exceeded all our expectations. | 0:57:57 | 0:58:00 | |
But the finish wasn't up to scratch. | 0:58:00 | 0:58:02 | |
So he really needs to work on his stress levels | 0:58:02 | 0:58:05 | |
and manage his time better. | 0:58:05 | 0:58:06 | |
Next time, in Kentish weather-boarded houses, | 0:58:09 | 0:58:12 | |
Frankie... | 0:58:12 | 0:58:14 | |
Waaagh! | 0:58:14 | 0:58:15 | |
..Sharon... | 0:58:15 | 0:58:16 | |
I'm on a mission. | 0:58:16 | 0:58:17 | |
-..and Holly... -Ohh! | 0:58:17 | 0:58:19 | |
..compete for just two places in the next round. | 0:58:19 | 0:58:21 | |
The designer not going through is... | 0:58:21 | 0:58:24 |