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I am constantly taken aback by the huge variety of property | 0:00:02 | 0:00:04 | |
styles in Britain, from character timber frame cottages, | 0:00:04 | 0:00:07 | |
to grand townhouses. | 0:00:07 | 0:00:10 | |
But sometimes the insides don't live up to the | 0:00:10 | 0:00:12 | |
expectations on the outside. | 0:00:12 | 0:00:14 | |
So, we've gathered together the most talented amateur | 0:00:14 | 0:00:17 | |
interior designers who think they could be the next big thing, | 0:00:17 | 0:00:20 | |
to show us how it's done. But it's not as easy as it looks. | 0:00:20 | 0:00:24 | |
Ah! | 0:00:24 | 0:00:26 | |
I feel really sick. | 0:00:26 | 0:00:27 | |
Across three knockout episodes, | 0:00:27 | 0:00:29 | |
a group of designers will compete for one place in finals week. | 0:00:29 | 0:00:34 | |
Ta-da! | 0:00:34 | 0:00:35 | |
It looks amazing. It looks exactly how I wanted it. | 0:00:35 | 0:00:37 | |
Love it, love it, love it! | 0:00:37 | 0:00:39 | |
Judging them, two industry experts. Daniel Hopwood... | 0:00:39 | 0:00:44 | |
Having survived round one, | 0:00:44 | 0:00:45 | |
I want to see that the designers have listened to our feedback. | 0:00:45 | 0:00:48 | |
..and Sophie Robinson. | 0:00:48 | 0:00:50 | |
They are going to have to take it up a notch | 0:00:50 | 0:00:52 | |
if they're going to stay in this competition. | 0:00:52 | 0:00:54 | |
They'll be scrutinising presentation skills... | 0:00:54 | 0:00:57 | |
That's not the way to present to somebody. | 0:00:57 | 0:00:59 | |
..artistic flair... | 0:00:59 | 0:01:01 | |
-Have you ever seen that done before? -No, it's weird. | 0:01:01 | 0:01:04 | |
..and how well they deliver their brief. | 0:01:04 | 0:01:06 | |
-Pretty amazing transformation. -Absolutely beautiful. | 0:01:06 | 0:01:10 | |
In the finals, the best will face giants of the design world. | 0:01:10 | 0:01:14 | |
-Oliver Heath... -Oh, my word! | 0:01:14 | 0:01:16 | |
-..Orla Kiely... -It does look quite rough. | 0:01:16 | 0:01:19 | |
-..and Kelly Hoppen. -I want perfection. | 0:01:19 | 0:01:21 | |
But only one can be crowned winner of the | 0:01:22 | 0:01:25 | |
Great Interior Design Challenge. | 0:01:25 | 0:01:27 | |
Last time, four designers battled to impress the judges. | 0:01:31 | 0:01:34 | |
Wa-hey! Shall we just scrap the whole thing? | 0:01:34 | 0:01:37 | |
I think that's really rather dreadful. | 0:01:37 | 0:01:39 | |
One went home. Three of them made it through. | 0:01:39 | 0:01:43 | |
I've achieved the look I wanted for the room. | 0:01:43 | 0:01:45 | |
It couldn't have worked better, colour-wise. | 0:01:45 | 0:01:48 | |
Now, it's absolutely beautiful. | 0:01:48 | 0:01:51 | |
Now, things are getting even tougher. | 0:01:51 | 0:01:53 | |
Our designers will be tackling a living room each, in three | 0:01:53 | 0:01:56 | |
weatherboard properties in Kent. | 0:01:56 | 0:01:59 | |
So, the look is very bright. | 0:01:59 | 0:02:01 | |
The clients are more exacting... | 0:02:01 | 0:02:03 | |
Alarm bells are going off in my head. | 0:02:03 | 0:02:05 | |
..and the judges' expectations higher... | 0:02:05 | 0:02:07 | |
I think this scheme is boring. | 0:02:07 | 0:02:10 | |
If somebody did that in my office, they'd be sacked. | 0:02:10 | 0:02:12 | |
..as the three designers fight for a place in the next round. | 0:02:12 | 0:02:15 | |
-GLASS SHATTERS -Whoa! | 0:02:15 | 0:02:17 | |
-It's game over. -Ah! | 0:02:17 | 0:02:19 | |
One more must go. | 0:02:19 | 0:02:21 | |
The designer not going through... | 0:02:21 | 0:02:24 | |
..is... | 0:02:24 | 0:02:25 | |
First things first. The backdrop for the design battle | 0:02:31 | 0:02:35 | |
is one of the most sought-after areas in Kent. | 0:02:35 | 0:02:37 | |
The picturesque village of Rolvenden. | 0:02:38 | 0:02:40 | |
Kent may be renowned today as a Garden of England, | 0:02:42 | 0:02:45 | |
but, originally, it was covered in a dense forest which may | 0:02:45 | 0:02:48 | |
explain why wood is the number one building material round here. | 0:02:48 | 0:02:52 | |
For 500 years, its homes have been covered in wooden planks | 0:02:54 | 0:02:58 | |
painted a traditional and uniform white. | 0:02:58 | 0:03:00 | |
Our designers will now be working in three Grade II-listed cottages, | 0:03:03 | 0:03:08 | |
each with their own specific planning restrictions. | 0:03:08 | 0:03:11 | |
Right, let's crack on. | 0:03:19 | 0:03:21 | |
The designers have been working on a brief | 0:03:21 | 0:03:23 | |
from their home owners for the past week. | 0:03:23 | 0:03:25 | |
Quite exciting. I've got one more chance to show what I can do. | 0:03:25 | 0:03:29 | |
Round two. Ding, ding. | 0:03:29 | 0:03:31 | |
They've each got a small team, including a builder and a decorator. | 0:03:32 | 0:03:36 | |
It's got some shelves, which I wanted. | 0:03:36 | 0:03:38 | |
I seem to be in some sort of fantasy world, | 0:03:38 | 0:03:40 | |
that everything is going to be really hunky-dory | 0:03:40 | 0:03:43 | |
and it's bloody not. I just need to take a minute to just calm down. | 0:03:43 | 0:03:45 | |
They also have a budget of £1,000 | 0:03:45 | 0:03:48 | |
and just three days to complete their transformations. | 0:03:48 | 0:03:51 | |
What I would like to do, ideally, is not use all four roles. | 0:03:51 | 0:03:55 | |
I'm confident about my design, but it is quite full-on. | 0:03:55 | 0:03:59 | |
I have injected a little bit of my own style | 0:03:59 | 0:04:02 | |
and personality into things this time round. | 0:04:02 | 0:04:04 | |
The first designer is Londoner and doggy day-carer, Holly. | 0:04:06 | 0:04:09 | |
I'm doing some very exact pattern cutting here. | 0:04:09 | 0:04:13 | |
For her first project, Holly did a really fun, kid's room. | 0:04:13 | 0:04:16 | |
There was loads going on in there. | 0:04:16 | 0:04:17 | |
She's clearly very crafty, but this round, | 0:04:17 | 0:04:21 | |
I want to know - can she be sophisticated? | 0:04:21 | 0:04:24 | |
Holly's new room started off plainly decorated. | 0:04:24 | 0:04:27 | |
Before she got to work, judges Sophie and Daniel | 0:04:27 | 0:04:29 | |
sussed out its potential. | 0:04:29 | 0:04:32 | |
Oh, this room is splendid, isn't it? | 0:04:32 | 0:04:35 | |
It's amazing. | 0:04:35 | 0:04:36 | |
It is a cacophony of architectural features, from everybody's dream - | 0:04:36 | 0:04:40 | |
an inglenook fireplace - to these heavily carved beams. | 0:04:40 | 0:04:44 | |
Holly's home owners want a grown-up and elegant scheme in classic | 0:04:44 | 0:04:48 | |
heritage colours with a touch of daring. | 0:04:48 | 0:04:51 | |
The thing with Holly, is, she's all singing and dancing | 0:04:51 | 0:04:54 | |
and she'll bring lots of new elements into the room, | 0:04:54 | 0:04:57 | |
but here, she's got to be more subtle in her approach. | 0:04:57 | 0:05:00 | |
You're right. We want to see her bring a touch of sophistication, | 0:05:00 | 0:05:03 | |
if she can manage that. | 0:05:03 | 0:05:05 | |
Holly's take on the elegant brief includes a doggy-patterned | 0:05:05 | 0:05:08 | |
wallpaper, industrial lighting and metallic leather | 0:05:08 | 0:05:12 | |
and tweed materials. | 0:05:12 | 0:05:14 | |
So, this is the ideas that I've come up for you. | 0:05:14 | 0:05:17 | |
As well as approval from clients, Martha and Joff, | 0:05:17 | 0:05:20 | |
Holly must impress the judges, too, | 0:05:20 | 0:05:23 | |
since she and her rivals will be ranked on their presentation skills. | 0:05:23 | 0:05:26 | |
I have kind of called it this grown-up sultry teddy bear's picnic. | 0:05:26 | 0:05:30 | |
-OK. -That's the kind of thing we're going for. | 0:05:30 | 0:05:34 | |
-So, this is the wallpaper. -OK. | 0:05:34 | 0:05:36 | |
It is quite bold and it is quite dark. | 0:05:36 | 0:05:38 | |
My first reaction is that's quite a playful thing for quite | 0:05:38 | 0:05:42 | |
a sophisticated room. | 0:05:42 | 0:05:43 | |
Yeah, I'm sort of struggling on that, I must admit, | 0:05:43 | 0:05:46 | |
-a little bit at the moment. -OK. | 0:05:46 | 0:05:48 | |
All you're sort of seeing is the dogs. | 0:05:48 | 0:05:50 | |
Yeah, so the other thing that we've got going in is lighting, | 0:05:50 | 0:05:53 | |
so sort of industrial. | 0:05:53 | 0:05:55 | |
It'll make it that little bit more modern and I've also got some | 0:05:55 | 0:05:58 | |
-wall lights, which I'm going to make out of copper. -Erm... | 0:05:58 | 0:06:02 | |
-Not sure about that one. -OK, that's fine. | 0:06:04 | 0:06:06 | |
I think we have to respect the historic nature of the building. | 0:06:06 | 0:06:09 | |
-Yeah. -I'll tell you what, if you give me the wallpaper... | 0:06:09 | 0:06:12 | |
-It all needs to work together. -..I'll cut out some of the other | 0:06:12 | 0:06:14 | |
-industrial elements. -OK, what do you think? | 0:06:14 | 0:06:16 | |
Are we going for the wallpaper? | 0:06:16 | 0:06:18 | |
I just don't want it to be too boring, in all honesty, | 0:06:18 | 0:06:21 | |
because I would just ask you... I'm going to try | 0:06:21 | 0:06:23 | |
and push you into your brave zone to go for it and to trust me. | 0:06:23 | 0:06:28 | |
That was possibly one of the most uncomfortable briefings that | 0:06:28 | 0:06:32 | |
I've had to sit through. | 0:06:32 | 0:06:33 | |
She basically said to them, "What you've asked for is boring, | 0:06:33 | 0:06:36 | |
"so I'm ignoring all of it and this is what you're going to get." | 0:06:36 | 0:06:38 | |
And it's not fair. What's with the spaniels? | 0:06:38 | 0:06:41 | |
If someone did that in my office, they'd be sacked. | 0:06:41 | 0:06:44 | |
And with work underway on the room, | 0:06:44 | 0:06:46 | |
Holly's homeowners are still having major doubts about the wallpaper. | 0:06:46 | 0:06:50 | |
I'm liking the colour of it, it's just quite often I know that I'm | 0:06:50 | 0:06:53 | |
not going to like the end result and | 0:06:53 | 0:06:55 | |
alarm bells are going off in my head. | 0:06:55 | 0:06:58 | |
-That's it, that's fine. -They want to take a closer look. | 0:06:58 | 0:07:01 | |
For me, I think that's... | 0:07:04 | 0:07:09 | |
It's just not right for this room, I don't think, at all. | 0:07:09 | 0:07:12 | |
OK, let's roll this up, then. OK, cool, let's get rid of it. | 0:07:12 | 0:07:15 | |
Definitely frustrating for us that we've had to do that, | 0:07:15 | 0:07:18 | |
but I think it's important that we start off on the right foot. | 0:07:18 | 0:07:23 | |
I think it's going to be really difficult now, to do something | 0:07:23 | 0:07:26 | |
that's going to impress the judges in terms of its originality. | 0:07:26 | 0:07:31 | |
If I'm honest, it makes me think, that's probably it, for me, | 0:07:31 | 0:07:33 | |
in the competition. | 0:07:33 | 0:07:35 | |
Hoping he'll have no such problems is second designer Frankie. | 0:07:38 | 0:07:42 | |
Originally from Taiwan, he now lives in Surrey. | 0:07:42 | 0:07:44 | |
Perfect, let's do that. | 0:07:44 | 0:07:47 | |
Last time, Frankie was all about fabrics. | 0:07:47 | 0:07:50 | |
Magic that they were, this time, | 0:07:50 | 0:07:52 | |
I don't want him relying on the power of the textile. | 0:07:52 | 0:07:56 | |
Frankie's new challenge is to update a living room, | 0:07:56 | 0:07:58 | |
which, before work started, was rather old-fashioned. | 0:07:58 | 0:08:02 | |
What do you think of this, Dan? | 0:08:02 | 0:08:03 | |
Oh, it's the perfect front room, in fact, | 0:08:03 | 0:08:05 | |
it's the perfect Georgian front room. | 0:08:05 | 0:08:07 | |
The only one thing that is a bit weird for me, though, | 0:08:07 | 0:08:10 | |
this inglenook fireplace, which would've been | 0:08:10 | 0:08:12 | |
built 150 years earlier than this room, it is quite brutish | 0:08:12 | 0:08:16 | |
and this is very refined and the two don't really go together very well. | 0:08:16 | 0:08:21 | |
Frankie's clients want to keep the room classic and formal, | 0:08:21 | 0:08:25 | |
with a sense of occasion for entertaining friends. | 0:08:25 | 0:08:27 | |
This room, if I'm honest, I think, looks a little tired | 0:08:27 | 0:08:30 | |
and dated, but there's some really nice fabrics in here. | 0:08:30 | 0:08:32 | |
We know Frankie's a designer who's all about the fabrics. | 0:08:32 | 0:08:36 | |
Let's see if he can recognise which pieces are good to keep | 0:08:36 | 0:08:38 | |
and where he needs to be a bit more inventive. | 0:08:38 | 0:08:41 | |
Fabric does loom large in Frankie's pistachio-green Renaissance garden | 0:08:41 | 0:08:45 | |
scheme, with a terracotta tapestry on the furniture. | 0:08:45 | 0:08:49 | |
So, come up with an idea which is inspired by this sofa | 0:08:49 | 0:08:54 | |
and also your curtains. | 0:08:54 | 0:08:57 | |
But, first, he needed the go-ahead from his clients, Anthony and Susie. | 0:08:57 | 0:09:01 | |
-It looks really good. -Great, I'm glad you like it. | 0:09:01 | 0:09:04 | |
I do, I like it, I like it a lot. | 0:09:04 | 0:09:06 | |
And, for the coffee table, you mentioned you liked a drink area, | 0:09:06 | 0:09:12 | |
so we're going to do an upcycle project. | 0:09:12 | 0:09:15 | |
Cut it in half. | 0:09:17 | 0:09:19 | |
We're going to remove the legs, replace it with some longer legs. | 0:09:19 | 0:09:23 | |
-Oh, OK. -So, when you need to mix your drink... | 0:09:23 | 0:09:26 | |
From the alcohol cupboard. | 0:09:26 | 0:09:27 | |
-..then you can serve to your guests straight away. -Pretty good, yeah. | 0:09:27 | 0:09:31 | |
Lovely. | 0:09:31 | 0:09:32 | |
He's pulling on a lot of the historical references, | 0:09:32 | 0:09:35 | |
which is what the homeowners wanted. It doesn't look very exciting. | 0:09:35 | 0:09:38 | |
I can't see he's actually doing a lot. Chopping up a coffee table. | 0:09:38 | 0:09:41 | |
Yeah, that's it. I think he's not taking any risks. | 0:09:41 | 0:09:45 | |
With work well underway, | 0:09:45 | 0:09:48 | |
Frankie's certainly not taking any risks in doing what he does best. | 0:09:48 | 0:09:52 | |
Fiddling with fabrics. | 0:09:52 | 0:09:54 | |
I think, so far, so good. | 0:09:54 | 0:09:57 | |
I'm making a skirt to cover the ottoman. That's just about right. | 0:09:58 | 0:10:03 | |
I'm happy with that. | 0:10:03 | 0:10:05 | |
I learned my upholstery skills from YouTube. | 0:10:05 | 0:10:09 | |
Also self-taught is our final designer Sharon. | 0:10:12 | 0:10:16 | |
-But it has got wobbly doors. -We need to sort the doors out. | 0:10:16 | 0:10:19 | |
We need to sort the doors out. | 0:10:19 | 0:10:20 | |
Last time, Sharon's colour choice was pretty bold | 0:10:20 | 0:10:23 | |
and she just about got it right, but, this time, | 0:10:23 | 0:10:26 | |
if she wants to be successful, it's going to have to be spot on. | 0:10:26 | 0:10:30 | |
This round, Sharon is transforming what was a rather gloomy | 0:10:30 | 0:10:34 | |
-living room. -Quite dark. -Very, very dark. | 0:10:34 | 0:10:37 | |
So, getting light in this room is absolutely essential. | 0:10:37 | 0:10:40 | |
Yeah, you've got posts in unusual places, so getting this furniture | 0:10:40 | 0:10:44 | |
to work right and stop it feeling like a hallway | 0:10:44 | 0:10:47 | |
is quite challenging. | 0:10:47 | 0:10:48 | |
Sharon's homeowners want a modern room that makes an impact | 0:10:48 | 0:10:51 | |
with a splash of colour and better lighting. | 0:10:51 | 0:10:53 | |
But the Grade II listing forbids new drilling | 0:10:53 | 0:10:56 | |
into the walls and beams. | 0:10:56 | 0:10:57 | |
Oh, it could go so wrong. | 0:10:57 | 0:10:59 | |
They're asking for bright and fresh, but rich and dark. | 0:10:59 | 0:11:02 | |
So making sense of the brief and sense of the space | 0:11:02 | 0:11:05 | |
-is perhaps one of the biggest challenges. -Exactly. | 0:11:05 | 0:11:08 | |
Sharon has chosen a lime green and peacock blue scheme with | 0:11:08 | 0:11:12 | |
monochrome touches, brand-new furniture and accessories. | 0:11:12 | 0:11:16 | |
So, the look that I've gone for is a very bright colour impact room. | 0:11:16 | 0:11:23 | |
But before she's started, | 0:11:23 | 0:11:24 | |
clients Joe and Lisa had their say on her design. | 0:11:24 | 0:11:27 | |
I've gone for a very, very strong colour on the walls. | 0:11:27 | 0:11:31 | |
-Are you quite happy with the colour choice? -Yeah, absolutely. | 0:11:31 | 0:11:36 | |
Oh, good, that's a relief. | 0:11:36 | 0:11:37 | |
I'm going to use lamps and a standard lamp, | 0:11:39 | 0:11:43 | |
but I'm going to add a lot of that. | 0:11:43 | 0:11:45 | |
I would say, with the lighting, as well as putting additional | 0:11:45 | 0:11:49 | |
lighting in, if you can do anything with the existing light fittings. | 0:11:49 | 0:11:52 | |
The lighting, I must have admit, has been a nightmare. | 0:11:52 | 0:11:55 | |
It is just whether we can come up with something, | 0:11:56 | 0:12:00 | |
but I take on board what you've said and, if I can do something, I will. | 0:12:00 | 0:12:06 | |
If I can't, I'm a failure. | 0:12:06 | 0:12:09 | |
Big thinking cap. | 0:12:09 | 0:12:11 | |
I think, colour scheme-wise, it's super. | 0:12:11 | 0:12:14 | |
But there are issues in that room. Layout. | 0:12:14 | 0:12:17 | |
We haven't seen the plan and the lighting. | 0:12:17 | 0:12:20 | |
It's not great and she hasn't got a solution for it. | 0:12:20 | 0:12:23 | |
Her builder is well underway. | 0:12:25 | 0:12:27 | |
Now, Sharon must decide how bold to go with the wall colour. | 0:12:27 | 0:12:31 | |
Wow! I've brought two different colours of paint, | 0:12:31 | 0:12:35 | |
because until you get into the space, | 0:12:35 | 0:12:37 | |
you really can't tell what they're going to look like on the walls. | 0:12:37 | 0:12:41 | |
I don't like that. | 0:12:41 | 0:12:42 | |
It's that one. Yeah. That was easy. | 0:12:45 | 0:12:50 | |
I think. | 0:12:50 | 0:12:51 | |
The three designers may be well into their workloads, | 0:12:59 | 0:13:01 | |
but they know they're about to be judged on their mood boards | 0:13:01 | 0:13:04 | |
and presentation skills, so tensions are high. | 0:13:04 | 0:13:08 | |
I'm sure there'll be some massive thing that I said | 0:13:08 | 0:13:10 | |
that I shouldn't have said. I think I was a bit too honest. | 0:13:10 | 0:13:13 | |
I don't like to be judged, but it's a competition | 0:13:13 | 0:13:16 | |
and I have to face them. | 0:13:16 | 0:13:18 | |
They'll either commend me for my sticking to my guns | 0:13:18 | 0:13:23 | |
or they'll assassinate me for not, erm, following the brief. | 0:13:23 | 0:13:29 | |
With only two of the designers going through to the next round, | 0:13:30 | 0:13:33 | |
how well they do here is crucial. | 0:13:33 | 0:13:36 | |
OK, we've brought you out of your rooms, | 0:13:36 | 0:13:38 | |
because we want to judge your presentations. | 0:13:38 | 0:13:42 | |
Let's start with you, Sharon. | 0:13:44 | 0:13:46 | |
I think you built up a really good rapport with your homeowner, | 0:13:48 | 0:13:52 | |
but there was no layout plan and I didn't even hear you really | 0:13:52 | 0:13:55 | |
discuss in any real detail how you're going to lay that room out. | 0:13:55 | 0:13:59 | |
Holly. Oh, dear. | 0:13:59 | 0:14:03 | |
They said they didn't like things and you just pressurised them. | 0:14:03 | 0:14:05 | |
You didn't give them any alternatives, | 0:14:05 | 0:14:07 | |
you didn't give them any outlook whatsoever and that, really, | 0:14:07 | 0:14:11 | |
really, is not the way to present to somebody. | 0:14:11 | 0:14:14 | |
Frankie, a very comprehensive board. | 0:14:16 | 0:14:19 | |
You got everything on there, layout, sketches, plans, | 0:14:19 | 0:14:22 | |
so you could really see what that room's going to look like. | 0:14:22 | 0:14:25 | |
So, based on that... | 0:14:28 | 0:14:31 | |
Frankie, you come first. | 0:14:32 | 0:14:34 | |
Sharon, second. | 0:14:41 | 0:14:44 | |
And, I'm sorry, third, for Holly. | 0:14:44 | 0:14:46 | |
You've still got a lot of basics to cover, all right? | 0:14:47 | 0:14:50 | |
If I'm honest, I'm not deflated, because I know what I'm going to do. | 0:14:52 | 0:14:56 | |
It's going to look absolutely gorgeous. | 0:14:56 | 0:14:58 | |
I can't believe that I came first. | 0:14:58 | 0:15:01 | |
Yeah, I'm absolutely speechless. | 0:15:03 | 0:15:05 | |
I'm being very competitive. That's a bit of a blow, really. | 0:15:05 | 0:15:09 | |
I'm sticking to my guns. | 0:15:09 | 0:15:10 | |
There is just absolutely no point decorating a room | 0:15:10 | 0:15:15 | |
if it's going to be something everybody has seen before. | 0:15:15 | 0:15:18 | |
With the competition at the front of their minds, | 0:15:20 | 0:15:23 | |
they all get back to work. | 0:15:23 | 0:15:25 | |
-There we go. -Oh, you're a genius. That's great. | 0:15:25 | 0:15:28 | |
Creating three rooms as unique as the houses they're for. | 0:15:28 | 0:15:32 | |
The white-painted wooden boards that clad these Kentish cottages | 0:15:36 | 0:15:40 | |
give the village of Rolvenden a picture postcard appeal. | 0:15:40 | 0:15:44 | |
But the uniformity is misleading. | 0:15:47 | 0:15:49 | |
The cladding disguises a variety of building techniques | 0:15:49 | 0:15:52 | |
and homes are anything between 5 and 500 years old. | 0:15:52 | 0:15:56 | |
Like many buildings around here, | 0:15:58 | 0:16:00 | |
this one had a face-lift in the 18th century. | 0:16:00 | 0:16:02 | |
The upper storeys were clad in weather boarding, | 0:16:02 | 0:16:04 | |
but down below, you can see the old beams peeping out from beneath. | 0:16:04 | 0:16:08 | |
Time is slipping away from Holly. | 0:16:12 | 0:16:15 | |
Work in her room has ground to a halt, as she's still trying to | 0:16:15 | 0:16:18 | |
convince her clients to go with navy walls after | 0:16:18 | 0:16:21 | |
they vetoed the doggy wallpaper. | 0:16:21 | 0:16:23 | |
-We've got one with scripting in. -No. | 0:16:23 | 0:16:25 | |
No, OK, good, because I don't like that one anyway. | 0:16:25 | 0:16:28 | |
And the boats is a no. | 0:16:28 | 0:16:30 | |
It's a nice idea, but I'm not sure about that. | 0:16:30 | 0:16:33 | |
I think Martha and I both agree, | 0:16:33 | 0:16:35 | |
that's more the direction that we want to go in. | 0:16:35 | 0:16:37 | |
I'll just be completely honest, it's just so dated. | 0:16:37 | 0:16:40 | |
Holly is not going down without a fight. | 0:16:41 | 0:16:43 | |
She was equally determined to stamp her sense of fun in the first round. | 0:16:46 | 0:16:50 | |
Is like a Swiss cheese. | 0:16:50 | 0:16:52 | |
Even if it meant going against the brief. | 0:16:52 | 0:16:55 | |
-The request was for something rather sophisticated. -Yes! | 0:16:55 | 0:16:58 | |
All those things that Holly's making, | 0:16:58 | 0:17:00 | |
they're probably just a little bit kiddie for her young client. | 0:17:00 | 0:17:04 | |
But she proved she could strike a good balance. | 0:17:04 | 0:17:07 | |
I think her colours are spot on and I think this mural on the wall | 0:17:07 | 0:17:10 | |
is a total triumph. | 0:17:10 | 0:17:11 | |
Today, Holly is once again trying to show she knows best. | 0:17:12 | 0:17:16 | |
There's got to be that sense of where we are in the 21st-century, | 0:17:16 | 0:17:19 | |
not in the 1800s. | 0:17:19 | 0:17:21 | |
We've had enough conversations now, so I think you know where we're | 0:17:21 | 0:17:23 | |
coming from, so if you know you're putting something in which you think | 0:17:23 | 0:17:26 | |
they're not going to like it, we are the clients, so don't do it. | 0:17:26 | 0:17:30 | |
-Yes. -OK. -OK. | 0:17:30 | 0:17:32 | |
Holly needs to find a solution soon if she's to get started on the room. | 0:17:32 | 0:17:36 | |
Oh, it's fun, isn't it, being a designer? | 0:17:40 | 0:17:42 | |
She needs to mature up and start responding to a brief, | 0:17:42 | 0:17:45 | |
giving them what they want and then taking them beyond. | 0:17:45 | 0:17:48 | |
That's what a professional interior designer does. | 0:17:48 | 0:17:50 | |
Part of me is tempted to put the dog wallpaper up overnight | 0:17:50 | 0:17:53 | |
when they're not there. | 0:17:53 | 0:17:54 | |
Holly's still stuck, but over at Sharon's, it's a hive of activity. | 0:17:57 | 0:18:02 | |
She's re-upholstering an ottoman in yellow velvet. | 0:18:02 | 0:18:05 | |
But she still needs to find new lights that will work in such | 0:18:05 | 0:18:08 | |
a low ceilinged and restricted room. | 0:18:08 | 0:18:11 | |
We've still got this issue that the homeowners | 0:18:11 | 0:18:14 | |
want to change the spotlights. | 0:18:14 | 0:18:16 | |
We can't move them very far, they can't drop, | 0:18:16 | 0:18:18 | |
they've got to be flush to the ceiling. | 0:18:18 | 0:18:21 | |
That limits us massively, so I'm on a mission. | 0:18:21 | 0:18:25 | |
She may have been more prepared in the last round, but it was | 0:18:25 | 0:18:28 | |
the bold colour scheme that caused concern for the homeowner... | 0:18:28 | 0:18:31 | |
-A little unsure about the blue... -Right, OK. -..with the green. | 0:18:31 | 0:18:34 | |
It's what we discussed, that it needed to be bold. | 0:18:34 | 0:18:37 | |
..although, she got it right in the end. | 0:18:37 | 0:18:39 | |
I think, as a colour scheme, it really works. | 0:18:39 | 0:18:43 | |
Oh! | 0:18:43 | 0:18:44 | |
This is gorgeous. | 0:18:47 | 0:18:48 | |
Even if there were some worries about spatial planning. | 0:18:48 | 0:18:52 | |
You've got a whole square metre of space lost in that corner. | 0:18:52 | 0:18:56 | |
I think I've found the solution, hopefully. | 0:18:56 | 0:19:00 | |
This time, Sophie and Daniel expect her to master the basics. | 0:19:00 | 0:19:03 | |
This is looking pretty strong on the walls, isn't it? What do you think? | 0:19:03 | 0:19:07 | |
-I love it. -But this room is a dark room and this colour needs light. | 0:19:07 | 0:19:12 | |
I've got some... | 0:19:12 | 0:19:14 | |
They're shades, but they're going right up to the ceiling. | 0:19:14 | 0:19:18 | |
-Just a drum lampshade, then. -Yeah. | 0:19:18 | 0:19:20 | |
I feel there's a panic in the room. | 0:19:21 | 0:19:23 | |
-Oh, yes, serious anxiety, isn't there? -Just hang on. | 0:19:24 | 0:19:28 | |
The judges are right. | 0:19:28 | 0:19:29 | |
With panic setting in, Sharon is having a crisis of confidence. | 0:19:29 | 0:19:34 | |
I just feel a bit daunted by what I've set myself out to do. | 0:19:34 | 0:19:40 | |
But I almost feel that, perhaps, I am blagging it. | 0:19:41 | 0:19:49 | |
I'm not that capable, even though I think I am. | 0:19:49 | 0:19:51 | |
Frankie is feeling far from daunted by his pared back design. | 0:19:58 | 0:20:01 | |
His builder is turning the coffee table into two slide-out | 0:20:03 | 0:20:06 | |
drinks tables for the alcoves. | 0:20:06 | 0:20:08 | |
While he's creating elaborate runners for the seats | 0:20:08 | 0:20:12 | |
from tapestry fabric. | 0:20:12 | 0:20:13 | |
Fabric, you know, is my best friend now. | 0:20:13 | 0:20:16 | |
This project, compared with my last project, is about 50% less, | 0:20:19 | 0:20:24 | |
so that's why it allows me to do some of the small detail like this. | 0:20:24 | 0:20:29 | |
In the first round, Frankie's fabric designs were highly detailed... | 0:20:32 | 0:20:36 | |
So, you're tailoring a suit for the wardrobe? I buy into that. | 0:20:36 | 0:20:40 | |
..which left him with too much work. | 0:20:40 | 0:20:43 | |
I feel like I'm like a ship right in the middle of the stone. | 0:20:43 | 0:20:48 | |
That's why I'm struggling with the whole thing. | 0:20:48 | 0:20:52 | |
Something went dreadfully wrong with these doors. | 0:20:54 | 0:20:58 | |
He's not been able to get the finish he wanted. | 0:20:58 | 0:21:00 | |
I think it's fair to say, you've already reined in the ambition | 0:21:01 | 0:21:05 | |
-of your project. -I have. | 0:21:05 | 0:21:07 | |
But, stylistically, what is going to lift the mood? | 0:21:07 | 0:21:09 | |
Is there going to be any Frankie in this room? | 0:21:09 | 0:21:12 | |
Erm, it's going to be a little bit tricky. | 0:21:12 | 0:21:14 | |
This is a Grade II-listed house and, my home owner, they asked | 0:21:14 | 0:21:19 | |
to sympathise for the building. | 0:21:19 | 0:21:21 | |
So, you are restraining your creativity, in order to | 0:21:21 | 0:21:25 | |
-fulfil their brief? -I feel, yes, I have a little bit, yeah. | 0:21:25 | 0:21:29 | |
I think this scheme is boring. I want to see some Frankie flare. | 0:21:30 | 0:21:34 | |
The designers will all have to prove they have creative flair | 0:21:39 | 0:21:42 | |
when it comes to thinking under pressure. | 0:21:42 | 0:21:45 | |
They're in for a big surprise, as they are being given | 0:21:45 | 0:21:48 | |
a raw material to test their ingenuity and use in their scheme. | 0:21:48 | 0:21:52 | |
-Holly. -Hi. | 0:21:52 | 0:21:54 | |
You'll never guess what I've got behind my back. | 0:21:54 | 0:21:56 | |
-I'm hoping it's a light fitting. -No, it's not a light fitting. | 0:21:56 | 0:21:59 | |
Logs. | 0:21:59 | 0:22:01 | |
Be really creative with these. | 0:22:01 | 0:22:02 | |
-You know, come up with some innovative product design. -OK. | 0:22:02 | 0:22:05 | |
We've got fire burner. | 0:22:05 | 0:22:08 | |
Not very creative, because I'm expecting | 0:22:08 | 0:22:12 | |
-a high level of creativity. -OK. | 0:22:12 | 0:22:14 | |
Right. | 0:22:14 | 0:22:15 | |
They need to use the logs to design and create an inspired | 0:22:15 | 0:22:19 | |
-new product in 24 hours. -Thank you. | 0:22:19 | 0:22:21 | |
How well they do will feed into the judges' decision | 0:22:21 | 0:22:24 | |
and could have a huge impact on the results. | 0:22:24 | 0:22:26 | |
I was thinking, you know, slice them, lots of them | 0:22:28 | 0:22:31 | |
and then turn them into dust and you just... | 0:22:31 | 0:22:34 | |
Awesome. Deal with that later. | 0:22:38 | 0:22:40 | |
The judges will see their designs later on. | 0:22:40 | 0:22:43 | |
Holly has got a lot of catching up to do, | 0:22:45 | 0:22:47 | |
but she can finally get cracking with her design... | 0:22:47 | 0:22:50 | |
Are you sure about all this? | 0:22:50 | 0:22:52 | |
..as she's persuaded her homeowners to go with a strong colour. | 0:22:52 | 0:22:55 | |
So, the plan now is going to be to paint | 0:22:55 | 0:22:58 | |
all of the walls in a nice dark navy, which is good. | 0:22:58 | 0:23:02 | |
I've still got the navy colour. Now, what I would like to do | 0:23:02 | 0:23:06 | |
is get this on the walls as quickly as humanly possible. | 0:23:06 | 0:23:11 | |
Because, otherwise, they're going to change their mind, probably. | 0:23:11 | 0:23:15 | |
I love it, I love it, I love it. | 0:23:20 | 0:23:22 | |
It's been a tiring first day. | 0:23:27 | 0:23:29 | |
I just lost my bottle a bit, which I shouldn't have done, | 0:23:29 | 0:23:31 | |
so onwards and upwards for tomorrow. | 0:23:31 | 0:23:34 | |
The designers are desperate to prove they've got | 0:23:34 | 0:23:36 | |
the edge on their rivals. | 0:23:36 | 0:23:37 | |
That is exactly how I pictured that in my mind. | 0:23:37 | 0:23:41 | |
And they've already started to assess the competition. | 0:23:41 | 0:23:44 | |
-Oh, I love that wall panelling. -Oh, no, isn't it to die for? | 0:23:44 | 0:23:48 | |
-That is gorgeous. -What do you reckon? | 0:23:48 | 0:23:50 | |
I want a fireplace. Not fair. | 0:23:52 | 0:23:55 | |
I'm not prepared to do a room that's going to | 0:23:55 | 0:23:57 | |
compromise my integrity as a designer. | 0:23:57 | 0:24:00 | |
I kind of envy her. You know. She just goes ahead with her design. | 0:24:00 | 0:24:05 | |
I like both of them, but I don't want them to do better than me. | 0:24:05 | 0:24:08 | |
I had a bit of a sneak peek of Frankie's. | 0:24:10 | 0:24:12 | |
He's incredibly talented, but it doesn't look daring, yet. | 0:24:13 | 0:24:18 | |
So, that gives me a bit of hope. | 0:24:18 | 0:24:20 | |
It's the second day of the competition here in Kent | 0:24:33 | 0:24:36 | |
and, after a day of sewing and dogs and lime-green paint, | 0:24:36 | 0:24:40 | |
our designers have an awful lot to achieve. | 0:24:40 | 0:24:42 | |
By the end of tomorrow, one of them will be out of the competition. | 0:24:44 | 0:24:48 | |
I had quite a sleepless night. | 0:24:48 | 0:24:50 | |
I'm still worried about the light fittings, but I've ordered | 0:24:50 | 0:24:53 | |
half of Hastings' light collection now, so, surely, amongst all that, | 0:24:53 | 0:24:57 | |
there'll be something that will go in there and look all right. | 0:24:57 | 0:25:00 | |
The competition seems pretty good on my side. | 0:25:00 | 0:25:03 | |
-Last night, I prepare all the fabrics to be cut out. -Hiya. | 0:25:03 | 0:25:08 | |
I'm anticipating the homeowners will probably have different things | 0:25:08 | 0:25:12 | |
to say about some of the things I have planned today, | 0:25:12 | 0:25:15 | |
but we'll see how it goes. | 0:25:15 | 0:25:16 | |
They might end up chasing me out of this village with torches | 0:25:16 | 0:25:20 | |
and pitchforks, but, if they do, I'm a fast runner. | 0:25:20 | 0:25:23 | |
Ah, lovely job. Thanks. | 0:25:26 | 0:25:29 | |
Frankie is playing it safe to please his clients, | 0:25:29 | 0:25:32 | |
but he still hopes to make magic with his Renaissance garden scheme. | 0:25:32 | 0:25:36 | |
This comes out of my quick idea, what I could achieve. | 0:25:36 | 0:25:40 | |
With creations like this seat girdle. | 0:25:40 | 0:25:43 | |
Hopefully, judge will say it's original. | 0:25:43 | 0:25:46 | |
Frankie, you've got your scissors in your hands, | 0:25:46 | 0:25:49 | |
your tape measure and I know you've got a very, | 0:25:49 | 0:25:51 | |
kind of, ambitious design flair. I can see that, | 0:25:51 | 0:25:54 | |
-but do you like having that reined in? -Erm... -Or is it a pain? | 0:25:54 | 0:25:58 | |
THEY LAUGH | 0:25:58 | 0:26:00 | |
-You want to be let loose?! -I'm not a person that has to play the | 0:26:00 | 0:26:03 | |
razzle-dazzle, you know, but the frustration, yes, it is there. | 0:26:03 | 0:26:07 | |
Hopefully, you know, if I go through this round, perhaps next one... | 0:26:07 | 0:26:13 | |
-We'll see the real Frankie? -Hopefully. | 0:26:13 | 0:26:15 | |
Holly is refusing to hold back her creative flair. | 0:26:18 | 0:26:21 | |
I want to make a table, so, we'll probably do | 0:26:21 | 0:26:25 | |
-something like that or whatever works best with the glass. -Yeah. | 0:26:25 | 0:26:29 | |
With her builder working on the book table, Holly starts injecting | 0:26:31 | 0:26:35 | |
sophistication to her scheme with her cushions. | 0:26:35 | 0:26:38 | |
This is how you can tell this is beautifully quality tweed, | 0:26:38 | 0:26:40 | |
because, as you rip it, it just tears. | 0:26:40 | 0:26:43 | |
And she's mixing in a bit of copper bling. | 0:26:43 | 0:26:46 | |
They're actually skirts that were in the sale and that was, like, £1. | 0:26:47 | 0:26:50 | |
-Colour on the walls. -Colour on the walls. -Looking dramatic, isn't it? | 0:26:53 | 0:26:56 | |
Yes, it is. | 0:26:56 | 0:26:57 | |
How about your homeowner? Are you keeping them on board? | 0:26:57 | 0:27:00 | |
I am keeping them on board, yeah. | 0:27:00 | 0:27:01 | |
I think everybody seems to think that I'm going to transform this | 0:27:01 | 0:27:04 | |
into some kind of tacky, sort of, medieval castle. | 0:27:04 | 0:27:07 | |
No, we really stand by your conviction | 0:27:07 | 0:27:09 | |
and it's very admirable that you are really confident in your ability, | 0:27:09 | 0:27:12 | |
but when you're working for other people, it's not about | 0:27:12 | 0:27:15 | |
-what you think and there is concern... -I appreciate that. | 0:27:15 | 0:27:18 | |
..that what you presented to your homeowners | 0:27:18 | 0:27:20 | |
wasn't what they were expecting. | 0:27:20 | 0:27:21 | |
Yeah. But, sage green, duck egg blue in a country cottage, you know, | 0:27:21 | 0:27:25 | |
we're here to push the boundaries a little bit more as designers. | 0:27:25 | 0:27:28 | |
We're also here to keep your home owners on board | 0:27:28 | 0:27:30 | |
and do a lovely job of their home. | 0:27:30 | 0:27:32 | |
-Absolutely. -To remind you. -Yeah. | 0:27:32 | 0:27:34 | |
Holly has taken a complete chance with that scheme and I don't think | 0:27:34 | 0:27:37 | |
she's right to criticise their taste but, look, they like this dark blue, | 0:27:37 | 0:27:42 | |
it's working, so she now needs to work hard to keep them on board. | 0:27:42 | 0:27:45 | |
Being less decisive is Sharon, | 0:27:48 | 0:27:50 | |
who is waiting for delivery on various lighting options. | 0:27:50 | 0:27:53 | |
As her team finishes the ottoman, | 0:27:53 | 0:27:55 | |
she's adding blue accents to her vibrant scheme. | 0:27:55 | 0:27:58 | |
I'm just thinking about the blind, because, obviously, | 0:27:58 | 0:28:01 | |
I'd like to do something with it. | 0:28:01 | 0:28:03 | |
So, she tries a cheap, quick fix solution. | 0:28:03 | 0:28:07 | |
That'll work. Oh! | 0:28:07 | 0:28:09 | |
That's not right. | 0:28:09 | 0:28:12 | |
That's coming out in little blobs. | 0:28:12 | 0:28:15 | |
Erm... | 0:28:15 | 0:28:17 | |
Plan B is to use some blue fabric instead. | 0:28:18 | 0:28:21 | |
I'm just going to make a trim and attach it to the existing blind. | 0:28:21 | 0:28:27 | |
The designers aren't just under pressure to | 0:28:33 | 0:28:35 | |
transform their rooms, they've also got to something their design | 0:28:35 | 0:28:39 | |
credentials, by integrating some logs creatively into their schemes. | 0:28:39 | 0:28:43 | |
I hate the secret task. I hate it. | 0:28:43 | 0:28:47 | |
How well they rise to this challenge will affect who stays | 0:28:47 | 0:28:50 | |
and who leaves the competition. | 0:28:50 | 0:28:52 | |
Well, the last upcycle was the judges ended up liking what | 0:28:52 | 0:28:55 | |
I did with it, so, hopefully, I can do the same again here. | 0:28:55 | 0:28:59 | |
I'm going to show 'em. | 0:28:59 | 0:29:02 | |
-I'm thinking to make a tea light holder. -Yeah, gotcha. | 0:29:02 | 0:29:05 | |
Frankie is using the bark | 0:29:05 | 0:29:07 | |
as a decorative feature around a glass vase. | 0:29:07 | 0:29:09 | |
And then, tie them and then you chop, chop, chop, chop. | 0:29:09 | 0:29:12 | |
OK. | 0:29:13 | 0:29:15 | |
Classic Frankie. We've got something beautifully executed. | 0:29:15 | 0:29:19 | |
-Genius. -And he can't resist adding some fabric. | 0:29:22 | 0:29:25 | |
But it's Frankie all over. It's a little bit fussy and twee. | 0:29:25 | 0:29:29 | |
True to form, Sharon is hitting the shops | 0:29:29 | 0:29:31 | |
to try and integrate the logs into her scheme. | 0:29:31 | 0:29:34 | |
I've decided that the one thing that I'm missing out of the room | 0:29:34 | 0:29:36 | |
was a table, so I might as well use the challenge to my advantage. | 0:29:36 | 0:29:42 | |
-Yes, how much do you want for that? -I can do 15 on that. | 0:29:45 | 0:29:49 | |
Yeah, go on, then. | 0:29:49 | 0:29:50 | |
I'm actually going to cover it | 0:29:50 | 0:29:52 | |
in discs of the logs that they've given me. | 0:29:52 | 0:29:56 | |
It's shockingly bad, isn't it? | 0:29:56 | 0:29:58 | |
She's taken a Victorian table and made it completely useless. | 0:29:58 | 0:30:02 | |
There we are. What a triumph. | 0:30:02 | 0:30:05 | |
Have you seen the quality? It's not great. | 0:30:05 | 0:30:08 | |
I'd like to cut that into three. | 0:30:08 | 0:30:10 | |
Holly is hedging her bets... | 0:30:10 | 0:30:12 | |
And then drill a tealight-sized hole halfway down. | 0:30:12 | 0:30:17 | |
-..by doing a tealight holder and decorative mobile. -That's better. | 0:30:17 | 0:30:21 | |
With the upcycle, I like to include it in a few different places, | 0:30:21 | 0:30:24 | |
because, otherwise, I think it looks a bit plonked. | 0:30:24 | 0:30:26 | |
I quite like the candle holders. Not the most original idea. | 0:30:26 | 0:30:30 | |
But what was she thinking with that mobile? | 0:30:30 | 0:30:32 | |
It's just dreadful. | 0:30:32 | 0:30:34 | |
The designer's mixed bag of items | 0:30:35 | 0:30:37 | |
has received an equally mixed reaction. | 0:30:37 | 0:30:40 | |
The big question is, how they'll fit with the finished rooms. | 0:30:40 | 0:30:43 | |
The judges will have to wait to see the end result. | 0:30:43 | 0:30:46 | |
400 years ago, easy-to-source wood | 0:30:52 | 0:30:54 | |
was a cheap way of protecting these houses. | 0:30:54 | 0:30:57 | |
But later, it became a fashion statement, | 0:30:57 | 0:30:59 | |
like this 19th-century villa. | 0:30:59 | 0:31:02 | |
Whilst from the front, it blends in very easily | 0:31:02 | 0:31:04 | |
with its weatherboarded neighbours. | 0:31:04 | 0:31:07 | |
Go through the house... | 0:31:07 | 0:31:08 | |
..and round the back, it's all bricks and tiles. | 0:31:10 | 0:31:12 | |
Much more Victorian. | 0:31:12 | 0:31:14 | |
It's not just local woodland that's provided timber for the houses. | 0:31:15 | 0:31:20 | |
Centuries ago, the sea came much further inland. | 0:31:20 | 0:31:22 | |
There was even a port and a shipyard close by, | 0:31:22 | 0:31:25 | |
but when the estuary silted up, the locals dismantled the shipyard | 0:31:25 | 0:31:29 | |
and used the timber to build their homes. | 0:31:29 | 0:31:32 | |
The great girders of ship's hulls were terribly | 0:31:32 | 0:31:34 | |
useful for ceiling beams like these. | 0:31:34 | 0:31:37 | |
Frankie is hoping his builder is also a dab hand with wood. | 0:31:43 | 0:31:47 | |
He's narrowed the coffee table to fit into the alcove. | 0:31:47 | 0:31:51 | |
You should be a plastic surgeon. | 0:31:51 | 0:31:53 | |
Frankie wants every element of his garden Renaissance scheme to | 0:31:56 | 0:32:00 | |
meet his exacting standards. | 0:32:00 | 0:32:02 | |
It's all coming together now. | 0:32:02 | 0:32:05 | |
Pretty wallpapers, lovely pale greens, | 0:32:05 | 0:32:07 | |
terracotta tapestry to match the inglenook. Lovely. | 0:32:07 | 0:32:12 | |
All lovely, but it's so safe. | 0:32:12 | 0:32:15 | |
Frankie's safe strategy is to stick closely to his brief, | 0:32:15 | 0:32:19 | |
unlike his rival, Holly. | 0:32:19 | 0:32:22 | |
-Perfect. -Hello, Holly. | 0:32:22 | 0:32:24 | |
-How are you getting on, darling? -Looks pretty cool, hey. -Yeah? | 0:32:24 | 0:32:27 | |
-It's very stylish. -Thank you. | 0:32:27 | 0:32:30 | |
But her risk-taking isn't flustering Frankie. | 0:32:30 | 0:32:32 | |
Well, let's put it this way, if you go to a restaurant, you ask for | 0:32:32 | 0:32:37 | |
chicken and they bring you beef, as a customer, you'll be fuming. | 0:32:37 | 0:32:42 | |
You're being too daring for Rolvenden? | 0:32:42 | 0:32:45 | |
I think, obviously, my daring isn't everybody else's daring. | 0:32:45 | 0:32:48 | |
How are you coping? Are you rolling with the punches? | 0:32:48 | 0:32:50 | |
I am rolling with the punches. It's been challenging, I won't lie. | 0:32:50 | 0:32:53 | |
Are you feeling like a professional interior designer, yet? | 0:32:53 | 0:32:56 | |
Could you be let loose onto unsuspecting public? | 0:32:56 | 0:32:59 | |
I don't think if the unsuspecting public will have me, | 0:32:59 | 0:33:01 | |
to be entirely honest. | 0:33:01 | 0:33:03 | |
There's a storm brewing for all three designers... | 0:33:04 | 0:33:08 | |
Ironically, this was my mood yesterday. | 0:33:08 | 0:33:11 | |
..because at this midway mark, they must all face | 0:33:11 | 0:33:13 | |
a visit from their homeowner to check-up on progress. | 0:33:13 | 0:33:16 | |
This is actually what I find the scariest bit, you know, | 0:33:16 | 0:33:19 | |
they might say that they don't like any of it. | 0:33:19 | 0:33:21 | |
It's an anxious moment as any unsuspected changes at this stage | 0:33:21 | 0:33:25 | |
could seriously impact their designs. | 0:33:25 | 0:33:27 | |
I hope they're going to appreciate this. | 0:33:27 | 0:33:29 | |
-It looks lovely. -Do you like it? -Yeah. | 0:33:31 | 0:33:34 | |
Oh, yes, very blue. | 0:33:34 | 0:33:36 | |
After tense negotiations with her homeowners over | 0:33:36 | 0:33:39 | |
-the colour on the walls... -These are the copper Edison bulbs. | 0:33:39 | 0:33:42 | |
..Holly has now got to reveal her more industrial touches. | 0:33:42 | 0:33:46 | |
Aha, yeah. | 0:33:46 | 0:33:48 | |
Having seen it today, I feel a lot more confident with what | 0:33:48 | 0:33:51 | |
Holly is doing and the colour is definitely growing on me, | 0:33:51 | 0:33:55 | |
-and she seems like she's got some good ideas. -See you later. | 0:33:55 | 0:33:59 | |
-Great, see you later. -She could be turning things around. | 0:33:59 | 0:34:02 | |
Yay! | 0:34:05 | 0:34:07 | |
Hi. | 0:34:07 | 0:34:08 | |
Sharon's homeowners liked the bold colour, in theory, | 0:34:08 | 0:34:11 | |
but will now see it on their walls for the first time. | 0:34:11 | 0:34:14 | |
It is very green. | 0:34:14 | 0:34:16 | |
Is that a good green or a bad green? | 0:34:17 | 0:34:20 | |
At the moment, it's just a very green. | 0:34:21 | 0:34:24 | |
Sharon is hoping her lighting idea will convince them | 0:34:24 | 0:34:27 | |
she can make the scheme come alive. | 0:34:27 | 0:34:29 | |
I like the shape of that lampshade, | 0:34:30 | 0:34:32 | |
but I just don't think by the time you get that on the ceiling... | 0:34:32 | 0:34:35 | |
-I think that will be too low. -I'm safe. | 0:34:35 | 0:34:38 | |
Luckily, after her shopping spree, she's got backups. | 0:34:40 | 0:34:44 | |
What you are saying is, instead of having them down, have it like that? | 0:34:44 | 0:34:48 | |
Yes. | 0:34:48 | 0:34:49 | |
But they don't quite hit the spot either. | 0:34:49 | 0:34:51 | |
-It's the height that is...that I think you need to watch. -Yeah. | 0:34:51 | 0:34:55 | |
If Sharon doesn't get the lighting right, it's going | 0:34:59 | 0:35:02 | |
to look like algae in a pond. Dark and slimy. | 0:35:02 | 0:35:05 | |
I just don't know what else I can possibly do. | 0:35:05 | 0:35:08 | |
I just... I've tried absolutely everything now. | 0:35:08 | 0:35:12 | |
I have had just about enough of lights. | 0:35:12 | 0:35:14 | |
Spurred on by success with her homeowners, Holly is getting crafty. | 0:35:16 | 0:35:21 | |
Oh, that looks lovely. | 0:35:21 | 0:35:23 | |
The book side table is nearly done | 0:35:23 | 0:35:24 | |
and she's trying her hand at some weaving. | 0:35:24 | 0:35:27 | |
So, this is going to be my leather belt stool. | 0:35:27 | 0:35:32 | |
Haven't done this before. | 0:35:35 | 0:35:37 | |
The stool was 50p, so, see what happens. | 0:35:37 | 0:35:40 | |
There we go. I'm going to sit on it now. | 0:35:48 | 0:35:51 | |
Yay! | 0:35:52 | 0:35:55 | |
Frankie is also getting inventive. | 0:35:57 | 0:35:59 | |
-As well as the slide out drinks table... -There we go. | 0:35:59 | 0:36:03 | |
..he's making home-made antique effect mirrors | 0:36:03 | 0:36:05 | |
for the alcove cabinets. | 0:36:05 | 0:36:07 | |
This is very risky. I haven't done this before. | 0:36:07 | 0:36:11 | |
He covers plain glass with a water and vinegar solution, | 0:36:11 | 0:36:15 | |
then sprays a silver effect paint on top and, once dry, | 0:36:15 | 0:36:19 | |
finishes it with black spray paint, which should give a distressed look. | 0:36:19 | 0:36:23 | |
Right, yeah, I'm very happy with the result. | 0:36:27 | 0:36:30 | |
What I'm really hoping for is that you are a magician electrician. | 0:36:32 | 0:36:36 | |
-I am very good. -Right, that's what I want to hear. | 0:36:36 | 0:36:39 | |
Sharon is hoping she's onto a winner with her latest purchase of lights. | 0:36:39 | 0:36:43 | |
I've got these. | 0:36:43 | 0:36:44 | |
The new lights may be small, | 0:36:46 | 0:36:47 | |
but they must have a big impact to keep the bold colour scheme vibrant. | 0:36:47 | 0:36:51 | |
If this isn't right, then, it's all been for nothing. | 0:36:53 | 0:36:56 | |
I won't be going through to the next round. | 0:36:58 | 0:37:00 | |
Yes! Yes, they're really bright. | 0:37:11 | 0:37:14 | |
The future is bright. The future is lime-green. | 0:37:14 | 0:37:19 | |
Honestly, I can't tell you how relieved I am. | 0:37:19 | 0:37:22 | |
It's like a whole weight has been lifted off me. | 0:37:22 | 0:37:24 | |
-It's a really bold colour in there. Really bold. -Just take a risk. | 0:37:24 | 0:37:29 | |
I always think, what's the worst that can happen? | 0:37:29 | 0:37:32 | |
-Do you believe in yourself? -That's a good one. Erm, not all the time. | 0:37:32 | 0:37:38 | |
I was poor, I have to say. | 0:37:38 | 0:37:41 | |
I didn't think about the lighting as much as I should have done. | 0:37:41 | 0:37:44 | |
There are challenges for all our designers to overcome | 0:37:48 | 0:37:51 | |
in these ancient houses... | 0:37:51 | 0:37:53 | |
What on earth is up with this? | 0:37:53 | 0:37:55 | |
..with their lopsided charm and mix of architectural styles. | 0:37:55 | 0:37:59 | |
This is the oldest house in the village, | 0:38:01 | 0:38:03 | |
built in the 15th century for a local yeoman farmer. | 0:38:03 | 0:38:06 | |
Inside, it's incredibly atmospheric, | 0:38:06 | 0:38:09 | |
with its low ceilings and dark beams, but over the years, | 0:38:09 | 0:38:13 | |
it's been altered as the fashions have changed. | 0:38:13 | 0:38:16 | |
In the Georgian period, a slightly incongruous extension | 0:38:16 | 0:38:19 | |
was added at one end, but at least it's got incredible space and light. | 0:38:19 | 0:38:23 | |
As I climb up these rather steep and rickety wooden stairs, | 0:38:25 | 0:38:28 | |
the original form of the house becomes much clearer. | 0:38:28 | 0:38:32 | |
Up above me, smoke-stained rafters indicate the open fire, | 0:38:32 | 0:38:36 | |
that, in medieval times, would have burnt in the central hall. | 0:38:36 | 0:38:40 | |
It's near the end of day two | 0:38:44 | 0:38:46 | |
and confidence levels are high for two of the designers. | 0:38:46 | 0:38:49 | |
Very happy, because we've got lots of things done today. | 0:38:49 | 0:38:52 | |
Right, that's me done for today. There's nothing more I can do. | 0:38:53 | 0:38:59 | |
And I might get some sleep tonight now. | 0:38:59 | 0:39:01 | |
But Holly is getting frustrated. | 0:39:02 | 0:39:04 | |
She had planned to hang large light bulbs from the beams | 0:39:05 | 0:39:09 | |
using adhesive hooks. | 0:39:09 | 0:39:10 | |
Right. | 0:39:11 | 0:39:12 | |
But her team don't think they're strong enough. | 0:39:14 | 0:39:17 | |
We've got a bit of a situation at the moment. | 0:39:20 | 0:39:22 | |
Holly walked off, because she can't fit the lights where she wants. | 0:39:22 | 0:39:27 | |
There's been kind of quite a lot of different hold-ups on this brief | 0:39:28 | 0:39:32 | |
that have been, erm, you know, challenging, | 0:39:32 | 0:39:37 | |
but, hey, you know what? | 0:39:37 | 0:39:39 | |
We're not done yet, so I'm going to cross that finish line. | 0:39:39 | 0:39:41 | |
It's the last day of this round and, from antique mirrors to | 0:39:49 | 0:39:52 | |
handcrafted leather, our three designers have really pushed | 0:39:52 | 0:39:55 | |
themselves to the limit, but, for one of them, it won't be enough. | 0:39:55 | 0:39:58 | |
They'll be going home. | 0:39:58 | 0:40:00 | |
There's just a few hours left for them | 0:40:00 | 0:40:01 | |
to convince the judges they deserve to stay in the competition. | 0:40:01 | 0:40:05 | |
At this second round stage, they face even tougher scrutiny. | 0:40:05 | 0:40:09 | |
I'm feeling a little bit nervous. | 0:40:10 | 0:40:12 | |
Hopefully, no last-minute drama happen. | 0:40:12 | 0:40:16 | |
The tension does start to get to you, but I have absolutely no doubts | 0:40:16 | 0:40:20 | |
that it's going to look amazing. | 0:40:20 | 0:40:21 | |
I fought for what I believe is a really excellent design and, | 0:40:21 | 0:40:24 | |
hopefully, that will pay dividends and give me the edge... | 0:40:24 | 0:40:28 | |
..or not. | 0:40:29 | 0:40:30 | |
The last big jobs for Frankie are fitting the slide-out drinks tables | 0:40:34 | 0:40:38 | |
and the fragile antique effect mirrors. | 0:40:38 | 0:40:40 | |
I'm a bit nervous. | 0:40:42 | 0:40:44 | |
But he's soon in trouble. | 0:40:45 | 0:40:47 | |
Put the wrong one in. And now I can't take it out. | 0:40:47 | 0:40:51 | |
-Are you all right? -I'm so, so scared to break it. | 0:40:52 | 0:40:55 | |
That's what I meant, a last-minute drama. | 0:40:59 | 0:41:02 | |
Now, last time, Frankie tried to achieve so much. | 0:41:02 | 0:41:05 | |
How's he getting along this time? | 0:41:05 | 0:41:06 | |
Well, he's been a lot more controlled this time. | 0:41:06 | 0:41:09 | |
He's pared back the amount he's doing. | 0:41:09 | 0:41:10 | |
My concern is he's in danger of being not ambitious enough. | 0:41:10 | 0:41:13 | |
I was hoping Frankie would add a little bit more flair | 0:41:13 | 0:41:15 | |
and imagination to that scheme. All in the reveal with that one. | 0:41:15 | 0:41:19 | |
Sharon is having a more relaxed morning. | 0:41:19 | 0:41:22 | |
-There you go. -That's fab. | 0:41:22 | 0:41:24 | |
This is how the job should be, isn't it? | 0:41:24 | 0:41:26 | |
I can just dolly around and it'll all look really lovely. | 0:41:26 | 0:41:31 | |
She's spent two thirds of her budget | 0:41:31 | 0:41:33 | |
on shop-bought accessories and furniture. | 0:41:33 | 0:41:36 | |
So, today, her main task is to dress the room. | 0:41:36 | 0:41:39 | |
My husband's nightmare, a selection of cushions. | 0:41:42 | 0:41:45 | |
Sharon, she's really pumping up the colour, once again. | 0:41:45 | 0:41:48 | |
-Doesn't she just. -And how is she getting along? | 0:41:48 | 0:41:50 | |
She seems like she's got it under control now. | 0:41:50 | 0:41:52 | |
She has been really stressed. We've had tears. | 0:41:52 | 0:41:55 | |
I think the whole pressure of trying to inject some light | 0:41:55 | 0:41:58 | |
into this really gloomy room has really floored her. | 0:41:58 | 0:42:01 | |
Holly has a way to go before her playful sophisticated scheme | 0:42:02 | 0:42:06 | |
-is complete. -I'm starting to be a little bit concerned about time. | 0:42:06 | 0:42:09 | |
She's refusing to give up on her plan to hang | 0:42:09 | 0:42:12 | |
bulbs from adhesive hooks. | 0:42:12 | 0:42:14 | |
So, we're just going to weigh that. | 0:42:14 | 0:42:16 | |
We're actually well within limits, | 0:42:16 | 0:42:18 | |
so we can actually hang six of those from one hook. | 0:42:18 | 0:42:21 | |
Eureka. There we go. | 0:42:23 | 0:42:25 | |
-Is Holly's room looking good? -It's beginning to get there. | 0:42:25 | 0:42:28 | |
But when it comes to certain elements of her design, | 0:42:28 | 0:42:31 | |
like the lighting, she clearly hasn't thought it through, has she? | 0:42:31 | 0:42:34 | |
Exactly, and at this late stage, you can't be experimenting. | 0:42:34 | 0:42:38 | |
Holly is testing out the hooks to make sure they're safe. | 0:42:38 | 0:42:41 | |
That looks literally incredible. I am so pleased. | 0:42:41 | 0:42:44 | |
GLASS SMASHES | 0:42:44 | 0:42:47 | |
Whoa! | 0:42:47 | 0:42:48 | |
-What happened there? -The sticker came down. | 0:42:52 | 0:42:55 | |
-That is definitely game over. That is game over. -Get them unhooked. | 0:42:55 | 0:42:58 | |
-Get them down. -Yeah. | 0:42:58 | 0:43:00 | |
Working within the constraints of a listed building has been | 0:43:00 | 0:43:03 | |
a steep learning curve. | 0:43:03 | 0:43:04 | |
There's always disasters at the end, isn't there? | 0:43:04 | 0:43:07 | |
The designers have had three days and £1,000 each to transform a room. | 0:43:07 | 0:43:12 | |
Stressed out, stressed out, stressed out! Ah! | 0:43:12 | 0:43:16 | |
They'd been tested on their client briefing skills | 0:43:16 | 0:43:19 | |
and had to rely on their wit to create a new unique product, | 0:43:19 | 0:43:22 | |
which will be judged in their finished room. | 0:43:22 | 0:43:25 | |
Gosh, that makes it look completely different. | 0:43:25 | 0:43:28 | |
Now, the deadline is fast approaching. | 0:43:28 | 0:43:30 | |
OK, all of that can now go. | 0:43:30 | 0:43:32 | |
-There? -Yeah. -But Sharon is keeping her cool. | 0:43:34 | 0:43:36 | |
Despite her homeowner's earlier concerns over colour and lighting... | 0:43:36 | 0:43:40 | |
That's a bit of a triumph. | 0:43:40 | 0:43:41 | |
..she hopes her finished room will quash all doubts. | 0:43:41 | 0:43:44 | |
-That's us done. -Perfect. | 0:43:44 | 0:43:46 | |
I couldn't be happier with what I've achieved. I love it. | 0:43:46 | 0:43:51 | |
I could live here. | 0:43:51 | 0:43:52 | |
As far as being worried about anything, I'm not. | 0:43:58 | 0:44:03 | |
It's like I've got this hit of adrenaline | 0:44:03 | 0:44:05 | |
and I could walk on blooming water now. | 0:44:05 | 0:44:08 | |
Sharon's brief was to create | 0:44:08 | 0:44:09 | |
a bright modern room that made an impact. | 0:44:09 | 0:44:12 | |
Three days ago, it was dark and plainly decorated. | 0:44:13 | 0:44:16 | |
Now, Sharon has transformed it with a lime green | 0:44:20 | 0:44:23 | |
and peacock blue scheme, with monochrome soft furnishings. | 0:44:23 | 0:44:26 | |
She's brought in new accessories | 0:44:28 | 0:44:30 | |
and added light with glass pendants, lampshades and mirrors. | 0:44:30 | 0:44:34 | |
She's tweaked the layout and added a new ottoman and velvet chair. | 0:44:36 | 0:44:40 | |
I think I've fulfilled the brief down to the letter. | 0:44:41 | 0:44:44 | |
If they say they don't like it, I'll eat this paintbrush. | 0:44:44 | 0:44:47 | |
It feels so much happier, doesn't it? | 0:44:52 | 0:44:54 | |
I particularly love Sharon's choice of colour in this room. | 0:44:54 | 0:44:57 | |
We were very much going to judge the success of this bright, | 0:44:57 | 0:45:01 | |
bold colour scheme on the basis that she'd managed to inject | 0:45:01 | 0:45:04 | |
enough lighting in here. | 0:45:04 | 0:45:05 | |
And I think she's done that by having lots of different | 0:45:05 | 0:45:08 | |
sources of light. The only problem, for me, | 0:45:08 | 0:45:11 | |
is I'm actually not very keen on the fittings. | 0:45:11 | 0:45:13 | |
They are a bit plasticky, those flex's, aren't they? | 0:45:13 | 0:45:15 | |
Yeah, they look a bit cheap. | 0:45:15 | 0:45:17 | |
However, you know what she has done which is rather clever? | 0:45:17 | 0:45:20 | |
-The layout is working really well. -Yeah. | 0:45:20 | 0:45:23 | |
I love the clashing fabrics that she's got going together. | 0:45:23 | 0:45:26 | |
They're really bright and jolly and give this room some vibrancy, | 0:45:26 | 0:45:29 | |
all the chevrons and geometrics. | 0:45:29 | 0:45:31 | |
She's found the perfect chair for this colour scheme as well. | 0:45:31 | 0:45:34 | |
It's that perfect peacock blue. | 0:45:34 | 0:45:36 | |
But I'm not feeling that she's done much with it. | 0:45:36 | 0:45:38 | |
These buttons could've been changed in colour | 0:45:38 | 0:45:40 | |
and it would've made it look a little bit more fun | 0:45:40 | 0:45:43 | |
and a bit more thoughtful. | 0:45:43 | 0:45:44 | |
As well as judging their overall designs, a key factor for Sophie | 0:45:44 | 0:45:47 | |
and Daniel is how well the upcycled logs fit into the scheme. | 0:45:47 | 0:45:51 | |
-It looks like little hams on the table, doesn't it? -No! -Why? | 0:45:51 | 0:45:55 | |
Why on earth...? Look at this. This is where you're going to sit | 0:45:55 | 0:45:57 | |
and have your glass of wine in the evening. | 0:45:57 | 0:45:59 | |
Not only does the table wobble, but the surface is uneven. | 0:45:59 | 0:46:03 | |
The male homeowner, there's been elements that he's been very | 0:46:05 | 0:46:07 | |
worried about, but I think, when he walks in there, I... | 0:46:07 | 0:46:11 | |
I think he's going to be very pleasantly surprised. | 0:46:11 | 0:46:15 | |
The client's reactions to the completed rooms will inform | 0:46:15 | 0:46:18 | |
the judges' final decision. Here we are. | 0:46:18 | 0:46:21 | |
It'd definitely got an impact. | 0:46:23 | 0:46:25 | |
There's a lot of colour going on here. | 0:46:25 | 0:46:28 | |
The greenness on the walls will take some getting used to. | 0:46:28 | 0:46:32 | |
I do like the lights. | 0:46:32 | 0:46:34 | |
Yeah, the lights are not a really bold statement in the room, | 0:46:34 | 0:46:38 | |
so, yeah, overall, it works. I think. | 0:46:38 | 0:46:43 | |
-Frankie's time is almost up. -We can do it, we can do it! | 0:46:44 | 0:46:47 | |
He defied the judges earlier, | 0:46:48 | 0:46:50 | |
delivering a simple scheme not stretching his homeowners, | 0:46:50 | 0:46:53 | |
but with a pared back design, every detail has to be perfect. | 0:46:53 | 0:46:58 | |
Come on, birdie, love me. Love me, please. | 0:46:58 | 0:47:00 | |
Done. | 0:47:04 | 0:47:06 | |
Yay! Finished! I'm feeling fantastic. | 0:47:08 | 0:47:12 | |
Get out the spirit of ecstasy. | 0:47:12 | 0:47:14 | |
Frankie's brief was to create an elegant formal reception room | 0:47:14 | 0:47:18 | |
using classic Georgian colours. | 0:47:18 | 0:47:21 | |
Three days ago, it was simple, if a little underwhelming. | 0:47:22 | 0:47:26 | |
Now, it's a smarter, richer room. | 0:47:29 | 0:47:31 | |
His green colour scheme and trellis wallpaper create | 0:47:33 | 0:47:36 | |
the garden Renaissance feel he envisaged. | 0:47:36 | 0:47:39 | |
He's created slide-out tables in the alcove cabinets | 0:47:39 | 0:47:42 | |
with an antique mirror backdrop. | 0:47:42 | 0:47:44 | |
And tapestry fabric covers the revamped ottoman, | 0:47:45 | 0:47:48 | |
armchairs and sofa, all with an intricate finish. | 0:47:48 | 0:47:51 | |
I put a little bit of myself in that room, which is | 0:47:52 | 0:47:55 | |
the attention to detail and that is very me, | 0:47:55 | 0:47:59 | |
so, let's see if judge will actually pick that up, or not. | 0:47:59 | 0:48:03 | |
-Oh! -How fancy. -Yeah, it's really come together, hasn't it? | 0:48:07 | 0:48:11 | |
I was really concerned about all these fabrics working | 0:48:11 | 0:48:13 | |
-together OK, because there's one too many patterns. -Concerned? | 0:48:13 | 0:48:18 | |
-You hated this fabric. -Yeah, I really didn't like this fabric. | 0:48:18 | 0:48:21 | |
This is the 21st-century and that's just old-fashioned and frumpy. | 0:48:21 | 0:48:25 | |
It is nice to see how he's brought all the homeowner's bits and bobs | 0:48:25 | 0:48:28 | |
together and I particularly love this display. | 0:48:28 | 0:48:30 | |
That is really coherent, nicely grouped, pair of lamps. | 0:48:30 | 0:48:34 | |
I think that's always a clever idea | 0:48:34 | 0:48:36 | |
and creates a strong feature opposite the fireplace. | 0:48:36 | 0:48:39 | |
I have to say, also, I love the three pictures over the fireplace. | 0:48:39 | 0:48:43 | |
Yeah, I know, it looks good. | 0:48:43 | 0:48:44 | |
The mirrored frames also links in with the mirrored panelling. | 0:48:44 | 0:48:47 | |
And he's done this himself, he's aged it down, which is, | 0:48:47 | 0:48:50 | |
-actually, really impressive. -Now, that is a good update. | 0:48:50 | 0:48:52 | |
I don't think Frankie, though, has quite grasped the idea | 0:48:52 | 0:48:55 | |
about furniture design. | 0:48:55 | 0:48:56 | |
He's used bits of balustrade as the legs, but they look so spindly. | 0:48:56 | 0:49:00 | |
It reminds you of a rugby player trying to do ballet. | 0:49:00 | 0:49:03 | |
That isn't great design. | 0:49:03 | 0:49:05 | |
Does Frankie's upcycled candleholder | 0:49:05 | 0:49:07 | |
tie in with his understated scheme? It's the moment of truth. | 0:49:07 | 0:49:11 | |
I think that's got to go. | 0:49:12 | 0:49:13 | |
There's no surprise, it would be absolutely fine | 0:49:13 | 0:49:16 | |
if it didn't have that awful fabric wrapped round it. | 0:49:16 | 0:49:19 | |
I would like to have seen a bit more Frankie flare in here. | 0:49:19 | 0:49:22 | |
I think, by choosing one fabric and matching it everywhere, | 0:49:22 | 0:49:25 | |
shows a real lack of creativity. | 0:49:25 | 0:49:27 | |
But I think these clients are going to absolutely love this. | 0:49:27 | 0:49:31 | |
It really matches what they wanted. | 0:49:31 | 0:49:33 | |
I have delivered what my homeowners asked for and, if they love it, | 0:49:35 | 0:49:40 | |
then I will feel like, great, I've done it. | 0:49:40 | 0:49:43 | |
-It's very, very nice. -It's beautiful. | 0:49:49 | 0:49:52 | |
There is a lot of, with the pictures, | 0:49:52 | 0:49:53 | |
a lot of pattern going on here now. | 0:49:53 | 0:49:55 | |
I think what he's done is brilliant. | 0:49:55 | 0:49:57 | |
It's all colour matched, which I think is beautiful. | 0:49:57 | 0:49:59 | |
-He's done a lovely job. -Do you feel like Frankie has understood? -Yeah. | 0:49:59 | 0:50:03 | |
He's done a... He's spot on. | 0:50:03 | 0:50:07 | |
With Holly's lighting plan in pieces, | 0:50:07 | 0:50:09 | |
she can now only use the Edison bulbs in the existing fittings. | 0:50:09 | 0:50:13 | |
At this stage of this game, you know, I'll take what I can get. | 0:50:13 | 0:50:17 | |
After a bumpy ride with her clients earlier on, Holly must | 0:50:17 | 0:50:21 | |
turn things around to prove she can deliver a room they'll love. | 0:50:21 | 0:50:25 | |
-OK, right. -Just get on with it. | 0:50:25 | 0:50:26 | |
I've just got to do this and that's that. I'm done. | 0:50:26 | 0:50:29 | |
Little reminder of all we've been through. | 0:50:29 | 0:50:31 | |
Happy. Done. | 0:50:33 | 0:50:35 | |
Hooray! Sorry for being such an unbearable... | 0:50:37 | 0:50:42 | |
I did manage to get a little bit of wallpaper in, | 0:50:42 | 0:50:46 | |
just as a little bit of a memento of the journey that we've been on. | 0:50:46 | 0:50:51 | |
Holly's brief was for sophistication with a touch of daring. | 0:50:51 | 0:50:55 | |
Three days ago, the room was plain and old-fashioned. | 0:50:56 | 0:50:59 | |
Now, it's been brought more up-to-date. | 0:51:04 | 0:51:06 | |
The navy walls give a modern feel against the mix of tweed | 0:51:09 | 0:51:12 | |
and copper tone soft furnishings. | 0:51:12 | 0:51:15 | |
Holly's used industrial style Edison bulbs and created original | 0:51:15 | 0:51:19 | |
designs with her leather belt stool and book side table. | 0:51:19 | 0:51:23 | |
I am absolutely thrilled with how it looks. | 0:51:23 | 0:51:27 | |
I would defy anybody to say that that room is not sophisticated. | 0:51:27 | 0:51:31 | |
-This has come together. -Classic, sophisticated. | 0:51:36 | 0:51:40 | |
This really deep blue, with these really old beams looks great. | 0:51:40 | 0:51:44 | |
I would have actually liked to have seen a bit more of that | 0:51:44 | 0:51:47 | |
orangey copper. You've got a little bit on the cushions. | 0:51:47 | 0:51:50 | |
A couple of lights, but that's it. | 0:51:50 | 0:51:52 | |
I rather like the idea of taking the lampshade off this base | 0:51:52 | 0:51:56 | |
-and just having the big bulb. -Cos that looks modern, doesn't it? | 0:51:56 | 0:51:59 | |
It's modern and it's fun, but then, she's almost bought too many, | 0:51:59 | 0:52:02 | |
-because they're everywhere else. -Too many bare bulbs. | 0:52:02 | 0:52:05 | |
But nice to have a little bit of humour in a room | 0:52:05 | 0:52:07 | |
and they did ask for a touch of daring | 0:52:07 | 0:52:09 | |
and I think some of her product design definitely ticks that box. | 0:52:09 | 0:52:11 | |
I love the belt-style stool. | 0:52:11 | 0:52:13 | |
We've got a cheeky little bookcase side table here. | 0:52:13 | 0:52:17 | |
They're also really good quality and I think she's quite exacting. | 0:52:17 | 0:52:21 | |
They can finally judge Holly's upcycled logs in situ. | 0:52:21 | 0:52:24 | |
Will they be a hit or miss? | 0:52:24 | 0:52:26 | |
Just looks really quite stylish. | 0:52:27 | 0:52:29 | |
She can definitely invent. And then she should've stopped there, | 0:52:29 | 0:52:33 | |
because I think that's a bit naff. | 0:52:33 | 0:52:34 | |
I think we need to ignore that one, don't you? | 0:52:34 | 0:52:36 | |
But what's surprising is we've ended up with rather | 0:52:36 | 0:52:39 | |
a sophisticated interior, which is what the homeowners wanted. | 0:52:39 | 0:52:42 | |
What do you think of classic and sophisticated? | 0:52:42 | 0:52:44 | |
Spaniels are not the first thing that popped to mind, | 0:52:44 | 0:52:46 | |
but she was determined to get them in this room. | 0:52:46 | 0:52:50 | |
She's framed them. | 0:52:50 | 0:52:52 | |
-I think it's just showing them that she is rather stubborn. -Yeah. | 0:52:52 | 0:52:56 | |
I love that room. I think it's stunning and I think Martha | 0:52:57 | 0:53:01 | |
and Joff, genuinely, will love it. | 0:53:01 | 0:53:03 | |
Oh, wow! Look at that. | 0:53:03 | 0:53:06 | |
-It's a transformation, isn't it? -It is indeed, it is indeed. | 0:53:06 | 0:53:09 | |
I must admit, in the beginning, in a million years, I would | 0:53:09 | 0:53:12 | |
never have chosen this colour, but, actually, I think it works. | 0:53:12 | 0:53:15 | |
Do you think she's got the brief right? | 0:53:15 | 0:53:17 | |
Because I know you had some difference of opinion. | 0:53:17 | 0:53:19 | |
Yeah, we had strong opinions. She certainly did too | 0:53:19 | 0:53:21 | |
and I think, you know, she's really done a great job to give us | 0:53:21 | 0:53:24 | |
-a really great outcome. -Done really well. | 0:53:24 | 0:53:26 | |
We'll always be able to remember the wallpaper, | 0:53:26 | 0:53:28 | |
-because she's obviously left us a small momentum. -Oh, how funny. | 0:53:28 | 0:53:32 | |
Oh, that's hilarious. Look at that! | 0:53:32 | 0:53:35 | |
With all three rooms scrutinised, the designers can only wait | 0:53:38 | 0:53:41 | |
to hear which one of them will be leaving the competition. | 0:53:41 | 0:53:44 | |
If I go through, you know, that would make my dream come true | 0:53:44 | 0:53:47 | |
and I would say I'd die with no regret. | 0:53:47 | 0:53:50 | |
I am not naturally the world's most competitive person, but it would | 0:53:50 | 0:53:54 | |
mean a huge load, because I kind of feel like I have a lot to prove. | 0:53:54 | 0:53:58 | |
I'm really nervous. Yeah, I don't feel good. | 0:53:59 | 0:54:03 | |
So, judges, these are incredibly old buildings, listed. | 0:54:09 | 0:54:14 | |
Has that really constrained our designers this time? | 0:54:14 | 0:54:16 | |
I think it's particularly been challenging for both | 0:54:16 | 0:54:19 | |
Sharon and Holly. Frankie has really embraced it. | 0:54:19 | 0:54:22 | |
He's clearly very sensitive to the period of the home, | 0:54:22 | 0:54:25 | |
but I would say, to a fault, I found it disappointing and frumpy. | 0:54:25 | 0:54:29 | |
Actually, I thought it was refreshingly old-fashioned | 0:54:29 | 0:54:32 | |
-and I liked that. -Do you think he didn't push the homeowners enough? | 0:54:32 | 0:54:35 | |
-He just responded to what they wanted? -Yeah, totally. | 0:54:35 | 0:54:37 | |
I did like his ideas, though. | 0:54:37 | 0:54:39 | |
I loved the way he put this mirror in the alcoves. | 0:54:39 | 0:54:43 | |
The homeowners adored it. | 0:54:43 | 0:54:45 | |
I underestimated the power of a tapestry cushion, clearly. | 0:54:45 | 0:54:48 | |
Sharon was asked for something really fresh, with impact. | 0:54:48 | 0:54:51 | |
-Has she delivered it? -Oh, absolutely. | 0:54:51 | 0:54:54 | |
And she pulled it off, because she got the lighting right, | 0:54:54 | 0:54:57 | |
but what lets it down is her choice of fittings. | 0:54:57 | 0:55:00 | |
Do you think she was thrown into a panic? | 0:55:00 | 0:55:02 | |
Yeah, I think she possibly did, Tom, actually. | 0:55:02 | 0:55:05 | |
In fact, her whole scheme was a little shop-bought. | 0:55:05 | 0:55:07 | |
Her cushions, the light fittings, the accessories, the mirrors. | 0:55:07 | 0:55:10 | |
And, as a result, it looked a little naff in such an old property. | 0:55:10 | 0:55:15 | |
Well, the home owner, he wasn't convinced with the colour. | 0:55:15 | 0:55:18 | |
He said he could, potentially, be convinced. | 0:55:18 | 0:55:20 | |
-He liked the lighting, though. -Well, there we go. | 0:55:20 | 0:55:23 | |
Holly was asked for something sophisticated and original. | 0:55:23 | 0:55:26 | |
But, actually, what Holly offered was a teddy bears picnic. | 0:55:26 | 0:55:29 | |
I mean, it was so random. | 0:55:29 | 0:55:31 | |
I think she was wholly thinking of herself | 0:55:31 | 0:55:33 | |
and her own personal tastes, which is a major fail. | 0:55:33 | 0:55:35 | |
But, luckily, what we've ended up with is a rather good interior. | 0:55:35 | 0:55:39 | |
-And the homeowners love the blue. -Well, we didn't think | 0:55:39 | 0:55:42 | |
-we were going to get that result three days ago, did we? -Oh, no. | 0:55:42 | 0:55:46 | |
So, these rooms have tested our three designers to the limits. | 0:55:46 | 0:55:49 | |
I think we've got a really tough choice, | 0:55:49 | 0:55:51 | |
because I'd say all three of them | 0:55:51 | 0:55:53 | |
are fairly, on balance, neck and neck. | 0:55:53 | 0:55:55 | |
Working in such incredible protected historic properties would test | 0:56:04 | 0:56:08 | |
the most professional designers, | 0:56:08 | 0:56:10 | |
so you three, this time, have been pushed to the limit. | 0:56:10 | 0:56:13 | |
I particularly loved the fact that we started off | 0:56:13 | 0:56:16 | |
with three beige rooms and now we've got a riot of colour. | 0:56:16 | 0:56:20 | |
Clearly didn't intimidate you three. | 0:56:20 | 0:56:23 | |
These two have found it very difficult, I think, | 0:56:25 | 0:56:28 | |
to make a decision. You're all very evenly matched. | 0:56:28 | 0:56:30 | |
But they've decided the designer not going through is... | 0:56:30 | 0:56:34 | |
..Sharon. | 0:56:42 | 0:56:44 | |
Yeah. | 0:56:44 | 0:56:46 | |
I knew. | 0:56:48 | 0:56:49 | |
I didn't really want to go out this early. | 0:56:50 | 0:56:53 | |
It's just very hard. | 0:56:53 | 0:56:54 | |
It was an extremely close call today. | 0:57:00 | 0:57:03 | |
But the reason why Sharon is the one who's going home | 0:57:03 | 0:57:05 | |
is she relied too much on shop-bought items. | 0:57:05 | 0:57:08 | |
Dare I ask? | 0:57:08 | 0:57:11 | |
-I like it. -That's a relief. | 0:57:11 | 0:57:14 | |
-I'm all right. -Well done. | 0:57:14 | 0:57:17 | |
-You've done brilliantly. -Thank you. I don't believe it. | 0:57:17 | 0:57:21 | |
I literally don't believe it. What a comeback. What a comeback! | 0:57:21 | 0:57:25 | |
-Do one favour for me. -Is it take that picture home? | 0:57:25 | 0:57:28 | |
-Can you sign it for me? -Yeah, definitely! | 0:57:28 | 0:57:32 | |
Holly went through, despite her original presentation, | 0:57:32 | 0:57:34 | |
because, in the end, she created a scheme with a lot of creativity | 0:57:34 | 0:57:39 | |
in it, but moving on, she's got to follow the brief and keep it classy. | 0:57:39 | 0:57:44 | |
-Hello. -Hello. You did a fantastic job, Frankie. -Thank you. | 0:57:44 | 0:57:48 | |
Yes, I'm through. I was so shaky, then. | 0:57:49 | 0:57:52 | |
Frankie went through, because it's clear that he can follow | 0:57:54 | 0:57:58 | |
a brief and answer it, but, moving on, it's time for him | 0:57:58 | 0:58:01 | |
to stop relying on those fabrics and show us his true creativity. | 0:58:01 | 0:58:05 | |
The next round, I go wild, if possible. | 0:58:05 | 0:58:08 | |
Next time, in a Scottish castle, Frankie... | 0:58:13 | 0:58:16 | |
-Come on! -..and Holly... | 0:58:16 | 0:58:18 | |
This will actually look quite sophisticated when it's done. | 0:58:18 | 0:58:21 | |
..transform a room each to prove they deserve | 0:58:21 | 0:58:24 | |
to be a quarterfinalist. | 0:58:24 | 0:58:25 | |
The designer going through is... | 0:58:25 | 0:58:27 |