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I'm constantly taken aback by the huge variety of property styles | 0:00:02 | 0:00:04 | |
in Britain, from characterful timber-framed cottages | 0:00:04 | 0:00:07 | |
to grand townhouses. | 0:00:07 | 0:00:10 | |
But sometimes the insides don't live up | 0:00:10 | 0:00:13 | |
to the expectations on the outside. | 0:00:13 | 0:00:15 | |
So we've gathered together the most talented amateur interior designers | 0:00:15 | 0:00:19 | |
who think they could be the next big thing, to show us how it's done. | 0:00:19 | 0:00:22 | |
But it's not as easy as it looks. | 0:00:22 | 0:00:24 | |
-Oh, no, I'm panicking. -GLASS SHATTERS | 0:00:24 | 0:00:26 | |
It's a bit make-or-break, really. | 0:00:26 | 0:00:28 | |
Across three knockout episodes, a group of designers will compete | 0:00:28 | 0:00:32 | |
for one place in finals week. | 0:00:32 | 0:00:34 | |
Oh, why isn't it easy? | 0:00:34 | 0:00:36 | |
I just like to do things properly. | 0:00:36 | 0:00:39 | |
Oh, that's...wonderful! | 0:00:39 | 0:00:41 | |
Judging them, two industry experts. | 0:00:41 | 0:00:43 | |
Daniel Hopwood... | 0:00:43 | 0:00:45 | |
What I'm looking for is talent that can be nurtured. | 0:00:45 | 0:00:49 | |
..and Sophie Robinson. | 0:00:49 | 0:00:50 | |
I want the designers to impress me with their creativity. | 0:00:50 | 0:00:54 | |
They'll be scrutinising presentation skills... | 0:00:54 | 0:00:56 | |
That's not the way to present to somebody. | 0:00:56 | 0:00:59 | |
..artistic flair... | 0:00:59 | 0:01:00 | |
-Have you ever seen that done before? -No. It's weird. | 0:01:00 | 0:01:03 | |
..and how well they deliver their brief. | 0:01:03 | 0:01:06 | |
Pretty amazing transformation. | 0:01:06 | 0:01:08 | |
Absolutely beautiful. | 0:01:08 | 0:01:10 | |
In the finals, the best will face giants of the design world. | 0:01:10 | 0:01:13 | |
-Oliver Heath... -Oh, my word! | 0:01:13 | 0:01:16 | |
..Orla Kiely... | 0:01:16 | 0:01:17 | |
It does look quite rough. | 0:01:17 | 0:01:18 | |
..and Kelly Hoppen. | 0:01:18 | 0:01:20 | |
I want perfection! | 0:01:20 | 0:01:21 | |
But only one can be crowned winner of | 0:01:22 | 0:01:24 | |
The Great Interior Design Challenge. | 0:01:24 | 0:01:27 | |
In this brand-new heat, four old-fashioned rooms | 0:01:32 | 0:01:36 | |
with frayed edges and exacting clients. | 0:01:36 | 0:01:40 | |
This time, our amateurs will be updating a cosy sitting room each | 0:01:42 | 0:01:46 | |
in these picture-postcard cottages in the Peak District. | 0:01:46 | 0:01:49 | |
Our four designers have their own looks. | 0:01:51 | 0:01:53 | |
Industrial salvage. | 0:01:53 | 0:01:55 | |
Shabby classic. | 0:01:55 | 0:01:56 | |
Eclectic. | 0:01:56 | 0:01:58 | |
Rich in emotion. | 0:01:58 | 0:01:59 | |
But working for a client will be a new challenge... | 0:01:59 | 0:02:02 | |
It's hard to visualise what she's trying to achieve with the room. | 0:02:02 | 0:02:06 | |
..as they battle to keep their place in the competition. | 0:02:06 | 0:02:10 | |
Everything does kind of match. | 0:02:10 | 0:02:12 | |
Slightly rubs me up the wrong way. | 0:02:12 | 0:02:14 | |
There are really some quite mad, left-field things going on in this room. | 0:02:14 | 0:02:17 | |
Because one must go. | 0:02:17 | 0:02:19 | |
The designer going home this time is... | 0:02:20 | 0:02:24 | |
This design battle is taking place in one of the most beautiful | 0:02:29 | 0:02:32 | |
places in the country. | 0:02:32 | 0:02:35 | |
The Peak District was the first bit of Britain to be designated | 0:02:35 | 0:02:38 | |
a national park, protecting its incredible landscape | 0:02:38 | 0:02:41 | |
and pretty stone villages, | 0:02:41 | 0:02:43 | |
and it is places like Tissington that show you exactly why. | 0:02:43 | 0:02:46 | |
This quintessentially English spot comes complete with its own | 0:02:46 | 0:02:49 | |
duck pond and babbling brook, its 17th-century manor house | 0:02:49 | 0:02:53 | |
and a smattering of stone cottages draped over the landscape. | 0:02:53 | 0:02:58 | |
Inside, these modest but homely workers' cottages are about to | 0:02:58 | 0:03:01 | |
get a new-look living room from our designers. | 0:03:01 | 0:03:05 | |
-Five litres for these walls. -OK. -2.5 for that one. | 0:03:12 | 0:03:16 | |
The designers have been prepping for a week, | 0:03:16 | 0:03:18 | |
working to a brief from their client. | 0:03:18 | 0:03:20 | |
I've never kind of looked into this kind of style before, but | 0:03:20 | 0:03:23 | |
when I've kind of looked into it, it is kind of what I've got at home. | 0:03:23 | 0:03:26 | |
Let's do the clean, and if we have time, we can panel. | 0:03:26 | 0:03:29 | |
I haven't slept a wink last night because of being so nervous, | 0:03:29 | 0:03:32 | |
but also excited. | 0:03:32 | 0:03:34 | |
They've each got a small team to help them, | 0:03:34 | 0:03:36 | |
including a builder and a decorator. | 0:03:36 | 0:03:38 | |
Take them off and make some fresh ones. | 0:03:38 | 0:03:40 | |
'I loved the brief, and the home owner,' | 0:03:40 | 0:03:43 | |
I really think he is going to love it. I'm excited. | 0:03:43 | 0:03:47 | |
They also have a budget of £1,000 and three days. | 0:03:47 | 0:03:51 | |
The artwork is going to look amazing on this colour. | 0:03:51 | 0:03:54 | |
I'm really excited about creating a new room for the homeowner. | 0:03:54 | 0:03:58 | |
First up is 42-year-old art director Rachel, | 0:04:00 | 0:04:03 | |
whose home in Leeds makes quite an impact. | 0:04:03 | 0:04:07 | |
I like to mix bold colour | 0:04:07 | 0:04:10 | |
with a kind of rough and ready lived-in feel. | 0:04:10 | 0:04:14 | |
Kind of liken it to wearing a silk bow tie with a creased | 0:04:14 | 0:04:18 | |
denim shirt for a wedding. | 0:04:18 | 0:04:21 | |
The room Rachel is working on was a simple but rather plain living | 0:04:21 | 0:04:24 | |
room, which judges Sophie and Daniel checked out before Rachel got going. | 0:04:24 | 0:04:29 | |
I know the homeowner thinks this room is quite cold and gloomy. | 0:04:29 | 0:04:34 | |
Well, it's magnolia, isn't it? So, yes, it is pretty bland. | 0:04:34 | 0:04:39 | |
Rachel has been asked to replace bland with warm | 0:04:39 | 0:04:42 | |
and cosy country style. | 0:04:42 | 0:04:44 | |
The temptation would be to put something quite | 0:04:44 | 0:04:46 | |
dark on the walls, but I think with a room this size, | 0:04:46 | 0:04:48 | |
with quite a small window, it could feel gloomy quite quickly. | 0:04:48 | 0:04:52 | |
Well, Rachel has been tempted to go dark, | 0:04:52 | 0:04:55 | |
as her take on a cosy cottage | 0:04:55 | 0:04:56 | |
includes deep red walls and tartan fabrics, | 0:04:56 | 0:04:59 | |
which she had to run by her client, Karen, before work started. | 0:04:59 | 0:05:04 | |
Okey dokey, this is my mood board for your room. | 0:05:04 | 0:05:08 | |
Pitching to her first ever client is tough, | 0:05:08 | 0:05:10 | |
but what Rachel doesn't know yet is that the judges will rank all | 0:05:10 | 0:05:14 | |
the designers according to how well they present their ideas. | 0:05:14 | 0:05:18 | |
For the walls, I want to paint it this kind of sludgy red. | 0:05:18 | 0:05:21 | |
That's going to create a real den-like room. | 0:05:21 | 0:05:25 | |
I'd like to paint your bureau this colour. How do you feel about that? | 0:05:25 | 0:05:29 | |
-Right. -What do you think? | 0:05:29 | 0:05:33 | |
-Oh. Ah. -Are you a bit nervous about that? -Yeah, yeah. Um... | 0:05:33 | 0:05:37 | |
-OK. -When you talked about this fabric, | 0:05:37 | 0:05:40 | |
where are you going to use this? | 0:05:40 | 0:05:42 | |
-On the curtains. -Oh, really. Oh, that's exciting. -That's my... | 0:05:42 | 0:05:47 | |
-That's my most exciting bit, actually. -Yeah. | 0:05:47 | 0:05:50 | |
One thing I can say about Rachel's presentation is | 0:05:50 | 0:05:52 | |
I can really see what that room is going to look like. | 0:05:52 | 0:05:55 | |
I think it is just so safe. | 0:05:55 | 0:05:57 | |
Rachel is an urban girl, and she's not really getting the country | 0:05:57 | 0:06:01 | |
vibe, so what she is giving us is tear sheet, country interior design. | 0:06:01 | 0:06:05 | |
Blissfully unaware, Rachel cracks on. | 0:06:07 | 0:06:10 | |
I try to be organised but | 0:06:10 | 0:06:11 | |
because sometimes my thoughts are a bit like this, I have to get them | 0:06:11 | 0:06:15 | |
down so I can remember what I've got to do and put them in order. | 0:06:15 | 0:06:18 | |
She's spent a fifth of her budget on some fabric for curtains, | 0:06:18 | 0:06:22 | |
and with so much at stake, it's got her worried. | 0:06:22 | 0:06:25 | |
Stressing last night about getting it cut to size. | 0:06:25 | 0:06:29 | |
It's psychological. I'm feeling like | 0:06:29 | 0:06:31 | |
if I get these measured out, I'll be able to sleep tonight. | 0:06:31 | 0:06:35 | |
SHE LAUGHS | 0:06:35 | 0:06:36 | |
The fabric at the top of the eyelet, | 0:06:39 | 0:06:41 | |
just take that off and sewing it over, | 0:06:41 | 0:06:43 | |
so it is just the top of the metal eyelet for the curtains. | 0:06:43 | 0:06:46 | |
Our second designer is 21-year-old sales assistant | 0:06:46 | 0:06:49 | |
Jamie from County Durham. | 0:06:49 | 0:06:51 | |
The thing I love most about interior design is kind of creating | 0:06:51 | 0:06:54 | |
a positive space. Everyone should love to come home. | 0:06:54 | 0:06:57 | |
It needs to be a place where happy memories can be made. | 0:06:57 | 0:07:01 | |
Jamie has been asked to update what was a rather cluttered living room. | 0:07:01 | 0:07:05 | |
-This room has got bags of style and character. -Completely. | 0:07:05 | 0:07:09 | |
I think you need to get rid of some of the modernity in this room. | 0:07:09 | 0:07:11 | |
For example, those shelves over there, which is | 0:07:11 | 0:07:13 | |
-killing the character and the space. -Jamie's clients agree. | 0:07:13 | 0:07:17 | |
As they've asked him to give the room some traditional, rustic, | 0:07:17 | 0:07:20 | |
Scandinavian style. | 0:07:20 | 0:07:22 | |
So the key, really, is to actually just embrace the traditional | 0:07:22 | 0:07:25 | |
elements of this room, and no modern touches at all, it just looks wrong. | 0:07:25 | 0:07:30 | |
But Jamie thinks differently, | 0:07:30 | 0:07:32 | |
as his take on traditional Scandinavian includes | 0:07:32 | 0:07:34 | |
cool grey walls and cutting edge shelving, | 0:07:34 | 0:07:37 | |
which he had to get approval for | 0:07:37 | 0:07:39 | |
from his clients, Annie and Ed, earlier on. | 0:07:39 | 0:07:41 | |
The colours for the room, kind of looking at Scandinavian. | 0:07:41 | 0:07:45 | |
So I wanted to pick some light kind of colours but warm as well, to kind of keep it cosy. | 0:07:45 | 0:07:49 | |
It is similar to what my home is at the moment. | 0:07:49 | 0:07:52 | |
There's going to be a little collection of tables that I'm going to make out of little logs, | 0:07:52 | 0:07:55 | |
-which are going to have the accent colours. -Love it. | 0:07:55 | 0:07:58 | |
For the storage, these little boxes. | 0:07:58 | 0:08:00 | |
It's slightly more modern than we had in our... | 0:08:00 | 0:08:04 | |
certainly in my head. | 0:08:04 | 0:08:06 | |
-But it's not chrome and glass. -Yeah. -Look forward to it all being ready. | 0:08:06 | 0:08:11 | |
I know. I might want to move in myself. | 0:08:11 | 0:08:14 | |
-THEY LAUGH -Putting this all together. | 0:08:14 | 0:08:16 | |
What the brief was, was traditional Scandinavian, | 0:08:16 | 0:08:19 | |
and he didn't read the word "traditional". | 0:08:19 | 0:08:22 | |
No, he wasn't listening to what his homeowners need or what they asked for. | 0:08:22 | 0:08:25 | |
He was designing for himself, he even went as far as to say, | 0:08:25 | 0:08:29 | |
"This is the look I would create for myself." | 0:08:29 | 0:08:32 | |
But Jamie thinks he's hit the mark. | 0:08:33 | 0:08:36 | |
The homeowners seem to love what I've had put on the mood board | 0:08:36 | 0:08:39 | |
and the designs I put forward. Yeah, it went really well. | 0:08:39 | 0:08:42 | |
It has elements of the modernity that I wasn't totally... | 0:08:42 | 0:08:48 | |
-Expecting. -Expecting, I suppose. | 0:08:48 | 0:08:50 | |
With work under way, Jamie needs the room clear, | 0:08:51 | 0:08:54 | |
-but it seems the sofa doesn't want to leave. -No. | 0:08:54 | 0:08:58 | |
Um. Having a bit of a struggle, cannot get it out of the room. | 0:08:58 | 0:09:02 | |
-First they try the front door... -No, not that way. -No. | 0:09:02 | 0:09:05 | |
..then the back door. | 0:09:05 | 0:09:07 | |
But his team have a suggestion. | 0:09:09 | 0:09:11 | |
OK, you've got a log burner in there. | 0:09:11 | 0:09:14 | |
THEY LAUGH | 0:09:14 | 0:09:17 | |
If I talk to you about painting first, | 0:09:20 | 0:09:23 | |
and then we'll go on to all the carpentry work. | 0:09:23 | 0:09:25 | |
Our third amateur is 41-year-old garden designer Sarah from Hove. | 0:09:25 | 0:09:30 | |
Gardens, you are designing them to grow | 0:09:30 | 0:09:33 | |
and they will come to life over years. | 0:09:33 | 0:09:36 | |
Interior design, for me, once you've done the room, it is | 0:09:36 | 0:09:39 | |
there instantly, you're not waiting for something to evolve | 0:09:39 | 0:09:43 | |
and grow, although my interiors tend to do that as well. | 0:09:43 | 0:09:47 | |
The room Sarah is working in was a room of two halves, | 0:09:47 | 0:09:50 | |
with a main living area and an annexe at the end. | 0:09:50 | 0:09:52 | |
Oh, this is gorgeous, isn't it? | 0:09:54 | 0:09:56 | |
It has to be. You've got the wood burner, lovely pale grey walls. | 0:09:56 | 0:09:59 | |
-A few beams. -There is a but. | 0:09:59 | 0:10:02 | |
-This hasn't been done. -And this is unfinished. | 0:10:02 | 0:10:05 | |
Sarah has been given the task of bringing these two spaces together. | 0:10:05 | 0:10:09 | |
As I understand it, these different areas have got different purposes. | 0:10:09 | 0:10:12 | |
This is going to be like a reading area, book nook. | 0:10:12 | 0:10:15 | |
Whereas this is the main living space. | 0:10:15 | 0:10:16 | |
Because you've got a bit of a wall between it, you can decorate it slightly differently, | 0:10:16 | 0:10:21 | |
and our fear always is never to be too matchy-matchy. | 0:10:21 | 0:10:25 | |
-Although you are doing quite well. -SHE LAUGHS | 0:10:25 | 0:10:28 | |
Sarah plans to use colour to unify the room, | 0:10:28 | 0:10:30 | |
with different shades of green at each end, | 0:10:30 | 0:10:33 | |
which she had to get the OK for from client David before work started. | 0:10:33 | 0:10:37 | |
-Wow. -That's a good response to start with. | 0:10:37 | 0:10:41 | |
-Oh, gosh. -So, in this room here, which is your main living room, | 0:10:41 | 0:10:44 | |
I would like to paint it this colour, green. | 0:10:44 | 0:10:47 | |
It is light, it is warm. | 0:10:47 | 0:10:49 | |
The darker colour here is going to go into the snug reading room. | 0:10:49 | 0:10:53 | |
-Wow. OK. -So, it is quite bold. | 0:10:53 | 0:10:55 | |
The colours aren't something I would normally choose, | 0:10:55 | 0:10:59 | |
so I'm going to take your guidance on this. | 0:10:59 | 0:11:02 | |
All this green is pushing her client out of his comfort zone, | 0:11:02 | 0:11:05 | |
and there's more to come on her soft furnishings. | 0:11:05 | 0:11:08 | |
The fabrics that I've chosen, they have character, | 0:11:09 | 0:11:13 | |
but they are really in keeping with this kind of property. | 0:11:13 | 0:11:16 | |
-Right, fantastic. -'There wasn't a very good layout plan.' | 0:11:16 | 0:11:20 | |
It was hard to really visualise where pieces are going. | 0:11:20 | 0:11:23 | |
You just can't see it on her presentation, and I actually can't see it in my head. | 0:11:23 | 0:11:26 | |
What I love about Sarah's room is the way | 0:11:26 | 0:11:28 | |
she has related the two spaces. | 0:11:28 | 0:11:30 | |
She's got that soft green in one area, and in the other area, | 0:11:30 | 0:11:33 | |
-that dark green. -Too much green for me, I'm afraid. | 0:11:33 | 0:11:36 | |
Possibly too much green for the client as well. | 0:11:37 | 0:11:41 | |
I have got some trepidation about doing this. | 0:11:41 | 0:11:44 | |
Maybe the dark green might be a little bit of a leap of faith, | 0:11:44 | 0:11:48 | |
but I'm pleased he's prepared to let me go with it. | 0:11:48 | 0:11:52 | |
Before he can change his mind, | 0:11:53 | 0:11:54 | |
Sarah is getting that green on the walls and the ceiling. | 0:11:54 | 0:11:58 | |
What a gorgeous colour, he's going to love that. | 0:11:58 | 0:12:02 | |
Fantastic. Good job. | 0:12:02 | 0:12:04 | |
Good job. I like it. | 0:12:05 | 0:12:07 | |
Just cutting some MDF into shapes and cutting this square canvas... | 0:12:12 | 0:12:15 | |
-Yeah. -..the other side of that. | 0:12:15 | 0:12:18 | |
Our final designer is 41-year-old photographer | 0:12:18 | 0:12:20 | |
and mum-of-three Lily from London. | 0:12:20 | 0:12:23 | |
I think my style is homespun, touch of vintage, mismatched. | 0:12:23 | 0:12:28 | |
And rich in emotion and texture. | 0:12:28 | 0:12:33 | |
The room Lily is updating was a little worn around the edges. | 0:12:33 | 0:12:37 | |
When you look around, you can see there's been some serious wear and tear. | 0:12:37 | 0:12:41 | |
A couple of dogs, and they've certainly made their mark on this room. | 0:12:41 | 0:12:45 | |
Lily has been asked to come up with | 0:12:45 | 0:12:46 | |
a dog-friendly design in autumnal tones. | 0:12:46 | 0:12:49 | |
There's got to be a very good, practical approach. | 0:12:50 | 0:12:53 | |
The key thing in this room is just keeping it really simple. | 0:12:53 | 0:12:56 | |
Lily, however, is doing anything but. | 0:12:56 | 0:12:59 | |
Her autumnal design comes with decorative craft projects | 0:12:59 | 0:13:02 | |
aplenty, including handmade frilly lampshade and petal-edged coffee table. | 0:13:02 | 0:13:07 | |
Which she had to run past her clients, Simon and Xenia, | 0:13:07 | 0:13:10 | |
before she could get started. | 0:13:10 | 0:13:12 | |
These are the colours, and I wanted to bring in this | 0:13:13 | 0:13:17 | |
really rich, warm wine burgundy red, | 0:13:17 | 0:13:20 | |
and kind of a very subtle brown. | 0:13:20 | 0:13:23 | |
Really beautiful blocks of colour layered together. | 0:13:23 | 0:13:26 | |
The thing with having dark colours is it gives that | 0:13:26 | 0:13:29 | |
illusion of being bigger, because the dark colours recede | 0:13:29 | 0:13:33 | |
and they add depth to the room. | 0:13:33 | 0:13:35 | |
Client Simon is a professional painter and decorator, | 0:13:35 | 0:13:38 | |
so her next idea may be too much. | 0:13:38 | 0:13:40 | |
The big thing is I want to paint the sofa and the armchair, | 0:13:40 | 0:13:45 | |
if you'll let me. | 0:13:45 | 0:13:46 | |
I'm not sure about painting the actual fabric, I have to say. | 0:13:46 | 0:13:49 | |
-That does fill me with horror. And I really don't want to do that. -OK. | 0:13:49 | 0:13:54 | |
I absolutely loved Lily's scheme. | 0:13:54 | 0:13:56 | |
I mean, she did those beautiful boards, | 0:13:56 | 0:13:58 | |
with all the kind of photomontage so I could really visualise it. | 0:13:58 | 0:14:01 | |
If she just simplified her design, it could be really good. | 0:14:01 | 0:14:05 | |
She's responded extremely really well to what we've asked for. | 0:14:05 | 0:14:08 | |
I'm not worried about anything | 0:14:08 | 0:14:10 | |
because I'm not going to let her paint my furniture. | 0:14:10 | 0:14:13 | |
So, definitely no paint on Simon's sofa, but Lily | 0:14:13 | 0:14:16 | |
does manage a small breakthrough with wife Xenia. | 0:14:16 | 0:14:20 | |
I found this footstool. | 0:14:20 | 0:14:21 | |
I've asked Xenia if I can paint it, and she said yes. | 0:14:21 | 0:14:25 | |
Lily plans to give the stool three coats with red acrylic paint. | 0:14:25 | 0:14:29 | |
It's very hard wearing. Kind of plasticky. | 0:14:29 | 0:14:32 | |
But it also feels rubbery afterwards, | 0:14:32 | 0:14:34 | |
so let's hope it works anyway. | 0:14:34 | 0:14:36 | |
They've all started work, but our four | 0:14:41 | 0:14:43 | |
designers are about to find out the judging has already begun. | 0:14:43 | 0:14:47 | |
-I've just heard that the judges want to see you. -Right. | 0:14:47 | 0:14:52 | |
I'm wondering what the judges are going to talk to us about. | 0:14:52 | 0:14:56 | |
Let's see what they say. | 0:14:56 | 0:14:58 | |
Apprehensive, I suppose. | 0:14:58 | 0:15:00 | |
An important part of being an interior designer is | 0:15:00 | 0:15:03 | |
communicating ideas, and so the judges are going to rank them | 0:15:03 | 0:15:07 | |
on how well they briefed their clients. | 0:15:07 | 0:15:09 | |
We are both going to drop a little bombshell for you right now, | 0:15:09 | 0:15:13 | |
because we are here to judge you. | 0:15:13 | 0:15:14 | |
But we are not going to judge you on your designs, we are | 0:15:14 | 0:15:17 | |
here to judge you on how well you have presented your projects. | 0:15:17 | 0:15:21 | |
Jamie, you had some lovely boards. | 0:15:25 | 0:15:28 | |
And actually, they were very easy to read. | 0:15:28 | 0:15:30 | |
One criticism, however, when you were presenting that project | 0:15:30 | 0:15:32 | |
to your client, you kept relating it to your own home. | 0:15:32 | 0:15:36 | |
As a professional designer, you are not an important person. | 0:15:36 | 0:15:39 | |
Your client is the important person. | 0:15:39 | 0:15:41 | |
No, I completely agree with your comment. | 0:15:41 | 0:15:43 | |
Lily, we thought your presentation was an absolute visual feast, | 0:15:43 | 0:15:47 | |
it really helped me see your room. | 0:15:47 | 0:15:49 | |
I think, moving forward, be more confident, | 0:15:49 | 0:15:52 | |
have faith in your ideas and sell them to the client. | 0:15:52 | 0:15:55 | |
Rachel. Visually, fabulous. | 0:15:55 | 0:15:59 | |
That board, I can completely understand it. | 0:15:59 | 0:16:03 | |
Sarah, we thought your presentation | 0:16:03 | 0:16:04 | |
could be a bit more visually enticing. | 0:16:04 | 0:16:07 | |
What you were talking about sounded quite exciting, but what | 0:16:07 | 0:16:10 | |
we looked at on the presentation board wasn't so exciting. | 0:16:10 | 0:16:14 | |
The judges will be sending one designer | 0:16:17 | 0:16:18 | |
home at the end of this project. | 0:16:18 | 0:16:21 | |
And where they are ranked now will count towards that decision. | 0:16:21 | 0:16:25 | |
-First place is Rachel. -Wow. | 0:16:25 | 0:16:28 | |
In second place, Lily. | 0:16:28 | 0:16:31 | |
In third place is Jamie. | 0:16:31 | 0:16:33 | |
And in fourth place...is Sarah. | 0:16:33 | 0:16:37 | |
'It is good to have feedback at this stage,' | 0:16:37 | 0:16:40 | |
so I'm going to give it even more welly now, I think. | 0:16:40 | 0:16:44 | |
So far, I'm in first place. | 0:16:44 | 0:16:47 | |
-SHE LAUGHS -So that's exciting. | 0:16:47 | 0:16:50 | |
-Well done, you. -So, let's do it. -Yeah! Great. -Yay! | 0:16:50 | 0:16:54 | |
The current tenants here are getting a new look in just three days. | 0:16:59 | 0:17:02 | |
But the village has been evolving for centuries. | 0:17:02 | 0:17:05 | |
Like most of Britain before the Industrial Revolution, | 0:17:05 | 0:17:08 | |
the landscape around here has been shaped by agriculture, | 0:17:08 | 0:17:11 | |
tenant farmers renting plots from local landowners. | 0:17:11 | 0:17:15 | |
Around Tissington, the land is very rocky, | 0:17:15 | 0:17:16 | |
so it is only really good for sheep or dairy farmers, who would | 0:17:16 | 0:17:20 | |
work for wealthy families like the Fitzherberts, | 0:17:20 | 0:17:22 | |
who have dominated this village since the 15th century. | 0:17:22 | 0:17:26 | |
The family made their most significant mark | 0:17:26 | 0:17:28 | |
on the village in 1609 when they built Tissington Hall. | 0:17:28 | 0:17:32 | |
It was designed to impress visitors of the family's wealth, | 0:17:34 | 0:17:36 | |
using the very latest Jacobean architecture, | 0:17:36 | 0:17:39 | |
including some newfangled classical columns for chimneys. | 0:17:39 | 0:17:42 | |
It might look quaint today, but in 1609, in a remote Derbyshire | 0:17:42 | 0:17:45 | |
village, this building would have looked freakishly modern. | 0:17:45 | 0:17:48 | |
Hoping there's nothing freakish about her cosy design, | 0:17:55 | 0:17:59 | |
Rachel's deep red walls are being painted. | 0:17:59 | 0:18:02 | |
But her client is worried about the bureau turning blue. | 0:18:02 | 0:18:06 | |
-I'm just a bit anxious about that colour. -Right. | 0:18:06 | 0:18:09 | |
It's not a colour I really want. | 0:18:09 | 0:18:11 | |
I don't want to create something that's all matchy-matchy | 0:18:11 | 0:18:14 | |
for you, I want there to be little bits of interest around the room. | 0:18:14 | 0:18:18 | |
-Right. -THEY LAUGH | 0:18:18 | 0:18:20 | |
Oh. | 0:18:20 | 0:18:22 | |
-OK. -Lovely. -Keep your fingers crossed. -Yay! | 0:18:22 | 0:18:26 | |
Here goes! | 0:18:28 | 0:18:30 | |
Some people, because it's wood, they get a bit..."Uh!" | 0:18:31 | 0:18:35 | |
It looks better, OK? | 0:18:35 | 0:18:37 | |
Hello. I like to talk to my furniture as well. | 0:18:37 | 0:18:40 | |
Jazzing up furniture is what Rachel is all about at home, too. | 0:18:49 | 0:18:53 | |
I found this in a charity shop. It was £25. | 0:18:53 | 0:18:56 | |
I knew it needed an uplift, so I kind of went for the pink. | 0:18:56 | 0:18:59 | |
So, yes, I am a bit impulsive with colour. | 0:18:59 | 0:19:02 | |
I get an idea in my head and I find myself in the car | 0:19:02 | 0:19:05 | |
driving to the paint shop and I think, "Here I am again." | 0:19:05 | 0:19:09 | |
She seems in control, she seems confident, | 0:19:12 | 0:19:15 | |
but I ain't seeing the magic at the moment. | 0:19:15 | 0:19:16 | |
That kind of scheme is pretty tried and tested, isn't it? | 0:19:16 | 0:19:19 | |
But what we're wanting is a higher level of creativity. | 0:19:19 | 0:19:22 | |
Hoping he's showing enough creativity in his Scandinavian sitting-room, | 0:19:24 | 0:19:29 | |
Jamie's walls are going grey, | 0:19:29 | 0:19:30 | |
while he is busy turning rustic logs into modern tables. | 0:19:30 | 0:19:34 | |
The tops are going to be painted in accent colours that are going to be used within the room. | 0:19:34 | 0:19:38 | |
Sand the top down and make it a bit more flat, | 0:19:39 | 0:19:42 | |
so make sure all that's smooth. | 0:19:42 | 0:19:44 | |
And I think it looks great. | 0:19:44 | 0:19:46 | |
Jamie's stripped back style is | 0:19:51 | 0:19:53 | |
evident all over his County Durham home, | 0:19:53 | 0:19:55 | |
where he splits his spare time upcycling furniture | 0:19:55 | 0:19:58 | |
-and caring for his grandad. -I take a lot of inspiration from my grandad. | 0:19:58 | 0:20:02 | |
Since quite a young age, he's lost his sight and now he's completely blind. | 0:20:02 | 0:20:06 | |
The way he kind of takes life on really makes me want to go for this now. | 0:20:06 | 0:20:11 | |
Jamie would always come with an idea. He'll make anything look good. | 0:20:11 | 0:20:16 | |
Back on site, it's his | 0:20:17 | 0:20:18 | |
contemporary shelving that Jamie is hoping to make look good. | 0:20:18 | 0:20:22 | |
Yeah, they are looking great, | 0:20:22 | 0:20:23 | |
I can't wait to see them kind of in the room. | 0:20:23 | 0:20:25 | |
I'm really worried, because he's not getting traditional Swedish design. | 0:20:25 | 0:20:30 | |
He's giving them something that's really cool and edgy. | 0:20:30 | 0:20:33 | |
It is really not to brief, you know that? | 0:20:33 | 0:20:36 | |
Keen to meet her brief by unifying her room in shades of green, | 0:20:39 | 0:20:42 | |
Sarah has got the lighter tone going up, | 0:20:42 | 0:20:44 | |
while she is out in the garden. | 0:20:44 | 0:20:47 | |
They've got this beautiful old piece of wood that the homeowner | 0:20:47 | 0:20:50 | |
would like us to use as the top for the window seat, | 0:20:50 | 0:20:54 | |
so we are going to give it a clean off and see how it comes up. | 0:20:54 | 0:20:58 | |
Sarah has brought the outside in at her home in Sussex, too. | 0:21:03 | 0:21:06 | |
This is the room that we call the poppy room. I found the wallpaper. | 0:21:08 | 0:21:13 | |
We put it up on the walls and it was all like, "Oh, my God, | 0:21:13 | 0:21:16 | |
"that's a lot of poppies!" | 0:21:16 | 0:21:18 | |
But I've kind of layered other colours on top of it. | 0:21:18 | 0:21:21 | |
Colour is everything. | 0:21:21 | 0:21:23 | |
It's how it makes you feel and how you live in a room, | 0:21:23 | 0:21:27 | |
so it's really important to me. | 0:21:27 | 0:21:29 | |
There's going to be a total glow of green in this room. | 0:21:32 | 0:21:35 | |
I kind of wanted to bring this amazing outside inside, | 0:21:35 | 0:21:39 | |
and give him a feeling that there was a kind of continuation. | 0:21:39 | 0:21:43 | |
One green was nice, but two greens, working together, I don't know. | 0:21:44 | 0:21:48 | |
-Yeah, it's a bit of a risky strategy, isn't it? -Yeah. | 0:21:48 | 0:21:51 | |
Hoping she's got her colours right, Lily is ploughing on with her | 0:21:53 | 0:21:56 | |
autumnal scheme, making red velvet cushions. | 0:21:56 | 0:22:00 | |
I was going to put a button on here, but now, having met their dogs, | 0:22:00 | 0:22:04 | |
lovely as they are, they might eat the button, | 0:22:04 | 0:22:07 | |
so I might not put the button. | 0:22:07 | 0:22:08 | |
Lily's multiple craft projects echo the way she's decorated her | 0:22:12 | 0:22:16 | |
-London home. -I love hand making things. | 0:22:16 | 0:22:19 | |
I love the process of it, and having a finished product gives me | 0:22:19 | 0:22:22 | |
great satisfaction. I think my family like my designs. | 0:22:22 | 0:22:27 | |
-They haven't complained yet. -I was on my way home the other day and there was a picture on Facebook | 0:22:27 | 0:22:31 | |
of one of our walls being painted gold, which I would never do. | 0:22:31 | 0:22:34 | |
When I came home it looked great, and it was like, "OK, that's really good." | 0:22:34 | 0:22:37 | |
So, Lily, I can see you're totally going for it, painting the furniture. | 0:22:44 | 0:22:47 | |
This is the third coat now. I've sanded it, | 0:22:47 | 0:22:50 | |
so you get back to the velvety, soft material. | 0:22:50 | 0:22:53 | |
And then do you have to seal it or anything? | 0:22:53 | 0:22:55 | |
No, because this is emulsion with medium, | 0:22:55 | 0:22:58 | |
so it is already kind of plasticky and it is durable. | 0:22:58 | 0:23:01 | |
What I do like about Lily, she is just not laying back | 0:23:01 | 0:23:04 | |
and doing cottage, she wants to give them something new | 0:23:04 | 0:23:07 | |
and not something that is just really obvious. | 0:23:07 | 0:23:10 | |
Our four designers may think they have enough to do, | 0:23:16 | 0:23:19 | |
but there's more to come. | 0:23:19 | 0:23:20 | |
The judges have a surprise upcycle project that will test how | 0:23:20 | 0:23:24 | |
well they can think on their feet. They are giving them an old barrel. | 0:23:24 | 0:23:28 | |
-Hello. -You are looking very relaxed there. | 0:23:28 | 0:23:30 | |
There you go, I'm going to give you a bit more stress. You need it. | 0:23:30 | 0:23:33 | |
I want you to take this barrel, | 0:23:33 | 0:23:35 | |
and I would like you to get creative with it. | 0:23:35 | 0:23:38 | |
24 hours to turn this barrel into something that either | 0:23:38 | 0:23:43 | |
integrates with your scheme... | 0:23:43 | 0:23:45 | |
Or, better still, reinvent it, redesign it, come up with something new. | 0:23:45 | 0:23:49 | |
I'm curious to see what you're going to come up with. | 0:23:49 | 0:23:51 | |
-I did not expect that. -Oh, my God, a barrel. | 0:23:51 | 0:23:55 | |
Oh, what can I use this as? | 0:23:55 | 0:23:58 | |
If I take it to pieces it would be really | 0:23:58 | 0:24:00 | |
good in the wood-burning stove. | 0:24:00 | 0:24:03 | |
It's late on day one and having come last in the client | 0:24:08 | 0:24:12 | |
presentation judging, Sarah is feeling the pressure... | 0:24:12 | 0:24:15 | |
-I've got to up my game. -THEY LAUGH | 0:24:15 | 0:24:18 | |
Oh, no. 'I'm going to sleep well tonight.' | 0:24:18 | 0:24:22 | |
It's been a long day. And tomorrow is going to be even longer. | 0:24:22 | 0:24:26 | |
..while others are more confident. | 0:24:26 | 0:24:28 | |
I'm feeling much happier than I thought | 0:24:28 | 0:24:31 | |
I would do at the end of day one. | 0:24:31 | 0:24:32 | |
And not as exhausted as I thought I would be. | 0:24:32 | 0:24:35 | |
Maybe it is all the fresh air, I don't know. | 0:24:35 | 0:24:38 | |
With so much to do, Lily is continuing work back at the hotel. | 0:24:39 | 0:24:43 | |
I am feeling a little bit anxious, because today has been manic. | 0:24:43 | 0:24:46 | |
And I really want to get a move on to start doing | 0:24:46 | 0:24:49 | |
all the sewing projects, which I have plenty of. | 0:24:49 | 0:24:52 | |
After a day of clearing and prep work, | 0:25:03 | 0:25:05 | |
paint has gone on the walls of all four houses. | 0:25:05 | 0:25:08 | |
But our designers still have a long way to go. | 0:25:08 | 0:25:11 | |
Today should be a good day. I'm raring to go. | 0:25:11 | 0:25:14 | |
Really got to knuckle down today. | 0:25:14 | 0:25:18 | |
I think there's loads to do, but I'm quite optimistic. | 0:25:18 | 0:25:22 | |
Feeling good. Just kind of want to get cracking on. | 0:25:22 | 0:25:25 | |
On day two, each designer will show their rooms so far to their client. | 0:25:26 | 0:25:31 | |
Any unexpected issues at this crucial stage could be | 0:25:31 | 0:25:34 | |
a serious setback. | 0:25:34 | 0:25:37 | |
Come in, David. | 0:25:37 | 0:25:39 | |
For Sarah, her client is seeing all the green for the first time. | 0:25:39 | 0:25:43 | |
Hopefully, he'll like it. The colours are bold, so | 0:25:44 | 0:25:48 | |
that might be a shock. | 0:25:48 | 0:25:51 | |
-It's dark. -Yeah. | 0:25:53 | 0:25:55 | |
THEY LAUGH | 0:25:55 | 0:25:57 | |
-It is dark. -'I basically just walked into' | 0:25:57 | 0:26:00 | |
a couple of B&Q colour cards. | 0:26:00 | 0:26:03 | |
It is just so nothing that I would ever choose. | 0:26:03 | 0:26:06 | |
It's hard at this point to visualise | 0:26:07 | 0:26:10 | |
what she's trying to achieve with the room. | 0:26:10 | 0:26:13 | |
There are controversial colour choices at Rachel's, | 0:26:16 | 0:26:18 | |
too, as she finishes the blue bureau. | 0:26:18 | 0:26:21 | |
It is such a kind of country colour. It is going to look beautiful. | 0:26:21 | 0:26:24 | |
She's also putting her artistic touch on some country scenes. | 0:26:26 | 0:26:30 | |
These are just some tourist board pictures | 0:26:30 | 0:26:33 | |
I've printed from the internet of this area. | 0:26:33 | 0:26:36 | |
And I'm just going to give them a wash of white emulsion, | 0:26:36 | 0:26:39 | |
just to make them a bit softer. | 0:26:39 | 0:26:41 | |
It just makes them look more painterly than a photograph. | 0:26:42 | 0:26:45 | |
Yeah, I'd just like to show you kind of the progress of how we've got on. | 0:26:51 | 0:26:54 | |
The finished picture seems a long way off | 0:26:54 | 0:26:56 | |
in Jamie's Scandinavian scheme. | 0:26:56 | 0:26:59 | |
But the time has come to show his clients his work so far. | 0:26:59 | 0:27:03 | |
Are you liking it? | 0:27:03 | 0:27:04 | |
I'm slightly concerned that it's slightly more modern than | 0:27:04 | 0:27:08 | |
-we were expecting. -Right. -In my mind's eye, I had | 0:27:08 | 0:27:12 | |
-rural farmhouse. -Yeah, I understand. | 0:27:12 | 0:27:15 | |
-And I'm thinking I just don't want to get Stockholm flat. -Yes. | 0:27:15 | 0:27:20 | |
So, a clear steer from the client, but Jamie is standing by his design. | 0:27:20 | 0:27:25 | |
I could have just came and kind of done a traditional | 0:27:25 | 0:27:28 | |
Scandinavian room, like they asked on the brief. | 0:27:28 | 0:27:30 | |
But then that's not kind of pushing me, | 0:27:30 | 0:27:32 | |
and kind of wanting to show my kind of creativity. | 0:27:32 | 0:27:34 | |
So I feel it's important for me to put this modern kind of twist on it. | 0:27:34 | 0:27:37 | |
So, next to get a modern twist is an old chair. | 0:27:40 | 0:27:43 | |
So, this is the first chair I've reupholstered, | 0:27:43 | 0:27:46 | |
so hopefully, fingers crossed, it will work out. | 0:27:46 | 0:27:49 | |
I'm always kind of wanting to push myself for a challenge and, | 0:27:50 | 0:27:53 | |
who knows, I might be doing like a sofa next. | 0:27:53 | 0:27:56 | |
-So, Jamie, upholstery? -Yes. -Where did that come from? | 0:27:56 | 0:27:59 | |
The only thing I had really done is a stool, which anyone can do. | 0:27:59 | 0:28:02 | |
So doing a chair is a massive challenge, | 0:28:02 | 0:28:04 | |
and kind of just doing it while I was here, but, yes, | 0:28:04 | 0:28:06 | |
learn as you go, and kind of wanting to progress and do other things. | 0:28:06 | 0:28:09 | |
Progressing with her endless craft projects is Lily, | 0:28:14 | 0:28:17 | |
as she creates bespoke art... | 0:28:17 | 0:28:20 | |
and dries petals briefly in the microwave to revamp an old table. | 0:28:20 | 0:28:24 | |
I'm using thin PVA. 50-50, 50 PVA, 50 water. | 0:28:24 | 0:28:29 | |
And just pasting the flowers on. | 0:28:29 | 0:28:33 | |
Having failed to convince her clients to let her paint the sofa, | 0:28:33 | 0:28:36 | |
Lily has come up with a dog-friendly idea | 0:28:36 | 0:28:38 | |
using the old sitting room curtains. | 0:28:38 | 0:28:41 | |
The idea is to Velcro this on the back of the sofa | 0:28:41 | 0:28:44 | |
so that they can just whisk it off and wash it, then put it back on. | 0:28:44 | 0:28:48 | |
Coming up with practical solutions | 0:28:55 | 0:28:56 | |
and beautiful schemes is not all our designers have to contend with. | 0:28:56 | 0:29:00 | |
They've also got just 24 hours to design | 0:29:00 | 0:29:02 | |
a unique product from an old barrel. | 0:29:02 | 0:29:05 | |
How creative they are here could affect | 0:29:07 | 0:29:09 | |
who goes through to the next round. | 0:29:09 | 0:29:11 | |
Jamie is completely reinventing his, | 0:29:13 | 0:29:16 | |
taking it apart and using it as cladding. | 0:29:16 | 0:29:18 | |
What I was kind of thinking is making a storage box | 0:29:18 | 0:29:21 | |
for one of the holes in the shelving. | 0:29:21 | 0:29:23 | |
Jamie has taken his barrel back to the raw material, | 0:29:23 | 0:29:26 | |
but I'm a little bit disappointed. I think it's always nice | 0:29:26 | 0:29:28 | |
if the idea incorporates some of the original incarnation. | 0:29:28 | 0:29:32 | |
I disagree, I think it's a really neat idea. | 0:29:32 | 0:29:34 | |
He's made the most of the angles and slats of the barrel | 0:29:34 | 0:29:37 | |
and come up with something really decorative. | 0:29:37 | 0:29:40 | |
Great, I'm really happy with them. That will work really well. | 0:29:40 | 0:29:43 | |
I was thinking of doing something like a personalised dog bed. | 0:29:44 | 0:29:47 | |
Lily has her doggy client in mind. | 0:29:47 | 0:29:51 | |
-The dog's name is Dogbert. -Dogbert. | 0:29:51 | 0:29:53 | |
-And just a "D". -Lily has been really creative. | 0:29:53 | 0:29:56 | |
She has come up with something that is actually useful, and also answers the homeowners' brief. | 0:29:56 | 0:30:00 | |
And the homeowners wanted that room to suit the dogs, too. | 0:30:00 | 0:30:03 | |
And coming up with this bespoke dog basket really ticks that box. | 0:30:03 | 0:30:07 | |
This is the canopy bit of the bed. | 0:30:07 | 0:30:10 | |
For Dogbert. | 0:30:10 | 0:30:11 | |
And this is her glam cushion. | 0:30:11 | 0:30:14 | |
She can just snuggle in there, | 0:30:14 | 0:30:15 | |
and I've put a "D" there to personalise it. | 0:30:15 | 0:30:18 | |
-Sarah is thinking book storage for her barrel. -Many, many, many books. | 0:30:21 | 0:30:26 | |
I've just got to make it look like it's meant, | 0:30:26 | 0:30:29 | |
rather than an afterthought. | 0:30:29 | 0:30:32 | |
Sarah has upholstered her basket | 0:30:32 | 0:30:33 | |
in the same fabric she's used for the cushions, which is clever, | 0:30:33 | 0:30:37 | |
because that ties it in with the scheme rather nicely. | 0:30:37 | 0:30:39 | |
And she's thinking about her homeowner's needs | 0:30:39 | 0:30:42 | |
and given it a practical use, too. | 0:30:42 | 0:30:44 | |
God, I hope I never see another barrel as long as I live. | 0:30:44 | 0:30:47 | |
Unless it has got beer in it. | 0:30:47 | 0:30:50 | |
Rachel is planning a log basket. | 0:30:50 | 0:30:52 | |
She had a large basket on the fireplace, | 0:30:53 | 0:30:57 | |
and it was quite overpowering, I thought, | 0:30:57 | 0:30:59 | |
so I'm going to put this smaller one on the fireplace. | 0:30:59 | 0:31:04 | |
Well, I suppose a log basket is really useful, | 0:31:04 | 0:31:06 | |
but Rachel has hardly touched that barrel, she has just added a handle. | 0:31:06 | 0:31:10 | |
Very disappointing in terms of scale of ambition. | 0:31:10 | 0:31:13 | |
I'm stressed about the time and getting things finished. | 0:31:13 | 0:31:16 | |
Painting used to be therapeutic for me. Not today. | 0:31:16 | 0:31:21 | |
The judges have seen all four barrel projects, | 0:31:21 | 0:31:24 | |
but they'll have to reserve final judgment | 0:31:24 | 0:31:26 | |
until the items are placed in the finished schemes. | 0:31:26 | 0:31:29 | |
The upcycle challenge may test the designers' ability to adapt | 0:31:35 | 0:31:38 | |
to changing circumstances, something Tissington has been doing for years. | 0:31:38 | 0:31:43 | |
As in most traditional villages, Tissington's cottages have evolved | 0:31:43 | 0:31:46 | |
over time as the needs of their inhabitants has changed. | 0:31:46 | 0:31:50 | |
This began life as a quarryman's cottage, | 0:31:50 | 0:31:52 | |
close to the very site where its stone was cut, | 0:31:52 | 0:31:55 | |
before a dairy farmer moved in and built a little dairy to the side. | 0:31:55 | 0:31:58 | |
Then, generations later, their families have expanded | 0:31:58 | 0:32:00 | |
into the old dairy and built a new dairy to the side of that. | 0:32:00 | 0:32:04 | |
The stone used in the village's houses has a distinctive | 0:32:09 | 0:32:11 | |
two-tone look, typical of the Peak District. | 0:32:11 | 0:32:14 | |
The walls are in ordinary limestone, | 0:32:14 | 0:32:16 | |
but the door and window surrounds are in local millstone grit. | 0:32:16 | 0:32:19 | |
That's easier to precisely carve and chisel. | 0:32:19 | 0:32:22 | |
No carving or chiselling to be done in Sarah's rustic room. | 0:32:25 | 0:32:28 | |
Just more green. This time on an old table. | 0:32:28 | 0:32:31 | |
I'm going to paint one leg the darker green. | 0:32:31 | 0:32:35 | |
This will probably look like it's actually got three legs. | 0:32:35 | 0:32:38 | |
It's going to be like a visual illusion, | 0:32:38 | 0:32:40 | |
giving it style and purpose. | 0:32:40 | 0:32:42 | |
So, Sarah, one word, green. | 0:32:45 | 0:32:48 | |
I thought that might be the word you were going to use. | 0:32:48 | 0:32:50 | |
I bet everyone says, you know, if you are a garden designer, | 0:32:50 | 0:32:53 | |
-you must love green. -I should be good at this question by now. | 0:32:53 | 0:32:55 | |
-I've been asked it enough. -THEY LAUGH | 0:32:55 | 0:32:58 | |
There's no denying that the house is literally in a sea of beautiful | 0:32:58 | 0:33:03 | |
countryside, and actually to bring that indoors | 0:33:03 | 0:33:07 | |
seemed really relevant. | 0:33:07 | 0:33:08 | |
So there was good reasoning behind the green, | 0:33:08 | 0:33:11 | |
above and beyond the fact that I'm a gardener! | 0:33:11 | 0:33:14 | |
Over in Rachel's cosy cottage, she's struggling to make | 0:33:16 | 0:33:19 | |
the curtains she spent £200 buying material for. | 0:33:19 | 0:33:23 | |
It's concerned me that it's taken me three hours to make one curtain. | 0:33:23 | 0:33:27 | |
So I'm going to have to pick up the speed on that. | 0:33:27 | 0:33:30 | |
With the arrival of her client imminent, Rachel's having a wobble. | 0:33:30 | 0:33:34 | |
I've got self-doubt creeping in, it's not good. | 0:33:34 | 0:33:37 | |
Rachel, could I... Could I just have a chat with you about something? | 0:33:37 | 0:33:40 | |
Er, I was just having a look at the mid-board | 0:33:40 | 0:33:43 | |
and I saw that you'd got the TV on the top of the cupboard. | 0:33:43 | 0:33:46 | |
-OK... -I really, really would like it to be hidden away. -Right. | 0:33:46 | 0:33:50 | |
Because I'm kind of putting it with all your pictures | 0:33:50 | 0:33:52 | |
and all your books and lots of knick-knacks. | 0:33:52 | 0:33:54 | |
-I see what you're saying... -Do you know what I mean? | 0:33:54 | 0:33:56 | |
..but it won't convince me, because I hate it. | 0:33:56 | 0:33:58 | |
I kind of feel strongly that the best solution is for it | 0:33:58 | 0:34:01 | |
to go on top, so I'm going to stick with that. | 0:34:01 | 0:34:03 | |
I don't really want to give in on this. | 0:34:03 | 0:34:06 | |
I really want to dig my heels in, because it's important to me. | 0:34:06 | 0:34:10 | |
Jamie also thinks he knows best, with a balance of modern | 0:34:13 | 0:34:17 | |
and traditional in his Scandi design. | 0:34:17 | 0:34:20 | |
Just really explain to me what it is in your design that is | 0:34:20 | 0:34:23 | |
bringing the traditional Scandinavian element? | 0:34:23 | 0:34:25 | |
The organic textures and the organic materials and the fabrics | 0:34:25 | 0:34:28 | |
and kind of bringing them in. | 0:34:28 | 0:34:29 | |
I've painted the walls light and stuff like that, so an open, airy feel. | 0:34:29 | 0:34:33 | |
The penny still hasn't dropped with Jamie, that he's actually | 0:34:33 | 0:34:36 | |
got homeowners with quite traditional taste | 0:34:36 | 0:34:38 | |
and he's working in a very period, charming cottage. | 0:34:38 | 0:34:41 | |
It might be late in the day, but Jamie may just have twigged. | 0:34:43 | 0:34:47 | |
HE SIGHS | 0:34:48 | 0:34:49 | |
I feel like I've sort of missed something... Kind of research | 0:34:49 | 0:34:52 | |
and the kind of traditional... I don't know. | 0:34:52 | 0:34:55 | |
I feel really sick. | 0:34:55 | 0:34:56 | |
Nerves are getting to Lily, too, as she's swamped | 0:35:00 | 0:35:03 | |
by all of her craft projects. | 0:35:03 | 0:35:05 | |
At this stage, I'm trying to squeeze in the extra work, | 0:35:05 | 0:35:08 | |
so I'm just focusing now on getting everything to come together. | 0:35:08 | 0:35:11 | |
With a visit from her client looming, | 0:35:11 | 0:35:14 | |
she's worried it won't be enough. | 0:35:14 | 0:35:16 | |
I've put so much in this competition, | 0:35:16 | 0:35:19 | |
So much work and planning and sleepless nights. | 0:35:19 | 0:35:24 | |
I didn't realise it would take this much work. | 0:35:24 | 0:35:27 | |
Time for client and professional decorator Simon | 0:35:28 | 0:35:32 | |
to pass judgment on Lily's two-tone colour scheme. | 0:35:32 | 0:35:35 | |
You've got a very nice tidy line on that, anyway. Well done. | 0:35:36 | 0:35:39 | |
-As long as you're happy, that's the main thing! -LILY LAUGHS NERVOUSLY | 0:35:39 | 0:35:42 | |
Oh, don't you worry. I'll tell you if I'm not. | 0:35:42 | 0:35:44 | |
LILY LAUGHS | 0:35:44 | 0:35:46 | |
When I hear that he's pleased with some stuff, | 0:35:46 | 0:35:49 | |
that's just a big boost, because I feel like I'm under scrutiny. | 0:35:49 | 0:35:54 | |
There's a two-tone wall going on there. Where did that come from? | 0:35:55 | 0:35:58 | |
I was trying to be edgy! | 0:35:58 | 0:36:00 | |
But, um... It was from Mark Rothko. | 0:36:00 | 0:36:03 | |
The painter. | 0:36:03 | 0:36:05 | |
So Mark Rothko comes to the Peak District? | 0:36:05 | 0:36:08 | |
Yeah, but it has to be straight edges, though. | 0:36:08 | 0:36:11 | |
For this one! | 0:36:11 | 0:36:12 | |
Also keen to check out Lily's two-tone walls is her rival. | 0:36:14 | 0:36:18 | |
-Hi! -Hi. Hi, Rachel. | 0:36:18 | 0:36:21 | |
-Wow! I love it! -Oh! Do you? | 0:36:21 | 0:36:24 | |
Oh, I might pinch that for my own. | 0:36:24 | 0:36:26 | |
I love the contrast with the red. | 0:36:26 | 0:36:29 | |
She's clearly had the same inspiration as me, | 0:36:29 | 0:36:32 | |
with the dark beams and stuff, | 0:36:32 | 0:36:34 | |
and she's kind of gone for these, but she's gone for a two-tone, | 0:36:34 | 0:36:37 | |
which is really interesting, but kind of in my head, | 0:36:37 | 0:36:41 | |
I just need to get my room right. | 0:36:41 | 0:36:42 | |
All four designers want to get it right across their three-day challenge. | 0:36:45 | 0:36:49 | |
But the pace of change in this village is usually much slower. | 0:36:49 | 0:36:54 | |
Tissington was largely untouched by the Industrial Revolution, | 0:36:54 | 0:36:57 | |
but it did get a railway station in the late 19th century. | 0:36:57 | 0:36:59 | |
Farmers jumped at the chance to sell their produce to the | 0:36:59 | 0:37:02 | |
industrial centres of Manchester or Derby. | 0:37:02 | 0:37:05 | |
Horse-drawn carts would circulate the village | 0:37:05 | 0:37:08 | |
to collect ten-gallon milk urns from stone plinths like this, | 0:37:08 | 0:37:11 | |
before whisking them off to the station. | 0:37:11 | 0:37:14 | |
Like most of the local villages, Tissington would once have been almost entirely self-sufficient. | 0:37:19 | 0:37:24 | |
In the 19th century, there was a wheelwright, a tailor, | 0:37:24 | 0:37:26 | |
a joiner, a cheesemonger, a butcher... | 0:37:26 | 0:37:29 | |
With 48 of the 52 homes still owned by the estate, | 0:37:29 | 0:37:32 | |
it's still a thriving community. | 0:37:32 | 0:37:34 | |
But these days, the tourist trade rules the roost, | 0:37:34 | 0:37:36 | |
with antique shops, tea rooms and even an old-fashioned sweet shop. | 0:37:36 | 0:37:40 | |
It's the end of day two. | 0:37:45 | 0:37:46 | |
And tomorrow's decision on who goes home is looming large | 0:37:46 | 0:37:50 | |
for all the designers. | 0:37:50 | 0:37:52 | |
I think the reason I'm not super-confident is that | 0:37:52 | 0:37:54 | |
I still feel I have got so much to do. | 0:37:54 | 0:37:57 | |
If I had another day, I'd feel really confident. But I don't, so... | 0:37:57 | 0:38:02 | |
SHE SIGHS | 0:38:02 | 0:38:03 | |
I feel in a good place, so yeah, I'm happy. | 0:38:05 | 0:38:07 | |
But I want to take things back to the hotel and finish some sewing | 0:38:07 | 0:38:10 | |
and kind of see where it takes me, what time in the morning. | 0:38:10 | 0:38:14 | |
Tomorrow's a big day. I'm pooped. | 0:38:16 | 0:38:20 | |
For Lily, it's another night spent working into the early hours | 0:38:20 | 0:38:23 | |
as she tries to deliver all her arts and crafts. | 0:38:23 | 0:38:26 | |
It's a bit overwhelming, but I'm on the finish line. | 0:38:27 | 0:38:32 | |
Almost. | 0:38:32 | 0:38:33 | |
It's the final day of this close-run competition and come what may, | 0:38:41 | 0:38:45 | |
one of our designers will be going home today. | 0:38:45 | 0:38:48 | |
I haven't had any sleep. | 0:38:48 | 0:38:50 | |
But I'm so excited to dress this room | 0:38:50 | 0:38:52 | |
and just to see it all coming together. | 0:38:52 | 0:38:55 | |
I'm absolutely knackered, but now I'm really excited to get | 0:38:55 | 0:38:57 | |
cracking and kind of get the room finished. | 0:38:57 | 0:39:00 | |
I still believe in the design, I believe in the colours. | 0:39:00 | 0:39:03 | |
It's probably going to be nicknamed "The Sea Of Green"! | 0:39:03 | 0:39:07 | |
Right, Sarah... | 0:39:07 | 0:39:08 | |
But Sarah's day gets off to a disastrous start. | 0:39:09 | 0:39:13 | |
I came back in last night and I now know I'm not going | 0:39:13 | 0:39:18 | |
to be able to live with the ceilings in this colour. | 0:39:18 | 0:39:21 | |
We've got an issue with time now. | 0:39:21 | 0:39:23 | |
Painting back over the dark colour is going to be tricky. | 0:39:23 | 0:39:27 | |
The builders are literally pulling out all the stops to try get that ceiling painted. | 0:39:29 | 0:39:33 | |
Has Sarah managed to unite the two spaces? | 0:39:35 | 0:39:37 | |
Well, she did at the beginning, | 0:39:37 | 0:39:39 | |
because she had these two interesting greens. | 0:39:39 | 0:39:41 | |
But the homeowner got a little bit scared and | 0:39:41 | 0:39:44 | |
has actually convinced her to paint the ceilings in white, | 0:39:44 | 0:39:46 | |
and I think what she should've tried to do is compromise a little bit | 0:39:46 | 0:39:49 | |
and paint that ceiling in a stone, so the atmosphere hadn't been lost. | 0:39:49 | 0:39:52 | |
Lily is starting to see her many projects take shape. | 0:39:54 | 0:39:58 | |
First, a ruffled lampshade... | 0:39:58 | 0:40:00 | |
I was going to ditch this, but this... | 0:40:00 | 0:40:02 | |
I've spent hours on this, so... | 0:40:02 | 0:40:05 | |
..and a TV cabinet decorated with logs. | 0:40:05 | 0:40:08 | |
I'm just doing this randomly and I think it fits in | 0:40:08 | 0:40:12 | |
with the rest of the room and that's that. | 0:40:12 | 0:40:15 | |
Lily's got all her walls painted. | 0:40:15 | 0:40:16 | |
They look really, really dramatic. | 0:40:16 | 0:40:18 | |
But my concerns are, she was all about the detail. | 0:40:18 | 0:40:20 | |
There were lots of interesting little things | 0:40:20 | 0:40:23 | |
that she was showing in the presentation, | 0:40:23 | 0:40:25 | |
but we haven't seen those done yet. | 0:40:25 | 0:40:26 | |
The details are finally looking less modern in Jamie's room, | 0:40:28 | 0:40:31 | |
with some Scandi stencilling. | 0:40:31 | 0:40:33 | |
When I researched into Nordic prints, | 0:40:33 | 0:40:35 | |
I wanted to simplify it within the room. | 0:40:35 | 0:40:37 | |
I wanted it to stand out, | 0:40:37 | 0:40:38 | |
but I didn't want it to be too kind of scary. | 0:40:38 | 0:40:41 | |
It's quite Bohemian as well. | 0:40:41 | 0:40:43 | |
Has Jamie managed to bring Scandi style to remote Derbyshire? | 0:40:43 | 0:40:47 | |
He certainly has. | 0:40:47 | 0:40:49 | |
He's completely transformed that room already from dark red | 0:40:49 | 0:40:52 | |
to a really light-inducing pale grey. | 0:40:52 | 0:40:54 | |
What I'm seeing at this stage is there's no zing of colour, | 0:40:54 | 0:40:57 | |
so it's really going to be all down to the last few minutes. | 0:40:57 | 0:41:01 | |
It's also down to the last few minutes for Rachel, | 0:41:02 | 0:41:05 | |
though she still has plenty of jobs to finish. | 0:41:05 | 0:41:08 | |
I'm feeling very panicky now. | 0:41:08 | 0:41:11 | |
The enormity of what I've got to do. Oh, dear. | 0:41:11 | 0:41:15 | |
There could be tears today. | 0:41:15 | 0:41:17 | |
To add to the chaos, Rachel's had a change of heart about the TV. | 0:41:17 | 0:41:21 | |
TV-gate is weighing on my mind. | 0:41:22 | 0:41:25 | |
I've kind of just thought now that I'm just going to ask Johnny | 0:41:25 | 0:41:28 | |
to cut part of the shelf away so the TV can get snuck in there | 0:41:28 | 0:41:31 | |
and that's going to have to be the solution. | 0:41:31 | 0:41:34 | |
Rachel was asked for a very country cottage kind of look. | 0:41:34 | 0:41:37 | |
Is she delivering that? | 0:41:37 | 0:41:38 | |
She's come up with a very competent scheme, | 0:41:38 | 0:41:40 | |
but it's not blowing either of us away. | 0:41:40 | 0:41:43 | |
Well, no, because country cottage, I think, | 0:41:43 | 0:41:45 | |
is all about creating some charm and being creative, | 0:41:45 | 0:41:48 | |
making something out of nothing. | 0:41:48 | 0:41:50 | |
It all looks a bit ironed out to me. | 0:41:50 | 0:41:52 | |
Our designers have had three days and £1,000 to transform their rooms. | 0:41:54 | 0:41:58 | |
They've been tested on their client presentation skills | 0:42:00 | 0:42:03 | |
and had to show they can think fast to create an original piece | 0:42:03 | 0:42:06 | |
which will be judged in the final room. | 0:42:06 | 0:42:08 | |
Now their time is nearly up. | 0:42:10 | 0:42:12 | |
Rachel was ranked first after the presentations, | 0:42:12 | 0:42:15 | |
but the others could all overtake her | 0:42:15 | 0:42:16 | |
if she doesn't deliver a scheme with flair. | 0:42:16 | 0:42:19 | |
-CRASHING -What's broken? | 0:42:22 | 0:42:24 | |
What have I broke? The clock. | 0:42:24 | 0:42:26 | |
Oh, my God, I'm knackered. | 0:42:26 | 0:42:28 | |
Time's up. | 0:42:35 | 0:42:36 | |
Rachel's fate is now in the hands of the judges. | 0:42:39 | 0:42:43 | |
I'm very pleased it's finished. | 0:42:43 | 0:42:45 | |
It's been quite emotional, actually. | 0:42:45 | 0:42:47 | |
Much more emotional than I thought it would be. | 0:42:47 | 0:42:50 | |
Rachel's brief was to create a cosy country reading room. | 0:42:50 | 0:42:53 | |
Three days ago, the room looked plain and functional. | 0:42:55 | 0:42:58 | |
Now she's warmed things up with a deep red colour scheme, | 0:43:03 | 0:43:07 | |
contrasting with accents of light blue, | 0:43:07 | 0:43:09 | |
including the revamped bureau. | 0:43:09 | 0:43:11 | |
There's new shelving and Rachel's conceded to her client's wishes, | 0:43:13 | 0:43:17 | |
and hidden the TV in a bespoke cupboard. | 0:43:17 | 0:43:19 | |
And she's handmade the tartan curtains and cushions, | 0:43:20 | 0:43:24 | |
bringing a natural feel. | 0:43:24 | 0:43:25 | |
I'm not sure what the judges will make of it. | 0:43:27 | 0:43:29 | |
I have compromised a little bit in the way I wanted it to look, | 0:43:29 | 0:43:33 | |
but I kind of went with my heart over my head | 0:43:33 | 0:43:35 | |
and I wanted to please the homeowner. | 0:43:35 | 0:43:37 | |
I know this homeowner really wanted to add some cosiness | 0:43:39 | 0:43:41 | |
and some charm to this room and I find it very welcoming. | 0:43:41 | 0:43:45 | |
She's injected a little bit of personality. | 0:43:45 | 0:43:47 | |
I like how she's played with the blue against the red. | 0:43:47 | 0:43:50 | |
It looks really fun and playful. | 0:43:50 | 0:43:52 | |
Everything does kind of match, which slightly rubs me up the wrong way. | 0:43:52 | 0:43:56 | |
It rubs you up the wrong way - it can be a bit safe. | 0:43:56 | 0:43:58 | |
Ta-da! | 0:43:58 | 0:44:00 | |
TV cabinet. | 0:44:00 | 0:44:01 | |
I do think, though, that Rachel was sulking a little bit about putting | 0:44:01 | 0:44:04 | |
this TV in the cupboard, because she could have designed it better | 0:44:04 | 0:44:07 | |
and just lifted it up so she could actually watch it from the sofa, | 0:44:07 | 0:44:10 | |
rather than having to peer really low down. | 0:44:10 | 0:44:13 | |
The upcycle challenge is a crucial part of the judging criteria | 0:44:13 | 0:44:16 | |
and this is the first time that Sophie and Daniel | 0:44:16 | 0:44:19 | |
have seen Rachel's barrel in the finished scheme. | 0:44:19 | 0:44:21 | |
It's not had much of a transformation, but jolly useful. | 0:44:21 | 0:44:25 | |
Yeah, exactly. | 0:44:25 | 0:44:26 | |
I'm not sure if the homeowner's going to like it. | 0:44:29 | 0:44:32 | |
I think she will. I may cry if she doesn't. | 0:44:32 | 0:44:34 | |
Come in. | 0:44:37 | 0:44:38 | |
SHE GASPS Let me close the door behind you | 0:44:38 | 0:44:41 | |
and what do you think? | 0:44:41 | 0:44:43 | |
It feels much more cosy and that's what was really lacking. | 0:44:43 | 0:44:48 | |
And the best thing of all...! | 0:44:48 | 0:44:50 | |
There it is, | 0:44:52 | 0:44:53 | |
-hidden away. -Thank you, Rachel, that is perfect. | 0:44:53 | 0:44:58 | |
The only thing that I'm not sure about is the blue, | 0:44:58 | 0:45:01 | |
but I really would like to leave it for a while and see. | 0:45:01 | 0:45:04 | |
Not sure whether I'm keeping that down. | 0:45:07 | 0:45:09 | |
Next to finish is Jamie. | 0:45:09 | 0:45:11 | |
So we've got 20 minutes to get the sofas in and get everything tidied, | 0:45:12 | 0:45:16 | |
so fingers crossed. | 0:45:16 | 0:45:18 | |
Oh, God. | 0:45:18 | 0:45:20 | |
With worries all along that he misinterpreted the brief, | 0:45:20 | 0:45:23 | |
Jamie must now bring enough traditional elements | 0:45:23 | 0:45:26 | |
to prove he hasn't. | 0:45:26 | 0:45:27 | |
We got there and I absolutely love it. | 0:45:29 | 0:45:32 | |
Jamie's brief was to create a traditional, | 0:45:36 | 0:45:38 | |
Scandinavian-inspired sitting room. | 0:45:38 | 0:45:40 | |
Before, the room looked tired and cluttered. | 0:45:42 | 0:45:44 | |
Now the grey walls act as a backdrop | 0:45:49 | 0:45:52 | |
to Jamie's bespoke, boxed-in shelving. | 0:45:52 | 0:45:54 | |
He's brought in sofas from another room, | 0:45:57 | 0:45:59 | |
upholstered a chair | 0:45:59 | 0:46:01 | |
and painted log tables. | 0:46:01 | 0:46:03 | |
He's brought the traditional side, with textural cushions | 0:46:04 | 0:46:07 | |
and stencilled details. | 0:46:07 | 0:46:09 | |
I'm happy. | 0:46:11 | 0:46:12 | |
And tired. | 0:46:14 | 0:46:15 | |
First of all, I've just got to say, what a transformation. | 0:46:18 | 0:46:21 | |
Before you were welcomed into this room with that gorgeous, | 0:46:21 | 0:46:24 | |
coral-y, pink-y colour on the walls. | 0:46:24 | 0:46:27 | |
This is the total opposite end of the spectrum, | 0:46:27 | 0:46:29 | |
this very kind of cool grey, | 0:46:29 | 0:46:31 | |
-but it has definitely helped open up the space. -Yeah. | 0:46:31 | 0:46:35 | |
-But ply. -No, sorry. | 0:46:35 | 0:46:38 | |
It's a no from me. | 0:46:38 | 0:46:39 | |
It's a very industrial, raw, slightly urban material to use. | 0:46:39 | 0:46:43 | |
-It just looks wrong. -It's a bit of a no. | 0:46:43 | 0:46:44 | |
I'm not completely convinced that he's been very sympathetic | 0:46:44 | 0:46:47 | |
to the age of the property, | 0:46:47 | 0:46:48 | |
or really some of the more traditional, Bohemian, | 0:46:48 | 0:46:51 | |
folksy elements that were asked of by the homeowners. | 0:46:51 | 0:46:54 | |
I don't know, I think he's hit that quite nicely and quite subtly. | 0:46:54 | 0:46:58 | |
I like the stencilling on the shutters. | 0:46:58 | 0:47:00 | |
It almost looks like a Fair Isle jumper. | 0:47:00 | 0:47:03 | |
Jamie's also stencilled his barrel upcycle, | 0:47:04 | 0:47:07 | |
which the judges can see for the first time in the room. | 0:47:07 | 0:47:10 | |
Brilliant, because look at the shapes and the angles with the wood. | 0:47:10 | 0:47:13 | |
He's placed them out, he's given it a nice texture | 0:47:13 | 0:47:16 | |
and rhythm and movement. | 0:47:16 | 0:47:18 | |
Yeah, I like that very much. | 0:47:18 | 0:47:19 | |
I'm just kind of excited to finally kind of hear feedback, | 0:47:23 | 0:47:25 | |
whether the homeowner likes it. | 0:47:25 | 0:47:27 | |
So come inside. | 0:47:29 | 0:47:30 | |
Wow! | 0:47:30 | 0:47:32 | |
You wanted a kind of traditional Scandi kind of style. | 0:47:32 | 0:47:36 | |
He's gone for quite temporary. | 0:47:36 | 0:47:39 | |
Yes, love it! | 0:47:39 | 0:47:40 | |
Absolutely love it. It's deviated from the brief, | 0:47:40 | 0:47:44 | |
but he has respected what we're after. | 0:47:44 | 0:47:47 | |
Next due to finish is Lily. | 0:47:51 | 0:47:54 | |
Right, my painted foot stool to look like leather. | 0:47:54 | 0:47:58 | |
Now she must display all her handmade crafts. | 0:47:58 | 0:48:01 | |
Right, done. | 0:48:04 | 0:48:06 | |
SHE GROANS | 0:48:06 | 0:48:07 | |
I'm looking forward to the judging. | 0:48:09 | 0:48:11 | |
If I go through to the next round, it'll be such a rewarding result. | 0:48:11 | 0:48:16 | |
Lily was asked to create an autumnal, dog-friendly scheme. | 0:48:17 | 0:48:21 | |
Before, the sitting room was well worn. | 0:48:23 | 0:48:25 | |
Now, it's vibrant, with colour-blocked walls. | 0:48:30 | 0:48:33 | |
The sofa and armchair have been restored with the old curtains, | 0:48:35 | 0:48:39 | |
while the footstool fabric has been painted. | 0:48:39 | 0:48:41 | |
And Lily's added an array of handmade soft furnishings | 0:48:43 | 0:48:46 | |
and decorative details. | 0:48:46 | 0:48:47 | |
The judges can have as long a look as they like. | 0:48:49 | 0:48:53 | |
And I hope they like it. | 0:48:53 | 0:48:55 | |
You know, we always say we want the designer to give | 0:48:57 | 0:49:01 | |
a little bit more than they're asked for. | 0:49:01 | 0:49:03 | |
-She has! -They've got it, yeah, definitely! | 0:49:03 | 0:49:05 | |
Yeah, this room's dark, | 0:49:05 | 0:49:07 | |
so she's painted these lovely, warm, rich red colours, | 0:49:07 | 0:49:11 | |
but she's done this interesting colour blocking all the way | 0:49:11 | 0:49:14 | |
-round the room. -I really like the way she's dealt with the sofa. | 0:49:14 | 0:49:17 | |
She's covered it in some beautiful fabrics. | 0:49:17 | 0:49:19 | |
We've got wools and velvets. | 0:49:19 | 0:49:20 | |
There are some really quite mad, | 0:49:20 | 0:49:22 | |
left-field things going on in this room. | 0:49:22 | 0:49:24 | |
I really don't like those bits of wood | 0:49:24 | 0:49:26 | |
stuck on that rather smart cabinet. | 0:49:26 | 0:49:27 | |
Maybe there's just too many gimmicks. | 0:49:27 | 0:49:31 | |
One gimmick Lily took very seriously | 0:49:31 | 0:49:33 | |
was the upcycled barrel dog bed. | 0:49:33 | 0:49:35 | |
It's a little spot for Dogbert to curl up in. | 0:49:35 | 0:49:37 | |
She is just not going to know she's born - | 0:49:37 | 0:49:39 | |
she's even got her own little velvet cushion. | 0:49:39 | 0:49:41 | |
Yeah, a miniature kennel in the room - | 0:49:41 | 0:49:43 | |
rather a nice thing, isn't it? | 0:49:43 | 0:49:44 | |
The homeowners are my biggest concern. | 0:49:46 | 0:49:48 | |
I would love them to be pleased with my design | 0:49:48 | 0:49:51 | |
and how it all came together. | 0:49:51 | 0:49:53 | |
Come in, come in. | 0:49:54 | 0:49:56 | |
-Mm-hm! -Goodness! | 0:49:56 | 0:49:58 | |
-Goodness me! -Goodness, goodness, goodness! | 0:49:58 | 0:50:00 | |
-Right... -Ooh, Dogbert! He's got a new bed! | 0:50:00 | 0:50:03 | |
Does it feel cosy enough? | 0:50:03 | 0:50:04 | |
You wanted something cosy and rustic and autumnal. | 0:50:04 | 0:50:07 | |
It does, actually, yes. | 0:50:07 | 0:50:08 | |
The fireplace looks good as well. | 0:50:08 | 0:50:10 | |
Yes, I really like it, it's very nice. | 0:50:10 | 0:50:11 | |
She's caught the brief very well. | 0:50:11 | 0:50:13 | |
Finally, Sarah. | 0:50:16 | 0:50:18 | |
Having come last in the client presentation judging, | 0:50:18 | 0:50:20 | |
she's got a lot to make up for | 0:50:20 | 0:50:22 | |
and the new white ceiling isn't giving how much hope. | 0:50:22 | 0:50:25 | |
It's not ideal, | 0:50:25 | 0:50:28 | |
but it is what it is and I can't do anything about it now. | 0:50:28 | 0:50:31 | |
It has been manic today, | 0:50:36 | 0:50:38 | |
but it's been really nice to see everything come together. | 0:50:38 | 0:50:42 | |
Sarah's brief was to design a rustic sitting room. | 0:50:42 | 0:50:45 | |
Before, it was unfinished and needed unifying. | 0:50:47 | 0:50:50 | |
Now it has a new colour palette, | 0:50:55 | 0:50:57 | |
the deep, dark green alongside the lighter shade. | 0:50:57 | 0:51:00 | |
Sarah's upcycled pieces of furniture | 0:51:04 | 0:51:07 | |
and created a ladder bookshelf. | 0:51:07 | 0:51:08 | |
She's also linked the outside in with green soft furnishings | 0:51:10 | 0:51:14 | |
adding to the rustic scheme. | 0:51:14 | 0:51:16 | |
-OK. -I really like it, cos it sort of feels like it has all come together. | 0:51:21 | 0:51:24 | |
It's rustic, it's charming. | 0:51:24 | 0:51:27 | |
What do you think of this colour, | 0:51:27 | 0:51:29 | |
now that we've got all the other accents brought in? | 0:51:29 | 0:51:31 | |
It's a little bit too synthetic for a cottage. | 0:51:31 | 0:51:34 | |
It would have been better with some sort of wash on the walls, | 0:51:34 | 0:51:37 | |
-something dirtier. -Yeah, a little muddier. -Earthier. -Yeah. | 0:51:37 | 0:51:41 | |
The all-important upcycled barrel is in the room, | 0:51:41 | 0:51:44 | |
so what do they think of it in situ? | 0:51:44 | 0:51:46 | |
Been upholstered... | 0:51:46 | 0:51:48 | |
-Beautifully. -..and turned into a book bucket. | 0:51:48 | 0:51:50 | |
Never thought of having a bucket for books. | 0:51:50 | 0:51:52 | |
No, I've never seen it before either, | 0:51:52 | 0:51:54 | |
but he clearly has a big collection of books. | 0:51:54 | 0:51:57 | |
The big challenge for Sarah here was unifying the space | 0:51:57 | 0:52:00 | |
-and getting that right isn't easy. -It works very well. | 0:52:00 | 0:52:03 | |
I love this area, because it's quite a tricky area to deal with, | 0:52:03 | 0:52:07 | |
it's very small and it's very tall. | 0:52:07 | 0:52:09 | |
I wish that ceiling was dark, | 0:52:09 | 0:52:11 | |
it would help kind of create this cosy vibe. | 0:52:11 | 0:52:13 | |
I'm still concerned that the homeowner | 0:52:17 | 0:52:19 | |
won't like the overall colours. | 0:52:19 | 0:52:22 | |
I've got my fingers firmly crossed that he's going to come in | 0:52:22 | 0:52:25 | |
and go, "Now I get it." | 0:52:25 | 0:52:26 | |
Oh, my goodness me. | 0:52:30 | 0:52:31 | |
Gosh, it's so different. | 0:52:32 | 0:52:33 | |
Shall we go and have a look at the other space? | 0:52:33 | 0:52:36 | |
-One of the key tasks she had was to unify... -Yes. | 0:52:36 | 0:52:39 | |
It's not what I would have chosen. | 0:52:39 | 0:52:42 | |
Funnily enough, I like this green. | 0:52:42 | 0:52:43 | |
I've never been 100% certain that it works with that green. | 0:52:43 | 0:52:48 | |
Whether long-term I will keep with the green theme, | 0:52:48 | 0:52:53 | |
but the concept is excellent. | 0:52:53 | 0:52:55 | |
Now the four amateurs can only wait | 0:52:59 | 0:53:01 | |
to find out who will be going through to the next round | 0:53:01 | 0:53:04 | |
and which one will be going home. | 0:53:04 | 0:53:06 | |
I think everyone will be proud of what they've achieved. | 0:53:06 | 0:53:09 | |
-So intense. -We got through it, though. | 0:53:09 | 0:53:12 | |
I've given, yes, everything I can to this design, | 0:53:12 | 0:53:15 | |
so I guess we'll see if I've done enough. | 0:53:15 | 0:53:17 | |
I love the rooms and it's kind of given me a feeling | 0:53:17 | 0:53:21 | |
that, yeah, I could do this. | 0:53:21 | 0:53:23 | |
Do I want to go through to the next round? | 0:53:23 | 0:53:25 | |
It's been so exhausting and emotionally draining. | 0:53:25 | 0:53:28 | |
I'm not sure! | 0:53:28 | 0:53:30 | |
Sarah's homeowner wanted something rustic | 0:53:34 | 0:53:37 | |
that unified the two parts of that space. | 0:53:37 | 0:53:39 | |
-How did she do? -She used a lot of green and it certainly made me | 0:53:39 | 0:53:43 | |
feel very nervous, but the end result was a very cohesive scheme. | 0:53:43 | 0:53:47 | |
I love Sarah's inventiveness. | 0:53:47 | 0:53:49 | |
I was constantly entertained as it travelled round the room. | 0:53:49 | 0:53:52 | |
Well, the homeowner, he liked it. | 0:53:52 | 0:53:54 | |
He wasn't entirely convinced by the green. | 0:53:54 | 0:53:58 | |
He loved her styling. | 0:53:58 | 0:53:59 | |
-Yeah. -Yeah, the styling's great. | 0:53:59 | 0:54:00 | |
So Lily was asked for something cosy and rustic - did she deliver? | 0:54:00 | 0:54:04 | |
Actually, I think she delivered what she promised. | 0:54:04 | 0:54:07 | |
The concern is, | 0:54:07 | 0:54:08 | |
was it at the right quality level? | 0:54:08 | 0:54:10 | |
I must admit, I was really impressed that she delivered | 0:54:10 | 0:54:13 | |
on the practical elements, then she gave them quite a flourish. | 0:54:13 | 0:54:16 | |
Yeah, but I'm just worried if there were one too many flourishes. | 0:54:16 | 0:54:19 | |
She needs to learn not to be quite so ambitious. | 0:54:19 | 0:54:21 | |
-You want to hear what the homeowner thought? -Mmm. | 0:54:21 | 0:54:24 | |
An exacting client - painter and decorator, so he cast his eye. | 0:54:24 | 0:54:27 | |
-He could find very few faults. -Wow! | 0:54:27 | 0:54:29 | |
Rachel's homeowner wanted a warm reading room. | 0:54:29 | 0:54:32 | |
Did she get it? | 0:54:32 | 0:54:34 | |
She was a little defiant with the brief, actually. | 0:54:34 | 0:54:37 | |
Her homeowner really doesn't like blue - | 0:54:37 | 0:54:39 | |
she put the blue in anyway, | 0:54:39 | 0:54:40 | |
but then we had the issue with the TV. | 0:54:40 | 0:54:43 | |
But she got a very warm, welcoming reading room. | 0:54:43 | 0:54:46 | |
Our concern, though, is was it edgy enough? | 0:54:46 | 0:54:49 | |
Well, you got one happy homeowner. | 0:54:49 | 0:54:52 | |
What is rather nice about Rachel - | 0:54:52 | 0:54:54 | |
she's pushed her client slightly out of her parameter, | 0:54:54 | 0:54:57 | |
-but not too far. -So Jamie was asked for a Scandinavian retreat. | 0:54:57 | 0:55:00 | |
Did he deliver on the brief? | 0:55:00 | 0:55:02 | |
Well, he did deliver Scandinavian, | 0:55:02 | 0:55:04 | |
but the brief also talked about traditional elements. | 0:55:04 | 0:55:07 | |
For me, that's where he completely veered off | 0:55:07 | 0:55:10 | |
into a far too contemporary interpretation. | 0:55:10 | 0:55:12 | |
But the fact is, he was bursting with ideas and he's got it in him. | 0:55:12 | 0:55:16 | |
The homeowner I know had some misgivings, | 0:55:16 | 0:55:19 | |
to begin with - loved it. | 0:55:19 | 0:55:21 | |
Loved it, loved it, loved it. | 0:55:21 | 0:55:24 | |
-It seems incredibly close this time. -It is really close. | 0:55:24 | 0:55:27 | |
And it's going to be a really difficult decision to make. | 0:55:27 | 0:55:30 | |
So, designers, it doesn't get better than this. | 0:55:43 | 0:55:45 | |
Look at this picture postcard landscape. | 0:55:45 | 0:55:48 | |
It takes some gumption to rise to the challenge, | 0:55:48 | 0:55:50 | |
but I think you four did. | 0:55:50 | 0:55:52 | |
I just hope you've all really enjoyed | 0:55:52 | 0:55:54 | |
designing for these charming country cottages. | 0:55:54 | 0:55:57 | |
And I have to say, we've got four very strong designers | 0:55:57 | 0:56:00 | |
and it's been quite a tough decision to make. | 0:56:00 | 0:56:04 | |
One of you, though, has to go home | 0:56:04 | 0:56:06 | |
and the designer going home this time | 0:56:06 | 0:56:09 | |
is... | 0:56:09 | 0:56:11 | |
..Rachel. | 0:56:15 | 0:56:17 | |
-Aww! -Give her a hug! | 0:56:21 | 0:56:23 | |
It's fine, it's fine! I'm relieved! | 0:56:25 | 0:56:27 | |
A little disappointed, cos like I said, the process has been great. | 0:56:28 | 0:56:33 | |
But there's also a little bit of relief | 0:56:33 | 0:56:36 | |
that I kind of don't have to go through all of that again! | 0:56:36 | 0:56:39 | |
-I love it! -Really?! | 0:56:40 | 0:56:41 | |
-I really love it. -Oh, I'm so pleased! | 0:56:41 | 0:56:44 | |
Losing Rachel has been one of the toughest choices, | 0:56:44 | 0:56:46 | |
because her room was just gorgeous, | 0:56:46 | 0:56:49 | |
but I didn't feel that she pushed it enough | 0:56:49 | 0:56:51 | |
and that's what you have to do to stay in this competition. | 0:56:51 | 0:56:54 | |
INDISTINCT CONVERSATION | 0:56:54 | 0:56:56 | |
My overwhelming feeling going through to the next round | 0:56:56 | 0:57:01 | |
is, I guess, grateful that I've achieved something | 0:57:01 | 0:57:04 | |
from all the hard work. | 0:57:04 | 0:57:06 | |
The whole thing - very, very well done. | 0:57:06 | 0:57:09 | |
In the next round for Lily, she needs to manage her time, | 0:57:09 | 0:57:12 | |
because she took too much on and the quality suffered a little bit. | 0:57:12 | 0:57:16 | |
THEY CONSOLE RACHEL | 0:57:16 | 0:57:18 | |
Absolutely over the moon and I kind of just want to get started | 0:57:19 | 0:57:22 | |
finding the brief and what's to happen and what's to come. | 0:57:22 | 0:57:26 | |
-Hi. -Hi! Really brilliant. -Great. | 0:57:26 | 0:57:29 | |
I'm going to have to smarten up to live in it, I think. Jamie... | 0:57:29 | 0:57:32 | |
-Thank you. -..it's been a pleasure. | 0:57:32 | 0:57:34 | |
For someone so young, | 0:57:34 | 0:57:35 | |
Jamie already shows such a high level of competence, | 0:57:35 | 0:57:39 | |
but he really needs to learn how to nail that brief | 0:57:39 | 0:57:42 | |
and consider the people he's designing for and the place. | 0:57:42 | 0:57:46 | |
INDISTINCT CHATTER | 0:57:46 | 0:57:48 | |
One step at a time, see how far I go. | 0:57:48 | 0:57:51 | |
If I get to keep doing it, then brilliant. | 0:57:51 | 0:57:53 | |
And if I don't, then it's been a blast. | 0:57:53 | 0:57:56 | |
Moving forward, Sarah needs to improve her presentation skills. | 0:57:56 | 0:57:59 | |
She didn't keep her client with her | 0:57:59 | 0:58:01 | |
and she had to make some changes that she wasn't happy with. | 0:58:01 | 0:58:03 | |
-Now I've got to do it again! -You have, you've got to do it again. | 0:58:03 | 0:58:06 | |
-Will it be green? -No. -Oh! -Don't you start! | 0:58:06 | 0:58:09 | |
Next time, unusual half houses in north London, | 0:58:11 | 0:58:15 | |
-where Sarah, Jamie... -Perfect. | 0:58:15 | 0:58:18 | |
-..and Lily... -Slinky. | 0:58:18 | 0:58:20 | |
..compete for just two places in the next round. | 0:58:20 | 0:58:22 | |
The designer going home will be... | 0:58:22 | 0:58:25 |